Introduction
Ricoh had a reputation for producing superb 35mm film compact cameras such as the GR I and GR21 that found favour with enthusiast photographers. However, despite producing high quality images, the company’s digital compact cameras such as the Ricoh GR II and Ricoh GR IV haven’t really attracted the same attention.
The Ricoh GXR, a compact system camera (CSC) that couples the lens and sensor into a single module that slots into the back, confused the company’s fans and consequently also failed to sell in high numbers.
The new Ricoh GR, however, could be about to change all that, because its 16.2 million pixel sensor is an APS-C format device rather than a 1/1.7-inch unit as is found in the Ricoh GR IV.
At around £599 (approximately US$920 / AU$882) the Pentax Ricoh GR’s price is also much more attractive than that of the Nikon Coolpix A and the overly complicated Ricoh GXR.
Furthermore, despite the 9x increase in the size of the sensor, the GR isn’t a great deal bigger than the GR IV and it fits neatly into the average coat or jacket pocket. It’s a similar size to the Nikon Coolpix A and Sigma DP1, and a little smaller than the Fuji X100S.
Features
Like the Nikon Coolpix A, the Ricoh GR’s APS-C format 16.2MP CMOS sensor has no anti-aliasing filter, which should enable it to capture sharper details than a comparable sensor with the filter.
Omitting the filter brings the risk of moiré patterning in images with fine repeating patterns of detail, but it hasn’t been an issue for the Nikon Coolpix A, Nikon D7100 or Nikon D800E. Even if it is a problem, moiré patterning can be dealt with using image editing software, but the Ricoh GR also has in-camera post-capture moiré reduction available.
Because it’s a compact camera the Ricoh GR has a fixed lens, and, like the optics on the other APS-C format compact cameras, it has a fixed focal length. In this case it’s a 18.3mm lens, which is equivalent to around 28mm in 35mm terms.
This and its small size makes the GR ideal as a ‘walk-around’ camera and well suited to shooting street and documentary photographs as well as landscape images when you’re out on a hike and want to travel light.
There’s also an optional adaptor available to transform the lens into a wider, 21mm optic. At the other end of the scale, an in-camera 35mm crop mode is available.
The lens has a maximum aperture of f/2.8, which means that there’s plenty of opportunity to control depth of field.
One of the trade offs that Ricoh has made as a result of the larger sensor is that the lens can’t focus quite as close as its predecessor. However, there is a macro mode that enables you to get as close as 10cm to the subject.
One of the problems with previous Ricoh digital compact cameras was their relatively slow responses. Ricoh is hoping that the new processing engine in the GR will address this, and it has a claimed start-up time of approximately one second, a maximum continuous shooting rate of 4fps, shutter release lag of 0.03 seconds and 0.2 second autofocusing.
Build and handling
Built from a sturdy magnesium alloy, the Ricoh GR is billed as the world’s smallest and lightest APS-C format camera. It’s surprisingly close in size to the Ricoh GR IV.
The front of the camera has a pronounced grip, which has a rubberised texture and gives good purchase, enabling the camera to be held one-handed. The layout of the buttons on the back of the camera also makes changing settings with a thumb quick and easy.
On the top of the Ricoh GR is a mode dial for speedily changing between automatic, semi-automatic and fully manual exposure modes. In a nod to Pentax, which is now owned by Ricoh, there’s a TAv (Aperture and Time priority) option in which you set the shutter speed and aperture while the camera selects the sensitivity.
There are also three customisable groups of settings available via the mode dial. Just to the side of the mode dial is a lock button, which stops the dial from being knocked out of place. We found this relatively easy to depress with the finger of the right hand while rotating the dial.
A small dial on the front of the camera at the top of the grip is used for altering aperture or shutter speed, depending on the mode you’re shooting in. When shooting in fully manual mode, this dial is used for aperture, while the rocker dial on the back of the camera controls shutter speed.
Exposure compensation is changed quickly using the plus and minus control, which doubles up as the zooming buttons during playback.
Ricoh is aiming the GR at enthusiast photographers, and these users will appreciate that several of the buttons on the back and side of the camera are customisable, giving you quick access to key features.
Changing autofocus point is done by default by tapping the F1 Function button and using the arrow keys to scroll around the scene to the point you want to use. After pressing this button, you can use the zoom control to check critical focus.
There’s also an option to enlarge a section of screen around the active AF point to check focus as it is achieved.
On the back of the camera is a high resolution, 1.2 million-dot 3-inch LCD screen. It’s not articulating, or touch-sensitive, but it appears to cope reasonably well with direct light, not suffering too badly from glare or reflections. The menu layout is simple and uncomplicated.
Performance
As yet we have only used a pre-production sample of the Ricoh GR. Naturally we are hoping that Ricoh has been able to transfer its image quality capability to the new camera.
Sample images, image quality and resolution and sensitivity and noise images follow on the next pages.
We are told that the sample we used was the final hardware, but the firmware is not final. This could mean that aspects such as the focus time and file write times change before the camera goes on sale.
While we have no complaints about the focusing speed of the Ricoh GR, it focuses relatively quickly with a slight backwards adjustment being visible, the write times with raw and JPEG shooting selected were poor.
We counted around nine or 10 seconds being required between shots. If this continues into the final working sample it could prove very frustrating.
Fortunately, things improved dramatically when we shot JPEG files by themselves, with next to no delay.
Early verdict
We’re quite excited about the Ricoh GR. It’s very nicely built, has all the control that we want and it can shoot both raw and JPEG files.
Although we have seen prints of a couple of impressive sample images from Ricoh, we will reserve judgement about the image quality until we have shot some pictures. However, Ricoh has a reputation for producing cameras that capture plenty of detail, with a tendency to reveal some noise.
Our only reservation at this point is the file write times. We hope that the production sample will make shooting in raw format, or raw and JPEG format, a realistic proposition. If it does the Ricoh GR could really grab the attention of enthusiast photographers looking for a pocketable alternative to a DSLR.
Given its comparatively low price, we’re sure that Nikon and Fuji will be keeping a close eye on Ricoh GR sales.
Image quality and resolution
As part of our image quality testing for the Ricoh GR, we’ve shot our resolution chart.
If you view our crops of the resolution chart’s central section at 100% (or Actual Pixels) you will see that, for example, at ISO 100 the Ricoh GR is capable of resolving up to around 24 (line widths per picture height x100) in its highest quality JPEG files.
For a full explanation of what our resolution charts mean, and how to read them, check out our full explanation of our camera testing resolution charts.
Examining images of the chart taken at each sensitivity setting reveals the following resolution scores in line widths per picture height x100:
JPEG
Full ISO 100 image, see the cropped (100%) versions below.
ISO 100, score: 24 (Click here to see the full resolution image)
ISO 200, score: 24 (Click here to see the full resolution image)
ISO 400, score: 22 (Click here to see the full resolution image)
ISO 800, score: 22 (Click here to see the full resolution image)
ISO 1600, score: 22 (Click here to see the full resolution image)
ISO 3200, score: 22 (Click here to see the full resolution image)
ISO 6400, score: 20 (Click here to see the full resolution image)
ISO 12800, score: 16 (Click here to see the full resolution image)
ISO 25600, score: 10 (Click here to see the full resolution image)
Raw
ISO 100, score: 26 (Click here to see the full resolution image)
ISO 200, score: 26 (Click here to see the full resolution image)
ISO 400, score: 24 (Click here to see the full resolution image)
ISO 800, score: 24 (Click here to see the full resolution image)
ISO 1600, score: 22 (Click here to see the full resolution image)
ISO 3200, score: 22 (Click here to see the full resolution image)
ISO 6400, score: 22 (Click here to see the full resolution image)
ISO 12800, score: 18 (Click here to see the full resolution image)
ISO 25600, score: 12 (Click here to see the full resolution image)
Sample images
Click here to see the full resolution image
The stormy conditions confused the Multi-zone metering system a little here, so this image is a little under-exposed, but there’s detail in the brightest parts of the sky.
Click here to see the full resolution image
This is the raw version of the previous JPEG image and it’s been brightened by 1EV in Adobe Camera Raw. The amount of detail in the grass is very impressive. It looks more natural at 100% than the JPEG version.
Click here to see the full resolution image
This was shot in low light and through glass (hence the occasional reflection), which gave the AF system a few issues. However, noise is well controlled (the sensitivity was set to ISO 1600) and the automatic white balance system has coped well with the artificial light. The exposure was set to 1/20sec at f/7.1.
Click here to see the full resolution image
Another example of the superb colour and detail delivered by the Ricoh GR.
Click here to see the full resolution image
The Ricoh GR produces some nice monochrome results using the Black and White Effect, but as it’s also possible to use the Effects modes when shooting raw files, you can save a full-colour image at the same time.
Click here to see the full resolution image
Shooting with the aperture wide open (f/2.8) enables the background to be thrown out of focus, especially when shooting close-up like this.
Click here to see the full resolution image
The automatic white balance system has retained the warmth in this early evening shot.
Click here to see the full resolution image
Although this scene is quite bright, the camera’s Multi-zone metering system hasn’t underexposed the image.
Sensitivity and noise images
JPEG
Full ISO 100 image, see the cropped (100%) versions below.
ISO 100 (Click here to see the full resolution image)
ISO 200 (Click here to see the full resolution image)
ISO 400 (Click here to see the full resolution image)
ISO 800 (Click here to see the full resolution image)
ISO 1600 (Click here to see the full resolution image)
ISO 3200 (Click here to see the full resolution image)
ISO 6400 (Click here to see the full resolution image)
ISO 12800 (Click here to see the full resolution image)
ISO 25600 (Click here to see the full resolution image)
Raw
ISO 100 (Click here to see the full resolution image)
ISO 200 (Click here to see the full resolution image)
ISO 400 (Click here to see the full resolution image)
ISO 800 (Click here to see the full resolution image)
ISO 1600 (Click here to see the full resolution image)
ISO 3200 (Click here to see the full resolution image)
ISO 6400 (Click here to see the full resolution image)
ISO 12800 (Click here to see the full resolution image)
ISO 25600 (Click here to see the full resolution image)
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