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Ultimate Ears Everboom review: a very capable, jack of all trades Bluetooth speaker

5:30 pm | July 14, 2024

Ultimate Ears Everboom: Two-minute review

It would have been very easy for the Ultimate Ears Everboom to falter. Given UE’s storied reputation among the best Bluetooth speakers around, we knew the Everboom would be a solid speaker, but sandwiched between the Ultimate Ears Megaboom (now into its fourth iteration, launched alongside this model) and the inaugural 2023 Ultimate Ears Epicboom it would be easy to get lost in the noise. Would people opt for the more affordable downgrade or be compelled to bypass this and pick up the beefier party-ready option?

That would be a shame, because the Everboom finds its niche as a near-powerhouse that isn’t a challenge to carry around – in large part thanks to its surprisingly lightweight 960g build and metal carabiner clip replacing the Epicboom’s flimsy strap.

Sonically the Everboom isn’t perfect – at max volume subtle distortions creep in, and audiophiles will notice tunes aren’t as expansive and neutral as when using more premium speakers – but to say it gets the job done would be an understatement. Whether you’re looking to keep guests entertained at a party or kick back to a podcast after a long day, the Ultimate Ears Everboom’s room-filling 360-degree sound has your back. It can do so for hours too, with a decently long 20-hour max battery life.

And if things go awry at the party, the Everboom is designed to survive smaller drops and lengthier dunks – it’s IP67 rated and floats – which makes it the perfect companion on an adventure where anything can happen.

The Ultimate Ears Everboom clipped to a bag using its karabiner — (Image credit: Ultimate Ears)

Just note that the Everboom lacks music over Wi-Fi support (unlike the Sonos Roam 2, say) and doesn’t have a 3.5mm aux port, which means your only option is a Bluetooth connection for playing tracks, and you won't be disappointed.

At $249.99 / £249.99 / AU$349 there’s a lot of competition. For your home you could snag a Sonos Era 10 from our best wireless speakers list, you might like the Bang & Olufsen Beosound A1 (2nd Gen) from the best Bluetooth speakers we’ve tested, or you could go for the more affordable route and pick up the UE Wonderboom 3 (or recently released Wonderboom 4) for $99.99 / £89.99 / AU$149.

Then again, the Ultimate Ears Everboom does stand up for itself, boasting a ruggedness and performance combination that many rivals can’t match. Whether you’re after a new best party speaker, or simply want an all rounder audio gadget then you’ll find the Everboom won’t steer you wrong.

Ultimate Ears Everboom review: Price & availability

Released in US and UK June 26, 2024
Released in Australia July 22, 2024
$249.99 / £249.99 / AU$349

The Ultimate Ears Everboom launched in June 2024 in the US and UK at $249.99 / £249.99, landing a little later on July 22 in Australia at AU$349.

This places the speaker firmly between the UE Megaboom models at $199.99 / £169.99 / $349.95 (at least in the US and UK, we’re not sure why the Australian prices of the two models are the same) and the pricier UE Epicboom that released at $349 / £340 / AU$499 in terms of cost, performance, and size.

There are currently two color options to choose from: the Charcoal Black with lime accents, and Azure Blue with light blue accents. Later in the year Ultimate Ears will launch two further colorways: Raspberry Red with light blue accents and Enchanting Lilac with lime accents.

Ultimate Ears Everboom review: Specs

Ultimate Ears Everboom review: Design

Big but still portable
IP67 dust and waterproof rating
Carabiner clip is a useful tool

As with all other current Ultimate Ear speakers (and plenty of rival options these days), the Everboom has an IP67 waterproof rating. This means it’s dustproof and can survive for up to 30 minutes submerged in water at depth of up to 1m – though because this speaker also floats (I checked; it does in my bathtub) you shouldn’t ever have to go diving deep to find it.

We wouldn’t recommend using the speaker while it’s floating, as the audio quality takes a noticeable hit, but this feature makes it a perfect option for outdoor parties. Has someone accidentally kicked the Everboom into the pool? Has it fallen off your boat into the lake, or has the sky let loose a torrential downpour? With these features it’s easy to rescue the speaker well before it can get damaged – just remember to give it a rinse in clean freshwater if it's taken a dip, to prevent long-term salt or chlorine damage.

The Ultimate Ears Everboom floating in a bath — (Image credit: Future)

It also has a familiar aesthetic design – especially to the ovaloid Epicboom. It features the same iconic large volume buttons on its front face, and basic controls on its top face – one button each for power, Bluetooth, Outdoor Boost, and play/pause. The USB-C port can be found at the back on its base with a nifty guard to keep water out.

Though the similarities with the Epicboom end when it comes to portability. The Everboom is smaller than UE’s Epicboom at just 11.0 cm x 8.5 cm x 20.5 cm and fairly light – coming in at 960g – though it is nevertheless going to be a challenge to shove this speaker into an already well-stocked bag if you want to travel with it – which is where the nifty carabiner clip comes in.

You can either secure it to a rucksack’s exterior, or (as I’ve frequently used it) clip it onto a belt loop to easily carry the Ultimate Ears Everboom with you wherever you go; with the added benefit of simultaneously enjoying music or podcasts through your speaker without giving up a free hand to carry it.

Design score: 5/5

Ultimate Ears Everboom review: Features

20-hour battery life
App unlocks a megaphone and equalizer
No 3.5mm port, or microphones

The Ultimate Ears Everboom is full of neat features, though to access a lot of them you’ll need to install the UE Boom app on your phone (it’s available on iPhone and Android).

This is true for the equalizer – a control panel that lets you choose presets for specific listening experiences such as “Bass Boost” or “Podcast/Vocal”, and gives you the option to customize the Everboom’s sound profile as you see fit; PartyUp that lets you pair multiple compatible Ultimate Ears speakers to play music through them all at the same time, and if you have two Everbooms they’ll work as a stereo pair; and the new Megaphone feature (which has arrived to other UE speakers too) which lets you talk into your phone’s mic to blast a message through your Everboom.

The Ultimate Ears Everboom in the UE Boom app — (Image credit: Future)

You don’t need the app for every tool though. An in-built NFC feature lets you instantly pair the Everboom to an NFC-compatible smartphone (running Android 8.0 or later) by touching it to the speaker’s top. There’s also an Outdoor Boost mode which diverts power away from frequencies that don’t travel well outdoors so the speaker can get a little louder (reaching a max of 91dBC instead of 90dBC).

The UE Everboom does lack a few features. You won’t find a 3.5mm port, or any microphones (removing any potential for this doubling as a smart speaker) – and it also lacks Wi-Fi connectivity.

Lacking these tools won’t be a deal breaker for many, but the Ultimate Ears Everboom doesn’t do a lot beyond being 'just' a Bluetooth speaker – albeit a great one.

Features score: 3.5/5

Ultimate Ears Everboom review: Sound quality

Having a neat design and nifty features is certainly a bonus to any sound system, but we all know the most important factor to any speaker is its sound; on this front the Ultimate Ears Everboom serves up a storm.

Firstly, this thing can get monstrously loud with its max 90dBC volume (91dBC using Outdoor Boost, more on that in the Features section). This is louder than you’ll ever really need – for context, while using the Everboom in my flat I hover around two-fifths of the max volume and have only ever cranked it louder while I’m outdoors ignoring some tests I did for this review (apologies to my neighbors if you’re reading this weren’t out at work like I hoped you all were when I cranked the Everboom up).

The Ultimate Ears Everboom's carabiner says — This carabiner is 'Not For Climbing' (Image credit: Future)

Secondly, the Ultimate Ears Everboom delivers a very compelling audio performance, proving it can deliver quality not just quantity. Admittedly at the loudest volumes we detected a little distortion creeping in, but at most normal listening levels you're served a well mixed sound buffet.

Sabrina Carpenter’s pop hit Please, Please, Please is crafted with precision – her vocals are bright and crisp; the bombastic Tokyo Drifting by Glass Animals is delivered with an emphatic albeit not overpowering bass; meanwhile the instrumental layers in the jazz standard Caravan (I recently rewatched Whiplash, and the soundtrack has been a recent musical obsession of mine) are simultaneously distinct yet not at war with each other. Though there were occasions I felt the sound could be fuller and more warm.

Lastly, this speaker’s 360-degree soundstage can’t go unnoticed. It’s hardly a unique feature of modern Bluetooth speakers, but its ability to serve the same high-quality performance in every direction is nevertheless commendable.

Sound quality score: 4/5

Ultimate Ears Everboom review: Value

At $249.99 / £249.99 / AU$349 isn't the priciest Bluetooth speaker out there, but isn't what we'd call budget either. Materials and design-wise it does look and feel premium, and while it lacks high-end fetaures like Wi-Fi connectivity, that's hardly the end of the world.

In terms of sound there are speakers that offer a better overall performance at this price (even though the Everboom does a great job), but they lack the portability and/or the ruggedness and waterproofness afforded by the the Everboom making it something of a jack of all trades.

If that's what you're after it's solid value, but if you're searching for a speaker that is better for at-home sound and can piggyback on your home's Wi-Fi network, you'll want something different – perhaps from Sonos, perhaps one of our best wireless speakers recommendations.

Value score: 4/5

Should you buy the Ultimate Ears Everboom?

Buy it if…

You want a waterproof speaker that sounds great
Looking for a speaker that’ll keep you entertained and survive accidental dips into the pool/ sea / lake? The Everboom could be just what you need.

You need something portable
This speaker isn’t the smallest, but it weighs less than 1kg and with its carabiner clip it’s exceptionally easy to carry around.

You after something that looks fun
I don't know what it is, but the UE speakers’ iconic huge + and - volume controls and colorful fabric-jacketed designs scream fun to me – and a lot of us here at TechRadar – and we could all do with more fun in our lives.

Don’t buy it if…

You want one of the best wireless speakers
This speaker has Bluetooth connectivity but lacks the ability to connect to Wi-Fi to stream music directly from your favorite music streaming services like some rivals.

You need something wired
If you’re after a speaker that can support a wired 3.5mm connection, this is the gadget you need.

You’re on a budget
The Everboom is one of UE’s pricier speakers, and while it does offer decent value for money options like the Wonderboom 3 (or new Wonderboom 4) could be a better option if you’re on a budget.

Also Consider

Ultimate Ears Epicboom
If you can afford to splash out a little more and value sound quality over portability then the UE Epicboom might be more up your street with its bulkier design but more impactful audio drivers.

Ultimate Ears Wonderboom
At the time of writing we’ve not yet tested the new gen 4 model that recently launched, but the Wonderboom 3 is our pick for the best waterproof speaker out there. It’s cheaper than the Everboom and smaller, but won’t match its performance abilities.

Sonos Roam 2
Sonos is a well-known name in the audio game for a reason, and you can’t go wrong with its Wi-Fi enabled speakers. Not only can the Roam 2 fit into any existing Sonos setup, it’s also portable and Bluetooth compatible.

How I tested the Ultimate Ears Everboom

Tested for two weeks
Listened against the Ultimate Ears Wonderboom, and Sonos Beam (Gen 2) and Sonos Sub
Used at home, in a garden, and on the beach

To get a sense of this portable speaker's energy and stamina, I made sure to test it in a variety of environments to match up with how you might want to use it. I spent a lot of time with it at home but also took it outside into my garden and on a quick trip to the beach to see how it fared sonically and how often it needed charging.

This also included dropping it into a filled bathtub to make sure it floats as Ultimate Ears had promised – and thankfully it did, otherwise this would have been a short review. Quick note, make sure you dry it before leaving it on your desk as I came back to quite the puddle.

Music-wise I made sure to put the Ultimate Ears Everboom through its paces using a wide array of genres – everything from hip-hop to metal, as well as podcasts and a couple of films – to see if this speaker would get tripped up anywhere.

Pro-Ject E1: Two-minute review

The Pro-Ject E1 is a very capable, but affordable, turntable that's a particularly good option for people who are new to vinyl or who just want a fuss-free turntable that won't break the bank. It looks good, it sounds good and it comes with everything pre-set so you can simply assemble it, plug it in, and start playing.

The simplicity means that the Pro-Ject E1 lacks features you'll find in some rivals, such as a 78rpm speed setting, a phono stage pre-amp, a USB port or Bluetooth streaming – so if you want to stream old shellac singles to your Bluetooth headphones or rip them to digital this may not be the best turntable for you. But its simplicity is its strength: the focus is on delivering an involving sonic performance, and the E1 does that very well.

For this price, you won't really get any better sound than this has to offer. And it comes basically ready to out of the box – you won't need to have any fears over the set-up process, which makes it fantastic for beginners. It lacks automatic operation, which is a bit of a shame, but not a big deal. It's also quite lightweight, so make sure it's not positioned somewhere vulnerable to vibrations.

Aside from these notes, it's hard to fault this for what it delivers – it's designed to make great sound analogue sound easy, and it 100% achieves that.

The version we tested here is the plain Pro-Ject E1, which does not have its own phono stage – it's designed to be connected to an amplifier or to a system that has a phono stage before the amp. It's also available as the Pro-Ject E1 Phono with an integrated pre-amp, enabling you to use it with self-powered speakers, and as the E1 BT, which has the same pre-amp and adds Bluetooth transmission.

Pro-Ject E1 review: price and release date

Released in May 2022
$349 / £299 / AU$649
Usually available for less

This isn't Pro-Ject's cheapest turntable – that honour goes to the Primary E, which is about a third cheaper – but it's still priced keenly. The Pro-Ject E1 has a recommended retail price of $349 / £299 / AU$649, but at the time of writing it was available in the UK for as little as £209 and AU$494 in Australia, so buy at the right time and you can get a serious bargain. It was launched in 2022.

Pro-Ject E1 with raised lid — The Pro-Ject E1 is very light, so much so that you'll probably want to loosen the hinges for the acrylic cover. (Image credit: Future)

Pro-Ject E1 review: design

Beautiful in an understated way
No need to adjust tracking force
Very lightweight

The Pro-Ject E1 is beautiful in the way that a classic Swiss watch or a really good tailored suit are: understated rather than look-at-me flashy. The version I tested was entirely black with a gloss black plinth and matte black hardware, a look that reminded me of Hotblack Desiato's spaceship in The Hitch-Hiker's Guide To The Galaxy or the cover of Spinal Tap's Smell The Glove.The other colors retain the black hardware but replace the black composite fibre plinth with gloss white and walnut versions respectively.

The tonearm is rigid but lightweight aluminium with tracking force and its anti-skid pre-set and the 8.6-inch platter is lightweight ABS polymer with ridges designed to reduce unwanted resonance. The power supply plugs into the back, where you'll also find the decently long phono cables and ground wire. Unlike other Pro-Ject turntables, the RCA cable here is pre-soldered directly to the turntable. The cable length is 1.23m.

This is a very light turntable, so much so that lifting the lid can move the entire thing. You'll want to use the supplied hex key to loosen the hinges a little, and ensure your turntable isn't close to the speakers, or anything else that shakes the room, because it's likely to pick up some vibrations when it's this lightweight. High-end turntables are often seriously heavy in order to absorb unwanted vibrations, but this one is slight.

Design score: 4.5/5

Pro-Ject E1 close up cartridge — Our turntable came with an Ortofon OM 5E cartridge, which is a good all-rounder. (Image credit: Future)

Pro-Ject E1 review: Features

No flashy bells or whistles
No need to do a belt change
Fully manual operation

This is a very zen turntable: if it's not necessary, it isn't here. It's a fully manual turntable without bells and whistles, which helps explain how Pro-Ject has managed to keep the price down.

Unlike many belt-driven turntables, there's no need to do an awkward belt change when you want to change speeds: the E1 has an electronic speed switch with three positions, 45, off, and 33.

Although the Pro-Ject website currently lists the E1 with an Audio-Technica AT3600L cartridge, our review unit came with an Ortofon OM 5E. That cartridge is known for its neutral sound, making it a good choice for eclectic music tastes. It's upgradeable to Ortofon's other Super OM styluses.

As mentioned above, you don't get a built-in phono stage here either, so pay attention to whether your amp has one, or whether you might be better off getting the E1 Phono model.

Features score: 3/5

Pro-Ject E1 power socket — It doesn't get much simpler than this: plug the power supply in here, connect the cables to your amp and you're good to go. (Image credit: Future)

Pro-Ject E1: Audio performance

Exciting and involving sound
Great clarity and separation
Bass is big without being baggy

Belt-driven turntables are typically quieter than direct drive ones, and that's definitely the case here. The E1 is very quiet in operation, enabling the music to shine. And it really does. After reviewing some much cheaper turntables, listening to the same records on the E1 was like the bit in The Wizard of Oz where everything goes into technicolor.

The stereo stage was much better defined, the high frequencies were airier, and the low end was thrilling and tight rather than merely thumpy. Although the Ortofon cartridge is known for its neutrality it still delivered what I'd describe as a warm and lively sound, especially on vocals and acoustic instruments.

This is a very musical turntable. Old classics such as Fleetwood Mac's Rumours were a delight, the backing vocals and keyboards taking their rightful place without overpowering those lush vocals; Billy Duffy's guitar on The Cult's Electric growled and soared; Sigrid and Pet Shop Boys' electronic pop was propulsive without becoming crowded. If the mark of a good audio product is its ability to let you hear things that were previously buried, the E1 passes with flying colors: it makes room for details that you simply can't hear on lesser turntables.

Obviously, at this price, they're not the last word in turntable sound. If you spend more, and have the amp and speakers to make the most of it, you can get even more dynamic range and crisp detail. But you won't feel wanting as a result of listening to the Pro-Ject with a suitable setup, and an affordable pair of the best stereo speakers to match,

I also have one of the E1's main rivals here, the Audio-Technica AT-LP120X-USB, which has a similar price. And while the rival turntable has more features, such as Bluetooth and USB connectivity, I think the Pro-Ject E1 is the better sounding of the two. The AT is a very good affordable turntable but the E1 is more involving.

Audio score: 4/5

Pro-Ject E1 belt — You'll only need to see the belt when you first assemble your turntable: speed changes in this model are electronic, not manual. (Image credit: Future)

Pro-Ject E1 review: Usability and setup

Everything's been done for you
You'll be up and running in no time
No automation

The Pro-ject E1 has been designed to be effortless to set up. The tracking force is already set, as is the anti-skid, so getting organized is just a matter of following the simple instructions to put the belt onto the pulley, the platter on top, and the felt mat on top of that. Run the cables to your amp or phono stage, plug in the power, and you're good to go.

That super simplicity does mean some sacrifices, though: there's no automation, so you'll need to manually lift the tonearm when you reach the end of a side.

Although the tracking force is pre-set, you can adjust it: the counterweight is locked but the supplied hex key loosens it should you wish to increase the downward force.

Usability & setup score: 4.5/5

Pro-Ject E1 review: Value for money

You're not paying for features you won't use
Sounds more expensive than it is

At this price, the E1 is excellent value for money: you're not paying for bells and whistles you won't use (how many people are really ripping vinyl to USB these days?), so pretty much every penny is going on how your records will sound. So while lacking the extra flexibility of a phono stage or Bluetooth connection knocks this score down a little (though you can always get the E1 BT model instead!), it's still superb value overall.

It's a similar kind of thing with its lack of automatic operation – it would be even better for beginners if it had this option, but it's not a big deal that it doesn't have it. The really important thing is the quality, and it has that in spades.

If you're looking for a fuss-free turntable that looks good and sounds even better this is a Pro-Ject you'll want to join.

Value score: 4/5

Should I buy the Pro-Ject E1?

Buy it if...

You’re time-poor
Setting this turntable up is incredibly quick and simple.

You don't need shiny things
The E1 is focused on sound, not on adding extra features.

You like it simple
Minimalism is the order of the day here, in features and design.

Don't buy it if...

You want to stream
This turntable isn't Bluetooth, although there is a Bluetooth model in the range – look for the Pro-Ject E1 BT.

You're not familiar with hi-fi terms at all
This particular E1 needs to be connected to an amp with a phono stage, or you need a separate phono stage. If you don't know what this means, you'll need to learn – or get the E1 Phono, which has this built-in.

You want to tinker
The Pro-Ject Debut Carbon would be the better option for anyone who thinks they might want to upgrade parts in the future.

Pro-Ject E1 review: Also consider

Fluance RT81
Fluance's turntable is similarly priced, and like the Pro-Ject is belt driven for low noise. The stylus is an Audio-Technica AT95E and there's a built-in Texas Instruments phono stage. It's also heavier than the Pro-Ject. In our Fluance RT81 review we said it was the best starter turntable you can buy. It's been out for many years now but remains a superb performer.View Deal

Pro-Ject Debut Carbon
It's a bit more expensive than the E1, but this sibling turntable is a superb all-rounder with a better cartridge and a metal platter, and in our Pro-Ject Debut Carbon review we said it's well suited to people who might want to upgrade its parts over time. The only negative is that it has a manual speed change.View Deal

How I tested the Pro-Ject E1

Tested over several weeks alongside the Pro-Ject Juke Box E1
Tested with Onkyo amp and Bowers & Wilkins bookshelf speakers / Beyer-Dynamic headphones

I tested the Pro-Ject E1 at home over several weeks, connecting it to my Onkyo amplifier (with the direct setting enabled to completely bypass the amp's EQ circuit) which in turn powered twin Bowers & Wilkins bookshelf speakers and Beyer-Dynamic studio headphones.

I listened carefully to albums I already know inside out across a wide range of genres to assess how well the turntable delivered not just spacious, well-recorded music but also much more rowdy and crowded recordings.

First reviewed: June 2024
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Tribit XSound Plus 2 review: a budget Bluetooth speaker with booming, well-rounded sound

3:00 pm | July 6, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: Apple Music, EQ, Pocket Casts | Comments: Off

Tribit XSound Plus 2: Two-minute review

The Tribit XSound Plus 2 is an impressive Bluetooth speaker, especially given its modest price. Into its slight frame, Tribit has managed to squeeze two 15W, neodymium full-range drivers, as well as a battery that it says will last a healthy 24 hours. You also get IPX7 weatherproofing, which means it’ll see off any splashes or showers, and Tribit’s app offers nine-band EQ, enabling you to fully customize the sound. Not bad for $69.99 / £63 (about AU$105).

When it comes to performance, the Tribit Xsound Plus 2 isn’t short of enthusiasm. It’s able to produce a ridiculous amount of sound for a relatively small unit: it can happily fill a room with energetic, full-bodied sound, and doesn’t skimp on detail just because you’re sitting outside the sweet spot of its stereo field. And it can reach ear-splitting volumes if pushed: I’d urge you to use caution when hitting that volume button, lest it upsets your neighbors or audiologist.

But it’s not just a blunt instrument – it’s capable of some surprisingly sophisticated sound for a speaker of the price. Producing decent, well-rounded and expressive mids, as well as pumping bass, it makes certain genres shine. However, higher frequencies don’t fare quite as well as they do with some of the best Bluetooth speakers – these sometimes sound a little thin and fragile, and tracks that lean on a full, treble-heavy mix, can end up feeling a bit glassy.

Fortunately, the Tribit XSound Plus 2 has a secret weapon here. That nine-band EQ means you can tailor the sound it produces to suit your favorite songs and genres, create your own presets, and assign them to one of the three settings on the programmable EQ button atop the speaker. Given how much the sound profile of the speaker can vary though, any genre-hoppers among you might find yourselves needing to chop and change the EQ pretty regularly to ensure it keeps sounding its best.

Design-wise, the XSound Plus 2 is pretty conservative, with a matte-black plastic casing and slightly convex grille. Behind a rubber plug on its rear is a 3.5mm jack to use as a line-in, and a USB-C port for charging the device. There are buttons on the top for turning it on, activating pairing mode, changing the volume, playing, pausing and skipping music, changing EQ presets, and pairing with another Tribit speaker. It’s maybe not quite as robustly built as rivals like the Ultimate Ears Boom 3, so bear that in mind if you’re looking for something that can cope with a proper adventure out in the wilderness.

All things considered, the Tribit XSound Plus 2 can produce sound that its size and – more importantly – its price would belie. If you’re willing to really ride the EQ settings, you can get a lot out of it for such an affordable speaker. But if you’re looking for something that’s a true jack – or, preferably, master – of all trades, you'll likely want to spend a bit more on something that has more range, like the JBL Flip 6, which you'll be able to rely on for great sound regardless of the genre you play.

'XSound Plus 2' is engraved on the reverse side of the Tribit XSound Plus 2 — (Image credit: Future)

Tribit XSound Plus 2 review: Price & release date

Released April 2024
Costs $69.99 / £63 (about AU$105)

Released in April 2024, the Tribit XSound Plus 2 is available to buy in both the US and the UK, although it doesn’t seem to be available in Australia at the time of writing.

It's priced at a very reasonable $69.99 / £63 (around AU$105). Perhaps its closest rival at this size and spec is the JBL Flip 6, which costs $99.95 / £129.99 / AU$149.95; even Tribit’s more pocket-sized Bluetooth speaker, the StormBox Micro 2, costs $59.99 / £54 (about AU$90), making the XSound Plus 2 look like something of a bargain.

Tribit XSound Plus 2 review: Specs

Power, Bluetooth, and volume down button on the top of the Tribit XSound Plus 2 — (Image credit: Future)

Tribit XSound Plus 2 review: Features

Supremely customizable 9-band EQ
Rock-solid Bluetooth connection with easy pairing
Epic battery life

Surprisingly for a speaker of this price, the Tribit XSound Plus 2 has an impressive feature set. While you’re not going to get top-of-the-range features like lossless audio Dolby Atmos, or fancy automatic room-correction algorithms, this speaker does offer plenty of attributes that rivals twice its price don't.

Across the top, a band of buttons allows you to control most aspects of the speaker. The power and pairing switches behave exactly how you’d expect, while there's also a button to toggle between the three assignable EQ presets, and one to toggle Party Mode. There are also volume controls and the play button, which can be tapped once to play / pause, twice to skip forward, and thrice to skip back.

Fire up the Tribit app and not only does it allow you to toggle the speaker's auto-shutdown feature on and off, it gives you access to a pretty comprehensive EQ. This comes with six pre-programmed presets – XBass, XBass Off, Audiobook, MaxSound Traditional, Rock and Jazz – but also allows you to create your own profiles with its nine-band EQ. As a result, you can seriously customize the sound it produces, based on your tastes and the genre you’re listening to.

By default you can quickly switch between XBass, XBass Off, and Audiobook mode using the physical EQ button on the speaker, with the light above it turning white, off, or blue respectively to indicate which mode you’re in. But what if your tastes extend beyond just ‘bassy’, ‘less bassy’ and ‘books’? Then you’re in luck: you can assign any of the presets, or your custom profiles, to each setting. Personally, as someone with absurdly eclectic tastes, I’m a big fan of any speaker that allows me to quickly fire up dedicated sound profiles for witch house, UK drill, and psychobilly at the press of a button.

Thanks to the inclusion of Bluetooth 5.3, the XSound Plus 2 also has rock-solid connectivity. The connection can in theory extend as far as 150 feet and, while I rarely stretched it this far, it was able to cover the full 46-foot length of my apartment through walls without breaking a sweat. And the multi-device pairing that's built into more recent versions of Bluetooth meant it was always consistently quick to pair and swap between devices – you won’t need to spend 10 minutes forgetting and repairing connections just to get the speaker to swap from your phone to your laptop.

This also means the XSound Plus 2 supports pairing with other Tribit speakers. Once it's paired with your phone, all you need to do is tap the TWS button on the right-hand side of the speaker and the two speakers form a stereo pair. Alternatively, if you’re just looking to boost the volume for a larger space, you can press the TWS button on a stereo pair to switch the speakers into Party Mode, turning them into an ersatz multi-room setup.

If you throw particularly epic parties, perhaps the XSound Plus 2’s most attractive feature is going to be its battery life, especially for such a small unit. Tribit claims it will last 24 hours at 60% volume, which is a life long enough to make Methuselah envious. Putting this to the test, I set it to play at that volume until it had dropped down from 100% to 60%, which took eight hours and 45 minutes – that means it should last almost 22 hours on a full charge. That’s a little shy of what Tribit promises, but very few Bluetooth speakers are going to give you this much juice, especially for this kind of budget.

Features score: 4/5

Various button controls on top of the Tribit XSound Plus 2 — (Image credit: Future)

Tribit XSound Plus 2 review: Sound quality

Seriously loud, room-filling sound
Punchy bass and warm mids…
…but you’ll really need to ride the EQ to make some tracks shine

The Tribit XSound Plus 2 offers shockingly good sound considering its cost; both in terms of dynamics and how well rounded its lower frequencies are, it can hold its own against speakers twice its price. It's tuned to play to its strengths, and it smashes any music that matches its preferred sonic profile. Unfortunately, this also means it can rapidly come unstuck when served something outside its wheelhouse.

Despite its relatively small footprint, it can pack a pretty decent punch when it comes to anything with dynamic bass, especially when you enable XBass. When I dropped Cirrus by Bonobo, I was genuinely impressed by how effortlessly the XSound Plus 2 was able to shift between the punchy kicks and the organic melodies of the kalimbas. The sound felt very cohesive, and while it didn’t have quite the outrageous levels of bass that the more party-focused Bluetooth speakers can muster, the bass response was tight and well-integrated with the rest of the frequency range.

But there are definitely some compromises going on in order to enable such a cohesive, well-integrated sound. Listening to Paul Simon's vocals and Ladysmith Black Mambazo’s choral hook during the intro of Diamonds on the Soles of Her Shoes feels like you’re being immersed in honey and, when the drums kick in, they rise through the mix without overpowering it. However, I could detect some undeniable sharpness in the treble of elements like those jangly guitar chords, suggesting the XSound Plus 2 is less proficient when it comes to handling transients.

Some songs clash with the XSound Plus 2’s processing, coming off much worse. Initially, when I played Go Your Own Way by Fleetwood Mac, I was rather taken aback – it sounded tinnier than my hearing after a week-long festival. Both the high-mids and trebles sounded surprisingly brittle and, unlike with other genres, the band’s leaner soft-rock sound didn’t serve up enough bass to stop things from sounding seriously top-heavy. Playing the same song on the JBL Charge 5 really showed me what I was missing – the tom tom fills that were almost entirely neutered on the XSound Plus 2 added much more body. Clearly the cohesive sound the Tribit delivers while playing some genres means that certain frequencies are ducked and, to me, those low-mids seem to be one of the areas that are squeezed out.

This is where those EQ settings come in handy. When I flipped the XSound Plus 2 to its rock setting, Fleetwood Mac’s breakup anthem sounded much more like the song I recognized – the treble had a bit more oomph across the spectrum, while the bass was less subby, prioritizing the register of those toms and bass kicks. And finding the right setting can make other tracks shine too: Kamasi Washington’s Clair de Lune already sounded solid, but when I popped it into jazz mode, it gave due deference to that double bass, while giving more timbral depth to rest of the instruments, particularly that sultry trombone solo.

Ultimately, though, there isn’t any set-it-and-forget-it EQ setting that shows all tracks off in their best light. That may be less of an issue if you tend to only listen to one or two specific genres, but if you have diverse tastes or chop and change a lot, you may find yourself having to pull out the app more often than you’d like to ensure you’re getting the absolute best sound for your favorite tunes.

Given that it only has two forward-facing drivers, I’ll admit I was a little skeptical about the kind of presence that the XSound Plus 2 could deliver. But blow me down: it’s actually a solid little performer when it comes to soundstage. Naturally, it’s very much a point source of sound, but I tried sitting with it at a range of angles, and I didn’t find that the audio suffered when I was outside of the optimum stereo field. Even with the speaker pointing directly away from me, the treble didn’t significantly diminish, so when you have guests round they won’t all be jostling for the one seat from which they can actually hear the tunes playing.

And it’s just absurdly loud when you push it. Not only could it happily fill my living room with sound – which is no small feat given that I have cavernously high ceilings – but while running the above battery test at 60% volume in our offices, I could still hear it two rooms away despite the fact that it was wrapped in a jumper, stuffed in my rucksack, and in a room with acoustic damping on the walls. Inevitably, there’s a fair amount of distortion when you really crank it up to its eardrum-melting maximum, but you’re never going to be left wanting when it comes to sheer volume.

Sound quality score: 3.5/5

Tribit XSound Plus 2 with attached lanyard on gray surface — (Image credit: Future)

Tribit XSound Plus 2 review: Design

Pleasant (if slightly anodyne) matte plastic finish
IPX7 rating protects it from rain and puddles
Lanyard feels a bit flimsy for a speaker of this weight

All told, the Tribit XSound Plus 2 is a likeable enough package. Don’t get me wrong: it’s not an objet d’art, but equally it doesn’t look conspicuously cheap. It’s far from the most flamboyantly hued Bluetooth speaker ever: your choices here are black or… erm… black. But plenty of brands offer brightly colored speakers; the XSound Plus 2 is clearly aiming for a subtler aesthetic, and I’d say it nails it.

Its body is made of a matte-black plastic that feels pleasingly soft to the touch, while the round curves on its rear make it comfortable to grasp in a single hand. On the front of the device, the drivers are covered by a convex metal grille, which is a bit more visually distinguishable than the cloth-covered cylinders that seem pretty much ubiquitous these day. If there’s any speaker the Tribit resembles, it's the Beats Pill, but less rounded overall.

If you’re wanting to take the Tribit XSound Plus 2 into the great outdoors, it will easily be able to handle the elements. Thanks to its IPX7 rating, it should be able to cope with being dunked in water up to 3ft / 1m for up to 30 minutes, which means it’ll shrug off splashes with the enthusiasm of a golden retriever. But, beyond this, it’s probably not as hardy as some of its rivals: it’s not been tested for dust and grit ingress, and I’d argue its relatively dainty build won’t handle accidental drops quite as well as more robust portable speakers on the market.

And that last point really makes me question one design choice. The XSound Plus 2 comes with a lanyard on one end that allows you to wrap it around a wrist or attach it to a backpack, but it feels pretty flimsy, especially given the speaker’s 1.76lbs / 0.8kg weight – leaving it dangling and pirouetting around at the end of this string felt like I was hanging a $70 speaker from a 50¢ cord. Fortunately, it’s easy enough to hold in a single hand or stick in a pocket that I never really needed to trust the Tribit to this tenuous lifeline.

Design score: 4/5

Removable tab on reverse side of the Tribit XSound Plus 2 open to reveal an AUX and USB-C port — (Image credit: Future)

Tribit XSound Plus 2 review: Value

Produces sound almost as good as speakers twice its price
Offers a broader range of features than many budget rivals
IPX7 weatherproofing make it a wise purchase for outdoor use

With the Tribit XSound Plus 2, you’re getting a lot of speaker for not very much money. The features it offers exceed what I’d expect for a speaker at this price. Sure, you’re not getting cutting-edge features like lossless audio or Dolby Atmos, but its EQ settings are super-customizable, and the ability to network multiple speakers together should give you a much more impressive soundstage than you’d get from one single $140 / £130 / AU$200 speaker.

And design-wise, its utilitarian looks are still pleasing enough, while that IPX7 rating will shrug off most of what the great outdoors can throw at it, making it a wise purchase for anyone looking for a cheap, durable speaker to take trekking or camping.

Admittedly, it’s hardly the most neutral listen, and this does cause some inconsistencies, depending on what you’re listening to. In comparison, the similarly sized JBL Flip 6 offers superior sound – but it also costs more than double the price. So in terms of bang for your buck, you’re getting a pretty sweet deal here.

Value score: 4.5/5

Should you buy the Tribit XSound Plus 2?

Buy it if…

Don't buy it if…

Tribit Xsound Plus 2 review: Also consider

How I tested the Tribit Xsound Plus 2

I tested for two weeks, and I tested it against the JBL Charge 5
I used it in the office and at home
listened to Spotify, Apple Music and Pocket Casts on an iPhone 13 Pro and a MacBook Pro 16-inch (2019)

I tested the Tribit XSound Plus 2 over the course of two weeks. Not only did I listen to a wide range of different genres and styles on it, but I also tested it using TechRadar’s reference playlist, which helped me assess the speaker’s full range and how it handled specific frequencies.

As well as connecting the XSound Plus 2 to multiple devices, including my iPhone 13 Pro and my MacBook Pro, I also directly compared how it performed relative to the JBL Charge 5, testing each speaker side by side. To test the speaker’s battery life, I set it to play continuously at 60% volume, and measured the battery drop over time.

I’ve been reviewing gadgets and technology for nearly 10 years, particularly headphones, speakers, and music hardware. I also regularly produce audio and music in my spare time, giving me a strong understanding of sound dynamics and frequencies.

Monitor Audio Studio 89: Two minute review

Back in the day, ‘Studio’ was Monitor Audio’s most expensive, most aspirational range of loudspeakers. And now the name is back, with an ‘89’ attached for good measure, in a loudspeaker the company reckons is more ‘Formula 1’ than ‘sports car’.

It’s a distinctive looker, that’s for sure – whether or not you find the proportions attractive is one thing, but there’s no denying the gloss-black cabinet with its vertical, copper-colored driver array is dramatic. Bolt the speakers to the matching stands (if you don’t mind the extra outlay) and the look is coherent and, to me at least, striking.

Using driver and crossover technology originally developed for a loudspeaker that costs $92K / £70K per pair is pretty promising, too – and the way it’s been deployed shows similarly little inclination to compromise. Heck, even the speaker terminals on the rear of the cabinets are rhodium-plated and quite extravagantly shaped.

How does this more affordable option stack up against the best stereo speakers on the market? Well, the star-rating above is a good start isn't it? But let's delve into the nuts and bolts of the thing – and also, of course, the sound.

Monitor Audio Studio 89 in a hi-fi listening room — (Image credit: Future)

Monitor Audio Studio 89 review: Price and release date

Released July 1, 2024
$2,500 / £2,000 / AU$4,000

The Monitor Audio Studio 89 are available now, and in the United Kingdom they’re yours for £2,000 a pair. In the United States they go for $2,500, while in Australia the asking price is AU$4,000.

When you consider that Monitor Audio is perhaps most-noted of late for releasing a $92K Hyphn proposition (once called the Concept 50, initially unveiled at High End Munich 2022), it's affordable territory.

That’s just for the speakers though, you understand – if you fancy the bespoke stands too (and they have a lot to recommend them beyond a harmonious aesthetic) you’re looking at an additional $625 / £500 / AU$1,000.

The majority of this test is conducted with the Studio 89 bolted to their matching stands – but not entirely. I also positioned the speakers on my reference Atacama Moseco 6 stands, where they are perfectly happy (although don’t look quite as swish). This review, then, is purely an appraisal of the loudspeakers and the loudspeakers only.

Monitor Audio Studio 89 review: Features

MPD III tweeter; 2 x 108mm RDT III mid/bass driver
Rear-facing bass reflex slots
48Hz - 60kHz frequency response

These are passive loudspeakers, of course, and consequently ‘features’ are fairly thin on the ground. What features the Studio 89 have, though, are thoroughly researched and thoughtfully applied.

The front baffle of the speaker, for instance, is a slice of aluminium that’s isolated from the main body of the cabinet by a dense layer of foam. The baffle and the drive units it houses are then secured using ‘through-both’ technology running from the rear of the drivers to the rear of the cabinet. The intention is to create a very rigid cabinet structure in which the drive units can operate in isolation – and consequently offer cleaner and less coloured sound. The fact that this methodology means there are no visible fixings or screw-heads doesn’t do the look of the Studio 89 any harm, either.

The drive units themselves are arranged vertically – a couple of 108mm RDT III mid/bass drivers are positioned with an MPD III tweeter between them. This ‘MTM’ (mid/tweeter/mid) arrangement, says Monitor Audio, offers the advantage of large sound dispersion thanks to its ‘vertical symmetry’.

The RDT III mid/bass drivers are the latest refinement of the ‘C-CAM’ technology Monitor Audio has been enamoured of for years now. A combination of three very thin layers of ceramic-coated aluminium/magnesium, carbon weave and Nomex honeycomb core combine to produce a light, responsive driver that’s positioned ahead of a powerful motor system that uses a magnet that’s larger than the cone itself.

The MPD III tweeter, meanwhile, uses its low-mass diaphragm pleats a bit like an accordion for smooth and rapid high-frequency response. Its square radiating area is designed for equal directivity both horizontally and vertically. Its carefully designed waveguide contributes to its directivity and soundstaging abilities, too – and the fact that it looks quite dramatic doesn’t do any harm, either.

Underpinning this driver array, sonically speaking, are a couple of narrow velocity ports positioned at the top and the bottom of the rear of each cabinet. The relatively large port area keeps both internal pressure and airflow within the cabinet balanced, and reduces turbulences – with the result, says Monitor Audio, that airflow is smooth and bass response is significant.

Elsewhere, the crossover that delivers the electrical signals to the drivers is a careful new design that uses polypropylene and polyester capacitors. Along with air-core and low-loss laminated steel-core inductors, the design is intended for optimal signal transfer and minimal distortion. Chunky rhodium-plated, precision-machined speaker terminals complete the impression of some thoroughly uncompromised engineering.

Features score: 5/5

Monitor Audio Studio 89 review: Sound quality

Poised and informative sound
Detail and dynamism in equal measure
Express rhythms expertly

There are plenty of loudspeakers that can peer deep into a mix and return with every scrap of information that’s in there. There are plenty of loudspeakers that can entertain with the vigorous nature of their presentation. Loudspeaker that can do both, though, are in rather more short supply. So it’s nice to be able to add the Studio 89 to the list.

What’s perhaps most immediately enjoyable about the way the Monitor Audio sound is how much they seem to be enjoying themselves. When playing an uncomplicatedly good-time recording like You! Me! Dancing! By Los Campesinos! there’s proper energy and vitality to the presentation, a sense of engagement that’s by no means a given no matter how much you spend on your speakers.

But this is not at the expense of insight. The Studio 89 create a large, well-organised soundstage that allows even a rather compressed and hazy mix like this one to stretch out and give each individual element a bt of space in which to operate. Detail levels are high at every turn, and the Monitor Audio manage to put even the most fleeting, transient occurrences into convincing context. Without making any part of the recording sound remote or estranged, the Studio 89 makes it easy to identify individual stands - yet the unity and togetherness of its presentation gives a genuine sensation of ‘performance’.

Something a bit less headrush-y and a bit more considered – Bad Kingdom by Moderat, say – allows the Studio 89 to demonstrate a nicely neutral tonal balance and extremely smooth integration of the frequency range. The handover between drivers is imperceptible, and no part of the frequency range is unduly underplayed or overstated. Low frequencies are deep, properly varied and textured, and controlled to the extent that rhythmic expression is never in doubt and momentum levels are always high. The opposite end of the scale is bright and substantial, so treble sounds shine without veering anywhere near hardness. And in between, the midrange is open and eloquent to the point that vocalists of all types, all techniques, all characters and all emotional states, are able to communicate fully.

Dynamic headroom is considerable, so big shifts in volume and/or intensity are tracked faithfully. And the less obvious, but no less crucial, dynamics of harmonic variation are given just the right amount of emphasis too. No matter how spare or how complex a recording, the Monitor Audio exercise authority over it.

About the only area in which the Syudio 89 might conceivably be described as ‘deficient’ is where simple attack is concerned. There’s nothing matter-of-fact about the way these speakers deliver a recording, you understand – but there are some alternative designs that have greater bite and assertiveness. But the more I think about it, the more I’d describe this as a ‘trait’ rather than a ‘deficiency’. If you’re one of those listeners who likes maximum drive and attack, you may find the judicious and balanced nature of the presentation here to be just slightly on the tentative side. The rest of us, though, will just admire what a thoroughly convincing sound is available.

Sound quality score: 5/5

Monitor Audio Studio 89 review: Design

Gloss black finish
340 x 157 x 361mm (HxWxD)
7.6kg (each)

There’s a disproportionately tall, thin elephant in the room where the design of the Monitor Audio Studio 89 is concerned – so I may as well get right to it. At 340 x 157 x 361mm (HxWxD) these are, without doubt, quite strangely proportioned loudspeakers. Seen from dead ahead they look quite tall and thin, because they are. But move around them and you realise they’re even deeper than they are tall. It’s an unusual effect, and it makes the bespoke stands Monitor Audio has developed for use with these speakers seem more like an essential than an option.

Rather gawky proportions aside, though, these are beautifully finished and quite good-looking speakers. The driver arrangement in the aluminium front baffle somehow makes them look rather startled, but the gloss black finish (your only option) is lustrous and deep – and it contrasts nicely with the copper/bronze color of the mid/bass drivers. The little badges that wrap around the bottom of each speaker, with their none-more-80s Ford Sierra typeface, are nicely judged too.

Design score: 4.5/5

Monitor Audio Studio 89 review: Value

The usual caveats apply here, of course – you should really only consider the Studio 89 if you’re going to use them in a similarly expensive and capable system, and you are almost certain to have to find the money for the matching stands. But as long as you can live with these Ts & Cs, there’s no denying the value for money these speakers represent both as objects and, most importantly, where the sound they make is concerned.

Value score: 5/5

Monitor Audio Studio 89 review: Should you buy them?

Buy them if...

Don't buy them if...

You like a sound with its eyes out on stalks
They’re an assertive listen without doubt, but it’s equally true to say that some alternative designs will attack a recording even more readily.

Monitor Audio Studio 89 review: Also consider

You have a lot of choice, from a lot of very well-regarded manufacturers, if you have this sort of money to spend on a pair of compact passive loudspeakers.

The R3 Meta by KEF, for instance, are maybe $120 cheaper than the Studio 89 – and while they don’t look as dramatic, they certainly have plenty to recommend them where sound quality is concerned.

Or you may decide to chuck even more money at it and check out the 705 S3 by Bowers & Wilkins – there’s nothing retro about they way they look, and the stands will cost you even more money than the Monitor Audio equivalent – but if you’ve the readies, these speakers are among the most rewarding around.

(And if you've not? It's perhaps worth giving the B&W 600 Series a look).

Monitor Audio Studio 89 review: How I tested

Using the extra-cost stands – and using my stands
Connected to a Naim Uniti Nova, listening to Qobuz and Tidal tracks
Also hooked up a Rega Apollo for CDs; Cambridge Audio/Clearaudio for vinyl

My time listening to the Monitor Audio Studio 89 was split pretty much 50/50 between their being bolted to their bespoke, quite expensive, stands and sitting on more affordable (but eminently capable) Atacama Moseco 6 alternatives.

They were powered by a Naim Uniti Nova streamer/amplifier capable of twisting out 70 watts of power per channel. As it’s a streamer as well as an amplifier, I used the Naim for listening to Qobuz and TIDAL.

I used a Rega Apollo for listening to compact discs, and both Cambridge Audio Alva TT v2 and Clearaudio Concept turntables for vinyl listening.

The speakers stayed in my listening space for the entirety of the test – the space is nothing esoteric, it’s fairly ordinary (although not especially reflective) room that works very well for my purposes. And I listened to a great many different recordings via these different sources, of a great many genres and from a wide range of eras.

First reviewed July 2024
Read more about how we test

Astell & Kern HC4 review: a petite but powerful DAC that sometimes oversteps the mark

1:00 pm | June 30, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Tags: DAC | Comments: Off

Astell & Kern HC4: Two-minute review

Astell & Kern is no stranger to digital audio in all shapes and sizes, and the A&K HC4 is its latest attempt to coax worthwhile sound quality from your smartphone or laptop – and for good measure, it’s got strong gaming credentials too.

It’s a thoroughly specified little device, from its high-end AKM AK4493S DAC chipset via its balanced and unbalanced headphone outputs to its support for UAC 1.0 as well as UAC 2.0 to ensure compatibility with as many gaming devices as possible. Its aluminium construction looks and feels smart, too – so while there’s not much of it, the AK HC4 nevertheless appears to offer decent value for money.

And when it comes to its single function – taking the digital audio information from your source device and converting it to the analogue equivalent – there’s plenty to admire here. The HC4 sounds big and organised, and extracts a lot of detail from a recording – it’s a peppy and informative listen. It overplays its hand somewhat where the highest frequencies are concerned, though, giving treble sounds a rather insubstantial and unyielding edge that is at odds with the rest of the work it’s doing. In a competitive and saturated market, then, does the A&K's plucky performance still make it one the best portable DACs going for the money? Let's see.

Astell & Kern HC4 review: Price and release date

Astell & Kern HC4 on a wooden table — (Image credit: Future)

Released in November 2023
Priced at $220 / £219 / AUS399

The A&K HC4 portable headphone amp/DAC is available now for $220 in the United States, £219 in the United Kingdom and in Australia, it'll cost you AU$399 or somewhere closely in that region.

The world is hardly short of portable USB headphone amp/DACs, though, and while the A&K refreshingly undercuts the $499 / £449 / AU$769 iFi GO Bar Kensei, it's still dearer than the five-star iFi hip-dac 3 (which can be yours for $199 / £199 / AU$349).

So, competition is fierce at the level, and missteps will likely have repercussions.

Astell & Kern HC4 review: Features

AKM AK4493S DAC chipset
3.5mm and 4.4mm outputs
‘Digital Audio Remaster’ technology

When it comes to features, you don’t have to read all that far down the HC4’s spec-sheet to realise that Astell & Kern is deadly serious. By prevailing standards, the feature-set here is formidable.

The main business is taken care of by an AKM AK4493S DAC chipset that’s more commonly found doing its thing in (among many other devices) Astell & Kern’s well-regarded and witheringly expensive digital audio players. It’s compatible with every worthwhile digital audio file type, and is capable of dealing with content of up to 32bit/384kHz and DSD256 resolution.

Getting the information into the HC4 in the first place happens via the USB-C slot on the bottom of the device - Astell & Kern provides both USB-C / USB-C and USB-C / Lightning cables to get the job done. Getting it out again happens using either the unbalanced 3.5mm socket or the balanced 4.4mm equivalent on the top – it’s worth noting the 4.4mm output only supports five-pole jacks.

Another feature Astell & Kern has incorporated from its pricey digital audio players is ‘digital audio remaster’ technology – it is designed to upsample the native sample rate of the source material to go beyond the limits of the source format. Sounds like quite a trick, doesn’t it? Astell & Kern reckons it delivers – and I quote – “more refined playback and… a delicate, analogue-like sound”.

And by way of an encore, Astell & Kern has ensured the AK HC4 is compatible with as wide a selection of devices as possible by making the device’s USB-C input supports UAC 1.0 as well as UAC 2.0. Almost every smartphone, laptop and tablet supports UAC 2.0, but there are plenty of gaming devices that are still UAC 1.0 – but if you want a low-latency connection to your Playstation, Switch or what-have-you, the HC4 has you covered.

Features score: 5 / 5

Astell & Kern HC4 review: Sound quality

Detailed, informative sound
Open and well-defined presentation
Slightly skewed towards the top end

The AK HC4 is an admirably consistent device. During the course of this test I listened to 16bit/44.1kHz and 24bit/96kHz FLAC files via the Tidal app, loaded onto both iOS and Android smartphones, as well as some DSD128 stuff stored on the internal memory of a MacBook Pro. And while there are, of course, advantages to the higher-resolution stuff, the Astell & Kern doesn’t really alter its overall stance no matter what standard of content you’re listening to or the type of music you enjoy. Its fundamental attitude is always the same.

And in broad terms, it’s a revealing and explicit attitude. No matter if it’s the voice-and-guitar intimacy of Lua by Bright Eyes or the rather more complex Dirty Paws by Of Monsters and Men, the HC4 is able to see to the bottom of the mix and return with all sorts of information regarding tone and texture you may not previously have been aware of – certainly not if you’ve been listening directly from a smartphone to some wired or wireless headphones before now.

Throughout the frequency range, detail levels are sky-high – and rather than draw attention to how clever and insightful it is, the HC4 puts everything into the correct context in order to poverty serve the recording. It’s dynamic both in the sense of ‘quiet/LOUD’ and where harmonic variations in a strummed guitar are concerned. And it creates a big, well-defined and easy-to-follow soundstage, and lays out a recording explicitly – but it doesn’t make any part of a recording sound remote from any other. There’s a singularity and idea of ‘performance’ to the sound of the HC4 that’s as enjoyable as it is impressive.

Low frequencies are substantial and properly controlled, so there’s never an issue where rhythms or tempos are concerned. The midrange is perhaps the greatest beneficiary of the A&K’s powers of analysis – there’s a stack of information about a vocalist available, and it makes for an immediate and positive description of a singer’s abilities and motivations.

It’s only at the top of the frequency range that things are anything less than fully impressive. There’s a glassiness and a rather relentless edge to the way the HC4 serves up treble information that a) puts it at odds with the rest of the frequency range where tonal balance is concerned, and b) discourages the listener from increasing volume levels much beyond ‘moderate’. The relative hardness and lack of substance to the top end makes those recordings with a high-frequency emphasis sound edgy – and overall it doesn’t make for all that relaxing an experience.

Sound quality: 4 / 5

Astell & Kern HC4 review: Design

65 x 30 x 15mm (HxWxD)
31g
Aluminium construction

There’s usually not a lot of scope for ‘design’ to happen when a product ideally needs to be as light and compact as possible. But this is Astell & Kern we’re dealing with here – you won’t be surprised to learn that the company has given it a good go where ‘design’ of the AK HC4 is concerned.

The all-aluminium construction keeps the weight of the device down to a trifling 31g. It also allows for a hint of the trademark Astell & Kern angularity on the top surface, and for the sides to be mildly curved in order to make the HC4 easily graspable.

One of the curved sides features a shallow rocker switch and a DAR on/off slider. At one end of the chassis there’s the USB-C input, and at the other end the balanced 4.4mm and unbalanced 3.5mm outputs. Apart from a tiny LED (which lights up in white to indicate standby, red for PCM and blue for DSD audio files), that’s your lot. And frankly, I am tempted to ask what else you might reasonably be expecting?

Design score: 5 / 5

Astell & Kern HC4 review: Value

Priced in line with rivals
Not a nailed-on winner

Just as you can’t judge a book by its cover, you can’t judge the effectiveness of a piece of consumer electronics simply by how big and/or heavy it is. The AK HC4 may not look like much, but the effect it can have on your listening experience can’t be denied – so in this respect, it represents decent value.

When you compare it to the best of its rivals, though, it ceases to be a nailed-on favourite and becomes more of an interesting option… which probably undermines its value-for-money credentials somewhat.

Value score: 3.5 / 5

Should I buy the Astell & Kern HC4 review:?

Buy it if...

Don't buy it if...

Astell & Kern HC4 review: Also consider

iFi hip-dac 3
Now, you do get the looks; it's even styled like a hip-flask. This likeable, cheaper DAC won't fit in your pocket quite as easily as the A&K HC4 but it's nothing if not a conversation starter – and a talented one soncially at that.
Read our in-depth, five-star iFi hip-dac 3 review.

How I tested the Astell & Kern HC4

Used for over a week (after a thorough running in)
Tidal and Qobuz were go-tos, using various headphones/IEMs

I spent over a week listening to the Astell & Kern HC4, using Apple iPhone 14 Pro and Samsung Galaxy S23 smartphones. I connected it to Sennheiser IE900 in-ear monitors via its 4.4mm balanced output and to a pair of Grado SR80x using its 3.5mm connection.

I used it at home, navigating traffic, and on the train. I listened to music almost exclusively from Tidal and Qobuz (since these streaming services are full of high-resolution content and 24bit/192kHz standard), and I made sure to check for connectivity and cable noise as I did so (you're fine there).

First reviewed: June 2024
Read TechRadar's reviews guarantee

Edifier QR65 review: great-looking powered stereo speakers – but perhaps not for your desktop

5:30 pm | June 29, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Tags: LED, PC, USB | Comments: Off

Edifier QR65: Two-minute review

It's easy to assume that your desktop computer just needs cheap and cheery monitor speakers so you can hear your email chimes or the sound of the YouTube videos you watch when you're pretending to work, but the Edifier QR65 make a good case as to why you should stretch upwards into the realm of the best stereo speakers.

The QR65 are the newest speakers from Chinese audio company Edifier, which sells plenty of other desktop and monitor speakers for gaming, studios or just general computer use. These new models are classed as part of its 'Wireless Speakers' line-up but it also calls them 'Desktop Active Monitors' so they're clearly designed for desktop use.

I wouldn't recommend buying them solely for desktop use, though, because the Edifier QR65 function much better as multi-media speakers.

The Edifier QR65 are mid-range speakers and the sound fits; it's pretty good, with thumping bass and clear treble, even if the maximum volume won't exactly rock the house (unless you have a small house).

There are a fair few connection options too, as you can connect via USB (that's for the desktop connection) as well as wired and Bluetooth audio, so the speakers really do work for multi-media enjoyment.

And while I'm listing positives, I want to touch on the look of the speakers: they're fashionable and good-looking, even though they have LED lights which will raise red flags for audiophiles (and red LEDs for everyone else).

Then onto the... not 'bad', per se, just 'annoying' bits. While the QR65 have an app for control on your phone, they don't on PC, which feels like an odd omission given that these are meant to be desktop speakers. They also don't turn off or on with your computer, so you have to keep manually turning them on and off when you want to use them or contend with their LEDs lighting up your room all day and night.

Because of these two hurdles I ended up preferring to stream music over Bluetooth during the testing period, rather than testing them alongside my Windows PC.

Edifier QR65 review: Price and release date

The Edifier QR65 on a white background. — (Image credit: Future)

Announced in April 2024
Mid-range at $369.99 / £329.99 / AU$449

Edifier announced the QR65 in April 2024, to join its busy range of audio products.

The Edifier QR65 cost $369.99 / £329.99 / AU$449, and they’re generally considered to be towards the low end when it comes to desktop speakers. Sure, you can find Amazon cheapie options for a tenth of the price, but you can also find many options for ten times that cost (or more, see the KEF LS50 Wireless II). They’re also snugly in the middle of the options on our list of the best computer speakers.

Another thing this price puts the Edifier QR65 roughly in the middle of? Edifier’s range of speakers – Edifier has a lot of speakers in many categories such as bookshelf, computer or studio speakers, and the QR65 are actually part of its wireless speaker range, despite being designed to work with desktops.

If you want to see what else is at this price range, specifically when it comes to dual-speaker desktop set-ups, then the Kanto Ora4, FiiO SP3 and Audioengine HD3 all hover roughly at this price point.

Edifier QR65 review: Specs

Edifier QR65 review: Features

Phone app, but no PC one
LED lights with customizable effects
Audio cable, USB and Bluetooth connections

If you’re connecting the QR65 to your smartphone, you’ll need to download the Edifier ConneX app to control them. Not Edifier Connect, nor Edifier Home, nor Edifier Enhance, and I had to deploy the trial and error approach when working out which app to use, which was an annoying waste of 10 minutes. Sure, Edifier isn’t the only tech company which refuses to consolidate its apps, but that doesn’t excuse it.

ConneX lets you change the EQ of music, customize the light effects and change the audio codec of streamed music, amongst a few select extras. You can certainly use the QR65 without it, but there’s no harm in exploring these extra features.

So what about if you’re using these desktop speakers while paired to a desktop PC or Mac? Well then you’re out of luck, because there’s no app support when you’ve got the QR65 hooked up to your computer by Bluetooth. You can use the dial to change the light effects a little but there are no EQ options, and if you want to turn up the volume, you’ll have to reach over to the speaker and turn up the dial manually (if you’re already at 100% PC volume, that is).

That’s why I said in the introduction that these speakers fare better as general multimedia speakers than desktop-exclusive ones; if you only use these connected to a computer, you’re going to miss a few features. The exception is if you connect the speakers to your computer and your phone, which lets you use the latter to equalize and change light effects, but that’s a lot of faff.

One other thing to bear in mind when using the Edifiers as your desktop speakers is that they don’t turn off or on with your computer – you’ll need to remember to separately turn them off or on, which is something I was constantly forgetting.

The other form of connectivity is via audio cable, with RCA plugging into the speakers and a 3.5mm jack to connect to your phone, MP3 player or other device. Pretty straightforward. Talking of connectivity, there’s actually a Sub Out port in one of the speakers that you could use to connect to an external subwoofer if you want more bass than the Xtreme Bass Series. I don’t see most people needing this, but it’s a nice optional extra.

Features score: 3.5/5

Edifier QR65 review: Design

Two good-looking rectangles
Stands included in box
Dials and ports in one speaker

The Edifier QR65 consists of two fairly large speakers, with one measuring 13 x 21.3 x 21.2 cm and the other a touch bigger due to it having extra dials and ports. This latter is the ‘active speaker’ which you use to control the music and connect to power and inputs/outputs, while the former is the ‘passive speaker’ which only has a port to connect it to the active speaker. Yes, they're actually 'powered' speakers even if they're listed as 'active', since the amplification is squirrelled into one of the boxes.

Setting up the Edifier is a little bit of a faff but once you’ve connected the active speaker to power, the passive speaker and your PC (via USB-A cables), Bluetooth device (via Bluetooth, obviously) or other audio device (via ports in the back and an included cable), and also directed the speakers towards you (using included stands, which sit at a 10-degree angle) you’re ready to go.

As well as the aforementioned ports, there are three charging ports which you can use to power up other devices (one USB-A and two USB-C) which is a handy extra feature.

On the right side of the active speaker is a button and two dials. The button is to switch between inputs (each press toggles you between Bluetooth, USB and Line In) and to turn off the speakers by pressing and holding. I ended up leaving them on though, to save myself the journey of going into my computer settings to change the active output.

Then onto the two dials: the first is for volume which is pretty self explanatory, though pressing it also pauses or plays music. The lower dial is for changing the light patterns of the speakers: turning it increases or lowers the brightness, and pressing it toggles between various patterns for the lights to display.

Oh, did I not mention the lights around the front of each speaker? That’s because of the (earned) stigma around LED lights in speakers, with many audiophiles assuming that they incur noise and indicate a probably bad-sounding product. That’s not a wrong assumption, but it’s not applicable in this situation, as the sound quality section describes. Saying that, I’m not sure the LED lights add much to the QR65, beyond the novelty factor.

I’m a big fan of the white version of the speakers I tested (there’s also a black version but it’s a little more bland, in my opinion). The clean-looking shell contrasts with the silver dials and the black front in what is a fairly minimalist boxy look (apart from the LEDs). If you’re a Mac user who insists on having a fashionable svelte desktop, these could well fit into your set-up better than most rival options.

Design score: 4/5

Edifier QR65 review: Sound quality

Full sound with lots of bass
Lots of codecs and Hi-Res certifications
Max volume could be louder for certain use cases

Each unit of the Edifier QR65 consists of a 1.25-inch dome tweeter and a 2.75-inch mid-low driver, and together they provide a nice warm sound.

When listening to music, you’re getting a sound that’s nice and bassy, though that’s not to say you’ll struggle to hear treble sounds. That’s not quite true of the mids, which do fall through the cracks a little bit, as does sub-bass. But that’s why you can plug a subwoofer into the speakers!

Playing games, the full-bodied sound works well for creating a layered soundstage – I could hear the background hum of cities and the echo of damp dungeons all around me.

The bassy emphasis was more noticeably when watching TV or movies, as it meant voices occasionally sounded a little low and muffled – they’d often blend into the rest of the mix a little, and I lost a few lines of dialogue in shows as a result.

If you’re using the Edifier QR65 as your PC speakers, you’ll find the 70W power output more than adequate. I played PC games with them and even at medium volumes, I was surrounded by sound – the shriek of an enemy behind me in Lords of the Fallen nearly gave me a heart attack when I thought it was something behind me in real life!

That’s not quite the case if you’re using these as general media speakers, as even at their maximum volume the QR65’s sound didn’t fill my living room – I wouldn’t recommend buying these in lieu of a TV soundbar or a set of tower speakers for your hi-fi system.

Depending on your audio input, you can enjoy listening with LDAC codecs, Hi-Res Audio or Hi-Res Audio Wireless certification, and that all means that you can enjoy great-sounding music whether you’re using Bluetooth 5.3 to connect your smartphone, are plugging in an aux-cord or have plugged the Edifiers into your computer.

Sound quality: 4/5

Edifier QR65 review: Value

Good value for money as a multimedia option
… but they definitely aren't for everyone

You're emphatically getting your money's worth with these Edifiers. They look good, provide decent music quality, all things considered, and do work well as jack-of-all-trades options for desktop, Bluetooth and wired audio.

However, if you just want any old speakers for your desktop, these are overkill. For workplace computers or on devices you won't use for multimedia entertainment, you don't need speakers that cost this much. If that's all you need, you might try looking for inexpensive speakers that cost a third (or less).

Value: 3.5/5

Should I buy the Edifier QR65?

Buy them if…

Don’t buy them if…

Edifier QR65 review: Also consider

How I tested the Edifier QR65

Tested for over two weeks
Tested at home connected to phone and computer

The testing process of the Edifier QR65 was just over two weeks.

About half of the testing process was done with the speakers connected to my Android phone via wired and Bluetooth audio, for music streaming. I streamed from Spotify, YouTube and briefly from Netflix during this time.

For the other half I connected the speakers to my custom-built Windows PC using the USB port, and used it for watching movies and TV shows and playing video games on my computer.

I've been reviewing devices for TechRadar for over five years now, a time which has seen my test speakers, headphones, earbuds and gaming peripherals, including a previous gadget from Edifier.

First reviewed in June 2024

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Bose SoundLink Max review: a punchy Bluetooth speaker to make your party pop

6:30 pm | June 20, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: AAC | Comments: Off

Bose SoundLink Max: Two-minute review

The Bose SoundLink Max has delivered the biggest, burliest model in the company's already well-stocked and well-reviewed SoundLink concept that has served it pretty well lately. The Bose SoundLink Max has a rugged, go-anywhere design with the stamina to keep you entertained right around the clock. Well, very nearly…

It’s robust, as the IP67 rating indicates, and the liberal use of silicone means it’s happy to withstand the odd knock or bump. The carry-handle can be swapped out for a shoulder-strap (it’s a cost option, mind you), and overall the Bose SoundLink Max is as outdoors-y as they come.

And when you’re out and about, the Bose SoundLink Max is a very enjoyable companion. The sound it makes is as big and heavy as the speaker it comes from, but it’s by no means a blunt instrument. It’s quite a deft and agile listen for something with as much out-and-out punch as this, and can gesture, albeit only slightly, towards a truly stereo presentation, too.

In fact, if it were able to retrieve and reveal a little more of the fine detail in a recording, it would be approaching ‘ideal’ and one of the best Bluetooth speakers out there.

Bose Soundlink Max review: Price and release date

Released June 4, 2024
Officially priced at $399 / £399 / AU$599

The Bose SoundLink Max was released in early June, 2024, and sells for $399 / £399 / AU$599.

That’s proper money for a wireless speaker with no smarts and no Wi-Fi connectivity, no two ways about it. But, as will become apparent, the Bose SoundLink Max has compensations for its relative lack of functionality…

Bose SoundLink Max Bluetooth speaker on wooden table — (Image credit: Future / Simon Lucas)

Bose SoundLink Max review: Specs

Bose SoundLink Max Bluetooth speaker displaying carry handle — (Image credit: Future / Simon Lucas)

Bose SoundLink Max review: Features

2 x 89mm transducers, 1 x 23mm transducer, 2 x 104x79mm ‘racetrack’ passive radiators
Bluetooth 5.3 with SBC, AAC and aptX Adaptive codec compatibility
Class D amplification

It’s possible, of course, to use the 3.5mm analogue input to get audio information on board the Bose SoundLink Max – but obviously this is first-and-foremost a Bluetooth speaker. It uses Bluetooth 5.3 for wireless connectivity, and is compatible with SBC, AAC and aptX Adaptive codecs.

No matter how you get it there, though, once the audio information is on board it’s amplified by Class D power – Bose, as per usual, is not saying how much. Then it’s served to a speaker driver array that consists of a couple of 89mm transducers and a 23mm partner arranged across the front of the chassis, supported by a couple of 104 x 79mm ‘racetrack’ passive balanced mode radiators – there’s one at either end, behind the perforated aluminium grilles.

Thanks to Bose’s ‘SimpleSync’ technology, the SoundLink Max can quickly and easily become part of a rudimentary multiroom system, provided you’re using other compatible Bose speakers, naturally. Got a Bose soundbar or smart speaker? It’ll connect to the SoundLink Max without fuss.

There’s a USB-C on the rear of the speaker. It’s used for charging the battery, obviously, but if you’ve plenty of power on board your speaker and your phone is running low, it can also be used as a power output.

Features score: 5/5

Bose SoundLink Max Bluetooth speaker showing AUX and USB-C ports — (Image credit: Future / Simon Lucas)

Bose SoundLink Max review: Design

IP67 rating against dust and moisture
20 hours of battery life
Available in two finishes

At 120 x 265 x 105mm (HxWxD) and 2.13kg, the SoundLink Max is relatively big and heavy by prevailing ‘portable wireless speaker’ standards. But thanks to a particularly judicious combination of materials – mostly aluminium and silicone and an extremely tactile, and easily swapped, rope-and-silicone carry-handle – the Bose is easy to shift from place to place. Differently coloured versions of the ‘twist-to-fit’ handle are available (for £25, roughly $31/ AU$47), and an over-the-shoulder alternative can be yours (for £45, about $58 / AU$85).

The silicone element of the design is certainly tactile, and it helps the Bose absorb bumps and shocks. But it’s very willing to collect dust and greasy fingerprints, and an absolute bugger to keep clean.

The quoted 20 hours of battery life is eminently achievable (unless you’re absolutely caning the volume), which is just as well, because to go from ‘flat’ to ‘full’ takes a leisurely five hours via the USB-C socket on the rear. On the plus side, you can be pretty sure those 20 hours can be spent in any realistic environment, thanks to a chunky IP67 rating against moisture and dust.

There are some nicely positive controls on the top of the speaker – power on/off, Bluetooth pairing, play/pause and volume up/down are all available, and there’s also a ‘shortcut’ button. In the (exemplary) Bose control app you’re able to choose between two functions for this control – either switch to the 3.5mm analogue input that’s positioned next to the USB-C, or resume Spotify playback (provided your Spotify app is up-to-date).

The app also includes some EQ adjustment along with a few presets, a volume control, connection management (the SoundLink Max can connect to two sources at a time) and a volume control. Plus, of course, access to software and firmware upgrades, voice-prompt adjustments and what have you.

Design score: 4.5/5

Bose SoundLink Max Bluetooth speaker top panel controls on wooden table — (Image credit: Future / Simon Lucas)

Bose SoundLink Max review: Sound quality

Punchy, full-scale sound
Agile rather than musclebound, though
Could conceivably sound more detailed

Bose, it seems fairly safe to say, has given low-frequency grunt and presence a proper think where the SoundLink Max is concerned. ‘It’s going to be used outdoors,’ is how I imagine the thinking going, ‘and so it needs as much punch as it’s possible to extract.’ And there’s no two ways about it, this speaker is about as robustly assertive with low-end stuff as seems possible.

It’s far from being a blunt instrument, though. Given a reasonably big file of Aphex Twin’s Isoprophlex (Slow) to deal with, the Bose hits good and hard, without question, but it controls the low end well, attacking with straight-edged positivity and ensuring bass sounds stay strictly in their lane rather than bleeding all over the midrange. This speaker hits with determination, but with accuracy, and as a consequence there’s far more to its presentation than simple muscle.

It offers quite an open, distinct midrange that’s more than capable of holding its own against all the ructions beneath it. At the top of the frequency range there’s authentic bite and shine, and just as much attack as the speaker exhibits at the opposite end – but, again, control is such that even if you listen at considerable volume (and be in no doubt, the Bose SoundLink Max is capable of considerable volume) treble sounds are never hard or in-your-face.

The Bose is tonally consistent from the top of the frequency range to the bottom, and it unites the entire range smoothly. Focus is good, too, and the SoundLink Max creates a reasonably convincing soundstage – although the notion that it’s capable of creating anything other than the tiniest hint of stereo separation is fanciful. It’s quite dynamic where the broad quiet/LOUD aspects of recordings are concerned, too, although the distance it puts between the two states could be wider. That’s almost certainly a consequence of the fact that the Bose gives every impression of playing quite loudly even when it’s playing quietly.

The most significant area where the Bose might conceivably up its game concerns detail retrieval. The SoundLink Max has no problem retaining and revealing the most significant details in a recording, but when it’s playing something like The Spark That Bled by The Flaming Lips it lets a lot of the finer details (of which this recording has plenty) go astray. It doesn’t impact on the enjoyably forceful nature of the overall presentation, of course – and if you’re listening to content for the first time it seems likely you wouldn’t even twig that anything is missing. But when you listen to stuff you’re properly familiar with, there’s no denying the Bose struggles to extract the finer detail that you know is there.

Sound quality: 4/5

Bose SoundLink Max review: Value

Yes, pennies short of £400 / $400 / AU$600 is a lot of money for a wireless Bluetooth speaker without a hint of smart functionality. But the Bose SoundLink Max makes a very strong case for itself if you take it on its own terms – it’s properly built and finished, from materials that look good, feel good and suggest longevity.

It’s specified to perform in pretty much any realistic environment. It’s capable of big, burly and convincing sound – and can churn it out for hour after hour. So, as long as you accept its restricted functionality, the SoundLink MAx represents very good value indeed.

Value score: 4.5/5

Bose SoundLink Max Bluetooth speaker on a wooden table — (Image credit: Future / Simon Lucas)

Should I buy the Bose SoundLink Max?

Buy it if…

Don’t buy it if…

Bose SoundLink Max review: Also consider

How I tested the Bose SoundLink Max

Tested for about a week, mainly indoors but also in a back garden
Played a variety of music types
Listened the TIDAL app on iPhone and Android smartphones

I listened to the Bose SoundLink Max indoors and out. I listened to it via an iPhone and an Android smartphone, each running the TIDAL app. I listened to it at discreet volumes (while indoors) and thoroughly indiscreet volumes (while in my garden, before I became concerned about upsetting my neighbours).

And I listened to it with a variety of music types and a variety of digital audio file sizes. This all went on for about a week – mostly indoors because, the weather was bloody awful in the U.K., and while the Bose is happy to work outdoors in the rain, I am not. Not sorry.

Sony XB100 review: Price and availability

$49.99 (usual price $59.99)/ £44.99 / AU$66
Available now

The Sony XB100 was first released in the US in May 2023, Australia in June 2023, and the UK in August 2023. It is currently retailing at £44.99 / AU$66, and is on sale in the US for $49.99, with a non-sale price of $59.99.

As one would expect from this low price, it can’t compete with the amazing sound quality and features available from other Bluetooth speakers such as the Bang & Olufsen Beosound A1 or the Sonos Roam. No, it doesn't sound as good as its twice-the-price JBL Flip 6 rival, but that doesn’t mean the Sony XB100 isn’t good value for money, if this is where your budget maxes out…

A mans hand holding a black Sony XB100 speaker, with the Sony logo written up the side of the speaker, and the multipurpose strap draped over his thumb.

(Image credit: Future)

Sony XB100 review: Specs

Should I buy the Sony XB100?

An up-close view of the Sony XB100 in black. The speaker is photographed at a slight angle. It is against a pink background and sitting on a sand-coloured stone base. — (Image credit: Future)

Buy it if...

Don't buy it if...

3 quarter view of the Sony Xb100 in black. The multipurpose carry strap is attached to the side nearest to the camera. It is photographed against a pink background and is sitting on a sand-coloured stone surface. — (Image credit: Future)

Sony XB100 review: Also consider

How I tested the Sony XB100

Tested the speaker for two weeks
Listened to a variety of music genres and podcasts
Played music continuously to determine battery usage

I tested the Sony XB100 for two weeks. I listened to a variety of music genres, as well as the TechRadar testing playlist that includes tracks ranging from complex and layered instrumentals, deep bass, and delicate vocals to enable me to determine the speaker's ability to handle different frequencies.

While I am fully committed and would have listened for the full 16 hours, I’m not sure the other folks on my commute would have been too amused. Instead, I observed the time it took for the battery level to reduce by 20% when playing continuously at 50% volume to get the best idea of how long it would take for the battery to run out of juice.

I used it to listen to music and podcasts in the TechRadar office, our music testing room, and at home, using Spotify and Tidal from an iPhone 12 Pro and a OnePlus Pad Go.

First reviewed: June 2024
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Pure Classic C-D6 DAB radio review: tap into some CD-playing, retro music love

2:30 pm | June 11, 2024

Author: admin | Category: Audio Computers DAB Radios Gadgets Hi-Fi | Comments: Off

Pure Classic C-D6: Two-minute review

The Pure Classic C-D6, and devices like them, are enjoying quite the comeback. Once in seemingly terminal decline, radio is back on the up and if you’re anything like me, you’re quietly impressed by the myriad DAB channel options out there. Heart 90s to propel you out of bed in the morning, Classic FM to crawl back there a few hours later.

Tapping into the retro joy that comes from a music system that includes a DAB/FM radio, CD player and Bluetooth 5.3 connectivity, the Pure Classic C-D6's old-school stylings look the part but won’t suit everyone. It’s squarely designed (literally) for sitting somewhere in a corner of your living room, destined to live out its days there. This isn’t portable and it’s sizeable enough that you won’t even want to move it between rooms unless you have absolutely to.

However, it has charm. Like other Pure radios, it has all the essentials you could need wrapped up in an easy to use shell. Setup is a matter of plugging it in and leaving the radio to pick out dozens of DAB radio channels before you highlight your presets.

A remote control simplifies matters further, though I was baffled at not finding any batteries in the (huge) box. A couple of dials on the front also help matters. You’re honestly not going to get lost here.

At £179.99 or €199.99 (and currently only available in the UK and in Europe), cheap the Pure Classic C-D6 is not. But it is a Bluetooth speaker, DAB/FM radio and CD player rolled into one, which makes it a bit better value.

Once unboxed, it’ll live happily in your living room or on your bedside cabinet and fulfil seemingly all your audio needs at a steady, if not always exciting, pace.

Is it one of the best DAB radios we've had the pleasure of testing? Let's see.

Pure Classic C-D6 review: Price and release date

Released April 2024
Cost £179.99 / €199.99 (currently only available in the UK and Europe)

The Pure Classic C-D6 was released in the UK and Europe in April 2024. It costs £179.99 or €199.99 depending on your region, making it a relatively mid-range option compared to the competition.

It’s cheaper than something like the Pure Evoke Home (at £399.99) or on a par with the Roberts Revival RD70, but with the addition of CD playing support.

The non-portable DAB music system market is a fairly niche one if you want all these features, so the Pure Classic C-D6 feels fairly well priced for what it offers.

Pure Classic C-D6 review: Specs

Pure Classic C-D6 review: Features

Pure Classic C-D6 DAB/FM Radio, CD player, Bluetooth speaker on a carpet — (Image credit: Future / Jennifer Allen)

Remote control
Extensive connectivity options
Alarm feature

The Pure Classic C-D6 is huge, more on which later. Fortunately, such abundant heft means there’s a lot going on here. The all-in-one unit is packed with options which are easily found by scrolling through the various dials.

At its heart, the Pure Classic C-D6 is a DAB/FM radio but it’s also possible to use it as a CD player, plug in a USB stick or pair a device with it via Bluetooth. In theory, you don’t actually need another speaker or music system in your living space as the Pure Classic C-D6 covers all the bases – it's also got an aux-in.

Its Bluetooth 5.3 is supremely stable and robust – no risk of drop outs here. Switching between the modes takes a mere moment, with no noticeable lag while you go through your options. It’s a relatively minor thing but one that’s immediately noticeable.

The Pure Classic C-D6 is purely wired so there’s no point worrying about battery life – it needs to be plugged in. Again, due to the not insignificant weight of the Pure Classic C-D6, you won’t be moving it around anyhow.

Features score: 5 / 5

Pure Classic C-D6 review: Sound quality

Pure Classic C-D6 DAB/FM Radio, CD player, Bluetooth speaker playing Heart 90s radio on a carpet — (Image credit: Future / Jennifer Allen)

2 x 15W speakers
Crisp sound
Limited bass

No one is buying the Pure Classic C-D6 and expecting energetic audio that captivates you in every way – reliability and convenience rule all here. That’s not to say that the Pure is poor quality aurally, but it lacks some oomph in the bass department. For instance, you may not notice the precise details of Under Pressure by Queen and David Bowie.

Instead, it does the job just fine while you listen to the radio. Heading over to a 90s-themed channel, I enjoyed being reminded of my youth with the kind of audio quality I expect from my car’s reasonable-but-unremarkable DAB radio. It’s the perfect line in fine.

That trend continues regardless of how you listen. Bluetooth and even CD playing are available here and it all sounds just... fine. No complaints, but no wow moment either.

Sound quality: 3.5 / 5

Pure Classic C-D6 review: Design

Pure Classic C-D6 DAB/FM Radio, CD player, Bluetooth speaker with a remote control on a carpet — (Image credit: Future / Jennifer Allen)

It’s huge
Clearly laid-out buttons
Appealing display

The Pure Classic C-D6 is huge, even for what it offers. It’s designed to be fitted sturdily on a shelf or in a unit in your living room so that it can stay there forever more. Potentially, you don’t need any other basic audio equipment in that room so that’s fine but it’s good to plan ahead.

The 15W speakers sit comfortably either side of a middle section devoted to the controls, screen and CD player. The TFT LCD display is fairly sharp and straightforward, with the buttons and dials around it making intuitive sense. Such a design means it’s easy to figure out everything you need to do and I didn’t really need to go anywhere near the manual to become a pro at navigating my way between all the Pure's various functions. There’s also a remote control for when you don’t fancy walking over to the machine.

Turn the Pure Classic C-D6 around and there’s the aux-in port and USB port, neatly hidden away but also easily accessible when the time comes.

It comes in either coffee black or cotton white with a faux wood exterior adding to the suitably retro vibe. I wasn’t a fan at first but the design did grow on me. It also looks and feels reasonably sturdy.

Design score: 4 / 5

Pure Classic C-D6 review: Value

Mid-range pricing
A strong investment

The Pure Classic C-D6 is designed to be a long-term commitment. Place it in your home and you’re all set for the long haul thanks to its extensive connectivity options.

If you want a nice and simple solution for all your audio needs, it’s fairly well priced. There’s always something like the Roberts Revival RD70 but, though it looks nicer, that lacks features like CD-playing functionality.

Spend more and you could get the Pure Evoke Home, but that’s only really necessary if you want built-in Spotify Connect and podcasts rather than simply casting across from your phone.

Value score: 4 / 5

Should you buy the Pure Classic C-D6?

Buy it if...

Don't buy it if...

Pure Classic C-D6 review: Also consider

How I tested the Pure Classic C-D6

Tested for 10 days
Used at home exclusively
Over 10 years of audio reviewing experience

The Pure Classic C-D6 lived happily in my home office for most of the 10 days I spent reviewing it, with a brief sojourn to my living room. Throughout the working day, it played in the background.

That meant talk radio with a mixture of LBC, BBC Radio 5 Live, and BBC Radio 4. It also meant listening to music via the DAB stations as well as through Bluetooth and my iPhone 14 Pro playing Apple Music and Spotify.

For the CD player, I dug out a few old CDs to see how things worked there. The Pure Classic C-D6 was my main source of audio-based entertainment while I worked.

Over the past 10 years or so, I’ve reviewed dozens of speakers, headphones and earbuds as well as more than a few DAB radios, too. These all covered a wide variety of price ranges.

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First reviewed in June 2024

Roberts Revival Petite 2 review: a tiny, cute, and utterly irresistible DAB radio

12:00 pm | June 2, 2024

Author: admin | Category: Audio Computers DAB Radios Gadgets Hi-Fi | Tags: DAB | Comments: Off

Roberts Revival Petite 2: Two-minute review

It’s not often one can call a radio cute, but the Roberts Revival Petite 2 is exactly that. Somehow, it has a smaller footprint than my computer mouse and is also shorter than my guinea pig (who is also called Mouse, and is just as cute), but what you need to know is that this is a truly portable radio that can be easily tossed into your bag ready to emerge looking adorable. (Note: do not throw guinea pigs in bags.)

This isn’t a matter of form over function either, as the Roberts Revival Petite 2 offers surprisingly loud sound for the size. It’s crisp, clear and all you could want from a DAB radio which also doubles as a Bluetooth speaker.

The only bulky part of the Roberts Revival Petite 2 is its solid, extendable aerial arm – but that’s a necessary and welcome addition. The model before it had a rubberised antenna string which could be attached to the back, but it really didn’t cut it for finding and maintaining an FM radio signal (yes, it does both). That’s solved now, meaning the Roberts Revival Petite 2 never misses an opportunity to shine.

At $99 / £99 / AU$195, it’s fairly competitively priced too. It’s a portable little beauty with a battery life of up to 20 hours before you need to connect the USB-C port to a power source.

Simple to use with an attractive OLED screen, the Roberts Revival Petite 2 is that little gadget you take with you on your travels, to have music and radio following you whoever you go. It’s certainly vying for a place in my heart as one of the best DAB radios going and one of the best Bluetooth speakers of recent times.

Roberts Revival Petite 2 review: Price and release date

Roberts Revival Petite 2 with a set of AirPods on top — (Image credit: Future)

Released November 2023
Cost £99 / €149 (sadly currently only available in the UK and Europe)

The Roberts Revival Petite 2 was released in the UK and Europe in November 2023. It costs £99 / €149 depending on your region (availability has not yet stretched to the US or Australia, sadly), so it’s fairly inexpensive for a DAB radio from a trusted name, but not the cheapest.

It’s cheaper than something like the sizeable Pure Woodland, which is £40 more, but there’s always the increasingly dated looking and battery dependent Sony XDR-P1, which is slightly cheaper but lacks the winsome, retro-but-smaller looks of the Roberts model.

The Pure Woodland was released in the UK and Europe in July 2023, costing £139.99 and €149.99 in those respective markets, which places it squarely in the mid-range market. All of which means Roberts has found a nice niche little market here, if the sound is good…

Roberts Revival Petite 2 review: Features

Roberts Revival Petite 2 besie a picture frame, on a shlef — (Image credit: Future)

DAB And FM radio, plus Bluetooth speaker
20 hour battery life
3.5mm headphone jack

If you’ve looked at the original 2021 Roberts Revival Petite, you’ll notice what the sequel does so much better – it has a telescopic antenna which reaches out enthusiastically to ensure a strong signal whether listening via DAB or FM.

The priority here is with the DAB radio side of things, as it automatically starts here, but it’s nice to have the option of an FM radio too – for more nostalgic listening sessions.

A quick tap of the source button takes you through your options here, with Bluetooth 5.0 available for pairing up with your phone or tablet. It’s reliable and I didn’t suffer any dropouts. Switching between the sources is seamless too, so you don’t have to commit to anything specific if you don’t want to. Want to play a chosen song, then head straight back to the DAB station you were listening to? You’re all set here.

The Roberts Revival Petite 2 reports up to 20 hours of battery life and in my time with it, that’s about right. This is a distinctly low maintenance radio in every way. It just happily ticks along in the background with a straightforward USB-C cable for charging as needed. There’s also a headphone jack on the back if you want to listen more privately using some of the best wired headphones (but in case it needs to be mentioned, Bluetooth connectivity is one way; you can't send the Petite 2's tunes to a set of wireless Bluetooth headphones, say – you'd have to use your phone). An alarm function can be accessed by holding in the source button, making the Petite 2 a great option for your bedside table too.

Features score: 5 / 5

Roberts Revival Petite 2 review: Sound quality

The Roberts Revival Petite 2 closeup to show the telescopic antenna — (Image credit: Future)

40mm driver
Surprisingly lively
Huge volume range for its size

The Roberts Revival Petite 2 is a very small radio, so of course you shouldn’t come here expecting an exceptional aural journey of discovery and oodles of snappy bass clout. However, the device is surprisingly lively.

Catching up on nostalgia with Heart 90s FM, songs like Queen and George Michael’s Somebody to Love shone through still sounding detailed and crisp. More dance-focused tracks like Eiffel 65’s Blue still sound good even if the bass isn’t quite as hefty as you’d like in an ideal world. Switch over to talk-show stuff and the rants on LBC Radio sound crisp and clear.

Volume levels are also surprisingly impressive. Most of the time, I was content listening to the Roberts Revival Petite 2 at increment levels 4-6, but you can crank it up higher. The higher volumes do lead to some distortion, but I’m not convinced anyone will need to go past 14 or 15 on its 0-20 scale. The Roberts Revival Petite 2 is pretty loud for the purpose, quite early on in its volume range.

Sound quality: 4 / 5

Roberts Revival Petite 2 review: Design

Roberts Revival Petite 2 on a shelf in a house — (Image credit: Future)

Iconic Roberts design
Easy to use buttons and control knob
Incredibly small

Is it possible to fall in love with a radio? The Roberts Revival Petite 2 might make you question some things. It looks fantastic. It has Roberts’ iconic styling which is always appealing, but it’s the sheer size of the thing that makes you fall for it. It’s not as long as my computer mouse, has a lower profile than a mug or a canned beverage, and is dinky in every sense of the word (except the sound).

Living up to its name means the Roberts Revival Petite 2 is adorable. Just lift up the antenna and it’s all set to make your life better. Turning it on instantly switches to the DAB side of its output with a clear source button allowing you to switch to FM or Bluetooth. The buttons are chunky and attractive looking, with perhaps the only flaw being that they could have a tactile bobble on them to help those with sight issues.

The dial on the middle is a good size and perfect for moving through the channels with a satisfying “clonk” under your fingers. You will find yourself originally thinking the dial adjusts the volume though – a minor irritant that you’ll learn to get past. A small but clear OLED display helps you see what you’re picking. It’s tiny but clear enough, with the option to dim it as needed.

There are seven different colors with the one I tested being the midnight blue variety. Others include sunburst yellow, duck egg, pastel cream, pop orange, dusty pink, and black. And they all look delightfully classy.

Design score: 5 / 5

Roberts Revival Petite 2 review: Value

Roberts Revival Petite 2 on a gray shelf in a sitting room — (Image credit: Future)

Mid-range pricing
Incredibly stylish for the price
Good long-term investment

Core competition for the Roberts Revival Petite 2 include radios such as the Pure Woodland (more robust but less attractive) and the cheaper Sony XDR-P1 which looks hideous in direct comparison.

So, you can get something cheaper than the Roberts Revival Petite 2, but nothing that looks as good as this – or as lightweight to carry around.

Value score: 5 / 5

Should you buy the Roberts Revival Petite 2?

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Roberts Revival Petite 2 review: Also consider

How I tested the Roberts Revival Petite 2

Roberts Revival Petite 2 with a teapot and reed diffuser, to show the size of this tiny radio — (Image credit: Future)

Used the Roberts Revival Petite 2 over 10 days
Listened to DAB radio, FM radio and music via iPhone 14 Pro and Bluetooth
Over 10 years experience testing audio equipment

It’s high praise that the Roberts Revival Petite 2 is one of those rare devices that I don’t particularly want to box up and say goodbye to. It fits into my living space perfectly, both in terms of practicality and aesthetics.

It spent most of its time with me either on the window near where I work, or following me around the house – in the kitchen while I cleaned, the living room while relaxing, anywhere I needed music.

Sometimes it was connected via USB-C but often, I just ran it off the onboard battery, before plugging it in every once in a while when it wasn’t in use.

It is so easy to use, it made me listen to the radio more – and reminded me of how nostalgic certain music stations can make me feel. That meant listening to a lot of Heart 90s and 00s, but also I listened to a lot of talk radio including LBC and Radio 5 Live.

When using Bluetooth, I connected my iPhone 14 Pro to it and listened via Spotify and Apple Music.

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First reviewed in May 2024