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Victrola Stream Sapphire turntable review: a premium dual-digital streaming turntable that falls short of its price
1:53 pm | October 17, 2024

Author: admin | Category: Audio Computers Gadgets | Tags: , | Comments: Off

Victrola Stream Sapphire: Two-minute review

The Victrola Stream Sapphire is another first from Victrola, bringing Sonos compatibility and lossless Wi-Fi vinyl streaming together in one hefty unit. Very few of the best turntables on the market boast anything like the feature-set this deck aims to deliver. An Ortofon 2M Blue cartridge, supported gamely by a nice carbon-fibre tonearm, produces exactly the fidelity you’d hope, and with minimal tracking errors out of the box. Its wireless fidelity is impressive, too, though an Ethernet connection or a supercharged Wi-Fi plan will be necessary to unimpededly avail of it.

The Victrola Stream Sapphire's convenience, particularly in tech-forward households, is plain to see. What isn’t, however, is quite how this convenience commands a four-figure price point. For one, the Sapphire shares a great deal in common with its less expensive range-mates, and even lacks some of their better features. Meanwhile, a noisily starting platter, flabby tonearm lift and sharp front plate indicate quality control issues.

The Victrola Stream Sapphire is, quite frankly, a bit of a disappointment. It has the bones of a good record player, and some compelling tech-y foresight with its multifarious connectivity, but it doesn’t do altogether much to convince you of its retail price, even with its most compelling elements in mind. If you’ve the cash, and a hankering for unparalleled convenience in wirelessly casting vinyl around your tech-futurist home, this was made for you – and you alone.

Victrola Stream Sapphire review: Price and release date

Victrola Stream Sapphire turntable on a wooden table

(Image credit: Future / James Grimshaw)
  • $1299.99 / £1499.99 / approx. AU$2890
  • Launched on October 1, 2024

The Victrola Stream Sapphire is the latest in Victrola’s 'Stream' range of turntables and, unsurprisingly, bears a great deal in common with the Stream Carbon – the brand’s (and, indeed, world’s) first Sonos-compatible record player.

The Stream Sapphire, however, is a first of all its own – combining as it does Sonos compatibility with Wi-Fi-borne UPnP audio streaming, to create a truly connectible wireless record player. This peerless connectivity comes at a price, though, with the Sapphire commanding a not-insignificant $1,299.99 / £1,499.99 / approx. AU$2,890.

Victrola Stream Sapphire review: Specs

Victrola Stream Sapphire review: Features

Victrola Stream Sapphire turntable showing a Ortofon 2M Blue cartridge

(Image credit: Future / James Grimshaw)
  • Sonos and Lossless UPnP Wi-Fi streaming
  • Ortofon 2M Blue cartridge
  • Upgraded motor

The Victrola Stream Sapphire is a plussed-up version of the brand's Stream Carbon. It retains its chassis’ form and its carbon-fibre tonearm construction, but also features some key upgrades – including a quieter motor, a heavier plinth (with a real walnut veneer) and an Ortofon 2M Blue cartridge. The biggest difference, though, is in its wirelessness.

The Stream Sapphire shares the rare wireless Sonos connectivity of Victrola’s Stream series, but also boasts UPnP compliance – this means that your turntable can stream lossless audio to any Wi-Fi-enabled speaker or audio device in your home tech ecosystem.

This is a phenomenal prospect for the tech-futurist homesteader, where seamless, wireless and simultaneous playback in every room is made not just possible but easy – to say nothing of the ease with which you can target specific zones for listening in. And all this, of course, in glorious 24-bit/48kHz. This wireless connectivity is obviously killer, but it’s not going to be ubiquitously useful as a feature; this premium turntable targets a narrow slice of a wide commercial market, and stakes a great deal of its retail price on its appeal to that slice.

As such, the turntable forgoes some basic features that the average user might look for, such as a bypass switch for the phono preamp, or even an on-off switch for the auto-stop function (both of which, incidentally, you will find on the much cheaper, Bluetooth-enabled Victrola Stream Onyx). Even though the Stream Sapphire has some wow-worthy connectivity options, it falls short in some basic ways – ways in which considerably cheaper players are excelling.

  • Features score: 3/5

Victrola Stream Sapphire review: Sound quality

Victrola Stream Sapphire turntable with a closeup of the tonearm

(Image credit: Future / James Grimshaw)
  • Undeniably excellent dynamics
  • Rich, complete sound representation
  • Stable playback

Victrola’s less expensive Stream turntables, which share some similarities, have previously caught flak for occasional instability in-play. Thankfully, the Stream Sapphire’s motor is indeed improved, providing a good deal more torque and doing away with much of the imprecision that plagued its range-mates. There was initially a bit of a disconcerting squeak when starting and stopping records, though this did seem to abate with time.

Via RCA, the Stream Sapphire sounds excellent. The Ortofon 2M Blue does a great deal of the heavy lifting, with an incredible full range of frequency responsiveness that, at some points, seems to test the readiness of the Sapphire’s built-in preamp. Indeed, it’s a rare turntable that lays bare the shortcomings of my own austere living room hi-fi.

The preamp is good, though, and handles the wide dynamic range of Pile’s All Fiction incredibly well. Nothing’s squashed or sausaged, and every leap or fall is felt in near-exactly the way you’d like to feel it in the room, with the band. This dynamic acuity serves everything incredibly well, from sharp and explosive drums in Loops and Poisons to a compelling sparseness in quieter moments (Blood, Lowered Rainbow).

Plaid’s Peel Session 2, meanwhile, is a textural delight across the board, from plinky synth-pings to smooth, fulsome sine-wave basslines. It’s refreshing to listen to records and not be immediately hit by some shortfall in EQ. To clumsily borrow a phrase from the Super Smash Bros. lexicon: everyone is here!

Stealing Sheep’s Big Wows gamely combines the glisten and glitter of the 1980s shimmer-synth arpeggiation with the raw and robust attack of live instrumentation, all of which play ball even through my admittedly undersized bookshelf speakers. Instrument placement in the stereo field is fantastic, as are the vocals, which are otherwise handled unsurprisingly well. Pile’s Rick Maguire sears in over his maximalist arrangements and Stealing Sheep’s three-piece harmonies couch themselves ideally within their synthy beds.

It's not all praise. I need to pull the Stream Sapphire up on some slight overcorrection in places. Plaid’s wubbie low-end can sometimes overwhelm, and sometimes airier treble moments can build up to excess. The 2M Blue cartridge is also quite sensitive to surface dust, so you can expect poorly cleaned records to be a bit poppier (in the literal sense) than usual. But these are trifles against the greater successes of the unit, which is generally a stable and hugely responsive thing.

Wirelessly, the Stream Sapphire sounds as good as its specs promise – when it works. The Sonos connection is prone to ‘skipping’, i.e. losing connectivity, even when latency and performance settings are set with performance over fidelity in mind. Incidentally, selecting ‘Prioritize Connection’ in the Victrola Streaming App’s Streaming Mode menu results in some of the most 'YouTube 2007' sound transmission you’ve ever heard (worse, arguably, than the skipping).

Reliability aside, there’s a lot to like when the Sonos streaming works at its best – Queens of the Stone Age’s Songs for the Deaf is big, rich and fully present, making the most of the Sonos One’s unduly massive bass responsiveness. This turntable will undoubtedly represent a great deal of worth for those with an extensive intra-home Sonos setup, but perhaps only with a great internet connection as well.

  • Sound quality score: 4/5

Victrola Stream Sapphire review: Design

Victrola Stream Sapphire turntable, with light-up knob, on a wooden table

(Image credit: Future / James Grimshaw)
  • Some neat digital functionality
  • Inconsistent setup experience
  • Missed lessons from prior models

It’s hard to talk about the Stream Sapphire’s design without harping on for some time about less tangible aspects of its design – namely, the various digital fenagling associated with getting it to do the Streaming bit of being a Stream turntable.

Using the Victrola Stream app appears simple enough; the app has a handy step-by-step instructional on physically putting your turntable together, which will be a cause of relief for a fair few less confident setter-uppers. But here's where the wheels come off a bit. If this writer has to engage with a button labeled ‘Wi-Fi Setup’ again in their natural life, there will be a reckoning.

Even after successful Wi-Fi Setup (cue Sideshow Bob-esque ‘uunnnrhrnrnrhrnrhr…’), you can look forward to around half an hour of vainly swapping between apps to have one technology see the other – an effort not helped by the sometimes-confusing deployment of the illuminated knob on the Sapphire, which does nothing unless actively connecting or attempting to connect. This lack of feedback is a patience killer.

This fenagling is eventually (and thankfully) rewarded, and from here you can start to appreciate the Victrola app’s nicer touches – such as its in-app ‘Simultaneous Mode’ for playing wired and wirelessly. Thanks to this, your wireless speakers can work in concert with your wired hi-fi, without any real (further) headache. There’s even a slider for ‘knob illumination’, from which you may derive as much mirth as you’d like.

While the Stream Sapphire has its fair share of ‘new bits’, UPnP connectivity and improved motor inclusive, it still has more in common with its predecessors than it has to distinguish it. This turntable had an opportunity to repeat and improve upon the Stream range’s design and, while it’s succeeded in some places, it has fallen unfortunately flat in others.

The Stream Sapphire has especially earned this writer’s ire for using the same practically useless dust cover design as its Stream and Hi-Res siblings: a single folded (and slightly reinforced) sheet of plastic that sits on the platter and over the tonearm, and which can only be used between records. When you’re spending this much on a turntable, you’re invariably coming across the kind of audiophiles that have Big Opinions™ about playing records under closed dust covers – but one senses that this isn’t what governed Victrola’s thinking here.

The turntable also features the same tonearm assembly as its siblings. This tonearm assembly is fine, great even, but not for a four-figure turntable where you’d expect to be able to adjust VTA (Vertical Tracking Angle). VTA isn’t the be-all-end-all that some would claim, but it should be something you’re empowered to adjust yourself.

In short, the Stream Sapphire has some nifty tricks, and a nifty walnut veneer to encase them in, but while much of its charm might have worked with its cheaper models, this model falls disappointingly short.

  • Design score: 2.5/5

Victrola Stream Sapphire review: Value

Victrola Stream Sapphire turntable bird's eye veiw

(Image credit: Future / James Grimshaw)
  • Great sound, but not for its price
  • Quality control issues raise questions
  • Fewer QoL features than cheaper Victrola units

The Stream Sapphire sounds inarguably good, thanks to both the quality of the cartridge and the unusual quality of wireless connectivity on offer. It’s a rare thing on this digital front, too, combining Sonos and UPnP capability in a convenient manner never before seen in a turntable. But do these grand designs translate to cold, hard value? In this writer’s opinion: no.

More specifically, these features don’t feel nearly enough to justify the Stream Sapphire’s price – not when other, essential expectations from this price bracket aren’t being met. Though its sound reproduction is excellent, conventional wired turntables less than half the price are as good if not better – as such, the price tag is only justifiable by its digital, wireless performance, which is inconsistent in its own way.

Furthermore, you’d expect a higher level of quality control for the price you pay, rather than encountering issues with the turntable's most essential mechanical aspects. For my review unit, the tonearm lift system felt broken, its lever loosely flabbing about either extremity of its reach and only catching the lift in a seemingly incidental manner. The aluminium front panel was also burred enough in some places to catch my fingers.

Further still, you’d expect a great deal more in difference between this unit and its half-priced Sonos-streaming predecessor, or even its near-$1000 / £1000 cheaper little sibling in the Bluetooth-friendly Hi-Res Onyx. The similarities between this and its budget counterparts are many, and there are even some features conspicuously missing.

In all, the Victrola Stream Sapphire is an incomparable, even untouchable device, but merely for having no direct competitors whatsoever. It’ll appeal to those who can afford to spend four figures on tech convenience, and few else – which is a good thing, as myriad better deals can be had for a fraction of the price.

  • Value score: 2.5/5

Should you buy the Victrola Stream Sapphire?

Buy it if...

You’ve invested in some hot UPnP speakers
There are some incredible Wi-Fi-compliant speakers on the market from such vaunted brands as KEF and Devialet. If you’ve spent the money on these, the convenience of the Stream Sapphire may be worth the cost to you.

Your house is Sonos’d up to the nines
If you’ve spent thousands on a fully integrated, through-home Sonos setup, and want the best Sonos-capable wireless turntable money can buy, this is absolutely the product for you.

You value convenience more than money
Setting up a cohesive at-home digital audio-streaming network isn’t easy. If you’ve the cash to buy something like this, and hate the idea of building your own hi-fi master-stack from scratch, then the Stream Sapphire is pretty much designed with you in mind.

Don't buy it if...

You want the best analog fidelity
This is, of course, angled at those wanting a primo vinyl-streaming experience – but if you want your records to sound their absolute best in the analogue sense, there are better-specced turntables with your name on.

You’re happy to DIY your hi-fi
The built-in Sonos and UPnP connectivity is novel, but not inherently as valuable as the Stream Sapphire’s asking price. You could buy a better-sounding, more reliable turntable, a DLNA-compliant media hub, and a full complement of compatible wireless home assistant speakers, all for a good deal less than this turntable alone.

Victrola Stream Sapphire: Also consider

Victrola Stream Carbon
Victrola’s Stream Carbon is the Stream Sapphire’s vastly cheaper ancestor, and the first to market in the Stream range. This turntable provides the very same Sonos compatibility – and strikingly similar specs otherwise – for significantly less.
Read our Victrola Stream Carbon review here.

Cambridge Audio Alva TT V2
Cambridge Audio is one of the definitive hi-fi brands, and its Alva TT V2 is a definitive turntable in its own right. A direct-drive motor, a high-fidelity moving coil cartridge, and aptX HD Bluetooth connectivity place the Alva TT V2 in the upper echelons of possible fidelity.
See our full Cambridge Audio Alva TT V2 review

How I tested the Victrola Stream Sapphire

Back panel of the Victrola Stream Sapphire turntable, showing Ethernet and RCA ports

(Image credit: Future / James Grimshaw)
  • Tested for 3 weeks
  • Used in living room hi-fi setup as primary turntable
  • Predominantly tested through Cambridge AV amplifier and Celestion speakers
  • Wireless testing conducted with Sonos One

The Victrola Stream Sapphire became my primary living room turntable for three weeks. The RCA outputs fed my dependable Cambridge Audio Azur 540R amplifier and Celestion F1 bookshelf speakers. For wireless connectivity, I must give thanks to dear friend Joe Lynch for the lending of his Sonos One-centered sound system (and our shared perspiration in connecting to it). I used personal favourite records with which I am intimately familiar, and with which I was able to get a feel for the Stream Sapphire’s character both wired and wirelessly.

First reviewed: October 2024

The Sonos Era 100 is exactly the Sonos One upgrade I wanted, with one catch
5:00 pm | March 7, 2023

Author: admin | Category: Computers Gadgets | Tags: | Comments: Off

The Sonos Era 100 is a new speaker from Sonos to replace the Sonos One, launching on March 28, and I've had the chance to hear it in action during a demo. We'll bring you a full Sonos Era 100 review later when we've been able to test it for longer under our own terms, but I can tell you right now that it looks like a great upgrade – though with a price of $249 / £249 / AU$399, it's also higher-priced than the Sonos One, which costs $219 / £199 / AU$319. And it's much higher priced than the Sonos One SL, which costs $199 / £179 / AU$289. 

However, the Sonos Era 100 includes some long-awaited features compared to its predecessor. (The Sonos One will remain on sale while stocks last, but Sonos isn't making more, the company told me). In particular, the Era 100 brings a 3.5mm line-in option (via and adapter) as well as standard Bluetooth audio support to a mid-size Sonos speaker for the first time, making it the most flexible smaller speaker the company has made so far.

It's all different when it comes to sound too, of course. Sonos' goal with the Era 100 was to deliver stereo sound from a single unit while eliminating the idea of there being a 'sweet spot' to listen to it from, and to add more bass – the last of these is something I've always bemoaned as missing from the Sonos One, despite it being the best wireless speaker for most people. Even in acoustic music, you're not getting the full effect without rich bass.

So the Sonos Era 100 features a new oval woofer for bass and mid-range, and two angled tweeters above it, one facing left, and one facing right. The tweeters have a 100-degree angle between them, and each has a waveguide frame in front of it that disperses sound across 180 degrees per tweeter. That means the tweeters have a total sound spread of 270 degrees between them, according to Sonos.

And that's in a small unit that measures 4.72 x 7.18 x 5.14 in (120 x 182.5 x 130.5 mm - W x H x D), which is a little shorter than the Sonos One, but a little thicker in both directions, too. Design-wise, it feels very much from the same family as the Sonos Move and Sonos Arc.

Hands-on Sonos Era 100 review: Audio impressions

Sonos Era 100 and Era 300 speakers on a wood shelf

Here's the Sonos Era 100 (right) with the new Era 300 Dolby Atmos speaker. (Image credit: Future)

Despite the small size, the sound is impressively big, but Sonos has always been good with that. From the tracks I listened to, I can tell you that Sonos absolutely nailed its goal to add more bass to the Era 100. It's a major change from the Sonos One, and having a much richer bass foundation adds a lot of energy to tracks that benefit from it. But this kind of bass also makes instruments such as pianos and cellos sound more true to life.

It's still a small device, so the bass is not exactly going to shake the room – hardcore dubstep fans will be pleased to hear that you can still pair the Era 100 with the Sonos Sub or Sonos Sub Mini for more bass – but it came across as strong yet refined in my time with it, which is exactly what I want.

The rest of the Era 100's sound is lovely too, and it seems especially sharp with details – nothing I heard came across as soft unless it was supposed to. I do have a slight concern about upper-mid tones standing out well enough when a fair amount of bass is also present – I got a sense that voices may have been getting a little bit swamped in the mix. However, I wasn't choosing the tracks and it wasn't an exhaustive demo, so I'll reserve judgment until I can test it myself.

When it comes to the spreading of sound and the aim of stereo from one box, I'll say the expansiveness of the audio was really impressive, and it certainly came across as bigger than one speaker. But it's more like it's giving the instruments extra space to breathe than really delivering stereo separation, even sitting pretty much central to it. And that's fine – it's not like other speakers have cracked this either.

One interesting note is that it will now be easier for everyone to get the best possible sound from the Sonos Era 100, because there's a new type of TruePlay tuning coming for it. Sonos is calling this 'Quick Tuning', and it's still done from the Sonos app, but unlike regular TruePlay tuning, it can be done from Android as well as iOS. In this new tuning mode, a sound is played, and the mics in the Era 100 listen to the sound, and tune for the room accordingly.

Sonos says that this is more effective than the 'Auto TruePlay' tuning in the Sonos Move, but not quite as effective than the classic TruePlay tuning where you wave an iPhone around the room.

I didn't get the chance to hear the Sonos Era 100 play sound over the line-in or Bluetooth, but Sonos did clarify that as long as the Era 100 speaker is playing, anything that's plugged into it can be shared across other Sonos speakers, so you could take sound from one of the best turntables into the kitchen.

Sonos also said that the Bluetooth version is 5.0 at launch, but that it will be upgraded to 5.2 in the future, which opens up the possibility of high-quality Bluetooth LE Audio support, but the company didn't confirm that.

You can also connect an adapter to the Era 100 that adds an Ethernet connection, as well as a USB-C connection that can be used as a digital line-in – but the adapter comes separately.

Hands-on Sonos Era 100 review: Home theater specs

Sonos Era 100 speaker with the body removed, exposing the speaker components

The Sonos Era 100 with its shell removed on the left – you can see the space for angle tweeters at the top. (Image credit: Future)

The main market for the Era 100 is people wanting small footprint wireless speakers. But just like the Sonos One, the Era 100 can be used in a home theater configuration, adding surround sound for the Sonos Ray, Sonos Beam or Sonos Arc, though I didn't get to try this.

With two angled drivers, I hoped that the Sonos Era 100 would be able to add more surround-sound channels to a Sonos home theater setup, pushing things to 7.1.2, instead of the 5.1.2 you get currently from a Sonos soundbar with rear speakers. But that's not the case – Sonos says that Era 100 speakers act as mono units when in home theater mode, so you're still getting 5.1.2. (Adding two Sonos Era 300 units in home theater mode does upgrade the setup to 7.1.4 when used with Sonos Arc.)

I have hope that Sonos is being a little shy here, and there will still be a better steering effect for side and rear sounds from the Era 100 – when I tried the Era 300 in home theater mode, I found that you could easily think it added more than two extra channels. But only a full test will reveal that.

Other tweaks to know in the Sonos Era 100's construction are that it's now made from 40%-50% recycled plastic on average, that it draws much less power when idle than the Sonos One, and that it's also been designed to be easily disassembled and repaired.

Hands-on Sonos Era 100 review: Early conclusion

I'm really excited about the Sonos Era 100 overall – a lot of the features look like my personal checklist for what I wanted to see from it. But I'm disappointed that it's become less affordable, especially since the cheaper Sonos One SL isn't sticking around, but the more expensive Sonos Five is. Hopefully there will be a Sonos Era 100 SL in the future to bring the price down a little.

Perhaps Sonos thinks that most people would be satisfied with the Sonos Roam if they want a Sonos speaker under $200 / £200, and it may well be right – but that wouldn't have been the case for me.

Which is not to say that the Era 100 doesn't seem like it'll be worth its price, especially since it's more flexible – it's clearly going to be one of the best Sonos speakers yet. It's just a shame for it to move out of more people's reach.