How to Make a Killing was one of my most anticipated new movies of 2026. Unfortunately I was left feeling underwhelmed by A24's latest venture, which doesn't stand up against a catalog of greats.
Remakes are risky enough as it is, but Kind Hearts and Coronets is an especially tough act to follow. The iconic 40s movie brought something new to the table, with Alec Guinness especially stealing the show as he played eight members of the same wealthy family.
It was a solid black comedy that even stands up today, making How to Make a Killing feel unnecessary and sadly, boring. Unlike its predecessor, the 2026 movie offers nothing new, aside from a fresh cast of modern day actors that do their best. But it really is difficult not to compare it to the source material, and that's where the disappointment lies.
Had this been an original thriller movie, perhaps my opinion would've differed. But unfortunately, How to Make a Killing feels very soulless and it doesn't have the charm of the movie that inspired it.
Even Glen Powell, who has previously delivered great performances in Twisters and Chad Powers, can't really save this movie. His leading role as Becket Redfellow shouldn't feel boring, especially as he's a serial killer with an intriguing motivation.
Director John Patton Ford impressed audiences with Emily The Criminal, which has a 93% Rotten Tomatoes score. So it's disappointing that How to Make a Killing has fallen flat, when we know he's capable of creating a really great movie.
Considering this is a movie about a man who murders his wealthy family as an act of revenge, it is disappointing that it ended up being as boring as it is. Becket's mother was exiled after she became pregnant as a teenager, and on her deathbed, told a young Becket that he should fight for the life he "deserves" to have. He does, but it's not all that exciting to watch.
There are some positives to be found in this movie, though. Margaret Qualley always delivers a great performance, no matter what she's in. She blew me away as Sue in The Substance, which I called the best body horror of 2024.
She's entertaining to watch here, too, as Julia Steinway, Becket’s childhood friend and crush, whom he hopes to win the heart of. Scenes involving them are perhaps my favorite part of the movie, and I did like some of the humor, but ultimately, this is a disappointment for A24, a studio I usually have a lot of love for.
If you're in the mood for a run-of-the-mill dark comedy with a few laughs and some notable names, you might want to see this now that it's out in theaters, or perhaps wait to see if it arrives on any of the best streaming services.
Disappointingly, it's one of those forgettable movies that you'll likely watch just once. But perhaps it will do its job of keeping you entertained for a couple of hours.
How to Make a Killing is in theaters worldwide now.
After Paramount+ dropped the first trailer for The Madison, I knew that Taylor Sheridan's new standalone series would be heading in a completely different direction to anything we've seen before. In short: less Yellowstone and Marshals, moreRansom Canyon and Virgin River.
I love being right as much as the next person, but this tonal shift could have gone one of two ways. With The Madison being so widely (and incorrectly) reported to be a direct Yellowstone spinoff early on, fans have willingly shaped their own misconceptions of what might be waiting in store.
Truthfully, the fact that the Michelle Pfeiffer and Kurt Russell-led drama is a world away from Kevin Costner and co's legacy is the ace up it's sleeve... and Sheridan's jump into new TV territory has arguably gifted us his strongest show of all time.
Pfeiffer plays Stacy Clyburn, a well-to-do New Yorker who comes from the Upper East Side social scene, and is frankly rolling in money. She's married to Russell's Preston, a reluctant city bod who wants nothing more than to retreat to the cabins he's built in the Montana wilderness.
After a family tragedy, the entire gang is uprooted, including begrudging daughters and grandchildren who have clearly never seen a blade of grass in their entire lives. What ensues is a messy outpouring of grief, loss and love that immediately tugs at the heartstrings.
Life is cruel, overwhelming and unpredictable, which is something that Sheridan has always impeccably understood. It's only further testament to his craft — and why the 'Sheridanverse' exists in the first place — that he can effortlessly transition from cowboy feud to everyday tragedy.
Marshals: A Yellowstone Story wishes it could be as good as The Madison
The Madison is beautiful simply because it's got the basics right. Our inciting incident is completely unexpected, as is the following resolution. As a result, one family, who couldn't seem more like strangers if they tried, face an impossible situation.
I've not seen anybody portray grief on TV as vulnerably and honestly as Pfeiffer does in a long time. There are no dramatic crash outs, no sitting on the bathroom floor in floods of tears, and no sudden realizations that actually, everything is going to be okay.
Instead, Stacy goes through the motions in a catatonic state. Devoid of emotional range and ability to feel, she reminds us that grief is something you have to learn to move forward with, rather than move on from. Pfeiffer bares all (metaphorically) to get this across, and it's incredibly easy to see why she's the talent of a generation.
Stacy's daughters, standoffish Abigail (Beau Garrett) and hapless Paige (Elle Chapman) are the ideal, if not insufferable, companions. Each teaches the other something about themselves they don't want to address, resulting in literal catfights, harsh truths and even harder lessons learned.
Amazingly, Sheridan and his cast balance out the scales of searing drama with genuinely laugh-out-loud humor. Episodes 2 and 3 amp the comedic factor up to the max as living in a wooden cabin (complete with an outdoor toilet) becomes less of a novelty.
'Soap opera' isn't a negative — and it's certainly not beneath us
Any still is basically Michelle Pfeiffer looking moody in a beautiful setting. (Image credit: Paramount)
Of course, Yellowstone fans are bound to say that The Madison is too soft or far-fetched for them, but as we well know, there's nothing that signals strength quite like emotional honesty. Team this with wildlife living and the jaw-dropping Montana views that we already know and loved, and Sheridan's melding the best of both worlds into something unmissable.
Yes, it's all a bit soap opera-y. But when did that become such a dirty term? Back in the day, it was the main TV format for building community, championing representation and allowed us to access thoughts and feelings we didn't always realize were there. Get off your high horses, people... we're not in serious cowboy town anymore.
Frankly, Marshals: A Yellowstone Story must be wishing for this kind of magic. It's been absolutely astonishing to watch how much public interest has dropped off since its debut episode was released, with fans hailing it as nothing more than a run-of-the-mill CBS police procedural. With my pessimistic hat on, they're right, with Marshals straying too far from the core beliefs that made Yellowstone the success it was.
Think of The Madison as the Western redo that's up there with Landman in terms of star quality. Sometimes you have to go back to the beginning to get something right, and I think streaming and society are both all the richer for having the Clyburns around.
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Every time a new season of Virgin River is in the offing, my mum and I have a collective, excited freakout until we can binge-watch all 10 episodes. Virgin River season 7 has been right on schedule — but this time, I'm left feeling slightly empty.
If I had to rank the hit Netflix show's existing six seasons, the latest (season 6) would be right at the top. It marked longtime lovers Mel (Alexandra Breckenridge) and Jack (Martin Henderson) finally getting married, and boy, did their friends and family bring the best drama along as wedding gifts.
We saw Brady (Ben Hollingsworth) declare his undying love for Brie (Zibby Allen) like the worst kept secret that it is, Brady's girlfriend Lark (Elise Gatien) steal thousands of dollars from under his nose, Brie fending off a marriage proposal from police chief Mike (Marco Grazzini), and Charmaine (Lauren Hammersley) going missing and, potentially, being killed off.
For the final 20 minutes of that epic season finale, I didn't know whether I was coming or going, and it might go down as one of my favorite TV moments of all time. Of course, Virgin River can't sustain that level of drama all the time (no show can), but the newly skewed stakes leave a somewhat sour taste.
The best way to describe it is eating an undercooked steak when you ordered it well done. You know that the potential to have exactly what you want is right there, but it's not fully materialized. While that's less than satisfying for season 7, I think it's a tactical decision — meaning that Virgin River season 8 is going to be explosive.
Don't get me wrong — Virgin River season 7 delivers what it needs to
Sure, there might not be the same level of fireworks in Virgin River season 7, but there are resolutions. This is easily the best year of Mel and Jack's relationship yet, settling into married life like a duck to water.
Between these two and the on-off again situationship between Brie and Brady, things certainly feel steamier than ever. Usually, Virgin River intimacy feels shrouded in wholesomeness, rose-tinted to the point that it hardly feels sexy at all. But in season 7, some seriously primal passion starts to take over, and I'm here for it.
While Mel and Jack are steadying the ship, Brie and Brady are daring to dream. If you've been a fan of theirs since season 1, you'll likely feel inclined to do a victory lap of your house soon enough, without giving too much away. They're both wearing their hearts on their sleeves and communicating well, and it finally feels like the entire town has nailed how to truly connect to one another.
As for the remaining season 6 cliffhangers, you'll get answers to all of them. There will be new problems that take their place, even if they currently feel lukewarm in comparison.
It's worth streaming Virgin River season 7 for Mel and Jack's honeymoon alone. It takes them almost 8 episodes to even decide where they're going to go, but the final decision is perfect (and likely one you can guess based on earlier filming location leaks).
The set change also proves that you can never truly run away from your problems... but you can get a tan and kiss a cute guy on a golden beach while being stressed. Frankly, it's the level of life I dream of.
The finale is season 7's biggest letdown, but I'm choosing to see the positives
They've also introduced a rodeo this season. (Image credit: Netflix)
Virgin River has me believing that fairytale-style love is possible, but that doesn't always mean that I'm falling for the show itself. I think the biggest issue lies with the season 7 finale, which falls impossibly short compared with what we were treated to last time around.
No spoilers here, but there are still two big twists to be unveiled at this stage. However, I'm pretty sure both are non-starters, with bad outcomes so unlikely to unfold in a fictional world where fatal scenarios are avoided like the plague.
Still, there's every chance season 8 could prove me wrong, but you see what I mean about these 10 episodes acting as a setup for something more exciting down the line. It's all verging on soap opera silliness, but it's what we've signed up for.
Then there are a few uninspired hitches in the current storyline itself. New character Clay (Cody Kearsley) feels like a rinse and repeat of Jack Schumacher's Yancy Grey in Ransom Canyon. In fact, they both have the same introductory narrative — a hot, closed-off outsider who clearly has family troubles and a gambling debt they need to pay off by entering a rodeo competition.
It's not an amazing sign that Netflix is borrowing ideas from itself, but it's also not the end of the world. It's textbook craft like this that feeds the people what they want, and who am I to deny what works?
I've really enjoyed following Steve Carell's career over the years. Whether it's his iconic role as Michael Scott on The Office or his much more serious performance as Alan Strauss in Hulu's The Patient, I've been consistently impressed by what he does. In HBO Max's Rooster, Carell plays Greg Russo. He's the author of a series of books following a main character called, you guessed it, Rooster. Russo had gained a fandom through that character even though he's not as successful himself, with painful emotions coming to the surface as he returns to the same arts college, Ludlow, where his wife left him 25 years ago.History repeats itself at this, frankly, cursed college. Russo's daughter, Katie, works there, and she's having her own relationship drama. Her husband Archie has left her for a student, with whom he was having an affair, and everybody knows about it. Archie is played by Ted Lasso's Phil Dunster, who perfectly encapsulates Archie's self-serving attitude. Much like Dunster's outstanding performance as Jamie Tartt inTed Lasso, though, he's layered and will find a way to charm you despite all of that. Despite his many, many flaws, it's not impossible to see why Katie married him in the first place. On his first day, Greg meets college president Walter Mann, played by the always wonderful John C. McGinley. If you liked him in Scrubs, you'll certainly enjoy him here too, as he plays quite the eccentric character with some very strong opinions about the college and the people in it. Every scene involving him is brilliantly awkward, and the cast is a real selling point here.Given the strained relationship between Katie and Greg, it's hard for him to comfort his daughter, but he does his best anyway. She immediately tries to embarrass him when he gatecrashes her lecture, and is critical of the fact that he's there to check up on her, even though he insists he's just there to guest lecture.Greg makes his disdain for Archie very clear from episode one, positioning himself as a caring father despite the rampant self-deprecation and awkwardness we often see from him. Scenes between Greg and Archie are among my favorites, and they are played very well by Carell and Dunster.But there's more to Rooster than just this, and Greg ends up getting into all sorts of unwelcome situations during his time at Ludlow, which was meant to be a simple guest lecturing gig, after all. These include an unfortunate appearance on the news, run-ins with local law enforcement, and criticisms from students about some of the narrative choices in his novel, especially the over-reliance on sex appeal. Not all of the topical jokes worked for me, but humor is subjective, so perhaps you'll enjoy those more than I did. It definitely segues into slapstick when it doesn't really need to.
Charly Clive and Phil Dunster play a couple whose broken marriage is the talk of the campus. (Image credit: HBO Max)
Outside of the comedy, though, the series does do serious moments well. Katie is terrible at emotional vulnerability, using sarcasm as a shield, and Greg doesn't quite know how to navigate that. He just isn't as cool and collected as Rooster, despite his efforts to emulate him. Greg ends up having a tequila-induced heart-to-heart with Dylan Shepard, a bubbly faculty member played by Danielle Deadwyle, where we learn more about his failed marriage, so the series is character-driven from the get-go. They clearly have chemistry too, making me keen to see how it unfolds over the next nine episodes.Rooster has all the ingredients for a fun weekend watch. With quick episodes that are easy to watch, the Sunday time slot is ideal for this show. Episodes are released weekly, and you can easily slot this into your streaming schedule if you want something light that still gives you plenty to think about.I did find the way Rooster was filmed a little jarring, but honestly, it didn't take away from the great performances and the important themes explored. It's a fun addition to HBO Max's library, showcasing Carell at his best, where he effortlessly blends humor and seriousness.
Rooster is available on HBO Max in the US and Australia, and Sky Comedy in the UK.
Project Hail Mary (PHM) is a movie I've been itching to see for some time. The second book penned by sci-fi author Andy Weir to be adapted for the big screen — the first being 2015's extremely well-received The Martian — PHM has all of the ingredients necessary to similarly be critical and commercially successful.Sometimes, though, said components — the cast and crew, production, and translating a story from page to screen, to name just three — don't gel as well as they should. Color me relieved and delighted, then, that Amazon's latest silver screen vehicle is not only an emotionally resonant and eye-popping visual experience, but also a near-perfect masterpiece that's a shoo-in for 2026's best movies list.
Save our stars
Ryan Gosling stars as Ryland Grace, an unassuming teacher sent on a mission to save our Sun (Image credit: Amazon MGM Studios)
A direct retelling of the nonlinear narrative in Weir's 2021 hard sci-fi novel namesake, Project Hail Mary introduces us to Ryland Grace (Ryan Gosling), a junior high school teacher and infamous former molecular biologist.Waking from a coma, a disoriented and amnesiac — and, after surveying his surroundings, understandably panic-stricken — Grace finds himself aboard a spaceship 12 light-years from Earth.
Project Hail Mary's overarching narrative is one built on hope, optimism, collaboration, and companionship
Eventually, Grace remembers why he's here: the Sun is dying. In fact, all but one of the galaxy's known stars — Tau Ceti — are waning at an incredibly rapid rate. Consequently, Grace has seemingly been sent on a one-way mission to discover the root cause of this cosmic phenomenon, learn why Tau Ceti isn't affected by it, and — potentially — find a cure. Fail, and the catastrophic ice age will engulf our world in approximately 30 Earth years. No pressure, then.
Grace is hired by European Space Agency head Eva Stratt (Sandra Huller, right) for the titular mission (Image credit: Amazon MGM Studios)
At a time when the real world seems bleak, PHM's dystopian premise might be the last thing we need right now — and yet, its overarching narrative is one built on hope, optimism, collaboration, and companionship.Sure, its first act doesn't indicate that'll be the case. Indeed, it plays out like a survival thriller as Grace resigns himself to his fate — that being, getting drunk and living out his days until his supplies run out — rather than embrace his status as Earth's unlikely hero.Expository flashbacks, which shed more light on the cosmic mystery at large, as well as Grace's personality, backstory, and role in trying to solve said enigma, also paint a vivid picture ofPHM's disaster movie sensibilities, and the supposedly insurmountable task facing our overwhelmed and lonesome protagonist.
With no prior astronaut experience, Grace essentially spends the first act lost in space (Image credit: Amazon MGM Studios)
As I alluded to, however, one of 2026's most exciting new movies isn't an emotionally cold or haunting sci-fi tale like Moon or another Gosling-led film in Blade Runner 2049, but rather a surprisingly funny one, especially once Project Hail Mary becomes a buddy adventure (more on this later). The integration of humor won't surprise fans of Weir's works and/or anyone who's seen The Martian, which is similarly multi-genre to PHM in its make-up. The same can be said of directing duo Phil Lord and Chris Miller's previous works (The LEGO Movie, 21 Jump Street), which have surprising emotional depth amid their riotously funny moments.
Gosling is given ample opportunity to showcase his aptitude for comedy
Still, Project Hail Mary highlights Gosling's impeccable comedic timing — a talent that, until his performances in recent flicks including 2024 megahit Barbie and 2025 action-comedy The Fall Guy, was severely underutilized. Thankfully, Gosling is given ample opportunity to showcase his aptitude for comedy in chucklesome scenes laced with physical, deadpan, situational, and miscommunication-based humor. Needless to say, Gosling is as much a tour de force in PHM's quieter and dramatic moments as its amusing and action-oriented ones. Films of this emotional magnitude and multi-tonality require a certain caliber of actor to anchor them — without one, movies can easily fall apart. But, with its lead star firing on all cylinders, Project Hail Mary has enough emotional thrust to catapult it into the stratosphere.
A Rocky road trip
Rocky is the newest addition to the throng of adorable aliens we've seen on the big screen (Image credit: Amazon MGM Studios)
As any experienced vehicle operator will say, though, you can never have enough fuel in the tank — and, from an emotive perspective, that's where Gosling's adorable alien co-star comes into play.Indeed, as Project Hail Mary's first trailer and subsequent teasers showed, Grace soon learns he isn't the only one trying to crack the case. Indeed, Rocky (voiced by puppet designer/performer James Ortiz), an eyeless, arachnid-like extraterrestrial, is on the same mission to save the star that its home world, Erid, orbits.
Rocky helps to bring out the best in his new human companion (Image credit: Amazon MGM Studios)
Rocky doesn't appear until the start of the film's second act. Once he does, though, PHM's story subtly shifts from an introspective solo flick to an intimate two-hander as an unlikely yet deeply warm friendship — one that unmistakably becomes the film's emotional core — forms between Grace and his instantaneously lovable new bestie.
Grace and Rocky's bromance is one that evokes the very best on-screen human-alien friendships
A far cry from the uninspiring bond between Jakub Procházka and Hanuš in Netflix's 2024 sci-fi flick Spaceman, Grace and Rocky's bromance is one that evokes the very best on-screen human-alien friendships. Think E.T. and Elliot in E.T: The Extraterrestrial, Han Solo and Chewbacca in Star Wars, and Lilo & Stitch in their eponymous animated and live-action films, and you'll get a sense of how integral Grace and Rocky's dynamic is to Project Hail Mary's entertaining yet perilous plot.
Project Hail Mary is a feast for the eyes (Image credit: Amazon MGM Studios)
And fraught with danger it most certainly is. Eye-bulgingly beautiful and electrifyingly euphonious as PHM is — believe me, you'll want to see this in IMAX or on the biggest Dolby Atmos-supported screen you can — our unlikely heroes' quest is terrifyingly treacherous.
There won't be many films this year that'll restore your faith in humanity like Project Hail Mary will
Nowhere is this more apparent in Project Hail Mary's tentpole set-piece, which sees Grace and Rocky embark on a high-stakes and life-threatening mission that'll go a long way to solving their celestial conundrum. It's an intense, nail-biting action sequence that, combined with Greig Fraser's (Dune, The Batman) visually powerful cinematography and Daniel Pemberton's (the Spider-Verse movies) heart-pounding, otherworldly score, gripped me from start to finish. I'm not afraid to admit that the final 45 minutes, which include the aforementioned extended scene, had me choked up on more than one occasion, too. No spoilers, but if you welled up or cried watching poignant sci-fi movies like Interstellar and The Iron Giant, or even feel-good genre fare like The Martian, I'd bring some tissues with you.
My verdict
It's the sign of a spectacular movie when you never glance at your watch, so it won't shock you that I consider Project Hail Mary to not only be a spellbinding genre epic, but also a contender — even at this early stage — to be one of the best films of the year.Okay, the story occasionally strays into predictable territory, but that's the only fault I found with what I expect to be the latest addition to the sci-fi movie pantheon. An edge-of-your-seat, spacefaring comedy-drama that'll resonate through its 'ordinary individuals doing extraordinary things' narrative lens, there won't be many films this year that'll restore your faith in humanity like PHM will. In the words of Rocky himself, go see this "amaze, amaze, amaze" movie as soon as you can.
Project Hail Mary arrives in theaters on March 19 (UK and Australia) and March 20 (US and everywhere else).
Cast your mind back to 2022, when BBC smash hit period drama Peaky Blinders was wrapping up its sixth and final season. Loveable local gangster Tommy Shelby (Cillian Murphy) was tricked into believing that he was about to die from syphilis, making himself a recluse in the process.
However, this was all a lie, with Tommy tracking down the doctor responsible but failing to kill him. In this moment, Tommy learned the ultimate lesson of grace, and his legacy was forever changed (and more importantly, left on a high).
At least, this was the case until new Netflix movie Peaky Blinders: The Immortal Man. We've picked up with who's left of the gang in 1940, with Tommy's now grown-up eldest son Duke (Barry Keoghan) involved in a plot to foil the Second World War. In short, he's helping the Nazis distribute counterfeit money across the country, making him rich to the tune of £70 million in the process.
But never fear! It's Tommy to the rescue... well, at least after he's done dithering over whether it's the right thing to do. Duke's aunt Kaulo (Rebecca Ferguson) and Tommy's sister Ada (Sophie Rundle) are on hand to try and coax him back to Birmingham, and I bet they wish they hadn't bothered.
The biggest problem with The Immortal Man is how overwhelmingly depressing it is. The first half struggles to get itself going, with the second half abruptly ending in unnecessary tragedy.
If you're looking for jaunty fights, slick laughs and Tommy back on fighting form, you've come to the wrong place. Netflix has instead penned a funeral to the show we once loved, and simultaneously paved the way for an incredibly uninspiring sequel series.
I'm not joking when I say that I never want to watch Peaky Blinders: The Immortal Man again
It breaks my heart to be the bearer of such bad news after an agonizing four-year wait, but let's dig deeper into what's gone so wrong. More than anything else, it's the actual storyline that The Immortal Man has chosen to flesh out.
Fans have been waiting a long time for a spectacular Tommy Shelby comeback, wanting more of the same explosive energy that we got during the original series run. Instead, Tommy has become a man who is incredibly unsure of himself.
He's got good reason to be, as fans will find out in the first 20 minutes. But sadly, this all makes for incredibly drab viewing. It's easy to sum the entire movie up as this:
The first 45 minutes is Shelby continuous saying "No, I can't possibly go back to Birmingham" to the few people on hand to listen. The middle 25 minutes is Tommy at his best, punching and shooting layabouts who don't respect their elders. For the final 40-odd minutes, we're back to misery, as Tommy has all but given up the ghost.
Our original crew has practically dissipated before our eyes, too. By the time The Immortal Man closes out, we're largely left with new or B-plot characters, none of whom we actually give a damn about. That's not amazing news if the BBC does intend to develop a sequel series in the future…
In essence, it's out-and-out dread, which isn't exactly what you want to sit down and stream after a long week. Tommy's ending in season 6 was much more fitting too, and I really wish it remained his final hurrah. The Immortal Man ends suddenly, sadly, and with little resolution for the characters we dedicated almost a decade to.
Not everybody else is a great fit either
Stephen Graham is onscreen for all of 5 minutes. (Image credit: Netflix)
When we talk about period dramas, the term 'iPhone face' is sometimes bandied about. This describes someone who looks so modern that you just know they've seen an iPhone, therefore is not a successful fit for a story set in the past. Barry Keoghan suffers from something I'm going to term 'iPhone haircut'.
Sporting an on-trend fade and more sticker-style tattoos than I could count, Keoghan's styling completely takes us out of the 1940s moment. Thanks to Saltburn, Eternals, Master of the Air, The Banshees of Inisherin, Crime 101 and the upcoming four Beatlesmovies, the man is absolutely everywhere, so perhaps it was already going to be difficult to buy him as anyone other than a modern actor.
Even so, it speaks to the disjointed feeling that The Immortal Man hosts, a patchwork of old and new that sits in a no-man's land in between. There's light to be found in the dark, including multiple touching tributes to Helen McCrory's character Polly Gray and, ironically for something so bleak, the best lighting in a Netflix movie I've possibly ever seen.
On the whole though, these minor wins don't make up for the dull and depressing bigger picture. My advice? Watch The Immortal Man's trailer before binging Peaky Blinders season 1-6 all over again. Trust me, it's a much better use of your time.
And of course, you can also follow TechRadar on YouTube and TikTok for news, reviews, unboxings in video form, and get regular updates from us on WhatsApp too.
There has never been a better time to be Rachel Weisz, or indeed, a Rachel Weisz fan. Since The Favorite in 2019, she's been in a string of steamy TV sessions from Prime Video's Dead Ringers remake in 2023 to brand new Netflix show Vladimir, based on the hit novel of the same name.
I could wax lyrical about how refreshing it is to see a woman over 50 consistently and unashamedly explore her sexuality onscreen until the cows come home, but the projects Weisz is picking are so much more than that. For one thing, Vladmir is possibly the most uncomfortable binge watch of my entire adult life.
Let me explain. Weisz's character, simply know as The Protagonist (let's call her P for clarity) is a professor at a university with her husband John (John Slattery), who has been suspended after numerous sexual assault allegations against him have come to light.
At the same time, new professor Vladimir (Leo Woodall) arrives on campus — and despite them both being married, P becomes infatuated with him, fantasizing about the idea of Vladimir whenever she can.
It's a morally conflicting watch, making it something you can barely tear your eyes from. Much like P, we can't fight the pull of overwhelming desire, but we know what's unfolding is abhorrently wrong at every level. For that alone, I think Vladimir is the first truly unmissable TV show of 2026.
In Vladimir, sex has never been more sordid or scandalous
Netflix invites us to "descend into sexy madness" while watching Vladimir, and that's an incredibly apt summary. P is clearly an academically smart and well-educated woman, but when it comes to her moral compass, she's operates like a clueless teenager.
It's hardly a spoiler to say P throws her family, career and sanity out of the window in order to objectify and clamor over Vladimir while he shows very little signs of reciprocation. When we meet him, he's a true family man, putting his daughter and marriage to fellow troubled colleague Cynthia (Jessica Henwick) before professional ambition.
I like that there's no real reason for P self-sabotaging, as we often don't understand those who choose to in real life. She hates John for putting her in such a precarious position, but equally uses him as a vessel to act on her feelings for the version of Vladimir she's created in her head.
You might think this sounds like a modern feminist icon, shunning the conventions of marriage and professionalism in order to be fully liberated by sex and passion. However, her stance on the female complainants against her husband puts an end to this, with P making it clear that she believes the women in question are just as at fault.
We're left with a complicated soup of unadulterated mess to sift through, making us critically engage in ways we're normally afraid to... and this is our real breath of fresh air moment.
Content is arguably taking the safe route, trying not to ruffle any feathers or give viewers any pause for thought. There's a reason why the likes ofVirgin Riverand Sweet Magnolias are championed by Netflix, and with Vladimir, it's going against the grain.
Don't get me wrong, it's an incredibly uncomfortable binge
Reality, or an illusion? (Image credit: Netflix)
Don't get me wrong, though... you'll likely find Vladimir an incredibly tough watch. Not just because the subject matter is morally dubious, but because the new Netflix show really turns up the spice.
Almost all of the 8 episodes feature a hot and heavy sex scene, and showrunner (and original author) Julia May Jonas has spectacularly nailed the spice. Nothing is gratuitous or unnecessary, and desires are explicitly explored with nothing off-limits. Honestly, it's all you could ever ask for.
By this point, it hopefully goes without saying that Weisz is completely mesmerizing, and she's head and shoulders above the additional cast. In a way that brings Notes on a Scandal,Misery and Fleabag together, she frequently breaks to fourth wall to talk directly to viewers, yet it remains difficult to understand exactly what she's going to do next.
Jonas frequently distorts P's imagination and reality, combining them into the same indistinguishable scene. Vladimir is an incredibly easy binge watch too, with all 8 episodes coming in under the 30-minute mark. It's all like taking a medicine you know isn't really any good for you.
Sure, John inserts himself too heavily into the story when he's the last thing we care about, but everything else about Vladimir is sexy from start to finish. Sexy is often unhinged when you take off the rose-tinted glasses, and this is truly a warts-and-all experience.
Have you ever seen the meme of an old British lady called Brenda shouting into a street microphone: "You're joking... not another one? Oh for God's sake, I can't stand this." Well, that's how I feel about adaptations of Sherlock Holmes.
After Benedict Cumberbatch took the role on in the self-titled BBC series, I didn't think that the fictional detective could be bested. However, new Prime Video series Young Sherlock has proved me wrong. We leave the comfortable familiarity of 221b Baker Street behind for Sherlock's (Hero Fiennes Tiffin) younger years, following his antics at Oxford University when brother Mycroft (Max Irons) gets him a job as a porter after a brief prison stint.
There, he meets eventual enemy Moriarty (Dónal Finn), together working to uncover a mystery that intimately involves Sherlock's family, especially his sly dad Silas (Joseph Fiennes). In a nutshell, it's the Holmes family as we've never seen them before.
It shouldn't feel ingenious for a snapshot of Sherlock's teen years to feel like a unique idea, yet it feels like something we've never watched before. Why? Unlike Netflix's Enola Holmes series, which focuses on an adapted version of Sherlock's sister, Sherlock himself becomes more accessible by digging deeper into the family history from his perspective.
Add Guy Ritchie's signature action and explosive energy into the mix, and you've got a solid end product that's vibing on pure adrenaline. Everything from the production design to casting of Young Sherlock is on point, and if we never got another detective adaptation again (which won't happen), we'd be going out with a bang.
Sherlock's stale story gets an electric revamp — think Peaky Blinders meets Fight Club
The first rule of Fight Club is not to talk about fight club, but I'll be recommending Young Sherlock to anybody who will listen. When I first watched the above trailer, I didn't really understand the show's intended motive. Why make something about teen Sherlock who seemingly likes punching people as much as he enjoys reading books?
Now I've seen the series, I see how surface-level the trailer actually is, and perhaps the fact so much has been withheld is the sign of a trailer well done. Understanding what made the man is at the key of the Prime Video show, turning him from an aloof intellectual prodigy into a vulnerable young man full of emotion, care, and reason.
The elephant in the room is Sherlock's mother and sister, reimagined as Cordelia Holmes (Natascha McElhone) and Beatrice, who we see in flashbacks. While Enola Holmes went in a different direction, Sir Arthur Conan Doyle's books make little mention of Sherlock's family, meaning creatively, they're there for the taking.
Cordelia is the key to understanding Sherlock's mind, with Tiffin's leading man prepared to lay down his life to protect her. Their minds work in the same way, and they're as enthused by the adventures and dangers of life as each other. They are kindred spirits, and yin and yang who fit lovingly together in a world that doesn't want to understand them.
Sherlock's relationship with Moriarty has drastically changed too. Instead of fiery villains, the pair are more like The Chuckle Brothers of the detective game. In hindsight, it's a shame to think that this connection ever changed, and perhaps with time, Young Sherlock can reinvent that. For now, the impeccable double act is a refreshing as a cool glass of water.
Young Sherlock's firing on all cylinders, from script to set design
Don't discount Zine Tseng. (Image credit: Prime Video)
The Gentlemenand MobLand taught us that Ritchie knows how to pack a punch on the small screen, and with a bigger studio budget comes bigger risk-taking. In Young Sherlock, they all pay off, taking us cross-continental on a journey across Constantinople, Oxford and the Parisian streets of the French Revolution.
These are all big set pieces, with my favorite in particular a trip to the Folies Bergère cabaret hall in episode 6, complete with every bombastic detail you could imagine. It's this sense of well-rounded craft that elevates the entire production, having through through the broadest scope to the most insignificant prop.
A special shoutout must be made to the theme tune, which is a compliment I seldom get to give these days. If the scenes played prior to its use haven't got you pumped up, you'll be wanting to throw yourself into a detective-filled mosh pit by the time it's over.
The stellar performances, the whistle-stop pace and dialogue being flawlessly executed at a million miles a minute are a heady mix. Sherlock's 'mind palace' is shown in a completely new light, with action sequences never committed to half-heartedly.
It's shows like Young Sherlock that rejuvenate your excitement about what TV can achieve, the impressive direction entertainment and design can collectively take. As far as I'm concerned, throw all the money at Ritchie that he wants if he keeps producing projects as dazzling as this.
It's at times like this when I wish I could review TV via TechRadar's YouTube channel, as I'm struggling to form words after binging Paradise season 2. What would actually convey my thoughts is a series of stunned noises and facial expressions, perfectly communicating how my mind has happily turned into post-apocalyptic soup.
Last year, season 1 became one of Hulu and Disney+'s most-watched TV shows during its first few weeks, stunning everybody by transforming from a unsuspecting zero into a globally successful hero. The social media furore is going to pick straight back up where it left off, and I'm already confident that season 2 will be one of the best TV shows of 2026.
So why all the hype? Paradise has a tight craft and a strong understanding of the story it wants to tell... and frankly, it's all a nightmare that could easily become a reality. Couple that with a stellar cast who never put a foot wrong, and you've got a bold and striking end product.
Season 2 only makes all of the above more apparent. As Xavier (Sterling K. Brown) leaves the bunker behind to try and find estranged wife Teri (Enuka Okuma), we meet medical school dropout turned Graceland tour guide Annie (Shailene Woodley), who has to hide out in the King's mansion for the three years after the Doomsday event.
For me, it's our new cast who really make this season sing. Yes, we have to trudge over existing character history like we're trying to pass the time by sharing war stories in an underground bunker. But not only is this gripping in small doses, but the biggest intrigue comes from understanding the backstory behind the new kids on the block.
While some of these help put the pieces together for Xavier and Teri, others will flat-out make you sob. Sinatra (Julianne Nicholson) can't be forgotten either, and I wouldn't trust her as far as I could throw her.
We've got to thank Shailene Woodley and Elvis Presley's estate for how impeccably Paradise season 2 begins
There's no world where I imagined Riley Keough (who is now the sole trustee of her grandfather's estate) letting Hulu and Disney+ near-destroy Graceland to recreate it as a set for the main location in Paradise season 2, but clearly, pigs have flown.
The move is probably the most jarring change across the new episodes, and I'm surprised that the mansion hadn't been looted earlier. If you've ever wanted to fly to Memphis to do the tour (would recommend), you now don't have to leave your living room.
Put the absurd and surreal background of hiding there during Doomsday with Annie's personal plight and resilience, and opening episodes of season 2 are catnip. I won't lie — I'd forgotten how brilliant of an actor Woodley is, wearing her heart on her sleeve and her snotty tears all over her beautiful face. There's no way her eyebrows would have remained that pristine, but we'll move past that.
Without spoilers, the new characters are the ones who really pack the emotional punch. They're now the biggest variable in a world reconstructed to benefit the few, so any sudden tragedy or buried trauma is the ultimate sideswipe. It's incredible how quickly you become invested in people you know very little about, and Paradise season 2 makes sure they will all break your heart.
Everything else is like a duck to post-apocalyptic water
You'll see a lot of flashbacks like this. (Image credit: Hulu)
For most of both seasons, I haven't had a single clue what was going on — but to quote K.C and the Sunshine Band, that's the way I like it. There's an unexplainable rush to being swept up in something that's so much bigger than you are, but you seldom understand. It also helps that we're not the ones having to live through a climate apocalypse, even when its relatability pushes it too close to home.
Xavier and Sinatra are spearheading the tension from opposite sides, and both Brown and Nicholson slip seamlessly back into their season 2 roles. There's a greater sense of danger for them both, but also each teeter on the brink of total exposure. With one snap decision, either could shift from good to evil and back again, and the unpredictability is a thrill in itself.
Paradise season 2 is an all-rounder, as a teacher might say on parent's evening. High-value production, a tight story, well-developed narrative arc that's clearly going to end after season 3 (though this is currently unconfirmed), cast fully sending their performances to the depths of insanity, and Graceland's own horses successfully surviving at surface level. There's truly nothing else you can ask for.
It's very rare that a TV show gives me a sense of giddy excitement, like a child whizzing around on a teacup at Disneyworld, holding candy floss while trying not to puke. But Paradise season 2 effortlessly manages, and it's ridiculous how excited I am about something that resembles a 2020s retelling of Threads.
Frankly, you'd be a fool not to stream it — but get ready to gasp, scream and cry your way through it, with the tiniest ray of hope peeking through the volcanic clouds.
And of course, you can also follow TechRadar on YouTube and TikTok for news, reviews, unboxings in video form, and get regular updates from us on WhatsApp too.
The Mortuary Assistant is now streaming on Shudder and playing in select movie theaters, and you may have already seen a few bad reviews for it. But I had a great time with this adaptation.
When it comes to The Mortuary Assistant, I think it's best to go into it not expecting an exact replica of the video game. Approaches like that worked for The Last of Us, but here, I actually liked the fact that it doesn't follow the game to the letter. It's very much an adaptation and companion piece to the game, which I highly recommend you play.
We learn a lot more about Rebecca's character here as she spends a night shift at River Fields Mortuary. It's clear she is devoted to her job and neglects other areas of her life, especially when it comes to the demons of her past. Willa Holland gives a great performance here as someone who seems to be more comfortable with the dead than the living, as she continues to ignore and stuff down the things that have happened to her.
The Mimic is one of the most iconic creatures in The Mortuary Assistant. (Image credit: Dread XP)
Unfortunately, this leads Rebecca to be haunted by an actual demon, which does a very good job at tormenting her. Fan favorite manifestation The Mimic, steals the show here, as it appears to terrorize Rebecca during her terrifying shift. The creature design really is good here, and we're left wondering what is real and what is not, bringing us up close and personal to Rebecca's terror and hallucinations.
Rebecca is finishing her apprenticeship with mortician Raymond Delver (Paul Sparks), and these are the two characters we follow throughout the movie. He is ultimately in charge of finding employees he believes capable of combating the demons located there, and Rebecca is his latest colleague to be met with the horrors.
I do think audiences would benefit from playing the video game too, as it can provide more context. I'm not sure if those who know nothing about the game would get quite as huge a kick out of this, as part of what made this exciting for me was already being a huge fan of the game.
Like many horror movies, there is unfortunately an over-reliance on jump scares at times, and this is a point that is sure to divide audiences. Whether you love them or hate them, you can be the judge of how effective they are.
All in all, this is a strong adaptation, and there's lots for fans of the game to enjoy, especially if you're keen to expand on the lore and backstory. Don't go into this expecting a shot-for-shot remake of the game, and instead, it should be treated as a very worthy expansion.
And of course, you can also follow TechRadar on YouTube and TikTok for news, reviews, unboxings in video form, and get regular updates from us on WhatsApp too.
