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OneOdio Focus A5 review: bassy wireless headphones with big battery life
11:00 pm | December 30, 2024

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Comments: Off

OneOdio Focus A5: One-minute review

If you're considering picking up the OneOdio Focus A5, it's probably for its fantastic battery life – it'll last for 75 hours of music if you let it, which is an excellent figure. That's over three days straight, and well over double the figure of most rivals.

The world of the best cheap headphones is a competitive one, but this will have certain users' eyes perking up. If you go on long-haul flights across the world, embark on journeys in the wilderness for days at a time, or religiously forget to charge your gadgets, that figure could prove game-changing.

And you're getting the Focus A5 for cheap at $69.99 / £59.99 (roughly AU$100)! Sounds like a must-buy, right?

Well, that'll depend on what you actually want to listen to for 75 hours, and if you're an audiophile – or anyone who values well-balanced audio – then the Focus A5 might not actually be what you're looking for.

The audio balance on these cans is more wonky than a famous Italian tower, offering an overwhelming amount of bass that drowns out important parts of a song. It's not even well-tuned bass, so people who just want 75 hours of ear-shaking tunes won't like it either.

Then there's the feature set – or lack thereof. The OneOdio's Active Noise Cancellation (ANC) is so light-touch that you can forget that it's turned on (and I'd recommend ignoring it, since turning on ANC cuts 30 hours off the battery life). There's no app either, and therefore no equalizer, so you can't try and fix the muddy sound quality.

You can't expect fantastic-sounding audio, an advanced feature set and a low price in the same set of headphones (even though some options do come close), but most of OneOdio's rivals tick at least two of those boxes. With the Focus A5 only hitting the last point, it's hard to recommend them beyond their long-lasting battery. The Earfun Wave Pro cost essentially the same price and have an even longer battery life, and work better in every way – those are ideal affordable option among the best noise cancelling headphones.

OneOdio Focus A5 review: Price and release date

The OneOdio Focus A5 against a wooden background.

(Image credit: Future)
  • Sells for $69.99 / £59.99 (roughly AU$100)
  • Cheaper alternative to Focus A10

You can pick up the OneOdio Focus A5 for $69.99 / £59.99 (roughly AU$100, but unlike other OneOdio headphones, I can’t find it on sale in Australia at the time of writing).

That price makes the Focus A5 one of the more affordable headphones you might be considering if you’re looking to save money, but the cheap headphone market is a very competitive one.

Our best-in class option costs only a little more: the Earfun Wave Pro sells for $79.99 / £79.99 (roughly AU$120) and we also highly rate the $60 / £60 / AU$99 Sony WH-CH520.

OneOdio itself has plenty of other options, if you’re keen to stick with the brand: there’s also a slightly-more-expensive A10 as well as several other families of studio, monitor and hybrid headphones.

OneOdio Focus A5 review: Specs

OneOdio Focus A5 review: Features

The OneOdio Focus A5 against a wooden background.

(Image credit: Future)
  • No phone app
  • Light-touch ANC
  • 75 hours of battery life

The OneOdio Focus A5 doesn’t have a smartphone app to use, which makes writing this section easier, but using the headphones (or balancing its audio) a little bit harder. That means there's no equalizer, a big loss (as we'll get to).

You'll use the ‘ANC’ button on the right earcup to toggle between the three Active Noise Cancellation modes: on, off and ambient sound. The ANC on the A5 is very light touch, and I often didn’t know whether I had it turned on or not – it felt like the natural cushioning of the pads removed as much sound as the ANC.

From a poor feature, to a really handy one – the OneOdio Focus A5 has a battery life of 75 hours. You read that right – you could listen for over three days straight if you wanted to. That figure is for ANC turned off, and it reduces to about 45 hours with ANC turned on – given what I’ve said about how effective the noise cancellation is, you may want to opt for the longer lasting power.

The ability to listen to music for several days straight without having to juice it back up it is a win for the A5, as it means that people who are going on long trips or can’t reliably get to a power source could still enjoy using it.

  • Features score: 3/5

OneOdio Focus A5 review: Sound quality

The OneOdio Focus A5 on a man's head.

(Image credit: Future)
  • Too much bass
  • Too little anything else
  • High max volume

When I first started listening to the OneOdio Focus A5, I said to myself “wow, bass fans are going to love these headphones” but as the testing process went on, I had to amend that thought: “or they might hate them”.

Bass is certainly the emphasis of the Focus A5’s audio balance. The mix isn’t so much ‘warm’ as it is ‘blistering to the touch’, for how loud bass is compared to other parts of the sound profile. My first impression, to assume bass fans would love this, was proven wrong the more I listened.

The bass blows out other aspects of the sound mix. Vocals fade into the background like the roadies forgot to plug the mic in, guitars sometimes get a cut in but more often than not (especially with higher-pitched notes and hooks) fall to the same fate as the singing. Some other mid-frequency aspects of songs, like keyboards and rhythm guitars, have as much chance of being heard as you do of finding your phone if you drop it off a boat.

Fans of bassy headphones may simply accuse me of saying that simply to dig out my dusty creative writing degree, but there are more reasons to malign the bass tilt: even that aspect of the audio has a problem.

The OneOdio Focus A5 against a wooden background.

(Image credit: Future)

The bass is quite muddy, so it’s less ‘thumping’ and more ‘patting gently’ – it lacks energy or urgency, loudly saying nothing at all. According to Amazon, the Focus A5 has a custom-made 40mm dynamic driver (this information was conspicuously absent from OneOdio’s own site), and judging by other reviews of OneOdio products, this sound profile is a recurring feature in its headphones.

I can’t completely rule out the Focus A5’s audio chops – some people may really like this kind of hiccupping bass. I don’t think I’ve ever met these people, and I’ve no evidence to suggest they actually exist, but I can’t rule it out.

OneOdio has added support for LDAC codec and Hi-Res Audio certification to the headphones, but I’m not sure that the cans need more detailed bass – they need less of it.

I want to say a nice thing now: the OneOdio Focus A5 goes really, really loud. I could hear music perfectly well at max volume when the headphones were around my neck – no-one can complain about them being too quiet!

  • Sound quality: 2/5

OneOdio Focus A5 review: Design

The OneOdio Focus A5 against a wooden background.

(Image credit: Future)
  • Svelte look
  • Single color option: black
  • Feels a little fragile

OneOdio hasn't re-invented the wheel with the Focus A5 but I liked how svelte they look between the metal pivot, textured cups and gold-silver color scheme.

Don't get me wrong, these are incredibly similar to the vast majority of cheap headphones, but with a few augments here and there. They come in a single color option: black.

The right cup has all of the Focus A5's controls: there's the ANC button which you press to toggle between the three modes, a power button and a volume rocker. Nice and simple. The USB-C port for charging is on this side too.

The headphones weigh 265g which is a little less than some rivals I've tested, however they felt quite fragile. The cups rattle and rotate a little bit when you're not wearing the A5, there's no included carry case and if the cans have an IP rating, I can't find any mention of it in OneOdio's fact sheets. I was quite careful with the headphones during testing as a result, although they were never damaged in a way that would justify my caution; it's likely that they feel flimsy, but are perfectly robust. Still, I'd have liked to have felt more confidence in that.

  • Design score: 3.5/5

OneOdio Focus A5 review: value

The OneOdio Focus A5 against a wooden background.

(Image credit: Future)

I'm all for 'cheap and cheery' headphones, and the OneOdio Focus A5 are ostensibly that: you don't have to pay much and you're getting one great feature along with a few less-great aspects.

However its iffy audio and troubled feature-set might lose the A5 some of those 'cheery points' – especially when similar-price rivals simply don't have the same issues.

These aren't inherently bad value at this price, but there's much better value out there.

  • Value: 2.5/5

Should I buy the OneOdio Focus A5?

Buy them if…

You don't like charging
The 75-hour battery life will be a blessing to certain kinds of users who can't reliably access a charging point.

You're on a budget
Don't want to spend loads on top-price or even mid-range headphones? These will fit into your budget.

Don’t buy them if…

You don't like bassy audio
The audio is heavily skewed towards bassy sounds, so if you don't like this kind of sound, you're really not going to like the A5.

You're listening somewhere loud
The Focus A5's tender noise cancellation means you won't be able to hear music if you often listen in loud environments.

OneOdio Focus A5 review: Also consider

Earfun Wave Pro
Here at TechRadar we're big fans of the Earfun Wave Pro, and they beat the OneOdio in most areas while only costing a tiny amount more, so read our full Earfun Wave Pro review.

JBL Tune 670NC
We didn't rate the JBL Tune 670NC in the audio department, but elsewhere it has a great feature set and a decent battery life too. Here our full JBL Tune 670NC review.

How I tested the OneOdio Focus A5

The OneOdio Focus A5 against a wooden background.

(Image credit: Future)
  • Tested for three weeks
  • Tested at home, in the office, on public transport and on walks

I used the OneOdio Focus A5 for three weeks before writing this review, and that involved listening to music, watching streamed TV or playing games basically daily.

For the entire testing period I used the Focus A5 alongside my Android smartphone, via Bluetooth. Streaming was done via Spotify, Netflix and a range of games and I listened mainly at home or on my city's various public transport options, with some listening time also conducted in an office or on walks.

I've been testing gadgets at TechRadar for just shy of six years now, including many pairs of cheap headphones and other OneOdio offerings.

  • First reviewed in December 2024
Beyerdynamic Aventho 300 review: awesome wireless headphones in almost every way
7:00 pm |

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Tags: , | Comments: Off

Beyerdynamic Aventho 300: Two-minute review

The Beyerdynamic Aventho 300 are a fantastic pair of wireless headphones. Using the same drivers as the company’s studio-oriented DT 700 Pro X and DT 900 Pro X, the sound quality will make you feel like you’ve taken a blanket off your music, especially if you’re upgrading from a cheaper, lesser model. And they’re as feature-filled as any other model at this price point.

I believe that, since their release this year, they belong in the conversation for the best wireless headphones. They do fall slightly short of the active noise cancellation (ANC) you find with the likes of Bose and Sony flagships. But, they still fare very well. And again, they sound fantastic. On top of that, the battery life is very, very good.

There are a couple aspects that hold the Beyerdynamic Aventho 300 from being perfect. For instance, the ear pads are tough to remove – an issue if you’re worried about potential wear and tear. And, the main way to control audio on the headphones is a touchpad on the right ear. It’s innovative, but slow to respond and comes with a bit of a learning curve. Since I generally use my phone or computer for adjusting things like volume and forwarding / rewinding, it’s not a dealbreaker. Still, it’s annoying.

At the end of the day, however, the pros vastly outweigh the cons.

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

Beyerdynamic Aventho 300: Price and release date

  • Announced September 9 2024, available from November 2024
  • Costs $399.99 / £359.00 (about AU$640)

No doubt about it, the Beyerdynamic Aventho 300 are among the more premium options out there when it comes to wireless headphones. They go for $399.99 / £359.00 (about AU$640), which is more than the Sony WH-1000XM5 and their price of £380 / $399 / AU$649. Both are fantastic sounding headphones. Of course, the Aventho 300 fold up and have faster Bluetooth connectivity, but the WH-1000XM5 have class-leading ANC.

There are even more expensive options out there such as the $899 / £599-priced Dali IO-8 or the $549 / £549 / AU$899-priced Apple AirPods Max where you’re paying for the name or premium materials as much as anything else. The Beyerdynamic Aventho 300, therefore, are well-priced for what they are and offer good value, but are not a steal.

Beyerdynamic Aventho 300 review: Specs

Beyerdynamic Aventho 300 review: Features

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)
  • Very useable EQ and presets
  • Plenty of accessibility in the app
  • Has multipoint connectivity and lossless codecs

As far as features go, the only thing missing from the Beyerdynamic Aventho 300 is some kind of personalised, augmented sound profile. That said, there is more than enough flexibility available in the app to adjust the EQ. Not only are there six different presets to choose from, including “neutral” interestingly (more on why that’s necessary for some later), but there’s also a five-band graphic EQ with the ability to boost or cut up to six dB where you can save your preferred EQ curve.

Speaking of the app, there’s much more on tap, including playing around with different levels of ANC and ambient mode as well as turning Dolby Atmos and head tracking on. The ANC and ambient modes have five levels of sensitivity and work pretty well, either blocking out sound or letting you hear your surroundings. They’re not quite class-leading, but unless your neighbours or colleagues are especially raucous, you’ll probably be happy with them.

In the app, you can also turn on/off a voice assistant as well as adjust what the internal voice prompt announces. For example, I like hearing the battery level when I turn on the headphones, but I don’t want to hear which codec is being used during the first few seconds of the first song I listen to.

The app also allows toggling things like auto shutdown, sidetone, and LED brightness. There’s even a touch guide to show how to use the touchpad on the side of the headphones.

Though you won’t see it in the app, multipoint connectivity is available. It’s also worth noting that there’s AAC and aptX lossless (and adaptive) support.

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)
  • Features score: 4.5/5

Beyerdynamic Aventho 300 review: Design

  • Aesthetically pleasing if a bit bulky
  • Touchpad has a learning curve and has inconsistent sensitivity
  • Has a very long battery life

The chunky design of the Beyerdynamic Aventho 300 is aesthetically pleasing while still looking very similar to the majority of over-ear headphones out there. Available in Black and Nordic Grey (reviewed here), the whole thing from the earcups to the head band and all the plush materials are the same color with the exception of the metal (presumably aluminum) yoke and the model name emblazoned on the left earcup – silver on the Nordic Grey model and Nordic Grey on the Black model.

The ergonomics are solid as the ear cups are angled to sit more naturally on the side of the face, though the amount the headband can extend seems like it might not be enough for big heads. The ear pads and headband are covered in a faux leather that’s not the most breathable, but is comfortable enough. I can definitely wear these for a while without feeling fatigued, but they’re not the cream of the crop when it comes to comfort. On top of that, the clamping force is a bit strong, so if you’re sensitive to that, you might need to stretch them out just a bit.

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

The controls consist of a power button that also pairs via Bluetooth, a button to cycle through ANC, ANC off, and transparency mode, and the touch pad I’ve mentioned which covers the entire flat portion of the right ear cup. This capacitive area allows an assortment of controls from volume control, skipping through songs, answering calls, and the like via tapping and gesturing in the appropriate directions. It’s a good idea, but takes a bit to learn. More importantly, the sensitivity seems inconsistent, so sometimes I have to gesture more than once to get the headphones to react to what I want to do. This is probably the area where these headphones could use the most fine tuning for successive models.

At least the battery life is long, as you can get 50 hours with ANC on – and ANC has a tendency to drain the battery. After about 10 hours of listening, I had 80% battery life left without charging back up. Considering they charge via USB-C, 10 minutes of charging gets about five hours of play.

  • Design score: 4.5/5

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

Beyerdynamic Aventho 300 review: Sound quality

  • Seemingly neutral but has prominent bass and slightly hyped high-end
  • Decently wide soundstage
  • Dolby Atmos and head tracking work well

If you don’t feel like reading the next 200ish words, just know that the Beyerdynamic Aventho 300 sound really good. Since these headphones share the same Stellar.45 drivers that the company introduced in its studio-focused DT 700 Pro X and DT 900 Pro X headphones, the frequency range leans towards a very clean, high-headroom experience that on first listen almost sounds neutral the way a pair of headphones meant for the studio sounds.

After spending a little time listening to all sorts of genres from Rock to Hip Hop and Folk, the nuances become a little more obvious. First of all, even though the sound comes across as clean and even, it’s actually quite bass heavy (note that the frequency range goes as low as 5Hz), especially nearing the sub-bass region. Any Rock or Alternative tracks I listen to become very bass prominent even though the genres are generally more mid-focused.

Of course, it’s a testament to the quality of the drivers that you get such prominent bass while still hearing everything else clearly.

Beyerdynamic Aventho 300 app, three screengrabs

(Image credit: Future)

The high-end is also a little hyped, which adds a bit to the clarity. But, it’s not so prominent to be in-your-face or painful. In the EQ modes I mentioned earlier, the neutral setting actually boosts the mid-range just a tad while bringing the low-end down quite a bit and the high-end a dB or two.

The soundstage is just as stellar. It feels wide enough to make me feel like I’m sitting on stage with the musicians. Far off elements are well-placed so that I get a really immersive sense of space. Now, they’re not the widest sounding headphones ever, but they sit at a sweet spot between intimate and concert hall.

Since there’s Dolby Atmos support, I should mention that it’s a nice touch. However, it is a virtual spatial audio so everything just sounds like there’s just a bit more reverb. While more dimensional, it doesn’t really add much to the experience unless watching a movie or show. I feel the same way about the headtracking that can be enabled. It works well if that matters to you.

  • Sound quality: 5/5

Three Beyerdynamic Aventho 300 screengrabs

(Image credit: Beyerdynamic)

Beyerdynamic Aventho 300 review: Value

  • Pricing is about what one would expect for flagship wireless headphones
  • Paying for consistency
  • Comes with a hard shell and softshell case

As a value proposition, the Beyerdynamic Aventho 300 are good but not great. As previously mentioned, they're not that much more than the Sony WH-1000XM5 and are comparable in a lot of ways, with some aspects being slightly better and others slightly worse. You can spend much more for models that aren’t really any better. But you can spend much less and still get very good-sounding headphones.

However, Beyerdynamic headphones are consistently great, so you’re paying for that to a degree the way you do with Apple when it comes to phones or laptops. At least, you get a nice hard shell case and drawstring bag out of the deal.

  • Value: 4/5

Should I buy the Beyerdynamic Aventho 300?

Buy them if…

You want excellent, polished sound quality
Not only do the Beyerdynamic Aventho 300 sound great, but they sound polished like they’re meant for the studio. Somehow, they still have a large bass response.

You want something a little different but just as good
If you want to get something a little different than everyone else without sacrificing quality, these headphones have it all from sound quality to feature set.

Don’t buy them if…

You’re looking for a best-value buy
While they’re priced appropriately, the Beyerdynamic Aventho 300 are not cheap. So, if you’re looking to get the bang for your buck, there are other options to consider.

You want easy controls
Though the capacitive touchpad on the right earcup is a good idea, it could be executed just a little bit better (it’s not bad, just inconsistent).

Beyerdynamic Aventho 300 review: Also consider

Cambridge Audio Melomania P100
The Cambridge Audio Melomania P100 don’t have the best ANC and lose the proprietary spatial audio. However, they’re great value and not just because they’re a bit cheaper. Since they come at a lower price point, they focus on what matters most – and that’s excellent sound quality. Also, the battery life is excellent
Read our full Cambridge Audio Melomania P100 review

Sony WH-1000XM5
The Sony WH-1000XM5 are still considered one of the best, if not the best, over-ear wireless headphones. The sound quality is excellent, the app is easy to use, and, most importantly, the ANC and ambient features are still virtually unparalleled. Only thing is they’re minimally better than their lower-priced and still available predecessor.
Read our full Sony WH-1000XM5 review

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

How I tested the Beyerdynamic Aventho 300

  • Tested over two weeks
  • Tested with different music as well as video streaming
  • Tested every feature meticulously

I spent a few weeks using the Beyerdynamic Aventho 300 as my daily headphones. While using them, I listened to all sorts of genres from electronic and hip-hop to rock and acoustic music to compare the frequency range and soundstage. I also tested them with streaming video and used the various settings such as ANC, ambient mode, and EQ.

After testing, it seems that the Beyerdynamic Aventho 300 are best suited for those wanting a mostly neutral audiophile-like experience in a set of wireless headphones without sacrificing on features.

I’ve spent the last few years reviewing audio equipment and have spent even longer using my critical ear as a listener and musician to understand what does and doesn’t sound good.

  • First reviewed in December 2024
Beyerdynamic Aventho 300 review: awesome wireless headphones in almost every way
7:00 pm |

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Tags: , | Comments: Off

Beyerdynamic Aventho 300: Two-minute review

The Beyerdynamic Aventho 300 are a fantastic pair of wireless headphones. Using the same drivers as the company’s studio-oriented DT 700 Pro X and DT 900 Pro X, the sound quality will make you feel like you’ve taken a blanket off your music, especially if you’re upgrading from a cheaper, lesser model. And they’re as feature-filled as any other model at this price point.

I believe that, since their release this year, they belong in the conversation for the best wireless headphones. They do fall slightly short of the active noise cancellation (ANC) you find with the likes of Bose and Sony flagships. But, they still fare very well. And again, they sound fantastic. On top of that, the battery life is very, very good.

There are a couple aspects that hold the Beyerdynamic Aventho 300 from being perfect. For instance, the ear pads are tough to remove – an issue if you’re worried about potential wear and tear. And, the main way to control audio on the headphones is a touchpad on the right ear. It’s innovative, but slow to respond and comes with a bit of a learning curve. Since I generally use my phone or computer for adjusting things like volume and forwarding / rewinding, it’s not a dealbreaker. Still, it’s annoying.

At the end of the day, however, the pros vastly outweigh the cons.

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

Beyerdynamic Aventho 300: Price and release date

  • Announced September 9 2024, available from November 2024
  • Costs $399.99 / £359.00 (about AU$640)

No doubt about it, the Beyerdynamic Aventho 300 are among the more premium options out there when it comes to wireless headphones. They go for $399.99 / £359.00 (about AU$640), which is more than the Sony WH-1000XM5 and their price of £380 / $399 / AU$649. Both are fantastic sounding headphones. Of course, the Aventho 300 fold up and have faster Bluetooth connectivity, but the WH-1000XM5 have class-leading ANC.

There are even more expensive options out there such as the $899 / £599-priced Dali IO-8 or the $549 / £549 / AU$899-priced Apple AirPods Max where you’re paying for the name or premium materials as much as anything else. The Beyerdynamic Aventho 300, therefore, are well-priced for what they are and offer good value, but are not a steal.

Beyerdynamic Aventho 300 review: Specs

Beyerdynamic Aventho 300 review: Features

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)
  • Very useable EQ and presets
  • Plenty of accessibility in the app
  • Has multipoint connectivity and lossless codecs

As far as features go, the only thing missing from the Beyerdynamic Aventho 300 is some kind of personalised, augmented sound profile. That said, there is more than enough flexibility available in the app to adjust the EQ. Not only are there six different presets to choose from, including “neutral” interestingly (more on why that’s necessary for some later), but there’s also a five-band graphic EQ with the ability to boost or cut up to six dB where you can save your preferred EQ curve.

Speaking of the app, there’s much more on tap, including playing around with different levels of ANC and ambient mode as well as turning Dolby Atmos and head tracking on. The ANC and ambient modes have five levels of sensitivity and work pretty well, either blocking out sound or letting you hear your surroundings. They’re not quite class-leading, but unless your neighbours or colleagues are especially raucous, you’ll probably be happy with them.

In the app, you can also turn on/off a voice assistant as well as adjust what the internal voice prompt announces. For example, I like hearing the battery level when I turn on the headphones, but I don’t want to hear which codec is being used during the first few seconds of the first song I listen to.

The app also allows toggling things like auto shutdown, sidetone, and LED brightness. There’s even a touch guide to show how to use the touchpad on the side of the headphones.

Though you won’t see it in the app, multipoint connectivity is available. It’s also worth noting that there’s AAC and aptX lossless (and adaptive) support.

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)
  • Features score: 4.5/5

Beyerdynamic Aventho 300 review: Design

  • Aesthetically pleasing if a bit bulky
  • Touchpad has a learning curve and has inconsistent sensitivity
  • Has a very long battery life

The chunky design of the Beyerdynamic Aventho 300 is aesthetically pleasing while still looking very similar to the majority of over-ear headphones out there. Available in Black and Nordic Grey (reviewed here), the whole thing from the earcups to the head band and all the plush materials are the same color with the exception of the metal (presumably aluminum) yoke and the model name emblazoned on the left earcup – silver on the Nordic Grey model and Nordic Grey on the Black model.

The ergonomics are solid as the ear cups are angled to sit more naturally on the side of the face, though the amount the headband can extend seems like it might not be enough for big heads. The ear pads and headband are covered in a faux leather that’s not the most breathable, but is comfortable enough. I can definitely wear these for a while without feeling fatigued, but they’re not the cream of the crop when it comes to comfort. On top of that, the clamping force is a bit strong, so if you’re sensitive to that, you might need to stretch them out just a bit.

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

The controls consist of a power button that also pairs via Bluetooth, a button to cycle through ANC, ANC off, and transparency mode, and the touch pad I’ve mentioned which covers the entire flat portion of the right ear cup. This capacitive area allows an assortment of controls from volume control, skipping through songs, answering calls, and the like via tapping and gesturing in the appropriate directions. It’s a good idea, but takes a bit to learn. More importantly, the sensitivity seems inconsistent, so sometimes I have to gesture more than once to get the headphones to react to what I want to do. This is probably the area where these headphones could use the most fine tuning for successive models.

At least the battery life is long, as you can get 50 hours with ANC on – and ANC has a tendency to drain the battery. After about 10 hours of listening, I had 80% battery life left without charging back up. Considering they charge via USB-C, 10 minutes of charging gets about five hours of play.

  • Design score: 4.5/5

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

Beyerdynamic Aventho 300 review: Sound quality

  • Seemingly neutral but has prominent bass and slightly hyped high-end
  • Decently wide soundstage
  • Dolby Atmos and head tracking work well

If you don’t feel like reading the next 200ish words, just know that the Beyerdynamic Aventho 300 sound really good. Since these headphones share the same Stellar.45 drivers that the company introduced in its studio-focused DT 700 Pro X and DT 900 Pro X headphones, the frequency range leans towards a very clean, high-headroom experience that on first listen almost sounds neutral the way a pair of headphones meant for the studio sounds.

After spending a little time listening to all sorts of genres from Rock to Hip Hop and Folk, the nuances become a little more obvious. First of all, even though the sound comes across as clean and even, it’s actually quite bass heavy (note that the frequency range goes as low as 5Hz), especially nearing the sub-bass region. Any Rock or Alternative tracks I listen to become very bass prominent even though the genres are generally more mid-focused.

Of course, it’s a testament to the quality of the drivers that you get such prominent bass while still hearing everything else clearly.

Beyerdynamic Aventho 300 app, three screengrabs

(Image credit: Future)

The high-end is also a little hyped, which adds a bit to the clarity. But, it’s not so prominent to be in-your-face or painful. In the EQ modes I mentioned earlier, the neutral setting actually boosts the mid-range just a tad while bringing the low-end down quite a bit and the high-end a dB or two.

The soundstage is just as stellar. It feels wide enough to make me feel like I’m sitting on stage with the musicians. Far off elements are well-placed so that I get a really immersive sense of space. Now, they’re not the widest sounding headphones ever, but they sit at a sweet spot between intimate and concert hall.

Since there’s Dolby Atmos support, I should mention that it’s a nice touch. However, it is a virtual spatial audio so everything just sounds like there’s just a bit more reverb. While more dimensional, it doesn’t really add much to the experience unless watching a movie or show. I feel the same way about the headtracking that can be enabled. It works well if that matters to you.

  • Sound quality: 5/5

Three Beyerdynamic Aventho 300 screengrabs

(Image credit: Beyerdynamic)

Beyerdynamic Aventho 300 review: Value

  • Pricing is about what one would expect for flagship wireless headphones
  • Paying for consistency
  • Comes with a hard shell and softshell case

As a value proposition, the Beyerdynamic Aventho 300 are good but not great. As previously mentioned, they're not that much more than the Sony WH-1000XM5 and are comparable in a lot of ways, with some aspects being slightly better and others slightly worse. You can spend much more for models that aren’t really any better. But you can spend much less and still get very good-sounding headphones.

However, Beyerdynamic headphones are consistently great, so you’re paying for that to a degree the way you do with Apple when it comes to phones or laptops. At least, you get a nice hard shell case and drawstring bag out of the deal.

  • Value: 4/5

Should I buy the Beyerdynamic Aventho 300?

Buy them if…

You want excellent, polished sound quality
Not only do the Beyerdynamic Aventho 300 sound great, but they sound polished like they’re meant for the studio. Somehow, they still have a large bass response.

You want something a little different but just as good
If you want to get something a little different than everyone else without sacrificing quality, these headphones have it all from sound quality to feature set.

Don’t buy them if…

You’re looking for a best-value buy
While they’re priced appropriately, the Beyerdynamic Aventho 300 are not cheap. So, if you’re looking to get the bang for your buck, there are other options to consider.

You want easy controls
Though the capacitive touchpad on the right earcup is a good idea, it could be executed just a little bit better (it’s not bad, just inconsistent).

Beyerdynamic Aventho 300 review: Also consider

Cambridge Audio Melomania P100
The Cambridge Audio Melomania P100 don’t have the best ANC and lose the proprietary spatial audio. However, they’re great value and not just because they’re a bit cheaper. Since they come at a lower price point, they focus on what matters most – and that’s excellent sound quality. Also, the battery life is excellent
Read our full Cambridge Audio Melomania P100 review

Sony WH-1000XM5
The Sony WH-1000XM5 are still considered one of the best, if not the best, over-ear wireless headphones. The sound quality is excellent, the app is easy to use, and, most importantly, the ANC and ambient features are still virtually unparalleled. Only thing is they’re minimally better than their lower-priced and still available predecessor.
Read our full Sony WH-1000XM5 review

Beyerdynamic Aventho 300 on a gray table

(Image credit: Future)

How I tested the Beyerdynamic Aventho 300

  • Tested over two weeks
  • Tested with different music as well as video streaming
  • Tested every feature meticulously

I spent a few weeks using the Beyerdynamic Aventho 300 as my daily headphones. While using them, I listened to all sorts of genres from electronic and hip-hop to rock and acoustic music to compare the frequency range and soundstage. I also tested them with streaming video and used the various settings such as ANC, ambient mode, and EQ.

After testing, it seems that the Beyerdynamic Aventho 300 are best suited for those wanting a mostly neutral audiophile-like experience in a set of wireless headphones without sacrificing on features.

I’ve spent the last few years reviewing audio equipment and have spent even longer using my critical ear as a listener and musician to understand what does and doesn’t sound good.

  • First reviewed in December 2024
Shanling HW600 review: wired over-ear headphones that pack a sonic punch, if you’ve got a big head…
1:30 pm | December 29, 2024

Author: admin | Category: Audio Computers Gadgets Headphones | Comments: Off

Shanling HW600: Two-minute review

Shanling hasn’t so much dipped a toe into the ‘premium wired over-ear headphones’ market with the HW600 as dived in headfirst. Big, well-appointed, hard-wired planar magnetic headphones are not exactly a rarity, but they’re not all that mainstream either – and the best around tend to come from brands who’ve established their credentials over quite a few years. Meze Audio springs most readily to mind.

The Shanling HW600 have what it takes, though, at least where specification and finish are concerned. An elaborate driver arrangement is concealed inside aluminum-backed, lambskin-fronted earcups, each one hard-wired to a source using braided single crystal copper cable finishing in a 4.4mm balanced termination.

The quality of construction and finish just can’t be argued with, and is well up to the sort of standard the asking price demands to sit among the best wired headphones money can buy.

Shanling HW600 wired headphones on a white surface

(Image credit: Future / Simon Lucas)

Shanling HW600 review: Price & release date

  • Released October 15, 2024
  • Priced: $1099 / £1099 / AU$1699

You almost certainly don’t need me to tell you that Shanling hasn’t made its life easy by pricing its HW600 this way. TechRadar favorites from the likes of Focal, Meze Audio and Sennheiser (to name but three) can be yours for not dissimilar money – so the Shanling HW600 have their work cut out if they’re going to make a positive impression…

Shanling HW600 wired headphones, showing earcup interior, on a white surface

(Image credit: Future / Simon Lucas)

Shanling HW600 review: Specs

Shanling HW600 wired headphones on a white surface

(Image credit: Future / Simon Lucas)

Shanling HW600 review: Features

  • 110mm x 86mm planar magnetic drivers
  • 12Hz - 40kHz frequency response (claimed)
  • 1.5m quad-core cable with 4.4mm termination

Passive, wired headphones don’t tend to be overburdened with features, and that’s certainly the case where the Shanling HW600 are concerned. But it is fair to say the features these headphones do have are without compromise in their specification and entirely fit for purpose.

These are planar magnetic headphones, of course, which explains their head-swamping size. Inside each earcup there’s a 110 x 86mm planar magnetic driver – it’s a mere 8µm thick, printed with a silver-plated aluminum ‘switchback’ coil and sits between 14 neodymium/iron/boron magnets arranged in a seven-a-side assembly.

Shanling is claiming a frequency response of 12Hz - 40Khz and suggests it’s a responsive, easy-to-drive arrangement – a sensitivity rating of 104dB @ 1kHz would seem to bear that out. The single-unit driver structure features a pair of acoustic chambers, which Shanling says makes for minimal distortion as well as delivering its desired sonic performance.

Each earcup is wired, using a standard 3.5mm connector - which means it should be easy enough to swap the cable if you so desire. It’s worth giving Shanling’s cable a good long listen before you rush into anything, though – it’s a 1.5m length of loosely braided single crustal copper wire, and features a balanced 4.4mm termination. There’s a 6.3mm adapter in the packaging too.

  • Features score: 5/5

Shanling HW600 wired headphones, showing wired connections, on a white surface

(Image credit: Future / Simon Lucas)

Shanling HW600 review: Sound quality

  • Spacious, well-defined sonic layout
  • Punch and drive, dynamism and detail in equal measure
  • Can sound slightly monotonal at the very bottom of the frequency range

Some headphones prioritize excitement and entertainment, and sacrifice analysis and insight in the process. Some headphones prefer to conduct a sort of aural audit of a recording, examining every nook and cranny, and can be a rather dull and undemonstrative listen as a result. And some, like the Shanling HW600, try to do a bit of everything.

The good news here is that the HW600 manage to do a bit of everything with a fair amount of success. The balance they strike between ‘entertainment’, ‘musicality’ and ‘analysis’ is expertly judged, and as a result they’re good company no matter the sort of listening you’re interested in doing or the sort of stuff you want to listen to while you do it.

A 24bit/88.2kHz FLAC file of Get Lucky by Daft Punk feat. Pharrell Williams is a hi-fi cliché these days, but for good reason. And when served by the HW600 via an iFi iDSD Diablo 2 headphone amplifier, its ubiquity is perfectly understandable. It allows the headphones to demonstrate their ability to describe an open, well-defined and carefully controlled soundstage, and to give appropriate weighting to the spaces, as well as the instruments, on it. It’s got the sort of rapid-fire low-frequency presence that lets the HW600 show off their control of attack and decay, and as a consequence their rhythmic certainty. And its mixture of textures and tones, as well as the close-mic’d nature of its vocal line, lets the Shanling demonstrate impressively neutral tonality and winningly even frequency response.

Detail levels are high throughout, and there’s more than enough substance at the top of the frequency range to balance out the brilliance the HW600 lend to treble sounds. Mid-range insight is straightforwardly accomplished – there’s no secret of Williams’ technique that the Shanling aren’t party to, and they’re more than happy to put everything into convincing context.

There’s more than enough dynamic headroom available to make the shifts in intensity during Eartheater’s How To Fight absolutely obvious, and the sort of attention they pay to the harmonic variations during Arvo Pärt’s Cantus in Memoriam Benjamin Britten is approaching the fanatical. The textures and overlaps of that last recording are given full expression by the HW600, and as a result the sound is multi-faceted where, in less capable hands, it can come across as repetitive and monochrome.

Really, about the only area where the Shanling don’t perform with complete confidence is at the very bottom of the frequency range. The HW600 dig deep, most certainly, and they hit with solid assurance – there’s nothing powder puff about the low-frequency impact these headphones can summon. And up to a point, there’s plenty of variation and fine detail available at the same time. Beyond that point, though, down at the very depths of their extension, the Shanling lose some of their insight and simply rumble.

There’s no light or shade to the deepest bass notes here, no suggestion of texture or detail. If it’s ever going to be an issue, it will affect those who listen to a lot of EDM or other content that relies on low-end eloquence. The rest of us might just note it in passing and get on with enjoying the other 99 per cent of the reproduction of the frequency range.

  • Sound quality score: 4.5/5

Shanling HW600 wired headphones' jack on a white surface

(Image credit: Future / Simon Lucas)

Shanling HW600 review: Design

  • Friction-pole headband adjustment
  • Make liberal use of lambskin
  • 480g

Planar magnetic headphones, simply as a consequence of the technology they use, tend to be on the large side. But there’s ‘large’ and then there’s the Shanling HW600. I’m 6ft tall, and I flatter myself that my head is of proportionate size, but the HW600 just about fit me when adjusted to be as small as possible. So if you’re fortunate enough to be on the petite side, you can forget it.

Let’s assume, though, that your head is large enough to be accommodated comfortably inside the Shanling. You’ll find yourself wearing a pair of comfortable, nicely finished headphones that disguise their 480g weight well thanks to a carefully considered hanger arrangement. The earpads are of angled memory foam covered in lambskin, and there’s more of this rather divisive material forming the thin contact area of the headband. Between the two-tier headband arrangement and the rather rudimentary friction-pole headband adjustment mechanism, the HW600 are more than a little reminiscent of some of Meze Audio’s pricier over-ear designs. Imitation is the sincerest form of flattery and all that.

The outside of the earcups, as well as the yokes and outer portion of the headband, are made of aircraft-grade ‘7xxx’ aluminum – it feels almost as good as it looks. The design of the outer part of the earcups is, says Shanling, inspired by the traditional method of creating bamboo joints. It’s quite elegant and understated, and it prevents the HW600 looking as assertively open-backed as they otherwise might.

  • Design score: 4/5

Shanling wired headphones headband on a white surface

(Image credit: Future / Simon Lucas)

Shanling HW600 review: Value

  • Premium materials, flawlessly deployed…
  • … and plenty of them
  • Successful in virtually every area of audio performance

Expensive(ish) headphones are always tricky in this respect. They need to be reasonably light in order to be comfortable, and until you get up close a pricey pair can look very much like an affordable pair.

But Shanling has given it a go where perceived value is concerned, there’s no arguing with the fit and finish, and sound quality is well up to the sort of standard the asking price demands. If you can live with the liberal use of lambskin, there’s definite value here.

  • Value score: 4.5/5

Closeup of the headband of the Shanling HW600 wired headphones

(Image credit: Future / Simon Lucas)

Should I buy the Shanling HW600?

Shanling HW600 wired headphones

(Image credit: Future / Simon Lucas)

Buy them if...

You like nice things
As long as you’re fine with all of these materials, it’s hard not to admire the job Shanling has done where building and finishing the HW600 is concerned

You’re a bit of an iconoclast
Just because you’re spending big money on headphones, it doesn’t automatically follow that the big, storied brands are the only ones worth considering

You enjoy a vivid, widescreen sound
The HW600 are a spacious, properly defined listen that will never leave you in any doubt as to the position of elements on a stage relative to each other

Don't buy them if...

Your head is even remotely petite
Big money in this instance buys big sound and big headphones – anyone with a smaller-than-average bonce might find the HW600 a bit much

You’re vegetarian
Another day, another audio brand that can’t see beyond animal hide as shorthand for ‘luxury’

You value low-frequency insight above everything else
Down at the very bottom of the bottom end, the Shanling lose a little of their otherwise-forensic insight and become rather more monotonal

Shanling HW600 review: Also consider

Meze Audio Liric
Visually the Shanling HW600 have a fair bit in common with Meze Audio’s Liric wired over-ear headphones – and now Liric 2 are available, the original is down to HW600 money. ‘Different to’ rather than overtly ‘better’ or ‘worse’ than the Shanling, the Liric are a confident and rigorously controlled listen.
Read our Meze Audio Liric review for the full story.

Fiio FT5
If you’re after some planar magnetic goodness without pushing the boat quite so far out, you should pay attention to the FT5 by FiiO. They’re just as big as the Shanling, just as sonically accomplished on a pound-for-pound basis… and they’re frankly a bit of a bargain.
See our Fiio FT5 review for the full story

How I tested the Shanling HW600

  • Connected to an iFi Diablo 2 and a FiiO M15S
  • Music of many different styles and resolutions
  • Tested for well over a week

Being temporarily light on full-size equipment with anything other than a 3.5mm headphone socket, I used the HW600 connected directly to a FiiO M15S hi-res digital audio player via its 4.4mm output. I also plugged them into an iFi iDSD Diablo headphone amplifier, again via the 4.4mm connection, which was in turn connected to an Apple MacBook Pro running Colibri software.

And then I listened to a lot of different styles of music, of various file types and sizes, on a fairly strict ‘10am - 5pm’ basis for the entirety of a working week while taking time to compare the sound of the Shanling to a few appropriate alternatives I have about the place…

Shure SE215 review: these wired earbuds serve up incredible noise isolation and a healthy side of bass
7:30 pm | December 27, 2024

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Shure SE215 review: Review

The Shure SE215 have made quite a name for themselves in the live music scene, offering solid monitoring capabilities at a competitive price point. Specifically, the SE215 are often available for less than $100 / £100 / AU$200, meaning they’re a fairly low-priced set of entry-level in-ear monitors for live performers, producers, or fans of wired listening.

Let’s start where it matters most: sound quality. The Shure SE215 have a self-proclaimed “warm” sound signature and look to showcase “enhanced bass” while still delivering clear, detailed overall audio. So, how do they fare? Generally, quite well.

First, the Shure SE215 live up to their promise of offering enhanced bass. When I tuned into Black Eye by Allie X, the thumping drum machine had impressive levels of depth and responsiveness, making for a punchy, rhythmic listening experience. Generally, the track’s bouncing bassline was managed well, sounding controlled and impactful throughout the song’s runtime – something I’d always look for when testing the best wired earbuds.

And this was a recurring theme, pretty much every tune I threw on offered very good low-end depth, especially considering the price you pay for these IEMs. The only slight issue you may have is that the higher focus on bass can result in a slightly cluttered sound, especially at top volumes.

When listening to I Want You by Moloko, the song’s pounding bass was both impactful and immersive, but cranking the volume up could sometimes create a slightly overbearing, cluttered sound. This could be slightly frustrating for musicians who want ultra-clear, expertly balanced information during sets, but again, at medium volumes, I found the focus on bass to be pleasing, rather than a source of severe bloating.

The only other complaint I’d have sonically is that highs can sometimes sound a touch inaccurate with these IEMs. For instance, cymbals in I Want You sounded prominent but slightly harsh, particularly the crash that connects the intro to the main portion of the track. But otherwise, audio quality is up to standard here. Vocals, although not perfectly breathy or realistic, are clear and well-balanced, while music rarely sounds distorted or tinny.

Despite offering commendable audio quality, I’d argue that the real highlight of the SE215 is in another domain entirely – passive noise isolation. I’ve been impressed by Shure’s wired noise cancellation before (see my Shure AONIC 3 review), and these deliver more than enough protection against external sounds.

When using the default foam tips and listening at around 50% volume I could barely hear anything in my office, from typing through to colleagues conversing. At one stage, there was some drilling taking place, which was audible, but strongly dulled, thanks to the excellent seal these ear tips provide. So, if you’re a musician who needs a consistent, clear audio feed, free from too much distraction, the SE215 will serve you well.

Speaking of the included ear tips, you get the usual selection of small, medium and large included. But that’s not all, you also get the same, but in gel form, if you find that more comfortable for longer in-ear listening. On top of that, you get a fabric carrying case included with the earbuds, which has a clip that can attach to a belt or bag – pretty handy. For the price, you do get a decent amount included, but something worth considering is that there’s no in-line mic or controller. You can detach the cable and switch it out for an alternative with such features, but you’ll have to cough up extra for this.

I mentioned earlier that you get a great seal with these earbuds and the overall fit is very secure. The buds are attached to a bendy wire that can be molded around your ear – ideal for keeping them in-ear when you’re on the move. I would argue, however, that these aren’t the comfiest buds on the market. You definitely get a reliable, tight fit but they can feel a bit uncomfortable after a couple of hours. So, if you’re looking for a wired option for casual listening, they may not be the best option.

Regardless, these are well-made IEMs with good build quality. The earbuds I tested came in a see-through, black-tinted shell so you can see the components powering the IEMs. That might not be for everyone, but I found it made for a cool-looking aesthetic. The buds don’t appear cheap or fragile, either, so these should last you some considerable time. They don’t have a specific waterproof rating, but Shure’s website claims that they’re sweat-resistant at the least, making them fit for purpose if you’re an on-stage performer.

Finally, the included wire is decently slim, except for the slightly chunky Y-connector. You’ll hear a bit of cable noise if moving around with these earbuds, but it’s decently muted, meaning the SE215 do well at mixing style and substance overall.

All in all, the Shure SE215 are a very solid pair of entry-level IEMs, that offer impressive bass, pleasing clarity, excellent noise isolation, and a neat design. Audio can get a little bloated at top volumes and you might not find them the most comfortable buds on the market, but they’re still more than fit for purpose, whether you’re on the stage, cooking up beats in the studio or indulging in some leisurely listening at home.

Shure SE215 earbud next to block

(Image credit: Future)

Shure SE215 review: Price and release date

  • $99 / £90 / AU$179
  • Launched in 2011

The Shure SE215 were released all the way back in 2011, but they’re still a super-popular option among musicians and fans of wired listening in general. They’re available for around $99 / £90 / AU$179, but you can pick them up for even less on sale, so keep an eye out for sweet deals. This model is available in a range of color options, including Black, Blue, Clear and Purple.

Shure SE215 review: Specs

Shure SE215 on table

(Image credit: Future)

Should you buy the Shure SE215 review?

Buy them if...

You want some entry-level IEMs
If you want some solid buds for monitoring audio during a live set or similar, the Shure SE215 are a good option. They don’t offer the most incredible levels of detail available, but you’ll get clear audio and a strong bass response that will likely get the job done.

You’re not looking to break the bank
If you’re searching for a step up in the world of wired listening, but don’t want to cough up too much money, the SE215 are worth considering. At less than $100 / £100 /AU$200, these certainly fit the bill – you won’t have to put up with the tinny or distorted audio that a lot of super-cheap options plate up, but you’ll not get top-tier audio either.

Don't buy them if...

You want an option for casual listening
For those of you that love wired listening, but aren’t into stage or studio monitoring, there are better options out there for you. Even the far cheaper SoundMagic E11C are an awesome option for more casual listeners who want a decently detailed listen on a budget.

You’re on the search for top-tier audio
The SE215 do sound good, with impressive bass levels and generally clear audio, but they’re not the most premium-sounding. If you want really great wired audio that’s even suitable for studio use, the Sennheiser IE 600 are an excellent choice, though you’ll have to splash a fair amount of cash.

Shure SE215 review: Also consider

Sennheiser IE 200
Clear, well-rounded sound, a gorgeous design and a lightweight feel. They’re just some of the Sennheiser IE 200’s star qualities, which have earned it the title of ‘best step-up earbuds’ in our wired earbuds guide. Price-wise, they’re a little more than the Shure SE215, but on sale, you can easily grab them for around $100 / £100. You may not find as good noise isolation here, but audio-wise, these are very strong. Read our full Sennheiser IE 200 review.

SoundMagic E80D
Whether you’re looking for an option that’s better sorted to casual listening or just want a pair of buds for USB-C listening, the SoundMagic E80D are well-worth considering. With a built-in DAC, impressively detailed audio and an excellent low-price, you’re looking at an awesome all-rounder. Read our full SoundMagic E80D review.

Shure SE215 review: How I tested

Shure SE215 next to carry case

(Image credit: Future)
  • Tested for two weeks
  • Used in the office and while outdoors
  • Predominantly tested using Tidal on FiiO M11S

I tested the Shure SE215 over the course of two weeks. I predominantly listened with them using Tidal on the FiiO M11S, but also tried them out using Spotify on my Windows laptop. I tested the SE215 in the office, at home and while out on walks near busy roads to assess noise-isolation capabilities.

When listening to music I played tracks from the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library.

  • First reviewed: December 2024
  • Read more about how we test
Nothing Ear (open) review: One issue upsets Nothing’s first-draft open-ear headphones
7:35 pm | December 9, 2024

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Nothing Ear (open): One minute review

I started testing for this Nothing Ear (open) review under the impression that, like other open ear headphones, they were designed for fitness use. Over the last few years open earbuds, or air conduction headphones, have become a popular type of sports headphone to let you hear your surroundings while running, cycling or working out outdoors.

When judged against this use case, though, the Nothing Ear (open) fly far from the mark, and they're not ideal for going on walks along roads either, and it’s all from one questionable design decision. I found them frustrating to use and had to force myself to put them on my ear every time I was going to hit the gym or go on a run.

It’s a shame, because Nothing has become a reliable name in earbuds in the last few years. Its Nothing Ear and Nothing Ear (a) from earlier in 2024 were both impressive and affordable earbuds with amazing bass and unique feature sets, and there were high hopes for the Ear (open), which mark the company’s first foray into the open-ear headphones market.

I’d wait until the second foray to buy some of these buds though, because as I said one design issue ruins the user experience with these buds. That issue is in the band hook, which loops over your ears to connect the body of the bud (which goes over your ear, providing the music), with the rest of it which goes behind your ear.

This band is made of a very flexible material which does a poor job at holding the bud and counterweight still. This means that when you’re moving; say, going on a run or bending down at the gym to pick up some weights, or even walking, it wobbles. Wobbles enough to change how the music sounds for a little moment, and wobbles enough to slap against the tragus of your ear (that’s the sticky-outy bit in your ear) if you’re moving rapidly or repeatedly.

Going for workouts with the Nothing Ear (open), then, was an exercise in patience: could I survive the tap-tap-tap of the wobbling bud for long enough to complete a course or a workout routine? For the purposes of this review I endured it, but I don’t think I would have if not for that!

Putting aside fitness use, it was also an issue when I was walking at any speed (though it was more pronounced the quicker my pace), and given that the entire point of open ear buds is that you can hear your surroundings when walking on roads, this means they miss the mark as non-fitness earbuds too.

Beyond the annoying design, the Ear (open) would need to be incredibly impressive to get a decent review, and unfortunately it missed that high bar. Primarily, the audio wasn’t on par with other open-ear headphones I’ve tested, particularly in the volume department — this latter is vital to combat surrounding sounds when you’re in busy areas.

I did like a few aspects of the buds: the case is the main one, as it’s pretty slender compared to other open-ear headphone cases and was attractive all things considered. Plus the touch controls on the earbuds were handy to use, and there was no sound leakage which fixes a problem I’ve faced in other earbuds (open-ear and not).

These elements show that Nothing is on the right track with the Ear (open), but I only see these buying a worthwhile buy if you’re not into your exercise. If you simply want earbuds you can wear in public without being unaware while crossing roads, it could be a decent option — as long as your walking pace isn’t too quick!

Nothing Ear (open) review: Specifications

Nothing Ear (open) review: Price and availability

The Nothing Ear (open)

(Image credit: Future)
  • Announced and released in September 2024
  • Priced at $149 / £129 / AU$249
  • Middling price for this kind of tech

The Nothing Ear (open) costs a reasonable $149 / £129 / AU$249, and was both announced and released in September 2024.

That price puts them slap-bang in the middle of a host of other open ear headphones on our list of the best open ear headphones (excusing the exceedingly-premium Bose Ultra Open, which costs twice as much).

The Nothing roughly matches the $149.99 / £149.99 (about AU$290) 1More Fit Open Earbuds S50, a competitor with which the Ear (open) has a lot in common (namely, a poor fit). If you want to spend a little more you can opt for the Shokz Openfit at $179.95 / £179.99 / AU$289 but if you want to save money, the OpenRock Pro go for $129.99 / £119.99 (roughly AU$185).

Bear in mind that open ear headphone tech is in its infancy, so you’re paying a premium no matter what you opt for; if you’re conscious about price, opting for ‘standard’ headphones will get you superior audio quality at a much lower price.

  • Value score: 3/5

Nothing Ear (open) review: Design

The Nothing Ear (open)

(Image credit: Future)
  • Bendy hook makes buds wobble
  • IP54 rating and light weight
  • Case is nice and slender

I’ll start with the case, because you will too when you take the buds out of the box.

If you’ve tried other ear-hook headphones, you’ll know that the cases often end up being pretty large to house the hook. The Nothing Ear (open)’s case is comparatively small, due to its thickness of only 2cm. Its total dimensions are 12.6 x 4.4 x 2 cm and it weighs 63.8g – I found it more pocketable than many other open ear headphone cases that I’ve tested.

Like most other Nothing headphone cases, this one has a see-through front, so it’s easy to double-check whether the gadgets are in there or not.

The headphones also resemble Nothing earbuds, in that they’re small and see-through with rounded designs, but with the addition of a long silicon hook to go around your ear and a counter-weight at the end. The buds weigh 8.1g each, so they’re lighter than many rivals, which is obviously really important for fitness earbuds.

In terms of an IP rating you’re looking at IP54: protection against dust ingress and sprays of water, but not full immersion in liquid. The important thing, though, is that they’re sweat-proof.

I’ve often touted Nothing’s buds as having some of the best touch controls: they’re pinch-controlled, so you get a nice haptic ‘click’ when you trigger the function. While the Ear (open) don’t provide this same click, they’re also pinch-controlled – they’re easy to use but impossible to accidentally trigger.

That’s a lot of praise for the Nothing Ear (open)’s design, and you’ve (presumably) already read in this review’s introduction that design is the Achilles Heel of the earbuds. And that’s correct.

The Nothing Ear (open)

Evidence of how easily-bendable the hook is. (Image credit: Future)

As I mentioned earlier, the hook is made from silicon, a very weak and flimsy material being used in a very thin hook. The result of this is that, when you move about, the body of the bud isn’t held in place – it bounces around horizontally which is really annoying to feel and affects the sound quality you’re getting. Sometimes, poor fit can be justified by a reviewers’ ears not matching the size of the buds, but given that this is an issue with the build, it’s a lot less subjective than that.

The fit is a lot less rigid than on other open ear headphones I’ve tried, which I can see some people hailing as making them comfortable, but this just exacerbated the issues that I faced. I’d rather firm-feeling wearables than ones that keep flicking me!

This floppy build quality made the Nothing Ear (open) infuriating to use when on a run, as the body would bounce up and down, and at the gym, as bending down to pick up weights or leaning back on a bench would see the gravity pull the body away from my ear. That’s why I said these aren’t fitness headphones – I found myself opting to hear the clunks and grunts of my gym than endure the Ear (open) wobbling around near my ears.

A problem like this doesn’t solely affect exercise though, and it was even a problem when going on walks. It’s hard not to view these as a ‘draft one’ version of the earbud, if the problem is this pronounced.

  • Design score: 2/5

Nothing Ear (open) review: Features

The Nothing Ear (open)

(Image credit: Future)
  • 8-hour battery life, up to 30 if counting case
  • Minimal feature set but equalizer present
  • ChatGPT function for certain users

In its marketing, Nothing loudly cites that the Ear (open) has a 30-hour battery life, but you have to delve into the small-text to realize that this refers to the combined lasting power of the earbuds and the case.

On their own, the earbuds last for 8 hours of listening time before they need to be charged, which is slightly above average compared to other earbuds — the lack of ANC helps here. The case holds 22 hours, for a grand total of 30, which is a little on the low side compared to some other bud cases on the market but it’s not a terrible figure.

In headphone reviews, ANC usually goes in the ‘features’ section, so I should touch on it for anyone using CTRL-F: there is none, of course, due to the nature of open earbuds. You don’t want to cancel noise, you want as much of it as possible!

In terms of the rest of the feature set, the Nothing Ear (open) has a few taken from other Nothing earbuds, but a few missing too. Using the Nothing X app you can change what the touch controls do, play with an equalizer, turn on a low-latency mode (for gaming, which doesn’t seem like something you’d want to do on open-ear buds?), and set off a ‘find my earbud’ alert which makes them play a loud chirping sound if you’ve lost them.

The Nothing Ear (open)

(Image credit: Future)

The equalizer is the main feature there, and it’s just as intuitive as Nothing fans will be used to. It’s default option is a three-band customization model between mid, bass and treble, but there’s an advanced option with an eight-band equalizer for people who know their way around EQ.

In the default Simple mode, there are three four presets as well as the ability to customize your own mix, which I think most people will go for. A few Nothing features like Bass Enhance mode and Listening Test are missing, but that’s not unexpected given the nature of these headphones.

If you own a Nothing or CMF phone you get an extra feature: you can use ChatGPT as your smart assistant from the buds. You can easily squeeze the button and ask your buds what the weather’s like, what the time is or how many kilometres are in a marathon — given that it’s ChatGPT, though, there are no guarantees that the answer will be correct!

  • Features score: 3.5/5

Nothing Ear (open) review: Performance

The Nothing Ear (open)

(Image credit: Future)
  • Max volume isn't high enough
  • Lacking bass and mid
  • Little sound leaking

You can’t expect incredible audio quality in open-ear headphones, due to the way they work — it’s just the nature of the beast, and a trade-off you get with the increased situational awareness of wearing them. That’s not even factoring in how background sounds will get in the way of your tunes.

However even with this in mind, I wasn't blown away with how the Nothing Ear (open) sounded. I’ve typically found Nothing earbuds to provide overwhelming bass and admirable treble and mid, but that wasn’t the case here.

The earbuds didn't offer as much bass as fitness-bud fans will be accustomed to, and while they did fare a lot better in the treble department, mid was left in the wayside. There was quite a bit of peaking and distorting too, particularly on drums but it affected other instruments to a noticeable degree too.

Some of these issues could be fixed with the EQ, and I squeezed enough extra bass into tunes to emphasize some workout tracks, but was always aware that I could get a better sound quality purely by changing to another pair of earbuds (normal, workout or open).

A gripe I’ve had with previous Nothing earbuds reared its head, in that the maximum volume wasn’t that high. I listened at max volume for most of my listening, and lots of the time when I was outdoors I could barely hear my music.

One thing I do appreciate — though it could be a knock-on from the volume issue — is that there’s very little audio bleed. People around you won’t be pestered by the tunes you’re listening to.

  • Performance score: 3/5

Nothing Ear (open) review: scorecard

Nothing Ear (open): Should I buy?

The Nothing Ear (open)

(Image credit: Future)

Buy it if...

You own a Nothing or CMF phone

The extra features that the buds provide alongside a Nothing-created phone are a neat extra that may sway your decision.

You're worried about sound leaking

Don't worry: despite the design, people around you aren't going to hear your tunes with the Nothing Ear (open).

You own in- or over-ear headphones

These shouldn't be your only pair of headphones, not if you like music. But to complement another pair, they might be acceptable.

Don't buy it if...

You exercise

For reasons explained in detail before, these earbuds just aren't good for exercising with. Sorry.

You'll wear them in noisy areas

The limited maximum volume of the Nothings means that it's hard to make out the words to songs if you're in busy areas.

Also consider

OpenRock Pro

These are some of the better-sounding open ear headphones I've used, but the best aspect was the long battery life. Plus, they're cheaper than the Nothings.

Read our full OpenRock Pro review

1More Fit Open Earbuds S50

Another feature-packed open-ear option which was again let down by an unreliable fit is these 1More buds, which match the Nothings in price.

Read our full 1More Fit Open Earbuds S50 review

How I tested

To write this review, I used the Nothing Ear (open) for roughly three weeks. During the first two weeks of that, I only used them for exercise: on a run or at the gym (so perhaps five hours per week), but for the final week I made sure to use them a lot more.

This latter testing involved use at home, at my office, on walks in various areas and on public transport. Most of my testing was done using Spotify and Tidal though I watched a few videos and played games to see how they fared. It was paired with an Android phone during the process.

I've been reviewing technology for TechRadar for almost six years as of writing this, which includes many audio and fitness devices. I've also tested open-ear headphones and other Nothing earbuds prior to the Nothing Ear (open).

Bose QuietComfort Earbuds 2024 review: an in-ear update that deliver arguably best-in-class value
3:30 pm | November 27, 2024

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Bose QuietComfort Earbuds: Two-minute review

Bose clearly likes the name 'QuietComfort Earbuds', because this is the third pair of earbuds to which the brand assigned the name – and that's not even counting suffixes! To clear up confusion, we've slapped the '2024' on the end up in the headline and our section headers. Got it? Good.

Following on from 2020's Bose QuietComfort Earbuds, 2022's Bose QuietComfort Earbuds 2 and 2023's Bose QuietComfort Ultra Earbuds, these could be called 'Gen 3' or simply '3', but Bose has decided to simplify things but dropping the descriptor entirely. For all intents and purposes, then, these are the new QCE (until newer ones come out).

It's no wonder that audio powerhouse Bose loves this name, though, because it's a very literal description of the two principal selling points of its earbuds. When you wear them, things are quiet (because of the Active Noise Cancellation) and comfortable (because of the design).

First up, the ANC: Bose's earbuds have noise cancellation that beats out anything else I've tried at this price – and many earbuds that cost much more. It completely eradicates all but the most incessant and loud background noises, and its Aware mode is fantastically smart in isolating and amplifying voices while hiding other sounds.

I was surprised by just how dramatic the two modes were. On a stormy day, on Aware mode, I could hear someone talking to me perfectly but didn't hear a peep from the trees which were almost blown at a 90-degree angle. Turn on full Quiet mode and I couldn't even tell if someone was talking to me.

Onto 'comfort', then. Again the Bose QuietComfort Earbuds knock it out of the park, with a snug and sturdy fit. Bose has brought back its stability bands from previous models, but has redesigned them to look slightly less like velociraptor talons – these ridges ensure the buds stick firmly in your ear. During testing, I was constantly surprised by just how secure the earbuds felt; in fact near the end I did an 8km run and never did the earbuds come close to falling out.

But the name isn't all, and the Bose have a few other tricks up their sleeve: they sound great, the battery life is surprisingly good, the app has plenty of features and the price is pretty low all things considered.

A few minor annoyances detract from the experience of using the Bose QuietComfort Earbuds, but not by much. I found the case a little too big, and it really bulged out of my pocket. Plus, the buds support the SBC and AAC codecs for music streaming, but audiophiles will miss the likes of aptX, FLAC and WMA.

My personal biggest gripe, though, was that the earbuds' voice controls were far too sensitive, to the point that other people nearby me would accidentally control my earbuds when saying words similar to the voice commands. This was easily remedied by me turning the feature off, but it's a shame for there to be a feature that I can't use.

These issues aside, the Bose QuietComfort Earbuds are some of the best mid-range buds you can buy for the price, and might even sway you into spending your hard-earned cash here, instead of on something plenty more expensive but not that much better.

Bose QuietComfort Earbuds 2024 review: Price and release date

The Bose QuietComfort Earbuds 2024 held above  a wooden table.

(Image credit: Future)
  • Unveiled in October 2024
  • Sells for $179 / £179 (roughly AU$270)

Bose announced the QuietComfort Earbuds in October 2024, following the biannual release schedule of the other two earbuds of the same name.

You can buy the Bose QuietComfort Earbuds for $179 / £179 (roughly AU$270, though I couldn’t find them on sale in Australia). This price puts them as more affordable alternatives to the QuietComfort Ultra Earbuds, which sell for $299 / £299 / AU$449.

Ignoring the premium alternatives, the ‘standard’ QuietComforts’ price places them in the mid-range earbuds sector – you can’t call them 'cheap' but they’re certainly not expensive either, bringing some top-end features to a lower price point. Importantly, they're about $/£100 cheaper than their two namesakes.

It’s a surprisingly scarce market segment compared with other gadget types' mid-ranges but the JBL Live Beam 3, Creative Aurvana Ace 2 and Sony LinkBuds Fit are some of the few options at that same rough price area.

Bose QuietComfort Earbuds 2024 review: Specs

Bose QuietComfort Earbuds 2024 review: Features

The Bose QuietComfort Earbuds 2024 case on a wooden table.

(Image credit: Future)
  • Fantastic ANC
  • 5-band equalizer with presets
  • Overexcitable voice controls

To make the most of the Bose QuietComfort Earbuds, you need to use the bespoke Bose QCE headphones app – not any of the other Bose apps on your chosen app repository – and I’d strongly recommend you download it because it’s your ticket to most of the headphones’ features.

Let's deal with the first half of the QuietComfort name. Bose knocks the 'quiet' bit out of the park – it’s almost like the company names its products based on its fantastic noise cancellation. The QCE use a similar Active Noise Cancellation tech to Bose’s other products, many of which we rate as the best ANC earbuds. In fact, the company’s website implies, but doesn’t go so far as to explicitly say, that it’s exactly the same tech.

Either way the ANC is fantastic, drowning out sounds which I thought would be impervious to the best ANC-ing; no more chatty office spaces, rattling of train carriage or roar of wind in trees. I also found the earbuds’ Aware mode more accurate than many companies’ equivalents – this cancels most background noises but isolates and amplifies certain noises like oncoming traffic or people talking nearby.

The app also has an equalizer – it mostly offers you presets but there’s a custom mode that lets you adjust low, low-mid, mid, high-mid and high sounds to your taste. It’s not quite as in-depth as many earbud EQs but I’d say it’s the most complex you can make an EQ like this while making it usable by non-audiophiles.

The Bose QuietComfort Earbuds 2024, and case, on a wooden table.

(Image credit: Future)

Other features enabled by the app include multi-point pairing, the ability to change the touch control functions, a way to set up the earbuds to be remote camera triggers for your phone, a low-latency gaming mode, a battery prediction feature – which was really useful, so much so, I wish there were a way to find it that wasn’t buried in menus! – and voice control.

If you’ve read the introduction, you’ll know that I had an issue with this latter feature. It’s intended to let you use voice commands to control the buds hands-free (rejecting or accepting calls, playing or pausing music, skipping tracks, changing the volume, adjusting the ANC and so on) but it was far, far too sensitive. When I tested the buds in my office or in public, people around me would (accidentally, I presume) trigger these voice functions, and I kept finding my music stopping, or getting louder. It's really annoying. The only way to stop this happening, I found, was to turn off voice commands.

At some point, the QCE are getting a feature from their Ultra sibling: Bose Immersive Audio is on its way, though it wasn’t on the buds as of this review. This feature is basically Bose’s own version of Spatial Audio, so movies, games and sometimes music sound like they're coming from all around you. However the buds miss another feature of the Ultra, CustomTune technology which scans your ears to deliver sound mixed for you, a sign of the lower price.

Bose predicts the battery life of the buds to be 8.5 hours with the case getting you an extra 31.5 hours (or 2.5 charges). In my testing, the buds actually hit nine hours with ANC on, so presumably they'd last even longer with it turned off. I presumed 8.5 hours would be ANC off, with an ANC on figure of around six hours, and was very pleasantly surprised.

  • Features score: 4.5/5

Bose QuietComfort Earbuds 2024 review: Design

A close up of the Bose QuietComfort Earbuds 2024, held in the hand.

(Image credit: Future)
  • Comfortable and secure fit in-ear
  • IPX4 rated against sweat and showers
  • Chunky case

Given this section is about design, it's time to deal withe the second half of the QuietComfort name.

Each bud weighs 8.5g, and they’re bigger than some other earbuds I’ve used but the center of mass is towards the ears so they don’t wobble when you’re walking. They felt secure and comfortable to wear, even for long period of time, and I never felt any worry about them falling out.

Helping the security of fit is the fact that each earbud has a ‘stability band’, a protruding rubber ridge which helps ensure that the bud is wedged into your ear. There are multiple sizes of this in the case, as well as different ear tip options, and I imagine most people would be able to use these to find a fit as stable as mine.

The Bose QuietComfort Earbuds 2024 case on a wooden table.

(Image credit: Future)

Further helping the 'comfort' descriptor are the buds' incredibly easy-to-use buttons, which you can activate with just a tap of the flat part of the body.

Unlike many other earbuds, you don’t need to push the buds so far into your ear that they hit skull, nor do they require a finger manoeuvre so complex that you need to be double jointed. However, the sensitive button did pick up accidental touches quite a bit, especially when I was was putting the buds in my ear.

The buds are IPX4 resistant, which Bose says they repel sweat and ‘water’, albeit the latter is more likely to be splashes instead of immersion.

A small gripe I have with the new QuietComfort Earbuds is that the case is a fair bit bigger than most other true wireless cases I’ve tested. It’s not exactly football-sized but its 3.2 x 8.9 cm x 5.1 cm body made it feel like a rock in my pocket.

The case also feels like a questionable element as the buds audibly rattle around in it. I don’t think they could ever sustain damage from this wiggle room but it makes you question whether or not there’s a lot of empty space there…

  • Design score: 3.5/5

Bose QuietComfort Earbuds 2024 review: Sound quality

The Bose QuietComfort Earbuds 2024 in-ear.

(Image credit: Future)
  • Warm and energetic audio
  • Wide sound stage
  • Not all codecs supported

Though Bose hasn’t added a word into its earbuds’ name for sound quality, prospective buyers will be happy to know the QuietComfort Earbuds don’t cost you a premium price.

The QCE have a crackling warm tone, with rich and meaty bass, though not to the extent that these will only cater to bass-heads. I’ve used earbuds that turn the bass up to 11 to the detriment of everything else, but these buds are more nuanced. Mid tones remain energetic and excitable and for the most part, treble did too, although in certain songs I did find the vocals missed some sparkle that other earbuds could provide.

The QuietComforts go nice and loud too – not ear-blisteringly loud when you crank it to the max, but I never found myself going near to the max volume in everyday use.

My favorite aspect of the buds’ audio, though, was a much more dramatic sound stage than many other buds I’ve tested. You can hear the different instruments spread around you like dishes at a tapas restaurant, and if you close your eyes you feel like you could point to where each one is. In fact, I’d say these Bose provide perhaps the best sound stage of any earbuds that don’t support top-end audio codecs.

Oh yeah, about that – support for some fancier codecs and features are missing, which ensures the Bose Earbuds Ultra still maintain some relevance, but if you listen to your music on Spotify you might not even mind.

  • Sound quality: 4/5

Bose QuietComfort Earbuds 2024 review: Value

The Bose QuietComfort Earbuds 2024 on a wooden table.

(Image credit: Future)
  • Rare earbuds that justify the price
  • Bose's best value-for-money proposition

I previously referred to the Bose QuietComfort Earbuds as some of the best non-premium in-ears. Though this is true, in that they’re definitely cheaper than the top-end buds you can find on the market, they’re still pricier than loads of other options out there.

If you want to save money, you can find earbuds with pretty good fit or ANC or sound quality for about half the price of the QCE. They won’t do the job quite as well as these buds, but they’ll save you money.

But if you want features as advanced as the QuietComfort offer, you’d be hard-pressed to find a rival as capable on all fronts and costs any less.

I'd add that, being cheaper than previous QCEs and the Ultras, these are arguably the best-value earbuds Bose has put out recently.

  • Value: 4/5

Should I buy the Bose QuietComfort Earbuds 2024?

Buy them if…

You need quality noise cancellation
If you work somewhere noisy or hate hearing annoying sounds on your commute, the QuietComfort Earbuds' ANC will be a blessing.

You have trouble finding well-fitting earbuds
Sometimes, it can be really hard to find earbuds that fit you well. Not so much with the QCE, which come with multiple ear tips as well as stability loops for a secure fit.

Don’t buy them if…

You're buying them for the voice controls
The Achilles' Heel of the Bose QCE is the voice controls, which are far too sensitive. If that's the reason you're buying, I'd advise looking away.

You want to listen on high-res codecs
With the Bose QCE only supporting SBC and AAC codecs, people who want high-quality sound from top-tier apps will be disappointed..

Bose QuietComfort Earbuds 2024 review: Also consider

Bose QuietComfort Ultra Earbuds
A year after going on sale, these Ultra earbuds have reduced to nearly as low as the new buds. They have some extra features and a slightly different design.

See our full Bose QuietComfort Ultra Earbuds review

JBL Live Beam 3
This same-priced alternative have a cool case screen, a great battery life and pretty good audio, even if the QuietComfort win for quietness and comfort.

See our full JBL Live Beam 3 review

How I tested the Bose QuietComfort Earbuds 2024

The Bose QuietComfort Earbuds 2024 pictured in the palm of the hand.

(Image credit: Future)
  • Tested for two weeks
  • Tested at home, in the office and on trips

The testing period for this Bose QuietComfort Earbuds review lasted two weeks, not counting time spent reviewing. I used them alongside my Android smartphone with many different music and video streaming apps, and also games.

The Bose got to enjoy a few different environments over those two weeks including my home, my office, various trips to the local neighborhood and gym, bus and train trips and even a run at one point.

I've been testing gadgets for TechRadar for nearly six years now, including audio products for much of that time, and that includes some of the earbuds I compared the Bose to earlier.

  • First reviewed in November 2024
Apple EarPods USB-C review: sleek, stylish, yet sonically unremarkable wired earbuds
6:56 pm | November 21, 2024

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: | Comments: Off

Apple EarPods USB-C: Two-minute review

Reader, I want you to cast your mind back to the 2010s, maybe even the noughties – I’m sure many of you will have fond memories of plugging your wired Apple earbuds into your iPod, or perhaps even an early-gen iPhone. And my mind was cast back to this exact period as soon as I got my hands on the Apple EarPods USB-C. These wired earbuds may not fit your iPod anymore, but they’ll work with almost any modern handset – Apple or not – thanks to their USB-C connector. But do these buds merely open a window to the past, or do they craft a strong sonic experience in their own right?

Well, to find out, let’s start with sound quality. Perhaps unsurprisingly, you’re not going to get next-level performance from the Apple EarPods USB-C; after all, they only cost $19 / £19 / AU$29. But for the most part, they do still offer adequate audio. I rarely felt that treble was too grating or that overall sound was tinny – an issue that a lot of cheap competitors are guilty of. On top of that, you get a decent helping of bass – even if it’s not ultra-clear or able to stretch to extreme depths. Given these also support Apple lossless audio, at a glance they seem decent for general audio quality – but let’s drill into the details.

I tried listening to Young Blood by The Naked and Famous and quickly identified one key issue. The electric guitar that blares throughout the track is meant to have a well-defined position in the mix – in the lower-mid range, separated from the bass – to uphold the track’s powerful, full-sounding profile. However, it really didn't sound all too distinct, coming through slightly muddied with sounds in the low-end – an issue that you won’t experience with some of the best wired earbuds.

And speaking of that low-end, you’re not going to be blown away with incredibly clear quality. For instance, I played Ma quale idea by Pino D'Angiò and the iconic, funky bassline was uncharacteristically muddy. This muddiness almost smothered D'Angiò’s smooth, deep vocals, cluttering the soundstage. Despite that, actual bass levels are respectable – you get a solid amount of low-end weight for some super-cheap wired buds, even if clarity isn’t top-drawer. You won’t get tasty sub-bass though. I tried listening to The Boys Are Back In Town by Yung Gravy and although sub-bass was audible, it lacked its imposing, ground-shaking boom.

The lack of bite was also apparent with treble elements in Rains again by Solji and the vocalist’s high notes – despite avoiding the abrasiveness some cheap buds inflict – failed to reach their grandiose, showstopping potential, sounding slightly dulled and restrained.

Something that I feel diminishes the listening experience significantly is actually nothing to do with audio quality, though. That’s right: I’m talking about the fit of the Apple EarPods USB-C. These earbuds don’t have eartips, so you don’t get a proper seal with them. This looser fit means that sound isn’t perfectly concentrated and the buds will sometimes feel as if they’re falling out of your ears. This can be quite frustrating when you’re on the move; I found myself readjusting to get a more snug feel a little too often for my liking. It is worth noting, though, that some may find wearing buds with eartips for extended periods uncomfortable – so your impression of the fit itself will vary depending on personal preference.

A less debatable flaw of the relatively loose fit of the EarPods is that it allows a lot of external noise to seep through. Again, the lack of eartips removes what is typically a passive protective layer, so I often heard colleagues talking in my office or cars zooming by while on walks. If shutting out the wider world is a top priority, I’d simply recommend not grabbing these – there are better wired options for noise isolation, like the SoundMagic E80D or cheap wireless buds with active noise cancellation, like the Earfun Air Pro 3.

But on a positive note, these are a very elegant pair of wired buds – in fact, a lot of budget competitors can’t even come close in the style department. They are a fair bit heavier than a lot of competitors at 1.1oz / 30g, but they never felt heavy in-ear or irritating to wear for longer listening sessions. The drivers are encased in the classic white glossy housing that Apple fans will be well accustomed to. The wire is also slim, rounded and not too bad of an offender when it comes to cable noise – which is still noticeable, but not overwhelming. The USB-C connector here is also pleasingly compact and never got in the way when I was holding my phone.

Finally, the included controller is sleek and well-sized, though it did sit a little closely to my cheek – if it was slightly further down the wire it would be perfect. It includes volume and play/pause controls for music and taking phone calls, as well as a mic. And in terms of quality, the mic is pretty standard. Vocals were decently clear on a voice recording and phone call, although there is some noticeable static in the background – something that’s typical for cheap and even some less cheap buds.

So, at the end of it all, where do I stand on the Apple EarPods USB-C. Did they provide a fun, nostalgic ride for me? Sure, they still have the token Apple charm, sleek looks and minimalist design, and the wired look is aesthetically pleasing, in my view. But did they impress me in terms of audio quality? Well, not quite. The soundstage is a tad messy, with instruments often failing to find a defined pocket to play in. But having said that, there’s not too much tinniness or unpleasantly aggressive treble sounds that you get with a lot of cheap wired buds. Overall, then, the Apple EarPods USB-C are pretty solid given their low price – that is if you can deal with their lack of ear tips.

Apple EarPods USB-C plugged into iPhone 16 with Apple Music showing on the handset's display

(Image credit: Future)

Apple EarPods USB-C review: Price and release date

  • $19 / £19 / AU$29
  • Launched in 2023

The Apple EarPods USB-C released in 2023 and are the tech giant’s debut in the wired USB-C world. One of the most attractive things about these buds is their super-low price. They’re available for just $19 / £19 / AU$29 – that’s in-line, or cheaper than a lot of competitors. You can only get them in one color, White, but that was no issue in my book, given the glossy, bright look suits them to a tee.

Apple EarPods USB-C review: Specs

Controller of the Apple EarPods USB-C

(Image credit: Future)

Should you buy the Apple EarPods USB-C?

Buy them if...

You love the way Apple products look
If you typically like the white, glossy look of Apple’s peripherals, you’ll surely be a big fan of these buds – well, design-wise at least. If your top priority is style, these hit the right notes, thanks to a diminutive connector, sleek curved buds and a slim wire.

You’re on a tight budget
These buds subvert the preconception that many have of Apple products – they’re not expensive at all. At just $19 / £19 / AU$29, they’re ideal if you’re working with a limited budget.

Don't buy them if...

You’re an audiophile
If top-drawer audio quality is what you’re after, keep looking. I didn’t find these buds to produce grating, nasty sound, but I didn’t feel that they offered well-defined, separated or dynamic audio either. They’re just decent sound-wise – fine for cheap buds, but not good enough for the keenest of listeners.

You want decent noise isolation
Because of their shape and design, the Apple EarPods USB-C won’t keep sound out effectively whatsoever. If you want passive noise isolation, you’re better off choosing some buds with ear tips in order to form a sound-repelling seal.

Apple EarPods USB-C review: Also consider

Skullcandy Set USB-C
The Skullycandy Set USB-C offer a sleek, curved design, excellent color options and IPX4 waterproofing, making them a worthy budget pick. Audio isn’t going to wow and the controller lacks volume controls, but if you just want some stylish, cheap buds, that likely won’t be a real dealbreaker. Read our full Skullcandy Set USB-C review.

SoundMAGIC E80D
If you want to take a step-up on the Apple EarPods audio quality-wise, the SoundMagic E80D could be the perfect fit. They’re a fair bit more than Apple’s buds, but for less than $50/£40/AU$70, you still get detailed, balanced audio – partially thanks to a built-in DAC. You also get solid noise isolation and a comfortable fit. Sure, the controller is a little fiddly, but otherwise these are a great pair of wired earbuds. Read our full SoundMAGIC E80D review.

Apple EarPods USB-C review: How I tested

Left earbud of the Apple EarPods USB-C

(Image credit: Future)
  • Tested for one week
  • Used in the office, at home and while on walks
  • Listened using both Apple Music and Tidal

I tested the Apple EarPods USB-C over the course of one week. I used them while using Apple Music on the iPhone 16 as well as with Tidal on the Samsung Galaxy S24 FE. I also played tunes on Spotify and watched video content via YouTube. I tested the EarPods USB-C in the office, at home and while out on walks near busy roads.

When listening to music I played tracks from the TechRadar testing playlist, which contains songs spanning a variety of genres – though I also spent hours blasting bangers from my personal library. When appropriate, I compared these buds to the similarly priced Skullcandy Set USB-C, in order to better assess audio quality, comfort and elements of design.

  • First reviewed: November 2024
  • Read more about how we test
Creative Zen Air SXFI earbuds review: good budget buds let down by iffy ‘Super X-Fi’ and Ambient sound profiles
5:00 pm | November 11, 2024

Author: admin | Category: Audio Computers Gadgets Headphones | Comments: Off

Creative Zen Air SXFI: Two-minute review

The Creative Zen Air SXFI are true wireless earbuds at a tempting price with plenty of advanced features, from active noise cancellation (ANC) to Creative’s proprietary ‘spatial holography’ mode, Super X-Fi. But are these earbuds set to enter our best noise-cancelling earbuds guide – and ultimately, are they really worth your consideration?

The Zen Air SXFI Earbuds certainly look the part, with a tasteful matte gray colorway and metallic detailing, alongside a charging case and supplementary cloth bag (unusual!) for carrying around your earbuds in style. An IPX5 rating means they can withstand jets of water too (though not full submersion), so they might be a good choice for walkers, runners and other exercise freaks on a limited budget.

And I was a fan of the sound quality, at least when Creative let the earbuds do their own thing. It’s when additional modes come into the picture that things get tricky – whether it’s the Super X-Fi audio mode distorting the sound, or Ambient Mode funneling scratchy recordings of the outside world into your ear.

You get an impressive suite of features for the $80 / £70 price tag, though some of them are better ignored – so honestly, it can be hard to figure out what the Creative Zen Air SXFI earbuds actually offer in terms of stone cold value over the competition. However, there’s something to be said for its IPX5 water resistance and a lot to be said for the 39-hour battery life. Elsewhere, it's good to see Bluetooth 5.3 connectivity and important to note that these earbuds still get the key metrics right, despite some iffy implementation of their more premium features.

Creative Zen Air SXFI review: Price and release date

  • $79.99 / £69.99 / AU$139.95
  • Launched in June 2024

The Creative Zen Air SXFI headphones retail for $79.99 / £69.99 / AU$139.95, having been released in June 2024. That’s roughly the same price as the older Creative Zen Air Pro model was at launch, though the latter is now heavily discounted to make way for the new version.

If you're looking for over-ears, it's worth giving a shout-out to the May 2024-release Creative Zen Hybrid SXFI at $99.99 / £89.99 / AU$69.95. Here, we actually loved Creative's proprietary spatial audio side-sauce – which, as you'll soon see, sadly isn't the case here. 

Creative Zen Air SXFI headphones review: Specs

Creative Zen Air SXFI review: Features

Creative Zen Air SXFI charging case and cloth bag

(Image credit: Future / Henry St Leger)
  • Adaptive ANC and Ambient Mode
  • SXFI app
  • Bluetooth 5.3

The Creative Zen Air SXFI headphones use Bluetooth 5.3. This basically means that you’re getting fast, energy efficient connections with a good range that are unlikely to drop out easily, and the ability to connect simultaneously with other devices. (I did struggle connecting the earbuds to any device at first, but the issue seems to have resolved itself before I needed to call in a new unit, and I haven’t had a problem since.)

These earbuds do feature touch controls, which is a great inclusion for the price. Essentially, holding down the left earbud decreases volume, whereas holding down the right increases it – there’s no slider here. Double tapping the right earbud pauses or restarts playback, whereas double tapping the left cycles through ANC, ANC Adaptive, ANC off, and Ambient Mode.

As a refresher, ANC – or active noise cancellation – works by using built-in microphones to record outside noise and cancel out those wavelengths. Adaptive is the same idea, but it’s able to respond more dynamically to fluctuations in outside noise.

The ANC implementation works fine. It's not going to wow you for creating a bubble of silence around you (there’s only a minor reduction to extraneous low-level noise such as an AC unit above me) but it does do a little to soften environmental noise. Ambient Mode is where I ran into trouble, as you have to double tap the earbud to deactivate it, and I repeatedly ended up banging the microphone while doing so, sending a wave of static into my ear. And I wouldn’t generally recommend using the mode anyway, given that during my tests I found the mics actually made outside noise sound worse than if you weren’t wearing the headphones at all.

There’s also Creative’s SXFI, or Super X-Fi spatial audio tech, which is intended to capture “the listening experience of a high-end multi-speaker system in a professional studio”, by virtually upscaling its stereo audio into something approaching three-dimensional sound. There’s a dedicated SXFI app you need to download, before building a personalized sound profile based on the size and shape of your ears, but it is available for both desktop and mobile. I'll mention this in more depth in the audio quality section though, since there's plenty to say. 

Features score: 3.5 / 5 

Creative Zen Air SXFI review: Design

Gray Creative Zen Air SXFI earbuds

(Image credit: Future / Henry St Leger)
  • USB-C charging case
  • Lightweight with a cloth carry case
  • Battery life indicator

For headphones that only cost $80, the Zen Air SXFI look pretty sleek. Each earbud is a light matte gray, with a small Creative logo (a metallic triangle) and a shape similar to the AirPods Pro (bulbous body with a thin pipe hanging down over the earlobe).

The charging case has the same color scheme, with the four letters of SXFI embossed on the top, a USB-C charging port along the underside, and a multifunction button on the front. There’s also a four-point indicator that tells you how much battery life is left, or whether it’s in pairing mode, though it can be hard to make out the green LEDs in light environments.

The case has lightly curved edges, making it comfortable to hold or stick in a pocket, and it doesn’t pick up fingerprints, meaning it stays pretty even after a few weeks of testing. The inside of the case is where the affordability of these earbuds shows, with a cheap-looking metallic finish, though you won’t have to look at it often! Just note that the charging case’s curved edges means that it’s a little wobbly when sat upright, especially when the case’s top is open.

In a nice touch, you also get a small cloth bag to pack the charging case – preventing loose earbuds rattling around in your luggage – though with IPX5 water resistance you shouldn’t need to worry too much about the earbuds getting wet.

Design score: 4 / 5

Creative Zen Air SXFI review: Sound quality

Gray Creative Zen Air SXFI earbuds in charging case

(Image credit: Future / Henry St Leger)
  • Clear, warm audio
  • 10mm drivers
  • SXFI doesn’t quite land

So, does Creative’s Super X-Fi tech actually work?

I’ve tested other SXFI models I was impressed by – specifically the Creative Zen Hybrid SXFI over-ear headphones, which have enough of a wide soundstage to manipulate the audio for a more spatial quality.

These Zen Air SXFI earbuds, however, don’t offer the same luxury – with compact 10mm drivers, and more restricted in-ear hardware – and while there’s a slight difference in the sound during music, it’s hard to quantify or call an improvement.

I actually enjoyed using SXFI more during podcasts, where the difference is more notable, subtly shifting the voices of talking heads so that the sound appears to fill more of the room around you in a natural way.

But regardless of Creative’s virtual trickery, I was pretty happy during my time with the Zen Air SXFI earbuds. They have a clear, crisp sound – at least, for the price – without the harsh notes or sibilance that can plague lower-cost audio hardware. 

Sure, you’re not getting pinpoint detail, or the powerful bass of headphones with bigger, more impactful drivers, and these earbuds work best for pop vocals and mid-range frequencies, rather than thumping club tracks. 

Listening to Chappell Roan’s Good Luck, Babe!, the earbuds do a decent job of capturing the singer’s playful vocal inflections, with clear separation between the vocals, drums, and other instruments cutting across the soundstage. You lose a little of the fast transition between different notes – something Roan’s voice does so aptly – but it’s still a good time overall.

While the sound is a little soft around the edges, it does make the Zen Air SXFI earbuds very easy on the ears, and good for listening for longer sessions. With a frequency range of 20-20,000Hz, you’re getting the standard spectrum of sound recreation – and, unlike the Zen Hybrid SXFI headphones, we had no trouble using these earbuds for podcasts or streaming apps.

Sound quality score: 3.5 / 5

Creative Zen Air SXFI review: Value

Gray Creative Zen Air SXFI earbuds

(Image credit: Future / Henry St Leger)
  • Active noise cancellation
  • Sub-$100 price
  • Stylish design for the price

The Creative Zen Air SXFI headphones are absolutely good value, with a slick design, Bluetooth 5.3, and a number of advanced features that include ANC and Super X-Fi Audio – even if the implementation is a little basic.

The touch controls are generally workable, despite when switching out of Ambient Mode, and overall you’re getting a good feature set with some sensible corners cut. For the price tag, these are acceptable true wireless earbuds with the ambition to be something better.

Value score: 4 / 5

Should I buy the Creative Zen Air SXFI?

Buy them if…

Don’t buy them if…

Creative Zen Air SXFI review: Also consider

How I tested the Creative Zen Air SXFI

  • Tested for 2 weeks
  • Used at home, on commutes, and in public cafes
  • Predominantly tested using Spotify service on OnePlus 8

I’ve worked as a gadget reporter for seven years now, including a substantial stint at TechRadar as its News & Features Editor. I’ve tested countless headphones and reported on audio tech in London, Las Vegas, Berlin and Shanghai.

My first over-ear headphones, back in 2009, were made by Creative, so I have a long history with the brand, and was excited to test out their products a full 15 years later.

I spent two weeks testing out the Creative Zen Air SXFI headphones in my home office, alongside outdoor walks, runs, and commutes over train and bus throughout the city. I primarily used my Android smartphone, a OnePlus 8, for testing, but switched to a MacBook Air for wired listening also.

  • First reviewed in September 2024
Belkin SoundForm Wired Earbuds with USB-C Connector review: sadly, these live up to their nominal price tag
12:30 pm | November 9, 2024

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Belkin SoundForm Wired Earbuds with USB-C Connector: Two-minute review

The Belkin SoundForm Wired Earbuds with USB-C Connector are spectacularly unspectacular. For a pair of cheap wired earbuds, they do everything you’d expect – nothing more, nothing less: audio that’s average at best, a basic yet decently practical design and a lightweight feel.

So, of course, it’s worth starting with a disclaimer. These earbuds have a very low list price of just $24.99 / £14.99 / AU$29.95. As a result, it’s unreasonable to expect great audio from these buds – even if Belkin itself insists that they offer “superior sound quality” (spoiler alert, they don’t). And perhaps unsurprisingly, the overall listening experience you get from the Belkin SoundForm Wired Earbuds with USB-C Connector – which will here-on be known as the Belkin SoundForm USB-C – isn’t a good one.

The key issue here is that audio is often pretty tinny. When I compared them to the Skullcandy Set USB-C – which sit on our list of the best wired earbuds – I found the Belkin buds to offer less clarity and instruments often sounded inauthentic. For instance, when I tuned into Holy, Holy by Geordie Greep with the Belkin buds, bass was quite muddy, the choppy guitar lacked sharpness and the usually theatrical, showstopping vocals couldn’t find their defined, satisfying position in the overall mix. Percussion in the treble frequency range would often sound quite grating at higher volumes too, making for a pretty unimpressive listening experience.

I should say, though, that if you’re not too picky on sound quality and just want cheap buds, these can certainly do the job. There were no horrible technical hiccups like audio cutting out, low volume levels or compatibility issues with devices. Sure, a lack of instrumental separation and narrow soundstage can leave music sounding pretty restricted, but bass has a decent (albeit not booming) kick and treble – although sometimes grating – can be bright when listening to more upbeat tracks.

However, some sonic shortcomings could admittedly be quite frustrating, even if you’re a more casual listener. When listening to Rains again by Solji, the vocalist’s high notes came through in a rather brash manner, which was a little uncomfortable on the ear. On a slightly different note, I found cable noise to be pretty prominent with the SoundForm USB-C. This is accentuated when you’re on the go or moving around a fair bit, making these far from ideal if you need some buds for workouts or walks. In fairness, however, cable noise is pretty typical with wired earbuds and you often have to splash a bit more cash to avoid this – pricier models like the Shure AONIC 3 are pretty competent in tempering the issue.

Other than cable noise, I had very few problems with the Belkin SoundForm Wired Earbuds with USB-C Connector’s design. The attached controller, although a little on the chunky side, is responsive, works well and has volume controls, as well as a play/pause button that can also be used to take calls or skip songs. The actual USB-C connector is decent too, didn’t protrude out of the port when using a Samsung Galaxy S24 FE and isn’t too large when holding the device in-hand. To cap that off, these have a pleasingly comfortable in-ear feel. Unlike a lot of cheap buds, I never felt that these were falling out of my ears, even when listening for multiple hours consecutively. Belkin also includes a selection of different sized ear tips, so no matter your ear size you can form a pretty tight seal for use.

On the topic of fit, it’s important to get a strong seal when using the SoundForm USB-C. As wired buds; they’re not going to offer active noise cancellation and instead rely on passive noise isolation for banishing external noise. I used the medium-sized ear tips and found passive noise isolation to be quite good. I could still hear some external noises such as typing with volume at around 60-70%, but this was pretty dulled. For the price you pay, I definitely felt that the quality of noise isolation was above average.

If you’re concerned about the SoundForm USB-C accruing damage when walking in the rain, you can rest assured. These have an IPX5 waterproof rating, meaning they can survive direct contact with water jets – so even if it’s raining cats and dogs you should be good here. Alas, this is where my praise meets its bitter end.

That’s because it’s time to talk about the actual look of these buds. In my view, these aren’t at all easy on the eye. Sure, the rounded shape of the buds is decent and pretty practical, plus the Pink and Blue color options (available in the US and Australia) are quite appealing, but that’s about it. The buds themselves look very plasticky and the glossy exterior only really accentuates that. In addition, the wire is flat, rather than rounded, making for a not-so-elegant appearance. Beyond that, I found the wire to kink pretty easily, so don’t expect peak durability. The “tangle-free” claim is also an exaggeration – I found, like most wired buds, the SoundForm USB-C could get in a twist after pocketing them or placing them into tight spaces.

Finally, a word on the inbuilt mic, which Belkin says can offer “clear” call quality. But it can’t. I tried making a voice recording and I won’t dress it up – the results were poor. My voice sounded pretty tinny and there was an audible hiss present throughout the recording. When making a phone call, my voice was clear enough to hear on the other end of the line, but it wasn’t particularly clean and there was static too. So, if you want an upgrade on your phone’s inbuilt mic, don’t expect to be satisfied by what the SoundForm USB-C have to offer.

So, despite the low price-point of the Belkin SoundForm USB-C are they really worth considering? In my view, no. There are definitely some positives here – noise isolation is pretty good, you get a comfortable fit and the IPX5 waterproof rating is a nice touch. But as always, what matters most is sound and these buds don’t fare well in this department. Overall audio is pretty tinny, narrow and treble can get quite grating too. On top of that, mic quality is disappointing and the buds’ design lacks finesse. Sure, these have an ultra-low price and are totally functional, but you’ll certainly find better quality from competitors in our guide to the best cheap headphones.

Belkin SoundForm Wired Earbuds with USB-C Connector against an orange background

(Image credit: Future)

Belkin SoundForm Wired Earbuds with USB-C Connector review: Price and release date

  • $24.99 / £14.99 / AU$29.95
  • Launched in 2019

The Belkin SoundForm USB-C earbuds released in 2019, so they’re not the freshest on the market, but will work perfectly well with any modern handset or device with USB-C. On Amazon UK they’re only available in Black and White, although Amazon US and Australia have them in more enticing Pink and Blue options.

These wired buds have a list price of $24.99 / £14.99 / AU$29.95, meaning they’re a super-cheap option. This is a pretty competitive space – there are some good options from the likes of Skullcandy and Final, so make sure to assess alternatives before snapping these up.

Belkin SoundForm Wired Earbuds with USB-C Connector review: Specs

Belkin SoundForm Wired Earbuds with USB-C Connector controller on orange background

(Image credit: Future)

Should you buy the Belkin SoundForm Wired Earbuds with USB-C Connector?

Buy them if...

You’re searching for decent passive noise isolation at a cheap price
For all of their shortcomings, the Belkin SoundForm USB-C do offer pretty solid passive noise isolation. They’re super cheap too, so if you’re not picky about audio quality, these could be an option for you.

You hate charging your wireless earbuds
If you’re someone that often forgets to charge wireless buds, then it could be time to re-familiarize yourself with the way of the wire. Of course, you won’t have to charge these, although there are better wired options about.

Don't buy them if...

You’re an audiophile
At this point it’s a given, but if you have a keen ear, don’t buy the Belkin SoundForm USB-C. Audio is regularly tinny, there’s a narrow soundstage and treble can come through in a harsh manner.

You want a fancy feature-set
If you want exciting features like active noise cancellation or EQ settings, you need to look beyond these wired buds. In fact, the vast majority of wired buds have little in the way of a feature-set, so you may be better off going for a cheap pair of wireless buds, such as the great JLab Go Pop ANC.

Belkin SoundForm Wired Earbuds with USB-C Connector review: Also consider

Skullcandy Set USB-C
If you’re looking for some better USB-C earbuds than these ones from Belkin, the Skullcandy Set USB-C are a very decent challenger. In honesty, they don’t offer amazing audio, but it is better than the SoundForm USB-C. The sound profile isn’t massively detailed and full-sounding, but grating sound and tinniness is less common with these – even at higher volumes. The main attraction here is the sleek, curved design of the buds, not to mention the diverse set of funk color options to choose from. Read our full Skullcandy Set USB-C review.

SoundMAGIC E80D
OK, reader, I’m fully aware that the SoundMAGIC E80D are a fair step up price-wise over Belkin’s buds, but these are still an incredible value pick. For less than $50/£40/AU$70 you get wired earbuds that boast detailed, balanced audio – in part thanks to an inbuilt DAC. You also get impressive noise isolation and a comfortable fit, making these a very strong option overall. Read our full SoundMAGIC E80D review.

Belkin SoundForm Wired Earbuds with USB-C Connector review: How I tested

Belkin SoundForm Wired Earbuds with USB-C Connector plugged into Samsung Galaxy A35, which is sat on top of an orange amp

(Image credit: Future)
  • Tested over the course of multiple weeks
  • Used in the office, while on walks and at home
  • Predominantly tested using Tidal on the Samsung Galaxy S24 FE

I put the Belkin SoundForm Wired Earbuds with USB-C Connector to the test over the course of multiple weeks. I predominantly used them while listening to music on Tidal with the Samsung Galaxy S24 FE, but I also played tunes on Spotify and watched video content via YouTube. I used the buds in an office environment and while out on walks near busy roads to trial their noise isolation capabilities, but also at home for more zoned-in listening sessions.

When listening to tunes I played tracks from the TechRadar testing playlist, which contains tracks from a variety of genres, although I also spent hours blasting bangers from my personal library. When appropriate, I pitted these buds against the similarly priced Skullcandy Set USB-C, to compare audio quality, comfort and design choices, among other things.

  • First reviewed: November 2024
  • Read more about how we test
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