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Fluance’s chic powered bookshelf speakers offer impressively detailed, almost neutral sound – with very few drawbacks
1:30 pm | November 15, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Tags: , , , | Comments: Off

Fluance Ri71: Two-minute review

If you’ve looked into mid-range speakers from Fluance like the Fluance Ri71 powered speakers reviewed here, you’ll see people talk about how they’re good for the price. There have been plenty of caveats and plenty of hedging since, after all, the speakers are manufactured in Taiwan. Never mind that they’re designed in Canada or the fact that, regardless of where they’re from, they’re just good speakers.

Having reviewed these speakers, I can honestly say that the Fluance Ri71 sound great and not just for the price. Yes, they may not quite reach the heights of something from Dali or KEF, but they still have a fairly neutral, detailed sound that works for all genres. The price tag is an added bonus as they’re among the best stereo speakers out there for anyone not wanting to spend over $500.

I do wish there were also USB or USB-C port to connect to a computer and the placement of the volume wheel is not ideal. Though I like the look of a naked speaker (and therefore don’t count it as a negative), they don’t come with a grille for those who care. There’s really not much to complain about here.

Really, the Fluance Ri71 speakers are an easy recommendation for anyone looking for powered bookshelf speakers. And though there’s no spatial audio or surround sound, they work pretty well for TV, too.

Fluance Ri71 powered bookshelf speakers on a windowsill, with trees outside the window.

(Image credit: Future / James Holland)

Fluance Ri71 review: Price & release date

  • Released March, 2025
  • Priced $399.99 / £333.32 / AU$620 (approx.)

With a price tag of $399.99 / £333.32 / AU$620 (approx.), the Fluance Ri71 sits right in mid-range territory.

You can certainly find some powered bookshelf speakers for triple the price (and not necessarily triple the performance) – you can also spend quite a bit less. Fluance’s own Ai41 powered speakers come in at $249 (£255, AU$471), but those are smaller with less power and a less refined sound.

The Fluance Ri71 are available in the US and in the UK (via Amazon). Though Fluance maintains a presence on Amazon AUS (for Australia), the Ri71 don’t seem to be available Down Under at this time.

Fluance Ri71 review: Specs

Weight

6.4 kg (active speaker); 5 kg (passive speaker)

Dimensions

310 x 185 x 199 mm

Subwoofer

No (has sub out)

Frequency response

46 Hz - 30 kHz

Dolby Atmos / DTS:X enabled?

No

Maximum output

120 watts

Fluance Ri71 review: Features

  • Bluetooth 5.3 with aptX HD and AAC codecs capable of almost lossless streaming
  • Included HDMI is ARC-enabled for use with a TV
  • No spatial audio or Wi-Fi streaming

Powered bookshelf speakers such as the Fluance Ri7 bridge the gap between a traditional speaker setup and what people want out of a modern sound system. That means there are some great quality-of-life features on hand, while some things a casual listener might expect or hope for are just not here. So, neither spatial audio, surround sound nor Wi-Fi streaming are part of the package, but that’s generally the case with this type of speaker setup and not really a knock against them in my opinion.

What is on hand, however, is a decent amount of connectivity including Bluetooth 5.3 with aptX HD and AAC codecs for close-to lossless streaming. In the past, there’s been a noticeable difference in quality between Bluetooth audio and that sent through a wired signal because the latter doesn’t have to compress the sound. But that’s no longer the case. There’s a small difference but, in my opinion, it’s very hard to notice.

There’s also an HDMI port on hand, meaning these speakers can be used with a TV. The built-in offerings on most TVs generally suck, so having a good pair of speakers is always a welcome upgrade. And while they might not be as feature-filled as some of the best soundbars around the same price tag, they still offer a better stereo soundstage. And (usually) better sound. Since the HDMI connection is ARC-supported, you can control the volume with one remote.

  • Features score: 4.5/5

Front panel of the Fluance Ri71 powered bookshelf speaker, placed on its back on a matt, on a wooden surface.

(Image credit: Future / James Holland)

Fluance Ri71 review: Sound quality

  • Decent low end without subwoofer
  • Impressively detailed high end
  • Immersive, if polite-sounding

While you shouldn’t rely too much on a speaker’s frequency range as a gauge of sound quality, the range of 46 Hz - 30 kHz does tell us a few things. At 46Hz, the low end is not all that low, but is comparable to other powered bookshelf speakers, with many having a higher cutoff.

The Fluance Ri71 also has bass ports at the bottom of the speaker cabinet to accentuate what it can reproduce. That means that, while you don’t quite have that very low rumble you might hear in electronic dance music or an action scene in a movie, you still get a well-balanced if slightly restrained bass response. Listening to anything with heavy 808 usage (that deep bass you hear in hip-hop and EDM) is going to lack a little oomph.

On the high end of that aforementioned range, 30kHz is pretty impressive, with that extended high end potentially coming from the AMT tweeters. Either way, that’s much better than the 20kHz range around which many speakers sit. Now, many of us probably can’t hear up to 30kHz but what this extended range, plus the fast response of those tweeters, mean is that there’s not only an immediacy to higher-end sound but a clarity to themtoo.

It’s almost as if someone pulled a blanket off the band I’m listening to and all of sudden I can hear intricacies of the ride and the sweetness of the strings. Or, if you prefer the more boring way of saying it, the music feels less compressed and less filtered.

The midrange feels a little pulled back, which makes everything sound more polite. It can make rock music sound just a little aggressive, for instance. Unfortunately, you can only boost or cut the high or low end.

As far as soundstage goes, the Fluance Ri71 sound good wherever you place them but really benefit from spending the time to actually adjust them to your ears. You’ll know it’s right when you can hear the “center channel” in the middle as if there were a speaker there.

They also do a good job with sound imaging. I feel that I have a solid grasp of where an aural element is in the mix beyond just left, right, and center, which makes the listening experience all the more immersive.

  • Sound quality score: 4.5/5

Fluance Ri71 speaker on a windowsill, with the 'power on' button illuminated green.

(Image credit: Future / James Holland)

Fluance Ri71 review: Design

  • New AMT tweeter is the most unique design choice here
  • Unusual placement of controls
  • No digital connectivity beyond HDMI

The Fluance Ri71 have a look and general design much like any other active bookshelf speakers. There are two of them standing at about 12 inches (310mm) in height. Each speaker cabinet is fairly rectangular in shape, though they do taper near the back.

And they come in the kind of “looks good in an office” colorways one would expect. Specifically, they’re available in white, walnut, and black. One thing I do appreciate is the fact that the white and black (reviewed here) still have noticeable wood grain. Of course, these are made of MDF wood, but that’s most bookshelf speakers these days for you.

As far as the actual drivers go, each speaker cabinet comes with a 5.25-inch (133.3 mm) woven glass fiber driver and an AMT (air motion transformer) tweeter, along with a long, thin bass port beneath to emphasize the low end. Besides any upgraded internal bracing, the AMT tweeter is the new star of the show. These tweeters are different than the regular tweeters insofar as they offer a faster response and more detail, though placement is a bit more precise.

Since these are powered bookshelf speakers with 120 watts coursing through them via a Class D amp, there are some on-unit controls on the right speaker. There’s a volume wheel on the back at the top, a strange place considering these dials are usually more accessible on the front. You can press the volume wheel to change inputs (an LED indicator on the front changes color depending on the input). Then, there’s a treble and bass wheel on the back along with the power and a Bluetooth pairing button.

Port-wise, I was disappointed to not see any digital connectivity such as USB or USB-C, since I do a lot of my listening through streaming services via my laptop, but it does at least have that aforementioned ARC-supported HDMI, allowing me to change the volume using the TV remote. There’s also the typical RCA inputs as well as a sub-out port.

Because of the placement of the various wheels, the remote is quite handy. Besides power and volume, you can change input, adjust the treble and bass, mute, and turn off the LED on the speaker.

  • Design score: 4/5

Rear panel of the Fluance Ri71 powered bookshelf speaker, placed facing upwards and showing hte ports and controls on the back, on a matt on a wooden surface.

(Image credit: Future / James Holland)

Q Acoustics 3020c review: Setup and usability

  • Basically plug and play
  • Bluetooth will automatically look to pair
  • Placement is important, like any bookshelf speakers

Since the Fluance Ri71 are powered bookshelf speakers, they’re very easy to set up. The active speaker with all the ports goes on the right and the passive one goes on the left. Then you just have to connect the passive speaker to the active with the included speaker wire that’s helpfully color-coded red and white. The tips on each side are soldered solid so you don’t have to worry about little pieces of speaker wire splintering off.

While it would have been even more convenient for the tips to have banana plugs, you just have to insert the appropriate tip in the exposed hole and screw down the top. Keep the colors the same on both sides and it will take less than a minute to connect the two speakers. Then plug in the power cord and turn it on.

From there, you just need to plug in the desired source or connect via Bluetooth – pairing is simple as the speaker will automatically start the process if it’s not already done so – and you’re good to go.

Of course, remember that bookshelf speakers do require a little bit of finesse in their placement for the best sound, but that goes for all bookshelf speakers and is something I’ve covered in another article in greater detail. You want a précis? Basically, just have them an equal distance from each other, and you, with them pointed at you. You're welcome.

Black Fluance Ri71 bookshelf speakers on a windowsill, with supplied cables and remote control.

(Image credit: Future / James Holland)
  • Setup and usability score: 5/5

Fluance Ri71 review: Value

  • More than a few alternatives have USB
  • HDMI is a bit rarer on bookshelf speakers
  • Well-priced, but not a steal

Since the Fluance Ri71 are firmly in mid-range territory, you’ll probably end up comparing them to models from Q Acoustics, Audioengine, and Kanto. Take the Q Acoustics M20 HD for instance, which at $499 is a little pricier yet is considered one of the better affordable powered bookshelf speakers here at TechRadar. It has full, uncompressed sound and has the ability to flip which speaker is left or right. It also comes with a USB port, though lacks an HDMI.

A step up from that, at least financially, is the Kanto Ren, another excellent alternative. It goes for $599 / £599 / €719 and comes with all the connectivity one could want, whether it’s Bluetooth 5.3, HDMI, or USB-C. It also sounds great, with excellent clarity, though its bass can get a little flabby.

The point in comparing the Fluance Ri71 to these other speakers that these are excellent speakers and you’ll be happy with them, if you’re looking to stay under a certain price point. But the ones that are just a little pricier are justifiably so, even if it’s mostly on account of having a special feature or extra port. The Fluance Ri71 are a good price, but they’re not a steal.

Black Fluance Ri71 powered bookshelf speaker facing up and placed on its back on a windowsill.

(Image credit: Future / James Holland)
  • Value score: 4/5

Should you buy the Fluance Ri71?

Fluance Ri71 Score Card

Attributes

Notes

Rating

Features

With HDMI ARC and Bluetooth aptx HD, there’s not much more one could ask for, outside of Wi-Fi streaming.

4.5/5

Sound quality

Neutral sound, plenty of detail and still a surprising amount of low-end, the Fluance Ri71 sound a treat.

4.5/5

Design

Awkward controls, and no USB connectivity; the AMT tweeter is a nice design upgrade.

4/5

Setup and usability

Despite the control placement, very easy, especially with the remote.

5/5

Value

Despite the connectivity quirks, a wonderful-sounding speaker for a reasonable price. Has competition at the price.

4/5

Buy them if...

You want detailed, almost neutral audio
The Fluance Ri71 have a clarity that feels almost polite, but is always a pleasure to listen to. These are the kind of speakers that make you feel like you can hear every detail.

You need HDMI
If you also want to use your bookshelf speakers for TV, having an HDMI port is critical, especially one that supports ARC, meaning you can use your TV remote to control the volume.

You want to stay under $500
Appropriately but well priced, the Fluance Ri71 don’t quite offer what more expensive speakers do, but they sound good enough that you won’t care. And you can put that extra cash back in your pocket.

Don't buy them if...

You need USB-C connectivity
If your main way of listening to music is connecting your laptop directly to powered speakers, then you’ll be disappointed having to use an old school RCA adapter. A lot of laptops don’t have an HDMI out (and some don’t even have an AUX port).

You want easy on-unit access to the volume
The volume wheel is awkwardly placed. That’s mostly a non-issue with the remote, but if you care or happen to lose all your remotes, you won’t like the fact that the volume wheel is at the back of the speaker.

Fluance Ri71 review: Also consider

Q Acoustics M20 HD
The Q Acoustics M20 HD are excellent bookshelf speakers at a slightly higher price point. They offer USB connectivity, but not HDMI. The left and right speaker configuration can also be reversed. They also have a detailed, uncompressed sound.
Read our full Q Acoustics M20 HD review

Kanto Ren
The Kanto Ren has it all in terms of connectivity – USB-C, HDMI, Bluetooth 5.3 – and it comes in interesting colors, though it will pick up every fingerprint. It’s lovely with a full, robust sound but the bass can get a little flabby.
Read our full Kanto Ren review

How I tested the Fluance Ri71

  • Used regularly for a few weeks
  • Listened to all sorts of audio
  • Used the various controls and ports

I used the Fluance Ri71 for a few weeks, listening to all sorts of genres of music like hip-hop, EDM, Top 40 pop, rock, and folk to get a better feel for these speakers. They were also tested with some TV shows and computer games. I tested the various controls and ports as well.

I’ve tested a lot of tech gear over the years from laptops to keyboards and speakers, and so have been able to use my expertise towards giving an honest and fair opinion, not to mention a critical eye, to any product I test.

First reviewed: November 2025

Read more about how we test at TechRadar

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Epson Pro Cinema LS9000: One minute review

The Epson Pro Cinema LS9000 is the latest, and least expensive, member of Epson's LS series of projectors. At $3,999 / £2,999 / AU$7,299, this entry-level dedicated home theater projector is notably cheaper than comparable options from JVC and Sony, yet still comes with a bevy of great features and performance to match.

Epson’s Pro Cinema LS9000 follows in the footsteps of the Epson LS12000 model that currently sits a the top of TechRadar’s Best Projectors list. The Epson Pro Cinema LS9000 aims to continue this excellence, employing the same 15-element glass VRX lens structure, laser light engine, and 3LCD technology as the LS12000.

Similar to the step-up LS12000, the Pro Cinema LS9000 supports 4K 120Hz signals, has relatively low input lag for gaming, and is compatible with the HDR10+ high dynamic range format. Its motorized lens shift, zoom, and focus make setup adjustments easy, and out of the box in Natural picture mode, it delivers accurate colors and a crisp image.

Even with all the great inclusions, some missing features reflect the LS9000’s entry-level status. The most glaring is a lack of dynamic tone mapping, which is also missing from the other LS series projectors that were originally released a few years ago, but is starting to show up in some less expensive home theater models. With a rated 2,200 lumens brightness (white and color), it’s also best suited for a home theater room with decent ambient light control, as opposed to a multi-purpose living space with light streaming in through windows.

Still, the Epson Pro Cinema LS9000 offers incredible performance for the price. It’s a solid projector that’s easy to set up, but still offers the ability to tweak and play with image settings that a new (or frugal) home projection enthusiast is sure to love.

Epson Pro Cinema LS9000 review: Price & release date

Epson Pro Cinema LS9000 on table at angle

The LS9000's 2,200 lumens brightness spec is comparable to many other home theater projectors (Image credit: Future)
  • Release date: July 2025
  • Price: $3,999 / £2,999 / AU$7,299

The Epson Pro Cinema LS9000 made its debut in July 2025 at the Audio Advice Live show in Raleigh, North Carolina. It’s the least expensive of Epson’s Pro Cinema laser projectors, coming in at $3,999 / £2,999 / AU$7,299. For comparison, the Home Cinema LS11000 retails for $4,499 (up from $3,999 when released) and the LS12000 now goes for $5,999 (up from $4,999 at release).

Epson Pro Cinema LS9000 review: Specs

Screen sizes supported:

50-300 inches

Brightness (specified):

2,200 Lumens

HDR support:

HDR10, HDR10+, HLG

Optical technology:

3LCD laser diode

Smart TV:

N/A

Connections:

2x HDMI 2.1 (one with eARC), 2x USB-A (one 300mA for optical HDMI power, one 5V/2A for power and firmware), Mini USB (service), RJ45 (control), RS-232c, 3.5mm (12V trigger)

Dimensions (H x W x D):

7.6 x 20.5 x 17.6 inches (193 x 520‎ x 447mm)

Weight:

28 pounds (12.7kg)

Epson Pro Cinema LS9000 review: Design & features

Epson Pro Cinema LS9000 rear panel ports and controls

The projector's connections include two HDMI 2.1 ports with 4K 120Hz support (Image credit: Future)
  • Motorized zoom, focus, and lens shift
  • 4K 120Hz support
  • Motorized lens cover

The Epson Pro Cinema LS9000 shares the same look as its bigger siblings, the Pro Cinema LS12000 and Home Cinema LS11000, and the high-lumen Epson QB1000 released in late 2024. The chassis is large and a bit heavy (the Sony Bravia Projector 7 weighs less, but the JVC DLA-NZ5 weighs a little more), but I find the design and its black color to look sleeker than its heft lets on. All connections are on the back panel alongside touch controls if the remote is misplaced.

The look is not where the similarities to the LS11000 and LS12000 end. Inside, the LS9000 uses the same VRX lens with a 15-element glass structure and has Epson’s 4K 3LCD design architecture with three 0.74-inch LCD panels.

As is the case with all Epson projectors, the LS9000 uses pixel-shifting technology to achieve a 4K resolution from 1080p chips. Some enthusiasts complain about this not being “True 4K” and as lesser than the use of native 4K chips, but the 4K image from the LS9000 (and every other Epson that uses pixel-shifting technology) is detailed and crisp, especially from a normal viewing distance. The chip also allows for a maximum refresh rate of 120Hz.

The laser light source is specified for 2,200 lumens of both color (IDMS rated) and white (ISO rated) light output and has up to 20,000 hours of life in all modes. This is where the LS9000’s performance separates from the LS11000 and LS12000, which are rated at 2,500 and 2,700 lumens, respectively, and partially accounts for the difference in pricing. The blue laser diode array emits light through a fixed yellow phosphor (first released with the LS12000), as opposed to a phosphor wheel, to create white light, and the laser light source and fixed phosphor allow it to run silently.

The lower lumen output makes the LS9000 more suitable for a dark room – or at the very least, a light-controlled room — than the more expensive, higher light output projectors. But as I’ll discuss below, it still delivers enough brightness for daytime viewing.

There’s a generous +/- 24% horizontal and +/- 96% vertical powered lens shift on the LS9000, along with powered zoom (a ratio of 1-1.2) and focus that can be controlled from the remote to make setup adjustments easy. The projector’s throw ratio is 1.35-2.84:1. There’s also vertical and horizontal keystone correction (+/- 30 degrees), but with the amount of lens shift available, keystone correction likely won’t be necessary (and should always be avoided, if possible, as it can negatively affect the picture).

The LS9000 is compatible with an anamorphic lens kit (sold separately) and third-party options. A memory feature allows you to save image adjustments and lens positioning for different aspect ratio setups, and the lens is also protected by a motorized lens cover that opens and closes with the power cycle.

The LS9000 supports HDR10, HLG, and HDR10+ high dynamic range, and has two HDMI 2.1 inputs that support 4K 120Hz. While that’s great news for gamers, the projector doesn’t support ALLM, so you’ll need to manually switch the image processing from Fine to Fast for the lowest input lag. HDMI2 also supports eARC, so if you decide to connect a streaming stick directly to the projector, you can send out audio including Dolby Atmos, Dolby TrueHD, DTS Master Audio, and DTS:X formats.

One thing missing from the Epson Pro Cinema LS9000 is dynamic HDR tone mapping. Instead, there’s an HDR Dynamic Range slider that allows you to manually adjust the brightness of the HDR image.

The projector’s remote is a bit chunky, but the keypad is backlit and has all the necessary buttons to make easy adjustments while viewing. There are dedicated buttons to call up features like Fine/Fast (for gaming), different lens memory positions, signal information, lens adjustment, and color modes.

  • Design & features score: 4.5/5

Epson Pro Cinema LS9000 review: Picture quality

Epson Pro Cinema LS9000 remote control on wood surface

The LS900 has a sizeable, fully backlit remote control with numerous buttons to make adjustments directly, bypassing onscreen setup menus (Image credit: Future)
  • Accurate image in Natural picture mode
  • HDR10+ support
  • No dynamic tone mapping

The LS9000 has five different picture modes — Dynamic, Vivid, Bright Cinema, Cinema, and Natural — and they are the same for both standard and high dynamic range sources. Each mode produces a watchable image out of the box, although all of them have some degree of blue tint to the grayscale, with Natural being the most accurate choice for both SDR and HDR.

The default color temperature setting of 6500K is still slightly on the blue side, but switching it to 6000K causes the color temperature to be a little too red. If you choose to do a professional calibration, you can use two different picture modes – one for SDR and one for HDR – and save them with the Image Memory setting.

Out of the box SDR measurements in Natural picture mode had an average Delta E of 2.8, with some grayscale reaching above 4 because of the blue bias. A calibration can get all dE down below 2.1, with many under 1. UHDA-P3 color gamut coverage measured 90.25%, while BT.2020 came in at 66.86%.

Brightness in Dynamic mode with my unit was 2,062 lumens, but that’s still within the measurement tolerance of ISO lumens, and due to the positioning of my projector, the image was zoomed in a bit, which causes the brightness to come down. It’s enough brightness for a watchable image in a room with ambient light (even with Natural picture mode, which is visibly less bright than other modes), but there’s a loss of shadow detail due to the light reflecting on the screen.

Where the projector really excels is when the lights are off. Colors look accurate and inviting, detail in both SDR and HDR is sharp, and the projector exhibits great contrast and shadow detail with the Dynamic Contrast setting at High Speed. The contrast isn’t as impressive as on the LS12000, which I evaluated a few years ago, but for the price, the LS9000 does an excellent job.

Epson Pro Cinema LS9000 on table with laser light on and center channel speaker visible below

The LS9000 excels for dark room viewing (Image credit: Future)

The HDR image does require some tweaking at times. Occasionally, bright highlights can cause some clipping — such as when the shark cage is lowered into the water in The Meg, and we can see the bright sun refracting through the ocean water. In this instance, I adjusted the dynamic range slider from its default of 8 to 10 (which slightly backs off the scene brightness).

Through most of my viewing, I played around with the slider, not just to address high brightness clipping, but also to see its effect on image depth. Generally, I found myself setting it between 8 and 10, with the Battle of Pelennor Fields in Return of the King at 8 and day scenes during Mad Max: Fury Road at a 9 for a bit more depth. None of the adjustments were life-altering, and I wouldn’t suggest changing the dynamic range slider mid-movie, but you’ll learn your preferences. This is where dynamic tone mapping is missed.

Home theater projectors have historically struggled to provide input lag low enough for gaming, but with two HDMI 2.1 ports that are capable of 4K 120Hz, the LS9000 is screaming to be used as a gaming projector. The Image Processing menu allows you to select a setting of Fine or Fast (which provides a lower input lag). With the Fast setting and a 4K 60Hz signal, the lag measured at 20ms (it’s 44ms with the Fine setting). Unfortunately, there’s no ALLM (Auto Low Latency Mode), so you’ll need to manually switch the setting when you game or watch content.

Input lag is low enough on the LS9000 to satisfy a non-competitive gamer (my son still enjoyed his time playing Minecraft). During my second playthough of Clair Obscur: Expedition 33, which relies on dodge and parry reactions during combat, I was able to still make it through combat without issue. Someone who regularly plays first-person shooter games will likely feel a difference between the LS9000 and one of the best gaming TVs, but for the vast majority of us, the Epson will deliver a great gaming experience.

  • Picture quality score: 4.5/5

Epson Pro Cinema LS9000 review: Value

Epson Pro Cinema LS9000 mounted on ceiling

The LS9000's 1.35-2.84:1 throw ratio allows for installations at the rear of the viewing space (Image credit: Future)
  • Great performance for the price
  • Solid gaming projector
  • Missing an important home theater feature

The Epson Pro Cinema LS9000 is not only the least expensive model in the LS series, it’s one of the most affordable premium home theater projectors – the JVC DLA-NP5, which is a lamp-based model, retails for $6,000, as does the Sony VPL-XW5000ES, which came out three years ago.

Not only is the LS9000 brighter than both of those projectors, it also has a collection of features neither of them has, including a high-quality laser light engine, HDMI 2.1 ports with 4K/120Hz and eARC support, an excellent lens with motorized adjustments and lens cover, zoom and image memory, and 2,200 lumens of brightness.

There are still some compromises that must be made. Its biggest flaw is a lack of dynamic tone mapping, which we’re seeing in projectors half the price of the LS9000, like the Valerion VisionMaster Pro2. The LS9000 also doesn’t have 3D support, isn’t as bright as the step-up options from Epson, and is missing ALLM for gaming. But even so, the projector delivers a detailed picture with accurate color, which looks very engaging in a dark room. Also, the 20ms input lag time and 4K 120Hz support make gaming a joy on the big screen.

  • Value score: 4/5

Should I buy the Epson Pro Cinema LS9000?

Epson Pro Cinema LS9000 on table at angle with lens cover closed

(Image credit: Future)
Epson Pro Cinema LS9000

Attributes

Notes

Rating

Design and features

Motorized zoom, focus, and lens shift, along with 4K 120Hz and HDR10+ support

4.5/5

Picture quality

Accurate color in Natural mode, along with solid contrast, fine 4K picture detail, and low input lag for gaming

4.5/5

Value

A very good value compared to other 4K home theater projectors, most of which cost several thousands more

4/5

Buy it if...

You’re building your first serious home theater
If you’re making the jump from a basic projector to one truly designed for a 4K home theater, the LS9000 delivers an incredibly pleasing picture that rivals home theater offerings from JVC and Sony.View Deal

You also want a great gaming experience
It might not have ALLM, but the Pro Cinema LS9000 supports 4K 120Hz, and its input lag is low enough for all but the most competitive gamers.View Deal

You want HDR10+ support
Since the LS9000 doesn’t have dynamic tone mapping, watching HDR10+ content (with its dynamic metadata) will deliver the best dynamic content.View Deal

Don't buy it if...

You want dynamic HDR tone mapping
The LS9000, like its bigger siblings, doesn’t support dynamic tone mapping, instead relying on a manual dynamic range slider to adjust the HDR image.View Deal

You plan on watching with lots of ambient light
While 2,200 lumens is a good brightness spec, ambient light causes the image to look a bit washed out, which makes seeing shadow detail difficult.View Deal

Watching 3D movies is a priority
3D isn’t supported by the Epson Pro Cinema LS9000 (or by the LS11000 and LS12000), so you’ll need to look elsewhere for your 3D fix.View Deal

Also consider

Comparison: projectors

Epson Pro Cinema LS9000

Epson Pro Cinema LS12000

JVC DLA-NZ700

Sony Bravia Projector 7

Price:

$3,999

$4,999

$8.999

$9,999

Screen sizes supported:

50-300 inches

50 to 130 inches

30 to 150 inches

90 to 130 inches

Brightness (specified):

2,200 lumens

2,500 lumens

2,300 lumens

2,200 lumens

HDR support

HDR10, HDR10+, HLG

HDR10, HDR10+, HLG

HDR10, HDR10+, HLG

HDR10, HLG

Optical technology:

Laser 3LCD

Laser 3LCD

Laser D-ILA

Laser SXRD

Smart TV:

n/a

n/a

n/a

n/a

Connections:

2x HDMI 2.1 (1 with eARC)

2x HDMI 2.1 (1 with eARC)

2x HDMI 2.0

2x HDMI 2.1

Epson LS12000

The LS12000 is the step-up model in Epson's Pro Cinema projector lineup. Rated for 2,700 lumens, it has a brighter picture than the LS9000 and also supports HDR10+ high dynamic range and a 4K 120Hz refresh rate for gaming. Other than brightness, the LS9000 and LS12000 are mostly similar when it comes to features and performance.

Read our Epson LS12000 review View Deal

JVC DLA-NZ700

The JVC DLA-N700 is a big jump up in price over the LS9000, and it lacks Epson's 4K 120Hz support. At a rated 2,300 lumens, brightness is about the same, but the JVC features a native 4K display chipset and sophisticated dynamic HDR tone mapping to augment its HDR10+ high dynamic range support.

Read our JVC DLA-NZ700 reviewView Deal

Sony Bravia Projector 7

Like the JVC DLA-N700, Sony's entry-level projector is a big step up in price over the Epson, costing around $10,000. Its brightness spec is the same 2.200 lumens and it lacks the Epson's HDR10+ support. What you are getting with the Sony is 4K 120Hz and ALLM support for gaming, along with a native 4K display. It also has dynamic HDR tone mapping and Sony’s XR Processor for projector, which improves detail and clarity of images blown up to a cinematic size.

Read our Sony Bravia Projector 7 reviewView Deal

How I tested the Epson Pro Cinema LS9000

  • Evaluated under various viewing conditions
  • Measured and calibrated with professional software and hardware
  • I am ISF-certified and have years of experience reviewing projectors

The Epson LS9000 laser projector was connected to my ceiling mount, approximately 11 feet from an Elite Screens CineTension 3 ISF-certified CineWhite screen. Using the Epson’s zoom and lens adjustment controls, the image was adjusted to fit the 100-inch diagonal screen.

I watched a wide range of content with both ambient light from the sun and ceiling lighting during the day and a dark, light-controlled environment at night. Movies and TV shows were streamed with an Apple TV 4K from the Disney+, HBO Max, and Hulu apps. I also used a Kaleidescape Strato V for high-quality movie playback, along with 4K Blu-ray discs played on an Oppo UDP-203 disc player. Games were played on an Xbox Series X.

For objective measurement testing, I used an X-rite i1 Pro 3 spectrophotometer, Murideo Seven-G 8K pattern generator, Konica Minolta LS-100 luminance meter, and Calman calibration software by Portrait Displays. Input lag tests were made with a Leo Bodnar 4K lag tester.

I’ve been testing projectors and other displays for a couple of decades, and am an ISF Level III certified calibrator.

Google is reportedly working on its own version of Apple’s NameDrop
11:34 pm | November 14, 2025

Author: admin | Category: Mobile phones news | Comments: Off

Back in 2023, Apple introduced NameDrop as part of iOS 17. This feature lets you share files with another person by simply bringing your iPhone close to theirs. NameDrop also supports sharing of contact information. Now, more than two years later, Google seems to be working on a very similar feature for Android. This was discovered in a version of the Google Play Services under the name "Gesture Exchange". Android's version of NameDrop Gesture Exchange also contains an activity called Contact Exchange, and it uses NFC. And above you can see what Google's NameDrop for Android...

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