LCD - Organizer

11:43 am | August 3, 2022

Author: admin | Category: Cameras Computers DSLRs Gadgets | Tags: AF, EOS, LCD | Comments: Off

Editor's Note

• Original review date: May 2022
• Canon's first flagship APS-C model for mirrorless
• Launch price: $1,499 / £1,349 / AU$2,349 (body only)
• Official price now: $1,399 / £1,379 / AU$2,469

Update: February 2024. Canon has filled out its APS-C range of cameras for EOS R mount mirrorless, but the EOS R7 remains the flagship model that still offers excellent value if you don't need full-frame. No other camera in this crop sensor format can better the EOS R7's 32.5MP resolution, and that class-leading detail is supported by excellent in-body stabilization, rapid high-speed shooting and superb autofocus performance. In short, the EOS R7 remains an excellent camera for wildlife and sports photography. Unfortunately there's still a sore lack of native RF-S lenses to choose from. If you're keen on wildlife and looking for a high performance telephoto lens, you'll need to use one of Canon's full-frame RF offerings, like the RF 100-400mm F5.6-8 or the pricier RF 100-500mm F4.5-7.1 L. The uncertainty surrounding the system's lenses is worrying, but the EOS R7 itself is a certainty as one of the best mirrorless cameras in its class. The rest of this review remains as previously published.

Canon EOS R7: Two-minute review

If you're a keen amateur photographer who also likes to shoot video, the Canon EOS R7 is one of the best cameras you can buy and also the sweet spot in the camera giant's EOS R range for amateur shooters.

Sitting in between classic DSLRS like the Canon EOS 7D Mark II and EOS 90D, it combines Canon's latest Dual Pixel CMOS AF II autofocus system with speedy 15fps burst-shooting speeds (or even 30fps speeds, when you use its electronic shutter). It's pricier than the Canon EOS R10, but the R7's higher-resolution 32.5MP sensor, in-body stabilization, deeper buffer and dual card slots will justify the cost for many.

Unlike Canon's full-frame cameras, the EOS R7 has an APS-C sensor. While these can't gather as much light as the full-frame sensors seen in cameras like the Canon EOS R6, they do bring a few benefits – including a smaller, lighter overall camera system and a lower price tag.

For its price, the EOS R7 delivers an impressive range of features that show why it's now Canon's flagship APS-C camera. Unlike the EOS 90D, you get in-body image stabilization (IBIS), which helps preserve image quality when you're shooting handheld. You also get two UHS-II card slots and a solid range of video-shooting specs, including headphone and microphone inputs, plus the ability to shoot uncropped 4K/60p video.

The Canon EOS R7 camera sitting on a stone step — (Image credit: Future)

Together, these features make the EOS R7 one of the best mirrorless cameras who can't justify Canon's full-frame models, which share the same RF-mount. But this mount is also, currently, the EOS R7's main weakness – at the time of writing, there are only two native RF-S lenses for this camera's sensor.

One of these lenses is an 18-150mm 'all-rounder' that comes available in a package with the EOS R7, with the other being an 18-45mm f/4.5-6.3 kit lens. Other than these two lenses, you have two choices when it comes to optics – use existing full-frame RF lenses, or use either EF or EF-S lenses via the optional EF-to-RF adapter. Neither solution is ideal for keeping things on the light and small side, but hopefully as the system ages, it will also grow to include more options.

Confusingly, you might already be aware of Canon’s 'other' APS-C mirrorless system, which uses the EF-M mount. Lenses from this system are not compatible with the EOS R series' APS-C models, and there’s no way to mount them via an adapter either. Canon has yet to outwardly admit that it’s going to stop making EF-M models. But the arrival of the EOS R7 and EOS R10 means the EF-M series has now likely reached its end.

Aside from this limited range of native lenses, the EOS R7 is otherwise an excellent all-rounder. With up to 30fps shooting combined with Canon’s latest autofocus wizardry, it’s a dream for wildlife, action and sports photographers – especially as that crop sensor will allow you to get closer to the action with your long lenses.

Canon EOS R7 specs

Sensor: 32.5MP APS-C CMOS
AF points: 5915 manually selectable, 651 automatic selection
Video: 4K/60p, Full HD/60p, High-speed 120p Full HD
Viewfinder: 0.39-inch OLED 2.36m-dot resolution
Memory card: Double SD/SDHC/SDXC UHS-II
LCD: 2.95-inch vari-angle touch 1.62m-dot
Max Burst: 15fps mechanical shutter (buffer 224 JPEG / 51 raw), 30fps electronic shutter (buffer 126 JPEG / 42 raw)
Connectivity: Wi-Fi, Bluetooth
Size: 132 x 90.4 x 91.7mm
Weight: 612g (inc. battery and SD card)

You also get in-body stabilization (IBIS), something that was missing from Canon's mid-range Canon DSLRs. With up to eight stops of compensation, this is ideal for shooting handheld with slower shutter speeds or in low light.

The EOS R7 is also a nice little camera to use. You get a reasonably solid and chunky grip, plus a good range of dials and buttons that make it enjoyable to change the settings in different situations. Its vari-angle touchscreen is also helpful for shooting from different angles – and while the electronic viewfinder is a little pedestrian, it does the job.

Dual UHS-II card slots are a nice bonus for a camera like this (and at this price), hinting it might also be favored by pros looking for a good, fast backup model to their main full-frame body. A range of useful video specifications, including uncropped 4K/60p video, round out the specs sheet nicely to make the R7 a great little all-rounder.

In our real-world tests, the camera produced lovely images in a range of conditions, though as we’d expect it’s not quite on par with full-frame siblings when it comes to low-light or high ISO shooting.

The main problem is that lack of a real lens system to harness the EOS R7's potential. Having to compromise on lenses from the get-go isn’t ideal, particularly when the likes of Sony and Fujifilm have a solid set of lenses to back up APS-C cameras like the Sony A6600 and Fujifilm X-T5. But if the R7 and R10 prove to be as popular as Canon surely hopes they will be, that lack of native lenses should become less of a problem in time.

Canon EOS R7: release date and price

Available to order now
$1,499 / £1,349 / AU$2,349 (body only)
$1,899 / £1,699 / AU$1,959 (with 18-150mm lens)

The Canon EOS R7 is pretty aggressively priced to make it much more appealing to those on a budget, compared to full-frame models. It also compares favorably to other APS-C big-hitters, too.

The EOS R7 is just a shade more expensive than the three-year-old Sony A6600. It’s also significantly cheaper than the higher-spec Fujifilm X-H2S, another flagship model with fast-shooting and quick-autofocusing smarts.

It’s a little closer in price to the Fujifilm X-T5 – the EOS R7 edges it on autofocusing but loses on native lenses, so a decision between the two very much depends on your existing lens collection.

Older full-frame Canon tech, such as the full-frame Canon EOS RP, is available for less than the EOS R7, but uses much older technology that means autofocusing and video is not a patch on the R7.

We’re yet to see a direct 'entry-level' full-frame replacement for the Canon EOS RP, and it's possible that one could be coming in 2023. Right now, there's no real evidence to suggest an EOS RP successor is imminent, and the EOS R7 nicely fills the gap as an affordable mirrorless camera for hobbyists, as long as you prefer the advantages of APS-C cameras over full-frame.

Canon EOS R7 review: design

Combined control wheel and joystick
Vari-angle screen and modest viewfinder
Weather-sealing to same standard as EOS 90D DSLR

Canon has combined elements from both its DSLR line-up and its existing EOS R series cameras to make the EOS R7 both portable and intuitive.

If you’ve used a Canon EOS camera before, you’ll likely be very at home. But even if this is your first time with the brand, it won't be too difficult to find everything you need. Impressively for such a small camera, the EOS R7 manages to include a deep chunky grip, which should prove popular among photographers. At the same time, the overall size of the camera isn't too big for travel shooting.

As you’d expect for a mid-range cameras you don’t get a top-plate LCD for quickly checking settings. The same is true of the full-frame EOS R6, so APS-C users shouldn’t feel too hard done by here. What you do get is a sensibly laid out control system, which includes a mode dial to the right of the viewfinder, a control dial just behind the shutter button and dedicated buttons just behind that for ISO and video recording.

Flipping to the back of the camera, there’s a joystick-cum-control wheel hybrid that some will love, and others may well hate. It does take some getting used to, especially if you’re an existing Canon owner. But after a few days in its company, it works quite well in tandem with the principal control dial. The dials can be used to adjust shutter speed and aperture – depending on the shooting mode you’re in – as well as flip through menu items and images in playback.

The joystick is ideal for moving the AF point around the frame when shooting through the viewfinder, though you can also use the screen to do this so long as you have 'Touch and Drag' enabled in the main menu.

Other buttons include a four-way d-pad, a useful ‘Q’ button for quickly accessing your common settings, and buttons for playback and deleting photos. Almost all of the controls are found on the right-hand side of the camera, which is ideal for one-handed operation, with the small size of the body meaning everything is within easy reach of your thumb.

If you’re moving to the EOS R7 from a DSLR, one thing you might find yourself getting used to is an electronic viewfinder. The R7’s is arguably a little dated, offering 2.36m-dots, 1.15x magnification and a 120fps refresh rate. But if you’ve never used anything better, then you’ll likely find it perfectly serviceable. Those switching from a DSLR can also switch on OVF (optical viewfinder) simulation, which might help ease you in if you’re not totally convinced about EVFs just yet.

The fully articulating touchscreen is just shy of three inches, but being able to maneuver it into whatever position you need is helpful for video and awkward angle shots. It’s also nice to be able to fold the camera's screen in on itself when carrying it in a bag to keep it free of scratches. A similar standard of weather-sealing to the EOS 90D means the EOS R7 should be able to stand up to a light sprinkling of rain, but we’d probably keep it away from heavy downpours or extensive sea-splashes where possible.

Some had expected the EOS R7 – a camera for wildlife/sports fans – to include a CFexpress slot for ultra-fast shooting. Instead, we get double UHS-II slots. On the one hand, it’s a shame not to have the speeds of CFexpress, but it’s not particularly surprising for an APS-C camera at this price, and it’s undeniably a more straightforward setup. It’s also a lot cheaper to buy SD cards for now, so it’s a better setup for those on a budget.

Design score: 4.5/5

Canon EOS R7 review: features and performance

Dual Pixel CMOS AF II, subject recognition and eye-detection
Up to 30fps shooting with electronic shutter
500-shot battery life

The Canon EOS R7 is being heavily targeted towards wildlife and sports shooters, thanks to its high-quality autofocusing and burst-shooting prowess. If you’re coming across from an older DSLR, it's this technology that's likely to impress you the most. It also outshines some of the older EOS R entry-level models, as well as Canon’s EOS M APS-C models, too.

This power is ably supported by Dual Pixel CMOS AF II, which is Canon’s latest autofocusing system. Broadly speaking, this is something we’ve seen on more advanced full-frame models like the EOS R5 and the EOS R6, which means you get very good performance for the price.

Covering the whole frame, Dual Pixel CMOS AF II also includes clever and useful technology such as intelligent subject-tracking, which can identify animals (dogs, cats and birds), vehicles and people.

Pro cameras like the EOS R5 and R6 have more AF zones (1,053) than the R7 (651 when the camera is left to automatically select them), so it isn't exactly the same system as Canon's pricier models. But in our tests it kept up extremely well with whatever subject we were trying to follow across the frame, almost unfalteringly so.

As well as subject-tracking, you'll also see face and eye-detection kick in when you're photographing animals or humans. This also works impressively well – during our tests, it was able to pick out a bird’s eye from a few hundred meters away and easily track it around the frame.

Similarly, when photographing a dog running around the beach, it did exactly the same – keeping up with a dark eye surrounded by dark fur. Human eyes are just as easily picked out, making it ideal for sports photography and portraits.

Of course, you also need fast shooting speeds for sports and wildlife, and the EOS R7 offers this, too. You get up to 15fps with the mechanical shutter, which is pretty good in itself, but switching to the electronic shutter you get around 30fps. Considering this includes raw shooting and continuous AF, that's excellent for the price. The trade-off is the risk of rolling shutter – which can give slanted vertical lines – but this isn’t something we experienced much.

While 30fps is great, what you don’t get is the same deep buffer such as you’d see on a more expensive model like the EOS R6 or the R5. At 30fps, the camera will need to take a pause after just 42 raw files. But as long as you aren’t too trigger happy and practice controlled bursts, this will be enough for most hobbyist users hoping to catch a specific moment.

It’s worth noting that to take full advantage of these speeds, you’ll need a fast UHS-II memory card. We found when photographing a fast running dog, more shots were in focus than weren’t, making photographing wildlife, sports and action easier than ever before at this price. That said, it's worth noting that the EOS R10 offers a similar hit-rate and is even cheaper than the EOS R7.

The 500-shot quoted battery life is decent for a mirrorless camera. Remember also that this is a lab-specification – in real-world shooting, you can also always eke out more shots if you’re careful with power saving or if you're not doing something power intensive (like shooting 4K video).

In our tests, the camera always lasted a full day without dropping more than a couple of bars of battery. You can also charge the camera via USB, so if you were particularly concerned, you could always carry a battery pack for power bursts on the go.

Features and performance score: 4.5/5

Canon EOS R7 review: image and video quality

At 32.5MP, the EOS R7 has a high megapixel count for an APS-C camera. The advantages of this are that images are beautifully detailed, plus you’ve got good scope for cropping – which often comes in handy when shooting wildlife and action-type subjects.

The downside of all those pixels crammed onto a fairly small surface area is that low-light shooting can’t compete with full-frame models, or even APS-C models with more modest resolutions. That might not be too much of an issue for most photographers, but there are some instances where it can lead to less than perfect imagery. For example, during our test, we used the RF 600mm f/11 lens.

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A pink flamingo in front of other flamingos at a nature reserve — The R7’s subject detection and eye-recognition picked out the eye on this bird from quite some distance away, following it easily around the scene. (Image credit: Future)

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A flamingo shaking its head and releasing water droplets — Shooting with lenses like the 600mm f/11 and an APS-C sensor means that you might have to shoot at high ISOs even in relatively good light – some image smoothing can be seen here. (Image credit: Future)

While this is a great lens for wildlife shooting, thanks to its compact size and long reach (960mm equivalent when mounted to the R7), having f/11 as its maximum aperture generally means using fairly high ISOs, even when light is pretty abundant.

The resulting photos show a reasonable degree of noise and image smoothing. This isn't too bad when looking at images at small sizes, but is pretty apparent as soon as you view them at full size or scrutinize them closely.

On the whole, though, we’ve been very impressed by the EOS R7's image quality. Colors are rich, warm and attractive, just as we’d expect from Canon. The automatic white balance setting proved a winner in every lighting scenario we threw at it - and you can even ask it to prioritize warm tones or cool tones depending on your preference.

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The petals of a white flower in a field — You can still achieve attractive shallow depth of field effects even with the smaller than full-frame sensor and shooting at reasonably narrow apertures. (Image credit: Future)

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A dark street leading to a high-rise building — Evaluative metering does a good job of providing well-balanced exposures, even when there are areas of high-contrast. (Image credit: Future)

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A small dog running on the beach — The R7 easily keeps up with fast moving subjects. This image has been cropped slightly for better composition - something which the 32.5 megapixel sensor gives you plenty of scope to do. (Image credit: Future)

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A small dog running on a beach — ye-recognition works very well for animals, keeping the image sharp where you want it to be. (Image credit: Future)

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A tomb inside a church — Shooting in low light reveals some loss of detail, plus some image smoothing, but it’s still perfectly usable at normal sizes. This image shot at ISO 10000. (Image credit: Future)

The all-purpose metering mode (known as evaluative metering for Canon cameras) worked well to produce well-balanced exposures, even when presented with high-contrast scenarios.

Raw files show a good amount of scope for making adjustments, allowing you to pull back a good degree of missing detail in lowlights and highlights when you need to. You can also change the balance of smoothing and noise if you’d prefer to see a little more detail than the JPEG output provides.

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A man looking away in front of a graffitied wall — Colors, including skin-tones, are rendered very nicely in straight out-of-camera JPEGs. (Image credit: Future)

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The interior of a large church — The EOS R7’s sensor is capable of capturing plenty of detail. (Image credit: Future)

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The roof of a stadium in front of a cloudy sky — (Image credit: Future)

Video quality is also good, with the benefit of uncropped 4K/60p video with 4:2:2 10-bit color depth. We’ve been critical of Canon’s mid-range (EOS M) mirrorless options for their video limitations for some time, so it’s nice to see a good hybrid camera at a reasonable price.

Content creators may want to consider the EOS R7, especially considering other useful features include the flip-out screen, mic and headphone sockets. One downside of video is that there’s no 4K/120p mode for slow-mo shooting, but that won’t be a deal-breaker for most.

Image and video quality score: 4/5

Should I buy the Canon EOS R7?

Buy it if...

Don't buy it if...

Canon EOS R7: Also consider

If our Canon EOS R7 review has you considering other options, here are three more mirrorless cameras to consider...

Testing scorecard

Fujifilm X-T30 II review

7:11 pm | May 4, 2022

Author: admin | Category: Cameras Computers Gadgets Mirrorless Cameras | Tags: AF, LCD | Comments: Off

Editor's Note

• Original review date: May 2022
• A modest upgrade to Fujifilm's APS-C mirrorless hybrid
• Launch price: $899 / £749 / AU$1,585 (body only)
• Official price now: $999 / £799 / around AU$1,349 (body only)

Update: May 2024. Picking up where the X-T30 left off, Fujifilm’s second-gen mirrorless hybrid doesn’t change too much. It remains a beginner-friendly, retro-style camera with a solid set of specs, including strong autofocus and uncropped 4K recording with the same 26.2MP APS-C X-Trans CMOS sensor as before. Given that the original X-T30 is now harder to find in new condition, the Mark II is Fujifilm’s most affordable option for beginners who want a travel-friendly camera with a capable sensor. In the UK and US, official prices have crept up since the camera hit shelves in 2022, although we still think it represents good value in 2024. It’s also worth looking out for deals on the X-T30 II during upcoming sales events: as the model gets older and rumours of an X-T30 III start to circulate, there’s an increased chance of finding discounts online.

Two-minute review

Launched back in 2019, the original Fujifilm X-T30 was intended as a ‘lite’ version of the Fujifilm X-T3, boasting several of the same specifications in a more consumer- or travel-friendly body.

Fast-forward to 2022, and the X-T30 II represents only a modest upgrade; although considering that the original camera was so good, that’s perhaps no surprise. If you already own the X-T30 there’s probably little point in upgrading, but, if you’re looking for a good all-rounder which doesn’t put too much of a dent in your wallet, and fits neatly into your bag for everyday and travel use, then it’s worth considering – and the fact that it’s a treat to look at is a nice bonus too.

Since 2019, Fujifilm has also had a bit of a shift around in its lineup, doing away with some of its more basic models, and the X-T30 II currently its most beginner-friendly option. But that’s not to say you don’t get some excellent specs for your cash – and indeed in many ways it’s a very similar camera to the superb Fujifilm X-S10.

Fujifilm X-T30 II — (Image credit: Future)

Housed inside the X-T30 II is a 26.1 megapixel APS-C sensor, while you also get high-end features such as uncropped 4K video and 20fps shooting (which can be boosted to 30fps if you’re happy to employ a crop). There are also a slew of film simulation modes, a cracking autofocus setup and customizable controls.

All of that could be found on the original X-T30 though – so what’s new here? Well, very little really, but there are just enough incremental upgrades to make the overall proposition very good. We’ll go into more detail below, but the headlines are a higher-resolution screen, the addition of more film simulations and the ability to record high-speed video in Full HD, and greater sensitivity in low-light shooting.

Fujifilm X-T30 II specs

Sensor: 26.1MP APS-C X-Trans CMOS

AF points: 425

Video: 4K 30p, Full HD 60p, High-speed 240p Full HD

Viewfinder: 0.39-inch OLED 2.36m-dot

Memory card: Single SD/SDHC/SDXC UHS-I

LCD: 3.0-inch tilt type touch LCD, 1.62m-dot

Max burst: 8fps mechanical shutter, 20fps electronic shutter, 30fps with crop

Connectivity: Wi-Fi, Bluetooth

Size: 118.4 x 82.8 x 46.8mm

Weight: 378g (with battery and SD card)

Given that this is the same basic setup as the original X-T30, we were already confident that image quality was going to be great, and we haven’t been disappointed. Colors are beautifully vibrant, and images have bags of detail – and those film simulation modes are always fun to experiment with.

So what’s not to like? Again, we’ll go into this in more detail below, but the main bad news is the lack of in-body stabilization, a little bit of awkwardness when it comes to button placement, the screen only tilting (not ideal for selfies and vlogging), and of course the fact that it’s such an incremental upgrade over its predecessor that you might be better off just sticking with that camera.

All of that aside, if you’re looking for a good-value mid-range camera, especially to take with you on trips, the Fujifilm X-T30 II makes for a very tempting proposition - indeed we think it's one of the best travel cameras you can buy, as well as being one of the best beginner mirrorless cameras. You’ll get fabulous pictures, an attractively styled body, access to a good range of lenses and a slew of useful specs. If you have a little more cash to play with – and don’t mind going a little bigger – it makes sense to plump for the X-S10, but otherwise, there’s a lot to like here.

Fujifilm X-T30 II release date and price

Available to buy now from $899 / £749 (body-only) / AU$1,585
Cheaper at launch than the X-T30
Cheaper than the Fujifilm X-S10

Announced in October 2021, the Fujifilm X-T30 II went on sale for $899 / £749 / AU$1,585 in its body-only configuration. Most users are likely to buy it with either the 15-45mm or the 18-55mm kit lens, in which case the price is increased.

The cheaper 15-45mm is lower in quality, but being smaller in size it may appeal to those looking for something ultra-compact for traveling. You can pick up the X-T30 II and the 15-45mm for $999 / £849 / AU$1,694.

It’s worth going for the higher-quality 18-55mm lens if you’ve got the budget, and the space in your bag. At $1,299 / £1,099 / AU$2,099 for the kit combo it still represents good value for money, and gives you more flexibility.

Good news – and perhaps surprising in the current electronics climate – is that the Fujifilm X-T30 II was actually cheaper at launch than its predecessor. It’s difficult to find the original X-T30 now, especially new, but you might pick up some good second-hand deals.

Less good news is that stock levels in certain regions, including the UK, aren’t always high, so you may need to shop around if you’re keen to buy.

Fujifilm X-T30 II review: design

Classic retro styling
Tilt-type touchscreen
Just one SD card slot

Fujifilm has used the exact same chassis for the X-T30 II as for its predecessor – so there are no surprises here, for better or worse. What that means is that you get a retro-styled body, which we think looks particularly attractive in the black and silver finish; an all-black model is also available.

As is commonplace with Fujifilm cameras, there’s a scattering of dials and buttons across the top and back of the camera, and a good degree of customization options. Beginners shouldn’t be put off however, as there’s also a good Auto mode which you can use, and lets you happily ignore as many of the dials and buttons as you want to.

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On the camera’s top plate there’s a shutter speed dial, an exposure compensation dial and a drive mode dial. Several of Fujifilm’s lenses have aperture rings, but if you’re using a lens that doesn’t have one (such as the 15-45mm kit lens), you can use one of the dual-control dials on the front and rear of the camera to make those changes. Focus mode is adjusted via a switch on the front of the camera.

A Fn button on the top of the camera can be changed to control a variety of different settings. On the back of the camera you’ve got a joystick for moving focus points around the screen or moving through the various menus available, and there’s a ‘Q’ button which can be used to access commonly adjusted settings. A frustration of the original X-T30 was this button’s placement – it’s awkwardly situated on the thumb grip, and it’s ridiculously easy to push it when you don’t want to, and conversely slightly hard to find when you do. Sadly, Fujifilm hasn’t seen fit to move this for the Mark II version, which is a bit of a mystery considering the number of reviews that complained about it.

The grip on the front of the camera is fairly slight. This isn’t a chunky camera, but it still feels relatively secure and comfortable in your hand; those with large hands may find it just a little on the small side, in which case we’d probably recommend the X-S10 instead.

Underneath the electronic viewfinder (a 2.36m-dot OLED EVF, the same as on the X-T30) is a tilt-type touchscreen. Unlike other models in Fujifilm’s lineup, such as the X-S10, this can only tilt up and down, and doesn’t have an extra mechanism to fold out towards the front. For many, this won’t be an issue, but if you’re keen on vlogging or taking selfies, it’s a bit of a shame not to have that flexibility. On the plus side, it’s here that we find one of the XT-30 II’s upgrades over its predecessor, as the screen offers a higher resolution at 1.62 million dots than the X-T30’s 1.04 million-dot panel.

There’s just one memory card slot, which is to be expected on a mid-range camera like the Fujifilm X-T30 II. It’s an SD/HC/XC compatible slot, but it’s a shame not to see it offering UHS-II, especially considering how fast this camera can shoot. It’s also a little awkwardly placed if you’re using a tripod – you’ll find it behind the same door as the battery, next to the tripod thread, rather than behind a separate door on the side of the camera.

Fujifilm X-T30 II review: features and performance

Same sensor and processor as X-T30
Same Intelligent Hybrid AF system as X-T30, with improved algorithms
Improved low-light autofocusing capability

It's safe to say that Fujifilm hasn’t done much more than tweak the original X-T30 for the Mark II iteration, although that’s not necessarily a bad thing when you’re working with some pretty impressive features in the first place. A good example is the same 26.2MP APS-C X-Trans CMOS sensor. This is Fujifilm’s current top-line sensor, also found in its higher-end cameras, so you can’t get better than that.

In continuous shooting mode the X-T30 II can shoot at 8fps using the mechanical shutter. However, if you’re happy to shoot with the electronic shutter you’ve got the option to record at 20fps, or 30fps with a 1.25x crop applied. This makes the X-T30 II a good option for those who like to photograph fast-moving subjects, though the buffer is relatively small, giving you 26 JPEGs / 17 raw files at 30fps, or 32 JPEGs / 17 raws in 20fps mode before you’ll need to take a short pause – it’s best if you’re therefore able to predict at least roughly when some action will be taking place.

Interestingly, if you’re using the electronic shutter, there’s also a ‘Pre-shot’ burst mode, which records images so long as you keep the shutter button half-pressed, saving those captured up to a second before you fully press the shutter, and hopefully ensuring that the moment is successfully captured.

Fujifilm has also employed the same 425-point AF system for the X-T30 II as for its predecessor; again, that put in a solid performance last time, and again it’s the same system you’ll find in the X-S10, the X-T4 and the X-Pro3. As well as the option to select from one of the 425 points, you can also choose Zone AF and Wide/Tracking AF for following moving subjects. Here’s where we see a little difference from the X-T30, as the Mark II version uses a newer algorithm which is designed to more accurately track subjects that are moving towards or away from the camera.

Another improvement is the focus point sensitivity, which now goes to an impressive -7EV, compared to the X-T30’s -3EV. In theory this should mean that the X-T30 II is a little more adept at acquiring focus in very low lighting, and that seems to be borne out well in practice – during our testing, it did a good job of picking out fine details even when light was pretty limited.

Tracking focus performs generally pretty well, albeit not consistently perfectly. It works best when following a subject that’s moving in a relatively predictable fashion, but it’s a solid performance from a camera sitting in the mid-range. If you’re someone who just likes to take the odd wildlife shot, or photograph kids and pets, it’s likely better than you need.

Fujifilm X-T30 II review: image and video quality

Given that we’ve seen the X-T30 II’s sensor in multiple cameras, we didn’t expect any surprises when it came to image and video quality. In fact, this sensor is probably the best APS-C sensor on the market right now, so you’re all but assured of good image quality.

Fujifilm has earned a lot of fans for the way its cameras handle color, and as we’d expect, you get beautifully rich tones and vibrancy. JPEG images directly from the camera look fantastic, while the raw files give you lots of scope to make adjustments as you see fit.

Shooting in the standard film simulation mode yields pleasingly accurate colors, with skin tones rendered nicely. The many different film simulation modes are also great fun to experiment with; the two new options for the X-T30 II are Classic Neg and ETERNA Bleach Bypass, bringing the total number of simulations now available to 18. It’s worth playing around with all the modes when you first unbox the camera to get a feel for which ones you like best.

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Video quality is good, with footage containing plenty of detail. However, the lack of in-body image stabilization means the camera has its limitations for handheld work – you’ll be relying on lens stabilization, or shooting from a stable surface, for the most part. It's fine for the odd video clip, but if you’re looking for a really capable video camera you’ll be better served elsewhere.

One of the disadvantages of a smaller than full-frame sensor is that low-light shooting can result in noisier images. How much you actually like to shoot in very low lighting is worth thinking about, but here we’re treated to pretty clean images up to around ISO 6400, with some noticeable (but not overly objectionable) noise starting to creep in thereafter.

Should I buy the Fujifilm X-T30 II?

Buy it if…

Don't buy it if…

Also consider

If you're looking at rival cameras to the Fujifilm X-T30 II, here are three to consider:

These are the best mirrorless cameras you can buy

Sony A7 IV review

1:35 am | February 4, 2022

Author: admin | Category: Cameras Computers DSLRs Gadgets | Tags: AF, LCD, UI | Comments: Off

Editor's Note

• Original review date: February 2022
• Yet to be replaced
• Launch price: $2,499 / £2,399 / AU$$4,299
• Official price now: $2,499 / £2,399 / AU$3,499

Update: February 2024. History would tell us that the Sony A7 IV, announced in October 2021, could be updated with a fifth-gen model at the end of 2024 – Sony's typical three year product cycle for this line of mirrorless camera. Of course we don't know that for sure, and until a potential successor comes the A7 IV remains one of the best mirrorless cameras around for the money. Leading retailers are selling the A7 IV for closer to $2,000 / £2,000 / AU$3,500 and for that price you're still getting superb autofocus performance (although the pricier Sony A7R V stepped things up with an AI autofocus chip and improved subject detection). You're also getting a lovely blend of photo and video skills; 33MP stills vs the typical 24MP in rival models still be launched today, plus an accomplished 4K video performance, even if there's better elsewhere. If you love photography and video, then the A7 IV offers excellent bang for buck. The rest of this review remains as previously published.

Sony A7 IV: Two-minute review

The Sony A7 IV is the best mirrorless all-rounder you can buy right now. It isn't as powerful as the Sony A1, as fast as the Canon EOS R6, or as affordable as the Fujifilm X-T4, but it does offer a brilliant blend of photographic power and video versatility. By effectively combining two cameras in one, it's the best example so far of the hybrid convenience that modern mirrorless cameras can offer.

Three years on from the classic A7 III, the A7 IV brings improvements across the board, including a new 33MP sensor, Bionz XR processor and significantly upgraded video skills.

Its autofocus system may have now been trumped by the AI-powered tracking of the Sony A7R V, but it still offers some of the best AF skills we've seen outside of professional sports cameras. Whether you're shooting photos or video, the Sony A7 IV does an unerringly good job of sticking to your chosen subject and, in the case of people and animals, locking focus onto their eyes.

With a cropped 4K/60p mode and rolling shutter issues, it isn't quite the perfect video camera. But with support for 10-bit video, no recording limits and new tricks like focus breathing compensation, it does offer more than enough quality and flexibility for photographers who are increasingly looking to shoot an equivalent amount of video.

The front of the Sony A7 IV camera with a zoom lens — (Image credit: Future)

As always with all-rounder cameras, there are some small compromises on the A7 IV. Its outright image quality isn't actually a big jump up from the Sony A7 III, with the extra detail from that resolution boost somewhat counter-balanced by some understandable noise at higher ISOs. This means that you may well want to look out for discounts on the A7 III in the Black Friday camera deals, as well as E-mount lenses in the Black Friday deals.

The A7 IV's battery life, in-body image stabilization and burst shooting speeds are also merely average rather than class-leading. This also isn't exactly a discreet camera for travel or street shooting either, nor a light one for long landscape hikes. If that's important to you, we'd recommend checking out APS-C cameras like the Fujifilm X-T4 (and imminent Fujifilm X-T5).

Sony A7 IV specs

Sensor: 33MP full-frame
AF points: 759-point hybrid phase/contrast-detect
Video: 4K/30p, or 4K/60p with Super35 crop
Viewfinder: 3.69 million-dot Quad VGA EVF
Memory cards: 1x CFexpress Type A/SD UHS-II, 1x SD UHS-II
LCD: 3-inch fully articulating touchscreen, 1.04m dots
Max burst: 10fps, up to 828 raw+JPEG (with CFexpress Type A card)
Connectivity: Wi-Fi, Bluetooth
Size: 131.3 x 96.4 x 79.8mm
Weight: 658g (with card and battery)

And then there's the price tag. At $2,499 / £2,400 / AU$$4,299 (body only), it's moved into another bracket compared to the entry-level A7 III. For those who are new to full-frame cameras, it's arguably overkill when you consider the existence of the Nikon Z5 ($1,699 / £1,719 / AU$3,099) and Panasonic Lumix S5 ($1,999 / £1,799 / AU$3,199). That spare change could buy you a very nice lens to support your preferred style of photography or video.

But if you do shoot a fairly balanced mix of photos and video, and need a powerful hybrid camera that'll last you for years, then the Sony A7 IV should be right at the top of your shopping list.

With Sony's latest G Master lenses on hand to make the most of that 33MP resolution, it offers pro-level quality that just about gives it the edge over the Canon EOS R5 and Canon EOS R6, even if those cameras do offer superior burst-shooting speeds. It's undoubtedly one of the best cameras for photography, and a fine choice for video, too. Read on for our full Sony A7 IV review.

Sony A7 IV release date and price

Available to buy now for $2,499 / £2,400 / AU$$4,299
A price jump from the Sony A7 III
Similar price to the Canon EOS R6

The Sony A7 IV went on sale in December 2021 for $2,499 / £2,400 / AU$$4,299. Early stock levels were quite low, but at the time of writing those issues have now eased and the camera is widely available.

The A7 IV's price is a hike of around 20%-30% over the Sony A7 III, depending on which region you're in – this pushes the A7 IV away from its 'entry-level' full-frame heritage, though it remains a more affordable all-rounder than the Sony A1 and new high-resolution Sony A7R V.

This premium may lead many photographers and videographers to think twice before hitting the 'buy' button, particularly as lower-powered but impressive alternatives like the Nikon Z5 are less than half the price.

But when you consider the A7 IV's across-the-board upgrades, and its impressive hybrid power, that price tag isn't too excessive compared to the competition. Its closest rival is the Canon EOS R6 ($2,499 / £2,499 / AU$4,499), which is lower-resolution at 20MP, but offers faster 20fps burst speeds.

Sony A7 IV: design

Modern 3.69-million dot electronic viewfinder
Useful vari-angle touchscreen with Sony's latest UI
Takes CFexpress Type A cards, which are rarer than Type B

The Sony A7 IV might look like a clone of its predecessor, but there are quite a few subtle upgrades that collectively make it a much more enjoyable camera to use.

On the top you'll find an improved electronic viewfinder (EVF) with a 3.69-million dot resolution and 120fps refresh rate. While this is now fairly standard at this price – you'll find an almost identical viewfinder on the Canon EOS R6 – it is a much-needed upgrade and performs particularly well when you're trying to track moving subjects.

The Sony A7 IV's vari-angle screen flipped forwards — (Image credit: Future)

Below the EVF there's a new vari-angle touchscreen. This can swivel around to face the direction you're shooting in, which is a big bonus for solo video shooters. Photographers may prefer the more old-school tilt-screen found on the Sony A1, though.

Delve into the menus on this screen and you'll find they also have Sony's latest UI, first seen on the Sony A7S III. These are a major improvement on the labyrinthine menus seen on older Sony Alpha cameras and respond to touch.

In the hand, the A7 IV's grip feels more substantial than its predecessor, but otherwise it'll be comfortably familiar to anyone who's used an Alpha camera before. Beneath the mode dial, there's a new ring that lets you flick between stills, movies and 'S&Q' mode (for recording slow-mo footage and timelapses). There's also a new dedicated red 'record' button for shooting video and a lockable exposure compensation dial.

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The Sony A7 IV camera's top dials and controls — (Image credit: Future)

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The Sony A7 IV's rear screen showing a photo of Canada geese — (Image credit: Future)

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The side of the Sony A7 IV camera showing its ports — (Image credit: Future)

Elsewhere, everything is where you'd expect to find it, with a nicely-balanced joystick for choosing AF points, a pronounced AF-On button for back-button focusing, and a rear scroll wheel that has a useful resistance to stop you from accidentally changing your shutter speed.

One additional bonus on top of the A7 IV is Sony's Multi-Interface hotshoe. This means you can plug in external microphones like Sony's ECM-B1M and ECM-W2BT without needing any extra cables or a power source. It's another big string to the A7 IV's video-shooting bow, compared to its predecessor.

But the news is slightly more mixed when it comes to the A7 IV's card slots. Unlike the Sony A7 III, it does now have a CFexpress Type A slot. These newer cards give you write speeds of up to 700MB/s, which effectively gives you an unlimited buffer during continuously shooting.

But CFexpress Type A cards are also rarer and pricier than the Type B cards favored by Nikon, Canon and Panasonic, so you'll have to weigh up whether you really need them. Speedy UHS-II SD cards may well be enough for you, and A7 IV's second card slot does only support SD cards.

Sony A7 IV: features and autofocus

The Sony A7 IV isn't quite the game-changer that its predecessor was for full-frame mirrorless cameras, but its upgrades bring it close to the Canon EOS R6 – which means it's a fine choice for everyone from wildlife shooters to wedding photographers.

The key to these performance boosts is the Bionz XR processor, which is the same as the one in the Sony A1. Unlike the Sony A1, the Sony A7 IV doesn't have a stacked sensor, so it can't quite unlock the same burst-shooting performance. But the two obvious improvements this processor brings are Sony's latest autofocus smarts, and a much-improved buffer depth when burst-shooting.

Because the Sony A7 IV has now jumped up to a 33MP resolution, its top burst-shooting speed (10fps) is actually the same as the A7 III. If you want to shoot lossless raw files, this falls to only 5fps or 6fps. This makes it significantly slower than the Canon EOS R6, which can hit top speeds of 20fps when you use its electronic shutter. But the A7 IV's autofocus speeds and buffer do a lot to compensate for this.

The top plate of the Sony A7 IV camera — (Image credit: Future)

We tested its burst shooting skills with a UHS-II card and the buffer is more generous than most people will need. When shooting JPEGs, the A7 IV consistently hit speeds of 9fps for over a minute. It also managed the same speeds with raw files for the first eight seconds, dropping down to a still-decent 6-7fps after eight seconds. In both cases, it was heading towards Sony's claimed 828 shots (for CFExpress cards) before our memory card filled up.

In all likelihood, you won't need to shoot continuously for that long, because the A7 IV's autofocus skills ensure a very good hit-rate. It has Sony's latest AF system, which means you get Eye AF for humans, animals and birds, in both stills and video. This is a big upgrade from the A7 III and is the most reliable AF system you'll find in any camera, even if the Canon EOS R6 isn't too far behind. It sticks to subjects like glue, even with distracting foregrounds.

The front of the Sony A7 IV camera showing its viewfinder bump — (Image credit: Future)

The A7 IV is clearly a very capable stills camera, but what about video? It makes even bigger leaps here. For filmmakers who like to color-grade their videos, the jump to 10-bit 4:2:2 color sampling (from 8-bit on the A7 III) is a big one. The maximum video bit-rate has also jumped from 100Mbps to 600Mbps, and you can shoot 4K/30p video using the full width of the sensor.

Perhaps the only slight disappointment is that the A7 IV's 4K/60p mode is only available with a 'Super 35' crop (which is similar in size to an APS-C sensor). Naturally, Sony wants video shooters to upgrade to cameras like the Sony A7S III, but that might still be a slight disappointment to those who were hoping for a completely uncompromising hybrid camera.

To sweeten the video deal, Sony has included a host of other bonuses on the A7 IV, including a 'Focus Map' (similar to focus peaking, only it uses colored blocks to show you what's in focus) and the popular S-Cinetone picture profile, which mimics the look of Sony's cinema cameras. Like all great hybrid cameras, the Sony A7 IV is just as comfortable shooting videos as it is stills.

Sony A7 IV: performance

Generous buffer for burst shooting
Moderate burst-shooting speeds of 10fps (compressed raw)
Battery rating of 520 shots (CIPA rating)

As we discovered in the features section above, the Sony A7 IV isn't a true speed demon when it comes to burst shooting. Sony's decision to boost its resolution to 33MP has effectively cancelled out any power gains of its new processor, which means its offers the same 10fps top speed as the A7 III (and that's with compressed raw files).

Still, while the Canon EOS R6 is likely a better choice if you spend a lot of time holding down the shutter and shooting speeding objects, the A7 IV is still more than good enough for wildlife shooting.

It's also worth factoring in the benefits of its class-leading autofocus system and deep buffer – when a camera so consistently nails focus, you don't necessarily need to rattle off frames at 20fps to capture a moment. Thanks to a firmware update in September 2022, you can also now choose 'S' and 'M' file sizes (in addition to 'L') when shooting lossless compress raw files.

A deer shot on the Sony A7 IV camera — Sony A7 IV with FE 135mm f/1.8 GM, 1/400s at f/4.5, ISO 160 (Image credit: Future)

Other areas where the Sony A7 IV achieves 'good enough' status are in-body image stabilization (IBIS) and battery life. Its Active Stabilization mode, which adds a steadying electronic hand to its mechanical IBIS, is certainly decent and helpful for handheld shooting or vlogging. We managed to go down to shutter speeds of around 1/20s, before our micro-jitters started obscuring fine details.

That's by no means class-leading, though, and it certainly won't replace either a tripod or a gimbal if you want clean shots or smooth video in challenging conditions. Sony's Active Stabilization mode also incurs a crop of around 15%, creating a much narrower field of view. A good alternative is applying stabilization in post-production using Sony's Catalyst Browse software, which uses the camera's gyroscopic data to smooth out your footage.

The Sony A7 IV's rear screen showing a photo of a squirrel — (Image credit: Future)

This works particularly well for more challenging scenarios like walk-and-talk vlogging, and can also help suppress one of the Sony A7 IV's other weaknesses: rolling shutter. Because the camera lacks a stacked sensor, its read-out speeds aren't as fast as the Sony A1's – which means quick panning motions can lead to warped verticals in video or stills, if you're using the electronic shutter (like in our sample video below). This is unlikely to be a huge issue for most shooters, though.

Battery life is, again, solid rather than spectacular. The official CIPA rating is 520 shots per charge (when using the electronic viewfinder). While that's actually a 15% drop from the Sony A7 III, we found that estimate to be a little conservative and it can shoot 4K video for around two hours. In our tests, it managed to shoot 4K/60p for two hours and 20 minutes with no overheating, and a few minutes longer in 4K/24p mode before the battery died.

Sony A7 IV: image and video quality

Image quality isn't a dramatic step up from Sony A7 III
Excellent oversampled 4K/30p video quality with 10-bit 4:2:2 option
S-Log 3 and S-Cinetone profiles for video editors

If you'd hoped the Sony A7 IV's new 33MP sensor might dramatically improve its image quality from the A7 III, you may be disappointed.

That extra resolution is handy for those who like to regularly crop into their photos, but in general the A7 IV's improvements are geared more towards versatility rather than absolute image quality.

Sample photo taken in London on the Sony A7 IV camera — See the full-size image (Image credit: Future)

More megapixels means smaller photosites on the A7 IV's sensor, so Sony has used image processing to help in areas like low-light performance.

As you'd hope, it produces clean results low ISOs, but noise becomes fairly prevalent from ISO 6400 upwards. That's understandable for a relatively high-megapixel sensor, but it's fair to say that the Sony A7 IV leans more towards capturing detail than being a low-light monster.

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The inside of Southwark Cathedral — Sony A7 IV with FE 12-24mm f/2.8 GM, 1/250s at f/3.5, ISO 8000 (Image credit: Future)

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A bride and groom embracing — Sony A7 IV with FE 24-70mm f/2.8 GM, 1/320s at f/4.6, ISO 100 (Image credit: Future)

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A autumnal tree in London's Bushy Park — Sony A7 IV with FE 135mm f/1.8 GM, 1/800s at f/2.8, ISO 100 (Image credit: Future)

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A bird perched on a fence post — Sony A7 IV with FE 135mm f/1.8 GM, 1/640s at f/4, ISO 320 (Image credit: Future)

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A smiling bride and groom — Sony A7 IV with FE 24-70mm f/2.8 GM, 1/250s at f/4, ISO 320 (Image credit: Future)

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A pink flower photographed on the Sony A7 IV camera — Sony A7 IV with FE 24-70mm f/2.8 GM, 1/800s at f/3.2, ISO 100 (Image credit: Future)

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An entertainer breathing fire from an instrument — Sony A7 IV with FE 135mm f/1.8 GM, 1/500s at f/5, ISO 1600 (Image credit: Future)

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A bride and groom in a park — Sony A7 IV with FE 24-70mm f/2.8 GM, 1/250s at f/4, ISO 250 (Image credit: Future)

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An organ's pipes in Southwark Cathedral — Sony A7 IV with FE 12-24mm f/2.8 GM, 1/30s at f/4.5, ISO 400 (Image credit: Future)

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Autumnal trees is London's Bushy Park — Sony A7 IV with FE 135mm f/1.8 GM, 1/640s at f/4, ISO 200 (Image credit: Future)

Still, the impressive dynamic range gives you plenty of leeway when it comes to boosting shadows in raw files, even if this can reveal some noise in gloomier scenes. And we also found the straight out-of-camera JPEGs to have pleasing, true-to-life colors and nicely-rendered skin tones.

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A group of deer shot on the Sony A7 IV camera — Sony A7 IV with FE 135mm f/1.8 GM, 1/1000s at f/3.5, ISO 100 (Image credit: Future)

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A white bird perched on a branch on water — Sony A7 IV with FE 135mm f/1.8 GM, 1/400s at f/2.2, ISO 200 (Image credit: Future)

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A duck photographed by the Sony A7 IV camera — Sony A7 IV with FE 135mm f/1.8 GM, 1/1000s at f/4, ISO 500 (Image credit: Future)

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A chandelier in Southwark Cathedral — Sony A7 IV with FE 12-24mm f/2.8 GM, 1/320s at f/2.8, ISO 1250 (Image credit: Future)

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A candle in the dark shot on the Sony A7 IV camera — Sony A7 IV with FE 135mm f/1.8 GM, 1/250s at f/2, ISO 200 (Image credit: Future)

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Three deer photographed on the Sony A7 IV camera — Sony A7 IV with FE 135mm f/1.8 GM, 1/400s at f/4, ISO 100 (Image credit: Future)

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A sticker on the side of a streetlamp — Thanks to the stabilization, you can comfortably handhold shots down to 1/20s or 1/10s (Image credit: Future)

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A statue in Southwark Cathedral — Sony A7 IV with FE 12-24mm f/2.8 GM, 1/320s at f/2.8, ISO 5000 (Image credit: Future)

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A bird perched on a branch over water — Sony A7 IV with FE 135mm f/1.8 GM, 1/100s at f/4.5, ISO 125 (Image credit: Future)

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The bigger step up from the Sony A7 III, though, is undoubtedly the A7 IV's video quality. Because it oversamples its 4K/30p video from the sensor's 7K resolution, you get an impressively sharp, noise-free image even up to ISO 12800. The ability to shoot 4K in 10-bit 4:2:2 also gives color graders much more flexibility than on the Sony A7 III.

To really squeeze the best video quality out of the Sony A7S III, you'll want to shoot in the flat S-Log3 profile, as that provides the most dynamic range. But a quicker alternative is the S-Cinetone profile, which comes with much of the saturation and contrast baked in. It's worth familiarizing yourself with the quirks of these two profiles, as both have different dual native ISOs – for S-Log3 they're at ISO 800 and ISO 3200, while the ones for S-Cinetone are much lower at ISO 125 and ISO 500.

This gives the Sony A7 IV a lot of flexibility and depth for different shooting situations, marking it out as a true hybrid camera that's pretty much the equal of the Sony A7S III if you don't need high frame-rate modes. But if you're relatively new to video, the excellent autofocus means it's also easy to shoot some excellent video without delving into any color grading, like the sample clips above.

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The A7 IV's in-body image stabilization (IBIS), which now claims up to 5.5-stops of compensation, also lets you shoot with shutter speeds as low as 1/10sec and still get pretty sharp results. This is also a potential bonus for those who regularly use polarizing filters, because it allows you to handhold the camera rather than reach for the tripod.

Should I buy the Sony A7 IV?

The Sony A7 IV camera sitting on a wooden bench — (Image credit: Future)

Buy it if...

Don't buy it if...

Sony A7 IV: also consider

If our Sony A7 IV review has you wondering about alternatives, here are three rivals to consider.

Canon EOS R6
With a similar price to the Sony A7 IV, the EOS R6 is its closest rival. The main difference between the two is burst shooting speeds, with the EOS R6 hitting speedy 20fps top speeds. That said, the A7 IV offers a 33MP resolution that's better for cropping than the 20MP EOS R6.

Check out our guide to the world's best cameras for photography

First reviewed: March 2022

Dyson V15 Detect review

2:01 am | May 21, 2021

Author: admin | Category: Computers Gadgets Home Small Appliances Vacuums | Tags: Australia, LCD, US | Comments: Off

Dyson V15 Detect: two-minute review

Product info

For this review, we tested a Dyson V15 Detect, and a Dyson V15 Detect Absolute. They are the same vacuum cleaner in different colorways.

The Dyson V15 Detect is a powerful, tech-packed cordless cleaner from perhaps most innovative vacuum brand in the world. The V15 (and the V15 Detect Absolute, which is the same vacuum in a different color) is able to sense the amount and size of particles it's sucking up, and adjust power in response. It'll even give you a real-time summary of this information, via the LCD screen on the main body of the vacuum. The other headline addition is a green laser on the hard floor floorhead, which illuminates dirt that might otherwise be missed. We're assuming that the new 'Detect' in the name is inspired by one or both of these additions.

Elsewhere, you'll find impressive suction power, even on the lowest 'Eco' setting. However, our favorite mode was Auto, which adjusts suction based on not only the floor type but also how dirty it is, to ensure a low-effort, efficient clean. In our tests, this vacuum sucked up everything we put in front of it, including handling tangled hair impressively well.

Both the regular V15 Detect and the V15 Detect Absolute (which is the same vacuum in a different colorway) ship with two floorheads: a Digital Motorbar head (the one that can be used with Auto mode) and a Fluffy Optic floorhead (the one with the laser, designed specifically for hard floors). There's also a selection of extra tools for different cleaning tasks. The exact tools included depends where you live and which iteration of the V15 you buy, but if you live with long-haired people or pets, it's worth seeking out the Hair Screw tool, which was new to this model, and great at getting hair out of furniture.

Runtimes are good – up to a full hour on one charge – although recharge is a little slow. If you need longer than that, you'll appreciate that the battery is removable, with additional batteries available to purchase separately.

It's not quite perfect. It's a little heavy, and especially so in handheld mode. It's also frustrating that it switches on via a trigger, which needs to be continually depressed, rather than the one-push button found on other Dyson vacuums. The jury's also out on whether the features like the laser illumination and real-time dust reports are genuinely useful, once the initial novelty factor has worn off.

As you might have guessed, it's also an expensive purchase. While the advanced features and meticulous engineering do help justify the price, there are plenty of cheaper options about with fewer bells and whistles, which will suffice for most people.

Dyson V15 Detect — (Image credit: TechRadar)

For this review, we tested a couple of V15 vacuums – one in Australia and the other in the UK – to see how they compare to the rest of the best cordless vacuums on the market.

A bit of context so you know where this model sits in the wider Dyson range. The V15 Detect launched in 2021, at the same time as the (non-flagship) V12 Detect Slim. The previous flagship cordless vacuum was the V11 (read our Dyson V11 review for more on that one). The model to follow was the Gen5detect (see our Dyson Gen5detect review). That one features several upgrades to the V15, and at time of updating this review is the best Dyson vacuum available, based on specs.

There's also a sister model in the V15 range: the V15s Submarine, launched in 2023. This is similar the regular V15, but has a wet roller head to enable it to wash hard floors as well as just vacuuming. We've tested that separately, in our Dyson V15s Detect Submarine review.

That's the short version. Read on for our full Dyson V15 Detect / Dyson V15 Detect Absolute review, and to learn if it's the best vacuum cleaner for your needs.

Dyson V15 Detect review: price & versions

List price: $749.99 / £649.99 / AU$1,449
Launched: 2021

As with most Dyson cordless vacuums, there are a few different versions of the V15 Detect, with an extra word added onto the end of the name. Generally, it's the same base model, but sometimes there are differences in the range of tools included. That can make examining the pricing a little difficult, but to give us an idea, we'll be looking at what's available to buy direct from Dyson at time of updating this review. There may be other versions and different pricing available at other retailers.

In the US there's the Dyson V15 Detect, with a list price of $749.99. There's also the Detect V15 Detect Absolute for the same price (reduced to $599.99 at time of update). They're the same vacuum in two different colorways, and in this case even the tools included are the same.

The UK just has the Dyson V15 Detect Absolute, at a list price of £649.99, reduced to £549.99 at time of update. It's the same in Australia – just the V15 Detect Absolute, this time with a list price of AU$1,449.

Regardless of which iteration you go for, it's going to fall into the premium price category. It's generally a bit cheaper than its successor, the Gen5Detect (from $949.99 / £769.99 / AU$1,549 at list price). If you're hoping to score a discount, Dyson promo codes are rare, but we do sometimes see Dyson deals, especially around events like the Black Friday sales.

Value for money score: 4 out of 5

Dyson V15 Detect review: design

Upgraded motor compared to previous flagship model
LCD display shows info about dust collected and remaining run time
Wand can be removed to turn into a handheld

True to Dyson aesthetics, the V15 Detect is a beautiful machine to look at. Under the hood, the motor has been upgraded from its predecessor's (and was improved again for its successor), and generates 230 air watts of suction power. Other than that, it looks similar to the other modern V-range vacuums, comprising the motor, cyclone array and dust canister, in an in-line arrangement. We might have preferred a bigger dustbin on this model, but it's just the standard 0.2-gallon / 0.75L canister that's used in the Cyclone V10.

Inherited from the V11 is the swappable battery pack. This can come in handy if you've got a large home and would prefer to get the vacuuming done in one go instead of recharging at the mains – that can take a few hours (more on that later).

Dyson V15 Detect – press pictures — The V15 Detect looks similar to other modern V-range Dyson vacuums (Image credit: Dyson)

That battery, though, makes the weight distribution of the V15 Detect quite uneven. It weighs in at 3kg, but feels top-heavy, and it's tiring to use for longer cleaning stints. Our testers found their arms getting tired after using it for about 30 minutes, and they needed to keep switching hands regularly if they wanted to clean for any longer than that.

While later models (and, actually, the V12 Detect Slim that launched alongside the V15) switch on and off via a single-press button, but the V15 still uses a trigger that you need to keep continuously depressed. That, combined with the uneven weight distribution, makes the V15 even more of a workout for your arms. We found it less of an issue with the smaller and lighter V7 and V8.

LCD screen on Dyson V15 Detect vacuum cleaner — The V15 can detect the size and amount of particles it's sucking up (Image credit: Dyson)

One headline upgrade on the V15 Detect and Detect Absolute is the addition of a tiny piezo sensor, housed within the vacuum's handheld unit, which can measure acoustic vibrations from microscopic particles as small as 10 microns. As dust and debris get sucked in, they reverberate off the sides of the vacuum, and the piezo sensor uses those changes in vibrations to measure not just the size of the particles, but also the number.

These are then graphically displayed on a one-inch circular digital screen. As you clean, you'll see the representation change in real time and, when it finally becomes static, you'll know there's nothing more for the vacuum to suck up.

Dyson V15 Detect Absolute — A countdown clock shows you how much cleaning time you have left (Image credit: TechRadar)

Displayed below the graph is a countdown clock representing the remaining runtime, and it also displays the power mode you've chosen. There are three power levels, which can be selected using a silver button on the circular panel. Eco is a lower-suction mode, Boost is a more powerful mode for ingrained dirt, and Auto mode will intelligently adjust suction based on the floor type and how dirty it is.

All versions ship with two floorheads: a Digital Motorbar head (previously called the High Torque head) and a Fluffy Optic head (previously called the Laser Slim Fluffy head, and currently referred to as the Illuminated Cleaner Head in the UK... possibly because they couldn't trademark the 'Fluffy' name there).

The Digital Motorbar is a motorized head that features a couple of rows of 'teeth' that cut hair and fur into smaller pieces that get sucked up easily and thus prevent tangling around the bristles of the brush. Perhaps most exciting is the fact that this floorhead can monitor brush bar resistance to enable the vacuum to increase or decrease suction based on floor type, when used in Auto mode.

Graphic showing how Digital Motorbar floorhead deals with hair — The Digital Motorbar head is designed to cut up hair and channel it straight into the bin (Image credit: Dyson)

The Fluffy Optic head is designed specifically for hard floors, and it has had a redesign from the one shipped with previous V-series models. The whole head has been slimmed down (although the footprint remains the same), but the major difference is that there's now an in-built laser diode (class 1, so it's safe for humans and pets). Thanks to a custom-designed lens (which is only marginally bigger than a grain of sugar), the laser emits light at an angle that reflects off solid particles to highlight them green. The light is activated via a small switch on the top of the floorhead, and the fluffy part is also washable, so you can keep it at peak performance.

Dyson V15 Detect Absolute in handheld mode — The V15 easily transforms into a handheld (Image credit: TechRadar)

Like other Dyson cordless vacuums, you can convert the V15 Detect Absolute into a handheld cleaner by removing the main wand and attaching any of the other tools. Exactly which tools are included will vary depending on where you live and which iteration of the V15 you buy, but all are well-designed and useful.

If you want to be able to deal with hair (human or pet) in upholstery or furniture, look out for the Hair Screw Tool. This uses the principle of an Archimedes screw, with a tapered design that directs strands of hair or fur (no matter how short or long) towards the narrow end. This is where the suction hole is, allowing whole locks to get sucked up into the bin. Even the bristles have been placed at an angle, to ensure there's no tangling at all. This tool was new with the V15, but is compatible with older models and available to purchase separately.

Design score: 4 out of 5

Dyson V15 Detect review: performance

Powerful suction; great on carpet and hard floors
Laser highlights dust that's invisible to the eye
Auto mode is an excellent, low-effort feature

Even though there are three power modes, the V15 Detect is just fine at its lowest setting. To see how it coped with different types of debris, our testers sprinkled fine dust, biscuit crumbs and cereal (separately) on both carpet and hard floor. We found that even in Eco mode, it sucked everything up with just one slow pass. It also did a pretty good job on a hair-entwined carpet in Eco mode.

During our testing, though, we found the Auto mode the best – it was like a set-and-forget option that handled hard floors and carpets alike. Additionally, when using the Digital Motorbar head, the suction changes reactively when surfaces change, increasing automatically when it senses a rug or carpet.

This graphical representation of what you're cleaning also works really well. All particles are divided into four categories, depending on their size, and as you clean a specific surface, you’ll find the bars rising. When they become static, you know that the area has been cleaned to the best of the V15 Detect’s ability. We're not sure this feature is strictly essential, especially after the initial novelty had worn off, although we did find it a good way to see when a floor had been cleaned properly.

The laser on the Slim Fluffy tool does exactly what it says on the tin, highlighting particles you normally wouldn’t see with your naked eye, either illuminating a bright green or creating visible shadows. One of our testers deliberately missed the edges of a room with hard floors, and then pushed the head towards these edges – with the green laser illuminated, they were shocked by just how much dust, which wasn’t previously visible, was on the floor.

Our other reviewer wasn't quite as sold on this feature, ultimately deciding it was a little superfluous. They found that dust tended to settle on the inside plastic of the tool, diminishing its ability to, well, shine a light. They had to repeatedly wipe down the inside of the Laser Slim Fluffy to get the best results, and after a while found themselves leaving it switched off, and relying on the display as an indicator of when there was nothing more for the V15 to suck up.

Our second tester also found the floorhead a little tricky to swivel around. Because the Digital Motorhead can swivel a lot more, they found themselves using that one on hard floors as well – especially since it’s the only cleaning head that works with Auto mode.

(It's worth noting that the newer Gen5detect has a brighter laser, which is more visible in well-lit rooms, and the same tester was far more impressed with the upgraded version.)

Converting the vacuum to handheld mode and back again is simple – just remove the telescopic tube, clip on your desired attachment and you’re ready to go. However, the click-in battery pack does make the barrel feel heavier than older models like the V7, V8 and V10. Both of our testers found that holding aloft the V15 for more than a minute or two was quite difficult. The Gen5detect simplifies the process further by hiding a tool inside the wand, but that model is even heavier.

We can't fault the V15 Detect's cleaning power in handheld mode, though. One tester used it to clean their car, and it sucked up all of the dirt and debris such as small stones and even a few leaves, along with human hair that had collected on the driver’s seat, with ease.

Unlike today's best car vacuums, which are designed specifically for this task, converted floor vacs like this one are typically quite bulky when used in handheld mode. Our reviewer struggled to fully clean under the driver and passenger front seats, as well in the storage areas on the center console, which frequently attract dust and debris.

The exact tools that are included with the V15 Detect and Detect Absolute varies by country and version, but you'll typically get a Crevice tool and a Combination tool, which we found were good for edges and narrow spaces.

Both of our review models came with a new-to-this-model Hair Screw tool. This works best as part of the handheld unit to remove pet and human hair off smaller surfaces like sofas, car seats or pet beds. It is possible to also use it on carpeted floors, but given it's small footprint, it's far more efficient to use the much larger Digtial Motorbar head for this task.

Either way, the Hair Screw Tool is a marvelous piece of engineering. When testing it, we removed a clump of hair from a brush and placed it on a sofa – the anti-tangle tool sucked it all up without a single strand getting caught anywhere. It all curled up and got sucked right into the canister. However, we did find this tool could be a little less effective at collecting dust and dander from upholstery, when compared to the Mini Motorized head included with previous models.

Emptying the V15 Detect’s bin is easy. Once the wand and any cleaning attachments are removed, the red lever on the canister pushes open the lid and all that dirt comes right out in a single move.

One final performance element to discuss is noisiness. We were impressed with how much quieter the V15 Detect is in low-power settings as compared to some of the older V-series models. However, bump the suction mode to Boost and it hits 81 decibels – as loud as a truck trundling down a highway at 65kph.

Performance score: 4.5 out of 5

Dyson V15 Detect review: battery

Up to a full hour's cleaning on Eco mode; 18 minutes in Boost
Battery takes up to 5 hours to fully recharge
Swappable battery reduces interruptions to cleaning

On the lowest-powered, Eco setting Dyson claims the battery will last up to 60 minutes. That's the same as the V11, although because the suction power has been improved over that model, you should be able to clean more efficiently with the newer V15. On test, the claims were accurate – one of our review models managed a respectable 59 minutes, and the other clocked up nearly 61 minutes.

If you prefer the Auto mode, you'll get about 40 minutes of runtime per charge, which is enough for the general upkeep of a small two-bedroom house. However, because of the intelligent nature of this mode, runtimes will vary depending on the types of floors you have, and how dirty they are. Bump up to Boost and you'll only get about 18 minutes of power.

The Auto mode suited our testers best, but even the Eco setting has plenty of suction power to clean up a small mess. So the latter is your best bet to maximize on battery life. A countdown of how long you have left is handily available on the digital display.

If you want to be able to clean for longer than 60 minutes, then you’re going to need an additional battery pack. This would be handy in large family homes, because recharge times are long – our testers found a full recharge took between four and five hours.

Battery score: 4 out of 5

Should I buy the Dyson V15 Detect?

Buy it if...

Don't buy it if...

First reviewed: May 2021

Dyson V11 review: still a supremely capable vacuum cleaner

7:40 am | August 12, 2019

Author: admin | Category: Computers Gadgets Home Small Appliances Vacuums | Tags: LCD, UK | Comments: Off

Dyson V11 vacuum cleaner: two-minute review

The Dyson V11 is a powerful cordless vacuum cleaner, offering up to 60 minutes of untethered cleaning time. There are three suction modes: a lower-powered Eco mode that gives the maximum cleaning time, a powerful and battery-sapping Boost mode for when you need a bit of extra oomph, and an Auto mode that detects what kind of floor you're on and adjusts suction accordingly.

On test, I found that even in Eco mode the V11 packed a good amount of power, clearing small and large-sized debris, and pet hair, with ease. I also found Auto mode worked reliably and effectively when moving between carpet and hard floors. The LCD screen – a new addition here, but ubiquitous from this model onwards – is useful for letting you know how much juice you have left, and alerting you of blockages.

The V11 comes with Dyson's usual range of versatile and well-designed cleaning attachments for various cleaning tasks – although exactly which ones will depend on which model you go for and where you live.

Dyson is widely considered to be one of the very best cordless vacuum brands around (and one of the best vacuum brands in general), and even though it's not the most recent model, the V11 is still well worth your consideration. This is the successor to 2018's V10 (read TechRadar's Dyson Cyclone V10 review), and at time of update, several newer and higher-spec options have been released – head to our Dyson Gen5Detect review for more on the latest model.

There are a few iterations of this model – at time of update, a V11 Extra and a V11 Advanced. The base model is the same; the difference is the selection of included tools. There were more when it was initially released, and not all configurations are available in every country.

The fact that you're not getting the very latest features is reflected in the price. Most versions were originally in the premium price bracket, but have been discounted into the mid-range, making it a good pick if you're looking for that Dyson engineering on a smaller budget.

Dyson V11 review: price & availability

US / AU: Dyson V11, list price $569.99 / AU$1200
UK: Dyson V11 Advanced, list price £429.99 (reduced to £359.99)
Other versions available with different tools

Dyson has released different packages in the US, UK, and Australia. While there were more options at time of first launch, at time of updating this review (June 2024), the standard Dyson V11 is part of the current lineup in the US and Australia, with a list price of $569.99 (discounted to $469.99) / AU$1,199 (confusingly, in Australia there's the V11 Advanced, also at AU$1,199, which seems to be identical including the tools included).

In the UK there's only one version available: the V11 Advanced, for a list price of £429.99 (discounted to £359.99). The tools included are not the same as you'll find with the Australian V11 Advanced. Finally, in the US there's a V11 Extra, which has a list price of $599.99 adds a load of extra tools, compared to the base model.

Note, here I'm talking about what's available to buy direct from Dyson at time of updating this review – there may be other versions available via third party retailers. Simple!

What does all that mean in terms of value for money? Well, most versions were originally in the premium price bracket, but have been discounted into the mid-range. It's not the cheapest cordless vac in the current Dyson lineup (head to our Dyson V8 review to find out more about the model that takes that spot), but it's also far from the priciest – the Gen5Detect is $950 / £750.

Although brands like Shark are looming increasingly large in the vacuum cleaner space, Dyson is still widely considered to be leading the way in terms of innovation. You're paying for that meticulous engineering (and yes, a little bit for the Dyson name). It's probably worth keeping an eye out for a Dyson deal around major shopping events like the Black Friday sales if you're hoping to score a discount.

Dyson V11 vacuum cleaner — (Image credit: Future)

Dyson V11 review: design

Sleek and effective design, engineered to maximize suction
LCD display shows battery life, mode and any issues
3 power settings: Eco, Auto/Medium, Boost

The Dyson V11 looks very similar to most of its V-something siblings, with a sleek design that isn't an eyesore if you forget to stow it away in the cupboard. Because it's symmetrical, it's as easy to use left-handed as it is right-handed.

The mechanism is lined up so the air is drawn into the 14 internal cyclones in a straight line, to maximize suction. For this model, Dyson also re-engineered the motor to reduce turbulence, increase the overall airflow efficiency, and cut down on noise. It promises 20 per cent more suction power than the V10 and works in conjunction with the 80W High Torque cleaning head to collect significantly more debris.

The Dyson V11 has three different suction modes: Auto mode, Boost mode and Eco mode. Eco mode is best for long cleaning sessions. It's the lowest in power (although still packs a decent punch). At the other end of the spectrum is the ultra-powerful Boost mode, which is perfect for particularly stuck debris.

However, Auto mode is what you’ll use most often, according to Dyson’s user statistics. The V11 has sensors on the main cleaner head that measure brush resistance as an indicator of whether you're on carpet or hard floor. In Auto mode, it responds by raising or lowering suction accordingly. When I tested the Dyson V11, I tried alternating between a carpet and a wooden floor, and I could feel (and hear) the an instant shift in suction power as I moved between the two.

(Newer Dyson vacuums take this a step further by also monitoring how dirty your floor is and bumping up or lowering suction more precisely as required, but that's not included here.)

Perhaps the biggest change to the design of the V11 in comparison with its predecessor is the inclusion of an LCD display. This shows the current mode of the vacuum, the estimated remaining battery life and any other warnings or alerts that might be relevant. For example, this screen displays a warning if there’s a blockage, and even shows you how to clear it, which is especially handy.

The High Torque cleaner head features a mixture of stiff nylon bristles, designed to drive out ground-in dirt from carpets, and soft anti-static carbon fiber filaments, which work to collect dust from hard floors. There's also a manual adjustment on the head that allows you to open and close valves to suit the depth and type of carpet surface in your home.

It comes with an array of attachments. Exactly which ones will depend on the version you go for and where you live, but roughly expect a Motorbar Cleaner Head, Hair Screw Tool, Crevice Tool and Combination Tool (but double check when you buy). These can be attached directly to the motor unit for use in handheld mode, or to the end of a wand for further reach. Where it improves on the V10's design is that here, the accessories can be clipped onto the vacuum itself – a useful touch for anyone who's found they need another head when on the far side of the house.

There's a 0.2 gallon (0.75 litre) bin capacity, with a pump-action sliding mechanism that projects the bin out away from the cyclonic cylinder to enable you to dispose of its contents quickly and easily.

The V11 also includes a fully sealed filtration system, designed to capture even the tiniest of bacteria. It's designed to minimize the amount of allergy-triggering dirt, dust and pollen particles getting stirred up and released into the air. Anyone with allergies will also appreciate the added collection provided by an easily cleanable filter.

Dyson V11 specs

Dyson V11 review: performance

At 6.68lb (3kg), the V11 is lighter than most corded vacuums (although a little heavier than the V10), but it does carry a lot of weight in its handle. I found the High Torque and Soft Roller heads counterbalanced most of this weight when used with the extension barrel on the ground, but that it became quite an arm workout when I wanted to use a non-motorized attachment. However, a fellow tester found that it felt light and easy to use in any mode.

The V11 moves around easily on both carpets and hard floors, whether you're using the High Torque cleaner head or the soft roller cleaner head, and the articulated design of the heads makes it easy to get under furniture (Shark has since taken things a step further on this front – today's best Shark vacuum cleaners have a hinge to its vacuum wands, so they can bend to 90-degrees from the motor unit).

I started by seeing how the V11 tackled an oat spillage. I used the soft roller cleaner head, which is designed for hard floors, with soft bristles and a velvet-like material covering the roller, on the Auto/Medium power setting. Just one slow pass picked up 100 per cent of the oats, and the V11 repeated the feat on the Eco setting.

I also tried it on talcum power and carpet freshener on carpet, using the High Torque cleaner head on the Auto/Medium setting. Again, one slow forward and back pass cleared the whole spillage.

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Pet hair was the next test, and again the V11 performed impeccably, cleaning the hair from the rug with little effort. The results were equally evident from looking at the amount of hair collected in the bin.

Switching out the High Torque head and wand for the mini motorized tool, I tackled the sofas. While this configuration looks a little ungainly with the tool connected directly to the cylinder, it feels well balanced and light at just over 2kg, and again it picked up the pet hairs with ease.

The V11 Absolute also makes light work of the normally onerous task of cleaning stairs, thanks to the mini motorized tool, which can get right into the corners with no trouble.

During my tests, I occasionally found that the sticks and hair collected by the V11 would need to be dislodged from the airways and the spinning head later. Fortunately the V11's components are still easy to detach and clean when you need to, and a new motor sensor will now alert you to any blockages that may be reducing suction power (a surprisingly common support request).

In terms of emptying the regular bin, though, it was as easy as it initially appears. All the dirt and debris came out without any need to poke around and get my fingers dirty.

Dyson V11 review: battery

Officially, the Dyson V11 will last 60 minutes in Eco mode (with non-motorized tools attached), and just 12 minutes in Boost. In Auto/Med, the battery life will depend on how much suction is required (in this mode, it'll power up when on carpet) – I found it delivered just under 41 minutes with the soft roller cleaner head.

I found there was more than enough power to tackle a lightly soiled four bedroom house from top to bottom, crevices and all, but I would need to factor in a re-charge time if I wanted to embark on an intensive multi-hour spring cleaning sprees. Because the remaining battery life is clearly displayed on the LCD screen in terms of time, it's easy to see how much juice the vacuum has left, and adjust modes accordingly.

Cleverly, the remaining runtime will adjust depending on which attachment is connected – so it knows if it has a battery-sapping motorized tool attached, and this is reflected on the screen.

Should you buy a Dyson V11?

Buy it if...

Don't buy it if...

First reviewed: 2019

Dyson Cyclone V10 review

5:50 pm | November 12, 2018

Author: admin | Category: Computers Gadgets Home Small Appliances Vacuums | Tags: LCD | Comments: Off

Dyson Cyclone V10: two-minute review

When Dyson launched the Cyclone V10 in 2018, it represented a compete rethink of its cordless form factor, and the point at which the brand waved goodbye to corded vacuum cleaners for good. It's now widely considered to be the brand behind the best cordless vacuums on the market – at least when it comes to innovation.

Compared to its predecessors, the V10 boasts refined cyclone technology for stronger suction, and a new V10 digital motor that's capable of 125,000 rpm (that's over 2,000 revolutions per second).

At time of updating this review – June 2024 – the V10 is one of the oldest models still included in the current Dyson lineup, and as such, these specs have been overshadowed a little by newer, fancier models. Its immediate successor is 2019's V11 (read about that one in our Dyson V11 review). There's now a V15 (read our Dyson V15 review), while the Gen5Detect offers even more advanced features (see our Dyson Gen5 Detect review for more on that). So is the Dyson Cyclone V10 still worth your attention?

On test, we were very impressed. It offers powerful suction, even on the lowest of the three settings, and is well designed and easy to use. The tools we tested are also excellent, although do note that the included attachments vary depending on which configuration you opt for (for this review, we tested the Absolute+ model, which has a wide range of tools).

The real issue is that the V11 seems to be available for a similar price, and is slightly better in almost every way (exactly how the two compare in our Dyson V10 vs V11 explainer). That makes the V10 hard to recommend outright, unless you spot a major deal. That's the short version; read on for our full Dyson V10 review.

Dyson Cyclone V10 vacuum cleaner — (Image credit: Dyson)

Dyson Cyclone V10 review: price & availability

Price varies by configuration, but generally in the mid/premium bracket
V11 available for a similar price
Not widely available direct from Dyson any more

As with most Dyson vacuums, there are a few different variations. An extra word is added to the name (e.g. Animal) but in the vast majority of cases, the base model is the same, but there is a different selection of tools included. We'll be focusing on the models available direct from Dyson here, but there will likely be more options available via third party retailers.

At time of update, a Cyclone V10 Motorhead, with a ticket price of of US$500, is listed on the Dyson US site, but it's out of stock. In the UK, it's the Cyclone V10 Total Clean for £449.99, but again that's out of stock. In Australia, there's the regular Cyclone V10 (AU$1,099 down to AU$694 at time of update), or the Cyclone V10 Absolute (AU$1,299, reduced to AU$744).

At those prices, the Cyclone V10 is at the top of the mid-range price bracket or into premium. Interestingly, the newer and more advanced V11 is actually available for cheaper in a few cases (although it's worth doing a compare and contrast on included tools to make sure you actually are getting a better deal). As you'd expect, it's pricier than the much older Dyson V8. Today's newest and highest-specced Dyson cordless vacs are far more expensive – the Gen5Detect is $950 / £750, for example.

Because it's a slightly older model, and based on the fact that it looks like Dyson might be phasing it out, it is worth keeping an eye out for Dyson deals – around major shopping events like the Black Friday sales in particular.

Dyson Cyclone V10 review: design

Powerful digital motor, but not as powerful as newer models
Operated via manual switch and indicator lights rather than an LCD screen
Array of useful accessories (vary by configuration and region)

The Dyson V10 looks very similar to most of the brand's cordless vacuums. It was the first Dyson cordless to organize all its various components in an in-line format, to achieve a more direct airflow path, and as a result, greater suction efficiency.

There's a front-facing barrel onto which all attachments connect directly. Behind the barrel sits the device's cyclone array (with 14 chambers in total), followed by a digital motor – at time of release, the smallest, and smartest, the company had engineered, and capable of 125,000 rpm (that's over 2,000 revolutions per second).

It's capable of 20 per cent more suction than its predecessor's motor (read TechRadar's full Dyson V8 review for a closer look at that one), despite being half the size, weighing only 125g (0.27lbs). In fact, it's said to be so intelligent that it can detect variables like altitude, air pressure and temperature and to adjust itself accordingly for increased efficiency. Dyson says it even knows the difference between a table and a floor.

Of course, when the V11 arrived, the motor had been improved again. But it's worth reiterating that even quite-old Dyson engineering is still very good engineering.

At the back end, you'll find the V10's filter, which you can remove with one simple counter-clockwise twisting motion. An LED indicator on the base of the unit will let you know when it's time for a wash (later models have an LCD screen that displays information like this, amongst other things). This filter is said to be capable of capturing 99.97 per cent of allergens in the air – even ones as small as 0.3 microns in size.

The front-facing bin is 0.77L, the same size as the V11 but significantly bigger than the V8. It has a 'point and shoot' emptying mechanism that makes it easier to transfer dust and rubbish directly into a trash receptacle or plastic bag.

The one downside to having a front-facing bin is that you'll now have to remove any attachments whenever you want to empty the device – although chances are you were already doing that anyway and never realized.

Opening the bin is as simple as pushing down the red release valve under the unit, which slides the whole bin down in the process and expels any contents within. Admittedly, this plastic flap feels a little delicate, so we're hoping that it stands up to repeated use. A flexible rubber lip on the inside of the bin prevents almost all dust and debris from getting into the back of the bin, but we've found that even when dirt does slip past, it still gets pushed out during the emptying process.

Following the trend it started with the V8, Dyson has banished attachment release buttons from the V10, opting to place them on the accessories themselves. This makes it much easier to detach vacuum heads and extension tubes in one swift movement, though it does mean that all accessories released prior to the V8 will be incompatible.

Dyson Cyclone V10 specs

Dyson V10 review: performance

Powerful even on the lowest setting
Lasts 30 minutes on medium, or up to an hour on low power
Tools are well designed and easy to use

Thanks to its digital motor and 14-cyclone array, the Dyson Cyclone V10 sucks big time. We don't mean that in a negative sense – it's actually a huge compliment in the vacuum world. In the weeks we've had to put V10 through its paces, it has performed incredibly well in pretty much every dry vacuuming scenario.

There are three power settings available on the V10: low, medium and maximum. Your usage of each will probably be governed by the surface (or spillage) you're cleaning, and how much charge your unit is holding. You can gauge this using the LED indicator lights when the vacuum is in use. (From the V11 onwards, this system is replaced by an informative LCD screen.)

You can vacuum continuously for up to 60 minutes on the lowest setting. We found that setting was generally more than strong enough to lift any dirt we put in front of it.

Dyson Cyclone V10 switch on vacuum body — (Image credit: Dyson)

Maximum power offers incredible suction (this tester put their fingers up to the vacuum head and was amazed by how strong it was – enough so that we'd firmly suggest not trying this yourself). Unfortunately, this setting will completely drain the battery after roughly five minutes of usage... but it's still useful to have in an emergency.

It's our opinion that the V10's medium power setting, which will give you around 30 minutes of continuous usage, is the one you'll be using most of the time. During our reviewing time, we found that we only really needed to unleash the maximum setting for small vacuuming sessions and those occasions where we had really stubborn dirt trapped in our carpets or rugs.

In terms of recharge, it takes roughly 3.5 hours to go from a completely flat battery to a full charge.

The Direct Drive attachment is is the standard vacuum head that you'll likely get the most everyday use out of, though our favorite tool has to be the Soft Roller Cleaner Head, which is capable of picking up bigger pieces of debris like pet kibble, cereal, cat litter and more.

Other notable attachments include the Mini Motorized Tool, which is great for vacuuming on stairs or upholstery, the pointed Rigid Crevice Tool, which lets you vacuum deep into corners and crevices, and the Flexi Crevice Tool, which features and extendable hose. This one's particularly useful for when you want to vacuum inside confined spaces, like the interior of a car. (Do note, different configurations of the V10 come with different tools, so make sure your model has the ones you need before purchasing.)

As is seemingly unavoidable with stick vacuums, we did experience a few blockages on occasion. We found that tissues and wrappers would frequently cause the V10 to jam up, with the only solution being the immediate removal of said obstruction.

Should you buy the Dyson Cyclone V10?

Buy it if...

Don't buy it if...

Hands-on review: Fuji XP200

3:00 am | March 23, 2013

Author: admin | Category: Cameras | Tags: LCD, PC, Tokyo, Wi Fi | Comments: None

Hands-on review: Fuji XP200

Although they may seem to be aimed at adrenaline junkies, rugged cameras also appeal to families who need a tough camera that can survive abuse in the[……]

Review: Samsung NX1000

3:01 am | March 2, 2013

Author: admin | Category: Cameras | Tags: AF, ISO, JPEG, LCD | Comments: None

Review: Samsung NX1000

Introduction

The Samsung NX1000 is the entry-level model in Samsung’s latest generation of NX line compact system cameras (CSCs).

With an RRP of £599 /[……]

Review: Sony NEX-5R

3:01 am | February 2, 2013

Author: admin | Category: Cameras | Tags: ISO, JPEG, LCD, Picture Effects | Comments: None

Review: Sony NEX-5R

Introduction

The Sony NEX-5R directly replaces the Sony NEX-5N as the company’s mid-range compact system camera offering. While the 5N saw boosted reso[……]

Review: Updated: Fuji X-E1

3:01 am | February 1, 2013

Author: admin | Category: Cameras | Tags: EVF, ISO, JPEG, LCD | Comments: None

Review: Updated: Fuji X-E1

Introduction

Updated: Now with a page comparing the Fuji X-E1 with the Fuji X-Pro1.

In recent years, Fuji has enjoyed great success, especially critical[……]

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Editor's Note

Canon EOS R7: Two-minute review

Canon EOS R7: release date and price

Canon EOS R7 review: design

Canon EOS R7 review: features and performance

Canon EOS R7 review: image and video quality

Canon EOS R7 review: image and video quality

Should I buy the Canon EOS R7?

Buy it if...

Don't buy it if...

Canon EOS R7: Also consider

Testing scorecard

Editor's Note

Two-minute review

Fujifilm X-T30 II release date and price

Fujifilm X-T30 II review: design

Fujifilm X-T30 II review: features and performance

Fujifilm X-T30 II review: image and video quality

Should I buy the Fujifilm X-T30 II?

Buy it if…

Don't buy it if…

Also consider

Editor's Note

Sony A7 IV: Two-minute review

Sony A7 IV release date and price

Sony A7 IV: design

Sony A7 IV: features and autofocus

Sony A7 IV: performance

Sony A7 IV: image and video quality

Should I buy the Sony A7 IV?

Buy it if...

Don't buy it if...

Sony A7 IV: also consider

Dyson V15 Detect: two-minute review

Dyson V15 Detect review: price & versions

Dyson V15 Detect review: design

Dyson V15 Detect review: performance

Dyson V15 Detect review: battery

Should I buy the Dyson V15 Detect?

Buy it if...

Don't buy it if...

Dyson V11 vacuum cleaner: two-minute review

Dyson V11 review: price & availability

Dyson V11 review: design

Dyson V11 specs

Dyson V11 review: performance

Dyson V11 review: battery

Should you buy a Dyson V11?

Buy it if...

Don't buy it if...

Dyson Cyclone V10: two-minute review

Dyson Cyclone V10 review: price & availability

Dyson Cyclone V10 review: design

Dyson Cyclone V10 specs

Dyson V10 review: performance

Should you buy the Dyson Cyclone V10?

Buy it if...

Don't buy it if...

Introduction

Introduction

Introduction

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