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I reviewed EAT’s C-Dur Concrete turntable, and you’d be amazed how delicate and detailed a slab of real concrete can be with your vinyl
7:00 pm | February 23, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

EAT C-Dur Concrete: two-minute review

‘EAT’ = ‘European Audio Team’. ‘C-Dur’ = ‘C-Major’ in German. ‘Concrete’ = ‘a blend of aggregates bound together by a hydraulic binder’. Put the three together and you’ve one of the most individual and dramatic-looking record players around, not to mention one of the more expensive.

The C-Dur Concrete has the technical foundations to back up the asking price, though. The turntable itself, its ‘C-Note’ aluminum/carbon fibre tonearm and its ‘Jo No.8’ high-output moving coil cartridge are all painstakingly engineered and work together harmoniously – and the result is a record player that, in the right system, is a pleasure to listen to in many respects.

It’s a staggeringly insightful device, for starters, even among the best turntables – no detail of a recording is too fine, too minor or too transient to elude it. It’s organized, too, able to describe a soundstage with complete confidence and make the spaces on it just as significant as the occurrences. Low-frequency control is absolute, so rhythmic expression is utterly convincing. And when it comes to big dynamic shifts, it is just as accomplished as it is with low-key harmonic variations.

A lack of outright scale undermines the C-Dur Concrete, though – it doesn’t sound especially big, and although it’s organized and controlled, the soundstage it generates is undeniably positioned between the speakers you’re listening to. And when you’re talking about this sort of money for a record player, this has to count as a fairly significant shortcoming.

The EAT C-Dur Concrete turntable viewed from above

(Image credit: Future)

EAT C-Dur Concrete review: Price & release date

The EAT C-Dur Concrete is on sale now, and in the United Kingdom it costs £6,499. That’s the price for the turntable and its bespoke C-Tone tonearm – if you want to add the (recommended) Jo No.8 high-output moving coil cartridge (which is how this review is conducted), that price rises to £8,098. That’s because the cartridge costs £1,999 when purchased separately, or £1,599 if purchased at the same time as the turntable.

In America you’ll have to fork out around $7,499 for the turntable, plus an additional $2,495 for the cartridge – a discounted price for the pair is likely to be available, but there was nothing confirmed at the time of writing. No pricing is available for Australia as yet, but a quick look at today’s exchange rates suggests something like AU$12,999 plus AU$3,999 for the cartridge will be in order.

Not cheap, is it (he said helpfully)? And yet you’ve a stack of choice when it comes to alternatives. None of them is made of concrete, admittedly, but models from brands as credible as Linn, Pro-Ject and Rega (to name just three) are all available at comparable money.

The EAT C-Dur Concrete turntable's cartridge

(Image credit: Future)

EAT C-Dur Concrete review: Features

  • 33.3, 45 and 78rpm
  • 254mm aluminum/carbon tonearm
  • High output moving coil cartridge

Undeniably, some of the ‘pull’ of the C-Dur Concrete is, well, the concrete that’s used in its construction. But this is no mere design exercise, this is a deadly series turntable with the feature-set to back up the giddy asking price.

For instance, the chunky (5.2kg) platter is internally damped with a thermoplastic elastomer that offers both density and stability. A 900g aluminum sub-platter gives the platter even more isolation from the motor. The bearing block adds another 1.8kg to the overall weight and uses a polished stainless steel spindle to support an inverted ceramic ball that functions as the main bearing. This pairs with a Teflon plate for even greater rotational stability.

The drive system, meanwhile, isolates the motor in a steel ring positioned in the concrete chassis itself, enhancing the platter’s chances of stable and uniform rotation. It also reduces resonance transfer (already extremely low, thanks again to all that concrete). The motor has two areas for connection to a drive belt – and the turntable is supplied with two different belts, both of anti-static polished rubber.

The first is relatively broad and flat, sits on the upper part of the motor and allows for 33.3 and 45rpm. The other is a ‘string’ shape and fits over the motor’s lower portion – this is the belt you fit if you want the platter to turn at 78rpm.

The pre-fitted C-Note tonearm is, at 254mm, longer than the norm, is made from aluminum and carbon fiber for maximum rigidity, and is internally damped with silicon grease for as much resonance rejection as is realistically possible. It’s a unipivot design, which ought to guarantee its cardan bearing is never overloaded – and the bearing itself is designed to offer minimum resistance and maximum stability.

The over-engineering of the tonearm makes a lot more sense when you get a look at the cartridge it’s designed to support. The Jo No.8 high-output moving coil cartridge features a nude Shibata stylus on a boron cantilever, with high-end copper windings (which is the sort of specification the asking price demands) – but it’s the 19.2 x 25.1 x 28.3mm (HxWxD) dimensions that are most immediately striking. ‘Oversized’ only begins to describe it.

So this is incredibly well-specced and thought-out when it comes to the functional features of being an impressive turntable – but it's very much just a core turntable, so don't expect any 'modern' features such as Bluetooth connectivity or USB output here.

  • Features score: 4 / 5

The EAT C-Dur Concrete turntable's tonearm

(Image credit: Future)

EAT C-Dur Concrete review: Sound quality

  • Remarkable insight and detail retrieval
  • Organized, controlled and yet dynamic presentation
  • Sounds rather small-scale and confined

The ‘pros’ are more numerous than the ‘cons’ where the sound of the C-Dur Concrete is concerned – but the ‘cons’ are significant, so we may as well start there before moving on to the many ways in which this is a straightforwardly admirable player.

The sound of the C-Dur Concrete is on the small side. Everything that happens, happens within the confines of the outer edges of the speakers you’re listening to – and consequently it’s never easy to shake the idea of a ‘point source’ of sound.

The outer edges of the cabinets of your speaker define the outer edges of the soundstage the EAT can create – in this respect it sounds unlike any price-comparable alternative, and not in a good way. It doesn’t matter if it’s a big ensemble (such as that involved in Miles Davis’ Concierto de Aranjuez) or just a voice and a guitar (like Nick Drake’s Parasite); the presentation is organized and controlled, but undeniably confined.

Get beyond this not-insignificant shortcoming, though, and the C-Dur Concrete is an extremely adept and accomplished device. Its facility with detail retrieval is approaching staggering – there isn’t a fleeting occurrence in a recording that’s too minor or too deep in the mix to evade it. And having teased out all these fine details, the C-Dur has absolutely no problem putting them into convincing context. Even if it’s the most transient harmonic variation in the strum of an acoustic guitar, this EAT turntable lets you know all about it.

The soundstage the turntable creates is believable, and it somehow manages to give elbow-room to every element of a recording even though the stage itself is nowhere near as expansive as it could (and should) be. Its tonality is carefully neutral, which allows the inherent sound of a recording to be expressed without any overt interference. And it balances the frequency range carefully, giving no undue prominence to any area.

Low-frequency information is robust and substantial, and is controlled with such certainty that rhythmic expression (often held up as one of the most obvious strengths of the vinyl format) is entirely natural. Midrange expression, too, is accomplished – the voice during I Kicked a Boy by The Sundays is intimate, immediate and direct. And the top of the frequency range has bite and brilliance in fairly equal measure, so treble sounds shine without threatening to become edgy or glassy.

Everything hangs together in an unforced and convincing manner – there’s a genuine sensation of singularity and unity to the C-Dur Concrete’s presentation that makes me want to reach for the dreaded word ‘musical’. And the spaces and silences in recordings are not only given their due emphasis, they’re as dark and as quiet as from any turntable I’ve ever heard. This inky backdrop from which sounds occur is one of the most gratifying things about this whole EAT listening experience.

  • Sound quality score: 3.5 / 5

The EAT C-Dur Concrete turntable's platter viewed from the side

(Image credit: Future)

EAT C-Dur Concrete review: Design

  • 170 x 496 x 396mm (HxWxD)
  • 32kg in weight
  • Supported on three conical, height-adjustable, damped aluminum feet

If it’s a little visual drama you’re after, you’ve come to the right place. EAT will sell you a version of the C-Dur built of MDF and finished in black or plum for quite a lot less money than this – but once you’ve seen (and touched) this concrete version, it’s hard to resist from a design standpoint.

At 170 x 496 x 396mm (HxWxD) it’s fairly big, although not too big to be accommodated by a standard equipment rack. At 32kg with its platter in place, it’s heavier than the heaviest turntable you’ve ever encountered – and all of that weight is supported on a trio of pointed aluminium feet.

They’re ideal for isolating the deck from external vibration, and can help in getting the turntable absolutely level, but they concentrate the whole 32kg on to three tiny points, which means that an extremely robust and hard-wearing shelf is in order if the C-Dur Concrete isn’t just going to drive itself into the surface it’s standing on.

The standard of build and finish is, as seems only reasonable when you consider the asking price, basically impeccable. Any tiny flaws in the concrete (each plinth is unique, of course) only add to the character, and the tonearm feels as good (and as expensive) as it looks. Even the cartridge body – which is polished chestnut – offers a bit of pizzazz.

  • Design score: 5 / 5

The EAT C-Dur Concrete turntable's tonearm and counterweight

(Image credit: Future)

EAT C-Dur Concrete review: Usability & setup

  • Automatic speed change
  • Semi-balanced five-pin DIN to RCA cable
  • Optional (and cost-option) power supply upgrade

As with a lot of turntables, there’s a degree of fairly fiddly set-up required to get the EAT C-Dur Concrete ready for action. Unlike quite a few turntables, though, once you’ve been through the set-up process then operating the EAT is quite a painless process.

As usual, the counterweight and anti-skate setting need to be attended to. After that, though, it’s simply a question of fitting your preferred drive belt (which, let’s be honest, is going to be the broader of the two that lets you listen to 33.3 or 45rpm discs), connecting the semi-balanced five-pin DIN end of the cable to the deck and its left/right RCAs to your (pre)amplifier at the other, and plugging in the power adapter. Speed change is facilitated by two of the big buttons on the plinth – the other is used for putting the turntable into ‘standby’.

It’s worth mentioning that both the cable and the power supply can be upgraded. A fully balanced cable is (inevitably) a cost option (£175, or £499 for the silver alternative if you’re feeling super-flush), and EAT will also sell you a linear power supply (£1,349 if purchased individually, a trifling £1,079 if you buy it at the same time as the turntable).

EAT is confident the C-Dur Concrete’s AC generator, which uses the DC current from the power supply, generates an almost entirely clean AC signal for the motor – but if you want to make it as noiseless as possible then the linear power supply is what you need.

  • Usability and setup score: 5 / 5

The EAT C-Dur Concrete turntable focusing on the concrete material

(Image credit: Future)

EAT C-Dur Concrete review: Value

  • Requires add-ons to reach full potential
  • Not a class-leading performer for the price
  • But it's hard to argue with its physical impact

I almost wrote that it’s impossible to put a price on an aesthetic as striking and individual as this, but demonstrably it’s not. In the context of the sound it makes, the C-Dur Concrete is far from the last word in value for money (and becomes less so if you take the company up on its offer of an upgraded power supply), but that’s not the same as saying it doesn’t sound splendid in many ways.

And if you find yourself smitten by the looks, the areas in which it’s not a class-leading performer might be easier to overlook – but with my hardest ‘consumer advice’ head on, it’s hard to make a watertight case for this turntable representing authentic value.

  • Value score: 3 / 5

The EAT C-Dur Concrete turntable's tonearm

(Image credit: Future)

Should I buy the EAT C-Dur Concrete?

Buy it if…

You’re a fan of visual (as well as audio) excellence
Once you get up to this area of the market, there are a few turntables that offer a bit of visual drama – but none of them makes use of concrete…View Deal

You value sonic detail and insight above all else
Between them, the turntable, the C-Note tonearm and the Jo No.8 cartridge are capable of unearthing the finest of fine details and handing them over without fuss.View Deal

You have a system that justifies the outlay
Don’t imagine you’ll hear the C-Dur Concrete at its best unless its partnering amplification and speakers are equally capable (and, inevitably, equally pricey).View Deal

Don't buy it if…

You’re expecting appreciable scale of sound
For all its many talents, the C-Dur Concrete is far from the most expansive-sounding turntable around.View Deal

You don't like having to pay more to complete the set
Paying big money for a cartridge is fair enough, but at this price, the EAT really should come with its optimum connection incuded and power-cable options as standard.View Deal

Your shelves are of soft (or even soft-ish) wood
32kg balanced on three tiny pointy points will damage a soft-ish shelf almost immediately.View Deal

EAT C-Dur Concrete review: Also consider

Rega Planar 10
The more money you spend on a Rega turntable, the less it seems to buy you – but never doubt that it’s buying remarkable audio fidelity. The Planar 10 (£7,395 with RB3000 tonearm and Alpheta 3 cartridge) is entirely lacking when it comes to visual drama, but most certainly has it where sound quality is concerned. It’s an open, revealing, wide-screen listen with an absolute stack of pertinent observations to make about both your recordings and the vinyl on which they are pressed. Unless you want your record player to be interesting even when it’s not working, the Planar 10 absolutely demands your attention if this is your budget range.View Deal

How I tested EAT C-Dur Concrete

I listened to the C-Dur Concrete for well over a week, with a variety of music on vinyl in a variety of conditions. It was positioned on the top shelf of my Blok Stax 2G equipment rack (which is how I know the weight of the turntable can damage wooden shelves), and connected via its supplied semi-balanced cable to a Chord Huei phono stage, which it turn was connected to a Naim Uniti Star acting as a volume control and pre-amplifier.

The Naim was connected to a Cambridge Audio Edge W stereo power amplifier, which drove a pair of Bowers & Wilkins 705 S3 Signature loudspeakers on their bespoke FS-600 S3 stands.

The Cambridge Audio Evo One is my new favorite wireless speaker after a month of testing it – here’s why
6:00 pm | February 19, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Cambridge Audio Evo One: two-minute review

The Cambridge Audio Evo One is a high-end wireless speaker that's capable of playing audio at up to 32-bit/192kHz. But that’s really only part of the picture: it’s also a multi-room speaker, an internet radio, a soundbar, and a turntable phono stage. It’s almost quicker to list the things it can’t do. The Evo One packs a lot of skills into its substantial frame, making it a natural choice for anyone who wants to cover every base but doesn’t have the space or the cash to splash on buying a whole system of hi-fi separates.

Once the Cambridge Audio Evo One was optimized for my listening space – you can manually adjust its sound for the reflectivity of your room and its distance from the wall – it rewarded me with lush, well-rounded sound. The low end is warm and yet tight – there’s none of the unfortunate swampiness you get with cheaper, bass-heavy speakers. Meanwhile, trebles are well handled, neither succumbing to timidity nor becoming so strident that they grate. This means that rather than facing off aggressive overtures from above and below, the mids are allowed the proper space to express themselves, letting the harmonics of vocals and instruments shine.

The Evo One’s separation is right up there with the best wireless speakers on the market. Listening to Wasting My Young Years by London Grammar was a revelation – the strings are beautifully expressed, feeling vibrant despite their low volume, while the reverb on those gorgeous vocals is given plenty of room to breathe. Its soundstage isn’t quite as impressive though: it offers decent stereo spread without extending far beyond the bounds of the unit, but any single-unit speaker is never going to beat a true pair of the best stereo speakers.

Pitch-perfect streaming is just one of this speaker’s talents though: it offers a wide range of additional sources, from internet radio to TV audio via eARC. To test its mettle when it comes to movie audio, I hooked it up via HDMI and watched Ari Aster’s Midsommar – it expertly handled the swelling drone of its forbidding bass, while giving dialogue sufficient clarity and presence. Using its built-in phono stage, I also hooked up my turntable and span a selection of records – it did an excellent job with the likes of Black Sands by Bonobo and Kingdoms In Colour by Maribou State, expressing both with plenty of dynamism and clarity.

When it comes to design, the Cambridge Audio Evo One is hardly the kind of speaker you’ll want to hide away – its charcoal speaker mesh and smooth walnut surface make it an item of furniture you’ll want to show off, and I certainly felt that it earned pride of place in my living room.

Meanwhile, its front display gives you a stronger connection to the artist you’re listening to, although it’s not quite as bright as I’m used to in this era of ubiquitous 1,000-nit phone screens. However, let's be clear that you probably should think of it as an item furniture – it's big.

With its wide array of connectivity options, polished, poised audio and sophisticated looks, the Cambridge Audio Evo One is a worthwhile purchase, even taking into account its not inconsiderable price. Personally, I’m happy to give the Cambridge Audio Evo One a full-throated endorsement, and I doubt you’ll be disappointed with its performance or capabilities. If you want something that's also wonderful for sound but less expensive, the Bowers & Wilkins Zeppelin Pro is also a highly capable wireless speaker for nearly half the price.

Cambridge Audio Evo One review: price & release date

  • Released on August 9, 2024
  • List price is $1,499 / £1,299 / AU$2,495

The Cambridge Audio Evo One was released on August 9, 2024. It retails for $1,499 / £1,299 / AU$2,495 for this single unit – that's not exactly the cheapest price you’ll find a wireless speaker going for, but once you scratch the surface of the things this device can do, that asking price becomes much more reasonable. When a speaker is this capable, you really are paying for what you get.

The rear of the Cambridge Audio Evo One showing its various ports.

(Image credit: Future)

Cambridge Audio Evo One review: specs

A closeup of the Cambridge Audio Evo One's ports in detail.

(Image credit: Future)

Cambridge Audio Evo One review: features

  • Multi-talented feature set
  • Crammed with well-amplified drivers
  • Manual room optimization

Given its bulk, you won’t be surprised to hear that the Cambridge Audio Evo One is absolutely crammed full of drivers. It has 14 in total: four one-inch silk dome tweeters, four 2.25-inch aluminum cone mid-range drivers, and an utterly absurd six 2.75-inch long-throw woofers. Each of those drivers has 50W of amplification behind it, so it’s reasonable to expect that this beast is going to have gargantuan sound.

Such a well-furnished setup makes sense when you see how Cambridge Audio has positioned the Evo One. While it’s nominally a wireless speaker, it has plenty more tricks up its sleeve than just cueing up tunes from your Roon. Designed to sit at the heart of your home audio ecosystem, it really is a renaissance speaker, able to tackle the vast majority of listening tasks you throw at it.

First off, as well as offering Bluetooth 5.1 connectivity, it’s capable of streaming hi-res audio at up to 24-bit, 192kHz from streaming services, offering you significantly better quality than even CDs can muster. You can do this via built-in streaming services like Tidal and Spotify, or using its multi-room functionality to stream over Google Home, Apple AirPlay 2 and Roon. You can also stream radio over the internet, should you fancy letting someone else take over DJ responsibilities, or play direct via USB at the frankly ludicrous high quality of 32-bit/384kHz.

But its talents don’t stop there. Hook it up to your TV using an eARC cable and you can use it as a substitute soundbar – it won’t give you Dolby Atmos or height channels, but it will give your TV’s flimsy inbuilt sound a colossal boost. You can also hook up an external source through its RCA line-in, or plug one of the best turntables into its integrated phono stage and spin your records through it. It really does offer an astounding level of functionality that puts less gifted wireless speakers to shame.

Beyond sources, the Cambridge Audio Evo One offers some excellent functionality to help you polish the sound you’re getting. It offers a seven-band EQ to tailor its audio profile to your tastes – while this isn’t quite as versatile as the nine-band that some speakers offer, realistically it’s going to be plenty granular enough to tweak the sound balance.

Even more helpful are the Evo One’s room-calibration settings, which allow you to adjust its sound profile to account for how reflective your room is and how close the speaker is to a wall. I actually prefer this to the auto-calibration some speakers offer – it really allowed me to use my own judgement and knowledge of my space to get the sound just right, which I’m sure fellow audiophiles will appreciate.

All told, the Cambridge Audio Evo One is an incredibly well-specified speaker, offering a ton of functionality that even similarly high-end wireless speakers aren’t necessarily always capable of. If you’re just looking for a setup that allows you to stream hi-res audio, then maybe that will prove unnecessary window dressing, but if you’re looking for a Swiss Army Knife of a speaker that will sit at the heart of your home audio system, then it’s hard to argue with what’s on offer here.

  • Features score: 5/5

The Cambridge Audio Evo One with its remote propped up in front of it.

(Image credit: Future)

Cambridge Audio Evo One review: sound quality

  • Once calibrated, it sounds beautifully well balanced
  • Excellent separation
  • Not the widest soundstage

Hand on heart, I was a bit underwhelmed by the Cambridge Audio Evo One’s sound at first. Listening to Black Eye by Allie X, the saw-edged bass synth sounded full but a little swampy, and there was a slightly echoey vibe to the kick, while a lot of the mix sounded muddier in the middle. That’s when I realised I hadn’t adjusted its room-optimization settings…

And boy, did tweaking those settings make a difference. Lowering the setting for room reflectivity and increasing the slider for how far the speaker was from the wall tamed the boom back and upped the transients. The bassline was tight while still being deliciously warm, the detail of the percussion became much more crisp, and the vocal rose above everything without obscuring anything. Suddenly it was like hearing my favorite songs for the first time, and it rapidly transformed my opinion of what this speaker is capable of.

Once properly calibrated, it’s not just the bass that sings; the rest of the frequency range sounds great too. When I listened to I Want You by Moloko, everything was so tightly integrated in the mids; that tight funky guitar lick and the timbre of the strings rang through clearly, while Róisín Murphy’s voice glued the whole mix together, from the nice warm sub end of the funky bass to the transient bite of the snare hits. And it masterfully handles songs that can be make or break in terms of treble – it deftly handles the crisp harmonics of the strummed guitars and snare and tom hits on You Can Go Your Own Way by Fleetwood Mac, while giving them sufficient body to stop the whole mix feeling aggressively bright.

But the Evo One isn’t just great at balancing different frequencies; it has real poise when it comes to separation as well. I stuck on Claire de Lune by Kamasi Washington and the results were exquisite. Those honey-sweet horns feel so richly textured that you could almost take a bite out of them, while the pluck of the double bass feels like it’s almost it’s in the room with you. Even the piano, oft overshadowed when listening to this mix on weaker speakers, cascades out when appropriate – everything has a palpable sense of space that makes everything feel much more real and evocative.

The Evo One doesn’t just handle digital audio sources well. I hooked up my Audio-Technica AT-LP60XBT turntable to the speaker via its built-in phono stage and cued up Kingdoms In Colour by Maribou State. The overall sound was faithful and gave everything a sizable presence and, while it wasn’t quite as remarkable as its hi-res audio output, I put this down more to my budget deck than the Evo One’s innate capabilities.

One area where this wireless speaker doesn’t quite trounce the competition though is its stereo soundstage. Don’t get me wrong: firing up Daydreaming by Radiohead I could absolutely appreciate how the snatches of Thom Yorke’s vocal echoed to the left and right, while the guttural reversed strings that end the track swam convincingly from side to side. However, unlike some speakers, including the Sonos Era 300, the sound doesn’t extend much beyond the confines of the cabinet, and there’s no attempt to convince you there’s real height here. I’d argue that’s not really its whole vibe though – the Evo One aims for hi-res sound that’s very well reproduced, rather than high-tech trickery.

To test how the Evo One handled TV audio, I wired it up to my TV via ARC and settled in to watch Ari Aster’s hallucinogenic horror Midsommar. The Evo One delivered an appreciable improvement over the TV’s built-in speakers, giving the movie’s ominous soundtrack much more warmth and gravitas; Voice Clarity mode in particular helped the speech in the movie ring clear, while letting the droning bass continue to create suspense. While not a home theater soundbar replacement – you’re not going to get Dolby Atmos height channels or significant width here – it certainly represents an upgrade over TV sound alone.

Ultimately, the sound on offer here is impressive, particularly given how many tools it has in its box. If you’re wanting a premium, single-unit speaker that will cover all the bases, this is likely your best bet at this price range.

  • Sound quality: 4.5 / 5

A closeup of the walnut top panelling of the Cambridge Audio Evo One, with its remote control laying on top.

(Image credit: Future)

Cambridge Audio Evo One review: design

  • Elegant, high-end design
  • It’s a big fella
  • Display is a little dim

In light of its price and the brand behind it, I’m sure I’m not going to shock anyone by saying that the Cambridge Audio Evo One offers smart, premium design. Everything about it is designed to form a focal point in your home, from its FSC-certified walnut panelling to its charcoal-colored fabric speaker grille. It definitely looks suitably high-end – although an alternate color would have been a great option to include, as beige cloth and a lighter wood such as birch or beech would look amazing alongside airier interiors.

Naturally, with all the drivers, amplification and other sundries inside its frame, this isn’t a small unit – in fact, at 26.6 x 5.1 x 11.4 inches / 675 x 129 x 290mm and 32lbs / 14.5kg, it’s a bit of a beast. But there’s something dependable about its big frame – it makes it feel like a genuine item of furniture that you’re pleased to show off. The only caveat here is if you want to place it in front of your TV to really take advantage of its eARC connectivity: it's no small fry height-wise, and will likely block the bottom of your screen, so you’ll want an entertainment unit that can accommodate both.

The main focal point of its front is the 6.8-inch, 1280 x 480 LCD display. Offering a range of options from track information and artwork to a stereo pair of VU meters, the display offers an attractive way of connecting more closely to the tunes you’re listening to. It’s not a very bright display, though, but expecting the kind of 1,000-nit HDR displays that have become commonplace in phones and tablets was always going to be a stretch. It’s plenty bright enough to carry out its intended function, even if you’re not going to be reveling in sumptuous, vibrant colors.

The Evo One’s remote control is well designed, nicely balancing functionality with simplicity. Standard controls are all idiot-proof – you can play, pause, skip forwards and backwards, raise and lower the volume, and power the unit on and off – but there are also some convenient presets that allow you to fire up your favorite sources, stations or playlists at the press of a button. You can also adjust the display’s brightness and switch between its various screens. You’ll need to reach for your phone to do anything particularly complex, but it's nice to be able to use it like a hi-fi separate when you want some screen-free time.

All in all, the Evo One oozes premium style, without too many unnecessary bells and whistles piled on top. Sure, the display could be brighter, and you’re out of luck if you're not into the dark wood and charcoal upholstery Cambridge Audio has opted for. But make no mistake: this is a luxury speaker that feels like an item of furniture in its own right.

  • Design score: 4.5 / 5

The Cambridge Audio Evo One at a side angle on a worktop in front of a pink background.

(Image credit: Future)

Cambridge Audio Evo One review: value

On the one hand, the Cambridge Audio Evo One is unarguably expensive for a single-unit speaker – $1,499 / £1,299 / AU$2,495 is not pocket change for anyone. On the other hand, this isn’t just a single-unit speaker. When you view the Evo One in terms of all of the gadgets it potentially replaces – wireless speaker, streamer, soundbar, phono stage – the value equation shifts significantly in its favor. For the price, it’s incredibly versatile, and is an excellent all-in-one option for someone who finds a whole range of hi-fi separates too extravagant an investment in terms of money and/or space.

And there are few rivals that can beat it for value. For example, while the Naim Mu-so 2nd Gen offers a premium, single-unit speaker for $1,299 / £899 / AU$1,299, it doesn’t have a screen, and nor does it offer eARC connectivity or a phono stage. Conversely, the gorgeous Ruark R410 does offer everything you can get here – wireless streaming, multi-room, Bluetooth, DAB+ radio, eARC input, built-in phono-stage – but it’s also just as pricey, coming in at $1,799 / £1,299 / AU$2,599.

  • Value score: 4/5

A closeup of the Cambridge Audio Evo One's ports in detail.

(Image credit: Future)

Should I buy the Cambridge Audio Evo One?

Buy it if…

You want a feature-packed single-unit speaker
The Evo One is an impressive all-in-one package, taking the place of four or five home audio separates. So if you want a set-it-and-forget-it sound solution that minimizes the cable chow mein choking up your living room, this is a very good option.

You want lush, confident sound
When properly optimized and fed some hi-res material, the Evo One offers exquisite balance and impressive separation of different elements. It’s a polished and impressive performer that will happily sit as the jewel in the crown of your multi-room speaker setup.

Don’t buy it if…

You actually want a soundbar
Stop the presses: the Evo One isn’t one. It’ll add some much-needed poise and gravitas to soundtracks, but if you’re expecting height channels and a wide soundstage, you really do need to invest in an actual soundbar.

You’re looking to save some cash
No two ways about it: the Evo One is an expensive speaker. At $1,499 / £1,299 / AU$2,495, it’s more comparable to the Ruark R410 or the Bang & Olufsen Beosound A5 – you’re paying a premium price for a premium speaker.

Cambridge Audio Evo One review: also consider

Naim Mu-so (2019)
If you love the form factor and are yearning for superlative-sounding, hi-res streaming without extra features such as a phono stage or eARC, but for a lower price in exchange, the Naim Mu-so 2nd Gen is an excellent choice. At $1,299 / £899 / AU$1,299, it's a powerful and impressive speakers, as our full Naim Mu-so (2019) review explains.

Bowers & Wilkins Zeppelin Pro
Following in the footsteps of the classic airship-shaped iPod dock from the 2000s, the Zeppelin Pro is a powerful wireless speaker capable of rich, hi-res sound. Admittedly it’s less talented than the Evo One – again, there’s no connectivity options like phono in or eARC and it has considerably fewer drivers. But it is much more affordable, coming in at just $799 / £699 / AU$1,349, and still sounds exquisite for the price, as we dig into in our full Bowers & Wilkins Zeppelin Pro review.

How I tested the Cambridge Audio Evo One

  • I tested it for a month
  • I used it for a wide range of audio, from hi-res streams to TV audio via eARC
  • I have decades of experience using and reviewing audio gadgets

I tested the Cambridge Audio Evo One over the course of a month. First of all, I used the TechRadar testing playlist, as well as many of my own standard testing tracks, to see how its sound stacked up. I listened to a wide range of different sources, from hi-res streaming on Tidal to Spotify’s lowest-quality tier to see how it coped with different audio quality.

I also tested all of its additional features. I listened to several vinyl albums, both via line-in and through its built-in phono stage, using my Audio-Technica AT-LP60XBT. I also connected it to my TV via eARC and tested its AV sound by watching multiple TV shows and movies. Finally, I tweaked its various sound optimization settings, and played with the EQ settings to test out how they impacted the sound balance.

I’ve spent many years covering audio gadgets, from headphones to speakers, and use a wide variety of sound setups at home, from Bluetooth speakers to my system of hi-fi separates. On top of this, I’ve spent decades making and producing music, which has given me a great deal of insight into how to assess the balance of frequencies and breadth of soundstage.

  • First reviewed: February 2025
  • Read more about how we test
I reviewed Sonus Faber’s luminous Lumina II stereo speakers, and they’re a winner for Italian-crafted sound and looks
6:00 pm | February 18, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Sonus Faber Lumina II: Two minute review

Since the early 1980s, Sonus Faber has been creating high-performance, high-end loudspeakers and charging a (generally perfectly justifiable) arm and a leg for them. But in a move not many people saw coming, the company decided to democratize its ‘Made in Italy’ cachet by launching a pair of speakers that sell for an almost-mainstream $1,499 / £999 /AU$2,200 per pair. They’re called the Sonus Faber Lumina II.

In many ways, the Lumina II are Sonus Faber business as usual. The standard of build and finish is impeccable, the materials are premium (although the company’s customary use of real leather will no doubt alienate as many people as it excites), the look is sophisticated and understated. And, sure enough, there’s a little ‘Made in Italy’ sticker on the cabinet's rear, just to let you know you're dealing with something a little special even among the heady brands that make the best stereo speakers.

In many ways, the Sonus Faber Lumina II sound like their money’s-worth, as well as looking and feeling like it. They’re a balanced, insightful and nicely detailed listen, are able to organize a soundstage well, and with unarguable talent where frequency response and tonal fidelity are concerned. No, they’re far from the punchiest speakers around – they run out of meaningful puff quite early in the bass frequencies – and they’re not enthusiastic about bigger volume levels, either.

But for some people, the fact that this is Sonus Faber we’re talking about will be enough to overlook these (admittedly fairly mild) shortcomings. The harder-headed consumer, though, knows that the Sonus Faber Lumina II are far from the only choice at this sort of money – the likes of the KEF LS50 Meta loom large.

Sonus Faber Lumina II on a stone surface

(Image credit: Future)

Sonus Faber Lumina II review: Price and release date

  • Released June 15, 2021
  • $1,499 / £999 / AU$2,199

The Sonus Faber Lumina II are on sale now, and in the United Kingdom a pair will cost you £999. In the United States, you’re looking at $1,499, while in Australia they’ll set you back AU$2,199.

Passive standmounting speakers at this sort of money are not exactly a rarity, of course. So, apart from the ‘handmade in Italy’ cachet, what does Sonus Faber have up its beautifully tailored sleeve?

Sonus Faber Lumina II on a stone surface

(Image credit: Future)

Sonus Faber Lumina II review: Features

  • 29mm ‘damped apex dome’ tweeter
  • 150mm pulp/fibre mid/bass driver
  • Front-facing bass reflex port

As a pair of small and (relatively) affordable passive loudspeakers, the Sonus Faber Lumina II aren’t exactly awash with features, but those they have are of high quality and are utterly fit for purpose.

So, reading from the top of the front of each speaker, there’s a 29mm tweeter of Sonus Faber’s own ‘damped apex dome’ design, which features a silk diaphragm and is mounted using a visco-elastic baffle to effectively isolate the vibration it produces from the cabinet. Below here there’s a 150mm mid/bass driver – a cone made from a combination of natural fibres and cellulose pulp. It sits in what Sonus Faber describes as an ‘ultra-free compression basket’, and the promise is of high linearity and dynamic performance.

The speakers stand on a little plastic plinth – there’s a little gap between the main cabinet and the plinth where a bass reflex port faces forwards. This makes the Lumina II nicely forgiving of positioning in your room, notwithstanding a few rather unusual positioning issues thrown up further down in the ‘design’ section.

The overall arrangement is good for a frequency response of 55Hz - 24kHz, according to Sonus Faber. Crossover is at an unremarkable 1.8kHz, sensitivity is an equally ordinary 85dB, and nominal impedance is four ohms. The manufacturer suggests that any worthwhile amplifier with 50 watts or more available should be able to drive the Lumina II without issues.

  • Features score: 4 / 5

Sonus Faber Lumina II on a stone surface

(Image credit: Future)

Sonus Faber Lumina II review: Sound quality

  • Detailed and spacious presentation
  • Organized and unflappable…
  • …unless you decide to listen at bigger volumes

If you’re familiar with any of Sonus Faber’s products from the turn of the century onwards, the overall emphasis of the Lumina II sound isn’t going to come as much of a surprise. No matter the sort of stuff you like to listen to, and no matter the source of it, these speakers are a balanced, naturalistic and periodically absorbing listen.

The tonal balance of the Lumina II is carefully neutral, so a nicely organic recording like Nico’s The Fairest of the Seasons enjoys a true-to-life depiction of the small string section, acoustic guitar, and expressive and unmistakable vocal. There’s plenty of detail revealed and contextualized at every part of the frequency range, and the Sonus Faber travel from top to bottom in a smooth and undemonstrative manner. No part of the frequency range gets overstated and, apart from the very lowest frequencies, no part is underplayed. The crossover between tweeter and mid/bass driver is all-but imperceptible.

The speakers do good work with harmonic variations, and are quite explicit where soundstaging is concerned, too. There’s a respectable degree of dynamic headroom available, and a willingness to track even the smaller changes in attack or intensity carefully.

Switch to a copy of Aw, Shoot! by CMAT and the Lumina II’s ability to open up a fairly compressed and dense recording is straightforwardly impressive. It can create appreciable space on the soundstage, and where less accomplished speakers present this recording as a sort of aural wedding cake, with element piled on top of element, the Sonus Faber bring some order to bear. Detail levels are good all over again, and the ability to tease out the finer, more transient occurrences in a recording and let them enjoy a little breathing space is not to be sniffed at.

There’s appreciable bite and shine at the top of the frequency range, but nothing too threatening or hard-edged – there’s real refinement to the treble response here. The midrange is eloquent and revealing, and – up to a point – low frequencies are just as substantial and well-resolved as everything going on above them.

The Lumina II don’t so much run out of extension at the bottom of the frequency range – not by the standards of reasonably compact standmounters, anyway – as run out of conviction. There’s a lack of power and drive towards the bottom of their frequency response which can make for a slightly lightweight rendition of whatever it is you’re listening to. Low frequencies are nicely controlled, so rhythmic expression is convincing, but outright ‘punch’ is in rather short supply.

It’s equally safe to say that volume is a factor in the Sonus Faber comfort zone. At moderate volumes the Lumina II are a composed, insightful and well-organized listen, with talents that extend well beyond ‘unflappability’. But if you up the ante, volume-wise, a fair bit of that composure deserts them, along with some of their powers of organization. The can begin to sound just fractionally two-dimensional and ever-so-slightly stressed. Dial the volume down just a little and normal service is quickly resumed.

  • Sound quality score: 4 / 5

Sonus Faber Lumina II on a stone surface

(Image credit: Future)

Sonus Faber Lumina II review: Design

  • Choice of three finishes
  • Leather-covered sides and top surface
  • 304 x 180 x 263mm (HxWxD)

Obviously you’ll make up your own mind as to the decorative potential (or otherwise) of the Sonus Faber Lumina II. What can’t be argued with is the quality of construction or finish – these are impeccably made loudspeakers. The company’s ongoing determination to cover a good portion of its speakers in leather (both sides and the top of this model) won’t sit well for those who’d prefer a vegan option, but as far as ‘craftsmanship’ is concerned, the Lumina II have plenty in evidence.

Each speaker is a tidy 304 x 180 x 263mm (HxWxD), and if you choose either of the ‘walnut with maple inlays’ or ‘wenge with maple inlays’ the front baffle is of multilayered wood with real wood veneer. The piano black alternative is glossy, all right, and also built of multilayered wood but it’s quite reflective, so is not perhaps the first choice for those who may wish to use their Lumina II as part of a home theater set-up in a darkened room.

At the rear of each cabinet there are four nickel-plated speaker binding terminals that can be used with bare wire, banana plugs or spade connectors. Biwiring or biamping is perfectly straightforward.

Although the configuration of the speakers makes them quite forgiving of room position, the liberal use of leather does not. The company is quite unequivocal: you should not position your Lumina II near windows or sources of heat, and they should not be exposed to direct sunlight. Perhaps lots of leather isn’t such a brilliant idea after all…

  • Design score: 4 / 5

Sonus Faber Lumina II on a stone surface

(Image credit: Future)

Sonus Faber Lumina II review: Value

‘Made in Italy’ seldom comes cheap, and in a market dominated by speakers that have been ‘designed and engineered’ in one place and then inevitably ‘made in China’, it’s quite a prestigious point of difference. And where materials, build quality and the standard of finish are concerned, it’s hard to argue that you’re not getting full value here.

And up to a point, that’s all true when it comes to sound quality, too. But a look at the ‘also consider’ section below lets you know that if you’re prepared to forgo a bit of the undeniable Sonus Faber cachet, better pound-for-pound performance is available…

  • Value score: 4 / 5

Sonus Faber Lumina II review: Should you buy them?

Buy them if...

You’re a sucker for Italian design
Like every Sonus Faber product, the Lumina II are a visual and tactile treat.

You enjoy open, detailed and naturalistic sound
These speakers have a real talent for opening up a recording and peering deep inside.

You do your listening in a darkened room
The leather finish means these speakers are more affected by sunlight than most.

Don't buy them if...

You’re vegan
The leather finish might be a dealbreaker.

You like to listen loud
The composure that’s such an admirable part of the Lumina II's sound can go astray at big volumes.

You consider ‘wallop’ to be a positive word
Other speakers of comparable size and price can dig deeper and hit harder.

Sonus Faber Lumina II on a stone surface

(Image credit: Future)

Sonus Faber Lumina II review: Also consider

KEF LS50 Meta
All price-comparable speakers tend to look a bit agricultural next to the Sonus Faber Lumina II but KEF’s outstanding LS50 Meta have a strong look of their own and, most importantly, the sort of all-around excellence the Lumina II can’t quite match. The ever-expanding number of available colors and dramatic visuals of the driver array don’t do any harm, either…View Deal

Sonus Faber Lumina II review: How I tested

  • Connected to a Naim Uniti Nova, listening to Qobuz and Tidal tracks
  • Also hooked up a Rega Apollo for CDs; Cambridge Audio/Clearaudio for vinyl

During my spell listening to the Sonus Faber Lumina II, they were powered by a Naim Uniti Nova streamer/amplifier capable of delivering 70 watts of power per channel. I also used the Naim for listening to Qobuz and Tidal, as it is both a streamer and an amplifier.

I listened to compact discs using a Rega Apollo player, and vinyl via both the Cambridge Audio Alva TT v2 and Clearaudio Concept turntables.

The Lumina II remained in my listening space for the test's entirety – the area is nothing too sophisticated, it’s a fairly ordinary (though not particularly reflective) room that works excellently for my purposes. Using this disparate sources, I listened to myriad different recordings, from a plenty of genres, and from a wide range of eras.

I reviewed the Bowers & Wilkins Zeppelin Pro wireless speaker, and this beauty is the best one-box wireless speaker you can get for this price
2:00 pm | February 14, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Bowers & Wilkins Zeppelin Pro Edition: Two-minute review

The Bowers & Wilkins Zeppelin Pro Edition is part of a great lineage. It’s been almost 20 years since the first Bowers & Wilkins Zeppelin launched – back then it was an iPod dock with a 30-pin connector. It’s moved with the times, of course, so now this version offers aptX Adaptive Bluetooth codec compatibility and the ability to host numerous music streaming and internet radio services within the ‘Music’ control app it has in common with other Bowers & Wilkins wireless audio products.

The look of the Zeppelin Pro is, of course, the look. The Zeppelin line is very much its own thing, and build quality and the standard of finish are predictably good. And when it comes to business, the Pro Edition features a reworked tweeter array and uses the titanium dome unit found in the class-leading B&W 600 S3 series of passive speakers. That's along with a couple of mid-range drivers and a relatively large (150mm) bass driver, plus 240 watts of power to drive them; the on-paper specification is promising to say the least.

And in practice, the Zeppelin Pro Edition makes good on that paper promise. It’s simple and quick to get it up and running, and once the listening starts in earnest there’s next-to-nothing to take issue with.

It’s a detailed, spacious and vigorous listen, able to tease out the finest details yet hit with real determination at the same time. The tonal balance is convincing, the frequency range is integrated smoothly, and there’s an openness to the presentation that’s far superior to any other one-box option among the best wireless speakers at this budget. It’s not the last word in dynamic expression, true – but nevertheless, the ‘plus’ column is far, far longer than the ‘minus’ where sound quality is concerned.

Bowers & Wilkins Zeppelin Pro Edition review: Price and release date

  • Costs $799 / £699 / AU$1,349
  • Launched in late 2024

The Bowers & Wilkins Zeppelin Pro Edition is on sale now, and in the United Kingdom it costs £699. American customers will have to part with $799, while in Australia it’s more like AU$1,349.

You’re not short of choice where wireless speakers at this sort of money are concerned, of course. The excellent Naim Muso Qb Gen 2 is down to this sort of money nowadays, and things like JBL’s Authentics 500 are well worth considering too…

Bowers & Wilkins Zeppelin Pro Edition review: Features

A close up of the Bowers & Wilkins Zeppelin Pro Edition wireless speaker and the B&W logo

(Image credit: Future)
  • Bluetooth 5.0 with aptX Adaptive codec compatibility
  • 240 watts powering a five-driver array
  • 35Hz - 24kHz frequency response

In most respects, the Zeppelin Pro shares a feature-set with the 2021 incarnation of the Zeppelin. Bluetooth 5.0 with aptX adaptive codec compatibility, 240 watts of Class D grunt powering a five-driver array, compatibility with the exemplary Bowers & Wilkins ‘Music’ control app, a claimed frequency response of 35Hz - 24kHz… so far, nothing has changed.

In fact, the only major difference where features are concerned is regarding 40 percent of the driver array. The Zeppelin Pro uses the same 150mm low-frequency driver and the same pair of 90mm ‘FST’ (fixed suspension transducer) mid-range drivers as the 2021 model – although the mid-range drivers have had their cone damping upgraded in an effort to minimize cone break-up.

The tweeters in the Zeppelin Pro, though, are 25mm versions of the titanium dome design that’s currently in use all across the company’s 600 S3 range of full-size passive loudspeakers. This, it’s fair to say, is an upgrade on the double-dome tweeters fitted to 2021’s Zeppelin. Revised digital sound processing is deployed to take account of the new and improved tweeter line-up.

As with previous Zeppelins, the Pro features built-in multi-room functionality - it can be paired with other Zeppelins or members of Bowers & Wilkins’ ‘Formation’ range of wireless speakers (in case anyone remembers them). The Pro can also be used in conjunction with any of the company’s current (and excellent) line-up of wireless headphones and earbuds.

And as with previous Zeppelins, the Pro is only part-smart. Bluetooth connectivity is all well and good, of course, and the fact that it can sit on your home network and access your favourite streaming services (or, at least, some of them) is good news too – but there’s no DLNA or UPnP compatibility, so network connectivity only takes you so far, and the speaker has no truck with voice assistants either.

  • Features score: 4.5 / 5

The Bowers & Wilkins Zeppelin Pro Edition from above on a wooden shelf

(Image credit: Future)

Bowers & Wilkins Zeppelin Pro Edition review: Sound quality

  • Wide and organized presentation
  • Punchy and detailed in equal measure
  • Dynamic, but not to the extent separate speakers

Everything’s relative, of course, but while the idea that the Zeppelin Pro creates a true sense of stereo separation is hard to get behind, there’s no denying it generates a wider and more spacious sound that pretty much any other price-comparable single-unit wireless speaker is capable of.

It’s this openness that’s the most immediately striking thing about the way the Bowers & Wilkins performs. You’d never confuse it for the sound of two stereo speakers, of course, but whether it’s playing a 16bit/44.1kHz file of The Wedding Present’s Dalliance or a 24bit/96kHz equivalent of Summon the Fire by The Comet Is Coming, the Zeppelin Pro musters a big, well-organised and entirely convincing soundstage on which a recording can fully express itself.

There’s a gratifying amount of attention paid to the spaces between instruments and voices, and the amount of elbow-room each element of a recording enjoys makes for a coherent and easy-to-follow presentation.

Low-frequency impact is significant, and there’s good control of the attack of bass sounds at the same time – so the low end doesn’t blur, and rhythms are confidently described. The mid-range benefits a great deal from the overall spaciousness – vocalists of all types and all competences get the chance to properly communicate, for better or for worse.

And at the top of the frequency range, the reworked tweeter arrangement allows for plenty of substance to accompany the top-end bite and attack the Zeppelin Pro can muster. Integration of the frequency range is smooth and unobtrusive, despite the numerousness of the drivers here.

The Pro maintains a nicely neutral tonality throughout, and manages to invest every part of the frequency range with plenty of broad and fine detail. It does good work with high-frequency transients, and gives the bottom end lots of texture and variation where lesser speakers can just thump along monotonally. And the mid-range is absolutely alive with personality – there’s an eloquence to the way the Bowers & Wilkins hands over a voice that is never less than engaging.

Only a slight inhibition during the bigger dynamic shifts in volume and/or intensity prevent the Zeppelin Pro from scoring full marks here. If ever a band indulged in the ‘quiet/LOUD/REALLY DAMN LOUD’ dynamic, it’s The Wedding Present – but when the angst really gets into full swing the Bowers & Wilkins just can’t quite breathe deeply enough to give it the fullest expression.

It’s not that everything happens at a fixed level of attack, you understand – it’s just that there’s greater distance between the most contemplative and most fierce moments in the recording than the Zeppelin Pro is able to describe.

  • Sound quality score: 4.5 / 5

Bowers & Wilkins Zeppelin Pro Edition review: Design

A close up of the Bowers & Wilkins Zeppelin Pro Edition

(Image credit: Future)
  • Choice of two new finishes
  • Choice of 15 (!) downlight colors
  • Still looks like a Zeppelin

If you’ve seen one Bowers & Wilkins Zeppelin, you’ve seen 'em all – which is not meant to be any kind of a put-down. In one guise or another, it’s a product that’s been in production for almost two decades, and it’s rapidly approaching ‘classic’ status – and the way it looks hasn’t done any harm in this respect.

So the Zeppelin Pro is recognizably a Zeppelin, and at 210 x 650 x 194mm it’s the same dimensions as the 2021 model. You’ll need a decently sized surface to stand it on, although at 6.6kg it’s hardly a burden where weight is concerned.

The speaker wears its relative bulk quite lightly, though, and this is helped in no small way by the two finishes – both new – in which it’s available. My review sample is in ‘solar gold’, and ‘space gray’ is also available. And within the stable, logical and extensive control app, there are no fewer than 15 different ‘ambient light’ colors with which to illuminate the speaker’s foot (and, if you’re anything like me, expose exactly how long it’s been since anyone did any dusting around here). Or you can turn it off altogether, of course.

  • Design score: 5 / 5

Bowers & Wilkins Zeppelin Pro Edition review: Usability and setup

A close up of the Bowers & Wilkins Zeppelin Pro Edition controls

(Image credit: Future)
  • Bowers & Wilkins ‘Music’ control app
  • Some physical controls
  • Swift and stable wireless pairing

The Zeppelin Pro is ‘just’ a wireless speaker, and as such it doesn’t take long to set up – unpack it, plug it in, let the ‘Music’ control app (free for iOS and Android) discover it, connect it to your local network, and you’re in business.

The control app is fairly thoroughly specified. As well as Bowers & Wilkins’ curated content, it’s also able to let you integrate your favourite music streaming service(s) – as long as they’re Amazon Music, Deezer, NTS, Qobuz, SoundCloud or TIDAL. Spotify Connect and AirPlay 2 provide alternative ways of getting music over to it. Internet radio is available via Last.fm and TuneIn.

EQ adjustment (or, more accurately, bass and treble adjustment) is available, and the app also lets you update firmware as and when, and for some reason has a switch to allow aptX Adaptive reception to be switched on or off.

There are a few physical controls at top of the rear of the speaker, too. ‘Bluetooth pairing’, ‘volume up/down’, ‘play/pause’ and ‘power on/off’ are all available.

  • Usability and setup score: 5 / 5

Bowers & Wilkins Zeppelin Pro Edition review: Value

  • Bowers & Wilkins devices are always of a very high standard
  • Not as pricey as some B&W devices, but just as impressive
  • Excellent specs and sound

If you know Bowers & Wilkins, you know there’s seldom any issue regarding the standard of build and finish of any of its products – and that’s as true of the Zeppelin Pro Edition as it is of a pair of its passive speakers costing tens of thousands of pounds.

Add in thorough specification, nicely executed control options and an intangible, but definite, pride of ownership and we’re well on the way to calling this wireless speaker ‘very decent value for money’. The way it sounds simply confirms things.

  • Value score: 4 / 5

Should you buy the Bowers & Wilkins Zeppelin Pro Edition?

Buy it if...

You know an icon when you see (and hear) one
There aren’t all that many current audio products around that can genuinely be referred to as ‘classic’. The Bowers & Wilkins Zeppelin is one.View Deal

You enjoy spacious, detailed and lively sound
By the standards of speakers in a single enclosure, the Zeppelin Pro sounds gratifyingly open – and it’s a perky, informative listen at the same time.View Deal

You think synesthesia is pretty cool
You won’t see colors because of the sound the Zeppelin Pro makes, but you get a choice of colors to accompany it.View Deal

Don't buy it if...

You don’t have significant shelf space
The Bowers & Wilkins Zeppelin Pro Edition remains one of the larger wireless speakers around, and it needs a correspondingly large shelf space in which to operate.View Deal

You want a fully smart speaker
The lack of wider networking compatibility, voice-assistant interaction and so on means the Zeppelin Pro Edition is not quite PhD ‘smart’.View Deal

You want to hear every bit of dynamic variation in a recording
The Pro Edition is a strong performer, but it lacks the lung capacity to give complete expression to the biggest shifts in intensity and/or volume.View Deal

Bowers & Wilkins Zeppelin Pro Edition: Also consider

Naim Mu-so Qb 2nd Gen
The closest smaller equivalent to the Zeppelin Pro, also made by a hi-fi legend. Far more compact, still a hugely impressive performer with tons of connectivity options. Here's our full Naim Mu-so Qb 2nd Gen review.View Deal

Cambridge Audio Evo One
A magnficient speaker that's also pretty wide, like the Zeppelin Pro – but it has a flatter and more traditional design that may suit some people. The screen on the front is nice too, and the built-in phono stage makes it well-suited to turntables.View Deal

How I tested the Bowers & Wilkins Zeppelin Pro Edition

I positioned my review sample on the top shelf of my Blok Stax 2G equipment rack, and then because it was preventing my turntable from sitting there I also positioned it on a necessarily large bookshelf.

I used my Qobuz and TIDAL accounts to stream music of many different varieties and file sizes, and I also checked out some favorite internet radio stations using TuneIn.

I can’t pretend it was any kind of hardship to do this for well over a week…

  • First reviewed: February 2025
The Anker Soundcore Boom 2 Plus is a bass-heavy Bluetooth speaker that I love for blasting party bangers
4:00 pm | February 11, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Anker Soundcore Boom 2 Plus: Two-minute review

The Anker Soundcore Boom 2 Plus is a Bluetooth speaker that does exactly what it says on the tin. It blasts onto the scene with booming bass output, high volume levels and blaring LED lights – this thing is by no means subtle! And at $249.99 / £199.99 / AU$359.99 it’s by no means cheap, either – so let’s find out if the Boom 2 Plus is worth the cash.

It only seems right to start with the main attraction: bass. With BassUp 2.0 activated you’re going to get deep pumping low-end output, ideal for genres such as EDM or hip-hop, and for occasions such as house parties. Without it, you may find that bass is a touch underwhelming, so it’s worth toggling it on for when you really want to ramp up any low-frequency audio. Still, I didn’t find the Anker Soundcore Boom 2 Plus could offer quite as ground-shaking bass as the Tribit Stormbox Blast 2.

All-round sound quality is up-to-scratch, too. I found mids and highs to be clear and free of tinniness – a big relief. On top of that, there’s a nine-band EQ so you can get a more neutral sound if that’s what you’re after. The Anker Soundcore Boom 2 Plus isn’t going to supply the phenomenal attention to detail that some of the best Bluetooth speakers can offer, but it does include the AAC codec this time around, so it's a little better for Apple users in particular.

This speaker comes with a nice set of features, all of which can be accessed via the free-to-download Soundcore app. You can pick from preset or custom EQ calibrations, toggle BassUp, and alter light settings. The LED lights attached to the side of the speaker can sync up to audio output for a more immersive listening experience, and watching them rumble as the speaker pumps bass is highly satisfying.

The lights were one of many features already included in the original Anker Soundcore Boom 2. Now, don’t get me wrong, the standard-sized model is a decent budget option, but the Boom 2 Plus is an upgrade in almost every way. You get more power – as much as 140W for hitting high volumes – a more curved, quality-looking design, and a strap for carrying the speaker over long distances.

But the Boom 2 Plus isn’t without its drawbacks. Of course, its far more expensive – yet still only has the IPX7 waterproof rating, meaning it still lacks a dustproof score. On top of that, the Boom 2 Plus actually offers less playtime than the standard Boom 2, with just 20 hours on offer. Now, that’s not too bad, but considering rivals like the Earfun UBoom X can muster 30 hours, you may be left wanting more.

But overall, the Anker Soundcore Boom 2 Plus is still an adept party speaker. You’re getting plenty of bass and plenty of ways to personalize both its sound and appearance. If you can grab it at a cut-price, I’d argue it's an option well-worth considering, but unfortunately there’s some really stiff competition in this price range. And if you’re able to stretch your budget a little bit further, I’d recommend going for the Tribit Stormbox Blast 2 instead, which ultimately packs more of a punch and better protection against the elements.

Reverse side of the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Price and release date

  • $249.99 / £199.99 / AU$359.99
  • Launched in May 2024

The Anker Soundcore Boom 2 Plus is significantly pricier than the standard Boom 2 model, coming in with a list price of $249.99 / £199.99 / AU$359.99. That’s compared to the usual Boom 2’s launch price of $129.99 / £119.99 / AU$219.99. I’ve spotted it on sale for around $200 / £170, though, so keep your eyes peeled for a bargain.

This 2024-issued model is available in a number of color options – all of which cost the same. The colorways available to you are: Adventure Green; Explorer Green; and the variant I tested, Phantom Black.

Anker Soundcore Boom 2 Plus review: Specs

Anker Soundcore Boom 2 Plus with strap attached

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Features

  • Nine-band custom EQ
  • Customizable LED lights
  • 20-hour battery life is decent, but nothing special

In terms of features, the Soundcore Boom 2 Plus is almost identical to its standard-sized sibling. Button controls enable you to toggle on the low-end-boosting BassUp option, sift through light show settings and pair to a second speaker via PartyCast 2.0. And once again, there’s a USB-C port which enables the Boom 2 Plus to become a power bank.

If you download the Soundcore app, however, you get access to even more features. The standout is EQ adjustment, which grants access to a nine band equalizer and a small selection of presets: Soundcore Signature, Voice, Treble Boost and Balanced (as well as BassUp). I would maybe have liked to see a few genre-specific options, but there’s still plenty of customizability here.

The app also lets you personalize the Boom 2 Plus’ lights remotely. There are six effects available: Flash, Flame, Lightning, Scan, Cyclone and Bounce. On top of that, you can play around with a color wheel to get an even more tailored look to the speaker’s LEDs. The lights are on passive radiators which rumble violently during bass-heavy tracks, and this was enjoyable to watch, especially in dark rooms. They sync up to sound output, which makes for an immersive audiovisual experience, but if that’s not to your taste, you can switch them off entirely.

One benefit of going lightless is that you’ll save some battery life. And that might be useful, because the Soundcore Boom 2 Plus actually offers less playtime than the standard Boom 2. That’s a little disappointing and given rivals such as the Earfun UBoom X can serve up an impressive 30 hours, its fair to say this speaker’s battery life is a bit unimpressive. 20 hours is by no means bad, but it’s worth noting that BassUp – like the lights – will contribute to faster drainage.

One thing you do get over the standard edition, however, is an aux-in port, which enables wired listening – pretty neat. Otherwise, you’ll be relying on Bluetooth 5.3, which is plenty good enough, and there’s also Google Fast Pair for a speedy setup.

  • Features score: 4/5

Button controls on the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Sound quality

  • Booming bass with BassUp 2.0 on
  • But won’t offer massively sophisticated all-round audio
  • Impressive volume levels thanks to max 140W power output

Just by hearing this speaker's name, you probably know exactly what you’re going to get here. And if you guessed big, booming bass – congrats, you were right. Well, that is if you have BassUp 2.0 turned on – without this bass isn’t actually that impactful for a speaker of this size. But don’t get me wrong, having BassUp 2.0 on will definitely mean the low-end soaks up most of the limelight. For a party speaker, though, that’s not necessarily a bad thing.

When tuning in to Favorita by kryptogram, I was impressed by the speaker’s bass output with impactful, deep drum kicks instantly grabbing my attention. Similarly when listening to a house track, Dasha - Tour Maubourg Remix by Fusion Affair, the speaker showcased solid low-frequency response, with dominant, pumping bass. When I threw on Diva Bonita by bbno$, the track’s imposing sub-bass came through with authority, something that you’ll miss out on from a lot of cheaper models.

When I put the Boom 2 Plus next to the Tribit Stormbox Blast 2, however, I did find the latter offered considerably weightier power in the low end – even with its XBass feature turned off. Of course, that model is a little more expensive, but if you want ultimate bass performance, I’d recommend it over this Soundcore speaker.

Regardless, the Boom 2 Plus can get very loud. That’s in part thanks to its high maximum power output of 140W – 100W of which comes from the two 50W woofers, with the remainder stemming from the speaker’s dual 20W tweeters. Pair that with the Boom 2 Plus’ competence in the bass department and you’re looking at a speaker that’s primed for parties or outdoor events, where you want to power through excess noise.

If you want a speaker capable of delivering a highly nuanced listen, though, this isn’t a top option. Sure, you get AAC this time (meaning any tracks played in AAC on a compatible device will be played without conversion or other inteference – most notably for Apple Music users on Apple devices) rather than SBC (the standard Bluetooth codec) alone, and there’s a nine-band equalizer that can help you tune a more balanced sound – but I still found there was a lack of detail, particularly in the mid and treble frequency range.

When listening to I Want You by Molko, I wasn’t struck by a true-to-life cymbal crash or particularly natural-sounding, breathy vocals. The speaker also wasn’t highly capable of managing this track’s densely layered mix, so you may want to turn to a model like the Edifier D32 if you’re looking for stronger instrument separation.

Of course, that’s not something this model has to excel in. Ultimately, this is designed to be a party speaker that leans into its low-frequency talents and it does that well. Also, even if they’re lacking a bit of detail, mid-range and treble frequency sounds rarely sound tinny or harsh, even at higher volumes. I also found that I could get a fairly balanced sound profile out of this speaker after turning BassUp off in Soundcore Signature and slightly tweaking EQ.

  • Sound quality score: 4/5

Soundcore logo on the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Design

  • More curved, premium looking design this time out
  • Still only IPX7 rated
  • Eye-catching LED lights

In terms of looks, the Soundcore Boom 2 Plus is a huge upgrade on its standard-sized sibling. It’s less stubby and blocky looking, now donning a wider, more curved look. On top of that, the metallic speaker grille has a more premium feel and appearance, creating a far cleaner aesthetic overall.

Of course, much has remained the same – the LED lights on the side of the speaker are still bold and vibrant – they can also sync up to bass output for a more immersive listening experience. And the button controls on top of the speaker are again well-proportioned, clear and responsive.

But with this speaker’s added length comes added bulk – meaning Anker has had to make a change here. That’s right: this model comes with a strap included, which can be attached to hooks on the handle. This is pretty basic; there’s no shoulder pad or anything, but it’s still a nice addition if you’re going to carry the Boom 2 Plus over longer distances. This is also welcome as the Boom 2 Plus is more than twice as weighty as the standard model, coming in at 8.4lbs / 3.8kg – though this is still fairly lightweight overall.

Something that, perhaps disappointingly, has remained much the same, though, is this speaker’s ingress rating. Like the standard Boom 2, this is IPX7 rated. Now, the positive here is that the speaker can be submerged in up to a meter of water for as long as 30 minutes – something we’d expect from all of the best waterproof speakers. It's floatable too if you want to take it into the pool with you, for instance.

The bad? This thing skips on a dustproof rating again, meaning it might not be the best beachside companion. If you want a more rough and ready model, look for the IP67 rating, which a ton of competitors have, including the fantastic Bose SoundLink Max.

But enough moaning. I did like the small rubber tab on the reverse side of the Boom 2 Plus. Simply flick this up or down and you get access to the USB-C charging port – which can be used to charge the speaker or external devices – as well as the aux-in if you want wired listening.

I was also a fan of the multiple color options available. You can grab the Boom 2 Plus in Phantom Black, Explorer Blue or Adventure Green – all of these look neat and are discreet enough to bring out the best of light features in dark rooms.

  • Design score: 4/5

LED lights on the side of the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Value

  • Considerably more expensive than standard model
  • But does offer improved audio and design
  • Unfortunately rivals offer better bang for your buck

The Anker Soundcore Boom 2 Plus has a list price that’s almost double that of the standard model. So, with added price, you’re going to expect a massive improvement. Do you get that? In many ways, yes. I would argue that this model is far better looking and, perhaps unsurprisingly, has bassier, cleaner audio. If you want an all-out party speaker, it’s no contest – the Boom 2 Plus is far superior.

At the same time, you get a smaller battery life and there are some lingering issues such as the lack of a dustproof rating. Perhaps a larger problem for the Boom 2 Plus, though, is that it’s sitting in an awkward spot price-wise. If you go cheaper, you can grab the Earfun UBoom X, which also packs plenty of bass, as well as highly customizable audio. And if you can push your budget just a little more you can get the mighty Tribit Stormbox Blast 2, which is a top-tier party speaker in my book – it can also double up as a karaoke machine if you’re into that kinda thing!

In its own right, though, the Soundcore Boom 2 Plus is still a solid Bluetooth speaker and plenty good enough to keep the party moving. If you can get it for less than $200 / closer to the £150 mark, it’s a model well worth considering. Nonetheless, there is some stiff competition, which can’t be ignored.

  • Value score: 3.5/5

Rubber tab open to expose USB-C and AUX ports on the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Should I buy the Anker Soundcore Boom 2 Plus?

Buy it if...

You want a bass-heavy party speaker
If you want a Bluetooth speaker for house parties or events, the Anker Soundcore Boom 2 Plus has you covered. With a maximum power output of 140W and BassUp feature for booming low-end output, you’re certainly going to keep your guests entertained.

You want a lightweight option
Some boombox-like speakers can be heavy. Really heavy (I’m looking at you Tribit Stormbox Blast 2). But much like the standard model, the Boom 2 Plus bucks that trend, coming in at 8.4 lbs / 3.8kg. Combine that with the included strap and this speaker is pleasingly easy to take with you on the go.

Don't buy it if...

You want premium all-round sound
If you want a nuanced, supremely separated sound, this speaker isn’t for you. With the right tuning, you can get clear, decently balanced audio, but still, you’re not going to uncover the finest details.

You want a speaker that can brave any environment
The Soundcore Boom 2 Plus skips on a dustproof rating, meaning it’s not totally primed for all outdoor environments. There are a ton of options with the coveted IP67 rating, but you can go a step further with the LG XBoom Go XG8T, which actually has military-grade protection against the elements.

Anker Soundcore Boom 2 Plus review: Also consider

Earfun UBoom X
Like this Anker speaker, the Earfun UBoom X won’t offer the most detailed, revealing sound quality. But it does still pack quite the low-end punch, has some integrated LED lights and a wired connectivity option. The real win is that this model has a 30 hour battery life and super-low price for a speaker of its size, making it a very viable candidate to be your next party speaker. Read our full Earfun UBoom X review.

Tribit Stormbox Blast 2
I’ll keep it simple: the Tribit Stormbox Blast 2 is one of the best portable party speakers money can buy. It’s only a bit more expensive than this Anker model, but has superior bass output, more playtime and an IP67 dustproof and waterproof rating. It doesn’t get much better than that. Read our full Tribit Stormbox Blast 2 review.

Anker Soundcore Boom 2 Plus review: How I tested

Hook on the Anker Soundcore Boom 2 Plus

(Image credit: Future)
  • Tested over the course of one week
  • Mainly used at our music testing facility at Future Labs
  • Predominantly listened to tracks via Tidal

I listened to the Anker Soundcore Boom 2 Plus for hours at our music testing facility at Future Labs. I blasted a bunch of tracks from my own music library alongside tunes from the TechRadar testing playlist, which we use to assess audio performance across a variety of genres. I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly listened to songs via Tidal.

Further to this, I played a podcast episode on Spotify and watched video content on YouTube in order to assess vocal clarity across different platforms. When appropriate, I used the Tribit Stormbox Blast 2 to compare elements like sound, design and ease of use.

  • First reviewed: February 2025
  • Read more about how we test
I reviewed Sony’s LinkBuds Speaker, and it’s the Bluetooth speaker that best fits into my real home life, thanks to unique features
5:00 pm | February 6, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Sony LinkBuds Speaker: Two-minute review

Sony has released a fair few speakers in its day but the new LinkBuds Speaker is the first to be released under its LinkBuds branding; the original Sony LinkBuds were novel for having open-ring designs so you could hear your surroundings while also streaming music, but the name now just seems to be used for a range of lifestyle audio options instead of applying to that particular open design, so here we are.

I often having to get name whingeing out of the way early when I review products like the Sony LinkBuds Speaker, because I want to save the rest of the review to focus on compliments on the device (and because I love a good name-whinge).

Don’t make the mistake I did when I first started using the speaker – unlike many other entries into our annals of the best Bluetooth speakers, this creation isn’t designed for house parties or loud gatherings. Instead, it’s a svelte house-trained pet that does its best work when you keep it domestic.

That’s most evident from the charging cradle, which was my favorite aspect of the entire speaker. It charges the speaker when you’re not using it (or when you are), acting as a hub that you can easily whisk the speaker away from when you’re marching into another room.

But there’s more evidence as to the LinkBuds Speaker’s introverted state. Its understated design means it fits snugly into your home decor, but it's not as rugged as the best waterproof speakers. Its microphone means you can use it as an ersatz home assistant (via your phone, at least) and a range of other features such as a programmable musical alarm clock and hourly time alerts all indicate that this is a housebound gadget.

That doesn’t mean you’ll be left in the lurch if you take it outside, especially with a surprisingly big 25-hour battery, but you might not find the audio fits parties or summer cookouts. That’s doubly the case with audio which proves quite directional, and doesn’t quite equal some rivals on the market in terms of energy and vibrancy – if you’re looking for a party speaker, the Sony will disappoint.

I was pleasantly surprised with the feature set offered by Sony, with its Sound Connect app boasting quite a few handy features – some are ones I haven’t seen on rival devices, which is a neat touch. Admittedly some of these features are hidden deep in the app – I still have no idea how I enabled the aforementioned hourly notification – and not all of them work wonders.

But it’s another illustration of how the Sony offers brains over the raw brawn of some of its rivals. It’s no slouch in the audio department, but it’s found a different way to best the likes of the JBL Flip 6: the features.

I should cap this intro by saying one more thing if you like the ideas of these extra features: only buy this if you use Spotify, Amazon Music or Endel. Loads of the extra features require a subscription to one of these three streaming services so you're not going to be able to use all the features if you use Tidal, Apple Music or YouTube Music.

Sony LinkBuds Speaker review: Price and release date

  • Released in October 2024
  • Officially priced at $179.99 / £139 / AU$249

The Sony LinkBuds Speaker was announced in October 2024, alongside two new earbud additions to the brand: the LinkBuds Fit and LinkBuds Open.

You can buy the speaker for $179.99 / £139 / AU$249 so it costs a little more than rivals in the area such as the JBL Flip 6, Ultimate Ears Boom 4 or Bose SoundLink Flex, but it roughly matches the Sonos Roam 2 which we rate as the best Bluetooth speaker.

I should point out that at the time of testing, three months after the LinkBuds Speaker’s release, it’s already on offer from some retailers, so it’s worth hunting around to find a discount as they're easy to find.

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Sony LinkBuds Speaker review: Specs

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Sony LinkBuds Speaker: Features

  • A 25-hour battery life
  • Lots of features thanks to Sound Connect app
  • Many tools require Spotify, Amazon Music or Endel

The Sony LinkBuds Speaker offers a surprisingly admirable 25 hours of battery life, which laps most of its close rivals – you can expect between 10 and 15 hours of listening time on its competitors.

Thanks to how the aforementioned charging cradle fits into my real-world experience, I never actually had to test this figure the hard way, but that’s not the end of the world – it just goes to prove that you’ll never have battery anxiety with the LinkBuds Speaker.

You can get many more features from the LinkBuds Speaker by using Sony’s Sound Connect app – until recently called Headphones Connect.

One useful feature is auto-play, so you can set your speaker to start auto-playing from Spotify, Amazon Music or Endel at certain times on certain days, basically like an alarm clock. In my testing, I was unable to choose which playlist Spotify auto-played from, and it default to carrying on whatever I last listened to, but the writing in the app suggests that I should be able to pick them. Hopefully a software update will change this.

As I'll discuss in the Design section of this review, the speaker has a quick access button. Using the app, you can map this to use two of: Spotify Tap, Amazon Music Play Now or Endel Quick Access (all three bring up a curated playlist from the app of choice). As you can tell, these are the only three apps supported by Sony’s app – sorry, Tidal fans – but you can use other streaming platforms for standard speaker playback. You just can’t use the extra features.

Audiophiles will also be pleased to hear that there’s an in-app equalizer. It’s a five-band one with an extra Clear Bass dial to increase or decrease bass prominence between -10 and 10. You can save two different custom EQs, and there are no presets. In my experience I didn’t find that the equalizer made much of a difference on the sound quality.

Sony’s auto-EQ mode is back, but I’ve not previously been impressed by this, and the LinkBuds Speaker didn’t change that. The way it works is that the app presents you with five different EQ mixes and you have to choose your favorite; you do this twice and the app creates a custom mix for you. The problem is that the mixes it suggests to you are often so indistinct that I can never tell the difference between them, so it’s not a good way of gauging my actual tastes.

I was impressed by a few of the quality-of-life features Sound Connect offers. You can choose the auto-power-off length, toggle on a battery-saving mode that stops you overcharging the speaker, connect two multiple devices (including LinkBuds earbuds, which can automatically switch your music from the buds to the speaker when you get near) and can enable a Sony-made audio decompression feature to improve the sound of music on lossy streaming services. They all just improve the way you use the speaker in small but meaningful ways.

A feature I got really close to liking is the ability to set hourly reminders. This was surprisingly convenient to help mark the passage of time through the day, reminding me that it was lunchtime or that my working hours were finished… except there's no way in the app to silence it for certain hours. I was woken several times by the speaker announcing that it was 2am or 3am and so turned this otherwise-handy feature off.

I’ll briefly touch on pairing: when I first started using the LinkBuds Speaker, I simply couldn’t connect to it via Bluetooth pairing. However as soon as I opened the Sound Connect app, it immediately recognized and paired. So if you’ve just bought this gadget and can’t get it to connect, download the app now!

  • Features score: 4/5

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Sony LinkBuds Speaker review: Design

  • Black or gray squoval
  • Has a hook for hanging; charging pad in box
  • A fair range of buttons

The Sony LinkBuds Speaker basically looks like a small furry squoval. (It's a real word! A portmanteau of square and oval!) Compared to lots of other portable speakers it’s a little plain looking, but I liked how it blended into the background of my home more than other speakers I test. Sometimes nondescript is good. The fabric cover also gives it a premium look that many other rivals lack.

It’s not a huge speaker, measuring 11cm tall and with body dimensions of 8.4 x 9cm, but it’s a little heavier than you’d think at first glance at 520g.

The ‘back’ of the speaker – a word I use because the sound is pretty directional, as I’ll get into in the sound quality section – has its power button as well as the USB-C charging port (which you can use instead of the included base plate, another feature I’ll explain later on). It also has a hook that you can use to hang the speaker on a hook in the bathroom, on the back of a chair or wherever works – but it’s not that big so it was hard to clip onto certain objects, plus the way the speaker hangs has problems with the directional sound (yet another tease about a future point to discuss).

On top of the speaker are buttons: volume up, volume down, play/pause/accept phone call, and the quick access button. There’s also a small light: white when the speaker is on and red when it’s off, and purple sometimes… for some reason? If there’s a way of turning the LED off, I couldn’t find it, which was a little annoying at night.

I’d be remiss not to include mention of the LinkBuds Speaker’s base plate, because it became an integral part of the experience during my testing. Included in the box is a charging cradle, which you plug into a USB-C charger, and it holds the speaker firm and slowly charges it up. Once I set this up in my office, it became a ‘home’ of sorts for the speaker – when I was listening during work, it would power up so that there was charge for when I was taking it out and about. Super convenient, two thumbs up from me.

You can buy the speaker in black or light gray, and your choice will affect the base plate as well as the speaker itself. It has an IPX4 rating so it’s protected against splashes of water but not solid jets or submersion, so it may not be at home at a pool party.

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)
  • Design score: 4/5

Sony LinkBuds Speaker review: Sound quality

  • Good, not great audio quality
  • Volume fine indoors but not loud enough for outdoors
  • Directional audio poses a problem

The Sony LinkBuds Speaker combines a tweeter and woofer in a classic two-way system; I couldn’t find much information on either component from Sony's materials.

There’s no use beating about the bush; the LinkBuds Speaker doesn’t quite sound as great as rivals I’ve tested at this price point from Ultimate Ears and JBL. It offers a balanced audio mix, but lacks the 'oomph' that portable Bluetooth speakers generally need.

For example: there’s ample bass, but not as much as you’d get on an outdoor speaker; clear treble, but a distinct lack of shine to some instruments; the same lack of soundstage that you get on smaller speakers like this thanks to mono audio. The maximum volume is sufficient if you plan to use the speaker exclusively at home or in your garden, but in wider open spaces, it might prove hard to hear. Unlike its rivals, Sony hasn't turned any one element up to 11.

The mono audio problem can be fixed, according to the Sony website, by simply buying a second speaker and pairing them together to get stereo sound. That will, of course, double the amount you’re paying to listen.

My main concern when I started listening to the LinkBuds Speaker was simply that audio didn’t sound as energetic or exciting as on many other portable speakers I’ve tested; lots of rivals are designed as party devices and going in with the same expectations here will leave you disappointed.

This was underlined when I used the LinkBuds Speaker to play music at a gathering; after a few drinks, balanced audio isn't as important as vibrant bass. However once I figured out that the Sony is designed for a different use case – namely home listening – I could appreciate it a little more.

The LinkBuds Speaker’s sound depends a lot on the direction you are to it – that’s not uncommon in speakers, as 360-degree audio is a rare treat. But it makes a marked difference in the LinkBuds Speaker, and it’s doubly annoying for two reasons.

Firstly, due to its design, it’s pretty hard to glean which way the front is from a glance – close up, you can see the way the buttons are facing and where the hook is. If the speaker is in the corner of a room, you’ll have to guess if you’re getting the full experience. Secondly, when you use the hook to hang the speaker up, its positioning means that the tweeter and woofer point downwards – the only person getting optimal audio is the downstairs neighbor.

Sony boasts about its Sound Diffusion Processor in the LinkBuds’ web post, which is supposed to spread sound from the speaker out into a wide area, but I can only assume this listing was written on opposite day because my experience was that music sounded so much better when the speaker was facing you.

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)
  • Sound quality: 3.5/5

Sony LinkBuds Speaker review: Value

I can't go so far as to say that the Sony LinkBuds Speaker is outstanding value for money, but it ticks all the boxes that you want when you're paying this much.

The range of features, the audio quality, the design; I'm pretty sure I'd be able to accurately predict the LinkBuds' price because it's in line with expectations.

That changes a little if you can find the speaker discounted, though, and if you find it nearing the $100 / £100 / AU$180 mark, it may tip more into 'must-buy' territory.

  • Value score: 3.5/5

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Should I buy the Sony LinkBuds Speaker?

Buy it if…

You're a homebody
Looking for a Bluetooth speaker that you plan to use at home, rather than in outdoor events? Look no further.

Battery life is important
No-one likes that most gadgets take constant charging. You can put it off for 25 hours at a time with the LinkBuds Speaker, and top it up super-easily.

You want to be woken up by music
The LinkBuds Speaker's musical alarm clock feature has woken me up for the last week, and I'm all for it.

Don’t buy it if…

You're a party planner
The LinkBuds Speaker lacks the max volume, overwhelming bass or rugged design needed to make it a real party speaker.

You're not an app fan
Some people don't like having to use an app to control their speaker or headphones, and that's a fair stance, but you won't like the LinkBuds Speaker in that case.

Sony LinkBuds Speaker review: Also consider

JBL Flip 6
It's been around for years, but it remains a stalwart rival in the Bluetooth speaker space. It has a balanced sound and a hardy design, though it lacks some features (and the long battery life) that the Sony has – you can dig into it in our full JBL Flip 6 review.

Bose Soundlink Flex Gen 2
Another well-received rival from Bose, this gadget takes some party speaker DNA but not as much as some other rivals. It provide balanced audio, but perhaps doesn't quite have the charm of the Sony, but you can read more in our full Bose SoundLink Flex Gen 2 review.

The Tribit Stormbox Blast 2 shook me to my core and became my new go-to Bluetooth speaker for parties
7:20 pm | January 28, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Tribit Stormbox Blast 2 review: two-minute review

The Tribit Stormbox Blast 2 is a true bass-heavy behemoth. This is the sequel to Tribit’s massively successful boombox speaker that won plenty of plaudits here at TechRadar (and beyond). But this speaker is much more than just a refined version of its predecessor, packing in a new, curved design and even karaoke functionality.

Let’s run through a few new sparkly additions and upgrades here. Yes, you’re getting karaoke, with dual-wireless or wired mic support, as well as built-in volume and reverb controls. On top of that, the Tribit Stormbox Blast 2 has an improved IP67 dustproof and waterproof rating, meaning it's suitable for almost any environment, from beachside to pool party. That’s not to mention you also get Bluetooth 5.4 connectivity and incredible 200W power output this time around.

But let’s drill down into the most important area – sound. Perhaps unsurprisingly, the Tribit Stormbox Blast 2 is another hit in the audio department, supplying controlled, earth-shaking bass that even beats out many of the best Bluetooth speakers. And thunderous bass is certainly the main attraction here, with an XBass option available if you want to go crazy with low-end output, maybe excessively so.

All-round audio quality is strong too; you’ll be able to hear individual instrumental elements clearly, with commendable levels of separation. You may find that the soundstage can get a touch cluttered at the highest of volumes, but otherwise, you’ll be in for an enthralling, bass-heavy listen, ideal for parties or outdoor events.

Even running on battery power, this speaker has double the output power of its predecessor, the Tribit Stormbox Blast, meaning you’ll get some serious volume. For those who crave more power, or perhaps want left/right channel stereo separation, you can pair a second model up to this speaker, too. And there are a bunch of other excellent features accessible via the Tribit app, including broad EQ options and LED light customization.

Speaking of the Stormbox Blast 2’s lights, they’re a tad classier in this iteration, but similarly illuminate the speaker’s drivers and edges. The overall look of this speaker is certainly an improvement on its predecessor, though, thanks to a curvier look – it’s not quite as blocky or clumsy looking in my view. But something that’s going to be divisive here is this speaker’s hefty nature. It’s a whopping 19.2lbs / 8.7kg, meaning it’s even weightier than the already heavy Stormbox Blast – an achievement in itself.

But there are some more practical elements to its design, including a USB-A port for charging external devices, the choice to charge with an AC adapter or USB-C cable and an incredible 30 hour battery life. There’s no voice assistant once more, meaning you won’t be able to bark orders or take calls hands free and there’s no option to connect over Wi-Fi either – perhaps to be expected at this price point – but overall, this is a well-designed speaker with plenty of nifty features to keep you entertained.

So, then, is the Tribit Stormbox Blast 2 worth its $299 / £257 (about AU$490) price tag? I’d say so. The true highlight is its excellent bass output, which is perfect for elevating the atmosphere at a house party or similar setting. It's a heavy beast and audio quality takes a bit of a dip at top volumes, but these issues aren’t dealbreakers as far as I’m concerned. In terms of value, it’s hard to look past the original Tribit Stormbox Blast, which you can grab for around $150 / £150 on sale, but if you want the additional power and karaoke functionality, I can certainly recommend the Tribit Stormbox Blast 2.

Left passive radiator and LED light strip on Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: price and release date

  • $299.99 / £257 (about AU$490)
  • Launched in October 2024

The Tribit Stormbox Blast 2 was released in October 2024 and carries a list price of $299.99 / £257 (about AU$490). However, I’ve already spotted it going for a little bit less. For instance, at the time of writing, the Stormbox Blast 2 is on sale for less than $240, so it’s worth keeping an eye out for price cuts.

At the $200-$300 range, the Stormbox Blast 2 is something of a mid-range option. It’s certainly not the cheapest Bluetooth speaker out there – the Anker Soundcore Boom 2, for instance – is often available for less than $100 / £100. But some similarly sized speakers can set you back significantly further. Take the JBL Boombox 3, for example, which commands a high list price of $499.95 / £373.

Tribit Stormbox Blast 2 review: specs

Tribit Stormbox Blast 2 review: features

  • Microphone ports
  • Generous 30 hour battery life
  • Customizable lights

There’s a lot to like when it comes to features on the Tribit Stormbox Blast 2. A lot of that comes down to the easy-to-use Tribit app, which opens the door to a bunch of options. For instance, there are a bunch of EQ presets: including XBass (which can be activated on the speaker) and genre specific options like Jazz or Rock. There’s also an X-3D preset for those seeking out more expansive, spatial audio. If you’d rather curate your own sound, you can save multiple personalized EQ calibrations and use a five-band equalizer to get your preferred tuning.

In addition, you can customize the lights on the Stormbox Blast 2 and set up three personalized looks. You can adjust which lights illuminate – including the side lights, light bars or middle light, which colors appear, brightness and whether they’ll flash to the rhythm of bass, treble or bass and treble. Alternatively, you can turn them off altogether if you’re hoping to save battery or want a more low-key listening sesh.

Speaking of battery, you get plenty here. You can expect as much as 30 hours of playtime if you listen at 50% volume with XBass and lights switched off. That will be more than enough to keep the party running into the early hours. In addition, this speaker can function as a power bank thanks to a USB-A output port. There’s a USB-C port for charging too, but it will take 12 hours to get to 100% using this, instead of the far superior 5 hours required when AC charging.

All of this is good and well, but there’s an elephant in the room here. Yes, that’s right, the Tribit Stormbox Blast 2 can double up as a karaoke machine. You can connect two microphones up with the 6.35mm wired ports, or just go wireless if you really want to show off. You can adjust volume and add reverb with built-in controls too. It’s worth noting, however, that there were no microphones to be found in the box here – you’ll need to purchase them yourself, separately.

There’s even more on offer with the Stormbox Blast 2 – an AUX port for wired listening, nice and up-to-date Bluetooth 5.4 connectivity and voice prompt options. Really, there’s not much I can criticize here. Tribit has again opted to exclude voice assistant compatibility with this model, which would be a nice-to-have feature at the least. And maybe I’d prefer the USB out port to be upgraded to USB-C for speedier external charging. But otherwise I was delighted with what the Stormbox Blast 2 had to offer. No moaning session required.

  • Features score: 4.5/5

Ports and karaoke controls under rubber tab on the reverse side of the Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: sound quality

  • Booming bass output
  • Decently clear mids and controlled highs
  • Not quite distortion-free at high volumes

As soon as I turned this giant of a speaker on, there was one thing that struck me instantaneously: gigantic bass, which hit with ground-shaking impact. Now, in part, that’s because the XBass feature – for enhanced low-end output – was on by default. I opted to switch this off to start with, however, so I could get a slightly more balanced sound out of the Stormbox Blast 2. And sure enough, I kept this speaker in the XBass Off EQ preset for the majority of testing, as it provided a huge helping of bass without overshadowing other sonic elements.

I started my testing by listening to Diamonds On the Soles of Her Shoes by Paul Simon and the bass thump was extremely rhythmic and deep. However, vocals were still nicely defined in the mix and the looping guitar riff running throughout had a pleasing degree of subtlety. Similarly, when tuning into Disco Ulysses by Vulfpeck, I found the decay of snare hits to be agile and the tone of the choppy electric guitar to be accurate at mid-volumes. The commanding, groovy bassline was deliciously deep and high-pitched piano trills were separated nicely, making for a surprisingly nuanced, cohesive and straight up enjoyable listen.

Despite offering solid all-round audio, it really is about bass with this speaker. I could make out every deep, dark note in The Boys Are Back In Town by Yung Gravy – something that a lot of cheaper competitors won’t be able to accomplish. And with XBass on, the imposing boom of the track’s sub-bass was mesmerizing – still, I’d recommend using this feature sparingly as it’s very bass dominant.

More generally, you’ll struggle to find a similarly-sized competitor that can outdo the Stormbox Blast 2 in the bass department, but I tried putting it side-by-side with the Earfun UBoom X for comparison. I sifted through a ton of House tracks, such as Relentless by Grant Nelson, but the UBoom X was no match for the Stormbox Blast 2, which had more controlled, deep low-end output, as well as better overall balance. Specifically, percussion and intermittent vocals were slightly muffled with the UBoom X, with its domineering bass taking all of the limelight, whereas the Stormbox Blast 2 offered more adept separation, despite maintaining well-needed emphasis on the low-end.

You won’t experience perfect audio output with the Tribit Stormbox Blast 2, however. At high volumes, clarity can take a slight dip. For instance, I listened to I Want You by Moloko – which had intoxicatingly deep bass and breathy vocals when listening at low-medium volumes, but when I cranked things all the way up to 90-100%, the soundstage got a little bit bloated, with sounds in the mid-range and low-end getting slightly muddied. I didn’t experience tinny or abrasive audio, however, not to mention the fact that this speaker gets extremely loud, meaning you’ll rarely listen with volume turned up this high.

Given its not-so-budget price, some may also hope to find ‘hi-res’ audio codec here, such as LDAC for Android users. However, there’s no such thing available with the Stormbox Blast 2, which only supports SBC – not even AAC. Don’t let that put you off, though, as plenty of budget audio tech includes fancy codecs, but with little to show in terms of quality.

This Bluetooth speaker combines an 80W subwoofer with dual 45W mid-range drivers and 15W tweeters. That means you’ll be able to get a maximum power output of 200W here, that’s if you’re using it while connected to a power source – otherwise you’ll get 180W. Either way – it gets loud, really loud. So much so, that you almost certainly won’t need to double up for added volume – though pairing to a second model is handy for those seeking out stereo sound.

Ultimately, this is intended to be a party speaker and it serves that purpose incredibly well. You get ground-shaking, yet well-regimented bass and enough loudness to send your neighbors into a frenzy. And although you won’t get the most detailed listen in the world, especially at top volumes, that’s a pretty small sacrifice to make for the boom that will bless your eardrums.

  • Sound quality score: 4.5/5

'Tribit' written on the front of the Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: design

  • Still chunky, but more curved this time around
  • Lights look classier too
  • IP67 rated

When we reviewed the original Tribit Stormbox Blast, design appeared to be its Achilles heel. Why? Well, our reviewer wasn’t a huge fan of the in-your-face LED lights or chunky build – fair enough. So, does the Stormbox Blast 2 make up for such shortcomings? Well, sort of.

The LED lights haven’t disappeared, but I’d argue that they look a bit classier this time around. The side bars go for a smoother look, rather than LED strips reminiscent of health bars. And generally, the lights illuminate this speaker’s drivers nicely while syncing up to audio output, making for a more immersive, exciting listening experience. If you still aren’t a massive fan, you can turn them off and save yourself some battery life – win-win, right?

As far as build goes, this is still a very hefty and, admittedly, fairly plasticky speaker. It’s not got the most gorgeous looks to its black casing and has a decently chunky handle once more, perhaps to be expected given its weight. However, this time around, you’re getting a smoother design overall. The speaker has a more curved look, making it far sleeker than its predecessor. The bass radiators still don’t go crazy, unlike those on the JBL Xtreme 4 for instance, but they do rumble when things get bassy.

So, you do get an upgrade in the looks department, but you also get a highly practical product. The Stormbox Blast 2 is a step-up on its IPX7 predecessor – this one’s IP67-rated, meaning it now has a high dustproof rating and can compete with some of the best waterproof speakers. That makes it a great candidate for beach-side listening, for instance, while its waterproofing also means it can withstand being submerged under a meter of water for up to 30 minutes – pretty cool, right?

And to top it all off, the Stormbox Blast 2 has some nifty controls and ports built-in. There are buttons for adjusting power/volume, pairing with another speaker and toggling XBass/Lights on and off. Behind a rubber panel, you can access the charging and microphone ports, as well as karaoke controls. This speaker really does have it all.

  • Design score: 4/5

Handle and button controls of the Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: value

  • More of a mid-range price tag
  • Significantly more pricey than the original Stormbox Blast
  • But for the audio quality and features on offer, it’s still worth it

I’ll get to the point, you can find plenty of rival speakers for considerably less than the Tribit Stormbox Blast 2. This is no budget option, carrying a list price of $299.99 / £257 (about AU$490). There are a ton of large options available for around $100 / £100, such as the aforementioned Earfun UBoom X and Anker Soundcore Boom 2.

But will they offer as much quality and versatility as the Stormbox Blast 2? No, not in my view. There’s the obvious – this speaker can double up as a karaoke machine if you want to belt out some of your favorite tunes. But there’s also the fact that this model delivers more regimented, powerful bass, cleaner all-round audio and a rock-solid build.

Those factors make it worth the extra cash in my view and if you can catch it for closer to $200 / £200 in a sale, you’re getting excellent value for one of the best party speakers around. It is worth noting, however, that its excellent predecessor can be found for around $150 / £150 – that’s an incredible deal well worth considering if you’re not all-in on karaoke and don’t need quite as much power output.

  • Value score: 4/5

Reverse side of the Tribit Stormbox Blast 2

(Image credit: Future)

Should I buy the Tribit Stormbox Blast 2?

Buy it if...

You want to take your parties to the next level
If you’re looking for a big and bold party speaker, it’s not going to get much better than the Tribit Stormbox Blast 2. With phenomenal bass output and excellent battery life, you’ll keep everyone moving into the early hours, without needing to charge this speaker up.

You’re looking for a durable speaker that can brave the elements
The Tribit Stormbox Blast 2 has an IP67 rating, meaning it's well protected against water and dust. It’s also got a solid build and heavyweight feel that will make it hard to break down over the years.

Don't buy it if...

You want an incredibly detailed listen
The audio on offer from the Tribit Stormbox Blast 2 is often impressive, but it’s not going to offer you the most elegantly balanced, nuanced sound on the market. If you’re willing to lose a bit of that low-end power, you’ll have plenty of high-grade options to choose from, including the Bose SoundLink Max – see ‘Also Consider’ for more on this.

Portability is the most important thing for you
Let’s not beat around the bush: this is one chunky lad. At 19.2lbs / 8.7kg, you should take the term ‘portable speaker’ with a pinch of salt. Seriously, this thing takes quite a bit of work if you’re taking it for a long walk. A whole host of competitors are considerably lighter – take the Anker Soundcore Boom 2, for instance, which is just 3.66 lbs / 1.67kg.

Tribit Stormbox Blast 2 review: also consider

Earfun UBoom X
If you’re looking for a bass-heavy Bluetooth speaker but the Stormbox Blast 2 is a little bit out of budget, the Earfun UBoom X is a very solid alternative. Bass isn’t as controlled or imposing here, but it’s still very impactful. You also get excellent EQ options, a whopping 30 hour battery life and IP67-rated build. Not bad at all! Read our full Earfun UBoom X review.

Bose SoundLink Max
This robust Bluetooth speaker may cost a tad more than the Stormbox Blast 2, but you’ll still get plenty of bang for your buck. The Bose SoundLink Max plates up big and punchy yet deft audio, a beautiful design and Class D amplification. It’s not quite as big and booming as the Stormbox Blast 2, but if you want a more technical listen and subtle look, this may be more up your street. Read our full Bose SoundLink Max review.

Tribit Stormbox Blast 2 review: how I tested

  • Tested for one week
  • Mainly used in our music testing space at Future Labs
  • Predominantly tested using Tidal

I listened to the Tribit Stormbox Blast 2 for hours on end in our music testing space at Future Labs. During my time with the speaker, I played a ton of tunes from my own music library as well as tracks from the TechRadar testing playlist, which I use to assess performance across a variety of genres. When listening to music, I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly played songs via Tidal.

In addition, I listened to a podcast on Spotify and watched video content on YouTube in order to judge vocal clarity across different platforms. When appropriate, I used the Earfun UBoom X to compare audio quality, design elements and usability.

  • First reviewed: January 2025
  • Read more about how we test
KEF LSX II LT review: the best small hi-res wireless stereo speakers you can buy for
2:32 pm | January 27, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

KEF LSX II LT: one-minute review

The KEF LSX II LT is an attempt to democratise (a little) the sound and tech expertise that has put KEF has among the front-runners where the ‘entire hi-fi system in a pair of speakers’ category is concerned for almost a decade now.

The KEF LSX II LT is a streaming sound system contained in two compact, good-looking and beautifully finished loudspeakers. A system that’s capable of handling high-resolution digital audio information from any source you care to mention – including your TV. A system that sounds detailed and organized, dynamic and rhythmically adept. A system that digs deep into the frequency range and summons quite startling low-frequency presence while it offers clarity at the opposite end to rival any of the best wireless speakers.

It’s not perfect, of course – how could it be? Its dimensions dictate that it struggles to fill larger listening spaces with sound, which is understandable. It goes without any analog inputs, which means it may not be suitable for some people – its bigger brother, the LEF LSX II, has them (and see the Kanto Ren for a vinyl-friendly alternative, just without Wi-Fi). But as long as these shortcomings don’t impact on your specific use case, it’s hard to raise meaningful criticism here – this absolutely ranks among the best stereo speakers for wireless hi-res fans.

KEF LSX II LT review: Price and release date

The KEF LSX II LT speakers showing the name

(Image credit: Future)

The KEF LSX II LT wireless active speaker system is on sale now, and in the United Kingdom it sells for £899. It goes for $999 in the United States, while in Australia it’s yours for AU$1,699.

Thanks in no small part to KEF's efforts in the wireless stereo area, the LSX II LT is not without competition. DALI, Klipsch and Q Acoustics (to name just a few) have similarly specified alternatives with which to tempt you.

Probably most notably, for slightly less than the KEF, you can get the Kanto Ren or the larger floorstanding Q Acoustics M40 HD cost around the same as the tiny KEFs. So even though these are KEF's cheapest option, they're not super-cheap still.

KEF LSX II LT review: Features

The KEF LSX II LT speakers' connections

(Image credit: Future)
  • Uni-Q coaxial drivers
  • 200 watts of Class D power
  • Plenty of input options

Higher up its model ranges, KEF is now onto the 12th generation of its distinctive Uni-Q speaker driver arrangement. The LSX II LT, though, uses the same 11th generation unit as is fitted to the larger KEF LSX II. This means a 19mm aluminium dome tweeter is positioned in the center of a 115mm magnesium/aluminum mid/bass driver – this arrangement precisely positions the acoustic center of each unit in an effort to deliver optimum time-alignment. Each tweeter receives 30 watts of Class D power and each mid/bass driver 70 watts, delivering a claimed frequency response of 54Hz - 28kHz.

There’s a hierarchy of units in each pair of LSX II LT speakers, of course. The primary unit is home to dual-band Wi-Fi and Bluetooth 5.0 with SBC and AAC codec compatibility, as well as an Ethernet input, an HDMI ARC socket, digital optical and USB-C inputs as well as a pre-out for a subwoofer and a power connection. Apple AirPlay 2, Chromecast, Spotify Connect, TIDAL Connect, and UPnP devices are all available, and the KEF Connect control app can host Amazon Music, Deezer, Qobuz and internet radio too. A second USB-C slot, grouped with all the other socketry below the neat bass reflex port on the rear of the speaker, is for connecting this primary speaker to its partner – which gives you flexibility in terms of cable length.

Digital audio file compatibility is extensive, and the LSX II LT can deal with file resolutions of up to 24bit/384kHz via a network connection. The USB-C and digital optical inputs can handle 24bit/96kHz stuff, and the HDMI ARC tops out at 16bit/48kHz. Incoming audio information is pored over by KEF’s ‘music integrity engine’ signal processing algorithms before resampling to 24bit/96kHz resolution.

This is a pretty thorough line-up of features for a product of this type, it’s true - but I can’t help hankering after an analogue input or two. Apparently the best record players are all the rage again, and it might be nice to be able to incorporate one with a wired connection… they'll work with a Bluetooth turntable, though.

  • Features score: 4.5/5

KEF LSX II LT review: Sound quality

The KEF LSX II LT speaker against a pink background showing the Uni-Q drivers

(Image credit: Future)
  • Deft, entertaining sound
  • Plenty of detail and frankly unlikely dynamism available
  • Lacking a little where sheer scale of sound is concerned

The KEF LSX II LT is hardly the only digital audio system that does its best work when given some nice big hi-res audio files to deal with; so as long as you have some appropriate content on network-attached storage or via one of the best music streaming services that offers meaty quality, the KEF will give you everything it’s got.

Which, in the final analysis, turns out to be plenty. A 24bit/96kHz FLAC file of Arooj Aftab’s Last Night streamed via TIDAL Connect is agile, entertaining and utterly convincing – tonality, from the top of the frequency range to the bottom, is nicely neutral and consistent, and the LSX II LT never understates or overcooks any aspect of it; the sweep from top to bottom is smooth and believable. Detail levels are high at every turn, and the KEF has plenty of relevant observations to make about the timbre and texture of instruments or voices at every turn.

Despite the speakers’ unpromising dimensions and the bog-standard amount of power available, the system manages quite impressive low-frequency punch and substance. Bass sounds hit respectably hard, dig impressively deep, and are never less than properly controlled where the leading edge of sounds is concerned – and so it never has any problems expressing rhythms or handling tempos.

The LSX II LT communicates unequivocally through the midrange, which means vocalists of all types have their character and disposition made obvious. And at the top of the frequency range, the speakers attack with crisp determination (although without ever threatening to get splashy or hard, even if you like to listen at the upper limits of the volume the KEF is capable of).

There’s a fair amount of dynamic headroom available too, so even when a recording (or a movie, if you’re using the HDMI ARC socket) shifts it up from ‘basically silent’ to ‘all-out attack’ the system is able to make the differences obvious. Lower-level dynamic harmonic variations get the same sort of attention, too, so there’s convincing expression of the fluctuations evident from note to note when listening to a solo instrument.

That the LSX II LT is short of outright scale can’t be denied, but it creates a fairly extensive soundstage and organizes it really well. There’s adequate room for even more complex recordings to be laid out coherently, and the system demonstrates positivity and confidence in this regard. There's more than enough space for each element of a recording to stretch out without being impacted on by any other element – but, at the same time, the LSX II LT presents recordings as a unified whole.

  • Sound quality score: 5/5

KEF LSX II LT review: Design

The KEF LSX II LT speaker against a pink background showing the bass port

(Image credit: Future)
  • Choice of unusual finishes
  • 240 x 155 x 180mm (HxWxD)
  • Mildly interesting cabinet shape

As with its more expensive wireless speaker systems, KEF has commissioned Michael Young to see if a bit of mild ‘designing’ might be in order – and he’s created a speaker cabinet with very few parallel lines. All by itself, this is enough for the LSX II LT to stand out among all its boxy rivals – the fact that the shape is acoustically optimized doesn’t do any harm either.

At a tidy 240 x 155 x 180mm (HxWxD) per speaker, the LSX II LT will sit happily on a shelf or desktop, as long as power is reasonably close by – or there are stands available if you prefer. The available finishes (sage green, stone white and graphite grey) only add to the decorative quotient.

  • Design score: 5/5

KEF LSX II LT review: Usability & setup

The KEF LSX II LT speakers' remote control

(Image credit: Future)
  • App or remote handset control
  • Primary speaker needs power connection
  • Speakers must be connected by a cable

Between the KEF Connect control app (free for iOS and Android) and the little remote control handset that comes as part of the system, getting what you want from the LSX II LT is easy. The app covers off all the obvious stuff, and more besides – you can finesse EQ settings, integrate your LSX II LT into a smart-home system, designate the primary speaker as the ‘left’ or ‘right’ channel (great flexibility in the placement), access your local media servers, set volume limits and plenty more.

The remote control, meanwhile, just takes care of the obvious ‘play/pause’, ‘skip forwards/backwards’ ‘volume up/down/mute’, ‘power on/off’ and input selection stuff.

As far as ‘setup’ goes, there’s really nothing to it. The primary speaker requires mains power, and needs connecting to the secondary speaker using a length of USB-C /USB-C cable. After that, it’s simply a question of making physical connections to your source devices and integrating your favourite streaming service(s) into the app if the ‘Connect’ version isn’t already supported.

  • Usability score: 5/5

KEF LSX II LT review: Value

  • Superb sound for the price
  • Easy and flexible to set up
  • Small size and lack of analog may be limiting

There’s unarguable value on offer here, no two ways about it. As a combination of facilities and functionality, industrial design, usability and out-and-out sound quality, it’s hard to lay a glove on the KEF LSX II LT.

Unless you have analog sources you’d like to listen to, or you live in an aircraft hangar, it’s difficult to raise a meaningful objection to what your money buys you… these are premium speakers that can satisfy audiophiles, at a very fair price for that quality.

  • Value score: 4/5

Should I buy the KEF LSX II LT?

The KEF LSX II LT speaker against a pink background

(Image credit: Future)

Buy it if…

You want great sound with next-to-no effort
If you can’t get the LSX II LT up and running is next-to-no time, you’re not trying hard enough.

You admire good industrial design
It’s hard to make a product like this look distinctive, but between the coaxial drivers and the unusually shaped cabinet, the KEF gets closer than most.

You’re a ‘digital only’ sort of listener
Pretty much every source of digital audio content is catered for here, whether it’s connected wirelessly or physically.

Don't buy it if…

You have an analog source or two
The lack of analog inputs is the KEF system’s biggest shortcoming.

You want to fill a big space with sound
Look elsewhere. And be prepared to spend more money.

You have big bass concerns
The low frequencies available here are deep, detailed and very nicely controlled – but they’re not about to make your curtains flap. Again, you'd need something larger.

KEF LSX II LT review: Also consider

KEF LSX II
We've mentioned them already, but the bigger (and more expensive) sibling of the LT have the analogue connections that this one lacks, and a little more power for filling larger spaces.

Q Acoustics M40 HD
Now this is how you full a room. Active floorstanding speakers, for slightly less money than the KEF. However, there's no Wi-Fi (just Bluetooth), so they're not quite as smart as the KEF. Read our five-star Q Acoustics M40 HD review for more what makes them so good.

Kanto Ren
If you want something compact like the LSX II LT, but with analog connections, we love these. Again, there's no Wi-Fi – just Bluetooth for wireless – but they do an excellent job, and come in fetching finishes. Here's our five-star Kanto Ren review for the all the details.

LG XBoom Go XG8T review: a Bluetooth speaker that offers meaty bass but not-so-meaty battery life
1:35 pm | January 3, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

LG XBoom Go XG8T review: two-minute review

The LG XBoom Go XG8T has a pretty tough task – standing out in a field with extremely strong competition from some of the biggest names in audio. That’s right, this large portable speaker finds itself pitted against some tough rivals from the likes of JBL, Bose and Ultimate Ears. So, how does it fare in its battle for supremacy?

Well, firstly, LG has looked to focus on this speaker's design – specifically its phenomenal durability. The LG XBoom Go XG8T is said to have "military grade" protection against the elements, having passed seven different durability tests. It also has an IP67 waterproof rating and high-quality build, protecting it against impact and underwater submersion.

As well as that, this has neat, customizable LED lights, an attractive wraparound speaker grille and conveniently adjustable handle/strap. It's looking good so far, right? Well, I hate to be the bearer of bad news, but outside of its looks and design, the LG XBoom Go XG8T really struggles to outdo some of its similarly-priced competitors that have made our list of the best Bluetooth speakers.

There are some standout reasons for that. First, battery life. This is the XG8T's fatal flaw. LG says you get up to 15 hours of playtime – but there’s a real emphasis on the ‘up to’. If you’re playing at 50% volume without EQ adjustment or LED lights, sure, that might be attainable. But with lighting on and the booming Sound Boost feature activated, you’re going to see that battery percentage fall way faster. 15 hours isn’t particularly impressive anyway, so given depletion happens much faster with core features like Sound Boost is a real shame.

Next, let’s talk sound – another area where the XG8T can’t quite usurp some of the best waterproof speakers around. Bass, thankfully can get pretty deep and hits with impact, especially with Sound Boost on. Generally, elements like vocals and percussive elements in the treble range are clear too, although you may sense a bit of harshness at top volumes. However, this isn’t going to offer a massively detailed listen and there are no fancy audio codecs – think LDAC – to play with, so you end up with solid, yet fairly unremarkable sound in the end.

There are a couple of other smaller issues that arise too: slightly outdated Bluetooth connectivity, lacking EQ presets and a hefty AC adapter stick out. When you combine all of that with a high list price of $379.99 / £400 (about AU$600) it’s hard to justify buying this portable speaker.

Having said that, there’s another factor to consider. Since it’s release, the XG8T has frequently been available on sale, sometimes even for around half price. This, of course, changes the game significantly. Is the battery life still a big issue? Sure. But the power and bass on offer here would certainly be a lot more impressive in this context. So, if you can grab it at a massively cut price, it could possibly be worth considering the XG8T.

But all in all, this speaker just misses the mark. It’s not by any means a bad option, with impressive low-end power, generally clear all-round audio and incredible durability. But unless you’re a massive LG fan specifically, you’re likely to be better served elsewhere. Some of 2024’s big hitters like the Bose SoundLink Flex and JBL Xtreme 4 are regularly on sale for well under the list price of the XG8T and they are some top alternatives – so why not read more about those in the ‘Also Consider’ section below…

Person holding the LG XBoom Go XG8T by its handle

(Image credit: Future)

LG XBoom Go XG8T review: price and release date

  • $379.99 / £400 (about AU$600)
  • Launched in March 2024

OK, so if you buy the LG XBoom Go XG8T at its list price, you’ll have to shell out a fair amount of cash. Its usual price is $379.99 / £400 / AU$600, pitting it against competitors like the JBL Xtreme 4 and Ultimate Ears Epicboom.

However, as you may expect for a speaker that launched early in 2024, you can regularly find the XG8T available at a cut-price. In fact, this model can be as low as half price. I've spotted it going for less than $200 / £200 with some online retailers. It’s also worth noting that this speaker is only available in Black.

Button controls on the LG XBoom Go XG8T

(Image credit: Future)

LG XBoom Go XG8T review: specs

LED lights on the side of the LG XBoom Go XG8T

(Image credit: Future)

LG XBoom Go XG8T review: features

  • LG XBoom app compatibility
  • Sub-par battery life
  • Outdated Bluetooth version

The LG XBoom Go XG8T has a pretty tidy set of features and it owes this, in part, to the LG XBoom companion app. Using this, you can access some fairly typical options: multi-point connectivity, Party Link for pairing multiple speakers and EQ adjustment, for instance.

And on the topic of EQ adjustment, this app offers a pretty mixed experience. One key positive is that there’s a fully customizable, six-band equalizer available through the app, so you get a decent amount of control over the sound you get here. But I was frustrated at the real lack of presets available here. You can use Sound Boost, which provides a boost to volume and low-end power, but this counts as a preset in itself. Other than that, there’s only Standard mode. I would’ve liked to have seen some gene-specific presets, for instance, to make it easy to get your preferred sound from the offset.

Another cornerstone feature is LED light customization. There are three main categories to switch between – Ambient, Nature and Party. Within these are three preset choices, such as ‘Passion of youth’, ‘Cheerful celebration’ and ‘Gorgeous night view’ in the Party category. However, you can also save a custom pick within each of the three groups – making for a user experience that’s not only highly customizable, but highly convenient. If only EQ settings were this fully-fledged!

One more nice touch here is Healing Therapy. This provides access to a set list of calming sounds, all of which have to be downloaded separately. A few examples include ‘A Still Summer Night with Insect Sounds’ or ‘The Sleepy Sounds of the Deep Sea’, which I really enjoyed listening to. You can also set a sleep timer with Healing Therapy, just in case you find that you’ve nodded off. I think it’s fair to say that this feature is a bit of a gimmick, but gimmicks can still be fun. I still liked it, anyway.

But alas, there are a couple of issues I have with the XG8T, feature-wise. First of all, it doesn’t have the most up-to-date Bluetooth version. This speaker harnesses Bluetooth 5.1, even though a handful of speakers are already using version 5.4 now. But that’s not a deal-breaker, in my view.

The killer issue here is battery life. LG says you get up to 15 hours, that is if you keep volume at 50% or lower and have EQ and lights off. Activate Sound Boost and crank up the volume and battery depletes way too quickly. I’d lost 20% in about an hour with an average of about 50-60% volume, intermittent Sound Boost use and LED lights turned on – that’s pretty poor for a modern Bluetooth speaker of this size. So, if you want to get the best out of the XG8T, expect sub-par battery life. In fact, it may not even last an entire event without dying unless you’re conservative with volume and lighting.

  • Features score: 3/5

Handle of the LG XBoom Go XG8T

(Image credit: Future)

LG XBoom Go XG8T review: sound quality

  • Impactful bass
  • Mighty volume levels
  • No ‘hi-res’ codecs for more detailed listening

In the audio department, the LG XBoom Go XG8T puts in a pretty solid performance, with the main attraction being… you guessed it, bass. Now, out of the box, you may feel low-frequency audio output is a touch underwhelming. Don’t get me wrong, it’s by no means pathetic, but it could definitely do with a leg up. And that’s where Sound Boost mode comes in, an essential option for bass-heavy bangers or if you want to flood large or outdoor spaces with your favorite tunes.

When listening to Voyager by Daft Punk, I was impressed by the pumping deep bass on offer, which produced a ground-shaking, head-bopping performance ideal for a party setting. The funky guitar playing throughout the track didn’t sound distorted either, even at about 70% volume. Getting higher than this was quite the task though – not because it sounds terrible, but because this thing can get very loud, thanks to its 60W woofer. And that certainly improves its credentials as a capable outdoor speaker.

One complaint I had when listening to Voyager and a host of other tracks, such as Moloko’s I Want You, was that higher-pitched percussive elements didn’t have perfect clarity and sharpness. This was emphasised more at top volumes, where this could get a bit grating – something that wouldn’t typically bother me too much, but for the price you're paying here this level of critique is valid.

Another slightly disappointing aspect of this speaker is its lack of support for more ‘hi-res’ Bluetooth codecs, such as LDAC. And this was a contributor to some songs occasionally lacking, or underplaying details in tracks. For instance, when I listened to Didn’t Cha Know by Erykah Badu, smaller percussive and string elements were kept under wraps, making for a slightly constricted listen.

Sure, vocals sounded decently balanced and overall audio was clean, but in all honesty that’s to be expected at this price-point. If you want a more detailed, nuanced listen for the money, this speaker is not your best option. You can pair it with another Go XG8T speaker (in dual mode, or multiple speakers in multi mode) via LG's Wireless Party Link, however, if you’d at least like access to even bigger sound.

Ultimately, this speaker’s success hinges much more on its talents in the bass and loudness departments. This is designed more for outdoor or party use and it works very nicely for that. Just make sure you have Sound Boost on to really add some meat in the low-end. You get great volume levels too and although things can get a little edgy at the top of the speaker’s range, it will still be capable of filling a larger room or cutting through pesky background noise in an outdoor setting.

  • Sound quality score: 3.5/5

'XBoom' written on front of the LG XBoom Go XG8T

(Image credit: Future)

LG XBoom Go XG8T review: design

  • Military-grade durability
  • Decent looks with classy LED lights
  • Adjustable strap can work as handle

The LG XBoom Go XG8T has a pretty standard look about it – which is by no means a bad thing. It’s a large, black Bluetooth speaker with passive radiators on each side, lined by LED lights and a wraparound speaker grille. I found this to be an attractive looking speaker, with its build quality perhaps being indicative of a higher price point.

But this is more than a classy-looking speaker, it’s super practical too. First of all, one of the speaker’s main selling points is that it offers military-grade durability. LG says that the XG8T has passed seven tests against: dust, high temperatures, rain, salt fog, shock, vibration and water immersion. On top of that, it’s IP67 certified, so it can even survive being submerged under a meter of water for up to thirty minutes.

Another big win in terms of practicality is the inclusion of an adjustable strap. The attached strap is more of a handle at first, which is ideal for carrying this fairly hefty speaker over short distances. But let’s say you’re going for a beach trip and have to carry the XG8T over a bit more ground. Fear not! You can extend the attached strap to a considerable length, in order to sling it around your shoulder.

This speaker also has some useful button controls just below the handle. These are all well-sized and serve their purpose well. You have the obvious inclusions, play/pause, volume controls and power on/off. But there’s also a Bluetooth button to swiftly connect devices and a Sound Boost option to crank up volume and boost the low-end. On top of that, there’s a tab on the reverse side of the speaker to access the USB-A port or the charging slot.

And that leads onto the only design element that bothered me with the XG8T: charging it up. The included AC adapter gives off the vibe of an oversized laptop charger from about 15 years back – not a good look. This really juxtaposes the high practicality of every other aforementioned element – and as much as it’s no deal breaker, I would’ve preferred slightly more lightweight charging equipment for the XG8T.

  • Design score: 4/5

Tab on the reverse side of the LG XBoom Go XG8T undone to reveal ports

(Image credit: Future)

LG XBoom Go XG8T review: value

  • List price is high
  • But it's often available at a reduced price
  • Outdone by too many competitors

If we are judging the LG XBoom Go XG8T’s value on list price alone, things aren’t looking too good. You’d need fairly deep pockets to pick up this speaker without a discount – for reference its official price is $379.99 / £400 (about AU$600). And this speaker doesn’t do a ton to set itself apart at that price point.

Audio, although good, isn’t massively detailed or perfectly clear all the time. Combine that with a disappointing battery life and unimpressive EQ presets and its clear: this speaker isn’t worth its list price, especially when you consider the incredible quality of competitors in this price range, like the JBL Xtreme 4 or Bose SoundLink Max (more on those in ‘Also Consider’).

But luckily, there’s more to the story here. Since its release this speaker has been heavily discounted on a number of occasions – even for as little as half price in the UK and US. Even still, it's not free of competition. There are speakers like the Tribit Stormbox Blast, for instance that offer booming, talented audio for under $200 / £200.

Even if the XG8T is a solid speaker in its own right, it's hard to justify its list price. And even at a cut-price, I wouldn’t argue it's best-in-class either.

  • Value score: 2.5/5

Extended handle of the LG XBoom Go XG8T

(Image credit: Future)

Should I buy the LG XBoom Go XG8T?

Buy it if...

You want booming bass
I wouldn’t necessarily argue that the LG XBoom Go XG8T has the most impactful bass in the game, but it certainly offers a healthy serving of low-end power. If you’re hosting a house party or outdoor event, there’ll certainly be enough bass on offer to fill a larger space with big, booming audio.

You want ultimate protection against the elements
If durability and reliability are at the top of your priority list, this speaker is sure to serve you well. Not only does it have the IP67 dustproof and waterproof rating, but it offers military-grade protection against impact and harsh weather conditions.

Don't buy it if...

You want top-tier audio quality
If you want an elegantly balanced, beautifully detailed listen, you could do better than the LG XBoom Go XG8T. Audio quality is by no means bad here, but I didn’t get an amazing sense of nuance from this speaker, with the lack of ‘hi res’ audio codecs holding it back further.

You want a top value pick
If you’re paying the list price for this speaker, you’re not getting great value, unfortunately. Of course, it’s often available at a significantly cut price now, but there are so many fantastic, low-priced speakers out there, including the Tribit Stormbox Blast, for instance.

LG XBoom Go XG8T review: also consider

JBL Xtreme 4
For me, the JBL Xtreme 4 was one of 2024’s best Bluetooth speakers, bringing fantastic audio quality, high build quality and fantastic features to the table. When I initially reviewed it, my main issue came with its high list price, but you can regularly find it for far less now, making it a top-tier option for speakers in this size and weight class. Read our full JBL Xtreme 4 review.

Bose SoundLink Max
Another one of 2024’s big hitters was the Bose SoundLink Max – a speaker that offers punchy, agile and ultra-clean audio. It also has beautiful looks, an IP67 waterproof rating and a handy two-way USB-C socket, making it the perfect marriage of style with practicality. Read our full Bose SoundLink Max review.

LG XBoom Go XG8T review: how I tested

  • Tested for one week
  • Mainly used at our music testing space at Future Labs
  • Predominantly tested using Tidal on the Samsung Galaxy S24 FE

Passive radiator of the LG XBoom Go XG8T

(Image credit: Future)

I dedicated hours when listening to the LG XBoom Go XG8T and tried it out in a range of spaces. However, I did predominantly use it in our music testing room at Future Labs to assess audio quality in a quiet, controlled environment. I also conducted a battery test to validate LG’s claim about playtime.

When I listened to music, I mainly harnessed the power of Tidal via the Samsung Galaxy S24 FE, from which I streamed tracks within our expertly curated TechRadar reference playlist. But that's not all – I also tapped into tunes from my personal music library as well as podcast episodes. Finally, I used the similarly-sized JBL Xtreme 4 as a point of comparison across areas like sound quality, features and battery life.

  • First reviewed: January 2025
  • Read more about how we test
LG XBoom Go XG2T review: a hardy yet small Bluetooth speaker primed for all environments
4:00 pm | December 28, 2024
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

LG XBoom Go XG2T review: two-minute review

The LG XBoom Go XG2T is an ultra-durable mini Bluetooth speaker that’s ideal for taking out on the go. This mini waterproof speaker offers military-grade protection against the elements – pretty hardcore. But how does it sound? Let’s find out…

With a lot of small speakers, audio quality can be middling at best. But the LG XBoom Go XG2T puts out a pretty solid sonic performance. Is it the most talented-sounding speaker on the market? No. But it offers commendable all-round clarity and impressive volume levels, especially with the Sound Boost EQ option enabled.

You may expect a big, bass-heavy sound from the LG XBoom Go XG2T – I mean, it's literally in the name – but you won't actually find booming bass here. Bass is adequately punchy, but it’s not the most controlled or deep sounding. Again, that’s pretty common with these mini speakers, but still, it may be a little underwhelming for those expecting a hard-hitting low-end output. If big bass is what you’re after, check out our guide to the best Bluetooth speakers for a punchier alternative.

Of course, sound is always number one, but it's not everything. Thankfully, this speaker is extremely strong on the design front. It has a unique build, which includes a lace for attaching the speaker to a bag and four feet on its reverse side so the speaker can play upfiring audio. It’s also passed a series of tests that render it military-grade protected, not to mention an IP67 dustproof and waterproof rating, which makes it fit for any outdoor space, even the beach or pool.

Another nice inclusion is companion app compatibility, which enables EQ adjustment and Healing Therapy, which lets you listen to calming sounds – don’t worry, there’s a sleep timer included if you start to feel a bit drowsy while listening. One slight hiccup features-wise is battery life. The 10 hours maximum may sound good, but with Sound Boost on – which gives a serious leg-up to the speaker’s power – and volume above 50%, the battery will deplete considerably quicker.

Overall, this is a good small-sized speaker. Sure, you may have to charge it up semi-regularly, and sound quality isn’t top-tier, but you get generally clear audio, incredible durability, and an attractive design. Price-wise, this is great value if you can grab it on sale – but its list price of $79.99 / £69.99 / AU$89 may be slightly high against some competitors.

So, is the LG XBoom Go XG2T a speaker worth considering? Absolutely – that is if you want a travel-friendly small speaker that can slip into a bag for excursions. The biggest problem with the XG2T has more to do with the quality of its competitors. Options like the JBL Clip 5 and Tribit Stormbox Micro 2 are absolutely fantastic small speakers, with awesome audio and equally mighty waterproofing. If you’re all in on the XG2T’s design I’d say it’s worth buying on sale, otherwise, the aforementioned alternatives may just edge it out. More on those in the ‘Also Consider’ section.

Speaker grille of LG XBoom Go XG2T with power and play/pause buttons

(Image credit: Future)

LG XBoom Go XG2T review: price and release date

  • $79.99 / £69.99 / AU$89
  • Launched in March 2024

The LG XBoom Go XG2T was released back in March 2024 with a fairly moderate list price of $79.99 / £69.99 / AU$89. However, if you’re in the US or UK you shouldn’t expect to pay anywhere near as much as that for it now. I’ve already spotted this lil’ fella available for less than $35 / £40.

That price is very much in line with some top-tier small portable speakers, such as the JBL Clip 5, which I’ve seen go on sale for less than $50 / £40 in recent months. Sometimes, this speaker can be found in a 2-pack at retailers such as Costco, which may be an even more cost-efficient option for those seeking louder, more room-filling sound.

Volume wheel on the side of the LG XBoom Go XG2T

(Image credit: Future)

LG XBoom Go XG2T review: specs

LG XBoom Go XG2T review: features

  • Nifty companion app
  • Pairing, multi-point and all essential options are here
  • Average at best battery life

As is often the case with LG, you get a very solid companion app to assist you in your experience with the XG2T. It’s equipped with all the crucial tools you’d want from a modern Bluetooth speaker, including multi-point for connecting two devices at once and Party Link for connecting multiple speakers at once.

Another inclusion you’d expect to see is EQ settings, which are also here. Unfortunately, I found them to be a bit mixed, quality-wise. I did like the inclusion of a six-band equalizer, which offers a bit more customization than the slightly larger Bose SoundLink Flex Gen 2, for instance. But other than that things are a bit thin. The only other presets are Standard or Sound Boost. I wish there were a few more presets for particular moods or music genres, as you see with a lot of Sony’s speakers, for example.

But allow me to loop back to Sound Boost. This is a feature you can activate on the speaker itself or via the LG XBoom app. Essentially, it amplifies volume output and provides a bit more of a kick, especially in the low-frequency range. I’ll go into more detail about sound later, but for such a small speaker, the added power is very much a welcome addition.

On top of all the classic inclusions, the XG2T has some fun stuff to play around with. Healing Therapy plays from a set list of calming sounds, such as ‘A Still Summer Night with Insect Sounds’ or ‘The Sleepy Sounds of the Deep Sea,’ which did entice me, I can’t lie. You can set a sleep timer alongside these, just in case you drift off before an important meeting. Is this gimmicky? Sure, a little bit. Did I like it anyway? Yes, I did.

But let’s finish by tackling one of the key areas for any speaker – battery life. This speaker won’t be able to survive too long, although that’s pretty common for models of this size. LG says you get a maximum of 10 hours of playtime, which is pretty average. But here’s the thing – that’s only if you’re playing at 50% or lower with Sound Boost or EQ settings off. Fine-tune your audio and crank the volume up and you can expect the battery to drain much faster, meaning you’ll definitely want a full charge before taking it out and about.

  • Features score: 3.5/5

Sound boost and Bluetooth buttons on the reverse side of the LG XBoom Go XG2T

(Image credit: Future)

LG XBoom Go XG2T review: sound quality

  • Clear overall audio
  • Bass isn’t booming
  • Can get impressively loud, but you’ll compromise on quality

With a lot of these small-sized portable speakers, you get pretty disappointing quality in exchange for a highly compact build. Is that the case with the LG XBoom Go XG2T? Not exactly, but you’ll certainly have to make some sacrifices.

First, I thought the overall audio quality was solid, with decent mids audible from the offset. For instance, I tried Nothing Can Come Between Us by Sade and found that vocals were clear in the overall mix at around 50-60% volume and didn’t get distorted or drowned out by other mid-range or low-frequency sounds. If anything, I thought that bass was lacking. There was, thankfully, a part-solution here – Sound Boost mode. This amps up the volume and adds a bit more meat in the low end, which was very much needed. With this mode on, the bass was okay for a small-sized speaker, but still not exactly “booming” as LG has advertised.

I compared the XG2T to the JBL Clip 5 and found the latter offers meatier and clearer bass output. For instance, the drum machine in Black Eye by Allie X was replicated with more depth and impact with the Clip 5, even when utilizing Sound Boost mode on the XG2T. What the XG2T did offer, however, was a bit more clarity in the mids – vocals sounded clean and overall output was nicely balanced, especially with the speaker placed on its feet.

However, the vocals sounded a touch harsh when the speaker was hung up and angled toward me, and that wasn’t the only time I felt the audio quality suffered. When I cranked up the volume to the 80%-100% mark, songs got swamped by an almost underwater effect, marked by muddied, tinny audio output. Don’t get me wrong, this mini speaker can certainly get loud for its size, but it won’t sound great at the top of its range.

Having said that, I do want to give the XG2T its flowers. It may not sound the best at top volumes or certain angles, but this is pretty standard for a small-sized speaker. And when I compared it to the Sony SRS-XB100, the XG2T outperformed it by a significant margin. For example, I tuned into Everyday by Jamiroquai on the XG2T and found that strings were well-balanced in the mix and hi-hats sounded sharp and responsive. When I listened to it on the XB-100, bass levels were stronger, but the low end wasn’t too clear, making for a bloated, messy overall sound.

So, you do get fairly nuanced, clear sound from the XG2T compared to some small-sized competitors, but you still can’t expect amazing audio. Bass is pretty underwhelming, even when using Sound Boost and detail is lacking – especially at top volumes.

  • Sound quality score: 3.5/5

Side profile of the LG XBoom Go XG2T

(Image credit: Future)

LG XBoom Go XG2T review: design

  • Unique, rugged-looking speaker
  • ‘Military-grade’ protection against the elements
  • Lace can be used to hang or attach it

Something that's sure to instantly grab people’s attention is the XG2T’s unique-looking design. It comes in a diminutive, curved, square-shaped shell, with a lace attached to the side. This lace can be adjusted and attached to anything from a bag to a hook – you could even sling it on a tree branch when out in the woods. A lace isn’t something I’ve seen from a whole lot of speakers before, so LG scores well for originality.

The speaker's outer casing is pretty hardy, after all, LG claims that the XG2T meets US military standards. To back up this claim, the speaker passed seven durability tests against: dust, high temperatures, rain, salt fog, shock, vibration, and water immersion. It'll be unsurprising, then, that this speaker holds the IP67 dust and waterproof rating, meaning it's well equipped for any outdoor space, even the sea or a swimming pool. That's a staple design feature of any speaker that wants to make it into our list of the best waterproof speakers.

Another unorthodox design choice is a volume wheel on the side of the speaker, as opposed to buttons or similar. I found this to be pretty cool-looking and responsive too. Notably, there’s a power button and a play/pause button on the front of the speaker. Practicalities aside, I also found the black and red color combination to be very appealing – the relatively low-key color coding suiting the speaker’s ruggedness to a tee.

One small criticism, though. I would have loved it if the speaker could stand upright without my hand supporting it. It can sit on four feet for upfiring sound, but this isn’t always ideal. The option to have forward-firing audio would be the icing on the cake here, but I’m fully satisfied with the design otherwise.

  • Design score: 4.5/5

Bluetooth button on the reverse side of the LG XBoom Go XG2T

(Image credit: Future)

LG XBoom Go XG2T review: value

  • Great price when on sale
  • Solid sound for the money you pay
  • Not worth it at full price, in my view

Is the LG XBoom Go XG2T worth your cash when it’s at full price? Perhaps not. That’s not to say it’s way overpriced, but there are far too many small-sized options with lower price tags out there.

Consider the discounted cost it’s regularly available for and the picture totally changes, though. If you can nab this for less than $40 / £40 / AU$70, I think it's a decent option. Audio is by no means perfect, but for a tiny Bluetooth speaker like this, it’s more than passable. You also get an ultra-durable, attractive design and a nice assortment of features to play around with.

So, again, if you can grab the XG2T on sale – which shouldn’t be a rare occurrence at this stage – then it is a very strong value option.

  • Value score: 4/5

LG logo on the reverse side of the LG XBoom Go XG2T

(Image credit: Future)

Should I buy the LG XBoom Go XG2T?

Buy it if...

You want an audio travel companion
This is an ultra-portable speaker that you can easily attach to, or carry inside, a small bag for your travels. It's also IP67-rated, meaning it's perfectly suited to any outdoor environment.

You’re searching for an attractive, unique-looking speaker
There aren’t many speakers that look like the LG XBoom Go XG2T. With its practical lace, rounded square shape, and red/black colorway, it has an aesthetic that neatly fits its rugged build.

Don't buy it if...

You’re looking for premium audio
A lot of mini speakers struggle to offer impressive audio, and although the XG2T puts up a valiant effort, it's not exactly premium-sounding. If you’re an audiophile, it could be worth considering a slightly larger, yet still portable option, like the Sonos Roam 2, for instance.

You need long battery life
A 10-hour battery may seem like a decent amount, but if you’re listening at higher volumes or have Sound Boost active, you’ll get less playtime than that out of the XG2T. If battery life is a top priority, it's worth considering other options, such as the two alternatives below.

LG XBoom Go XG2T review: also consider

JBL Clip 5
The JBL Clip 5 is a super-impressive small speaker with punchy bass, solid volume levels, and a convenient carabiner-like design. It even has Auracast Bluetooth tech and an IP67 rating – not bad at all. In my view, it’s still the best-in-class for speakers of this size and it's regularly available at a cut price, so it’s a top-tier option. Read our full JBL Clip 5 review.

Tribit Stormbox Micro 2
Another excellent small speaker is the Tribit Stormbox Micro 2. It offers strong sound quality, a fantastically compact build, and even the ability to charge external devices. It's also very well-priced and regularly available at a discount, so it’s a top-tier value pick in my book. Read our full Tribit Stormbox Micro 2 review.

LG XBoom Go XG2T review: how I tested

  • Tested for one week
  • Predominantly used in music testing space at Future Labs
  • Mainly listened with Tidal on Samsung Galaxy S24 FE

I spent hours listening to music on the LG XBoom Go XG2T. I tried the speaker in a few environments but mainly used it in our music testing room at Future Labs to best judge the audio quality and assess the accuracy of battery life claims.

When listening to tunes, I predominantly tapped into Tidal on the Samsung Galaxy S24 FE, where I streamed tracks from our carefully curated TechRadar reference playlist, as well as my personal library. I also used a range of small-sized speakers for comparison, including the Sony SRS-XB100 and JBL Clip 4.

  • First reviewed: December 2024
  • Read more about how we test
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