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I tested them, and Bose QuietComfort Ultra Headphones (2nd Gen) are the absolute best active noise cancelling cans for the money

1:30 pm | October 22, 2025

Author: admin | Category: Audio Computers Gadgets Headphones | Tags: ANC | Comments: Off

Bose QuietComfort Ultra Headphones (2nd Gen): two-minute review

The original QuietComfort Ultra Headphones from 2023 are still a competitive product, so for this second generation Bose has wisely left a lot unchanged. Even more wisely, the changes it has made turn out to be judicious and useful, and serve to make the QuietComfort Ultra Headphones (2nd Gen) even more competitive than the model they replace – a shoo-in for our best noise-cancelling headphones guide and honestly, they're some of the comfiest and best over-ear headphones in general.

Battery life, at 30 hours with ANC switched on, is improved. The ability to switch ANC off, in order to eke out as much as 45 hours of action from a single charge, is worthwhile too. Adding a ‘cinema’ mode to the ‘Immersive’ audio offering is a smart move. And being able to hard-wire the headphones to a source of music in order to enjoy truly hi-res audio quality can’t be sniffed at either.

These improvements just enhance what is class-leading noise cancellation, a sky-high comfort quotient, excellent portability thanks to the degree of articulation in the frame, and vigorous, entertaining sound quality.

In truth, similarly priced alternatives from other brands will give you a slightly fuller sonic picture. But these alternatives are heavier, not quite as comfortable over the long haul – and in ultimate terms they can’t lay a glove on the immaculate noise-cancellation these headphones offer.

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background. — (Image credit: Future)

Bose QuietComfort Ultra Headphones (2nd Gen) review: Price and release date

Released on September 10, 2025
Price: $449 / £449 / AU$699

The Bose QuietComfort Ultra Headphones (2nd Gen) launched in September 2025 and in the United Kingdom they’re priced at £449. In the United States they cost $449, and in Australia they go for AU$699.

In the UK this is the same money at which the original QuietComfort Ultra Headphones launched back in 2023, while in the US and Australia it’s nudged upwards a little. In any event, though, this price indicates the QC Ultra Headphones (2nd Gen) are up against some capable and credible opposition…

Bose QuietComfort Ultra Headphones (2nd Gen) review: Specs

Weight:	250g
Drivers:	TBC
Battery life:	30 hours
Control:	App; voice; physical
Bluetooth:	5.4

Bose QuietComfort Ultra Headphones (2nd Gen) review: Features

Bluetooth 5.4 with aptX Adaptive codec compatibility
‘Immersive’ audio
30 hours of battery life (ANC on)

There are some aspects of specification that Bose has never been all that keen on divulging, and it seems never will be. So as to the drivers fitted to the QC Ultra Headphones (2nd Gen), their size and material and frequency response, well, your guess is as good as mine. Quite why this run-of-the-mill information should be considered so sensitive is anyone’s guess, but here we are…

Still, there are things about which Bose is happily forthcoming. So we know these headphones use Bluetooth 5.4 for wireless connectivity, and are compatible with the aptX Adaptive codec as well as the less glamorous SBC and AAC alternatives. And in a notable upgrade for the model they replace, the QC Ultra II can be hard-wired to a source of music using their USB-C slot – connected this way, they can deal with audio content up to 24bit/48kHz resolution.

The company’s ‘Immersive’ take on the whole spatial audio thing is on board, too – the system can be switched off altogether, or set to either ‘still’ or ‘motion’, and this new model also features a ‘cinema’ mode that seeks to offer a more – hey! – cinematic presentation for that content that might benefit from it.

Active noise-cancellation, the area in which Bose has historically been the front-runner, is back in its ‘ActiveSense’ guise – the headphones can automatically adjust ANC levels to respond to environmental changes. There’s a slider in the control app to adjust the intensity of the ANC and also to dictate the amount of external sounds you hear while in ‘Aware’ mode – and unlike the original model, the ANC in the QuietComfort Ultra Headphones (2nd Gen) can be turned off altogether.

Battery life is improved for this new model, too. You can now expect 45 hours between charges with ANC off, 30 hours or so if you switch it on, and around 23 hours if you’re enjoying ‘Immersive’ audio at the same time. The thick end of three hours of playback can be liberated from a 15-minute connection to mains power.

There are a total of 10 mics in and around the ear cups, and no matter what you’re using them for – ANC, telephony, voice-assistant interaction – they prove sharp and rapid in their response.

Features score: 5 / 5

Bose QuietComfort Ultra Headphones (2nd Gen) review: Sound quality

Energetic and engaging sound quality
Not, perhaps, the last word in fine-detail retrieval
Absolutely superb ANC

I’ll start with the least surprising thing about these headphones: they're fitted with the best active noise-cancellation you can buy at anything like this kind of money. In fact, they have better ANC than plenty of wireless over-ear headphones costing two or three times this amount. Somehow Bose has worked out how to banish external sounds almost entirely from the experience of wearing a pair of QuietComfort Ultra Headphones (2nd Gen). And it’s done so without altering the sonic character of the headphones in the slightest, and without introducing any sensation of noise-floor disruption or that weird ear-sucky-vacuum thing that less accomplished companies deal in. It’s remarkable, really.

That eerie silence outside leaves you free to enjoy sound quality that’s upfront, entertaining and thoroughly vigorous. There’s a very agreeable up-and-at-’em attitude to the way the Bose go about delivering a 16bit/44.1kHz FLAC file of Never Stop by Echo & The Bunnymen – momentum levels never dip, there’s confidence in the way the rhythm is expressed, and the broad dynamic shifts in volume and intensity are dispatched with something approaching relish.

The overall frequency response, from the very bottom of the range to the very top, is nicely even. The bottom end hits hard and digs deep, but is controlled enough to stop bass sounds dragging at the sound, while at the opposite end there’s just about substance to treble sounds to keep the bite and shine in check. In between, the midrange communicates in a forward and direct manner, and voices feel the benefit of this positivity no end.

The soundstage the QC Ultra (2nd Gen) create is large and quite convincingly defined, and even in a fairly hectic mix like this one the Bose can create enough space for each element of the recording to express itself fully. The headphones tie everything together pretty well, too, so even though there’s plenty of separation to the sound the recording is still presented as a singular event rather than a collection of individual occurrences.

A switch to Nina Simone’s version of Isn’t It a Pity? establishes that the Bose can do ‘stripped back’ and ‘slow burning’ just as readily as they can sink their teeth into the uptempo stuff. The balance and poise they exhibit here is the mark of an accomplished product – but the relatively spare recording also exposes the fact that the QC Ultra II are not, in ultimate terms, the most detailed headphones around.

They’re not a blunt instrument by any means, you understand, and they have some insight into harmonic variation and transient details. But the more minor, more fleeting episodes in this recording are rather glossed over. As a shortcoming it’s hardly the end of the world – and, in fact, it’s a testament to just how good the ANC is here that the listeners can enjoy enough isolation to be able to identify this little deficiency in the first place.

Sound quality score: 4.5 / 5

Bose QuietComfort Ultra Headphones (2nd Gen) review: Design

Choice of five finishes
250g
Folding design

What’s most immediately striking about the design of the Bose QC Ultra II – and, to be fair, striking for quite a long while afterwards too – is how light and comfortable they are. At just 250g they’re usefully lighter than pretty much every price-comparable rival, and the combination of carefully judged padding in the headband and earpads, along with well-judged clamping force, means they’re a comfortable proposition even after you’ve been wearing them for hours. The pleather that covers the earpads and inner part of the headband stays cool for a good long while, too.

There’s plenty of articulation in the frame of the headphones, so they fold in on themselves to the point that the semi-hard travel case Bose supplies is helpfully smaller than the majority of alternatives. Despite the amount of movement available in the frame, though, the headphones don’t feel flimsy or vague in their construction.

The QuietComfort Ultra Headphones (Gen 2) are available in five finishes. My review sample is in a rather insipid medicine color that Bose optimistically describes as ‘white smoke’ – the alternatives (‘black’, ‘midnight violet’, ‘driftwood sand’ and ‘desert gold’) are all more agreeable. For several of these colourways, including mine, the brightwork at the yokes and headband adjustment mechanism are much brighter than previously.

Design score: 5 / 5

Bose QuietComfort Ultra Headphones (2nd Gen) review: Usability and setup

Physical and touch controls
Control app for iOS and Android
‘Immersive’ audio calibration

When it comes to set-up, the Bose QuietComfort Ultra Headphones (2nd Gen) are no more tricksy than any other wireless headphones. Power them up, put them in ‘pairing’ mode and your source device will locate them in no time. And it’s no more difficult to pair to two devices at a time as it is one.

There is a combination of physical and touch controls on the right earcup. The physical stuff consists of a button taking care of power on/off and Bluetooth pairing, and a second slightly larger button that can deal with play/pause, skip forwards/backwards and cycling through your ANC options. The ‘touch’ part consists of a slider that controls volume – a ‘touch and hold’ can act as a ‘shortcut’ to either hearing the battery level, cycling through ‘Immersive’ audio options, summoning a voice assistant, or waking Spotify. You can decide which of these shortcuts you’d like in the control app.

The app itself is useful as far as it goes, though it’s far from the most visually exciting example of the type around – it’s just that when compared to the alternatives from the likes of, say, Bowers & Wilkins, it doesn’t go all that far. Volume control, EQ adjustment, ANC and ‘Immersive’ audio settings, as well as that ‘shortcut’ nomination, are all catered for, and here’s where you can check on software updates and what-have-you too. For all its stability and ease of navigation, though, it lacks the ability to integrate music streaming services or access to internet radio that many price-comparable rivals provide.

Usability and setup score: 4 / 5

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Screenshots from the Bose QuietComfort Ultra Headphones (2nd Gen)'s app. — (Image credit: Future)

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Bose QuietComfort Ultra Headphones (2nd Gen) review: Value

Some rivals are better-value
Top sound quality, ANC and comfort

There’s absolutely nothing wrong with the way the Bose QuietComfort Ultra Headphones (2nd Gen) are constructed or finished, and the quality of the materials is unarguable too.

Somehow, though, the perceived value is not as high as it is with some rival models – perhaps that’s to do with the color of my sample, perhaps it’s the slightly hard- and thin-feeling plastics that make up the bulk of the earcups.

What can’t be argued with, though, is the experience – and in every respect, from sound quality and active nose-cancellation to extended comfort and portability, these headphones are right up there.

Value score: 4 / 5

Should I buy the Bose QuietComfort Ultra Headphones (2nd Gen)?

Section	Notes	Score
Features	Lots of features like spatial audio and support for various codecs.	5 / 5
Sound quality	Energetic and engaging sound with top ANC.	4.5 / 5
Design	Light and comfortable, available in five finishes.	5 / 5
Usability and setup	A range of controls with the app bringing a few extras.	4 / 5
Value	A few rough finishes but otherwise, top value.	4 / 5

Buy them if…

You’re in this for the long haul
Between the battery life and the comfort quotient, the Bose are excellent travel companions.

Your long haul is noisy
One day, Bose will fail to produce class-leading active noise-cancellation – but today is not that day.

You enjoy energetic and entertaining sound
They’re not the absolutely final word in outright fidelity, but these headphones know how to have a good time.

Don't buy them if…

You want everyone to see where your money has gone
A similar spend with alternative brands will buy you a little more tactility and perceived value

You want all the control app whistles and bells
What the Bose app does, it does properly – but alternative apps from other brands go further in their functionality.

Bose QuietComfort Ultra Headphones (2nd Gen) review: Also consider

Bowers & Wilkins Px7 S3
If it’s perceived value as well as great sound you’re after, the Bowers & Wilkins Px7 S3 make a whole lot of sense – even if, just like everyone else, they have to bow to the noise-cancellation Bose deals in.
Read our full Bowers & Wilkins Px7 S3 review

Sony WH-1000XM6
If you’re after something that does really well in every single department without ever quite being the best at any one thing, the Sony WH-1000XM6 are consummate all-rounders.
Read our full Sony WH-1000XM6 review

Apple AirPods Max
The stalwart point of comparison, Apple's top-tier over-ear headphones cost a tiny bit more and get you cans that are part of the AirPods ecosystem... if that's what you want.
Read the full Apple AirPods Max review

How I tested Bose QuietComfort Ultra Headphones (2nd Gen)

Wireless connections to an iPhone 14 Pro, FiiO M15S digital audio player and MacBook Pro
A variety of music, a variety of file types and sizes
Connections wirelessly but also via USB-C cable

I connected the QC Ultra II wirelessly to an Apple MacBook Pro, an iPhone 14 Pro and a FiiO M15S digital audio player, in order to get as wide an experience of codecs and audio content as possible.

I also connected the headphones to the laptop using USB-C in order to get a little flavour of their high-resolution credentials. Lots of styles of music came through them, of lots of different file-types and -sizes… and I did plenty of listening outdoors as well as at home, too.

Sennheiser HDB 630: two-minute review

What happens when you cut the wires off your audiophile-grade headphones and fit a Bluetooth module inside, then add a USB-C dongle to the box so people can hear them at their best? You get the Sennheiser HDB 630. These wireless headphones are intended to deliver ‘hi-res’ Bluetooth audio to anyone, no matter which smartphone you’re using – yes, even an iPhone.

To achieve this, Sennheiser has bundled in its BTD 700 dongle, which opens up access to the aptX, aptX HD and aptX Adaptive codecs, and up to 24-bit / 96kHz streaming quality. Just plug the USB-C dongle into your phone, pair it to the Sennheiser HDB 630, mkae sure your file quality is of the desired standard and you’re good to go.

Of course, some data is lost when streaming over Bluetooth, but still, the audio quality here is exceptional and deserving of Sennheiser's HD (ie. reference grade) lineup. I was very impressed by the beautifully balanced, textured, and well-separated performance of the HDB 630, which outperformed even some of the best headphones I’ve tested in this price-range.

They have a neutral tuning out of the box, which a lot of audiophiles will appreciate – the bass is far from overbearing, though it remains punchy and responsive. A bump in the upper midrange often gives vocals a little bit of extra room to express themselves too, while treble is controlled and never too intense.

With parametric EQ and crossfade functions, you can also adapt the sound to your specific tastes – there’s so much customizability to access with the Sennheiser SmartControlPlus companion app.

And that applies to more than just sound. There’s customizable active noise cancellation, including a transparency mode, and a standalone adaptive configuration. These all work effectively, and although you won’t get absolute top-tier noise-crushing abilities here, the HDB 630 were able to keep me pretty focused on my music during a flight and when working at my office.

One thing that I wish was a little more tweakable, though, is the touch controls. Some of these function decently, but a couple feel a little clumsy to use, like volume adjustment and a single-touch play/pause option. Similarly, the On-head Detection is very sensitive, and the cans sometimes turn on even with a small knock. All of this can be switched off, but rivals like the Sony WH-1000XM6 offer much more intuitive controls.

Back to the positives though. Something that really wowed me about the HDB 630 was their excellent battery life. Considering a lot of high-level rivals in this range only offer around 30 hours of playtime, the 60 hours you get here – with ANC on, by the way – is absolutely exceptional. I barely ever had to charge these cans during my month of testing, and that in itself is a massive benefit.

In fact, other than the slightly unrefined touch controls, most of my criticisms are minor. I experienced a few inconsistencies with mic quality when using the BTD 700 dongle, and I would say that these aren’t quite the comfiest cans ever. But still, they’re snug enough to keep on for longer listening sessions, and without the dongle, the mic quality is very good.

Overall, these cans make a spectacular wireless debut into Sennheiser’s beloved HD6XX line. They supply revealing, immersive audio, buckets of playtime, and a rich set of features. Sure, there are a few imperfections here and there, but if we’re talking sound for pound (or dollar, etc.) value, then the Sennheiser HDB 630 are a tempting option, and easy to recommend.

Sennheiser HDB 630 in someone's hand — (Image credit: Future)

Sennheiser HDB 630 review: price & release date

$499 / £399 / AU$999
Launched in October 2025

The Sennheiser HDB 630 were revealed at the beginning of October 2025, and are available to order now. They're the first wireless pair of headphones to join Sennheiser’s beloved 6XX range, rather than slotting into the Momentum or Accentum family, but they feel like a natural upgrade over the Sennheiser Momentum 4 Wireless, sonically speaking.

As a premium pair of wireless headphones, these come with a fairly high price tag. They'll set you back $499 / £399 / AU$999, which is in a similar ballpark to top-tier wireless options like the Sony WH-1000XM6 and Bowers & Wilkins Px7 S3 – more on both of those later.

Sennheiser HDB 630 headphones in carry case — (Image credit: Future)

Sennheiser HDB 630 review: specs

Drivers	42mm dynamic
Active noise cancellation	Yes
Battery life	60 hours (ANC on)
Weight	311g
Connectivity	Bluetooth 5.2, 3.5mm, USB-C
Frequency range	6Hz-22kHz

Sennheiser HDB 630 review: features

Well-engineered adaptive ANC and passthrough modes
Fleshed-out companion app with parametric EQ and crossfeed
Comes with Sennheiser BTD 700 transmitter for better Bluetooth audio

When it comes to features, Sennheiser has put a lot of care into delivering just about everything you could want from wireless headphones.

Let’s start with some of the flashy inclusions that you’re not going to find from most rivals. First up, we’ve got parametric EQ. This grants users with granular control over the frequency they want to change, along with gain and Q-factor. So, if you’ve got a very precise sound in mind, you’ll easily be able to adapt the headphones to it.

In my experience, parametric EQ worked very nicely, and there are clear instructions in the Sennheiser SmartControlPlus app for how to get the best out of it. I generally stuck with the default sound, but tried making an altered tuning with a slight low-end bump, which was fun to configure.

Next, let’s talk about crossfeed – something I’d never used on a rival pair of the best over-ear headphones. Essentially, this can be used to blend the left and right audio channels for a more balanced presentation – especially useful if a recording has extreme channel separation and most of the bass only plays from the right side, say.

I tried this feature out with Purple Haze by Jimi Hendrix – a man who loved to move sound across the stereo field for a unique listening experience. When cranking crossfade up to high, vocals – which initially were focused into the right channel – were significantly more balanced. Personally, I had no issue with the original sound, so I rarely used crossfeed, but it does work well, and I’m sure some will enjoy using it.

Perhaps the star feature of the HDB 630 is their higher-res Bluetooth audio support. To make use of this, you can plug in the included BTD 700 dongle, which opens up access to aptX, aptX HD, and aptX Adaptive codecs – even if you’re on iPhone.

Anyway, the BTD 700 will let you stream audio in higher-than CD quality – 24-bit / 96kHz (albeit with some loss incurred by Bluetooth transmission itself). That means that great quality music becomes available to just about any modern device – more on the actual audio performance later, though.

Another one of the HDB 630’s major features is active noise cancellation. I was very pleased with the overall performance here, even if it won’t compare to leading players in this field, like the Bose QuietComfort Ultra Headphones Gen 2. One small thing: the HDB 630 set the ANC level to 60% by default, perhaps for the ideal balance sonically, but for testing purposes I cranked this up to 100%.

On a flight to Copenhagen, the low rumble of the jet engine was massively subdued, while discussions around me were basically inaudible. And that was when listening to music at about 60% volume, by the way. Some higher pitched sounds – like the click of seatbelts – did creep through, but I was still impressed with the HDB 630’s noise nixing talents.

Adaptive mode is dynamic and effective too, but you can also access a transparency mode with the custom settings. This is an ideal selection if you’re someone that prefers to have a good measure of your surroundings. There’s also an option to turn on anti-wind noise, or simply turn noise cancelling off entirely.

Sound zones is another interesting feature that enables you to set an EQ preset and ANC level depending on your location. You can save a number of locations, and the headphones will seamlessly slip into your chosen settings, so long as you’re within a certain radius of the relevant area.

A quick word on battery life too. You get an outstanding 60 hours of playtime from the HDB 630, even with ANC on. That’s very impressive indeed, and matches the battery life of the five-star-rated Sennheiser Momentum 4 Wireless.

One key issue I ran into during my time with the HDB 630, was that call and recording quality would suffer significantly if I was using the BTD 700 dongle. Similarly, if I ended a call, when my music continued to play it sometimes sounded fuzzy. The SoundConnectPlus app would also sometimes fail to work when I had the dongle inserted, though this wasn’t always the case. These issues may well be solvable with updates and such – but the call quality issue was especially unfortunate, as without the dongle, call quality on the HDB 630 is strong.

All in all, though, there’s just so much to sink your teeth into on the HDB 630, and if you want highly customizable listening experiences, it doesn’t get much better than this.

Features score: 4.5/5

Person holding up phone with Spotify on in front of Sennheiser HDB 630 and carry case — (Image credit: Future)

Sennheiser HDB 630 review: sound quality

Immersive, detailed audio performance
Audiophiles will likely appreciate more neutral default tuning
Hi-res audio sounds fantastic with BTD 700 transmitter

Now, for anyone familiar with Sennheiser’s name, you’ll know that the company is known for knocking out stellar sounding audio gear time after time. And the HDB 630 continue that trend. I was very impressed with the clarity, detail, and width of the audio these headphones conjure up — and at this price, you’re not going to find a lot of rivals that do better.

The HDB 630 have a pretty neutral sound out of the box. Bass is punchy, but not overly assertive, with a significant dip in the sub-100Hz range compared to the Momentum 4. Mids never get drowned out, with vocals often given a lift thanks to a slight bump in the upper mid-range. Meanwhile, treble is perhaps a little more tempered than I’m used to on a lot of wireless headphones, but this results in a controlled presentation, with sounds in the upper-range never coming across as over-eager or tinny.

When listening to Black Eye by Allie X, I was impressed with the brilliantly defined, assertive vocals, which were carefully separated from the pumping low-end and electronica in the background. Finer details like light percussion came through clearly, while electric guitars in the lower mid-range – which can sometimes sound muddied with middling or poor quality cans – were given a fair amount of room to play.

Rains again by Solji – a softer ballad – was the exact kind of track the HDB 630 could excel with. The higher-pitched vocals floated were beautifully emotive and well-positioned in the mix, with soft acoustic guitars, as well as soft strings and keys all replicated in a tonally accurate, expressive manner.

Turning to a deeper track like Spaceship by Marsolo, this is where things may require some tweaking. The ambient sounds and almost otherworldly effects that enter into the track were exceptionally clear and well-positioned, though the bass itself – despite being rapid and responsive – lacked a little bit of bite for my personal taste.

Thankfully, this wasn’t too much of an issue, though. There is a bass boost toggle for moments where you want a low-end lift in a pinch, and extensive EQ presets and custom options if you want a deeper tuning.

I tried my own custom tuning, using parametric EQ, and Left And Right by D’Angelo sounded incredibly immersive, thanks to the controlled, texture bass, expertly layered vocals, and impactful yet disciplined percussion in the treble range. The wide soundstage created an almost three-dimensional listening experience, and that’s something that a fair few rivals in this price range can’t offer.

For reference, I spent the majority of my time listening with the BTD 700 dongle and the aptX Adaptive codec – this genuinely makes a difference with the HDB 630, opening up a more full-sounding, revealing listen. I also tried wired listening, and was again delighted with the responsive, elegantly balanced performance of the HDB 630. These are an excellent-sounding pair of headphones for the cost – they deliver exactly what they aim to: audiophile-friendly sound, without the cable.

Sound quality score: 5/5

Earcup of the Sennheiser HDB 630 — (Image credit: Future)

Sennheiser HDB 630 review: design

Wired headphone vibe, wireless design
Could look a little more premium, in my view
Touch controls and auto-on feel a little clumsy

It's been an almost perfect start for the HDB 630 so far, but the design department is where the picture is a little bit more mixed.

First up, let’s talk about looks. The HDB 630 have an appearance that's befitting of their purpose. Visually, they’re almost more like closed-back wired headphones, minus the wires – and I’m a fan of that synchronicity.

However, for me, they just don’t look quite as premium as I’d hope for headphones in this price range. The silver sections that connect the headband to the earcups have an almost plasticky look, which contrasts the luxurious-looking headband and leatherette earcups. They still look pretty good overall, and this is largely a matter of personal preference – but I think some rivals, like the Bowers & Wilkins Px7 S3 have a sleeker overall aesthetic.

Something that’s less subjective, however, is the quality of touch controls on the HDB 630. Personally, I’m a touch controls guy – controversial, I know. But I didn’t always find them to be intuitive here. When flicking up, volume would occasionally rise too drastically, and the single touch requirement to pause music meant that it was too easy to accidentally play or pause my tunes.

Unfortunately, touch controls can’t be customized – it's either on, or off – which is a bit of a shame, as I would’ve liked to try tailoring them to my preferences. To give the HDB 630 their flowers, some functions, like skipping or returning to the previous track, worked great. Call controls functioned well too.

It was a similar story with On-head Detection, which seemed a little clumsy. On a couple of occasions, I’d give the headphones a knock when they were on my desk, and they’d auto power-on, connect to my phone, and start playing my music out. That was a little frustrating, and led to me later turning the feature off, even though the smart pause function worked really nicely when removing or re-wearing the headphones.

On the positive side, these headphones are fairly comfortable for longer listening sessions. I definitely think that my day-to-day headphones, the Sony WH-1000XM6 feel lighter and comfier in-use, but the HDB 630 didn’t feel tight on my head or harsh on my ears. They also offered a secure fit during my flight and whenever I was out and about.

Unlike headphones such as the Sony WH-1000XM4, the HDB 630 don't fold up. That means they're not the most compact around. But when you need to take them out and about, you can make use of the included carry case, which is built to a high standard. It feels very durable, and is well protected against scuffs or scratches. It's a little large and uses a zip rather than my preference of magnets, but it's still a very welcome inclusion.

Design score: 3.5/5

Sennheiser logo on headband of the Sennheiser HDB 630

(Image credit: Future)

Sennheiser HDB 630 review: value

Fairly priced for the sound quality on offer…
…even if you can get better ANC and comfort from some rivals
Incredible feature-set, even against competitors

When it comes to value for money, the Sennheiser HDB 630 score nicely – yes, even though they’re not the cheapest headphones out there.

For the money you pay, you get absolutely wonderful sound quality, and the inclusion of the BTD 700 dongle opens up higher-res Bluetooth listening to anyone – even iPhone listeners, who are frequently left behind in that domain.

Even in a side-by-side comparison with my similarly priced Sony WH-1000XM6, I felt that the HDB 630 performed exceptionally, offering a slightly more open, revealing sound. The XM6 arguably have a more ‘exciting’ profile out of the box, but with a little tuning, there’s not much the HDB 630 can’t do.

Looks-wise and comfortability-wise, the HDB 630 are solid – not the best in class but certainly not bad. But they sure do stand out when it comes to features. Parametric EQ, crossfade, adaptable ANC, and a ton of battery life. All of that combined with the sound you get? That’s plenty of bang for your buck.

Value score: 4.5/5

Earcups of the Sennheiser HDB 630 — (Image credit: Future)

Should I buy the Sennheiser HDB 630?

Attributes	Notes	Rating
Features	Wide feature-set, detailed-oriented sound options, dongle opens up great audio quality, though can cause some functionality issues.	4.5/5
Sound quality	Beautifully balanced, textured, detailed, and personalizable sound.	5/5
Design	Touch controls and auto-pause can be clumsy, good-looking and comfortable overall, but some rivals have nicer appearance and feel	3.5/5
Value	Incredible sound and feature-set for the price you pay.	4.5/5

Buy them if…

You want audiophile-friendly headphones, minus the wires
If you’re looking for audiophile-grade sound from some wireless headphones, then look no further than the HDB 630. With the included Sennheiser BTD 700 transmitter, you can access ‘hi-res’ Bluetooth audio on your phone – yes, even a modern iPhone! Of course, you’ll lose some quality over Bluetooth regardless, but wired listening is available here too, either via the USB-C or 3.5mm ports.

You regularly use public transport or fly
These headphones are awesome for anyone who regularly uses public transport or flies due to their effective, customizable active noise cancellation capabilities. I even found them pretty strong against external noise on a flight – pretty impressive! Oh, they also have solid-performing inbuilt mics, making them perfect for taking business or personal calls on the go.

Don’t buy them if…

You want great touch controls
I just couldn’t get along with the touch controls of the Sennheiser HDB 630. I found them to be a little clumsy, and the lack of customizability is a bit of a shame. Having said that, I love headphones that do touch control correctly, such as the Sony WH-1000XM5, or even better, XM6.

You’re looking for ultimate comfort
Now don’t get me wrong, the HDB 630 aren’t uncomfortable, per se, I’ve just tested models that felt a little more plush on my head. The aforementioned XM6, Sonos Ace, and Anker Soundcore Space One Pro are just a few examples of comfy over-ears that I’d prefer purely in terms of comfort.

Sennheiser HDB 630 review: also consider

	Sennheiser HDB 630	Sony WH-100XM6	Bowers & Wilkins Px7 S3
Price	$499 / £399 / AU$999	$449 / £399 / AU$699	$479 / £399 / AU$699
Drivers	42mm dynamic	30mm dynamic	40mm dynamic
Active noise cancellation	Yes	Yes	Yes
Battery life	60 hours (ANC on)	30 hours (ANC on)	30 hours (ANC on)
Weight	311g	254g	300g
Connectivity	Bluetooth 5.2, 3.5mm, USB-C	Bluetooth 5.3, 3.5mm	Bluetooth 5.3, USB-C, 3.5mm (via USB-C to 3.5mm cable)
Frequency range	6Hz-22kHz	20Hz-20kHz	10Hz-20kHz

Sony WH-1000XM6
The Sony WH-1000XM6 are some of the best headphones to release in 2025, with class-leading noise cancelling abilities, beautifully balanced yet exciting audio, and the most intuitive touch controls I’ve ever used. They’re lighter, and comfier than the HDB 630, and surpass them in terms of ANC and compactness. But they’re no match in terms of battery life, and Sennheiser’s cans offer a touch more detail, sonically. Read our full Sony WH-1000XM6 review.

Bowers & Wilkins Px7 S3
Even though the Bowers & Wilkins Px8 S2 have landed, they’re a significant step-up, price-wise. The Px7 S3 are more of a match for the HDB 630 when it comes to cost, and they’re an incredible pair of wireless headphones. With expansive sound, stunning looks, and an evolving feature-set, they’re well worth considering. Read our full Bowers & Wilkins Px7 S3 review.

How I tested the Sennheiser HDB 630

Tested for one month
Used in the office and on a flight
Predominantly tested using Tidal

I spent one month testing the Sennheiser HDB 630, taking them just about everywhere I went. Of course, I used them at the office during standard work hours, but I also used them at home, while out on walks, and even on a flight.

While listening to music, I predominantly made use of Tidal in order to enjoy the 24 bit / 96 kHz quality audio – something that Spotify lossless isn’t capable of. I tuned into the TechRadar testing playlist, which features tracks from a wide range of genres, but also bumped a range of songs from my personal music library.

On top of that, I exhausted the various features on the HDB 630, like crossfeed, parametric EQ, and ANC. Where appropriate, I compared the headphones against my trusty Sony WH-1000XM6, which helped to assess aspects like sound quality and design.

First reviewed: October 2025
Read more about how we test

I tested these brilliant OneOdio over-ears and they’re now my favorite budget headphones –by a mile

11:30 pm | October 14, 2025

Author: admin | Category: Audio Computers Gadgets Headphones | Tags: ANC | Comments: Off

OneOdio Focus A6: two-minute review

Let me cut right to the chase: the OneOdio Focus A6 are the best budget headphones I’ve ever used. Loud, bassy, attractively designed and sporting sturdy software support, they offer everything you could reasonably ask for from a pair of sub-$100 cans. And then some.

Just how much have OneOdio’s affordable (but definitely not cheap-feeling) over-ears impressed me over the course of a month's testing? I have such a high opinion of them, I’ve actively chosen to use these cans in my free time over my Apple AirPods Max. And for context, Crew Cupertino’s high-end headphones normally retail for over five times what OneOdio is currently asking for the Focus A6s – and yes, both models can do USB-C wired Lossless audio.

There’s so much to like here and, well… hear. I can honestly say the Focus A6s are comfortably the best headphones I’ve ever reviewed that clock in at well under $100 / $100. Incredibly well-balanced at both high and low ends, they can electrify your ears during searingly accurate vocal performances while also rumbling your lobes when you crave the deepest bass lines.

When it comes to software, OneOdio has gone above and beyond with these headphones. A simple-to-use yet pleasingly sophisticated companion app outshines the offerings of some far pricier cans, making the Focus A6s an ideal choice for music buffs or even gamers thanks to its software’s various tweakable features.

Though noise cancelling on the Focus is strong, but not quite class-leading, the A6s still do an admirable job of dampening down distracting outside sounds mid-hectic commute. Throw in AI-bolstered mic features that help strengthen vocal performance during calls while also quietening your surroundings, and you’re looking at a set of budget over-ears that overdeliver at their price point. And that’s before your factor in their support for Bluetooth 6.0.

Considering they cost less than 60 bucks, the Focus A6s really are astounding. There’s no other set of cans I’ve enjoyed reviewing more in 2025. With that said, there are other options at this price point that are seriously worth considering. Be it the near peerless 1More Sonoflow Pro HQ51 or the Sony WH-CH520. When it comes to the best cheap headphones, options are plentiful.

I currently have more pairs of headphones in my apartment than I do shoes and I don’t say it lightly when I declare the OneOdio Focus A6s are now my favorite. Yes, that does include the aforementioned Apples. I’m legitimately amazed the Chinese firm has delivered such an impeccable set of cans at a barely believable price for the quality on offer here.

Read on, and I’ll tell you exactly why the Focus A6s aren’t just the most pleasantly surprising set of headphones I’ve perhaps ever tested, but are also some of the best cans available right now. Holy smokes do I love these headphones.

OneOdio Focus A6 over-ear headphones on a Parisian stool — (Image credit: Future / Dave Meikleham)

OneOdio Focus A6 review: Price and release date

Release date: July, 2025
Price: $55 / £55 / AU$112 (approx.)

The OneOdio Focus A6 have been on global release since July 7, 2025. Available in both Midnight Black and Ivory Blush, these cans retail for an extremely reasonable $55 / £55 / around AU$112 on Amazon and many other major sites.

I’ve already seen the A6s go for lower than the official MSRP in semi-regular sales here in the UK, so don’t be surprised if these excellent over-ears drop to even more bank balance-friendly prices when Black Friday season swiftly swoops around.

Aggressively priced isn't the half of it...

OneOdio Focus A6 review: Specs

Weight:	240g
Drivers:	40mm
Battery life:	75 hours; 40 hours (ANC on)
Active noise cancellation:	Yes
Connectivity:	Bluetooth 6.0; USB-C wired Lossless support

OneOdio Focus A6 review: Features

Above average ANC
Intuitive to use, robust app
AI-enhanced call features

If the OneOdio Focus A6s were to cost $255 rather than $55, I’d still consider their feature set to be strong. But at the latter, ultra-attractive price? Damn, these over-ears are tough to top in the budget category.

First and foremost, they’re future-proofed up the wazoo. These are some of the earliest Bluetooth 6.0 headphones to hit the market, and though I didn’t have any such devices on hand to test them with, I massively appreciate OneOdio including such a forward-looking feature in such cheap cans.

Next up, Active Noise Cancelling (ANC). Here, the A6s once again prove they’re no slouch. While I have heard superior ambient sound-slaying features in the best noise-cancelling headphones, OneOdio has nevertheless delivered a set of over-ears that can subdue most of the distracting outside sounds most daily commutes bring about.

The firm claims that with ANC enabled, there’s a 98% increase in noise reduction. In real-world terms, on several noisy train journeys, that number seems generous in the extreme when comparing ANC On with Transparency modes. Still, enabling noise cancelling definitely does make a difference, even if it’s not quite a game-changing one.

As someone who loves the out-of-box audio the Focus serve up, I still appreciate the fact there’s an optional and extensive OneOdio app. Once installed, said software allows you to access additional Wind Noise Reduction and Wind-resistant Transparency modes. Even better? You can also enable three preset EQ modes, plus a further three custom ones, with little fuss.

Tweaking bass and treble sliders is very definitely my bag and I’m particularly fond of the A6s’ generous suit of custom EQ settings. The features don’t stop there, though. Thanks to this cleanly designed app, you can also enable a handy Find My Headphones mode, dual device connection settings and a Gaming Mode which reduces audio latency to just 0.065s.

The A6s’ AI-powered microphones also make these cans a top choice if you regularly make and take calls. Although I didn’t test them under the most glamorous conditions – most of my time with the Focus’ mic involved phoning the bank about my home insurance – I found that audio was always clear. Considering my apartment doesn’t always support the best data signal, the fact the people I was calling never had an issue hearing me didn’t go underappreciated.

With one foot in the future, and the other very firmly imprinted on all the audio features you expect in 2025, OneOdio has done a great job at offering users an option-rich set of headphones. The breezy yet broad-reaching companion software is very much the sumptuous cherry atop a delicious sonic sundae.

Features score: 4 / 5

Inner earcups of the OneOdio Focus A6 over-ear headphones on a Parisian stool — (Image credit: Future / Dave Meikleham)

OneOdio Focus A6 review: Sound quality

Loud, bass-filled, detailed sound
Confident audio clarity at high, mid and low ends
Superb for songs, shows and movies

Ah, the biggie. The OneOdio Focus A6s utterly smash it here. From a pure performance standpoint, these are the boomiest, best-rounded over-ears I’ve listened to since my beloved Apple AirPods Max. There’s not much to fault on the A6s' sound quality.

To prefix the songs I tested on the Focus A6s, I battled against every fiber of my 40-year-soul and tried to embrace the kidz… with surprisingly ear-arousing results. Somewhat indebted to No Scrubs by TLC, Tinashe's No Broke Boys is a bass-bringing banger. Despite rocking a chorus with machine-gun-rapid lyrics that could shake tectonic plates, the A6s’ mightily impressive bass never overly distracts from the words being sung.

Sombr’s fellow chart-conquering mega hit 12 to 12 also thrills on OneOdio’s headphones. The retro-facing synth-pop star’s latest once again brings the bass big style, despite the astonishingly chinned musician’s larynx sounding like it could soar through clouds. It’s a spellbinding and complementary mix of frequencies that really shows off the A6s’ range. Yes, I’ll admit: I ‘might’ have a thing for the low end.

Seeing as my knees have yet to disintegrate, and I’m desperately trying to stay relevant, arguably the song of 2025 Golden by KPop Demon Hunters sounds utterly fabulous on the A6s. Somehow dovetailing between soul-stirring treble highs and a bassline that’s deeper than the Mines of Moria, it’s as strong an advert for the Focus’ incredibly assured all-round audio as I can think of.

Speaking of which… wow. I could not resist listening to my most beloved piece of movie music ever on the A6s. With the first teaser for The Rings of Power season 3 recently revealed, I simply had to relive my favourite movie musical moment from the 2001 epic that started it all. The great Howard Shore’s The Breaking of the Fellowship is one of the silver screen scoring's most uplifting orchestral pieces I’ve ever heard. Its swelling strings sound as sweeping as all of Middle-earth on OneOdio’s first-class headphones.

If you want a solid, sweaty workout worthy of the A6s’ all-round variety, and are interested in watching one of the best streaming shows of 2025, please consider Alien: Earth. I had a chest-bursting chuckle catching up with the sci-fi prequel’s first six episodes on the Focus.

In episode 2 Mr. October, the skittering high-frequency clawing of a Xeno’s ghastly feet, followed by the good ol’ squelchy mids of a barely alive victim, proceed with a straight-up WWE style move from H.R. Giger’s iconic beastie (that brings a glass-breaking frog splash) – all this is just electrifying audio. Looking to watch some of the best Disney Plus shows on your tablet? Definitely consider the Focus A6 based on Earth’s ear-delighting dread.

Sound quality score: 4.5 / 5

OneOdio Focus A6 review: Design

Comfort is never an issue
Build quality exceeds the price tag big time
A winning retro look

The Focus A6s look classy without ever trying too hard to grab your attention. These are grown-up headphones for users who want minimalist cans that still rock some unique flair. They aren’t overly showy, but once you get used to their particular aesthetic, I’m sure you'll appreciate them.

Probably the most eye-catching aspect of the Focus are their “CNS-machined CD pattern, nano-sandblasted, anodized aluminum finish” earcups. Apologies if I’ve just made you want to regurgitate your most recent meal with some PR guff. In real world speak, some lovely materials combine to create cups that bring to mind the look of classic vinyl.

This bold build quality combines with classy flickers of gold on the Midnight Black model I’ve been testing. I had to look hard for the fine detail that has gone into the design of the Focus, which is to be applauded.

They're also very comfortable, which is important for headphones that boast such strong battery life. While I appreciate the stylish metallic top of the Focus A6, my lobes are bigger fans of some supremely comfy earcups.

Over dozens of hours of listening, the fit of the Focus never once bothered my ears. Not only do the cups provide constant comfort, the fact they also snappily rotate 90 degrees with minimal effort is another big box ticked.

The power on/off, volume up/down and ANC buttons are also easy to navigate on OneOdio’s latest cans. I almost never had difficulty discerning between the different controls after a brief period of getting acclimatized to their location.

My only slight criticism? On a few occasions, I found the on-cup controls to be a little too sensitive. Something I discovered when accidentally turning off these cans while leaning back a little too quickly on the reclining chair in my living room.

Overall, though, the A6s are confidently designed headphones that show a pleasing eye for detail if you really peer at their earcups.

Design score: 4.5 / 5

Earcups of the OneOdio Focus A6 over-ear headphones on a Parisian stool — (Image credit: Future / Dave Meikleham)

OneOdio Focus A6 review: Value

Quality cans delivered with almost no cut corners
Sound better than over-ears that cost triple their price

The Focus A6 are nothing short of tremendous value for money. Packed full of features, well built, boasting both super-strong audio and top-tier battery life, the OneOdio Focus A6 are a stunning price at just $55 / £55. Heck, I’ve even seen them go for a tenner less in my native Blighty since their release just a few short months ago.

Let me make this as clear as I can: I’m struggling to think of a better value set of high-quality budget over-ear headphones I’ve ever had the pleasure to use… and I’ve been buying cans for a quarter of a century. Yes, I’m roughly as old as the Great Pyramids of Giza.

Value score: 5 / 5

OneOdio Focus A6 over-ear headphones held by the headstrap over a Parisian stool — (Image credit: Future / Dave Meikleham)

Should I buy the OneOdio Focus A6?

Section	Notes	Score
Features	Stacked at the price point; excellent, easy-to-use app for EQ setting tweakage.	4 / 5
Sound quality	Big, full bass; few are the cheap headphones that are this satisfying.	4.5 / 5
Design	Subtly gorgeous earcups and oh so comfortable.	4.5 / 5
Value	The new word in value, OneOdio does an incredible job for less than $60.	5 / 5

Buy them if…

You want great value, and even better audio
It’s borderline unbelievable how good the Focus A6s sound for such a cheap price tag. Regardless of whether money is tight or not, you’re going to struggle to find a set of headphones in 2025 that deliver better audio than these awesomely rounded cans.

Strong software is key
OneOdio’s companion app is utterly on point. Simple to use, yet fairly broad in the amount of tweakable options it provides, even some of the best headphones out there (regardless of cost) rarely provide such all-encompassing software.

Don't buy them if…

You don’t want to tweak settings
Straight out of the box, these headphones’ audio performance underwhelms. To get the most out of them, tinkering with Earfun’s app settings is essential.

OneOdio Focus A6 review: Also consider

	OneOdio Focus A6	1More Sonoflow Pro HQ51	Sony WH-CH520
Drivers:	40mm composite	40mm dynamic	30mm
Active noise cancellation:	Yes	Yes	No
Battery life:	75 hours ANC off; 40 hours ANC on	100 hours; 65 hours ANC on	50 hours
Weight:	240g	246g	137g
Connectivity:	Bluetooth 6.0, USB-C wired passthrough	Bluetooth 5.4; 3.5mm	Bluetooth 5.2; USB-C
Waterproofing:	N/A	N/A	N/A

1More Sonoflow Pro HQ51
The current conquerors of the budget market remain the best cheap cans you can buy today thanks to their highly customizable, satisfying sound. ANC, build quality and battery life that also seriously impress for such affordable headphones.
See our full 1More Sonoflow Pro HQ51 review

Sony WH-CH520
These well balanced cans from the iconic Japanese giant are some of the best cheap headphones you can buy, even a couple of years after their release. Strong battery life and an awesome app bolster their credentials.
See our full Sony WH-CH520 review

How I tested OneOdio Focus A6

Tested for over a month
Used at home, outdoors and on public transport

I tested the OneOdio Focus A6 over roughly five to six weeks. Over that period I primarily paired these over-ears with my iPhone 14 Pro and Apple iPad Pro 13-inch (2024). To get a handle on how good these cans’ ANC is, I used the Focus A6 on outdoor walks in bustling city areas and on several busy train journeys.

As for content, I listened to a whole bunch of my favourite tunes, several movies, a couple of the best Apple TV+ shows, and a number of my regular go-to podcasts to judge the quality and versatility the A6s' audio is capable of delivering.

Soundpeats H3: Two-minute review

While you’ll most likely know Chinese headphone company Soundpeats from its dime-a-dozen budget buds, this rare foray into the mid-range market is still enough to pique interest… and to open wallets, because let me be clear: these are some of the best cheap headphones I’ve tested all year.

The Soundpeats H3 (no, you’re not expected to have heard of the H2) look like and sound like premium earbuds, and they make easy work of rivals at their price point, such as the AirPods 4.

The unique selling point here is the specs list, as the buds each have three drivers per earpiece (the AirPods, for example, have one) which let them handle the extremes of the audio spectrum with grace. They offer a vivid, insightful and well-defined sound, an expansive soundstage and support for a range of audio codecs.

I personally appreciated how Soundpeats didn’t follow the example set by most other mid-range and budget audio brands: the buds don’t turn the bass up to 11 to excite, at the expense of balanced sound, making them an option that offers something distinct from other buds you might be considering.

Audiophiles on a budget should add this to the shopping list straight away – and I do not write that lightly.

The premium sound is reflected in the design, with both the buds and case looking chic and classy. The earpieces also fit well and I never had problems with them falling out, which isn’t something I can say about many non-stem earbuds.

If there are issues with the Soundpeats H3, or at least reasons to temper your expectations, it’s in the features department. The battery life and active noise cancellation (ANC) are both a little below what I’ve experienced in other similarly-priced earbuds, and I had some app connection troubles (these didn’t affect streaming music, just using Soundpeat’s apps for some extra functionality).

Despite these small setbacks, the Soundpeats H3 are still exemplary earbuds that have certainly earned their way onto personal ‘best headphones’ list of 2025.

Soundpeats H3 review: Price and release date

The Soundpeats H3 on the arm of a sofa. — (Image credit: Future)

Released in September 2025
Costs $149.99 / £139.99 / AU$142
Slightly pricier than AirPods (in most regions)

The Soundpeats H3 were released in September 2025, as a follow-up to 2021’s Soundpeats H2 – given that the new buds cost almost twice as much as their predecessors, and look vastly different too, it seems that the name is the only thing these buds have in common.

The new earbuds cost $149.99 / £139.99 / AU$142 (no, that’s not a typo, the buds are inexplicably cheaper in Australia compared to the rest of the world, given that an exact conversion would put them closer to AU$280).

That’s not cheap cheap like most Soundpeats earbuds, and it means the H3 bumps shoulders with the $129 / £129 / AU$219 AirPods 4, but any buds that serious audiophiles will be considering will cost a fair bit more. Top picks from Sony, Apple and Bose have much higher price tags.

Soundpeats H3 review: Specs

Drivers	12mm + dual balanced armatures
Active noise cancellation	Yes
Battery life (ANC off)	7 hours (buds) 37 hours (case)
Weight	6g (buds) 53g (case)
Connectivity	Bluetooth 5.4
Waterproofing	IPX5

Soundpeats H3 review: Features

ANC is fine, but can be beaten by rivals
7/37 hour battery life (ANC off)
Occasional app connectivity problems

According to Soundpeats, the H3 last for 7 hours of listening time before needing to be charged. From my testing, this figure is presumably with ANC turned off, as I listened with it turned on and just scraped the 5 hour mark.

Soundpeat’s figures continue to 37 hours for the case, which again would be lower if your noise cancelling is hogging all the charge. That’s still a fair amount higher than many other rivals though, so I can’t knock it.

Another case of ‘fine, but not the best’ comes with the noise cancellation, which will certainly take the edge off surrounding sounds but not remove them. Some of the environments I was in when testing the buds included the gym, near busy roads, on the train and on a flight, and the H3’s ANC would rarely totally remove a sound, but was decent at reducing its volume so your music could sit over the top.

I can’t say the same about Transparency mode, however, which seemed to amplify ambient noise while muffling voices – that’s the opposite of what it’s meant to do.

In an apparent attempt to make my testing job harder, Soundpeats offers two different apps which you can use to control the buds (they work independently, so you only need one, but to do my job well I have to test both): there’s the SOUNDPEATS app (all caps in the name, not my excitement) as well as PeatsAudio.

SOUNDPEATS has the same features as PeatsAudio but also a little bit less visual flair… when it picks up the buds, which wasn’t always the case during my testing. Sometimes I had to re-enrol the buds in the app to listen.

You can use the app to toggle what the touch controls do, change the volume and language of voice prompts, turn on LDAC, connect to multiple devices, test your buds’ fit to see if you’re wearing them properly and, in theory, play with a 9-band equalizer. I say ‘in theory’ because every time I tried opening this part of the app, I got an error message in Chinese and also an error screen saying an error occurred in English, so could never try it. This happened even when I reset the app and the earbuds.

PeatsAudio, meanwhile, has most of the features of SOUNDPEATS but the EQ actually worked. I sometimes found that LDAC toggled itself though, once when I was looking at (and not touching) the toggle on the app. Unless I’ve unknowingly been cast in a new Paranormal Activity movie, that’s a possible bug.

Features score: 3/5

Soundpeats H3 review: Design

The Soundpeats H3 in a man's ear. — (Image credit: Future)

Light, well-fitting buds
Handy touch controls
Bulky carry case

I’ve never given Soundpeats kudos for original design, mostly because it’s never deserved any, but that’s certainly different now. The Soundpeats H3 have a unique and, dare I say, classy design.

It starts with the charging case, which I’ll readily admit is too big to comfortably fit in a pocket, but it makes up for it with its looks. The shell is transparent so you can see the buds while a gold trim blends well with the black; opening the case reveals the buds as well as a leather-esque patterned design. Admittedly the panel pleading “Hear the difference” looks a little gauche, especially with its inconsistent font that sees the ‘f’s descend to different levels, but this error triggers the editor in me instead of the tech reviewer in me, so I’ll let it slide.

Talking of letting things slide, let’s slide out the buds. These are in-ears with no stem; the whole thing sits in your ear. I’m generally skeptical about the reliability and fit of buds like this, as I’ve tested too many that are too heavy and fall from your ears, but the Soundpeats H3 worked a dream. They sat comfortably in my ear, never falling out and barely being noticeable during listening.

I’m a fan of how the shape of the H3’s body loosely resembles an ear, making the buds look like a part of the body when worn. This has a functional benefit too, with a small raised section at the far side of the body to the bud bearing a little hook, which helps keep the bud in place.

Each bud has a touch control and I found these fairly convenient to use. It feels like you can tap anywhere to trigger the function, instead of on one specific area, so you won’t waste time hammering away at your ear hoping to pause your music.

One thing that could be better here is the waterproofing which, at IPX5, sits below quite a few rivals. That marks the buds as being fine against sweat and rain but not water immersion or jets of water.

Design score: 4.5/5

Soundpeats H3 review: Sound quality

Three drivers per bud
Lovely neutral sound
Range of codecs supported

The Soundpeats H3 being held in a man's hand. — (Image credit: Future)

Why do these buds rate so highly? This section. The Soundpeats H3 come with three drivers, more than most rival buds: there’s a 12mm dynamic driver paired with two balanced armatures which in tandem, according to the company, ensure the entire audio spectrum is covered.

It works too, with the H3 perhaps the best-sounding mid-range earbuds I’ve ever tested that don’t have a bass focus (an important distinction given that many rivals focus on powerful bass more than Soundpeats has).

Treble is clearly the focus here. The balance, brimming with clarity and making vocals and higher-frequency instruments sparkle with energy and clarity, is refreshing and insightful. This extends to mids, which get to make a rare and detailed appearance, after getting somewhat overlooked in the vast majority of similarly-priced wireless earbuds.

Lower frequencies aren’t as powerful as on many rival buds, but they’re better-defined too, which more than makes up for it – the integrated bassline these buds provide sits well in the mix without ever dominating or encroaching.

There’s a lovely sound separation going on too, spacing and layering each musical passage and instrument in a way that justifies the use of multiple drivers.

Not content with a solid array of hardware, Soundpeats has included support for a wide variety of wireless audio codecs too, including aptX, aptX Adaptive, aptX Lossless, LDAC, AAC and SBC. I only briefly tested with LDAC for fear of running down the battery (unless the app turned it on without telling me…) but the buds’ release at the same time as Spotify Lossless is a lovely little treat for audio reviewers.

Sound quality: 4.5/5

Soundpeats H3 review: Value

I’ve got an ongoing list of great-value mid-range wireless earbuds that I can recommend to people who ask for my advice – placement on the list boils down to whether or not I’d buy it myself if, god forbid, I stopped getting sent buds to test.

The Soundpeats H3 certainly earn a place on the list. They may not have the features of rivals but the audio chops more than make up for it. They sound great and, more importantly, distinctly different from most same-priced rivals – all for half the price of other audiophile-grade earbuds.

Value: 4/5

Should I buy the Soundpeats H3?

Soundpeats H3 score card
Attributes	Notes	Rating
Features	Middling battery life and ANC, with some app connection problems.	3/5
Design	Attractive and lightweight buds, albeit with a bit of a big case.	4.5/5
Sound quality	The specs list doesn't lie with these well-tuned buds.	4/5
Value	They're not the cheapest buds ever, but they're a lot more affordable than other equally-great sounding buds.	4/5

Buy them if…

You like stem-less buds
It's rare that I rate in-ear buds that don't have stems, as they often have balance or fit issues, but not here.

You like detailed, expansive-sounding tunes
Bass-heads might look away, but we don't need them anyway (jokes! You're very welcome here). These are some of the best-sounding earbuds that don't focus too heavily on 'excitement' via low end clout.

You value codec support
I've tested some great-sounding buds that don't go the extra mile by supporting extra, higher-resolution Bleutooth codecs. Soundpeats has you covered if you want high-quality music wirelessly.View Deal

Don’t buy them if…

You need top-notch ANC
The noise cancellation isn't terrible, but plenty of other similarly-priced buds will beat the H3 for blocking out background sound.

You're a devout app user
While some earbuds users ignore the app, people who do spend time on PeatsAudio or SOUNDPEATS might find them frustrating.

Soundpeats H3 review: Also consider

	Soundpeats H3	OnePlus Buds 4	AirPods 4	Skullcandy Method 360
Drivers	12mm + dual balanced armatures	11mm + 6mm	Custom Apple design	12mm
Active noise cancellation	Yes	Yes	No	Yes
Battery life	12mm + dual balanced armatures	11 hours (buds) 45 hours (case)	5 hours (buds) 30 hours total (with case)	11 hours (earbuds), 29 hours (total)
Weight	6g (buds) 53g (case)	4.73g (buds) 40g (case)	4.3g (buds); 32.3g (case)	11g (buds) 77g (case)
Connectivity	Bluetooth 5.4	Bluetooth 5.4	Bluetooth 5.3	Bluetooth 5.3
Waterproofing	IPX5	IP55	IP54	IPX4

Apple AirPods 4
Given the similar price, these are a natural competitor, but despite their popularity we're not overwhelmed by the AirPods. Soundpeats H3's audio, look and battery life all win out here.

See our full Apple AirPods 4 review

OnePlus Buds 4
If you want top-notch ANC, these slightly-cheaper buds are what you need, and they're also unlike the Soundpeats in that the audio mix clearly favors bass. They're for a very different kind of user, but that means that if you're not keen on the H3, they might have what you're looking for.

See our full OnePlus Buds 4 review

How I tested the Soundpeats H3

Tested for 21 days
Tested at home, in the office and on walks

I tested the Soundpeats H3 for at least three weeks in order to write this review.

For testing, the buds were connected to my Android phone and I used music platforms including Spotify, Tidal, Netflix, YouTube and various games. I tested at home, on walks around my neighborhood and on various modes of transport, including trains and planes.

I've been reviewing gadgets for TechRadar for six years now, including many earbuds across a wide range of prices.

First reviewed in October 2025

Read TechRadar's reviews guarantee

Nothing Ear (3) earbuds look fantastic next to my phone and the ANC is solid –but I’m not sure the audio quality is good enough for this money

11:35 am | September 26, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: ANC, Apple Music, LDAC, Sony Xperia | Comments: Off

Nothing Ear (3): Two-minute review

Okay, so it's still hard to stop oneself from playing a game of Spot the Difference concerning Nothing's earbuds offering – but what of it? Apple's AirPods lineup is much the same, no? The problem is that this time (unlike Nothing's last major earbuds release, which came in at $50 / £30 cheaper than their older siblings) there's a price hike involved; and simply put, I'm not quite sure the extra perks here do enough to justify the extra outlay.

Sure, I'd say the new Nothing Ear (3) are they still among the best earbuds of the year – but one option in the duo of buds they replace has dropped so low in price that they've actually jumped into our best budget earbuds buying guide. So you see, to build a case for paying quite a bit extra for the new Ear (3), they'd need to be quite a bit better – and that's where I'm struggling.

To put the pricing into context, their closest rivals now would no longer be Sony's class-leading WF-C710N, which sell for around $120 / £100. No, at $179 / £179 / AU$299, the Nothing Ear (3) aren't exactly rubbing shoulders with the likes of the $299 / £299 / AU$450 Bose QuietComfort Ultra Earbuds (2nd Gen), but they have moved up a level – and it's tough company to keep.

There's no head-tracked spatial audio support (the device- and service-agnostic spatial audio option is either 'Static' or 'off') in the Ear (3), and although the ANC is solid and a new 'Super Mic' is fun to play with in calls, it hasn't become the new must-have earbuds feature for me – and if it was going to appeal to anyone, someone who remembers a world of landline phones only was probably the Nothing Ear (3)'s best shot.

My biggest gripe is the battery life, which I'll explain fully later. That said, I experienced no small sense of pride when wearing and showing off the Ear (3), thanks to the new aluminum 'elevated' build quality and finish – along with the return of the fidget-spinner case detail.

Is all of this enough to make the Ear (3) a hit? Perhaps, when you consider that the splendid hearing tests remain, along with advanced EQ tabs and LDAC support – all of which make the sound engaging, if a shade off excellent for dynamic nuance and treble clarity. Oh, and it's worth noting that if you have a Nothing phone, that Super Mic becomes a quick transcription tool, which admittedly makes it much more useful (I don't have a Nothing handset, so I'm typing out this review, dear reader)…

Nothing Ear (3) being tested on a commuter train late at night — (Image credit: Future)

For anyone scratching their heads as to how many Nothing earbuds iterations we're into now (because it certainly isn't three), Nothing fully admits its earbuds naming strategy to date may not have been the smartest. So to explain, the Ear (3) is an update on the flagship Nothing Ear primarily, but also on the Nothing Ear (a), which both launched in April 2024 on the self-same day – with the cheaper pair still sitting happily at the tippy-top of our best budget earbuds guide.

And here's my problem with that: a quick scan of current prices reveals that the aforementioned five-star Nothing Ear (a) are currently available for $89 / £69, which means they're half the price of the new Ear (3). And honestly, that makes the newest set even harder to recommend…

Nothing Ear (3) review: Price & release date

Released on September 18, 2025
Priced $179 / £179 / AU$299

The Nothing Ear (3) come in black or white finishes (no yellow this time around), and at this pricier level – Nothing's previous flagship Nothing Ear arrived with a list price of $149 / £129 / AU$249 – their closest competition may even be Apple's AirPods Pro 3, which retail for $249 / £219 / AU$429.

Yes, there's still a $70 / £40 difference between Apple's new top-tier AirPods Pro and Nothing's best buds, but if your budget stretches a bit further it does bring Apple's flagship earbuds into the conversation. And given that those AirPods now offer heart-rate monitoring, live translation and better stamina, Nothing is squaring up against some stiff competition.

Nothing Ear (3) review: Specs

Drivers	12mm custom driver
Active noise cancellation	Yes
Battery life	Buds: 5.5hrs (with ANC; up to 10 hours without) Total with case: 22hrs (ANC on; up to 38 hours without)
Weight	5.2g per earbud
Connectivity	Bluetooth 5.4 with LDAC, USB-C
Frequency range	20Hz–40 kHz
Waterproofing	IP54 buds
Other features	New Super Mic case, 3 mics per earbud, Nothing X App support, Custom EQ with Advanced options, Static Spatial Audio, Personal Sound (Audiodo)

Nothing Ear (3) screen grab of three app images, showing the personal sound curation software — (Image credit: Nothing)

Nothing Ear (3) review: Features

'Static' spatial audio and Personal Sound curation
Total Radiated Power (TRP) up 15%; Total Isotropic Sensitivity (TIS) up 20%
'First of its kind Super Mic' in the charging case

Like many of tech's heavy-hitters (Samsung, Sony, Apple, I'm looking at you), Nothing would love to snag you and embroil you in its ecosystem with the promise of walled garden perks – and here, Nothing really does start to come into its own.

The ace up the collective sleeve of Nothing's earbuds prior to now has been that for owners of the Nothing Phone (3), the Phone (2), Phone (1) and Phone (2a) – because Nothing has been far more sensible concerning the naming of its handsets – Nothing has offered instant access to ChatGPT via a pinch-to-speak motion on the stems. Now, users of a Nothing smartphone can use the Super Mic on Nothing Ear (3)'s case to capture transcription of your voice notes, which will sync to your on-device 'Essential Space' for easy location.

Nothing calls Super Mic a "first of its kind" breakthrough, and although it initially struck me as very similar to the 'record' button on the Viaim RecDot earbuds, there are of course those aforementioned walled-garden perks.

Otherwise, Nothing's Super Mic is quite like those little clip-on wireless mics that content creators like to hold very close to their mouths (does this look a bit silly to anyone else?). Nothing calls Super Mic a "breakthrough dual-microphone system driven by ambient-filtering technology."

In a nutshell, the dual MEMS beamforming mics built into the case are designed to hone in on your voice, cutting through surrounding noise (up to 95dB is the claim) for clearer capture in calls or notes – and in my tests, it worked well. On a very blustery day on the cliffs and beaches of the UK's 'Jurassic coast' in Dorset, I found using the Super Mic over the three-mics-per-bud in the earpieces a welcome aid; "much better" was the general feedback from calls.

You're also getting Bluetooth v5.4 (the older set used 5.3), and LDAC support for hi-res audio (the Sony-developed codec that lets you stream high-resolution audio up to 32-bit/96kHz over Bluetooth at up to 990kbps), which is a valuable inclusion at any level, but will benefit Android users most since iPhones can't support LDAC natively.

There's now onboard spatial audio wizardry too, irrespective of your phone or the music service you're streaming from – but only the 'static' kind (so you don't get to use your phone as a fixed-point source device) and in my tests, it was a little clunky and not quite as immersive or convincing as similar offerings from Bose, LG or of course Apple.

However, you do get in-ear detection (to pause music when they're out and resume it when they're in), an Auto-Transparency mode to make transparency kick in whenever you're on a phone call, an ear tip Fit Test, Find My earbuds (which issues a trigger sound from whichever earbud you've lost), a Low Lag toggle for gaming, issue-free multipoint to two devices, a Bass Enhancement toggle, an 8-tab EQ graph that lets you adjust both gain and the actual frequency of certain registers (provided you're prepared to switch off the spatial audio augmentation), and Personal Sound.

This last perk is perhaps my favorite, because the tests only take around three minutes – they involve sounds at different frequencies being piped into each ear, getting gradually quieter until you tap the screen to say you hear nothing – but the result (a fully curated personal sound profile) is very good indeed.

Now, the noise cancellation: hit ANC (rather than 'Transparency' or 'Off') and you can pick from High, Mid, Low, and Adaptive profiles. High is not bad at all – and it shouldn't be when the claim is 45dB (effective to 5kHz). The Transparency option is still signified by a woman exhaling, and it's still one of the best prompts in the business (aside from Matt Berry in Cambridge's headphones and earbuds), and it too is perfectly acceptable. But here's the thing: I did not find any of the ANC profiles better than on the Nothing Ear (a), which makes sense because that 45dB claim is the same as the older model.

And when that older model is now half the price of these newer earbuds, you have to be asking yourself if a Super Mic in the case and spatial audio that doesn't offer dynamic head-tracking is worth the extra outlay.

Features score: 4.5 / 5

Nothing Ear (3) review: Sound quality

LDAC adds to the performance (but the spatial audio can be beaten)
Forward, full-bodied sound
A shade off excellent for dynamic nuance

Occasionally in hi-fi circles, you'll come across the 'integrated hi-fi listen versus fun and exciting' sonic debate concerning portable audio. It boils down to this: do you want a faithfully accurate, neutral representation of a recording with everything as intended, or an energetic, potentially more emotive version of the track?

In the second option, certain frequencies might be augmented just slightly, to give you the 'feels' of a live gig from small drivers fitted into your ear. And the odd thing is that what you may think you want may not actually be what your ear prefers (as mystical and strange as that may sound)…

Anyway, the Nothing Ear (3) sit firmly in the latter camp. What you'll get here is excitement, energy, bass clout and oomph. Those with a Sony smartphone (I'm still using the Sony Xperia 1 IV, because it isn't broken, so why would I fix it?) will find LDAC codec files are delivered with extra expanse and detail over more 'vanilla' Bluetooth streaming, but the tuning is the same regardless – very little has been held back.

Streaming Fontaines D.C.'s Starburster is a head-nodding celebration of the track, where drum fills and Grian Chatten's voice leap two-footed into each ear with all of the bite and impetus the group could possibly want, but there is a downside. Some lesser backing vocals and sloping string elements occasionally get lost just slightly; it's hard to compete when so much emphasis and energy is placed on sounds at the forefront.

Yes, there are plenty of ways to tweak things more to your liking in the Nothing X app and here, the eight-tab EQ graph is the place to go – it does help. What I personally would leave well alone is the Bass Booster. It isn't necessary – this is a meaty listen from the box. Also, I'd tone down the treble; I know my own ear is sensitive to these frequencies, but nevertheless, stream Kate Bush's Army Dreamers and if you're anything like me you'll hear occasional harshness through the treble that can become a little wearying.

Sound quality score: 4 / 5

Nothing Ear (3) three screen-grabs from the Nothing X app, showing how to use the new super mic — See how Ear (a) is just slightly bigger than Ear (2), across the board? (Image credit: Nothing)

Nothing Ear (3) review: Design

Solid, cool, pocketable case with 'TALK' button
IP54 earbuds are secure – but the comfort levels can now be beaten
Nothing's design language is even more striking now

After switching out to the smaller ear tips (you get four in total now: an XS, S and L options are supplied in addition to the pre-fitted M set), Nothing's ear tip fit test tells me I've nailed the fit.

I say that if you've got smaller ears I really would encourage you to try before you buy – and my guide to the best earbuds for small ears is worth consulting – because I found the driver housing just that little bit harder to accommodate this time around. It could be because of that larger 12mm driver (and "patterned diaphragm" which Nothing claims gives these buds "a 20% larger radiating area when compared to the previous generation"), or it could be because said earpiece is mounted at a slightly different angle to the stem now – see a close-up of Ear (3) next to the Ear (a) above – but they weren't as comfortable this time.

Nothing Ear (3) on the left, Nothing Ear (a) on the right, on a wooden table in close-up, to show marginal tweaks to the design — (Image credit: Future)

On this, readers might simply remark "Well, they're based on AirPods, can't really knock them for that – Apple did it first" but here's the thing: AirPods are different now! You might not have spotted it because it's all very new (and the heart-rate monitor and live translation perks have hogged headlines), but the AirPods Pro 3's fit has been completely reworked. I'm working on a full review of those too (they keep me chained up in TR HQ you know) but even at this early stage and during my testing, I can tell you that for me, the AirPods Pro 3 are much comfier than the Nothing Ear (3) now.

Nothing's pinch stems still work really well, but again (and at the risk of sounding like a broken record) it's only as good as the older, cheaper Nothing set. You can still customize what the morse code short- and long-press combinations do for each stem – including volume – and they also work with gloves on, unlike a lot of touch-capacitive solutions.

Now, the new case. If you've got a metallic-finish smartphone, the Nothing Ear (3) are going to look glorious beside it. Aesthetics really is one of Nothing's strong suits, and these earbuds are the ace in the pack. 'Elevated' is the word Nothing's team keep repeating on this; and it's true, they look more high-end now. There's a new custom Metal-Insulator-Metal (MIM) antenna, engineered to just 0.35 mm thick, that now runs along the still-see-through stems of the earbuds to keep connections stronger than ever. It's the same, but refined – it looks like a more expensive version of what was there before.

And if it's elevation we need to be focusing on, the charging nest is the thing that's, er, risen the most. It is now crafted from a block of 100% recycled aluminum and CNC machine finished through 27 processes. Nano injection moulding also "fuses the metal and transparent plastic without glue, achieving tight ±0.03mm tolerances for a seamless, compact body" according to Nothing, so there's no glue anywhere here. And the shiny 'TALK' button is placed directly under a nice snappy magnet where the case opens. Nothing assures me it has been positioned so that you won't cover it with your hand, and the green light-up LED to denote that you're recording is a strong touch.

Design score: 4.5 / 5

Nothing Ear (3) earbuds beside a phone with the advanced EQ filter showing — Rarely have I had so many colleagues strike up a conversation with me over a set of earbuds (Image credit: Future)

Nothing Ear (3) review: Value

Great-looking earbuds
LDAC adds sound-per-pound value
…but this is higher-end territory, and the Nothing Ear (a) still exist

The older Nothing earbuds were near-rivals for Sony's cheaper earbuds, but that's no longer the case: Sony's excellent affordable WF-C710N cost $119 / £100 / AU$189, so they're in a different category to the $179 / £179 Nothing Ear (3).

And although there's a lot to enjoy in the Ear (3), unless you have a Nothing handset for transcription features, the Super Mic really is just a better mic for calls and certain voice notes – it doesn't support WhatsApp voice notes (yet), which I explain in more depth in my early Ear (3) experiential.

The personalization is very very good, but the audio has suffered a little for me in this iteration, becoming a little harsher through the treble on occasion, probably due to the slightly bigger driver and tweaked acoustic architecture.

Value score: 3 / 5

Should I buy the Nothing Ear (3)?

Section	Notes	Score
Features	Solid spec sheet, but the Super Mic is really only a standout feature if you own a Nothing phone	4.5/5
Sound quality	Zeal and get up and go to a fault? Almost. They're vigorous and exciting, but there's occasional treble harshness	4/5
Design	Beautiful design language, but the earpieces are no longer among the comfiest around	4.5/5
Value	Given the price of older iterations, it's hard to see huge value for money here	3/5

Buy them if...

You're a content creator
The Super Mic could be just what you're looking for to glean better voice capture – and the general aesthetic of the Nothing Ear (3) is more than Instagram-worthy

You have a Sony or Android phone
Does your phone support LDAC? Hurrah! LDAC is also back in the Ear (3), and that means better-quality wireless audio from your device on the go

You prioritize style
Hey, there's nothing wrong with that! I loved wearing these (and using the case) during my testing. Make no mistake, these are good-looking earbuds.

Don't buy them if...

You have small ears
If your concha (aka ear-well) is particularly bijou, you may struggle here. I find them that bit harder to wear compared to the Ear (a), which were already on the slightly larger side. You have been warned!

You want head-tracked spatial audio wizardry
No dice here; you get a static profile it's true, but it's not as immersive or detailed as something like the LG Tone Free T90Q (head-tracked using Dolby Atmos), or Bose QuietComfort Ultra Earbuds (2nd Gen), an admittedly premium proprietary offering that combines adaptive sound profiles with head tracking.

You're on a tight budget
The thing is this: most of the things I loved in the cheaper Ear (a) are still here in the Ear (3), and when those still exist –and for big discounts – the smart money is arguably still on the 2024 product… View Deal

Nothing Ear (3) review: Also consider

	Nothing Ear (3)	Nothing Ear (a)	Sony WF-C710N
Price	$179 / £179 / AU$299	$99 / £99 / approx AU$192	$119 / £100 / AU$189
Drivers	12mm custom	11m custom	5mm
Active noise cancellation	Yes	Yes	Yes
Quoted battery life	Buds: 5.5hrs (with ANC; up to 10 hours without) Total with case: 22hrs (ANC on; up to 38 hours without)	Buds: 5.5 hrs (9.5 hours without ANC Total with case: 24.5 hrs (42.5 hrs without ANC)	8.5 hrs (ANC ON) / Max. 12 hrs (ANC off); up to 30 hours with the case
Weight	5.2g	4.8g	5.2g per earpiece
Connectivity	Bluetooth 5.4 with LDAC, USB-C	Bluetooth 5.3, LDAC, USB-C (no wireless charging)	Bluetooth 5.3, USB-C, Sony 360 Reality Audio, AAC, SBC
Frequency range	20kHz-40kHz	5000Hz range	20Hz-20kHz
Waterproofing	Yes, IP54	Yes, IP54 earbuds; IPX2 case	Yes, IPX4
Other features	Static spatial audio, Super Mic case feature, Personal sound profiles, advanced EQ		Sony 360 Reality Audio

Sony WF-C710N
If you want Sony's 360 reality Audio support as well as its LDAC hi-res codec, this money buys you that – and by "this money", I mean "cheaper than the Nothing Ear (3)". The build is plastic and doesn't feel anywhere near as premium as Nothing Ear (3), but then, they are cheaper…
Read whether it matters, in our full Sony WF-C700N review

Nothing Ear (a)
I'm putting these here because for the money, they're exceptional – and at half the price of Nothing's premium set, I'm struggling to see why you would pay double the price. Is wireless charging support, a Super Mic, static spatial audio and/or a more advanced EQ tab worth the extra outlay? That's up to you, of course, but to me the smart money may still be with the 2024 set – especially since I prefer the slightly more detailed, marginally less full-bodied audio in the Ear (a). View Deal

Bose QuietComfort Ultra Earbuds (2nd Gen)
You'll have to part with a bit more money to get it, but scale that food chain and you can get the QCUE (2nd Gen) and enjoy really, really good ANC and remarkable spatial audio that works in conjunction with those talented spatial sound profiles.
Learn more in our in-depth Bose QuietComfort Ultra Earbuds (2nd Gen) review

How I tested the Nothing Ear (3)

Nothing Ear (3) three screen-grabs from the Nothing X app, introducing the new super mic — (Image credit: Nothing)

Tested for two weeks, listened against AirPods Pro 3, Bose QCUE (2nd Gen) and Technics EAH-AZ100
Listened at work (in the office, walking on a beach, on a train) and at home
Listened to Tidal, Qobuz, Apple Music and Spotify on an iPhone 15 Pro Max, MacBook Pro and heard LDAC on Sony Xperia 1 IV

The Nothing Ear (3) became my primary musical companions for 13 days – after a thorough 48-hour run-in period.

They accompanied me to London (walking brusquely from St. Pancras Station to Waterloo owing to strike action on the London Underground and my need to get a train back to Dorset in 43 minutes!) and at home – where I actually missed delivery of a review sample owing to the efficacy of Nothing Ear (3)'s ANC.

It goes without saying that to better test the comfort levels (and battery life claims), I followed TechRadar's meticulous methodology testing. I also used TechRadar's reference playlist (spanning everything from hip-hop to folk music) on Apple Music and Tidal, and also my own musical selections and podcasts. I wore the Ear (3) to watch YouTube videos (mostly about the Austrian singer Falco, since you ask) from my MacBook Pro.

I’ve been testing audio products for well over five years. As a dancer, aerialist and musical theater performer in another life, sound quality, fit, and user experience have always been imperative for me personally, but having heard how wonderful ANC can be when done well, I know what I'm listening out for here also.

First reviewed: September 2025

After a year of searching, I’ve finally found a rival for my favorite earbuds

12:30 am | September 21, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: ANC | Comments: Off

Skullcandy Method 360: One minute review

As my editor at TechRadar well knows, I’ve spent the last year enamored with the Nothing Ear (a) as the best earbuds you can buy for a relatively affordable price, and nothing has come close to toppling these svelte and low-cost buds.

That’s all changed now though, because the Skullcandy Method 360 give their year-and-change older rivals a run for their money. And I see them being the new big buds that, going forward, I shall compare all contemporaries too.

These buds from American audio company Skullcandy are dead ringers for the brand’s cheap Dime Evo buds, coming in the same novel carry case, but I’ve already got to correct myself: these aren’t just from Skullcandy, but from another key player too.

In a big partnership, top audio dog Bose contributed to the sound of the Method 360, and it shows. These have the energy of Skullcandy buds but the audio precision of Bose ones, and the fantastic audio quality shows that the Method 360 benefits from the best of both worlds.

While Skullcandy boasts that the Method 360 have ‘Sound by Bose’, the design of the new buds also bears more than a passing resemblance to recent Bose earpieces too, especially with a gel fin around the buds to help them stick in your ear. Whether this was another case of the Bose helping hand or just a total coincidence, it’s welcome, with the Method 360 staying in the ear reliably even during workouts. They’re comfortable too, letting you listen for long bouts without your ears getting achy.

Design of the buds may be great, but the carry case itself provides problems: namely, that it’s absolutely huge. It’s a massive long tube which hides an inner shell that you slide out to retrieve the earbuds, and it’s far too big to easily fit in trouser pockets. According to promotional images Skullcandy sees you using the O-ring to strap the case to your bag, or perhaps your trousers, but the sheer size would make that about as unwieldy as walking about with a scabbard.

A few rough edges show their face in the feature set too: the app often failed to connect to the earbuds, even when they readily connected to my phone without issues, which was irritating when I wanted to change ANC mode. Plus, the voice announcer on the buds is both terrifyingly loud and surprisingly low-res, making me wonder if I’d accidentally been sent a pair of Method 360 which had been cursed by the Babadook.

Are these flaws enough to ruin the Skullcandy? Not by any means, they’re just minor gripes, and ones that give me something to write about to seem even-handed too. But they do little to counteract the real strengths of the Method 360: its reliable fit, its fantastic sound and its affordable nature.

Skullcandy Method 360 review: Specifications

Component	Value
Water resistant	IPX4
Battery life (quoted)	11 hours (earbuds), 29 hours (total)
Bluetooth type	Bluetooth 5.3
Weight	11g / Charging case: 77g
Driver	12mm

Skullcandy Method 360 review: Price and availability

The Skullcandy Method 360 on a shelf. — (Image credit: Future)

Announced in April '25
RRP $119 / £99 / AU$189
Priced against mid-range rivals

Skullcandy announced the Method 360 in April 2025 and put them on sale straight away afterwards.

The official price of the buds is $119 / £99 / AU$189, although they were cheaper for their first few weeks of existence thanks to introductory pricing. When considering their value, though, we’ll consider this official price.

At that price these can be considered mid-range buds, with the aforementioned Nothing Ear (a) costing more or less (depending on region) at $99 / £99 / AU$192. Their other big rival at that price is the WF-C710N which has an RRP exactly the same as the Skullcandy and we’ll get more into the differences in our comparison section below.

Skullcandy Method 360 review: Design

Huge case that's fiddly to insert buds into
Buds are comfortable and fit reliably
Range of color options

The worst part of the Skullcandy Method 360 is its case. It’s absolutely huge – you’ve got no chance of fitting this thing in your trouser pocket and it was even a squeeze fitting it into the folds of my jacket. It’s significantly bigger than the case of any other earbud I’ve tested recently, making it a pain for portability.

That’s a shame because it’s a bit more interesting-looking than your generic clamshell earbud case. It uses what Skullcandy calls ‘Clip It and Rip It’; this means that there’s an internal column holding the earbuds which you reveal by sliding it out of a protective tube. There’s an O-ring which lets you clip the case to a bag or, according to Skullcandy, trouser belt loop, which also makes it easy to do this sliding action.

It’s an interesting design which Skullcandy has used before, but two extra things beyond the size damn the case. Firstly, the charging port is on the bottom of the internal column so if you slide this column up, the charging port is hidden by the external case – it’s quite a procedure to keep charging while you remove the buds. Secondly, the buds only fit in their respective slots if you insert them at just the right angle, and it’s hard enough to tell which bud goes in which slot, let alone which angle to put them in at (there are a faint ‘L’ and ‘R’ to solve the first problem but it could be made more clear). These are the single most frustrating earbuds I’ve ever tested in terms of returning them to the case after use, and I constantly wasted time trying to rotate the buds to work out how to get them into their gap.

It’s not just me on this latter point: Skullcandy’s listing for the Method ANC has an FAQ question and one query is “How do I put my Method 360 ANC earbuds back in the case?” complete with a surprisingly in-depth 5-point answer. Skullcandy: if earbud users need to go through five steps to put an earbud in the case, perhaps there’s a better way of doing things. I also presented my much-smarter girlfriend with the buds and the case and she too found it akin to solving a Rubix cube.

At least Skullcandy has done something I love in earbuds: offered multiple color options. As well as the standards of black and white there’s bright red, a sandy hue which Skullcandy calls ‘Primer’ and your grandma’s favorite option: leopard print.

Now onto the buds themselves: they seem to work as a medley of the two core types of in-ear buds with large bodies which stay in your ears with a silicon ridge, but they also have a slight, dumpy stem. Whatever color of case you fit, affects the buds too, though in the case of leopard print it’s just on one surface.

The buds weigh 11g so they’re among the heaviest earbuds I’ve tested, but in the grand scheme of things a couple of grams doesn’t make much difference on the ears. And that tells – not once in my testing did the buds fall out of my ears, even though I went on runs with them and took them to the gym. I’m going to point towards their fin as the reason for this, with the material of the tip also making them stay in my ear snug. In the box you get an array of sizes for both too.

Both buds have touch controls, activated if you tap the right spot on the body of the bud (if you look at the picture, it’s just below the slight ridge, around where the LED light is). This worked fine in picking up fingertips but I found it quite hard to reliably tap the correct spot when I wanted to pause music.

The buds both have an IPX4 rating making them protected against splashes of water, which essentially means they’re safe against sweat or a light drizzle of rain but nothing stronger (or wetter).

Design score: 3.5/5

Skullcandy Method 360 review: Features

Good on-bud battery life
ANC is strong, but not competition-beating
Skull-IQ app for extra features

With a case of its size, you’d expect the Skullcandy Method 360 to have a battery life longer than creation. And it’s definitely good, though set your expectations a little lower than ‘forever’.

According to Skullcandy, the bud battery life reaches 11 hours with ANC off or 9 hours with it turned on, with the case providing an extra 23 or 29 respectively. From my testing I’d say Skullcandy’s figures are, if anything, a touch conservative – either way those are respectable figures

You’re offered the two standard noise cancellation modes we often see: standard ANC and ‘Stay-Aware’, both with a slider letting you change intensity mode (before you ask the same question I did: higher intensity affects the strength of ANC, not of background noise allowed through).

Regardless of which option you pick, the ANC is strong and capable, and you’ll struggle to find better at this price point. It’s so effective, however, that Stay-Aware often failed to let through the kinds of loud nearby sounds that these ambient modes are designed to do. In fact I didn’t notice a huge difference between ANC and Stay-Aware most of the time.

You can download the Skull-IQ app on your phone or tablet to get extra features for the earbuds. Some of these are ability to toggle ANC and change what tapping the buds does, but there are a few more.

One of these is nigh-on mandatory at this point: an equalizer. You get several presets here but there’s also a five-band custom option. While that’s not as complex as we normally see in equalizers, I honestly don’t mind, as it’s a lot more simple for the average earbud user to get their head around.

Beyond that we’ve got features for low latency audio (useful for gaming), multipoint pairing to connect to multiple devices at once, the ability to use your earbud as a remote trigger for your smartphone camera and Spotify Tap, which lets you press and hold an earbud to instantly play from a certain Spotify playlist.

A few features I like to see are absent like Find My Earbuds, listening tests or earbud fit tests, but the features you do get work well… unlike the way you control them.

One thing that I’d love to see Skullcandy fix with the app is its reliability. A fair few times I’d boot it up while listening to music only to be told that the earbuds weren’t in use – one time this incorrect message was ironically covered up by my phone system’s own notification telling me the buds’ battery life. I’d have to either refresh the app, or give up on plans to change the EQ or noise cancellation.

On the topic of annoying features: the voice announcer, which tells you when the buds are connected when you put them in as well as when you change ANC modes, is both incredibly low-res and incredibly loud. Calm down please, announcer!

Features score: 4/5

Skullcandy Method 360 review: Sound performance

12mm drivers
Bose tuning pays off
Energetic sound with meaty bass

As I said in the introduction, Bose helped with the tuning of the Skullcandy Method 360 (though possibly not in lending the 12mm drivers, which are actually bigger than the ones we normally see Bose use in its earbuds).

This helping hand shows because the Method 360 are some of the best-sounding earbuds I’ve ever tested for their price. And, more obviously, they faintly resemble the tone of the Bose QuietComfort Buds from last year, in that music sounds rich, meaty and full (which I doubled down on by activating the bass booster EQ repeatedly through testing, though it’s far from necessary).

That’s not to say that the buds are just for bass-heads, as mids were just as energetic and electric as lower-frequency sounds. I found the audio profile perfect for punchy and fast-paced rock music which fits well with the Skullcandy branding. Treble could have been a little more glistening though and, while not audibly falling behind in the mix, it did lack a little zest when other parts of a song were going full-force.

If you like listening to high-velocity music, you’ll be glad to know that the Method 360 gets very loud, and I didn’t even test it at its top volume.

The Skullcandy also has a fairly pronounced sound stage, perhaps not as dramatic as the aforementioned Bose buds, but still great compared to many same-priced rivals. Instruments aren’t just panned left or right but to varying degrees around you, and audio was clear enough that I could hear the sound of fingers on guitar glissando or the type of drumstick a drummer would use.

Here’s where I’d discuss audio codecs or connection types but neither Skullcandy’s website nor the Skull-IQ app make any mention of them, so I’ve got to presume that high-res music isn’t supported.

Sound performance score: 4/5

Skullcandy Method 360 review: Value

The Skullcandy Method 360 are great value for money because in two big ways, they rival alternatives which you'd be spending twice the price on.

Both the sound quality and precision-designed fit feel like features you'd normally have to pay way more for. Yet here you go, finding them at a mid-range price. Good job!

Value score: 4/5

Skullcandy Method 360 review: scorecard

Category	Comment	Score
Value	They hold a candle to some pricier rivals with aplomb.	4/5
Design	Some of the best-designed earbuds you can find, marred by one of the most annoying charging cases out there.	3.5/5
Features	The Method 360 has a range of features, and most of them work pretty well.	4/5
Sound	An energetic sound which stands apart from other similar-priced rivals.	4/5

Skullcandy Method 360: Should I buy?

Buy them if...

Ear fit is important

The Skullcandy fit the bill if you find that other earbuds keep falling out, or you need something reliable for running.

You like fast-paced rocking music

The Method 360's audio balance lends itself well to energetic music that gets the blood pumping (although it's great for other genres too).

You need to listen for long periods of time

It's not a headline feature but the Method 360 battery life is quite a step above average, for the buds at least, making them solid options for long-term listening.

Don't buy them if...

You need a svelte carry case

If you want a carry case you can easily slip in a trouser pocket, the Skullcandy will disappoint.

You want a detailed equalizer

If you like tinkering with the minutiae of your audio, the Skull-IQ 5-band equalizer might not give you enough control over how music sounds.

Also consider

Component	Skullcandy Method 360	Nothing Ear (a)	WF-C710N
Water resistant	IPX4	IP54	IP54
Battery life (ANC off)	11 hours (earbuds), 29 hours (total)	9.5 hours (earbuds), 42.5 hours (total)	12 hours (buds); 30 hours (case)
Bluetooth type	Bluetooth 5.3	Bluetooth 5.3	Bluetooth 5.3
Weight	11g (buds) 77g (case)	4.8g (buds) 39.6g (case)	5.2g (buds) 38g (case)
Driver	12mm	11mm	5mm

Nothing Ear (a)

These ever-so-slightly-cheaper alternatives to the Skullcandy have equally powerful bass and a lovely slender carry case. The fit isn't as solid as the Method 360's though, nor is the battery life as good.

Read our full Nothing Ear (a) review

Sony WF-C710N

These newer mid-rangers from Sony cost the exact same as the Skullcandy with a similar feature set too. The design is the main difference.

Read our full Sony WF-C710N review

How I tested

I used the Skullcandy Method 360 for about two weeks before writing this review.

For the most part of the review, the headphones were paired with my Android phone for Spotify streaming as well as the occasional gaming and Netflix. I listened to music at home and in quiet environments, but also took the buds for a spin at the gym and on runs.

I've been reviewing products for TechRadar since the beginning of 2019 and have tested countless headphones amongst other gadgets. I've also used past Skullcandy options not for review purposes, but simply through having bought them myself.

JLab Go Pods ANC: Two-minute review

I’ll admit that it was with reticence that I agreed to test earbuds clearly angling for the title of ‘cheapest ANC buds’ but let me dispel any similar cynicism you may have: the JLab Go Pods ANC are, for their price, excellent.

Perhaps I shouldn’t be surprised, because these new cheap earbuds come from esteemed affordable audio brand JLab, which has a lot of experience with affordable audio options. But anyone who’s tried to save a buck by buying lower-cost tech knows that you can’t take anything for granted, even with legacy brands.

Let’s first address the selling point in the headline: are these the best noise-cancelling earbuds on the market? No, but if you add 'cheap' to that question, quite possibly. They are cheap, they do have noise cancellation, and they certainly are earbuds. Plus, they’re really good at what they do, and so I can give them a tick there. But are they the cheapest buds with ANC?

I was expecting to be able to find plenty of cheap Amazon rivals with ANC, but I was wrong; one or two ANC-toting options from unnamed brands sit at the same price as the JLabs here, but there’s not much on offer for less that also has ANC. So from the right angle, the Go Pods ANC tick that box too.

What same-price rivals probably don’t offer is decent audio quality. For budget earbuds these sound really good, with (depending on how you set up the equalizer) crystal-clear treble, hearty mids or scooping bass, and a broad soundstage that you don’t often get in buds twice the price.

The ANC itself also works well, plastering over background sounds with little tact but with heart. That said, the transparency mode is a nightmare which will cause you to hear every little thing going on around you with frightening accuracy.

Like all good earbuds, the JLabs are also nice and lightweight, so you can wear them for ages without getting earache. Similar can be said of the tiny plastic carry case, which completely disappears into a trouser pocket.

I can’t pretend that these earbuds are perfect, and they do have a few things which annoyed me during testing. For one, JLab has replaced a charging port with a charging cable, so you plug the case into something, rather than plugging something into the case, to power it up. Good in theory, but functionally I found it less useful than the standard option which every other company uses, of simply letting you plug a cable into the case.

The in-box ear tips also didn’t offer much in the way of grip, so when I walked or ran in the buds they had a habit of falling out pretty quickly. This is a problem you can solve with the added expense of third-party eartips (or using ones you have left over from your last earbuds).

But even as earbud shortcomings go those aren’t the biggest I’ve ever faced, or even a huge issue at all in the case of the first one. Know this: these are fantastic-value earbuds.

JLab Go Pods ANC review: Price and release date

The JLab Go Pods ANC on a window sill. — (Image credit: Future)

Released in summer 2025
Costs $36.99 / £29.99 (roughly AU$60)

The JLab Go Pods ANC were announced in May 2025 and put on sale in the months after. It took them barely any time to go on offer, but more on that in a moment.

The default retail price for these buds is $36.99 / £29.99 (roughly AU$60), so they’re some of the most affordable noise cancelling earbuds you can find, and the few alternatives I can find at this price tag almost all come from unknown brands on Amazon.

I say ‘default price’ because only a few months after release, the Go Pods ANC can easily be found for a discount. In the US I found them for $29.99 and in the UK they’re at £24.99, making these super-cheap buds even cheaper. And that’s before Black Friday.

JLab Go Pods ANC review: Specs

Drivers	10mm
Active noise cancellation	Yes
Battery life (ANC off)	7.5 hours (buds) 26 hours (case)
Weight	4.2g (buds) 27.6g (case)
Connectivity	Bluetooth 5.4
Waterproofing	IP55

JLab Go Pods ANC review: Features

Battery life of just 5 hours with ANC on
Good ANC but iffy transparency
JLab app brings a few useful extras

During my testing time, I didn’t once have any kind of connection issue with the JLab Go Pods ANC, so you don’t need to worry about them having an unreliable Bluetooth link.

The buds have some extra features via the JLab app, though it’s mostly just some customization and tweaks rather than anything truly novel.

It took my while to get my head around the Noise Control Modes tool, which lists ANC on, off and Be Aware mode, but with toggles by all of them, so it’s easy to turn two or all three of them on at the same time… right? That’s what I thought, until I realized that toggling these selects whether you can switch to them via the buds via touch controls. The real way to switch ANC modes is to physically select the mode you want, not toggle its slider.

Another option via the app is an equalizer, which comes with three unnamed presets and a custom mode. It’s a 10-band equalizer so it’s pretty advanced, and audiophiles will be able to get a lot of depth in how they customize their tunes.

Three screenshots from the JLab Go Pods ANC app. — (Image credit: Future)

Running down its list, the app also lets you set a max volume limit for safety, change what touch controls do, switch between a Music Mode and Movie Mode (which seems to increase the sound spread but decrease quality) and… set up a workout interval timer? That’s not exactly a standard headphone feature but it might prove useful to a few people.

The battery life of the Go Pods sits at 7.5 hours, according to JLab – that’s with ANC turned off and, from my testing, you’re looking at about 7.5 hours with it turned off which isn’t exactly a competitive figure. The company puts the extended play time offered by the charging case at 26 hours.

One final thing we probably need to touch on is the ANC itself – is it any good in these cheap buds? Surprisingly, it really is. It hushes your surroundings pretty substantially, and while it obviously doesn’t reach the heights of rivals in the market – a light background hum always got through, and sharper noises weren’t dimmed as much – it’s a lot better than JLab could have got away with for the money.

I wasn’t as impressed, though, with Be Aware mode (JLab’s take on Transparency). While using it I was too aware – not only did it not cancel noise, it seemed to amplify every little thing that occurred around me in a jarring experience overall.

Features score: 4/5

JLab Go Pods ANC review: Design

Both buds and case are super lightweight
Case has a built-in charging cable
Ear tips don't offer much grip

The JLab Go Pods ANC have one small design difference that sets them apart from the vast majority of other samey wireless earbuds, and it’s built into the case.

The buds’ charging case is a 4.52 x 6 x 2.61cm pebble which opens lengthwise along the side; it’s made of plastic so it only weighs 27.6g (for context, most buds I test have cases double that weight). This is all to say that it’s quite small and very light.

While most charging cases are nondescript save for perhaps a logo and a USB-C charging port, JLab does away with the latter and replaces it with its own USB-C cable; you can plug this into a port to easily power up the buds.

In theory I get why JLab would use this instead of a simple port: it means you can power it up via your phone or laptop without needing an extra cable. In practice though I found it annoying, as it meant I couldn’t use the standard USB-C charger I bring for my other gadgets. I couldn’t power up the case from my phone if I was also charging said phone, and I couldn’t plug it into wall outlets on public transport or adaptors at my home (all of which use standard USB).

Onto the buds: these weigh 4.2g each so they continue the Go Pods style of being lighter than the competition. They’re stem-style buds, consisting of a large body, tips angled slightly downwards and a flat stem bearing JLab’s logo.

There are touch controls on each of said logos, which worked reasonably well although there were a few mis-touches when I was readjusting the buds or times when one press would be picked up as two. Also the default controls are a little odd so I’d recommend jumping into the app to customize them yourself.

I really appreciate low-weight buds like the Go Pods as they were easy to use for long periods of time without feeling any ache or wear. That was only the case if I was sitting still though.

The in-box eartips seem to offer so little friction that they may as well be made out of WD40: as soon as I went for a walk, or heaven forbid a run, the earbuds began slipping from my ears (yes, I tried all three options included in the box). Even putting in or removing the buds normally, you can feel how little they’re inclined to stay in the ear – not great for active people.

While the case doesn’t have any official protection, the buds have an IP55. This means they’re mostly protected against dust ingress and can withstand low-press jets of water (including rain and sweat) but aren’t suitable for swimming.

The JLab Go Pods ANC come in three color versions: black, lilac and green, and as you can tell I tested the former.

Design score: 3.5/5

JLab Go Pods ANC review: Sound quality

Single 10mm driver
Can handle regimented bass and clear treble
High max volume

I’m going to wager that your expectations for the JLab Go Pods ANC’s audio chops probably match what mine were going into the testing: you see the price and shudder at the thought of those cheap buds you bought on Amazon once and know what to expect. But banish the thought.

The JLab Go Pods ANC actually sound pretty good; I’m not sure I’d pick them over something like the Samsung Galaxy Buds 3 Pro but for the price, they’re surprisingly capable.

By default (that is, with the JLab Signature equalizer mode), music sounds bright with defined treble and mids, and a laudable breadth of soundstage so you can hear different passages and harmonies in the music surrounding you.

There’s clearly a little distortion crackling away when too many different instruments are playing at once, or when the hi-hat gets going, but only in mixes that can trouble much pricer buds too.

I’ll admit that I largely listened with some heavy equalizer tweaks, but I was surprised by how much bass the Go Pods were capable of when asked. There’s scope for hearty, scooping bass with the right song and right EQ set-up. But even without this set-up, lower-register lines felt well-defined.

The buds’ max volume is really high – higher than you’d ever normally need, unless you accidentally held down the ‘volume up’ button on your phone like me – and doesn’t distort as much at louder settings as many other buds do.

Sound quality: 4/5

JLab Go Pods ANC review: Value

The JLab Go Pods ANC are basically the cheapest noise-cancelling earbuds that are actually worth buying.

Because of their feature set and audio quality, these aren’t just ‘good for the price’; they’re good full stop. JLab didn’t need to offer them for such a low price but in doing so, it’s made them a fearsome value proposition.

Value: 4.5/5

Should I buy the JLab Go Pods ANC?

JLab Go Pods ANC score card
Attributes	Notes	Rating
Features	The ANC is good, as is the general feature set, though the battery life is poor.	4/5
Design	The buds are lovely and lightweight, but the eartips don't stick well and I'd have preferred a charging port.	3.5/5
Sound quality	For the price, the JLabs sound really good: cheap and cheerful.	4/5
Value	These offer fantastic value for money given how cheap they are.	4.5/5

Buy them if…

You're on a (low) budget
If you've set yourself a budget for earbuds and it isn't a big one, then there are going to be very few alternatives to the Go Pods ANC.

You want noise cancellation
Noise cancellation is a feature which is common on expensive earbuds but not so much on cheap ones. That's not the case with the JLabs though.

You want to charge from your phone
The charging case's cable attachment lets you power up your buds from your phone, great if you rarely have access to a power point.View Deal

Don’t buy them if…

You're not willing to provide your own eartips
I didn't rate the in-box ear tips, so I'd recommend the buds mostly to people who would be willing to buy their own (or, more likely, have leftovers from your last buds).

You need a long-lasting battery
If you're listening with noise cancellation, you're only getting five hours of listening time, which isn't a competitive figure.

JLab Go Pods ANC review: Also consider

	JLab Go Pods ANC	JLab Go Pop ANC	Earfun Air 2	JBL Wave Beam
Drivers	10mm	10mm	10mm	8mm
Active noise cancellation	Yes	Yes	No	No
Battery life	7.5 hours (buds); 26 hours (case)	7 hours (buds); 24 hours (case)	9 hours (earbuds), 40 hours (total)	8 hours (buds) 24 hours (case)
Weight	4.2g (buds) 27.6g (case)	4.1g (buds); 22g (case)	4.5g (buds) 45g (case)	8.8g (buds) 39.5g (case)
Connectivity	Bluetooth 5.4	Bluetooth 5.4	Bluetooth 5.3	Bluetooth 5.2
Waterproofing	IP55	IP55	IPX7	IP54

JLab Go Pop ANC

Forgive the incredibly similar name. These buds cost just less than, or the same as, the Pods depending on where you live, and have a similar feature set with the design being the biggest difference.

See our full JLab Go Pop ANC review

Earfun Air 2

These buds have a similar design to the JBLs but miss noise cancellation. They're cheap, but not quite as affordable as the Go Pods.

See our full Earfun Air 2 review

JBL Wave Beam

Another low-cost option that has a similar stem-toting design is the JBL Wave Beam. This has a smaller driver and no noise cancellation but it won't break the bank and has a fairly good battery life.View Deal

How I tested the JLab Go Pods ANC

Tested for four weeks
Tested at home, in the office, working out and on walks

I tested the JLab Go Pods ANC for about four weeks, which is longer than the standard TechRadar testing process, but is a testament to their audio chops.

I used the buds while they were connected to my Android phone, mainly for Spotify but also for streaming movies, games and listening to voice notes. I used them while at home, at the gym, on runs and on walks around my neighborhood.

I've been testing gadgets for TechRadar for over five years now and in that time have used other JLab products as well as some of their biggest competitions.

First reviewed in August 2025

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