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I tested the new Bluetooth speaker boss and let me tell you, it’s better than the old boss
3:00 pm | April 28, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

JBL Flip 7: Two-minute review

Meet the news boss, handily better than the old boss and even more of a class-leader than before. JBL has not rested on its laurels with the Flip 7, the latest version of its all-conquering portable Bluetooth speaker series, and the result is an obvious front-runner that will leave its nominal rivals gasping.

You get plenty of power (35 watts, in fact) to motor its two-driver speaker array. You get 14 hours of playback (16 if you’re happy to do without some low-frequency presence). You get Auracast compatibility and the chance to listen to genuinely hi-res content if you hard-wire the Flip 7 to an appropriate source via its USB-C socket. You get access to a good control app, the ability to form a stereo pair with another JBL Flip 7, and your choice of quite a few vibrant finishes.

What’s almost best is the sound the JBL makes. By the standards of small-ish portable speakers, it’s an open and detailed listen, punchy but controlled at the bottom end, has impressive dynamic headroom and the sort of clarity and positivity that eludes all but the very best Bluetooth speakers at anything like this price.

Best of all, though, is the fact that all of this talent, tactility and robustness is yours for $149 / £129 / AU$179. There isn’t as complete an alternative available for anything like as aggressive a price as this.

JBL Flip 7 review: Price and release date

  • Released March, 2025
  • Officially priced at $149 / £129 / AU$179

The JBL Flip 7 went on sale during March 2025, and in the United States it costs $149. That translates to £129 in the United Kingdom, and around AU$179 in Australia.

That the majority of its most obvious competitors have been directly inspired by previous Flip models is neither here nor there – class-leaders are there to be shot at, and this seventh generation of Flip has a lot to live up to as well as some good alternatives to deal with.

JBL Flip 7 portable Bluetooth speaker on a white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Specs

JBL Flip 7 portable Bluetooth speaker, with Power and Bluetooth lights on, on white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Features

  • 45 x 80mm mid/bass driver, 16mm tweeter
  • Bluetooth 5.4
  • 60Hz - 20kHz frequency response

For wireless connectivity, the Flip 7 uses top-of-the-shop Bluetooth 5.4 – it’s compatible with SBC and AAC codecs, which is not anyone’s idea of ‘top-of-the-shop’ but in the context of the product is perfectly adequate.

For the first time, here’s a JBL Flip that can be hard-wired to a source of music. The USB-C socket is used for charging the speaker’s battery, of course, but it can also be used for data transfer and, when connected to an appropriate source, it’s able to churn out genuinely high-resolution (24bit/96kHz) stuff. Just hold down the big, bold ‘play’ button on the speaker as you plug in your USB-C cable and you’ll be ready to go.

No matter your method of getting content on board, it’s delivered to your ears by a 45 x 80mm ‘racetrack’ driver taking care of midrange and bass, and a 16mm tweeter for the higher frequencies. The big driver gets 25 watts of power in order to do its thing, and the tweeter another 10 - and there’s no denying that a 35 watt output in a product of this size is plenty. It’s an arrangement that JBL reckons is good for a frequency response of 60Hz - 20kHz.

Another Flip first is Auracast compatibility. So, as well as being able to form a stereo pair with a second Flip 7 (albeit none of the previous models), you can hook up as many Auracast-enabled products as you like into a single entity for simultaneous playback.

Meanwhile, JBL’s proprietary ‘AI Sound Boost’ technology analyzes the music that’s playing on the fly in an effort to minimize distortion and (according to the company) liberate greater scale and bigger bass. An opposing technology is ‘PlaytimeBoost’ – it reduces low-frequency activity in an effort to eke out additional battery life.

  • Features score: 5/5

Carry strap of the JBL Flip 7 portable Bluetooth speaker, on a white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Design

  • Choice of seven finishes
  • IP68 -rated
  • Carry strap and carabiner

‘Rugged’ isn’t too strong a word to describe the Flip 7's design. Anyone familiar with previous Flips will recognize the almost-cylindrical shape, the eminently grabbable 70 x 183 x 72mm (HxWxD) dimensions and the rubber’n’fabric construction. By the standards of affordable portable Bluetooth speakers, the Flip 7 looks and feels built to last, especially if you choose the camouflage (or ‘squad’) finish. That said, the other six available colours are all nice enough in their own way and you’ll certainly find something to suit you.

‘Rugged’ is definitely the word to describe this speaker’s durability, though. An IP68 rating is class-leading, and means the Flip 7 is basically immune to dust or moisture unless you really go out of your way to try and disprove that idea. The beach, the pool, the festival… none of these environments should present any kind of problem to the JBL. And the company has enhanced the Flip 7’s portable go-anywhere credentials by fitting a little detachable fabric carry-strap and providing a carabiner in the packaging.

Build quality is great, the choice of materials is judicious, and the standard of finish is beyond reproach. I like to try and find a 'yes, but…' where the design and construction of a product like this is concerned, but frankly I’ve got nothing.

  • Design score: 5/5

JBL Flip 7 portable Bluetooth speaker top panel

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Sound quality

  • Detailed, direct and confident sound
  • Plenty of punch and dynamic headroom
  • Rhythmically adept

JBL has turned out plenty of very good portable Bluetooth speakers in its time, and its ‘Flip’ series has generally been very good indeed. So when I say the Flip 7 is the best so far, I don’t say it lightly.

In every area of sonic performance, the Flip 7 outperforms its asking price to an almost startling degree. Operating wirelessly and with a Qobuz-derived 16bit/44.1kHz file of Fugazi’s Waiting Room playing, the JBL is a confident and entertaining listen. It digs deep into the low frequencies, hits with real determination, and shapes bass sounds with such conviction that rhythms are given full expression. There’s plenty of variation at the bottom end, too, thanks to detail levels that are the equal of those higher up the frequency range.

The midrange is balanced and communicative, so a voice as idiosyncratic as Teddy Hill’s during I Just Dropped In (To See What Condition My Condition Was In) is loaded with character as well as the minutiae of his technique. It exists in a nice little pocket of space, thanks to an open and well-defined soundstage that seems to defy the physics of a small device with a couple of drivers facing dead ahead. The top of the frequency range is bright but not edgy, and just as detailed as everything going on beneath it. Overall tonality is nicely natural and consistent from top to bottom.The Fugazi tune is a good showcase for the JBL’s ability where big dynamic shifts are concerned, but Anxiety by Doechii is an even better demonstration of the speaker’s ability to deal with the more minor, but no less important, dynamics of tonal and harmonic variation. The Flip 7 is an attentive, eloquent performer with the sort of directness of sound that makes every tune seem somehow alert and alive.

Really, there’s no meaningful downside. It’s possible to interfere with the sonic balance JBL has hit upon by playing fast and loose with the seven-band EQ in the app, of course, but why would you? The Flip 7 sounds just right exactly as it comes out of the box.

  • Sound quality: 5/5

Trio of screenshots showing the JBL Flip 7 connected to the JBL app, including EQ settings

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Usability and setup

To be fair it’s difficult to get ‘usability and setup’ wrong when it comes to affordable Bluetooth speakers, but that doesn’t mean some brands haven’t given it a good go. JBL, though, is not one of those brands and the Flip 7 can be set up and used by anyone of reading age.

Control is available using the big, rubberised buttons on the device itself – ‘play/pause’, ‘volume up/down’, ‘Bluetooth pairing’, ‘Auracast’ and ‘power on/off’ are available. The JBL ‘Portable’ app that’s free for iOS and Android is also available - and it’s as stable, as logical and as useful an app as we’ve all come to expect from the company. It offers an indication of battery life, the ability to create a stereo pair, allows you to switch ‘PlaytimeBoost’ on or off, and features a seven-band EQ as well as a selection of presets. You can check for firmware updates and wireless connect multiple speakers for what JBL is confident is “an instant party”.

Some 14 hours of battery life is not to be sniffed at, of course – it turns ‘usability’ into an all-day event. And with ‘PlaytimeBoost’ switched on, you can go for as many as 16 hours if you don’t mind a little shortfall in bass power.

  • Usability and setup: 5/5

JBL Flip 7 portable Bluetooth speaker turned on its side and stood on a white surface

(Image credit: Future / Simon Lucas)

JBL Flip 7 review: Value

If you’ve read this far, I’d hope you understand the JBL Flip 7 is approaching ‘no-brainer’ status. It offers very decent value for money in every respect: it’s properly made and finished, is built to survive fairly major disasters, looks and feels good, and sounds better than any price-comparable alternative. It has some very useful extended functionality and will play for hours at a time before it needs charging.

What else do you want? Jam on it?

  • Value score: 5/5

JBL Flip 7 portable Bluetooth speaker end panel laid flat on a white surface

(Image credit: Future / Simon Lucas)

Should I buy the JBL Flip 7?

Buy it if…

You enjoy energetic, detailed sound
The JBL is adept where rhythms, dynamics and detail levels are concerned, and it is a lively, entertaining listen at the same time.

You’re in any way careless
A class-leading IP68 rating means the Flip 7 is your best choice in pretty much every circumstance.

You like a long listen
As long as you’re not listening at top volume, the Flip 7 should run for an easy 14 hours between charges. That should be long enough, let’s face it.

Don’t buy it if…

You want to involve your older Flip speakers
Flip 7 will only pair with other Flip 7s, it has no backwards compatibility.

You’re in a hurry
Charging from ‘flat’ to ‘full’ takes a relatively leisurely two-and-a-half hours.

JBL Flip 7 review: Also consider

Sonos Roam 2
The Sonos Roam owes a lot to the JBL Flip range, and the current Roam 2 costs a chunk more than a Flip 7, but it’s a very good speaker nonetheless. As long as you can live with the knowledge that the Sonos control app might suddenly burst into flames again, it’s well worth considering.
Read more in our Sonos Roam2 review.

Tribit Stormbox Flow
You could also sacrifice some of the JBL’s hardwearing go-anywhere appeal and save yourself a few quid while gaining a stack of battery life and consider the Tribit Stormbox Flow. No, it’s no looker and no, it’s not exactly a featherweight, but the sound is good and 30 hours of playback at a time is straightforwardly impressive.
Read all about it in our Tribit Stormbox Flow review.

How I tested the JBL Flip 7

  • Tested for about a week, mainly indoors but also by the sea
  • Played a variety of music types
  • Listened to the Qobuz app on iPhone smartphone, FiiO M15S high-res audio player and via USB-C

I used the JBL Flip 7 on my desktop, of course, but it’s an ideal candidate for use on the pebbly and windswept beaches around the United Kingdom's south coast too, and so I took it with me whenever I was near the sea.

I wirelessly connected it to an Apple iPhone 14 Pro and a FiiO M15S, and used its new USB-C functionality to hard-wire it to an Apple MacBook Pro, too. It was nothing but a pleasure to listen to every time.

Read more about how we test

  • First reviewed: April 2025
Vertere’s DG X turntable is both sonically gifted and easy to use,and for ‘serious’ hi-fi, that’s rare
3:48 pm | April 10, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

Vertere DG X: two-minute review

Put $5,400/ £4,150 / AU$8,500 Vertere’s way and in return you get a beautifully constructed DG X turntable, a strange-looking but remarkably capable Groove Runner X tonearm, and a cartridge that’s a lot more serious than the model name ‘Lite Sabre’ might lead you to believe. Although this review is titled 'Vertere DG X' for brevity, I'm reviewing the full package here: Vertere DG X / Groove Runner X / Lite Sabre – and what a package it is.

What’s more, you get a proper power supply and equally capable cables too. You even get a dust-cover. The DG X package is simplicity itself to set up – all the hard work has been done in the factory – so your sonic gratification need not be deferred very long at all.

And gratification is really what the Vertere DG X is dealing in – it'll be the reason it soon features in our pick of the best turntables, at any rate. It might lack the last scintilla of audio bolshiness, and not be quite as willing as some alternative designs to really attack those recordings that are, let’s face it, asking for it. But in every other respect it’s a thrillingly accomplished listen. Where control, balance, tonal fidelity, frequency response, rhythmic expression and all the other stuff that goes into making a rounded and convincing presentation, the DG X barely puts a foot wrong. And it’s engaging and entertaining at the same time – which is by no means a given no matter how much you’re spending on a record player.

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Vertere DG X review: Price & release date

The Vertere DG X / Groove Runner X / Lite Sabre package was released on March 20, 2025, and in the United Kingdom it’s yours for £4150. In the United States it sells for $5400, while in Australia the going rate is AU$8500.

There are two equally important things to bear in mind when considering this asking price. The first is that there are plenty of very capable turntable/tonearm/cartridge combinations available at this sort of money from extremely well-regarded manufacturers. The other is that Vertere itself is now firmly established as an extremely well-regarded manufacturer…

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Vertere DG X review: Features

  • Microprocessor-controlled belt drive (33.3 and 45rpm)
  • Tri-point articulated tonearm bearing system
  • Vertere DC-2 bespoke power supply

Somehow ‘features’ seems too weak a word to describe the lengths Vertere has gone to, and the engineering mania that has been brought to bear, to deliver the DG X / Groover Runner / Lite Sabre package. Still, it’s the word I’ve been given to work with – so here goes…

The DG X turntable has a main bearing housing made of precisely machined brass alloy, with a tungsten carbide thrust ball. Its non-magnetic stainless steel spindle is mirror polished, and it features aluminium alloy plinth interface clamps. The drive system is made up of a machined acetal motor spindle thrust bearing, a machined aluminium alloy pulley along with a resonance control disc of the same material. The platter it turns is also (mostly) of machined aluminium, and Vertere supplies a cork/neoprene/nitrile mat which has, so it claims, a positive effect on the resulting sound. 33.3 or 45rpm speeds are electronically selectable via microprocessor-controlled motor drive – a silicon drive belt does the donkey work.

The Groover Runner tonearm, meanwhile, is 240mm long and an unusual flat shape. It’s made up of two bonded lengths of five-layer polymer – the idea is to minimise the resonance peak inherent in the more common tube arm designs. It’s a tri-point articulated design, and uses three captive silicon nitride balls with a machined non-magnetic bearing point. It’s similar in this way to the far more upmarket Vertere SG 1 turntable’s tonearm assembly. The azimuth setting mechanism and stainless steel counterweight have been updated - there’s now a locking aluminium alloy counterweight screw – and there’s a secondary weight that’s adjustable along much of the length of the tonearm to help with cartridge-matching.

The tonearm beam features a magnetic rest, so the arm doesn’t need to be clipped into place when it’s not active. The lift/lower mechanism is insulated, and is fixed to the non-resonant bearing pillar. The arm is pre-fitted with a new moving-magnet cartridge called Lite Sabre – it might seem a slightly flippant, pun-tastic name at first, until you realise it’s designed to offer a lot of the performance of the company’s considerably pricier Sabre MM cartridge. Naturally it’s optimised in every respect to be the perfect partner to the arm and the turntable it’s wedded to.

Power is supplied by Vertere’s DC-2 ‘Challenger’ 30V DC unit that was, until very recently, a cost option. Some very acceptable stereo RCA connection cables are included in the package too – so as far as the DG X system goes, you have everything you need to get up and running.

  • Features score: 5 / 5

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Vertere DG X review: sound quality

  • Sky-high detail retrieval
  • Rhythmically positive and assured
  • Tightly unified overall presentation

I may as well get this out of the way from the get-go: the Vertere DG X package isn’t a complete all-rounder. It very nearly is, but in one respect this turntable falls fractionally short. That’s not to say it wouldn’t be ideal for your purposes, of course – but nevertheless it’s something you should be aware of.

Basically, the DG X isn’t quite as attacking or driving as it might be. With a fairly assertive recording playing (a chunky reissue of Pere Ubu’s The Modern Dance, for instance) there’s not quite the charge or the onslaught the material demands. It’s not that the DG X is overly polite – it’s prepared to bare its teeth if it absolutely has to. But other price-comparable rivals are more willing to blitz through the recording than this record player is.

And with that out of the way, I’m free to discuss all the very many ways in which the DG X is an admirable, engaging and thoroughly convincing listen. Where to start?

With frequency response, maybe? It’s absolutely even from top to bottom; the DG X delves deep into the lower frequencies and reaches high at the top end, but no area of the frequency range is overstated and no area is underplayed. It’s even-handed and unified, and the overall presentation is brilliantly naturalistic as a result.

Tonally, too, the Vertere is expertly judged. There just doesn’t seem to be any significant input into tonality from the DG X – so when you listen to something warmly analogue like Heart of the Congos by The Congos, ‘warmly analogue’ is what you get, and when you listen to something rather more chilly and austere like Kraftwerk’s Trans Europe Express what you get is chilly an… well, you get the picture. The tonal balance of this record player seems to be dictated by the music it’s playing rather than any idea of what’s ‘correct’, and it’s an impressively balanced listen as a result.

Detail levels, across the board, are sky-high – and the DG X seems to have no problem identifying the most transient episodes in a recording and placing them into context with just the right amount of weighting. Despite its attention to detail, though, it never sounds analytical or dispassionate – it simply has a happy knack for extracting every shred of information in the groove of your record and handing it over in a completely unforced manner.

Rhythms are confidently expressed, thanks to the sort of low-frequency control and authority the Vereter demonstrates, and even the gimpy tempos of Tony Allen’s Lagos No Shaking roll along as if they’re the most natural and simple thing in the world. The attention the DG X pays to harmonic variations is fanatical, and it has the sort of effortless power to put significant distance between the quietest and the most vehement moments of a recording. When the horns really start to blare, the increase in volume and intensity is made absolutely apparent.

And all of this good stuff happens without sacrificing the sort of unity and singularity of presentation for which the vinyl format is routinely prized. There’s a sense of togetherness and of performance to the way the Vertere presents music that’s extremely persuasive – and this is the case even when it’s playing music that never was a performance. Four Tet’s And They All Look Broken Hearted sounds as whole and as singular as any recording by a band playing all together in the studio.

  • Sound quality score: 4.5 / 5

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Vertere DG X review: Design

  • 130 x 469 x 384mm (HxWxD including dust cover)
  • Black, white or red gloss finishes
  • Adjustable feet

Fundamentally, the DG X looks like a record player, but Vertere has managed to design just a little individuality into it. The company will of course tell you that everything it’s done, it’s done in the name of performance – but the fact that the result is a turntable that’s just slightly individual and even mildly dramatic in the way it looks can’t have disappointed Vertere either.

The main plinth, with its racy little angular cutaways on each of its four sides, is made up of three layers of cast acrylic arranged in a non-resonant sandwich. The filling is clear, and internally illuminated for a little visual pizzazz; the upper and lower sections are available in gloss black or gloss red as well as the gloss white of my review sample.

The substructure is a black-coated zintec steel chassis, and the entire arrangement is supported on three threaded feet that are topped (or, more correctly, bottomed) with resistive felt. They’re adjustable, naturally, so you can be sure your DG X is perfectly level. A spirit gauge is provided so you can make absolutely certain.

On the rear of the plinth, along with an input for the mains adapter, there are a pair of gold-plated RCA output sockets. Like almost every electrical element of this package, they have selectable shielding – choose from ‘signal’, ‘chassis’ or ‘floating’.

The DG X is supplied with a tinted acrylic dust-cover, and as is appropriate in the overall context of this turntable, it is designed to be as resistant to resonance as is possible. With the dust-cover attached to its hinges, the all-in weight of the Vertere is 8.5kg.

  • Design score: 5 / 5

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Vertere DG X review: Usability & setup

  • Pre-fitted and pre-adjusted cartridge
  • Simple anti-skate adjustment
  • Both counterweights factory-set

It’s not unheard-of for an upmarket and shamelessly ‘audiophile’ turntable to be simple and straightforward to set up – it’s just quite rare. So it’s nice to be able to add the Vertere DG X package to the list.

As the Lite Sabre arrives connected to the Groove Runner X tonearm, everything that needs to be done has already been done in the factory. Tracking weight adjustment? Vertical tracking angle? Anti-skate, azimuth and counterweight? All taken care of. All you have to do is position the tonearm and plug its cable (which is terminated with what looks very much like a microUSB socket) into the body of the plinth and you’re in business. Well, once you’ve made a connection to an amplifier and to mains power, anyway.

And as far as usability goes, well, this is a record player – there’s next-to-nothing to it. The speed control is on a switch on the top left of the plinth as you look down on it - short presses toggle between 33.3 and 45rpm, and a long press switches the deck either on or off. Put a record on the mat, set it turning at the correct speed, lower the tonearm – and you’re in business.

  • Usability and setup score: 5 / 5

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Vertere DG X review: Value

‘Value’ is a slightly tricky consideration where products like this, at this sort of money, are concerned. After all, shouldn’t spending north of £4K on a turntable guarantee impressive build quality, flawless finish and stunning sound quality?

If you’ve read this far then you know all of this is covered by the Vertere DG X – and you also know that if you’re going to take full advantage of what this record player has to offer, you’ll need a similarly expensive system with which to do so.

There’s no disputing this product’s credentials, and by extension the value for money it offers. Ultimately, it’s going to depend on whether or not you enjoy the way the DG X looks, and even more importantly, the way it goes about doing the audio business…

  • Value score: 4.5 / 5

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Should I buy the Vertere DG X?

Buy it if…

You enjoy a full and unequivocal account of your records
The DG X package doesn’t scrimp on the details - quite the opposite, in factView Deal

You think this sort of money should by everything you need in a record player
From power supply and cables to a pre-fitted and pre-adjusted cartridge, the Vertere is ready to goView Deal

You like a bit of thoughtful design
The DG X is just individual enough in its design to count as ‘interesting’View Deal

Don't buy it if…

You want sonic blood and thunder
The DG X is talented in very many ways, but it’s not the most attacking listenView Deal

You don’t have particularly steady hands
The Groove Runner X tri-point articulated tonearm can feel perilously loose. It isn’t, of course, it just feels it…View Deal

You own lots of 78rpm recordings
Plenty of alternative designs can indulge your throwback ways… View Deal

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

Vertere DG X review: Also consider

Technics SL-1300G
The Technics SL-1300G will set you back $2,999 / £2,799 – but by the time you’ve specified an appropriate cartridge you’ll be rapidly closing in on Vertere DG X money. Sturdy and purposeful in appearance where the Vertere is relatively slender and delicate, the Technics is a potent and unshakably stable listen with plenty going for it where rhythmic expression and detail retrieval is concerned.
Read more on the Technics SL-1300GView Deal

Rega Planar 10

…Or you might go to the other visual extreme and consider the Rega Planar 10 – at $5,000 / £4,350 or so without a cartridge it’s a pricier proposition than the Vertere, and that money doesn’t seem to buy you very much stuff at all. But rest assured the Rega is a stunningly complete performer without a significant shortcoming to report on… View Deal

Vertere DG X turntable, in a hi-fi listening room, ready for testing

(Image credit: Future)

How I tested the Vertere DG X

How did I test the Vertere DG X / Groove Runner X / Lite Sabre? After setting it up, I connected the turntable to a Naim Uniti Star using the supplied RCA connections. The Naim was then connected to a pair of Bowers & Wilkins 705 S3 Signature loudspeakers (bolted to their bespoke FS-700 S3 stands) using QED XT40i speaker cable.

Then, I spent well over a working week listening to as much music as I could, of many different genres, and of many different qualities of pressing, in an effort to find something the Vertere couldn’t get along with. And if this sounds in any way arduous, I assure you it wasn’t.

I tested the Tribit Stormbox Lava Bluetooth speaker and although it lacks a red-hot design, it’s a solid, budget-friendly option
2:00 pm | April 3, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Tribit Stormbox Lava: Two-minute review

A new Bluetooth speaker has erupted, boasting booming bass output that will make you “feel the heartbeat of the earth”. So yes, enter the Tribit Stormbox Lava. This semi-cylindrical party speaker aims to supply powerful sound and a rugged build in one budget-friendly package. It comes in with a list price of $129.99 / £111 (about AU$200) which is really quite modest for a medium-large sized option like this.

As some of you may have suspected given that low price-tag, feeling the earth’s heartbeat may be a slight exaggeration. And you’d be correct. Sure, you can get bold, room-filling low-end output from the Tribit Stormbox Lava, but it struggles to knock those really deep notes out of the park, even after some EQ adjustment.

General audio quality is decent, but hardly as red-hot as some of the best Bluetooth speakers. Out of the box, the standard tuning is a little bloated, with sounds in the mid-range often smothered by rumbling low-end frequencies. That can often be the case when you activate XBass too – a mode which ramps up low sounds even further and will cause the speaker’s solid 24 hour battery life to deplete at a faster rate.

With a bit of tuning, you can get relatively clean sound for a speaker close to $100 / £100. It’s never going to get ultra-detailed or airy, especially with the lack of ‘hi-res’ codecs like LDAC, but it’s certainly clear enough for house parties or outdoor events with lots of background noise.

And this speaker truly is party-ready, no matter the surroundings. It has a rugged build – similar to that of the JBL Xtreme 4 and, like the best waterproof speakers, has the IP67 dustproof and waterproof rating, protecting it against grime and underwater submersion. Other practical elements include an interchangeable handle and strap, AUX port for wired listening and a USB-A port for charging external devices – though I would’ve preferred to see a more 2025-friendly USB-C slot substituted in.

The basic but handy Tribit app is back too, opening up access to a ten-band equaliser and a bunch of EQ presets, voice prompt settings and multi-speaker pairing. Speaking of, you can actually link more than 160 of the same model together. I didn’t get the chance to validate that, of course, but still…I’m sure 160 of these at once could create quite a racket.

I think the most disappointing aspect of the Tribit Stormbox Lava is that really, it does very little to appear on-theme and validate its strong name. Yes, the whole Lava thing may be more in reference to bass than anything else, but surely it could’ve inspired a more volcanic, explosive design? The Stormbox Lava is a plain, black speaker that does very little to stand out from the crowd.

Another issue I ran into was that sound would cut out for half a second whenever I adjusted volume, but I’d hope this will be remedied in a future firmware update. Otherwise, there’s a lot to like about this affordable party speaker. It can’t compete with more sonically talented speakers like the Bose SoundLink Max or even its cousin, the Tribit Stormbox Blast 2. But if you can grab it for around $100 / £100 it's a reasonable, cheap option that’s worth a look.

I’d argue that the original Tribit Stormbox Blast is a stronger alternative thanks to its regimented bass floor, eye-catching looks and USB-C out port. And given it's regularly available for less than $200 / £150, it beats the Stormbox Lava for sound-for-pound value – so long as you’re OK with a more boombox-like appearance.

Tribit Stormbox Lava with strap attached

(Image credit: Future)

Tribit Stormbox Lava review: Price and release date

  • $129.99 / £111 (about AU$200)
  • Launched in March 2025

The Tribit Stormbox Lava is the latest addition to the audio manufacturer’s speaker range, having launched in March 2025. Pricing already seems to be in flux, but at the time of writing, Tribit is shipping the Stormbox Lava for $129.99 / £111 (about AU$200). I’d expect to see discounts coming thick and fast though, as this is regularly the case with Tribit products in my experience.

At the moment, it’s only available in black, but a grey version is said to be coming in May 2025. For a speaker of this size, the Stormbox Lava is very modestly priced. It’s strikingly similar in form to the JBL Xtreme 4, which for reference, has a list price well in excess of $300 / £300.

Tribit Stormbox Lava review: Specs

Button controls on top of the Tribit Stormbox Lava

(Image credit: Future)

Tribit Stormbox Lava review: Features

  • Handy app with nice EQ options
  • USB-A charge out
  • Solid 24-hour battery life

Tribit hasn’t done anything crazy with the Stormbox Lava’s feature-set, but it’s still got the basics down. Of course all the usual stuff is here, be that multi-speaker pairing, Bluetooth 5.4 connectivity or XBass – a feature which ramps up low-end power for bass-heavy bangers.

But you also get EQ settings that have been fleshed out pretty nicely. There are six presets, including genre-specific options like Rock or Jazz, but there’s also space to save some custom calibrations via a ten-band equaliser. You’ll likely want to make use of that custom EQ option to achieve the best sound, but we’ll get more into that later…

There are a few other small options to mess around like toggles for voice prompt or remotely adjust volume and play/pause music. But a more prominent addition is a USB-A charge out port that enables the Stormbox Lava to double up as a power bank for other devices, including the best phones. I would’ve preferred to see a more modern USB-C port used for this function, something the Anker Soundcore Boom 2 Plus offers, among others.

Another big talking point is battery life – an area in which the Stormbox Lava performs decently. It can offer 24 hours of playtime, so long as you’re listening at 50% volume with XBass on. That’s very much in-line with competitors in this size class – it’s nothing mind-blowing, but more than enough if you want a speaker that’s going to keep the party moving into the early hours.

  • Features score: 4/5

Someone undoing the tab on the reverse side of the Tribit Stormbox Lava, exposing various ports

(Image credit: Future)

Tribit Stormbox Lava review: Sound quality

  • Relatively clean audio possible with some tuning
  • Bass is fairly meaty, but the deepest notes can prove challenging
  • Can struggle a little at top volumes

At around $100 / £100, I really wasn’t expecting any miracles from the Tribit Stormbox Lava and although there were definitely some sonic shortcomings, it still put up an adequate performance.

I knew what I was in for with the Stormbox Lava; a whole lotta bass. And that’s exactly what it delivers. XBass was on by default and I realized the room instantly filled with an impactful, in-your-face low end rumble. When tuning into Black Eye by Allie X, the thump of the drum machine had commendable depth and didn’t sound too lethargic. But with XBass on, there was a slightly muddy audio profile and that deep bass smothered other sonic elements like electronica and vocals – the latter was given much more room to breathe after flicking XBass off.

Bass response, though big, wasn’t the most beautiful however. Comparing it to a more expensive and slightly more powerful model, the JBL Xtreme 4, I picked up on a lack of dynamism with the Stormbox Lava. Bass didn’t connect up to the mid-range quite as effectively, resulting in a slightly thin and cluttered sound at points, to the extent that the track’s trademark bounce felt less defined.

And although the Stormbox Lava can reach frequencies as low as 43Hz, it really struggled to belt out some ultra-deep notes. In Yung Gravy’s The Boys Are Back In Town, the deep dark sub-bass that blasts throughout sounded feeble, especially at high volumes. And although you can adjust EQ to improve this slightly, the Lava still won’t be able to go quite as far into depth as more premium competitors.

Everything from the mid bass and up does sound relatively clear though and even if you’re missing out on the absolute deepest notes in their fully-fledged glory, bass is generally powerful. Unfortunately, I found the standard XBass off EQ mode to sound a little uneven and slightly bloated, though. Thanks to Tribit’s easy-to-use app, though, I was able to adapt the speaker’s EQ to have a slight bump to deep bass and treble for a more balanced, albeit still exciting sound.

This made for an improved listening experience overall, especially for tracks that are less centred around thumping bass. For instance, when listening to SAMBA DO MARCOS by Sadao Watanabe, the intro’s raw, emotive guitar was tonally accurate and the accompanying piano layered nicely. Samba drums also entered the fray rhythmically with gusto. Some of the finer details, like light percussion in the background were understated. There are no ‘hi-res’ Bluetooth codecs here, such as LDAC, which can offer up a less compressed performance either.

Another factor worth noting is that this speaker can get pretty loud thanks to its 80W maximum power output. However, at top volumes audio quality is going to take a bit of a dip. This is pretty standard and to be expected for what is ultimately, a budget Bluetooth speaker, but at peak loudness, treble could be a touch grating and vocal clarity took quite the hit to boot. If you’re looking for the ultimate party speaker, that may be problematic, but if you’re unlikely to venture into ear-splitting volume territory, this may not bother you all too much.

And one more note before I wrap up on sound. I realized that when altering volume on the Stormbox Lava, sound would cut out for half a second or so, which was pretty frustrating. I’m sure Tribit will fix this with a firmware update in the near future, but it’s still a frustrating quirk that I’m sure would frustrate a lot of users.

So, it’s a bit of a mixed bag for the Stormbox Lava. Does it sound terrible? No. With a bit of tuning, you can get decently clean audio out of this $100 speaker without sacrificing its room-filling low-end presence. But the combination of audio cutting out, sub-bass troubles and high-volume distortion will be hard to ignore for audiophiles.

  • Sound quality score: 3.5/5

Tribit logo on the side of the Tribit Stormbox Lava

(Image credit: Future)

Tribit Stormbox Lava review: Design

  • Plain design that lacks a creative spark
  • But it is conveniently IP67-rated
  • Interchangeable handle and strap attachments

For me, the Tribit Stormbox Lava sounds like it should be a pretty cool-looking speaker – I pictured some red details or maybe even some fiery LED lights that could sync up to bass output. Unfortunately, this is a totally basic looking speaker with no real design quirk. It’s a plain, black model with no lights or splashes of color and I’m not sure why Tribit played it so safe.

Having said that, it’s undeniable that this model is a pretty practical beast. It’s got a rugged build – very much reminiscent of the JBL Xtreme line of speakers. And it also has an IP67 rating, meaning it's both dustproof and waterproof. That rating even ensures that the Stormbox Lava can be submerged in one meter of water for a period of up to 30 minutes – ideal for beach-side listening or pool parties.

Another practical inclusion is the Stormbox Lava’s accessories box, which includes both a handle and a strap for carrying the speaker around. The handle has an elastic-like property to it and is comfortable to hold, while the strap is adjustable and is useful for carrying the Stormbox Lava over longer distances.

The speaker is also adorned with seven button controls, all of which are well sized and responsive, these include buttons for volume/play controls, Bluetooth pairing, toggling XBass and even multi-speaker pairing. On top of that, you can find a tab on the reverse side of the speaker for accessing its AUX and charging ports.

  • Design score: 3/5

Someone holding handle attached to Tribit Stormbox Lava

(Image credit: Future)

Tribit Stormbox Lava review: Value

  • Low price for a speaker of this size
  • And you can expect to see discounts in coming months
  • But that will come with a few hiccups in performance and design

The Tribit Stormbox Lava is available at a point ever-so-close to $100 / £100. It's a medium-to-larged sized option that sounds decent with some tuning and plates up both a good battery life and feature-set. At that price, this is an option worth your consideration.

I wouldn’t be surprised, either, to see this speaker available for less in the coming months as has so often been the case with Tribit’s products, including the Tribit XSound Plus 2 and Tribit Stormbox Blast. You’ll be able to find other low-priced alternatives in this ballpark, like the Anker Soundcore Boom 2 or even the giant Earfun UBoom X when it’s one sale. But these both take more of a boombox form, which might be a dealbreaker for some.

As I mentioned earlier, this speaker feels far more reminiscent of the JBL Xtreme line of speakers, with its pseudo-cylindrical looks and similar scale. But the most recent iteration from it, the JBL Xtreme 4, will set you back $379.95 / £329.99 / AU$499.95 if you’re buying at full price – and I wouldn’t expect it to get anywhere near as cheap on sale.

Of course, this thing isn’t going to challenge the Xtreme 4 on sound quality, let alone looks or feature-set. But if you’re not the most analytical listener and you just want a bass-heavy, budget-friendly Bluetooth speaker for parties, the Tribit Stormbox Lava will still get the job done.

  • Value score: 4/5

Tribit logo on the front side of the Tribit Stormbox Lava

(Image credit: Future)

Should I buy the Tribit Stormbox Lava?

Buy it if...

You want a Bluetooth speaker for parties
The Tribit Stormbox Lava is a capable party speaker with impressive loudness, prominent bass output and multi-speaker pairing. It’s also able to survive beach-side or pool-side environments thanks to its hardy IP67 rating – even underwater submersion won’t faze this fella.

You’re on a budget
Perhaps the most obvious draw of the Tribit Stormbox Lava is its fantastic low price. For a speaker of this size you’re gonna struggle to find many cheaper options – especially ones that sound this good. Of course, there are still flaws in the audio department and you’re not getting the most stylish beast out there, but when it comes to value, this Tribit speaker scores well.

Don't buy it if...

You’re an audiophile
I touched on it there, but if you’re a more analytical listener, the Tribit Stormbox Lava is not for you. It lacks ‘hi-res’ audio codecs like LDAC, it struggles with ultra-deep notes, you may experience distortion at high volumes... you get the idea. If you want a more talented speaker in the sound department but don’t want to compromise on size, an option like the JBL Xtreme 4 could be very tempting – read more below.

You want a speaker with a bit of flair
Unfortunately, this thing isn’t gonna win a beauty contest any time soon. It has a pretty plain design and it’s only available in black for now. Gray is on the way, sure, but I doubt that’s gonna set the world alight either. If you want a more stylish option, check out the Ultimate Ears Epicboom, or basically anything UE – they really know how to stand out from the crowd.

Tribit Stormbox Lava review: Also consider

JBL Xtreme 4
The JBL Xtreme 4 has it all. Highly capable audio skills, a water-resistant rugged design and plenty of battery life. But that comes at a cost. This model has a high list price – well over $300 / £300. Luckily, though, it can regularly be found on sale for far less – I spotted it for £250 on Amazon UK while writing this and at that price, you’ll struggle to do much better. Read our full JBL Xtreme 4 review.

Anker Soundcore Boom 2
If you’re looking to keep expenditure at a minimum but you’re still hoping for room-filling, bass-heavy audio, the Anker Soundcore Boom 2 could be the ideal candidate for you. I often see it on sale for less than $100 / £100, but don’t be deceived by this model’s price – you won’t have to sacrifice niceties like EQ adjustment, multi-speaker pairing or water resistance. Audio isn’t the most controlled and the boombox-like design might not be for you, but this bold Bluetooth speaker is still worth considering for those on a tight budget. Read our full Anker Soundcore Boom 2 review.

Tribit Stormbox Lava review: How I tested

Power and Bluetooth buttons on the Tribit Stormbox Lava

(Image credit: Future)
  • Tested for one week
  • Mainly used at our music testing facility at Future Labs
  • Predominantly tested using Tidal

I put the Tribit Stormbox to the test over a one week period, exhausting all of its features, blasting out tune after tune and closely critiquing all aspects of its design. I predominantly tested it out at our music testing room at Future Labs in order to test audio quality in a quiet, controlled environment.

When listening to music, I mainly used Tidal, though I occasionally played songs via Spotify after connecting up my Samsung Galaxy S24 FE. To start with, I streamed tracks from our carefully curated TechRadar reference playlist, but I also listened to music from my own personal library. Where appropriate, I tested the Stormbox Lava alongside the JBL Xtreme 4 to compare sound quality and ease-of-use.

I found this affordable DAB radio great on the go, but wouldn’t want to take it all the way to, er, 30
2:30 pm | March 29, 2025
Author: admin | Category: Audio Computers DAB Radios Gadgets Hi-Fi | Tags: , | Comments: Off

Sharp Osaka: Two-minute review

If you’re the person that loves to have tech to match your personal aesthetic, the Sharp Osaka isn’t really the one for you. What it is, though, is a great value solution for anyone who simply wants to listen to the radio from seemingly any location.

Smaller than my desk calendar, the Sharp Osaka is easily grabbed with one small hand and slips into my coat pocket well enough, too.

As with all DAB radios, the only bulky part is its extendable aerial arm which you can easily hide away when not in use. The Sharp Osaka's battery life comes in at about 15 hours which isn’t above average for such radios but will serve you well for most of your active day. Charging via USB-C means you’re unlikely to need to pack an extra cable any time you go away, too.

Costing £70 – that's about $90 in the US or AU$143 in Australia, where available – when first released in September 2024, the Sharp Osaka is already discounted at time of writing, bringing it down to an even more affordable £50 ($65 in the US and AU$102). That’s a good price for a DAB radio of this standard and it also doubles up as a basic Bluetooth speaker.

Its controls are more intuitive than its convoluted manual suggests, leading you to mostly enjoying the Sharp Osaka without much hassle. One of the best DAB radios? Maybe not, but still a simple solution to your radio listening needs.

Sharp Osaka review: Price and release date

Sharp Osaka DAB radio on a wooden sideboard

(Image credit: Future / Jennifer Allen)
  • Released September 2024
  • Cost £70 / €90 (currently only available in the UK and Europe)

The Sharp Osaka DAB radio was released in the UK and Europe in September 2024. It costs £70 / €90 depending on your region (unfortunately, it's not available in the US or Australia as it stands) so it’s affordable for a DAB radio.

We’ve already spotted some discounts emerging in the UK with the price more around the £50 mark.

That makes it one of the more affordable portable DAB radios around. It’s much cheaper than the stylish but premium Roberts Revival Petite 2 and also the ageing Sony XDR-P1 DAB radio. It’s slightly more expensive than the Groov-e Boston but that’s far from the right size for putting in your pocket.

Sharp Osaka review: Specs

Sharp Osaka review: Features

Side panel of Sharp Osaka DAB radio, showing USB-C charging facility and 3.5mm headphone jack

(Image credit: Future / Jennifer Allen)
  • DAB and FM radio, plus Bluetooth speaker
  • 12-hour battery life
  • 3.5mm headphone jack

The Sharp Osaka DAB radio has all the features you could need without offering up much in the way of surprises. At first glance, it looks like it’s only a DAB radio but it uses a technology it calls BestTune which combines FM, DAB, and DAB+ into a single station list to help you find the best option based on signal strength. I really liked this as it saved me switching between different modes while still gaining the best signal.

In all, the Sharp Osaka has a 120-station memory spread equally across BestTune, DAB and FM and, honestly, you probably won’t have to overthink this either. I simply turned it on and it figured things out for itself, quickly allowing me to find the station I wanted to listen to.

A tap of the source button also takes you to the Bluetooth side of things. Bluetooth 5.3 is in charge here so you won’t need to fret about any drop-out issues when pairing with your phone or tablet. I certainly didn’t have any issues switching between the two.

Sharp's website in various regions differs between 15 and 12 hours of promised battery life, however I found the latter to be the rough sweet spot during use. As is often the way, volume can affect a lot here. The USB-C cable is perfect because on my travels I didn’t have to worry about packing an extra cable to recharge it.

On the side and next to the USB port is a 3.5mm headphone jack if you want to connect the Sharp Osaka DAB radio to the best wired headphones for some added privacy.

Other neat extras include an alarm function and a SlideShow tool which displays images from the radio station where available. In reality, I never found a station that offered this but I’m continuing my search in my own time as it sounds fun.

Features score: 4 / 5

Sharp Osaka review: Sound quality

Sharp Osaka DAB radio on a wooden surface

(Image credit: Future / Jennifer Allen)
  • Mono speaker
  • A little tinny
  • Loud volume but some distortion

The Sharp Osaka is impressively loud, especially given its relative size. Though 10 is the average volume you’re likely to use, it goes all the way to a Spinal Tap-trouncing 30. It travels far, too. I cranked it up then walked a few rooms away and could still hear it.

That comes at a price with the audio quality not the best and offering some distortion but it’s fine for casual listening. I checked out Absolute 90s and found suitably old and nostalgic while listening to Blur’s Tender and The Rhythm of the Night by Corona. The latter lacks some excitement with the Sharp Osaka lacking crispness and spark, but the former translated reasonably well, never once leaving me waiting for that feeling to come.

This is the radio you’ll listen to while doing other things rather than indulging in your audiophile urges.

Sound quality: 3 / 5

Sharp Osaka review: Design

Sharp Osaka DAB radio held in the palm of a hand

(Image credit: Future / Jennifer Allen)
  • Functional, lightweight design
  • Simple-to-use buttons...
  • ... but not especially tactile

The Sharp Osaka gets right to the point with its design – it isn’t spectacular looking but nor will it confuse you. On the front left sits the mono speaker, with its controls and screen to the right. The 2-inch color display is simple but clear, other than when looking at it in bright light conditions.

Controls are also similarly easy to figure out although there’s no tactile quality to it which will be an issue for anyone with sight issues. That’s not uncommon with many popular DAB radios but it does mean my search for a more accessible DAB radio will have to continue.

When listening to the radio, you’ll need to pull out the antenna which is quite tightly clicked in at other times. On the side are ports for charging and headphones. There’s also a neat little key lock button which means no one can accidentally tap a button by mistake.

The Sharp Osaka is only available in a black/gray mix but it looks reasonably sleek.

Design score: 3 / 5

Sharp Osaka review: Value

Sharp Osaka DAB radio on a carpet

(Image credit: Future / Jennifer Allen)
  • Inexpensive
  • Ideal for a quick fix
  • Cheaper than most

The Sharp Osaka was pretty cheap compared to the competition even before it went on sale (which seems to be commonplace now). Its primary competition for portability is something like the aforementioned Roberts Revival Petite 2 but it’s far cheaper than that. A closer rival could be the Pure Woodland but that’s less portable.

It might not be as adorable as that Roberts but the Sharp Osaka is far more affordable, which makes it tempting.

Value score: 5 / 5

Should you buy the Sharp Osaka?

Buy it if...

You’re on a tight budget
The Sharp Osaka brings all the DAB radio essentials at a very affordable price.

You want something truly portable
The battery life could be a little better but in exchange, you get a truly lightweight and portable device for putting in your pocket.

You want simplicity
Combining FM and DAB options together saves you from paying too much attention. I’m a fan of this simplicity laziness.

Don't buy it if... 

You want great audio
With a mono speaker, the Sharp Osaka was never going to be class-leading but it can get a little tinny with music compared with talk.

You want great battery life
The Sharp Osaka’s battery life is about average for the price. There are trade-offs for its size and if you’re away from power for a while, this could be an issue.

You don’t need a radio
Potentially an obvious one, but if you need a Bluetooth speaker more than a radio, there are better choices around.

Sharp Osaka review: Also consider

Roberts Revival Petite 2

My favorite DAB radio in recent times, the Roberts is very portable and looks gorgeous, but it all comes at a higher price.

Read our full Roberts Revival Petite 2 review here

Sony XDR-P1

The Sony is harder to find these days but it certainly rivals the Sharp Osaka for size. If you want the big-name brand, this is the closest rival.

Read our full Sony XDR-P1 review here

How I tested the Sharp Osaka

  • Used the Sharp Osaka over two weeks
  • Listened to DAB radio, and music via iPhone 14 Pro and Bluetooth
  • Over 10 years' experience testing audio equipment

The Sharp Osaka followed me around the house and the garden. I mostly used it in my home office but I also moved it to the kitchen while I cleaned and the living room while relaxing. On the rare days of good weather, it followed me outdoors for a little bit.

I used it exclusively via the rechargeable battery as it saved me finding a USB port to connect it to. I mostly listened to the radio but once in a while, I listened to some podcasts through my phone. This was typically via Spotify.

Otherwise, there was a lot of Absolute 90s, ranting at LBC, and relaxing with BBC Radio 5 Live.

Creative’s new otherworldly desktop speakers belong on an alien spaceship – and they’re so good, I’d abduct them
7:00 pm | March 26, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Tags: , , | Comments: Off

Creative Pebble Nova: One-minute review

Like any decent work of art, the new Creative Pebble Nova will mean different things to different people. TechRadar's audio editor Becky Scarrott said they looked like Magic 8-Balls, or lawn bowls with audio credentials – and she meant that as high praise. My partner thought they looked like an overly-elaborate microphone set up. I saw them more as delightful flotsam from an alien spacecraft, which had found its way to my desk.

However you look at it, the Pebble Nova speakers are a novel-looking new audio set-up fitting to strut their way onto our list of the best desktop speakers (and possibly even the best stereo speakers) on fashion chops alone.

The proposition doesn't need to rely on its good looks to get by, though. These speakers sound great, with defined bass, a high max volume and selection of enhancement features that make a marked difference to the norm for the money. They're elevated from your desk to create a much more immersive surround-sound effect and use coaxial drivers to refine the audio they deliver.

You'll find, though, that they cost a fair amount of aforementioned money. As the newest in Creative's line of affordable Pebble computer speakers, you'd think they might adhere to the affordable end of the market, but they're fairly premium in price. Not bank-breaking, but definitely enough to think twice about.

Maybe not twice actually, perhaps thrice. The Pebble Nova take a fair amount of set-up, with Creative channeling its inner Ikea with how much construction is needed. They also require a fair bit of space due to their design, so you'll need to make sure your desk is relatively large and uncluttered for them.

All that said, if you do decide you have the space, money and patience for them, the Creative Pebble Nova are a great set of computer speakers, regardless of what kind of audio you need them to play.

Creative Pebble Nova review: Price and release date

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)
  • Announced in December 2024
  • Mid-range at $279.99 / £239.99 / AU$499.95

The Creative Pebble Nova were released in December 2024, as the latest entry in Creative’s Pebble line-up of desktop speakers. They are, by a significant margin, the most expensive.

You can pick up the Creative Pebble Nova for $279.99 / £239.99 / AU$499.95 (although fair warning: they’re out of stock in several of the regions I checked). That ain’t cheap, especially when you consider that the next most expensive members of the Pebble family, the Pebble X, cost $89.99 / £84.99 / AU$169.95.

At that price, there’s no doubt that these are premium speakers. There are only a few entries on our list of the best computer speakers that cost more, although admittedly those cost a lot more, so if you want premium speakers but don’t want to hand over your life savings for them, these could be a good option.

As audiophiles will know, though, you can spend a lot more on high-spec speakers, up to ten times as much.

Creative Pebble Nova review: Specs

Creative Pebble Nova review: Features

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)
  • USB, Bluetooth and AUX connections
  • Creative App brings ways to customize audio
  • Acoustic Engine brings some useful features

The Creative Pebble Nova offer three ways to connect to your chosen device. First up is with a 3.5mm jack, which will let you play music but won’t let you customize it via the Creative App (more on that later). Second is Bluetooth, with the Nova supporting Bluetooth 5.3 to various devices including phones, computers and games consoles. Thirdly is with USB, which is what I did for the majority of this review. In the box is a USB-C to USB-C cable but if, like me, your PC only has USB-A ports, you can buy cheap adaptors online.

If you connect via Bluetooth or USB, the Creative App (available on mobile and PC) is a no-brainer. It offers the ability to change the Nova’s LED lighting effects, an equalizer along with loads of presets, the ability to switch which of the speakers is the left and right one and the promisingly-titled Acoustic Engine.

Take my advice: when you first set up the Pebble Nova, go to the Acoustic Engine page and turn everything on. It includes features like audio upscaling, dialogue enhancement and virtual surround-sound, all of which have marked improvements on the way the speakers sound. I regret that I was already weeks into the testing process before I bothered to open this page!

  • Features score: 4.5/5

Creative Pebble Nova review: Design

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)
  • Bowling balls on stalks
  • Takes up lots of space
  • Time-consuming set-up process

How do you describe the design of the Creative Pebble Nova? Are they eyeballs on stalks? Alien command consoles? Magic 8-Balls? If you’re able, check out the review pictures because they’ll do better justice to the odd look of the Nova than my Creative Writing degree ever could. If you can’t see them, then… they’re basically giant spheres, held up from a circular base by a thin dowel.

It’s certainly a unique look taking the spherical-ish looks of other Pebble devices and literally elevating it. But it has a second advantage: the speakers themselves are higher than computer speakers generally are, which means ‘surround sound’ audio actually does surround you, as it’s at ear level (with the 45-degree point of the speakers also helping).

You can pick the Novas up in black, as you see in the images, and in a chic white-and-bronze model too.

I can see this design being a bit divisive but I didn’t mind it (I also spent lots of the review period with them hidden by my second screen). However there are two issues too.

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)

Firstly, these take up a lot of space. Said space is at a premium when it comes to the desk upon which I use my desktop computer, and I found it quite hard to accommodate the Pebble Nova given the dimensions of both the speakers and my London apartment – it’s why the images accompanying this review are of my laptop, because my desk was too cluttered with the Creatives on it!

The second thing to note is that the Pebble Nova take quite a bit of setting up: not only do you need to go through all the usual cable rigamarole of desktop speakers, but you also have to attach the dowels to the stands and those to the speakers. This was admittedly easier than your average Ikea project, but it still took a little while to accomplish (I should note, you don’t have to elevate the speakers if you don’t want, and can attach them straight to a stand).

On the primary– ‘orb’? – you get several ports: the USB-C power delivery port, another USB-C port to connect to your computer, and the 3.5mm headphone jack, as well as the cable which runs to the other speaker. You also get a range of buttons for volume, power, connection and more.

The speakers have LED lights which you can program using the app, although they’re not huge or bright and I didn’t really notice them during everyday PC use.

  • Design score: 4/5

Creative Pebble Nova review: Sound quality

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)
  • 1-inch driver + 3-inch woofer
  • Exuberant, clear bass and mids
  • Unnecessarily-high max volume

Each of the Creative Pebble Nova speakers packs both a 1-inch tweeter with a 3-inch woofer in a coaxial set-up.

I'm used to PC speakers being good for certain tasks and struggling with other ones (a set-up that's great for music might struggle for the range of sounds needed for gaming, or be poorly-tuned for YouTube videos, for example) but I was pleasantly surprised at how the Creative was a jack of all trades.

I say 'pleasantly surprised' because it wasn't necessarily expected. The presence of a woofer gives away that the Pebble Nova has a distinctly energetic sound profile, with plentiful bass. However these lower tones are well-defined and clear, instead of being overpowering and thumping like some bassy speakers can be.

This meant I could enjoy different kinds of music but then could listen to spoken-word audio without low voices having an unnatural rumble to them, an issue I've faced before.

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)

Treble is a little less bright than it could be, but I quickly fixed this in the Creative App with some quick equalizer tweaking.

The Creative Pebble Nova is great for the kind of sound stage or surround-sound audio that really benefits immersive gaming. This is because the elevated height of the speaker poles, plus their being angled upwards at 45 degrees, means that audio is a lot closer to ear-level than your standard desktop speakers.

The result is a marked improvement in immersion: the tweeting of birds, the sound of wind in trees, the repeated taunting of a dangerous bandit I was unsuccessfully trying to run away from, all felt well-placed around me during gaming sessions. The effect was definitely more pronounced than on other desktop speakers I've tried, which sit lower than your ear level.

According to Creative, the Pebble Nova has a whopping 100W power output for high volumes. Since I have neighbors, I didn't test quite how loud it goes, but it definitely reached (and could easily exceed) my needs. Why you'd need incredibly-loud speakers for your desktop, presumably within half a meter of you, isn't quite clear, but it means that they can double as general party speakers if you prefer.

  • Sound quality: 4.5/5

Creative Pebble Nova review: Value

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)
  • Not a viable option for people on a tight budget
  • Other Pebbles may appeal to money-conscious buyers

While the overall Pebble line of Creative desktop speakers is known for offering great value for money, that's naturally less true of the Nova, as premium equipment always offers incremental returns for the price.

The Nova are good, but you're paying for it, as they're not cheap (at least, by Creative standards, although you can easily find countless pricier alternatives). They're not poor value for money, but they're not as much an obvious bargain as other Pebbles. That said, if I had the expendable income, I'd buy them – so take from that what you will.

  • Value: 4/5

Should I buy the Creative Pebble Nova?

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)

Buy them if…

You like the look of them
Fan of the way the Novas look? Then you should go for them, as you'll be hard-pressed to find anything quite as distinctive.

You're particular about your audio
The Creative app's equalizer, and Acoustic Engine options, will let picky listeners fine-tune the way the speakers sound more so than some rivals.

Don’t buy them if…

You think they look silly
If you prefer your desktop speakers to speak only through the drivers instead of the fashion statement, you best check out other options.

You've got limited space
I have a medium-sized desk and I had to remove some decorations to fit the Pebble Nova, so if you're short on desk real estate, these might not fit.

Creative Pebble Nova review: Also consider

Creative Pebble Plus
There are plenty of cheaper Creative Pebble desktop speakers on the market including the Plus, which we said will give you "more than your money’s worth".

See our full Creative Pebble Plus review

Vigilant Audio SwitchOne
Of the two options in our best desktop speakers round-up that have a similar price to the Pebbles, the Vigilants are the most recent. They have a pretty 'standard' design but sound great to listen to.

See our full Vigilant Audio SwitchOne review

How I tested the Creative Pebble Nova

The Creative Pebble Nova on a brown table, connected to a green laptop.

(Image credit: Future)
  • Tested for one month
  • Tested at home connected to phone and windows PC

The testing process of the Creative Pebble Nova was over a month.

For most of that time, I tested the Nova alongside my Windows desktop PC, with the speakers on my desk. I also tested it paired via Bluetooth to my phone and, for a short while, connected to my Windows laptop (as pictured).

I used my PC as normal during the month which includes my day job, various other types of work, watching TV shows and YouTube videos, streaming lots of music and playing video games.

I have over six years' experience testing gadgets for TechRadar which includes other desktop speakers, audio products (including from Creative) and other types of tech.

  • First reviewed in March 2025
I tested Meridian’s super-smart wireless speaker for a month – here’s my verdict on whether it’s worth that high price tag
3:28 pm | March 14, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Meridian Ellipse: two-minute review

The Meridian Ellipse is a seriously capable single-unit wireless speaker. It can handle incredibly detailed hi-res audio, whether via Wi-FI or wired inputs like USB-C or optical, and is crammed with seriously clever features. But it’s also one of the most expensive wireless speakers I’ve ever tested. So does it justify that high price tag?

On the one hand, the Meridian Ellipse is capable of impressive clarity and detail. When listening to the relatively spacious mix of Diamonds On the Soles of Her Shoes by Paul Simon, I was impressed with how much room various elements were given to breathe. The vocals of Simon and Ladysmith Black Mambazo in particular projected forward into the room, while the slap of the percussion was keen and clear.

However, if you feed the Ellipse something much sonically denser like electronic or dance music, some of the shortcuts it takes become more apparent. Listening to Expander by Bonobo, dynamic elements like the punchy kick and shuffly hats were well-communicated, as was its gorgeous vocal line, but there was a lack of cohesion lower down to help glue the mix together. The sub and low mids felt brighter and chillier than the glowing warmth I’ve come to expect from the best wireless speakers. And while you can tweak both treble and bass levels in the Meridian app, I definitely felt like I was ameliorating these imbalances rather than entirely reversing them.

It compensates, in part, for this with its suite of smart features, some of which are truly fantastic. For example, Image Focus does an exceedingly deft job of reorientating the stereo field when you’re sat at an off angle, while Image Elevation is a piece of psycho-acoustic wizardry that throws its voice higher to make TV audio seem like it’s coming from your TV screen. Its position-optimization settings are decent, although they aren’t algorithmic like on some devices, merely offering Free, Wall, Shelf and Corner options. Sadly, I was pretty underwhelmed by its frequency-balancing tech for different volumes: the speaker sounds great at higher volumes, but somewhat neutered at lower ones.

The connectivity options on offer are also decent, although maybe not as extensive as with speakers like the Ruark Audio R410 or Cambridge Audio Evo One. It goes without saying that it can utilize Wi-Fi streaming solutions like TIDAL Connect, Spotify Connect, AirPlay 2, Google Cast, and Roon connectivity, as well as Bluetooth. But it’s also able to support sampling rates of 192kHz / 24-bit over USB-C, 96kHz / 24-bit via mini-TOSLINK optical, plus 88kHz / 24-bit via its stereo analog input and built-in DAC. However, it doesn’t offer more exotic options like eARC or phono in, so you won’t be using this as your all-in-one home audio hub.

As its name suggests, the shape of the Ellipse is… anyone? Yep, it’s elliptical. I’m sure I’m not the only person to notice this but it gives me distinct vibes of the Bowers & Wilkins Zeppelin Pro, both having an undeniably similar Hindenburgian silhouette when viewed front on. Oh, the humanity. However, the metal grille on the face of Meridian’s speaker is much flatter, giving the device a footprint more like a slightly gibbous moon. It also features blue-lit, touch-sensitive controls on its top surface, allowing you to play and pause, skip tracks, adjust volume and initiate Bluetooth pairing mode.

All told, the Meridian Ellipse is a hi-res, feature-packed speaker with some major strengths and a few significant caveats. It’s undeniably detailed and, when its smart functionality delivers, it really delivers. It deftly reproduces trebles and dynamic details, while managing satisfactory, if not exactly stellar, frequency reproduction elsewhere. Were it not for the price tag, I’d be tempted to give it a pass on some of the weaker elements but, at the savings-siphoning price of $3,000 / £1,900 / AU$4,999, I feel its sound needs to be beyond reproach. For that reason, I’d suggest you at least consider cheaper options like the $1,799.95 / £1,299 / AU$2,599 Ruark Audio R410 or $1,499 / £1,299 / AU$2,495 Cambridge Audio Evo One before you commit here.

Meridian Ellipse review: price and availability

  • Released August 24, 2024
  • MSRP of $3,000 / £1,900 / AU$4,999

Launched on August 24, 2024, the Meridian Ellipse is available to buy now. It goes for an MSRP of $3,000 / £1,900 / AU$4,999, which is no small change for a single speaker. By way of context, TechRadar’s current pick for best premium wireless speaker, the KEF LS50 Wireless II, costs $2,499.99 / £1,999 / AU$4,000. Even our pick of best wireless speaker if money’s no object, the Bang & Olufsen Beolab 8, is a similar $2,749 / £2,199 / AU$4,499, which shows you the kind of company this speaker keeps.

The rear of the Meridian Ellipse showing its ports.

(Image credit: Future)

Meridian Ellipse review: specs

The Meridian Ellipse at a 3/4 angle in front of a house plant and a pink background.

(Image credit: Future)

Meridian Ellipse review: features

  • Crammed with smart features
  • Good range of connectivity options
  • Lower wattage than some rivals

For a comparatively compact speaker, the Meridian Ellipse certainly squeezes in a lot of features. When it comes to drivers, it focuses on quality over quantity. It only contains three drivers but they’re substantial: it has two 3.5-inch (90mm) polypropylene wide-range drivers and one 5.9 x 3.9-inch (150 x 100mm) racetrack sub. There’s not quite as much oomph behind these drivers as you’d hope, though. The Ellipse only offers 25W for those full-range drivers and 30W for the sub, while the cheaper Cambridge Audio Evo One packs a whopping 50W of amplification per driver.

Naturally, as a wireless speaker, the Ellipse focuses much of its energy on cable-free connectivity. It can stream over Bluetooth, Wi-Fi and Ethernet, offering both native streaming from Spotify Connect and TIDAL Connect, as well as AirPlay, Google Cast, and Roon connectivity. This doesn’t mean that wireless connectivity is the only connection to its bow however: it also possesses a USB-C that supports sampling rates up to 192kHz / 24 bit, a mini-TOSLINK optical port capable of 96kHz / 24 bit and an analog input with a built-in DAC that can hit rates of 88kHz / 24 bit.

None of this is unusual for a premium wireless speaker. However, what does set Meridian’s speaker apart is the range of smart features they’ve crammed into the Ellipse’s brain.

Some focus more on clarity: for example, Q-Sync exists to minimize jitter and increase clarity, while Digital Precision boosts the signal-to-noise ratio of the digital audio. Others aim to smooth out the Ellipse’s acoustics, with Perfect Balance ensuring low and high frequencies are perceived the same at low and high volumes and Free-Q offering the now-obligatory tech for sonically compensating for the device’s placement.

Perhaps the most unique smart features are those that tweak the speaker’s soundstage. Bass & Space offers stereo-enhancing tech to increase the sense of soundstage width, while Image Focus helps ‘correct for off-center listening’. Finally, Image Elevation is a piece of pseudo-Dolby-Atmos-style trickery that promises to raise the sound image so you can raise it from the speaker below to the middle of your TV screen – although with no actual height channels, it’s worth moderating your expectations on this front, as it won’t position sound as well as one of the best soundbars.

There are admittedly a few things the Meridian Ellipse is lacking. You won’t find a remote control here, which some rival premium wireless speakers supply and it doesn’t offer fancier inputs like eARC or phono in. All told, though, the Meridian Ellipse has an excellent range of features and a lot of the core functionality you’d expect.

  • Features score: 4.5 / 5

The front grille of the Meridian Ellipse.

(Image credit: Future)

Meridian Ellipse review: sound quality

  • Crisp, accurate presentation
  • Sounds great at higher volumes
  • Bass and lower mids a bit flat

Given its not-inconsiderable price and the hype around the Meridian Ellipse, I was really hoping to be able to give it an unequivocal thumbs up. But in reality, things aren’t so clear-cut. While a lot of the coverage of its sound quality during its release and early demos was gushing in its praise, I think part of this is down to the protean nature of the device itself, where it sounds wonderfully crisp in some situations and displays distinct flaws in others.

Undeniably, the Meridian Ellipse is capable of some impressive, high-resolution detail. When playing Chemtrails Over the Country Club by Lana Del Rey, it could achieve skillful separation of each instrument. Not only that, but it really brought out the rich, smokey timbre of her voice, giving it real, palpable presence in the room.

High-end detail is also unflinchingly precise. Go Your Own Way by Fleetwood Mac has exposed many a speaker’s weakness with its bright, trebly mix but the Ellipse holds the line. It never becomes overly sharp and yet still has plenty of definition – you can almost hear the scrape of the plectrum as it rings off those taut guitar strings, while the toms punch right through the mix.

Elsewhere, the picture gets a lot more mixed. For example, the Ellipse did a reasonable job with I Want You by Moloko: the funky keys and glockenspiel both had plenty of bite and presence, though I couldn’t help but feel this came at the expense of more nuance in the lower mid frequencies. With electronic music like Chimes by Otherliine, this became much more pronounced: the sound felt very forward without necessarily having the depth to back it up, leaving everything feeling a bit compressed and overdriven.

Again, the Meridian’s bass sometimes felt like it was all bite and no bark – which is particularly disappointing in light of its supposed E3 Bass, which is meant to ‘Expand, Extend, Enhance’ the low end. It’s undeniably punchy and dynamic, with kick drums giving a sizable thump, but the Ellipse can’t always back this up with substance – emphasis on the sub. The gargantuan bass of Tectonic by Technimatic sounded a lot weedier than I’m used to and there was noticeable ducking of the bassline every time the kick sounded, making me question whether its racetrack can really deliver the goods where sub is concerned.

Thanks in no small part to the Perfect Balance feature mentioned above, the Ellipse can hold its own at much higher volumes than many wireless speakers. In fact, I would argue it sounds much better when you crank it up. While Black Eye by Allie X sounded a bit hollow in the lower mids at average volumes, turning it up to 60% gave its saw-toothed synth line much more presence without causing those urgent string slams to distort. While this does give it some much-needed punch, if you’re not going to be listening to the speaker at earwax-melting volumes, it's worth asking whether its weaker sound profile at lower volumes is a compromise you’re willing to make.

To test the speaker’s soundstage, I popped on Tighten Up, Pt. 1 by Archie Bell & The Drells. Despite the hard panning typical of 1960s soul, on the Ellipse there was barely a sliver of daylight between the bass and horns, with much of the sound feeling like it came from a single point.

Its Image Focus stereo field correction was much more impressive, however. Positioning the device at a 3/4s angle definitely left Heart of Gold by Bettye LaFayette missing some of its high-end clarity. And when I slipped the Image Focus setting to <7, it really brought the slap of the bongos back into clarity. Admittedly, you could get up and spin the speaker around yourself, but where’s the fun in that?

I was skeptical about how convincing its Image Elevation feature would be, but when I played some classic episodes of The Simpsons and dialed it up to max elevation, it was genuinely compelling. The slight treble boost of the dialogue made it seem like it was issuing directly from the screen. Yes, with some effort I could get my brain to recognize the sound was issuing from the speaker, but it’s a pretty convincing effect.

Impressive though these smarts are, though, I’m not sure they totally compensate for some of the speaker’s sonic weaknesses. It might seem like I’m being overly harsh – the Ellipse doesn’t sound bad by any means and fed the right genres and sources, it sounds impressively clear and expressive for a speaker of its size. But it’s also inconsistent: in some frequency ranges it focuses on cut-glass definition at the cost of more balanced expression and there’s a lack of ballast to ground it in both the mids and bass. As a result, its sound quality is a qualified success, which would definitely give me reservations about spending this kind of money.

  • Sound quality: 3.5 / 5

The touch-capacitative buttons on the top surface of the Meridian Ellipse.

(Image credit: Future)

Meridian Ellipse review: design

  • Well built and attractive
  • Decent touch controls
  • Not the most original shape

For anyone who has spent some time following the wireless speaker space, the design of the Meridian Ellipse looks… eerily familiar. There’s no getting around it: there’s something undeniably Bowers & Wilkins Zeppelin-esque about the Meridian Ellipse. It’s not quite as rounded as B&W’s audio dirigible, with a front grille that’s slightly convex rather than actively bulging, but it’s still a similar elongated ellipse shape that will be familiar to that device’s many fans.

Build quality is very decent, even if it’s not as luxe as some audio products in this category. Its matt black surface is smooth to the touch but doesn’t seem to pick up fingerprints, while a sturdy metal mesh protects its fabric covering and drivers. Its size is right in the middle of a Goldilocks zone between ‘big enough to make its presence known’ and ‘so large it’ll dominate your living room setup’. It’s also pretty light and easy to move, should you want to: at 8.6lbs (3.9kg), you won't need to wear a back brace just to relocate it to another shelf.

Controlling the Ellipse falls to a series of blue-lit touch-capacitative buttons on the top surface of the device. These are clearly marked and easy to activate, covering most of the basic functions you’d expect, including play / pause, skipping forward and back, adjusting the volume, and triggering Bluetooth-pairing mode. There are no presets here, though, which is a shame. Being able to quickly switch to various inputs or playlists is something a lot of wireless speakers offer these days and, while it’s not a must-have feature, it would be nice all the same.

  • Design score: 4/5

The Meridian Ellipse in front of a pink background, showing the feet and base of the device, as well as half of the grille.

(Image credit: Future)

Meridian Ellipse review: value

  • Eye-wateringly expensive
  • Some cheaper speakers sound better

Ultimately, the Meridian Ellipse is a good – or even potentially great – wireless speaker. But your expectations are inevitably going to be influenced by how much you’ve paid for a device. And for $3,000 / £1,900 / AU$4,999, I expect an audio device to sound unimpeachable. That’s not really been my experience with the Ellipse.

It’s smart, really smart. But instead of taking already rock-solid audio and polishing it up to a truly breathtaking listening experience, I often found myself tweaking the features just to get an aural picture that bested or even matched what I’ve heard from much cheaper speakers. When you can get better audio from the Cambridge Audio Evo One and comfortably buy the £599 / $699 / AU$1,299 Pro-Ject Debut Evo 2 out of the change to plug into its inbuilt phono stage, it does make me wonder who this device is for. Because, in reality, I think audiophiles can get more for much less.

  • Value score: 3 / 5

The Meridian Ellipse from above on a stone worktop in front of a pink background and a house plant.

(Image credit: Future)

Should I buy the Meridian Ellipse?

Buy it if…

You want crisp, high-resolution audio
For a speaker of its size, the Meridian Ellipse is capable of consummate detail, with each instrument having impressive separation. And it keeps this up even at high volumes: it remains coherent at a level many speakers dissolve into a mess of distortion.

You want a whole range of smart features
Whether it’s tweaking the positioning of the soundstage, tailoring the speaker to its placement in the room, or widening the sound, the Meridian Ellipse features a wide range of tech to improve the audio you hear.

Don’t buy it if…

You want well-rounded lower mids and sub bass
Despite the above, the Ellipse does have a few shortcomings, sonically speaking. In particular, the mids and bass are lacking heft in their lower registers, meaning it can sound like it’s pulling some punches when it comes to certain genres.

You want value for money
Not only is the Meridian Ellipse firmly at the premium end of the market, with a whopping $3,000 / £1,900 / AU$4,999 price tag, but I would argue some cheaper speakers can give a more balanced, consistent experience.

Meridian Ellipse review: also consider

Cambridge Audio Evo One
While the Cambridge Audio Evo One is significantly bulkier than the Meridian Ellipse, it’s also arguably more talented. It’s capable of producing polished, dynamic sound that’s well-tuned across its full frequency range and genuinely impressive separation when fed appropriately hi-res sources. However, its real strength is in just how versatile it is: not only can it stream over Wi-Fi and Bluetooth but it can also handle your TV’s audio over eARC and play records from your turntable via its built-in phono stage. Not bad given its $1,499 / £1,299 / AU$2,495 price tag. Check out our full Cambridge Audio Evo One review.

KEF LS50 Wireless II
The similarly priced KEF LS50 Wireless II can muster streaming hi-res audio up to 24-bit/96kHz and offer a range of connectivity options, whether that’s HDMI eARC, Ethernet port, coaxial and optical or 3.5mm AUX inputs. They’re also discreet, compact units that nonetheless provide crisp, detailed sound across the frequency spectrum and taut, well-controlled bass. Couple this with superb stereo separation and a wide soundstage and these are some fantastic performers. Read our full KEF LS50 Wireless II review.

How I tested the Meridian Ellipse

  • I tested the Meridian Ellipse for a month
  • I used it to stream a wide range of genres and audio resolutions
  • I have several decades of experience using and reviewing audio gadgets

I lived with the Meridian Ellipse for a month, testing it with a range of types of music and sources. Not only did I listen to the TechRadar testing playlist but I also tried out plenty of my own go-to tracks to assess its dynamics and frequency balance.

Additionally, I monitored the quality of its output by trying out a variety of sources. This included my iPhone 16 Pro, MacBook Pro, and TV. On top of this, I tried out a variety of different audio resolutions, from Spotify's most basic tier to Tidal's 24-bit, 192kHz Max tier.

In terms of experience, I've covered tech and reviewed gadgets for over 10 years. Additionally, I've been listening to and producing music for several decades, which has given me insight into the balance of different frequencies and sonic performance.

I tested this affordable DAB radio and, sadly, its tinny output made me think of every car garage I’ve ever been to
2:30 pm | March 13, 2025
Author: admin | Category: Audio Computers DAB Radios Gadgets Hi-Fi | Tags: , | Comments: Off

Groov-e Boston: Two-minute review

If you had a checklist of everything you wanted from a DAB radio, the Groov-e Boston would mark off almost every point. It lacks good looks and its sound quality could be better but for only £39.99 – it's currently only available in the UK, but that would make it approximately $52 or AU$82 where available in the US and Australia – it’s hard to criticize it too much.

Also, I can see it fitting in nicely in any room of your home, or you can always take it with you to a holiday let, a caravan: you get the idea. It’s lightweight for the size so it’s easy to move around.

A wooden frame isn’t the priciest or most exclusive look but it does make the Groov-e Boston appear a little classier than if it stuck with the speaker grilles' metal styling, or went for plastic casework. This isn’t the radio to show off to friends and family (that’s the Roberts Revival Petite 2) but it has, nevertheless an old-school charm about it.

Audio quality could be better but for a basic DAB radio, the Groov-e Boston is fine. Don’t count on using the Bluetooth connectivity too often to listen to your own music, though, unless you’re really stuck for options.

So, the Groov-e Boston isn’t one of the best Bluetooth speakers but who really cares about that? You’re buying something like this to compete with the best DAB radios. The Groov-e Boston may not have stolen my heart, but my head (and bank balance) do certainly love the price tag.

Groov-e Boston review: Price and release date

Groov-e Boston DAB radio on a wooden sideboard

(Image credit: Future / Jennifer Allen)
  • Released February 2023
  • Cost £39.99 (currently only available in the UK)

The Groov-e Boston was released in the UK in February 2023. Availability hasn’t stretched elsewhere – though if you happen to find it in the US or Australia it'll set you back approximately $52 or AU$82 – but if you’re in the UK, this is a cheap DAB radio while still being from a reputable brand.

It’s far cheaper than my beloved aforementioned Roberts Revival Petite 2, as well as the bulky Pure Woodland. There are some obscure brands with DAB radios around the same price point but none from a reputable brand to compete with the budget delights of Groov-e.

Groov-e Boston review: Specs

Groov-e Boston review: Features

Groov-e Boston DAB radio on a gray carpet

(Image credit: Future / Jennifer Allen)
  • DAB & FM radio
  • Bluetooth streaming
  • Built-in alarm clock

Pretty much all the features you could need from the Groov-e Boston are here. It has DAB and FM radio connectivity along with Bluetooth 5.0 for pairing with your phone or other devices. All are easily tapped around thanks to the clearly laid out buttons. It takes seconds to get started with the Groov-e Boston and it never really gets any more complicated.

You can set up 40 presets if you really plan on browsing that many stations regularly and the Groov-e Boston also has an alarm clock function. The latter is a little awkward to set up, though, compared with the simplicity of everything else.

I’d consider the Groov-e Boston primarily as a radio to use at home but it does take batteries if you want to use it out and about. You need four size C batteries to stick in the back – though probably not something you’ll ever actually do, the option is there.

Features score: 4 / 5

Groov-e Boston review: Sound quality

Groov-e Boston DAB radio on a wooden sideboard

(Image credit: Future / Jennifer Allen)
  • A little tinny
  • Best for spoken word over music
  • Some distortion at high volumes

The Groov-e Boston’s sound quality instantly reminds me of almost every car garage I’ve ever been to. That may be too a specific an anecdote but what I’m getting at is the Groov-e Boston is pretty basic-sounding, with that low-level quality you’d get from a small radio trying to expand to much larger surroundings. The Groov-e Boston transfers that tinny sound to a smaller room.

Mileage will vary depending on the strength of the DAB signal, of course. I found it sometimes improved but there was never any punch such as when listening to Beyonce’s Single Ladies (Put a Ring on It) while browsing through some music stations. Spoken word is far better with some time spent with rant-filled LBC sounding reasonably strong, if still a little tinny for want of a better word.

There’s a reasonable stereo effect here but little heft. Crank up the volume and the Groov-e Boston ends up sounding more distorted but it works well enough in a small environment.

Sound quality: 3 / 5

Groov-e Boston review: Design

Rear panel of Groov-e Boston DAB Radio, on a beige carpet

(Image credit: Future / Jennifer Allen)
  • Useful carry handle
  • Lightweight
  • Retro stylings

Reminiscent of electronics' stylings a few decades old, the Groov-e Boston is functional if not exactly the device you’ll be posting across all your favorite social media platforms. It has a great metal carrying handle so you can move it from room to room without any bother, while the antenna pulls out easily enough.

In the center is a simple LED display showing the time, date, and whatever you’re listening to. Underneath that are your control buttons which are well laid out and explained, as well as a volume knob, which feels so much more satisfying repeated button bashing. The buttons on this radio are a tad on the noisy-clunky side but at least there’s never any doubt you’re tapping them. As is increasingly the way, there are no tactile bobbles to help those with sight impairments figure things out but the buttons are spaced out well so you can’t mistap anything.

On the back is simply the place for the batteries. No additional ports or anything like that. Also, if you’re keen to pick the right colorway for your decor, this isn’t the device for you. The Groov-e Boston is solely available in its part-gray/metal, part-wooden build.

Design score: 3 / 5

Groov-e Boston review: Value

  • Very affordable
  • Reputable name for the price
  • Fine for short- or long-term plans

Check out any retailer and you’ll be lucky to find a DAB radio for this price that is also from a brand you’ve heard of. The competition is simply more expensive. The likes of the Sony XDR-P1 are in the same ballpark, but still pricier and also nowhere near as pleasant to place on your shelf.

You’ll be unlikely to find much for cheaper but if you want style or better features, you may wish to look elsewhere.

Value score: 5 / 5

Should you buy the Groov-e Boston?

Buy it if...

You’re on a budget
The Groov-e Boston packs a lot in for the price, even if it isn’t perfect.

You want something that fits everywhere
The Groov-e Boston will look fine in your kitchen as well as your living room, and you can even take it out with you.

You want something lightweight
Ideal for those who need to pack light or can’t carry anything too heavy, the Groov-e Boston won’t overwhelm you.

Don't buy it if... 

You want great sound quality
The Groov-e Boston works well with the spoken word but I was no fan when listening to music. Bear that in mind.

You want something stylish
The functional look will suit some but you won’t be showing off the Groov-e Boston to friends.

You need something more robust
The Groov-e Boston isn’t the weakest radio around but I wouldn’t feel comfortable taking it to the beach or off the beaten path.

Groov-e Boston review: Also consider

Roberts Revival Petite 2

Costing much more but looking gorgeous, the Roberts is just as portable while being something you’ll be proud of owning. Don't blame me when you decide to spend more.

Read our full Roberts Revival Petite 2 review here

Pure Woodland

The Pure Woodland is just as portable as the Boston but is a little more robust, making it ideal for the rugged lifestyle.

Read our full Pure Woodland review here

How I tested the Groov-e Boston

  • Used the Groov-e Boston over 14 days
  • Listened to DAB radio, FM radio, and music via iPhone 14 Pro and Bluetooth
  • Over 10 years' experience testing audio equipment

I’ve spent a lot of time with a lot of different DAB radios over the years. I opened up the box and got started with the Groov-e Boston the moment it arrived. It spent much of its time between my home office, bedroom, and living room. The carrying handle came in useful there. I mostly used it connected to mains power.

I listened to a lot of talk radio (LBC and BBC Radio 5 Live) to keep up with current affairs, while switching over to Heart 90s and 00s along with a local music station to calm my nerves after too much news.

When using the Bluetooth functionality, I connected my iPhone 14 Pro, and listened to Spotify and Apple Music.

I spent six weeks listening to the Samsung Music Frame and it kept missing the beat
5:07 am | March 12, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless &amp; Bluetooth Speakers | Tags: , , | Comments: Off

Samsung Music Frame: One-minute review

I love the idea of hiding a speaker in plain sight – in fact, I refuse to have bookshelf speakers because I really don’t like how they look on my, well, bookshelf and, despite offering great sound, I’m not too enthused by the design of the best wireless speakers either. Call me fussy, but when Samsung launched the Music Frame, it looked like something that would fit right into my home – playing my tunes and potentially showcasing my photography as well.

I’m impressed by how well built the Samsung Music Frame is, but weighing in at close to five kilos, I’m hesitant to wall mount it. Moreover, as a renter in Sydney, Australia, I’m not allowed to bore a hole in my wall, so I can’t really comment on how well it would perform with sound waves bouncing off a hard surface directly behind it. That said, Samsung thoughtfully provides a dampener in the box precisely for this purpose. It still looks lovely on its stand.

Changing the artwork is easy, but you have to have photos or images that would look good within a 8x8 inch square space – as a nature photographer who typically shoots in a 4:3 aspect ratio, it was hard to find one of my own prints to fit within the Music Frame.

To match its lovely design, Samsung has managed to make a speaker that fills a large room with sound. The Music Frame can get quite loud, much louder than the Ikea Symfonisk Picture Frame Wi-Fi speaker, with strong, expansive sound. And there are plenty of wireless streaming options to choose from, so it doesn’t have to be part of Samsung’s SmartThings ecosystem to work as a standalone speaker, but the app is necessary for the initial setup.

What it lacks is detailed and dynamic sound. While it’s just bassy enough for the average listener who isn’t too fussed about the soundstage to enjoy some tunes or pair with a Samsung The Frame TV, it will be a disappointment to anyone who cares about sound quality and wants to use it as a standalone speaker.

Also taking into consideration that the front panel isn’t a digital screen that would display, say, album art or double as a digital photo frame, I am struggling to justify its price.

Samsung Music Frame on a table beside a vase

There's no denying that the Samsung Music Frame has 'presence' (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: price & release date

  • Made its debut at CES 2024; launched in April 2024
  • List price: $399.99 / £399 / AU$699

The Samsung Music Frame isn’t brand new – it made its public debut at CES in January 2024, then was released to select markets in April that year. It became a bit more widely available later in 2024 and can be picked up for $399.99 / £399 / AU$699 at full price.

Samsung was offering a discount in some countries when the Music Frame launched and, since then, we have seen offers that make the speaker a little more affordable. For example, I’ve seen the price drop to as low as $150 in the US and AU$499 in Australia.

While you can display printed photos within the Music Frame, compatible acrylic panels can be ordered from select third parties for an additional cost, plus shipping, but note that you may need to keep the rear studs safe or source more to reattach the new artwork panel back into the Frame.

Samsung Music Frame review: specs

Samsung Music Frame review: features

  • SmartThings app required for setup
  • Dolby Atmos support with two-channel output
  • Built-in Q-Symphony support

The Music Frame’s feature set is quite impressive on paper, perhaps exactly what you want from a “lifestyle” product (as Samsung calls it) to widen its appeal. From plenty of wireless streaming options – including AirPlay 2 and Google Cast – to built-in voice assistant support for Alexa but, strangely, not Samsung’s own assistant Bixby, there's a lot going on here.

You can’t get things started without Samsung’s SmartThings app, though, and that requires you to create a Samsung account or use an existing one. Setup from there on in is very simple and I had no issues when using a Samsung phone or an iPhone – just following the onscreen steps will take you about 30 seconds to get going.

You’re also going to need the app to get the best sound setup too. You can play around with the seven-band equalizer in the Standard mode within the app, but if you opt for the Music or Adaptive Sound mode, you only get bass and treble controls.

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Screenshots from the SmartThings iOS app for the Samsung Music Frame

You need the SmartThings app for initial setup, whether on Andriod or iOS... (Image credit: Sharmishta Sarkar / TechRadar)
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Screenshots from the SmartThings iOS app for the Samsung Music Frame

..then choose the best options and settings for your use case (Image credit: Sharmishta Sarkar / TechRadar)

That done, you have the choice to pair the speaker with your phone or tablet via Bluetooth 5.2 or cast via the built-in Chromecast. iPhone or iPad users will immediately see AirPlay as an option when they open the Apple Music app, but you also get Spotify Connect and Tidal Connect support, all of which are better than using Bluetooth connectivity due to a slight lag that’s evident when using the SmartThings app as they pass control of streaming to the speaker itself rather than using the phone. Despite this tiny lag, I never experienced any connection dropout during my weeks-long testing, which probably says something about how well Samsung has executed the connectivity options.

There’s Dolby Atmos support too, although it comes with a major caveat: it’s received only via Wi-Fi – there’s no HDMI ARC/eARC port here and the optical input isn’t Atmos compatible – and works with only select Samsung TVs with a two-channel output. That means you can’t use this as a soundbar alternative, but you can set it up as an additional speaker for Samsung The Frame TV or the Samsung QN95D, even as a pair if you have the cash to spare for a second Music Frame.

Samsung Music Frame and a lamp on a table in front of a window

Samsung's Adaptive Sound feature didn't work when there were power-tool noises just outside the window (Image credit: Sharmishta Sarkar / TechRadar)

Tap-to-Play is also available but, again, it only works with compatible Samsung phones. I had the Samsung Galaxy Z Flip 5 during my testing, which is supposed to be compatible, but no amount of tapping anywhere on the Music Frame triggered the functionality. Another feature Samsung promises is on board is its AI-powered Adaptive Sound technology, which adjusts clarity and volume in real time to any changes in ambient sound and, once again, I didn’t notice any changes when a landscaper outside my window was using a power tool.

What I did enjoy, however, is playing music through both my Ikea Symfonisk Picture Frame and the Music Frame for bigger stereo sound. Thanks, AirPlay!

• Features score: 4 / 5

Samsung Music Frame review: sound quality

  • Loud, room-filling sound
  • Decently bassy, but lacks the meatiness offered by other brands
  • Sound lacks detail and nuance

To match the impressive connectivity and streaming options, the Music Frame has a heck of a lot of power, although Samsung doesn’t reveal how much. However, the six drivers with built-in amplification in the Music Frame belt out a lot of volume. The first tune I played on the speaker immediately after setting it up – Gimme All Your Love by Alabama Shakes via Google Cast from the aforementioned Galaxy Z Flip 5 – it was LOUD with the volume set at level 17, enough to make me want to turn it down a notch. The louder it got, though, the muddier the audio sounded.

The rear of the Samsung Music Frame speaker

It looks like there are just two speakers in the rear of the Music Frame, but there are, in fact, six (Image credit: Sharmishta Sarkar / TechRadar)

Several music streaming apps, like Apple Music and Tidal, don’t have built-in volume controls and I found that, when using the Samsung phone’s controls, each incremental increase or decrease made a significant difference. It was a different experience when using an iPhone 13 Pro’s volume control (streaming via AirPlay 2), where the changes were smoother and more appealing.

Pro Tip

I got the best sound using the Music mode within the SmartThings app, along with the SpaceFit Sound feature turned on.

Out of the box, the Music Frame offers decent bass but, compared to the 2024 Beats Pill Bluetooth speaker and the Ikea Symfonisk Picture Frame, it can sound airy (or tinny if you prefer) with the high-mid frequencies being the focus. You can adjust this via the bass control or the equalizer in the SmartThings app, but I struggled to find my sweet spot.

The Music mode on the SmartThings app adds warmth to the music, while SpaceFit Sound uses the speaker’s built-in mic to analyze the room and adjust the sound accordingly. It will work wonders for the average listener by improving the vocals on a track, but it might still disappoint if you really care about good overall audio as it lacks detail. For example, Ellie King’s Ain’t Gonna Drown sounds good but not great as it doesn’t deliver the dynamic contrasts in her vocals. JJ Cale’s Magnolia sounds flat, lacking the wistfulness and melancholy I normally associate with it.

I accidentally also found out that there’s some muffling due to the front artwork panel. This happened when I was listening to KD Lang’s After The Gold Rush, and decided on a whim I would try to swap out the artwork while still playing. The track lacked depth but, once the front panel came off, it sounded better.

Samsung Music Frame on a table beside the Ikea Symfonisk Picture Frame Wi-Fi Speaker

I like the look of the Samsung Music Frame (right), but prefer the audio quality of the Ikea Symfonisk Picture Frame (left) (Image credit: Sharmishta Sarkar / TechRadar)

Listening to Dolby Atmos tracks like M.I.A’s Marigold and Freddie Hubbard’s Weaver of Dreams is immersive, but I’ve experienced better from the Sonos Era 300, although Sonos is known for putting details front and center. This is exacerbated by the fact that, when playing a Dolby Atmos track, its volume level dips significantly – I had to bump up the volume by five levels to get the same effect when listening to other tracks. The best way to enjoy Dolby Atmos here would be to make it part of an existing setup, combining it with a soundbar.

As much as I appreciate its room-filling performance, I expected better overall sound quality from a premium wireless speaker that costs more than several of its competitors.

• Sound quality score: 3 / 5

Front view of the stand of the Samsung Music Frame beside a propped up Galaxy Z Flip 5 phone

The stand for the Samsung Music Frame is demure and not an eyesore (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: design

  • Beautiful design with thin bezels and hidden controls
  • Removable frame panel to change artwork, but cost of customization can add up
  • Can be wall mounted, but the cable might be an eyesore

I might have been disappointed by the sound from the Music Frame, but I really love the design. It’s not as square as it appears, measuring 35cm along the base and stands 36cm high. It’s about 14cm thick and has a heft to it, tipping the scales at over 9lbs / 4.5kg. I’d be hesitant to wall-mount it as Samsung provides just the one screw for it to hang off, but its corners are sharp too. If it gets nudged off its perch for any reason – even if it’s on its stand – it can cause injury to toddlers and pets.

I love that stand, though – it’s easy to slip on but not remove (which is probably a good thing), and it doesn’t stand out, if you get my drift. So all your attention is on the actual Music Frame.

The thin black bezels surrounding the matte acrylic panel makes for a great aesthetic, but if you don’t like the dark border, Samsung will sell you white snap-on panels for an additional cost – although this is only available in select markets.

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The removable art panel of the Samsung Music Frame lying on the speaker

Removing the art panel isn't difficult... (Image credit: Sharmishta Sarkar / TechRadar)
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The rear of the removable art panel of the Samsung Music Frame

..and it doesn't take much effort to change the print inside, if you have one that will fit (Image credit: Sharmishta Sarkar / TechRadar)

Removing the top panel to change the artwork isn’t difficult, but it requires a little elbow grease and best done by placing the speaker flat on its back. People with slim fingers will find it easy to get a grip on an edge, but I wish Samsung had included a pry tool to help those of us with sausage fingers. The panel is held in place by ball studs that fit into sockets on the black frame, and a removable plastic sheet on its rear allows you to change the artwork. While the panel measures 13x13 inches, only the central 8x8 inch cutout will showcase the artwork. Samsung says you can use 8x10 or 8x8 inch prints, but I suspect that using a print smaller than the actual size of the panel will give it room to slide around inside and look misaligned.

The Music Frame comes with a generic image pre-installed, but you’ll find an extra one in the box. I had hoped to use a print of one of my own photos, but none that I had handy would fit the frame. Samsung has partnered with some third parties to make custom acrylic panels that you can order and get shipped to you but, again, this customization will cost extra and you’ll need to bear the shipping cost too.

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Indicator lights at the bottom of the Samsung Music Frame

You can barely see the indicator lights as they're practically hidden in the gap between the art panel and the frame (Image credit: Sharmishta Sarkar / TechRadar)
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The ports on the rear of the Samsung Music Frame

You can use a SmartThings Dongle (middle port) here, but it needs to be purchased separately (Image credit: Sharmishta Sarkar / TechRadar)
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The rear of the Samsung Music Frame showing the speakers and the power cable

The visible part of the power cable is a light one, but it does have an adapter and a thicker cable (Image credit: Sharmishta Sarkar / TechRadar)

I asked Samsung why the front panel wasn’t a digital screen to use as a photo frame or at least display album art of the track being played, and I was told the cost would increase. I’m not entirely sold on this argument, but if we can have smart displays like the Amazon Echo Show 15, it’s doable and would likely broaden the appeal of the Music Frame. The Frame TV already has the ability to display digital wallpapers and I wish Samsung had figured out how to carry that over to the speaker too.

It’s important to note that the Music Frame will need to remain plugged into the mains to work, so you get a thin, kinda translucent cable in the box that will go into a small power brick connected to a thick black power cord. While I’m really not a fan of power bricks, I appreciate that the thin cable isn’t as noticeable as the one of the Ikea Symfonisk Picture Frame, and the heavy cable and adapter can be tucked away.

The physical controls, in the form of four buttons are hidden away on a rear edge, which makes them hard to see. They’re also extremely sensitive and even the lightest touch can change the volume, switch the mic on or off, or switch sources (Bluetooth, Wi-Fi, optical). Plus, every time you press one, indicator lights that are also tucked away between panel and the frame light up. There is no play/pause option here, so you are left with using the app’s controls for that.

The back of the unit looks like it only has two speakers, but there are six hiding underneath, playing through two channels. Plus there are three ports: the optical input, a USB port for the SmartThings dongle to connect to an existing smart home setup, and the power input.

• Design score: 4.5 / 5

Side profile of the Samsung Music Frame on a table

The Samsung Music Frame looks lovely no matter where you place it (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: value

  • Retails for a price higher than several premium big-brand wireless speakers
  • You’d expect excellent performance at this price point
  • Falls short against the competition in both price and performance

With a retail price of $399.99 / £399 / AU$699, the Samsung Music Frame doesn’t come cheap. When discounted, though, it might be worth considering, provided the offer available at the time of purchase undercuts the competition significantly.

That said, if you’re an audiophile or, at the very least, a discerning listener, you might well be disappointed by the lack of detail from the Music Frame. In comparison, the Ikea Symfonisk Picture Frame Wi-Fi Speaker with Sonos sound is only $199 / £179 / AU$249 and, while not as loud as its Samsung counterpart, offers a more balanced and dynamic soundstage that’s also bassier.

Even some of the other best wireless speakers that the Music Frame is contending with are cheaper at full price. In our Sonos Era 100 review, for example, we said you’d get sound quality with “lots of clarity and punch” for a list price of $249 / £249 / AU$399.

Perhaps if Samsung had added a digital screen with a SmartThings interface or even just made it into a digital photo frame, it might have been easier to justify the price. If the sound quality and functionality were to be improved, I think the second-generation Music Frame could likely give the likes of Sonos a run for its money.

• Value score: 2.5 / 5

Should you buy the Samsung Music Frame?

Buy it if...

You want a wireless speaker for a small space

The Music Frame is a 2-in-1 device – you don’t need an additional picture frame for your memories, and you get a speaker too.

You own a Samsung The Frame TV

Setting it up as an additional speaker for a compatible Samsung TV will make the most of the Music Frame, offering you a more engaging home cinema experience.

Don't buy it if...

You’re an audio purist

If you’re after a speaker with excellent audio, you’ll need to forgo the good looks for a speaker that was made for a more dynamic soundstage.

You’re on a tight budget

It might be hard to recommend the Music Frame at its current retail price, but if you want a good speaker sans the frame, there are plenty of options that cost less.

Samsung Music Frame review: also consider

If you’re looking for alternatives to the Samsung Music Frame, the most similar ‘lifestyle’ or ‘arty’ product would be the Ikea Symfonisk Picture Frame Wi-Fi Speaker, which is still available at most Ikea stores around the world. However, if you’re after better wireless speakers, consider the two options listed below.

JBL Authentics 200
If it’s detailed sound you’re after, the JBL Authentics range is where you should be focusing. While there’s an expensive model that would be out of reach for most people, the Authentics 200 balances price, features and sound performance marvelously well. While it costs less than the Music Frame, it does have a rather retro boxy look that may not be to everyone’s liking.

Read our full JBL Authentics 200 review for more details

Sonos Era 100
For a smaller speaker that won’t look too out of place in most homes, consider the Sonos Era 100. It packs quite the mighty punch, though, with detailed sound and boosted bass, not to mention a plethora of sources available too. And it will cost you a lot less than the Samsung Music Frame too.

Read our in-depth Sonos Era 100 review to learn more

How I tested the Samsung Music Frame

  • Listened to it nearly every day for six weeks in different rooms
  • Used AirPlay 2 on an Apple iPhone 13 Pro and cast using the SmartThings app on a Samsung Galaxy Flip 5
  • Predominantly streamed from Apple Music, but also tried Spotify and Tidal

Samsung Music Frame on a table beside some books and a vase

(Image credit: Sharmishta Sarkar / TechRadar)

I’ve had the Samsung Music Frame in my apartment for about six weeks at the time of publication and, in that time, tested the speaker in various rooms, including an open-plan living and dining area. During this time, the Music Frame became my primary speaker, replacing the Ikea Symfonisk Picture Frame Wi-Fi Speaker. I also had the opportunity to compare the audio with two Bluetooth speakers – the 2024 Beats Pill and the JBL Charge 4.

While I predominantly listen to the blues, I played a wide variety of genres through the Music Frame, mostly via the Apple Music app on an iPhone and the Samsung Galaxy Z Flip 5. I also briefly streamed via the Spotify and Tidal Android apps.

I tweaked the settings in the SmartThings app – both on iOS and Android – across various genres to see how the audio changed, and even tried various bass and treble adjustments.

While I tried out as many of the features as possible, I didn’t use the built-in Alexa support very much, and there were a few other things I wasn’t able to test due to the lack of additional hardware, namely the SmartThings Dongle and a compatible Samsung TV. And due to restrictions placed on wall-mounting it in my home, I wasn’t able to test how the Music Frame sounds when hung up against a wall. I did, however, prop it up against a wall (without its stand) to emulate wall-mounting as best as possible.


Read more about how we test

[First reviewed March 2025]

I tested Audioengine’s tiny wireless speakers with a beautiful design and surprisingly impressive audio performance
7:00 pm | March 4, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Audioengine A2+ review

Designed for desktop use, and living rooms where even bookshelf monitors claim too much space, this compact Bluetooth speaker package from Audioengine punches above its weight when it comes to versatility and design. But can the A2+ also hit the right notes when it comes to musicality?

I fostered a pair, eager to find out if pint-sized speakers really can deliver a reassuringly big sound to match the best stereo speakers.

The Audioengine A2+ Bluetooth speakers are tailored for near-field listening. Measuring a mere 152 x 101 x 134mm, these titchy enclosures offer a wealth of connectivity, including Bluetooth aptX-HD, USB, and analogue stereo input/outputs via RCA phonos and 3.5mm minijack. They lack a digital audio input though.

Available in a choice of matte (blue or black), and gloss finishes (red or white), build quality is excellent. My glossy red review set oozed premium appeal, their reflective glossy finish contrasting beautifully with the black drivers.

The cabinets themselves have decent heft. Made from MDF, they stand just slightly taller than a Snickers bar and should be easy to accommodate on untidy desks, or even as part of a minimalist Hi-Fi setup.

The left speaker is the active model, with connectivity, built-in amplification and volume control, while the right is its passive partner. The power supply is separate from the active enclosure, thankfully the brick isn’t too large.

Each cabinet houses a 70mm aramid fibre woofer and 19mm silk dome tweeter, with venting at the base to enhance low-frequency performance.

Unsurprisingly, given their size, these speakers are not volume monsters. The system is rated at 15W RMS per channel at 4 ohms, with a peak power output of 30W per channel.

When it comes to system configuration, there’s the option of USB audio, stereo RCA inputs, and a 3.5mm minijack input. There’s also a subwoofer output should you want to add extra bass, in the form of Audioengine’s S6 subwoofer.

Audioengine A2+ viewed from the rear

(Image credit: Future)

Despite this versatility, I expect most buyers will probably do the majority of their listening via Bluetooth. Here, aptX HD ensures high-resolution wireless audio streaming (when connected to an aptX HD compatible smartphone), though there's no Wi-Fi, unlike most of the best wireless speakers. My system was ready to connect as soon as it powered up.

Also included in the box are 2m of connecting speaker wire, a minijack audio cable, plus a USB lead to connect your PC. All of this, plus the speakers, comes packed in microfiber cloth bags for protection. There’s no remote control included (although you probably don’t need one).

Setup is nice and straightforward: just connect the passive right speaker to the powered left with the included speaker cable, connect the power brick, and you’re good to go.

It’s worth noting that the A2+ is not a smart system; there’s no voice assistance from the likes of Amazon Alexa or Google Assistant.

Audioengine A2+ held in a man's hand, showing the compact size

(Image credit: Future)

Straight from the box, the A2+ are an enjoyable listen, not least because they’re capable of true stereo imaging, something of a rarity in the predominantly one-box Bluetooth speaker market. Tracks like Stevie Nicks’ Edge of Seventeen showcase this well, with the choppy guitar riff anchored on the left and percussion neatly spread across the stage. Their spatial presentation is coherent and involving.

Clarity and detail are also good; the A2+ reward hi-res audio sources, finding subtle nuance in Pearl Jam’s Present Tense (24-bit/48kHz) and Radiohead’s sonically layered Burn the Witch (24-bit/48kHz). They definitely have a knack for detail retrieval.

Given their compact size, low frequency performance is understandably limited. Chase and Status’ thumping Baddadan lacks the visceral low-end thump associated with this drum and bass belter. If you want more slam, you’ll need to add that subwoofer.

The mid-range is the sweet spot here. From Dire Straits’ Sultans of Swing, where the interplay between tweeter and woofer handles intricate riffs effortlessly, to the soaring piano of In This Moment’s Into the Light, the A2+ system proves adept across genres – those treble highs always as clear as crystal.

I’d hesitate to call the A2+ speakers musical, though. I never felt myself carried away by its beats, and I was always aware sounds were emanating from the two shiny enclosures, rather than hanging in the air before me. That said, what the A2+ offers is precise and performative.

Loren Allred’s pleading vocals in Never Enough, from The Greatest Showman soundtrack, manages to elicit an emotional tingle, exactly as it should.

While 15W per channel is perfect for desktop use (Audioengine optimistically quotes 60W peak power output), these speakers struggle to serve larger rooms. They’re also quite directional, sounding sharpest when aimed squarely at eye/ear level, so position accordingly.

Audioengine A2+ volume dial being turned by a man's hand

(Image credit: Future)

Audioengine A2+ review: Price & release date

  • £255 / $269 / AU$449
  • Launched August 2024

The Audioengine A2+ Bluetooth speakers are available now for £255 or $269 (US), which undercuts many of their main rivals, including the likes of the Kanto Ren, which are around twice the price.

The S6 subwoofer (£299 / $299) pushes up the system price quite considerably, though, and you certainly can find other Bluetooth stereo speakers for a similar price or cheaper, including from the likes of Edifier and Majority.

Audioengine A2+ review: Specs

Should you buy the Audioengine A2+?

Buy them if…

You want big sound from small speakers
You’ll have no problem sitting them either side of a PC monitor, and they’ll look great in situ too. It’s worth springing for the bespoke stands from Audioengine, which help angle the drivers upwards.View Deal

You want multiple connectivity options
Bluetooth aptX HD is the big draw, but there are plenty of other options, including USB for direct connection to a PC or laptop, and analog stereo for a turntable (if it has a built-in phono stage) or DAP (digital audio player).View Deal

You want premium design and build
There’s nothing cheap looking about the A2+. The design is stylish and the quality of finish is high.View Deal

Don't buy them if…

You want big bass out of the box
One inevitable consequence of the A2+’s diminutive design is a lack of bass. It’s not that they sound thin, it’s just that they can’t drop deep. For desktop use this shouldn’t be an issue, but for open space listening, adding a subwoofer makes sense.View Deal

You want advanced wireless features
The inability to connect more than one wireless device at a time could prove an issue for households with multiple users, and there's no Wi-Fi streaming.View Deal

Audioengine A2+ review: Also consider

Ruark Audio MR1 Mk2
Perennial favourites, these compact Ruark desktop speakers are known for both their clarity and overall musicality. They go surprisingly low, thanks to a canny bass reflex design, but can be augmented with an additional subwoofer if required. Bluetooth aptX is available for streaming, and there’s both analogue and digital audio inputs for local source devices. Read our full Ruark Audio MR1 Mk2 review for more.View Deal

Kanto YU4 Active Bluetooth speakers
Slightly larger than rivals, these well specified compact speakers are another strong compact hi-fi option. In addition to Bluetooth connectivity, there’s a pair of optical digital audio inputs, as well as analogue phono (with ground) and a 3.5mm Aux minijack. The driver complement comprises silk dome tweeters and Kevlar mid-range woofers, and if the bass reflex cabinet design doesn’t go low enough for you, there’s also a subwoofer output.View Deal

How I tested the Audioengine A2+

Over the course of a week, I evaluated the Audioengine A2+ in various settings, focusing on near-field desktop use. Material was streamed via aptX HD Bluetooth and played through a wired high-resolution music player. Tracks ranged from classic rock to EDM and orchestral pieces, allowing me to assess tonal balance, clarity, and stereo imaging.

Speaker width was dictated by the supplied speaker cable which links the two enclosures, which were positioned at head height (or thereabouts) for optimal performance.

I tested this suave Bluetooth speaker from Sweden and it left me with mixed feelings – here’s why
12:30 pm | March 1, 2025
Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless &amp; Bluetooth Speakers | Tags: , | Comments: Off

Happy Plugs Joy Speaker review: two-minute review

The Happy Plugs Joy Speaker aims to offer good vibrations, a pleasing design and stunning, portable build. Don’t worry, it’s only a Bluetooth speaker. And for the most part, this diminutive portable speaker achieves what it sets out to do. It has an eye-catching shape fit for fashionistas, decent all-round audio and impressive build quality. But unfortunately for the Happy Plugs Joy Speaker, it just falls short of its competitors in a couple of crucial areas.

Before we get into that, though, let’s start with a sound assessment. Due to its tiny size, the Happy Plugs Joy Speaker is pretty limited in terms of the quality and volume it can produce. It has a single 45mm, 5W full-range driver that produces typically clear, tonally-accurate audio. Some sounds can get a touch edgy at times – especially those in the treble range while listening at higher volumes.

But again, I still felt that the Happy Plugs Joy Speaker sounded fine given its intrinsic limitations. Specifically, I was surprised by the meatiness of the bass on offer. Next to the not-much-smaller JBL Go 4, I found the Joy speaker capable of dishing up superior low-end impact. You won’t find the extra serving of detail that some of the best Bluetooth speakers can deliver, though, with more subtle sonic ornaments often hard to uncover. It’s also worth noting that the speaker only harnesses the basic SBC Bluetooth codec, so you won’t be able to enjoy higher-quality aptX files at their very best.

Perhaps unconventionally, the draw of this speaker isn’t all too much to do with sound – it’s about style. Happy Plugs refers to the Joy Speaker as “fashion tech designed in Sweden”, giving it a real sense of identity. Its rounded look, attractive color options and lace attachment certainly give it that je ne sais quoi, something that can often be overlooked in a cheaper, more bare bones speaker such as this.

Speaking of price, this Happy Plugs product will set you back just $49.99 / £39.99. Realistically, that’s pretty standard stuff for a speaker in this weight class but still, it's a looker for the money. Competitors like the JBL Go 4 and Sony SRS-XB100 have very similar list prices. Other than its winsome design, the Happy Plugs Joy doesn’t really do enough to set itself apart from some pretty fierce competition, in my view.

That predominantly comes down to its disappointing feature-set. Sure, the built-in mic works to a commendable standard and the ability to pair another Joy Speaker for stereo sound is handy, but that’s about it as far as features go, bar the inclusion of an AUX port for wired listening. There’s no companion app or way to adjust EQ – something I’d expect for a speaker released in 2025.

Another issue is the poor dust- and waterproofing offered by the Joy Speaker. It is only IPX4 rated, meaning it can withstand some water splashes or rainfall, but little else. Given you see a whole bunch of competitors, like the Ultimate Ears Miniroll, offering IP67-rated protection against dust and water submersion, IPX4 just feels a bit underwhelming, I’m afraid.

When you pair the fairly feeble protection against the elements with the speaker’s 5W maximum power output, it’s safe to say the Joy Speaker is better suited to bedroom use, rather than taking into the great outdoors or a party environment.

And if a small, personal speaker is all you’re looking for, the Happy Plugs Joy is still an OK option at a reasonable price. Its stylish edge will no doubt earn its fair share of plaudits, even if there’s a shortage of features and undercooked protection against the elements. Overall, I’d still say you’re better off with the JBL Go 4, or even one of the best waterproof speakers like the excellent Tribit Stormbox Micro 2 – both of which offer impressive audio in a similarly mini package, but one that can also be dunked fully in a pool and survive.

Happy Plugs Joy Speaker in someone's hand

(Image credit: Future)

Happy Plugs Joy Speaker review: price and release date

  • $49.99 / £39.99 (about AU$80)
  • Launched in January 2025

The Happy Plugs Joy Speaker released at the beginning of 2025, carrying a very modest list price of $49.99 / £39.99 (about AU$80). That price applies to each of the four color variants this speaker comes in, namely: Black; Blue; Green; and Pink. The Happy Plug Joy Speaker’s main competitors at this price-point include the excellent JBL Clip 5 and supremely durable LG XBoom Go XG2T – more on those in the ‘Also Consider’ section.

Someone undoing rubber tab on the Happy Plugs Joy Speaker

(Image credit: Future)

Happy Plugs Joy Speaker review: specs

Happy Plugs Joy Speaker review: features

  • Lacks companion app and EQ adjustment
  • Middling battery life
  • Has effective built-in mic

I don’t like to do this, honestly I don’t – but I’m going to start on a negative note. The Happy Plugs Joy Speaker has a pretty limited set of features. For a speaker released in 2025, that’s pretty disappointing – even for a small one like this.

A lot of that stems from the omission of a companion app, which instantly restricts what this thing can do. You won’t find any ways to adjust EQ, view connected devices or get the visual on battery life, for example. That’s a bit of a let down when you consider that small options like the JBL Go 4 offer all of this and more (we’ll talk more about this little treasure later).

There are some features of note, though, like the inclusion of a built-in mic, stereo pairing and an AUX port for wired listening. Now, in fairness, the inbuilt microphone is above average – I found call quality to be slightly superior to my phone in speaker or earpiece mode. Similarly, when recording a voice note, I felt that my speech was clear at varying distances, even if there was a bit of feedback lurking in the background.

Stereo pairing is a handy inclusion, especially as this speaker can’t get too loud – more on that later. AUX is cool too if you’re into wired listening, but I suspect most will stick with Bluetooth. This uses version 5.3, which is plenty good enough – although some competitors are using version 5.4 as of the time of writing.

On top of this, you’re getting up to eight hours of playtime with the Happy Plugs Joy. That’s fairly average stuff. Sure, it’s superior to the seven hours offered by the JBL Go 4, but it’s vastly inferior to the fantastic 16 hours you’ll get with the Sony SRS-XB100. A strong battery life would’ve added some much needed credit into this speaker’s account, but ultimately it just feels a bit uninteresting, feature-wise.

  • Features score: 2.5/5

Button controls on the Happy Plugs Joy Speaker

(Image credit: Future)

Happy Plugs Joy Speaker review: sound quality

  • Decently clear all-round audio
  • Surprisingly full bass output
  • Fairly weak power output

Sound-wise, I was left with conflicting thoughts on the Happy Plugs Joy Speaker. Right off the bat, I can tell you that the manufacturer’s claim of “high quality audio” is stretching the meaning a bit. When tuning into That Lady Pts. 1 & 2 by The Isley Brothers, I found some percussive elements to be a touch tinny-sounding at high volumes and side-by-side with the JBL Go 4, vocals occasionally lacked control.

But overall, I still felt that sound quality was solid for both its size and price. And in some areas it outclassed the Go 4. For instance, when bumping Dasha - Tour Mauborg Remix by Fusion Affair, the bass thump running throughout hit with significantly more impact and weight when listening via the Happy Plugs Joy Speaker. Similarly, I was impressed by the depth of the drum machine in Black Eye by Allie X, even if the speaker wasn’t quite dynamic enough to replicate the bouncing effect of the bass bounding throughout the intro.

In addition, I sensed that the acoustic guitar running through Come sweet death, second impact by Megumi Hayashibara was fairly expressive and tonally accurate. It was also pleasantly forward until vocals entered the fray and deservedly assumed the limelight. I will caveat that with a note that densely layered tracks, such as I Want You by Moloko, aren’t expertly emulated, with synths, vocals, percussion, strings and more sometimes bunching up to create a slightly restricted-sounding result.

But much of that is down to the inherent limitations of speakers this small. You’re rarely going to be smacked by a majestically broad, nuanced soundstage or massively full-sounding profile from a model this mini – I have tested enough speakers of this size to know it. I wasn’t getting a huge dose of detail out of my favorite tracks either, with more granular sonic elements often left under wraps. That reminds me: this speaker only supports the basic SBC codec – no aptX or LDAC for less-compressed Bluetooth streaming this time out, I’m afraid.

Another issue that’s pretty typical of tiny speakers like this is relatively low power output. And the Happy Plugs Joy Speaker doesn’t look to buck that trend. It has a single 5W 45mm driver that can’t get all too loud. Sure, it will have enough power for solo bedroom listening, but if you’re turning up to the party with this, you’re going to be left wanting more. On that note, if you’re more of a party animal, it's well worth checking out our guide to the best party speakers.

So here I am, left with pretty mixed feelings. Overall, I’m leaning towards a positive outlook on the Happy Plugs Joy Speaker – and not just because of the name. It offers generally clear audio, surprisingly attention-grabbing bass output and stereo sound – if you have two paired in stereo mode. But there are some imperfections, too, including occasionally tinny output, restricted volume potential and a lack of detail.

  • Sound quality score: 3.5/5

Someone pressing a button on the Happy Plugs Joy Speaker

(Image credit: Future)

Happy Plugs Joy Speaker review: design

  • Small, stunning appearance
  • Outdated IPX4 waterproofing
  • Beautiful color options

But arguably the main strength of this lil’ speaker is its eye-catching design – after all, Happy Plugs itself describes the Joy Speaker as “a statement piece”. I’m not sure if it’s quite the fashion revolution that it's made out to be, but still, I really like the look of this speaker. (Is it worth mentioning that some of the TechRadar team call this review sample Grogu? I suppose I just have.)

The Joy speaker almost has a rounded trapezoid structure, with a classy-looking fabric speaker grille on its front and reverse side. It also has five small, easy-to-use button controls on the top, which subtly blend into the rubber casing that coats the edge of the device. These include play/pause, call and volume controls, as well as power on/off and Bluetooth. There’s a small LED that flashes to indicate if the speaker is charging or in pairing mode, which is a useful visual prompt as well.

On the side of the Joy Speaker, you’ll discover a tab, under which lies a USB-C port that can charge the speaker from 0-100% in two and a half hours, as well as an AUX port. This will let you play music via a wired connection, if you feel so inclined.

One more highlight – I’m a big fan of the color options available here. I tested out a broccoli-shade green model, but there’s also a dusty pink or blue and a deep black variant available. These colorways compliment the speaker’s “fashion tech” identity to a tee and make for a nice break from the plain, single color direction a lot of rivals go in.

This is all positive stuff so far, but when it comes to practicality, this speaker is a bit of a mixed bag. First, the pros. The lace attached to the side of the speaker looks sleek and is super effective for hanging it off a backpack or nearby attachment. There are also four mini rubber feet on the speaker that keep it in an upright position, even if it gets knocked a little. But I have one major gripe: the dust and waterproof rating.

The Happy Plugs Joy Speaker is only IPX4-rated, meaning it’s resistant to light rain and splashes of water, but little more. For a speaker in this age, that’s simply not cutting it. Almost every major manufacturer is putting out IP67 – or at least IPX7-rated speakers, which enables them to survive submersion under water for extended periods of time. IPX4 isn’t ideal for listening at the beach or in the shower, for instance, whereas a speaker like the Ultimate Ears Miniroll will easily be able to pull through.

  • Design score: 4/5

Happy Plugs Joy Speaker against pink background

(Image credit: Future)

Happy Plugs Joy Speaker review: value

  • Price is in-line with competition
  • Sound is about what you’d expect in this range
  • But competitors offer superior feature-set and durability

At $49.99 / £39.99, the Happy Plugs Joy Speaker very much blends in with rivals including the JBL Go 4 and Sony SRS-XB100. It’s by no means expensive, but not a crazy bargain either. Due to its age, you can occasionally find the Go 4 for less than $40 / £30, which is phenomenal value for money, so with time, I’d hope to see the Joy Speaker discounted to a similar level.

For a speaker of its size, the Joy Speaker does perform pretty well where it matters most – sound. Of course, you’re not going to get perfectly crisp, detailed or booming audio, but for the most part it's expressive and clear enough to keep you engaged and enjoying your queued tunes. And of course, it is very easy on the eye. There’s not a lot of power here and it's not so well protected against the elements, but if you’re just looking for a speaker to use in your bedroom, it will do the trick, no problem.

Ultimately, there are a host of better-value options out there. I mentioned the JBL Go 4 there, which can sound a little thinner through the low-end but does have EQ adjustment options, a useful companion app and superior protection against the elements. Even the LG XBoom Go XG2T – which I marked down for limited EQ presets – still had some… and it offered superior battery life.

In its own right, the Happy Plugs Joy Speaker is fine value-wise. It gets the basics right, but just skips out on a few too many niceties to outdo its rivals. Unless you’re a real lover of its design, I’d wager that you’ll be tempted to consider some of those other options.

  • Value score: 3.5/5

Happy Plugs Joy Speaker on table

(Image credit: Future)

Should I buy the Happy Plugs Joy Speaker?

Buy it if...

You’re all about style
If the most important thing for you is stunning looks, the Happy Plugs Joy Speaker is well worth considering. It comes in four neat colorways, has a mini, curved build and dons well-sized buttons to boot.

You’re on a budget
The Happy Plugs Joy isn’t outrageously cheap for a speaker of this size, but it’s definitely not overly expensive either. At $49.99 / £39.99 it’s a nice option if you’re on a budget, although there are some small competitors, like the LG XBoom Go XG2T, that can be found at a similar pricepoint on sale, so make sure to weigh your options.

Don't buy it if...

You want top-tier sound quality
Given that it’s a small-sized speaker, the Happy Plugs Joy sounds decent. But if you want a beautiful sonic experience for this size, you’ll be better off with an option like the Tribit Stormbox Micro 2 – more on that below.

You’re looking for a speaker that’s shower or beach-ready
One of my biggest gripes with this speaker is its weak dust and waterproofing. It’s just IPX4 rated, meaning it can survive water splashes, but not submersion or anything. That’s not great considering a lot of competitors, like the JBL Go 4, can withstand being dunked a meter underwater for 30 minutes.

Happy Plugs Joy Speaker review: also consider

JBL Go 4
The JBL Go 4 is a diminutive, stylish and solid-sounding speaker that’s ideal for on-the-go listening. It offers pretty controlled audio given its size and surprising levels of loudness. On top of that, it has a superior IP67 waterproof rating, in-app EQ adjustment and cool color options to match. Read our full JBL Go 4 review.

Tribit Stormbox Micro 2
Tribit has been putting out some amazing value audio tech over the past two years and the Stormbox Micro 2 is no exception. With excellent sound quality, fantastic protection against the elements, an awesome 12-hour battery life and the ability to charge your phone, there’s just so much to love here. Read our full Tribit Stormbox Micro 2 review.

Happy Plugs Joy Speaker review: how I tested

  • Tested for one week
  • Mainly used at our music testing space at Future Labs
  • Predominantly tested using Tidal

I spent hours playing music on the Happy Plugs Joy Speaker. I tried it out in a handful of environments, but mainly at our music testing room at Future Labs to best judge the audio quality in a quiet, controlled space.

When blasting tunes, I mainly took to Tidal using my Samsung Galaxy S24 FE, where I streamed tracks from our carefully curated TechRadar reference playlist, as well as my personal library. I also tested the Happy Plugs Joy Speaker alongside the JBL Go 4 to compare sound quality, design elements and loudness.

  • First reviewed: February 2025
  • Read more about how we test
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