At the end of my Wicked: For Good screening, when the lights came up, there was hardly any mascara left on everyones' eyelashes. The second half of director Jon M. Chu's Oztastic vision is an emotional rollercoaster in entirely new ways, and for me, it's completely defied expectations (see what I did there?).
The second half of the movie-musical was always going to be the more difficult half to adapt. All of the joyous narrative and dance numbers have been and gone in Wicked, with the storyline turning much darker as Elphaba (Cynthia Erivo) is officially dubbed The Wicked Witch of the West.
If you've seen the stage show, you'll know what I mean... but if you've read the book, the original Wicked story was even more macabre. With each adaptation, the Wicked ending has become more palatable and optimistic, and Chu's take on Elphaba and Glinda's (Ariana Grande) farewell is the most light-hearted yet (thanks to a few new changes).
For Wicked: For Good, this means packing an emotional punch so strong that you forget green witches and flying monkeys aren't actually real life. Erivo and Grande are completely invested in delivering the best ending to the tale they love so much, and that only adds to the overall polish of the movie's epic scale.
There is no way I thought the second half would be as good as the first, and now I completely stand corrected. It's Erivo's musical performances that take things to the next level the most, and it's clear we're watching a once-in-a-generation star do what she does best
Wicked: For Good packs the emotional punch the first movie skimmed over
As we pick up the story in the second half, Madame Morrible's (Michelle Yeoh) PR campaign on creating The Wicked Witch of the West has worked wonders, and the whole of Oz is in fear. Elphaba continues to battle for animals and Ozians to live in peace while being persecuted at every turn.
Meanwhile, Glinda and Fiyero (Jonathan Bailey) are each secretly trying to help, despite putting on a front of being happy and in love. And the Wizard (Jeff Goldblum)? Well, he's just kicking about, harboring a bunch of talking animal prisoners in the tower.
It should go without saying, but you'll really need to watch Wicked first here – there's no recapping events, and the movie is really relying on your existing knowledge as the pace picks up. What is particularly worth pointing out is that the joy has gone from this part of the story, as Oz and Elphaba's life turns to chaos.
Emotionally, things don't let up much. Elphaba can't catch a break, the animals are terrified, Fiyero can't be with the woman he loves, Glinda realizes Fiyero never loved her and Boq (Ethan Slater) is trapped in Munchkinland by Nessarose (Marissa Bode) as she morphs into the Wicked Witch of the East.
While this might feel hard-going, it's actually the perfect accompanying film for Wicked's first half. Even a fictional land like Oz can't live in ignorant bliss forever, and if we want our big happy ever after, there has to be a huge emotional payoff.
Luckily for us, Erivo and Grande are the perfect pair to steer this ship.
Cynthia Erivo's performance of 'No Good Deed' is one for the ages
It was clear in the first movie that Grande and Erivo were made for each other as far as performance partnerships go, but I'm going to argue a potential hot take: Wicked: For Good is Erivo's film, not Grande's.
Obviously, this part of the story is much more focused on Elphaba anyway, but Erivo is running away with a performance that literally defies gravity. The pièce de résistance is her earth-shattering rendition of 'No Good Deed', which not only had the audience in fits of applause, but made me feel as though I was levitating while watching. I couldn't move or focus on anything aside from her astounding voice and emotional range.
That's not to say Grande has blended into the background, though. The pair's harmonies feel bound together by fate, and this makes their duet of 'For Good' the film's big tear-jerking moment as Glinda and Elphaba must say goodbye. We all saw this coming (even though it hurts every time), but don't worry too much – some small changes have been made for the better (e.g. Peter Dinklage's Doctor Dillamond has a much better fate).
While Yeoh and Goldblum are hitting the same show-stopping strides that we'd expect them to, Chu's direction won't be for everyone. Subjectively, I think he's remained incredibly consistent and portrayed Oz in exactly the way that we need to see it. On a broad visual scale, Wicked: For Good continues to be epic cinema with the most detailed scenes and sets, and even if you turned the sound off, you'd walk away from it totally satisfied.
The we've got the events of The Wizard of Oz running in tandem with Elphaba's own journey. Not only do I love how this reframes the original 1939 movie, but Chu has played it shrewd with how much he's chosen to hold back.
Dorothy is kept vague, while the Scarecrow and Tin Man are the most fleshed out for reasons that become clear throughout the movie (no spoilers here, don't worry). Colman Domingo voices our cowardly lion, but you'd never know it – not least because he has about two lines in the entire film. Clearly, these are not our stars of the show.
A week after watching it, I'm as enchanted as entranced by Wicked: For Good as I was while sitting wide-eyed in front of the screen. It's undoubtedly the most unmissable movie of 2025, and behind Avatar: Fire and Ash, it's easily the biggest spectacle of the year too.
The two-part franchise is ending on the biggest high possible, and I'm going to miss indulging in the sweetness and whimsy of the world Chu and his cast have made. Sure, there are minor pacing issues if you're really looking for them, and you're definitely not getting away without shedding a tear.
But, as the title suggests, you will truly be changed for good.
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