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I reviewed this compact Dolby Atmos soundbar from Klipsch, and it would be a true great if it weren’t for this one flaw
2:00 pm | January 25, 2026

Author: admin | Category: Computers Gadgets Soundbars Televisions | Tags: , | Comments: Off

Klipsch Flexus Core 100: review

If you’re short on space, but still want to experience the wonders of Dolby Atmos, then the Klipsch Flexus Core 100 could be the soundbar for you. This 2.1-channel model aims to supply “immersive, spatial sound” in a single, compact bar, using virtualized Atmos.

Let’s start with a bit of a reality check. The Klipsch Flexus Core 100 has some key limitations that hold it back from delivering the expansive, three-dimensional sound that larger models offer. It uses a fairly basic 2.1 channel configuration, with four main drivers – two front-firing 2.25-inch speakers, and two built-in four-inch subwoofers.

Unlike most of the best soundbars for Dolby Atmos, the Flexus Core 100 doesn’t have up-firing drivers, which are required for ‘true’ Atmos. There’s also no center channel on offer, and as a fairly narrow bar, this thing’s not going to plate up the width you’d expect from a full-length model.

Klipsch Flexus Core 100 with remote on top

(Image credit: Future)

With all of that said, the Klipsch Flexus Core 100 is a pretty good-sounding model. When watching a 4K UHD Blu-ray of Top Gun: Maverick, I was impressed by accurate dialogue in the opening scene – which sounded well-defined, and maintained the echoey effect you’d expect in a wide open space.

On top of that, Maverick showcased the low-end talents of the Flexus Core 100. The rumble of jet engines was more impactful than a lot of bars in this size category – and other parts of the frequency range didn’t sound obscured as Tom Cruise’s character prepared for take off.

I will say, though, that when the jet flew up and overhead, the verticality of the move was very limited. And more generally, this soundbar struggles to conjure up a sense of height – it's understandable with its technical limitations, but it’s going to be an issue for those wanting great Dolby Atmos in a small package.

In spite of its unremarkable height effects, the Flexus Core 100 still provides a decent amount of width for such a narrow model. In The Mask, the soundbar commendably replicated the cartoonish spin of the titular character across the screen. As he smashed through a glass window, the combination of a low-end thump with a high-pitched shattering also came through with clarity and impact, capturing the surprising nature of the move brilliantly.

One small issue I picked up on was during a scene where two B-rate mobsters are playing air hockey in the backdrop. Here, the left and right channel separation seemed overzealous and choppy – likely a result of there being no center channel, as this isn't something I experienced on a 5.1 bar like the Marshall Heston 60.

Display reads 'hello' on the Klipsch Flexus Core 100

(Image credit: Future)

As well as movies, I tried listening to some music over Bluetooth using Tidal. And like a lot of small soundbars, the Flexus Core 100 isn’t particularly talented in this department.

In Black Eye by Allie X, I was satisfied with the depth of the bass, although it wasn’t particularly agile. Meanwhile, vocals were clear enough, but not separated all too much from other sounds in the mid-range. Percussion wasn’t the most precise either, and it lacked a sense of space. Overall, I got a relatively clean listen, but one that lacked nuance or detail.

With Atmos music, it was a similar story. Dream of Arrakis by Hans Zimmer offers solid low-end punch, but the attack of percussion was fairly blunt, and vocal elements weren’t all too clear in the mix. The expansiveness of this master was also pared back quite a bit compared to what I’ve heard on more premium compact bars, like the Sonos Beam Gen 2.

Something else I realized when playing tunes, was that the soundbar didn’t automatically switch to Music mode – something I’ve become relatively accustomed to from most modern soundbars. You have to select the appropriate mode with the included remote or the Klipsch Connect Plus app.

Still, the two modes are decently differentiated, and if you want to make additional changes, you can make use of an equalizer in the companion app. And EQ options aren’t bad at all – you can manually adjust bass, mids, or treble, or switch between presets, including: Flat, Vocal, Bass, Treble, and Rock.

Man holding remote for the Klipsch Flexus Core 100

(Image credit: Future)

More generally, I was a big fan of the Klipsch Connect Plus app. It’s brilliantly responsive, well laid-out, and pretty feature-rich. On the main screen, you can change source, activate a genuinely great multi-level voice enhancement setting, activate night mode, and more. An additional settings menu also opens up channel level adjustment, surround and subwoofer pairing, and display brightness adaption.

The only thing I was really missing on the app was some kind of room calibration tool to optimize the Flexus Core 100 to my listening space – something you’ll find on soundbars like Sonos Beam 2nd Gen and Marshall Heston 120.

I touched on the Flexus Core 100’s display a moment ago, and I have to give Klipsch some kudos here – it looks absolutely fantastic. Rather than relying on a basic lighting system, there’s a large display with full letters and numbers to let you know which mode you’re using, source you’re connected to, and volume level you’re at. This is incredibly clear, and makes for a much smoother user-experience.

On top of a neat display and seamless in-app experience, setting the Flexus Core 100 up really couldn’t have been easier. You’ve just got to connect it to a power source, and hook it up to your TV over HDMI eARC or digital optical – easy as pie. You can also build your system out at your own pace by connecting a compatible wireless sub, or a wired one via the soundbar’s ‘sub out’ port. You can also purchase Flexus Surround speakers for a more three-dimensional listening experience.

In terms of functionality, the only major miss in my view is the omission of Wi-Fi streaming. Personally, this is an absolute must for me. I love being able to use Spotify or Tidal Connect to enjoy my music in higher quality than Bluetooth streaming allows. Some may also lament the lack of DTS support, which is less common than Dolby Atmos for streaming, but is often used on Blu-rays.

We’ve spoken a lot about the technology involved so far, but how does the Flexus Core 100 fare in the looks department? In my opinion, this soundbar is a little on the average side. The large logo on the right side isn’t the most attractive, and the fabric speaker grille doesn’t quite give off a premium impression. Still, the model is well-made, and I’ve already raved about its excellent display.

One thing I’ve not mentioned yet is the Flexus Core 100’s price-tag. And this is pretty competitive, all things considered. It comes in at $349 / £299 / AU$645, which is less than a 2.0 channel rival like the Denon Home Sound Bar 550 and considerably less than compact Atmos titans like the Sonos Beam Gen 2 and Bose Smart Soundbar.

In the end, then, the Klipsch Flexus Core 100 is a solid soundbar overall. It won’t deliver the most amazing Dolby Atmos, it’s not the best-looking model I’ve seen, and I’m also still sad about the omission of Wi-Fi streaming.

But its great bass levels, clear dialogue, impressive companion app support, and ease of use are all highly commendable. If you’ve got the cash, I’d suggest going with either Sonos or Marshall’s compact soundbars, but if you’re on a tighter budget, this model is well-worth considering.

Klipsch logo on the Klipsch Flexus Core 100

(Image credit: Future)

Klipsch Flexus Core 100 review: price and release date

  • $349 / £299 / AU$645
  • Launched in April 2024

The Klipsch Flexus Core 100 was released in April 2024, and is part of a product line that also features the Flexus Core 200 and the exceptional Klipsch Flexus Core 300.

It has a list price of $349 / £299 / AU$645, making it the cheapest product in that lineup, and very competitively priced against other compact Dolby Atmos models like the Sonos Beam Gen 2, for instance.

Klipsch Flexus Core 100 review: specs

Dimensions

28 x 3 x 5 inches / 711.2 x 76.2 x 127mm

Speaker channels

2.1

Connections

HDMI eARC, digital optical, sub out, Bluetooth 5.0

Dolby Atmos / DTS:X

Yes / No

Sub included

No

Rear speakers included

No

Ports on the reverse side of the Klipsch Flexus Core 100

(Image credit: Future)

Should I buy the Klipsch Flexus Core 100?

Attributes

Notes

Rating

Features

Great companion app, but no DTS and no Wi-Fi streaming.

3.5/5

Performance

Strong bass response, clear dialogue, decently expansive – but music and height effects are unremarkable.

4/5

Design

Not the most beautiful, but the display and build quality impressed me.

4/5

Setup & usability

Lacks room correction, but very easy to connect and control.

4/5

Value

Pretty competitively priced against rivals, but doesn’t have quite as much quality.

4/5

Buy it if...

You’re looking for some low-end power
One of the best things about the Flexus Core 100 is its impressive bass performance. Explosions and low-end heavy scores will sound so much better than they would with plain TV audio, and your viewing experiences will improve substantially.

You’re short on space
If you’ve not got a ton of space or your TV unit is on the smaller side, the Flexus Core 100 is a very nice pick indeed. It's far narrower than a model like the Sonos Arc Ultra, making it ideal for anyone who needs something smaller.

Don't buy it if...

You want awesome Dolby Atmos performance
Although the Flexus Core 100 creates a decent sense of width, its height effects aren’t convincing at all. If you want the best Atmos possible from a small soundbar, the Marshall Heston 60 – which I’ve discussed below – is your best bet.

You need Wi-Fi streaming
The lack of Wi-Fi streaming on the Flexus Core 100 is a real shame, and is something that’s pretty easy to come across on competitors. You can still stream music via Bluetooth, but the quality isn’t going to be as good.

Klipsch Flexus Core 100 review: also consider

Klipsch Flexus Core 100

Marshall Heston 60

Sonos Beam Gen 2

Price

$349 / £299 / AU$645

$699.99 / £499.99 / AU$999

$449 / £449 / $699

Dimensions

28 x 3 x 5 inches / 711.2 x 76.2 x 127mm

28.7 x 4.9 x 2.7 inches / 730 x 124 x 68mm

25.6 x 2.7 x 3.9 inches / 651 x 68 x 100mm

Speaker channels

2.1

5.1

5.0

Connections

HDMI eARC, digital optical, sub out, Bluetooth 5.0

HDMI eARC, RCA Mono (sub out), USB-C, 3.5mm, Bluetooth 5.3, Wi-Fi

HDMI eARC, Ethernet, Wi-Fi

Dolby Atmos / DTS:X

Yes / No

Yes / Yes

Yes / No

Sub included

No

No

No

Rear speakers included

No

No

No

Marshall Heston 60
There aren’t many small Dolby Atmos soundbars that can outclass the Marshall Heston 60. It provides surprisingly expansive sound with surprisingly good Atmos for such a compact model. It’s also incredibly attractive with a mouth-watering amp-inspired design, and the inclusion of Wi-Fi streaming as well as DTS:X support is much appreciated. It’s very expensive, and its bug-prone companion app needs some work, but overall, it’s an awesome option. Read our full Marshall Heston 60 review.

Sonos Beam Gen 2
As I discussed in my Sonos Beam Gen 2 vs Marshall Heston 60 showdown, the former is still the compact Atmos bar to beat. Its exceptional dialogue clarity, powerful bass, and now-modest price just give it that edge. As a 5.0 channel bar, the Beam Gen 2 sounds more expansive than the Flexus Core 100, although it does skip on Bluetooth connectivity and a sub out port. It does deliver Wi-Fi streaming, though, and its modern design is among my favorites. Read our full Sonos Beam Gen 2 review.

How I tested the Klipsch Flexus Core 100

Person pressing button on the Klipsch Flexus Core 100

(Image credit: Future)
  • Tested with movies and music across multiple hours
  • Used in our TV testing space at Future Labs
  • Mainly played 4K Blu-rays for movies and streamed via Tidal for music

When testing the Klipsch Flexus Core 100, I had the soundbar connected up to the phenomenal LG G5 OLED TV via its HDMI eARC port.

I spent the majority of my time with the soundbar watching 4K UHD Blu-rays – predominantly viewing them via the Panasonic DP-UB820. However, I also watched some shows on Netflix, and streamed music through Tidal using the Dolby Atmos and stereo formats.

On top of this, I made sure to exhaust all of the Flexus Core 100’s features, and cycled through all of the settings in the Klipsch Connect Plus app, including the various sound modes and EQ calibrations.

More generally, I’m an experienced tech reviewer with a particular focus on audio-visual gear, and have tested a wide range of soundbars. During almost two years at TechRadar, I’ve covered everything from budget models like the Sony HT-SF150 through to premium Dolby Atmos soundbar systems, such as the JBL Bar 1300MK2.

  • First reviewed: January 2026
  • Read more about how we test
I tested the new Amazon Fire TV Omni QLED TV, and it’s good overall for the money but bested by budget mini-LED TV competition
3:00 pm | January 17, 2026

Author: admin | Category: Computers Gadgets Televisions | Tags: , , | Comments: Off

Amazon Fire TV Omni QLED (2025): Two-minute review

The Amazon Fire TV Omni QLED (2025) is an interesting TV for one reason: it uses Amazon’s new AI-powered Alexa+, which is a more contextual, conversational, and higher-functioning version of the company’s voice assistant.

Otherwise, some features have been sacrificed in the Amazon Fire TV Omni QLED (2025) that made the Amazon Fire TV Omni Mini-LED, Amazon’s previous flagship TV, appealing, such as a mini-LED backlight and 144Hz support for gaming. Both are features we regularly look for in the best TVs. Despite those omissions, the new Omni QLED is priced relatively high for what it offers, with competing TVs from Hisense, TCL, and Roku delivering better bang for the buck.

On the plus side, Amazon’s built-in voice assistant is very well-implemented, and there’s even a mic mute for privacy. Also, you can expect to find the Amazon Fire TV Omni QLED priced considerably lower during the company’s regular sales events.

Amazon Fire TV Omni QLED (2025) review: Price and release date

Amazon Fire TV Omni QLED (2025) remote control on table

Amazon's remote is similar to the ones included with other Fire TV devices (Image credit: Future)
  • Release date: November 2025
  • 50-inch: $479.99
  • 55-inch: $589.99
  • 65-inch: $849.99
  • 75-inch: $1,199.99

The Amazon Fire TV Omni QLED (2025) was released in November 2025 and replaces an earlier version of the TV with the same name. Having just been released in time for Black Friday, it ended up priced a few hundred dollars below list price during that time, with the 50-inch model’s price dropping to $279.99 and the 65-inch model to $749.99.

The Amazon Fire TV Omni QLED (2025) is currently only available in the US.

Amazon Fire TV Omni QLED (2025) review: Specs

Screen type:

QLED

Refresh rate:

60Hz

HDR support:

Dolby Vision, HDR10+ Adaptive, HDR10, HLG

Smart TV:

Fire TV

HDMI ports:

4x HDMI 2.0

Built-in tuner:

ATSC 1.0

Amazon Fire TV Omni QLED (2025) review: Benchmark results

Amazon Fire TV Omni QLED (2025) review: Features

Amazon Fire TV Omni QLED (2025) rear panel ports

The Omni QLED's connections include four HDMI 2.0 ports (one with eARC) (Image credit: Future)
  • Hands-free Alexa+ allows for deeper control
  • Can be used with Alexa smart home ecosystem
  • Amazon Ambient Experience

The Amazon Fire TV Omni QLED Series supports both the Dolby Vision and HDR10+ adaptive high dynamic range formats, but the big feature on this TV is Amazon’s new Alexa+, a souped-up version of Alexa that allows for a higher level of flexibility and control.

For example, I’m able to not only ask for movie recommendations but also issue more basic commands like opening an app. I can even ask for things like the Philadelphia Eagles’ upcoming NFC schedule or what the weather outside is like. And I can do all this without picking up the remote control since Alexa+ is hands-free on this TV. The mic can be muted (there’s a slider under the front of the TV) if you’re worried about privacy, but otherwise, it can be used just like any other Alexa device. Alexa+ is free for Prime members but $19.99 a month if you don’t have Prime.

Since this TV has Alexa+ built in, it can be incorporated into an Alexa ecosystem. I found there were some limitations on what I could do using an Amazon Echo speaker, but I was able to turn on the TV and open apps through my Echo in my kitchen.

The other feature worth noting is the Ambient Experience. Every TV seems to now have some version of this feature, most likely due to the popularity of Samsung’s The Frame TV, and it’s also recently arrived on Amazon Fire TV devices.

Amazon’s Ambient Experience is a pretty cool feature that allows you to choose from a number of dynamic and static screens that will play when the TV is in standby mode. You can also customize it to have certain widgets displayed for time, temperature, and more. There are 2,000 free images to choose from, and you can also upload photos to display a personal photo reel. Amazon’s Omnisense sensors let the TV automatically display images when you walk into the room, and they even provide an interactive component.

Apple AirPlay is available for wireless casting from a phone or tablet to the TV, and so is Matter Casting.

  • Features Score: 3.5/5

Amazon Fire TV Omni QLED (2025) review: Picture quality

Amazon Fire TV Omni QLED (2025) showing image of flowers

The Omni QLED has good overall picture quality but average brightness (Image credit: Future)
  • Limited brightness
  • Full-array local dimming on all but the smallest size
  • Average color gamut coverage

The picture quality of the Amazon Fire TV Omni QLED Series doesn’t quite measure up to the Amazon Fire TV Omni Mini-LED, but then again it’s also cheaper. In Filmmaker Mode, we measured HDR Peak Brightness at 510 nits, compared to Omni Mini-LED’s 973 nits in the same picture preset. In Standard mode, the Omni QLED’s peak brightness was 598 nits, and fullscreen brightness was 528 nits.

Full-array local dimming, a feature that improves contrast, is provided on all sizes except the smallest (50-inch). I like to test this using images that show a black background with lighter objects on parts of the screen. With these, the TV did a good job – I didn’t notice any light blooming on the black areas.

The Omni QLED Series’ measured UHDA-P3 color gamut was 93.7% when we tested it, and 71.6% for BT.2020, both of which could be better. (Our target UHDA-P3 coverage is 95% for TVs.)

The TV’s Delta-E in Filmmaker Mode was 7, which is a worse-than-average result for picture accuracy for that preset. (The closer to zero, the better, with many TVs measuring under 3dE in Filmmaker Mode on this test.)

In real-world use, the Omni QLED Series’ picture wasn’t as bright as other TVs I’ve tested, but the picture was still crisp and vibrant, whether I was watching the animated Coco (one of my favorites for testing), an action movie, or sports.

  • Picture quality score: 3.5/5

Amazon Fire TV Omni QLED (2025) review: Sound quality

Amazon Fire TV Omni QLED (2025)

Fire TV's Live TV streaming portal (Image credit: Future)
  • Limited bass
  • No Dolby Atmos support
  • Dialogue boost and volume leveler

The sound quality on the Amazon Fire TV Omni QLED Series is not going to make you skip getting one of the best soundbars. There are only 12 watts each for the speakers and the sub, so even though it can get loud, it tends to lose definition at louder volumes.

Also, there’s not much bass. You won’t get any rumble, just a mid-low-end boost. I found it to be a strange experience when testing with Deadpool & Wolverine and watching a big fight scene where none of the punches, or the score for that matter, had much weight to them.

Dolby Atmos isn’t supported, either, which is another reason to upgrade the sound with a soundbar (preferably one with a subwoofer).

I do appreciate that there’s a five-band EQ in the settings. Also in the settings are a Dialogue Boost, Dolby Dialogue Enhancer, and Volume Leveler (the last two in the TV’s advanced settings). The first two help with making dialogue clearer by boosting the frequency at which voices sit. The latter is similar to a Night Mode and works well enough at bringing up quieter parts while making louder parts quieter.

  • Sound quality score: 3/5

Amazon Fire TV Omni QLED (2025) review: Design

Amazon Fire TV Omni QLED (2025) support feet being attached with screwdriver

The Omni QLED uses the type of support feet typically found on more budget-oriented TVs (Image credit: Future)
  • Basic looks
  • Hidden privacy slider for built-in mic
  • Four HDMI ports, one with eARC

On the surface, the Amazon Fire TV Omni QLED looks like a typical budget-level TV, though its bezels are at least thin. You’ll need a Philips head screwdriver for connecting the support feet to the TV (with included screws), but that takes a very short time to install.

There’s a slider hidden on the TV’s bottom edge to mute the built-in Alexa mic for privacy. Onboard controls are limited to the slider and button to control inputs, power, and navigate some basic settings.

The Fire TV Omni QLED has four HDMI ports, one with eARC. Also on hand is an optical port, coaxial, USB, headphone jack, and an IR transmitter port.

Amazon’s remote looks the same as the one it includes with its Fire TV streaming sticks. It has a talk button if you don’t want to use the built-in mic on the TV and buttons at the bottom for Prime, Netflix, Disney+, and Peacock, along with the usual suspects. It feels pretty good in the hand with its convex back. The only other thing worth mentioning is that it takes two AAA batteries instead of being rechargeable.

  • Design score: 3/5

Amazon Fire TV Omni QLED (2025) review: Smart TV and menus

Amazon Fire TV Omni QLED (2025) Fire TV home page

The Amazon Fire TV home page (Image credit: Future)
  • Very Prime-oriented even outside of the app
  • Plenty of live and free content
  • Menu diving is mostly easy, though some HDR settings are hard to find

Since the Amazon Fire TV Omni QLED Series naturally uses the Fire TV interface, be prepared for a very Amazon Prime-centric experience. The top half of the home page consists of a rotating preview banner that autoplays both suggested content and ads that are more often than not Amazon-related.

Scrolling down past the streaming service tiles, you’ll see rows such as “Continue Watching,” “Sponsored,” and an assortment of recommendations. All the apps one could want are a download away, but a good number of the preloaded ones are Amazon ones, like Amazon Kids+ and Luna.

Plenty of content is built in – there’s a whole guide’s worth of live TV, including free channels like NFL Live, CBS, Fox, ABC News Live, NBC News Now, and more in the US.

Menu diving on the Amazon Fire TV Omni QLED was initially confusing for me since the layout of categories is a bit different than on other interfaces. That said, it was easy to navigate after a few times using it. The one gripe I do have is that while I can cycle through most of the modes in the settings, any HDR-related adjustments only become available and selectable while watching content. Even though the TV picks the right mode automatically (if auto picture mode is enabled), it would be nice to have some control over choosing the picture mode I want before starting a movie.

  • Smart TV & menus score: 4/5

Amazon Fire TV Omni QLED (2025) review: Gaming

Amazon Fire TV Omni QLED (2025) showing game and game controller app

The Amazon Luna app gives you plenty of cloud gaming options (Image credit: Future)
  • 60Hz refresh rate
  • Game Mode
  • Luna app for cloud gaming

The Amazon Fire TV Omni QLED isn't anything special for console gaming. Unlike the Fire TV Omni Mini-LED, which supports up to 144Hz, this TV tops out at a 60Hz refresh rate, so you’re not going to get the smooth performance that next-gen consoles are capable of.

I do appreciate that, if TV Mode is set to Auto, it will automatically change to its Game Mode setting. This mode does a good job of letting the colors pop. I found the image to look good when using my PlayStation 5, even if the 60Hz refresh rate was a hurdle for performance.

The one somewhat bright spot is that Amazon’s Luna app provides access to cloud gaming, some of which is free or included for those with Amazon Prime. I appreciated that I could use either my phone or an external controller, which can be paired when booting up a game, for playing any of the games. I also appreciate that there was a healthy selection of games to purchase, alongside the free offerings.

  • Gaming score: 3/5

Amazon Fire TV Omni QLED (2025) review: Value

Amazon Fire TV Omni QLED (2025) accessories on floor

The Omni QLED's included accessories (Image credit: Future)
  • Cheaper than similar TVs
  • Sacrifices some features
  • Other options with Fire TV built-in

As I mentioned before, I consider the Amazon Fire TV Omni QLED Series to be an okay deal at $849.99 for a 65-inch model. Of course, this is Amazon, so you’re more likely to see regular discounts.

How does it compare? It comes with some compromises compared to other TVs that I consider to be its competition. I’ve tested two other mid-range TVs that punch well above their weight. The TCL QM6K is one that immediately comes to mind. The price of the 65-inch model is currently selling for less than the Amazon Fire TV Omni QLED reviewed here, and it supports a 144Hz refresh rate, Dolby Atmos audio, and uses a mini-LED backlight with “Halo Control technology” to minimize blooming.

There’s also the Hisense U65QF, which is also sells for less than Amazon’s TV. Like the TCL, it supports a 144Hz refresh rate and Dolby Atmos audio, and it also uses a mini-LED backlight. And with a Fire TV interface, you basically get the same smart features as the Amazon Fire TV Omni QLED.

  • Value score: 3/5

Amazon Fire TV Omni QLED (2025) showing image of woman

(Image credit: Future)
Amazon Fire TV Omni QLED (2025)

Attributes

Notes

Rating

Features

Hands-free Alexa, plus the souped-up, context-aware Alexa+ for deeper and smarter smart home integration

.3.5/5

Picture quality

Brightness is average and the accuracy could be better, but it at least has full-array local dimming (except the smallest size)

3.5/5

Sound quality

Sound quality is pretty limited with not much bass. The decent volume leveling and dialog boost are a nice touch

3/5

Design

Design is mostly what one would expect for a budget TV

3/5

Smart TV and menus

Be prepared for an Amazon-heavy experience with this TV, with some advanced picture settings tricky to access in menus

3.5/5

Gaming

Refresh rate is capped at 60 Hz but features the Luna app for cloud-gaming

3/5

Value

Good overall picture quality, but competition offers equally good performance and superior gaming features for the price

3/5

Should I buy the Amazon Fire TV Omni QLED (2025)?

Buy it if...

You have Prime
If you have Amazon Prime, then the souped-up Alexa+ is free. It’s definitely a unique experience turning off the TV through an Amazon Echo elsewhere in the house.

You use Alexa
The TV’s Alexa integration is something you can really take advantage of if you’re already bought into the Alexa smart home ecosystem.

Don't buy it if…

You’re a console gamer
The TV’s refresh rate is capped at 60Hz, so you won’t be getting the most out of your Playstation 5 or Xbox Series X game console.

You want Dolby Atmos
If you want a TV that supports Dolby Atmos, you’ll have to look elsewhere, or you could just buy a soundbar to use with this TV.

Also consider...

Amazon Fire TV Omni QLED (2025)

Hisense U65QF

TCL QM6K

Roku Pro Series

Price (65-inch)

$849.99

$999

$999

$1,199

Screen type

QLED

QLED w/ mini-LED

QLED w/ mini-LED

QLED w/ mini-LED

Refresh rate

60Hz

upt to 144Hz

Up to 144Hz

120Hz

HDR support

Dolby Vision/HDR10+ Adaptive/HDR10

Dolby Vision IQ, HDR10+, HDR10, HLG

Dolby Vision IQ/HDR10+/HDR10

Dolby Vision IQ/HDR10+/HDR10

Smart TV

Fire TV

Fire TV

Google TV

Roku

HDMI ports

4 HDMI 2.0

4 (2x HDMI 2.1)

4 (2x HDMI 2.1)

4 (2x HDMI 2.1)

Hisense U65QF

The Hisense U65QF is very affordable for a mini-LED TV. It’s packed with features like Dolby Atmos, a 144Hz refresh rate, and Dolby Vision IQ. It also has Alexa built in, though not Alexa+. Finding the video settings does take some deep menu diving, and the Prime-focused interface is a bit of an acquired taste.

Read our full Hisense U65QF review

TCL QM6K

The TCL QM6K is excellent value and cheaper with discounts than the Amazon Fire TV Omni QLED Series, though it doesn’t have quite the audio quality or Alexa integration. What it does have is great picture quality with vibrant colors, good contrast, and minimal blooming.

Read our full TCL QM6K review

Roku Pro Series

The Roku Pro Series is another budget mini-LED TV that’s priced around the same as the Amazon Omni QLED, but beats it when it comes to features and design. With both 120Hz support and an ultra-low input lag, it’s also a superior gaming TV and has a more streamlined and pleasing smart interface.

Read our full Roku Pro Series review

Samsung QN900D showing test pattern

(Image credit: Future)

How I tested the Amazon Fire TV Omni QLED (2025)

  • I used the Amazon Fire TV Omni QLED Series for several weeks
  • Tested with TV, movies, music, and games
  • Benchmark measurements conducted by Future US testing lab

I used the Amazon Fire TV Omni QLED Series as my main TV for several weeks. I used it with TV, movies, and games. I tested the various features to see if they work as advertised. I also spent time listening to the audio as well as paying attention to the picture quality.

I’ve tested a lot of tech gear over the years, from laptops to keyboards and speakers, and so have been able to use my expertise towards giving an honest and fair opinion, not to mention a critical eye, to any product I test.

You can read an in-depth overview of how we test TVs at TechRadar at that link.

The Hisense L9Q projector beams a bright, refined-looking picture and has incredible built-in sound
10:30 pm | December 31, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: , , , | Comments: Off

Hisense L9Q: two-minute review

The Hisense L9Q represents the pinnacle of what Hisense can do for home theater projection. It’s a sizzlingly bright 4K ultra short throw (UST) projector that boasts the wide color gamut of triple-laser projectors alongside the accurate color of Pantone Validated hardware.

The Hisense L9Q is a capable streamer on its own thanks to integrated Google TV, and it has fast-enough hardware to run the operating system smoothly. It can also serve as a hub for various video sources with its multiple HDMI ports and an ATSC 3.0 tuner input – a rare feature on the best projectors. And though it doesn’t include a screen like some earlier Hisense L9 models, this version has a variable focus to let it adapt to different setups.

Where most other projectors settle for two or maybe four speakers, the L9Q packs in a whopping ten Devialet-designed speakers in a 6.2.2 configuration for the most impressive sound I’ve heard from a projector. It may not beat actual surround sound speaker systems, but it’s enough to put even the best soundbars to shame.

The L9Q is even a solid gaming projector with its ability to display 4K 60Hz gameplay with low input lag or switch over to 1080p 240Hz for extra smooth visuals and responsive gaming.

It’s a serious package, but it comes with a seriously high-end price at $5,999 / £3,999. That may seem steep, but considering how quickly the prices of TVs ramp up when you go past 75 inches, the math starts to work in Hisense’s favor. The L9Q can put out a 150-inch picture just as easily as it can do 100 inches, and has flexible setup features to get up and running.

For most people who don’t need the added brightness and already have a good sound system, the $3,499 / £2,499 Hisense PX3-Pro will be a more reasonable option. But if you demand the best, the L9Q delivers.

Hisense L9Q Review: price and release date

  • First available: September 2025
  • MSRP: $5,999 / £3,999 / AU$9,999 (includes 120-inch screen)

The Hisense L9Q is available for $5,999 / £3,999. In Australia, the projector comes bundled with a 120-inch screen and sells for AU$9,999. Given that it launched towards the end of 2025, the L9Q is unlikely to see any major discounts until sometime in late 2026.

Hisense L9Q remote control on top surface of projector

The Hisense L9Q comes with a full-size remote control and uses the Google TV platform for streaming (Image credit: Future)

Hisense L9Q Review: Specs

Screen sizes supported:

80-200 inches

Brightness (specified):

5,000 Lumens

HDR support:

Dolby Vision, HDR10+, HDR10, HLG

Optical technology:

3-laser DLP

Smart TV:

Google TV

Connections:

2x HDMI 2.1, 2x HDMI 2.0 (1x eARC), optical audio out, USB 2.0, USB 3.0, USB-C 3.0 (data only), Ethernet, RF antenna

Dimensions:

24.6 x 12.5 x 6.5 inches (623 x 31.7 x 165cm)

Weight:

28.4 pounds (12.8 kg)

Hisense L9Q rear panel ports

TheL9Q has four HDMI ports (1 with eARC and two HDMI 2.1) and supports gaming at 1080p/240Hz (Image credit: Future)

Hisense L9Q Review: design and features

  • Stunning design
  • Projector, sound system, and streamer all in one
  • Plentiful connection options

Hisense here has created what I think is its best-looking UST projector yet. The L9Q borrows some of the ideas from the retro-futuristic PX line to deliver a bronze-kissed work of art. Most of the frame of the L9Q is a little boxy, keeping it simple with clean lines, but the front has small channels with power indicator lights and the top bears a curved sort of wave meant to evoke Roman amphitheaters. That’s not just for style either, as the top integrates several speakers. The front is emblazoned with concentric rings and a grille on the front hides even more speakers. Around the side, there are two discs housing yet another pair of speakers.

While the design is very appealing, it’s also functional. The projector sits on four height-adjustable feet to help you level the projector and get a perfectly square image. Where its Hisense L9G predecessor was designed with specific screen sizes in mind (and included those screens), the L9Q is more flexible, offering adjustable keystone and focus to let you adapt it to your needs. The flip side is that the L9Q does not include any screen, which was an addition worth easily $1,000 on earlier models. Whatever screen you do set it up with, the projector can automatically fit the picture to it, though it's a software solution and will reduce the actual image resolution.

Another set of sensors at the top of the projector helps protect your eyes. When these detect someone is close to the projection, they'll dim the display, and after 5 seconds, turn it off entirely. That's good to have since this projector uses bright lasers, and in my testing, the sensors have been fairly responsive.

Another update with the L9Q is that the throw ratio has been reduced to 0.18:1. This lets you get a big image while getting the projector closer to the wall.

Around back, the L9Q has a good selection of connections. You get four HDMI ports, two of which meet the version 2.1 spec. A separate HDMI offers eARC, so you don't have to use up an HDMI 2.1 port for audio output. There's also an optical digital audio output, an Ethernet input, and an RF input for the L9Q’s ATSC 3.0 receiver. The projector even supports a PVR recording system for broadcast TV using an attached storage device. Three USB ports round out the options, with two offering USB 3.0 speeds, and one of those using a Type-C connection.

Even if you don't connect the projector to an external source, you can stream content on the built-in Google TV operating system. While many projectors include built-in operating systems like this, the L9Q actually has the hardware to run it smoothly. In my time testing, the system remained responsive even as I launched and navigated apps, and I could reliably control the projector at all times. The Wi-Fi 6E connection used by the streaming platform is also robust.

Hisense’s included remote is almost the same as what came with the PX3-Pro. It's a long silver handset made out of plastic with the typical Google TV navigation ring. At the top, it features a handful of shortcuts to streaming apps, including one customizable shortcut. There's also a dedicated input select button, which is always handy to have.

One difference between the remotes is that instead of having a control for brightness, the L9Q remote has a channel select button. This and the volume controls are on tall, pill-shaped buttons that are easy to feel out. One great feature of the remote is that it reacts to movement and will light up many of the controls if you simply move it. This is very helpful in the typically dark home theater environment.

  • Design and features score: 5/5

Hisense L9Q beaming an anime character on a screen

Powered by 5,000 lumens, the Hisense L9Q's picture stands out even in bright lighting conditions (Image credit: Future)

Hisense L9Q Review: performance

  • Wonderfully bright picture with rich color
  • Support for 1080p/240Hz gaming
  • Potent 10-speaker Dolby Atmos sound

The Hisense L9Q brings UST projector picture quality to new heights. Hisense already impressed me with earlier models such as the L9G and PX3-Pro, but the L9Q carries the torch even further. It’s their brightest projector yet while still providing the stunning color of Hisense’s RGB laser light engine.

Ultimately, its specified 5,000 lumen brightness may be overstated, as maximum brightness comes via a high-brightness mode that results in some horrible color shift. But even without that, the projector beams a brilliant picture. The vivid colors it is capable of don’t mean a sacrifice in accuracy either, as the L9Q is both Pantone Validated and Pantone SkinTone certified.

All of that is delivered with strong contrast. The black levels aren’t so low that letterbox bars disappear completely, especially in darker movie scenes, but when the projector is beaming bright, the bars become hard to see thanks to the projector’s contrast.

The L9Q’s black levels and contrast aren’t quite on the level of the Sony Bravia Projector 7, but it gets closer than most projectors I’ve seen, and it manages it with more vivid color and higher brightness. Not to mention that the L9Q is almost half the price of Sony’s projector.

With most picture presets, you’ll be facing some unfortunate motion smoothing, though, since the projector’s SDR and HDR picture profiles default to using motion smoothing. This has its benefits for some content by smoothing out camera pans and moving objects, but it adds a soap opera effect to movies. The “Film” setting avoids these unsightly artifacts while still keeping judder subdued, however.

The L9Q delivers good focus from corner to corner with manual setup, making the most of its 4K resolution. And the amount of detail you can see with the picture stretching up to 100 inches or larger is exceptional.

Gamers can get plenty from the L9Q as well. Even when it’s beaming a 4K 60Hz picture, it’s able to keep the input latency low enough to make for a fairly responsive experience. Like the Hisense PX3-Pro, the L9Q can drop down to 1080p and crank its refresh rate to 240Hz for super smooth gaming (just make sure to set the HDMI input source to Enhanced Pro or it will top out at 120Hz). I took it for a few runs in Hades, and it was stunningly smooth with virtually no detectable lag.

Though the L9Q did a good job of hiding the rainbow effect most of the time, it is susceptible to it like many other DLP projectors. I didn’t notice it much when watching 4K content, where it only occasionally cropped up and was most visible on white areas of the image. It was also more noticeable while running the projector at 1080p/240Hz.

The projector’s very robust speaker system was an extra pleasant surprise. It uses a total of 10 speakers in a 6.2.2-channel configuration. Four of those speakers are in the front, two on the sides, with four more positioned along the curved top. It’s not as engrossing as a proper surround system or as booming as a double-sub setup (nor is it hitting deep sub-bass), but the sound is weighty, loud, and presents a surprisingly wide soundstage for such a small unit.

With Dolby Atmos audio piping out of the speakers during Star Wars: The Force Awakens, blaster shots seemed to come out from different points in space, there was some height to the TIE fighters flying over, and explosions were properly booming. Ultimately, it’s worth pairing a projector of this quality with an external sound system, but if you don’t, there’s a lot to get from the built-in speakers.

  • Performance score: 4.5/5

Hisense L9Q view from above

The L9Q has a very appealing, yet functional design (Image credit: Future)

Hisense L9Q Review: value

  • High price
  • Extra value as an all-in-one system
  • No projector screen included in US and UK

The Hisense L9Q is a serious piece of kit, and it has the price to match. At $5,999 / £3,999, you have to expect a lot from this home theater projector, and for the most part, it delivers. Its picture is bright and color-rich, it has powerful built-in sound, and it has Google TV for streaming. But for most people, the $3,499 Hisense PX3-Pro is going to be the more sensible option, since it offers much the same experience but without quite the same brightness, audio power, or extensive connectivity options.

It's kind of a shame that the L9Q doesn't come bundled with a projector screen in the US and the UK, but its flexible lens control means you can pair it with whatever screen you want for the most part. Hisense had offered pre-order customers the option of either a free screen or its HT-Saturn sound wireless speaker system, both of which would have made this an astounding value, but that deal appears to have since expired.

  • Value score: 4/5

Hisense L9Q closeup showing Devialet speakers logo

French speaker and amplifier manufacturer Devialet designed the L9Q's built-in audio system (Image credit: Future)
Hisense L9Q

Notes

Rating

Design and features

The Hisense L9Q is gorgeously designed and feature-packed. It has the most robust sound system I’ve heard built into a projector, it offers bright and flexible projection, and it has Google TV and plenty of ports for other video sources.

5/5

Performance

The L9Q’s picture is gorgeous. This projector beams bright, has a wide color gamut, strong contrast, and great clarity. It works well for movies and games alike. And that picture is paired with impressive speakers. Even the operating system runs smoothly, which is not always the case with projectors running Google TV.

5/5

Value

The Hisense L9Q packs a lot into one package. Its price isn’t surprising for even just its projection, but the speaker system makes it even more reasonable. It’s just too bad Hisense isn’t throwing in a screen as well.

4.5/5

Should I buy the Hisense L9Q?

Hisense L9Q shown from an angle

(Image credit: Future)

Buy it if...

You want the ultimate UST projector

The Hisense L9Q beams bright pictures and has powerful audio. It plays twitchy video games just as well as it can play cinema masterpieces. And it’s got all the ports you need plus Google TV built-in.

You want powerful built-in audio

The L9Q's speaker system is far more robust than what you’d get from its competition. If you’re looking for a projector that can stand on its own without needing to be connected to an external sound system, this is your best bet.

You need a projector for brighter rooms

Almost no projector is going to look great in a bright room, but there’s a big difference between a 1,000-lumen and a 5,000-lumen projector where viewability is concerned. The L9Q’s high brightness is a big advantage it has over the competition.

Don’t buy it if… 

You plan to always watch in the dark

A huge part of the package here is the brightness. If you’re always going to be watching in a dark home theater, the L9Q’s 5,000-lumen brightness is likely going to be over the top. Better to instead buy the PX3-Pro and apply those savings to a quality screen and sound system.

You want a sub-100-inch picture.

The L9Q can support a smaller picture, but it’s almost unfeasible to get one. With a 5.4-inch gap between the projector and your wall, you’ll get a 100-inch picture. At 2.2 inches, the picture size will be 80 inches.

You won’t use a screen and have imperfect walls

As great as the L9Q itself is, its picture is dependent on other factors. It will look best with a screen, though it can still look great on a bare wall. But due to the extreme angle of UST projection, any imperfections in your wall — warping, pits, texture — will have an easier time showing up in the picture.

Also consider...

Comparison: 4K UST projectors

Hisense L9Q

Epson LS800

Xgimi Aura 2

Hisense PX3-Pro

Price:

$5,999

$3,499

$3,499

$3,499

Screen sizes supported:

80 to 200 inches

Up to 150 inches

80-150 inches

80 to 150 inches

Brightness (specified):

5,000 lumens

4,000 lumens

2,300 lumens

3,000 lumens

HDR support

HDR10+, HLG, Dolby Vision

HDR10, HLG

HDR10, HLG, Dolby Vision

HDR10+, HDR10, HLG, Dolby Vision

Optical technology:

3 Laser DLP

3LCD, Laser

Dual Light 2.0 (Laser + LED)

3 laser DLP

Smart TV:

Google TV

Android TV

Android TV

Google TV

Connections:

2x HDMI 2.1, 2x HDMI 2.0 (1 with eARC), 1x optical, 1x coaxial, 1x optical

3x HDMI 2.0 (1 with ARC)

2x HDMI, 1x HDMI eARC, optical digital audio out, 3.5mm audio out, 3x USB-A, Ethernet

2x HDMI 2.1, 1x HDMI 2.0 (with eARC), 1x RF, optical

Epson EpiqVision Ultra LS800

While it’s no match for the color or audio provided by the L9Q, Epson’s EpiqVision Ultra LS800 can get close to its brightness, offering a picture that works well in brighter rooms. Its use of 3LCD technology also avoids rainbow artifacts, and the projector is a good deal cheaper.

Read our full Epson EpiqVision Ultra LS800 review

Xgimi Aura 2

The Xgimi Aura 2 is a competent alternative with a quality picture that also benefits from a wide color gamut. It has an elegant design and a similar throw ratio to the Hisense. It’s not nearly as bright and doesn’t have the same gaming capabilities, but if you’re looking for a sleek UST home theater projector, it is a strong option.

Read our full Xgimi Aura 2 review

Hisense PX3-Pro

If you’re not sure you need the L9Q's high brightness or powerful built-in speakers, then the PX3-Pro is the way to go. It uses similar underlying technology to give you a gorgeous, colorful picture and has the same 240Hz gaming prowess. It’s also a bit smaller. More importantly, it’s substantially cheaper, giving you extra room in your budget for a sound system and quality screen.

Read our full Hisense PX3-Pro review

How I tested the Hisense L9Q

  • Tested at home in multiple, real-world viewing conditions
  • Presented the display with a variety of media and formats
  • I have tested numerous projectors and displays over the last half-decade

I tested the Hisense L9Q at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, HDR and non-HDR, and PC gameplay.

My testing evaluates the projector’s performance with respect to its price and competition from other models that my colleagues and I at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer.

First reviewed: December 2025

The KEF XIO is pricey but worth it if you want a Dolby Atmos soundbar that’s equally skilled at movies and music
10:30 pm | December 30, 2025

Author: admin | Category: Computers Gadgets Soundbars Televisions | Tags: , , , | Comments: Off

KEF XIO soundbar: Two minute review

KEF XIO soundbar on TV stand

The KEF XIO can be installed either on a tabletop (shown above) or flipped up for a flat wall-mount configuration (Image credit: Future / Simon Cohen)

The KEF XIO Dolby Atmos soundbar brings a new level of power, elegance, and versatility to the normally utilitarian soundbar category. And though KEF asks a pretty penny as the price of admission, the XIO delivers a performance that few soundbar systems can match. The fact that it looks just as good hanging on a wall as it does when placed horizontally is the icing on the cake.

As the company’s first Dolby Atmos soundbar, the KEF XIO is not quite as mesmerizing for height and surround effects as the Sonos Arc Ultra or Sennheiser Ambeo Soundbar Plus, but it makes up for that small weakness with sublimely clean audio and impressively robust bass. And when it comes to playing music, it’s no contest; the XIO is the best soundbar I’ve ever tested.

There are a few small quibbles. Not enough inputs, a smartphone app that doesn’t do as much as many competitors, and a remote that could do with a few more buttons. But overall, the KEF XIO is a formidable sound machine for all of your entertainment needs.

KEF XIO soundbar review: Price & release date

KEF XIO remote control held in hand

The KEF XIO's included remote control could use a few more buttons to be truly useful (Image credit: Future / Simon Cohen)
  • • $2,499.95 / £1,999.00 (around AU$3,765)
  • • Released July 2025

KEF launched the XIO, the company’s first Dolby Atmos soundbar, in July 2025 in a variety of markets, including the UK and the US.

While KEF is well-known and widely praised for its long heritage of producing passive hi-fi speakers, the British brand is no stranger to powered audio. Its LS series of wireless, amplified bookshelf speakers has been a favorite of audiophiles since the first models debuted, and KEF continues to expand its active lineup, most recently with its reboot of its passive Coda speakers as the Coda W.

KEF brings this amplified speaker experience to the XIO, along with its Uni-Q driver technology, and throws in some new innovations for good measure, like its Velocity Control Technology, a sensor-based system that actively monitors the XIO’s four low-frequency drivers to minimize distortion.

At $2,499.95, the KEF XIO lives in a soundbar category dominated by other high-end audio brands, like Bang & Olufsen’s Beosound Stage ($2,900), Sennheiser’s Ambeo Soundbar Max ($2,999.95), and the Devialet Dione ($2,199).

Price isn’t the only thing these models have in common: All are designed to be single-speaker solutions. Although you can add an external subwoofer to the XIO and the Ambeo Soundbar Max, none of these soundbars offers surround channel expansion.

KEF XIO soundbar review: Specs

Dimensions (W x H x D)

47.6 x 2.8 x 6.5 inches (1209 x 71.2 x 165mm)

Speaker channels

5.1.2

Connections:

HDMI 2.1 ARC/eARC out, optical digital audio, Ethernet, Wi-Fi, Bluetooth, USB-C (service only)

Dolby Atmos/DTS:X

Yes/Yes

Sub included

No

Rear speakers included

No

Features

AirPlay 2, Google Cast, Tidal Connect, Spotify Connect, UPnP, Dolby Atmos Music, 360 Reality Audio, Night Listening mode, Room Correction, native integration of music services including Tidal, Qobuz, Amazon Music, more

KEF XIO soundbar review: Features

  • Bluetooth and Wi-Fi with comprehensive streaming support
  • Room correction
  • Four built-in subwoofers with force cancellation

Let’s get the bad news out of the way first. Despite its hefty price, the KEF XIO is a little shy on ports. You don’t get any HDMI inputs to make up for the one it will grab from your TV, and there’s only a single optical port as an alternative for physically connected external devices.

This makes the XIO less desirable for those who want to hook up turntables, Blu-ray players, or game consoles. On the other hand, KEF has included a dedicated subwoofer output, a fairly rare feature on soundbars at any price.

Its wireless connection suite, however, is excellent, with both Bluetooth and Wi-Fi, plus Apple AirPlay 2, Google Cast, Tidal Connect, Spotify Connect, and UPnP/DLNA support. Depending on your music source and the protocol you choose, you can stream to the XIO at up to 24-bit/384kHz for lossless, hi-res audio playback.

Thanks to all of those wireless protocols, it’s easy to stream from almost any app. You can also access several leading streaming services inside the KEF Connect app, including Amazon Music, Tidal, Qobuz, and Deezer.

Using the KEF Connect app, you can trigger the XIO’s room correction feature. I’d characterize it as semi-automatic: you still need to tell the app how high the speaker is mounted and how big your room is, but after that, it does the rest.

If there’s one area that sets the XIO apart from other soundbars, it’s the driver configuration, especially KEF’s approach to low frequencies. The XIO uses a set of four 2 x 6-inch P185 racetrack subwoofers mounted in horizontally opposed pairs. This force-cancelling arrangement reduces cabinet vibration, while KEF’s newly developed Velocity Control Technology uses sensors and a feedback loop to minimize distortion.

  • Features score: 4 / 5

KEF XIO soundbar review: Performance

KEF XIO on TV stand with Rogue One menu on screen

(Image credit: Future / Simon Cohen)
  • Brilliant Dolby Atmos performance
  • Astonishing two-channel stereo rendering
  • Missing height and surround level adjustment

Can a single soundbar recreate true movie and music magic? While purists may scoff, the KEF XIO is exceptional.

Buried under its low-key exterior is a series of six, 2-inch Uni-Q MX drivers, two 2-inch full-range drivers, and a four-driver subwoofer array, all of which are discretely powered by class D amps, to the tune of 820 watts of total power.

What those specs can’t convey is how great the XIO sounds when it gets going. The performance is smooth, balanced, and immensely powerful. Your neighbors probably won’t agree, but the XIO rewards loud listening better than any other soundbar I’ve tested.

The benefits of KEF’s acoustic design start to reveal themselves at 50% volume. Bass is deeply resonant, yet detailed and at times quite musical. Yes, you can feel it, but it stops just shy of shaking furniture. Could it be further improved with a subwoofer? Sure. But believe me, unless you have a really big room, or aren’t happy unless your vision gets blurred by sub-bass, you don’t need one.

In fact, if you want more of a gut-punch, more immersion, or just more, simply dial up the volume. Doing so had a proportional effect on my smile. The XIO’s sound is so clean, so free from vibration or distortion, you may not even notice as the decibels approach unhealthy levels.

As I ran the XIO through my usual Dolby Atmos test clips from Mad Max: Fury Road, Ford v Ferrari, Unbroken, Dune, and No Time To Die, I was impressed by both the immersiveness and the dialogue clarity. The soundbar also does a decent job with Dolby Atmos Music.

However, I wouldn’t classify the XIO as the best single-speaker Atmos soundbar I’ve heard.

In fact, Sonos’s Arc Ultra ($1,099) can go toe-to-toe with the XIO for thunderous bass, and even edges out the XIO for surround channel effects. Meanwhile, Sennheiser’s Ambeo Soundbar Plus ($1,799.99) runs in the opposite direction, with slightly less low-end punch, but with far more effective surround and height immersion.

It’s not entirely surprising, given that the XIO is KEF’s first kick at the Dolby Atmos can. Moreover, in making the XIO wall-and-surface-mount friendly, it compromised a little on the directionality of its drivers. The side-firing drivers always face out at a 90-degree angle, as do the height drivers. It’s hard to do any kind of beam-forming when that’s the setup.

All of this fades into the background when you stream music. The XIO may not be the king of the Atmos hill, but when it comes to delivering two-channel sound, it’s staggeringly good.

The challenge that all soundbars face with stereo music is achieving sufficient separation of left/right channels. At just over 47 inches, the XIO isn’t any wider than other flagship soundbars, and yet it convinced me I was listening to discrete speakers set much farther apart. When sitting dead center, it gave me a level of stereo imaging I wasn’t expecting, and a nearly perfect phantom center channel. Given that nearly all soundbars have actual center channels, you’d think this would be a no-brainer, but it rarely works out that way.

The KEF Connect app offers only six EQ presets (Default, Movie, Music, Night, Dialogue, and Direct), with no manual equalizer controls. There are no bass/treble or loudness controls either, unless you create a new EQ profile using the app’s Expert mode.

For most content, the Default mode worked best for my tastes, but each preset is enjoyable in its own way. Dialogue mode can improve the intelligibility of TV speech, but it’s also a handy way to improve vocal clarity when listening to Dolby Atmos Music mixes that may push vocals further away.

  • Performance score: 5 / 5

KEF XIO soundbar review: Design

  • Fully removable grilles, elegant, understated look
  • Wall-mountable
  • No visible indicators when surface-mounted

From a design perspective, the KEF XIO is a radical departure from the company’s trademark aesthetics, which puts exposed speaker drivers proudly on display. The XIO, by contrast, is demure, hiding all 12 of its drivers behind elegant, splash-proof fabric grilles in Slate Black (seen here) or Silver Grey finishes.

Those grilles cover all but the central top aluminum surface, which houses the bar’s touch controls on one side, a discrete KEF logo on the other, and a covered driver in the middle.

Though it may not scream “KEF,” it’s a smart choice. Soundbars are generally in your line of sight when watching TV, so the fewer visual distractions, the better. Klipsch went loud-and-proud with the drivers on its Cinema series soundbars, and my eyes kept being drawn to their metallic glint. Want to see the XIO’s drivers? Peel away those grilles and, voila.

Though deeper, at 6.5 inches, than many soundbars, the XIO still comes in under three inches tall, which should keep it from blocking the bottom of most TV screens. It also keeps the XIO from sticking too far off your wall when wall-mounted.

Around the back, you’ll find the XIO’s ports, dedicated buttons to reset the speaker and put it in Bluetooth pairing mode, and something we rarely see on soundbars: a physical rocker switch for power. Typically, soundbars are always on, even if they may drop down to a low-power mode when not in use. It’s nice to see the option to completely power a speaker down when you’re going to be away for extended periods.

Many soundbars can be wall-mounted, but in the case of the XIO, it’s a key feature. The speaker automatically detects its orientation, and KEF includes all the hardware you need to get it on a wall. Just be careful — this box is a beast, at 23.1 pounds. Hiding the power and HDMI cable may prove tricky. The HDMI and power ports are very close to the bottom edge of the speaker. And while the included power cable has an L-shaped connector to minimize its protrusion, the included HDMI cable doesn’t. KEF also includes a backlit remote control.

The XIO’s touch controls let you choose your source, set your volume level, mute the sound, and wake the speaker from its low-power state. Beside the controls is a volume meter – a string of little white LEDs. If you wall-mount the XIO, these indicators will be plainly visible, but when sitting on a surface in front of your TV, they’re invisible, and KEF didn’t include a secondary set behind the front grille.

  • Design score: 4 / 5

KEF XIO soundbar review: Setup & usability

  • Easy setup and calibration
  • KEF Connect app is a work in progress
  • Remote could use a rethink

If all you want to do is crank your TV sound, the XIO only takes a few seconds to install. Plug the HDMI cable into the TV, plug the XIO into a power outlet, and flip the power switch on the back panel. As long as you stick with TV, Bluetooth, or Optical sources, you’re good to go.

But don’t stop there. Using the KEF Connect app, you can join the XIO to your Wi-Fi network, which opens up all of the high-quality streaming options like AirPlay, Google Cast, Spotify Connect, Tidal Connect, and others. It also lets the app configure the XIO, including the room correction feature, which can’t be initiated from the soundbar or the remote.

These steps only take a few extra minutes (more if a firmware update is required). My only complaint is that KEF insists that you create an online account before it lets you do any of this. The rationale is that, should you wish to control the speaker from other devices, an account ensures that all settings are shared between them. In fairness, Sonos, Bose, and many other soundbar companies require the same thing.

Pro tip: Ensure you add TV as a second wake-up source in the preferences section; otherwise, the XIO won’t automatically power up when you turn on your TV.

The KEF Connect app takes some getting used to. It’s divided into five tabs: Home, Remote, Music, EQ settings, and Device/app settings. And yet, it could probably get away with just the Home and EQ/Device settings sections, since the features of the Remote and Music tabs are duplicated on the Home tab.

Having integrated music service access in the app makes sense, but only if it increases convenience and/or sound quality (versus using the service’s standalone app). The potential is there, but KEF’s execution is weak. There’s a very limited number of services available, with Apple Music, Spotify, and YouTube Music being the big omissions. Within each supported service, navigation can be slow as the app populates the available menu items.

Visually, it’s a Spartan experience: Menus are text-only, and album art is presented as tiny thumbnails alongside the playlist, album, or track info. I could chalk this up to KEF’s minimalist aesthetic, but there’s also a lack of a universal search, the single biggest benefit of bringing together music sources in one app.

Having a physical remote is handy. And since KEF’s is an infrared (IR) model (as opposed to Bluetooth or other RF standards), you can use any universal IR learning remote instead (including Logitech’s now-defunct Harmony line). I like that it’s backlit (though just barely) and has an easy-to-use button layout. However, the heart (favorite) button is a bizarre tool. It only lets you pick a favorite function, e.g., Next Source or Set Maximum Volume, and not a favorite album, playlist, or radio station, which you’d normally expect from a favorite button.

I’m also a bit disappointed with the EQ shortcut buttons. For some reason, there are only two, and yet the XIO has six EQ modes to choose from. Why are we limited to just two of our favorites? I think KEF should take a page from Yamaha’s remote control playbook and give us access to all EQ modes.

My biggest critique of the XIO’s usability, however, is the lack of front indicator lights I mentioned earlier. I don’t think you should ever be in the dark when it comes to your soundbar’s selected source or volume level, and unless you consult the KEF Connect app, you won’t know either if you’ve got the speaker setup horizontally. Normally, HDMI-connected soundbars can provide feedback to your TV so that you see an on-screen display of volume level, but this didn’t happen during my time with the XIO.

  • Setup & usability score: 3.5 / 5

KEF XIO soundbar review: Value

KEF XIO soundbar accessories in box on table

The XIO's bundled accessories include wall-mounting hardware (Image credit: Future / Simon Cohen)
  • Expensive
  • Good for Dolby Atmos, superb for music
  • Limited expansion options

Soundbars are, first and foremost, all about getting better TV sound. The KEF XIO delivers on that mission effortlessly, with big, bold, and perfectly clean audio. But it doesn’t perform this role significantly better than lower-priced options, specifically, the Sonos Arc Ultra ($1,099).

You can add a subwoofer (wired or wireless) to the XIO, but unlike the Arc Ultra and many others, you can’t add surrounds, which would significantly increase the XIO’s ability to immerse you in a soundtrack.

Still, if you believe a soundbar should be just as killer for music as it is for movies, the XIO rocks, and I have yet to hear a competitive single-speaker system that can touch its music chops.

  • Value score: 3 / 5

Should I buy the KEF XIO?

Section

Notes

Score

Features

Wi-Fi and Bluetooth streaming plus room correction but shy on ports

4 / 5

Performance

Excellent Dolby Atmos and stereo music performance with powerful bass for an all-in-one soundbar

5 / 5

Design

Elegant, fabric-wrapped design, but no alphanumeric LED display

4 / 5

Setup & usability

Easy setup and calibration, but app and remote control could use some work

3.5 / 5

Value

Expensive, but unbeatable when it comes to soundbar music performance

3 / 5

Buy it if...

You want a single speaker that can do it all
The KEF XIO belongs to a new generation of soundbars that don’t need dedicated subwoofers to deliver big, bold bass that you can feel. Whether for movies or music, it’s a full sonic experience.

You need to wall-mount your soundbar
The XIO isn’t just wall-mount compatible, it’s designed from the ground up to be hung below a TV. You’ll get the same sound quality as a horizontal placement and you’ll find everything you need in the box — no optional accessories needed.

You don’t own (or plan to own) multiple external devices that need connections
With no extra HDMI inputs and only a single optical input, the XIO is aimed at those who are content to stream wirelessly or source their audio from a connected TV.

Don't buy it if...

You want to expand
Not only are there no wireless surround speakers for the XIO, but there’s also no good option for making it part of a multiroom sound system. You can add it to Google Home or Apple Home apps, but these are only basic options that lack the power and convenience of Sonos, Denon Home, Bluesound, or Wiim.

Your TV doesn’t have Dolby Atmos
Without any HDMI inputs, you’ll be missing out on the XIO’s spatial audio prowess if your TV can’t pass through Dolby Atmos via HDMI ARC.

You want to play vinyl
Without any kind of analog input, you’ll need a turntable that connects via Bluetooth. That might be convenient, but if you’re spending KEF XIO money on sound, you deserve better than Bluetooth for your record collection.

KEF XIO soundbar: Also consider

KEF XIO

Sonos Arc Ultra

Sennheiser Ambeo Soundbar Plus

Samsung HW-Q990F

Price

$2,499.95 / £1,999.00 (around AU$3,765)

$999 / £999 / AU$1,799

$799 / £699 / AU$1,299

$1,999 / £1,699 / AU$2,099

Dimensions (w x h x d)

47.6 x 2.8 x 6.5 inches (1209 x 71.2 x 165mm)

2.95 x 46.38 x 4.35 inches (75 x 1178 x 110.6mm)

27.6 x 2.6 x 3.9in (700 x 65 x 100mm)

Soundbar: 1232 x 70.8 x 138 mm (48.5 x 2.8 x 5.4 inch); Subwoofer: 249 x 251.8 x 249 mm (9.8 x 10.0 x 9.8 inch); Rear speaker: 129.5 x 201.3 x140.4 mm (5.1 x 8.0 x 5.5 inch)

Speaker channels

9.1.4

9.1.4

7.1.4

11.1.4

Connections

HDMI out (with eARC), 3x HDMI 2.1 in, optical digital audio, Ethernet, Wi-Fi, Bluetooth, USB-A

1HDMI with eARC, Ethernet, Wi-Fi, Bluetooth

HDMI eARC, Wi-Fi, Bluetooth 5.0, USB-A

1x HDMI out (with eARC), 2x HDMI 2.1 in, optical digital audio, Wi-Fi, Bluetooth

Dolby Atmos/DTS:X

Yes/Yes

Yes/No

Yes/Yes

Yes/Yes

Sonos Arc Ultra

If you’d like to expand your system over time, Sonos’ excellent Arc Ultra ($1,099) offers a similar starting point to the XIO in terms of TV sound and can be expanded with a variety of wireless subs and surrounds. It’s also one of the best multiroom systems you can buy. However, it won't solve the XIO’s lack of inputs, and it lacks features like Tidal Connect and Google Cast.

Read our full Sonos Arc Ultra review

Sennheiser Ambeo Soundbar Plus

If a single-speaker Dolby Atmos system is your goal, but you’d like to spend a little less and get a few more connectivity options, Sennheiser’s Ambeo Soundbar Plus is well worth a look. It’s under $2,000, it’s got the most immersive sound I’ve ever heard from a single speaker, and it has tons of inputs, including 2 HDMI ports, an optical input, and an analog input. Like the XIO, it supports Dolby Atmos, DTS:X, 360 Reality Audio, MPEG:H, and can even act as an Alexa-powered smart speaker.

Read our full Sennheiser Ambeo Soundbar Plus review

Samsung HW-Q990F

If you want to achieve maximum cinematic immersion and don’t mind dealing with a few extra speakers, Samsung’s HW-Q990F is considered by many to be the best Dolby Atmos home-theater-in-a-box product you can buy, and it’s still $500 less than the XIO. It lacks the XIO’s refined looks with its all-plastic construction, but it delivers stellar spatial performance and includes two HDMI 2.1 inputs.

Read our full Samsung HW-Q990F review

How I tested the KEF XIO soundbar

KEF XIO on table shown from above

(Image credit: Future / Simon Cohen)
  • Used KEF XIO as main audio system for one week
  • Tested in basement media room
  • Sources: Apple TV 4K, Nvidia Shield 2019, and streamed music from various apps

I spent a full week with the KEF XIO as my main audio system for watching movies, shows, and music in my basement media room. During that time, I played a variety of Dolby Atmos test clips from movies like No Time To Die, Ford v Ferrari, Mad Max: Fury Road, Dune, and Unbroken, paying special attention to details like dialogue clarity, surround sound, and height channel impact.

I streamed most content from an Apple TV 4K connected via an LG OLED TV, which fed the MK2 from its ARC output, but I also connected an Nvidia Shield TV to an eARC extractor so I could hear the XIO’s treatment of Dolby Atmos in Dolby TrueHD.

I evaluated the effect of the various EQ modes as well as the XIO’s room correction feature.

For music, I used a variety of apps, including Apple Music, Tidal, Qobuz, and Amazon Music, listening to a wide range of genres and formats, like Dolby Atmos Music. Some were played from apps on the Apple TV 4K and Nvidia Shield, while others were streamed wirelessly using AirPlay, Bluetooth, Tidal Connect, and Google Cast. I tested several of these within the KEF Connect app as well.

Read more about how we test

  • First reviewed: December 2025
I tested JBL’s new Dolby Atmos soundbar, and its colossal power and expansive audio blew me away
2:00 pm | December 21, 2025

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JBL Bar 1300MK2: two-minute review

Two years after its predecessor came to town, the JBL Bar 1300MK2 has landed, aiming to deliver tons of power, awesome Dolby Atmos, and immersive surround sound. With a price of $1,699.95 / £1,299.99 / AU$2,299.95, I had very high expectations for JBL’s new flagship model. Luckily, it more than delivered.

This model stands out from the rest thanks to its detachable, battery-powered rear speakers, which can also be attached to the main bar or act as standalone Bluetooth speakers. These have 10 hours of battery life each, and can even be charged while in use, making them ideal for just about any user.

But even when it comes to the basics, this model can go toe to toe with the very best soundbars around. Dolby Atmos performance is excellent all-round, with incredibly expansive, almost three-dimensional sound on offer. This model also supports the DTS:X format, streaming over Wi-Fi and Bluetooth, as well as Auracast connectivity.

One key difference this model has over its predecessor is its incredible leap in power output. This 11.1.4 soundbar system has a maximum power output of almost 2,500W across its 29 drivers, which is almost ludicrously high. Will most users require this much might? No, but it’s there if you want to get really loud!

Beyond Atmos, you’re also going to experience crystal-clear dialogue, seismic bass, and precise treble, which makes for great listening experiences whether you’re watching movies or listening to music.

Pair that with an incredibly easy setup and a broad set of features – most of which are accessible via the JBL One app – and you’re looking at a near-perfect offering from JBL.

But the word ‘near’ is important here. There’s 4K passthrough – but only at 60Hz. That’s a shame for gamers who want to enjoy newer titles in 4K at 120fps. And even though I’m a fan of the detachable speakers, the system itself isn’t the most beautiful looking – it’s fairly standard stuff from a brand that usually likes to incorporate unique colorful elements into its designs.

Still, it’s fair to say that the JBL Bar 1300MK2 is an excellent soundbar system overall. It's costly, but pretty well priced against rivals. It sounds absolutely fantastic, and its versatile build helps it stand out in a highly competitive market. As a result, it’s more than worthy of my recommendation.

JBL Bar 1300MK2 soundbar surround speakers and sub alongside TV setup

(Image credit: Future)

JBL Bar 1300MK2 review: price & release date

  • $1,699.95 / £1,299.99 / AU$2,299.95
  • Launched in September 2025

The JBL Bar 1300MK2 was launched in September 2025. It’s worth noting that in the US consumers get the JBL Bar 1300XMK2 instead, which has a slightly larger subwoofer. Typically, you’ll pay $1,699.95 / £1,299.99 / AU$2,299.95 for this bar’s services. That’s pretty similar to the launch price of the original JBL Bar 1300X.

Man using remote on the JBL Bar 1300MK2

(Image credit: Future)

JBL Bar 1300MK2 review: specs

Dimensions

Soundbar: 40.6 x 2.3 x 5.4 inches / 1030 x 58 x 136mm; subwoofer: 12.4 x 10.9 x 10.8 inches / 315 x 277 x 275mm; surround speakers: 8 x 2.3 x 5.4 inches / 202 x 58 x 136mm

Speaker channels

11.1.4

Connections

1x HDMI eARC, 3x HDMI in, digital optical, USB (playback US-only), Ethernet, Wi-Fi, Bluetooth 5.3 (surround speakers use 5.4)

Dolby Atmos / DTS:X

Yes / Yes

Sub included

Yes

Rear speakers included

Yes

JBL Bar 1300MK2 review: features

  • Dolby Atmos and DTS:X support
  • 11.1.4 configuration with detachable rear speakers
  • 4K passthrough, but not at 120Hz

The JBL Bar 1300MK2 is equipped with just about everything you could want from one of the best Dolby Atmos soundbars. Of course, there’s support for expansive audio formats like Dolby Atmos and DTS:X, with up-firing speakers on board for an added sense of verticality.

On top of that, this 11.1.4 channel system makes use of MultiBeam 3.0 technology. This uses beamforming and digital processing to supply a “wide, cinema-like soundstage”, according to JBL – and I’d be inclined to agree. You get a beautifully expansive listen from JBL’s new flagship soundbar system, but I’ll speak more about that in the performance section.

Another key feature is the inclusion of AI Sound, which has featured on some Bluetooth speakers like the JBL Xtreme 4. This enables the large, dual-driver subwoofer – which can reach down to 33Hz – to deliver improved dynamics.

There are a number of settings you can play around with in the JBL One app too, which is an easy-to-use and well laid out piece of companion software. Something that instantly springs to mind is room calibration. This optimizes sound to your living space incredibly well, and even plays a sound demo after so you can experience the true three-dimensional sound of the Bar 1300MK2.

On top of that, there’s an AI-enabled dialogue enhancement setting, an ambient audio playback option, and various sound modes like Movie, Music, and Standard. There’s even a new Night mode, which only uses the two detachable wireless speakers to supply more mild audio with softer bass.

Speaking of those wireless speakers, you can even use them as standalone Bluetooth listening devices, and they can link up to other JBL models that have Auracast enabled. Of course, they won’t deliver the kind of performance you’d expect from the best Bluetooth speakers around, but the option is very nice indeed.

You get 10 hours of battery life from the wireless rear speakers, which is plenty for a day of movie watching or gaming. And whenever you’re taking a break, you can simply whack the detachable speakers back on the main bar to charge them. You can even keep them charging while in use via USB-C, so JBL really covered every base here.

Something I also appreciated about the Bar 1300MK2 was its solid array of connectivity options. These include: HDMI eARC; digital optical; Bluetooth 5.3 (though the rears use version 5.4); Wi-Fi; USB (playback on the US model only); Ethernet; and three – yes three HDMI inputs.

Here’s the thing though. Although there are three HDMI in slots, none of them offer 4K 120Hz passthrough or auto low latency mode (ALLM). That’s a little disappointing for gamers who want to enjoy titles in performance mode. Sure, you still get 4K passthrough from JBL’s new soundbar, but only at 60Hz I’m afraid.

Given that a lot of 4K TVs are restricted to only two HDMI 2.1 ports – one typically being eARC, which would be used for this soundbar – I think this ends up being a fairly important miss for gamers, especially when rivals like the Samsung HW-Q990F bring 4K 120HZ to the table.

  • Features score: 4.5/5

Man holding phone in front of JBL Bar 1300MK2 with JBL One app displayed

(Image credit: Future)

JBL Bar 1300MK2 review: performance

  • Incredible power output from 29 drivers
  • Earth-shaking bass, clear dialogue, expressive highs
  • Very strong Dolby Atmos and surround sound capabilities

To absolutely no surprise whatsoever, the JBL Bar 1300MK2 is a phenomenal performer in the audio department. It harnesses the power of 29 – yes, 29 – drivers, across the main bar, detachable surround speakers, and sub. All of that combines to offer a maximum power output of almost 2,500W. That’s more than double the power of its predecessor. Is it excessive? Arguably yes, but I’d rather have too much rather than too little.

And that raw power was incredibly striking when I tested the 1300MK2 out, proving to be ideal for grandiose movie soundtracks and immersive Dolby Atmos experiences. When I tuned into The Boy and the Heron, a scene with frogs and fish roaring ‘JOIN US’ at the protagonist, is meant to have imposing rumbling bass throughout. And the 1300MK2 replicated this with outstanding vigor. The regimented, deep, and moving low-frequency output was room-enveloping and grasped every last inch of my attention.

Even in spite of this, the soundbar system retains balance. The bass didn’t overwhelm dialogue, which remained clear throughout. And when the heron snapped a wooden sword in half, the high-pitched snap came through with a wonderfully natural crack. The whistle of an arrow was also expressive and bright, and I was generally really impressed by the treble performance of this soundbar.

Let’s focus on Dolby Atmos for a second, which is excellent once more. In The Mask, the frantic and cartoonish movement of the titular character was tracked with impeccable accuracy, voices sounded as if they were flowing well beyond the confines of the speakers themselves, and the overall expansiveness of the presentation was top-notch.

Over in Top Gun: Maverick, I made sure to test out the scene with a jet flying up and over the head of Ed Harris – a must-watch reference scene for soundbar testing. The verticality of this move was pretty good – definitely more believable than a lot of premium rivals. Sure, I wasn’t blown away by the sense of the jet flying above me, but this bar is using upward-firing drivers as opposed to overhead speakers, which can provide an almost tangible sense of height.

Every other aspect of audio was as good as I’d hoped. Dialogue – both with or without PureVoice active had exceptional clarity. More sudden moments in tense movie scenes hit with serious impact, showcasing the soundbar’s great handling of dynamics. And the cohesiveness of the system was great too – the rears had the perfect sense of subtlety, while the sub didn’t overshadow the clean and concise sound emerging from the main bar.

Something we appreciated about the original JBL Bar 1300 was its strong musicality. And I’m glad to report the MK2 also hits the target in this regard. Dolby Atmos music, like Dream of Arrakis by Hans Zimmer is spacious and engrossing, with ambient electronic elements and backing vocals escaping the confines of the bar itself. The heartbeat-like deep bass was dark and low-reaching too, resulting in a hypnotic listen.

Even stereo music sounds very good on the Bar 1300MK2. With Space Cowboy by Jamiroquai, spacey synths were given plenty of room to breathe, smooth percussion was expertly weighted, and bass was intent-filled once more. Vocals sounded a little recessed in my view, but that was nothing a little bit of EQ tweaking couldn’t fix.

Overall, the JBL Bar 1300MK2 is an exemplary performer in the audio department, and its raw power is truly something to behold.

  • Performance score: 5/5

Button controls on top of the JBL Bar 1300MK2

(Image credit: Future)

JBL Bar 1300MK2 review: design

  • Convenient detachable surround speakers
  • Strong build quality
  • Overall look not spectacular, but sub is sleek

The most captivating aspect of the JBL Bar 1300MK2’s design is undoubtedly its detachable surround speakers, which are battery powered and can assume a number of roles. They can be used as part of the main bar, serve as rear channels, or just play music as standalone Bluetooth speakers.

That versatility is wonderful, and really helps this model stand out. JBL also includes slide-on end-caps for the main bar if you’ve detached the surround speakers, ensuring it looks sleek at all times.

As you’d expect, the Bar 1300MK2’s build quality is high. This is a durable, well-finished model and there’s a neat LED display that will indicate volume or input change as well as when Atmos content is being played.

In terms of looks, I’d argue that this bar is pretty much on-par with most of the competition. It’s a wide model that’s best suited to a TV sized 65-inches or more, and comes in plain black. Personally, I prefer the aesthetic of the Marshall Heston 120 and KEF XIO – models that have gone the extra mile to stand-out from the crowd with intricate details and multiple colorways.

Still, if you prefer a more understated approach, the Bar 1300MK2 will suit you just fine.

JBL describes the included sub as “compact” and even “small” on its website, but I’d say that’s a bit of a reach. Sure, it’s a very powerful unit, packing a huge 1,200W of power on its own, and you could certainly argue that it’s well-sized with that in mind. But small it is not. Having said that, it is a good-looking piece of kit, with a beautifully rounded exterior making it easier on the eye than some of the blockier models out there.

Something I really liked to see was the inclusion of L- and U-shaped brackets, as well as screws. That means that anyone hoping to wall mount the soundbar and rear speakers has the necessary tools to do so. Some rivals charge a fair amount for that privilege, so kudos to JBL!

  • Design score: 4.5/5

Man attaching surround speaker to JBL Bar 1300MK2

(Image credit: Future)

JBL Bar 1300MK2 review: setup & usability

  • Plug and play setup
  • Responsive physical and digital remote
  • Easy-to-use companion app with user-friendly features

Setting up the JBL Bar 1300MK2 is as easy as you’d expect. Simply hook the main bar and sub up to a power source, link the soundbar to an HDMI or digital optical cable, and you’re off. There’s no complex pairing required after this either, everything is already synced up.

There’s an included remote that you can use to adjust channel levels, bass power, volume and the like. Alternatively, you can use the digital remote on the JBL One app to control the soundbar. Both of these methods are responsive, and I never experienced pesky input delays when issuing commands.

The user-friendly app also takes you through network connection, calibration, and has a digital manual that can be referenced if needed.

More generally, this model packs in a bunch of integrated music apps for Wi-Fi streaming, an inbuilt mic for voice assistant functionality, and effective physical controls on the main bar and surround speakers. Pair that with an easy-to-read LED display and easy to detach surround speakers, and you’re getting top-tier setup and usability.

  • Setup & usability score: 5/5

JBL Bar 1300MK2 subwoofer on carpet

(Image credit: Future)

JBL Bar 1300MK2 review: value

  • List price is undoubtedly on the premium end
  • But you still get plenty of bang for your buck
  • Well priced against rivals

Let’s not beat around the bush here. The JBL Bar 1300MK2 is an expensive piece of kit, with a list price of $1,699.95 (for the 1300XMK2, which has a slightly larger sub) / £1,299.99 / AU$2,299.95. In fairness, though, that’s about the same as the original Bar 1300, which launched more than two years ago now.

Also, when you consider the raw power and caliber of performance offered by the Bar 1300MK2, it competes pretty well against rival soundbar systems. The Samsung HW-Q990F, for example, is regularly selling for $1,599 / £1,499 / AU$1,599, and although it offers 4K 120Hz passthrough, it does lack the battery-powered detachable speakers and has a smaller array of speakers.

I’ve also started to see the 1300MK2 go on sale in some territories, with its price standing at AU$1,599.95 on JBL’s Australian store at the time of writing, for example. JBL is also selling the model for less in the US, and so you can expect to see sales pop up here and there in coming months and years.

Combine all of that with the bar’s impeccable performance and versatile design, and it actually ends up being a great value-for-money option, even in spite of its typically high asking price.

  • Value score: 4.5/5

Ports and buttons on the reverse side of a JBL Bar 1300MK2 surround speaker

(Image credit: Future)

Should I buy the JBL Bar 1300MK2?

Attributes

Notes

Rating

Features

Broad feature set with plenty of sound optimization options, 4K passthrough but not at 120Hz.

4.5/5

Performance

Incredible Dolby Atmos effects, awesome bass, clear dialogue, and expressive treble.

5/5

Design

Convenient detachable speakers, sleek sub, great build quality although fairly plain looking.

4.5/5

Setup & usability

Simple plug and play setup, highly responsive.

5/5

Value

Despite high cost, you get plenty of quality, well priced against rivals.

4.5/5

Buy it if…

You want awesome Dolby Atmos performance
There aren’t many soundbar systems out there with better Dolby Atmos performance than the JBL Bar 1300MK2. Its speakers all combine to deliver three-dimensional audio with very decent verticality.

You’re looking for some serious power
If you’ve got a very large room that needs filling with top-class cinematic sound, then this model is an awesome choice. It offers almost 2,500W of power in total from 29 drivers, delivering almighty all-round sound.

Don’t buy it if…

You’re short on space
The main bar itself is pretty wide here, and you’ll need a good amount of room for the dual-driver sub and rear speakers too. If you’re short on space, there are some nice slim one-box options, though, like the Marshall Heston 60 and Sonos Beam Gen 2.

You’re a gamer
With no 4K 120Hz support, the JBL Bar 1300MK2 is a slightly harder sell to gamers. If you’ve only got a couple of HDMI 2.1 ports on your 4K TV, having an extra one on your soundbar is always very handy. Sadly, the ports on this soundbar only support 4K passthrough at 60Hz.

JBL Bar 1300MK2 review: also consider

JBL Bar 1300MK2

Samsung HW-Q990F

LG S95AR

Price

$1,699.95 / £1,299.99 / AU$2,299.95

$1,999 / £1,699 / AU$2,099

$1,699.99 (about £1,260 / AU$2,610)

Dimensions

Soundbar: 40.6 x 2.3 x 5.4 inches / 1030 x 58 x 136mm; subwoofer: 12.4 x 10.9 x 10.8 inches / 315 x 277 x 275mm; surround speakers: 8 x 2.3 x 5.4 inches / 202 x 58 x 136mm

Soundbar: 48.5 x 2.8 x 5.4 inches / 1232 x 70.8 x 138 mm; subwoofer: 9.8 x 10.0 x 9.8 inches / 249 x 251.8 x 249 mm; surround speakers: 5.1 x 8.0 x 5.5 inches / 129.5 x 201.3 x 140.4mm

Soundbar: 49.2 x 2.5 x 5.3 inches / 1250 x 63.5 x 134.6mm; subwoofer: 7.9 x 16 x 15.9 inches / 200 x 406 x 404mm; surround speakers: 6.3 x 8.8 x 5.6 inches / 160 x 223.5 x 142mm

Speaker channels

11.1.4

11.1.4

9.1.5

Connections

1x HDMI eARC, 3x HDMI in, digital optical, USB (playback US-only), Ethernet, Wi-Fi, Bluetooth 5.3 (surround speakers use 5.4)

1x HDMI eARC, 2x HDMI 2.1 in, digital optical, Wi-Fi, Bluetooth 5.3

1x HDMI eARC, 1x HDMI in, digital optical, USB

Dolby Atmos / DTS:X

Yes / Yes

Yes / Yes

Yes / Yes

Sub included

Yes

Yes

Yes

Rear speakers included

Yes

Yes

Yes

Samsung HW-Q990F
This five-star soundbar system is an incredible option, boasting awesome Dolby Atmos, phenomenal dialogue clarity, and tightly controlled bass. It’s incredibly easy to set up, has a boatload of features available via the SmartThings app, and has HDMI passthrough with 4K 120Hz support. It’s also regularly on sale for a good chunk less than its initial launch price. Read our full Samsung HW-Q990F review.

LG S95AR
We really liked the LG S95AR, heaping praise on the model for its impressively immersive sound, its incredibly easy setup, and its dense feature-set. Again, there’s 4K 120Hz passthrough on this rival, but only one HDMI input port. Read our full LG S95AR review.

How I tested the JBL Bar 1300MK2

Man attaching protective cap onto JBL Bar 1300MK2

(Image credit: Future)
  • Tested across the space of a week
  • Used at our TV testing space at Future Labs
  • Played 4K UHD Blu-Rays and streamed music over Wi-Fi

When testing out the JBL Bar 1300MK2, I had it hooked up to the LG C5 OLED TV via HDMI eARC. I made sure to use the detachable speakers attached to the soundbar, but usually kept them separated as rear channels. I also made sure to try them as individual Bluetooth speakers.

During my testing time, I watched and listened to a variety of content. This included a number of movies on both Netflix Premium and on 4K UHD Blu-Ray via the Panasonic DP-UB820. I also connected up my phone to the Bar 1300MK2 and listened to music via Tidal Connect, in both Dolby Atmos and stereo formats.

I also made extensive use of each listening mode: Movie; Music; Standard; and Night. Of course, I also made sure to try out the various other settings in the JBL One app too, including the voice enhancement, ambient sound, and calibration options.

On a more general level, I've tested dozens of soundbars here at TechRadar, and have tried out everything from ultra-cheap options like the Hisense HS214 through to premium alternatives like the Marshall Heston 120. My extensive experience with the Bar 1300MK2’s rivals mean that I know exactly what it takes for a soundbar to stand out, in what is ultimately a highly competitive market.

  • First reviewed: December 2025
  • Read more about how we test
I wasn’t convinced there was a need for the LG StanByMe 2 TV – but I’m completely sold on this rollable display after 3 weeks with it
2:21 am | December 12, 2025

Author: admin | Category: Computers Gadgets Televisions | Tags: , , | Comments: Off

LG StanByMe 2: Two-minute review

LG’s StanByMe TV has admittedly been something I’ve glossed over ever since the first-generation model was launched way back in 2021. A 27-inch TV on a rollable stand? “What’s the point?” I always wondered. While a 27-inch TV would’ve been considered ‘big’ in the late ‘90s or early 2000s, we now live in a time where a 48-inch TV is realistically the smallest size we’d put in our living room. And with recent releases from the likes of Samsung reaching up to 115 inches, is there really a place for a much, much smaller 27-inch screen in the home?

LG clearly didn’t share my reservations, as the Korean manufacturer announced a second-generation model at CES in January 2025 that didn’t just introduce a few iterative upgrades, but instead represented a complete overhaul.

The premise is the same – a TV you can move from room to room – but it now offers other notable features, including a QHD panel (an increase from the 1080p full HD of the previous generation) and new viewing modes that allow the user to watch while the screen is off its stand (its predecessor was fixed in place).

I’ll admit that I began this review as a sceptic, but after using the LG StanByMe 2 for a few weeks, I’ve done a complete 180 – this is a genuinely fun, cool, useful TV. It’s not going to replace your main screen for watching movies and TV shows, but that’s also not its purpose.

The StanByMe 2 is a TV that you can have in the kitchen to follow along with recipes, or if you have a small bedroom, you can position it over your bed for late-night binge watching. It’s touchscreen-enabled, so you can lay it flat on a table and have your kids play interactive games on it. You can take it away with you in the car to set up and watch content at a campsite or hotel as it can run on battery for a while. I even used it as a second display attached to my laptop.

The built-in battery promises up to four hours from a single charge (up from 3.5 hours in the previous model). I found this to be pretty accurate, although do note that even when the screen is turned off, it’s technically in a standby mode and will continue to use the battery. I left it turned off over a weekend with a full charge, but it had dropped to 34% on my return three days later. A physical power button can be found on the side of the TV, and a long press will power it down completely.

The idea of the StanByMe 2 may elude people at first, but once you have one in your life, you’ll wonder how you ever did without it.

Picture quality is good, although it won’t rival the best TVs. Its built-in speaker system delivers a pleasing audio performance, and is on par with the performance you’d get from conventional TVs. In virtually all cases, we recommend adding one of the best soundbars to boost the sound. Fortunately, you can connect it to a soundbar thanks to an HDMI eARC port, but I reckon since most people will be using the screen in a fully portable mode – which is exactly how it should be used – a physical connection will prove cumbersome.

The StanByMe 2 also benefits from LG’s webOS operating system. At the time of writing, it uses webOS 24, but the company has confirmed the TV will receive the webOS 25 update, and it is guaranteed to receive software updates for five years, up to webOS 28 (LG generally launches a new version each year).

There’s nothing quite like the LG StanByMe 2 out there and that makes it tricky to score for an objective review like this. There are similar screens on the horizon from the likes of Samsung and its Movingstyle model, but that’s yet to see a wide release – we’ve not had a chance to review it yet here at TechRadar, and I’ve not personally seen it either.

As a lifestyle screen that offers a new way to consume content, the StanByMe 2 excels, but tech as unique as this demands a high price and that’s my biggest issue. As much as I would love to give it a full five stars, I have to dock points purely because of how much LG is asking for it – especially when you compare its cost to traditional TVs.

LG StanByMe 2

(Image credit: Future / Max Langridge)

LG StanByMe 2 review: Price & availability

  • $1,299 / £1,399.99 / AU$2,199
  • Staggered global rollout: US – July 2025, UK – August 2025, Australia – September 2025

The LG StanByME 2 was announced at CES in January 2025 and was made available to buy in the US from July 2025, followed by a UK launch in August and eventually making its way to Australia in September 2025.

In the US, it’s priced at $1,299, which is higher than the RRP of the entry-level LG B5 OLED TV in 48-inch guise ($899.99) and just below the larger 55-inch variant ($1,499.99).

Meanwhile, in the UK, it’s £1,399.99, although at the time of writing this also includes an XT7S Bluetooth speaker that can attach to the TV stand and boost audio performance. For the same money, you can get a 55-inch LG C5 OLED – which we currently rate as the best TV overall.

In Australia, the StanByMe 2 has a list price of AU$2,199 – about as much as the far larger 75-inch TCL C7K will set you back Down Under. The TCL features a much more capable Mini-LED backlit panel, and as our TCL C7K review proves, it impressed us with a “dynamic, bright and surprisingly contrast rich picture”.

The StanByMe 2 can be on the receiving end of discounts, although these are usually reserved for the major sales events such as Black Friday. In fact, during the Black Friday sales in 2025, I spotted it for $999.99 / £1,199 / AU$1,699. These prices are much more palatable, although it’s still possible to find a more capable TV for similar money.

LG StanByMe 2 review: Specs

Screen type:

QHD IPS LCD panel

Refresh rate:

60Hz

HDR support:

Dolby Vision, HDR10, HLG

Audio support:

Dolby Atmos

Smart TV

webOS 24 (customized version)

HDMI:

1x HDMI eARC

Battery life:

Up to 4 hours

LG StanByMe 2 review: Features

  • QHD IPS LCD panel with extensive HDR support
  • Touchscreen for greater interaction
  • Built-in battery with up to 4 hours battery life

As I’ve already mentioned, the LG StanByMe 2 is a compact 27-inch TV that uses an edge-lit IPS LCD panel with quad HD resolution (2,560 x 1,440p) and a refresh rate of 60Hz. So, not a ‘proper’ 4K screen, but it does have comprehensive HDR support in the form of Dolby Vision, HDR10 and HLG HDR formats.

Unlike the TVs we’re all familiar with today, the StanByMe 2’s screen has a matte coating that slightly reduces image quality, but it helps minimize reflections and prevent fingerprints when you’re supporting it for rolling to a different room. The matte coating isn’t the same, or similar, as the anti-glare panel of the Samsung S95F, as that screen is actually able to absorb light and dissipate over the display’s surface. I would liken it more to a PC monitor.

Where the StanByMe 2 also differs from conventional TVs is that it’s touchscreen-enabled. Thanks to this functionality, you’re able to use your fingers to interact with it, whether it be loading up the built-in sketchpad application to doodle or jot down notes, or playing games that come pre-installed (more games are available via the LG app store). I can’t see many people using it to create shopping lists, say, but it can be hung on a wall-mounted hook (included) allowing you to easily see reminders for each day.

Doodle pad. on LG StanByMe 2

(Image credit: Future / Max Langridge)

The touchscreen functionality also means you’re able to swipe between home screen menus and press on any app – YouTube, Netflix, et al – to open it, but that’s all. You can’t use this functionality when you’re within these streaming apps. You can’t press the screen to play or pause content, for example. When using streaming apps, you’ll need to use the remote control or the on-screen controls that appear in the bottom right corner when you touch the display.

Where the StanByMe 2 shines is what LG intended it for – a portable screen that can be used where a larger display would be handy. For example, I used it in the kitchen, where I loaded up a YouTube video telling me how to make the perfect mashed potato. I was able to position the StanByMe 2 over my kitchen island and follow along with ease. Watching the same video on a smartphone screen just wasn’t as effective, and I don’t own a tablet or a smart display. Of course, given the StanByMe 2’s price, it would be cheaper to opt for the smaller devices, but the convenience of having the larger display is something I appreciated.

I also positioned the TV over my dining table, where I sit when I work from home. Again, I found myself streaming YouTube videos to play in the background and would occasionally glance up at the screen. Without the TV, I would either have the same video playing on a separate tab on my computer. I also mirrored the screen of my MacBook Pro thanks to the StanByMe’s AirPlay support, allowing me to use it as a second display. These weren’t groundbreaking changes to my normal routine by any stretch, but I found having the StanByMe 2 on, er, standby, incredibly useful.

LG StanByMe 2

(Image credit: Future / Max Langridge)

When it’s connected to the rollable stand, you can plug a mains power cable into its base to use the StanBy Me 2 like a regular TV, but if you remove the power cable, or remove the TV from its stand, the internal battery takes over and you’ll get no more than 4 hours of playtime on a single charge.

However, you’ll need to be mindful that this is only when it's in Eco power mode, which isn’t on by default. If you use the screen in a different mode, then battery life takes a major hit. I turned it on after (unknowingly) leaving it on standby for three days to find the battery had dropped from 100% to 34%. I then watched a 30-minute YouTube video, and the battery level dropped to 9%.

You can power down the TV completely by long pressing on the power button on the left side of the screen. Recharging the battery to full takes around 3 hours in standby mode and 3.5 hours when the TV is in use.

  • Features score: 4 / 5

LG StanByMe 2 review: Picture quality

  • Good color reproduction
  • Decent blacks considering backlight constraints
  • No Filmmaker Mode

LG’s QNED81 from 2023 impressed me with its color reproduction despite using an edge-lit system, and the StanByMe 2 – which also uses an edge-lit panel – shows similar strengths. Images are vibrant and punchy, and with brighter, more colorful content – such as A Minecraft Movie – the screen delivers a natural-looking image with convincing real-world textures. Fireball explosions appear as paler oranges or yellows, it must be said, rather than intense reds you’d get on a higher-contrast display, but overall it’s a pleasing presentation.

The StanByMe 2 also handled a 4K HDR demo reel from LG’s YouTube channel better than expected. Blacks looked reasonably convincing and central highlights remained clear and detailed. Compared side-by-side with LG’s flagship G5 OLED , there was a clear difference in quality. The G5 was vastly superior, but that’s to be expected given the vast difference in panel technologies.

Scene from The Batman on LG StanByMe 2

(Image credit: Future / Max Langridge)

In dimly lit environments, the StanByMe 2’s brightness performance was more than adequate. LG doesn’t quote a brightness figure and I wasn’t able to measure it myself, but with the panel brightness set appropriately – 100 in most cases – I had no issues seeing detail or maintaining color impact. For darker content, I found ‘isf Expert Dark’ to be the best-performing picture preset. The ‘isf Expert Bright’ over-exposed the image too much for my liking, and Cinema introduced too much of a yellow tinge.

That said, the StanByMe 2’s picture performance is ultimately held back by the limitations of the QHD panel, edge-light system and matte coating. The combination of these means it struggles to render contrast with absolute precision. Larger areas of the panel can light up when they ideally shouldn’t, because the edge-lit system projects light over a greater portion of the screen.

TVs with more advanced backlight systems – such as OLED TVs from LG, Samsung and Sony, or even Mini-LED TVs from more budget-focused brands such as TCL and Hisense – can be more precise with which areas of the image are lit and which aren’t, resulting in more cinematic-looking picture.

Scene from A Minecraft Movie on LG StanByMe 2

(Image credit: Future / Max Langridge)

In the case of the StanByMe 2, then, images can look flat in comparison, especially in HDR scenes that require competent backlighting systems to look their best.

Dynamic Tone Mapping Pro is an included feature on the StanByMe 2, which theoretically analyzes each frame to optimize brightness and contrast, but in practice its impact is modest. With the backlight effectively ‘on’ most of the time due to the panel type, this feature can only do so much.

These limitations are apparent with darker content. In The Batman’s Penguin car chase scene on HBO Max, black weren't inky, but more a very dark charcoal grey. To get the best image, I had to push the panel brightness to 100. The TV also lacks a Filmmaker Mode and the Dolby Vision Filmmaker modes that appear on LG’s higher-end QNED and OLED TV models.

Because of these inherent constraints, the StanByMe 2 is best viewed in dimmer environments and isn’t well suited to being your primary screen for movie watching.

  • Picture quality score: 3.5 / 5

LG StanByMe 2 review: Sound quality

  • Dolby Atmos support
  • AI Sound mode with virtual 9.1.2 up-mix
  • Fine for most tasks, but not intense movie watching

As with picture quality, the StanByMe 2’s audio performance isn’t anything extraordinary. But again, this isn’t a TV designed to be your main entertainment system. Instead, it’s designed to be a supplementary screen in your home.

The good news is that the built-in speakers can be reasonably loud and dialogue is clear. What it lacks is low-end presence – especially in movie scenes with explosions. The AI Sound Pro mode is the best option in my opinion, as it helps create a more expansive soundstage.

Rear of LG StanByMe 2 with folio cover attached

(Image credit: Future / Max Langridge)

You do have options to improve the audio output, either by physically connecting to a soundbar or other external audio device via HDMI eARC, or wirelessly to a Bluetooth speaker or pair of active speakers. I do think a physical connection will be cumbersome for most users, particularly if the TV is connected to its stand. That said, you could always hang it on the included hook and have a cable trailing down to a soundbar on a unit beneath.

I had a pair of KEF Coda W speakers on hand and, once connected to the LG, the difference was dramatic. I also paired a Beats Pill and even that portable Bluetooth speaker delivered noticeably better sound than the TV’s built-in speakers.

What this experiment really highlighted for me was how the LG StanByMe 2 gives you options, both in terms of how you use it to consume content and how you can get sound out of it. You don’t get such versatility from traditional TVs and this really is where the StanByMe 2 genuinely stands out.

  • Sound quality score: 4 / 5

LG StanByMe 2 review: Design

  • Multiple viewing modes
  • Good selection of connections
  • Useful design touches

Rear of LG StanByMe 2 attached to stand

(Image credit: Future / Max Langridge)

As I’ve alluded to already in this review, the StanByMe 2 isn’t designed to replace a traditional TV. Its headline feature is its ability to be used in a variety of viewing positions. The main position – the one that’s likely to be used the most – sees it being attached to a rollable stand. The first-generation StanByMe was permanently attached to its stand, so it’s great that the new model can detach, expanding its usability.

The stand is relatively heavy at 10.9kg / 24 lbs and its wheels are silent when rolling around, but they’re definitely smoother on hard floors compared to carpet.

The stand has two sections: a fixed-height main pole and an adjustable arm that can raise the screen up and down a few inches. The base plays host to a power point, which is used to charge the TV’s built-in battery.

When you want to detach the TV from the stand to use in tabletop mode, you need to press a large central button on the rear panel of the TV and pull it forward. Because the TV itself is quite light at 4.3kg / 9.5lbs, it’s easy enough to hold onto the screen with one hand, and press the button with the other. And thanks to its lightweight build, you shouldn’t have too much of an issue carrying it around.

To use the StanByMe 2 in tabletop mode, you need to clip in a supplied kickstand on the rear of the screen, and slot the folio cover into two holes along the bottom edge. The folio cover then folds around to the back of the screen and slots into the kickstand.

The final viewing mode is hanging it up on a hook against a wall. The hook needs to be drilled into the wall, so it wasn’t something I could test for this review. I own my home, but with my review sample only being on loan, I didn’t want a hole left in my wall when it was returned. Once the hook is mounted, you can attach a strap to the StanByMe 2 to hang it. You can hang it in either portrait or landscape orientation, and besides watching TV, you could activate one of the many wallpapers or screensavers, which include weather and calendar information, a ‘now playing’ screen when playing music, or a digital photo album.

Connections of LG StanByMe 2

(Image credit: Future / Max Langridge)

LG’s listing information for the TV also shows a person hanging this strap over their shoulder with the TV in landscape mode – similar to a messenger bag. But who wants or needs to hang a 27-inch TV over their shoulder?

A remote control is supplied with the StanByMe 2, which I expected to be similar to the one used by LG’s other TVs, but there are a few design changes.

Perhaps the coolest function is the fact that the remote can magnetically attach to the top edge of the TV (when it’s in landscape mode) or to the folio cover when it’s in tabletop mode, so you don’t have to worry about losing it.

The biggest difference between this remote and the one you’d get with a regular LG TV is that it loses the Magic Remote functionality, i.e. you can’t use it to move a pointer around the screen as you can on an LG TV. If you have an LG Magic Remote at home, or you purchase one separately, then you can benefit from the pointer function as it’s compatible with the StanByMe 2.

There’s a small selection of connections on the StanByMe 2, including an HDMI eARC for connecting to a soundbar to boost audio output, or to a laptop or PC so the TV can moonlight as a second screen. There’s also a USB-C port on the side for connecting external devices and power banks, and another USB-C port on the top edge for connecting a webcam.

LG says the USB-C port can also charge the screen TV when it’s not connected to the stand, but I struggled to get this working, even when using my MacBook Pro’s power brick. The user manual states you need a charger capable of either 65W (20V/3.25A) or100W (20V/5A) output, a criteria my MacBook’s charger satisfies.

  • Design score: 4.5 / 5

LG StanByMe 2 review: Smart TV & menus

  • Customized version of webOS
  • Five years of upgrades promised
  • No on-screen adverts!

Quick settings menus LG StanByMe 2

(Image credit: Future / Max Langridge)

The LG StanByMe 2 uses a customized version of the company’s well-received webOS operating system. If you were to look at the version used here side-by-side with a regular LG TV, you’ll easily spot the differences.

Two rows of apps dominate a large portion of the StanByMe 2’s screen, as opposed to a single line on the company’s regular TVs, with the familiar ‘cards’ for dedicated hubs – Home Office, Game, Music – just above. What’s pleasing to see in this instance is that there aren’t any on-screen ads or promotions in sight. The regular version of webOS will display on-screen adverts and even screensaver ads (unless you turn them off), so their complete absence is a welcome change.

From the home screen, if you move left – either by pressing the left button on the remote’s d-pad, or swiping – you’re met with a screen displaying calendar and weather information, quick access to various wallpapers and a sketch pad.

Remote control for LG StanByMe 2

(Image credit: Future / Max Langridge)

The TV also supports Google Cast and Apple AirPlay, so you can beam content from your phone or laptop directly to it. I used the Screen Mirror function to extend my MacBook’s display and use the LG as a second monitor. It was a seamless process and even moving browser windows over to the LG worked as smoothly as if I had a dedicated monitor physically connected to my laptop.

Setting adjustments are as slick as I’ve come to expect from LG, having used the company’s G-series OLED over the past three generations. Pressing the settings button on the remote brings up a Quick Menu that appears as a transparent overlay in the top left of the screen, which allows you to quickly change picture, sound and other settings.

  • Smart TV and menu score: 5 / 5

LG StanByMe 2 review: Value

  • Pricey compared to larger, more conventional TVs
  • Other rollable TVs exist, which can be found for less
  • Ultimately not fantastic overall value

With a price tag of $1,299 / £1399.99 / AU$2,199, the LG StanByMe 2 is undoubtedly expensive compared to traditional TVs, which can cost much less, come in bigger screen sizes and benefit from more capable displays.

Plus, a quick search online reveals similar rollable TVs in markets including the US, UK and Australia. We've not reviewed them here at TechRadar, so can't comment on their performance, but the fact remains the LG StanByMe 2 isn't the only one of its kind.

If you can find it at a discounted price, it’s a lot easier to recommend, because what the TV has going for its uniqueness. LG classes the StanByMe 2 as a ‘lifestyle TV’ and I couldn’t agree more. It’s not going to replace a main TV in your home, but is designed to be an addition that can make your daily routine more convenient.

There’s certainly a case to be made for its existence then, but you’ll need to seriously consider whether it’s worth the premium price tag.

  • Value score 2.5 / 5

HBO Max home page on LG StanByMe 2

(Image credit: Future / Max Langridge)

Should I buy the LG StanByMe 2?

LG StanByMe 2 score card

Attributes

Notes

Rating

Features

It lives up to its lifestyle credentials with a variety of viewing modes, connections and interactivity options.

4/5

Picture quality

It’s not going to replace a conventional TV, but it does more than enough to meet the brief of being a lifestyle screen

3.5/5

Sound quality

Clear dialogue and expansive sound, with the option to improve it via various methods

4/5

Design

A range of viewing modes and some useful physical connection options make the StanByMe 2 one of the most versatile screens out there.

4/5

Smart TV and menus

LG’s webOS platform is always a joy to use and the customized version here continues that trend.

5/5

Value

A fun, cool TV that’s supremely versatile, but there’s no denying it’s expensive compared to traditional screens.

2.5/5

Buy it if...

You want a versatile TV

The StanByMe 2 can be used in a variety of viewing modes and is easy to move between rooms in your home.

You want a smaller TV

At 27 inches, the StanByMe 2 should be easy to accommodate in most spaces, plus it can be taken away with you in the car.

Don't buy it if...

You want the best possible picture quality

The limitations of the LCD panel mean the StanByMe 2 simply can’t deliver the absolute best picture quality.

LG StanByMe 2 review: Also consider

LG B5 (48-inch)

I've already mentioned the LG B5 in this review for several reasons. Most notably, it offers a dramatic leap in picture quality thanks to its OLED panel, and in 48-inch guise, it's often more affordable than the StanByMe 2.

Read our full LG B5 reviewView Deal

Sony A90K (42-inch)

It's quite tricky to find a 'small' screen TV these days, but the Sony A90K continues to be sold in a 42-inch size. It was released in 2022, yet the Japanese brand hasn't felt the need to update it. We've not given it the full in-depth review treatment, but some hands-on time revealed it to be a talented performer. We just wish it wasn't so expensive!View Deal

How I tested the LG StanByMe 2

  • Used at home and tried most viewing modes
  • Watched a range of content from various streaming services
  • Let it run on battery power to test stamina

I tested the LG StanByMe 2 over a period of about 3 weeks at home. I used most of its viewing modes, including attaching it to its stand and using the folio cover. I wasn't able to test its hanging mode, as I wasn't prepared to drill a hole into my wall.

I watched a variety of dark and bright content from a number of streaming services, including The Batman and A Minecraft Movie on HBO Max. I also tested its ability to connect to external audio devices via Bluetooth to improve sound output.

The Xgimi Horizon 20 Max is a bright, premium projector that’s awesome for both movies and gaming
3:00 pm | December 7, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: | Comments: Off

Xgimi Horizon 20 Max review: One minute review

The Xgimi Horizon 20 Max is the company’s flagship portable projector. Its triple laser DLP light engine is rated to deliver a very high 5,700 ISO lumens brightness, and it has Dolby Vision, HDR10+ and IMAX Enhanced support. Optical zoom and lens shift features allow for a high level of placement flexibility.

The Xgimi Horizon 20 Max's picture is bright, with powerful contrast and crisp textures. Motion handling for both sports and movies is very good after making some adjustments, and it also delivers surprisingly good built-in sound, with solid bass, clear speech and effective virtual surround sound.

Google TV is built in for wireless streaming, and gaming performance is very good. The Horizon 20 Max does lack key gaming features such as 4K 120Hz support, but its performance is responsive and snappy when playing intense games.

The Xgimi Horizon 20 Max is much more expensive than the best portable projectors, but its performance justifies its price, and it’s easily one of the best projectors I’ve tested.

Xgimi Horizon 20 Max review: Prices & release date

Xgimi Horizon 20 Max showing orange butterfly

The Xgimi Horizon 20 Max has crisp textures and refined detail (Image credit: Future)
  • Release date: October 2025
  • Price: $2,999 / £2,599 (roughly AU$4,599)

The Xgimi Horizon 20 Max is the company’s flagship 4K portable projector, sitting above both the mid-range Horizon 20 Pro and entry-level Horizon 20. It was released in October 2025 for $2,999 / £2,599. This puts it in a similar price range as rivals such as the Anker Nebula X1, Valerian VisionMaster Pro 2 and Hisense C2 Ultra.

Since its release, the Horizon 20 Max’s price has remained the same in both the US and UK, but it has fallen to as low as $2,399 in Xgimi special offers. Minus any discounts, it sits at the premium end of the portable 4K projector market.

Xgimi Horizon 20 Max review: Specs

Screen sizes supported:

40-300 inches

Brightness (specified):

5,700 ISO lumens

HDR support:

Dolby Vision, HDR10+, HDR10, HLG

Display technology:

Triple laser DLP

Smart TV:

Google TV

Connections:

1x HDMI (with eARC), 3.5mm audio out, USB-A, USB-C (supports 100/140W PD input)

Dimensions (H x W x D):

2x HDMI (x1 eARC), 1x USB 3.0, 1x USB 2.0, 1x 3.5mm, 1x optical audio out

Weight:

11.9 pounds (5.4kg)

Xgimi Horizon 20 Max: Design & features

  • Triple RGB laser light engine
  • Optical zoom and obstacle avoidance
  • Google TV

The Horizon 20 Max feels solidly built and has a useful hinged design that lets you easily adjust its projection height. A gimbal stand allows for good rotation, without needing to move the projector itself. At 9.6 x 11.7 x 7.5 inches (249 x 298 x 190mm), its size is similar to other larger portable projectors such as the JMGO N1S Pro 4K.

The Horizon 20 Max has a triple laser DLP light engine and a rated brightness of 5,700 ISO lumens. Its throw ratio is 1.2-1.5:1, and it can project on screens ranging from 40-300 inches.

The Horizon 20 Max has several useful features for image correction, including auto and manual keystone and focus, optical zoom, 120% vertical and 45% horizontal lens shift, intelligent obstacle avoidance, wall color adaptation and eye protection.

I found these features to be impressive during my testing, with auto keystone working effectively. The optical zoom made setup easy, displaying the image with good brightness and clarity even at maximum zoom. The lens shift also proved to be a very useful tool with a wide range that let me easily align the image with the 80-inch matte white screen I used for testing.

The Horizon 20 Max supports Dolby Vision, HDR10+ and IMAX Enhanced. It has a Filmmaker Mode, but this isn’t a standard picture preset like you’ll find on some of the best TVs, but rather a ‘Filmmaker Mode switch’ setting that can be turned on in the Display settings. 3D is also supported on the Horizon 20 Max.

Xgimi Horizon 20 Max showing Google TV home screen

The Xgimi Horizon 20 Max uses Google TV as its UI (Image credit: Future)

For audio, the Horizon 20 Max has 2x 12W speakers with sound by Harmon Kardon and DTS: Virtual X support. There is support for Dolby audio, but not Dolby Atmos. Sound modes include Standard and Movie, plus a virtual surround sound setting. There is also an EQ for bass and treble adjustments.

For connections, the Horizon 20 Max has two HDMI ports (one with eARC), a USB 3.0 port, a USB 2.0 port, one optical digital audio output and one analog audio output.

The Horizon 20 Max uses Google TV as its operating system and supports major streaming apps including Netflix, Disney Plus and Prime Video. Its extensive settings for both picture and audio allow for a deep level of customization.

While the Horizon 20 Max does not support 4K 120Hz, it does support VRR and ALLM for gaming and a 240Hz refresh rate at 1080p resolution (as well as 4K at 60Hz). I did find that the Horizon 20 Max accepted 4K 120Hz signals from my Xbox Series X, but it was confirmed by Xgimi that this was probably being downscaled and using it could result in an “unstable or downgraded image”.

  • Design & features score: 4.5/5

Xgimi Horizon 20 Max: Picture & sound quality

Xgimi Horizon 20 Max showing the market scene from The Sound of Music

The Xgimi Horizon 20 Max has spectacular color reproduction, making colorful scenes from movies such as The Sound of Music (pictured) really pop. (Image credit: 20th Century Studios / Future)
  • High brightness
  • Spectacular color and good contrast
  • Impressive audio

For my testing, I used an 80-inch Optoma 1.0 gain matte white screen. The Horizon 20 Max measured 433 nits HDR peak brightness in both Movie and Standard mode, with light output set to Max (the default). This is a great result and easily beats other portable projectors I’ve tested like the JMGO N1S Pro, which hit 178 nits peak HDR brightness. The Horizon 20 Max’s bright picture is no surprise, given that it is rated for 5,700 ISO lumens.

When measuring the Horizon 20 Max’s native contrast ratio, it yielded a result of 1,446:1. Color accuracy in the default Movie preset was 6.8, but setting the color temperature to D65 dropped it to 3.3, a much better result. Lastly, it covered 98.9% of the DCI-P3 color space and 96.8% of the BT.2020 color space, both excellent results.

The Horizon 20 Max’s bright picture really made an impact with animated movies. Watching a 4K Dolby Vision stream of Elemental in Dolby Vision Bright picture mode, the Horizon 20 Max showed vibrant, dazzling colors that packed plenty of punch, such as in one scene where Ember runs across some crystals, changing her own flame’s color.

A scene where Maria and the children stand at a fruit market stall from the 4K Blu-ray of The Sound of Music showed impressive highlights, with the reds and yellows of the fruits popping on screen. As they made their way into the hills, the luscious green grass and clear blue of the sky were bold but still had a true-to-life look.

Switching to darker movies, the Horizon 20 Max also displayed strong contrast and rich blacks. In the crime scene in Mayor Mitchell’s house on a 4K Blu-ray of The Batman, the Horizon 20 Max had great shadow detail, with objects such as photo frames on the dark walls still visible. In both The Batman and Dark City, again on 4K Blu-ray, the Horizon 20 Max’s contrast was powerful, with lamps under people’s faces casting strong shadows. While blacks did occasionally take on a gray-blue hue, they were mostly accurate – more so than on other projectors I’ve tested, such as the JMGO N1S Pro 4K.

Xgimi Horizon 20 Max showing peacock feather

Black levels aren't the deepest on the Horizon 20 Max, but are still very good (Image credit: Future)

Textures throughout my viewing were crisp and detailed. Whether it was the plates in Batman’s armor in The Batman, the pockets on dark jackets of characters in Dark City, or even blades of grass in The Sound of Music, everything looked realistic.

The Horizon 20 Max’s motion handling is generally very good. Watching a soccer game on Prime Video, I found that setting MEMC to Low in picture settings produced the smoothest motion. When I next watched a panning camera shot from the movie No Time To Die where Bond walks across a rocky hillside, setting MEMC to Low also provided smooth motion without adding a soap opera effect.

The Horizon 20 Max does a solid job of upscaling SDR and lower-resolution content out of the box. An HD stream of Fight Club got an uplift in crispness and contrast. There are a number of AI settings that can be applied if you’re looking for a sharper picture, including AIPQ and AISR, with the latter having a scale from Low-High. This improves upscaling even further, and as long as you stick to the lower settings, it doesn’t make pictures look overly sharp.

Xgimi Horizon 20 Max displaying Battlefield V

Gaming performance on the Horizon 20 Max is solid, even with fast-paced games such as Battlefield V (pictured) (Image credit: Future)

The Horizon 20 Max has two built-in 12W Sound by Harmon Kardon speakers, and I was impressed by how well they performed. Watching the Batmobile chase scene from The Batman, the Horizon 20 Max delivered plenty of volume, with strong bass that perfectly conveyed the rumble of the Batmobile’s engine. Even car crashes had plenty of impact. Turning on surround sound in the settings made the soundstage wider, with accurate placement of effects such as screeching tires and blaring horns from vehicles. Speech was also clear throughout, whether it was dialogue or the vocals in musicals.

Gaming on the Horizon 20 Max is equally impressive. While it doesn’t support 4K 120Hz gaming, I still found gameplay to be smooth and responsive. Playing Battlefield V at both 4K 60Hz and 1080p 120Hz, gunfights, which needed quick targeting and regular scanning of the environment, felt intuitive and snappy throughout. The Horizon 20 Max’s input lag time was 19.1ms at 4K 60Hz. When I asked Xgimi about the projector's specified 3ms input lag time, I was told that this was for a specific part of the screen. Still, the Horizon 20 Max is a great projector for gaming.

  • Picture and sound quality score: 4.5/5

Xgimi Horizon 20 Max review: Value

Xgimi Horizon 20 Max remote

(Image credit: Future)
  • Premium priced
  • Great performance and features
  • Built-in Google TV

At $2,999 / £2,599, the Horizon 20 Max is a pricey portable projector. Even so, it’s priced comparably to rivals such as the Hisense C2 Ultra ($2,499 / £2,299) and the Anker Nebula X1 ($2,999 / £2,999), and delivers similar features and performance.

You can buy some of the best ultra short throw projectors, such as the Hisense PX3-Pro ($2,699 / £1,999), for cheaper. And there are cheaper portable options such as the JMGO N1S Ultra ($1,599/£1,999), but the Horizon 20 Max really is a fantastic projector for the performance and features it offers.

  • Value score: 4/5

Should I buy the Xgimi Horizon 20 Max?

Xgimi Horizon 20 Max showing Ember from Elemental

The Xgimi Horizon 20 Max's brightness and extended color gamut coverage worked wonders for animated movies such as Elemental (Image credit: Disney / Future )
Xgimi Horizon 20 Max

Attributes

Notes

Rating

Design and features

Excellent features for picture adjustment and positioning. Design looks a bit old-school, but feels solidly built and premium

4.5/5

Picture and sound quality

Colorful, bright picture with strong contrast and crisp textures. Built-in sound surprisingly good and solid gaming performance too

4.5/5

Value

At the pricier end of the portable projector market, but with features and performance are great for the money

4/5

Buy it if...

You want great picture quality
The Xgimi Horizon 20 Max's picture is bright, with bold colors, powerful contrast, and great detail. View Deal

You want good built-in sound
The Horizon 20 Max has strong built-in sound, with punchy bass, clear speech and surprisingly effective virtual surround sound. View Deal

You want a versatile projector
With plenty of picture adjustment tools as well as extensive installation controls, the Horizon 20 Max is highly versatile for a portable projector. View Deal

Don't buy it if...

You're on a budget
The Horizon 20 Max is a premium, flagship projector and as such carries the high price tag to match. View Deal

You want the full gaming experience
While the Horizon 20 Max is very good for gaming, it is missing key features such as 4K 120Hz support. View Deal

You don't want to adjust your picture
If you're looking for the best possible picture from the Horizon 20 Max, be prepared to spend some time in the settings. View Deal

Also consider

Xgimi Horizon 20 Max

Anker Nebula X1

Hisense C2 Ultra

Valerion VisionMaster Pro 2

Price:

$2,999 / £2,599 / around AU$4,500

 $2,999 / £2,999 / around AU$4,500

$2,999 / £2,499 / AU$4,499

$2,999 / £2,599 / AU4,999

Screen sizes supported:

40-300 inches

up to 200 inches

65-300 inches

40-300 inches

Brightness (specified):

5,700 ISO lumens

3,500 ANSI lumens

3,000 ANSI lumens

3,000 ISO lumens

HDR support

Dolby Vision, HDR10+, HDR10, HLG, IMAX Enhanced

Dolby Vision, HDR10, HLG

Dolby Vision, HDR10+, HDR10, HLG

Dolby Vision, HDR10+, HLG,

Optical technology:

Triple laser DLP

Triple laser DLP

Triple laser DLP

Triple laser DLP

Smart TV:

Google TV

Google TV

Google TV (US) / VIDAA (UK/AU)

Google TV

Connections:

2x HDMI (x1 eARC), 1x USB 3.0, 1x USB 2.0, 1x 3.5mm, 1x optical audio out

2 x HDMI 2.1 (1 with eARC), USB-A, USB-C, optical audio out

2x HDMI 2.1 (1 with eARC), 2x USB-A, 1x S/PDIF, Ethernet, 1x 3.5mm, Bluetooth

2x HDMI 2.1, 1x HDMI 2.0 with eARC, 1x optical, 1x 3.5mm

Anker Nebula X1
The Anker Nebula X1 is an excellent projector with similarly good contrast and detail. While not as bright as the Xgimi Horizon 20 Max, it is marginally cheaper and has optional external speakers that can provide better sound.

Read our full Anker Nebula X1 reviewView Deal

Hisense C2 Ultra
The Hisense C2 Ultra is a sleeker, slightly more portable option than the Xgimi Horizon 20 Max that also delivers great picture quality. The Horizon 20 Max has a higher rated brightness, however.

Read our full Hisense C2 Ultra reviewView Deal

Valerion VisionMaster Pro 2
The Valerion VisionMaster Pro 2 is less portable than its rivals but delivers similarly bright, bold pictures. The Xgimi Horizon 20 Max has significantly more adjustment options, however, making it easier to install.

Read our full Valerion VisionMaster Pro 2 reviewView Deal

How I tested the Xgimi Horizon 20 Max

  • Tested using HDR and SDR sources
  • Mostly tested in pitch black conditions
  • Measurements taken using Portrait Displays' Calman Color Calibration software

I tested the Xgimi Horizon 20 Max using an Optoma 80-inch, 1.0-gain matte white screen. I first did some casual viewing to establish its most accurate picture modes for testing, landing on Movie and Dolby Vision Dark.

I primarily used 4K Blu-ray and 4K streaming for HDR testing, and used lower-resolution streaming for SDR analysis. For the Horizon 20 Max's picture, I looked at brightness, color, upscaling, contrast and shadow detail. For 4K Blu-rays, I used the Panasonic DP-UB820 4K Blu-ray player.

I also tested the Horizon 20 Max's gaming capabilities using an Xbox Series X, playing at both 4K 60Hz and 1080p 120Hz.

For objective testing, I made measurements using a test pattern generator and colorimeter, recording the results with Portrait Displays' Calman color calibration software. I measured the Horizon 20 Max's peak brightness for both SDR and HDR, contrast ratio, color and grayscale accuracy, and HDR color gamut coverage for the DCI-P3 and BT.2020 color spaces. I also measured its input lag using a Leo Bodnar 4K HDMI Input lag tester.

For a more detailed explanation of how we test TVs at TechRadar, check out the link.

I tested Samsung’s Dolby Atmos soundbar and sub combo, and it’s still the best mid-range model on the market
3:00 pm | November 23, 2025

Author: admin | Category: Computers Gadgets Soundbars Televisions | Tags: , , | Comments: Off

Samsung HW-Q800F: two-minute review

The Samsung HW-Q800F is the 2025 edition of Samsung’s yearly Dolby Atmos soundbar-sub combo, and it proves that the South Korean giant maintains a firm grip on the home theater throne.

This 5.1.2 channel soundbar shakes things up a bit by bundling in a far more compact and sleek-looking subwoofer, which is far easier to integrate into your TV setup. Good news though – there’s been no sacrifice on power, with 400W and 11 speakers powering this combo.

And I really felt every ounce of power the Samsung HW-Q800F had to offer. I experienced truly imposing, yet agile and clean bass, which made grandiose movie scores that touch more immersive and booming sound effects even more impactful. This is also one of the best Dolby Atmos soundbars I’ve tested, with precise mapping of on-screen action and expansive imaging, taking my favorite movies to the next level.

Of course, you won't get the full surround sound experience that something like the Samsung HW-Q990F will provide, solely due to that model's inclusion of rear speakers. But the Q800F comes in at a far cheaper price-point, and the option is there to add rears if you'd like. Also, the sound you do get out of the box is already highly impactful, expansive, and engrossing.

Anyway, it's not only movies the Q800F excels with. This soundbar is also fairly gifted in the music department, and supports streaming over Wi-Fi, so you’ll be able to enjoy your favorite tracks via Tidal Connect, Spotify Connect and the like. Bluetooth 5.3 is also available, alongside the regular connectivity methods like HDMI eARC and digital optical.

You’ll find an HDMI input port on the soundbar, which supports passthrough at 4K at 60Hz. As a gamer, I was hoping for this to be raised to 120Hz for 2025, though this is a fairly minor complaint in the grand scheme of things.

Beyond connectivity, there are so many excellent features to uncover on the Q800F. You’ve got some returning characters like Q-Symphony, which can integrate a compatible TV into your soundbar system, as well as SpaceFit Surround Pro for room calibration, and Active Voice Amplification for enhancing dialogue in movies or TV shows.

This time out, Samsung’s added Moderate Bass, though, which disables the sub and lets the main soundbar pick up those low frequency sounds. That’s pretty handy if you’re temporarily short on space, for example.

Combine that with an excellent array of sound modes, a nifty companion app, and support for a range of formats – of course including Dolby Atmos and DTS:X – and the Q800F offers just about everything you could want from a mid-range soundbar.

Design-wise, the real highlight is that new, compact subwoofer, but you’re also getting that typical Samsung quality, with a durable main bar that uses a classy metallic grille and LED display. Sure, the overall package isn’t as flashy as some models, but the smaller sub makes for an upgrade over 2024’s Samsung HW-Q800D (I'm not sure why Samsung skipped over E, but it did).

Set-up is sensationally straightforward – it's plug and play, with no pesky in-app requirements, no awkward pairing issues, and very few wires. The sub instantly connected to the soundbar the moment I hooked it up to the power, I didn’t even have to do anything. And there’s a physical remote included here that is as sleek and easy-to-use as ever.

At the end of it all, the Samsung HW-Q800F is a stellar soundbar that hits just about all of the right notes. It offers wonderful performance for Atmos movies and music, its new sub is a considerable upgrade design-wise and still packs phenomenal low-end output, and there are tons of features to take advantage of. It’s also regularly available at a modest price (more on that below), making it a top value option. As a result, its easily up there with some of the best soundbars around.

Samsung HW-Q800F review: price and release date

  • Officially priced at $1,099 / £799 / AU$1,099
  • But unlikely to set you back that far in the real world
  • Launched in 2025

The Samsung HW-Q800F is the 2025 edition of Samsung’s mid-range combination of a full-length soundbar and an accompanying sub, coming one year after the HW-Q800D, which I also reviewed. It sits a level below the Samsung HW-Q990F, which comes bundled with rear speakers, but as a result, will set you back a bit more.

Initially, the Samsung HW-Q800F launched with a list price of $1,099 / £799 / AU$1,099. That’s $100 / £50 more than last year’s model in the US and UK respectively, but no different in Australia. Having said that, you’re unlikely to pay anywhere near that much now, even though this is a very recent release. I’m seeing it sell for less than $750 / £600 / AU$800 with various reputable online retailers.

Ports underneath the Samsung HW-Q800F

(Image credit: Future)

Samsung HW-Q800F review: specs

Dimensions

Main soundbar: 43.7 x 2.4 x 4.7 inches / 1110.7 x 60.4 x 120mm; subwoofer: 9.8 x 9.9 x 9.8 inches / 249 x 251.8 x 249mm

Speaker channels

5.1.2

Connections

1x HDMI input, 1x HDMI eARC, digital optical, Wi-Fi, Bluetooth 5.3

Dolby Atmos / DTS:X

Yes / Yes

Sub included

Yes

Rear speakers included

No

Samsung HW-Q800F review: features

  • Dolby Atmos and DTS:X support
  • Q-Symphony available with compatible Samsung TVs
  • 4K passthrough, but still not at 120Hz

There’s a truly exhaustive set of features to uncover on the Samsung HW-Q800F, which builds nicely on what its predecessor had to offer. It again takes up a 5.1.2 speaker configuration, but this time offers 400W of power, as opposed to the Q800D’s 360W. There’s a new, compact sub too, but I’ll speak more about that later.

Of course, there’s full support for Dolby Atmos and DTS:X, alongside the usual Dolby Digital Plus, Dolby TrueHD, Dolby 5.1 and DTS: HD-Master Audio. You can also connect to the soundbar in a whole host of ways – through the typical HDMI eARC method, but also via digital optical, Bluetooth, or over Wi-Fi.

You’ll discover an HDMI in port on the soundbar as well, which supports 4K passthrough, but as we saw last year, only at 60Hz. Some gamers will be frustrated by the lack of 120Hz support, which can be used for silky 120fps gameplay in titles like Metroid Prime 4: Beyond on Nintendo Switch 2. I hope Samsung upgrades this in 2026, but until then, gamers will have to access 120Hz via a compatible TV’s own HDMI ports.

Admittedly, that’s a pretty small con given the wide range of options available with the Q800F. SpaceFit Surround Pro can effectively calibrate the soundbar and sub combo based on your room’s acoustics, there’s a voice enhancement mode, EQ and sub level adjustments, and a bass enhancement option.

All of last year’s sound modes are back and all work brilliantly too. These include: Standard; Adaptive; Surround; and Game. If you were wondering, adaptive harnesses AI in order to assess on-screen content and deliver tailored audio – I mainly stuck with this throughout my testing time.

Something new for this generation of Samsung soundbars is Moderate Bass, which deactivates the sub and leaves the soundbar to handle lower frequencies on its own. That's useful if you’re short on space.

If you’ve got a compatible Samsung TV from 2022 or later, you’ll be able to access some features a little easier via your TV menu. But you’ll also get access to Q-Symphony, which makes use of your TV’s built-in speakers, and combines them with your soundbar and sub for an even more powerful and expansive listening experience.

  • Features score: 4.5/5

Person holding phone with SmartThings app beside the Samsung HW-Q800F

(Image credit: Future / Aardman Animations)

Samsung HW-Q800F review: performance

  • Great Atmos with precise audio positioning
  • New sub offers exceptional bass output
  • Ultra-clear dialogue, clean treble, and impressive musicality

Much like its predecessor, the Samsung HW-Q800F is a standout performer in the sound quality department. It harnesses the might of 11 speakers and has a high maximum power output of 400W spread across the soundbar and new compact sub. And that high-power performance was incredibly evident to me, with Samsung’s combo delivering impactful, sometimes even room-shaking sound.

When I threw on The Boy and the Heron, I flicked to a scene in which a horde of fish and frogs shout “JOIN US” at the protagonist, Mahito. Throughout this encounter, there’s meant to be incredibly deep, all-encompassing bass, and the HW-Q800F replicated this to great effect, with a low-end rumble rippling through our testing space.

It was a similar story with a 4K UHD Blu-Ray of Top Gun: Maverick. The sound of jet engines firing up was truly seismic – the bass response was almost sizable enough to make me feel as if I was in the cinema. This movie is also a great test for Atmos, so I continued watching until Tom Cruise flew the jet up and overhead, and the impression of height genuinely impressed me.

Sure, the verticality you’ll get from genuine overhead speakers will take things to another level, but the up-firing speakers onboard undoubtedly performed their role to a high standard.

We recently called in one of my favorite movies of all time, The Mask, in 4K UHD, so naturally I tested that with the HW-Q800F as well. And this soundbar seamlessly nailed every task this chaotic film threw at it. The roar of thunder at the beginning came through with ferocious force, the high-pitched shatter of windows had a real bite to it, but never sounded tinny or uncontrolled, and dialogue between Stanley and Tina was unbelievably clear.

Atmos performance was again impeccable, and the general positioning of speech and other sounds was top-class. When Tina sits down at the back of Stanley’s bank to ‘open an account’, her voice is placed with pin-point precision. When some mob B-rate gangsters play air hockey in the background of a scene, the smack of the puck sounded distant yet well-defined, just as it should be.

So, when it comes to movies, you’re getting awesome performance here, but I was wondering if the same case would apply for music. I started with a couple of tracks using the Atmos format, and was not disappointed. In Dream of Arrakis by Hans Zimmer, the attack of percussion in the intro was full of intent, and swept right across the soundbar.

Deep bass, which is reminiscent of an increasingly racing heartbeat, had some real punch to it, and deeply immersed me into the track. Meanwhile, haunting artifacts weren’t lost at all, and felt well positioned in the backdrop of the track. Percussion was also incredibly well positioned, and distorted vocals had phenomenal width, demonstrating the seriously expansive sound of the HW-Q800F.

Even with basic stereo format music, the soundbar performed very well indeed. 12 O.C Riddim by M-High demonstrated the new subwoofer’s talents in the deep bass department, with agile, low-reaching performance. Even All Along the Watchtower by Jimi Hendrix, I was struck by subtle percussion, tonally accurate and energized electric guitars, and clean, defined vocals. Sure, channel separation won’t compete with some of the best stereo speakers, but I still got a very enjoyable listen here.

Whatever content you’re consuming, the Q800F is well-equipped to deliver optimum quality. The SpaceFit Surround Pro feature optimized the soundbar’s sound for the acoustics of our testing space, while the various sound modes all had a clearly differentiated approach, with Adaptive my general go-to. I was partial to Surround, too, which whips up an even wider soundstage.

Of course, you won’t get the ultimate surround sound experience due to the lack of rear speakers, which would create genuine wrap-around sound. If you want those, you’ll have to splash out a fair amount more on the Samsung HW-Q990F, or separately purchase SWA-9500S speakers. Even without these, though, the Q800F plates up the expansive, deep, and well-rounded performance we’ve come to expect from Samsung’s home theater technology.

  • Sound quality score: 5/5

Side profile of Samsung HW-Q800F

(Image credit: Future)

Samsung HW-Q800F review: design

  • Soundbar looks the same, but sub is greatly refined
  • Not the most aesthetically pleasing model on the market
  • But build quality is undoubtedly strong

The Samsung HW-Q800D was almost indistinguishable from its predecessor, but this time around, Samsung has endeavoured to make the generational change a lot more apparent.

It's done this by bundling a new, compact subwoofer, which is so much easier to fit into your setup than the previous tall block that was included. You still get that great low-end performance too, so you don’t have to sacrifice substance for style.

The main bar itself has remained the same, and it's fairly standard stuff. It's got a nice metallic grille with an easy-to-read display on the front, but you’re getting the traditional black bar. If you want something with a little more style, the retro-style Marshall Heston 120 or sleeker Sonos Arc Ultra might be better options.

Still, you’re getting strong build quality from this soundbar and sub combo – both units have a sturdy feel and don’t look cheap or plasticky. I’m also a fan of the straightforward physical controls on the soundbar and the slim remote, which is packaged in.

  • Design score: 4.5/5

Samsung HW-Q800F's new compact subwoofer

(Image credit: Future)

Samsung HW-Q800F review: setup & usability

  • Simple wireless plug and play setup
  • Easy-to-use remote and companion app
  • No sub pairing problems this time out

I was delighted with how easy the Samsung HW-Q800F was to set up and use. I simply plugged the soundbar and sub into the power, and connected the main bar to the Samsung S95F via its HDMI eARC port.

There was no complex pairing process to complete, the sub was pre-paired with the soundbar, and the two worked in tandem right out of the box. I’d had some minor trouble with the Q800D, so it was satisfying to get a hassle-free setup this time out.

Unlike some rivals, Samsung is still packing a physical remote with its soundbars, and the one I received with the Q800F worked as expected, allowing easy control over volume, sound modes, sub level, and more.

I did also use the SmartThings app, though, which grants control over all of that, as well as EQ adjustment, voice amplification, and room calibration, among other things. The app was simply laid out and navigating the various menus never caused me any confusion.

Its also worth flagging that the Q800F has an inbuilt mic that can be used with Amazon Alexa or Google voice assistants – there’s even a handy button to activate or deactivate this on top of the bar.

  • Setup & usability: 5/5

Person pressing button on the remote control of the Samsung HW-Q800F

(Image credit: Future / Aardman Animations)

Samsung HW-Q800F review: value

  • Slight price bump over predecessor…
  • …but widely available on sale for a great price
  • A whole lot of quality right across the board

Even though the Samsung HW-Q800F has a $100 / £50 (no change in Australia) over its predecessor, I really don’t think it matters very much.

Firstly, you’re getting more power in a more compact, sleek overall package. And crucially, you’re almost certainly not going to meet the list price of $1,099 / £799 / AU$1,099.

Yes, even months after release, I’m already seeing the Q800F sell for less than $750 / £600 / AU$800, with plenty of availability too. And when you consider the fact that you’re getting a fantastic soundbar and sub combo, which packs awesome Atmos, brilliant bass, and a broad feature-set, I think you’re getting a lot of bang for your buck.

Realistically, the HW-Q990F is still going to cost hundreds of dollars and pounds (etc.) more than the Q800F for some time – and although that system is the superior package for surround sound, those seeking a cheaper option will surely be satisfied with the capabilities of the Q800F.

  • Value score: 4.5/5

Should I buy the Samsung HW-Q800F?

Attributes

Notes

Rating

Features

Exhaustive sound enhancement options, Atmos and DTS:X support, HDMI passthrough only at 60Hz.

4.5/5

Sound quality

Fantastic clarity across all frequencies, epic Atmos for movies and music.

5/5

Design

Soundbar itself doesn’t quite ooze style, but the new compact sub is a hit, with a neat remote and physical controls.

4.5/5

Setup & usability

Plug and play setup, seamless soundbar and sub pairing, easy to control.

5/5

Value

Regularly on sale for a very modest price considering the overall quality available here.

4.5/5

Buy it if...

You’re looking for the ultimate value package
Considering this soundbar-sub combo is regularly on sale for a lot less than its official price, I think it's a fantastic value package. You’ll struggle to find a Dolby Atmos soundbar with this much power, this much quality, and this many features for less than $750 / £600 / AU$800.

You want awesome Atmos for movies and music
I was very impressed with the Dolby Atmos effects available through the HW-Q800F. It mapped on-screen action with incredible accuracy, made instruments sound as if they were playing in the corners of our testing room, and generally whipped up pleasingly expansive sound.

Don't buy it if...

You want the ultimate surround sound experience
Due to the lack of rear speakers – at least out of the box – the Samsung HW-Q800F won’t give you the most full surround sound experience out there. If you want the best of the best in this regard, I’d consider spending more on the spectacular Samsung HW-Q990F or purchasing rear speakers separately.

You’re after something with style
Although you get great build quality from the Samsung HW-Q800F, alongside a new compact sub, I’d be lying if I said this bundle was the prettiest thing I’ve seen. The Marshall soundbar below, and even the Sonos Arc Ultra have more going for themselves in the looks department.

Samsung HW-Q800F review: also consider

Samsung HW-Q800F

Sony Bravia Theater Bar 6

Marshall Heston 120

Price

$1,099 / £799 / AU$1,099

$649 / £449 / AU$899

$999 / £899 / AU$1,799

Dimensions

Main soundbar: 43.7 x 2.4 x 4.7 inches / 1110.7 x 60.4 x 120mm; subwoofer: 9.8 x 9.9 x 9.8 inches / 249 x 251.8 x 249mm

Main soundbar: 37.5 x 2.6 x 4.4 inches / 950 x 64 x 110mm; subwoofer: 8.3 x 15.3 x 15.3 inches / 210 x 388 x 388mm

43.3 x 5.7 x 3.0 inches / 1100 x 145 x 76mm

Speaker channels

5.1.2

3.1.2

5.1.2

Connections

1x HDMI input, 1x HDMI eARC, digital optical, Wi-Fi, Bluetooth 5.3

1x HDMI eRAC, digital optical, Bluetooth 5,3

1x HDMI input, 1x HDMI eARC, RCA Stereo, RCA Mono (sub out), USB-C, Ethernet, Wi-Fi, Bluetooth 5.3

Dolby Atmos / DTS:X

Yes / Yes

Yes / Yes

Yes / Yes

Sub included

Yes

Yes

No

Rear speakers included

No

No

No

Sony Bravia Theater Bar 6
Although it’s missing Wi-Fi streaming and has a 3.1.2 channel configuration, the Sony Bravia Theater Bar 6 is a great value soundbar and sub combo. It packs in good sound quality, Dolby Atmos and DTS:X support, an easy setup process, and a brilliant companion app. Considering I’ve seen it on sale for less than $500 / £350 / AU$600, that’s a whole lot of bang for your buck. Read our full Sony Bravia Theater Bar 6 review.

Marshall Heston 120
Here’s something different in just about every sense. Marshall’s debut soundbar is an all-in-one model, meaning it doesn’t come with a separate sub, but it sure doesn’t skimp on bass. It puts up a deep, immersive, and expansive audio performance that seriously impressed me, hence the award of a five-star rating. It offers great Dolby Atmos for movies and music, and comes with all the connectivity options you could want. It's quite pricey, especially if you want to add the Heston Sub 200 for additional low-end power, but for the premium look and audio on offer, I think it's still a top option. Read our full Marshall Heston 120 review.

How I tested the Samsung HW-Q800F

  • Tested intensively across multiple hours
  • Used in our TV testing space at Future Labs
  • Trialled Dolby Atmos movies and music among other formats

To test the Samsung HW-Q800F, I spent hours watching movies, listening to music, and exhausting all of its available features at the Future Labs TV testing space. During this time, I had the soundbar hooked up to the sensational Samsung S95F OLED TV, which opened up a bunch of exclusive options, such as Q-Symphony.

I used the various sound modes on offer while watching movies – predominantly in Dolby Atmos via 4K UHD Blu-rays on the Panasonic DP-UB820 – but I did also watch some non-Atmos content to assess quality across the board. On top of that, I made use of Tidal Connect to assess the soundbar’s capabilities with Dolby Atmos and stereo mixes of some tunes I’m deeply familiar with after regularly testing with them.

More generally, I've tested tons of soundbars here at TechRadar – everything from ultra-cheap options like the Hisense HS214 through to pricier models like the Marshall Heston 120. Crucially, I also reviewed and lived with last year’s Samsung HW-Q800D soundbar, so I’ve personally experienced the difference made by upgrading to the 2025 edition of Samsung’s soundbar and sub combo.

  • Read more about how we test
  • First reviewed: November 2025
I tested Samsung’s Dolby Atmos soundbar and sub combo, and it’s still the best mid-range model on the market
3:00 pm |

Author: admin | Category: Computers Gadgets Soundbars Televisions | Tags: , , | Comments: Off

Samsung HW-Q800F: two-minute review

The Samsung HW-Q800F is the 2025 edition of Samsung’s yearly Dolby Atmos soundbar-sub combo, and it proves that the South Korean giant maintains a firm grip on the home theater throne.

This 5.1.2 channel soundbar shakes things up a bit by bundling in a far more compact and sleek-looking subwoofer, which is far easier to integrate into your TV setup. Good news though – there’s been no sacrifice on power, with 400W and 11 speakers powering this combo.

And I really felt every ounce of power the Samsung HW-Q800F had to offer. I experienced truly imposing, yet agile and clean bass, which made grandiose movie scores that touch more immersive and booming sound effects even more impactful. This is also one of the best Dolby Atmos soundbars I’ve tested, with precise mapping of on-screen action and expansive imaging, taking my favorite movies to the next level.

Of course, you won't get the full surround sound experience that something like the Samsung HW-Q990F will provide, solely due to that model's inclusion of rear speakers. But the Q800F comes in at a far cheaper price-point, and the option is there to add rears if you'd like. Also, the sound you do get out of the box is already highly impactful, expansive, and engrossing.

Anyway, it's not only movies the Q800F excels with. This soundbar is also fairly gifted in the music department, and supports streaming over Wi-Fi, so you’ll be able to enjoy your favorite tracks via Tidal Connect, Spotify Connect and the like. Bluetooth 5.3 is also available, alongside the regular connectivity methods like HDMI eARC and digital optical.

You’ll find an HDMI input port on the soundbar, which supports passthrough at 4K at 60Hz. As a gamer, I was hoping for this to be raised to 120Hz for 2025, though this is a fairly minor complaint in the grand scheme of things.

Beyond connectivity, there are so many excellent features to uncover on the Q800F. You’ve got some returning characters like Q-Symphony, which can integrate a compatible TV into your soundbar system, as well as SpaceFit Surround Pro for room calibration, and Active Voice Amplification for enhancing dialogue in movies or TV shows.

This time out, Samsung’s added Moderate Bass, though, which disables the sub and lets the main soundbar pick up those low frequency sounds. That’s pretty handy if you’re temporarily short on space, for example.

Combine that with an excellent array of sound modes, a nifty companion app, and support for a range of formats – of course including Dolby Atmos and DTS:X – and the Q800F offers just about everything you could want from a mid-range soundbar.

Design-wise, the real highlight is that new, compact subwoofer, but you’re also getting that typical Samsung quality, with a durable main bar that uses a classy metallic grille and LED display. Sure, the overall package isn’t as flashy as some models, but the smaller sub makes for an upgrade over 2024’s Samsung HW-Q800D (I'm not sure why Samsung skipped over E, but it did).

Set-up is sensationally straightforward – it's plug and play, with no pesky in-app requirements, no awkward pairing issues, and very few wires. The sub instantly connected to the soundbar the moment I hooked it up to the power, I didn’t even have to do anything. And there’s a physical remote included here that is as sleek and easy-to-use as ever.

At the end of it all, the Samsung HW-Q800F is a stellar soundbar that hits just about all of the right notes. It offers wonderful performance for Atmos movies and music, its new sub is a considerable upgrade design-wise and still packs phenomenal low-end output, and there are tons of features to take advantage of. It’s also regularly available at a modest price (more on that below), making it a top value option. As a result, its easily up there with some of the best soundbars around.

Samsung HW-Q800F review: price and release date

  • Officially priced at $1,099 / £799 / AU$1,099
  • But unlikely to set you back that far in the real world
  • Launched in 2025

The Samsung HW-Q800F is the 2025 edition of Samsung’s mid-range combination of a full-length soundbar and an accompanying sub, coming one year after the HW-Q800D, which I also reviewed. It sits a level below the Samsung HW-Q990F, which comes bundled with rear speakers, but as a result, will set you back a bit more.

Initially, the Samsung HW-Q800F launched with a list price of $1,099 / £799 / AU$1,099. That’s $100 / £50 more than last year’s model in the US and UK respectively, but no different in Australia. Having said that, you’re unlikely to pay anywhere near that much now, even though this is a very recent release. I’m seeing it sell for less than $750 / £600 / AU$800 with various reputable online retailers.

Ports underneath the Samsung HW-Q800F

(Image credit: Future)

Samsung HW-Q800F review: specs

Dimensions

Main soundbar: 43.7 x 2.4 x 4.7 inches / 1110.7 x 60.4 x 120mm; subwoofer: 9.8 x 9.9 x 9.8 inches / 249 x 251.8 x 249mm

Speaker channels

5.1.2

Connections

1x HDMI input, 1x HDMI eARC, digital optical, Wi-Fi, Bluetooth 5.3

Dolby Atmos / DTS:X

Yes / Yes

Sub included

Yes

Rear speakers included

No

Samsung HW-Q800F review: features

  • Dolby Atmos and DTS:X support
  • Q-Symphony available with compatible Samsung TVs
  • 4K passthrough, but still not at 120Hz

There’s a truly exhaustive set of features to uncover on the Samsung HW-Q800F, which builds nicely on what its predecessor had to offer. It again takes up a 5.1.2 speaker configuration, but this time offers 400W of power, as opposed to the Q800D’s 360W. There’s a new, compact sub too, but I’ll speak more about that later.

Of course, there’s full support for Dolby Atmos and DTS:X, alongside the usual Dolby Digital Plus, Dolby TrueHD, Dolby 5.1 and DTS: HD-Master Audio. You can also connect to the soundbar in a whole host of ways – through the typical HDMI eARC method, but also via digital optical, Bluetooth, or over Wi-Fi.

You’ll discover an HDMI in port on the soundbar as well, which supports 4K passthrough, but as we saw last year, only at 60Hz. Some gamers will be frustrated by the lack of 120Hz support, which can be used for silky 120fps gameplay in titles like Metroid Prime 4: Beyond on Nintendo Switch 2. I hope Samsung upgrades this in 2026, but until then, gamers will have to access 120Hz via a compatible TV’s own HDMI ports.

Admittedly, that’s a pretty small con given the wide range of options available with the Q800F. SpaceFit Surround Pro can effectively calibrate the soundbar and sub combo based on your room’s acoustics, there’s a voice enhancement mode, EQ and sub level adjustments, and a bass enhancement option.

All of last year’s sound modes are back and all work brilliantly too. These include: Standard; Adaptive; Surround; and Game. If you were wondering, adaptive harnesses AI in order to assess on-screen content and deliver tailored audio – I mainly stuck with this throughout my testing time.

Something new for this generation of Samsung soundbars is Moderate Bass, which deactivates the sub and leaves the soundbar to handle lower frequencies on its own. That's useful if you’re short on space.

If you’ve got a compatible Samsung TV from 2022 or later, you’ll be able to access some features a little easier via your TV menu. But you’ll also get access to Q-Symphony, which makes use of your TV’s built-in speakers, and combines them with your soundbar and sub for an even more powerful and expansive listening experience.

  • Features score: 4.5/5

Person holding phone with SmartThings app beside the Samsung HW-Q800F

(Image credit: Future / Aardman Animations)

Samsung HW-Q800F review: performance

  • Great Atmos with precise audio positioning
  • New sub offers exceptional bass output
  • Ultra-clear dialogue, clean treble, and impressive musicality

Much like its predecessor, the Samsung HW-Q800F is a standout performer in the sound quality department. It harnesses the might of 11 speakers and has a high maximum power output of 400W spread across the soundbar and new compact sub. And that high-power performance was incredibly evident to me, with Samsung’s combo delivering impactful, sometimes even room-shaking sound.

When I threw on The Boy and the Heron, I flicked to a scene in which a horde of fish and frogs shout “JOIN US” at the protagonist, Mahito. Throughout this encounter, there’s meant to be incredibly deep, all-encompassing bass, and the HW-Q800F replicated this to great effect, with a low-end rumble rippling through our testing space.

It was a similar story with a 4K UHD Blu-Ray of Top Gun: Maverick. The sound of jet engines firing up was truly seismic – the bass response was almost sizable enough to make me feel as if I was in the cinema. This movie is also a great test for Atmos, so I continued watching until Tom Cruise flew the jet up and overhead, and the impression of height genuinely impressed me.

Sure, the verticality you’ll get from genuine overhead speakers will take things to another level, but the up-firing speakers onboard undoubtedly performed their role to a high standard.

We recently called in one of my favorite movies of all time, The Mask, in 4K UHD, so naturally I tested that with the HW-Q800F as well. And this soundbar seamlessly nailed every task this chaotic film threw at it. The roar of thunder at the beginning came through with ferocious force, the high-pitched shatter of windows had a real bite to it, but never sounded tinny or uncontrolled, and dialogue between Stanley and Tina was unbelievably clear.

Atmos performance was again impeccable, and the general positioning of speech and other sounds was top-class. When Tina sits down at the back of Stanley’s bank to ‘open an account’, her voice is placed with pin-point precision. When some mob B-rate gangsters play air hockey in the background of a scene, the smack of the puck sounded distant yet well-defined, just as it should be.

So, when it comes to movies, you’re getting awesome performance here, but I was wondering if the same case would apply for music. I started with a couple of tracks using the Atmos format, and was not disappointed. In Dream of Arrakis by Hans Zimmer, the attack of percussion in the intro was full of intent, and swept right across the soundbar.

Deep bass, which is reminiscent of an increasingly racing heartbeat, had some real punch to it, and deeply immersed me into the track. Meanwhile, haunting artifacts weren’t lost at all, and felt well positioned in the backdrop of the track. Percussion was also incredibly well positioned, and distorted vocals had phenomenal width, demonstrating the seriously expansive sound of the HW-Q800F.

Even with basic stereo format music, the soundbar performed very well indeed. 12 O.C Riddim by M-High demonstrated the new subwoofer’s talents in the deep bass department, with agile, low-reaching performance. Even All Along the Watchtower by Jimi Hendrix, I was struck by subtle percussion, tonally accurate and energized electric guitars, and clean, defined vocals. Sure, channel separation won’t compete with some of the best stereo speakers, but I still got a very enjoyable listen here.

Whatever content you’re consuming, the Q800F is well-equipped to deliver optimum quality. The SpaceFit Surround Pro feature optimized the soundbar’s sound for the acoustics of our testing space, while the various sound modes all had a clearly differentiated approach, with Adaptive my general go-to. I was partial to Surround, too, which whips up an even wider soundstage.

Of course, you won’t get the ultimate surround sound experience due to the lack of rear speakers, which would create genuine wrap-around sound. If you want those, you’ll have to splash out a fair amount more on the Samsung HW-Q990F, or separately purchase SWA-9500S speakers. Even without these, though, the Q800F plates up the expansive, deep, and well-rounded performance we’ve come to expect from Samsung’s home theater technology.

  • Sound quality score: 5/5

Side profile of Samsung HW-Q800F

(Image credit: Future)

Samsung HW-Q800F review: design

  • Soundbar looks the same, but sub is greatly refined
  • Not the most aesthetically pleasing model on the market
  • But build quality is undoubtedly strong

The Samsung HW-Q800D was almost indistinguishable from its predecessor, but this time around, Samsung has endeavoured to make the generational change a lot more apparent.

It's done this by bundling a new, compact subwoofer, which is so much easier to fit into your setup than the previous tall block that was included. You still get that great low-end performance too, so you don’t have to sacrifice substance for style.

The main bar itself has remained the same, and it's fairly standard stuff. It's got a nice metallic grille with an easy-to-read display on the front, but you’re getting the traditional black bar. If you want something with a little more style, the retro-style Marshall Heston 120 or sleeker Sonos Arc Ultra might be better options.

Still, you’re getting strong build quality from this soundbar and sub combo – both units have a sturdy feel and don’t look cheap or plasticky. I’m also a fan of the straightforward physical controls on the soundbar and the slim remote, which is packaged in.

  • Design score: 4.5/5

Samsung HW-Q800F's new compact subwoofer

(Image credit: Future)

Samsung HW-Q800F review: setup & usability

  • Simple wireless plug and play setup
  • Easy-to-use remote and companion app
  • No sub pairing problems this time out

I was delighted with how easy the Samsung HW-Q800F was to set up and use. I simply plugged the soundbar and sub into the power, and connected the main bar to the Samsung S95F via its HDMI eARC port.

There was no complex pairing process to complete, the sub was pre-paired with the soundbar, and the two worked in tandem right out of the box. I’d had some minor trouble with the Q800D, so it was satisfying to get a hassle-free setup this time out.

Unlike some rivals, Samsung is still packing a physical remote with its soundbars, and the one I received with the Q800F worked as expected, allowing easy control over volume, sound modes, sub level, and more.

I did also use the SmartThings app, though, which grants control over all of that, as well as EQ adjustment, voice amplification, and room calibration, among other things. The app was simply laid out and navigating the various menus never caused me any confusion.

Its also worth flagging that the Q800F has an inbuilt mic that can be used with Amazon Alexa or Google voice assistants – there’s even a handy button to activate or deactivate this on top of the bar.

  • Setup & usability: 5/5

Person pressing button on the remote control of the Samsung HW-Q800F

(Image credit: Future / Aardman Animations)

Samsung HW-Q800F review: value

  • Slight price bump over predecessor…
  • …but widely available on sale for a great price
  • A whole lot of quality right across the board

Even though the Samsung HW-Q800F has a $100 / £50 (no change in Australia) over its predecessor, I really don’t think it matters very much.

Firstly, you’re getting more power in a more compact, sleek overall package. And crucially, you’re almost certainly not going to meet the list price of $1,099 / £799 / AU$1,099.

Yes, even months after release, I’m already seeing the Q800F sell for less than $750 / £600 / AU$800, with plenty of availability too. And when you consider the fact that you’re getting a fantastic soundbar and sub combo, which packs awesome Atmos, brilliant bass, and a broad feature-set, I think you’re getting a lot of bang for your buck.

Realistically, the HW-Q990F is still going to cost hundreds of dollars and pounds (etc.) more than the Q800F for some time – and although that system is the superior package for surround sound, those seeking a cheaper option will surely be satisfied with the capabilities of the Q800F.

  • Value score: 4.5/5

Should I buy the Samsung HW-Q800F?

Attributes

Notes

Rating

Features

Exhaustive sound enhancement options, Atmos and DTS:X support, HDMI passthrough only at 60Hz.

4.5/5

Sound quality

Fantastic clarity across all frequencies, epic Atmos for movies and music.

5/5

Design

Soundbar itself doesn’t quite ooze style, but the new compact sub is a hit, with a neat remote and physical controls.

4.5/5

Setup & usability

Plug and play setup, seamless soundbar and sub pairing, easy to control.

5/5

Value

Regularly on sale for a very modest price considering the overall quality available here.

4.5/5

Buy it if...

You’re looking for the ultimate value package
Considering this soundbar-sub combo is regularly on sale for a lot less than its official price, I think it's a fantastic value package. You’ll struggle to find a Dolby Atmos soundbar with this much power, this much quality, and this many features for less than $750 / £600 / AU$800.

You want awesome Atmos for movies and music
I was very impressed with the Dolby Atmos effects available through the HW-Q800F. It mapped on-screen action with incredible accuracy, made instruments sound as if they were playing in the corners of our testing room, and generally whipped up pleasingly expansive sound.

Don't buy it if...

You want the ultimate surround sound experience
Due to the lack of rear speakers – at least out of the box – the Samsung HW-Q800F won’t give you the most full surround sound experience out there. If you want the best of the best in this regard, I’d consider spending more on the spectacular Samsung HW-Q990F or purchasing rear speakers separately.

You’re after something with style
Although you get great build quality from the Samsung HW-Q800F, alongside a new compact sub, I’d be lying if I said this bundle was the prettiest thing I’ve seen. The Marshall soundbar below, and even the Sonos Arc Ultra have more going for themselves in the looks department.

Samsung HW-Q800F review: also consider

Samsung HW-Q800F

Sony Bravia Theater Bar 6

Marshall Heston 120

Price

$1,099 / £799 / AU$1,099

$649 / £449 / AU$899

$999 / £899 / AU$1,799

Dimensions

Main soundbar: 43.7 x 2.4 x 4.7 inches / 1110.7 x 60.4 x 120mm; subwoofer: 9.8 x 9.9 x 9.8 inches / 249 x 251.8 x 249mm

Main soundbar: 37.5 x 2.6 x 4.4 inches / 950 x 64 x 110mm; subwoofer: 8.3 x 15.3 x 15.3 inches / 210 x 388 x 388mm

43.3 x 5.7 x 3.0 inches / 1100 x 145 x 76mm

Speaker channels

5.1.2

3.1.2

5.1.2

Connections

1x HDMI input, 1x HDMI eARC, digital optical, Wi-Fi, Bluetooth 5.3

1x HDMI eRAC, digital optical, Bluetooth 5,3

1x HDMI input, 1x HDMI eARC, RCA Stereo, RCA Mono (sub out), USB-C, Ethernet, Wi-Fi, Bluetooth 5.3

Dolby Atmos / DTS:X

Yes / Yes

Yes / Yes

Yes / Yes

Sub included

Yes

Yes

No

Rear speakers included

No

No

No

Sony Bravia Theater Bar 6
Although it’s missing Wi-Fi streaming and has a 3.1.2 channel configuration, the Sony Bravia Theater Bar 6 is a great value soundbar and sub combo. It packs in good sound quality, Dolby Atmos and DTS:X support, an easy setup process, and a brilliant companion app. Considering I’ve seen it on sale for less than $500 / £350 / AU$600, that’s a whole lot of bang for your buck. Read our full Sony Bravia Theater Bar 6 review.

Marshall Heston 120
Here’s something different in just about every sense. Marshall’s debut soundbar is an all-in-one model, meaning it doesn’t come with a separate sub, but it sure doesn’t skimp on bass. It puts up a deep, immersive, and expansive audio performance that seriously impressed me, hence the award of a five-star rating. It offers great Dolby Atmos for movies and music, and comes with all the connectivity options you could want. It's quite pricey, especially if you want to add the Heston Sub 200 for additional low-end power, but for the premium look and audio on offer, I think it's still a top option. Read our full Marshall Heston 120 review.

How I tested the Samsung HW-Q800F

  • Tested intensively across multiple hours
  • Used in our TV testing space at Future Labs
  • Trialled Dolby Atmos movies and music among other formats

To test the Samsung HW-Q800F, I spent hours watching movies, listening to music, and exhausting all of its available features at the Future Labs TV testing space. During this time, I had the soundbar hooked up to the sensational Samsung S95F OLED TV, which opened up a bunch of exclusive options, such as Q-Symphony.

I used the various sound modes on offer while watching movies – predominantly in Dolby Atmos via 4K UHD Blu-rays on the Panasonic DP-UB820 – but I did also watch some non-Atmos content to assess quality across the board. On top of that, I made use of Tidal Connect to assess the soundbar’s capabilities with Dolby Atmos and stereo mixes of some tunes I’m deeply familiar with after regularly testing with them.

More generally, I've tested tons of soundbars here at TechRadar – everything from ultra-cheap options like the Hisense HS214 through to pricier models like the Marshall Heston 120. Crucially, I also reviewed and lived with last year’s Samsung HW-Q800D soundbar, so I’ve personally experienced the difference made by upgrading to the 2025 edition of Samsung’s soundbar and sub combo.

  • Read more about how we test
  • First reviewed: November 2025
I spent a month testing the new Roku Pro Series (2025), and it’s a solid upgrade on an already high-value TV
3:00 pm | November 15, 2025

Author: admin | Category: Computers Gadgets Televisions | Tags: , | Comments: Off

Roku Pro Series TV (2025): One-minute review

The original Roku Pro Series TV impressed me when I reviewed it in 2024, and I remain impressed with this updated version Roku released in 2025. The differences between the two, ultimately, are somewhat minor – you can’t really tell a difference at a glance, other than it having larger support feet – but the improvements in audio and picture quality make it worth it.

I actually appreciate that the Roku Pro Series (2025) is mostly the same in a lot of ways. Its shadowbox design might seem strangely thick for TVs these days, but it has benefits when it comes to wall-mounting and sound quality. The port selection is the same, though at least the HDMI ports that support a faster refresh rate are visibly marked this time around. The Pro Series (2025) comes with Roku’s best remote control as well.

Just like last year, I consider the Roku Pro Series to be among the best TVs in this price range. It’s certainly a step up from the still good Roku Plus Series. Now, it doesn’t have quite the brightness and deep contrast of really premium TVs, but it does support Dolby Vision and HDR10+ high dynamic range, not to mention uses a mini-LED backlight with local dimming.

Roku Pro Series (2025) review: Price and release date

Roku Pro Series TV (2025) remote control

The Roku Voice Remote Pro allows for hands-free voice support (Image credit: Future)
  • Release date: June 2025
  • 55-inch: $899.99
  • 65-inch: $1,199.99
  • 75-inch: $1,699.99

The Roku Pro Series TV (2025) is a refresh of the Roku Pro Series TV (2024) I reviewed last year, with just a few (but welcome) upgrades. Even so, the Pro Series TVs are priced the same as last year's models at all screen sizes.

Launch prices for the Roku Pro Series TVs sit between the TCL QM6K and TCL QM7K, two other value-priced series of mini-LED TVs. They are also comparable to the launch prices for the Amazon Fire TV Omni Mini-LED series TVs. All three of those TV lineups have seen discounts in 2025, and we expect to see the same for the Roku Pro Series (2025) as we head into the holiday shopping season.

Roku Pro Series (2025) review: Specs

Screen type:

QLED with mini-LED

Refresh rate:

120Hz

HDR support:

Dolby Vision IQ, HDR10+ Adaptive, HDR10, HLG

Audio support:

Dolby Atmos

Smart TV:

Roku TV

HDMI ports:

4 (2x HDMI 2.1)

Built-in tuner:

ATSC 1.0

Roku Pro Series (2025) review: Benchmark results

Roku Pro Series (2025) review: Features

Roku Pro Series TV (2025) inputs

Connections include two HDMI 2.1 ports with 4K 120Hz support (Image credit: Future)
  • Smart home support
  • Hands-free voice control
  • Roku Smart Picture Max

The feature-filled Roku Pro Series (2025) offers much of what you would expect from a TV these days, such as Apple AirPlay support and the ability to connect Bluetooth headphones and speakers. It also works with multiple smart home ecosystems such as Roku Smart Home, Apple HomeKit, Alexa, and Google Home.

HDR support includes Dolby Vision IQ and HDR10+ Adaptive. The TV’s Hands-free voice control, accessible through the remote, is also pretty nifty, especially since you just have to be in the remote’s vicinity and don’t have to press the microphone button for it to hear you.

One key upgrade from last year’s Roku Pro Series is the addition of Roku Smart Picture Max. This feature, like Dolby Vision, adjusts the picture quality on a scene-by-scene basis. It will also change picture modes as well as color, sharpness, and contrast on a scene-by-scene basis. That’s pretty cool, and, interestingly, one of those things you don’t really notice the benefits of until it’s turned off.

Also worth mentioning is the fact that you can set it to automatically turn on when powering up an external source, such as a gaming console or Blu-ray player.

  • Features Score: 4/5

Roku Pro Series (2025) review: Picture quality

Roku Pro Series TV (2025) showing image of ceramic kettle

Adjusting the TV's settings to the Brightest option in the Picture setup menu will more than double its brightness to an impressive 1,700-1,800 nits (Image credit: Future)
  • Improved color accuracy with good brightness
  • Good contrast and motion handling
  • Very minor vignetting

Having tested several TVs in this budget price range, it’s hard to get too impressed with the results. And when I got the Roku Pro Series TV (2025), it felt like more of the same. But my main TV is last year’s version, and the performance is very similar.

The Pro Series (2025) TV’s Peak HDR brightness, measured on a white window pattern covering 10% of the screen, was 821 nits in Filmmaker Mode and 841 nits in Standard mode. And it hit 375 and 390 nits, respectively, in those same modes when we measured fullscreen brightness.

Those results were at the default settings for those picture modes, and would be considered average for a budget mini-LED TV. We ran a second round of measurements with the Brightest setting selected for each mode, however, and the peak HDR brightness results more than doubled to 1,752 nits in Filmmaker Mode and 1,818 nits in Standard mode. That’s a significant difference, and a big benefit when viewing in a room with bright lighting.

The TV’s color gamut coverage of 96.9% UHDA-P3 and 80.6 BT.2020 is also quite good, although we’ve seen similar results from mid-range mini-LED TVs such as the TCL QM8K. One improvement, revealed by our benchmarks, is the new Pro Series’ color accuracy: Last year’s model sat at 3.9, while this year’s is 2.6 (the closer to 0 the better).

In terms of actual viewing, the images that this screen produces are crisp and vibrant. Roku has worked to minimize blooming and it seems to have paid off as images looked clean and defined even with very strong contrast and color. And the TV does a good job with motion handling: While watching NFL games, I could clearly make out all the players and how they moved across the field.

The colors pop the way they should when watching something like Coco (a favorite animated movie for testing color). And the TV’s handling of high dynamic range allows for wide contrast levels, including being able to make out details in the shadows.

Now, I can’t say that the picture quality is any better than the TCL QM6K I recently reviewed, though it does have less vignetting at the corners than that TV. Of course, that’s to also say that the Roku Pro Series does suffer from very minor vignetting, although it’s so minor that I would have to point it out for most other people to notice it.

  • Picture quality score: 4/5

Roku Pro Series (2025) review: Sound quality

Roku Pro Series TV (2025) rear panel subwoofer

Larger speaker chambers on the Pro Series (2025) allow for higher volume levels and a greater sense of spaciousness (Image credit: Future)
  • Good, soundbar-level audio
  • Lacks bass
  • Decent audio fine-tuning features

I’ve spent a bit of time not only listening to the audio from shows and movies but also plenty of music on this TV. Like the previous version, the Roku Pro Series TV (2025) has very good audio for a TV. It’s good enough that you probably won’t feel the need to get a soundbar unless you want surround sound, spatial audio, or a subwoofer. It’s as good as a basic soundbar, and that’s high praise for a TV.

The internal chambers for the speakers on the new Roku Pro Series are actually bigger than the previous version, allowing for a little higher volume and a greater sense of space to the sound. They’re also pushed out a little wider for a better soundstage. It’s not night and day, as last year’s version was very good, too, but I appreciate that Roku is constantly trying to improve the TV’s audio.

As far as the frequency range goes, there’s a lot of good and some bad. The high end is decent enough that I feel like I can hear plenty of detail whenever I’m listening to music, while the mid-range has a richness to it that not only gives music and background scores a fullness, but also helps highlight dialogue.

The low end, unfortunately, is very lacking, though this is far from a surprise. When I watched an action scene in a movie with lots of explosions (or anything where there’s a lot of bass), it felt a bit lacking since that low-end information is basically missing. Batman punching through an explosion in his Batmobile in The Batman just doesn’t hit the same when you don’t feel the 18-wheeler turn off or explode.

The soundstage does have good imaging, meaning I could clearly hear where the audio is intended to be (left or right, close or far away). It doesn’t quite have the width of an external home theater sound system, but, for something built into the back of a TV, it’s fairly impressive.

Lastly, I do want to mention that there are some solid audio-related settings available. For one, you can adjust its audio output based on whether it’s mounted against the wall or not. There are also treble and bass EQ sliders.

On top of that, there are various sound presets, including a dialog and night mode, both of which I feel are important. The former boosts where the human voice sits to make dialogue more intelligible (looking at you, Christopher Nolan) and the latter flattens the dynamic range so that there aren’t any unexpected loud or quiet parts when watching at night.

  • Sound quality score: 4.5/5

Roku Pro Series (2025) review: Design

Roku Pro Series TV (2025) support feet being installed

No tools are required to install the TV's support feet (Image credit: Future)
  • Shadowbox design allows for flush mounting
  • Cable management in the back with marked HDMI 2.1 ports
  • Remote has hands-free voice support

When I reviewed last year’s version of the Roku Pro Series TV, one of my favorite aspects was its shadowbox design. Since the 2025 version is virtually identical, the shadowbox design remains. Looking at its side profile, it’s thicker than most TVs these days. That might sound like it looks unwieldy, but it’s still an attractive TV.

More importantly, when hung, this shape sits flush against the wall the way a picture frame would, making for a more attractive installation. Compare that to most TVs that are tapered in the back and look like they’re hanging off the wall. It’s a design choice that I really appreciate.

From the front, you have very thin bezels around the TV except along the bottom, where it’s around half an inch in height, enough to showcase the Roku logo. The screen itself does have some reflectivity, but it’s not any worse than any other mid-range or budget TV I’ve seen.

Design-wise, the back of the TV is a little more interesting. First, the lower back is indented in such a way to allow you to run all the cables from the ports and power down the middle while still keeping the TV flush against the wall if mounted. Plus, there are strategically placed straps to keep the cables from sticking out.

As far as ports go, there are four HDMI connections, two of which are version 2.1 that allow 120Hz refresh rates from external sources such as a gaming console. And, unlike last year’s version, they’re marked. There are also USB-A and USB-C ports, LAN (for a wired Ethernet connection), optical digital audio out, and an antenna input. Besides the marked HDMI ports, I appreciated the extra USB so I could keep the charging cable for the remote plugged in.

Speaking of the remote, it’s the same second-gen Roku Voice Remote Pro that not only allows for hands-free voice support – you can talk to it with a wake word (“Hey Roku”) like you would an Amazon Echo – but has two reprogrammable buttons so you can have a shortcut for an app that you might open all the time that isn’t already on the remote.

  • Design score: 5/5

Roku Pro Series (2025) review: Smart TV and menus

Roku Pro series TV main Roku interface

Roku has one of the cleanest and easiest to navigate smart TV interfaces on the market (Image credit: Future)
  • Tile interface layout
  • Plenty of free or Roku-specific content
  • Lots of picture settings available for fine-tuning

Smart TV interfaces generally come in two flavors: a grid of tiles and a banner plus mixed content. The former basically organizes the home screen around an arrangement of app tiles, and you navigate to the app you want. The latter generally has a rotating banner that highlights a specific movie or show, along with rows of different content including app tiles but also specific media from within your subscribed apps.

Roku uses the tile layout, and I like it. It’s a little less busy and has a cleaner look, though you do have to open the apps to browse. However, Roku does have some suggested content at the top now, as well as a “What to Watch” tab that showcases rows of specific media, including a “Continue Watching” row.

Like most smart TV makers, Roku offers free, ad-supported content. Of course, there’s the Roku Channel, but there’s now also the Howdy by Roku app that is paid for ad-free viewing, but is very low-priced. There’s also a Sports tab with some free content available.

As far as the actual TV settings go, I appreciate that all settings are integrated into the Roku OS, though that’s not unusual these days.

Even better is the fact that I can adjust settings for different inputs, even renaming them, as well as connect different Bluetooth devices like headphones. There are plenty of settings that one can play with for picture quality to adjust HDR (or turn it off entirely), different motion-related settings for sports, local dimming and micro contrast, and all sorts of color and color-temperature settings. You can do quite a bit of fine-tuning.

  • Smart TV & menus score: 5/5

Roku Pro Series (2025) review: Gaming

Roku Pro Series TV (2025) showing a game image from Dead Island 2

An ultra-low 9.3ms input lag in Game mode results in smooth and responsive gaming (Image credit: Future)
  • 4K 120Hz support
  • Automatic switching to console input and gaming picture mode
  • No FPS counter

Roku has not forgotten about gamers with the Pro Series. There isn’t a special TV menu when in game mode like I see on some other TVs, but there is support for 4K 120Hz input on two of the TV’s HDMI ports.

When turning on a next-gen console, the TV can automatically switch to that input (a setting you have to enable). The TV will also automatically switch to Game mode, which adjusts the picture settings.

The things that make the Roku Pro Series TV (2025) good for gaming are mostly what make it good for other types of media. The TV does well with sports, so it’s no surprise that it can handle fast-moving objects on the screen, whether it’s playing a sports game like NBA 2K25 or a shooter. Even something like Dead Island 2, where you’re running around and trying to dodge zombies, requires good motion handling.

The TV’s good brightness, along with solid HDR and color, really helps games to pop. Measured input latency is also an ultra-low 9.3ms in Game mode, which results in highly responsive performance.

  • Gaming score: 4.5/5

Roku Pro Series (2025) review: Value

Roku Pro Series TV (2025) accessories on wood floor

The Roku Pro Series (2025) accessories kit (Image credit: Future)
  • Good price for what’s offered
  • Plenty of solid competition
  • Cheaper Plus series mini-LED model available

At around $1,200 for the 65-inch model I tested, the Roku Pro Series is affordably priced, although it faces stiff competition from other budget and mid-range mini-LED TVs.

For instance, the TCL QM6K is a stellar option for a mid-range TV and you can find it on sale for under $700 in the same size. The QM6K has great color and contrast, but just okay brightness and the audio is lacking.

Of course, if you like the idea of the Roku Pro but not the price, the newer version of the Roku Plus Series will get you most of the way there for a little less cash. Spending around $650 for the 65-inch version will get you a 4K mini-LED TV with Dolby Vision and HDR10+ support, though you’re not going to have the same audio quality, shadowbox design, or 4K 120Hz support.

The Roku Pro Series is a good value compared to the competition, though part of that is the improved audio as well as some of Roku’s unique design choices. It’s also what makes it a better value than the Roku Plus models.

  • Value score: 4.5/5

Should I buy the Roku Pro Series (2025)?

Roku Pro Series TV (2025) showing image from Coco animated movie

(Image credit: Future)
Roku Pro Series (2025)

Attributes

Notes

Rating

Features

Roku Smart Picture Max, smart home, and hands-free voice support are just some of what this TV has on offer

4.5/5

Picture quality

The color accuracy is improved over last year’s model. The overall picture quality is very good, though there is some minor vignetting

4/5

Sound quality

The audio quality is good enough to skip getting a soundbar, though there’s not much bass

4.5/5

Design

The shadowbox design might be bulky, but it is ideal for mounting the TV flush on the wall

5/5

Smart TV and menus

Navigating the interface and menus is straightforward

5/5

Gaming

Supports a high refresh rate, though there are limited gaming-related menu options

4/5

Value

Improves on last year’s model, while selling for the same price

4.5/5

Buy it if...

You want a TV that looks good on the wall
The shadowbox design allows this TV to look good when mounted, almost like a picture frame with a TV in it. If you plan on mounting your TV, this one sits flush against the wall and does a good job of hiding the cables in the back.

You don’t want to buy a soundbar
The audio quality is good enough that you won’t feel the need to get a soundbar. It does lack some low-end, but Roku sells wireless subwoofers that can pair with the TV.

Don't buy it if…

You want a next-level picture
The Roku Pro Series TV looks very good, but it’s not quite a premium TV. You’ll have to spend a bit more, but there’s still a level of image quality above this model.

You’re on a serious budget
This model punches above its weight, but if you’re on a budget, you’re better off sticking with the Roku Select or Plus Series, which are still pretty good TVs.

Also consider...

Roku Pro Series (2025)

TCL QM6K

Roku Plus Series

Hisense U75QG

Price (65-inch)

$1,199

$999

$649

$1,499

Screen type

mini-LED w/ QLED

mini-LED w/ QLED

mini-LED w/ QLED

mini-LED w/ QLED

Refresh rate

120Hz

Up to 144Hz

60Hz

Up to 165Hz

HDR support

Dolby Vision IQ/HDR10+/HDR10

Dolby Vision IQ/HDR10+/HDR10

Dolby Vision IQ/HDR10+/HDR10

Dolby Vision IQ/HDR10+/HDR10

Smart TV

Roku TV

Google TV

Roku TV

Google TV

HDMI ports

4 (2x HDMI 2.1)

4 (2x HDMI 2.1)

4

4 HDMI 2.1

TCL QM6K
The TCL QM6K is just as good a value and even a little cheaper than the Roku Pro Series TV, though it doesn’t have quite the audio quality or its unique shadowbox design. What it does have is a great picture quality with vibrant colors, good contrast, and minimal backlight blooming.

Read our full TCL QM6K review

Roku Plus Series
You’ll be locked to a 60Hz refresh rate and you won’t have the precision of the Pro Series, but the Roku Plus Series TVs are still an excellent value as they’re mini-LED TVs with full-array local dimming. It’s still as convenient as any other Roku device, though you won’t have the automatic picture switching, shadow box design, or updated remote of the Pro Series.

Read our full Roku Plus Series review

Hisense U75QG
Hisense's mid-range mini-LED TV is near the same price range as the Roku Pro Series, and it offers much higher picture brightness and better gaming features. Its design isn't as eye-catching as the Roku TV, however, and audio quality isn't as good.

Read our full Hisense U75QG review

How I tested the Roku Pro Series TV (2025)

Samsung QN900D showing test pattern

(Image credit: Future)
  • I used the Roku Pro Series TV (2025) for a month
  • Tested with both TV, movies, music, and games
  • Benchmark measurements conducted by Future US testing lab

I used the Roku Pro Series TV (2025) regularly for a month. I used it with TV, movies, music, and games. I tested the various features to see if they work as advertised. I also spent time listening to the audio as well as paying attention to the picture quality.

After spending some time with this TV, it’s my opinion that this TV is ideal for those who want a premium TV without the premium price tag as well as those who want to wall-mount a TV but hate how they look when mounted.

I’ve tested a lot of tech gear over the years, from laptops to keyboards and speakers, and so have been able to use my expertise towards giving an honest and fair opinion, not to mention a critical eye, to any product I test.

You can read an in-depth overview of how we test TVs at TechRadar at that link.

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