Edifier S880DB MKII: Two-minute review

As the best small-format active speakers go, the Edifier S880DB MKII are pretty swell. They go toe-to-toe with a great many other low-to-mid-range hi-fi pairs, thanks to a prodigious array of forward-thinking inputs both analog and digital. There’s also a subwoofer output to fully extend the practicality of these little (and surprisingly loud) actives, and a gesture-controlled remote puck to access a bunch of different functions, from input switching and volume control to handling various EQ sound profiles.

Excellent as the S880DB MKII are on paper, between their swish aesthetics and versatile, future-friendly control options, small frustrations abound with the remote control’s reaction time and bass-representation issues inherent to the small-bookshelf format.

These frustrations are just that: small. But they’re made all the larger when other active speaker models in Edifier’s roster, namely the excellent MR5 monitors, are simultaneously cheaper and better-performing.

Ultimately, though, the Edifier S880DB MKII do a lot of things right, and as many things well. I’m thusly inclined to score it kindly, in recognition of what it’s achieved over what it’s competing against. After all, it’s a MKII, and well and truly a well-upgraded successor in a competitive niche.

Edifier S880DB MKII review: Price & release date

• $449.99 / £335.99 / AU$595.99
• Launched on 4th September, 2025

Edifier is a key figure in the budget audio space, with a pretty wide-ranging roster of audio bits and bobs that punch well above their figurative weight. I can prove it, too: I was happy enough to review Edifier’s new MR5 monitor speakers some months ago, and happened to think mighty well of their performance (and even mightier of this performance against their frankly astonishing budget price point).

These speakers, though, exist in a different paradigm to the musician-oriented active listening monitors that the MR5 very much are. These are the Edifier S880DB MKII, a second-gen successor set of multidisciplinary active bookshelf speakers that ably straddle a broad set of use cases. Bedroom hi-fi system? Small desk-friendly active monitors? Subsidiary speaker set for your small cinema system? Why not!

This versatility is courtesy of some powerful internal amplification, some smart user-friendly features, and some future-friendly upgrades that make them more able (and better-sounding) than ever before. But do they make the grade, and do their updated features do them justice?

Edifier S880DB MKII review: Specs

Edifier S880DB MKII review: Features

• Multifarious inputs, plus sub output
• Hi-res Bluetooth LDAC connectivity
• Handy remote-control surface

The S880DB MKII are a highly connectible set of small-form active bookshelf speakers, designed to settle suavely into a wide variety of different at-home listening scenarios. Being a successor model to Edifier’s OG S880DB, there’s a lot of familiar stuff in here. But that familiar stuff is part and parcel of a pretty comprehensive upgrade, that brings some improved acoustics and techy quality-of-life updates.

The biggest auditory updates come from the new drivers. The 1-inch titanium dome tweeter from the first model has been sized up to 1.25-inch, with a bigger voice coil to match. The mid-bass driver has also had a ground-up redesign, with the impact of more low end, any of which is a gift in small-format speakers such as these.

With their small size, large 88W RMS output and surprisingly broad frequency range, the S880DB MKII are excellent low-profile partners for a home office PC system – and they’ll slide just as effortlessly into a multi-faceted living room hi-fi or home theatre system, with especial thanks to an expansive set of inputs.

On the wired side of the equation, we have two separate channels of RCA input, a Toslink optical in, coax, and an all-new USB-C connection – the latter of which enjoys its own DAC architecture, so you can connect a laptop directly to it without any dongle-y jiggery-pokery. Sadly, this USB-C port doesn’t also provide the option of 5V power – when USB ports are a commodity at your desk, a spare port for powering peripherals (foreshadowing alert!) would be a welcome gift. Also new is a 3.5mm TRS output for optional connection to a subwoofer unit, giving what’s nominally a small-form set of active bookshelf speakers a great deal more oomph potential.

On the wireless side of the equation, the Edifier S880DB MKII are handily equipped with Bluetooth 5.3, up from the previous version’s 5.1, and now supports Sony’s hi-res LDAC codec, too. On-board you’ll find the requisite rear-mounted treble, bass and volume controls, and within, a set of five EQ presets for different sound profiles: ‘Classic’, ‘Monitor’, ‘Dynamic’, ‘Vocal’ and ‘Customized’.

A new 2.4GHz wireless remote-control puck eschews black plastic and clicky buttons in favour of a silver-and-white gesture-control surface. It senses your hand on approach, and can be used to switch audio inputs, access Bluetooth, control the volume and switch between the aforementioned sound profiles. Any and all changes are heralded by a cheery little vibration from within the puck itself. The MKII is also tweakable via Edifier’s ConneX app, which gives you access to the same controls as the remote, and a six-band EQ with which to customize the, er, ‘Customized’ sound profile.

A small OLED screen on the front displays the necessaries – defaulting to your current audio input, but also showing you volume changes and differing sound profiles as you cycle through. It’s subtle, but subtly futuristic. And I like it.

• Features score: 5/5

Edifier S880DB MKII review: Sound quality

• Excellent high-end clarity
• Exceedingly powerful for their size
• Unfortunate handling of low end

The Edifier S880DB MKII are loud, and impressively so for the format. I dared, hubristically, to test them at full volume while sat at my desk – a crime for which my ears paid dearly, and for which I undoubtedly owe my neighbour an apology bottle of wine.

When they’re not being loud, they’re being remarkably consistent. Whether listening via RCA-in or Bluetooth, there are no discernible shortcomings on the fidelity front. As for character, these speakers are decent all-rounders, but particularly and delightfully tactile in the upper register. Knik by Portugal. The Man is a delight of swishy cymbals, woozy guitars and stacked chest- and head-voice vocals. It’d be fair to say, generally, that the S880DB MKII speakers are extremely vocal-forward, a function of those tight mid-range drivers and titanium tweeters.

That overall handiness, bolstered by high-end tactility, trades off against an under-representative low end. Knik ends with an explosion of fuzzed-out guitars and blooming bass, all lost to a set of speakers that don’t have the stature to platform them properly. At least, this was the first impression I had of the S880DB MKII, predicated on an initial listen through the automatically applied ‘Classic’ sound profile.

Cycling through other modes revealed a decent wedge more boom on all fronts, the more neutral ‘Monitor’ mode immediately the most musical to my ears. The ‘Dynamic’ mode adds a little treble-y urgency, giving a little more love to transients in the process, while the ‘Vocal’ mode seems to target upper mids, doing exactly what you’d expect it to (with a little compensatory ducking of lower mids). Personally, I don’t see why the Classic sound profile is the default option, when it’s so clearly the worst of the bunch.

Better as the other modes sound, all bear out the same essential conclusion that bass isn’t the S880DB MKII’s strong suit – a fundamental truth of the speakers’ small form. This isn’t to say they’re entirely without punch, though. Across all EQ profiles, they’re tuned exactly as you’d expect a jack-of-all-trades hi-fi device, with plenty of presence for hi-hats, voices, and kick-drum clicks, the latter of which grab you enough to insinuate the oomph you’d otherwise miss much more dearly. And if you crank them, you get plenty of somewhat-indistinct bassy bloom from their ported rear faces.

Of course, Edifier are deeply aware of this form-borne shortcoming, and have even made adjustments towards improving it in this second go-around – including greater low-end extension and a new subwoofer out port. I didn’t have an active subwoofer with which to pair the S880DB MKII, but I’d wager that most potential buyers of such speakers don’t either. Besides which, I wouldn’t want to colour my straight opinion of these things with something ‘else’. All the same, it’s a credit to Edifier that they’re working with the size, rather than against it!

I oughtn’t have spent so long on the lower end of the S880DB MKII’s frequency spectrum, not when there’s so much to love a little further up the graph. Queens of the Stone Age’s Everybody Knows That You’re Insane is an explosive delight, jangly guitars and croon-adjacent vocals giving in to gratifyingly grabby power chords and pingy snares.

Getdown Services’ Blooze, meanwhile, is right at home on these speakers, with a boxy, idiosyncratic mix that attains a woolly, three-dimensional presence on my desk – and brings out the best of the S880DB MKII’s miasmic-bass potential in the process. These are truly some high-definition performers, bringing some densely detailed magic where it counts for most.

• Sound quality score: 3.5/5

Edifier S880DB MKII review: Design

• Aesthetically delightful little things
• Breezy to set up and use
• Remote is cool but slow

The Edifier S880DB MKII are incredibly pleasing to behold, with their two-tone, multi-textured, veneer-sandwiched visual design. There are two colorways on offer: one a black-and-walnut affair, the other a white-and-pine-y sorta deal. My review sample matches Nordic pine vibes with a leatherette finish to make something wholly more living-room friendly than other bookshelf-style speakers, many of which fall prey to the same sort-of boring anthracite proclivities, and stick out like lead-stained thumbs accordingly.

The OLED panel on the front runs the risk of being gaudy, but is understatedly smart in execution. It doesn’t clamor for your attention, and only ever shows you whatever you need to know at the time.

As for the practical side of things, it’s as easy as it could be to situate these speakers. Installation is simply a matter of connecting one speaker to the other via the supplied DIN cable, connecting power and making the various audio connections you require. The S880DB MKII have two RCA-ins, USB-C connectivity and Bluetooth 5.3, so you’re unlikely to struggle, though some may understandably miss the convenience of a HDMI ARC option for their telly systems.

Realistically, the biggest challenge you’ll face setting these up is sorting your wireless connections – but Edifier’s made that a breeze, too. You put the speakers in search mode by touching the dedicated Bluetooth space on the remote, and they pop up a moment later in your device’s list of available connections. That’s it. With Bluetooth connected, you can stream audio and access the ConneX app, which also makes messing with your speaker settings breezy as can bee…zy. [Careful now. Ed.]

The only shortcoming on the design front is the remote – and this is in spite of its relatively inspired gesture-control schema. Every time you go to use it, it needs a moment to wake up first; what could be a smooth one-touch experience becomes a couple of frustrated jabs before your request is recognized. It’s hard to design around this, since the alternative is that the remote’s battery drains so much quicker, but it’s still a minor hiccup in an otherwise butter-smooth setup.

If only you could wire it straight to the speakers via a handy 5V-powered USB-C port…

• Design score: 4.5/5

Edifier S880DB MKII review: Value

• Comprehensive feature-set is great
• Performance is better in other, cheaper Edifiers
• Buy these if you value convenience over sound

The question of value is a difficult one to answer with respect to the S880DB MKII. They’re undeniably an excellent prospect as desktop speakers or a small-room sound system, irrespective of their cost; their connectibility, ease of use and perfectly serviceable sound performance make them functionally excellent. But cost is relative, and something else entirely.

The RRP of these speakers is $449.99 / £335.99 / AU$595.99 – not a lot in a world of high-valued mid-range hi-fis and break-the-bank audiophile speaker systems, but still a fair whack to put down (even if what you’re getting is a completed integrated, powered audio system). It’s especially difficult to judge fairly when another set of Edifier speakers – the aforementioned MR5 monitors – are simultaneously cheaper and, to my ears, far better.

The question of value, then, is a question of what value you place on certain things: convenience, aesthetics, fit. The Edifier S880DB MKII are compact, easy to place, easy to look at and handily controllable with a wireless remote – all things that could justify a little uplift in price, but only to those of you that value them.

For me, this is hard. I genuinely like these speakers, and I think they’re pretty faultless for most of the things you reasonably expect from them. But when I enjoy another set of Edifier speakers far more, which cost quite a bit less, it’s difficult to say this is a good-value purchase.

• Value score: 3/5

Should you buy the Edifier S880DB MKII?

Buy them if...

Don't buy them if...

Edifier S880DB MKII: Also consider

How I tested the Edifier S880DB MKII

• Tested for 3 weeks
• Used in attic office, as primary desktop listening speakers
• Predominantly tested using audio output from a Universal Audio Volt 4 audio interface, and Bluetooth transmission from a Samsung Galaxy S23 FE

The Edifier S880DB MKII found their home on my attic office’s desk, as a primary pair of monitor speakers for my work setup.

They received audio via RCA-in, from my trusty Universal Audio Volt 4 interface; I also tested the USB-C input directly from my HP Pavilion 15 laptop, and Bluetooth connectivity using my Samsung Galaxy S23 FE smartphone.

Over four weeks, I rotated through some new and familiar artists on Spotify and in my personal digital music library, to get a feel for the S880DB MKII in different musical contexts.

First reviewed: December 2025

Read more about how we test at TechRadar

Dali Kupid: Two-minute review

Dali may have been concentrating on the loftier parts of the audio market lately with its various loudspeaker and headphone product launches, but with the Kupid it wants you to know it hasn’t abandoned the entry level. The company has had plenty of success with its affordable speaker ranges before now, and it wants to bring those days back.

The Kupid is a small, neatly finished standmounting design that’s available in a couple of quite vibrant finishes (blue and yellow) along with the more usual black, white and walnut. Its compact nature means it should be easy to position, though its rear-facing bass reflex port means you can’t just plonk it anywhere. Rather unpromising impedance and sensitivity figures turn out to be no major real-world issue when it comes to pairing these speakers with appropriately affordable amplification, though.

And, in practice, the Kupid turns out to be a very successful proposition where performance, as well as appearance, are concerned. One of the best stereo speakers on the market? You bet...

Dali Kupid review: Price & release date

• Released October, 2025
• Priced $599 / £299 / AU$599

The DALI Kupid standmount loudspeakers launched in October 2025, and in the United Kingdom they cost £299 per pair. In Australia they’re a predictable AU$599, while in the United States they cost a slightly less predictable $599.

The American market is a law unto itself at the moment, I suppose, and DALI is almost certainly being pragmatic enough to factor in any whim-based fluctuations in tariffs and the like.

Dali Kupid review: Features

• 26mm soft dome tweeter
• 114mm wood-fiber/paper mid/bass driver
• Rear-facing bass reflex port

These are affordable passive loudspeakers, so it won’t come as all that much of a surprise to learn they’re not exactly overburdened with features. Those features the Kupid do have, though, seem entirely fit for purpose.

At the front they have a 26mm soft dome tweeter sitting behind a mildly dished waveguide. Beneath this there’s a 114mm mid/bass driver made from the same mixture of paper and wood-fiber pulp the company has been refining for quite some time now. This duo is supported by a rear-firing bass reflex port that; a) contributes to an overall frequency response of 63Hz - 25kHz; and b) makes the Kupid slightly less appealing as a shelf-mounting proposition than they otherwise would be.

Crossover between the drivers is sensibly positioned at around 2.1kHz. Nominal impedance (4 ohms) and sensitivity (83dB) mean that the Kupid will be just a little trickier to drive than the majority of the size- and/or price-comparable rivals.

In theory, at least…

• Features score: 5/5

Dali Kupid review: Sound quality

• Rapid, energetic sound
• Impressive grasp of rhythm
• Unlikely levels of dynamism and punch

You’re entitled to expect certain things from a loudspeaker, no matter how small and/or affordable it is. But there are some things that are not quite so easy to come by when you’re talking about compact, (relatively) inexpensive loudspeaker designs. What’s remarkable about the Dali Kupid is how they manage to deliver everything you expect and a fair bit of what you might only be hoping for.

A listen to a 24bit/96kHz FLAC file of ScubaZ The Vanishing American Family gives a strong flavor of both of these things. The tonal neutrality and even frequency response you are expecting is present and correct, but the dynamism, and low-frequency extension and solidity the Kupid are capable of falls squarely into the ‘unexpected’ category.

Detail levels are decently high, and if they’re sympathetically positioned the Dali are capable of creating a fairly large and quite carefully controlled soundstage. Control of low-frequency activity is good, so rhythmic expression is convincing, and despite the unpromising nature of most of the numbers here, there’s more than enough low-end energy available to ensure there’s weight and punch to the Kupid sound.

The midrange communicates quite freely. There’s plenty of space for the voice during King Hannah’s Big Swimmer to project ahead of the similarly close-mic’d guitar – these speakers can do ‘intimate’ just as readily as they can do ‘animated’. The top of the frequency range, while rounded off just slightly in the name of ‘good taste’, can nevertheless bite and crunch with the best any price-comparable rival can summon.

Momentum levels never dip (provided the recording doesn’t dictate it, of course), but the Dali never sound forced – they’re just pleasantly on the front foot. Yet despite the sort of attitude that begins at ‘exciting’, the Kupid retain the headroom to make big dynamic shifts in volume or intensity perfectly apparent.

Music is meant to be fun, isn’t it? Well, most of the time anyway – I guess we all like to pop on a bit of Elliott Smith or Joy Division every now and then. But if it’s ‘fun’ you’re predominantly after, along with the sort of authenticity that can only come from a well-sorted loudspeaker, the sound of the Dali Kupid is the perfect place for most of us to start.

• Sound quality score: 5/5

Dali Kupid review: Design

• Extensive range of finishes
• Very acceptable build quality
• 245 x 150 x 198mm (HxWxD)

There are a couple of immediately striking things about the Dali Kupid's design. The first is the size of the cabinets – at just 245 x 150 x 198mm (HxWxD) the speakers are almost small enough to perch on a windowsill, let alone a shelf or speaker stand.

The other, if you encounter one of the livelier finishes is, well, the finish. Sure, you can have your Kupid in black, white or the species of fake walnut that my review sample rather disappointingly showed up in, but why would you, when ‘chilly’ blue and ‘golden’ yellow are also available?

As the asking price strongly suggests, there’s nothing special about the materials used here, and at just 2.9kg per speaker they’re not what you might describe as ‘weighty’. But the standard of construction is perfectly sound, and the gently curved cabinet edges offer a slightly more upmarket appearance than the straight-edged alternative that’s more common at this sort of price.

The fact that the grilles attach magnetically, meaning there are no lug-holes in the front baffle of the speaker, only adds to the impression of thoughtful design.

• Design score: 5/5

Dali Kupid review: Setup and usability

• Wall-brackets and rubber feet are provided
• Single-wire speaker terminalsS
• Some running-in required

Where do you want to position your Dali Kupid?

If they’re going on speaker stands, you have plenty of choice from plenty of specialist brands. If you want to put them on a shelf, Dali provides eight little rubber feet in the box to help with decoupling. If you fancy hanging them on the wall, there are rudimentary wall-brackets supplied, too.

As regards setup, there’s really not a lot to it. You have a stereo amplifier, presumably – if not, you’ll need one. Each Kupid has a single pair of speaker cable terminals on the rear of the cabinet – try to keep the lengths of cable you use to connect each one roughly the same length.

And, like all loudspeakers, a period of running-in is required before you hear them at their best. Dali reckons you should expect to put 100 hours on the Kupid before they sound how they’re supposed to sound…

• Setup and usability score: 5/5

Dali Kupid review: Value

The Dali Kupid are by no means your only choice when you’re looking for compact and affordable passive loudspeakers. But they’re more compact than most, which many will find appealing, and the combination of some vibrant finishes and relatively good-looking cabinet-work doesn’t do any harm where perceived value is concerned either.

Best of all, though, and the real deal-sealer, is the energetic and engaging sound these speakers make. Pair them with an affordable streaming amplifier (like the similarly titchy WiiM Amp, for instance), and you can create a compact, high-achieving audio system for a relatively small amount of money. And that means ‘value for money’ all day long in my book.

• Value score: 5/5

Should you buy the Dali Kupid?

Buy them if...

Don't buy them if...

Dali Kupid review: Also consider

How I tested the Dali Kupid

• Connected to a Naim Uniti Star and an A&R Cambridge Audio A60
• Vinyl listening via Technics SL-1300G turntable
• Playing a wide variety of music from a number of different sources

I connected the Dali Kupid to a Naim Uniti Star and also to a ‘vintage’ A&R Cambridge A60 for amplification purposes, and then used the Naim as a network streamer, a Rega Apollo for CD playback and a Technics SL-1300G (via a Leema Elements pre-amp) as a vinyl source.

This allowed me to listen to lots of different types of music from a variety of formats. And, let me tell you, doing so for well over a week, on and off, proved no kind of hardship whatsoever.

First reviewed: December 2025

Read more about how we test at TechRadar

Audio Pro Addon C10 MkII: Two -minute review

Update September 19, 2025: WiiM and Audio Pro have contacted TechRadar to clarify that contrary to the initial September 4 announcement about a big Audio Pro WiiM-powered wireless speaker rollout, Audio Pro's new range of speakers aside from the C10 you're reading about here and the new A10 should no longer be described as "powered by WiiM" and instead "powered by LinkPlay", which is the parent company of WiiM. Audio Pro's new speaker range does not integrate with the WiiM ecosystem, and does not have direct WiiM support.

The release states: "For further clarity, the only Audio Pro speakers that are powered by WiiM and integrated with the WiiM Home app are the A10 and C10, WiiM Edition speakers, available exclusively via WiiM’s Amazon storefront."

To explore how WiiM compares to Sonos as a multi-room option, read this guide to the current state of both platforms. The rest of this review remains as written.

The Audio Pro Addon C10 MkII is a predictably good-looking wireless speaker with plenty going for it purely in design terms (as long as you're OK with monochrome). It’s lost its handle and its Amazon Alexa voice control compared with the original model, but it’s gained a swanky new streaming platform (thanks, WiiM!) which offers an absolute stack of options where music sources and system flexibility are concerned.

Best of all, it’s a fine-sounding speaker that is able to extract an absolute stack of information from a recording and put it into convincing context. It’s punchy when it needs to be, it’s insightful, and it sounds a heck of a lot bigger than it looks. Deft control of the low frequencies, plenty of midrange articulacy and a winning way with dynamic variations all add to its sonic charm. If it was just a little more vibrant and exciting when the music demanded it, the Audio Pro Addon C10 MkII would be absolutely ideal, but it is nevertheless worthy of a place among the best wireless speakers out there.

Audio Pro Addon C10 MkII review: Price and release date

• Cost $360 / £259 / AU$699 (approx.)
• Launched in 2021

When the Audio Pro Addon C10 MkII first launched back in 2021, it cost $450 / £329 / AU$749 (approx.).

Fast-forward to today, and not only has this product become even more compelling thanks to upgrades in its streaming support and smart features, but it’s also routinely available for $360 / £259 / AU$699 (approx.). It looks like rather than becoming outdated, the C10 MkII has matured and evolved…

Audio Pro Addon C10 MkII review: Features

• 80 watts of power
• Dual-band Wi-Fi and Bluetooth 4.2
• Numerous streaming options

It’s fair to say that Bluetooth 4.2 with SBC and AAC codec compatibility is not the most inspiring specification for a wireless speaker in 2025. But what the Audio Pro Addon C10 MkII lacks in cutting-edge Bluetooth chops, it more than makes up for in its wireless network abilities.

The exemplary control app, which is now bolted to WiiM’s extremely well-regarded streaming platform, allows you to integrate a lot of music streaming services – and I mean a lot: Amazon and Apple Music, Deezer and Spotify, Qobuz and Tidal, QQ Music, iHeart Radio and vTuner, and plenty more besides. The C10 MkII is compatible with Apple AirPlay 2 and Google Chromecast, and the app allows the speaker to be half of a stereo pair or part of a multi-room system without any fuss whatsoever. It’s an extremely flexible device.

Once aboard, digital audio information is processed by a 24bit/96kHz DAC and then is breathed on by 80 watts of Class D amplification. A pair of 19mm tweeters get 20 watts of power each, and in between them there’s a 133mm midrange driver that receives the other 40 watts. This bigger driver is supported by a rear-facing vertical bass reflex port.

• Features score: 4.5 / 5

Audio Pro Addon C10 MkII review: Sound quality

• Open, detailed and well-controlled sound
• Great tonal balance and frequency response
• Could sound a little more exciting

Yes, by the standards for $350-ish wireless speakers the Audio Pro Addon C10 MkII is quite large. But be assured the sound it creates is plenty larger than the cabinet it’s coming from.

The sort of scale the Audio Pro can invest in a FLAC file of Hookworms’ Negative Space is straightforwardly impressive. It can open the recording out and offer a proper sense of space at the same time, even though the point-source of sound is always obvious. The amount of dynamic headroom that’s available allows the speaker to track the ever-increasing intensity of the recording convincingly, and the control of the lowest frequencies is such that rhythmic expression is confident and naturalistic, too.

And as well as being controlled with real authority, the bottom end – like the rest of the frequency range – is loaded with detail and variation. The C10 MkII is no thumper – it hits good and hard at the low end, but is textured and tonally varied. The same is true at the opposite end, where treble sounds are bright and substantial, with plenty of information available regarding tone, attack and decay. Through the midrange, the Audio Pro is about as explicit and as eloquent as any device of its type and price I’ve heard. It communicates in absolute torrents.

The tonal balance is nicely judged – it’s not absolutely neutral, but the tiny suggestion of warmth (especially towards the bottom end) is almost certainly sensible in the context of the circumstances the C10 MkII will probably be used in. The evenness of the frequency response is splendid, too, giving measured and appropriate weighting to every part of the tonal range, without underplaying or overstating any particular area.

Really, about the only area of mild concern where the sound of this speaker is concerned has little to do with the specifics of performance – it’s more about attitude. For all of its undoubted dynamic potency and ability to paint a full and nicely detailed picture, the Audio Pro is not the most demonstrative listen.

It sounds quite like it looks: sophisticated, understated and in unarguable good taste. This, where audio quality is concerned, can be considered shorthand for ‘slight lack of excitement’. No one is interested in a feral loudspeaker, of course, but at those moments when a recording demands vigor and attack, I get the strong impression the C10 MkII thinks this kind of behavior is a little beneath it.

• Sound quality score: 4.5 / 5

Audio Pro Addon C10 MkII review: Design

• 165 x 320 x 185mm (HxWxD)
• Black, white or gray matte finishes
• Magnetically attached grille

The Audio Pro Addon C10 MkII is, by the standards of a ‘rectangular box’ wireless speaker, very nicely finished and actually quite elegant in an understated sort of way.

This is just as well – given the 165 x 320 x 185mm (HxWxD) dimensions, it could have very easily ended up looking a bit bulky. As it is, though, the standard of construction and finish, along with the unapologetically monotone options of black, gray or white matte colours, make for a very harmonious look. The magnetically attached grille helps with the clean look, too.

It’s a fairly sizeable proposition on the average desk, though, and the lack of a handle makes transporting its 4.3kg weight rather less easy than it might be. I can’t deny I’ve used the bass reflex port as a handle, but I can’t imagine Audio Pro would recommend it as an option…

• Design score: 5 / 5

Audio Pro Addon C10 MkII review: Usability and setup

• Great control app, extensive physical controls
• No voice control
• Can easily be part of a multi-room set-up

Unlike the previous generation of C10, there’s no Amazon Alexa voice control here – there’s no voice control at all, in fact. You may count this as a negative, you may not, but there’s no denying that your other control options are very nicely realized indeed.

That WiiM-powered control app, as already mentioned, is stable, logical and slick in operation. As well as the ability to integrate a generous number of music streaming services and internet radio providers, it’s also where you can form a stereo pair or establish a multi-room system. There’s bass and treble adjustment, the ability to establish as many as half a dozen presets, input selection, the ability to check for firmware updates and various timer and alarm-clock functions.

The top surface of the cabinet features a selection of controls, too, embedded in a tactile steel plate. Power, volume, playback control and Bluetooth pairing are all available here, and access to the six presets you’ve defined in the control app are also available. There’s also a little LED giving confirmation of the selected input.

• Usability and setup score: 4.5 / 5

Audio Pro Addon C10 MkII review: Value

• Excellent standard of finish
• Versatile streaming platform and app
• Extras add up to value for money

Consider the standard of build and finish, and then consider the out-and-out sound quality. Take into account the great new WiiM-powered streaming platform and all its possibilities, from forming a true stereo pair to easily creating a multi-room system.

And then look around at what this kind of money can buy you from alternative brands. Yes, the Audio Pro Addon C10 MkII is very good value for money indeed.

• Value score: 4.5 / 5

Should you buy the Audio Pro Addon C10 MkII?

Buy it if...

Don't buy it if...

Audio Pro Addon C10 MkII: Also consider

How I tested the Audio Pro Addon C10 MkII

Because the C10 MkII is mains-powered rather than battery-powered, I listened to it exclusively in my home. It’s a bit big for a desktop speaker, but nevertheless I gave it a go – it was much more at home on a shelf in the lounge, though.

I listened to music from Tidal and Qobuz via the excellent control app, of many types and quite a few different file sizes. And I listened both critically and with the Audio Pro functioning simply as a ‘background’ device – and there were never less than thoroughly enjoyable.

• First reviewed: July 2025

Sonus Faber Concertino G4: Two-minute review

The Sonus Faber Concertino G4 are a very posh set of passive bookshelf speakers. That poshness isn’t just imbued by the colour palette and material choices that define their physical form, even though they do help a bit. Nor is that poshness fully explained by the not-inconsiderable $5,000 / £4,625 / AU$9,495 price point, though, again, that cost does its own fair share of heavy lifting on that front.

The poshness of these posh speakers comes, in my opinion, from Sonus Faber’s dedication to detail. So much attention has been paid to the design, construction, and resulting sound of these speakers, creating an experience arguably greater than the sum of its parts.

On the sound front, these speakers sound unsurprisingly excellent. The two-way design provides for both rich, detailed bass and generous, airy high-end – balanced to the point of tasteful sweetness. There’s a real tactility to the sound produced by the Sonus Faber Concertino G4, as if you could reach behind each instrument or sound source and cup it in your hands. This incredible, three-dimensional resolution is caveated by some serious directionality, but having to sit before your speakers for optimal results is neither a problem, nor anything new.

Visually, it’s hard to beat those walnut sides – but the vegan Ohoskin leather cladding gives it a good old college try. The brass accents consummate the executive nature of these speakers’ design, and the high attention to detail paid in their execution. If you’ve the figurative brass to spare, and are willing to buy more than a great pair of speakers, here’s where to start looking. Among the best stereo speakers money can buy? Absolutely.

Sonus Faber Concertino G4 review: Price & release date

• Released September, 2024
• Priced $5,000 / £4,625 / AU$9,495

The Sonus Faber Concertino G4 are something of a celebration for the Italian brand – specifically, an anniversary. It’s been 30 years since the first Concertinos made it to listening rooms around the world, and Sonus Faber has deigned to mark the occasion with this special revisit to its classic design.

The first 300 pairs of the Concertino G4 are numbered via a unique brass plate on the left cheek, and sold as the Concertino G4 Maestro Edition; the pair reviewed here is number 29. The occasion, the numbering of the first out of the gate, and the brand from which they hail are all overt clues as to the lofty space these audiophile bookshelfs aim to occupy on the market. The other is the price – $5,000 / £4,625 / AU$9,495 per pair, with purpose-designed iron stands coming in at an extra $1,500 / £1,375/ AU$2,875 (approx.).

These are by no means the most expensive speakers you’ll see from Sonus Faber – indeed, they actually sit quite comfortably at the cheaper end of the brand’s (dauntingly broad) price bracket – but they are nonetheless considerably pricy objects d’art. How do you think they hold up?

Sonus Faber Concertino G4 review: Specs

Sonus Faber Concertino G4 review: Features

• Passive, bi-wirable two-way speakers
• Unique cork damping
• Look at ‘em!

The Sonus Faber Concertino G4 are a pair of passive two-way bookshelf speakers, but also probably the most beautiful pair of passive two-way bookshelf speakers I did ever see. I’ll be breaking down the impeccable aesthetic design of these bookshelfs a little later, but for now – quelle finesse!

Being a passive set of hi-fi speakers, the Concertino G4 are fundamentally uncomplicated and untroubled by the shoehorning-in of needless techy fripperies. However, there are some very nifty goings-on within, that make for a sound as phenomenal as the look. More specifically, the Concertino G4 utilize some precision-modeled cork damping material inside, which does a remarkable job of reducing internal resonances (and, I like to think, contributes a certain ‘springiness’ to the resulting sound of these excellent speakers).

This cork damping is paired, for the first time in Sonus Faber’s history, with a mid-woofer – a 5-inch paper-pulp, long-throw mid-woofer that goes some way to defining the brand’s sonic signature. Couple this with a 1-inch silk-dome tweeter, and you have a stunningly broad, stunningly rich set of living room listeners.

The speakers are, of course, bi-wirable; what else would you expect from a two-way speaker at this price? This writer doesn’t subscribe to the idea that running a bi-wired speaker system results in any tangible sonic improvements whatsoever, but bi-amping is a very different thing entirely – and something the Concertino G4 promise to benefit from all the more.

In the box, you’ll find the speakers, some optional magnetically attachable grille cloth covers, and, if you’re lucky enough to get a double-digit Maestro Edition, one of 100 hand-printed artworks – a copy of an etching, illustrating the Concertino G4’s unique internal damping, delivered in an embossed manila envelope. As far as ‘box candy’ is concerned, this is an excellent little gift, especially for the monumental shame that such downright cool designs are permanently, necessarily hidden from view.

• Features score: 4.5/5

Sonus Faber Concertino G4 review: Sound quality

• Exceptional dimensionality
• Sonorous low-end
• Generous, airy high-end

Holy hell.

Being a writer of variable income (that is, varying somewhere between 'ramen noodles every night' and 'slightly posher ramen noodles every night'), I tend to champion the cheaper stuff over anything. Particularly so when returns diminish starkly after a certain price cut-off, and especially where it’s obvious that a premium brand is cashing in on its perceived pedigree as opposed to offering anything of serious value.

As such, it’s rare for me to recognize anything asking upwards of $2000 as 'worth it'. But the Concertino G4 are exceedingly hard to turn down, simply for the rapturous quality of sound they dare to bring into my humble living room.

I use ‘three-dimensional’ a lot as a term when describing the structure and texture of a given device’s auditory performance, and am forced to again here – but in full acknowledgement that this is about as three-dimensional as any bookshelfs can be. The platonic ideal. The dragon I’ll be chasing for decades to come.

Rich(ard) Dawson’s End of the Middle is a record rich (geddit?) in raw percussive instrumentation, blooming low-tuned guitars and alternately plain-spoken/high-falsetto’d art-folk tales of the unexpected. Through the Concertino G4s, Dawson’s heartbreaking windows into the banal (played from a 12-inch on my Victrola Stream Sapphire) are rendered with stunning richness and clarity.

Aptly for the Sonus Faber name, these are sonorous speakers. The low-end is unbelievably rich and structured; it’s rare to feel like you can reach behind the bass strings and grasp the thick air in their wake. Dawson’s voice is rich [that's enough now – Ed.], complex, and fully present – his fricatives feel as if formed in the room.

High-end information is rendered generously. There’s a sense that all higher elements sit plushly within a cushion of air, presenting themselves forth for scrutiny without force or strain – the same force and strain that, in my self-invented mythos of sound, causes tinniness, cloy or otherwise intolerable screech from lesser sources.

The balance of sound is hugely directional. If you, like me, place these facing across a room as opposed to down it, you’re likely to find patches of especial untamed bass-i-ness. Unsurprisingly enough, if you situate yourself where Sonus Faber’s manual actually instructs you to – that is, dead in front, with the speakers facing you, as one point of an audiophile equilateral triangle – the fruits of the Concertinos’ labor make the sense they’re supposed to make.

Dirty Projectors’ Swing Lo Magellan, also listened to on vinyl, is every bit as immediate as your mind’s ear interprets it. It might be a bit dross to fall on the word ‘musical’ to describe the Concertino G4 here, but here we go nonetheless – the subby kicks of opener Offspring Are Blank are discrete, weighted and musical, a far cry from the placeless wub lesser speakers would offer up as alternative.

As Offspring…’s pre-chorus opens out with twanging guitars, there’s a spring in the step – a delightful bounce emphasized by the rubbery drums and densely sponged short-scale bass of ensuing track About To Die. Percussion throughout the album is supple and giving despite its forefront presence, and David Longstreth’s dry, dead-center vocals are a floaty, reedy delight. My album favourite, The Socialites, has a weight and focus I’ve not heard elsewhere. It's a unique joy.

Speaking of which, the Concertino G4 has no issue bringing that same weight and focus to famously less-focused records, like My Bloody Valentine’s Loveless. Kevin Shields’ stacked soundscapes throb and thrum with excitable energy throughout, while the dead, motorik drums at the center of When You Sleep punch out from behind as if pummeled by a hammer. Side B loud-lullaby Sometimes is a glorious bath of multi-tracked guitars and rabbit-heartbeat kicks, distinct in its indistinctness and clear in its complete lack of conventional clarity. A beautiful paradox delivered through these speakers.

The word I keep returning to with these speakers is ‘generous’. There’s space in and around everything tackled, from distant roomy drums to attention-begging upfront vocals – space enough you genuinely feel as if you could cup each element in your hands, or awkwardly reach around them to grab something. Aside from their clear preference for head-on listening (which is, assuredly, of necessity and by design), these speakers are functionally faultless.

• Sound quality score: 5/5

Sonus Faber Concertino G4 review: Design

• Executive walnut and brass build
• Delicious vegan leather cladding
• Nifty magnetically attachable clothe grille covers

Design-wise, it’s hard to know where to start with the Concertino G4s because of Sonus Faber’s trademark meticulousness. Each speaker is a work of art, exuding craftsmanship from every angle. They benefit from beautifully shaped walnut cheeks, with an outward crease that runs from bottom to top, front to rear, and bisect the trapezoidal shape of the whole thing in a very pleasing manner.

New here is the involvement of Ohoskin, an Italian manufacturer of high-quality leather alternatives. This bio-based leather material (made from orange and cactus byproducts) is eco-conscious, sure, but also a stunning ‘pleather’ that clads the top and front of the chassis. It certainly could’ve fooled me.

Between this sleek black not-actually-leather and the solid walnut cheeks, these are a distinctly executive set of audiophile speakers, enhanced further by the mirror-polished brass that forms its front logo panels, rear terminal plates and side-mounted issue number placards. Even the studs holding those walnut cheeks in place are highly reflective, monogrammed indications of attention to detail.

That same attention to detail gifts us sleekness elsewhere. Sonus Faber supplies you with a pair of lightweight cloth grille covers, which you may optionally attach to the front of the Concertino G4 by way of some concealed magnets beneath the pleather.

Now, I think these speakers look far better in their uncovered glory, both for generally preferring uncovered hi-fi speakers and for having my own aesthetic misgivings around the covers' design. Still, the option is a nice one to have, and well-executed besides – from the completely invisible magnets to the soft felt material covering the ‘feet’ on the covers themselves.

• Design score: 5/5

Sonus Faber Concertino G4 review: Value

• Commands a considerable price
• But represents more than just ‘good sound’
• Clearly made with skill, reverence and love

When buying the Sonus Faber Concertino G4, you’re actually buying at least two things, not one. Yes, one of them is an excellent-sounding pair of bookshelf speakers, but you’re also buying an immaculately designed, reverently constructed pair of artworks for your living space. On top of that, if you buy the Maestro Edition, you’re also buying a secret third thing – a limited-edition set, made all the more valuable for its combination of rarity and pedigree. It is with this in mind that I suggest, humbly, that value is difficult to ascribe to this set of speakers.

I’ve heard dozens upon dozens of bookshelf speakers below £1,000 – and even owned a fair few second-hand speakers bought for below £100 – that display similarly remarkable attention to detail in the audio realm, even if their chassis leave a little to be desired. Yet all fall short, however marginally, of the dimensionality on display here. Buying the Concertino G4 for performance alone could be justifiable, yes, but only if you’re willing to throw an extra £3,500 at the extra 5-10% that elevates these speakers above their upper mid-range contemporaries.

Don’t get me wrong, I love the Concertino G4s. It’s a rare pair of speakers that can so convincingly render voices and instruments in discrete three-dimensional space, and nothing short of magic to hear the care with which such sound sources are treated. But you can find this for less. What you can’t is the Italian-made, executive-saloon suavity of the Concertino’s form, or the combination of this hand-built reverence with such deferent approaches to audiophilia.

So, while I might not be currently tempted to sell my belongings in favor of owning the Sonus Faber Concertino G4, I do know that, with the right capital and in the right atmospheric conditions, I’d snap them up in a heartbeat. Not just for their impeccable sound, but for the space they command, and for what that command represents.

• Value score: 4.5/5

Sonus Faber Concertino G4 review: scorecard

Should you buy the Sonus Faber Concertino G4?

Buy them if...

Don't buy them if...

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How I tested the Sonus Faber Concertino G4

• Tested for four weeks
• Used in my living room, as my primary listening speakers
• Tested using a Victrola Stream Sapphire and Cambridge Audio receiver

As someone with considerable personal and professional investment both in the enjoyment of music and in its production, I have unique experience on both sides of the equation. I engage with speakers of various types as a matter of course each day, from flat-response studio monitor speakers to gorgeous, flattering hi-fi numbers like these.

For four glorious weeks, the Sonus Faber Concertino G4 speakers were my primary listening speakers in my living room. I wired them into my Cambridge Audio Azur 540r receiver, which received the sound of my vinyl record collection via a Victrola Stream Sapphire turntable (outfitted with an Ortofon 2M Blue cartridge).

First reviewed: July 2025

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