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Thanks to the new combat in Monster Hunter Wilds I’m now a Hunting Horn-weilding menace that murders monsters with weaponized jazz

6:00 pm | February 24, 2025

Author: admin | Category: Computers Gadgets Gaming | Comments: Off

Monster Hunter Wilds has some rather big shoes to fill. For one, it’s the sequel to the record-breaking blockbuster that was Monster Hunter World, a game that saw the long-running, and oftentimes niche franchise reach a whole new group of altogether more mainstream gamers. It also follows Monster Hunter Rise, which, while not as big as World, was extremely successful as an originally exclusive Nintendo Switch game, and introduced a host of new traversal systems.

Review info

Platform reviewed: PS5 Pro
Available on: Xbox Series X, Xbox Series S, PC, PS5
Release date: February 28, 2025

In many ways, Wilds has had to walk a tightrope between the approaches showcased in previous games, providing something for the new fans, while appealing to those that have stuck around over the past 20 years. By streamlining the formula that shined bright in Monster Hunter World, and by finally offering a seamless open world, Monster Hunter Wilds manages to hit all of the right notes, while avoiding some of the more frustrating elements that have plagued the series since its inception.

A Hunter rides into a lush forest area. Monsters can be seen grazing atop crumbling ruins under a blue sky — (Image credit: Capcom)

Loading up a brand new Monster Hunter game is usually a mixed experience. To truly access the really good stuff, that being the High Rank endgame content, you need to first beat the campaign. In the past couple of games, this has been easy enough, though the shoehorned systems present in Monster Hunter Rise (Rampage Mode), and Monster Hunter World (colossal Elder monster battles) really dragged things out, extending the runtime of stories that were fun, but forgettable.

Monster Hunter Wilds is an entirely different beast with regards to its campaign, which is streamlined, slight, and punchy. For one, there’s no ‘gimmick’ to speak of, with the headline feature being the seamless open world with dynamic seasons and wildlife. There are no on-rails giant monster battles, no filler quests spent in quasi-tower-defense modes, just epic monster hunts, one after the other. One annoying side character aside, this is the best Monster Hunter campaign ever, punctuated by a final boss fight that’s already among my all-time favorites in all of gaming.

Best bit

A Hunter rides a Seikret towards the camera as lightning strikes behind them, sending sparks trailing up into the sky — (Image credit: Capcom)

The reverence that Monster Hunter Wilds shows for every single one of its monsters shines through from the very beginning. Doshaguma, a monster featured in the beta, and one that wasn’t particularly interesting at first, is introduced into the main game with an exhilarating sequence, as lightning sparks all around, and other monsters come to join in on the hunt. Several moments like these bookend other major hunts in the campaign, with every single main fight being a show-stopping event.

The Monster Hunter Wilds campaign is a globe-trotting adventure that encourages you to spend as little time in your base camp as possible. There’s still fun to be found in crafting new gear, building new loadouts, and specializing your Item Pouch, but largely, you’ll be encouraged to be out and about as much as possible.

One casualty of expanding the open world to include multiple hub villages is that the main hub, which you’ll have seen if you played the beta, doesn’t really measure up to the more dedicated locales like Astera, found in previous games. Much more focus has been applied to Pop-Up Camps, with Monster Hunter Wilds once again encouraging the player to set out and claim small pieces of the world outside, rather than get too settled at the ramshackle Base Camp in the Windward Plains. It’s a strange choice, though one that does tie into the game’s overall mantra. Cooking a meal in your camp just isn’t as fun as watching a team of Palico chefs preparing dishes for you back at Kamura Village or Astera, however.

Someone call Attenborough

A desert oasis, with a Chatacabra walking towards the water's edge — (Image credit: Capcom)

The vast open world of Monster Hunter Wilds is the main draw that sets the game aside from its predecessors. For the first time in the series, the map is an interconnected, seamless, and dynamic one. From camp, to hunt, to Field Investigations, there are no menus or loading screens getting in your way as you adventure. Of the handful of different regions that make up the world around you, each is visually distinct from one another, fostering its own specific collection of flora, fauna, and resources. Not only that but there are seasons to reckon with here as well. Fallow will strip away some of the biodiversity of a region, turning areas like the Windward Plains into dusty deserts, populated by only the hardiest of creatures.

Inclemency then rolls in, bringing sandstorms, riling up certain insects to boost passive effects that can be used on a hunt, and in some cases, completely changing the landscape. After the storm clouds fade, the season of Plenty comes about, and let me tell you, the change in conditions are seriously impressive. Gone are the barren dry lands of the Fallow, and the cloudy skies of Inclemency, as you look out over an Edenic environment teeming with creatures.

The campaign does a masterful job of leading you through this cycle for the first time, and the sheer dynamism of the world never really loses its charm. This doubling down on creating a living, breathing natural world follows the path laid in Monster Hunter World. This time though, the variety in the life that occupies each region is genuinely breathtaking.

Once I was given the freedom to explore at my leisure, I spent hours simply riding through each region, watching as small monsters and other endemic animals went about their routines. Pink-furred apes snooze peacefully in the sun, small birds can be seen riding on the backs of large reptiles, pecking and pruning as they go. Whether you’re there to witness it or not, there’s a natural cycle to the world of Wilds, and meticulous detail, from the huge raptors that soar in the sky, to the lines of tiny leaf-cutting ants that walk in formation across the branches of trees. You can practically hear David Attenborough narrating the whole thing.

Focus, Hunter

Four Hunters face off against an Alpha Doshugama monster in the Windward Plains — (Image credit: Capcom)

Monster Hunter games are rarely praised for their graphical fidelity, as they tend to put more resources into dynamic worlds and overlapping systems than boosting the resolution. Thankfully, Monster Hunter Wilds is very impressive to behold, though like a lot of other modern games this generation, does have some issues with looking washed out in certain environments. Some regions like the forest are impossibly dense, and I was regularly taken aback by just how many small monsters could be on screen at once. In fact, entire herds can be seen in some moments, running alongside large monsters as you give chase.

Performance-wise, the game runs smoothly on PlayStation 5 Pro, especially in the Prioritize Framerate mode. There is quite a hit to visual fidelity, but with how frenetic fights can get, you’re going to want those 60 frames per second (fps). What Monster Hunter Wilds may lack slightly in pure graphical prowess, it more than makes up for in the way its seasons change the world. Atmospheric fog effects, dust clouds that precede huge sandstorms, and puddles that follow the heavy rain all look spectacular, refreshing the palette with a complete change of scenery just before any one locale starts to overstay its welcome.

Should I play Monster Hunter Wilds?

A hunter and a Palico smile at a roasted piece of monster meat — (Image credit: Capcom)

Play it if…

You want to jump into the Monster Hunter series for the first time
Monster Hunter Wilds is the most accessible, most user-friendly game in the series yet. It still has some incredibly obtuse systems, but the campaign acts as a great tutorial to cover the main systems and combat options. By allowing you to switch between two weapons, it’s also easier than ever to get to grips with the game’s diverse array of swords, axes, and bowguns.

You’re looking for hundreds of hours of multiplayer fun
While the campaign for Monster Hunter Wilds can be beaten in around 20 hours, the endgame content offers up so much more, with hunts that are great to jump into with friends. If you’re looking for a new multiplayer game to get into, this is one that’s likely going to be supported for a long time to come.

Don’t play it if…

You’re an old-school Monster Hunter purist
Monster Hunter Wilds is a continuation of what World set out to do, and that’s to open up the series to more players by streamlining more complicated systems. By doing this, it’s a very different game to that of the older entries in the series. The combat is excellent, and the monsters are diverse, but if you’re expecting the depth of something like Monster Hunter Generations Ultimate, you won’t find it here.

Accessibility

Monster Hunter Wilds offers some accessibility options, namely in button mapping and colorblindness assistance (Trichromatic, Protanope, Deuteranope, Tritanope), but its convoluted control schemes could be tricky for some. Though the series has definitely streamlined its approach to combos for certain weapons, you’re still going to be managing a bunch of quick menus, weapon gauges, and aiming reticles at once. A simplified control scheme would be a welcome addition, especially for more complicated weapons like the Insect Glaive, which require multiple buttons to be pressed and held at once to execute moves. There are some basic auditory settings, motion sickness reduction, and an arachnophobia mode as well.

How I reviewed Monster Hunter Wilds

I played Monster Hunter Wilds for 30 hours on the PlayStation 5 Pro. During that time I completed the campaign (in around 18 hours) and then cleared through the start of the post-game content. In general, I tried to tackle side quests as they appeared and set out into each new region to explore for a while after they unlocked. There were three graphics options available during the pre-release period: Prioritize Resolution, Balanced, and Prioritize Framerate. I played the vast majority of the game in the Prioritize Framerate mode, keeping it at a solid 60fps.

On PlayStation 5 Pro, I played the game using a 4K Samsung TV (Samsung 43-inch RU7400 Dynamic). I used a PS5 DualSense Edge controller, with the Razer Blackshark V2 gaming headset connected via the controller port. Having started with Monster Hunter Generations Ultimate on Nintendo Switch, I’ve poured hundreds of hours into Monster Hunter since. Monster Hunter Rise is where I spent the most time, and I absolutely consider it to be one of the best Switch games, but recently I’ve gone back to Monster Hunter World to prep for the release of Wilds. In addition to being a fan, I’ve produced hundreds of Monster Hunter guides over the years, covering everything from the best weapon builds, to where to track down rare resources.

First reviewed February 2025

FlexiSpot BS12B-Pro Ergonomic Chair review

3:07 pm |

Author: admin | Category: Computers Gadgets Pro | Comments: Off

With plenty of office, ergonomic and gaming chairs on the market, FlexiSpot gives it a go with the oddly named BS12B-Pro, let see what makes it stand out from the rest of the crowd.

Having used this chair for over two weeks now after using an old 11-year-old Ikea Markus office chair here are my thoughts on the FlexiSpot’s take and how it compares to the best office chairs we've reviewed here at TechRadar Pro.

The chair arrived in a large plain cardboard box which was a bit beaten up by the courier, the outside informing you what it was, model and colour with the “FlexiSpot” branding and motto in blue, at least some color.

FlexiSpot BS12B-Pro during our review — (Image credit: FlexiSpot)

FlexiSpot BS12B-Pro: Assembly

Opening up the box, everything appeared to have been either haphazardly thrown in the box or the courier gave it a bit of a tumble around. Not much was securing anything in place like you would find on a monitor for example being in case in foam. It appears that FlexiSpot knew that this was the case as each component of the chair had its own plastic or cardboard wrap or foam added in places likely to be pointy.

Removing everything and laying it out flat allows you to see how it all goes together; I noted that the seat and backrest are made of a mesh like fabric to enhance breathability where it’s needed the most.

FlexiSpot BS12B-Pro during review — (Image credit: FlexiSpot)

The wheels are notably plastic castor wheels which were freely spinning, both the wheel and spindle. They appeared sturdy enough for the chair but I do wonder about their longevity and how they fair on my laminate flooring.

Inspecting the part that will take nearly all the combined weight of the chair and the seat, which is the spider-like legs, I saw that they were made from plastic. Coming from an Ikea Markus Chair which for £100 less has a steel base that provides both better strength, material quality and feel as well as weighing the chair down so that it should be hard to tip over.

Putting it together was rather quick and easy. FlexiSpot provides some Allen keys and a small spanner to get the job done if you have absolutely no tools whatsoever, but with proper tools I had this chair up and assembled in about 15 to 20 minutes. One good thing I noticed was that the screws used to assemble the chair all had a blue coloured thread glue already applied to prevent the screws from backing out, a nice touch.

The one-part I found a bit fiddly to put together was the head rest, this was a bit difficult as the space for your fingers is very narrow

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FlexiSpot BS12B-Pro: In use

The main seat of the chair is almost a 50 x 50cm square (51 cm wide by 49cm back to front) pad contoured at the corners and edges with a front curve for under thigh comfort. The seats minimum height is 46cm and at max is about 54cm. The seat can be moved forwards and back about 4cm of movement depending on how much or little under thigh support you want or need to have. Lastly the seat can be tilted from a flat 90 degrees to a backwards 135-degrees, there is no forward tilt which is a miss as some people do prefer seating slightly forwards.

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Adjustments are all done by the use of three buttons or mini levers on the front right-side of the chair. Made of metal for the premium feel, they are a nice touch, rather than having to reach under the chair for a lever to make adjustments. Furthermore, I feel like they can be used blindly, no need for me to look at them. Nonetheless the symbols are quite self-explanatory from left to right, back and forth seat, tilt lock and seat height up and down. Tucked underneath is the tension adjustment but this is something seldom adjusted.

The seat itself is covered in a mesh like fabric to allow breathability and prevent a sweaty backside, it is stretched tight over the frame of the seat to give it that “bounce” but it does mean that the edges of the seat are sharp corners on the sides and back, the front however does a have a small foam insert for under thigh support. Long term use will see if this fabric can hold up to daily use.

I expected more of the lumbar support; the fabric of the chair is so tight that fully leaning back I don’t even touch the lumbar support most of the time. It is also limited to 3 different heights and 0 front to back options.

The armrests appear to be the standard shaped, plastic structure with firm foam tops, they can be adjusted using the lever under the arm rest from 16cm high (from top of seat to top of arm rest) to 23.5cm high. They can be rotated 1 click in and out from the straight and about 9cm of forwards and backwards movement, the rotation, forwards and backwards movement cannot be locked into place so bumping into the chair may move the arm rests.

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The headrest is where I was a bit disappointed by this chair a bit when comparing it to an Ikea Markus chair. The Markus headrest height was comfortable for me (at 6’1”) so that my head rested on a cushioned part at the top of the chair. The BS12B-Pro doesn’t have this, instead it feels like the headrest, at its maximum height setting, is jamming into my neck or shoulders giving my actual head no support. Any lower setting and it's now jamming into my shoulder blades. I suppose this chair would work well if you were 5’8” or 5’10” tall.

FlexiSpot BS12B-Pro: Final verdict

In the end the headrest being so low forces me to sit in a slouched position (i.e. not ergonomic), or if I sit in a proper position, my head has nowhere to rest. Right now, sitting bolt upright in the chair gives my lower and upper back support, but the headrest is below my lower neck. The headrest has no other tilt or rotation adjustments that can be made.

As for the price, at the time of writing this review the FlexiSpot BS12B-Pro is shown available for £399.99 but seems to be suspiciously on sale permanently for £249.99 which leads me to believe that this is the actual cost of the chair, £249.99 is the actual cost. Also I noted that save for the box and manual, nowhere on the chair is any FlexiSpot branding.

For more workspace essentials, we tested the best standing desks for the home and office.

Tresorit Business Plus review

2:34 pm |

Author: admin | Category: Computers Gadgets Pro | Comments: Off

This review first appeared in issue 355 of PC Pro.

SMBs that are worried about file-sharing security and privacy can rest easy with Tresorit. A great feature of this cloud service is its zero-knowledge policy, which delivers end-to-end AES-256 encryption, and the company never stores keys or passwords, so only account holders and users have access to their data.

Tresorit is good value, and it’s commendable that its prices haven’t increased for over four years, with the Business Plus plan on review holding steady at £12.83 per user per month when billed yearly. This is a good choice for SMBs: it takes all the features of the Standard plan and doubles cloud storage per user to 2TB, trebles the maximum single file size to 15GB and offers a 100 file-version history.

Along with file sharing, syncing, user and group management, and Outlook, Outlook 365 and Gmail integration, it enables custom portal branding and access audit logs. A choice of 12 global data center locations is also available for businesses concerned about data residency jurisdiction.

Deployment is swift. You use the Tresorit Admin Center to email invitations to your users and, when they click on the message link, they can create an account and choose a password. You don’t need to worry about users forgetting it as the Advanced Control feature includes password reset services.

Desktop screenshot of the Tresorit Business Plus dashboard — **Security policies provide extensive access controls** (Image credit: Future)

Once users have downloaded the desktop app, it will create a personal “Tresor” – Tresorit’s name for a secure, encrypted folder. You can have an unlimited number of Tresors up to your storage limit, and the app also creates a quick-access Windows Explorer drive mapping or a macOS Finder favorites folder.

Users can share their Tresors with selected team members by choosing them from the desktop app contact list and setting manage, edit or view-only permissions. Two types of Tresors are supported: the entire contents of classic folders can be shared, while next-gen folders allow specific sub-folders within them to be shared.

Tresorit has brought next-gen features in line with classic folders as you can now create and email links to share their files and sub-folders. You can also use encrypted links to place files requested from external partners, including those without a Tresorit account, in next-gen folders.

Integration with third-party apps has also seen improvements. Tresorit now works directly with Microsoft Teams, and we used our Teams Admin console to decide which users could install the Tresorit add-in on their Teams desktop app. Once logged in, they were able to access and share selected Tresors with other Teams users, upload or download files and create file requests, all from their Teams app.

Desktop screenshot of the Tresorit Business Plus policies page — **Tresorit offers great account management and monitoring** (Image credit: Future)

Users can access the optional eSign digital signature service from both the Teams and Tresorit apps. Costing £45 per month for 100 signatures, you create an eSign request, select a PDF file and email it. Tresorit users can digitally sign the document with one click, while external users confirm their email address, enter the six-digit verification code provided and then sign the document.

Security features are extensive, with Admin Center policies controlling everything users are allowed to do. You can decide what types of devices they can access their account from, stop users from permanently deleting content, block their browsers from storing login details, use IP filtering to limit access from specific locations, enable single sign-on (SSO) and enforce two-factor authentication (2FA).

Tresorit doesn’t offer the same levels of integration with third-party apps as many rivals, but it rises to the top with its strict zero-knowledge encryption policy. Excellent value and ease of use make it a great choice for SMBs with cloud file-sharing security at the top of their agenda.

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HP Spectre x360 14 (2024) review

2:33 pm |

Author: admin | Category: Computers Gadgets Pro | Tags: OLED | Comments: Off

This review first appeared in issue 355 of PC Pro.

HP’s latest Spectre convertible is a pricey proposition – you could buy a decent laptop plus a separate tablet for the same cost. But if you’re looking for something that can fulfil both roles, this powerful, premium computer is a delight.

The two-in-one laptop design doesn’t compromise the aesthetics at all. Its deep blue chassis stands out tastefully from the swamp of monochrome laptops, while sliced-off corners give a pleasing minimalist aesthetic, as do the thin bezels around the display. In tablet mode, magnets hold the screen secure against the chassis, and despite the 14in screen it’s not too heavy to carry around at 1.4kg. My one reservation about the design is a lack of ports: you get one USB-A port on the right-hand side, two USB-C ports on the left – and that’s it.

The keyboard has a comfortable layout and I quickly found myself typing at full speed, enjoying the action as my fingers bounced positively from each keystroke to the next. The haptic touchpad simulates clicking by producing a vibration; I can take or leave this, but I definitely like its smooth texture.

Full view of the HP Spectre x360 14 (2024) — **A vibrant OLED screen and a superb keyboard give the Spectre a luxury feel** (Image credit: Future)

The star of the design is the 14in, 2,880 x 1,800 OLED touchscreen. On paper it doesn’t appear all that exceptional: it covers 86% of the DCI-P3 color gamut with an average peak brightness of 366cd/m². However, it delivers wonderfully vibrant colors, making games and videos look much richer, brighter and more solid than the numbers would suggest.

Tucked above the display sits a surprisingly good webcam. Excellent, in fact. Unusually, it offers an Ultra HD, 4K resolution, and image quality is a cut above most rival laptops: my cheeks looked rosy, my surroundings looked bright and colorful, and somehow the windows behind me weren’t blown out.

Audio performance is pleasing, too, thanks to a pair of top-firing speakers. I listened to “This Feels Like the End” by Nothing But Thieves and immediately got into the groove.

The opening percussion was thumping, vocals were crisp and loud and the guitar chords and riffs were bright and urgent.

The HP Spectre x360 14 (2024) folded into tablet mode — **Whether it’s in tent, laptop or tablet mode, the Spectre is a joy to use** (Image credit: Future)

The basic Spectre x360 14 comes with an Intel Core Ultra 5 125H CPU, 16GB of RAM and a 512GB SSD for £1,499 inc VAT, but I reviewed the premium model with a Core Ultra 7 155H, 32GB of RAM and 2TB of storage. Unsurprisingly, this high-end hardware let me open dozens of Chrome tabs and a handful of YouTube videos all at once, without the slightest stutter. In Geekbench, the Spectre scored a soaring 12,358, even outpacing the M3 MacBook Pro’s score of 11,968.

The one area of compromise is graphics performance. The HP Spectre x360 14 relies on an integrated Intel Arc GPU, and in the Civilization VI:

Gathering Storm benchmark, it averaged a merely acceptable 36fps at 1080p. In other words, it’s fine for casual titles, but hardcore gamers will demand something more capable.

A final strength is battery life. With a power-efficient processor and no separate GPU to drive, the Spectre x360 14 lasted 11hrs 1min of web surfing, longer than almost any Intel laptop we’ve previously tested – although the M3 MacBook Pro lasted a ridiculous 17hrs 16mins. Heat is well managed, too: after 15 minutes of video streaming, we measured a maximum temperature of 39°C on the underside of the chassis, which is on the warm side but easy to live with if you want to use the Spectre on your lap.

Performance of the HP Spectre x360 14 (2024) compared to benchmarks — (Image credit: Future)

The new HP Spectre x360 14 is hard to fault. It’s a fast, beautifully designed laptop, with a sumptuous screen, excellent performance and battery life, and the convenience of tent and tablet mode. Gamers will want a more powerful graphics chip, but as a general-purpose productivity and entertainment companion, this laptop is a star that manages to justify its high price.

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Philips 49B2U6900CH review

2:32 pm |

Author: admin | Category: Computers Gadgets Pro | Tags: VA | Comments: Off

This review first appeared in issue 355 of PC Pro.

It’s tempting to ignore the diagrams on the Philips 49B2U6900CH box that say, categorically, “this is a two-person job”. So tempting, in fact, that I did ignore them, and was soon struggling to attach the gigantic 49in panel to the gratifyingly sturdy metal stand. At least I had the good sense to clear my desk beforehand, as I looked like a weightlifter huffing and puffing it into place.

But it’s office workers rather than weightlifters that Philips targets here, particularly those who currently have two or three 27in monitors littering their desk. The idea is to replace such anachronisms with a single screen, allowing you to split your windows across the 5,120 x 1,440 pixels (32:9). Windows Snap does a great job of this, but I found I worked best with my windows scattered around; I could then drag the required window front and center as required. If your job involves research, you’ll love having everything in view.

It’s even possible to multitask across two different computers, with a KVM that allows you to switch between sources simply by pressing Ctrl three times. At least one of those sources will need to be connected over USB-C, and with up to 100W of power delivery (on both upstream USB-C ports) this monitor makes an ideal docking station. It even includes a 1GbE port alongside the four USB-A ports and a USB-C downstream port. Sensibly, Philips places that USB-C port, a 3.5mm jack and two USB-A ports on the left-hand side of the monitor for easy access.

Full view of the Philips 49B2U6900CH — **The huge 49in VA panel allows you to have multiple windows open at the same time** (Image credit: Future)

You’ll also find a flip-out headphone stand here although, for once, I was pleasantly surprised by the quality of a monitor’s integrated speakers; I was happy to listen to music while working on the Philips 49B2U6900CH. Although not bass-heavy tracks, as even this pair of 5W speakers sound hollow.

Philips includes a 5MP webcam, which pops up like a periscope when you need it.

It makes sense to keep it up all the time as it can also log you into Windows using facial recognition, plus it includes a “Busylight”. So, if it knows you’re on a video call, a red strip light runs across the top and side to alert colleagues. Or you can activate this yourself using a button on the bottom left. It’s a nice idea, but I hope the next iteration is more prominent.

I also hope that Philips improves the camera. Detail capture is spot on, and the auto-framing option (albeit a tad over-eager) works well, as does the fact that it can accommodate several people in view. However, its color balance needs work, as everything has a strange, hazy blue quality to it. Hopefully this will be fixed via a software update, but in the meantime I recommend using a webcam and a separate mic, as even at maximum pickup I found the built-in option too weak.

I have no such complaints about the panel’s image quality. This is a VA panel with a minor curvature, and it’s tuned for the sRGB color space rather than DCI-P3. There’s even an sRGB preset, which produces excellent whites. Color accuracy is fine for its intended office use, with an average Delta E of 1.13. Keeping to the default mode gives you more colors than sRGB mode, covering 79% of the DCI-3 space compared to 68%, and while whites lose some whiteness it’s still a great everyday choice.

Sideview of the Philips 49B2U6900CH — **Connections include a 1GbE port alongside four USB-A ports and USB-C** (Image credit: Future)

Brightness goes all the way up to 500cd/m², which is overkill in an office and also consumes more power. At a more sensible 200cd/m²(33% in Philips’ brightness setting) it consumed 44W, while pushing it to 100% eats 71W. Philips also offers a bunch of its SmartImage options, including Eco (125cd/m², 37W) and EasyRead, which are worth exploring.

There’s a Movie mode, too, with Philips earning DisplayHDR 400 certification for this monitor. Films look good so long as you ignore the huge expanse of black to the left and right. It’s in driving and FPS games, though, where you truly enjoy the wide expanse, and even though it has a peak 75Hz refresh rate this monitor pays extra dividends after hours.

In fact, it delivers in all key areas. Image quality is strong, it’s extremely well suited to office life (note the 150mm of height adjustment), and there are useful features galore. My only real criticism of this monitor is its price.

We've also rated the best monitors for dual screen set-ups.

FlexiSpot E9B-UK standing desk review

2:04 pm |

Author: admin | Category: Computers Gadgets Pro | Comments: Off

Working away at a standing desk in the office was once thought to be an odd practice, but standing desks are now believed to offer some health benefits, helping us to be less sedentary at our desk and reduce strain on our backs when working.

With current work from home practices still going strong (despite employers asking staff to return back to the office), more and more people are looking to outfit their personal work space or home offices with the best standing desks.

This is where FlexiSpot has come through with a range of standing desks with different desktop finishes, capable of lifting 100kg for the budget friendly E1 to 180kg for the flagship E9 and accessories to boot.

Today we are reviewing their flagship FlexiSpot E9B-UK which comes with a 140cm x 80cm white laminate desktop.

The desk was delivered in two packages with the FlexiSpot branding displayed proudly and model numbers. The desktop box was a little battered by the courier which left me somewhat worried about it knowing that laminate tops can be chipped or cracked if mal-handled. Point two note that the Standing Desk Frame box was very heavy and ideally you need two people for this job though I managed by myself.

FlexiSpot E9B-UK during our review — (Image credit: FlexiSpot)

FlexiSpot E9B-UK: Assembly

Starting with the Standing Desk Frame box and opening that I was greeted by ample packaging with all items wrapped or in soft closed cell foam. Lifting foam out revealed the two standing desk legs which were the main culprit of the heft. All other bits and bobs were in the small boxes you see tucked in between. Removing the second layer of foam brought me to the Standing Desk Frame which is the part that holds the legs and desktop all together, it is inside that where we find the control box, the brains of the desk effectively. Along with some rubberised, height adjustable feet pads.

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Taking everything out of packaging and boxes shows all the components of the desk, which gives you an idea of how it’s put together. FlexiSpot provides two little hex keys to assemble the desk, whilst these are a welcome for those with no tools, I on the other hand was armed with a combi drill and an assortment of bits.

Assembling the desk was quick and easy, starting with screwing the desktop supports to the frame then the legs followed by the feet all upside down before (and make sure you have the space) opening the desktop box. The legs are what make this desk, they are made of a solid steel construction with a column front to back thickness of 95.6mm.

On opening the desktop box, I was pleased to find that the desktop and fully intact with no damage to it. It appears that FlexiSpot knows how couriers sometimes treat boxes, especially one as heavy as this. I noted that FlexiSpot had placed hard plastic corner protectors. We have opted for the 140cm x 80cm desktop.

There are already pre drilled holes on the underside of the desktop which line up to the screw holes of the standing desk frame and control panel. It is simply a matter of placing the frame on the desktop, locating the holes, screwing it together before flipping the entire desk over so that the desk is the right way up.

FlexiSpot E9B-UK: Operation

Once completed, the desk will be at its lowest setting, too low for my liking. Checking the control panel, we have the usual “up” and “down” buttons. Next to them is the “M” button which has two uses, lightly pressing on it will allow you to set a memory setting, pressing and holding it will lock the desk height preventing accident height adjustment.

Between the cluster of buttons is the height display. The cluster of buttons to the right are memorised heights of “1” and “2” as well as a memorised “standing” and “sitting” heights. These are adjusted by setting the height first, say 114, pressing the “M” button then the “standing” button. Thereafter every time you press the “Standing” button, the desk will raise itself to 114.

Lastly, at the end of the control panel is a USB-A port for charging various items, I don’t have any equipment to test the wattage of the port, but trying to charge the Lenovo ThinkPad X13 Yoga laptop didn’t work, which requires at least 65W. Plugging my Samsung Galaxy S23 Ultra in showed it as fast charging, this leads me to believe that it is capable of 25W. It would have been nicer to see a USB-C port as that’s becoming the standard with at least 100W output, a missed opportunity.

About the display, the numbers do actually mean height. At say 110, it means that the bottom of the desktop will be 110cm from the floor. The numbers tick up in centimetre with anything under 100 shown as 99.9cm, anything about 100 shown as whole centimetres. Minimum height is 68.5 and max height is 128cms.

Playing around with the desk on initial setup I was presented with an “E01” error, on reading the manual, it appears that this desk doesn’t like to be adjusted too often and it appears I “overworked” it. This despite the desk being empty. Switching off the desk at the mains and then switching it back on after a few minutes solved the issue, I haven’t seen the error since then for over two weeks of use.

FlexiSpot E9B-UK: In use

After assembly, I loaded the desk with a very light load of a laptop, monitor and a few other bits and bobs. The desk performed flawlessly, silently, swiftly and most importantly, smoothly too. And it should do too as this desk has brushless motors which have better longevity, speed and weight capacity when compared to their brushed brethren.

Confidence gained, I loaded the desk with my main set up, whilst I knew that the desk would have no issue in lifting my 25Kg+ desktop PC, I decided not to place it on the desk for the sake of cable management. It did however have to lift and lower the Innocn 49Q1S monitor which we reviewed a few months back, this weighs in at a not heavy but bulky 12Kg as well as a few accessories.

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I set my sitting height at 74cm and standing height at 114cm, I found desk had no issue lifting the entire setup as shown with little to no wobble from the monitor. I have noted that the desk also has a collision detection system where if any part of the desk encounters resistance whilst going in either direction, the desk will stop and back off a few centimetres.

On to cable management. The cables for the desk such those that connect the legs and control panel to the central box in the frame are a little too long so had to be tucked away. Thankfully, FlexiSpot provides a little magnetic cover that hides those cables. For my desktop PCs cables I used a cable sleeve for the cables and then from there used lots of sticky cable tacks to hold them against the underside of the desktop neatly.

FlexiSpot E9B-UK: Price and availability

Lastly, the cost at time of writing the frame of the E9B-UK alone costs £499.99, our combination to white laminate desktop at 140 x 80cm brings this to £629.98. the most expensive combination coming in at £749.98 for a 180 x 80cm desktop made from Bamboo. And, that’s before we add any accessories such as a cable management tray, power plugs or drawers. If that’s too costly, then FlexiSpot also sells the E1 desk, with the same desktop colour finish and size it retails for £239.98 but with a lower load capacity and missing some features.

FlexiSpot E9B-UK: Final verdict

So, what’s the verdict of the FlexiSpot E9B-UK standing desk? Overall, a well-made, sturdy, smooth and hefty desk with a heavy load capacity. There's not much to dislike about this desk if you’re in the market for a standing desk then this should definitely be on your shortlist.

For more workplace essentials, we reviewed the best office chairs.

I reviewed EAT’s C-Dur Concrete turntable, and you’d be amazed how delicate and detailed a slab of real concrete can be with your vinyl

7:00 pm | February 23, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

EAT C-Dur Concrete: two-minute review

‘EAT’ = ‘European Audio Team’. ‘C-Dur’ = ‘C-Major’ in German. ‘Concrete’ = ‘a blend of aggregates bound together by a hydraulic binder’. Put the three together and you’ve one of the most individual and dramatic-looking record players around, not to mention one of the more expensive.

The C-Dur Concrete has the technical foundations to back up the asking price, though. The turntable itself, its ‘C-Note’ aluminum/carbon fibre tonearm and its ‘Jo No.8’ high-output moving coil cartridge are all painstakingly engineered and work together harmoniously – and the result is a record player that, in the right system, is a pleasure to listen to in many respects.

It’s a staggeringly insightful device, for starters, even among the best turntables – no detail of a recording is too fine, too minor or too transient to elude it. It’s organized, too, able to describe a soundstage with complete confidence and make the spaces on it just as significant as the occurrences. Low-frequency control is absolute, so rhythmic expression is utterly convincing. And when it comes to big dynamic shifts, it is just as accomplished as it is with low-key harmonic variations.

A lack of outright scale undermines the C-Dur Concrete, though – it doesn’t sound especially big, and although it’s organized and controlled, the soundstage it generates is undeniably positioned between the speakers you’re listening to. And when you’re talking about this sort of money for a record player, this has to count as a fairly significant shortcoming.

The EAT C-Dur Concrete turntable viewed from above — (Image credit: Future)

EAT C-Dur Concrete review: Price & release date

The EAT C-Dur Concrete is on sale now, and in the United Kingdom it costs £6,499. That’s the price for the turntable and its bespoke C-Tone tonearm – if you want to add the (recommended) Jo No.8 high-output moving coil cartridge (which is how this review is conducted), that price rises to £8,098. That’s because the cartridge costs £1,999 when purchased separately, or £1,599 if purchased at the same time as the turntable.

In America you’ll have to fork out around $7,499 for the turntable, plus an additional $2,495 for the cartridge – a discounted price for the pair is likely to be available, but there was nothing confirmed at the time of writing. No pricing is available for Australia as yet, but a quick look at today’s exchange rates suggests something like AU$12,999 plus AU$3,999 for the cartridge will be in order.

Not cheap, is it (he said helpfully)? And yet you’ve a stack of choice when it comes to alternatives. None of them is made of concrete, admittedly, but models from brands as credible as Linn, Pro-Ject and Rega (to name just three) are all available at comparable money.

The EAT C-Dur Concrete turntable's cartridge — (Image credit: Future)

EAT C-Dur Concrete review: Features

33.3, 45 and 78rpm
254mm aluminum/carbon tonearm
High output moving coil cartridge

Undeniably, some of the ‘pull’ of the C-Dur Concrete is, well, the concrete that’s used in its construction. But this is no mere design exercise, this is a deadly series turntable with the feature-set to back up the giddy asking price.

For instance, the chunky (5.2kg) platter is internally damped with a thermoplastic elastomer that offers both density and stability. A 900g aluminum sub-platter gives the platter even more isolation from the motor. The bearing block adds another 1.8kg to the overall weight and uses a polished stainless steel spindle to support an inverted ceramic ball that functions as the main bearing. This pairs with a Teflon plate for even greater rotational stability.

The drive system, meanwhile, isolates the motor in a steel ring positioned in the concrete chassis itself, enhancing the platter’s chances of stable and uniform rotation. It also reduces resonance transfer (already extremely low, thanks again to all that concrete). The motor has two areas for connection to a drive belt – and the turntable is supplied with two different belts, both of anti-static polished rubber.

The first is relatively broad and flat, sits on the upper part of the motor and allows for 33.3 and 45rpm. The other is a ‘string’ shape and fits over the motor’s lower portion – this is the belt you fit if you want the platter to turn at 78rpm.

The pre-fitted C-Note tonearm is, at 254mm, longer than the norm, is made from aluminum and carbon fiber for maximum rigidity, and is internally damped with silicon grease for as much resonance rejection as is realistically possible. It’s a unipivot design, which ought to guarantee its cardan bearing is never overloaded – and the bearing itself is designed to offer minimum resistance and maximum stability.

The over-engineering of the tonearm makes a lot more sense when you get a look at the cartridge it’s designed to support. The Jo No.8 high-output moving coil cartridge features a nude Shibata stylus on a boron cantilever, with high-end copper windings (which is the sort of specification the asking price demands) – but it’s the 19.2 x 25.1 x 28.3mm (HxWxD) dimensions that are most immediately striking. ‘Oversized’ only begins to describe it.

So this is incredibly well-specced and thought-out when it comes to the functional features of being an impressive turntable – but it's very much just a core turntable, so don't expect any 'modern' features such as Bluetooth connectivity or USB output here.

Features score: 4 / 5

The EAT C-Dur Concrete turntable's tonearm — (Image credit: Future)

EAT C-Dur Concrete review: Sound quality

Remarkable insight and detail retrieval
Organized, controlled and yet dynamic presentation
Sounds rather small-scale and confined

The ‘pros’ are more numerous than the ‘cons’ where the sound of the C-Dur Concrete is concerned – but the ‘cons’ are significant, so we may as well start there before moving on to the many ways in which this is a straightforwardly admirable player.

The sound of the C-Dur Concrete is on the small side. Everything that happens, happens within the confines of the outer edges of the speakers you’re listening to – and consequently it’s never easy to shake the idea of a ‘point source’ of sound.

The outer edges of the cabinets of your speaker define the outer edges of the soundstage the EAT can create – in this respect it sounds unlike any price-comparable alternative, and not in a good way. It doesn’t matter if it’s a big ensemble (such as that involved in Miles Davis’ Concierto de Aranjuez) or just a voice and a guitar (like Nick Drake’s Parasite); the presentation is organized and controlled, but undeniably confined.

Get beyond this not-insignificant shortcoming, though, and the C-Dur Concrete is an extremely adept and accomplished device. Its facility with detail retrieval is approaching staggering – there isn’t a fleeting occurrence in a recording that’s too minor or too deep in the mix to evade it. And having teased out all these fine details, the C-Dur has absolutely no problem putting them into convincing context. Even if it’s the most transient harmonic variation in the strum of an acoustic guitar, this EAT turntable lets you know all about it.

The soundstage the turntable creates is believable, and it somehow manages to give elbow-room to every element of a recording even though the stage itself is nowhere near as expansive as it could (and should) be. Its tonality is carefully neutral, which allows the inherent sound of a recording to be expressed without any overt interference. And it balances the frequency range carefully, giving no undue prominence to any area.

Low-frequency information is robust and substantial, and is controlled with such certainty that rhythmic expression (often held up as one of the most obvious strengths of the vinyl format) is entirely natural. Midrange expression, too, is accomplished – the voice during I Kicked a Boy by The Sundays is intimate, immediate and direct. And the top of the frequency range has bite and brilliance in fairly equal measure, so treble sounds shine without threatening to become edgy or glassy.

Everything hangs together in an unforced and convincing manner – there’s a genuine sensation of singularity and unity to the C-Dur Concrete’s presentation that makes me want to reach for the dreaded word ‘musical’. And the spaces and silences in recordings are not only given their due emphasis, they’re as dark and as quiet as from any turntable I’ve ever heard. This inky backdrop from which sounds occur is one of the most gratifying things about this whole EAT listening experience.

Sound quality score: 3.5 / 5

The EAT C-Dur Concrete turntable's platter viewed from the side — (Image credit: Future)

EAT C-Dur Concrete review: Design

170 x 496 x 396mm (HxWxD)
32kg in weight
Supported on three conical, height-adjustable, damped aluminum feet

If it’s a little visual drama you’re after, you’ve come to the right place. EAT will sell you a version of the C-Dur built of MDF and finished in black or plum for quite a lot less money than this – but once you’ve seen (and touched) this concrete version, it’s hard to resist from a design standpoint.

At 170 x 496 x 396mm (HxWxD) it’s fairly big, although not too big to be accommodated by a standard equipment rack. At 32kg with its platter in place, it’s heavier than the heaviest turntable you’ve ever encountered – and all of that weight is supported on a trio of pointed aluminium feet.

They’re ideal for isolating the deck from external vibration, and can help in getting the turntable absolutely level, but they concentrate the whole 32kg on to three tiny points, which means that an extremely robust and hard-wearing shelf is in order if the C-Dur Concrete isn’t just going to drive itself into the surface it’s standing on.

The standard of build and finish is, as seems only reasonable when you consider the asking price, basically impeccable. Any tiny flaws in the concrete (each plinth is unique, of course) only add to the character, and the tonearm feels as good (and as expensive) as it looks. Even the cartridge body – which is polished chestnut – offers a bit of pizzazz.

Design score: 5 / 5

The EAT C-Dur Concrete turntable's tonearm and counterweight — (Image credit: Future)

EAT C-Dur Concrete review: Usability & setup

Automatic speed change
Semi-balanced five-pin DIN to RCA cable
Optional (and cost-option) power supply upgrade

As with a lot of turntables, there’s a degree of fairly fiddly set-up required to get the EAT C-Dur Concrete ready for action. Unlike quite a few turntables, though, once you’ve been through the set-up process then operating the EAT is quite a painless process.

As usual, the counterweight and anti-skate setting need to be attended to. After that, though, it’s simply a question of fitting your preferred drive belt (which, let’s be honest, is going to be the broader of the two that lets you listen to 33.3 or 45rpm discs), connecting the semi-balanced five-pin DIN end of the cable to the deck and its left/right RCAs to your (pre)amplifier at the other, and plugging in the power adapter. Speed change is facilitated by two of the big buttons on the plinth – the other is used for putting the turntable into ‘standby’.

It’s worth mentioning that both the cable and the power supply can be upgraded. A fully balanced cable is (inevitably) a cost option (£175, or £499 for the silver alternative if you’re feeling super-flush), and EAT will also sell you a linear power supply (£1,349 if purchased individually, a trifling £1,079 if you buy it at the same time as the turntable).

EAT is confident the C-Dur Concrete’s AC generator, which uses the DC current from the power supply, generates an almost entirely clean AC signal for the motor – but if you want to make it as noiseless as possible then the linear power supply is what you need.

Usability and setup score: 5 / 5

The EAT C-Dur Concrete turntable focusing on the concrete material — (Image credit: Future)

EAT C-Dur Concrete review: Value

Requires add-ons to reach full potential
Not a class-leading performer for the price
But it's hard to argue with its physical impact

I almost wrote that it’s impossible to put a price on an aesthetic as striking and individual as this, but demonstrably it’s not. In the context of the sound it makes, the C-Dur Concrete is far from the last word in value for money (and becomes less so if you take the company up on its offer of an upgraded power supply), but that’s not the same as saying it doesn’t sound splendid in many ways.

And if you find yourself smitten by the looks, the areas in which it’s not a class-leading performer might be easier to overlook – but with my hardest ‘consumer advice’ head on, it’s hard to make a watertight case for this turntable representing authentic value.

Value score: 3 / 5

Should I buy the EAT C-Dur Concrete?

Buy it if…

You’re a fan of visual (as well as audio) excellence
Once you get up to this area of the market, there are a few turntables that offer a bit of visual drama – but none of them makes use of concrete…View Deal

You value sonic detail and insight above all else
Between them, the turntable, the C-Note tonearm and the Jo No.8 cartridge are capable of unearthing the finest of fine details and handing them over without fuss.View Deal

You have a system that justifies the outlay
Don’t imagine you’ll hear the C-Dur Concrete at its best unless its partnering amplification and speakers are equally capable (and, inevitably, equally pricey).View Deal

Don't buy it if…

You’re expecting appreciable scale of sound
For all its many talents, the C-Dur Concrete is far from the most expansive-sounding turntable around.View Deal

You don't like having to pay more to complete the set
Paying big money for a cartridge is fair enough, but at this price, the EAT really should come with its optimum connection incuded and power-cable options as standard.View Deal

Your shelves are of soft (or even soft-ish) wood
32kg balanced on three tiny pointy points will damage a soft-ish shelf almost immediately.View Deal

EAT C-Dur Concrete review: Also consider

Rega Planar 10
The more money you spend on a Rega turntable, the less it seems to buy you – but never doubt that it’s buying remarkable audio fidelity. The Planar 10 (£7,395 with RB3000 tonearm and Alpheta 3 cartridge) is entirely lacking when it comes to visual drama, but most certainly has it where sound quality is concerned. It’s an open, revealing, wide-screen listen with an absolute stack of pertinent observations to make about both your recordings and the vinyl on which they are pressed. Unless you want your record player to be interesting even when it’s not working, the Planar 10 absolutely demands your attention if this is your budget range.View Deal

How I tested EAT C-Dur Concrete

I listened to the C-Dur Concrete for well over a week, with a variety of music on vinyl in a variety of conditions. It was positioned on the top shelf of my Blok Stax 2G equipment rack (which is how I know the weight of the turntable can damage wooden shelves), and connected via its supplied semi-balanced cable to a Chord Huei phono stage, which it turn was connected to a Naim Uniti Star acting as a volume control and pre-amplifier.

The Naim was connected to a Cambridge Audio Edge W stereo power amplifier, which drove a pair of Bowers & Wilkins 705 S3 Signature loudspeakers on their bespoke FS-600 S3 stands.

First reviewed: February 2025
Read TechRadar's reviews guarantee

I tested a cheap smart projector with surprisingly good JBL sound, but don’t get too excited

6:00 pm |

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: JBL, Star Wars | Comments: Off

The Yaber K3 is a budget smart projector that offers 1080p resolution, 1600 ANSI lumens brightness and built-in access to streaming services such as Netflix and Disney Plus. While it delivers good sound and a Google TV smart interface for cheap, its picture quality is inconsistent and there are several other issues with it as well.

A smart projector such as the Yaber K3 for $599 / £569 is a tempting prospect, especially when it can light up 40-200-inch screens. And while it’s not as well featured as the best projectors, built-in Wi-Fi and decent built-in speakers are hard to find at this price range. But some of the K3’s other main features such as its auto keystone correction and processing are sluggish and often frustrating to use. Gamers will also be better off looking elsewhere.

The K3’s picture quality is a very mixed bag. It displays natural colors and solid enough detail at times and puts in a decent showing with sports. But contrast is weak and black levels are washed out. The K3’s picture quality was never going to compete with the best 4K projectors, but even compared with some of the best portable projectors, such as the Samsung Freestyle Gen 2, the K3’s picture struggles.

Where the K3 excels is its sound, as the built-in JBL speakers are punchy and powerful, especially at this budget price range. While one of the best soundbars is still recommended, some won’t find the need to add one, especially for casual viewing.

Fundamentally, the Yaber K3 is for those who are looking for a smart projector at an affordable price for the occasional movie night. While it packs as much as it can into its budget-friendly frame, it’s not quite the bargain budget gem it could have been.

Yaber K3 projector review: Price & release date

Yaber K3 displaying orange flower — The Yaber K3 has natural enough colors but they appear washed out in some instances (Image credit: Future)

Price: $599 / £569 (roughly AU$942)
First available: September 2024

The Yaber K3 is a 1080p smart projector that follows on from Yaber’s K2 series. The K3 is priced at $599 / £569 (roughly AU$942 with direct exchange), putting it at the budget end of the projector spectrum in direct competition with portable projectors such as the Samsung Freestyle Gen 2 (also a 1080p smart projector) which has a standard price of $749 / £649.

Since its release in September 2024, there have been some discounts on the Yaber K3, with prices falling to $499 / £465 during sales events. This is similar to the discounts the Samsung Freestyle receives, as it’s regularly priced at $549 / £499 during sales events.

Yaber K3 projector review: Specs

Yaber K3 projector review: Design & features

1600 ANSI lumens
Google TV smart interface
Nice fabric grill but bulky elsewhere

Yaber K3 displaying Google TV home screen — The Yaber K3 offers access to smart features and streaming via Google TV at a budget price (Image credit: Future)

The Yaber K3’s fabric front grill gives it a slightly more premium appearance than its budget price would suggest, but elsewhere it appears a little plain and oddly bulky looking. It measures 11.4 x 12.7 x 6.1 inches (290 x 3232 x 154mm) and requires a mains power supply with no battery options. There’s also a noticeable amount of fan noise after extended viewing periods.

The K3 has a specified 1080p resolution and 1600 ANSI lumens brightness. It has a 1.2:1 throw ratio and fits screens from 40-200 inches. Auto and manual keystone adjustment and object detection count among its features, but I generally found that auto keystone was frustrating and often didn’t calibrate correctly to the Optoma 80-inch portable screen I was using for my tests. Manual keystone correction can only be done via the Yaber homepage and not while watching content – another aspect I found frustrating.

Despite its budget price, it uses Google TV as a smart TV interface. This provides access to some of the best streaming services including Netflix, Prime Video and Disney Plus. For connections, it has two HDMI ports, one USB-A port, a 3.5mm audio output and Bluetooth wireless.

The K3 has a surprisingly robust built-in speaker system for such a budget projector, with dual 15W JBL speakers totaling 30W of power.

No gaming features are included on the K3. For those looking for a gaming projector, you’re better off with something like the BenQ X300G.

Design & features: 3/5

Yaber K3 projector review: Picture & sound quality

Yaner K3 displaying La La Land pier scene — The Yaber K3 displays details well on occasion, but textures and contrast are often inconsistent and unbalanced (Image credit: Future)

Inconsistent picture quality
Decent enough colors
Surprisingly punchy sound

For my testing, I used an Optoma 80-inch, 1.0 gain matte white projection screen. I first began by taking brightness measurements using a colorimeter, and the K3 yielded results of 109 nits and 93 nits in Standard and Natural picture modes respectively, putting it above 4K portable projectors such as the LG CineBeam Q (which yielded 60 nits in Filmmaker Mode).

Moving on to critical viewing, I first looked at an HD stream of Star Wars: The Last Jedi on Disney Plus, focusing on the throne room fight scene. Colors were natural enough, but they lacked any sort of dynamic punch. Characters’ skin tones also appeared washed out, even in the most accurate Natural picture mode (though there wasn’t a great deal of difference between the various picture modes). The same was true for La La Land on Blu-ray, which showed natural colors but also inaccurate textures, although in some scenes details were more refined than I’d anticipated.

Next, I watched a Blu-ray of The Batman to test black levels and contrast. While mostly acceptable, I found some scenes difficult to watch due to limited brightness (namely the opening crime scene investigation) even in blacked-out viewing conditions. In brighter scenes, details were clear and accurate enough, but there was a gray wash over the screen and textures still appeared fuzzy.

One area where the K3 did well was with sports. Watching soccer matches in Sports mode, the action was smooth and accurate enough that the games were watchable, though it won’t beat more premium projectors.

While the K3’s picture is average, its built-in sound is surprisingly good. Equipped with a JBL speaker system totaling 30W of power, the K3's sound is punchy, detailed and clear. Watching the Batmobile chase sequence in The Batman, the sound of swerving cars was accurately presented, with a strong sense of direction. The rumble of the Batmobile’s engine had a hefty amount of bass and plenty of power, especially for small built-in projector speakers.

Even La La Land’s dynamic, jazzy score was presented with real clarity, with a good balance between the horns, strings and vocals throughout. While the JBL speaker’s soundstage is limited by its size, it’s still surprisingly effective for a built-in speaker at this price range.

Picture and sound quality: 3/5

Yaber K3 projector review: Value

Yaber K3 remote — The Yaber K3's remote is cheap-feeling but has the buttons you need (Image credit: Future)

Smart projector for a budget price
Cheaper than most portable projectors
Overall performance is frustrating

The $599 / £569 Yaber K3 is good value for those looking for an affordable projector that provides access to streaming services via the Google TV smart platform. It isn’t going to beat more premium projectors and may even struggle against some of the best portable projectors, but for those looking for a casual projector, the K3 is a budget-friendly option.

Unfortunately, shortcomings in the K3’s picture quality and some frustrations with setup such as keystone correction hold it back from being a budget gem. You’ll have to make some sacrifices, particularly with sound, on other portable projectors such as the Samsung Freestyle Gen 2, but the Freestyle is likely to give you a more consistent experience for a similar price.

Value score: 3.5/5

Should I buy the Yaber K3 projector?

Yaber K3 displaying The Batman shot of Gotham on screen — Black levels are one of the K3's weakest areas, with pictures appearing washed out at most times (Image credit: Future)

Buy it if...

You want a smart projector for cheap
If you're looking for a projector with access to streaming services like Netflix but don't want to break the bank, the Yaber K3 ticks the boxes. View Deal

You want a projector with solid built-in sound
Yes, the K3's JBL speaker system isn't going to beat a soundbar, but at this price, it does a pretty good job.View Deal

Don't buy it if...

You want a consistent picture
Brightness and colors are OK on the K3, but its contrast, textures, detail and motion handling are all inconsistent, with not many ways to tweak or improve things.View Deal

You want a hassle-free setup
In my testing, I found both auto and manual keystone adjustments to be frustrating and time-consuming. View Deal

Also consider

Samsung Freestyle Gen 2
The Samsung Freestyle may not be as bright and its sound isn't as good as the Yaber K3s sound, but its interface is more responsive and its overall picture quality is superior. Although pricier normally, the Freestyle Gen 2 is frequently on sale. Read our full Samsung Freestyle Gen 2 projector review.

Xgimi MoGo 3 Pro
The MoGo 3 Pro is a budget, portable HD projector that's cheaper than the K3 and it offers HDR support and good picture quality. But the K3 takes the crown when it comes to sound. Read our full Xgimi MoGo 3 Pro review.

LG CineBeam Q
Pricier than the K3, the LG CineBeam Q offers 4K resolution in a compact, stylish portable design. Its interface is also more responsive. The K3 may have better sound, but it pales in comparison in all other areas. Read our full LG CineBeam Q review.

How I tested the Yaber K3 projector

Yaber K3 testing setup — (Image credit: Future)

Tested with an Optoma 1.0 gain, matte white 80-inch screen
Tested using Blu-ray, streaming sources
Measurements taken using Portrait Displays' Calman calibration software

To test the Yaber K3 projector, I first used high definition and standard definition sources including Blu-ray and streaming. I tested the K3's picture quality, analyzing color, contrast, black levels, detail and motion. I also evaluated its built-in JBL sound using the same reference scenes from movies and TV shows.

I used a colorimeter, test pattern generator and Portrait Displays' Calman color calibration software to record measurements for brightness, contrast ratio and color and grayscale accuracy.

The projector was primarily tested in pitch-black conditions in our testing room at TechRadar and also in full ambient light settings to see how it handled brighter viewing environments.

First reviewed: February 2025
Read TechRadar's review guarantee

I’ve spent 20 hours rocking with the NEO S Purple Wave 5-Fret Fortnite Festival Edition and it’s a decent if nonessential way to play the rhythm game

5:00 pm |

Author: admin | Category: Computers Gadgets Gaming Gaming Accessories | Tags: Guitar Hero, PC, UK, US | Comments: Off

NEO S Purple Wave 5-Fret Fortnite Festival Edition: One-minute review

The NEO S Purple Wave 5-Fret Fortnite Festival Edition is a brand-new variant of CRKD’s Neo S controller. Functionally, the controller is the exact same as the regular one, but this specific variant comes bundled with a 5-fret attachment designed for Fortnite Festival and other rhythm games like Guitar Hero and Rock Band.

The fret attachment slots into the bottom of the controller via the headphone jack, and from there it’s good to go. The obvious comparison is that of the Guitar Hero: On Tour series of games, which featured a similar attachment for the Nintendo DS. However, the issues that plagued that release over a decade and a half ago still persist here.

The fret buttons are small with very little spacing in comparison to a regular guitar controller, and holding the controller in the guitar form can become quite uncomfortable – especially with bigger hands. I’ve tested the NEO S Purple Wave 5-Fret for three months or so now and found it difficult to play for over a couple of hours.

The biggest issue is that there’s no good way to strum in guitar-led rhythm games. The default option is to tap the RB button, which is useless when you have to strum in quick succession; meanwhile, mapping it to the stick works slightly better, but it’s still no substitute. If you’re looking for a way to play rhythm games casually, then it’s more than serviceable. But anyone looking to seriously delve into the genre is better off looking for a more suitable controller like the PDP Riffmaster.

The controller features an Xbox layout and has Bluetooth connectivity, making it great for the PC. However, it doesn’t connect to Xbox consoles (although this is promised in a future update). It does connect to the Nintendo Switch – but it’s awkward to play due to the buttons being swapped around from the usual Nintendo layout.

Neo S Fortnite Festival Edition — (Image credit: Future)

NEO S Purple Wave 5-Fret Fortnite Festival Edition: Price and availability

List price: $59.99 / £59.99 / AU$119.95
Available in the US via the CRKD website
Available in the UK via Argos and Amazon

The NEO S Purple Wave 5-Fret Fortnite Festival Edition launched back in November 2024 and costs $59.99 / £59.99 / AU$119.95 – making it $10 / £10 / AU$20 more expensive than the regular NEO S controller. However, it’s currently the only way to get the five-fret attachment for the controller. It’s compatible with Nintendo Switch, PC, smart TVs, and mobile devices at the moment, with Xbox support promised to arrive later down the line.

NEO S Purple Wave 5-Fret Fortnite Festival Edition: Specs

NEO S Purple Wave 5-Fret Fortnite Festival Edition: Design and features

Guitar attachment designed for rhythm gaming
Bespoke Fortnite Festival design inspired by the game
Programmable back buttons and fret buttons

One of the Neo S controller’s main gimmicks is the litany of custom designs available, such as one inspired by the Nintendo Famicom color scheme, 90’s-style translucent variants, and collabs with the likes of Rocket League and Hellboy.

The Fortnite Festival edition is a purple variant with a wavy design that features different shades of purple, while the d-pad, shoulder, and back buttons are bright pink. Meanwhile, the back of the controller is a solid purple shell. It’s a lovely-looking controller until you notice the gaudy Fortnite Festival logo slap-bang in the middle. A more subtle Fortnite design or emblem would’ve been preferable.

This design isn’t extended to the guitar attachment, which is also just a solid purple – although the lighter pink does appear at the fringe of each button. When the attachment isn’t on the controller, it does feel a bit flimsy, like the plastic could snap very easily.

This doesn’t help when getting it onto the controller can feel quite fiddly. You need to pop it on at an angle before pushing the top into the ridges, but lining the bottom up can be a bit cumbersome. This attachment comes with a Velcro strap, which you pop in between the controller and guitar, making it easier to hold like a standard guitar neck.

The Guitar attachment features five buttons to emulate the classic Guitar Hero formula; these buttons are automatically mapped to the buttons used for each lane in Fortnite Festival.

The controller comes with three modes: one for Easy, Medium, and Hard modes in-game, another for Expert, and another for Pro mode (which is the one designed for guitar controllers). You can swap through all three of these modes by holding down all five frets, with the LED on the attachment changing color to represent another mode. You can also rebind these buttons to be used in regular games, although the position of them may not make this the most optimal.

Unfortunately, I found the NEO S Fortnite Festival Edition quite uncomfortable to hold after long sessions – more so than the discomfort of a regular guitar controller. However, it’s far more comfortable in wireless mode, as the USB-C port at the top of the controller gets in the way otherwise.

NEO S Purple Wave 5-Fret Fortnite Festival Edition: Performance

Solid battery life
Easy to set up
Custom button mapping requires using a mobile app

The NEO S works straight out of the box with a USB-C cable connection to PC, or by holding the CRKD button and left on the d-pad to enable Bluetooth connection for PC or mobile. For the Nintendo Switch, it’s as simple as holding the CRKD button while on the controller connect screen. The NEO S Fortnite Festival Edition’s battery life lasted around eight hours from my testing. I didn’t notice much difference in battery drain when using the guitar attachment.

The controller is fully remappable; however, if you’re looking to remap the buttons, you’ll need to do so in the CRKD app. This extends to the Guitar attachment too, which can be mapped to any button on the controller and works even outside of Fortnite Festival. However, there’s no way to actually select and enter a song in Fortnite Festival without using the regular controller.

The default mapping for the strum bar is the bumper buttons, which is fine for casual play, but the issues become apparent once you’re faced with fast-moving songs like Metallica’s Battery. While a strum bar would allow you to alternate directions for faster moments, tapping one button makes this tiresome, or near-impossible in some cases. You can remap the control stick to work as a strum bar, which feels like the ideal solution, however, I couldn’t get this to work in Fortnite, but it does work in fan games like Clone Hero.

CRKD was founded by former RedOctane staff – who created the original Guitar Hero controllers – meaning that these buttons feel in line with the original series (namely the DS Guitar Grip). However, if you want to play this style of music game seriously, I’d recommend investing in a proper guitar controller.

Should I buy the NEO S Purple Wave 5-Fret Fortnite Festival Edition?

Buy it if...

You want a way to play Fortnite Festival Pro Mode or other guitar games
At the end of the day this controller is made with this in mind. It works for playing these modes casually and allows players the chance to experience the classic genre without forking out a lot for a guitar controller.

You’re getting a NEO S and like Fortnite Festival
For only $10 / £10 / AU$20 more I don’t see much reason not to pick this version up compared to the regular NEO S if you have even a passing interest in Fortnite Festival. Considering this is the only way to get the guitar attachment currently, I’d say it’s worth the upgrade.

Don't buy it if...

You plan on playing guitar games seriously
While it’s definitely possible for someone to tear it up with the NEO S Fortnite Festival Edition, the setbacks make this hard. If you were playing the likes of Metallica or Slayer on Guitar Hero, I’d invest in a regular guitar controller.

You have big hands or fingers
The NEO S is quite snug as a controller and the guitar attachment follows that form. The buttons on the guitar attachment do the job, but are very small and don’t have much space between them, making it easy to double-fret.

Also consider...

Still not sold on the CKRD NEO S Purple Wave 5-Fret Fortnite Festival Edition? Here’s how it compares to the other Guitar Controller on the market and a more regular pad for reference.

PDP Riffmaster
This is a great alternative because the PDP Riffmaster is the only proper guitar controller on sale right now. PDP was responsible for the last batch of Rock Band 4 guitars, so these are almost exactly alike.

For more information, check out our full PDP Riffmaster review

GameSir Nova
If you’re looking for a good Nintendo Switch and PC controller with stats comparable to the NEO S at a cheaper price point then the GameSir Nova may be up your alley. However, this obviously doesn’t support the Fortnite Festival guitar controller addon, but you are still able to play the mode with a regular controller!

For more information, check out our full GameSir Nova review

How I tested the NEO S Purple Wave 5-Fret Fortnite Festival Edition

Tested for around 15-20 hours
Used it to play Fortnite Festival and Clone Hero on PC
Used it as a regular controller on Nintendo Switch

I’ve been using the NEO S Purple Wave 5-Fret Fortnite Festival Edition on PC and Nintendo Switch since mid-December 2024 (so just under two months). During this time I’ve played a bunch of Fortnite Festival, but my true love affair has been with Clone Hero. I tested the controller in a variety of different musical situations: acoustic tunes that rely on strumming patterns with multiple notes, thrash tunes that require a ton of fast-paced strumming, and songs with wailing guitar solos (yes, I did play Free Bird).

In my experience, it worked best in slower songs and songs with a lot of hammer-ons and pull-offs due to my issue with the strum bar. The highlight of this experience was playing a custom chart of the full Flood album by They Might Be Giants, which featured a lot of piano (among other instruments) charted to Guitar Hero’s clear notes, which didn’t require me to strum.

Anker PowerCore Essential 20000 review

The Anker PowerCore Essential 20000 is a power bank designed for charging smartphones and other smaller devices multiple times, thanks to its 20,000mAh capacity.

As you might expect from a fairly simple power bank, the PowerCore Essential 20000 isn’t particularly striking in terms of its appearance. However, it does sport a nice texture on the front panel, and the overall build feels solid and premium – as is the case with many of Anker’s power banks.

While it’s quite thin and narrow, it’s also long and reasonably heavy, which compromises its portability somewhat compared to some of the best power banks. However, this is still a relatively easy power bank to travel with, and it reduces the dimensions that matter most.

The PowerCore Essential 20000 features a single power button, which feels as premium as the rest of the bank. It has four LED dots around the bottom to indicate the battery level. However, these are very dim, which makes them hard to see at certain angles and in certain lights, which is less than ideal if you want to quickly glance over to check the status.

There are four ports on the PowerCore Essential 20000, two of which are USB-A for charging your devices, with a power output of 15W each. You can also charge two devices at the same time, and there’s a trickle charging mode designed for safely replenishing small devices with low power draws, such as smartwatches and wireless earbuds. This can be activated by pressing the power button twice. However, when on, the fourth LED will remain green no matter what the battery level is, which is a shame.

I managed to charge my Google Pixel 7a from 50% to 100% in 90 minutes, which is a reasonable performance. It depleted the PowerCore Essential 20000 by a single bar, which means you should get a couple of full phone charges out of it. Replenishing the PowerCore Essential 20000 from two bars to full took about six hours, which is less impressive.

Ultimately, the PowerCore Essential 20000 doesn’t represent the best value when you consider its lackluster port selection, power, and features. It’s capacity does make it more practical than it otherwise would be, but there are better-priced alternatives out there.

USB ports on Anker PowerCore Essential 20000 on plinth on desk with pink background — (Image credit: Future)

Anker PowerCore Essential 20000 review: price & specs

Side view of Anker PowerCore Essential 20000 on plinth on desk with pink background — (Image credit: Future)

Should I buy the Anker PowerCore Essential 20000?

Buy it if…

You want a thin power bank
Given its 20,000mAh capacity, the PowerCore Essential 20000 is surprisingly thin, which does help with portability.

You only want to charge small devices
The 15W output is enough for charging smartphones and smaller devices quickly, and the 20,000mAh capacity means it can do so multiple times.

Don't buy it if…

You want good port selection
Despite having four ports, only two can be used for charging devices, and they are both USB-A; the USB-C and micro USB ports can only be used for charging the bank itself.

You want to charge bigger devices
With only 15W of power, the PowerCore Essential 20000 can’t charge laptops and the like.

Anker PowerCore Essential 20000 review: also consider

Juovi J2621
The Juovi J261 has the same capacity as the PowerCore Essential 20000, but much more power at 45W. It also has four ports that are all capable of charging devices, including two USB-C ports to keep up with the times. To top it all off, it’s cheaper too. However, it’s notably bigger in size than the PowerCore Essential 20000, which may deter those who like to travel light. Read our JUOVI J2621 20000mAh 45W Power Bank review.

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