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Goodbye June review: New Netflix movie is a near flawless directorial debut for Kate Winslet — but you’ll cry your eyes out
8:00 pm | December 11, 2025

Author: admin | Category: Computers Gadgets Netflix Streaming | Comments: Off

Is Goodbye June a Christmas movie, or a movie that simply has Christmas in it? I'm not sure – but what I do know is that you won't stream a more tragically beautiful film this festive season.

It's quite a choice to drop a film that follows a dying woman's last days on Christmas Eve, but I can see why Netflix made the decision. If anything, the timing drives home the importance of hugging your loved ones that bit tighter, and never missing the chance to tell someone you love them.

In a nutshell, mom and grandmother June's (Helen Mirren) cancer has spread, sending her to hospital for what she and her family know will be the last few days of her life. Doting son Connor (Johnny Flynn) and his sisters, highly-strung Julia (Kate Winslet, who also makes her directorial debut), internally angry Molly (Andrea Riseborough) and flighty expat Helen (Toni Colette) spend as much time as they can by their mothers' bedside.

Along with June's ailing husband Bernie (Timothy Spall), the quartet's job is to give June the best send-off possible, despite a myriad of issues and long-held grudges making emotions run even higher than you’d expect in such a scenario.

Reading those last two paragraphs may well have put you in mind of your own family, whether it’s particular people or a similar situation – and that's one of the great strengths of Goodbye June. Our cast might be A-list, but here they're grounded, and their relatability helps to deliver what at times feels more like a fly-on-the-wall documentary than a drama.

The movie is something of a family affair off-screen as well as on, and some more cynical critics might be tempted to brand it as a ‘nepo baby’ creation (Winslet stars and directs and her son Joe Anders writes the script). I actually think their family ties are a huge advantage here... and thank God Winslet is now trying her (very successful) hand at directing.

Watching Goodbye June is like looking into my own past – and you might feel that way too

One of the biggest compliments you can give an actor is that they fully inhabit a role they take on. We’re not watching Helen Mirren play a dying grandmother here, we’re watching June dying.

When I look at June, I see my own grandmother, who died two years ago in similar circumstances, surrounded by her family. Every detail takes me back there, from her haircut and cardigan down to the pearl necklace and the gold ring she can no longer wear.

In a way, I'm projecting here, as I didn't get to be there for my grandmother's final moments – the peace June and her family ultimately find is something I hope my own family did too. But there's something universally relatable in June's situation.

"Masterclass Mirren" (as I'm now calling her) delivers a performance up there with The Queen – so it was a shock to learn from Winslet's press tour that she'd initially refused the role, explaining she never plays characters with dementia or cancer. I'm so glad she broke her own rule for Winslet, and I really think they've created something incredibly special.

There's a scene in Goodbye June where June is left alone in hospital to sleep, and she turns to the window and finally allows herself to shed a few tears after putting on a brave face for everyone else. Mirren conveys vulnerability and traumatic catharsis utterly convincingly, in a scene that will resonate with any woman who has ever lain awake crying in the small hours because life has gotten too much (which is probably all of us).

It's the little details – the family bickering, the gentle ribbing, the chaos of bringing up children, and the occasionally overwhelming reality of simply existing – that make Goodbye June feel so well-rounded, even if I can never watch it over Christmas again.

Whoever thought of Toni Colette for this movie needs a raise

The cast of Goodbye June

This lot could be a real-life family. (Image credit: Netflix)

What might surprise you given the movie’s synopsis is how tenderly funny Goodbye June is. Even in the darkest of moments, there’s laughter, most often courtesy of Spall and Riseborough.

The film’s casting is inspired across the board. Mirren is an obvious score, and Spall isn't far behind her. If Winslet and Riseborough did a 23 and Me ancestry test and found out they were related, I wouldn't be surprised – Julia and Molly are the most convincingly fractious of siblings, and you’ll absolutely believe that their grudges really are decades old.

For me though, it's Colette as Helen who is the most inspired inclusion. She has the least amount of screentime, and casting an Aussie as Winslet's sister can't have been a subconscious choice (no matter how good Colette is at accents). When her character is revealed as a chakra-aligned free spirit who has emigrated to Florida to expand her practice, it all makes perfect sense.

Helen is the ideal counterweight to her sisters, and provides some measure of solace to lonesome brother Connor. And, by way of a B-plot involving her, Goodbye June also examines late-in-life pregnancy, effortlessly threading back into the idea of June's memory living on.

Anders' script is thoroughly convincing and sharply observed, which is particularly impressive given his relative youthfulness. You can take your pick from any of Goodbye June’s cast and identify exactly which one you'd be, thanks to his expertly drawn character portraits. That said, there’s perhaps a little bit of all of them in us – we feel represented in Julia's overwhelming sense of responsibility, Helen's growing and all-consuming sense of fear, Connor's alienation, or Molly's frustration with the world around her.

Visually, there's definitely a Netflix-specific feel to the movie that's becoming increasingly noticeable across the platform's content. In the context of a Christmas movie, I think it works, akin to a really sad version of The Holiday. But Winslet's vision as a director lifts the movie above the everyday; as much as I hated being told that actors make the best writers and directors while doing my master's degree (I'm not an actor, and I’m sure non-actors in the industry are tired of hearing it too), she makes a convincing case for the notion.

At this point it probably goes without saying that you need to steel yourself to watch Goodbye June, but you’ll be richly rewarded in return.

To witness people enduring great pain, even if those people are fictional characters, asks us to reflect on what truly matters in life, and it can be a deeply affecting – and yes, consoling – experience.

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Boulies OP180 office chair review: Surprisingly comfortable and built for the workplace
7:55 pm |

Author: admin | Category: Computers Gadgets Pro | Comments: Off

Boulies OP180: 30-second review

The Boulies OP180 is, like all the OP-designated line, designed for workspaces. It’s perfectly comfortable for home office use, and its compact design without headrest means it won’t dominate the room. But, to my eye, it looks, feels, and performs like a chair for actual offices. One look at it and you can picture a series of OP180’s parked in cubicles or nested around a table in a conference room.

The backrest is of classic mesh that feels very breathable when used for long hours. And the plush cushioned seat surprised me. Alright, it’s not especially breathable, but the thick foam is incredibly comfortable and supportive. I used it for eight-hour work days for weeks, and it feels like the happy medium between the firmness of the Boulies EP200’s mesh seat and the ultra-soft foam seat of the Boulies OP300. If you’ve struggled with finding the right balance, I’d recommend checking out the OP180.

There’s good adjustability here - seat height and depth, backrest height, lockable recline, and tilt are all present and correct. The chair also features 3D armrests.

And that’s where I discovered one of my only real problems with this chair. Yes, they move smoothly backwards, forwards, up and down, and side to side. But there’s no horizontal locking system, unlike with my favorite of the Boulies range, the EP200. Now, this didn’t prove an issue when sitting down for work, but lean on the armrest to rise from the chair and it will slide out of place.

It’s also lacking full lumbar support, instead opting for a contoured S-shaped backrest. Thanks to the tension of the mesh backrest, I can’t say I missed the lumbar support - I felt supported at all times, and for the OP line, it’s perhaps expected. But, I appreciate some users will want that extra lower back support.

Those issues aside, I should mention the price - it’s selling for $290 / £240. It’s one of the best office chairs for the workplace, although I'd prefer a longer warranty length than the two years offered by Boulies. For home offices, I’d still recommend a Boulies chair like the high-back EP200, which still offers superb value for money and a firmer, more breathable experience.

Boulies OP180: Price & availability

The Boulies OP180 is widely available, selling for $290 at Boulies.com and £240 at Boulies.co.uk. However, at the time of review, it’s discounted down to $240 / £170.

That UK price is also reflected over at Amazon.co.uk. I’d suggest that cost is about right for an office chair chiefly designed to be bought in bulk for HQ.

Boulies OP180: Specs

Price (RRP)

$290 / £240

Seat height

17.3 - 20.1in / 44 - 51cm

Seat depth

17.9 - 19.7in / 45.5 - 50cm

Seat width

19.5in / 49.5cm

Backrest height

22.0 - 24.8in / 56 - 63cm

Recommended user height

5’1” - 6’3”

Max weight load

352lb / 160kg

Material

Mesh and foam

Warranty

2 years

Boulies OP180: Design

The OP180 is a classically designed, compact office chair. Only available in black, it’ll fit right into any professional workspace without looking out of place.

To the rear, there’s a Y-frame support for the backrest. And I like the armrest design, thrusting forward like an Enterprise starship. Sure, that’s hardly a game-changer styling, but it does give the OP180 a more modern feel.

In truth, there’s not much to like or dislike about the design of this chair. It looks exactly as you’d expect - and that’s precisely the point of an office chair like the Boulies OP180. It’s not trying to be the Branch Verve or the Herman Miller Embody, with striking silhouettes and bold color choices. It’s a traditional office chair for professionals.

Boulies OP180: Assembly

Boulies claims it’ll take you five minutes to build the OP180. I wouldn’t say it’s quite that quick - it took me a little under ten minutes after misaligning the screws for the armrest first time around (pro-tip: place the three in loosely first, then tighten each).

Everything you need is in the box, including the hex key, which is the only tool needed to piece it all together. Instructions are clear, with each step illustrated with an easy-to-understand image and accompanying text.

Inside the manual, it also clearly lays out what each under-seat lever does and how to use them to adjust the fit once seated.

Overall, I found assembly to be ridiculously easy. It’s probably the fastest I’ve ever built a chair, and if you’re constructing a lot of these for an office space then yes, you probably could get it down to about five minutes. Six screws later, and after slotting in the spokes of the seat base, the casters, and the backrest, I was done.

Boulies OP180: Comfort & adjustability

I wasn’t expecting the OP180 to be as comfortable as it is. That lack of true lumbar support, the high but technically mid-back design made me fear that it would be a literal pain when used for long hours.

I don’t mind admitting I was wrong.

First, I found the plush cushioned seat to be exceptionally accommodating. It’s neither too firm, nor too soft, providing just the right amount of support and softness. For anyone who’s struggled to find a chair with the right balance, this one is absolutely worth exploring.

I’m not typically a fan of foam cushioning on office chairs, as they tend to retain too much heat compared to mesh seats. And while it’s not completely breathable, I didn’t find it got uncomfortably hot when sitting down for those eight-hour days.

While adjustable lumbar support would’ve been nice, it didn’t disrupt the experience when used all-day for work. The contoured, high-tension mesh backrest provided firm lower back support during prolonged use.

Adjustability controls are exceptional. Using the under-seat levers, you can alter the seat height and seat depth, and a quick pull (or push) on the backrest will adjust its height. That gives it real versatility for the workplace, where a range of users might be using these chairs.

Alongside this is the ability to tilt and recline the chair - and yes, unlike some office chairs, both can be firmly locked into place. I appreciated this, but if you prefer a model that keeps the recliner unlocked at all times, you’ll want to look elsewhere.

The chair also features 3D armrests, which can move horizontally, vertically, and swivel in and out with a satisfying click of each turn. Beneath each armrest, you’ll find a trigger - squeeze that and you’re able to raise or lower them to the right height.

My only wish here is that they also acted as a lock to prevent the armrests sliding backwards and forwards. It didn’t alter my seated experience. However, more than once the armrests slipped when too much weight was applied. It feels like an oversight that could be easily remedied in future iterations.

Boulies OP180: Final verdict

The Boulies OP180 in a home office during our review

(Image credit: Boulies // Future)

The OP180 neatly fits into Boulies’ Office Professional line of chairs. It’s not a showy chair. It’s a classically styled and functional model that’s very well-suited to offices, or even the home office if you prefer a low-profile chair over executive high-back models.

The backrest is breathable, comfortable, and more supportive than you might imagine considering it doesn’t have any true lumbar support. But the foam cushioned seat was the biggest surprise for me - it feels like it’s been engineered to perfectly balance out both the firmness of your standard mesh seats and the soft, almost saggy cushioned seats of other chairs I’ve used.

You have some great control over comfort due to the excellent adjustability controls. Because of this, it’s an ideal pick if multiple people will be using the chair, which, as a fully fledged office chair, is the OP180’s ultimate goal. My only real issue is the lack of lockable armrests - they have a tendency to slide forward when too much force is applied.

Overall, though, I found it a comfortable and supportive choice at a price that’ll suit office managers buying in bulk.

Should I buy theBoulies OP180 office chair?

Buy it if…

You’re kitting out a workplace
With high adjustability, good comfort, and a reasonable price, it is - as intended - a solid pick for offices where more than one person may be using it.


You want a compact office chair
As a mid-back model, the OP180 features a low-profile design that won’t dominate the office or home office.

Don’t buy it if…

You like armrests that lock into place
My main problem with the OP180 is that the 3D armrests have a tendency to slip back and forth when you rise from the chair.


You suffer lower back pain
With no true lumbar support, this isn’t the office chair of choice for those who need additional support for the lower back.

For more workspace essentials, we tested the best standing desks for the home and office.

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Author: admin | Category: Mobile phones news | Comments: Off

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Author: admin | Category: Mobile phones news | Comments: Off

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