Instax Mini - Organizer

I tested the retro Instax Mini Evo Cinema for two weeks — it’s awesome and terrible, but it still wins my heart

4:02 pm | January 16, 2026

Fujifilm Instax Mini Evo Cinema: Two-minute review

The Fujifilm Instax Mini Evo Cinema takes instant cameras in a new direction, and let me tell you, it’s heaps of fun. It’s a 3-in-1 digital ‘hybrid’ instant camera; being a stills camera, an instant printer and the very first Instax that shoots video.

We know the instant photography part already: the Mini Evo Cinema packs much of the same lo-fi tech as the Mini Evo – 5MP digital photos through a 28mm f/2 lens, which are saved onto micro SD, that you can select in the camera’s gallery or through a companion app to print instantly onto Instax Mini paper. In this case, the printing process uses an analog-style lift and twist lever.

But it’s the camera's design where things get really interesting. This is a nostalgic, slimline Super 8 camera-style body – which is supposedly inspired by Fujifilm’s ‘Fujica Single-8‘ from 1965 – that easily sits in the hand with the shutter button at your trigger finger.

And for me, it’s the video features that drew me in rather than the traditional Instax photography experience, even if each of the three functions seamlessly blend together.

Then there's the main event – the Eras Dial, with a look for every decade spanning the last 100 years. Fujifilm says these looks ‘pay homage to the characteristics, media and playback devices that defined that time’.

Starting with 1930 and running up to 2020, there's a distinct look for each decade, each with a scale of 1-10 for various 'expressions' of each decade, adjusting either the strength or the look of each style. So yes, that makes 100 styles, all of which work for photos and videos.

Fujifilm is no stranger to introducing never-before seen controls in its recent cameras, from the Film Mode in the fun X half to the aspect ratio dial in the serious GFX100RF, it keeps delivering surprising new features, and the Eras Dial, being at one's fingertips, is more than just a novelty.

Fujifilm Instax Mini Evo Cinema on a white wooden surface — Tim Coleman

Even videos can be shared through an Instax Mini print – the Mini Evo Cinema selects a frame from the video (or the user can manually select a frame) and prints it with a QR code for access to that clip through Fujifilm’s servers.

You can also check out and share photos and videos using the free Instax Mini Evo app, including making short video edits from your video clips (which are limited in length to 15 seconds each).

I've made my own video compilations using the Instax Mini Evo app, combining multiple clips into a 30 second montage (which is the maximum length), printed it with a QR code attached, which then seamlessly took me online to that reel. The editor is a little clunky, and the video length limitations are frustrating at times, but it's an OK experience overall.

Fujifilm Instax Mini Evo Cinema on a white wooden surface with instant prints around it — Here's the camera alongside a print for every one of the 10 decades featured in the Eras Dial. It's no coincidence that a pack of Instax Mini film produces 10 prints. (Image credit: Tim Coleman)

Inside the box, you get the camera, viewfinder eye cup for the 1.5-inch 170k-dot LCD screen (see it in action, below), a grip extension and a strap.

The Mini Evo might look toy-like, but it is in fact a premium-feel product, everything from the grip to the dials, switches and buttons feel solid.

Performance, on the other hand, during my review was pretty sluggish. I've used the camera at a launch event and again during a two week review period, and with both units the Evo Cinema's wheel of death appeared almost every time I recorded a video or switched eras, taking a few seconds to be ready to use again. A little annoying, but arguably in the spirit of retro tech.

Photographer holding the Fujifilm Instax Mini Evo Cinema camera up to their eye — The Evo Cinema handles well, and is such a clever concept - packing Instax tech into a polished, Super 8-style body (Image credit: Tim Coleman)

I actually think the Mini Evo Cinema is the most intriguing Instax camera to date – it feels like the Instax camera that the digital generation has been waiting for.

Its Super 8-style body is a perfect form to host Instax Mini printing, and the multi-media output makes this feel like a camera that'll keep my interest for much longer than a simple instant photography Instax. This is a proper good times camera.

Technically speaking, this is a poor camera. However, it already feels like the one Instax that appeals to me the most in the many years that I've been testing Fujifilm products.

If I was to sum the Mini Evo up in a single word, it would be fun. Fujifilm is having a real go at making cameras fun again with a string of quirky products, and the Evo Cinema could just top the lot.

Fujifilm Instax Mini Evo Cinema: price and release date

Costs $419 / £329 / AU$599
There's viewfinder, grip extension and strap accessories included
Sales began on January 28, 2026

The Fujifilm Instax Mini Evo Cinema went on sale globally from January 28 2026, with a price of $419 / £329 / AU$599.

In the box you'll also find the viewfinder attachment, grip extender, strap and USB-C cable. A purpose-made leather case will be available too, for $40 / £35 (about AU$65).

Fujifilm Instax Mini Evo Cinema: specs

Video	1080 x 1440 x ('2020' setting only) 600 x 800 for all others
Photo	5MP, 1/5-inch sensor
Format	Instax Mini
Lens	28mm f/2
Autofocus	Yes
Screen	Fixed 1.5-inch, 170k dots
Viewfinder	A clip-on viewfinder is supplied for the screen
Dimensions	39.4 mm x 132.5 mm x 100.1 mm (excluding projecting parts)
Weight	270g (excluding film pack and recording media)

Fujifilm Instax Mini Evo Cinema: design

Fabulous Super 8-style body
A pack of Instax Mini film slots inside
Retro controls and a charming Eras Dial

Design is easily the strong side of the Evo Cinema – it's a charming, Super 8-style camera with versatile 3-in-1 skills; digital photos, video, and instant printing.

The body is particularly slimline and designed to be held vertically. With a pistol-like grip, your index finger naturally rests on the shutter button, like a trigger. You press it to take photos, or press and hold to shoot video, with a maximum clip length of 15 seconds. You can customize to a single press to record video too, but I preferred the authentic press and hold for video recording, not least of which to avoid accidental recordings.

Fujifilm provides a grip extension with the camera, but honestly I could take or leave it – because it hardly impacts the camera’s handling. What is a useful accessory, however, is the viewfinder eyecup, which comes included. It attaches magnetically and clicks into place over the tiny 1.5-inch LCD screen, which isn’t touch sensitive by the way, enabling a clear view in bright light, but again more for an authentic Super 8-like shooting experience.

There are several buttons and controls around the camera worth mentioning, one of which is a lift and twist lever used for instant printing – it’s easy to forget that this slim camera can hold a pack of Instax Mini film inside for instant photo prints. A single pack of 10 prints will set you back around $9 dollars or £8 pounds.

Another control is the digital zoom lever – I rarely used this because the Mini Evo Cinema’s image quality is sketchy at best already, but more on this later.

The 28mm f/2 lens is a moderate wide angle optic, with a similar perspective to the main camera on your smartphone, and it has a ring around it which can scroll through color profiles. Above the lens is a selfie mirror which is barely helpful, plus a tiny LED flash light which is useful for indoor party portraits, even if it’s not very powerful.

The Eras Dial starts in the 1930s with a grainy monochrome, the 1990s is the old school handicam look, while 2020 is a crisp quality like today’s smartphones. Gimmicky? Maybe for some, but not for me – this is such a fun feature that I kept coming back to.

It might appear toy-like, but once you get to grips with the Mini Evo, you realise that it's a well-made, well-thought out camera. I really believe Fujifilm has faithfully brought a fabulous concept into life.

Fujifilm Instax Mini Evo Cinema: performance

100 color profiles inspired by decades past and present
Poor image quality and limited video clip length
Sluggish operation

On the flipside to design, performance is surely the Mini Evo Cinema's weakness – and in that sense it is fully committed to its retro roots!

Having used the Mini Evo previously, I expected poor image quality, especially since the basic sensor hardware is essentially the same as the original Mini Evo. Put simply, don’t expect excellent photo quality – the camera shoots lo-fi five megapixel JPEG photos through that 28mm lens, which are then saved onto micro SD.

From the camera’s gallery, you can then select which images you’d like to print instantly onto Instax Mini paper, using that analog-style lift and twist lever.

Video quality is equally lo-fi at just HD 720p, unless you have the high-resolution option active specifically for the 2020 Eras Dial setting alone, where video resolution can be doubled to 1440p. A frustrating, needless limitation on quality? Not so – it’s authentic.

I prefer the digital hybrid setup to a fully analog instant camera – where the camera prints immediately on capture, whether it’s a ‘good’ photo or not. With a Mini Evo you pick the shot you like for printing, meaning less wasted prints. Sure, it’s not one for analog purists, but I’d rather not waste my money on throwaway prints.

One frustrating experience using the Mini Evo Cinema is its slow operation. Every time you change a setting, or take a photo or video, a spinny wheel of doom pops up on screen as the camera makes those changes or processes images before it’s ready to operate again. The wait is even longer after recording video clips.

I’ve had two samples of the camera, and had the same issue with both. One time, the camera completely froze up, and the only solution was to leave it be until the battery fully drained. Once I charged it up and turned it back on, all seemed well again.

These issues could be bugs with the current firmware, that could be addressed in the future, but I’d be remiss not to mention them.

In one sense, using the Evo Cinema with all its performance-related issues is frustrating, but then I stop and think about the kind of camera that it is, and I can't help but embrace those flaws.

Sample photos – 1930 through to 2020

Fujifilm Instax Mini Evo Cinema sample gallery: female model in studio — 1930Tim Coleman

The 10 photos above cover each of the 10 settings in the Eras Dial, from 1930 to 2020. I kept the 'expressions' control to its auto setting rather than experiment with the 10 different looks available for each of the decades on the dial. Stills are recorded as JPEGs onto microSD, at 1920 x 2560 pixels.

Sample video – 100 years in a minute

@techradar
♬ original sound - TechRadar

I repeated the process for video, capturing each of the 10 Eras Dial looks. The lo-fi video quality is captured at 600 x 800 pixels for every setting except 2020, which is a higher quality 1080 x 1440 pixels.

Should I buy the Fujifilm Instax Mini Evo Cinema?

Buy it if...

You want a versatile retro camera
With 3-in-1 skills and well-made Super 8-style body, the Mini Evo Cinema is the retro camera to getView Deal

You love the lo-fi look
With poor quality stills and video but in a range of era-inspired styles, there are plenty of looks to sink your teeth intoView Deal

Don't buy it if...

You're looking for top quality and performance
Images are lo-fi, operation can be slow – this is retro in every senseView Deal

You simply want video or photo
If you're looking for an instant camera only, or on the flipside a video camera only, there are low cost alternativesView Deal

Fujifilm Instax Mini Evo Cinema: also consider

Fujifilm Instax Mini Evo

Think of the Mini Evo as the same photo-making and instant printing camera, only without the video skills or retro Super 8 design. Instead, you have a compact body, and for around half the price.

See our Insta Mini Evo reviewView Deal

Camp Snap CS-8

If the Mini Evo Cinema's video skills appeal and the instant printing less so, then check out the Camp Snap CS-8, another lo-fi Super 8-style digital camera. It focuses on video, plus it costs much less

Read our Camp Snap CS-8 reviewView Deal

How I tested the Fujifilm Instax Mini Evo Cinema

I attend a pre-launch Evo Cinema event for an two hour session. Fujifilm consequently sent me the camera for a two week loan period
I used it with the viewfinder and grip accessories, and I tried all the Eras Dial settings for photo and video
I've printed Instax Mini prints and edited content through the app

I've spent two weeks with the Evo Cinema, which has given me plenty of time to get a feel for how it handles and performs.

At a two hour launch event, I recorded the same video in a studio of a model, using every one of the 10 Eras Dial settings, and repeated that process for photos, printing out each one.

I've since experimented with the various expressions of each decade, taken more photos and videos both indoors and outdoors, in good light and bad.

I've tried the Evo Cinema with and without its viewfinder and grip accessories. The optional case was not supplied to me for the review.

I also made video montages using the basic video editor in the free Mini Evo Cinema app, and printed the QR code for access to those clips.

First reviewed: January 2026
Read more about how we test

After testing the stylish new Fujifilm Instax Wide Evo, I’ve been won over by the charm of hybrid instant cameras

4:48 pm | June 20, 2025

Author: admin | Category: Cameras Computers Gadgets Instant Cameras | Tags: Instax Mini, UK | Comments: Off

Fujifilm Instax Wide Evo: Two-minute review

The Fujifilm Instax Wide Evo is instantly striking with its retro design and ultra-wide body. If you're after the best instant camera for hybrid photography (i.e. the ability to print film images taken directly on the camera or sent from your smartphone) and prefer to shoot on wide format prints, then this really looks like it's the model for you.

Although it doesn't come cheap, the Instax Wide Evo is very much the step-up from Fujifilm's other Instax hybrid, the Mini Evo, that was launched in 2021, offering most of the same great features, including an LCD display screen, 10 lens and 10 film effects that make 100 different creative combinations, and a microSD card slot, along with a few more new additions that I'll break down below.

A hand holds up the Fujifilm Instax Wide Evo — (Image credit: Future)

A wider film print means this instant camera is a bit on the larger side, but it makes use of the extra real-estate by adding more physical buttons that let you quickly change settings. These include a dedicated wide angle button that lets you switch to a more standard field of view (FoV) if you don't want that cinematic look.

Speaking of, you can also switch between six different film styles, one of which puts black bars to give your pictures that IMAX feeling, using a button on top of the camera. There's also a dial on the left side of the camera to cycle through the 10 different lens effects, with another dial on the opposite right side to switch between the 10 different film effects. My favorite, though, is the crank that lets you manually print a picture by winding it, which is a nice design nod to the crank for winding back film on the best film cameras.

So it's a full five stars for all the creative photo editing options it offers, but what about the Instax Evo Wide's image quality? It's by no means as rich or dynamic as an analog instant camera can produce. Instead the picture quality of the physical print outs is more in line with what you'd expect from your phone's smartphone camera. Of course, the digital copies of these images when compared to those taken your phone can't compete.

The Instax Evo Wide will by no means replace your dedicated digital camera – and if you love the 'magic' of purely analog instant film cameras, then this might not be right for you either as your images will always be digital first – but it is a perfect piece of extra gear if you want to be creative with your photography and experiment with a larger field of view.

Fujifilm Instax Wide Evo: Price and availability

A hand holding the Fujifilm Instax Wide Evo — There's a dedicated button at the top of the camera for switching between six different film styles. (Image credit: Future)

The Fujifilm Instax Wide Evo was launched on January 21, 2025 with a price tag of $349.95 / £319.99 / AU$599.

That makes the Fujifilm Instax Wide Evo one of the the priciest instant cameras of its kind, says TechRadar's cameras editor, Timothy Coleman. Indeed, for comparison's sake, the only other Instax camera that takes wide-format instant film prints is the Instax Wide 400 and that sets you back $149.99 / £129.99 / AU$229.99.

The Wide Evo is also almost double the price of Fujifilm's other Instax hybrid too, the Fujifilm Instax Mini Evo, which retails for $199.99 / £174.99 / AU$299.99. Does the extra cost account for the more premium, larger features in the step-up model? As the brand's first wide format hybrid camera (and second hybrid camera overall), the Wide Evo does offer a premium package, which it's not great on value.

There's also optional accessories available for the Evo Wide, including a leather case that costs $49.95 in the US and £37.99 in the UK. Although optional, this might be a necessary additional cost to make sure to protect the LCD display screen (if this gets too scratched up, then you won't be able to take let alone see your photos).

Fujifilm Instax Wide Evo: Specs

Film Type:	Fujifilm Instax Wide film
Print size:	62mm x 99mm
Focus range:	f = 16 mm (35 mm equivalent)
Aperture:	f 2.4
Shutter Speed	Automatic switching, 1/4 to 1/8,000 seconds
Power:	Internal lithium ion rechargeable
Charging time:	2–3 hours
Dimensions:	138.7 mm x 125 mm x 62.8 mm (excluding protruding parts)
Weight:	490g

Fujifilm Instax Wide Evo: Design

A hybrid instant camera that can print directly or from your catalog of shots, stored on Micro SD
Plenty of dials and switches to select various film effects
Includes a mirror and switch to take selfies

When rumors started to circle about the Instax Wide Evo, there was talk that it would be "regarded as the best-looking Instax camera ever made" and that caught a lot of enthusiast's attention, including TechRadar's senior news editor Mark Wilson who said off the back of it that the "Instax Wide Evo sounded like my dream instant camera".

Now that the camera is out in the wild, we can officially say that it's a stunning piece of equipment. It has a relatively slim body to balance the camera's wide build, making the Instax Wide Evo one of the more sizable options on the market. This is offset by a stylish retro look that mimics those vintage cameras that had black textured bodies with silver lenses.

Considering that the only wide-format Instax camera alternative is the big and bulky Instax Wide 400, the Wide Evo's textured, minimal black design is definitely a lot more easy on the eye than the plasticky, dull green finish of its larger cousin. (Another alternative if you're set on a wide-format is 2024's Lomo’Instant Wide Glass – an attractive instant camera that we gave 4.5 stars in our in-depth review.) Indeed, I don't think many would be opposed to slinging the Wide Evo over their shoulder for the day.

A hand holds the Instax Wide Evo — This is how you would hold the Instax Wide Evo to take a selfie, with your thumb pulling down on the shutter switch button. (Image credit: Future)

The leather case that you can buy alongside the Wide Evo makes this very easy to do and might be a crucial accessory – not just for protecting it from nicks and scratches but – to make sure that it has a long life, as the LCD screen could easily get scuffed up over time. That's not great for a camera that doesn't have a viewfinder. Of course, I can't yet say that this will be an issue but it's worth considering.

It also helps that the Evo Wide is light – it weighs about half a kilo – making it very portable, but don't expect to be able to fit the Wide Evo in any pocket. As you would expect, because it takes wide-format instant prints, it's on the larger side.

Fujifilm Instax Wide Evo: Performance

The Fujifilm Instax Wide Evo being held by hand — This image was shot with the warm film effect and color shift lens effect settings turned on. (Image credit: Future)

Plenty of scope to try different looks, with 100 creative combinations
The widest-ever Instax lens and wide-format prints give extra breathing room for your subjects

The Fujifilm Instax Wide Evo's built-in film and lens effects make experimenting with different styles extremely easy. The fact that you can create 100 different creative combinations with these settings means there's plenty of room to play around.

Fujifilm has made the ability to customize all your images with various different effects a core part of the Instax Wide Evo. Indeed, if you're someone that likes to experiment with different effects such as lens flares, borders and color filters, then this camera is built for you.

The entire design of the camera is focused on making those photo editing tweaks simple, quick and easy. Both the lens and film effects each have dedicated dial buttons on the side of the camera. Even the top most prominent button on the camera (the placement of which is normally reserved for a shutter button) is for adding different film styles to your images.

The Wide Evo even has a dedicated button on the front of it that turns off the wide-angle, which is a nice feature that nods to its hybrid functionality. Another more less visible button is the lens of the camera itself, which can be twisted to adjust the intensity of the filter and film effects you're applying.

A hand holding Fujifilm Instax Wide Evo — The dial on the right side of the Instax Wide Evo is for switching between the 10 different film effects. (Image credit: Future)

I had a lot of fun playing around with all the different film effects and styles because of these dedicated buttons, but my favorite physical feature of the camera has to be the hand crank on the side for printing images. It's a nice nod to the analog nostalgia that the Wide Evo embodies.

The shutter button is a lot different to the Mini Evo, which has a standard push button on top of the camera. Instead of this, the Wide Evo has a rocker style switch (like the ones you would use to turn on a light) that's situated on the front of the camera, beside the lens. I found this placement and style initially cumbersome, especially when taking a selfie as I couldn't immediately engage the auto focus by half pressing it down.

To be clear, this might be just be because I didn't spend a lot of time using it and could become more easier, but I will say it's not initially intuitive. That's also not to say that all the buttons are like this. The spin dials and crank for printing photos, for instance, are extremely tactile and easy to use.

On top of all this, there's even an Instax Wide app for more standard editing options, such as being able to crop an image or increase the brightness and contrast, as well as a 'Discovery Feed' for sharing and seeing fellow Instax Wideo Evo owners' creations. One thing to note about the app is that only printed images are automatically saved. Any photos you take on the camera itself won't just appear in your personal library in the app, which means you'll have to still transfer them of a microSD card.

Image 1 of 3

Two screenshots of the Instax Wide Evo app screen — (Image credit: Future)

Every image that you choose to print on the Instax Wide Evo will automatically be saved in a library on the app, giving you detailed information about which effects you used.

Image 2 of 3

Two screenshots of the Instax Wide Evo app — (Image credit: Future)

Image 3 of 3

Fujifilm Instax Wide Evo: Image quality

Image 1 of 3

An Instax image printout of an underground station in black and white — (Image credit: Future)

I experimented with several different film effects and styles while testing the Instax Wide Evo.

Image 2 of 3

An Instax image printout of a cat in black and white — (Image credit: Future)

Image 3 of 3

An Instax image printout of a sculpture in black and white — (Image credit: Future)

Images are digital first, which loses the 'magic' of analog
Picture quality of printouts appear flat but look fine digitally
Not on par with pure analog instant cameras like the Instax Mini 99

There's a trade-off with every instant camera when it comes to picture quality that most of us are willing to accept. These cameras don't produce the same precision as newer dedicated digital cameras, but many people that purchase these type of cameras are more interested in the nostalgia that instantly printed photographs brings, so I appreciate that this isn't the most important component.

When it comes to the picture quality overall, I was most interested in testing out how the film prints compared to those taken on a non-hybrid instant camera as the images are digital first on the Evo Wide. This is a big deal for me because I'm split between analog and digital, and this in my opinion takes a bit of the magic away.

For context, I bought my first Instax in 2014 and of course quickly realized how expensive this style of photography is after discarding some duds, which made me even more selective with every picture I took. My boyfriend decided to buy me an Instax printer to solve this issue, but this for me took away what I loved about the style in the first place. I also found that picture quality from a printer wasn't on par, as the photographs appeared flatter and less dynamic than those printed on an analog instant camera.

Image 1 of 3

An Instax image printout of a cat with a blue filter and lens effect — (Image credit: Future)

Image 2 of 3

An Instax image printout of a train in a green hue filter — (Image credit: Future)

Image 3 of 3

An Instax image printout of a train with a grainy film effect — (Image credit: Future)

With this in mind, if the image quality of the prints is really important to you then you're better off buying an analog Instax camera in my opinion, because the prints are much more rich in contrast due to the light passing directly though the sensor rather than being digitally scanned. They also don't tend to be as overexposed as those printed on a hybrid Instax.

In terms of the wide-angle prints themselves, the larger size makes them feel much more premium than the smaller rectangular formats that mimic your smartphone pictures and is much more akin to the classic square instant prints that were once more popular.

As for the digital images that are taken by the Instax Wide Evo, these by no means match up to the quality you'd find from one of the best cameraphones, which benefit from more advanced sensors and image processing algorithms. For this reason, outside of sharing the images you take on the Instax Wide Evo to social media, you most likely won't use these elsewhere.

How I tested the Fujifilm Instax Wide Evo

A one hour hands-on session at the UK launch event
Ad-hoc testing during the day and night over a week
I tried various filters, two lenses and selfie mode

My time with the Fujifilm Instax Wide Evo was brief: following attending the UK launch event in London, I was able to test out the camera for less than a week around the office and home.

However, during this time, I had decent chance to get a feel for the camera; how it handles for regular photos and selfies, plus the various filter and film effects possible through the physical controls on the camera.

I used two packets of the Fujifilm Instax Wide Evo at the event, each of which had 10 prints, and a couple more packets during the week-long product loan

Fujifilm’s affordable Instax Mini 41 impressed me with its elegant design and simple operation

3:00 pm | May 2, 2025

Author: admin | Category: Cameras Computers Gadgets Instant Cameras | Tags: AA, Instax Mini | Comments: Off

Fujifilm Instax Mini 41: One-minute review

The Instax Mini 41 is the latest affordable instant camera built for Fujifilm’s Instax Mini film, replacing the 2022-released Instax Mini 40 as the ‘mature’ alternative to the playful, colourful Mini 12.

While the Mini 40 has a straight-up retro aesthetic, the Mini 41 takes things in a more unique and modern direction. I’d call it retro-tinged rather than all-out vintage-inspired, and I think it’s all the better and more eye-catching for it.

Instax Mini cameras have always been simple to use and the Mini 41 thankfully continues this tradition. Loading it with a cartridge of film takes seconds and isn’t fiddly at all and, thanks to the automatic exposure settings, taking a photo really is just a matter of pointing and shooting. 90 seconds later, you’ll have a fully developed and likely great-looking credit card-sized print in your hands.

The viewfinder is big and bright, and thanks to the new parallax correction mode, you no longer need to compensate composition for close-up objects. As with the Mini 12, the Close-Up mode shifts the viewfinder angle slightly so that centering an object within 50cm will actually keep it in the center of the finished print.

Fujifilm Instax Mini 41 camera — (Image credit: Future | Sam Kieldsen)

The build quality is lightweight and plasticky, but thankfully doesn’t come across as cheap; I think it feels fine for a camera in this price range. I will concede that the use of standard AA batteries rather than a rechargeable built-in battery seems a little old-fashioned in 2025, but I suppose you can’t have it all.

In terms of image quality, it’s difficult to say the Mini 41 is any better than the 2023-released Mini 12 (which is a bit cheaper), because the lens and film being used is pretty much identical. But that’s no bad thing: Instax Mini photos are colorful, charming and so easy to pass around, pin up to a corkboard or stick on the fridge.

All in all, this is a fun, easy-to-use instant camera with a handsome design and a great price.

Fujifilm Instax Mini 41: Price and availability

Camera available now for $129.95 / £94.99 / AU$179
Instax Mini film costs around $20.99 / £14.99 / AU$29.95 for a 20 pack

The Instax Mini 41 is available now for around $129.95 / £94.99 / AU$179. That price, which is pretty reasonable in my opinion, includes the camera, two AA batteries and a wrist strap, but you don’t get any Instax Mini film packs included. US-based readers should note that the price in the States may go up as a result of the recent tariffs, so do keep an eye out for that.

Each film cartridge features 10 shots, and they’re usually sold in double packs (so 20 shots in total) for around $20.99 / £14.99 / AU$29.95. That can initially seem expensive compared to the near-free cost of digital photos, but as these prints are tangible, personalized objects I don’t think it’s fair to directly compare them to shots that sit on your phone or social media account. In my opinion, the film is priced quite fairly.

Fujifilm Instax Mini 41: specs

Fujifilm Instax Mini 41: design

Plastic body with retro-inspired but modern design
Simple controls and viewfinder
Selfie mirror built into lens barrel

When I pulled it out of the box, I was instantly impressed by the looks of the Instax Mini 41. It would have been easy for Fujifilm to retain the purely retro 1960s-esque styling of the Mini 40, but instead its designers have blended old and new into something quite singular, much like it did with the Instax Wide Evo.

From the grippy geometric texture on the front to the understated colors (with those all-important pops of the orange accent color here and there), this is just a stylish and elegant camera – and a lot less conspicuous and more grown-up than the Instax Mini 12.

It’s made almost entirely of plastic. That’s normal for something priced as low as this, and helps keep the weight down, but it will get marked and damaged quite easily if dropped or mistreated. My review sample already had a scrape across the back from a previous user, and I suspect a ten-year-old Mini 41 would look quite battered and bruised unless kept in a carry case most of the time.

Operation is beautifully simple. Loading a cartridge Instax Mini film through the rear hatch is idiot-proof thanks to the yellow indicator lines, and once it’s in all you need to do is twist the lens barrel to turn the camera on. This power switch doubles as a mode dial too, flipping the camera between its Normal and Close-Up shooting modes: Normal is for shooting anything more than 50cm away, while Close-Up handles everything between 50cm and 30cm (the camera’s closest focusing distance).

When in Close-Up mode, the viewfinder shifts perspective slightly, making it easier to frame your shots. This is called parallax correction and I’ve seen it on the Mini 12 too, but it’s a great feature to have if you don’t want to end up wasting photos through poor composition.

To take a shot, you just look through the (big, bright) viewfinder to compose, then hit the shutter button. Everything else, including shutter speed and flash, is fully automatic. If you want to take a selfie, there’s a handy mirror on the lens to help composition (another feature, like parallax correction, carried over from older models).

Fujifilm Instax Mini 41: Performance

Postcard-sized prints delivered in 90 seconds
Strong color reproduction and sharp detail
Runs on 2 x AA battery delivering around 100 shots

This camera really is simplicity personified. From pressing the shutter button to looking at your fully developed print, the entire process takes just 90 or so seconds. The Mini 41 doesn’t do anything different to its Instax Mini predecessors in this regard, but then it doesn’t need to: the system works very well. The only thing it's missing, if I'm nit-picking, is a self-timer that'd allow you to set it up somewhere for a group shot.

The prints are credit card sized (62 x 46mm to be precise), nicely glossy, and packed with charm. I suppose you might be disappointed if you’re looking for the most detail, the punchiest contrast and the richest, most saturated colors – but, well, you didn’t truly expect to find them on a cheap instant camera, did you?

Image 1 of 4

Fujifilm Instax Mini 41 sample photos — (Image credit: Future | Sam Kieldsen)

Image 2 of 4

Image 3 of 4

Image 4 of 4

What these images have in spades is spirit and character. The colors are pleasant and appealing and there’s enough detail here, despite the small print size. And that analog film special sauce suits portraits and selfies well, imbuing them with a timeless quality that digital has always struggled to recreate.

Should I buy the Fujifilm Instax Mini 41?

Buy it if...

You want a simple, cheap instant camera
At this price it's hard to fault the Mini 41. It's a straightforward instant camera that just works!

You want something a little more grown-up
The cheaper Mini 12 is almost exactly the same camera, but its bubbly, colorful design is a bit kiddified. Not so the elegant Mini 41.

Don't buy it if...

You hate spending money on film
This isn't like a digital camera – you'll need to continually invest in film (and AA batteries) while using it.

You like being in control
Serious creative photographers might bounce off the Mini 41's lack of manual controls. It's designed to be simple and fun, not for professional photography.

Fujifilm Instax Mini 41: Also consider

Polaroid Flip

It’s more than twice the price of the Mini 41, but Polaroid’s latest point-and-shoot instant camera delivers great-looking square prints thanks to its four-lens system. A longer minimum focus distance means it’s not ideal for snapping selfies, though.

Read our in-depth Polaroid Flip review

Fujifilm Instax Mini 12

With very similar image quality to the Mini 41 (it uses the same film packs, after all), the 2023-released Mini 12 makes for a great and slightly cheaper alternative – if you can live with the cutesy, cloud-shaped and colourful design, that is.

Read our in-depth Fujifilm Instax Mini 12 review

How I tested the Fujifilm Instax Mini 41:

Used two packs of Instax Mini film (20 shots)
Took photos in and outdoors in different conditions
Experimented with portraits, self portraits, close-ups and landscapes

I was only given about a week to use the Mini 41 before my review sample had to go back to Fujifilm, but that was enough time to get through a couple of cartridges of film: 20 shots in total. I took these in and outdoors and in a variety of situations, from selfies to landscapes. I own an Instax Mini 12 too, so am quite familiar with the design and image quality of the Instax Mini range and film, which helped me form an opinion on the Mini 41 despite having limited hands-on time with it.

First reviewed May 2025

Fujifilm’s affordable Instax Mini 41 impressed me with its elegant design and simple operation

3:00 pm |

Author: admin | Category: Cameras Computers Gadgets Instant Cameras | Tags: AA, Instax Mini | Comments: Off

Fujifilm Instax Mini 41: One-minute review

All in all, this is a fun, easy-to-use instant camera with a handsome design and a great price.