If you’re on the hunt for some new earbuds but you’ve not bought into the whole wireless thing, the JBL Tune 305C could be an enticing budget option. These wired earbuds promise punchy bass, a comfortable fit – not a bad package for £16.75 / AU$24 (about $21). So can the JBL Tune 305C live up to these bold promises, or do they instead fall flat?
Well, let’s start where it matters most – sound. Of course, the main attraction is meant to be JBL’s “Pure Bass” sound but despite providing enjoyable warmth, this won’t conjure up the low-end boom that bass heads may want. For instance, when I tuned into Black Eye by Allie X, there was a solid amount of depth to the thumping drum machine, but it lacked the impact and prominence in the mix to really have my head bopping. When listening to All Night Long by Chris Stussy, the bouncing bass never sounded lethargic or unresponsive, but again, it wasn’t as hard-hitting as I’d hoped.
You can be assured, however, that bass won’t sound nasty and distorted. Similarly, I didn’t experience much in terms of tinniness in the treble range or overly thin mids – something that all our picks of the best wired earbuds are capable of circumventing. But clean audio isn’t always a given with budget buds – the Belkin SoundForm Wired Earbuds with USB-C Connector, for instance, are very cheap… and they sound it. The JBL feel like good value in comparison.
Another positive is that the JBL Tune 305C can play hi-res music files thanks to the inclusion of a built-in digital to analog converter (DAC) – pretty impressive for some buds that come in at £16.75 / AU$24 (about $21). But although overall audio is certainly clear, it doesn’t really sound massively detailed.
For instance, I tuned into Clair de Lune by Kamasi Washington and piano notes soaring up and sinking down sounded slightly clumped – where they’d sound more individualized and defined using more premium buds such as the Sennheiser IE 200. Piano was also given a lot more breathing space with the IE 200, whereas it sounded more muddied with the Tune 305C – but not to a degree that it was totally lost in the mix.
One reason that I didn’t get a massively nuanced, informative listen from the Tune 305C was their in-ear fit. Like the Apple EarPods USB-C, they’re pretty loose-fitting, with an 'open-ear' design. They don’t include eartips, like the SoundMagic E11D, for example, meaning sound is less concentrated into the ear canal. Some may prefer the looser feel of these – I can’t deny that they were easy to keep in for longer listening sessions.
But still, they would occasionally feel as if they were falling out, especially when I was on the go. Not ideal if you’re on a run or working out. This design choice also limits noise isolation, so you may have to put up with the sound of that wailing baby on your four-hour flight… uh oh.
But again, some may prefer the more relaxed feel of the Tune 305C. On top of that, these are pretty lightweight and didn’t subject me to all too much cable noise – impressive for buds at this price-point.
(Image credit: Future)
And that’s not all – you also get a neat controller, which has volume, play/pause and mic controls built-in. Firstly, I have to say I was very impressed with mic quality. There was some very slight tinniness on a phone call, but my voice was nice and clear. Meanwhile, a voice recording came through with limited background static and well-defined vocals – rare for lots of wired earbuds.
You’re not going to believe me, but the fun doesn’t stop there either. If you hold down the volume up button for two seconds, you can even switch between Standard, Bass and Voice modes. EQ settings are pretty rare for cheap wired earbuds, so I was delighted to find this here. Really, the only downside practicality-wise is the lack of waterproofing, which would be ideal for listening in the rain or when exercising.
Another slightly disappointing aspect of these earbuds is their design. The buds each have a raised piece of plastic with the JBL logo on which looks a little clumsy, and the flat wire might not be to everyone’s taste either. Don’t get me wrong, my eyes didn’t burn just looking at the Tune 305C, but I was hardly swooning over them. The controller looks decent, however, and is positioned near your cheek for easy access, not to mention that the wire – despite not being too pretty – is tangle-resistant, which is useful if you need to slide these into your pocket.
All in all, the JBL Tune 305C are a solid pair of in-ear buds. They have typically clean audio with commendable bass and volume, EQ options and a surprisingly good mic. The loose fit does come with sacrifices in the audio and noise isolation departments and it's a shame not to see waterproofing too. But at £16.75 / AU$24 (about $21), there’s still plenty to like here.
If you want a step-up USB-C option, the SoundMagic E80D will outperform the Tune 305C in most departments, but there are some nice cheaper options too, such as the Skullcandy Set USB-C.
(Image credit: Future)
JBL Tune 305C review: Price and release date
£16.75 / AU$24 (about $21)
Launched in 2024
The JBL Tune 305C launched in 2024 – the same year that the audio specialists dropped the Tune 310C model, which uses ear tips for a more snug, noise-isolating listening experience.
These in-ears are typically priced at £16.75 / AU$24, making them a very budget-friendly option. They’re also available in a number of attractive color variants including: Black, Blue, Red and White – I tested the latter for this review.
JBL Tune 305C review: Specs
(Image credit: Future)
Should I buy the JBL Tune 305C?
Buy them if...
You’re on a tight budget If you want a cheaper wired option, these are worth considering. At £16.75 / AU$24 (about $21), you get audio that’s rarely tinny or grating, solid loudness and even EQ options – not bad at all.
You’re always on the phone If you love a phone call, you’ll likely be satisfied with the JBL Tune 305C’s built-in mic. You get decently clear, defined speech as well as call controls, making these ideal for those who enjoy a good natter.
Don't buy them if...
You want strong noise isolation Due to their loose-fitting design, these JBL Buds will offer very little in the way of noise isolation. If you’re looking for decent passive noise isolation at an ultra-low price, consider the Sony MDR-EX15AP. But if you want to take things up a notch and wouldn’t mind going wireless, then take a peek at our guide to the best noise cancelling earbuds – which includes a very cheap option.
You’re expecting top-tier audio quality If you’re expecting a top-drawer sonic performance from the JBL Tune 305C you’re likely to be disappointed. Sure, they have a built-in DAC for hi-res listening and pretty warm bass, but they can sometimes produce a fairly bloated sound, especially at high volumes.
JBL Tune 305C review: Also consider
Skullcandy Set USB-C If you’re looking for a stylish, moderately priced pair of wired earbuds, the Skullcandy Set USB-C could be the perfect fit. They boast a clean, curved design, attractive color options and solid sound quality. There are no built-in volume controls, which is slightly irritating, but IPX4 waterproofing does give it some points in the durability department. Read our full Skullcandy Set USB-C review.
SoundMagic E80D The SoundMagic E80D are some of the best budget-friendly wired earbuds around. Why? They offer excellent comfort, an inbuilt DAC for hi-res listening and impressive noise isolation. It’s a decent amount more than the JBL Tune 305C, sure, but if you have that extra cash, you’re in for a far superior sonic experience. Read our full SoundMagic E80D review.
JBL Tune 305C review: How I tested
(Image credit: Future)
Tested for one week
Used in the office and on public transport
Predominantly tested using Tidal
I tested the JBL Tune 305C over the course of one week. When I used these buds for music listening, I mainly used Tidal on the Samsung Galaxy S24 FE, but I also tried them out with YouTube and Spotify on my Windows Laptop.
Not only that, but I made sure to run through tracks in the TechRadar testing playlist, which contains songs from a variety of genres – read our guide on how we test earbuds for more. I did, however, also spend hours tuning into songs from my personal library. And I took the 305C with me everywhere for this review. I tested them at a busy London train station, on walks through my local town centre and in the office.
Bowers & Wilkins Zeppelin Pro Edition: Two-minute review
The Bowers & Wilkins Zeppelin Pro Edition is part of a great lineage. It’s been almost 20 years since the first Bowers & Wilkins Zeppelin launched – back then it was an iPod dock with a 30-pin connector. It’s moved with the times, of course, so now this version offers aptX Adaptive Bluetooth codec compatibility and the ability to host numerous music streaming and internet radio services within the ‘Music’ control app it has in common with other Bowers & Wilkins wireless audio products.
The look of the Zeppelin Pro is, of course, the look. The Zeppelin line is very much its own thing, and build quality and the standard of finish are predictably good. And when it comes to business, the Pro Edition features a reworked tweeter array and uses the titanium dome unit found in the class-leading B&W 600 S3 series of passive speakers. That's along with a couple of mid-range drivers and a relatively large (150mm) bass driver, plus 240 watts of power to drive them; the on-paper specification is promising to say the least.
And in practice, the Zeppelin Pro Edition makes good on that paper promise. It’s simple and quick to get it up and running, and once the listening starts in earnest there’s next-to-nothing to take issue with.
It’s a detailed, spacious and vigorous listen, able to tease out the finest details yet hit with real determination at the same time. The tonal balance is convincing, the frequency range is integrated smoothly, and there’s an openness to the presentation that’s far superior to any other one-box option among the best wireless speakers at this budget. It’s not the last word in dynamic expression, true – but nevertheless, the ‘plus’ column is far, far longer than the ‘minus’ where sound quality is concerned.
Bowers & Wilkins Zeppelin Pro Edition review: Price and release date
Costs $799 / £699 / AU$1,349
Launched in late 2024
The Bowers & Wilkins Zeppelin Pro Edition is on sale now, and in the United Kingdom it costs £699. American customers will have to part with $799, while in Australia it’s more like AU$1,349.
You’re not short of choice where wireless speakers at this sort of money are concerned, of course. The excellent Naim Muso Qb Gen 2 is down to this sort of money nowadays, and things like JBL’s Authentics 500 are well worth considering too…
Bowers & Wilkins Zeppelin Pro Edition review: Features
(Image credit: Future)
Bluetooth 5.0 with aptX Adaptive codec compatibility
240 watts powering a five-driver array
35Hz - 24kHz frequency response
In most respects, the Zeppelin Pro shares a feature-set with the 2021 incarnation of the Zeppelin. Bluetooth 5.0 with aptX adaptive codec compatibility, 240 watts of Class D grunt powering a five-driver array, compatibility with the exemplary Bowers & Wilkins ‘Music’ control app, a claimed frequency response of 35Hz - 24kHz… so far, nothing has changed.
In fact, the only major difference where features are concerned is regarding 40 percent of the driver array. The Zeppelin Pro uses the same 150mm low-frequency driver and the same pair of 90mm ‘FST’ (fixed suspension transducer) mid-range drivers as the 2021 model – although the mid-range drivers have had their cone damping upgraded in an effort to minimize cone break-up.
The tweeters in the Zeppelin Pro, though, are 25mm versions of the titanium dome design that’s currently in use all across the company’s 600 S3 range of full-size passive loudspeakers. This, it’s fair to say, is an upgrade on the double-dome tweeters fitted to 2021’s Zeppelin. Revised digital sound processing is deployed to take account of the new and improved tweeter line-up.
As with previous Zeppelins, the Pro features built-in multi-room functionality - it can be paired with other Zeppelins or members of Bowers & Wilkins’ ‘Formation’ range of wireless speakers (in case anyone remembers them). The Pro can also be used in conjunction with any of the company’s current (and excellent) line-up of wireless headphones and earbuds.
And as with previous Zeppelins, the Pro is only part-smart. Bluetooth connectivity is all well and good, of course, and the fact that it can sit on your home network and access your favourite streaming services (or, at least, some of them) is good news too – but there’s no DLNA or UPnP compatibility, so network connectivity only takes you so far, and the speaker has no truck with voice assistants either.
Features score: 4.5 / 5
(Image credit: Future)
Bowers & Wilkins Zeppelin Pro Edition review: Sound quality
Wide and organized presentation
Punchy and detailed in equal measure
Dynamic, but not to the extent separate speakers
Everything’s relative, of course, but while the idea that the Zeppelin Pro creates a true sense of stereo separation is hard to get behind, there’s no denying it generates a wider and more spacious sound that pretty much any other price-comparable single-unit wireless speaker is capable of.
It’s this openness that’s the most immediately striking thing about the way the Bowers & Wilkins performs. You’d never confuse it for the sound of two stereo speakers, of course, but whether it’s playing a 16bit/44.1kHz file of The Wedding Present’s Dalliance or a 24bit/96kHz equivalent of Summon the Fire by The Comet Is Coming, the Zeppelin Pro musters a big, well-organised and entirely convincing soundstage on which a recording can fully express itself.
There’s a gratifying amount of attention paid to the spaces between instruments and voices, and the amount of elbow-room each element of a recording enjoys makes for a coherent and easy-to-follow presentation.
Low-frequency impact is significant, and there’s good control of the attack of bass sounds at the same time – so the low end doesn’t blur, and rhythms are confidently described. The mid-range benefits a great deal from the overall spaciousness – vocalists of all types and all competences get the chance to properly communicate, for better or for worse.
And at the top of the frequency range, the reworked tweeter arrangement allows for plenty of substance to accompany the top-end bite and attack the Zeppelin Pro can muster. Integration of the frequency range is smooth and unobtrusive, despite the numerousness of the drivers here.
The Pro maintains a nicely neutral tonality throughout, and manages to invest every part of the frequency range with plenty of broad and fine detail. It does good work with high-frequency transients, and gives the bottom end lots of texture and variation where lesser speakers can just thump along monotonally. And the mid-range is absolutely alive with personality – there’s an eloquence to the way the Bowers & Wilkins hands over a voice that is never less than engaging.
Only a slight inhibition during the bigger dynamic shifts in volume and/or intensity prevent the Zeppelin Pro from scoring full marks here. If ever a band indulged in the ‘quiet/LOUD/REALLY DAMN LOUD’ dynamic, it’s The Wedding Present – but when the angst really gets into full swing the Bowers & Wilkins just can’t quite breathe deeply enough to give it the fullest expression.
It’s not that everything happens at a fixed level of attack, you understand – it’s just that there’s greater distance between the most contemplative and most fierce moments in the recording than the Zeppelin Pro is able to describe.
Sound quality score: 4.5 / 5
Bowers & Wilkins Zeppelin Pro Edition review: Design
(Image credit: Future)
Choice of two new finishes
Choice of 15 (!) downlight colors
Still looks like a Zeppelin
If you’ve seen one Bowers & Wilkins Zeppelin, you’ve seen 'em all – which is not meant to be any kind of a put-down. In one guise or another, it’s a product that’s been in production for almost two decades, and it’s rapidly approaching ‘classic’ status – and the way it looks hasn’t done any harm in this respect.
So the Zeppelin Pro is recognizably a Zeppelin, and at 210 x 650 x 194mm it’s the same dimensions as the 2021 model. You’ll need a decently sized surface to stand it on, although at 6.6kg it’s hardly a burden where weight is concerned.
The speaker wears its relative bulk quite lightly, though, and this is helped in no small way by the two finishes – both new – in which it’s available. My review sample is in ‘solar gold’, and ‘space gray’ is also available. And within the stable, logical and extensive control app, there are no fewer than 15 different ‘ambient light’ colors with which to illuminate the speaker’s foot (and, if you’re anything like me, expose exactly how long it’s been since anyone did any dusting around here). Or you can turn it off altogether, of course.
Design score: 5 / 5
Bowers & Wilkins Zeppelin Pro Edition review: Usability and setup
(Image credit: Future)
Bowers & Wilkins ‘Music’ control app
Some physical controls
Swift and stable wireless pairing
The Zeppelin Pro is ‘just’ a wireless speaker, and as such it doesn’t take long to set up – unpack it, plug it in, let the ‘Music’ control app (free for iOS and Android) discover it, connect it to your local network, and you’re in business.
The control app is fairly thoroughly specified. As well as Bowers & Wilkins’ curated content, it’s also able to let you integrate your favourite music streaming service(s) – as long as they’re Amazon Music, Deezer, NTS, Qobuz, SoundCloud or TIDAL. Spotify Connect and AirPlay 2 provide alternative ways of getting music over to it. Internet radio is available via Last.fm and TuneIn.
EQ adjustment (or, more accurately, bass and treble adjustment) is available, and the app also lets you update firmware as and when, and for some reason has a switch to allow aptX Adaptive reception to be switched on or off.
There are a few physical controls at top of the rear of the speaker, too. ‘Bluetooth pairing’, ‘volume up/down’, ‘play/pause’ and ‘power on/off’ are all available.
Usability and setup score: 5 / 5
Bowers & Wilkins Zeppelin Pro Edition review: Value
Bowers & Wilkins devices are always of a very high standard
Not as pricey as some B&W devices, but just as impressive
Excellent specs and sound
If you know Bowers & Wilkins, you know there’s seldom any issue regarding the standard of build and finish of any of its products – and that’s as true of the Zeppelin Pro Edition as it is of a pair of its passive speakers costing tens of thousands of pounds.
Add in thorough specification, nicely executed control options and an intangible, but definite, pride of ownership and we’re well on the way to calling this wireless speaker ‘very decent value for money’. The way it sounds simply confirms things.
Value score: 4 / 5
Should you buy the Bowers & Wilkins Zeppelin Pro Edition?
Buy it if...
You know an icon when you see (and hear) one There aren’t all that many current audio products around that can genuinely be referred to as ‘classic’. The Bowers & Wilkins Zeppelin is one.View Deal
You enjoy spacious, detailed and lively sound By the standards of speakers in a single enclosure, the Zeppelin Pro sounds gratifyingly open – and it’s a perky, informative listen at the same time.View Deal
You think synesthesia is pretty cool You won’t see colors because of the sound the Zeppelin Pro makes, but you get a choice of colors to accompany it.View Deal
Don't buy it if...
You don’t have significant shelf space The Bowers & Wilkins Zeppelin Pro Edition remains one of the larger wireless speakers around, and it needs a correspondingly large shelf space in which to operate.View Deal
You want a fully smart speaker The lack of wider networking compatibility, voice-assistant interaction and so on means the Zeppelin Pro Edition is not quite PhD ‘smart’.View Deal
You want to hear every bit of dynamic variation in a recording The Pro Edition is a strong performer, but it lacks the lung capacity to give complete expression to the biggest shifts in intensity and/or volume.View Deal
Bowers & Wilkins Zeppelin Pro Edition: Also consider
Naim Mu-so Qb 2nd Gen The closest smaller equivalent to the Zeppelin Pro, also made by a hi-fi legend. Far more compact, still a hugely impressive performer with tons of connectivity options. Here's our full Naim Mu-so Qb 2nd Gen review.View Deal
Cambridge Audio Evo One A magnficient speaker that's also pretty wide, like the Zeppelin Pro – but it has a flatter and more traditional design that may suit some people. The screen on the front is nice too, and the built-in phono stage makes it well-suited to turntables.View Deal
How I tested the Bowers & Wilkins Zeppelin Pro Edition
I positioned my review sample on the top shelf of my Blok Stax 2G equipment rack, and then because it was preventing my turntable from sitting there I also positioned it on a necessarily large bookshelf.
I used my Qobuz and TIDAL accounts to stream music of many different varieties and file sizes, and I also checked out some favorite internet radio stations using TuneIn.
I can’t pretend it was any kind of hardship to do this for well over a week…
10 years after their original release, the Master & Dynamic ME05 are back. Remastered for the modern era, these wired buds now include a Hi-Res USB-C adapter, meaning they’re able to seamlessly slot into your modern smartphone’s charging port. This revamped model also aims to provide “more expansive acoustics” and fit options, while still harnessing the strengths of their original, high-caliber build materials. But do these re-released classics still hold up?
Well, if we’re talking audio quality, the answer is yes – very much so. The re-released Master & Dynamic ME05 have an incredibly satisfying sound signature: it’s elegantly balanced, but adds a dash of warmth to ensure you get an exciting, yet tightly controlled listen. When I tuned in to I Want You by Moloko – a densely layered, all-action track – the Master & Dynamic ME05 captured each element with ease. The multiple synths, dramatic strings and thumping bass all sounded neatly separated and clear.
The details in this track weren’t lost either. For instance, bold vocals in the introduction maintained their breathy tone and the resonance of the piano wasn’t lost. The sudden crash of cymbals roused excitement without sounding harsh too, something I always listen out for in my epic quest to discover the best wired earbuds.
As I touched on earlier, there’s a pleasing degree of warmth to these buds, meaning you’ll hear clean bass that never sounds lethargic or muddied with lower-mids. When listening to Black Eye by Allie X, the hard-hitting drum machine could get admirably deep and sounded rhythmic and energetic.
If you’re a massive fan of bass-heavy bangers these might not quite offer the big boom you’re looking for, though. For instance, I threw on Splash Mountain by Yung Gravy and sub-bass didn’t have the raw power that’s meant to command the track. If that’s something you’re looking for, you may be better served by some of the best over-ear headphones, which are more capable of thunderous low-end output and customizable EQ.
Regardless, you’re getting fantastic high-resolution audio from these buds, whether you’re using the standard 3.5mm connector or the included USB-C adapter. This adapter supports up to 32-bit / 384kHz resolution audio, meaning you can indulge in higher-than CD quality sound with one of the best Android phones or best iPhones since the iPhone 15 switch to USB-C.
As well as the USB-C connector, the ME05 now come with a large selection of additional ear tips, including both gel and foam variants. This was something we hoped for in our review of the review of the original model back in 2017 – so kudos to Master & Dynamic for delivering! There’s also a premium-feeling carry case to keep your buds safe, adding some points in the value category.
On top of their stellar sound quality and generous fit options, the re-released ME05 have commendable build quality. The 8mm drivers are enclosed in sturdy and stylish brass casing. The metallic controller also feels durable and has well-sized button controls. Maybe some will find its central position a little unorthodox, but I liked it – sometimes wired buds place their controller too close to my cheek, which can be irritating when adjusting volume. And although it’s not detachable, the cable is up-to-scratch too – it's tangle-resistant and slim, and it really checks all the boxes.
There’s also a mic that’s handily positioned higher up the cable. This includes wind reduction tech for clear calling, which I’m happy to report works well. To test mic quality, I made a voice recording and found that there was a bit of static in the background, though my speech was still extremely clear-cut and natural-sounding.
At this stage, you may think I have little to no complaints about these remastered classics – and you’d be right. But they’re not quite perfect. That’s mainly because these buds aren’t ideal for when you’re out and about. I did experience quite a lot of cable noise – something that’s admittedly common with most wired buds – but they couldn’t mute this as effectively as models like the Sennheiser IE 200.
And although they’re comfortable in-ear, they are fairly heavy-feeling – not to mention the lack a waterproof rating, meaning you may want to look elsewhere if you need some earbuds for workouts or runs.
One more small thing before I start gushing again – don’t expect particularly stand-out noise isolation from the re-released ME05. When listening to a bass-heavy track between 40% and 50% volume, the sound of typing in my office was dulled, but I could still hear it a decent amount. That’s in part down to the more relaxed fit of these buds, meaning you’re not getting an ultra-tight seal. But still, there’s a silver lining here – I was happy to listen with these for hours on end. So, even if a model like the Shure SE215 has superior passive noise isolation, they were nowhere near as pleasing to keep in for long listening sessions.
With that said, I’d still class the Master & Dynamic as a top-drawer pair of in-ears. With awesome audio quality, eye-catching design and dual connectivity options, there’s just so much to like. At $199 / £169 (about AU$320), they’re not cheap but they are good value. A lot of audiophile-friendly buds will cost double that amount… or even more. And for the level of detail on offer, I think these are well worth your consideration.
Sure, if you want top-tier noise cancelling and waterproofing, you may be better off with a pair of the best wireless earbuds instead, but for those of you looking for a wonderful wired option, I can recommend these with ease.
(Image credit: Future)
Master & Dynamic ME05 review: Price and release date
$199 / £169 (about AU$320)
Re-launched in December 2024
The Master & Dynamic ME05 re-released in December 2024, almost an entire decade after their original launch in 2014. They have a list price of $199 / £169 (about AU$320), which is by no means cheap, but nowhere near the price you’ll pay for more premium models like the Sennheiser IE 900 or the Campfire Audio Solaris Stellar Horizon. The re-released ME05 model is available in four classy colorways: Gold/Black; Gunmetal (Gray)/Black; Palladium (silver)/Black; and Palladium/White.
Master & Dynamic ME05 review: Specs
(Image credit: Future)
Should I buy the Master & Dynamic ME05?
Buy them if...
You’re an audiophile that doesn’t want to spend a fortune If you’re on the hunt for some high quality, yet still affordable wired earbuds, the Master & Dynamic ME05 are an awesome option. At less than $200 / £170, you’re not splashing out the kind of cash that some audiophile-grade buds demand. For instance, quality options like the Sennheiser IE 600 come in at around $500 / £500 / AU$1000… when on sale – yikes!
You want something with style These earbuds are a good-looking option thanks to their metallic casing, premium-feeling controller and tangle-proof cable. They’re also available in four shiny color options, all of which ooze class.
Don't buy them if...
You’re seeking workout-ready earbuds If you want some earbuds to accompany you on runs or through workout sessions, these aren’t going to be the best. They have no waterproof rating and aren’t the most snug fitting in-ears I’ve ever tried either. If you’re a fitness fanatic, I’d personally recommend checking out our guide to the best open ear headphones.
You want amazing noise blocking These earbuds assume a decently loose and gentle fit rather than forming an ultra-noise resistant seal. That was fine by me, but if cutting out external noise is a key priority, you could instead opt for some wired buds with top-tier passive noise isolation, like the Shure Aonic 3. If you’re open to nabbing some wireless buds, you could pick an option from our list of the best noise-cancelling earbuds and enter into the world of active noise cancellation.
Master & Dynamic ME05 review: Also consider
Sennheiser IE 200 If you want even more affordable audiophile-grade audio, the Sennheiser IE 200 could be the perfect fit for you. With fantastic all-round sound, brilliant build quality and a lightweight design, you’re getting an incredible package. There’s no in-line mic or controller included with these and they use a 3.5mm connector, but if that’s okay with you, then the IE 200 are easy to recommend. Read our full Sennheiser IE 200 review.
SoundMagic E80D And if you’re looking for an even cheaper option, look no further than the SoundMagic E80D. They have a USB-C connector with an onboard DAC, meaning you get a surprisingly detailed listen for some sub-$50 / £40 buds. The built-in controller isn’t as good as the ME05’s and audio won’t be quite so premium, but if great value is what you’re after, the E80D are well-worth considering. Read our full SoundMagic E80D review.
Master & Dynamic ME05 review: How I tested
(Image credit: Future)
Tested for one week
Used in the office and while on walks
Predominantly tested using Tidal
I tested the Master & Dynamic ME05 re-release over a one week period. During this time, I predominantly listened to music using Tidal on the Samsung Galaxy S24 FE via its USB-C port, but I also tried them out using Spotify via my Windows laptop’s headphone port. I tested these buds in the office and while out on walks in windy conditions, in order to test both noise isolation and wind noise-reduction capabilities
When I threw on some music, I bumped tracks from the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library. Where appropriate, I also used the Sennheiser IE 200 to compare aspects including audio presentation, style and build.
The Anker Soundcore Boom 2 Plus is a Bluetooth speaker that does exactly what it says on the tin. It blasts onto the scene with booming bass output, high volume levels and blaring LED lights – this thing is by no means subtle! And at $249.99 / £199.99 / AU$359.99 it’s by no means cheap, either – so let’s find out if the Boom 2 Plus is worth the cash.
It only seems right to start with the main attraction: bass. With BassUp 2.0 activated you’re going to get deep pumping low-end output, ideal for genres such as EDM or hip-hop, and for occasions such as house parties. Without it, you may find that bass is a touch underwhelming, so it’s worth toggling it on for when you really want to ramp up any low-frequency audio. Still, I didn’t find the Anker Soundcore Boom 2 Plus could offer quite as ground-shaking bass as the Tribit Stormbox Blast 2.
All-round sound quality is up-to-scratch, too. I found mids and highs to be clear and free of tinniness – a big relief. On top of that, there’s a nine-band EQ so you can get a more neutral sound if that’s what you’re after. The Anker Soundcore Boom 2 Plus isn’t going to supply the phenomenal attention to detail that some of the best Bluetooth speakers can offer, but it does include the AAC codec this time around, so it's a little better for Apple users in particular.
This speaker comes with a nice set of features, all of which can be accessed via the free-to-download Soundcore app. You can pick from preset or custom EQ calibrations, toggle BassUp, and alter light settings. The LED lights attached to the side of the speaker can sync up to audio output for a more immersive listening experience, and watching them rumble as the speaker pumps bass is highly satisfying.
The lights were one of many features already included in the original Anker Soundcore Boom 2. Now, don’t get me wrong, the standard-sized model is a decent budget option, but the Boom 2 Plus is an upgrade in almost every way. You get more power – as much as 140W for hitting high volumes – a more curved, quality-looking design, and a strap for carrying the speaker over long distances.
But the Boom 2 Plus isn’t without its drawbacks. Of course, its far more expensive – yet still only has the IPX7 waterproof rating, meaning it still lacks a dustproof score. On top of that, the Boom 2 Plus actually offers less playtime than the standard Boom 2, with just 20 hours on offer. Now, that’s not too bad, but considering rivals like the Earfun UBoom X can muster 30 hours, you may be left wanting more.
But overall, the Anker Soundcore Boom 2 Plus is still an adept party speaker. You’re getting plenty of bass and plenty of ways to personalize both its sound and appearance. If you can grab it at a cut-price, I’d argue it's an option well-worth considering, but unfortunately there’s some really stiff competition in this price range. And if you’re able to stretch your budget a little bit further, I’d recommend going for the Tribit Stormbox Blast 2 instead, which ultimately packs more of a punch and better protection against the elements.
(Image credit: Future)
Anker Soundcore Boom 2 Plus review: Price and release date
$249.99 / £199.99 / AU$359.99
Launched in May 2024
The Anker Soundcore Boom 2 Plus is significantly pricier than the standard Boom 2 model, coming in with a list price of $249.99 / £199.99 / AU$359.99. That’s compared to the usual Boom 2’s launch price of $129.99 / £119.99 / AU$219.99. I’ve spotted it on sale for around $200 / £170, though, so keep your eyes peeled for a bargain.
This 2024-issued model is available in a number of color options – all of which cost the same. The colorways available to you are: Adventure Green; Explorer Green; and the variant I tested, Phantom Black.
Anker Soundcore Boom 2 Plus review: Specs
(Image credit: Future)
Anker Soundcore Boom 2 Plus review: Features
Nine-band custom EQ
Customizable LED lights
20-hour battery life is decent, but nothing special
In terms of features, the Soundcore Boom 2 Plus is almost identical to its standard-sized sibling. Button controls enable you to toggle on the low-end-boosting BassUp option, sift through light show settings and pair to a second speaker via PartyCast 2.0. And once again, there’s a USB-C port which enables the Boom 2 Plus to become a power bank.
If you download the Soundcore app, however, you get access to even more features. The standout is EQ adjustment, which grants access to a nine band equalizer and a small selection of presets: Soundcore Signature, Voice, Treble Boost and Balanced (as well as BassUp). I would maybe have liked to see a few genre-specific options, but there’s still plenty of customizability here.
The app also lets you personalize the Boom 2 Plus’ lights remotely. There are six effects available: Flash, Flame, Lightning, Scan, Cyclone and Bounce. On top of that, you can play around with a color wheel to get an even more tailored look to the speaker’s LEDs. The lights are on passive radiators which rumble violently during bass-heavy tracks, and this was enjoyable to watch, especially in dark rooms. They sync up to sound output, which makes for an immersive audiovisual experience, but if that’s not to your taste, you can switch them off entirely.
One benefit of going lightless is that you’ll save some battery life. And that might be useful, because the Soundcore Boom 2 Plus actually offers less playtime than the standard Boom 2. That’s a little disappointing and given rivals such as the Earfun UBoom X can serve up an impressive 30 hours, its fair to say this speaker’s battery life is a bit unimpressive. 20 hours is by no means bad, but it’s worth noting that BassUp – like the lights – will contribute to faster drainage.
One thing you do get over the standard edition, however, is an aux-in port, which enables wired listening – pretty neat. Otherwise, you’ll be relying on Bluetooth 5.3, which is plenty good enough, and there’s also Google Fast Pair for a speedy setup.
Features score: 4/5
(Image credit: Future)
Anker Soundcore Boom 2 Plus review: Sound quality
Booming bass with BassUp 2.0 on
But won’t offer massively sophisticated all-round audio
Impressive volume levels thanks to max 140W power output
Just by hearing this speaker's name, you probably know exactly what you’re going to get here. And if you guessed big, booming bass – congrats, you were right. Well, that is if you have BassUp 2.0 turned on – without this bass isn’t actually that impactful for a speaker of this size. But don’t get me wrong, having BassUp 2.0 on will definitely mean the low-end soaks up most of the limelight. For a party speaker, though, that’s not necessarily a bad thing.
When tuning in to Favorita by kryptogram, I was impressed by the speaker’s bass output with impactful, deep drum kicks instantly grabbing my attention. Similarly when listening to a house track, Dasha - Tour Maubourg Remix by Fusion Affair, the speaker showcased solid low-frequency response, with dominant, pumping bass. When I threw on Diva Bonita by bbno$, the track’s imposing sub-bass came through with authority, something that you’ll miss out on from a lot of cheaper models.
When I put the Boom 2 Plus next to the Tribit Stormbox Blast 2, however, I did find the latter offered considerably weightier power in the low end – even with its XBass feature turned off. Of course, that model is a little more expensive, but if you want ultimate bass performance, I’d recommend it over this Soundcore speaker.
Regardless, the Boom 2 Plus can get very loud. That’s in part thanks to its high maximum power output of 140W – 100W of which comes from the two 50W woofers, with the remainder stemming from the speaker’s dual 20W tweeters. Pair that with the Boom 2 Plus’ competence in the bass department and you’re looking at a speaker that’s primed for parties or outdoor events, where you want to power through excess noise.
If you want a speaker capable of delivering a highly nuanced listen, though, this isn’t a top option. Sure, you get AAC this time (meaning any tracks played in AAC on a compatible device will be played without conversion or other inteference – most notably for Apple Music users on Apple devices) rather than SBC (the standard Bluetooth codec) alone, and there’s a nine-band equalizer that can help you tune a more balanced sound – but I still found there was a lack of detail, particularly in the mid and treble frequency range.
When listening to I Want You by Molko, I wasn’t struck by a true-to-life cymbal crash or particularly natural-sounding, breathy vocals. The speaker also wasn’t highly capable of managing this track’s densely layered mix, so you may want to turn to a model like the Edifier D32 if you’re looking for stronger instrument separation.
Of course, that’s not something this model has to excel in. Ultimately, this is designed to be a party speaker that leans into its low-frequency talents and it does that well. Also, even if they’re lacking a bit of detail, mid-range and treble frequency sounds rarely sound tinny or harsh, even at higher volumes. I also found that I could get a fairly balanced sound profile out of this speaker after turning BassUp off in Soundcore Signature and slightly tweaking EQ.
Sound quality score: 4/5
(Image credit: Future)
Anker Soundcore Boom 2 Plus review: Design
More curved, premium looking design this time out
Still only IPX7 rated
Eye-catching LED lights
In terms of looks, the Soundcore Boom 2 Plus is a huge upgrade on its standard-sized sibling. It’s less stubby and blocky looking, now donning a wider, more curved look. On top of that, the metallic speaker grille has a more premium feel and appearance, creating a far cleaner aesthetic overall.
Of course, much has remained the same – the LED lights on the side of the speaker are still bold and vibrant – they can also sync up to bass output for a more immersive listening experience. And the button controls on top of the speaker are again well-proportioned, clear and responsive.
But with this speaker’s added length comes added bulk – meaning Anker has had to make a change here. That’s right: this model comes with a strap included, which can be attached to hooks on the handle. This is pretty basic; there’s no shoulder pad or anything, but it’s still a nice addition if you’re going to carry the Boom 2 Plus over longer distances. This is also welcome as the Boom 2 Plus is more than twice as weighty as the standard model, coming in at 8.4lbs / 3.8kg – though this is still fairly lightweight overall.
Something that, perhaps disappointingly, has remained much the same, though, is this speaker’s ingress rating. Like the standard Boom 2, this is IPX7 rated. Now, the positive here is that the speaker can be submerged in up to a meter of water for as long as 30 minutes – something we’d expect from all of the best waterproof speakers. It's floatable too if you want to take it into the pool with you, for instance.
The bad? This thing skips on a dustproof rating again, meaning it might not be the best beachside companion. If you want a more rough and ready model, look for the IP67 rating, which a ton of competitors have, including the fantastic Bose SoundLink Max.
But enough moaning. I did like the small rubber tab on the reverse side of the Boom 2 Plus. Simply flick this up or down and you get access to the USB-C charging port – which can be used to charge the speaker or external devices – as well as the aux-in if you want wired listening.
I was also a fan of the multiple color options available. You can grab the Boom 2 Plus in Phantom Black, Explorer Blue or Adventure Green – all of these look neat and are discreet enough to bring out the best of light features in dark rooms.
Design score: 4/5
(Image credit: Future)
Anker Soundcore Boom 2 Plus review: Value
Considerably more expensive than standard model
But does offer improved audio and design
Unfortunately rivals offer better bang for your buck
The Anker Soundcore Boom 2 Plus has a list price that’s almost double that of the standard model. So, with added price, you’re going to expect a massive improvement. Do you get that? In many ways, yes. I would argue that this model is far better looking and, perhaps unsurprisingly, has bassier, cleaner audio. If you want an all-out party speaker, it’s no contest – the Boom 2 Plus is far superior.
At the same time, you get a smaller battery life and there are some lingering issues such as the lack of a dustproof rating. Perhaps a larger problem for the Boom 2 Plus, though, is that it’s sitting in an awkward spot price-wise. If you go cheaper, you can grab the Earfun UBoom X, which also packs plenty of bass, as well as highly customizable audio. And if you can push your budget just a little more you can get the mighty Tribit Stormbox Blast 2, which is a top-tier party speaker in my book – it can also double up as a karaoke machine if you’re into that kinda thing!
In its own right, though, the Soundcore Boom 2 Plus is still a solid Bluetooth speaker and plenty good enough to keep the party moving. If you can get it for less than $200 / closer to the £150 mark, it’s a model well worth considering. Nonetheless, there is some stiff competition, which can’t be ignored.
Value score: 3.5/5
(Image credit: Future)
Should I buy the Anker Soundcore Boom 2 Plus?
Buy it if...
You want a bass-heavy party speaker If you want a Bluetooth speaker for house parties or events, the Anker Soundcore Boom 2 Plus has you covered. With a maximum power output of 140W and BassUp feature for booming low-end output, you’re certainly going to keep your guests entertained.
You want a lightweight option Some boombox-like speakers can be heavy. Really heavy (I’m looking at you Tribit Stormbox Blast 2). But much like the standard model, the Boom 2 Plus bucks that trend, coming in at 8.4 lbs / 3.8kg. Combine that with the included strap and this speaker is pleasingly easy to take with you on the go.
Don't buy it if...
You want premium all-round sound If you want a nuanced, supremely separated sound, this speaker isn’t for you. With the right tuning, you can get clear, decently balanced audio, but still, you’re not going to uncover the finest details.
You want a speaker that can brave any environment The Soundcore Boom 2 Plus skips on a dustproof rating, meaning it’s not totally primed for all outdoor environments. There are a ton of options with the coveted IP67 rating, but you can go a step further with the LG XBoom Go XG8T, which actually has military-grade protection against the elements.
Anker Soundcore Boom 2 Plus review: Also consider
Earfun UBoom X Like this Anker speaker, the Earfun UBoom X won’t offer the most detailed, revealing sound quality. But it does still pack quite the low-end punch, has some integrated LED lights and a wired connectivity option. The real win is that this model has a 30 hour battery life and super-low price for a speaker of its size, making it a very viable candidate to be your next party speaker. Read our full Earfun UBoom X review.
Tribit Stormbox Blast 2 I’ll keep it simple: the Tribit Stormbox Blast 2 is one of the best portable party speakers money can buy. It’s only a bit more expensive than this Anker model, but has superior bass output, more playtime and an IP67 dustproof and waterproof rating. It doesn’t get much better than that. Read our full Tribit Stormbox Blast 2 review.
Anker Soundcore Boom 2 Plus review: How I tested
(Image credit: Future)
Tested over the course of one week
Mainly used at our music testing facility at Future Labs
Predominantly listened to tracks via Tidal
I listened to the Anker Soundcore Boom 2 Plus for hours at our music testing facility at Future Labs. I blasted a bunch of tracks from my own music library alongside tunes from the TechRadar testing playlist, which we use to assess audio performance across a variety of genres. I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly listened to songs via Tidal.
Further to this, I played a podcast episode on Spotify and watched video content on YouTube in order to assess vocal clarity across different platforms. When appropriate, I used the Tribit Stormbox Blast 2 to compare elements like sound, design and ease of use.
Sony has released a fair few speakers in its day but the new LinkBuds Speaker is the first to be released under its LinkBuds branding; the original Sony LinkBuds were novel for having open-ring designs so you could hear your surroundings while also streaming music, but the name now just seems to be used for a range of lifestyle audio options instead of applying to that particular open design, so here we are.
I often having to get name whingeing out of the way early when I review products like the Sony LinkBuds Speaker, because I want to save the rest of the review to focus on compliments on the device (and because I love a good name-whinge).
Don’t make the mistake I did when I first started using the speaker – unlike many other entries into our annals of the best Bluetooth speakers, this creation isn’t designed for house parties or loud gatherings. Instead, it’s a svelte house-trained pet that does its best work when you keep it domestic.
That’s most evident from the charging cradle, which was my favorite aspect of the entire speaker. It charges the speaker when you’re not using it (or when you are), acting as a hub that you can easily whisk the speaker away from when you’re marching into another room.
But there’s more evidence as to the LinkBuds Speaker’s introverted state. Its understated design means it fits snugly into your home decor, but it's not as rugged as the best waterproof speakers. Its microphone means you can use it as an ersatz home assistant (via your phone, at least) and a range of other features such as a programmable musical alarm clock and hourly time alerts all indicate that this is a housebound gadget.
That doesn’t mean you’ll be left in the lurch if you take it outside, especially with a surprisingly big 25-hour battery, but you might not find the audio fits parties or summer cookouts. That’s doubly the case with audio which proves quite directional, and doesn’t quite equal some rivals on the market in terms of energy and vibrancy – if you’re looking for a party speaker, the Sony will disappoint.
I was pleasantly surprised with the feature set offered by Sony, with its Sound Connect app boasting quite a few handy features – some are ones I haven’t seen on rival devices, which is a neat touch. Admittedly some of these features are hidden deep in the app – I still have no idea how I enabled the aforementioned hourly notification – and not all of them work wonders.
But it’s another illustration of how the Sony offers brains over the raw brawn of some of its rivals. It’s no slouch in the audio department, but it’s found a different way to best the likes of the JBL Flip 6: the features.
I should cap this intro by saying one more thing if you like the ideas of these extra features: only buy this if you use Spotify, Amazon Music or Endel. Loads of the extra features require a subscription to one of these three streaming services so you're not going to be able to use all the features if you use Tidal, Apple Music or YouTube Music.
Sony LinkBuds Speaker review: Price and release date
Released in October 2024
Officially priced at $179.99 / £139 / AU$249
The Sony LinkBuds Speaker was announced in October 2024, alongside two new earbud additions to the brand: the LinkBuds Fit and LinkBuds Open.
You can buy the speaker for $179.99 / £139 / AU$249 so it costs a little more than rivals in the area such as the JBL Flip 6, Ultimate Ears Boom 4 or Bose SoundLink Flex, but it roughly matches the Sonos Roam 2 which we rate as the best Bluetooth speaker.
I should point out that at the time of testing, three months after the LinkBuds Speaker’s release, it’s already on offer from some retailers, so it’s worth hunting around to find a discount as they're easy to find.
(Image credit: Future)
Sony LinkBuds Speaker review: Specs
(Image credit: Future)
Sony LinkBuds Speaker: Features
A 25-hour battery life
Lots of features thanks to Sound Connect app
Many tools require Spotify, Amazon Music or Endel
The Sony LinkBuds Speaker offers a surprisingly admirable 25 hours of battery life, which laps most of its close rivals – you can expect between 10 and 15 hours of listening time on its competitors.
Thanks to how the aforementioned charging cradle fits into my real-world experience, I never actually had to test this figure the hard way, but that’s not the end of the world – it just goes to prove that you’ll never have battery anxiety with the LinkBuds Speaker.
You can get many more features from the LinkBuds Speaker by using Sony’s Sound Connect app – until recently called Headphones Connect.
One useful feature is auto-play, so you can set your speaker to start auto-playing from Spotify, Amazon Music or Endel at certain times on certain days, basically like an alarm clock. In my testing, I was unable to choose which playlist Spotify auto-played from, and it default to carrying on whatever I last listened to, but the writing in the app suggests that I should be able to pick them. Hopefully a software update will change this.
As I'll discuss in the Design section of this review, the speaker has a quick access button. Using the app, you can map this to use two of: Spotify Tap, Amazon Music Play Now or Endel Quick Access (all three bring up a curated playlist from the app of choice). As you can tell, these are the only three apps supported by Sony’s app – sorry, Tidal fans – but you can use other streaming platforms for standard speaker playback. You just can’t use the extra features.
Audiophiles will also be pleased to hear that there’s an in-app equalizer. It’s a five-band one with an extra Clear Bass dial to increase or decrease bass prominence between -10 and 10. You can save two different custom EQs, and there are no presets. In my experience I didn’t find that the equalizer made much of a difference on the sound quality.
Sony’s auto-EQ mode is back, but I’ve not previously been impressed by this, and the LinkBuds Speaker didn’t change that. The way it works is that the app presents you with five different EQ mixes and you have to choose your favorite; you do this twice and the app creates a custom mix for you. The problem is that the mixes it suggests to you are often so indistinct that I can never tell the difference between them, so it’s not a good way of gauging my actual tastes.
I was impressed by a few of the quality-of-life features Sound Connect offers. You can choose the auto-power-off length, toggle on a battery-saving mode that stops you overcharging the speaker, connect two multiple devices (including LinkBuds earbuds, which can automatically switch your music from the buds to the speaker when you get near) and can enable a Sony-made audio decompression feature to improve the sound of music on lossy streaming services. They all just improve the way you use the speaker in small but meaningful ways.
A feature I got really close to liking is the ability to set hourly reminders. This was surprisingly convenient to help mark the passage of time through the day, reminding me that it was lunchtime or that my working hours were finished… except there's no way in the app to silence it for certain hours. I was woken several times by the speaker announcing that it was 2am or 3am and so turned this otherwise-handy feature off.
I’ll briefly touch on pairing: when I first started using the LinkBuds Speaker, I simply couldn’t connect to it via Bluetooth pairing. However as soon as I opened the Sound Connect app, it immediately recognized and paired. So if you’ve just bought this gadget and can’t get it to connect, download the app now!
Features score: 4/5
(Image credit: Future)
Sony LinkBuds Speaker review: Design
Black or gray squoval
Has a hook for hanging; charging pad in box
A fair range of buttons
The Sony LinkBuds Speaker basically looks like a small furry squoval. (It's a real word! A portmanteau of square and oval!) Compared to lots of other portable speakers it’s a little plain looking, but I liked how it blended into the background of my home more than other speakers I test. Sometimes nondescript is good. The fabric cover also gives it a premium look that many other rivals lack.
It’s not a huge speaker, measuring 11cm tall and with body dimensions of 8.4 x 9cm, but it’s a little heavier than you’d think at first glance at 520g.
The ‘back’ of the speaker – a word I use because the sound is pretty directional, as I’ll get into in the sound quality section – has its power button as well as the USB-C charging port (which you can use instead of the included base plate, another feature I’ll explain later on). It also has a hook that you can use to hang the speaker on a hook in the bathroom, on the back of a chair or wherever works – but it’s not that big so it was hard to clip onto certain objects, plus the way the speaker hangs has problems with the directional sound (yet another tease about a future point to discuss).
On top of the speaker are buttons: volume up, volume down, play/pause/accept phone call, and the quick access button. There’s also a small light: white when the speaker is on and red when it’s off, and purple sometimes… for some reason? If there’s a way of turning the LED off, I couldn’t find it, which was a little annoying at night.
I’d be remiss not to include mention of the LinkBuds Speaker’s base plate, because it became an integral part of the experience during my testing. Included in the box is a charging cradle, which you plug into a USB-C charger, and it holds the speaker firm and slowly charges it up. Once I set this up in my office, it became a ‘home’ of sorts for the speaker – when I was listening during work, it would power up so that there was charge for when I was taking it out and about. Super convenient, two thumbs up from me.
You can buy the speaker in black or light gray, and your choice will affect the base plate as well as the speaker itself. It has an IPX4 rating so it’s protected against splashes of water but not solid jets or submersion, so it may not be at home at a pool party.
(Image credit: Future)
Design score: 4/5
Sony LinkBuds Speaker review: Sound quality
Good, not great audio quality
Volume fine indoors but not loud enough for outdoors
Directional audio poses a problem
The Sony LinkBuds Speaker combines a tweeter and woofer in a classic two-way system; I couldn’t find much information on either component from Sony's materials.
There’s no use beating about the bush; the LinkBuds Speaker doesn’t quite sound as great as rivals I’ve tested at this price point from Ultimate Ears and JBL. It offers a balanced audio mix, but lacks the 'oomph' that portable Bluetooth speakers generally need.
For example: there’s ample bass, but not as much as you’d get on an outdoor speaker; clear treble, but a distinct lack of shine to some instruments; the same lack of soundstage that you get on smaller speakers like this thanks to mono audio. The maximum volume is sufficient if you plan to use the speaker exclusively at home or in your garden, but in wider open spaces, it might prove hard to hear. Unlike its rivals, Sony hasn't turned any one element up to 11.
The mono audio problem can be fixed, according to the Sony website, by simply buying a second speaker and pairing them together to get stereo sound. That will, of course, double the amount you’re paying to listen.
My main concern when I started listening to the LinkBuds Speaker was simply that audio didn’t sound as energetic or exciting as on many other portable speakers I’ve tested; lots of rivals are designed as party devices and going in with the same expectations here will leave you disappointed.
This was underlined when I used the LinkBuds Speaker to play music at a gathering; after a few drinks, balanced audio isn't as important as vibrant bass. However once I figured out that the Sony is designed for a different use case – namely home listening – I could appreciate it a little more.
The LinkBuds Speaker’s sound depends a lot on the direction you are to it – that’s not uncommon in speakers, as 360-degree audio is a rare treat. But it makes a marked difference in the LinkBuds Speaker, and it’s doubly annoying for two reasons.
Firstly, due to its design, it’s pretty hard to glean which way the front is from a glance – close up, you can see the way the buttons are facing and where the hook is. If the speaker is in the corner of a room, you’ll have to guess if you’re getting the full experience. Secondly, when you use the hook to hang the speaker up, its positioning means that the tweeter and woofer point downwards – the only person getting optimal audio is the downstairs neighbor.
Sony boasts about its Sound Diffusion Processor in the LinkBuds’ web post, which is supposed to spread sound from the speaker out into a wide area, but I can only assume this listing was written on opposite day because my experience was that music sounded so much better when the speaker was facing you.
(Image credit: Future)
Sound quality: 3.5/5
Sony LinkBuds Speaker review: Value
I can't go so far as to say that the Sony LinkBuds Speaker is outstanding value for money, but it ticks all the boxes that you want when you're paying this much.
The range of features, the audio quality, the design; I'm pretty sure I'd be able to accurately predict the LinkBuds' price because it's in line with expectations.
That changes a little if you can find the speaker discounted, though, and if you find it nearing the $100 / £100 / AU$180 mark, it may tip more into 'must-buy' territory.
Value score: 3.5/5
(Image credit: Future)
Should I buy the Sony LinkBuds Speaker?
Buy it if…
You're a homebody Looking for a Bluetooth speaker that you plan to use at home, rather than in outdoor events? Look no further.
Battery life is important No-one likes that most gadgets take constant charging. You can put it off for 25 hours at a time with the LinkBuds Speaker, and top it up super-easily.
You want to be woken up by music The LinkBuds Speaker's musical alarm clock feature has woken me up for the last week, and I'm all for it.
Don’t buy it if…
You're a party planner The LinkBuds Speaker lacks the max volume, overwhelming bass or rugged design needed to make it a real party speaker.
You're not an app fan Some people don't like having to use an app to control their speaker or headphones, and that's a fair stance, but you won't like the LinkBuds Speaker in that case.
Sony LinkBuds Speaker review: Also consider
JBL Flip 6 It's been around for years, but it remains a stalwart rival in the Bluetooth speaker space. It has a balanced sound and a hardy design, though it lacks some features (and the long battery life) that the Sony has – you can dig into it in our full JBL Flip 6 review.
Bose Soundlink Flex Gen 2 Another well-received rival from Bose, this gadget takes some party speaker DNA but not as much as some other rivals. It provide balanced audio, but perhaps doesn't quite have the charm of the Sony, but you can read more in our full Bose SoundLink Flex Gen 2 review.
Meze Audio doesn’t just stick to the super-high end with its headphone designs – it just seems that way sometimes, because its super-high end headphones are so very good. Mind you, its idea of what constitutes ‘entry level’ won’t chime with everyone – these 105 AER open-backed, wired, over-ears are $399 / £369 / AU$799 a pair.
That money does buy a nicely designed, beautifully finished pair of headphones, though certainly they’re a notch or two up from the equivalent Grados, say, where perceived value is concerned. And while the lack of a balanced cable option is a bit stingy, there’s no arguing with the lengths Meze Audio has gone to where the dynamic drivers that do the audio business are concerned.
And in pretty much every respect, there’s no arguing with the way they sound either. In every meaningful respect, the 105 AER get the job done in fine style: they’re an easy listen in the most positive way. Detail levels are high, soundstaging is solid, dynamic headroom is considerable, low-end presence is impressive... you name it, the Meze Audio understand it. Some of the best wired headphones money can buy then? Oh certainly, if you'll accept their open-backed nature.
If you’re in the market for wired, open-backed headphones – with all of the caveats those descriptions imply – and you have this sort of money to spend, it would be grossly negligent not to check the 105 AER out.
(Image credit: Future)
Meze Audio 105 AER review: Price & release date
Released December 1, 2024
Priced: $399 / £369 / AU$799
Meze Audio isn't often seen in the sub $400 space – see the $1,999 / £1,799 / AU$3,399Meze Audio Liric for reference, (now into their second iteration), however, the company has dipped its toes into more consumer-accessible pools recently, perhaps most notably with its $159 Alba in-ears.
At this price, Meze knows it could turn some heads – most pertinently from music lovers used to seeing such fees from Bose (whose QuietComfort Ultra cans are just a bit pricier) and Sony's top-tier wireless designs. Will the bid win them over? It depends – wireless audio has, and will always have, its perks. But on audio quality alone, there really is no contest…
(Image credit: Future)
Meze Audio 105 AER review: Specs
(Image credit: Future)
Meze Audio 105 AER review: Features
50mm full-range dynamic drivers
5Hz - 30kHz frequency response
112bB sensitivity, 42 ohms impedance
Just like every other pair of wired over-ear headphones, the Meze Audio 105 AER are not exactly overburdened with features. But just like every other pair of Meze Audio headphones I’ve tested, the 105 AER features are very thoroughly implemented.
Let’s be honest, though; when I talk about ‘features’, really I’m talking about the drivers that deliver sound to your ears. Everything else about the 105 AER is more correctly found in the ‘design’ section – so let’s talk about the drivers, shall we?
The ‘feature’ here is a 50mm full-range dynamic driver – or, more correctly, two of them. It’s closely based on the driver Meze Audio fits to its considerably more expensive models, with some minor adjustments to the frame and driver membrane to keep weight (and costs) down.
The ‘W’-shaped dome is made of a carbon-fibre/cellulose composite. Meze Audio prizes it for its durability and light weight, and reckons it rejects resonances more effectively than any alternative material. The torus – the ring that surrounds the dome – is made of semicrystalline polymer. It too is light and responsive, and its impressive damping characteristics keep vibrations and resonances to a minimum. Finally, there’s a copper/zinc alloy stabiliser around the outside of the membrane to further reduce distortion.
This arrangement results in a frequency response of 5Hz - 30kHz, manageable impedance of 42 ohms, and helpful 112dB sensitivity. So while the 105 AER are light on features, they are demonstrably fit for purpose.
Features score: 5/5
(Image credit: Future)
Meze Audio 105 AER review: Sound quality
Impressive powers of resolution
Big, unified and poised sound
Great insight and variation
One of the major benefits of the open-backed arrangement, in theory at least, is a spacious and open presentation of music. The Meze Audio 105 AER are one open-backed model that validate this theory.
A 2.8MHz DSD file of Radiohead’s Reckoner delivered by the 3.5mm output of a FiiO M15S digital audio player proves the point in some style. This is a complex, element-heavy recording that modulates through a number of dynamic variations, but throughout it the 105 AER maintain a big, well-defined and properly organised soundstage on which every individual element gets plenty of space in which to express itself. The resolution of the stage is straightforwardly impressive, and even though the Meze Audio offer plenty of separation they nonetheless present the record as a singular, unified whole. There’s a coherence to the way the song is delivered that makes it seem of a whole, like a performance.
Detail levels are high across the board. The 105 AER load on the information at every point, but are especially adept at offering lots of variation at the bottom of the frequency range. The top end is substantial and detailed, sure, and the midrange is articulate too… but where bass is concerned, the Meze Audio are able to offer a great deal of textural and tonal variety while still maintaining straight-edged control and ample weight.
The whole frequency range hangs together nicely, and there’s a smooth transition from top to bottom – the 105 AER play no favourites and transitions from lowest to highest frequencies evenly. The tonal balance is quite carefully neutral, which allows recordings to reveal their balance without the headphones sticking their oar in too obviously. So a 16bit/44.1kHz file of Aretha Franklin’s How I Got Over is as warm as an 18 tog duvet, while similarly sized file of Kraftwerk’s Europe Endless has just the right sort of austerity.
The Meze Audio handle the dynamics of harmonic variation with just as much confidence and positivity as they do the dynamic shifts in volume or intensity. They offer convincing rhythmic expression and a naturalistic way with tempo management. In fact, they have the sort of direct, unequivocal overall personality that makes every listen an event and makes every recording sound like it deserves your attention.
Sound quality score: 5/5
(Image credit: Future)
Meze Audio 105 AER review: Design
1.8m detachable cable with 3.5mm termination
Self-adjusting headband
Detachable velour earpads
I’ve previously described the design of some of Meze Audio’s pricier over-ear headphones as ‘overwrought’ – and at the time I thought I was being quite kind. So it’s nice to be able to report that having to keep costs down has resulted in a design that makes the 105 AER look coherent, quite elegant, and definitely no more than ‘wrought’.
The detachable ear pads are of velour-covered memory foam. They feel nice, sit comfortably without warming your head too quickly, and can easily be cleaned. The almost-semicircular outer headband that connects the two earcups is of slender stamped magnesium and the inner headband that’s the actual contact point is self-adjusting and made of PU leather. The outer part of the earcups is an interestingly organic design and made from ABS-PC thermoplastic. The result is Meze Audio’s lightest over-ear headphone to date – a very manageable 336g.
Each earcup needs wiring, and the 105 AER are supplied with a 1.8m length of braided cable that has the necessary pair of 3.5mm connections at one end and a single 3.5mm connection at the other. There’s also a 6.3mm adapter included. It’s a pity there’s no option of a balanced cable, but perhaps if we all pester Meze Audio then something might be forthcoming.
The 105 AER are supplied with a hard, zip-fastening travel case that’s a cut or two above the alternatives supplied by rival brands with their $399-ish over-ear headphones. A little pouch inside keeps your cable tangle-free when the headphones are not in use – and there’s enough room in there for a second cable, no problem. Just saying…
Design score: 5/5
(Image credit: Future)
Meze Audio 105 AER review: Value
Accomplished audio performance
Convincing standard of build and finish
Comfortable fit, coherent looks
It’s not even a question of ‘value’, really – but about the only way the Meze Audio 105 AER don’t make a strong-going-on-compelling case for themselves concerns the way they fit. Or, more correctly, the number of people they will fit – because although that headband is self-adjusting, it has upper and lower limits, and the lower limit isn’t all that low. In every other respect, though, it’s hard to make a justifiable complaint about the value that’s on offer here.
Value score: 4.5/5
Should I buy the Meze Audio 105 AER?
(Image credit: Future)
Buy them if...
You value balanced, insightful and organised sound That description could conceivably be interpreted to mean the 105 AER are not much fun - but that’s not the case. It’s just that ‘fun’ isn’t all they are…
You do your listening alone Open-backed headphones are quite anti-social at the best of times, and the 105 AER leak sound in the manner of a sonic colander
Your source(s) have unbalanced headphone sockets A 3.5mm connection with a 6.3mm adapter is all well and good, but what about those of us whose source equipment has a balanced output too?
Don't buy them if...
You’re after outright low-frequency wallop The 105 AER are a balanced and nicely poised listen - which means low frequencies are given the correct sort of emphasis rather than being overstated
Your head is on the small side The headband is self-adjusting, sure - but only up to a point. The more petite-headed among us may find it tricky to get a satisfactory fit
Meze Audio 105 AER review: Also consider
Sennheiser HD-660S2 The Sennheiser HD 660S2 look pretty purposeful where the Meze Audio 105 AER look relatively dainty, but the sound they make is balanced, poised very carefully neutral – and they come with a 4.4mm cable. Read our Sennheiser HD-660S2 review for more
Grado Hemp Grado's Reference Series Hemp may cost a little more but they’re very accomplished performers, with a botanical point of difference – it doesn’t prevent them looking like something the rear gunner might have worn during a bombing raid in 1944, mind you… See our Grado Hemp review for the full story
How I tested the Meze Audio 105 AER
Connected to an Apple MacBook Pro, a Naim Uniti Star and a FiiO M15S
With a whole lot of different styles of music in a number of different formats
Alone, because I’m not a barbarian
Because they’re open-backed, the 105 AER aren’t really candidates for mobile use. So all my listening took place either at my desk, connected to my laptop or to a digital audio player (the 4.4mm balanced output of which went sadly unused), or in my listening space connected to a Naim Uniti Streamer. At the desk, listening consisted of digital audio files of various types and sizes, while the connection to the Naim allowed for vinyl and CD content as well as network-attached stuff. And this happened, on and off, for well over a week…
The Bose QuietComfort over-ear headphones landed in September 2023. Although there’s now a (slightly) newer and more premium model from the brand on the market, the standard QuietComfort cans are still well worth considering. That’s because they present buyers with all of the basics, like great comfort levels, sound and ANC, done incredibly well with the Bose seal of approval.
Let’s get any confusion out of the way first. Where do these headphones sit in the Bose line-up? Rewind back to 2021 and the Bose Quietcomfort 45 over-ear headphones were released. The newer over-ear headphones we’re reviewing here, officially named just Bose QuietComfort, came out in September 2023 to replace them. Bose released the QuietComfort Ultra just a month later, in October 2023, but it's best to think of them as a solid step up from the QuietComfort headphones we’re reviewing here, making our best noise-cancelling headphones andbest over-ear headphones guides.
But just because those top-tier cans have a bunch of upgrades, doesn’t mean the Ultras are for everyone, as we’ll get to soon. What we’ve got here is a high-end pair of headphones that perform well in every department, without overcomplicating things. These headphones feature Bose’s signature tech, and while it’s not especially groundbreaking in 2025, that’s part of the appeal. There’s nothing new to figure out or fuss over. Setup is a breeze, and the controls are refreshingly straightforward. Instead of fiddly touch panels, you get trusty manual buttons on the earcups. There’s also an app if you fancy more customization, but it’s optional, and the interface is clean with just a handful of modes to pick from – it just works (sorry Apple).
That’s why the Bose QuietComfort headphones might not be the absolute best on the market, but they strike a balance between quality audio, supreme comfort, and no-nonsense usability. For anyone looking for high-end Bose headphones in a sleek, slightly more affordable package, these could be the perfect fit.
Bose QuietComfort headphones: Price and release date
(Image credit: Future)
Released in late 2023
Priced at $349/£349.95/AU$549.95
Available in black, off-white, green, blue, lilac, sandstone
The Bose QuietComfort headphones were priced at $349/£349.95/AU$549.95 at launch. However, because they’re a little older you will find some discounts available now from both third-party retailers and even through Bose directly. For example, on the Bose Australia website, the headphones are currently discounted from AU$549.95 to AU$448.95.
How does that compare to the rest in the Bose lineup? It makes them almost the same price as the Bose QuietComfort 45 that came before them, which cost $329/£329/AU$499.95 at launch.
The Bose QuietComfort Ultra are currently $429/£449.95/AU$649, which is a big step up of nearly $100. Then again, if you’re splurging on headphones and want the most bang up to date features, you might want to consider the flagship version. But we’ll get into some of the key differences later.
How does this compare to similar noise-cancelling over-ears? Well, the Sony WH-1000XM4 headphones are still at the top of our best noise-cancelling headphones guide. At launch, they were $349/£349/AU$549, the exact same price. But now, you can find them for much cheaper, around $249/£199/AU$399. This makes sense, as they were released in 2020. But it does mean that if you’re hunting for older, still very capable headphones, the Sony might just be a better shout – especially if you’re a fan of Sony and its LDAC support.
When it comes to the broader market, there’s a lot of variation these days. If you wanted, for example, to prioritize good ANC, great specs, an energetic sound and excellent battery life, the Cambridge Melomania P100 over-ears would cost you considerably less, at $279/£229/AU$479. If you’re looking for similar features but don’t care so much about the Bose brand name or getting a high-end pair, you can easily get a decent pair of noise-cancelling over-ears for a mid-range price, like the excellent Sony WH-CH720N headphones, which cost $149/£99/AU$259.
Bose QuietComfort headphones: Specs
Bose QuietComfort headphones: Features
(Image credit: Future)
Up to 26 hours of battery
Excellent ANC
Simple buttons
The Bose QuietComfort headphones aren’t packed with the cutting-edge features that you’ll find from the latest over-ears, but that’s not the point here. They focus on doing the essentials really well. If you’re looking for reliability and ease of use, they’ll deliver without overcomplicating things.
Let’s start with the app. It’s slick, intuitive, and has that Apple-esque feel, by which I mean minimal, clean, and user-friendly. The best part? You don’t need the app to enjoy the headphones, but I’d recommend using it to explore customization options. For example, there’s an adjustable 3-band EQ. You can manually tweak bass, mids, and treble or select presets like Bass Boost or Treble Reduce. While the EQ options are more limited than some competitors, it gets the job done for those who want great audio without endless tinkering. Personally, I didn’t feel the need to touch the EQ at all.
You’ll also find different audio modes, like "Quiet" for noise cancellation and "Aware" for transparency. These can be toggled using the action button on the left earcup, and you can add two additional custom modes in the app for specific scenarios.
A standout feature is multipoint connectivity, which allows you to pair the headphones with two devices simultaneously. This is a standard on most high-end headphones these days, but it’s good to see it included in this pair – seamlessly switching between a laptop for work and a phone for music or calls is a must for me now.
The manual buttons on the earcups deserve praise, too. They’re tactile, easy to use, and customizable via the app. For those who prefer a wired option, Bose includes a 3.5mm to 2.5mm audio cable with an in-line mic – a nice touch for versatility.
Bluetooth 5.1 powers the connectivity (so no scope for Auracast, which requires the newer 5.2 and beyond), with support for AAC and SBC codecs. While it doesn’t include advanced features like Qualcomm’s Snapdragon Sound – the Ultras do have this, mind you – it’s solid enough for most users. Bose SimpleSync is also on board, letting you pair the headphones with compatible Bose soundbars and speakers to sync audio across devices, which is a great addition if you’re already in the Bose ecosystem.
Battery life is another area where these headphones hold their own but don’t lead the pack. Bose claims up to 24 hours of playback, and I managed to squeeze out closer to 26 hours during testing. They charge via USB-C, and a quick 15-minute boost gives you an additional 4 hours. While 24 hours isn’t bad, many competitors now exceed that. For instance, the Cambridge Melomania P100 headphones offer a huge 60 hours of playback with ANC on (and up to 100 hours without it). Even the QuietComfort Ultra headphones offer the same 24-hour battery life, so if longevity is a key priority, there’s little to separate them.
Features score: 3.5/5
Bose QuietComfort headphones: Sound quality
(Image credit: Future)
Great ANC
Sound is bassy, but brilliant
Could do with more EQ options
Let’s start with ANC. The Bose QuietComfort headphones offer excellent active noise cancellation, though they’re not class-leading. The QuietComfort Ultra definitely perform better in this department, providing more silence more consistently. But compared to most other over-ear headphones in their class, the ANC here is still fantastic.
One standout factor is the fit. As I’ll explain in more detail in the next section, the snug design creates a great seal, which enhances the ANC performance. This means minimal noise seeps in, and there’s virtually no sound leakage out at all. While it doesn’t deliver total silence, it’s impressively close. I couldn’t hear a kettle boiling a few feet away, the low rumble of transport, or even chatter at the table next to me while working in a café.
That said, certain louder or higher-pitched sounds can break through. A barking dog and a fire alarm, for example, were audible – but muffled. Overall, while the ANC isn’t eerily silent or perfect, it’s more than good enough for most users and handles everyday environments brilliantly.
(Image credit: Future)
The audio quality on the Bose QuietComfort headphones is crisp, rich, and strikes a pleasing balance across frequencies. Straight out of the box, without needing to adjust anything, the sound is warm and powerful, with bass that packs a punch and natural, clear mids and highs.
The overall sound profile leans towards a neutral presentation. Vocals and instruments feel natural and lifelike, while the bass has a satisfying depth without overpowering the other ranges. Highs are bright and detailed, and the lows are rich, but there’s a slight bias towards the low end. This means mids can occasionally feel a bit… squashed? somehow. Though it’s rarely noticeable, and the EQ options can easily smooth things out if needed.
Tracks like Childish Gambino’s Heartbeat really shine on these headphones. The powerful bass thumps beautifully while melodic vocals remain sharp and clear, demonstrating how well they handle dynamic tracks.
Sound quality: 4/5
Bose QuietComfort headphones: Design
(Image credit: Future)
Extremely comfortable
Light at 240g
Folding design
The Bose QuietComfort headphones are incredibly comfortable, with an understated design. The plush memory foam earcups, wrapped in soft vegan leather, feel like pillows on either side of my head. The headband is equally well-padded, striking the perfect balance between support and comfort. The clamping force is just right, too – secure but never too tight – making these some of the most comfortable over-ears I’ve ever worn.
I don’t always get along with over-ear headphones (thanks to a cartilage piercing that often causes issues), but I had no trouble here. Whether I wore them for hours at my desk, on a long walk, or even during an easy jog, they stayed comfortable and didn’t irritate me. That said, while they’re excellent for everyday use, they’re not recommended for sports or workouts. There’s no official IP rating for water or sweat resistance, so they’re best kept away from heavy gym sessions or outdoor walks if it looks like it might rain.
The QuietComfort headphones come in a range of colors, including black, off-white, green, blue, lilac, and sandstone. They maintain the classic Bose design aesthetic and look very similar to their predecessors, the QuietComfort 45. The QuietComfort Ultra headphones are similar too, but this newer version does have a sleeker and more refined vibe.
Despite their premium feel, these headphones are impressively lightweight at just 240g. Combined with the comfort-focused design, they’re perfect for long listening sessions. The carrying case is equally well thought out. It’s a sturdy, hard-shell case with a zip, designed to fold up the headphones neatly inside. Unlike some over-complicated cases (looking at you, Apple AirPods Max), this one gets it just right. It’s compact, practical, and includes internal pockets for the charging and audio cables.
Design score: 5/5
Bose QuietComfort headphones: value
(Image credit: Future)
Everything you need, but…
Competition at the level is fierce
Ultras might make more sense
At first glance, the Bose QuietComfort headphones might seem pricey, but when you consider the overall experience they offer, we’d argue they do deliver good value – especially if noise cancellation and a travel-friendly design are two priorities for you. They’re an amazing choice for anyone seeking comfort, reliable ANC, and simplicity.
That said, it’s important to view them in today’s context. For those willing to pay more, the QuietComfort Ultra headphones might be a better long-term investment, offering improved sound quality and support for higher-resolution audio codecs.
It's also worth mentioning they don't represent the best choice if you already own the QuietComfort 45. Yes, they're better. But not by enough to justify the upgrade.
You can also find great ANC headphones at a lower price point these days. Plenty of mid-range options provide good noise cancellation for much less. While they may not tick every box – comfort, battery life, or sound quality – in the same way, alternatives are worth considering if budget is your main concern. For example, the Cambridge Audio Melomania P100 headphones are cheaper, offering significantly better battery life but lacking the plush comfort (or let's face it, the iconic look) of the Bose.
If you’re someone who loves the latest tech, these probably won’t win you over. However, for those who appreciate simple, understated excellence and aren’t fussed about cutting-edge features, these headphones will make you very happy.
Value: 3.5/5
Should I buy the Bose QuietComfort headphones?
Buy them if…
You like simple things that work well You'll find flashy, more feature-filled headphones. But if the idea of keeping up with the latest tech gives you a headache, these are reliable and fuss-free.
Comfort is a top priority Incredibly light with some of the comfiest, memory foam earpads I've ever tested. If you have any sensory sensitivities or just really value comfort, you won't be disappointed here.
You travel a lot With top ANC and a very light, folding and portable design with a solid carrying case, they're going to be among the headphones I'll instantly recommend for regular travellers.
Don’t buy them if…
You can afford the Ultras I've mentioned them non-stop, but the Ultras are just a bit better. If you can afford them, they do make more sense for most people.
You prioritize longevity The battery life here isn't bad, but compared to rivals, it can certainly be bettered. Some other headphones boast nearly twice as much playback time these days.
You have a Sony phone In that case, we'd recommend the XM4s or XM5s from Sony instead, or even the mid-range Sony WH-CH720N headphones.
Bose QuietComfort headphones: Also consider
Bose QuietComfort Ultra headphones The alternative pick that makes the most sense, yes they're pricier, but they're a step up from the QC headphones we've reviewing here in almost every way (except for battery). Take a look at our full Bose QuietComfort Ultra headphones review.
Cambridge Audio Melomania P100 Because the battery life of the whole QC range is a bit disappointing, these over-ears from Cambridge Audio are a rival pick focused on all-day (and then some) wear. Read our full Cambridge Audio Melomania P100 review.
How I tested the Bose QuietComfort headphones
(Image credit: Future)
Tested for three weeks
Tested at home, walks along the beach, working in a café and a library and more
I used the Bose QuietComfort headphones for two weeks before writing this review, and that involved listening to music and watching streamed movies.
Throughout the testing period, I used the Bose QuietComfort headphones alongside my iPhone 14 Pro via Bluetooth and MacBook Pro. Streaming was done via Spotify and Mubi.
I listened at home whilst working, as well as in a café and a library. I took them on a bus and on several walks, along the beach and through the countryside.
I've been testing tech for more than 12 years now, including many pairs of headphones, as well as lifestyle and fitness products, like workout earbuds and fitness trackers.
Bangkok-based audio company Gadhouse (which is just slightly short for ‘Gadget House’) enjoys a bit of anthropomorphism – just look at the model names in its product line-up. Two of these products – the Duke wireless turntable and the Roy powered speakers – are available, at a modest saving, as a system. Introducing, then, the Gadhouse Duke & Roy.
There’s no arguing with the breadth of functionality your money buys. The Duke turntable has an integrated, defeatable phono stage, a USB-B output in front of an A-to-D converter for use with a computer, and can stream wirelessly. The Roy speakers are driven by 30 watts of power each, have Bluetooth connectivity and a fistful of physical connection options, too. A little remote control handset puts you in charge.
Where audio performance is concerned, though, Duke & Roy fail to make good on the promises of specification and finish. At its best, the sound the system makes is lifeless and consequently tedious – this is, I think we can all agree, less than ideal. There’s no energy to its reproduction, no sense of excitement, so the fact that the sound is actually quite detailed and confidently staged becomes neither here nor there.
Gadhouse Duke & Roy review: Price and release date
$999 / £779 / (approx.) AU$1499
Launched in November, 2024
The Gadhouse Duke & Roy powered-speakers-plus-wireless-turntable system has been on sale since mid-November 2024, and in the United States it sells for $999. In the United Kingdom it's around £779. The Australian pricing is yet to be confirmed, but at today’s exchange rates you’re looking at AU$1499 or something quite like it.
Like-for-like comparisons are, of course, fairly thin on the ground, but everyone from ELAC via Kanto to Q Acoustics will sell you a pair of aggressively priced powered bookshelf speakers, while turntables equipped with Bluetooth streaming smarts aren’t hard to come by either. Off the top of my head, though, I can’t think of any with such snappy model names…
Gadhouse Duke & Roy turntable review: Features
(Image credit: Future / Simon Lucas)
Belt-driven turntable with 33.3 and 45rpm settings
Wired and wireless connectivity options
Ortofon 2M Red cartridge prefitted to Duke’s tonearm
If you judge a system on a ‘number of features per pound’ sort of basis, you’re going to find a lot to like – admire, even – with the Gadhouse Duke & Roy.
Duke is a belt-driven turntable that operates at 33.3 and 45rpm, with speed selection automatic, via a chunky toggle-switch on the plinth. It comes complete with a straight static-balanced 219mm tonearm that’s pre-fitted with a very acceptable Ortofon 2M Red moving magnet cartridge and has a detachable headshell. There’s a metal platter and a textured faux-leather slipmat, which bears the truism ‘where words fail, music speaks’, just one of the little ‘live laugh love’-isms that Gadhouse seems so fond of. An adjustable counterweight, a classic anti-skate weight attached via fishing line, and a clear dust-cover complete the visible feature-set.
(Image credit: Future / Simon Lucas)
Look at the rear of the turntable, though, and it soon becomes apparent there’s a fair bit more to it. As well as a connection for mains power, stereo RCA sockets and a post for a grounding cable, there’s a switch to turn the integrated phono stage on or off, a USB-B output for connection to a computer (for instance) and a light to indicate a Bluetooth connection has been made. The Duke can wirelessly connect to appropriate speakers or headphones via Bluetooth 5.2 using the SBC codec.
The Roy loudspeakers, meanwhile, have a similarly extensive selection of features. As with most reasonably affordable powered speakers, one Roy does the heavy lifting and the other Roy does as it's told. The secondary speaker just has a pair of speaker cable binding posts (for connection to its boss) at the rear, below a bass reflex slot at the top of the cabinet. The primary speaker has both of those features, but adds a total of 60 watts of Class D amplification (30 per speaker, of course), a socket for mains power and an ‘on/off’ switch, a pre-out for a subwoofer and some physical and wireless inputs. The physical stuff consists of line-level stereo RCAs, an analogue 3.5mm input, a digital optical connection and a USB-B socket, while wirelessness is handled by Bluetooth 5.1 with aptX HD codec compatibility.
Up front, each speaker has a 25mm soft-dome tweeter above an 89mm mid/bass driver. Gadhouse reckons this arrangement is good for a frequency response of 80Hz - 20kHz.
Features score: 5/5
Gadhouse Duke & Roy review: Sound quality
(Image credit: Future / Simon Lucas)
Quite detailed and complete reproduction
Undemonstrative and entirely undynamic
Wireless connection between Duke & Roy is not advised
To hear the Duke & Roy at its best, you’ll need to a) hard-wire the turntable to the speakers using the supplied RCA cable, and b) bin off the supplied speaker cable in order to put the speakers a realistic distance apart. Mind you, there’s every chance you may wonder why you bothered.
The Duke & Roy, I think it’s fair to say, sounds like less than the sum of its parts, especially as one of those parts is the Ortofon 2M Red cartridge. With a decent pressing of Cypress Hill’s eponymous debut album playing, the sound is quite detailed and Gadhouse’s claims for an 80Hz - 20kHz frequency response seem fair enough. After ‘quite detailed’, though, I’m struggling to find too many positives.
Because while low frequencies are reasonably solid and well controlled, the mid-range is quite poised and open, and the system has a decent stab at creating a coherent soundstage, it’s so devoid of energy or engagement that everything is rendered ‘background music’ no matter how intently you might decide to listen. The lack of drive and dynamism to the reproduction is fatal – the bland and matter-of-fact nature of the sound quality available here make the idea of ‘entertainment’, let alone ‘excitement’ seem completely fanciful. It takes a particular sort of system to leech all of the attitude and aggression from a Cypress Hill recording – and the Duke & Roy is one such system. Even the hard and edgy treble reproduction here fails to inject any energy into the sound.
(Image credit: Future / Simon Lucas)
This is about as good as it gets. Switch to a wireless connection between turntable and speakers, and not only does the system sound slightly smaller scale and more inhibited than before, but it gives away some of the finer details that were previously apparent. Streaming from a smartphone via Bluetooth does nothing to help matters, either – the ever-present lack of positivity or apparent engagement is the defining characteristic of the Gadhouse set-up.
Switching off its integrated phono stage and playing the Duke into a moderately priced preamp before sending the signal on to the Roy speakers reveals the phono stage in question to be ordinary at best. Making digital copies of vinyl via the Duke’s USB-B output using Audacity software reveals there’s nothing special about the deck’s A-to-D converter.
At every turn, in fact, the Duke & Roy is an underwhelming performer and, for some reason, after a period of listening I begin to find ‘underwhelming’ even less appealing than ‘bad’.
Sound quality score: 2.5/5
Gadhouse Duke & Roy review: Design
(Image credit: Future / Simon Lucas)
Oak-finished turntable
125 x 415 x 372mm (HxWxD) (Duke)
180 x 125 x 170mm (HxWxD) (each Roy)
The design of loudspeakers is almost as established and unbending as the design of turntables, especially when you’re talking about products competing in the mainstream. So it follows that neither the Duke turntable nor the Roy loudspeakers look anything other than exactly as you’d expect.
There are worthwhile aspects to the design of each, though. The Roy speakers are a very manageable 180 x 125 x 170mm (HxWxD) each, which means they are authentic candidates for positioning on a shelf or a desktop – as long as they can be connected to each other and to mains power, at least. The standard of build and finish is very acceptable, and the crisp edges of the matte-black cabinets of my review sample make for a clean look.
The Duke turntable seems equally well made and just as carefully finished. You’ll make your own mind up about the oak veneer – it reminds me of floorboards and seems gratuitous – but there’s no denying it’s a point of difference. The turntable’s 6.3kg weight (of which very nearly 2kg is contributed by its metal platter) is supported, at least at the front, by a couple of pliant, vibration-absorbing feet. The fact that the rear of the plinth is supported by a box with no vibration-absorbing properties and in which the Duke keeps all its electronics does undermine the point of the feet somewhat, mind you.
Design score: 4/5
Gadhouse Duke & Roy review: Usability and setup
(Image credit: Future / Simon Lucas)
Duke and one half of Roy require mains power
Speakers must be wired together
The smallest, skinniest remote control handset I’ve seen in a while
There’s really not much to do in order to get up and running here. The Duke’s tonearm needs its anti-skate weight fitting and its counterweight needs adjusting to the 1.6 - 2.0g recommended by Ortofon for its 2M Red cartridge, and then it’s good to go. Or, at least, it is once you’ve made a connection to mains power.
The Roy speakers need to be connected together and Gadhouse supplies a short length of indifferent speaker cable to do the job. The primary speaker needs to be connected to the mains. Then make any physical connections you want – you may decide to connect the Duke using the supplied RCA cables rather than wirelessly, for instance, in which case you’ll need to turn its integrated phono stage on.
Control of the system is available by a small, slim remote control handset that’s not overburdened with buttons. Power, input selection, play/pause and volume up/down are available, and there’s a little LED embedded in the primary speaker’s IR receptor to let you know what’s occurring.
Value score: 4/5
Gadhouse Duke & Roy review: Value
(Image credit: Future / Simon Lucas)
Lots of kit for under $1000 is good
The stodgy sound really isn't...
... and renders the price moot
A whole wireless audio system, with vinyl as one of the sources, for under $1000? A well-made, nicely finished system at that? In terms of the functionality and the simple amount of stuff your money buys here, it’s difficult to be too critical of the Gadhouse Duke & Roy.
When it comes to audio fidelity this outlay gets you, though, the value-for-money proposition takes quite a hit. It’s not so much that the sound is bad per se, it’s more that it’s as bland as warm milk.
Value score: 3.5/5
Should you buy the Gadhouse Duke & Roy?
Buy it if...
You enjoy simplicity From ‘opening the boxes’ to ‘getting up and running’ isn’t all that time-consuming and not that much of a chore.
You admire modernity as much as heritage Combining wireless smarts with the venerable vinyl format covers off the last eight decades of audio technology.
You don’t like sound to be too interruptive The undynamic and matter-of-fact sound of the Gadhouse system isn’t going to set any pulses racing, but it isn’t going to cause too much offence either.
Don't buy it if...
You value dynamism in your music The Duke & Roy hands over the bulk of the information in your recordings, but does so in the most undemonstrative and disengaged kind of way.
You like the idea of a wireless turntable Duke doesn’t sound especially energetic when hard-wired to Roy, but the wireless alternative is basically soporific.
You don’t want to have to spend money on speaker cable Not only is the supplied speaker cable fairly average, but there’s really not very much of it.
Gadhouse Duke & Roy: Also consider
For wireless powered speakers with a few connectivity options, consider ELAC’s Debut Connex, Kanto’s Ren and the M20 by Q Acoustics in particular. Bear in mind even the smallest of these is larger than the Roy, though, and none are anything like as appropriate for desktop use.
For a turntable with Bluetooth smarts, it’s hard to see beyond the LP60XBT by Audio Technica and the Sony PS-LX310BT (reviewed here by our sister site, then come back). Neither look as smart as the Duke but both have an advantage where performance is concerned – and not in a mild way, either.
Any combination of these products will come in at Duke & Roy-adjacent money, and any combination will prove more sonically satisfying, too.
How I tested the Gadhouse Duke & Roy
Tested for over a week on my regular home setup
Tested with a Rega CD player and streaming services via Apple iPhone 14 Pro
I made space on my Blok equipment and my Soundstyle speaker stands, got each component nicely positioned and then listened for several hours a day for quite a few days. I connected the Duke turntable to the Roy loudspeakers using both wired and wireless connections, and used it with and without its integrated phono stage.
I used my Rega CD player via the optical input. Naturally, I listened to my favourite streaming services too, using an Apple iPhone 14 Pro.
The Tribit Stormbox Blast 2 is a true bass-heavy behemoth. This is the sequel to Tribit’s massively successful boombox speaker that won plenty of plaudits here at TechRadar (and beyond). But this speaker is much more than just a refined version of its predecessor, packing in a new, curved design and even karaoke functionality.
Let’s run through a few new sparkly additions and upgrades here. Yes, you’re getting karaoke, with dual-wireless or wired mic support, as well as built-in volume and reverb controls. On top of that, the Tribit Stormbox Blast 2 has an improved IP67 dustproof and waterproof rating, meaning it's suitable for almost any environment, from beachside to pool party. That’s not to mention you also get Bluetooth 5.4 connectivity and incredible 200W power output this time around.
But let’s drill down into the most important area – sound. Perhaps unsurprisingly, the Tribit Stormbox Blast 2 is another hit in the audio department, supplying controlled, earth-shaking bass that even beats out many of the best Bluetooth speakers. And thunderous bass is certainly the main attraction here, with an XBass option available if you want to go crazy with low-end output, maybe excessively so.
All-round audio quality is strong too; you’ll be able to hear individual instrumental elements clearly, with commendable levels of separation. You may find that the soundstage can get a touch cluttered at the highest of volumes, but otherwise, you’ll be in for an enthralling, bass-heavy listen, ideal for parties or outdoor events.
Even running on battery power, this speaker has double the output power of its predecessor, the Tribit Stormbox Blast, meaning you’ll get some serious volume. For those who crave more power, or perhaps want left/right channel stereo separation, you can pair a second model up to this speaker, too. And there are a bunch of other excellent features accessible via the Tribit app, including broad EQ options and LED light customization.
Speaking of the Stormbox Blast 2’s lights, they’re a tad classier in this iteration, but similarly illuminate the speaker’s drivers and edges. The overall look of this speaker is certainly an improvement on its predecessor, though, thanks to a curvier look – it’s not quite as blocky or clumsy looking in my view. But something that’s going to be divisive here is this speaker’s hefty nature. It’s a whopping 19.2lbs / 8.7kg, meaning it’s even weightier than the already heavy Stormbox Blast – an achievement in itself.
But there are some more practical elements to its design, including a USB-A port for charging external devices, the choice to charge with an AC adapter or USB-C cable and an incredible 30 hour battery life. There’s no voice assistant once more, meaning you won’t be able to bark orders or take calls hands free and there’s no option to connect over Wi-Fi either – perhaps to be expected at this price point – but overall, this is a well-designed speaker with plenty of nifty features to keep you entertained.
So, then, is the Tribit Stormbox Blast 2 worth its $299 / £257 (about AU$490) price tag? I’d say so. The true highlight is its excellent bass output, which is perfect for elevating the atmosphere at a house party or similar setting. It's a heavy beast and audio quality takes a bit of a dip at top volumes, but these issues aren’t dealbreakers as far as I’m concerned. In terms of value, it’s hard to look past the original Tribit Stormbox Blast, which you can grab for around $150 / £150 on sale, but if you want the additional power and karaoke functionality, I can certainly recommend the Tribit Stormbox Blast 2.
(Image credit: Future)
Tribit Stormbox Blast 2 review: price and release date
$299.99 / £257 (about AU$490)
Launched in October 2024
The Tribit Stormbox Blast 2 was released in October 2024 and carries a list price of $299.99 / £257 (about AU$490). However, I’ve already spotted it going for a little bit less. For instance, at the time of writing, the Stormbox Blast 2 is on sale for less than $240, so it’s worth keeping an eye out for price cuts.
At the $200-$300 range, the Stormbox Blast 2 is something of a mid-range option. It’s certainly not the cheapest Bluetooth speaker out there – the Anker Soundcore Boom 2, for instance – is often available for less than $100 / £100. But some similarly sized speakers can set you back significantly further. Take the JBL Boombox 3, for example, which commands a high list price of $499.95 / £373.
Tribit Stormbox Blast 2 review: specs
Tribit Stormbox Blast 2 review: features
Microphone ports
Generous 30 hour battery life
Customizable lights
There’s a lot to like when it comes to features on the Tribit Stormbox Blast 2. A lot of that comes down to the easy-to-use Tribit app, which opens the door to a bunch of options. For instance, there are a bunch of EQ presets: including XBass (which can be activated on the speaker) and genre specific options like Jazz or Rock. There’s also an X-3D preset for those seeking out more expansive, spatial audio. If you’d rather curate your own sound, you can save multiple personalized EQ calibrations and use a five-band equalizer to get your preferred tuning.
In addition, you can customize the lights on the Stormbox Blast 2 and set up three personalized looks. You can adjust which lights illuminate – including the side lights, light bars or middle light, which colors appear, brightness and whether they’ll flash to the rhythm of bass, treble or bass and treble. Alternatively, you can turn them off altogether if you’re hoping to save battery or want a more low-key listening sesh.
Speaking of battery, you get plenty here. You can expect as much as 30 hours of playtime if you listen at 50% volume with XBass and lights switched off. That will be more than enough to keep the party running into the early hours. In addition, this speaker can function as a power bank thanks to a USB-A output port. There’s a USB-C port for charging too, but it will take 12 hours to get to 100% using this, instead of the far superior 5 hours required when AC charging.
All of this is good and well, but there’s an elephant in the room here. Yes, that’s right, the Tribit Stormbox Blast 2 can double up as a karaoke machine. You can connect two microphones up with the 6.35mm wired ports, or just go wireless if you really want to show off. You can adjust volume and add reverb with built-in controls too. It’s worth noting, however, that there were no microphones to be found in the box here – you’ll need to purchase them yourself, separately.
There’s even more on offer with the Stormbox Blast 2 – an AUX port for wired listening, nice and up-to-date Bluetooth 5.4 connectivity and voice prompt options. Really, there’s not much I can criticize here. Tribit has again opted to exclude voice assistant compatibility with this model, which would be a nice-to-have feature at the least. And maybe I’d prefer the USB out port to be upgraded to USB-C for speedier external charging. But otherwise I was delighted with what the Stormbox Blast 2 had to offer. No moaning session required.
Features score: 4.5/5
(Image credit: Future)
Tribit Stormbox Blast 2 review: sound quality
Booming bass output
Decently clear mids and controlled highs
Not quite distortion-free at high volumes
As soon as I turned this giant of a speaker on, there was one thing that struck me instantaneously: gigantic bass, which hit with ground-shaking impact. Now, in part, that’s because the XBass feature – for enhanced low-end output – was on by default. I opted to switch this off to start with, however, so I could get a slightly more balanced sound out of the Stormbox Blast 2. And sure enough, I kept this speaker in the XBass Off EQ preset for the majority of testing, as it provided a huge helping of bass without overshadowing other sonic elements.
I started my testing by listening to Diamonds On the Soles of Her Shoes by Paul Simon and the bass thump was extremely rhythmic and deep. However, vocals were still nicely defined in the mix and the looping guitar riff running throughout had a pleasing degree of subtlety. Similarly, when tuning into Disco Ulysses by Vulfpeck, I found the decay of snare hits to be agile and the tone of the choppy electric guitar to be accurate at mid-volumes. The commanding, groovy bassline was deliciously deep and high-pitched piano trills were separated nicely, making for a surprisingly nuanced, cohesive and straight up enjoyable listen.
Despite offering solid all-round audio, it really is about bass with this speaker. I could make out every deep, dark note in The Boys Are Back In Town by Yung Gravy – something that a lot of cheaper competitors won’t be able to accomplish. And with XBass on, the imposing boom of the track’s sub-bass was mesmerizing – still, I’d recommend using this feature sparingly as it’s very bass dominant.
More generally, you’ll struggle to find a similarly-sized competitor that can outdo the Stormbox Blast 2 in the bass department, but I tried putting it side-by-side with the Earfun UBoom X for comparison. I sifted through a ton of House tracks, such as Relentless by Grant Nelson, but the UBoom X was no match for the Stormbox Blast 2, which had more controlled, deep low-end output, as well as better overall balance. Specifically, percussion and intermittent vocals were slightly muffled with the UBoom X, with its domineering bass taking all of the limelight, whereas the Stormbox Blast 2 offered more adept separation, despite maintaining well-needed emphasis on the low-end.
You won’t experience perfect audio output with the Tribit Stormbox Blast 2, however. At high volumes, clarity can take a slight dip. For instance, I listened to I Want You by Moloko – which had intoxicatingly deep bass and breathy vocals when listening at low-medium volumes, but when I cranked things all the way up to 90-100%, the soundstage got a little bit bloated, with sounds in the mid-range and low-end getting slightly muddied. I didn’t experience tinny or abrasive audio, however, not to mention the fact that this speaker gets extremely loud, meaning you’ll rarely listen with volume turned up this high.
Given its not-so-budget price, some may also hope to find ‘hi-res’ audio codec here, such as LDAC for Android users. However, there’s no such thing available with the Stormbox Blast 2, which only supports SBC – not even AAC. Don’t let that put you off, though, as plenty of budget audio tech includes fancy codecs, but with little to show in terms of quality.
This Bluetooth speaker combines an 80W subwoofer with dual 45W mid-range drivers and 15W tweeters. That means you’ll be able to get a maximum power output of 200W here, that’s if you’re using it while connected to a power source – otherwise you’ll get 180W. Either way – it gets loud, really loud. So much so, that you almost certainly won’t need to double up for added volume – though pairing to a second model is handy for those seeking out stereo sound.
Ultimately, this is intended to be a party speaker and it serves that purpose incredibly well. You get ground-shaking, yet well-regimented bass and enough loudness to send your neighbors into a frenzy. And although you won’t get the most detailed listen in the world, especially at top volumes, that’s a pretty small sacrifice to make for the boom that will bless your eardrums.
Sound quality score: 4.5/5
(Image credit: Future)
Tribit Stormbox Blast 2 review: design
Still chunky, but more curved this time around
Lights look classier too
IP67 rated
When we reviewed the original Tribit Stormbox Blast, design appeared to be its Achilles heel. Why? Well, our reviewer wasn’t a huge fan of the in-your-face LED lights or chunky build – fair enough. So, does the Stormbox Blast 2 make up for such shortcomings? Well, sort of.
The LED lights haven’t disappeared, but I’d argue that they look a bit classier this time around. The side bars go for a smoother look, rather than LED strips reminiscent of health bars. And generally, the lights illuminate this speaker’s drivers nicely while syncing up to audio output, making for a more immersive, exciting listening experience. If you still aren’t a massive fan, you can turn them off and save yourself some battery life – win-win, right?
As far as build goes, this is still a very hefty and, admittedly, fairly plasticky speaker. It’s not got the most gorgeous looks to its black casing and has a decently chunky handle once more, perhaps to be expected given its weight. However, this time around, you’re getting a smoother design overall. The speaker has a more curved look, making it far sleeker than its predecessor. The bass radiators still don’t go crazy, unlike those on the JBL Xtreme 4 for instance, but they do rumble when things get bassy.
So, you do get an upgrade in the looks department, but you also get a highly practical product. The Stormbox Blast 2 is a step-up on its IPX7 predecessor – this one’s IP67-rated, meaning it now has a high dustproof rating and can compete with some of the best waterproof speakers. That makes it a great candidate for beach-side listening, for instance, while its waterproofing also means it can withstand being submerged under a meter of water for up to 30 minutes – pretty cool, right?
And to top it all off, the Stormbox Blast 2 has some nifty controls and ports built-in. There are buttons for adjusting power/volume, pairing with another speaker and toggling XBass/Lights on and off. Behind a rubber panel, you can access the charging and microphone ports, as well as karaoke controls. This speaker really does have it all.
Design score: 4/5
(Image credit: Future)
Tribit Stormbox Blast 2 review: value
More of a mid-range price tag
Significantly more pricey than the original Stormbox Blast
But for the audio quality and features on offer, it’s still worth it
I’ll get to the point, you can find plenty of rival speakers for considerably less than the Tribit Stormbox Blast 2. This is no budget option, carrying a list price of $299.99 / £257 (about AU$490). There are a ton of large options available for around $100 / £100, such as the aforementioned Earfun UBoom X and Anker Soundcore Boom 2.
But will they offer as much quality and versatility as the Stormbox Blast 2? No, not in my view. There’s the obvious – this speaker can double up as a karaoke machine if you want to belt out some of your favorite tunes. But there’s also the fact that this model delivers more regimented, powerful bass, cleaner all-round audio and a rock-solid build.
Those factors make it worth the extra cash in my view and if you can catch it for closer to $200 / £200 in a sale, you’re getting excellent value for one of the best party speakers around. It is worth noting, however, that its excellent predecessor can be found for around $150 / £150 – that’s an incredible deal well worth considering if you’re not all-in on karaoke and don’t need quite as much power output.
Value score: 4/5
(Image credit: Future)
Should I buy the Tribit Stormbox Blast 2?
Buy it if...
You want to take your parties to the next level If you’re looking for a big and bold party speaker, it’s not going to get much better than the Tribit Stormbox Blast 2. With phenomenal bass output and excellent battery life, you’ll keep everyone moving into the early hours, without needing to charge this speaker up.
You’re looking for a durable speaker that can brave the elements The Tribit Stormbox Blast 2 has an IP67 rating, meaning it's well protected against water and dust. It’s also got a solid build and heavyweight feel that will make it hard to break down over the years.
Don't buy it if...
You want an incredibly detailed listen The audio on offer from the Tribit Stormbox Blast 2 is often impressive, but it’s not going to offer you the most elegantly balanced, nuanced sound on the market. If you’re willing to lose a bit of that low-end power, you’ll have plenty of high-grade options to choose from, including the Bose SoundLink Max – see ‘Also Consider’ for more on this.
Portability is the most important thing for you Let’s not beat around the bush: this is one chunky lad. At 19.2lbs / 8.7kg, you should take the term ‘portable speaker’ with a pinch of salt. Seriously, this thing takes quite a bit of work if you’re taking it for a long walk. A whole host of competitors are considerably lighter – take the Anker Soundcore Boom 2, for instance, which is just 3.66 lbs / 1.67kg.
Tribit Stormbox Blast 2 review: also consider
Earfun UBoom X If you’re looking for a bass-heavy Bluetooth speaker but the Stormbox Blast 2 is a little bit out of budget, the Earfun UBoom X is a very solid alternative. Bass isn’t as controlled or imposing here, but it’s still very impactful. You also get excellent EQ options, a whopping 30 hour battery life and IP67-rated build. Not bad at all! Read our full Earfun UBoom X review.
Bose SoundLink Max This robust Bluetooth speaker may cost a tad more than the Stormbox Blast 2, but you’ll still get plenty of bang for your buck. The Bose SoundLink Max plates up big and punchy yet deft audio, a beautiful design and Class D amplification. It’s not quite as big and booming as the Stormbox Blast 2, but if you want a more technical listen and subtle look, this may be more up your street. Read our full Bose SoundLink Max review.
Tribit Stormbox Blast 2 review: how I tested
Tested for one week
Mainly used in our music testing space at Future Labs
Predominantly tested using Tidal
I listened to the Tribit Stormbox Blast 2 for hours on end in our music testing space at Future Labs. During my time with the speaker, I played a ton of tunes from my own music library as well as tracks from the TechRadar testing playlist, which I use to assess performance across a variety of genres. When listening to music, I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly played songs via Tidal.
In addition, I listened to a podcast on Spotify and watched video content on YouTube in order to judge vocal clarity across different platforms. When appropriate, I used the Earfun UBoom X to compare audio quality, design elements and usability.
The KEF LSX II LT is an attempt to democratise (a little) the sound and tech expertise that has put KEF has among the front-runners where the ‘entire hi-fi system in a pair of speakers’ category is concerned for almost a decade now.
The KEF LSX II LT is a streaming sound system contained in two compact, good-looking and beautifully finished loudspeakers. A system that’s capable of handling high-resolution digital audio information from any source you care to mention – including your TV. A system that sounds detailed and organized, dynamic and rhythmically adept. A system that digs deep into the frequency range and summons quite startling low-frequency presence while it offers clarity at the opposite end to rival any of the best wireless speakers.
It’s not perfect, of course – how could it be? Its dimensions dictate that it struggles to fill larger listening spaces with sound, which is understandable. It goes without any analog inputs, which means it may not be suitable for some people – its bigger brother, the LEF LSX II, has them (and see the Kanto Ren for a vinyl-friendly alternative, just without Wi-Fi). But as long as these shortcomings don’t impact on your specific use case, it’s hard to raise meaningful criticism here – this absolutely ranks among the best stereo speakers for wireless hi-res fans.
KEF LSX II LT review: Price and release date
(Image credit: Future)
The KEF LSX II LT wireless active speaker system is on sale now, and in the United Kingdom it sells for £899. It goes for $999 in the United States, while in Australia it’s yours for AU$1,699.
Thanks in no small part to KEF's efforts in the wireless stereo area, the LSX II LT is not without competition. DALI, Klipsch and Q Acoustics (to name just a few) have similarly specified alternatives with which to tempt you.
Probably most notably, for slightly less than the KEF, you can get the Kanto Ren or the larger floorstanding Q Acoustics M40 HD cost around the same as the tiny KEFs. So even though these are KEF's cheapest option, they're not super-cheap still.
KEF LSX II LT review: Features
(Image credit: Future)
Uni-Q coaxial drivers
200 watts of Class D power
Plenty of input options
Higher up its model ranges, KEF is now onto the 12th generation of its distinctive Uni-Q speaker driver arrangement. The LSX II LT, though, uses the same 11th generation unit as is fitted to the larger KEF LSX II. This means a 19mm aluminium dome tweeter is positioned in the center of a 115mm magnesium/aluminum mid/bass driver – this arrangement precisely positions the acoustic center of each unit in an effort to deliver optimum time-alignment. Each tweeter receives 30 watts of Class D power and each mid/bass driver 70 watts, delivering a claimed frequency response of 54Hz - 28kHz.
There’s a hierarchy of units in each pair of LSX II LT speakers, of course. The primary unit is home to dual-band Wi-Fi and Bluetooth 5.0 with SBC and AAC codec compatibility, as well as an Ethernet input, an HDMI ARC socket, digital optical and USB-C inputs as well as a pre-out for a subwoofer and a power connection. Apple AirPlay 2, Chromecast, Spotify Connect, TIDAL Connect, and UPnP devices are all available, and the KEF Connect control app can host Amazon Music, Deezer, Qobuz and internet radio too. A second USB-C slot, grouped with all the other socketry below the neat bass reflex port on the rear of the speaker, is for connecting this primary speaker to its partner – which gives you flexibility in terms of cable length.
Digital audio file compatibility is extensive, and the LSX II LT can deal with file resolutions of up to 24bit/384kHz via a network connection. The USB-C and digital optical inputs can handle 24bit/96kHz stuff, and the HDMI ARC tops out at 16bit/48kHz. Incoming audio information is pored over by KEF’s ‘music integrity engine’ signal processing algorithms before resampling to 24bit/96kHz resolution.
This is a pretty thorough line-up of features for a product of this type, it’s true - but I can’t help hankering after an analogue input or two. Apparently the best record players are all the rage again, and it might be nice to be able to incorporate one with a wired connection… they'll work with a Bluetooth turntable, though.
Features score: 4.5/5
KEF LSX II LT review: Sound quality
(Image credit: Future)
Deft, entertaining sound
Plenty of detail and frankly unlikely dynamism available
Lacking a little where sheer scale of sound is concerned
The KEF LSX II LT is hardly the only digital audio system that does its best work when given some nice big hi-res audio files to deal with; so as long as you have some appropriate content on network-attached storage or via one of the best music streaming services that offers meaty quality, the KEF will give you everything it’s got.
Which, in the final analysis, turns out to be plenty. A 24bit/96kHz FLAC file of Arooj Aftab’s Last Night streamed via TIDAL Connect is agile, entertaining and utterly convincing – tonality, from the top of the frequency range to the bottom, is nicely neutral and consistent, and the LSX II LT never understates or overcooks any aspect of it; the sweep from top to bottom is smooth and believable. Detail levels are high at every turn, and the KEF has plenty of relevant observations to make about the timbre and texture of instruments or voices at every turn.
Despite the speakers’ unpromising dimensions and the bog-standard amount of power available, the system manages quite impressive low-frequency punch and substance. Bass sounds hit respectably hard, dig impressively deep, and are never less than properly controlled where the leading edge of sounds is concerned – and so it never has any problems expressing rhythms or handling tempos.
The LSX II LT communicates unequivocally through the midrange, which means vocalists of all types have their character and disposition made obvious. And at the top of the frequency range, the speakers attack with crisp determination (although without ever threatening to get splashy or hard, even if you like to listen at the upper limits of the volume the KEF is capable of).
There’s a fair amount of dynamic headroom available too, so even when a recording (or a movie, if you’re using the HDMI ARC socket) shifts it up from ‘basically silent’ to ‘all-out attack’ the system is able to make the differences obvious. Lower-level dynamic harmonic variations get the same sort of attention, too, so there’s convincing expression of the fluctuations evident from note to note when listening to a solo instrument.
That the LSX II LT is short of outright scale can’t be denied, but it creates a fairly extensive soundstage and organizes it really well. There’s adequate room for even more complex recordings to be laid out coherently, and the system demonstrates positivity and confidence in this regard. There's more than enough space for each element of a recording to stretch out without being impacted on by any other element – but, at the same time, the LSX II LT presents recordings as a unified whole.
Sound quality score: 5/5
KEF LSX II LT review: Design
(Image credit: Future)
Choice of unusual finishes
240 x 155 x 180mm (HxWxD)
Mildly interesting cabinet shape
As with its more expensive wireless speaker systems, KEF has commissioned Michael Young to see if a bit of mild ‘designing’ might be in order – and he’s created a speaker cabinet with very few parallel lines. All by itself, this is enough for the LSX II LT to stand out among all its boxy rivals – the fact that the shape is acoustically optimized doesn’t do any harm either.
At a tidy 240 x 155 x 180mm (HxWxD) per speaker, the LSX II LT will sit happily on a shelf or desktop, as long as power is reasonably close by – or there are stands available if you prefer. The available finishes (sage green, stone white and graphite grey) only add to the decorative quotient.
Design score: 5/5
KEF LSX II LT review: Usability & setup
(Image credit: Future)
App or remote handset control
Primary speaker needs power connection
Speakers must be connected by a cable
Between the KEF Connect control app (free for iOS and Android) and the little remote control handset that comes as part of the system, getting what you want from the LSX II LT is easy. The app covers off all the obvious stuff, and more besides – you can finesse EQ settings, integrate your LSX II LT into a smart-home system, designate the primary speaker as the ‘left’ or ‘right’ channel (great flexibility in the placement), access your local media servers, set volume limits and plenty more.
The remote control, meanwhile, just takes care of the obvious ‘play/pause’, ‘skip forwards/backwards’ ‘volume up/down/mute’, ‘power on/off’ and input selection stuff.
As far as ‘setup’ goes, there’s really nothing to it. The primary speaker requires mains power, and needs connecting to the secondary speaker using a length of USB-C /USB-C cable. After that, it’s simply a question of making physical connections to your source devices and integrating your favourite streaming service(s) into the app if the ‘Connect’ version isn’t already supported.
Usability score: 5/5
KEF LSX II LT review: Value
Superb sound for the price
Easy and flexible to set up
Small size and lack of analog may be limiting
There’s unarguable value on offer here, no two ways about it. As a combination of facilities and functionality, industrial design, usability and out-and-out sound quality, it’s hard to lay a glove on the KEF LSX II LT.
Unless you have analog sources you’d like to listen to, or you live in an aircraft hangar, it’s difficult to raise a meaningful objection to what your money buys you… these are premium speakers that can satisfy audiophiles, at a very fair price for that quality.
Value score: 4/5
Should I buy the KEF LSX II LT?
(Image credit: Future)
Buy it if…
You want great sound with next-to-no effort If you can’t get the LSX II LT up and running is next-to-no time, you’re not trying hard enough.
You admire good industrial design It’s hard to make a product like this look distinctive, but between the coaxial drivers and the unusually shaped cabinet, the KEF gets closer than most.
You’re a ‘digital only’ sort of listener Pretty much every source of digital audio content is catered for here, whether it’s connected wirelessly or physically.
Don't buy it if…
You have an analog source or two The lack of analog inputs is the KEF system’s biggest shortcoming.
You want to fill a big space with sound Look elsewhere. And be prepared to spend more money.
You have big bass concerns The low frequencies available here are deep, detailed and very nicely controlled – but they’re not about to make your curtains flap. Again, you'd need something larger.
KEF LSX II LT review: Also consider
KEF LSX II We've mentioned them already, but the bigger (and more expensive) sibling of the LT have the analogue connections that this one lacks, and a little more power for filling larger spaces.
Q Acoustics M40 HD Now this is how you full a room. Active floorstanding speakers, for slightly less money than the KEF. However, there's no Wi-Fi (just Bluetooth), so they're not quite as smart as the KEF. Read our five-star Q Acoustics M40 HD review for more what makes them so good.
Kanto Ren If you want something compact like the LSX II LT, but with analog connections, we love these. Again, there's no Wi-Fi – just Bluetooth for wireless – but they do an excellent job, and come in fetching finishes. Here's our five-star Kanto Ren review for the all the details.