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Audio-Technica AT-LP60XBT review
12:59 pm | May 1, 2019

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

Editor's Note

• Original review date: May 2019
• Launch price: $149 / £179 / AU$299
• Target price: As above

Update: February 2024. If you're looking for one of the best turntables in the budget arena, you've found it. Yes, it's a few years old, but what of it? This is vinyl, and if it's new tech you seek, this spinner also offers Bluetooth 5.0 with aptX transmission – so you can send your LP music to your wireless headphones simply by putting them into pairing mode and pressing the button on the corner of the Audio-Technica AT-LP60XBT's plinth, so deck finds them and hooks up! The newer Lenco LS-410 has a Bluetooth speaker in its base, but that's a different perk entirely, because it means it'll accept and play the Spotify playlists stored on your phone (in addition to the vinyl spinning above it), but you cannot send that which is playing to headphones or other wireless speakers in your home, wirelessly. The also-newer Victrola Stream Carbon will work with your Sonos system, if you've got one, but at this price it would be churlish to ask much more of this plucky little AT deck. In the sound-per-pound stakes, it scores highly indeed… The rest of this review remains as previously published.


Audio-Technica boasts a long legacy of creating consumer turntables, but its latest models are looking to the future with the inclusion of wireless Bluetooth connectivity for cable-free listening.

The AT-LP60XBT, which “combines high-quality record playback with the convenience of wireless operation” according to the company, is a great example of how turntables are being refreshed for the age of wireless audio. 

So, is the AT-LP60XBT as convenient to use as Audio-Technica says? We put the wallet-friendly automatic turntable to the test.

Audio-Technica AT-LP60XBT review: Price and availability

The AT-LP60XBT is available to buy for $149 / £179 / AU$299, much cheaper than many of the best turntables, which tend to range in price between $200 and $1000.

It’s not the first time Audio-Technica has released such a budget-friendly deck; one of our favorite turntables is the AT-LP60, which originally retailed for $99 / £140 (around AU$140). 

Image credit: TechRadar

Image credit: TechRadar

Audio-Technica AT-LP60XBT review: Design

Overall, the design of he AT-LP60XBT is both pleasing and functional with a matte black plinth and space-saving sleek build. 

It’s also incredibly light, coming in at just 2.6kg, thanks to its extensive use of thin plastic. The downside to that is while its neat dimensions and lightness could be an attractive feature for those who are short on space, the AT-LP60XBT does feel slightly fragile. 

That insubstantial feeling is also present in the dust cover, which is also made from clear plastic, and the turntable’s fragile-feeling tonearm; while testing the AT-LP60XBT we found ourselves worrying that it would break. 

That’s not to say that the AT-LP60XBT is badly designed – all its components work very well – but the materials used here aren't as luxurious as you'd find elsewhere. 

Image credit: TechRadar

Image credit: TechRadar

Audio-Technica AT-LP60XBT review: Features and performance

Setting up the AT-LP60XBT is fairly straightforward, but it does require some assembly before you can start spinning your records. 

Firstly, you’ll need to place the platter (the part that turns the record) onto the spindle (the bit that sticks through the hole in the middle of your vinyl). Once you’ve done this, you can attach the belt to the motor pulley, and place the felt mat onto the platter. 

Audio-Technica recommends that you then “rotate the platter 10 times” using your hands to reset the auto mechanism, get rid of any twists in the belt and make sure the belt “rides smoothly along the drive rim on the underside of the platter”.

You do get an instruction manual in the box, with helpful illustrations to guide you through this process, but if you’re unsure, you can also check out our guide on how to set up a turntable

Once you’ve assembled the turntable, you can plug in the AC adapter, and you’re ready to go – pressing the start button will spin the platter and lift and lower the tonearm automatically, which is handy for beginners who are worried about breaking the delicate stylus or their precious records. You can maneuver the tonearm manually as well, if you wish.

It can be used with a wired connection to your speakers or headphones, or wirelessly via Bluetooth. With a built-in phono equalizer function, Audio-Technica says that you can use the AT-LP60XBT without a “phono amplifier or connectable equipment with a built-in phono amplifier”. You can also use it with your own external phono amplifier if you prefer.

We tested the AT-LP60XBT using wireless headphones connected via Bluetooth, and we found the pairing process to be totally seamless – you just need to put your Bluetooth headphones or speakers into pairing mode, and then hold down the Bluetooth button on the bottom left corner of the turntable’s plinth. 

Image credit: TechRadar

Image credit: TechRadar

When it's in pairing mode, an LED light will rapidly flash blue and red, before settling on blue to indicate a successful connection. 

We didn’t experience any connection dropouts while using this feature, and we loved the fact that we could combine the grainy analogue warmth of a vinyl with the modern convenience of wireless headphones. 

While the calling card of the AT-LP60XBT is its support for wireless playback, you can of course connect your speaker setup with a wired connection, which audiophiles may prefer for a higher level of audio quality. 

Saying that, as the turntable supports Bluetooth 5.0 aptX connectivity, the sound quality is still pretty impressive over a wireless connection. 

To test the AT-LP60XBT, we played Sufjan Stevens’ Carrie and Lowell album – and it flowed beautifully, with interweaving guitar arpeggios sweetly accenting Stevens’ harmonized vocal melodies. 

The soundstage is generally very warm, which isn’t unusual for vinyl; however, if you prefer your music to have a little more attack in the treble frequencies, you may find yourself craving a bit more crispness – it’s all a matter of taste. 

Audio-Technica is known for producing high quality cartridges, and the one used on this turntable is no exception; the ATN3600L conical stylus fits perfectly into the grooves of the record and reveals details in songs you may have never noticed before – in short, it makes your music an absolute joy to listen to. 

Image credit: TechRadar

Image credit: TechRadar

Audio-Technica AT-LP60XBT review: Final verdict

With a budget-friendly price, easy assembly, and the convenience of wireless playback, the AT-LP60XBT could make a fantastic first turntable for any fledgling vinyl enthusiast. 

While the plinth does feel somewhat insubstantial, and the sound might not be detailed enough for some, it's brilliant price more than makes up for that – and the inclusion of Bluetooth connectivity makes the AT-LP6XBT feel like very good value for money. 

Hardcore audiophiles may prefer the sound and look of Hi-Fi turntables like the $1700 / £1500 (around AU$2750)  Cambridge Audio Alva TT, but if you’re looking for something super simple and not too pricey, the AT-LP60XBT might be your best bet. 

First reviewed: May 2019

Creative Pebble Plus review
2:51 am | April 27, 2019

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Editor's Note

• Original review date: April 2022
• Still on sale
• Launch price: $40 / £40 / AU$99.95
• Official price now: $44.99 / £38.99 / AU$69.95

Update: February 2024. Two years on from when we first reviewed them, the Creative Pebble Plus remain our pick for the best budget computer speakers. The price has dropped a little bit in most markets, making these great value speakers even better buys. Their stylish and unobtrusive design means they can sit on even a small desk and not get in the way. They look great, and they sound brilliant as well. Unlike many other cheap computer speakers, the Creative Pebble Plus come with a subwoofer for extra bass. Even in 2024, few competitors at this price point do that, which is why we still heartily recommend them today.

Unlike picking out a new surround system that requires a bit of research and planning, upgrading to the best computer speakers is pretty easy. But, for the budget-conscious, it's now even easier thanks to the new Creative Pebble Plus. 

For around the cost of a dinner, Creative is underselling and overdelivering with these criminally cheap 2.1 stereo speakers that cost just $40 (around £30, AU$50). 

Who doesn’t like a good bargain? We certainly do, and we think you’ll feel the same way about this combination of stereo speakers and sub. 

Design

One thing that's surprising, especially at this price point, is that the speakers actually come with a subwoofer (hence the “Plus” in the product’s moniker). There is a Creative Pebble, but for an extra $5, you get the woofer.

Now, the sub could be a bit sturdier and feels a little light, but there is a 4-inch driver inside angled downwards capable of pumping out 4-watts of bass. Other than a single connector in the back, there’s nothing actionable on the sub itself, but the simplicity is expected at this price point. 

The other thing you'll notice is the slight slant of the speakers themselves, a relatively minor, yet still significant move. Often times, computer speakers either face straight ahead or offer only a slight angle. Here, both speakers have been set to about a 45-degree angle, pointing them towards your ears when sitting down. Not only does this give the Pebble Plus a more unique look, but it helps with sound quality, too.

In terms of connections, you get the audio connector for the sub, plus a 3.5mm Aux-In and USB plug. The Pebble Plus has no AC adapter, so it won’t take up a space on a power outlet or power bar, and instead draws power from USB.

Image Credit: TechRadar

Image Credit: TechRadar

Setup

The good news is that setup is fairly simple considering how few wires there are connected to the speakers... but the bad news is that all the cables run through the right speaker, making it a little challenging for us to lay things out in a neat way - this isn’t one of those 2.1 systems that enables you to be all that creative on the display side of things.

One of the cords you'll need to worry about is USB, which is needed for power. You can obviously plug it into your PC, but a nearby USB port on a power bar served the same purpose. The cables are quite long, and we tried to maintain their bundled state (out of the box) as much as possible. 

Keep in mind that you don’t get any wireless capabilities here, so forget Bluetooth, Wi-Fi, AirPlay, Chromecast or any other protocol that saves you from wires. They won’t work here. 

The right speaker does have a gain switch underneath and volume dial at the front. We tried different configurations to gauge performance but, truth be told, volume level was a far more important factor in sound quality.

Image Credit: TechRadar

Image Credit: TechRadar

Performance

What we mean there is that these speakers, like most other cheap speakers, had an obvious tipping point before distortion set in. It did vary, depending on the track we played, but be prepared to hear it if you go all-out.

For example, Blame It by Jamie Foxx was one of those tracks where we could discern muddier mids, and found similar examples with other R&B and hip hop tracks. The bass does sound more distorted when the song itself has heavy bass in it, but the real sacrifice here is in the mids, and to a lesser extent, the highs.

When we played Def Leppard’s Hysteria album, we noted a nice, balanced sound signature. It didn’t replicate what something 10 times the price would produce, but we never expected that anyway. What was surprising was that complex tracks didn’t sound like a muffled set of instruments. Pianos, saxophones, guitars — they all had some life to them. Such was the case when we played the Battlefield V and Battlefield I soundtracks, along with a number of movie scores done by the late John Barry. 

Movies and games offer similar results. Gamers won’t find much to be impressed with here, though that’s hardly the crowd Creative is angling for. Movies and shows, or simply browsing through an array of YouTube clips, we came away hearing a relatively crisp level of sound.

The thing about these speakers is they do have a sweet spot: For instance, if your computer is angled on a desk rather than facing you head on, you’re better off positioning the speakers to face you on from the computer on one end, and toward where you sit facing forward on the other. We don’t know for sure, but we suspect this is one reason why the cables are unusually long. 

Image Credit: Creative

Image Credit: Creative

Final verdict

Going in with measured expectations, we came away feeling good about the overall value of these 2.1 computer speakers. There are Bluetooth speakers that cost much more than this, and don’t offer stereo sound - this setup does, and while they don't stand-up to a Hi-Fi setup, their performance is better than the price would indicate. 

It's also worth pointing out that because there's a very minor difference in price between the Creative Pebble and Creative Pebble Plus, we would suggest ignoring the basic 2.0 Pebble speakers and going for the Plus version - the subwoofer is absolutely worth plunking down an extra bit of coin.

All things considered, if you're on a budget, yet really want better computer sound, you will get more than your money’s worth with the Pebble Plus. 

Fluance RT81 turntable review
10:52 pm | January 30, 2018

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

Editor's Note

• Original review date: February 2018
• Launch price: $249.99 / £249 / AU$310

• Target price: $250 / £250 / AU$310

Update: February 2024. The Fluance RT81 arrived in May 2016, alongside a slightly cheaper (by $49, owing to the cabinet material and pre-mounted stylus choice) RT80, but it's the marginally pricier RT81 that's stood the test of time. This is vinyl, so anything under 10 years old is still a young buck, but it's worth noting that in summer of 2023 the Canadian company updated the RT81 with a similarly affordable Fluance RT81+ model, which also comes with the built-in preamp and in a stunning walnut finish. We've not yet had the pleasure of testing the tweaked aluminium platter and newer Audio-Technica stylus, (watch this space on that) but for now, know that the original RT81 is still a very relevant starter turntable – and one of the best turntables around. Any deals since its sibling arrived? No. In fact, apart from an all-white model released in 2019 to celebrate Fluance's 20th birthday (which came bundled with a set of speakers and was a corker of a deal at the time), this deck just keeps running off shelves at full price. But that's no bad thing, because frankly it's always been a steal… The rest of this review remains as previously published.


Fluance RT81 turntable: One-minute review

Getting your first turntable can be stressful, especially since there are so many options on the market. You can get a cheap record player that sounds just average and doesn’t have any adjustability but you risk damaging your expensive record collection in the long run. Or, conversely, you could opt for an entry-level audiophile turntable but doing so may mean missing out on convenient features like auto start/stop. 

In between the ultra-low end and entry-level audiophile turntables sits the Fluance RT81. This turntable manages to blend easy setup, sound quality, headroom to grow and features. And now that you can get the Fluance RT81for $250 (£250, about AU$310), it makes the perfect first turntable for most people. 

Fluance RT81 turntable: Design

The design of the Fluance RT81 is classic and understated. The plinth is made of MDF but is finished in a high-gloss walnut finish that gleams. The use of walnut gives the RT81 a retro look and feel while still being modern. 

The turntable is belt driven but you don’t have to reposition it every time you need to change speeds like with the Pro-Ject Debut Carbon. Instead, there’s a metal knob that you can flick to either 33 ⅓ or 45 RPM. That’s a great feature that makes playing records more convenient. 

Adding to the convenience is the RT81’s automatic start and stop feature. With the turntable on, simply moving the tonearm from its resting position will start the platter. Return it to the resting position after a record is done playing and the platter stops. This is great for changing records without having to turn the turntable off. The Fluance RT81 will also automatically stop the platter once it detects the end of a record, though the tonearm doesn’t return itself to resting position like the Denon DP-300F

Speaking of the tonearm, it’s made entirely of plastic and its bearings aren’t silky smooth as higher-end turntables. This means the Fluance RT81 is only average when it comes to tracking. The tonearm lets users adjust the tracking force and anti-skate, but there’s no way to adjust vertical tracking angle like with the Audio Technica AT-LP120-USB.

The platter is made of aluminum and topped with a rubberized mat, which is prone to attracting static, which is annoying. It’s not a deal breaker though, as you can pick up a Zero Stat anti-static gun to get rid of static from time to time. 

Around the back of the turntable you’ll find RCA outputs along with a grounding post. There’s also a power port for the tiny wall-wart power supply included. There are also a couple of switches; one toggles on the start/stop feature and the other toggles the built-in phono preamp. This means you don’t need to buy a preamp to start playing records, but you have the option to add nicer sounding phono preamp down the line. 

Fluance RT81 turntable: Performance

In terms of sound quality, the Fluance RT81 is quite good. There’s a nice amount of detail and the plastic tonearm does a reasonably good job of tracking records. The included Audio Technica AT95E won’t blow audiophiles away but it’s a great beginner cartridge that has a replaceable needle that is very affordable. Since the RT81 takes standard headshells, you can swap cartridges easily if you want to experiment, which is a nice touch. 

The built-in phono preamp actually sounds quite good, and you’ll have to spend the cost of the turntable for a phono preamp that sounds better. We tried hooking the RT81 up to our Musical Fidelity V-LPS and the sound quality was close with a slight edge to the V-LPS for its better soundstage, dynamic range and slightly lower noise-floor. 

We were impressed by the Fluance RT81’s good isolation from footfalls and other vibrations. Although the turntable platter is relatively light, the RT81 does a good job of cancelling out external vibrations from speakers, which is nice if you have your turntable and speakers on the same platform. 

While most people will find the sound of the Fluance RT81 to be quite good, audiophiles will nitpick about the detail retrieval, dynamic range and slightly inconsistent speed. What we mean is that the Fluance sounds like it's hunting and pecking to keep a perfect speed, which is especially noticeable in classical music where a single note is sustained for extended periods.

Fluance RT81 turntable: Verdict

All that said, the Fluance RT81 is an incredible value and is the perfect record player for vinyl newbies. It sounds good, looks great, and has convenient features that’ll keep you playing records instead of fiddling with settings. For more advanced listeners, the RT81 is still a great choice as it gives users the ability to upgrade to a better cartridge and phono preamp in the future. 

In terms of competition, the Audio Technica AT-LP120-USB has more features like USB recording but is more complicated to set up and doesn’t include auto start/stop. The Denon DP-300F is a great alternative to the Fluance and is even more convenient with push button start/stop, but the RT81 sounds better. 

If you’re an audiophile looking for something that’ll scale up with high-end gear down the line, there's always the Pro-Ject Debut Carbon ... but you’ll have to shell out $400 (£349, AU$550). If you just want a turntable that just works, looks good, and can be upgraded later, the Fluance RT81 is the turntable for you.

First reviewed: February 2018

Marantz TT-15S1 Turntable review
9:47 pm | October 26, 2017

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

Editor's Note

• Original review date: October 2017
• Launch price: $1,500 / £1,400 / AU$3,000

• Target price: $1,799 / £1,799 / AU$3,090

Update: February 2024. Of all the turntables launched in 2015, not only is the Marantz TT-15S1 top of the heap, it's also aged like a fine wine against the competition – and as you'll see, its price is only on the increase because of that. What you need to know is this: the TT-15S1 is still one of the best turntables on the market and in the world of spinning plates, it is still a relative youngster. From its thick acrylic platter to the detailed setup instructions, if you can afford it, it's emphatically still money well spent. You won't get the Lenco LS-410's Bluetooth speakers squirrelled away in the base, but this is higher-end hi-fi. Here, separates is the way to go. The rest of this review remains as previously published.


Marantz TT-15S1 Turntable: one-minute review

The recipe for the best turntable seems simple. You need a rigid chassis that dampens vibration, a motor that keeps good time and a needle that can track record groves well. While the basic formula is the same for all turntables, the devil is in the detail. 

While most record collectors will be satisfied with the excellent sounding Audio Technica AT-LP120-USB or the Pro-Ject Debut Carbon, there are better turntables for those who truly value audio fidelity. 

One such turntable is the Marantz TT-15S1. Yes, it’s over three times the price of the Pro-Ject Debut Carbon, costing $1,500 (£1,400, AU$3,000) but it sounds monumentally better to the trained ear. While the Pro-Ject was merely good at retrieving detail, the Marantz wows by digging into the grooves and extracting detail you never noticed before. It’s also a work of art.

It seems almost absurd to call the Marantz TT-15S1 a bargain, but that’s exactly what it is. Here’s why.

Marantz TT-15S1 Turntable: Design and features

The Marantz TT-15S1 is stunning to look at. Its plinth is made out of a single piece of frosted acrylic with three beefy feet to dampen vibration from speakers and footsteps. This acrylic plinth has two cutouts for the tonearm and the motor. 

Speaking of, the tonearm itself is a work of art and comes out of the box wired and ready to go. You simply have to drop it in the hole, line it up and tighten a single set screw. If you’re using the included turntable mat, you’ll need to use the felt spacer included to space the tonearm up so that the vertical tracking angle is appropriate. 

The motor itself is completely detached from the plinth to control vibration. It seems odd at first but it actually works very well. The motor simply sits by itself and is connected to the frosted acrylic platter via a clear rubber belt. 

Speed changes are done manually by putting the belt on the appropriate pulley (33 ⅓ RPM on the smaller pulley at the bottom and 45 RPM on the bigger, upper pulley). This isn’t a big deal as the belt change takes a few seconds. However, there’s no ability to play 78 RPM records, which is a shame.

The platter, similarly, is thick and heavy, and sits on a suspended spindle. 

Combine all of these elements together and the Marantz TT-15S1 has an incredibly dark background when playing records: There’s no hum from the motor, no audible vibration from the platter or plinth. All you hear is what’s on the record and nothing else. 

Marantz includes a simple felt slipmat in the box and a Souther Clever Clamp in the box to help stabilize records. You have the option of using the included flt mat or putting records directly on the acrylic platter. We recommend using the included mat as it sounds much better. The Souther Clever Clamp may work for stabilizing terribly warped records but it doesn’t make much of a sonic difference on normal records. 

While the included slipmat and clamp are perfectly acceptable, upgrades like a proper record weight and mat like the Herbie’s Audio Lab Way Excellent II make the Marantz sound even better. 

Marantz TT-15S1 Turntable: Setup

Setting up a new player is nerve racking as it requires assembly, however setup here is actually quite simple as Marantz includes a very well written set of instructions with pictures to guide you through the process. 

The included Clearaudio Virtuoso Wood cartridge was designed to work with the Marantz’s tonearm and simply needs to be seated as far forward as possible.  

You’ll likely need to tweak the turntable a bit after set up to make sure you’ve really dialed in the geometry so be patient. It’s a shame Marantz doesn’t throw in a basic cartridge alignment tool in the box, but you can pick one up for cheap. 

Thankfully, since the Clearaudio cartridge was chosen for this turntable, it sounds great out of the box when dialed to Marantz’s instructions.

One thing to note is that he vertical tracking force isn’t easily determined by simply balancing the tonearm and adjusting the weight to the appropriate setting. We highly recommend picking up a vertical tracking force gauge like the Shure SFG-2 to properly set the weight.  

Marantz TT-15S1 Turntable: Performance

For the amount of money the Marantz TT-15S1 costs, it had better sound excellent. Thankfully, it does. 

The first time we dropped the Clearaudio Virtuoso Wood on a record, our jaws dropped as the turntable provided such dark backgrounds and dynamic range that we spent the first night rediscovering our record collection. 

All the work that Marantz and Clearaudio (the TT-15S1 is built by Clearaudio to Marantz’s specifications) put into damping and isolation paid off. The TT-15S1 provides silent backgrounds, which lets the music stand out more. Violin strings reverberate with authority and there’s an excellent sense of space.

It’s this sense of space that separates the Marantz from entry-level hi-fi turntables like the Proj-ect Debut Carbon. The cheaper turntables just can’t match the sense of space or the inky dark background of higher end turntables like the Marantz. 

The Marantz TT-15S1 paired with the Clearaudio Virtuoso Wood provides an exceptionally neutral presentation. This means bass lovers will be disappointed by the lack of bass emphasis of this turntable. Bass is deep and textured but lacks the impact that some listeners may desire. If your audio system is a bit on the warm side, the TT-15S1 would be a complement to bring it back to neutral. However, if your system is already bright, the TT-15S1 may exacerbate the highs. 

Mids are excellent and female vocals like Norah Jones and Sia sound incredible with tons of texture and timbre. To many, the neutral presentation of the Marantz may sound a bit boring and at times too detailed. The TT-15S1 is unforgiving in the way it digs details. If a record was poorly mastered, you’re going to hear it. But for properly mastered records, the TT-15S1 is hypnotic.

Marantz TT-15S1 Turntable: Final verdict

The Marantz TT-15S1 costs a lot of money but considering its design and audio fidelity, it’s a steal. To put it in perspective, the included Clearaudio Virtuoso Wood cartridge costs $1,000 when purchased separately. 

The turntable is not perfect, however. Setup requires a few additional tools to really dial in and it’s annoying that no dust cover is included. The included slipmat and record clamp are merely OK but the turntable deserves better. We also want to caution treble-sensitive listeners and bass lovers to look elsewhere as the TT-15S1 is uncompromisingly neutral.

But all of these cons are simply minor annoyances. Taken as a whole, the Marantz offers budding audiophiles the chance to chase higher fidelity without having to buy a turntable that costs as much as a car. 

For audiophiles who are ready to graduate from entry-level hi-fi turntables, the Marantz TT-15S1 should be on your short list. 

First reviewed: October 2017 

Pro-Ject Debut Carbon review
10:03 pm | September 29, 2017

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

Editor's Note

• Original review date: October 2017
• Launch price: $400 / £349 / AU$550
• Target price: $499 / £399 / AUS600

Update: February 2024. OK, Pro-Ject's naming strategy can be a little confusing, so do note that there's now an also-five-star 2020 Debut Carbon Evo model and a 2021 Debut Pro to consider. In addition, certain Debut Carbon models (such as the Esprit) now support Sonos streaming too, to rival the 2023 Victrola Stream Carbon (we did warn you it's confusing). For us though, the Pro-Ject Debut Carbon edges it across the board, hence its continued inclusion as one of the best turntables on the market right now. And owing to both inflation and its continued relevance, that 'target price' is actually a little higher than its asking fee at launch – progress, eh? That said, it's still a stone cold bargain in the sound-per-pound stakes. The rest of this review remains as previously published.


Pro-Ject Debut Carbon: Two-minute review

If you’re wondering what’s the difference between a cheap, inexpensive turntable and ones exalted by audiophiles, it comes down to design, damping, materials and the phono cartridge. A $99 turntable will play records just fine (probably), but you’ll want to spend more if sound quality is your goal. 

$400 (£349, AU$550) may sound like a lot to spend on a turntable, but entry-level hi-fi turntables like the Pro-Ject Debut Carbon are actually a bargain when seeking out the best turntables.

In the case of the Debut Carbon, the turntable comes with the excellent Ortofon 2M Red phono cartridge as well as a lightweight and rigid carbon fiber tonearm – parts that separate the Pro-Ject from its competitors and the benefits pay off in sonic performance. 

Said simply, if you’re serious about record collecting, the Pro-Ject Debut Carbon is one of the best entry-level hi-fi turntables you can buy. For the money, you’re getting a beautiful, well-built turntable that sounds excellent. It’s easy to setup and use, even for absolute beginners. 

Pro-Ject Debut Carbon: Design

Our Pro-ject Debut Carbon came in piano black but Pro-ject offers a few variants of the Debut Carbon in white, gray, yellow, red, green, blue and purple. It’s nice to see a legit turntable manufacturer offer colors that aren’t black or silver to show off your personality. 

The turntable platter is made out of medium density fiberboard (MDF), which offers good damping for noise isolation from footsteps and vibrations from speakers. The turntable rests on non-adjustable rubberized feet that also aid in damping the turntable from vibration.

Take a look at the motor and you’ll find that it’s decoupled from the turntable via a rubber suspension system. This design ensures that the vibration of the motor doesn’t transfer through the platter, your record and to the needle. 

Speaking of the platter, it’s heavy made of metal, topped with a thin, felt mat. The platter is shockingly heavy but that’s a good thing as it is one more way Pro-Ject fights noise and vibration. The only downside is that you’ll have to pick up the heavy platter every time you need to switch from 33 ⅓ and 45 rpm. Switching speeds requires moving the belt between the upper and lower pulley, which is an annoyance but not a deal breaker. 

The defining feature that separates the Pro-Ject Debut Carbon from the competition is its single-piece carbon fiber tonearm. Beyond simply looking good, carbon fiber helps fight resonance with its stiff construction and natural damping abilities. It’s also lightweight and helps with tracking records smoothly. 

Lastly, the Pro-Ject Debut Carbon comes with a clear acrylic dust cover. It’s attached to the turntable via two metal rods and doesn’t affect the sound quality of the turntable, though you will hear the thud of the cover when you close it when a record is playing, but that’s normal. 

Pro-Ject Debut Carbon: Setup

There's nothing worse than buying a new record player and having no clue where to start. Thankfully, setting up the Debut Carbon is simple, even for beginners just getting into the hobby. This is due in no small part to the included manual which simply and clearly explains where everything goes. 

The most difficult part of the setup was balancing the tonearm, which simply requires you to make sure the tonearm is level before setting the tracking force. 

Setting anti-skate is a bit different with the Pro-Ject, as it uses a small weight on fishing line to fight the needle’s natural movement to go toward the center of the record while it plays. It’s not as easy to use as a dial but you won’t be fiddling with your anti-skate much unless you’re constantly switching phono cartridges. 

Around the back of the turntable, you’ll find RCA outputs and a ground peg, which means it’s super simple to replace worn cables in the future. Pro-Ject includes a beautiful cable in the box for you to connect to your phono preamp. Note that the Debut Carbon doesn’t include a phono preamp so you’ll have to pick one up on your own. 

There’s no need to align the cartridge as the included Ortofon 2M Red comes mounted to the tonearm out of the box. This is great for beginners as aligning a phono cartridge can be the most difficult part of setting up a turntable. 

If you do decide to switch cartridges sometime down the road, however, Pro-Ject includes a simple protractor in the box. 

Pro-Ject Debut Carbon: Performance

If you’re spending $400/£349 on a turntable, it had better sound good and we’re happy to report that the Pro-Ject Debut Carbon sounds spectacular. 

Every little attention to detail for damping has paid off as the Pro-Ject doesn’t pick up any noise from the motor and does an amicable job of neutralizing footsteps. However, you’ll want to make sure you place the turntable on a solid surface or buy an isolation rack to completely eliminate the sound of footsteps.

The included Ortofon 2M Red does a good job of pulling detail out of records. It tracks nicely and has good dynamic range. Whereas cheaper turntables like the Denon DP-300F make cymbals sound splashy and harsh, the 2M Red makes them sound smoother and more life-like. While you won’t get the micro-details and expansive air that more expensive phono cartridges are capable of, the 2M Red is a perfectly good starting point on your audio journey. 

In terms of tonal balance, the Pro-Ject Debut Carbon and Ortofon 2M Red combination sounds neutral with crystalline highs and velvety mid-range. Bass is adequate but may disappoint audiophiles who prefer a slightly warm tilt. 

We talked a lot about Pro-Ject’s attention to detail when to comes to damping and it pays off in sonic performance. The turntable is extremely quiet, which lets you hear more of the record itself instead of the hum of a motor or the subtle vibration of an a poorly damped turntable. 

The carbon tonearm definitely helps cut down resonance, allowing you to hear more of the record and less of the equipment that it’s playing on. 

Pro-Ject Debut Carbon: Verdict

The Pro-Ject Debut Carbon is well built, beautifully designed and just sounds awesome. It’s not the most resolving turntable but you wouldn’t expect it to be at this price range. When looking at the Pro-Ject Debut Carbon as a package, it’s hard to think of another turntable in this price range that can top it. 

While it's still incredibly easy to use (especially for anyone used to setting up more complicated players), you are giving up conveniences like auto start/stop, an anti-skate dial and a built-in phono preamp but for audiophiles, none of these downsides matter as the turntable’s sonic performance vastly outweighs its minor trade offs. 

For those who want a set-it-and-forget-it experience, check out the Denon DP-300F. It doesn’t sound nearly as good, but it’s the simplest way to start listening to records with its automatic tonearm and built-in preamp. 

While it's not the cheapest record player on the shelf, the Pro-Ject Debut Carbon is still an incredible value. We can’t recommend this turntable enough. 

First reviewed: October 2017

Denon DP-300F review
1:40 am | September 26, 2017

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

Editor's Note

• Original review date: October 2017
• Launch price: $329 / £245 / AU$417

• Target price: $429 / £349 / AUS550

Update: February 2024. The Denon DP-300F isn't the newest deck on the block (although for a turntable, a late Noughties release is hardly old), but it's still very much a current contender and class-leader in the affordable turntable arena – and for our money, it remains one of the best turntables around. Owing to both the current financial climate and its continued success, the 'target price' is actually a little higher than its launch fee (not unlike the LPs you'll want to play on it), but if you're looking to dip your toes into vinyl, keep it on your radar. The rest of this review remains as previously published.


Denon DP-300F: Two-minute review

The vinyl resurgence is here to stay and as a result, many audio companies are releasing turntables. This makes choosing the best turntable quite tricky, as there are a ton of good options – especially for those first getting into vinyl. 

That being said, if you’re just starting out, the Denon DP-300F is an excellent choice because it's fully automatic i.e. you can simply press a button to start and stop playback rather than physically move the arm. It also means that when you’ve finished one side of the record, the tonearm automatically lifts and returns itself to resting position, preventing premature needle wear. 

While audiophiles won’t be impressed with the $329 (about £245, AU$417) Denon DP-300F, beginners who aren’t looking for the best sound quality will likely find its sound good enough, especially for those who don’t have high quality speakers or headphones in the first place. 

Denon DP-300F: Design

The DP-300F is an all-black turntable that looks borderline generic, yet manages to be beautiful at the same time. It's coated with a black paint that’s not quite piano black but almost a dark gray with what looks like metallic flake in it. 

The turntable is belt-driven, which means its Aluminum platter is well damped from motor vibrations. The plinth (the base of the turntable) is relatively well damped but it picks up more footsteps and vibrations compared to entry-level hi-fi turntables like the Pro-Ject Debut Carbon. 

The plastic tonearm is a straight design and features a replaceable headshell, making cartridge swapping simple. You can buy additional headshells and attach other cartridge and needles to experiment with the sound. Denon even includes an extra set of headshell leads in the box. 

Thankfully, the Denon DP-300F doesn’t require a manual belt change in order switch from 33 ⅓ rpm to 45 rpm. Instead, there’s a button next to the tone arm that you can press to switch between the speeds. 

While 33 ⅓ and 45 are the most common, there’s no support for 78 rpm playback, which isn’t a very common record format nowadays anyway but might've been a nice extra had Denon been able to squeeze it in. 

Next to the speed button are buttons to switch from 12” and 7” records – but if those sizes don’t work for you, you can manually queue the needle yourself via the tonearm lever. 

Our only gripe we had with the design of the Denon DP-300F is that the switch to toggle the built-in phono preamp on and off is under the platter, which means you’ll have to lift the mat and rotate the platter to access the switch. It’s a pretty minor gripe as you likely won’t need to hit that switch very often. 

Denon DP-300F: Performance

The Denon DP-300F comes with Denon’s own DSN-85 cartridge and stylus, both of which are on the low end of the sound spectrum. As a result, the turntable produces average sound quality. Highs lack extension and bass doesn’t have the visceral impact of more expensive cartridges. Cymbals sound splashy and the soundstage is a bit confined, but you wouldn’t expect a $40 needle and cart to please audiophiles. 

Where the Denon DP-300F shines is in its easy setup and playback controls. If the prospect of manually queueing your turntable’s tonearm seem like too much work, you’re going to love the start/stop button on the Denon. 

To get it started, simply place your record on the platter and press “Start” and marvel at the tonearm move itself into position. The tone arm will also auto-return once one side of the record is done and the platter will come to a stop, making it easy to simply turn the record over and hit “Start again.” 

In terms of damping, the Denon is about average. If you live in an apartment with wobbly floors, you’ll cause the DP-300F’s needle to skip since the turntable can’t isolate itself from quite as much vibration as more expensive decks. Again, you wouldn’t expect a budget beginner turntable to be great at damping. 

The only other downside, if you care, is that the Denon DP-300F doesn't come with a USB output for digitizing your records. However, many of today’s records come with codes to download MP3s of the record but crate-diggers may miss the USB-out feature found in the Audio Technica AT-LP120-USB.

Denon DP-300F: Verdict

If all you want is to listen to your records and not have to worry about queueing, premature needle wear or digitizing your records, the Denon DP-300F should be at the top of your list. Its features get you listening to your vinyl records as soon as possible instead of having to fiddle with complicated components and manual queueing … just don’t expect it to sound as good as some other manual, entry-level turntables like the AT-LP120-USB or Pro-Ject Debut Carbon. 

For the price, the Denon DP-300F is on par with other entry-level turntables in terms of performance but bests them in terms of features. While there are cheaper automatic turntables like the Audio Technica AT-LP60, the Denon offers a better tonearm and lets you swap out cartridges, which the Audio Technica doesn’t. 

The bigger and more complicated Audio Technica AT-LP120-USB sounds a bit better than the Denon but at the cost of simplicity since it doesn’t have auto queueing. However, if you don’t connect with the Audio Technica’s styling or features, the Denon DP-300F is a great alternative. 

First reviewed: September 2017

Clearaudio Concept turntable review
11:30 am | August 17, 2010

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Tags: | Comments: Off

Editor's Note

• Original review date: August 2010
• Launch price: $1,600 / £1,050 / AU$2,899
• Target price: $1,400 / £1,000 / AU$2,400

Update: February 2024. This is vinyl, so a product hailing from the very late Noughties isn't an antique. And this particular model has certainly been usurped by newer Clearaudio options, but the Clearaudio Concept is still one of the best turntables on the market, holding its own against the likes of Rega, Technics and Cambridge Audio. Why? One reason is that all of the setup has been done, so it's one of the few genuine 'plug n play' decks of note around. Of course, these days it's got wireless competition, from Lenco's LS-410 (which has a Bluetooth speaker in its base), Victrola's record turntable with repeat function and the 2023 Victrola Stream Carbon which also plays nice with your Sonos multi-room wireless setup, but if you're happy to stick with a more traditional setup – and you don't mind that it doesn't come with a dust cover (or lid) as standard – it's still well worth a test drive, especially if you can find it for a small discount at a local hi-fi dealership. The rest of this review remains as previously published.


Clearaudio Concept turntable review: Build and features

Clearaudio's impressive range of turntables is, to the best of our knowledge, just about the broadest on the planet, stretching downwards from the delightfully over-the-top 'Statement'.

The company doesn't compete with the Regas and Pro-Jects of this world in the budget arena, but the new Concept model puts Clearaudio within reach of more analogue-lovers than ever, bringing the price of entry down significantly. It's also in with a shot amongst the best turntables available. 

Predictably, with a name like that, there's plenty of piffle in the literature about how this model is a whole new design, sorry, concept – but fair's fair, it is in fact genuinely novel in some ways.

The basic outline has a particle-board chassis, plastic platter, DC motor and pivoted arm. Differences from the norm are most obvious in the arm, which has a magnetic bearing, an ingenious arrangement that functions pretty much as a unipivot but with better stability and handling qualities than those notoriously fussy devices usually provide. It's also effectively friction-free.

It's actually very simple, relying on a pair of very strong magnets: one is fixed to the top of the arm tube, the other to the top of the bearing yoke and they hold the arm up. It is prevented from jamming itself against the top magnet by a tie wire fixed below, which also transmits the anti-skating force.

The chassis is also distinctive, though less obviously so. Particleboard (MDF etc.) components on LP players are notorious for adding their own resonance unless carefully treated.

Clearaudio has addressed that with damping measures including the aluminium trim, which apparently plays a significant part – whatever the details, it's certainly very much better damped than most of its kind, as is evident from the simplest test of tapping it in a few places.

Level-headed

Another feature that is unusual, possibly even unprecedented in a high-quality turntable, is that the Concept is ready to play discs straight out of the box. Well, all right, you have to put the platter in place and plug in the power supply, but the cartridge is fitted and aligned and even the tracking force is preset.

The arm and cartridge are Clearaudio's own, of course, the latter a moving magnet design, but if you prefer not to use them you can replace either.

Clearaudio concept arm

You can also adjust all the usual parameters – offset and overhang, VTA, tracking force, anti-skating – but the clever part is that you don't need to. A spirit level is provided so that the user can adjust the three spiked feet to set the deck level.

Drive is from a small DC motor, the sort of thing one used to find in cassette decks (remember them?), which operates via a flat belt.

The motor is resiliently mounted: Clearaudio claims it's 'completely decoupled' which is clearly an overstatement, but the small amount of noise it produces is adequately suppressed by the decoupling.

Clearaudio concept turntable design

In addition to the usual 33 and 45rpm speeds, 78 is available for those who collect shellac as well as vinyl – you'll ideally need to change the cartridge as no LP stylus ever sounds great playing the relatively cavernous grooves of shellac discs, but it's a useful option to have.

The power supply is a tiny plug-top switch-mode affair and while ultra-purists may wince at that thought, it's effectively free of hum fields and both it and its associated wiring are a good long distance from the sensitive signal wiring in and around the arm. There's also no electrical path (not even an earth link) between it and the audio.

Only one feature seems to us to be missing – a lid. It may seem a small detail, but a lid both reduces acoustic feedback from the loudspeakers to the deck, and keeps dust off, and no LP collector will need reminding what a pernicious enemy dust can be.

That apart, this is a very nicely turned-out deck, attractively finished and presented. We've never had cause to query the general standard of fit and finish from Clearaudio; just about the worst that could be said is that the surfaces show dust and fingerprints, but then so do wine glasses, fine furniture and so many other things.

Anyway, this deck has more matt and less shiny surfaces than many and is quite forgiving in that regard. We can't comment on the accuracy of settings as supplied, but attention to detail certainly reflects the manufacturer's usual high standards. We were particularly impressed with the bearing, which has an admirable combination of low friction and low play.

Clearaudio Concept turntable review: Sound quality

Lacking anything in the way of a proper suspension, this deck is never going to sound its best on a structure closely coupled to the floor, so we used our usual isolation table for most of the listening.

Thus configured, the Concept produces some very good sounds, clearly much better than the budget turntables which it (very superficially) resembles and thus vindicating Clearaudio's damping measures and arm.

What's most noticeable about it is the way it largely avoids the midrange blurring that affects so many unsuspended decks. Avoiding that is one of the biggest challenges facing designers and manufacturers, and we'd say Clearaudio's team has done very well in that regard.

Scale, openness and detail

The results are most obvious in large-scale music – symphony orchestra, big rock and so on – where there's a lovely sense of openness and scale, combined with very good detail and also excellent imaging.

By the same token, simple recordings such as solo guitar are very clear and full of the little details that make the character of an instrument or player unique. Where this player does yield a little ground to dearer models is in the bass, which is decent but not astounding.

There's some quite good extension, but control and solidity aren't really up there with the best. All the same, because the upper bass is tight and dynamic, one isn't much aware of anything being amiss in recordings where most of the low-frequency action is in the bass.

High treble is probably just as much a function of the cartridge as of the deck itself, a suspicion strengthened by a brief spell with another cartridge in place, but it's somewhere between basically likeable and very good, with a slight question mark over its sweetness when it gets very busy: the sound can thicken up a little.

But as with the midrange, getting this really spot-on is invariably a costly business and for the asking price this deck does a very good job.

Devotion to the cause

As always, what's more important than the specifics is the overall musical impression and this is really where the Concept scores. It isn't perfect, but the minor technical blemishes are very much in the background and out of one's general awareness.

If the disc is rock, the Concept rocks. If jazz, it swings. If romantic, it smooches. Watching the analogue renaissance over the last few years has been a heartening experience.

Clearaudio's combination of audio and aesthetic design has produced a winning combination here which we feel sure will both win converts and keep them devoted to the analogue cause.

First reviewed: September 2010

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