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Procolored F13 Panda L1800 DTF printer review
7:41 pm | November 19, 2024

Author: admin | Category: Computers Gadgets Pro | Comments: Off
Specs

Type: inkjet DTF printer

Functions: Print on transfer film

Connectivity: Ethernet, USB

Data storage slots: No

Print speed: 8 ft/h

Paper capacity: 33cm roll

Print quality: 1,400 x 1,400 dpi

Apple AirPrint: no

Consumables included: 6 x 250ml ink bottles

Dimensions/Weight: 765 x 385 x 395 mm (WxDxH)/18kg

The Procolored F13 Panda L1800 is a dedicated DTF printer aimed at enthusiasts and entrepreneurs looking to customize clothing on a medium scale. It’s an accessible and affordable, consumer-friendly printer that also has the wide-format proportions and high ink capacity that will interest established print shops producing up to 50 pieces per day. But first of all, what is a DTF printer?

DTF (direct to film) is a process that prints specially formulated liquid ink onto plastic film ready for transfer onto the surface of fabric using a heat press. It differs from sublimation printing where the dry ink on the transfer paper is sublimated by the heat into a gas that can penetrate the fibers of certain textiles and other materials (for more on this, I reviewed the best sublimation printers out there right now). DTF’s surface printing is therefore less permanent, but also less fussy about your fabric and it has no problem printing on black cloth because it adds white ink to the usual CMYK foursome.

The Procolored F13 Panda L1800 is using an Epson inkjet print head to apply ink droplets to 13-inch (33cm) rolls of transfer film. That means you can print high resolution graphics at tabloid or A3 size width and up to a meter long. This semi-pro printer costs around US$3,000/£2,400 and that includes Windows software, a set of 250ml inks, a roll of plastic film and a bag of adhesive powder (essential for curing your transfers). But if you also want the tabloid-sized Procolored Panda oven that I used to conduct this test, the all-inclusive price is around US$3,400/£2,800. I also added a Panda heat press costing around US$469/£360 to complete my Procolored production line. The printer is available from the official Procolored website here.

Procolored F13 Panda L1800: Design and build

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

The Procolored Panda L1800 printer feels like a professional tool thanks to its robust all metal construction, while the playful Panda logo makes it look more like a consumer product. Either way, the design and build quality are both excellent. The various metal hinges and flaps are built to last, as are the equally rugged roll holder and paper cutter that bolt on with satisfying precision. The design is quite compact compared to other wide-format fabric printers, while still being large enough to hold 13-inch (33cm) rolls of transfer film for printing tabloid/A3-width sheets up to a meter long. There’s plenty of room for ink in the bottle holder at the right side too. Each of the five bottles holds 250ml of DTF ink. The whole thing weighs just under 40lb (18kg).

Inside the steel bodywork, the long lengths of clear plastic tubing look more science project than polished product, but it all works well enough. There’s no touchscreen interface, unfortunately, just an LED display showing the operating temperature and a few large button controls.

The accompanying Procolored Panda Oven is a simple steel unit for heating your printed film to 120-degrees to cure the DTF ink ready for transfer. It’ll take tabloid-sized sheets so the footprint is similar to that of the printer and the surface is conveniently flat which is handy for laying out and inspecting your work. Again, the metal construction feels strong enough to withstand life in a busy print shop.

Procolored F13 Panda L1800: Features & specifications

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

The Procolored F13 Panda package includes all the features needed to print from a PC onto fabric via film transfer. The L1800 printer itself can print onto 13in (33cm) rolls of plastic film which are then sliced to the appropriate length (up to one meter) with the included guillotine attachment. You can also feed in regular sheets of letter or tabloid paper when running nozzle checks, but there is no paper input tray.

It’s using inkjet technology to apply specially formulated DTF ink onto polyethylene terephthalate (PET) film. The quoted print speed is a little longer than the average photo printer at eight-foot per hour. I found it took anything between 5 to 10 minutes for a letter-sized design and 10 to 20 minutes for tabloid. Procolored suggests a production rate of 20 to 50 pieces per day which could suit a medium-scale shirt business.

One major advantage of DTF printing over sublimation printing is that it adds white ink to the four CMYK colors which makes printing onto black fabric possible. White DTF ink is prone to clogging, but this printer avoids print head clogging by circulating the white ink, even when not in active use. The only downside is that DTF uses more energy than sublimation as a result.

Procolored F13 Panda L1800: Setup

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

Setting up the Procolored L1800 printer from scratch takes around half an hour - if everything goes to plan. The roller assembly needs to be screwed onto the machine, so you’ll need a screwdriver, but it’s so intuitive, you might not need to refer to the online instructions. The cutter clips on in a similarly logical way. Loading the ink requires more care to pour the five 500ml bottles into the correct five 250ml reservoirs without spilling any. I spilled a few drops, but the water-based ink is easy to clear up. Each color has to be sucked through long runs of rubber tubing to the print head using the supplied syringe. Once the film and ink are loaded, the printer can be switched on and allowed to reach its operating temperature. DTF printing requires a temperature range of 20°C to 25°C (68°F to 77°F) for stable ink viscosity.

So far, so easy. However, I had real trouble installing the necessary Procolored RIP software and printer drivers. The first hurdle was finding a Windows PC with sufficient USB inputs. With no inbuilt wi-fi, you need to connect a data cable to the printer and have a second USB port free for the dongle that must remain plugged in while running the software. The Procolored software and drivers are delivered on a USB stick so a third USB port is useful. Even then, it took many hours and some assistance by patient Procolored engineers in China before I was printing. Perhaps my problems were down to user error, so I don’t want to put anyone off at this stage, but I do think the software side of things needs improvement and you will need some Windows OS experience to install it. Procolored are still working on Mac software for this product.

Procolored F13 Panda L1800: Operation

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

Once you’re up and running, printing tee-shirts is fairly straight forward and fun, though I have to admit making a lot of mistakes and misprints along the way. First, you open the Procolored RIP software, adjust your canvass dimensions to suit your shirt size and import your design. When you’ve finished manipulating it with the Photoshop-stye software, hit RIP. If this were a consumer product, that button would be labelled print, but technically, your image is undergoing Raster Image Processing in order to create a bitmap that the printer can read and print.

After a few minutes of printing, you’re rewarded with a warm and moist version of your design on film, which can be sliced off with the integrated cutter. Until the ink is cured, it’s prone to smearing, so you’ll need to be careful as you cover it with the adhesive powder (included). After tipping the excess powder back in the bag, place the film in the oven at 120 degrees. The Procolored oven will automatically rise to this temperature and sound an alarm after 180 seconds when your transfer is cured and ready to remove. It is still a little sticky at this point, so it’s best to get right onto the pressing stage. With your plain garment ironed and waiting on your heat press, place the transfer on it and activate the press. Procolored’s heat press also defaults to the right temperature and automatically re-opens after 45 seconds. Remove your tee-shirt and wait a few minutes for it to cool before peeling away the film to leave the graphic fixed permanently to the fabric.

Procolored F13 Panda L1800: Performance

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

If you want to print detailed graphics onto fabric with a high-quality finish, you should definitely try the Procolored F13 Panda package. I printed a variety of images onto a variety of textiles to test its performance and was consistently impressed by the results. The five DTF inks are strong colors which combine to make vivid prints with very accurate colors on film and they maintain that boldness when cured and pressed onto garments. What’s more, the colors seem to hold fast after multiple wash cycles. For the test, I used shirts made of 100% organic cotton, a polyester mix and bags made from 100% polyester and found that the initial was the same clean transfer in each case. However, it’s the pieces that fit best in the heat press that transferred the easiest. Items that are larger than the A4-size heat press had to be pressed in stages and a couple of times, the design stretched and failed to transfer.

I chose high resolution test images, and the printer’s 1,400 x 1,400 dpi resolution was able to turn them into crisp graphics, which stay crisp on the cloth. DTF has a resolution advantage over sublimation and thanks to the addition of white ink, DTF printers like this can print on dark fabric with no compromise in quality. Sublimation only works on light fabrics, ideally white. The downside is that DTF requires more equipment for the additional curing stage, but if you can afford and accommodate the curing oven, water-based DTF ink is generally cheaper than sublimation ink.

Procolored F13 Panda L1800: Consumables

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

The Procolored F13 Panda package ships with a 500g bag of adhesive powder, a roll of PET film, a print head cleaning kit and a set of initial DTF ink (six 250ml bottles). That’s one bottle each of CMYK and two of white, which is more heavily used. Procolored says six 500ml bottles (CMYKWW) of ink can print approximately 800 sheets of A3 (13" x 16") size patterns, or 1,600 sheets of A4 patterns. That much Procolored ink costs around US$300/£200, which seems reasonable, although there’s nothing to stop you buying third party ink which I’ve seen selling for less than $100. In other words, DTF pigment-based ink is affordable and the consumables cost of printing one tee-shirt comes in at well under a dollar a piece.

Procolored F13 Panda L1800: Maintenance

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

DTF printers need more maintenance than your average inkjet, but luckily the Procolored F13 Panda L1800 will automatically clean its own printhead every 10 hours when left on, consuming about 1ml ink per day. If you’re leaving the printer for more than seven days, however, it’s recommended you empty the ink.

Procolored F13 Panda L1800: Final verdict

Procolored F13 Panda L1800 during our review

(Image credit: Procolored)

There’s a lot to like about the Procolored F13 Panda L1800. The design is logical and appealing and the steel construction feels like it’s built to last. It can print large designs on a 13-inch roll of paper and cut them off with its integrated cutter. I struggled with the Procolored RIP software initially, but once you know what you’re doing, it’s possible to produce enough printed garments per day to satisfy a small business. And the print quality is excellent. By mixing five DTF inks together (CMYKW) it creates vivid and detailed graphics that transfer faithfully onto almost any kind of fabric.

There’s room for improvement too. I found the Windows software unintuitive and it only works while the dongle is inserted. Procolored assured me that Mac software is on the way. The print head is somewhat prone to clogging despite some clever automated ink management and I’d like to see wi-fi and a reset button built into the next edition. There were numerous occasions when the printer wouldn’t connect to my PC, or the ink ran, or the paper slipped, so it’s not perfect. That said, this is a very good DTF printer at a fair price.


For more devices, we reviewed the best small business printers and the best home printers.

vivo X200 series starts global rollout
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Author: admin | Category: Mobile phones news | Comments: Off

A little over a month after the vivo X200 and X200 Pro launched in China, the duo is now available in Malaysia, making the series' international debut. The two handsets are available for pre-order on vivo's official Malaysian website. The pre-order period will last three days, after which shipments will begin. The X200 Pro is available in two colorways - Titanium Gray and Midnight Blue, but one storage option configuration with 16GB RAM and 512GB internal storage. It asks for MYR 4,699 ($1,050). The vanilla X200 goes for MYR 3,599 ($800) in Midnight Blue and Aurora Green....

Samsung Galaxy S25 Slim camera sensors detailed: 200+50+50MP
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Author: admin | Category: Mobile phones news | Comments: Off

Earlier this month, Ice Universe posted that the Samsung Galaxy S25 Slim will have an Ultra camera, but didn’t offer more specifics. Now another leakster, Sanju Choudhary, claims to know the exact sensors that will be used in the mid-season upgrade (the Slim is expected to take the place of the S25 FE). The main camera will have a 200MP sensor, a new ISOCELL HP5, which some reports claim will measure 1/1.56” according to the leakster, though older reports claimed it would be 1/1.3” (the same size as the HP2 inside the S24 Ultra). This sensor is usually mentioned in the context of the...

Tecno Pop 9 to launch in India on November 22
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Author: admin | Category: Mobile phones news | Tags: | Comments: Off

Tecno has announced that it will be launching the Tecno Pop 9 in the Indian market. Separate from the Tecno Pop 9 5G launched previously, this new model will be even more affordable and targeted towards younger buyers likely getting their first phone. The Tecno Pop 9 will be launched in India later this week on Friday, November 22. The company claims that this will be the the first phone in the Indian market to run on the MediaTek G50 processor. Other features on the Tecno Pop 9 include a 6.67-inch HD+ display with a 90Hz refresh rate and hole punch front camera. There's also a...

Sony A1 II review – a refined flagship
5:31 pm |

Author: admin | Category: Cameras Computers Gadgets Mirrorless Cameras | Tags: , , | Comments: Off

Sony A1 II: one-minute review

Combine a dash of the Sony Alpha A1, a splash of the Sony A9 III, a sprinkling of all-new refinements, give it a stir, and voilà… you have the Sony A1 II, Sony's best-ever Alpha camera, and one of the best hybrid professional cameras available.

It's not quite as quick as the A9 III with its global shutter, unlimited flash sync speed and 120fps burst shooting, nor does it quite produce the same highly-detailed pictures as the 61MP A7R V; but the A1 II is the best Sony has to offer for detail and speed in a single camera.

That dash of the A1 is the same full-frame back-illuminated 50MP stacked sensor, powered by Sony's Bionz XR processor for 30fps burst shooting and 8K video up to 30fps with 10-bit 4:2:2 color depth, plus 4K 120fps slow-motion video.

The sprinkling of the A9 III (that upgrades this camera over the A1) is a like-for-like design, meaning a larger handgrip with a nicely-angled shutter button, a larger 3.2-inch multi-angle touchscreen with better color depth, more effective image stabilization now rated up to 8.5EV, Sony's AI processing chip, plus an additional custom button for the likes of an instant boost in speed for burst shooting.

Sony A1 II mirrorless camera's vari-angle screen pulled out to the side, outdoors on a tripod with autumn leaves background

The A1 II's design is inherited from the A9 III, which means a chunkier handgrip and larger multi-angle touchscreen (Image credit: Future / Tim Coleman)

Finally, the sprinkling of the all-new includes a new 'Auto' subject-detection autofocus mode, meaning you don't have to manually select the subject type ahead of time, though you still can if you'd rather. Users can also import custom LUT color profiles, in addition to Sony's popular S-Log3 and S-Cinetone color profiles that are built-in.

The message here is that there's practically nothing new in the A1 II, which is highly unusual for a Sony flagship camera, especially after such a quiet 2024 for the camera giant, with this being the first new full-frame Alpha this year.

The A1 II combines excellent A1 and A9 III attributes in a single camera, but there's little here to get excited about. That said, Sony has slightly reduced the launch price compared to the A1 when it was announced almost fours ago (though Sony's hand has been somewhat forced by cheaper rivals coming onto the scene), and has ultimately created a polished upgrade over the first-gen model that's likely to please pros who rely on their gear daily in challenging situations.

It may not be an exciting upgrade, but the Sony A1 II is up there with the very best cameras we've tested.

Sony A1 II: price and release date

  • Body-only price is $6,500 / £6,300 (Australia TBC, around $12,000)
  • On sale from late November
  • New BC-ZD1 charger and VG-C5 grip (sold separately)

The Sony A1 II will go on sale from late November 2024 with a list price of $6,500 / £6,300. That's a fraction lower than the launch price of the A1 from all the way back in 2021. In one sense that's commendable on Sony's part, but on the other hand the market has changed, and the A1 series has now has accomplished rivals that offer perhaps 90% of the all-round package but cost about 50% less. Sony needed to be aggressive with its pricing, and it has been to an extent, but the Nikon Z9 in particular looks very reasonable by comparison.

Sony A1 II: specs

Sony A1 II: design and handling

  • Same design as the A9 III
  • Smart control layout with handy shortcuts to frequently used features
  • New dedicated mic for voice memos

In terms of change from the A1, you get a larger 3.2-inch multi-angle touchscreen, with the dual hinge enabling users to tilt and angle the screen for easy viewing at high or low angles whether they're shooting vertical or horizontal. That dual-hinge design also enables you to pull the screen further away from the body and its chunky viewfinder eye-piece, which can otherwise partially obstruct the screen.

The A1 II's handgrip is more rounded and all-round chunkier, and I feel like it slots into the hand better than the grip on the A1, though they are similar in depth. There are little refinements too, such as the shutter button being angled slightly differently and easier to press.

Image 1 of 4

Top plate of Sony A1 II mirrorless camera with autumn leaves background

(Image credit: Future / Tim Coleman)
Image 2 of 4

Closeup of the Sony A1 II mirrorless camera's ports, outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)
Image 3 of 4

Sony A1 II mirrorless camera's memory card door open with card inside and autumn leaves background

(Image credit: Future / Tim Coleman)
Image 4 of 4

Sony A1 II mirrorless camera's vari-angle screen pulled out to the side, outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)

As on the A9 III, there's an additional custom button on the front of the A1 II, which is factory-set to act as a speed boost for continuous burst shooting. The idea is that you don't always want to be shooting at the maximum frame rate, which in this case is 30fps, but you might suddenly need that speed, and the button allows you to tick over at a lower frame rate and get an instant injection of extra frames when you need it.

One feature that caught my eye in the original A1, and has again here, is the max flash sync speed of 1/400 sec. That beats the Nikon Z9 for example, making the A1 II a more versatile camera for flash photography, especially if you like using a wide aperture.

Image 1 of 4

Sony A1 II mirrorless camera outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)
Image 2 of 4

Sony A1 II mirrorless camera outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)
Image 3 of 4

Sony A1 II mirrorless camera outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)
Image 4 of 4

Sony A1 II mirrorless camera with FE 28-70mm F2 lens, outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)

The A1 II is also an extremely rugged weatherproof camera, with nicely designed rigid doors on the connection ports that stay out of the way when the ports are in use, while the dual memory card door features a push lock and is a better design than Nikon's, which can easily be knocked open.

Check out our A9 III review to learn more about the A1 II's design – the two cameras share practically the same design.

Sony A1 II : features and performance

  • Improved image stabilization, up to 8.5EV
  • Same 759-point AF array, now with AI processing unit for subject detection
  • 30fps burst shooting for up to 153 raw images, now with pre-capture

Sony has delivered one notable hardware improvement. adding an AI processing unit that was debuted in the A7R V. This should deliver better subject-detection autofocus for photo and video compared to the A1, though we haven't tested the A1 II against the A1, both of which share the same 759 AF point array, to see just how much of a difference it makes.

Having used Sony's previous professional Alphas, I was most keen to test out the new Auto subject-detection autofocus mode. Frustrated by what feel to me like unnecessarily complex subject detection choices that you need to manually select ahead of time – humans, birds, animals, car, insects, planes, trains and so on, I've called on brands to add an auto mode that simplifies the experience. Cue the A1 II and its new mode. I haven't tested the camera for long enough to know if it works well versus using a dedicated mode (which you can also do), but I'll be doing that for my full A1 II review. However, it worked absolutely fine when shooting portraits of people during my hands-on testing, locking reliably onto my subject's eyes.

Image 1 of 2

Sony A1 II mirrorless camera's LCD screen displaying the autofocus modes, outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)
Image 2 of 2

Sony A1 II mirrorless camera's LCD screen displaying the autofocus modes, outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)

Sony also says the next-gen autofocus is able to recognize the head and body of humans / animals, and that its performance is 30% more effective than the A1's for detecting human and animal eyes, while the camera's autofocus can operate effectively in low light down to -4EV.

Closeup of the Sony A1 II mirrorless camera's drive mode dial, outdoors on a tripod with autumn leaves background

(Image credit: Future / Tim Coleman)

Another similarity between this camera and its predecessor is that both can shoot at a burst rate of up to 30fps for a similar length of time before slowing down – a little over 150 raw frames or close to 180 JPEGs. For such occasions, that speed-boost button is infinitely helpful for improving efficiency and workflow by enabling you to adapt your shooting rate.

The A1 II also gets a handy pre-capture feature. Pre-capture is nothing new, although Sony was late to the party, only introducing it to an Alpha camera with the A9 III. Put simply, pre-capture can buffer up to one second's worth of photos – in this case 30 photos – before you fully press the shutter button to start capturing a high-speed sequence. That one second of grace when you're slow to react could be the difference between capturing the moment and missing it completely.

Sony A1 II: image and video quality

  • 50MP stills and 8K/30p video
  • 4:2:2 10-bit color depth and Sony's S-Log3, S-Cinetone, plus LUT imports
  • Pixel Shift and Noise Reduction shooting modes

Sony's 50MP full-frame stacked sensor is a proven performer, delivering sharp stills with up to 15EV of dynamic range. The A7R V's 61MP sensor gets you marginally better detail, but the A1 II is a much faster performer. Furthermore, in-body image stabilization is improved over the A1, and you'll often getting slightly sharper end results when shooting handheld, depending on the camera's shutter speed and how steady your hand is.

Once again Sony's Pixel Shift Multi Shooting mode features, combining up to 16 shots for one larger 199MP composite image. It's not as effective as Canon's in-camera AI upscaling feature in the EOS R1 / EOS R5 Mark II, especially if there's any movement in your shot. However, in situations such as still lifes in the studio it increases detail by up to 400%. Sony has also added a new Noise Reduction shooting mode that, like Pixel Shift, combines multiple images but in this case for a cleaner image, especially in low light.

Image 1 of 2

Head and shoulder portrait of a man with autumn leaves in the background, taken with the Sony A1 II

The Auto subject-detection mode worked fine in this portrait, with the focus pin-sharp on the eyes (scroll to next image to see a close-up). (Image credit: Future / Tim Coleman)
Image 2 of 2

Closeup of the eye in portrait of a man with autumn leaves in the background, taken with the Sony A1 II

(Image credit: Future / Tim Coleman)

Outright image quality is, in effect, the same as from the A1, which is a good thing, with clean images up to ISO 12,800 from the A1 II's ISO 100-32,000 range. The almost four-year-old sensor has stood the test of time. Where we really see improvements in image quality is in the positive effect of improved image stabilization for handheld shots and even more reliable subject-detection autofocus for shooting animals, vehicles, people, and so on.

How I tested the Sony A1 II

Sony A1 II mirrorless camera in the hand

(Image credit: Future / Tim Coleman)
  • I tested the camera for a week with the FE 28-70mm F2 GM lens
  • This was a full-production model with final firmware
  • I used it with Sony's Creator Cloud app

I tested a final firmware version of the Sony A1 II, together with the new Sony FE 28-70mm F2 GM lens, for a week. The A1 II's raw files were not readable in editing software ahead of the camera's launch.

I've been shooting with a CFexpress Type A card to get the best possible performance from the camera, and recorded burst sequences at TechRadar's standard camera testing settings: 1/250 sec, ISO 200, and continuous AF.

Sony's Creator Cloud app works with the A1 II, and I used the app to remotely shoot images with the camera and upload images too. I shot portraits of humans and animals with the various subject-detection autofocus modes.

First reviewed November 2024

Upcoming budget Realme phone emerges in listing
5:27 pm |

Author: admin | Category: Mobile phones news | Comments: Off

An upcoming Realme smartphone emerged in a listing on China’s TENAA certification agency. The device bears the RMX3953 identifier and is believed to be the upcoming Relame V70, a Chinese–exclusive budget phone. Realme RMX3953 The certification reveals a detailed look at the upcoming device, complete with a preliminary spec sheet. Realme RMX3953 will be equipped with a 6.67-inch IPS LCD with HD+ resolution. The phone will be offered with an unspecified eight-core chipset clocked at 2.4GHz. The SoC will be paired with 4-12GB RAM and 128GB-1TB storage, and the device will also...

Ublives’ SoleFlux Relax massage boots have convinced me of the benefits of leg compression
4:56 pm |

Author: admin | Category: Computers Fitness Apps Gadgets Health & Fitness | Comments: Off

Ublives SoleFlux Relax: Two-minute review

Ublives Leg Compression unit

(Image credit: Future)

I went into my first leg compression experience with Ublives somewhat skeptical of the benefits, and early on in my testing, I wasn’t blown away. Sure, getting a robotic leg massage was kind of cool, and enjoyable, but I didn’t feel like I’d found the vital missing link in my recovery chain. That was until I played my first game of soccer in seven years. After just an hour spent out of breath, fighting for my life on a cold Scottish winter night, I’ve become convinced that leg compression of any kind can provide a massive boost to recovery and performance, and the Ublives SoleFlux Relax are a great starting point for anyone looking to get involved.

Following my first serious aerobic exercise in years, I’ve been mainlining Ublives’ boots multiple times a day, and the only residual soreness I had in my legs was in the places they don’t reach, leaving me thoroughly impressed with their usefulness.

The SoleFlux Relax aren't the cheapest or the most expensive pair of compression boots on the market. You’ll find cheaper options from the likes of Pulsio or more expensive options from Hyperice. In and around the Ublives are offerings from Therabody, who make some of the best massage guns for fitness and recovery.

The SoleFlux Relax, like all leg compression boots, are simple in concept. They’re enormous boots that cover your feet, lower leg, and most of your thigh. Inflatable chambers receive air through a compression device, exerting pressure on your aching limbs to provide the sensation of a massage.

Ublives leg compression

(Image credit: Future)

At first wear, they’re very comfortable to put on, with a single zip running the length of each boot ensuring that you can get in and out of them very easily. I’m six foot tall with long legs and pretty beefy thighs and found that I couldn’t quite get them all the way on for maximum comfort. It wasn’t a deal breaker, but I often used them with the feeling that I hadn’t quite got my leg all the way in.

There are two basic designs of leg compression, and Ublives has opted for a modular design with a small air compression control unit that attaches directly to each leg. This means that you can use each side independently, and are free to move around a bit more. This can be handy if you need targeted recovery for just one leg, or want a bit more flexibility. However, I found that this also led to asynchronous massages where one leg didn’t quite match the other, even when I selected the same program, pressure, and duration. Using the power units was very simple, there’s a button for on, a toggle for pressure, and buttons to control the program and time length.

There are three programs each available in three different durations. Circulation Mode sends pressure up your leg starting at your foot and is dubbed as a sports recovery mode. Sequence mode is targeted at those with muscle soreness and moves from foot to thigh in a slightly different pattern. Finally, there’s Whole Mode, a deep care setting for people who sit for long periods of time and don’t exercise much. Each is available as a 10, 20, or 30-minute program.

I was surprised by how intense the pressure was, even in the middle or lower settings. In fact, the pressure is so intense I’ve not psyched myself up enough to turn it up to five. Rest assured, at least, that even the very achiest and stiffest legs can benefit from Ublives.

While it’s impossible to say whether you will benefit in the same way from leg compression, I’ve found myself impressed by their usefulness. As noted, they were a vital part of my recent recovery from my soccer-induced leg pain. Beyond sports, I’ve found myself using them at some point of every day for a variety of reasons. I’ve used them after a long day sitting down at my desk, and I’ve found another great benefit too. The Ublives seem to help with Restless leg syndrome, with a good program before bed really helping to calm my muscles as I try to sleep.

While Ublives have been my first experience with leg compression, I was surprised by how light they were, and the build quality was reassuringly sturdy. The control units are powered by USB-C and take around 2 and a half hours to charge. From that, you should get 20 minutes of use per day for 10 days, or 200 minutes of use. I’ve broadly found that claim to hold up, running 30 minutes five or six times before needing to charge up again.

Ublives SoleFlux Relax: Price and availability

Ublives Leg Compression bag

(Image credit: Future)

The Ublives SoleFlux Relax are available exclusively from Ublives.com. They retail at $599, with the price the same wherever you buy them from, so watch out for exchange rates. The AirFit Hyperbag is an optional extra that costs $120. Ublives advertises a 90-day money-back guarantee for users who want to try the product.

TechRadar readers can score them at the reduced price of $479 by using the code Techradar20 at Ublives.com.

Ublives SoleFlux Relax: Specifications

Ublives control unit

(Image credit: Future)

Ublives SoleFlux Relax: Scorecard

Ublives SoleFlux Relax: Should I buy?

Ublives Leg Compression Review

(Image credit: Future)

Buy if it...

You want excellent leg compression

Ublives deliver great pressure and a range of excellent programs

You want a split-leg design

With two separate boots and control units, these are perfect if you want a separate-leg design.

Don't buy it if...

You’re on a budget

There are considerably cheaper options out there

You want a single-unit design

Other units can be found with a single control unit that manages both legs

Also consider

How I tested

I’ve used the Ublives SoleFlux Relax multiple times a day for a few weeks, including before and after workouts, in the evening at bedtime, and following long days sat down at the office. I used all three of the programs available for each of the three durations available. I also ran the batteries to zero and recharged them multiple times to test battery life and recharge time.

First reviewed: November 2024

Samsung starts rolling out One UI 6 to older Galaxy Watches
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Author: admin | Category: Mobile phones news | Comments: Off

Samsung is bringing the One UI 6 update (based on Wear OS 5) to older watches, after showcasing what the new OS can do with the new Galaxy Watch7 and Watch Ultra. The new version brings an updated UI, plus new health tracking features like Sleep Apnea detection and new exercise modes to boot. First things first, here are the watch models that are eligible for an upgrade. The rollout will start today with the Watch6 series and will expand to older models. Samsung Galaxy Watch6 Samsung Galaxy Watch6 Classic Samsung Galaxy Watch5 Samsung Galaxy Watch5 Pro Samsung Galaxy...

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Author: admin | Category: Mobile phones reviews | Comments: Off

Samsung is finally bringing 45W charging to Galaxy A series
3:30 pm |

Author: admin | Category: Mobile phones news | Comments: Off

Samsung is known for not following the trend of ultra-fast charging speeds. For several years, the Korean company has equipped only a handful of its flagship models with 45W charging capabilities, while the majority of its Galaxy lineup comes with 25W charging. This year appears to be a turning point, though. After the Galaxy M55/C55/F55 midranger came with 45W, now it is time for the Galaxy A series. First in line is the Galaxy A56, which was certified in China with support for 45W rates. Samsung SM-A5660 (Galaxy A56) certification The phone is still in the works and is highly...

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