Editor's Note

• Original review date: August 2010
• Launch price: $1,600 / £1,050 / AU$2,899
• Target price: $1,400 / £1,000 / AU$2,400

Update: February 2024. This is vinyl, so a product hailing from the very late Noughties isn't an antique. And this particular model has certainly been usurped by newer Clearaudio options, but the Clearaudio Concept is still one of the best turntables on the market, holding its own against the likes of Rega, Technics and Cambridge Audio. Why? One reason is that all of the setup has been done, so it's one of the few genuine 'plug n play' decks of note around. Of course, these days it's got wireless competition, from Lenco's LS-410 (which has a Bluetooth speaker in its base), Victrola's record turntable with repeat function and the 2023 Victrola Stream Carbon which also plays nice with your Sonos multi-room wireless setup, but if you're happy to stick with a more traditional setup – and you don't mind that it doesn't come with a dust cover (or lid) as standard – it's still well worth a test drive, especially if you can find it for a small discount at a local hi-fi dealership. The rest of this review remains as previously published.

Clearaudio Concept turntable review: Build and features

Clearaudio's impressive range of turntables is, to the best of our knowledge, just about the broadest on the planet, stretching downwards from the delightfully over-the-top 'Statement'.

The company doesn't compete with the Regas and Pro-Jects of this world in the budget arena, but the new Concept model puts Clearaudio within reach of more analogue-lovers than ever, bringing the price of entry down significantly. It's also in with a shot amongst the best turntables available. 

Predictably, with a name like that, there's plenty of piffle in the literature about how this model is a whole new design, sorry, concept – but fair's fair, it is in fact genuinely novel in some ways.

The basic outline has a particle-board chassis, plastic platter, DC motor and pivoted arm. Differences from the norm are most obvious in the arm, which has a magnetic bearing, an ingenious arrangement that functions pretty much as a unipivot but with better stability and handling qualities than those notoriously fussy devices usually provide. It's also effectively friction-free.

It's actually very simple, relying on a pair of very strong magnets: one is fixed to the top of the arm tube, the other to the top of the bearing yoke and they hold the arm up. It is prevented from jamming itself against the top magnet by a tie wire fixed below, which also transmits the anti-skating force.

The chassis is also distinctive, though less obviously so. Particleboard (MDF etc.) components on LP players are notorious for adding their own resonance unless carefully treated.

Clearaudio has addressed that with damping measures including the aluminium trim, which apparently plays a significant part – whatever the details, it's certainly very much better damped than most of its kind, as is evident from the simplest test of tapping it in a few places.

Level-headed

Another feature that is unusual, possibly even unprecedented in a high-quality turntable, is that the Concept is ready to play discs straight out of the box. Well, all right, you have to put the platter in place and plug in the power supply, but the cartridge is fitted and aligned and even the tracking force is preset.

The arm and cartridge are Clearaudio's own, of course, the latter a moving magnet design, but if you prefer not to use them you can replace either.

You can also adjust all the usual parameters – offset and overhang, VTA, tracking force, anti-skating – but the clever part is that you don't need to. A spirit level is provided so that the user can adjust the three spiked feet to set the deck level.

Drive is from a small DC motor, the sort of thing one used to find in cassette decks (remember them?), which operates via a flat belt.

The motor is resiliently mounted: Clearaudio claims it's 'completely decoupled' which is clearly an overstatement, but the small amount of noise it produces is adequately suppressed by the decoupling.

In addition to the usual 33 and 45rpm speeds, 78 is available for those who collect shellac as well as vinyl – you'll ideally need to change the cartridge as no LP stylus ever sounds great playing the relatively cavernous grooves of shellac discs, but it's a useful option to have.

The power supply is a tiny plug-top switch-mode affair and while ultra-purists may wince at that thought, it's effectively free of hum fields and both it and its associated wiring are a good long distance from the sensitive signal wiring in and around the arm. There's also no electrical path (not even an earth link) between it and the audio.

Only one feature seems to us to be missing – a lid. It may seem a small detail, but a lid both reduces acoustic feedback from the loudspeakers to the deck, and keeps dust off, and no LP collector will need reminding what a pernicious enemy dust can be.

That apart, this is a very nicely turned-out deck, attractively finished and presented. We've never had cause to query the general standard of fit and finish from Clearaudio; just about the worst that could be said is that the surfaces show dust and fingerprints, but then so do wine glasses, fine furniture and so many other things.

Anyway, this deck has more matt and less shiny surfaces than many and is quite forgiving in that regard. We can't comment on the accuracy of settings as supplied, but attention to detail certainly reflects the manufacturer's usual high standards. We were particularly impressed with the bearing, which has an admirable combination of low friction and low play.

Clearaudio Concept turntable review: Sound quality

Lacking anything in the way of a proper suspension, this deck is never going to sound its best on a structure closely coupled to the floor, so we used our usual isolation table for most of the listening.

Thus configured, the Concept produces some very good sounds, clearly much better than the budget turntables which it (very superficially) resembles and thus vindicating Clearaudio's damping measures and arm.

What's most noticeable about it is the way it largely avoids the midrange blurring that affects so many unsuspended decks. Avoiding that is one of the biggest challenges facing designers and manufacturers, and we'd say Clearaudio's team has done very well in that regard.

Scale, openness and detail

The results are most obvious in large-scale music – symphony orchestra, big rock and so on – where there's a lovely sense of openness and scale, combined with very good detail and also excellent imaging.

By the same token, simple recordings such as solo guitar are very clear and full of the little details that make the character of an instrument or player unique. Where this player does yield a little ground to dearer models is in the bass, which is decent but not astounding.

There's some quite good extension, but control and solidity aren't really up there with the best. All the same, because the upper bass is tight and dynamic, one isn't much aware of anything being amiss in recordings where most of the low-frequency action is in the bass.

High treble is probably just as much a function of the cartridge as of the deck itself, a suspicion strengthened by a brief spell with another cartridge in place, but it's somewhere between basically likeable and very good, with a slight question mark over its sweetness when it gets very busy: the sound can thicken up a little.

But as with the midrange, getting this really spot-on is invariably a costly business and for the asking price this deck does a very good job.

Devotion to the cause

As always, what's more important than the specifics is the overall musical impression and this is really where the Concept scores. It isn't perfect, but the minor technical blemishes are very much in the background and out of one's general awareness.

If the disc is rock, the Concept rocks. If jazz, it swings. If romantic, it smooches. Watching the analogue renaissance over the last few years has been a heartening experience.

Clearaudio's combination of audio and aesthetic design has produced a winning combination here which we feel sure will both win converts and keep them devoted to the analogue cause.

First reviewed: September 2010