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I tested LG’s xboom Grab Bluetooth speaker and frankly, it’s got the chops to challenge the JBL Flip 7
2:00 pm | June 13, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: , | Comments: Off

LG xboom Grab: Two-minute review

There are only so many ways you can design a Bluetooth speaker. Sonos has done the Toblerone look. Ultimate Ears has mastered the rounded cube. And JBL pioneered the rugged cylinder. Is there any room left for innovation? LG thinks so. And the answer is straps.

The xboom Grab is far from the first speaker to feature built-in carry straps, but its two elasticated loops are unique among the best Bluetooth speakers. Subtle enough when not in use, they’re a neat addition that means you can easily lash the Grab to a bike frame or handlebars. Release one end from the metal bracket and you can also hook the speaker to just about anything.

More than a novelty, the straps are useful for users on the move. So are the Grab’s dimensions, which mean it fits neatly in a cup or bottle holder. It might not be the lightest at 700g, but this is a speaker that lives up to its portable promise. It’s also one that feels built to survive a beach party, even if its buttons are easy to press accidentally.

Straps aren’t the only standout feature. To distinguish the Grab in a crowded market, LG has packed it with tricks. A pulsing light strip adds a sliver of color at the foot of the unit. Whether that’s a welcome addition will depend on your taste for ambient flair, but the saturation is bold and the execution slick – as is the option to control, sync or disable its hues in the app.

Strangely, the Grab connects to the ThinQ app, rather than the LG xboom one. This requires you to create an account, a step that feels both unnecessary and lengthy. Still, it’s worth the effort: the app is where you gain access to a range of configuration options, including AI room calibration and the ability to power the speaker on and off remotely. It’s also where you can adjust sound settings.

You’ll want to do that. By default, will.i.am – with the help of LG’s sound engineers – has set the xboom Grab to Bass Boost. This gives it plenty of low-end energy, at the expense of clarity elsewhere in the range. Switch to Standard mode and separation improves dramatically. There’s still weight to the lower frequencies, but it’s balanced with detailed mids and expressive treble, which are given more space to breathe.

A 10W tweeter and 20W racetrack woofer, plus a pair of passive radiators, deliver a dynamic listen, creating a soundstage that’s surprisingly full and spacious for a portable speaker. The Grab certainly has no trouble being heard, indoors or out, with distortion only creeping in when you really crank up the volume.

Longevity isn’t lacking either. Switch off the lights and the Grab’s 20-hour battery rating stacks up. That puts it at the head of the field, with a several-hour lead over its primary rival: the JBL Flip 7.

In truth, the challenge for most people will be choosing between the Grab and the Flip 7. Both speakers have compact proportions and stellar sonic performance. Both also offer app connectivity and adaptive AI tuning. Design is likely to be the deciding factor. If clean lines, bright lights and carry straps do it for you, the LG xboom Grab won’t leave you disappointed.

LG xboom Grab review: Price and release date

  • Announced at CES in January 2025
  • Officially priced at $149.99 / £129.98 / around AU$175

LG unveiled the xboom Grab at CES in January 2025. Part of the ‘xboom by will.i.am’ range, it debuted alongside the larger xboom Bounce and party-ready Stage 301. All three hit shelves in April.

Ticketed at $149.99 / £129.98 (around AU$175), the Grab is pitched directly against the JBL Flip 7, which currently occupies the top spot in our list of the best Bluetooth speakers.

At that price point, the Grab enters a crowded and competitive market. The Sonos Roam 2, another portable speaker that sits happily in our best wireless speakers roundup owing to its Wi-Fi streaming capability, has recently been discounted to a similar asking fee.

Because it doesn’t undercut its rivals, the Grab instead needs to deliver a superior experience to win listeners. And, as you’ll read below, it does a thoroughly good job of trying, offering a plethora of features for the money.

LG xboom Grab review: Specs

Weight:

700g

Dimensions:

211.0 x 71.6 x 70.0mm

Battery life (quoted):

20 hours

Connectivity:

Bluetooth 5.3

Multipoint:

Yes

Drivers:

16mm tweeter, 80 x 45mm woofer, 2x passive radiators

Aux-in:

No

Charger port:

USB-C

Microphone:

Yes

Waterproof rating:

IP67

App:

Yes

LG xboom Grab review: Design

  • Built-in elasticated straps
  • IP67 waterproof and dust-proof
  • Seven-button interface with customizable shortcut

In many ways, the LG xboom Grab borrows from every Bluetooth speaker that’s gone before it. It’s a solid cylinder clad in fabric mesh, with reinforced ends where the passive radiators reside. It combines the clean lines of the Ultimate Ears Boom 3 with the tidy dimensions of the JBL Flip 7. That’s a strong starting point, which LG has embellished with neat details and a dash of flair.

It wouldn’t look out of place in a modern apartment, yet the Grab is also ready for the beach. Like most of its contemporaries, it benefits from an IP67 water-resistance rating. LG’s also had it certified to military standard 810H. If you’re not up to speed with military testing codes (that's absolutely fine, by the way), that means it can easily shake off shocks, sand and salt water spray. In short, the Grab is built to last.

It certainly feels that way. At 700g, the Grab is weightier than other speakers of a similar size, which gives it a real sense of solidity. From the grooves on the bumpers to the metal plate where the straps attach, its construction is sturdy. The aesthetic might channel urban understatement, but there’s no cause for hesitation when lashing it to a bike or stashing it in a bottle holder.

In fact, the built-in straps mean you can mount the Grab just about anywhere. Far from a gimmick, they give you real flexibility for positioning the speaker outdoors. One end of each strap can unhook from the mount, allowing you to thread them through gaps in a fence, over handlebars and bike frames, even around tree branches. Or you can just hook one for a dangling disco.

Because they’re elasticated, you can stretch the straps for a secure fit and tighten things up by threading the bands back through their brackets. When not in use, they loop neatly around the compact body of the speaker. It’s a simple but clever setup that’s genuinely useful, whether flat surfaces are in short supply or you want to mount the Grab on the move.

If you do position the Grab on a shelf or table, little feet underneath will stop it rolling, while the light strip casts an ambient glow. This sliver of saturation runs in a thin line along the front of the speaker, pulsing in sync to your music with hues you can choose in the app. This won’t be to every taste, but it’s less naff than it sounds. As integrated lighting goes, it’s the subtlest and slickest I’ve seen. You can also turn it off entirely, if you prefer a low-profile approach.

Along the top of the cylinder sits a row of seven buttons. Complementing the standard set of power, volume and play/pause controls is a dedicated key for Auracast pairing, plus a heart button which can be set as a shortcut for Apple Music or LG Radio+. In practice, this last button feels unnecessary. Omitting just one key would’ve made the interface that bit simpler to navigate at a glance.

It doesn’t help that the buttons aren’t illuminated. The black outline design means they fly under the radar, but you have to feel your way around the shapes after dark. The buttons are also easy to press accidentally when handling the Grab or looping the straps. I unintentionally turned the speaker off several times. It’s a minor niggle, but the one that stands in the way of a five-star rating for the design.

  • Design score: 4.5/5

LG xboom Grab review: Features

  • 20-hour battery life, USB-C charging
  • ThinQ app connectivity for light and sound control
  • Full-color adaptive lighting strip

In an arena that’s bustling with Bluetooth speakers, LG’s pulled off a rare feat with the xboom Grab: packing a product with features and making almost all of them feel like meaningful additions. Look past the will.i.am tie-up – although I’m sure the Black Eyed Pea leant a helpful hand in the Grab’s development – and you’ll find a speaker that offers a lot of substance for the money.

Admittedly, I didn’t get off to a flying start with the Grab’s app connectivity: I downloaded the wrong one. You’d be forgiven for assuming the xboom Grab would use the xboom app, but it’s actually the LG ThinQ one you need to install. That’s followed by a mandatory sign-up process which demands too much time and information for pairing with a Bluetooth speaker.

A faff? Yes. It’s worth the effort though. Connecting the app unlocks a catalog of control and configuration options, including the ability to remotely turn the speaker on and off. It’s where you’ll find the settings for the light strip (see above), with a palette of pulse and color modes to choose from. And it’s also where you can fine-tune the sound output to suit your ears and space.

Part of that toolkit is AI room calibration. This analyzes the area where you’re listening and adjusts the audio accordingly. It would take a keen ear to detect the exact changes made to the output, but recalibrated from living room to bathroom to back garden, the Grab never sounded out of place. There are sounds modes to choose between too, but more on that below.

According to LG, will.i.am’s influence isn’t limited to the sound signature. He’s also had a hand in shaping the sound UI – the beeps and noises you hear when using the Grab. Now, this might sound like more marketing schtick, but it does actually make a difference over time. If you’ve ever used a speaker with low-grade sound effects, you’ll know how budget audio design can cheapen the experience when used every day.

That’s not a problem which besets the Grab. From powering on to establishing a Bluetooth connection, the xboom’s noises are rich, weighty and well-defined. It’s a small touch but one that makes a difference the longer you spend with it. As with other components, this attention to sonic detail gives the impression that every element of the speaker has been thought about. And crucially, they don’t start to grate after a fortnight.

Neither does the battery life. After two weeks with the Grab, I came away hugely impressed with its staying power. Rated at 20 hours without lighting, trips to the wall were pleasingly infrequent. On a full charge, you’ll be covered for days of casual listening before you have to worry about charging it. It’s not the quickest to refill when you do, but that’s a small price to pay for longevity.

  • Features score: 4.5/5

LG xboom Grab review: Sound quality

  • 16mm tweeter, 80 x 45mm woofer, 2x passive radiators
  • AI calibration and adaptive sound
  • Party link pairing with xboom speakers

LG’s equipped the xboom grab with a promising sonic architecture. An 80 x 45mm racetrack driver does woofer duties, while a 16mm dome tweeter from Peerless handles the higher stuff. These both pump out from the front, with passive radiators at each end to help distribute the sound. It’s a setup that translates into a very engaging listening, once you’ve done some tweaking.

Out of the box, the LG xboom Grab is set to Bass Boost. This gives it plenty of low-end energy, as befits a will.i.am party banger. But it also has the effect of dominating the sound signature and crowding the mids. Fine if you you want a bit of boom in the room, but not the most refined performance.

Things are significantly enhanced by switching to the Standard setting. There’s still no shortage of bass, but it exists in much better balance with the mids and treble. Oomph from the lower frequencies is paired with brightness and detail higher up the range. The soundstage offers a surprising amount of separation, resulting in a dynamic and engaging listen.

Fed with Maribou State’s latest album, the Grab dealt deliciously with many layers of electronica, balancing rich synthesized bass with clarity in the mids. Vocal reproduction is expressive too, whether it’s Hozier and his backing choir or Phil Collins doing some Disney-sanctioned crooning.

Yes, the xboom Grab is still a portable Bluetooth speaker, so the pickiest audiophiles shouldn’t expect a miracle. But for its size, it gives a hugely impressive account of itself. Details are perhaps easier to detect indoors, but the fullness and warmth of the Grab’s output isn’t lost in an outdoor setting either. Only at the top end of its volume level does distortion risk creeping in, a level that few will ever have cause to explore. This really is a unit fit for all occasions.

Besides Bass Boost and Standard, there’s also a Voice Enhance mode that you can select in the app. Alternatively, you can leave it to AI to analyze the genre and choose a setting to suit. But to my ears, there’s little reason to stray from the Standard setting. This gives the most balanced rendition, whatever’s on your playlist.

I haven’t listened to the LG xboom Grab back-to-back with the JBL Flip 7, but based on what I’ve heard, I’d say it’s a close-run thing between the two. Given how highly the Flip 7 scored in our review, that’s praise indeed. Both use drivers of the same dimensions, so at least internally there’s little to differentiate between the two. It’s fair to say that buyers of the xboom Grab won’t be disappointed with what greets their ears.

  • Sound quality: 4.5/5

LG xboom Grab review: Value

Value is a relative concept. In 2025, $150 / £130 / AU$175 has become the standard price for a portable Bluetooth speaker of this size. For that money, the LG xboom Grab offers a lot: you’re getting a product built for portability, with the added bonus of solid battery life, synchronized lighting and genuinely useful app connectivity. It sounds great, too.

But $150 / £130 / AU$175 isn’t small change. In pure value terms, there is an obvious argument that the xboom Grab would be more compelling if it came in cheaper than its rivals. And there are plenty of people who’d prefer to sacrifice some of its clever features and lighting frills for a saving of 20%.

The Ultimate Ears Wonderboom 4 is a good example of a speaker that takes a simpler, more affordable approach without compromising on audio quality or performance. Its value offering is one of the main reasons we rate it so highly. The xboom Grab might sound bigger and better, but it also costs a chunk more. There’s definitely a gap in the market for a simple, solid and reliable mid-size speaker that costs $130 / £100 / AU$150.

As it is, the LG xboom Grab justifies its price by maxing out on features. It gives a solid performance that ticks the key boxes, complemented by extra tricks that will feel like real benefits to the right buyer. Whether that’s you will depend on how much you appreciate carry straps, light strips and an app with AI sound calibration.

  • Value score: 4.5/5

LG xboom Grab Bluetooth speaker in an outdoor setting

(Image credit: Chris Rowlands)

Should I buy the LG xboom Grab?

LG xboom Grab

Attributes

Notes

Rating

Design

Tidy dimensions, built-in straps and IP67 water-resistance

4.5/5

Features

20-hour battery life, adaptive lighting and app connectivity

4.5/5

Sound quality

Full sound and decent bass with AI calibration and in-app EQ

4.5/5

Value

A solid build and plenty of features at a competitive price

4.5/5

Buy it if…

You want a super-portable picnic speaker
With dimensions that fit in a cup-holder and built-in straps which attach to your handlebars, the xboom Grab is a Bluetooth speaker that’s built to grab and go. IP67 water-resistance means it can survive a shower, too.

You appreciate decent sound quality
As Bluetooth speakers go, the Grab offers full sound with decent bass, good detail and impressive separation. AI can tune output to suit the room and genre, while the app lets you adjust the EQ to suit your listening tastes.

You want a feature-packed speaker
The Grab offers a lot for the money, including ThinQ app connectivity, AI audio analysis and Auracast party link pairing with other xboom speakers. Battery life is also top of the class at 20 hours with the lightstrip turned off.

Don’t buy it if…

You don’t need app connectivity
The xboom Grab’s smart features are part of its appeal. If you don’t need AI sound calibration, adaptive lightning or the option to adjust the EQ, you can pick up a simpler Bluetooth speaker without app connectivity for less money.

You won’t use the built-in straps
Built-in elasticated straps let you attach the xboom Grab to hooks, handlebars and just about anything. If you think they’ll get in the way, the JBL Flip 7 has similar dimensions, matching performance and a smaller, detachable carry strap.

You want Wi-Fi connectivity
Besides a 3.5mm aux input, another connectivity feature missing from the Grab’s spec sheet is Wi-Fi. For multi-room audio via your home network, you’ll need a speaker like the Sonos Roam 2, which now costs a similar price.

LG xboom Grab review: Also consider

LG xboom Grab

JBL Flip 7

Sonos Roam 2

Dimensions:

211.0 x 71.6 x 70.0mm

182.5 x 69.5 x 71.5mm

168 x 62 x 60mm

Weight:

700g

560g

430g

Battery life (quoted):

20 hours

14 hours

10 hours

Connectivity:

Bluetooth 5.3

Bluetooth 5.4

Bluetooth 5.2, Wi-Fi

Drivers:

16mm tweeter, 80 x 45mm woofer, 2x passive radiators

16mm tweeter, 80 x 45mm woofer, 2x passive radiators

1x tweeter, 1x mid-woofer

Aux-in:

No

No

No

Charger port:

USB-C

USB-C

USB-C

Microphone:

Yes

No

Yes

Waterproof rating:

IP67

IP68

IP67

App:

Yes

Yes

Yes

JBL Flip 7
Winner of a rare 5-star TechRadar rating, the JBL Flip 7 sets the bar for portable Bluetooth speakers. Similar in size to the LG xboom Grab, it’s lighter by 140g but loses out on battery life by 6 hours. Its drivers are the same size as the Grab’s and offer an equally entertaining listen, with adaptive AI Sound Boost. The choice probably comes down to design preference.
Read more in our
in-depth JBL Flip 7 review

Sonos Roam 2
A premium speaker that’s now been discounted, the Roam 2 offers a sleek alternative to the xboom Grab. Despite its minimalist build, it also benefits from an IP67 rating for rain-proof listening. You also get support for Sonos multi-room smarts, with Wi-Fi connectivity complementing Bluetooth when you’re at home. Battery life is underwhelming at 10 hours, but the reward is rich, balanced audio with a wide soundstage.
Read more in our in-depth Sonos Roam 2 review

How I tested the LG xboom Grab

  • Tested for a fortnight, indoors and out
  • Streamed extensively via the Spotify app
  • Played music spanning a range of genres

To test the xboom Grab, I used it as most listeners would: by living with it. LG only had a review sample available on a two-week loan, so I had to make the most of my time with it. That meant using the speaker for shower singalongs every morning, ambient background during the day and kitchen bangers in the evening.

Because the Grab’s designed for alfresco audio, I also spent plenty of time listening to it outdoors. Beyond the garden, I strapped the speaker to my bike and stashed it in my beach bag, to see how well it held up as a picnic companion – and how useful those elasticated straps are in the real world.

Musically, I challenged the Grab with a genre-spanning catalog of tracks, covering everything from Maribou State’s soulful electronica to the grungiest alternative rock that BBC Radio 6 Music had to offer. The test playlist also included the Phil Collins tracks on Disney’s 1999 Tarzan soundtrack, courtesy of a certain five-year-old.

Read more about how we test

  • First reviewed: June 2025
I tried will.i.am’s new speaker and it has a lot of Boom Boom, but not much Pow
4:00 pm | June 3, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

LG xBoom Bounce: Two-minute review

Go to the LG website and you’ll see this Bluetooth speaker billed as the "LG xBoom Bounce by will.i.am". Recent marketing materials are rife with mentions of the Black Eyed Peas performer who, depending on where you look on LG's site, “crafted” the sound from the ground up, “fine-tuned” the sound of the Bounce after the fact or simply acted as... whatever an “Experiential Architect” is.

It’s a very loosely-defined partnership and I’ve no idea if the musician’s work really did involve engineering the Bounce’s sound or simply becoming a marketing figure, although a colleague at TechRadar did speak to the rapper, writer, actor, record producer and entrepreneur earlier this year on the collaboration. Anyway, the general gist is this: the LG xBoom Bounce is a new party speaker here to (hopefully) make you wanna Shake Ya Boom Boom – and thus, make its way into our best Bluetooth speakers roundup.

Its relative beefiness should have been clear from the name; LG’s busy line of xBoom speakers are all designed for room-filling sound, complete with hardy designs, high volumes and usually plenty of LED lights. The bounce was announced alongside the slightly-cheaper cylinder of the LG xBoom Grab and bigger, more expensive LG xBoom Stage 301.

I must admit that I’ve not been blown away by other xBoom devices I’ve used, and sadly the Bounce didn’t manage to change that.

The last xBoom I used was the petite Go XG2T, which is remarkable for its portability, a trait which is important for most Bluetooth speakers. Not in the Bounce, though, as it’s too big and heavy to slip in your bag and take to a picnic. It has an elastic carry band which loses form quickly, two unstable legs and a pet peeve of mine: no skip track button.

I can’t mark down the design too much though, with high-grade protections ensuring that the xBoom Bounce is safe from the hard knocks that could befall it when used in your garden (or forgotten in your garden after a few beers).

When it comes to features, LG’s nailed the basics with the LG xBoom Bounce: its battery life is pleasingly long and I’m always a fan of LED lights on speakers. However there’s not much extra if you download LG’s smart-home app (no, there’s no bespoke app), with a few of its potential features squandered.

For example there’s an on-speaker button which should, in theory, be used to quickly open a chosen playlist – however this doesn’t actually work alongside any streaming service, only with native content on your phone or LG’s own ambient songs.

The biggest issue with the Bounce is that its sound quality just doesn’t match rivals on the market. With Sonos and JBL both offering similar-priced alternatives, the bass-heavy but empty-sounding audio of the Bounce doesn’t cut it, no matter how loud it can go to impress fields of guests.

As a mid-range speaker in terms of price, LG’s rugged build quality, battery life and volume here may be enough to win over some users, including those who want a device specifically for outdoor activities and parties (and already own one or more for their home). But if you’re more of a one-and-done kind of speaker buyer, the xBoom Bounce is a lot harder to recommend.

LG xBoom Bounce review: Price and release date

  • Released in April 2025
  • Officially priced at $179.99 / £139 / AU$249

The LG xBoom Bounce by a leafy plant on a shelf.

(Image credit: Future)

The LG xBoom Bounce was released in April 2025 alongside another member of its family: the xBoom Grab.

You can buy the speaker for $169 / £169 (around AU$300, though it’s the only one of its family not to be on sale in Australia at the time of writing).

That cost puts the xBoom Bounce in the shark-infested waters of a highly competitive price range: the Sonos Roam 2 is only a touch pricier, while the JBL Flip 7 is a small amount more affordable, and you don’t have to pay that much more for a close rival in the Tribit Stormbox Blast 2.

These three options are all within the top five in our round-up of the best Bluetooth speakers, so LG is entering a tough crowd. More on these competitors below.

LG xBoom Bounce review: Specs

Weight:

1.32kg

Dimensions:

26.2 x 9.9 x 9.4 cm

Battery life (quoted):

30 hours

Connectivity:

Not specified

Drivers:

2x tweeter, 1x woofer

Aux in:

No

Charger port:

USB-C

Microphone:

Yes

Waterproof rating:

IP67

LG xBoom Bounce review: Features

  • Some set-up woes
  • 30-hour battery life
  • Useful location calibration mode

The LG xBoom Bounce by a leafy plant on a shelf.

(Image credit: Future)

The XBoom Bounce can be used alongside the LG ThinQ app. This is an everything-app for all LG products, and it’s quite a lengthy set-up process between creating an account, finding ‘speakers’ on the list and, in my case, repeatedly trying to get it to pair until it finally succeeded. I may have given up several attempts earlier if I wasn’t reviewing the Bounce (and you can use the device just fine without pairing it to the app anyway). Pairing to devices simply for listening was quick and painless, it’s just the app that’s the issue.

The ThinQ app may make sense if you have lots of other LG products (or if this speaker boasted wi-fi streaming support, which to be clear, it does not), but if you don’t it’s a bit of a faff. Honestly, it feels like a bloated set-up process and some of the features just don’t make sense – why am I being asked where the speaker is located when, by definition, it’s a portable one?

Using the app you can change the speaker’s volume, switch the lighting pattern on it, set up the MY button (more on this imminently) and set up a few other features like Auracast for daisy-chaining more speakers for multi-room audio, a turn-off timer and a small playlist of ambient background music called Healing Therapy. There’s also a calibration mode which works out the speaker’s location (after a brief test) and adjusts the sound quality, which is admittedly quite neat – until you move it.

The LG xboom Bounce by a leafy plant on a shelf.

(Image credit: Future)

Once you’ve set up the MY button, pressing it on the speaker auto-plays from a playlist you’ve selected. However you can only use this for audio files on your device, or the Healing Therapy playlist on the app – no Spotify, no Apple Music, no Tidal. In addition, it’s staggeringly hard to browse the Healing Therapy library to find sounds – go to the page in the app and you’ll be shown a single song, with the options to download it, as well as a list of your downloaded songs. The only way I figured out to see all Healing Therapy options is to literally download everything you’re presented with.

There are a few preset Sound Effects you can use to modify your sound: Standard, Bass Boost and Voice Enhance are all pretty obvious and there’s a custom option to bring up a six-band equalizer. The other option is AI Sound which balances audio based on your chosen genre.

I tested the speaker for about 10 hours before going through the set-up process and if I could turn back time, I probably wouldn’t bother with the app. The only thing I ended up needing it for is to turn on Bass Boost mode. I mentioned above that I had trouble connecting to the app; this was never an issue connecting the speaker to my phone via Bluetooth, which was flawless.

Let’s clear our minds with a really positive feature: the battery life. According to LG this can stretch to 30 hours and in my testing I saw no reason to doubt that figure (as long as you’re playing at 50% volume, which is a reasonable figure indoors). That figure trumps lots of the competition with many rivals hovering between the 10-15 hour mark. Charging is done via the USB-C port on the back and takes three hours.

  • Features score: 3.5/5

LG xBoom Bounce review: Design

  • IP67 and military-grade protection
  • Heavy and long body
  • Wobbly legs and elastic strap

The LG xBoom Bounce by a leafy plant on a shelf.

(Image credit: Future)

The LG xBoom Bounce is a big and heavy speaker – while all Bluetooth speakers are ostensibly portable, the heft of the Bounce means you probably won’t want to bring this to the park for a picnic or barbeque given that you’ll have to jettison half your food to fit it in your bag. At home I left it on the same shelf for the bulk of my testing, right by a wall outlet, completely offsetting any need for it to be wireless in the first place. The issue is, I don't think the audio is good enough for a dedicated indoor 'main' speaker… but again, I'm getting ahead of myself.

To be precise, the xBoom Bounce is 316.5mm long, 142.5mm tall and 136mm wide, taking a rough oval shape. It weighs 1.32kg which is heavy for a Bluetooth speaker like this – some other party speakers are a whole kilo lighter.

On top of the speaker are its two tweeters as well as buttons: power, volume up, volume down, pay/pause, Bluetooth pairing, multipoint and MY (the latter we’ll describe in the Features section). So far, so standard. The back of the speaker has a USB-C port for charging but no 3.5mm jack, so you can’t plug-and-play with your old iPod here.

The LG xboom Bounce by a leafy plant on a shelf.

(Image credit: Future)

A large feature on the back of the xBoom is the stretchy fabric band you can see in pictures. This has a little ‘pull’ to it so you can get your hand behind it to carry it, but its size and positioning means you can’t really use it to attach the Bounce to anything (not least of all because 1.4kg means this thing is prone to pulling over things you attach it to). The elastic also deformed pretty quickly in my testing, having a noticeable upward arc after just a few days of testing, and so I wasn't keen to rely on it as a way to transport the thing in case it snapped.

The front of the speaker has an LED strip which flickers to music, and you can choose the color or pattern through the app. It’s not a huge feature, but if you like having flashing LEDs to accompany your music, it’s a nice touch.

On the bottom of the xBoom are two circular ‘legs’ that it stands on, elevating the main body a touch off the ground. There’s probably a good reason for them but they resulted in the device wobbling an undue amount when on flat surfaces.

You'll probably realise I have mixed feelings on the xBoom Bounce’s design, but one undeniable boon is its protection. Not only does the Bounce have an IP67 rating against dust ingress and limited immersion in water, but also the military-grade MIL-STD-810H certification. This ensures it can withstand vibrations, impacts, spray from salt water, high temperatures and a few other fairly-specific types of assault. This is perhaps the first truly rugged Bluetooth speaker I’ve ever tested, and I’m always a fan of gadgets that are designed for longevity.

  • Design score: 3.5/5

LG xBoom Bounce review: Sound quality

  • High max volume
  • Low-end focus
  • Songs often sound 'empty'

The LG xBoom Bounce by a leafy plant on a shelf.

(Image credit: Future)

Let’s unpack what you’re getting with the Bounce: there are two tweeters and a woofer for 2.1 stereo audio.

The LG xBoom Bounce doesn’t lack for power, with a high maximum volume; I generally listened at volume 10 at home but it goes all the way up to 30, so this will be suitable for fairly large gatherings. But what LG offers in volume, it lacks in quality.

The focus of the sound is clearly in the low-end, with songs’ bass lines being the first thing you’ll notice when you put on any track. But then, as is the issue with most ‘bass overload’ cases, it means mid- and high-end instruments sound compressed. Here, these frequencies seem almost squeezed into an oddly dull ooze of ‘noise’, stripping counter harmonies and detail from songs in favor of the ever insatiable god: bass.

Even vocals were often muddied and nonspecific in songs I listened to, and there were times when I simply couldn’t make out the lyrics of lead or backing singers due to how low they were in the box.

The LG xBoom Bounce by a leafy plant on a shelf.

(Image credit: Future)

Let’s take a listen: Phosphorescent’s New Birth in New England usually offers a rich mix of rhythmic instruments but listening on the Bounce, all I can hear is the bass, vocal and some assorted ‘soup’ of everything else. The next song on my playlist is Letter to Lady J by Dispatch which starts with acoustic guitar and vocals, but the latter sounds muted and the former quickly loses any form of strumming pattern and timbre. Changing playlists for some variety, Morgan Wallen’s Thought You Should Know was listened to – just the intro, three times, to try to list the instruments we’ve got here. Sadly, I simply couldn’t make them out and throughout the song, Wallen sounds like he’s frantically waving his hand to the mixing desk and pointing upwards to indicate ‘turn me up!’.

The effect of all of this is that music seems a lot less complex and nuanced, and therefore lacking a little bit of the ‘soul’ that comes from the interplay and cohesion of different instruments. It made rock and pop less enjoyable and classical almost impossible to appreciate; I most enjoyed using the speaker when it was for dance-focused tracks with instrumental simplicity. Which, of course, is what certain users will be looking for, so don't let me put you off if that's you.

A focus on the low-end and a high max volume make the LG xBoom Bounce suited as a party speaker, but it’s not for audiophiles, who’ll find a few things missing from their music.

  • Sound quality: 3/5

LG xBoom Bounce review: Value

The LG xboom Bounce by a leafy plant on a shelf.

(Image credit: Future)

If you’re simply looking at the xBoom Bounce for a personal loudspeaker for your home, you can find other options at a similar (or cheaper) price that offer better sound quality.

For party speakers, the question is a bit different, as the Bounce matches most of its close rivals in terms of price. However you may be swayed by the various protections on offer, which could ensure that it keeps serving you for a lot longer than one of its alternatives.

In the grand scheme of things, you’re pretty much getting what you pay for though.

  • Value score: 3.5/5

Should I buy the LG xBoom Bounce?

The LG xboom Bounce by a leafy plant on a shelf.

(Image credit: Future)
LG xBoom Bounce speaker score card

Attributes

Notes

Rating

Features

A long battery life and equalizer offset an annoying app experience.

3.5/5

Design

It's not quite 'portable' but it's well-protected.

3.5/5

Sound quality

The high max volume and focus on low-end will please some, but it's not for audiophiles.

3/5

Value

You get what you pay for, and it'll last you longer than some rivals.

3.5/5

Buy it if…

You need field-filling sound
Need a speaker to play to your whole back garden or large living room? Shy of a full-stack party speaker this can be your go-to.

You need something well-protected
The IP67 is a nice touch but the military-grade protection is what I'm talking about here: you won't need to worry about a rain storm hitting your party (or an earthquake, flash flood or drought).

You need something that lasts a little longer
With 30 hours of juice in the tank, the LG xBoom Bounce lasts longer than lots of its competitors before needing to be charged.

Don’t buy it if…

You're an audiophile
I wasn't that impressed with the sound of the Bounce, so if you're hoping to truly appreciate the music you're listening to, this party speaker isn't the way to go.

You need something portable
This isn't the gym, you're not expected to carry heavy weights around with you everywhere you go.

LG xBoom Bounce review: Also consider

LG xBoom Bounce

Tribit Stormbox Blast 2

JBL Flip 7

Weight:

1.32kg

8.7g

560g

Dimensions:

26.2 x 9.9 x 9.4 cm

47.6 x 25.9 x 19.3 cm

7 x 18.3 x 7.2 cm

Battery life (quoted):

30 hours

30 hours

16 hours

Connectivity:

Bluetooth 5.3

Bluetooth 5.4

Bluetooth 5.4

Drivers:

2x tweeter, 1x woofer

1x subwoofer, 2x drivers, 2x tweeters

1x driver, 1x tweeter

Aux-in:

No

Yes

No

Charger port:

USB-C

AC 100-240V

USB-C

Microphone:

Yes

No (mic ports)

No

Waterproof rating:

IP67

IP67

IP68

Tribit Stormbox Blast 2
For a small amount more than the LG, you can get the ultimate party speaker of the Tribit Stormbox Blast 2. This beast has a fantastic output, and even though it's a lot heavier than the LG, has a handle to let you deal with it.
Read our full Tribit Stormbox Blast 2 review

JBL Flip 7
A smaller and cheaper option, the Flip 7 extends JBL's lead as monarchs of the portable party speaker realm. It sounds great, offers a range of features and, like the LG, is well-protected.
Read our full JBL Flip 7 review

How I tested the LG XBoom Bounce

I used the LG xBoom Bounce for two weeks in order to write this review, which is the standard testing period.

I used the Bounce alongside two separate Android smartphones, one a Realme and another a Moto, and did most of the testing split between two different rooms in my house. Most of the playback was music from Spotify and the ThinQ app but I watched a few videos, listened to spoken-word content and played a game with the speaker attached.

I've been writing tech reviews for TechRadar for over six years now, including speakers as well as other LG products.

First tested: June 2025

Read more on how we test at TechRadar.

I tested B&O’s third teatime treat-esque portable Bluetooth speaker, and three is the magic number
11:00 am | May 7, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Bang & Olufsen Beosound A1 3rd Generation: two-minute review

The latest version of the Beosound A1 by Bang & Olufsen is the best yet – and when you consider how well-regarded the previous two versions were, it follows that this 3rd Gen is something special.

As you might expect from this brand (and as you’re likely to demand at this price), the A1 3rd Gen looks and feels like a high-end product. There's a heated debate among TechRadar's US and UK staff over whether the A1 Gen 3 looks more like a muffin, a crumpet or a bombolone, but whichever baked (or fried) breakfast (or teatime) treat works best for you also works for us. Yes, it looks like that, but in the most premium way. The materials used in its construction are relatively lavish, and build quality is unarguable. Its modular design means it can be repaired, and its battery can be replaced – both of which are good things and certainly help it all the way into our roundup of the the best Bluetooth speakers at its size and weight.

And between multipoint connectivity, aptX Adaptive compatibility, 60 watts of power, an IP67 rating (meaning it's up there with the best waterproof speakers too), plus a USB-C socket that can be used for data transfer as well as for charging, the A1 3rd Gen is pretty well-specified too. Only a lack of Auracast compatibility sounds a mildly false note.

Best of all, though, is the sound. The Beosound is a robust but deft listen, detailed and dynamic in equal measure, and able to present recordings with a nice open character at the same time as ensuring they sound unified and together. It’s short of ultimate scale, of course – a product of this sort of size is almost bound to be – but in every other respect it’s an engaging, revealing and thoroughly entertaining listen.

Bang & Olufsen Beosound A1 3rd Generation in silver, on gray table

(Image credit: Future)

Bang & Olufsen Beosound A1 3rd Generation review: price and release date

  • $349 / £299 / AU$639
  • Launched on May 6, 2025

The Bang & Olufsen Beosound A1 3rd Gen is on sale from today (7th May 2025) and in the United Kingdom it’s priced at £299. It’s $249 in the United States, and in Australia it goes for AU$639. Which means that no matter the territory in which you’re shopping, it’s priced like a premium device – which, in turn, means it’s Bang & Olufsen business as usual.

Bang & Olufsen Beosound A1 3rd Generation in silver, on gray table

(Image credit: Future)

Bang & Olufsen Beosound A1 3rd Generation review: specs

Bang & Olufsen Beosound A1 3rd Generation review: features

  • Bluetooth 5.1 with aptX Adaptive compatibility
  • 60 watts of Class D power
  • USB-C can be used for data transfer

The Beosound A1 3rd Gen uses Bluetooth 5.1 for wireless connectivity, and it’s compatible with SBC, AAC and aptX Adaptive codecs. That Bluetooth standard means it won’t support Auracast, though multipoint connectivity means your speaker can be connected to two sources at the same time. Once your digital audio information is on board, it’s dealt with by a digital-to-analogue converter of unspecified type and resolution, and then served up by a two-driver array. A 15mm tweeter and 83mm mid/bass driver each receive 30 watts of Class D power, in an arrangement Bang & Olufsen claims is good for a frequency response of 54Hz - 20kHz.

The adoption of aptX Adaptive is a step forward for the A1, but this 3rd Gen model dispenses with Amazon Alexa voice control and wider smart-control integration you'll find in the 2020-issue Beosound A1 Gen 2. Whether or not you consider this to be a backward step depends almost entirely on how much you enjoy the sound of your own voice.

Battery life is a very creditable 24 hours from a single charge (provided you’re operating at reasonably modest volume), while from ‘flat’ to ‘full’ takes a rather leisurely three hours. Charging happens via the USB-C slot on the edge of the speaker, and for this 3rd generation this input can also be used for data transfer – so the Beosound can be hard-wired to a source of music. It can also form a stereo pair with another A1 3rd Gen or, happily, an A1 2nd Gen should you have one.

  • Features score: 4.5/5

Bang & Olufsen Beosound A1 3rd Generation in silver, on gray table

(Image credit: Future)

Bang & Olufsen Beosound A1 3rd Generation review: sound quality

  • Impressive low-frequency extension and substance
  • Consistent and balanced even at volume
  • Great detail retrieval and midrange resolution

With one or two fairly minor caveats, there’s an awful lot to like about the way the Beosound A1 3rd Gen goes about things. So minor are these caveats, in fact, I may as well get them out of the way right now before piling into all the things the Bang & Olufsen excels at.

It’s probably an inevitability given the physical size of the speaker, but the A1 3rd Gen isn’t an especially large-scale listen. The soundstage it creates is properly organised and quite open – but where out-and-out scale is concerned, there’s no getting around the fact that this speaker doesn’t sound especially big.

Its tonal balance isn’t, strictly speaking, all that neutral either. There’s a hint of warmth and richness, a kind of sonic luxuriousness, about its presentation that’s not in any way unpleasant but that is most definitely a characteristic. This can be mitigated a little in the control app – but given that the best overall balance comes from leaving the EQ setting at ‘optimal’ (the clue’s in the name, really) it’s probably best to accept your Bang & Olufsen speaker sounds, as well as looks and feels, deluxe.

From here on out, the news is all positive. The A1 3rd Gen can summon frankly unlikely low-frequency presence and substance - it hits remarkably hard for a speaker of its size, and the claim for frequency response down to 54Hz seems perfectly plausible. The low end is properly controlled, too, which means rhythms during Thin Air by Floating Points are confidently expressed – and the Bang & Olufsen is a front-foot listen as a result. At the opposite end of the frequency range it attacks with polite determination, bringing a reasonable amount of bite and shine to treble sounds without ever threatening to become unruly. There’s a fair amount of substance to offset the brilliance, too, which helps the overall balance of the sound no end.

In between, the A1 3rd Gen communicates through the midrange in the most uninhibited manner. Voices as dissimilar as Joni Mitchell’s and Alex Turner’s emerge with all of their character intact, and the midrange is nudged forwards just a little to help with intelligibility. The crossover between the mid/bass driver and the tweeter is smooth to the point of imperceptibility, and though the tonal balance here has a very definite flavour, it is at least consistent from top to bottom. The Bang & Olufsen sounds unified and of a whole, no matter the sort of content you’re listening to.

What else? Well, detail levels are high across the board – and even when it comes to the most minor harmonic variations or transient events in a recording, the A1 3rd Gen does good work in identifying and contextualising them. And despite its relative lack of outright scale, it can put appreciable distance between the quietest and the loudest moments in a recording too. As long as you’re not expecting to fill a medium-sized room with sound, the A1 3rd Gen is a great option – and you can at least be assured that if you do wind up the volume to the point the Bang & Olufsen is giving you everything it’s got, it doesn’t alter its sonic character in the slightest. It simply gets louder.

  • Sound quality score: 5/5

Bang & Olufsen Beosound A1 3rd Generation in silver, on gray table

(Image credit: Future)

Bang & Olufsen Beosound A1 3rd Generation review: design

  • 46 x 133 x 133mm, HxWxD
  • 576g
  • Built to a high standard from premium materials

As both the asking price and the manufacturer’s reputation demands, the Beosound A1 3rd Gen is little short of a masterclass where materials and their deployment are concerned. It’s tricky for a product of such modest dimensions (this speaker is just 46 x 133 x 133mm, HxWxD) to look overtly premium, but this Bang & Olufsen manages just fine.

The lower half of the spheroid is of hard-wearing polymer, and it’s seamlessly connected to an upper portion made of tactile, textured pearl-blasted anodised aluminium. A carry-strap made of waterproof leather is threaded through the polymer, and it’s here you’ll find the only visible bit of branding. The look is understated and sophisticated, no matter which of the three available finishes you choose – take your pick from ‘natural aluminium’ (which is ‘silver’), ‘honey tone’ (‘gold’) and ‘eucalyptus green’ (‘green’). And the 576g weight seems purposefully judged to strike a balance between ‘portability’ and ‘reassuring heft’. The overall standard of construction and finish is basically flawless, and the IP67 rating means it will be fine in any realistic environment.

This is, says the manufacturer, the first ever Bluetooth speaker with ‘Cradle-to-Cradle’ certification (at the bronze level). So it’s made with sustainable practices in mind, and is modular to the point that it has a replaceable battery and can, in certain circumstances, be repaired rather than scrapped. This is something Bang & Olufsen has long been known for; just see the company's modular Beosound Theater soundbar and reissued vertical CD player for starters…

  • Design score: 5/5

Bang & Olufsen Beosound A1 3rd Generation in silver, on gray table

(Image credit: Future)

Bang & Olufsen Beosound A1 3rd Generation review: setup and usability

  • Some physical controls
  • Excellent B&O control app
  • Swift Pair and Fast Pair

It’s a very simple device to operate, the A1 3rd Gen – the options you have are very tidily realised indeed. Along with that USB-C socket, the polymer edge of the chassis features a few physical controls, all very positive in their action – you can take care of ‘power on/off’, Bluetooth pairing, ‘volume up/down’, ‘play/pause’ this way. There’s also a button to mute the mics that are used for telephony. Microsoft Swift Pair and Google Fast Pair are available, while a single LED on the top surface indicates what the speaker might be up to, and another next to the USB-C input lets you know about charging.

There’s also the B&O control app that’s free for iOS and Android – and it remains one of the best examples of its type. Here’s where you can check for software updates, form that stereo pair using another A1 3rd Gen or your A1 2nd Gen, integrate your favourite music streaming service (as long as it’s Deezer, Spotify or TIDAL) and access music on a HomeMedia server. It also gives internet radio access via the entirely admirable ‘B&O Radio’. It’s where you can access some EQ presets, or define your own using a graphic ‘target’ control that’s about as gratifying an EQ adjustment mechanism as I’ve ever seen.

  • Setup and usability score: 5/5

B&O's Beosound A1 3rd Gen three screen-grabs of the companion app

(Image credit: Bang & Olufsen)

Bang & Olufsen Beosound A1 3rd Generation review: value

This is far from the most affordable Bluetooth speaker around – although when judged by the standards Bang & Olufsen has long since established, it’s actually within touching distance of many credible alternatives.

The usual B&O selling points of premium materials, indulgent design and impeccable build quality are all present and correct, too – and the Beosound A1 3rd Gen is a match for any price-comparable rival where pure sound quality is concerned. So for once here’s a Bang & Olufsen product that doesn’t require all that “yes, but..” when it comes to value for money.

  • Value score: 5/5

Bang & Olufsen Beosound A1 3rd Generation in silver, on gray table

(Image credit: Future)

Should I buy the Bang & Olufsen Beosound A1 3rd Generation?

Buy it if...

You like nice things
The Beosound A1 3rd Gen looks and feels every bit the Bang & Olufsen product.

You know a good control app when you see one
The B&O control app is comprehensive, easy to use and features the most gratifying EQ adjustment around.

You enjoy a hint of sonic luxuriousness
The A1 3rd Gen is slightly less than neutral in its sound, but in a quite expensive-sounding way.

Don't buy it if...

You intend to fill the great outdoors with sound
The A1 3rd Gen has a degree of grunt, but it’s not the biggest-sounding speaker around.

You want to just ask
There’s no Alexa integration for this latest model.

Bang & Olufsen Beosound A1 3rd Generation review: also consider

JBL Flip 7
The March 2025-issue seventh Flip is also a five-star Bluetooth portable speaker. And it also looks good, thanks to a new switchable carabiner detail. The battery won't last quite as long as the B&O Beosound A1 Gen 3, but the audio is special for a speaker of its size, and it's hard to ignore the price difference… 
Read just how good it is in our full JBL Flip 7 review.

Bose Soundlink Flex Gen 2
It's a September 2024 release, so still a relative newbie to the game, and although the Bose Soundlink Max is closer in price to the B&O option you came here to read about (at $399 / £399 / AU$599), the Flex Gen 2 is a better size match – and a lot cheaper. How often can you say that of Bose products? It's not quite as gifted sonically, but it does give you punchy output in a relatively bijou design. Get the full scoop in our Bose Soundlink Flex Gen 2 review.

Bang & Olufsen Beosound A1 3rd Generation review: how I tested

I connected the A1 3rd Gen wirelessly to my Apple iPhone 14 Pro and my FiiO M15S digital audio player, and also made a hard connection via USB-C to my Apple MacBook Pro. So I was able to listen to lots of different content from lots of different platforms, of various file-types and sizes.

And having done so for well over a week, I realised the A1 3rd Gen is the best yet – which is saying something…

I tested House of Marley’s solar-powered Bluetooth speaker and left the beach party disappointed
1:30 pm | May 3, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

House of Marley Roots Solar: Two-minute review

Competition is fierce among portable, beach-ready speakers. The best Bluetooth speakers offer all-day battery life, enjoyable audio and pool-proof durability, without draining your bank account. It’s in this crowded market that the House of Marley Roots Solar tries to stand out, as a beach-ready speaker with neat features and a unique sustainable design.

Physically, it achieves that goal. Fronted by a facade of renewable bamboo, the Roots Solar looks and feels distinctive. The fabric grille is nicely tactile, while the rubberized body – made from recycled plastics – is robust. There’s a reassuring weight to the whole package, which gives the impression that it’s solid enough to survive several summers.

Clever touches suggest that House of Marley’s design team has put a lot of thought into this speaker. The buttons are simple, well-sized and accessible. Little feet underneath cushion against vibrations. The carry strap is a handy addition. And then there’s the built-in bottle opener on the back: a party trick that bolsters its cookout credentials.

Unfortunately, other features are less impressive. At 14 hours, battery life does stack up well against rival speakers, lasting a full day on one charge. But the solar panel from which the Roots Solar gets its name is ineffective. House of Marley claims that it’s good for up to five hours of extra playing time. In my experience, even after several hours in direct sunlight, it did little or nothing to recharge the speaker. The strip is essentially decorative.

That’s a shame, because the promise of solar-powered listens is a key selling point, and one that ties in with House of Marley’s sustainable ethos. I had to charge the Roots Solar via USB-C like any other speaker, which somehow felt more galling than if the solar panel wasn’t there in the first place. Worse still, it means eco claims can’t save the Roots Solar from its biggest failing: sub-par audio.

Image 1 of 3

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)
Image 2 of 3

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)
Image 3 of 3

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)

Given the weight of its build and the bass radiator on the rear, you’d expect the Roots Solar to give a bold performance – especially as it’s marketed for outdoor use. Yet, in practice, the sound lacks richness, depth and dynamism. It doesn’t come close to the low-end punch of something like the Ultimate Ears Wonderboom 4, with a sonic signature that feels thin in comparison.

It can’t boast particularly good balance or clarity, either. The mids are easily muddied on layered tracks and I encountered some significant distortion when listening at higher volumes. Only when playing indoors at a medium level can the Roots Solar come close to a making a good account of itself, and only then with songs that aren’t too complex.

I really wanted the Roots Solar to be a good speaker. I like its design and I salute House of Marley for trying to do things differently, making audio kit that’s environmentally conscious. I’m all for nifty features like bottle openers and I’d love a speaker that can boost itself from the sun.

But with solar charging out of the equation, the House of Marley Roots Solar lets itself down where it matters. You can get a sturdy speaker with similar features and significantly better audio quality for the same money or less. And use the change to buy yourself a bottle opener.

House of Marley Roots Solar review: Price and release date

  • Released in September 2024
  • Official price: $99.99 / £79.99 / AU$149.95

House of Marley added the Roots Solar to its speaker line-up in September 2024. At launch, it was priced at $119.99 / £99.99 / AU$149.95. That put it at a slight premium compared to other portable Bluetooth speakers with similar specs.

Since then, its official price has been reduced in both the US and the UK, to $99.99 and £79.99 respectively. With that discount, the Roots Solar sits more competitively alongside some of the best Bluetooth speakers, including the splendid JBL Flip 7. OK, the JBL speaker is admittedly a little pricier, but worth it. As you’ll read below, the numbers only tell part of the story.

House of Marley Roots Solar review: Specs

House of Marley Roots Solar review: Design

  • Made with bamboo and recycled materials
  • IP67 water-resistant
  • Built-in bottle opener

Sustainability has always been at the heart of House of Marley’s ethos. That comes through in spades with the Roots Solar. Available in black and cream color schemes, both versions feature a facade hewn from renewable bamboo. This wood grain veneer gives the speaker a uniquely natural look and feel among portable Bluetooth speakers.

The whole package is both consciously constructed and satisfyingly tactile. Up front, there’s a fabric grille that’s woven from recycled materials. The body itself is made from House of Marley's own REGRIND silicone, a composite that's a solid step up from virgin plastic. This material's speckled finish feels smooth yet suitably robust, standing out from the cheaper plastics used in some budget speakers.

There are flourishes around the entire speaker which illustrate the thought that’s gone into its design. There’s the solar panel neatly integrated into the top of the unit and the fabric carry strap attached to one end by knurled metal screws. Rubber feet beneath help to insulate the standing surface against vibrations, while a light ring around the grille subtly illuminates when the speaker is powered on or charging.

Image 1 of 3

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)
Image 2 of 3

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)
Image 3 of 3

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)

Three buttons live on the left side of the rubberized body, controlling power, volume and brightness. It might seem like a minor detail, but these are perfectly weighted with a responsive click. At the back, you’ll find a port cover neatly shielding the aux-in and USB-C ports, along with a bass radiator that’s seamlessly fused in place.

Then there’s the Roots Solar’s party trick: a built-in bottle opener. This consists of a sculpted indent and a metal bar. It certainly does the job of popping tops, although I can’t say how well it would hold up with repeated use. The novelty of opening bottles with a Bluetooth speaker is probably also one that would wear off after a few goes, but it doesn’t hurt to have it as a backup.

It’s all quite smart and tidy. It’s weighty too, in a good way. There’s a reassuring heft to the Roots Solar, which suggests that it’s robust enough to survive a run of seasons by the sea. That’s backed up by an IP67 water-resistance rating. In terms of its physical build, no corners have been cut in the design or assembly departments.

  • Design score: 4.5/5

House of Marley Roots Solar review: Features

  • Battery rated for 14 hours of playback
  • Built-in solar panel for ‘gradual top-ups’
  • Stereo and Party Mode pairing

On paper, the Roots Solar has a killer feature compared to its rivals: solar charging. House of Marley claims the built-in solar strip can deliver ‘gradual top-ups’ for up to 5 hours of extra listening time. That’s in addition to a solid 14 hours of battery life when recharged using USB-C.

The reality is different. The standard battery life certainly holds up, easily lasting a full day on a single charge. At 14 hours, that gives the Roots Solar the longevity go toe-to-toe with the Ultimate Ears Wonderboom 4 and go just shy of the Flip 7's 16-hour stamina – and those are two of our favorite Bluetooth speakers.

What it can’t do is eke things out any further. In testing, even when left in bright, direct sunlight for several hours, the House of Marley Roots Solar showed zero or minimal gains from the solar panel. The LED light, which pulses when the speaker is charging, only glowed when connected to mains power. It never once illuminated from exposure to sunlight.

As a result, I didn’t experience any of the top-ups promised by House of Marley. I had visions of the Roots Solar as a speaker that I could leave by the window for passive charging to boost its battery on brighter days. Or at least as one which would last longer away from the wall on beach and camping trips, which is how it’s been marketed.

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)

Instead, I had to charge the Roots Solar using the USB-C cable just like any other Bluetooth speaker. Somehow, the presence of a non-functioning solar panel is somehow more frustrating than if it wasn’t there at all. It doesn’t add to the user experience or substantively enhance the speaker’s eco-friendly chops. The strip is basically redundant.

Without it, the Roots Solar has to rely on other features to compete with other Bluetooth speakers. In that arena, it does offer stereo and party pairing, allowing you to link up with one or more matching speakers for synchronized playback. It also benefits from an aux-in port, something of a rarity in 2025.

I will mention one other small but irksome trait: the Roots Solar is very quick to power off if nothing is playing. Pause your playlist for any reason and you’ll routinely find that, when you come back to the speaker, you’ll need to power it on again to continue listening.

  • Features score: 3.5/5

House of Marley Roots Solar review: Sound quality

  • Lacks low-end punch, especially outdoors
  • Mids sound muddy on layered tracks
  • Distortion at higher volumes

Given its solid construction and the presence of a bass radiator on the back, you’d be forgiven for expecting the Roots Solar to give a bold performance. While the radiator does its best, though, the speaker simply lacks oomph. Even indoors, playback feels thin and bland. Take it outdoors, as its waterproofing suggests you should, and this lack of low-end energy really becomes apparent.

Not every speaker needs to be bass-heavy, of course. But the Roots Solar can’t boast balance or clarity as a saving grace, either. The mids feel crowded even on stripped-back acoustic tracks. Challenge the Roots Solar with a busy composition and things quickly get muddy, with little room for the layers to breath.

Crank up the volume and the audio goes from mediocre to unpleasant. Treble distortion quickly becomes apparent, while the bass radiator’s fruitless attempts to give some weight to the lower frequencies only end up clouding the mid-range even more.

House of Marley Roots Solar Bluetooth speaker outdoors in a garden, on a wooden bench.

(Image credit: Chris Rowlands / Future)

If it sounds like I’m describing a complete cacophony, perhaps I’m being unfair. Playing at a medium volume in a small room, the Roots Solar does a passable job. To the untrained ear, it’s fine for streaming digital radio in the kitchen or bathroom. But the inescapable truth is that you can get a much better listen from other speakers for the same price or less.

This isn’t a speaker that I’d choose to soundtrack a beach party. No portable Bluetooth number is going to satisfy an audiophile, especially not outdoors. But both the Wonderboom 4 and the Flip 7 offer better balance, depth and dynamism for the money. The Roots Solar simply can’t compete.

  • Sound quality: 3/5

House of Marley Roots Solar review: Value

On paper, the House of Marley Roots Solar has a unique value proposition. It promises a sustainable construction and a robust, premium build, with the benefit of solar charging to keep summer singalongs going for longer. The built-in bottle opener is just the sweetener.

Because it fails to deliver on several of those promises, the Roots Solar is a hard speaker to recommend. Its eco-friendly approach is one to be applauded, and there’s an argument for supporting House of Marley’s efforts to use renewable materials. But those alone can’t justify the price tag.

When you consider the ineffective solar panel and the sub-par audio quality, the Roots Solar feels like an underwhelming speaker in premium packaging. Perhaps that’s why House of Marley has reduced the price of the Roots Solar in the UK and the US, in quiet recognition of its limitations.

House of Marley Roots Solar Bluetooth Speaker outside on a wooden sleeper in a garden

(Image credit: Chris Rowlands)

Even at its new, reduced price, the Roots Solar sits in direct competition with the Ultimate Ears Wonderboom 4 and the JBL Flip 7. Those speakers both offer punchier, richer sound output for the roughly the same money, as well as IP67 water resistance and day-long battery life.

If you’re committed to buying greener gear, the House of Marley Roots Solar is still a contender. But sound is also important and if it's decent audio indoors and out you seek, there’s better value to be found elsewhere.

  • Value score: 3.5/5

Should I buy the House of Marley Roots Solar?

Buy it if…

You appreciate a sustainable approach
House of Marley kit is environmentally conscious. The Roots Solar uses renewable bamboo and recycled plastics in its construction. Solar charging adds to its eco credentials, even if it’s slow.

You want a speaker to take to the beach
With a robust build and IP67 waterproofing, the Roots Solar is made to withstand life outdoors. Its built-in bottle opener is useful and the battery can last all day.

You want a distinctive Bluetooth speaker
This is a well-designed speaker. Its bamboo facade is unique, while the speckled body, fabric grille and carry strap are all nice touches. It feels built to last, too.

Don’t buy it if…

You want the best possible audio quality
It doesn’t take keen ears to detect the limitations of the Roots Solar. It lacks the dynamism and punch of similarly priced speakers, with muddy mids and distortion at higher volumes.

You want a speaker you don’t have to charge
Solar charging is a neat addition in theory, but top-ups are pretty ineffective. Even with lengthy exposure to sunlight, you’ll still need to charge it regularly via USB-C.

You want a powerful outdoor speaker
The Roots Solar is fine for background sound, but it lacks the punch to start an alfresco party. The Ultimate Ears Wonderboom 4 is a better bet for beach beats.

House of Marley Roots Solar review: also consider

Ultimate Ears Wonderboom 4
A small, punchy speaker with a similar price to the Roots Solar, the Ultimate Ears Wonderboom 4 is our favorite Bluetooth speaker for picnics. It’s simple, portable and durable, yet capable of impressive sound quality. Like the Roots Solar, it offers a 14-hour battery life. There’s no solar charging, but the output is punchier, with more low-end oomph.
Read our in-depth Ultimate Ears Wonderboom 4 review

JBL Flip 7
The JBL Flip 7 is our favorite Bluetooth speaker overall. There's no easy way to say this, so I'll blurt it out: it’s just better than the House of Marley speaker. Auracast compatibility also means that as well as forming a stereo pair with a second Flip 7 (albeit not with any of of the previous Flips), you can hook up as many Auracast-enabled products as you like into a single entity for simultaneous playback.
Read our in-depth JBL Flip 7 review

How I tested the House of Marley Roots Solar

  • Used it as my main Bluetooth speaker for a month
  • Tested it in a number of rooms, as well as outdoors
  • Played a variety of genres via Spotify and BBC Sounds

To put the House of Marley Roots Solar through its paces, I used it as my primary Bluetooth speaker for several weeks. I listened to it in a number of rooms around the house, to see how well it performed in spaces of different sizes. I also tested it at different volumes, to see how the dynamics held up at a range of output levels. When the neighbours were out, I cranked it right up.

I also tested it with a range of genres: podcasts while I painted the bathroom; pop hits on BBC sounds while cooking dinner; and the old faithful on a Friday night – Spotify’s Dinner with Friends playlist.

Because the House of Marley Roots Solar is pitched as a beach-ready speaker, I also made sure to test it outdoors. Besides using its built-in bottle opener for its intended purpose, I also tossed the speaker around in my backpack to give its rugged credentials a gentle test.

To see how effectively the solar panel could boost battery life, I used the Roots Solar in both sunny and overcast conditions. And to assess how well its sound carried alfresco, I used it to soundtrack several outdoor afternoons.

Read more about how we test

  • First reviewed: May 2025
I tested the new Bluetooth speaker boss and let me tell you, it’s better than the old boss
3:00 pm | April 28, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

JBL Flip 7: Two-minute review

Meet the news boss, handily better than the old boss and even more of a class-leader than before. JBL has not rested on its laurels with the Flip 7, the latest version of its all-conquering portable Bluetooth speaker series, and the result is an obvious front-runner that will leave its nominal rivals gasping.

You get plenty of power (35 watts, in fact) to motor its two-driver speaker array. You get 14 hours of playback (16 if you’re happy to do without some low-frequency presence). You get Auracast compatibility and the chance to listen to genuinely hi-res content if you hard-wire the Flip 7 to an appropriate source via its USB-C socket. You get access to a good control app, the ability to form a stereo pair with another JBL Flip 7, and your choice of quite a few vibrant finishes.

What’s almost best is the sound the JBL makes. By the standards of small-ish portable speakers, it’s an open and detailed listen, punchy but controlled at the bottom end, has impressive dynamic headroom and the sort of clarity and positivity that eludes all but the very best Bluetooth speakers at anything like this price.

Best of all, though, is the fact that all of this talent, tactility and robustness is yours for $149 / £129 / AU$179. There isn’t as complete an alternative available for anything like as aggressive a price as this.

JBL Flip 7 review: Price and release date

  • Released March, 2025
  • Officially priced at $149 / £129 / AU$179

The JBL Flip 7 went on sale during March 2025, and in the United States it costs $149. That translates to £129 in the United Kingdom, and around AU$179 in Australia.

That the majority of its most obvious competitors have been directly inspired by previous Flip models is neither here nor there – class-leaders are there to be shot at, and this seventh generation of Flip has a lot to live up to as well as some good alternatives to deal with.

JBL Flip 7 portable Bluetooth speaker on a white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Specs

JBL Flip 7 portable Bluetooth speaker, with Power and Bluetooth lights on, on white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Features

  • 45 x 80mm mid/bass driver, 16mm tweeter
  • Bluetooth 5.4
  • 60Hz - 20kHz frequency response

For wireless connectivity, the Flip 7 uses top-of-the-shop Bluetooth 5.4 – it’s compatible with SBC and AAC codecs, which is not anyone’s idea of ‘top-of-the-shop’ but in the context of the product is perfectly adequate.

For the first time, here’s a JBL Flip that can be hard-wired to a source of music. The USB-C socket is used for charging the speaker’s battery, of course, but it can also be used for data transfer and, when connected to an appropriate source, it’s able to churn out genuinely high-resolution (24bit/96kHz) stuff. Just hold down the big, bold ‘play’ button on the speaker as you plug in your USB-C cable and you’ll be ready to go.

No matter your method of getting content on board, it’s delivered to your ears by a 45 x 80mm ‘racetrack’ driver taking care of midrange and bass, and a 16mm tweeter for the higher frequencies. The big driver gets 25 watts of power in order to do its thing, and the tweeter another 10 - and there’s no denying that a 35 watt output in a product of this size is plenty. It’s an arrangement that JBL reckons is good for a frequency response of 60Hz - 20kHz.

Another Flip first is Auracast compatibility. So, as well as being able to form a stereo pair with a second Flip 7 (albeit none of the previous models), you can hook up as many Auracast-enabled products as you like into a single entity for simultaneous playback.

Meanwhile, JBL’s proprietary ‘AI Sound Boost’ technology analyzes the music that’s playing on the fly in an effort to minimize distortion and (according to the company) liberate greater scale and bigger bass. An opposing technology is ‘PlaytimeBoost’ – it reduces low-frequency activity in an effort to eke out additional battery life.

  • Features score: 5/5

Carry strap of the JBL Flip 7 portable Bluetooth speaker, on a white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Design

  • Choice of seven finishes
  • IP68 -rated
  • Carry strap and carabiner

‘Rugged’ isn’t too strong a word to describe the Flip 7's design. Anyone familiar with previous Flips will recognize the almost-cylindrical shape, the eminently grabbable 70 x 183 x 72mm (HxWxD) dimensions and the rubber’n’fabric construction. By the standards of affordable portable Bluetooth speakers, the Flip 7 looks and feels built to last, especially if you choose the camouflage (or ‘squad’) finish. That said, the other six available colours are all nice enough in their own way and you’ll certainly find something to suit you.

‘Rugged’ is definitely the word to describe this speaker’s durability, though. An IP68 rating is class-leading, and means the Flip 7 is basically immune to dust or moisture unless you really go out of your way to try and disprove that idea. The beach, the pool, the festival… none of these environments should present any kind of problem to the JBL. And the company has enhanced the Flip 7’s portable go-anywhere credentials by fitting a little detachable fabric carry-strap and providing a carabiner in the packaging.

Build quality is great, the choice of materials is judicious, and the standard of finish is beyond reproach. I like to try and find a 'yes, but…' where the design and construction of a product like this is concerned, but frankly I’ve got nothing.

  • Design score: 5/5

JBL Flip 7 portable Bluetooth speaker top panel

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Sound quality

  • Detailed, direct and confident sound
  • Plenty of punch and dynamic headroom
  • Rhythmically adept

JBL has turned out plenty of very good portable Bluetooth speakers in its time, and its ‘Flip’ series has generally been very good indeed. So when I say the Flip 7 is the best so far, I don’t say it lightly.

In every area of sonic performance, the Flip 7 outperforms its asking price to an almost startling degree. Operating wirelessly and with a Qobuz-derived 16bit/44.1kHz file of Fugazi’s Waiting Room playing, the JBL is a confident and entertaining listen. It digs deep into the low frequencies, hits with real determination, and shapes bass sounds with such conviction that rhythms are given full expression. There’s plenty of variation at the bottom end, too, thanks to detail levels that are the equal of those higher up the frequency range.

The midrange is balanced and communicative, so a voice as idiosyncratic as Teddy Hill’s during I Just Dropped In (To See What Condition My Condition Was In) is loaded with character as well as the minutiae of his technique. It exists in a nice little pocket of space, thanks to an open and well-defined soundstage that seems to defy the physics of a small device with a couple of drivers facing dead ahead. The top of the frequency range is bright but not edgy, and just as detailed as everything going on beneath it. Overall tonality is nicely natural and consistent from top to bottom.The Fugazi tune is a good showcase for the JBL’s ability where big dynamic shifts are concerned, but Anxiety by Doechii is an even better demonstration of the speaker’s ability to deal with the more minor, but no less important, dynamics of tonal and harmonic variation. The Flip 7 is an attentive, eloquent performer with the sort of directness of sound that makes every tune seem somehow alert and alive.

Really, there’s no meaningful downside. It’s possible to interfere with the sonic balance JBL has hit upon by playing fast and loose with the seven-band EQ in the app, of course, but why would you? The Flip 7 sounds just right exactly as it comes out of the box.

  • Sound quality: 5/5

Trio of screenshots showing the JBL Flip 7 connected to the JBL app, including EQ settings

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Usability and setup

To be fair it’s difficult to get ‘usability and setup’ wrong when it comes to affordable Bluetooth speakers, but that doesn’t mean some brands haven’t given it a good go. JBL, though, is not one of those brands and the Flip 7 can be set up and used by anyone of reading age.

Control is available using the big, rubberised buttons on the device itself – ‘play/pause’, ‘volume up/down’, ‘Bluetooth pairing’, ‘Auracast’ and ‘power on/off’ are available. The JBL ‘Portable’ app that’s free for iOS and Android is also available - and it’s as stable, as logical and as useful an app as we’ve all come to expect from the company. It offers an indication of battery life, the ability to create a stereo pair, allows you to switch ‘PlaytimeBoost’ on or off, and features a seven-band EQ as well as a selection of presets. You can check for firmware updates and wireless connect multiple speakers for what JBL is confident is “an instant party”.

Some 14 hours of battery life is not to be sniffed at, of course – it turns ‘usability’ into an all-day event. And with ‘PlaytimeBoost’ switched on, you can go for as many as 16 hours if you don’t mind a little shortfall in bass power.

  • Usability and setup: 5/5

JBL Flip 7 portable Bluetooth speaker turned on its side and stood on a white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Value

If you’ve read this far, I’d hope you understand the JBL Flip 7 is approaching ‘no-brainer’ status. It offers very decent value for money in every respect: it’s properly made and finished, is built to survive fairly major disasters, looks and feels good, and sounds better than any price-comparable alternative. It has some very useful extended functionality and will play for hours at a time before it needs charging.

What else do you want? Jam on it?

  • Value score: 5/5

JBL Flip 7 portable Bluetooth speaker end panel laid flat on a white surface

(Image credit: Future / Simon Lucas)

Should I buy the JBL Flip 7?

Buy it if…

You enjoy energetic, detailed sound
The JBL is adept where rhythms, dynamics and detail levels are concerned, and it is a lively, entertaining listen at the same time.

You’re in any way careless
A class-leading IP68 rating means the Flip 7 is your best choice in pretty much every circumstance.

You like a long listen
As long as you’re not listening at top volume, the Flip 7 should run for an easy 14 hours between charges. That should be long enough, let’s face it.

Don’t buy it if…

You want to involve your older Flip speakers
Flip 7 will only pair with other Flip 7s, it has no backwards compatibility.

You’re in a hurry
Charging from ‘flat’ to ‘full’ takes a relatively leisurely two-and-a-half hours.

JBL Flip 7 review: Also consider

Sonos Roam 2
The Sonos Roam owes a lot to the JBL Flip range, and the current Roam 2 costs a chunk more than a Flip 7, but it’s a very good speaker nonetheless. As long as you can live with the knowledge that the Sonos control app might suddenly burst into flames again, it’s well worth considering.
Read more in our Sonos Roam2 review.

Tribit Stormbox Flow
You could also sacrifice some of the JBL’s hardwearing go-anywhere appeal and save yourself a few quid while gaining a stack of battery life and consider the Tribit Stormbox Flow. No, it’s no looker and no, it’s not exactly a featherweight, but the sound is good and 30 hours of playback at a time is straightforwardly impressive.
Read all about it in our Tribit Stormbox Flow review.

How I tested the JBL Flip 7

  • Tested for about a week, mainly indoors but also by the sea
  • Played a variety of music types
  • Listened to the Qobuz app on iPhone smartphone, FiiO M15S high-res audio player and via USB-C

I used the JBL Flip 7 on my desktop, of course, but it’s an ideal candidate for use on the pebbly and windswept beaches around the United Kingdom's south coast too, and so I took it with me whenever I was near the sea.

I wirelessly connected it to an Apple iPhone 14 Pro and a FiiO M15S, and used its new USB-C functionality to hard-wire it to an Apple MacBook Pro, too. It was nothing but a pleasure to listen to every time.

Read more about how we test

  • First reviewed: April 2025
I tested the Tribit Stormbox Lava Bluetooth speaker and although it lacks a red-hot design, it’s a solid, budget-friendly option
2:00 pm | April 3, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Tribit Stormbox Lava: Two-minute review

A new Bluetooth speaker has erupted, boasting booming bass output that will make you “feel the heartbeat of the earth”. So yes, enter the Tribit Stormbox Lava. This semi-cylindrical party speaker aims to supply powerful sound and a rugged build in one budget-friendly package. It comes in with a list price of $129.99 / £111 (about AU$200) which is really quite modest for a medium-large sized option like this.

As some of you may have suspected given that low price-tag, feeling the earth’s heartbeat may be a slight exaggeration. And you’d be correct. Sure, you can get bold, room-filling low-end output from the Tribit Stormbox Lava, but it struggles to knock those really deep notes out of the park, even after some EQ adjustment.

General audio quality is decent, but hardly as red-hot as some of the best Bluetooth speakers. Out of the box, the standard tuning is a little bloated, with sounds in the mid-range often smothered by rumbling low-end frequencies. That can often be the case when you activate XBass too – a mode which ramps up low sounds even further and will cause the speaker’s solid 24 hour battery life to deplete at a faster rate.

With a bit of tuning, you can get relatively clean sound for a speaker close to $100 / £100. It’s never going to get ultra-detailed or airy, especially with the lack of ‘hi-res’ codecs like LDAC, but it’s certainly clear enough for house parties or outdoor events with lots of background noise.

And this speaker truly is party-ready, no matter the surroundings. It has a rugged build – similar to that of the JBL Xtreme 4 and, like the best waterproof speakers, has the IP67 dustproof and waterproof rating, protecting it against grime and underwater submersion. Other practical elements include an interchangeable handle and strap, AUX port for wired listening and a USB-A port for charging external devices – though I would’ve preferred to see a more 2025-friendly USB-C slot substituted in.

The basic but handy Tribit app is back too, opening up access to a ten-band equaliser and a bunch of EQ presets, voice prompt settings and multi-speaker pairing. Speaking of, you can actually link more than 160 of the same model together. I didn’t get the chance to validate that, of course, but still…I’m sure 160 of these at once could create quite a racket.

I think the most disappointing aspect of the Tribit Stormbox Lava is that really, it does very little to appear on-theme and validate its strong name. Yes, the whole Lava thing may be more in reference to bass than anything else, but surely it could’ve inspired a more volcanic, explosive design? The Stormbox Lava is a plain, black speaker that does very little to stand out from the crowd.

Another issue I ran into was that sound would cut out for half a second whenever I adjusted volume, but I’d hope this will be remedied in a future firmware update. Otherwise, there’s a lot to like about this affordable party speaker. It can’t compete with more sonically talented speakers like the Bose SoundLink Max or even its cousin, the Tribit Stormbox Blast 2. But if you can grab it for around $100 / £100 it's a reasonable, cheap option that’s worth a look.

I’d argue that the original Tribit Stormbox Blast is a stronger alternative thanks to its regimented bass floor, eye-catching looks and USB-C out port. And given it's regularly available for less than $200 / £150, it beats the Stormbox Lava for sound-for-pound value – so long as you’re OK with a more boombox-like appearance.

Tribit Stormbox Lava with strap attached

(Image credit: Future)

Tribit Stormbox Lava review: Price and release date

  • $129.99 / £111 (about AU$200)
  • Launched in March 2025

The Tribit Stormbox Lava is the latest addition to the audio manufacturer’s speaker range, having launched in March 2025. Pricing already seems to be in flux, but at the time of writing, Tribit is shipping the Stormbox Lava for $129.99 / £111 (about AU$200). I’d expect to see discounts coming thick and fast though, as this is regularly the case with Tribit products in my experience.

At the moment, it’s only available in black, but a grey version is said to be coming in May 2025. For a speaker of this size, the Stormbox Lava is very modestly priced. It’s strikingly similar in form to the JBL Xtreme 4, which for reference, has a list price well in excess of $300 / £300.

Tribit Stormbox Lava review: Specs

Button controls on top of the Tribit Stormbox Lava

(Image credit: Future)

Tribit Stormbox Lava review: Features

  • Handy app with nice EQ options
  • USB-A charge out
  • Solid 24-hour battery life

Tribit hasn’t done anything crazy with the Stormbox Lava’s feature-set, but it’s still got the basics down. Of course all the usual stuff is here, be that multi-speaker pairing, Bluetooth 5.4 connectivity or XBass – a feature which ramps up low-end power for bass-heavy bangers.

But you also get EQ settings that have been fleshed out pretty nicely. There are six presets, including genre-specific options like Rock or Jazz, but there’s also space to save some custom calibrations via a ten-band equaliser. You’ll likely want to make use of that custom EQ option to achieve the best sound, but we’ll get more into that later…

There are a few other small options to mess around like toggles for voice prompt or remotely adjust volume and play/pause music. But a more prominent addition is a USB-A charge out port that enables the Stormbox Lava to double up as a power bank for other devices, including the best phones. I would’ve preferred to see a more modern USB-C port used for this function, something the Anker Soundcore Boom 2 Plus offers, among others.

Another big talking point is battery life – an area in which the Stormbox Lava performs decently. It can offer 24 hours of playtime, so long as you’re listening at 50% volume with XBass on. That’s very much in-line with competitors in this size class – it’s nothing mind-blowing, but more than enough if you want a speaker that’s going to keep the party moving into the early hours.

  • Features score: 4/5

Someone undoing the tab on the reverse side of the Tribit Stormbox Lava, exposing various ports

(Image credit: Future)

Tribit Stormbox Lava review: Sound quality

  • Relatively clean audio possible with some tuning
  • Bass is fairly meaty, but the deepest notes can prove challenging
  • Can struggle a little at top volumes

At around $100 / £100, I really wasn’t expecting any miracles from the Tribit Stormbox Lava and although there were definitely some sonic shortcomings, it still put up an adequate performance.

I knew what I was in for with the Stormbox Lava; a whole lotta bass. And that’s exactly what it delivers. XBass was on by default and I realized the room instantly filled with an impactful, in-your-face low end rumble. When tuning into Black Eye by Allie X, the thump of the drum machine had commendable depth and didn’t sound too lethargic. But with XBass on, there was a slightly muddy audio profile and that deep bass smothered other sonic elements like electronica and vocals – the latter was given much more room to breathe after flicking XBass off.

Bass response, though big, wasn’t the most beautiful however. Comparing it to a more expensive and slightly more powerful model, the JBL Xtreme 4, I picked up on a lack of dynamism with the Stormbox Lava. Bass didn’t connect up to the mid-range quite as effectively, resulting in a slightly thin and cluttered sound at points, to the extent that the track’s trademark bounce felt less defined.

And although the Stormbox Lava can reach frequencies as low as 43Hz, it really struggled to belt out some ultra-deep notes. In Yung Gravy’s The Boys Are Back In Town, the deep dark sub-bass that blasts throughout sounded feeble, especially at high volumes. And although you can adjust EQ to improve this slightly, the Lava still won’t be able to go quite as far into depth as more premium competitors.

Everything from the mid bass and up does sound relatively clear though and even if you’re missing out on the absolute deepest notes in their fully-fledged glory, bass is generally powerful. Unfortunately, I found the standard XBass off EQ mode to sound a little uneven and slightly bloated, though. Thanks to Tribit’s easy-to-use app, though, I was able to adapt the speaker’s EQ to have a slight bump to deep bass and treble for a more balanced, albeit still exciting sound.

This made for an improved listening experience overall, especially for tracks that are less centred around thumping bass. For instance, when listening to SAMBA DO MARCOS by Sadao Watanabe, the intro’s raw, emotive guitar was tonally accurate and the accompanying piano layered nicely. Samba drums also entered the fray rhythmically with gusto. Some of the finer details, like light percussion in the background were understated. There are no ‘hi-res’ Bluetooth codecs here, such as LDAC, which can offer up a less compressed performance either.

Another factor worth noting is that this speaker can get pretty loud thanks to its 80W maximum power output. However, at top volumes audio quality is going to take a bit of a dip. This is pretty standard and to be expected for what is ultimately, a budget Bluetooth speaker, but at peak loudness, treble could be a touch grating and vocal clarity took quite the hit to boot. If you’re looking for the ultimate party speaker, that may be problematic, but if you’re unlikely to venture into ear-splitting volume territory, this may not bother you all too much.

And one more note before I wrap up on sound. I realized that when altering volume on the Stormbox Lava, sound would cut out for half a second or so, which was pretty frustrating. I’m sure Tribit will fix this with a firmware update in the near future, but it’s still a frustrating quirk that I’m sure would frustrate a lot of users.

So, it’s a bit of a mixed bag for the Stormbox Lava. Does it sound terrible? No. With a bit of tuning, you can get decently clean audio out of this $100 speaker without sacrificing its room-filling low-end presence. But the combination of audio cutting out, sub-bass troubles and high-volume distortion will be hard to ignore for audiophiles.

  • Sound quality score: 3.5/5

Tribit logo on the side of the Tribit Stormbox Lava

(Image credit: Future)

Tribit Stormbox Lava review: Design

  • Plain design that lacks a creative spark
  • But it is conveniently IP67-rated
  • Interchangeable handle and strap attachments

For me, the Tribit Stormbox Lava sounds like it should be a pretty cool-looking speaker – I pictured some red details or maybe even some fiery LED lights that could sync up to bass output. Unfortunately, this is a totally basic looking speaker with no real design quirk. It’s a plain, black model with no lights or splashes of color and I’m not sure why Tribit played it so safe.

Having said that, it’s undeniable that this model is a pretty practical beast. It’s got a rugged build – very much reminiscent of the JBL Xtreme line of speakers. And it also has an IP67 rating, meaning it's both dustproof and waterproof. That rating even ensures that the Stormbox Lava can be submerged in one meter of water for a period of up to 30 minutes – ideal for beach-side listening or pool parties.

Another practical inclusion is the Stormbox Lava’s accessories box, which includes both a handle and a strap for carrying the speaker around. The handle has an elastic-like property to it and is comfortable to hold, while the strap is adjustable and is useful for carrying the Stormbox Lava over longer distances.

The speaker is also adorned with seven button controls, all of which are well sized and responsive, these include buttons for volume/play controls, Bluetooth pairing, toggling XBass and even multi-speaker pairing. On top of that, you can find a tab on the reverse side of the speaker for accessing its AUX and charging ports.

  • Design score: 3/5

Someone holding handle attached to Tribit Stormbox Lava

(Image credit: Future)

Tribit Stormbox Lava review: Value

  • Low price for a speaker of this size
  • And you can expect to see discounts in coming months
  • But that will come with a few hiccups in performance and design

The Tribit Stormbox Lava is available at a point ever-so-close to $100 / £100. It's a medium-to-larged sized option that sounds decent with some tuning and plates up both a good battery life and feature-set. At that price, this is an option worth your consideration.

I wouldn’t be surprised, either, to see this speaker available for less in the coming months as has so often been the case with Tribit’s products, including the Tribit XSound Plus 2 and Tribit Stormbox Blast. You’ll be able to find other low-priced alternatives in this ballpark, like the Anker Soundcore Boom 2 or even the giant Earfun UBoom X when it’s one sale. But these both take more of a boombox form, which might be a dealbreaker for some.

As I mentioned earlier, this speaker feels far more reminiscent of the JBL Xtreme line of speakers, with its pseudo-cylindrical looks and similar scale. But the most recent iteration from it, the JBL Xtreme 4, will set you back $379.95 / £329.99 / AU$499.95 if you’re buying at full price – and I wouldn’t expect it to get anywhere near as cheap on sale.

Of course, this thing isn’t going to challenge the Xtreme 4 on sound quality, let alone looks or feature-set. But if you’re not the most analytical listener and you just want a bass-heavy, budget-friendly Bluetooth speaker for parties, the Tribit Stormbox Lava will still get the job done.

  • Value score: 4/5

Tribit logo on the front side of the Tribit Stormbox Lava

(Image credit: Future)

Should I buy the Tribit Stormbox Lava?

Buy it if...

You want a Bluetooth speaker for parties
The Tribit Stormbox Lava is a capable party speaker with impressive loudness, prominent bass output and multi-speaker pairing. It’s also able to survive beach-side or pool-side environments thanks to its hardy IP67 rating – even underwater submersion won’t faze this fella.

You’re on a budget
Perhaps the most obvious draw of the Tribit Stormbox Lava is its fantastic low price. For a speaker of this size you’re gonna struggle to find many cheaper options – especially ones that sound this good. Of course, there are still flaws in the audio department and you’re not getting the most stylish beast out there, but when it comes to value, this Tribit speaker scores well.

Don't buy it if...

You’re an audiophile
I touched on it there, but if you’re a more analytical listener, the Tribit Stormbox Lava is not for you. It lacks ‘hi-res’ audio codecs like LDAC, it struggles with ultra-deep notes, you may experience distortion at high volumes... you get the idea. If you want a more talented speaker in the sound department but don’t want to compromise on size, an option like the JBL Xtreme 4 could be very tempting – read more below.

You want a speaker with a bit of flair
Unfortunately, this thing isn’t gonna win a beauty contest any time soon. It has a pretty plain design and it’s only available in black for now. Gray is on the way, sure, but I doubt that’s gonna set the world alight either. If you want a more stylish option, check out the Ultimate Ears Epicboom, or basically anything UE – they really know how to stand out from the crowd.

Tribit Stormbox Lava review: Also consider

JBL Xtreme 4
The JBL Xtreme 4 has it all. Highly capable audio skills, a water-resistant rugged design and plenty of battery life. But that comes at a cost. This model has a high list price – well over $300 / £300. Luckily, though, it can regularly be found on sale for far less – I spotted it for £250 on Amazon UK while writing this and at that price, you’ll struggle to do much better. Read our full JBL Xtreme 4 review.

Anker Soundcore Boom 2
If you’re looking to keep expenditure at a minimum but you’re still hoping for room-filling, bass-heavy audio, the Anker Soundcore Boom 2 could be the ideal candidate for you. I often see it on sale for less than $100 / £100, but don’t be deceived by this model’s price – you won’t have to sacrifice niceties like EQ adjustment, multi-speaker pairing or water resistance. Audio isn’t the most controlled and the boombox-like design might not be for you, but this bold Bluetooth speaker is still worth considering for those on a tight budget. Read our full Anker Soundcore Boom 2 review.

Tribit Stormbox Lava review: How I tested

Power and Bluetooth buttons on the Tribit Stormbox Lava

(Image credit: Future)
  • Tested for one week
  • Mainly used at our music testing facility at Future Labs
  • Predominantly tested using Tidal

I put the Tribit Stormbox to the test over a one week period, exhausting all of its features, blasting out tune after tune and closely critiquing all aspects of its design. I predominantly tested it out at our music testing room at Future Labs in order to test audio quality in a quiet, controlled environment.

When listening to music, I mainly used Tidal, though I occasionally played songs via Spotify after connecting up my Samsung Galaxy S24 FE. To start with, I streamed tracks from our carefully curated TechRadar reference playlist, but I also listened to music from my own personal library. Where appropriate, I tested the Stormbox Lava alongside the JBL Xtreme 4 to compare sound quality and ease-of-use.

I tested Meridian’s super-smart wireless speaker for a month – here’s my verdict on whether it’s worth that high price tag
3:28 pm | March 14, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Meridian Ellipse: two-minute review

The Meridian Ellipse is a seriously capable single-unit wireless speaker. It can handle incredibly detailed hi-res audio, whether via Wi-FI or wired inputs like USB-C or optical, and is crammed with seriously clever features. But it’s also one of the most expensive wireless speakers I’ve ever tested. So does it justify that high price tag?

On the one hand, the Meridian Ellipse is capable of impressive clarity and detail. When listening to the relatively spacious mix of Diamonds On the Soles of Her Shoes by Paul Simon, I was impressed with how much room various elements were given to breathe. The vocals of Simon and Ladysmith Black Mambazo in particular projected forward into the room, while the slap of the percussion was keen and clear.

However, if you feed the Ellipse something much sonically denser like electronic or dance music, some of the shortcuts it takes become more apparent. Listening to Expander by Bonobo, dynamic elements like the punchy kick and shuffly hats were well-communicated, as was its gorgeous vocal line, but there was a lack of cohesion lower down to help glue the mix together. The sub and low mids felt brighter and chillier than the glowing warmth I’ve come to expect from the best wireless speakers. And while you can tweak both treble and bass levels in the Meridian app, I definitely felt like I was ameliorating these imbalances rather than entirely reversing them.

It compensates, in part, for this with its suite of smart features, some of which are truly fantastic. For example, Image Focus does an exceedingly deft job of reorientating the stereo field when you’re sat at an off angle, while Image Elevation is a piece of psycho-acoustic wizardry that throws its voice higher to make TV audio seem like it’s coming from your TV screen. Its position-optimization settings are decent, although they aren’t algorithmic like on some devices, merely offering Free, Wall, Shelf and Corner options. Sadly, I was pretty underwhelmed by its frequency-balancing tech for different volumes: the speaker sounds great at higher volumes, but somewhat neutered at lower ones.

The connectivity options on offer are also decent, although maybe not as extensive as with speakers like the Ruark Audio R410 or Cambridge Audio Evo One. It goes without saying that it can utilize Wi-Fi streaming solutions like TIDAL Connect, Spotify Connect, AirPlay 2, Google Cast, and Roon connectivity, as well as Bluetooth. But it’s also able to support sampling rates of 192kHz / 24-bit over USB-C, 96kHz / 24-bit via mini-TOSLINK optical, plus 88kHz / 24-bit via its stereo analog input and built-in DAC. However, it doesn’t offer more exotic options like eARC or phono in, so you won’t be using this as your all-in-one home audio hub.

As its name suggests, the shape of the Ellipse is… anyone? Yep, it’s elliptical. I’m sure I’m not the only person to notice this but it gives me distinct vibes of the Bowers & Wilkins Zeppelin Pro, both having an undeniably similar Hindenburgian silhouette when viewed front on. Oh, the humanity. However, the metal grille on the face of Meridian’s speaker is much flatter, giving the device a footprint more like a slightly gibbous moon. It also features blue-lit, touch-sensitive controls on its top surface, allowing you to play and pause, skip tracks, adjust volume and initiate Bluetooth pairing mode.

All told, the Meridian Ellipse is a hi-res, feature-packed speaker with some major strengths and a few significant caveats. It’s undeniably detailed and, when its smart functionality delivers, it really delivers. It deftly reproduces trebles and dynamic details, while managing satisfactory, if not exactly stellar, frequency reproduction elsewhere. Were it not for the price tag, I’d be tempted to give it a pass on some of the weaker elements but, at the savings-siphoning price of $3,000 / £1,900 / AU$4,999, I feel its sound needs to be beyond reproach. For that reason, I’d suggest you at least consider cheaper options like the $1,799.95 / £1,299 / AU$2,599 Ruark Audio R410 or $1,499 / £1,299 / AU$2,495 Cambridge Audio Evo One before you commit here.

Meridian Ellipse review: price and availability

  • Released August 24, 2024
  • MSRP of $3,000 / £1,900 / AU$4,999

Launched on August 24, 2024, the Meridian Ellipse is available to buy now. It goes for an MSRP of $3,000 / £1,900 / AU$4,999, which is no small change for a single speaker. By way of context, TechRadar’s current pick for best premium wireless speaker, the KEF LS50 Wireless II, costs $2,499.99 / £1,999 / AU$4,000. Even our pick of best wireless speaker if money’s no object, the Bang & Olufsen Beolab 8, is a similar $2,749 / £2,199 / AU$4,499, which shows you the kind of company this speaker keeps.

The rear of the Meridian Ellipse showing its ports.

(Image credit: Future)

Meridian Ellipse review: specs

The Meridian Ellipse at a 3/4 angle in front of a house plant and a pink background.

(Image credit: Future)

Meridian Ellipse review: features

  • Crammed with smart features
  • Good range of connectivity options
  • Lower wattage than some rivals

For a comparatively compact speaker, the Meridian Ellipse certainly squeezes in a lot of features. When it comes to drivers, it focuses on quality over quantity. It only contains three drivers but they’re substantial: it has two 3.5-inch (90mm) polypropylene wide-range drivers and one 5.9 x 3.9-inch (150 x 100mm) racetrack sub. There’s not quite as much oomph behind these drivers as you’d hope, though. The Ellipse only offers 25W for those full-range drivers and 30W for the sub, while the cheaper Cambridge Audio Evo One packs a whopping 50W of amplification per driver.

Naturally, as a wireless speaker, the Ellipse focuses much of its energy on cable-free connectivity. It can stream over Bluetooth, Wi-Fi and Ethernet, offering both native streaming from Spotify Connect and TIDAL Connect, as well as AirPlay, Google Cast, and Roon connectivity. This doesn’t mean that wireless connectivity is the only connection to its bow however: it also possesses a USB-C that supports sampling rates up to 192kHz / 24 bit, a mini-TOSLINK optical port capable of 96kHz / 24 bit and an analog input with a built-in DAC that can hit rates of 88kHz / 24 bit.

None of this is unusual for a premium wireless speaker. However, what does set Meridian’s speaker apart is the range of smart features they’ve crammed into the Ellipse’s brain.

Some focus more on clarity: for example, Q-Sync exists to minimize jitter and increase clarity, while Digital Precision boosts the signal-to-noise ratio of the digital audio. Others aim to smooth out the Ellipse’s acoustics, with Perfect Balance ensuring low and high frequencies are perceived the same at low and high volumes and Free-Q offering the now-obligatory tech for sonically compensating for the device’s placement.

Perhaps the most unique smart features are those that tweak the speaker’s soundstage. Bass & Space offers stereo-enhancing tech to increase the sense of soundstage width, while Image Focus helps ‘correct for off-center listening’. Finally, Image Elevation is a piece of pseudo-Dolby-Atmos-style trickery that promises to raise the sound image so you can raise it from the speaker below to the middle of your TV screen – although with no actual height channels, it’s worth moderating your expectations on this front, as it won’t position sound as well as one of the best soundbars.

There are admittedly a few things the Meridian Ellipse is lacking. You won’t find a remote control here, which some rival premium wireless speakers supply and it doesn’t offer fancier inputs like eARC or phono in. All told, though, the Meridian Ellipse has an excellent range of features and a lot of the core functionality you’d expect.

  • Features score: 4.5 / 5

The front grille of the Meridian Ellipse.

(Image credit: Future)

Meridian Ellipse review: sound quality

  • Crisp, accurate presentation
  • Sounds great at higher volumes
  • Bass and lower mids a bit flat

Given its not-inconsiderable price and the hype around the Meridian Ellipse, I was really hoping to be able to give it an unequivocal thumbs up. But in reality, things aren’t so clear-cut. While a lot of the coverage of its sound quality during its release and early demos was gushing in its praise, I think part of this is down to the protean nature of the device itself, where it sounds wonderfully crisp in some situations and displays distinct flaws in others.

Undeniably, the Meridian Ellipse is capable of some impressive, high-resolution detail. When playing Chemtrails Over the Country Club by Lana Del Rey, it could achieve skillful separation of each instrument. Not only that, but it really brought out the rich, smokey timbre of her voice, giving it real, palpable presence in the room.

High-end detail is also unflinchingly precise. Go Your Own Way by Fleetwood Mac has exposed many a speaker’s weakness with its bright, trebly mix but the Ellipse holds the line. It never becomes overly sharp and yet still has plenty of definition – you can almost hear the scrape of the plectrum as it rings off those taut guitar strings, while the toms punch right through the mix.

Elsewhere, the picture gets a lot more mixed. For example, the Ellipse did a reasonable job with I Want You by Moloko: the funky keys and glockenspiel both had plenty of bite and presence, though I couldn’t help but feel this came at the expense of more nuance in the lower mid frequencies. With electronic music like Chimes by Otherliine, this became much more pronounced: the sound felt very forward without necessarily having the depth to back it up, leaving everything feeling a bit compressed and overdriven.

Again, the Meridian’s bass sometimes felt like it was all bite and no bark – which is particularly disappointing in light of its supposed E3 Bass, which is meant to ‘Expand, Extend, Enhance’ the low end. It’s undeniably punchy and dynamic, with kick drums giving a sizable thump, but the Ellipse can’t always back this up with substance – emphasis on the sub. The gargantuan bass of Tectonic by Technimatic sounded a lot weedier than I’m used to and there was noticeable ducking of the bassline every time the kick sounded, making me question whether its racetrack can really deliver the goods where sub is concerned.

Thanks in no small part to the Perfect Balance feature mentioned above, the Ellipse can hold its own at much higher volumes than many wireless speakers. In fact, I would argue it sounds much better when you crank it up. While Black Eye by Allie X sounded a bit hollow in the lower mids at average volumes, turning it up to 60% gave its saw-toothed synth line much more presence without causing those urgent string slams to distort. While this does give it some much-needed punch, if you’re not going to be listening to the speaker at earwax-melting volumes, it's worth asking whether its weaker sound profile at lower volumes is a compromise you’re willing to make.

To test the speaker’s soundstage, I popped on Tighten Up, Pt. 1 by Archie Bell & The Drells. Despite the hard panning typical of 1960s soul, on the Ellipse there was barely a sliver of daylight between the bass and horns, with much of the sound feeling like it came from a single point.

Its Image Focus stereo field correction was much more impressive, however. Positioning the device at a 3/4s angle definitely left Heart of Gold by Bettye LaFayette missing some of its high-end clarity. And when I slipped the Image Focus setting to <7, it really brought the slap of the bongos back into clarity. Admittedly, you could get up and spin the speaker around yourself, but where’s the fun in that?

I was skeptical about how convincing its Image Elevation feature would be, but when I played some classic episodes of The Simpsons and dialed it up to max elevation, it was genuinely compelling. The slight treble boost of the dialogue made it seem like it was issuing directly from the screen. Yes, with some effort I could get my brain to recognize the sound was issuing from the speaker, but it’s a pretty convincing effect.

Impressive though these smarts are, though, I’m not sure they totally compensate for some of the speaker’s sonic weaknesses. It might seem like I’m being overly harsh – the Ellipse doesn’t sound bad by any means and fed the right genres and sources, it sounds impressively clear and expressive for a speaker of its size. But it’s also inconsistent: in some frequency ranges it focuses on cut-glass definition at the cost of more balanced expression and there’s a lack of ballast to ground it in both the mids and bass. As a result, its sound quality is a qualified success, which would definitely give me reservations about spending this kind of money.

  • Sound quality: 3.5 / 5

The touch-capacitative buttons on the top surface of the Meridian Ellipse.

(Image credit: Future)

Meridian Ellipse review: design

  • Well built and attractive
  • Decent touch controls
  • Not the most original shape

For anyone who has spent some time following the wireless speaker space, the design of the Meridian Ellipse looks… eerily familiar. There’s no getting around it: there’s something undeniably Bowers & Wilkins Zeppelin-esque about the Meridian Ellipse. It’s not quite as rounded as B&W’s audio dirigible, with a front grille that’s slightly convex rather than actively bulging, but it’s still a similar elongated ellipse shape that will be familiar to that device’s many fans.

Build quality is very decent, even if it’s not as luxe as some audio products in this category. Its matt black surface is smooth to the touch but doesn’t seem to pick up fingerprints, while a sturdy metal mesh protects its fabric covering and drivers. Its size is right in the middle of a Goldilocks zone between ‘big enough to make its presence known’ and ‘so large it’ll dominate your living room setup’. It’s also pretty light and easy to move, should you want to: at 8.6lbs (3.9kg), you won't need to wear a back brace just to relocate it to another shelf.

Controlling the Ellipse falls to a series of blue-lit touch-capacitative buttons on the top surface of the device. These are clearly marked and easy to activate, covering most of the basic functions you’d expect, including play / pause, skipping forward and back, adjusting the volume, and triggering Bluetooth-pairing mode. There are no presets here, though, which is a shame. Being able to quickly switch to various inputs or playlists is something a lot of wireless speakers offer these days and, while it’s not a must-have feature, it would be nice all the same.

  • Design score: 4/5

The Meridian Ellipse in front of a pink background, showing the feet and base of the device, as well as half of the grille.

(Image credit: Future)

Meridian Ellipse review: value

  • Eye-wateringly expensive
  • Some cheaper speakers sound better

Ultimately, the Meridian Ellipse is a good – or even potentially great – wireless speaker. But your expectations are inevitably going to be influenced by how much you’ve paid for a device. And for $3,000 / £1,900 / AU$4,999, I expect an audio device to sound unimpeachable. That’s not really been my experience with the Ellipse.

It’s smart, really smart. But instead of taking already rock-solid audio and polishing it up to a truly breathtaking listening experience, I often found myself tweaking the features just to get an aural picture that bested or even matched what I’ve heard from much cheaper speakers. When you can get better audio from the Cambridge Audio Evo One and comfortably buy the £599 / $699 / AU$1,299 Pro-Ject Debut Evo 2 out of the change to plug into its inbuilt phono stage, it does make me wonder who this device is for. Because, in reality, I think audiophiles can get more for much less.

  • Value score: 3 / 5

The Meridian Ellipse from above on a stone worktop in front of a pink background and a house plant.

(Image credit: Future)

Should I buy the Meridian Ellipse?

Buy it if…

You want crisp, high-resolution audio
For a speaker of its size, the Meridian Ellipse is capable of consummate detail, with each instrument having impressive separation. And it keeps this up even at high volumes: it remains coherent at a level many speakers dissolve into a mess of distortion.

You want a whole range of smart features
Whether it’s tweaking the positioning of the soundstage, tailoring the speaker to its placement in the room, or widening the sound, the Meridian Ellipse features a wide range of tech to improve the audio you hear.

Don’t buy it if…

You want well-rounded lower mids and sub bass
Despite the above, the Ellipse does have a few shortcomings, sonically speaking. In particular, the mids and bass are lacking heft in their lower registers, meaning it can sound like it’s pulling some punches when it comes to certain genres.

You want value for money
Not only is the Meridian Ellipse firmly at the premium end of the market, with a whopping $3,000 / £1,900 / AU$4,999 price tag, but I would argue some cheaper speakers can give a more balanced, consistent experience.

Meridian Ellipse review: also consider

Cambridge Audio Evo One
While the Cambridge Audio Evo One is significantly bulkier than the Meridian Ellipse, it’s also arguably more talented. It’s capable of producing polished, dynamic sound that’s well-tuned across its full frequency range and genuinely impressive separation when fed appropriately hi-res sources. However, its real strength is in just how versatile it is: not only can it stream over Wi-Fi and Bluetooth but it can also handle your TV’s audio over eARC and play records from your turntable via its built-in phono stage. Not bad given its $1,499 / £1,299 / AU$2,495 price tag. Check out our full Cambridge Audio Evo One review.

KEF LS50 Wireless II
The similarly priced KEF LS50 Wireless II can muster streaming hi-res audio up to 24-bit/96kHz and offer a range of connectivity options, whether that’s HDMI eARC, Ethernet port, coaxial and optical or 3.5mm AUX inputs. They’re also discreet, compact units that nonetheless provide crisp, detailed sound across the frequency spectrum and taut, well-controlled bass. Couple this with superb stereo separation and a wide soundstage and these are some fantastic performers. Read our full KEF LS50 Wireless II review.

How I tested the Meridian Ellipse

  • I tested the Meridian Ellipse for a month
  • I used it to stream a wide range of genres and audio resolutions
  • I have several decades of experience using and reviewing audio gadgets

I lived with the Meridian Ellipse for a month, testing it with a range of types of music and sources. Not only did I listen to the TechRadar testing playlist but I also tried out plenty of my own go-to tracks to assess its dynamics and frequency balance.

Additionally, I monitored the quality of its output by trying out a variety of sources. This included my iPhone 16 Pro, MacBook Pro, and TV. On top of this, I tried out a variety of different audio resolutions, from Spotify's most basic tier to Tidal's 24-bit, 192kHz Max tier.

In terms of experience, I've covered tech and reviewed gadgets for over 10 years. Additionally, I've been listening to and producing music for several decades, which has given me insight into the balance of different frequencies and sonic performance.

I spent six weeks listening to the Samsung Music Frame and it kept missing the beat
5:07 am | March 12, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless &amp; Bluetooth Speakers | Tags: , , | Comments: Off

Samsung Music Frame: One-minute review

I love the idea of hiding a speaker in plain sight – in fact, I refuse to have bookshelf speakers because I really don’t like how they look on my, well, bookshelf and, despite offering great sound, I’m not too enthused by the design of the best wireless speakers either. Call me fussy, but when Samsung launched the Music Frame, it looked like something that would fit right into my home – playing my tunes and potentially showcasing my photography as well.

I’m impressed by how well built the Samsung Music Frame is, but weighing in at close to five kilos, I’m hesitant to wall mount it. Moreover, as a renter in Sydney, Australia, I’m not allowed to bore a hole in my wall, so I can’t really comment on how well it would perform with sound waves bouncing off a hard surface directly behind it. That said, Samsung thoughtfully provides a dampener in the box precisely for this purpose. It still looks lovely on its stand.

Changing the artwork is easy, but you have to have photos or images that would look good within a 8x8 inch square space – as a nature photographer who typically shoots in a 4:3 aspect ratio, it was hard to find one of my own prints to fit within the Music Frame.

To match its lovely design, Samsung has managed to make a speaker that fills a large room with sound. The Music Frame can get quite loud, much louder than the Ikea Symfonisk Picture Frame Wi-Fi speaker, with strong, expansive sound. And there are plenty of wireless streaming options to choose from, so it doesn’t have to be part of Samsung’s SmartThings ecosystem to work as a standalone speaker, but the app is necessary for the initial setup.

What it lacks is detailed and dynamic sound. While it’s just bassy enough for the average listener who isn’t too fussed about the soundstage to enjoy some tunes or pair with a Samsung The Frame TV, it will be a disappointment to anyone who cares about sound quality and wants to use it as a standalone speaker.

Also taking into consideration that the front panel isn’t a digital screen that would display, say, album art or double as a digital photo frame, I am struggling to justify its price.

Samsung Music Frame on a table beside a vase

There's no denying that the Samsung Music Frame has 'presence' (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: price & release date

  • Made its debut at CES 2024; launched in April 2024
  • List price: $399.99 / £399 / AU$699

The Samsung Music Frame isn’t brand new – it made its public debut at CES in January 2024, then was released to select markets in April that year. It became a bit more widely available later in 2024 and can be picked up for $399.99 / £399 / AU$699 at full price.

Samsung was offering a discount in some countries when the Music Frame launched and, since then, we have seen offers that make the speaker a little more affordable. For example, I’ve seen the price drop to as low as $150 in the US and AU$499 in Australia.

While you can display printed photos within the Music Frame, compatible acrylic panels can be ordered from select third parties for an additional cost, plus shipping, but note that you may need to keep the rear studs safe or source more to reattach the new artwork panel back into the Frame.

Samsung Music Frame review: specs

Samsung Music Frame review: features

  • SmartThings app required for setup
  • Dolby Atmos support with two-channel output
  • Built-in Q-Symphony support

The Music Frame’s feature set is quite impressive on paper, perhaps exactly what you want from a “lifestyle” product (as Samsung calls it) to widen its appeal. From plenty of wireless streaming options – including AirPlay 2 and Google Cast – to built-in voice assistant support for Alexa but, strangely, not Samsung’s own assistant Bixby, there's a lot going on here.

You can’t get things started without Samsung’s SmartThings app, though, and that requires you to create a Samsung account or use an existing one. Setup from there on in is very simple and I had no issues when using a Samsung phone or an iPhone – just following the onscreen steps will take you about 30 seconds to get going.

You’re also going to need the app to get the best sound setup too. You can play around with the seven-band equalizer in the Standard mode within the app, but if you opt for the Music or Adaptive Sound mode, you only get bass and treble controls.

Image 1 of 2

Screenshots from the SmartThings iOS app for the Samsung Music Frame

You need the SmartThings app for initial setup, whether on Andriod or iOS... (Image credit: Sharmishta Sarkar / TechRadar)
Image 2 of 2

Screenshots from the SmartThings iOS app for the Samsung Music Frame

..then choose the best options and settings for your use case (Image credit: Sharmishta Sarkar / TechRadar)

That done, you have the choice to pair the speaker with your phone or tablet via Bluetooth 5.2 or cast via the built-in Chromecast. iPhone or iPad users will immediately see AirPlay as an option when they open the Apple Music app, but you also get Spotify Connect and Tidal Connect support, all of which are better than using Bluetooth connectivity due to a slight lag that’s evident when using the SmartThings app as they pass control of streaming to the speaker itself rather than using the phone. Despite this tiny lag, I never experienced any connection dropout during my weeks-long testing, which probably says something about how well Samsung has executed the connectivity options.

There’s Dolby Atmos support too, although it comes with a major caveat: it’s received only via Wi-Fi – there’s no HDMI ARC/eARC port here and the optical input isn’t Atmos compatible – and works with only select Samsung TVs with a two-channel output. That means you can’t use this as a soundbar alternative, but you can set it up as an additional speaker for Samsung The Frame TV or the Samsung QN95D, even as a pair if you have the cash to spare for a second Music Frame.

Samsung Music Frame and a lamp on a table in front of a window

Samsung's Adaptive Sound feature didn't work when there were power-tool noises just outside the window (Image credit: Sharmishta Sarkar / TechRadar)

Tap-to-Play is also available but, again, it only works with compatible Samsung phones. I had the Samsung Galaxy Z Flip 5 during my testing, which is supposed to be compatible, but no amount of tapping anywhere on the Music Frame triggered the functionality. Another feature Samsung promises is on board is its AI-powered Adaptive Sound technology, which adjusts clarity and volume in real time to any changes in ambient sound and, once again, I didn’t notice any changes when a landscaper outside my window was using a power tool.

What I did enjoy, however, is playing music through both my Ikea Symfonisk Picture Frame and the Music Frame for bigger stereo sound. Thanks, AirPlay!

• Features score: 4 / 5

Samsung Music Frame review: sound quality

  • Loud, room-filling sound
  • Decently bassy, but lacks the meatiness offered by other brands
  • Sound lacks detail and nuance

To match the impressive connectivity and streaming options, the Music Frame has a heck of a lot of power, although Samsung doesn’t reveal how much. However, the six drivers with built-in amplification in the Music Frame belt out a lot of volume. The first tune I played on the speaker immediately after setting it up – Gimme All Your Love by Alabama Shakes via Google Cast from the aforementioned Galaxy Z Flip 5 – it was LOUD with the volume set at level 17, enough to make me want to turn it down a notch. The louder it got, though, the muddier the audio sounded.

The rear of the Samsung Music Frame speaker

It looks like there are just two speakers in the rear of the Music Frame, but there are, in fact, six (Image credit: Sharmishta Sarkar / TechRadar)

Several music streaming apps, like Apple Music and Tidal, don’t have built-in volume controls and I found that, when using the Samsung phone’s controls, each incremental increase or decrease made a significant difference. It was a different experience when using an iPhone 13 Pro’s volume control (streaming via AirPlay 2), where the changes were smoother and more appealing.

Pro Tip

I got the best sound using the Music mode within the SmartThings app, along with the SpaceFit Sound feature turned on.

Out of the box, the Music Frame offers decent bass but, compared to the 2024 Beats Pill Bluetooth speaker and the Ikea Symfonisk Picture Frame, it can sound airy (or tinny if you prefer) with the high-mid frequencies being the focus. You can adjust this via the bass control or the equalizer in the SmartThings app, but I struggled to find my sweet spot.

The Music mode on the SmartThings app adds warmth to the music, while SpaceFit Sound uses the speaker’s built-in mic to analyze the room and adjust the sound accordingly. It will work wonders for the average listener by improving the vocals on a track, but it might still disappoint if you really care about good overall audio as it lacks detail. For example, Ellie King’s Ain’t Gonna Drown sounds good but not great as it doesn’t deliver the dynamic contrasts in her vocals. JJ Cale’s Magnolia sounds flat, lacking the wistfulness and melancholy I normally associate with it.

I accidentally also found out that there’s some muffling due to the front artwork panel. This happened when I was listening to KD Lang’s After The Gold Rush, and decided on a whim I would try to swap out the artwork while still playing. The track lacked depth but, once the front panel came off, it sounded better.

Samsung Music Frame on a table beside the Ikea Symfonisk Picture Frame Wi-Fi Speaker

I like the look of the Samsung Music Frame (right), but prefer the audio quality of the Ikea Symfonisk Picture Frame (left) (Image credit: Sharmishta Sarkar / TechRadar)

Listening to Dolby Atmos tracks like M.I.A’s Marigold and Freddie Hubbard’s Weaver of Dreams is immersive, but I’ve experienced better from the Sonos Era 300, although Sonos is known for putting details front and center. This is exacerbated by the fact that, when playing a Dolby Atmos track, its volume level dips significantly – I had to bump up the volume by five levels to get the same effect when listening to other tracks. The best way to enjoy Dolby Atmos here would be to make it part of an existing setup, combining it with a soundbar.

As much as I appreciate its room-filling performance, I expected better overall sound quality from a premium wireless speaker that costs more than several of its competitors.

• Sound quality score: 3 / 5

Front view of the stand of the Samsung Music Frame beside a propped up Galaxy Z Flip 5 phone

The stand for the Samsung Music Frame is demure and not an eyesore (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: design

  • Beautiful design with thin bezels and hidden controls
  • Removable frame panel to change artwork, but cost of customization can add up
  • Can be wall mounted, but the cable might be an eyesore

I might have been disappointed by the sound from the Music Frame, but I really love the design. It’s not as square as it appears, measuring 35cm along the base and stands 36cm high. It’s about 14cm thick and has a heft to it, tipping the scales at over 9lbs / 4.5kg. I’d be hesitant to wall-mount it as Samsung provides just the one screw for it to hang off, but its corners are sharp too. If it gets nudged off its perch for any reason – even if it’s on its stand – it can cause injury to toddlers and pets.

I love that stand, though – it’s easy to slip on but not remove (which is probably a good thing), and it doesn’t stand out, if you get my drift. So all your attention is on the actual Music Frame.

The thin black bezels surrounding the matte acrylic panel makes for a great aesthetic, but if you don’t like the dark border, Samsung will sell you white snap-on panels for an additional cost – although this is only available in select markets.

Image 1 of 2

The removable art panel of the Samsung Music Frame lying on the speaker

Removing the art panel isn't difficult... (Image credit: Sharmishta Sarkar / TechRadar)
Image 2 of 2

The rear of the removable art panel of the Samsung Music Frame

..and it doesn't take much effort to change the print inside, if you have one that will fit (Image credit: Sharmishta Sarkar / TechRadar)

Removing the top panel to change the artwork isn’t difficult, but it requires a little elbow grease and best done by placing the speaker flat on its back. People with slim fingers will find it easy to get a grip on an edge, but I wish Samsung had included a pry tool to help those of us with sausage fingers. The panel is held in place by ball studs that fit into sockets on the black frame, and a removable plastic sheet on its rear allows you to change the artwork. While the panel measures 13x13 inches, only the central 8x8 inch cutout will showcase the artwork. Samsung says you can use 8x10 or 8x8 inch prints, but I suspect that using a print smaller than the actual size of the panel will give it room to slide around inside and look misaligned.

The Music Frame comes with a generic image pre-installed, but you’ll find an extra one in the box. I had hoped to use a print of one of my own photos, but none that I had handy would fit the frame. Samsung has partnered with some third parties to make custom acrylic panels that you can order and get shipped to you but, again, this customization will cost extra and you’ll need to bear the shipping cost too.

Image 1 of 3

Indicator lights at the bottom of the Samsung Music Frame

You can barely see the indicator lights as they're practically hidden in the gap between the art panel and the frame (Image credit: Sharmishta Sarkar / TechRadar)
Image 2 of 3

The ports on the rear of the Samsung Music Frame

You can use a SmartThings Dongle (middle port) here, but it needs to be purchased separately (Image credit: Sharmishta Sarkar / TechRadar)
Image 3 of 3

The rear of the Samsung Music Frame showing the speakers and the power cable

The visible part of the power cable is a light one, but it does have an adapter and a thicker cable (Image credit: Sharmishta Sarkar / TechRadar)

I asked Samsung why the front panel wasn’t a digital screen to use as a photo frame or at least display album art of the track being played, and I was told the cost would increase. I’m not entirely sold on this argument, but if we can have smart displays like the Amazon Echo Show 15, it’s doable and would likely broaden the appeal of the Music Frame. The Frame TV already has the ability to display digital wallpapers and I wish Samsung had figured out how to carry that over to the speaker too.

It’s important to note that the Music Frame will need to remain plugged into the mains to work, so you get a thin, kinda translucent cable in the box that will go into a small power brick connected to a thick black power cord. While I’m really not a fan of power bricks, I appreciate that the thin cable isn’t as noticeable as the one of the Ikea Symfonisk Picture Frame, and the heavy cable and adapter can be tucked away.

The physical controls, in the form of four buttons are hidden away on a rear edge, which makes them hard to see. They’re also extremely sensitive and even the lightest touch can change the volume, switch the mic on or off, or switch sources (Bluetooth, Wi-Fi, optical). Plus, every time you press one, indicator lights that are also tucked away between panel and the frame light up. There is no play/pause option here, so you are left with using the app’s controls for that.

The back of the unit looks like it only has two speakers, but there are six hiding underneath, playing through two channels. Plus there are three ports: the optical input, a USB port for the SmartThings dongle to connect to an existing smart home setup, and the power input.

• Design score: 4.5 / 5

Side profile of the Samsung Music Frame on a table

The Samsung Music Frame looks lovely no matter where you place it (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: value

  • Retails for a price higher than several premium big-brand wireless speakers
  • You’d expect excellent performance at this price point
  • Falls short against the competition in both price and performance

With a retail price of $399.99 / £399 / AU$699, the Samsung Music Frame doesn’t come cheap. When discounted, though, it might be worth considering, provided the offer available at the time of purchase undercuts the competition significantly.

That said, if you’re an audiophile or, at the very least, a discerning listener, you might well be disappointed by the lack of detail from the Music Frame. In comparison, the Ikea Symfonisk Picture Frame Wi-Fi Speaker with Sonos sound is only $199 / £179 / AU$249 and, while not as loud as its Samsung counterpart, offers a more balanced and dynamic soundstage that’s also bassier.

Even some of the other best wireless speakers that the Music Frame is contending with are cheaper at full price. In our Sonos Era 100 review, for example, we said you’d get sound quality with “lots of clarity and punch” for a list price of $249 / £249 / AU$399.

Perhaps if Samsung had added a digital screen with a SmartThings interface or even just made it into a digital photo frame, it might have been easier to justify the price. If the sound quality and functionality were to be improved, I think the second-generation Music Frame could likely give the likes of Sonos a run for its money.

• Value score: 2.5 / 5

Should you buy the Samsung Music Frame?

Buy it if...

You want a wireless speaker for a small space

The Music Frame is a 2-in-1 device – you don’t need an additional picture frame for your memories, and you get a speaker too.

You own a Samsung The Frame TV

Setting it up as an additional speaker for a compatible Samsung TV will make the most of the Music Frame, offering you a more engaging home cinema experience.

Don't buy it if...

You’re an audio purist

If you’re after a speaker with excellent audio, you’ll need to forgo the good looks for a speaker that was made for a more dynamic soundstage.

You’re on a tight budget

It might be hard to recommend the Music Frame at its current retail price, but if you want a good speaker sans the frame, there are plenty of options that cost less.

Samsung Music Frame review: also consider

If you’re looking for alternatives to the Samsung Music Frame, the most similar ‘lifestyle’ or ‘arty’ product would be the Ikea Symfonisk Picture Frame Wi-Fi Speaker, which is still available at most Ikea stores around the world. However, if you’re after better wireless speakers, consider the two options listed below.

JBL Authentics 200
If it’s detailed sound you’re after, the JBL Authentics range is where you should be focusing. While there’s an expensive model that would be out of reach for most people, the Authentics 200 balances price, features and sound performance marvelously well. While it costs less than the Music Frame, it does have a rather retro boxy look that may not be to everyone’s liking.

Read our full JBL Authentics 200 review for more details

Sonos Era 100
For a smaller speaker that won’t look too out of place in most homes, consider the Sonos Era 100. It packs quite the mighty punch, though, with detailed sound and boosted bass, not to mention a plethora of sources available too. And it will cost you a lot less than the Samsung Music Frame too.

Read our in-depth Sonos Era 100 review to learn more

How I tested the Samsung Music Frame

  • Listened to it nearly every day for six weeks in different rooms
  • Used AirPlay 2 on an Apple iPhone 13 Pro and cast using the SmartThings app on a Samsung Galaxy Flip 5
  • Predominantly streamed from Apple Music, but also tried Spotify and Tidal

Samsung Music Frame on a table beside some books and a vase

(Image credit: Sharmishta Sarkar / TechRadar)

I’ve had the Samsung Music Frame in my apartment for about six weeks at the time of publication and, in that time, tested the speaker in various rooms, including an open-plan living and dining area. During this time, the Music Frame became my primary speaker, replacing the Ikea Symfonisk Picture Frame Wi-Fi Speaker. I also had the opportunity to compare the audio with two Bluetooth speakers – the 2024 Beats Pill and the JBL Charge 4.

While I predominantly listen to the blues, I played a wide variety of genres through the Music Frame, mostly via the Apple Music app on an iPhone and the Samsung Galaxy Z Flip 5. I also briefly streamed via the Spotify and Tidal Android apps.

I tweaked the settings in the SmartThings app – both on iOS and Android – across various genres to see how the audio changed, and even tried various bass and treble adjustments.

While I tried out as many of the features as possible, I didn’t use the built-in Alexa support very much, and there were a few other things I wasn’t able to test due to the lack of additional hardware, namely the SmartThings Dongle and a compatible Samsung TV. And due to restrictions placed on wall-mounting it in my home, I wasn’t able to test how the Music Frame sounds when hung up against a wall. I did, however, prop it up against a wall (without its stand) to emulate wall-mounting as best as possible.


Read more about how we test

[First reviewed March 2025]

I tested this suave Bluetooth speaker from Sweden and it left me with mixed feelings – here’s why
12:30 pm | March 1, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless &amp; Bluetooth Speakers | Tags: , | Comments: Off

Happy Plugs Joy Speaker review: two-minute review

The Happy Plugs Joy Speaker aims to offer good vibrations, a pleasing design and stunning, portable build. Don’t worry, it’s only a Bluetooth speaker. And for the most part, this diminutive portable speaker achieves what it sets out to do. It has an eye-catching shape fit for fashionistas, decent all-round audio and impressive build quality. But unfortunately for the Happy Plugs Joy Speaker, it just falls short of its competitors in a couple of crucial areas.

Before we get into that, though, let’s start with a sound assessment. Due to its tiny size, the Happy Plugs Joy Speaker is pretty limited in terms of the quality and volume it can produce. It has a single 45mm, 5W full-range driver that produces typically clear, tonally-accurate audio. Some sounds can get a touch edgy at times – especially those in the treble range while listening at higher volumes.

But again, I still felt that the Happy Plugs Joy Speaker sounded fine given its intrinsic limitations. Specifically, I was surprised by the meatiness of the bass on offer. Next to the not-much-smaller JBL Go 4, I found the Joy speaker capable of dishing up superior low-end impact. You won’t find the extra serving of detail that some of the best Bluetooth speakers can deliver, though, with more subtle sonic ornaments often hard to uncover. It’s also worth noting that the speaker only harnesses the basic SBC Bluetooth codec, so you won’t be able to enjoy higher-quality aptX files at their very best.

Perhaps unconventionally, the draw of this speaker isn’t all too much to do with sound – it’s about style. Happy Plugs refers to the Joy Speaker as “fashion tech designed in Sweden”, giving it a real sense of identity. Its rounded look, attractive color options and lace attachment certainly give it that je ne sais quoi, something that can often be overlooked in a cheaper, more bare bones speaker such as this.

Speaking of price, this Happy Plugs product will set you back just $49.99 / £39.99. Realistically, that’s pretty standard stuff for a speaker in this weight class but still, it's a looker for the money. Competitors like the JBL Go 4 and Sony SRS-XB100 have very similar list prices. Other than its winsome design, the Happy Plugs Joy doesn’t really do enough to set itself apart from some pretty fierce competition, in my view.

That predominantly comes down to its disappointing feature-set. Sure, the built-in mic works to a commendable standard and the ability to pair another Joy Speaker for stereo sound is handy, but that’s about it as far as features go, bar the inclusion of an AUX port for wired listening. There’s no companion app or way to adjust EQ – something I’d expect for a speaker released in 2025.

Another issue is the poor dust- and waterproofing offered by the Joy Speaker. It is only IPX4 rated, meaning it can withstand some water splashes or rainfall, but little else. Given you see a whole bunch of competitors, like the Ultimate Ears Miniroll, offering IP67-rated protection against dust and water submersion, IPX4 just feels a bit underwhelming, I’m afraid.

When you pair the fairly feeble protection against the elements with the speaker’s 5W maximum power output, it’s safe to say the Joy Speaker is better suited to bedroom use, rather than taking into the great outdoors or a party environment.

And if a small, personal speaker is all you’re looking for, the Happy Plugs Joy is still an OK option at a reasonable price. Its stylish edge will no doubt earn its fair share of plaudits, even if there’s a shortage of features and undercooked protection against the elements. Overall, I’d still say you’re better off with the JBL Go 4, or even one of the best waterproof speakers like the excellent Tribit Stormbox Micro 2 – both of which offer impressive audio in a similarly mini package, but one that can also be dunked fully in a pool and survive.

Happy Plugs Joy Speaker in someone's hand

(Image credit: Future)

Happy Plugs Joy Speaker review: price and release date

  • $49.99 / £39.99 (about AU$80)
  • Launched in January 2025

The Happy Plugs Joy Speaker released at the beginning of 2025, carrying a very modest list price of $49.99 / £39.99 (about AU$80). That price applies to each of the four color variants this speaker comes in, namely: Black; Blue; Green; and Pink. The Happy Plug Joy Speaker’s main competitors at this price-point include the excellent JBL Clip 5 and supremely durable LG XBoom Go XG2T – more on those in the ‘Also Consider’ section.

Someone undoing rubber tab on the Happy Plugs Joy Speaker

(Image credit: Future)

Happy Plugs Joy Speaker review: specs

Happy Plugs Joy Speaker review: features

  • Lacks companion app and EQ adjustment
  • Middling battery life
  • Has effective built-in mic

I don’t like to do this, honestly I don’t – but I’m going to start on a negative note. The Happy Plugs Joy Speaker has a pretty limited set of features. For a speaker released in 2025, that’s pretty disappointing – even for a small one like this.

A lot of that stems from the omission of a companion app, which instantly restricts what this thing can do. You won’t find any ways to adjust EQ, view connected devices or get the visual on battery life, for example. That’s a bit of a let down when you consider that small options like the JBL Go 4 offer all of this and more (we’ll talk more about this little treasure later).

There are some features of note, though, like the inclusion of a built-in mic, stereo pairing and an AUX port for wired listening. Now, in fairness, the inbuilt microphone is above average – I found call quality to be slightly superior to my phone in speaker or earpiece mode. Similarly, when recording a voice note, I felt that my speech was clear at varying distances, even if there was a bit of feedback lurking in the background.

Stereo pairing is a handy inclusion, especially as this speaker can’t get too loud – more on that later. AUX is cool too if you’re into wired listening, but I suspect most will stick with Bluetooth. This uses version 5.3, which is plenty good enough – although some competitors are using version 5.4 as of the time of writing.

On top of this, you’re getting up to eight hours of playtime with the Happy Plugs Joy. That’s fairly average stuff. Sure, it’s superior to the seven hours offered by the JBL Go 4, but it’s vastly inferior to the fantastic 16 hours you’ll get with the Sony SRS-XB100. A strong battery life would’ve added some much needed credit into this speaker’s account, but ultimately it just feels a bit uninteresting, feature-wise.

  • Features score: 2.5/5

Button controls on the Happy Plugs Joy Speaker

(Image credit: Future)

Happy Plugs Joy Speaker review: sound quality

  • Decently clear all-round audio
  • Surprisingly full bass output
  • Fairly weak power output

Sound-wise, I was left with conflicting thoughts on the Happy Plugs Joy Speaker. Right off the bat, I can tell you that the manufacturer’s claim of “high quality audio” is stretching the meaning a bit. When tuning into That Lady Pts. 1 & 2 by The Isley Brothers, I found some percussive elements to be a touch tinny-sounding at high volumes and side-by-side with the JBL Go 4, vocals occasionally lacked control.

But overall, I still felt that sound quality was solid for both its size and price. And in some areas it outclassed the Go 4. For instance, when bumping Dasha - Tour Mauborg Remix by Fusion Affair, the bass thump running throughout hit with significantly more impact and weight when listening via the Happy Plugs Joy Speaker. Similarly, I was impressed by the depth of the drum machine in Black Eye by Allie X, even if the speaker wasn’t quite dynamic enough to replicate the bouncing effect of the bass bounding throughout the intro.

In addition, I sensed that the acoustic guitar running through Come sweet death, second impact by Megumi Hayashibara was fairly expressive and tonally accurate. It was also pleasantly forward until vocals entered the fray and deservedly assumed the limelight. I will caveat that with a note that densely layered tracks, such as I Want You by Moloko, aren’t expertly emulated, with synths, vocals, percussion, strings and more sometimes bunching up to create a slightly restricted-sounding result.

But much of that is down to the inherent limitations of speakers this small. You’re rarely going to be smacked by a majestically broad, nuanced soundstage or massively full-sounding profile from a model this mini – I have tested enough speakers of this size to know it. I wasn’t getting a huge dose of detail out of my favorite tracks either, with more granular sonic elements often left under wraps. That reminds me: this speaker only supports the basic SBC codec – no aptX or LDAC for less-compressed Bluetooth streaming this time out, I’m afraid.

Another issue that’s pretty typical of tiny speakers like this is relatively low power output. And the Happy Plugs Joy Speaker doesn’t look to buck that trend. It has a single 5W 45mm driver that can’t get all too loud. Sure, it will have enough power for solo bedroom listening, but if you’re turning up to the party with this, you’re going to be left wanting more. On that note, if you’re more of a party animal, it's well worth checking out our guide to the best party speakers.

So here I am, left with pretty mixed feelings. Overall, I’m leaning towards a positive outlook on the Happy Plugs Joy Speaker – and not just because of the name. It offers generally clear audio, surprisingly attention-grabbing bass output and stereo sound – if you have two paired in stereo mode. But there are some imperfections, too, including occasionally tinny output, restricted volume potential and a lack of detail.

  • Sound quality score: 3.5/5

Someone pressing a button on the Happy Plugs Joy Speaker

(Image credit: Future)

Happy Plugs Joy Speaker review: design

  • Small, stunning appearance
  • Outdated IPX4 waterproofing
  • Beautiful color options

But arguably the main strength of this lil’ speaker is its eye-catching design – after all, Happy Plugs itself describes the Joy Speaker as “a statement piece”. I’m not sure if it’s quite the fashion revolution that it's made out to be, but still, I really like the look of this speaker. (Is it worth mentioning that some of the TechRadar team call this review sample Grogu? I suppose I just have.)

The Joy speaker almost has a rounded trapezoid structure, with a classy-looking fabric speaker grille on its front and reverse side. It also has five small, easy-to-use button controls on the top, which subtly blend into the rubber casing that coats the edge of the device. These include play/pause, call and volume controls, as well as power on/off and Bluetooth. There’s a small LED that flashes to indicate if the speaker is charging or in pairing mode, which is a useful visual prompt as well.

On the side of the Joy Speaker, you’ll discover a tab, under which lies a USB-C port that can charge the speaker from 0-100% in two and a half hours, as well as an AUX port. This will let you play music via a wired connection, if you feel so inclined.

One more highlight – I’m a big fan of the color options available here. I tested out a broccoli-shade green model, but there’s also a dusty pink or blue and a deep black variant available. These colorways compliment the speaker’s “fashion tech” identity to a tee and make for a nice break from the plain, single color direction a lot of rivals go in.

This is all positive stuff so far, but when it comes to practicality, this speaker is a bit of a mixed bag. First, the pros. The lace attached to the side of the speaker looks sleek and is super effective for hanging it off a backpack or nearby attachment. There are also four mini rubber feet on the speaker that keep it in an upright position, even if it gets knocked a little. But I have one major gripe: the dust and waterproof rating.

The Happy Plugs Joy Speaker is only IPX4-rated, meaning it’s resistant to light rain and splashes of water, but little more. For a speaker in this age, that’s simply not cutting it. Almost every major manufacturer is putting out IP67 – or at least IPX7-rated speakers, which enables them to survive submersion under water for extended periods of time. IPX4 isn’t ideal for listening at the beach or in the shower, for instance, whereas a speaker like the Ultimate Ears Miniroll will easily be able to pull through.

  • Design score: 4/5

Happy Plugs Joy Speaker against pink background

(Image credit: Future)

Happy Plugs Joy Speaker review: value

  • Price is in-line with competition
  • Sound is about what you’d expect in this range
  • But competitors offer superior feature-set and durability

At $49.99 / £39.99, the Happy Plugs Joy Speaker very much blends in with rivals including the JBL Go 4 and Sony SRS-XB100. It’s by no means expensive, but not a crazy bargain either. Due to its age, you can occasionally find the Go 4 for less than $40 / £30, which is phenomenal value for money, so with time, I’d hope to see the Joy Speaker discounted to a similar level.

For a speaker of its size, the Joy Speaker does perform pretty well where it matters most – sound. Of course, you’re not going to get perfectly crisp, detailed or booming audio, but for the most part it's expressive and clear enough to keep you engaged and enjoying your queued tunes. And of course, it is very easy on the eye. There’s not a lot of power here and it's not so well protected against the elements, but if you’re just looking for a speaker to use in your bedroom, it will do the trick, no problem.

Ultimately, there are a host of better-value options out there. I mentioned the JBL Go 4 there, which can sound a little thinner through the low-end but does have EQ adjustment options, a useful companion app and superior protection against the elements. Even the LG XBoom Go XG2T – which I marked down for limited EQ presets – still had some… and it offered superior battery life.

In its own right, the Happy Plugs Joy Speaker is fine value-wise. It gets the basics right, but just skips out on a few too many niceties to outdo its rivals. Unless you’re a real lover of its design, I’d wager that you’ll be tempted to consider some of those other options.

  • Value score: 3.5/5

Happy Plugs Joy Speaker on table

(Image credit: Future)

Should I buy the Happy Plugs Joy Speaker?

Buy it if...

You’re all about style
If the most important thing for you is stunning looks, the Happy Plugs Joy Speaker is well worth considering. It comes in four neat colorways, has a mini, curved build and dons well-sized buttons to boot.

You’re on a budget
The Happy Plugs Joy isn’t outrageously cheap for a speaker of this size, but it’s definitely not overly expensive either. At $49.99 / £39.99 it’s a nice option if you’re on a budget, although there are some small competitors, like the LG XBoom Go XG2T, that can be found at a similar pricepoint on sale, so make sure to weigh your options.

Don't buy it if...

You want top-tier sound quality
Given that it’s a small-sized speaker, the Happy Plugs Joy sounds decent. But if you want a beautiful sonic experience for this size, you’ll be better off with an option like the Tribit Stormbox Micro 2 – more on that below.

You’re looking for a speaker that’s shower or beach-ready
One of my biggest gripes with this speaker is its weak dust and waterproofing. It’s just IPX4 rated, meaning it can survive water splashes, but not submersion or anything. That’s not great considering a lot of competitors, like the JBL Go 4, can withstand being dunked a meter underwater for 30 minutes.

Happy Plugs Joy Speaker review: also consider

JBL Go 4
The JBL Go 4 is a diminutive, stylish and solid-sounding speaker that’s ideal for on-the-go listening. It offers pretty controlled audio given its size and surprising levels of loudness. On top of that, it has a superior IP67 waterproof rating, in-app EQ adjustment and cool color options to match. Read our full JBL Go 4 review.

Tribit Stormbox Micro 2
Tribit has been putting out some amazing value audio tech over the past two years and the Stormbox Micro 2 is no exception. With excellent sound quality, fantastic protection against the elements, an awesome 12-hour battery life and the ability to charge your phone, there’s just so much to love here. Read our full Tribit Stormbox Micro 2 review.

Happy Plugs Joy Speaker review: how I tested

  • Tested for one week
  • Mainly used at our music testing space at Future Labs
  • Predominantly tested using Tidal

I spent hours playing music on the Happy Plugs Joy Speaker. I tried it out in a handful of environments, but mainly at our music testing room at Future Labs to best judge the audio quality in a quiet, controlled space.

When blasting tunes, I mainly took to Tidal using my Samsung Galaxy S24 FE, where I streamed tracks from our carefully curated TechRadar reference playlist, as well as my personal library. I also tested the Happy Plugs Joy Speaker alongside the JBL Go 4 to compare sound quality, design elements and loudness.

  • First reviewed: February 2025
  • Read more about how we test
The Cambridge Audio Evo One is my new favorite wireless speaker after a month of testing it – here’s why
6:00 pm | February 19, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless &amp; Bluetooth Speakers | Tags: | Comments: Off

Cambridge Audio Evo One: two-minute review

The Cambridge Audio Evo One is a high-end wireless speaker that's capable of playing audio at up to 32-bit/192kHz. But that’s really only part of the picture: it’s also a multi-room speaker, an internet radio, a soundbar, and a turntable phono stage. It’s almost quicker to list the things it can’t do. The Evo One packs a lot of skills into its substantial frame, making it a natural choice for anyone who wants to cover every base but doesn’t have the space or the cash to splash on buying a whole system of hi-fi separates.

Once the Cambridge Audio Evo One was optimized for my listening space – you can manually adjust its sound for the reflectivity of your room and its distance from the wall – it rewarded me with lush, well-rounded sound. The low end is warm and yet tight – there’s none of the unfortunate swampiness you get with cheaper, bass-heavy speakers. Meanwhile, trebles are well handled, neither succumbing to timidity nor becoming so strident that they grate. This means that rather than facing off aggressive overtures from above and below, the mids are allowed the proper space to express themselves, letting the harmonics of vocals and instruments shine.

The Evo One’s separation is right up there with the best wireless speakers on the market. Listening to Wasting My Young Years by London Grammar was a revelation – the strings are beautifully expressed, feeling vibrant despite their low volume, while the reverb on those gorgeous vocals is given plenty of room to breathe. Its soundstage isn’t quite as impressive though: it offers decent stereo spread without extending far beyond the bounds of the unit, but any single-unit speaker is never going to beat a true pair of the best stereo speakers.

Pitch-perfect streaming is just one of this speaker’s talents though: it offers a wide range of additional sources, from internet radio to TV audio via eARC. To test its mettle when it comes to movie audio, I hooked it up via HDMI and watched Ari Aster’s Midsommar – it expertly handled the swelling drone of its forbidding bass, while giving dialogue sufficient clarity and presence. Using its built-in phono stage, I also hooked up my turntable and span a selection of records – it did an excellent job with the likes of Black Sands by Bonobo and Kingdoms In Colour by Maribou State, expressing both with plenty of dynamism and clarity.

When it comes to design, the Cambridge Audio Evo One is hardly the kind of speaker you’ll want to hide away – its charcoal speaker mesh and smooth walnut surface make it an item of furniture you’ll want to show off, and I certainly felt that it earned pride of place in my living room.

Meanwhile, its front display gives you a stronger connection to the artist you’re listening to, although it’s not quite as bright as I’m used to in this era of ubiquitous 1,000-nit phone screens. However, let's be clear that you probably should think of it as an item furniture – it's big.

With its wide array of connectivity options, polished, poised audio and sophisticated looks, the Cambridge Audio Evo One is a worthwhile purchase, even taking into account its not inconsiderable price. Personally, I’m happy to give the Cambridge Audio Evo One a full-throated endorsement, and I doubt you’ll be disappointed with its performance or capabilities. If you want something that's also wonderful for sound but less expensive, the Bowers & Wilkins Zeppelin Pro is also a highly capable wireless speaker for nearly half the price.

Cambridge Audio Evo One review: price & release date

  • Released on August 9, 2024
  • List price is $1,499 / £1,299 / AU$2,495

The Cambridge Audio Evo One was released on August 9, 2024. It retails for $1,499 / £1,299 / AU$2,495 for this single unit – that's not exactly the cheapest price you’ll find a wireless speaker going for, but once you scratch the surface of the things this device can do, that asking price becomes much more reasonable. When a speaker is this capable, you really are paying for what you get.

The rear of the Cambridge Audio Evo One showing its various ports.

(Image credit: Future)

Cambridge Audio Evo One review: specs

A closeup of the Cambridge Audio Evo One's ports in detail.

(Image credit: Future)

Cambridge Audio Evo One review: features

  • Multi-talented feature set
  • Crammed with well-amplified drivers
  • Manual room optimization

Given its bulk, you won’t be surprised to hear that the Cambridge Audio Evo One is absolutely crammed full of drivers. It has 14 in total: four one-inch silk dome tweeters, four 2.25-inch aluminum cone mid-range drivers, and an utterly absurd six 2.75-inch long-throw woofers. Each of those drivers has 50W of amplification behind it, so it’s reasonable to expect that this beast is going to have gargantuan sound.

Such a well-furnished setup makes sense when you see how Cambridge Audio has positioned the Evo One. While it’s nominally a wireless speaker, it has plenty more tricks up its sleeve than just cueing up tunes from your Roon. Designed to sit at the heart of your home audio ecosystem, it really is a renaissance speaker, able to tackle the vast majority of listening tasks you throw at it.

First off, as well as offering Bluetooth 5.1 connectivity, it’s capable of streaming hi-res audio at up to 24-bit, 192kHz from streaming services, offering you significantly better quality than even CDs can muster. You can do this via built-in streaming services like Tidal and Spotify, or using its multi-room functionality to stream over Google Home, Apple AirPlay 2 and Roon. You can also stream radio over the internet, should you fancy letting someone else take over DJ responsibilities, or play direct via USB at the frankly ludicrous high quality of 32-bit/384kHz.

But its talents don’t stop there. Hook it up to your TV using an eARC cable and you can use it as a substitute soundbar – it won’t give you Dolby Atmos or height channels, but it will give your TV’s flimsy inbuilt sound a colossal boost. You can also hook up an external source through its RCA line-in, or plug one of the best turntables into its integrated phono stage and spin your records through it. It really does offer an astounding level of functionality that puts less gifted wireless speakers to shame.

Beyond sources, the Cambridge Audio Evo One offers some excellent functionality to help you polish the sound you’re getting. It offers a seven-band EQ to tailor its audio profile to your tastes – while this isn’t quite as versatile as the nine-band that some speakers offer, realistically it’s going to be plenty granular enough to tweak the sound balance.

Even more helpful are the Evo One’s room-calibration settings, which allow you to adjust its sound profile to account for how reflective your room is and how close the speaker is to a wall. I actually prefer this to the auto-calibration some speakers offer – it really allowed me to use my own judgement and knowledge of my space to get the sound just right, which I’m sure fellow audiophiles will appreciate.

All told, the Cambridge Audio Evo One is an incredibly well-specified speaker, offering a ton of functionality that even similarly high-end wireless speakers aren’t necessarily always capable of. If you’re just looking for a setup that allows you to stream hi-res audio, then maybe that will prove unnecessary window dressing, but if you’re looking for a Swiss Army Knife of a speaker that will sit at the heart of your home audio system, then it’s hard to argue with what’s on offer here.

  • Features score: 5/5

The Cambridge Audio Evo One with its remote propped up in front of it.

(Image credit: Future)

Cambridge Audio Evo One review: sound quality

  • Once calibrated, it sounds beautifully well balanced
  • Excellent separation
  • Not the widest soundstage

Hand on heart, I was a bit underwhelmed by the Cambridge Audio Evo One’s sound at first. Listening to Black Eye by Allie X, the saw-edged bass synth sounded full but a little swampy, and there was a slightly echoey vibe to the kick, while a lot of the mix sounded muddier in the middle. That’s when I realised I hadn’t adjusted its room-optimization settings…

And boy, did tweaking those settings make a difference. Lowering the setting for room reflectivity and increasing the slider for how far the speaker was from the wall tamed the boom back and upped the transients. The bassline was tight while still being deliciously warm, the detail of the percussion became much more crisp, and the vocal rose above everything without obscuring anything. Suddenly it was like hearing my favorite songs for the first time, and it rapidly transformed my opinion of what this speaker is capable of.

Once properly calibrated, it’s not just the bass that sings; the rest of the frequency range sounds great too. When I listened to I Want You by Moloko, everything was so tightly integrated in the mids; that tight funky guitar lick and the timbre of the strings rang through clearly, while Róisín Murphy’s voice glued the whole mix together, from the nice warm sub end of the funky bass to the transient bite of the snare hits. And it masterfully handles songs that can be make or break in terms of treble – it deftly handles the crisp harmonics of the strummed guitars and snare and tom hits on You Can Go Your Own Way by Fleetwood Mac, while giving them sufficient body to stop the whole mix feeling aggressively bright.

But the Evo One isn’t just great at balancing different frequencies; it has real poise when it comes to separation as well. I stuck on Claire de Lune by Kamasi Washington and the results were exquisite. Those honey-sweet horns feel so richly textured that you could almost take a bite out of them, while the pluck of the double bass feels like it’s almost it’s in the room with you. Even the piano, oft overshadowed when listening to this mix on weaker speakers, cascades out when appropriate – everything has a palpable sense of space that makes everything feel much more real and evocative.

The Evo One doesn’t just handle digital audio sources well. I hooked up my Audio-Technica AT-LP60XBT turntable to the speaker via its built-in phono stage and cued up Kingdoms In Colour by Maribou State. The overall sound was faithful and gave everything a sizable presence and, while it wasn’t quite as remarkable as its hi-res audio output, I put this down more to my budget deck than the Evo One’s innate capabilities.

One area where this wireless speaker doesn’t quite trounce the competition though is its stereo soundstage. Don’t get me wrong: firing up Daydreaming by Radiohead I could absolutely appreciate how the snatches of Thom Yorke’s vocal echoed to the left and right, while the guttural reversed strings that end the track swam convincingly from side to side. However, unlike some speakers, including the Sonos Era 300, the sound doesn’t extend much beyond the confines of the cabinet, and there’s no attempt to convince you there’s real height here. I’d argue that’s not really its whole vibe though – the Evo One aims for hi-res sound that’s very well reproduced, rather than high-tech trickery.

To test how the Evo One handled TV audio, I wired it up to my TV via ARC and settled in to watch Ari Aster’s hallucinogenic horror Midsommar. The Evo One delivered an appreciable improvement over the TV’s built-in speakers, giving the movie’s ominous soundtrack much more warmth and gravitas; Voice Clarity mode in particular helped the speech in the movie ring clear, while letting the droning bass continue to create suspense. While not a home theater soundbar replacement – you’re not going to get Dolby Atmos height channels or significant width here – it certainly represents an upgrade over TV sound alone.

Ultimately, the sound on offer here is impressive, particularly given how many tools it has in its box. If you’re wanting a premium, single-unit speaker that will cover all the bases, this is likely your best bet at this price range.

  • Sound quality: 4.5 / 5

A closeup of the walnut top panelling of the Cambridge Audio Evo One, with its remote control laying on top.

(Image credit: Future)

Cambridge Audio Evo One review: design

  • Elegant, high-end design
  • It’s a big fella
  • Display is a little dim

In light of its price and the brand behind it, I’m sure I’m not going to shock anyone by saying that the Cambridge Audio Evo One offers smart, premium design. Everything about it is designed to form a focal point in your home, from its FSC-certified walnut panelling to its charcoal-colored fabric speaker grille. It definitely looks suitably high-end – although an alternate color would have been a great option to include, as beige cloth and a lighter wood such as birch or beech would look amazing alongside airier interiors.

Naturally, with all the drivers, amplification and other sundries inside its frame, this isn’t a small unit – in fact, at 26.6 x 5.1 x 11.4 inches / 675 x 129 x 290mm and 32lbs / 14.5kg, it’s a bit of a beast. But there’s something dependable about its big frame – it makes it feel like a genuine item of furniture that you’re pleased to show off. The only caveat here is if you want to place it in front of your TV to really take advantage of its eARC connectivity: it's no small fry height-wise, and will likely block the bottom of your screen, so you’ll want an entertainment unit that can accommodate both.

The main focal point of its front is the 6.8-inch, 1280 x 480 LCD display. Offering a range of options from track information and artwork to a stereo pair of VU meters, the display offers an attractive way of connecting more closely to the tunes you’re listening to. It’s not a very bright display, though, but expecting the kind of 1,000-nit HDR displays that have become commonplace in phones and tablets was always going to be a stretch. It’s plenty bright enough to carry out its intended function, even if you’re not going to be reveling in sumptuous, vibrant colors.

The Evo One’s remote control is well designed, nicely balancing functionality with simplicity. Standard controls are all idiot-proof – you can play, pause, skip forwards and backwards, raise and lower the volume, and power the unit on and off – but there are also some convenient presets that allow you to fire up your favorite sources, stations or playlists at the press of a button. You can also adjust the display’s brightness and switch between its various screens. You’ll need to reach for your phone to do anything particularly complex, but it's nice to be able to use it like a hi-fi separate when you want some screen-free time.

All in all, the Evo One oozes premium style, without too many unnecessary bells and whistles piled on top. Sure, the display could be brighter, and you’re out of luck if you're not into the dark wood and charcoal upholstery Cambridge Audio has opted for. But make no mistake: this is a luxury speaker that feels like an item of furniture in its own right.

  • Design score: 4.5 / 5

The Cambridge Audio Evo One at a side angle on a worktop in front of a pink background.

(Image credit: Future)

Cambridge Audio Evo One review: value

On the one hand, the Cambridge Audio Evo One is unarguably expensive for a single-unit speaker – $1,499 / £1,299 / AU$2,495 is not pocket change for anyone. On the other hand, this isn’t just a single-unit speaker. When you view the Evo One in terms of all of the gadgets it potentially replaces – wireless speaker, streamer, soundbar, phono stage – the value equation shifts significantly in its favor. For the price, it’s incredibly versatile, and is an excellent all-in-one option for someone who finds a whole range of hi-fi separates too extravagant an investment in terms of money and/or space.

And there are few rivals that can beat it for value. For example, while the Naim Mu-so 2nd Gen offers a premium, single-unit speaker for $1,299 / £899 / AU$1,299, it doesn’t have a screen, and nor does it offer eARC connectivity or a phono stage. Conversely, the gorgeous Ruark R410 does offer everything you can get here – wireless streaming, multi-room, Bluetooth, DAB+ radio, eARC input, built-in phono-stage – but it’s also just as pricey, coming in at $1,799 / £1,299 / AU$2,599.

  • Value score: 4/5

A closeup of the Cambridge Audio Evo One's ports in detail.

(Image credit: Future)

Should I buy the Cambridge Audio Evo One?

Buy it if…

You want a feature-packed single-unit speaker
The Evo One is an impressive all-in-one package, taking the place of four or five home audio separates. So if you want a set-it-and-forget-it sound solution that minimizes the cable chow mein choking up your living room, this is a very good option.

You want lush, confident sound
When properly optimized and fed some hi-res material, the Evo One offers exquisite balance and impressive separation of different elements. It’s a polished and impressive performer that will happily sit as the jewel in the crown of your multi-room speaker setup.

Don’t buy it if…

You actually want a soundbar
Stop the presses: the Evo One isn’t one. It’ll add some much-needed poise and gravitas to soundtracks, but if you’re expecting height channels and a wide soundstage, you really do need to invest in an actual soundbar.

You’re looking to save some cash
No two ways about it: the Evo One is an expensive speaker. At $1,499 / £1,299 / AU$2,495, it’s more comparable to the Ruark R410 or the Bang & Olufsen Beosound A5 – you’re paying a premium price for a premium speaker.

Cambridge Audio Evo One review: also consider

Naim Mu-so (2019)
If you love the form factor and are yearning for superlative-sounding, hi-res streaming without extra features such as a phono stage or eARC, but for a lower price in exchange, the Naim Mu-so 2nd Gen is an excellent choice. At $1,299 / £899 / AU$1,299, it's a powerful and impressive speakers, as our full Naim Mu-so (2019) review explains.

Bowers & Wilkins Zeppelin Pro
Following in the footsteps of the classic airship-shaped iPod dock from the 2000s, the Zeppelin Pro is a powerful wireless speaker capable of rich, hi-res sound. Admittedly it’s less talented than the Evo One – again, there’s no connectivity options like phono in or eARC and it has considerably fewer drivers. But it is much more affordable, coming in at just $799 / £699 / AU$1,349, and still sounds exquisite for the price, as we dig into in our full Bowers & Wilkins Zeppelin Pro review.

How I tested the Cambridge Audio Evo One

  • I tested it for a month
  • I used it for a wide range of audio, from hi-res streams to TV audio via eARC
  • I have decades of experience using and reviewing audio gadgets

I tested the Cambridge Audio Evo One over the course of a month. First of all, I used the TechRadar testing playlist, as well as many of my own standard testing tracks, to see how its sound stacked up. I listened to a wide range of different sources, from hi-res streaming on Tidal to Spotify’s lowest-quality tier to see how it coped with different audio quality.

I also tested all of its additional features. I listened to several vinyl albums, both via line-in and through its built-in phono stage, using my Audio-Technica AT-LP60XBT. I also connected it to my TV via eARC and tested its AV sound by watching multiple TV shows and movies. Finally, I tweaked its various sound optimization settings, and played with the EQ settings to test out how they impacted the sound balance.

I’ve spent many years covering audio gadgets, from headphones to speakers, and use a wide variety of sound setups at home, from Bluetooth speakers to my system of hi-fi separates. On top of this, I’ve spent decades making and producing music, which has given me a great deal of insight into how to assess the balance of frequencies and breadth of soundstage.

  • First reviewed: February 2025
  • Read more about how we test
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