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Dyson’s new wet cleaner tackles spills and messes with ease — but for me, it isn’t quite exceptional enough to justify that price tag
11:00 am | February 2, 2026

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Dyson Clean+Wash Hygiene: two-minute review

The Clean+Wash Hygiene is the second in Dyson's hard floor cleaner line. Like its range-mate, the Dyson WashG1, it stands out for not using suction at all, but instead harnessing a mixture of 'agitation, hydration and separation' to get your hard floors squeaky clean.

The absence of suction means this cleaner is significantly lighter than most true wet-dry vacuums, and it also means it can operate relatively quietly. On test, I couldn't see a compromise in performance, either: I was very impressed with how effectively the Clean+Wash Hygiene picked up all kinds of messes, including chunky particles like oats, using just its cleverly designed roller.

Liquid waste is separated from solid, and one USP here is that all the waste is stored in the floorhead itself. Dyson says this is good news for longevity, because there are no pipes to get grimy or blocked up. I did find the emptying process a little fiddly, and the floorhead was drippier than other hard floor cleaners I've used.

There's a self-clean cycle that runs fresh water through the system. It will likely require you to empty the dirty water tank and refill the clean one mid-cycle, but otherwise it's effective at removing dirt from the roller. Dyson has also added hot air drying here – it's noisy but again, effective. Even after the muckiest of cleaning task, my roller looked good-as-new afterwards.

Bar some minor quibbles, I was impressed with this cleaner. Whether it's worth the asking price is another thing – I've tested some of the best wet-and-dry vacuums on the market, and there's little that stands out as truly exceptional here, unfortunately.

That's the short version; read on for my full Dyson Clean+Wash Hygiene review.

Dyson Clean+Wash Hygiene

(Image credit: Future)

Dyson Clean+Wash Hygiene review: price & availability

  • List price: £429.99
  • Available: Now in the UK, US and AU to follow
  • Launched: December 2025

The Dyson Clean+Wash Hygiene went on sale in the UK in December 2025, at a list price of £429.99. It's due to become available in the US and in Australia in 2026, but I don't have any specifics or pricing yet – based on UK pricing, it might be around $600 / AU$850.

That's in the premium band for a hard floor cleaner, and although the build quality is excellent and plenty of thought has clearly gone into the design, I don't think it does quite enough to justify the price tag. For that kind of money I'd expect to see the option of suction, and special features like dirt detection, automatic adjustment, and even foam / steam functions.

  • Value for money score: 3 out of 5

Dyson Clean+Wash Hygiene specs

Cleaner size (H x L x W):

43.1 x 9.6 x 11 inches / 109.6 x 24.4 x 28cm

Dock size (H x L x W):

9.4 x 11 x 10.1 inches / 24 x 28 x 25.7cm

Weight (empty):

8.4lbs / 3.8kg

Clean water tank volume:

0.75L

Dirty water tank volume:

0.52L

Max runtime:

45 mins

Dock cable length:

5.9ft / 1.8m

Dyson Clean+Wash Hygiene review: design

  • Streamlined and relatively lightweight, and can lie flat
  • Waste is stored in the floorhead, and separated into solids and liquids
  • Self-clean function and hot air drying on the dock

The Dyson Clean+Wash Hygiene is a lightweight hard floor cleaner with a handful of interesting design features. Rather surprisingly given this brand's heritage, there's no suction here – instead, it uses hydration and agitation to remove dirt from hard flooring.

The roller spins at speed, and is continually fed with fresh water, as the dirty stuff is scraped off. It can handle mixed solid-and-liquid spills, and to a certain extent also dust and other dry debris (although it won't be as effective as a regular stick vacuum here).

Dyson Clean+Wash Hygiene floorhead

(Image credit: Future)

The roller is densely packed with fibers to make it as absorbent as possible, and Dyson has added wiry bristles that stick out a bit, for extra scrubbing power. There's also an anti-tangle comb behind the roller to prevent hair wrap. On one side the roller goes right up close to the edge of the floorhead, but on the other there's a decent chunk of casing. The roller can be removed for rinsing as required.

One of the areas where Dyson tends to shine in its floorcare range is maneuverability, but I didn't find the Clean+Wash Hygiene quite as nimble as I expected. Don't get me wrong, it's far from cumbersome – it's streamlined in design and pivots smoothly, but it felt a little less agile than something like the Dyson WashG1. I was impressed that it could lie completely flat to the ground, until the whole thing is just 4.44 inches / 11.3cm tall. A small wheel on the back of the handle helps it maneuver smoothly in this mode.

Dyson Clean+Wash Hygiene floorhead

(Image credit: Future)

The dirty water compartment is integrated into the floorhead itself – similar to the mopping floorhead on the Dyson V15s Detect Submarine. The thinking is that because the dirt has nowhere to really travel, there's no tubing to get clogged up. Liquid ends up in a dirty water tank, and solid waste is filtered out into a separate tray. The two compartments are removed as one, but getting them apart and then back together again is a little fiddly compared to other wet-dry vacuums I've tested... not to mention messier.

Dyson Clean+Wash Hygiene screen and controls

(Image credit: Future)

There are three hydration modes to choose from, and a Boost mode to add extra water for tackling dried-on dirt. Dyson proudly claims the 750ml clean water tank will cover an area of 350 sqm, leaving such a fine sheen of moisture that your floors will be dry within 60 seconds. There are no other special modes, such as automated setting adjustment.

Dyson Clean+Wash Hygiene dock

(Image credit: Future)

One major upgrade on the Clean+Wash Hygiene compared to the WashG1 is that Dyson has introduced hot air drying on the dock. So after mopping, you run a self-clean cycle which runs fresh water over the roller. Then it's dried using wafts of warm (185F / 85C) air, saving you from having to remove it and put it out somewhere to dry.

  • Design score: 4 out of 5

Dyson Clean+Wash Hygiene review: performance

  • Efficient, relatively quiet cleaning of liquid and solid spills
  • Floorhead a little drippy, and self-clean cycle uses a lot of water
  • Mop drying rather noisy but effective

I started by filling up the clean water and embarking on a whole-floor clean. The roller saturated fairly quickly without any pre-wetting, and left a very light, even sheen of water on my vinyl flooring. It's easy to toggle modes, and the screen spells out remaining cleaning time so you'll never unexpectedly run out of battery.

Because there's no suction, it's relatively quiet in operation, and the runtimes are long too. The Clean+Wash Hygiene can last up to 45 minutes per charge.

Cleaning

To assess its capabilities more closely, I tested how the Dyson Clean+Wash Hygiene handled a range of tricky cleaning challenges. I started with soy sauce mixed with oats. It gobbled up all the oats in one forward and backward pass in Med mode – impressive, given there's no suction here.

Dyson Clean+Wash Hygiene

(Image credit: Future)

Then I decided it was time to bring out the big guns. I smeared maple syrup, crunchy peanut butter and Marmite (a super-sticky, viscous spread) on a vinyl floor. This time it struggled a bit. I unleashed Boost mode, and it took about 20 seconds of back-and-forth to clear the mess. That's a decent result – this test is purposefully very tricky. Plus, there was no sticky residue left behind.

Like every wet-and-dry cleaner I'm aware of, this machine is only suitable for perfectly flat floors. It can't deal with uneven surfaces such as flagstones, and it won't get into the cracks between tiles either – although it does do a better job of this than some, thanks to those bristles in the roller.

Maintenance

After my mopping session, it was time to clean out the waste. Although I see the logic in separating liquid from solid waste, and I acknowledge the potential long-term maintenance benefits, the emptying process does feel fiddlier than usual.

Unlike on the WashG1, you can't get your hand inside the dirty water tank to clean it out. The design of the tank also makes it very difficult to see when it's filling up, although it will inform you on screen.

I also found the floorhead had a tendency to drip or leak dirty water when handled. No wet-dry vacuum is perfect in this respect, but this Dyson machine seems especially bad for it, perhaps because the waste compartments are relatively complicated in design, with lots of separate elements.

Dyson Clean+Wash Hygiene floorhead

(Image credit: Future)

Next, I embarked on a self-clean cycle. This starts by flushing the system with fresh water to get rid of lingering dirt. Almost immediately, the machine paused and asked me to refill the clean water tank. After relaunching, it paused again and asked me to empty the dirty water.

I'd recommend doing both these things before launching a self-clean cycle, and again afterwards, to avoid annoying disruptions. The process uses more than half a tank of fresh water, so it'll almost certainly be required.

Dyson Clean+Wash Hygiene with floorhead dismantled

(Image credit: Future)

Flushing complete, the dock then begins to dry the roller with hot air. This part is surprisingly noisy too, although it only lasts around half an hour. (On other machines I've used, the drying lasts longer but is much quieter, and on some advanced models you have the option of short-and-noisy or long-and-quiet.) Afterwards, I inspected the roller and it was almost completely dry, with no dirt to speak of.

  • Performance score: 4 out of 5

Dyson Clean+Wash Hygiene: Scorecard

Attribute

Notes

Rating

Value

Well-built and solid quality, but little in terms of features to justify the premium price.

3 / 5

Design

Streamlined, lightweight and can lie flat. Slightly fiddly and messy waste disposal setup.

3.5 / 5

Performance

Effective at cleaning solid and liquid spills, even without suction. Self-clean works well too.

4 / 5

How I tested the Dyson Clean+Wash Hygiene

I used the Dyson Clean+Wash Hygiene for a couple of weeks on my hard floors. Aside from day-to-day use, I ran a series of dedicated cleaning tests to see how it coped with different kinds of messes, including liquid-solid spills, sticky and viscous substances. I compared my findings with other hard floor cleaners, and assessed if this model offered strong value for money.

Read more about how we test

  • First reviewed January 2026
I tested Dyson’s impossibly compact new vacuum, and it was a revelation – here’s why
9:30 am |

Author: admin | Category: Computers Gadgets Home Small Appliances Vacuums | Comments: Off

Dyson PencilVac: two-minute review

The Dyson PencilVac looks nothing like any vacuum I've seen before. All the mechanisms – the motor, filters, battery, and even the dust cup – are hidden within the handle, which measures just 1.5 inches / 3.8cm in diameter. That isn't the only unique thing about the PencilVac: the floorhead is also very quirky, with its four, fluffy, conical rollers rotating in opposite directions to lift dirt and buff your floors clean.

In use, it's the most nimble vacuum I've tested. The head appears to hover across the floor; it can be used forwards or backwards, and lie completely flat to the ground. With a bit of practice, you can make the floorhead do figure eights.

Those fluffy rollers are specifically meant for use on hard flooring – there's nothing to agitate carpet fibers to release trapped dirt. The suction power is in line with what I'd expect for a hard floor-specific vacuum, too: a relatively low 55AW of power, when most of the best Dyson vacuums have at least double that.

That power proved plenty to whisk away dog hair and dust from my hard floors, however. I could see it was doing a good job, because lasers installed in the front and back of the floorhead do a stellar job of illuminating any lingering dirt.

There are a couple more compromises for that ultra-streamlined, super-light build. The battery life is rather limited, topping out at 30 minutes per charge. The dust bin is small, too, although air compression helps maximize the amount you can fit into the physical space.

Dyson Pencilvac

(Image credit: Future)

The only issue I think is a genuine mistake on Dyson's part is that the floorhead comes to a slight point, which means it can't sit flush to a wall. This makes it really tricky to get a thorough edge clean. It's extra-annoying here given the emphasis on maneuverability and thoroughness of coverage. This shape is dictated by the tapering rollers, which are designed to prevent hair wrap, but I've found Dyson's Motorbar and Fluffy floorheads do this perfectly well without the need for a tapering roller.

It's a relatively minor complaint in what is a genuinely impressive feat of engineering – and a useful one at that. If you have mostly hard floors and want a nimble, lightweight vacuum that will and highlight hidden dust as you clean, you'll struggle to find something better than this. Read on for my full Dyson PencilVac review.

Dyson PencilVac review: price & availability

  • List price: US TBC / £429.99 / AU$949
  • Available: US TBC / UK 10 Dec / Australia August 2025
  • Launched: Summer 2025

The PencilVac was announced in June 2025 and went on sale in Australia in August. A UK launch followed in December 2025. At time of writing, it isn't yet available in the US. At the list price it costs £429.99 / AU$949 (discounted to AU$798 at time of writing). That's equivalent to around $590 in the US, although actual pricing is unknown.

That puts the PencilVac in the premium price bracket for vacuums. You're paying extra for the unique design here (and a little bit for the Dyson name). In terms of specs such as suction power, runtime, and even special features and accessories, it doesn't compare favorably to other models on the market. However, if you want something ultra-light and maneuverable, there's nothing else like it (for now, at least...). The build quality is excellent, as I'd expect from Dyson.

  • Value for money score: 3.5 out of 5

Dyson PencilVac specs

Weight (no attachments):

2.1lbs / 0.94kg

Weight (with wand and main floorhead):

4lbs / 1.8kg

Bin size:

0.08L

Max runtime:

30 mins

Charge time:

2hrs

Size (H x W x L):

46.5 x 6.3 x 8.9in / 118 x 15.9 x 22.6cm

Max suction:

55AW

Modes:

Eco, Med, Boost

Dock size (H x W x L):

10 x 10 x 11.5in / 25.5 x 25.4 x 29.3cm

Dock cable length:

5.4ft / 1.6m

Dyson PencilVac review: design

  • Lightweight, compact build, with all mechanisms hidden in handle
  • Extremely maneuverable, can be used either way around
  • Small dust cup, but uses air compression to maximize space

The design here is unique. There's no visible battery, motor, filter, or dust cup section. Instead, all that is packed within the wand, which measures 1.5 inches / 3.8cm in diameter. To achieve that, Dyson has had to re-engineer its motor to one that's incredibly compact – the Hyperdymium 140k motor is just 1.1 inches / 2.8cm wide, and hidden entirely within the handle.

The PencilVac in general is very lightweight, at 4lbs / 1.8kg (by comparison, the V8 is 5.5 lbs / 2.5kg with wand and floorhead attached), and extremely nimble.

Dyson Pencilvac

(Image credit: Future)

The battery forms the top section of the wand, and can be removed and swapped. Moving down you'll find the controls – there are just two buttons: an On/Off, and a second button to switch modes (Eco, Med and Boost; there's no auto-adjustment here). A small screen displays the mode you're using and how much time you have left on the clock.

Dyson Pencilvac

(Image credit: Future)

Move down further and you'll find the dust cup behind a transparent casing; this allows you a view as it fills up. Rather unusually, the dust collects at the top of the bin section. Not surprisingly, the capacity is rather limited, at 0.08L (most of Dyson's stick vacuums have a 0.8L bin). However, the PencilVac apparently uses air to squish down the particles, so that they take up as little room as possible. As such, Dyson says that this cup will hold up to five times its physical volume.

To empty the bin, you remove the floorhead and slide the whole casing down. The dust and dirt then shoots out of the bottom. This process is straightforward and works well, although I did find particles got stuck in and around the bin casing.

Dyson Pencilvac

(Image credit: Future)

At the end of the wand you'll find the new Fluffycones floorhead – another unique part of the PencilVac. This a kind of hybrid between the All Floors Cones Sense floorhead introduced with the Dyson V16 Piston Animal, and the Fluffy cleaner head that made its debut with the Dyson V15 Detect.

Instead of having one or two tube-shaped rollers, the Fluffycones head has four conical ones. The tapering shape is designed specifically as a way to deal with long hair: rather than becoming tangled around the brush roll, the strands should make their way down to the small end of the cone where they drop off in a clump, and can be vacuumed up in a single pass. It's an idea that Dyson first used in its Hair screw tool.

Dyson Pencilvac

(Image credit: Future)

However, unlike the All Floors Cones Sense head, the rollers here are entirely covered with soft, fluffy fabric. This is perfect for use on hard floors, where it can get right up close to the flat surface without risking scratches. It isn't well-suited to carpet, though, because there's nothing to agitate the fibers and release embedded dirt.

Dyson has also added a green laser to both the front and back of the Fluffycones floorhead. This is designed to highlight specks of dirt that might otherwise be missed.

The cones extend a little way past the hard plastic casing, and rotate in opposite directions, which means the PencilVac can pick up debris when pushed forwards and when pulled backwards. In fact, because it's basically symmetrical, you can use it either way around.

Dyson Pencilvac

(Image credit: Future)

Since the "wand" contains all the inner mechanisms, the PencilVac isn't quite as versatile as a traditional stick vacuum. You can't remove the wand part and use it like a hand vacuum. However, you can swap out the floorhead for a detail tool. There was one included with my review model: a "Rotating combi-crevice tool" that can be used like a traditional Crevice tool, or with the brush section engaged to sweep up dirt (NB: it doesn't actually rotate).

  • Design score: 4.5 out of 5

Dyson PencilVac review: performance

  • Excellent and very efficient pickup on hard floor, even in Eco mode
  • Not designed for use on carpet, and not sucky enough for ingrained dirt
  • Laser light is effective and useful

So how does the Dyson PencilVac perform in practice? The first thing to emphasize is how comfortable it is to use. Although it takes a moment to get used to the different grip – you hold this cleaner like a broom, rather than like a traditional stick vacuum – it's very light in the hand and maneuvers incredibly well. You can use it forwards or backwards, and the floorhead pivots with ease. With the detail tool attached, it's also super easy to clean up high or in tight spaces.

Unfortunately, the design of the floorhead isn't quite as impressive. Since it comes to a slight point at the front, it can't sit flush to a wall. This was one of my main complaints with the similarly shaped All Floors Cones Sense floorhead, and it's no less annoying here. If you can't approach an edge side-on, it's tricky to achieve a thorough clean. This kind of vacuum should be perfect for the stairs, say... except the reality is that using the PencilVac to clean along all those straight edges is a nightmare.

Dyson Pencilvac

(Image credit: Future)

This isn't the most powerful Dyson vacuum – you're getting a maximum 55AW of suction, where most Dyson stick vacs have double that. Also, the design of the floorhead doesn't lend itself to being ultra-sucky, either. Usually, the casing around the edges would descend to the floor around all four edges, creating a "vacuum" (in the original sense of the word) underneath. That isn't the case here. And because the rollers are soft all over, there's nothing to agitate embedded dust.

None of that is an issue if you're just using the PencilVac on hard flooring, which is its intended use. You don't need a ton of suction to clean hard floors, because all the dust and dirt is sat right there on the surface. But if you're seeking something for carpet, or even a vacuum that will pull the dirt from the cracks and crevices in your floorboards, this isn't it.

Dyson Pencilvac

(Image credit: Future)

To get a more objective view of how well the PencilVac cleans, I ran a series of tests using dry, loose tea (to represent fine particles) and a dry couscous/oat mix (to represent chunky debris) on the large tiles of my kitchen floor. The results were very impressive: the vacuum picked up everything in a single pass, even on the lowest Eco mode. There was minimal pinging of large particles, and the fact that the head cleans from both sides meant I could clear the spillage in half the time.

In general use, the PencilVac was a dream to use in my kitchen. The Fluffycones head seemed to hover across floors, moving smoothly and with minimal effort on my part, whisking away dirt and pet hair as it went. The lasers did a great job of illuminating dust in dingy areas, and I could easily direct the vacuum into tight corners – down the side of a sofa, for example. The only annoyance was that awkwardly angled floorhead.

Although this vacuum isn't really built for carpets, I still ran my standard carpet tests to see how it would cope. It pulled up a decent amount of chunky debris in a single forward pass in Medium mode, although it did flick other bits about.

Medium mode wasn't enough to pull many of the flecks of fine dry tea from my mid-pile carpet, and even after several passes I could still see a shadow where the tea had been sprinkled.

I also decided to try the PencilVac on the canvas-style mat in my kitchen. It pulled up a good amount of debris, and there was less pinging than there had been on the carpet. It's certainly capable of pulling surface dirt from this kind of flooring, and perfectly fine for everyday cleaning.

  • Performance score: 4 out of 5

Dyson PencilVac review: battery life

  • Promises 30 mins in Eco, 20 in Medium, and 5 in Boost
  • 2 hours recharge time
  • Battery removable and swappable

The main compromise you're making for the lightweight, compact build is a smaller battery. Larger, heavier Dyson vacuums last over an hour in their lowest-powered mode, but the runtimes on the PencilVac are much shorter. Dyson promises 30 minutes in Eco mode, 20 in Medium and 5 in the most powerful Boost mode. The battery recharges in a relatively speedy 2 hours.

Medium mode is the one I'd typically default to, and it lasted for 18 minutes at the power (less than Dyson's listed specs). That's really quite short for a middle mode, although it did give me enough time to clean three bathrooms, a large kitchen and utility room, so maybe it isn't too much of an issue. I'd also say that for hard flooring, Eco mode will actually usually be sucky enough for most situations.

I've been testing vacuums for a while now, and with the PencilVac I missed having a dirt-detecting Auto mode, although I can see why it wasn't included here. I'm pleased to see that despite the battery taking a different format, it's still removable and replaceable, which should help with the longevity of the PencilVac overall.

  • Battery life score: 3.5 out of 5

Should you buy the Dyson PencilVac?

Attribute

Notes

Rating

Value

Premium bracket – mainly because of the innovative, unique design.

3.5 / 5

Design

Almost impossibly streamlined and nimble – the only real annoyance is the angled floorhead.

4.5 / 5

Performance

Not designed for carpet, but excellent pickup on hard flooring. Dirt-illuminating lasers are useful and effective.

4 / 5

Battery life

Relatively short (as required by the streamlined design). Recharge is fairly speedy.

3.5 / 5

How I tested the Dyson PencilVac

I used the Dyson PencilVac regularly for a couple of months, to get a general feel for its performance and usefulness. I also ran specific cleaning tests including chunky particles (dry couscous/oat mix) and fine particles (dry, loose tea) on my hard floor, thin mats and carpet. I compared my findings with other vacuums I've tested, and assessed if it offered strong value for money.

Read more about how we test vacuum cleaners

  • First reviewed November 2025
The Razer BlackShark V3 gaming headset might blend in with Razer’s existing crowd, but the second you set it up, you just know it’s something special
7:00 pm | February 1, 2026

Author: admin | Category: Computers Gadgets Gaming Gaming Accessories | Tags: | Comments: Off

Razer BlackShark V3: One-minute review

The Razer BlackShark V3 wireless gaming headset is a truly fantastic piece of kit, which has finally convinced me to move on from the same headset I've been using for years. The sleek black design strays from the tacky-looking appearance of a lot of gaming headsets without losing the iconic branding of Razer products, but it never feels garish.

Controls on both earcups are straightforward and easy to use, too, giving you all the power you need in one convenient place rather than having to mess around with additional software. Plus, with 70 hours of battery life when fully charged, you're able to sink into all your favourite games with no threat of interruption.

Its crystal clear audio when gaming, paired with the outstanding microphone quality, makes it the only headset you need for your gaming setup too rather than needing platform-specific products.

The detachable microphone also makes it adaptable to suit your style, whether you're playing with friends over Discord or roaming around in-game while listening to some tunes. It's hard to want to use another headset once you've spent time with the BlackShark V3, which is high praise coming from a creature of comfort who doesn't like to change their peripherals often.

Razer BlackShark V3 wireless headset

(Image credit: Future)

Razer BlackShark V3: Price and availability

  • List price: $149.99 / £149.99 / AU$350
  • Not exactly a budget-friendly headset, but quality makes it worth investing
  • Has almost identical features to the (more expensive) BlackShark V3 Pro

The Razer BlackShark V3 wireless headset launched in July 2025, so a reasonable two years after the previous version: the BlackShark V2 HyperSpeed. Having also used the V2 HyperSpeed in the past, I can safely say those two years of extra baking time definitely paid off, and there are some noticeable differences to make the additional $20/£20 cost worthwhile. Such as a new set of Razer Triforce Titanium 50mm Drivers, a lightweight ergonomic design which really feels as if it's putting comfort first, and a shiny new HyperClear Super Wideband 9.9mm Mic to make sure none of your audio gets missed.

Compared to other premium wireless gaming headsets on the market, like the SteelSeries Arctis Nova Pro 7P Gen 2 or Astro A20 X, the BlackShark V3 isn't an extortionately priced product. In fact, the $149.99 price tag is a reasonable ask for what you're getting, considering how many premium wireless gaming headsets fall closer to the $200 mark.

It's not an eyewatering asking price compared to something like the SteelSeries Arctis Nova Elite, yet it still feels like a worthy upgrade if you're used to rocking budget-friendly gaming headsets. Having launched alongside the Razer BlackShark V3 X Hyperspeed, a tempting $99/£99/AU$179.95 headset, you may be convinced to cut costs and go for something that sounds almost identical in name. But you'd be doing yourself a complete disservice in doing so, which I need you to trust me on.

Razer BlackShark V3: Specs

Razer BlackShark V3

Price

$149.99 / £149.99 / AU$350

Weight

9.5oz / 270g

Compatibility

Xbox Series X|S, Xbox One, PlayStation, Nintendo Switch, PC, Mobile

Connection type

2.4 GHz Wireless / USB Wired / Bluetooth

Battery life

Up to 70 hours

Features

THX Spatial Audio, detachable Razer HyperClear Super Wideband 9.9mm mic,

Software

Razer Audio

Razer BlackShark V3: Design and features

  • Black design is more elegant than RGB-intense gaming headsets
  • Super lightweight design for long-term comfort
  • Despite its middle-ground price tag, it definitely feels like a high-end product

The Razer BlackShark V3 wireless gaming headset looks practically identical to the other Razer BlackShark V3 sets: the V3 Pro and the V3 X HyperSpeed. It's got a sleek black design with subtle Razer branding on the earcups and headband, which I appreciate since so many gaming headsets would take any opportunity to shove colours and logos in your face, which is somewhere I found the Astro A20 X fell short, since its design verged on slightly too in-your-face. But it doesn't need an interesting or quirky design to be a good product. In fact, it's a perfect example of something being so simple yet so incredibly satisfying.

Razer BlackShark V3 wireless headset

(Image credit: Future)

Both the headband and the earcups have firm cushioning and padding, and aren't made of that horrible glossy material a lot of cheaper headsets use, similar to a headset like the SteelSeries Arctis Nova 5, which boasts a similar build quality and black design. The headband used a breathable, almost netted fabric, and each earcup is made from breathable Sportsweave memory foam. Since the headset almost prides itself on being for esports, these elements have clearly been carefully designed to cater to being comfortable for competitive players. But for more casual gamers like me, they just feel like a nice treat.

Despite the firmness of the cushioning on both the headband and earcups, I was surprised at how comfortable they were in use. Usually, firmer earcups make wearing glasses when gaming uncomfortable as they push the arms into the side of your head, so I was shocked when I never experienced this discomfort.

All the controls you need are located on the ear cups too, which reduces the need for external software if you don't fancy downloading, with the left featuring all the important buttons like a textured power button alongside a smooth mic mute, so there's no chance of pressing the wrong thing when wearing the set.

Razer BlackShark V3 wireless headset lying down on a wooden surface

(Image credit: Future)

In addition, a dial on the front of the ear cup is where you control your audio level, which is far easier to use than a scroll wheel on the bottom - something that most of the headsets I've used in the past specialise in. Now that I've had the convenience of a larger dial, I never want to go back to relying on these wheels, which are so easily knocked and altered.

The left cup is specifically for optimising your audio setup to suit what you're playing. Here, you've got a configurable roller which you can use for footsteps scaling in games like Battlefield 6 or Arc Raiders, game-chat balancing so you can sort out your game audio and Discord audio without having to open your audio mixer, and mic monitoring. This convenient wheel is accompanied by a smart switch button, too, in case you need to change your connection in an instant. Basically, the entire headset has been designed to make your life a lot easier and give you more game time rather than wasting precious minutes on sorting your peripherals.

Razer BlackShark V3 wireless headset lying down on a wooden surface with the microphone pointing up

(Image credit: Future)

The mic plugs into the right ear cup, too, which in itself boasts a sturdy build quality and matches the same sleek black design of the rest of the headset. If I had one complaint, it would be that the size of the foam cover is quite large, and it does feel pretty invasive given the short length of the mic as a whole.

That, and you can't conveniently store the microphone on or around the headset if you don't want to use the mic - you're at the mercy of your own ability to keep it safe when unplugged. Again, if you're used to the convenience of a compact headset like the SteelSeries Arctis Nova 5, then this may be a frustration. But these are such minor inconveniences that were almost instantly outweighed by the joy of using the headset.

Razer BlackShark V3: Performance

  • Seamless setup, which means you can jump straight into use
  • Might as well be noise-cancelling
  • Customisable to suit whatever sort of gamer you are, competitive or not

Given I'd been using the SteelSeries Arctis Nova Pro headset until now, which I really praised as my holy grail, I thought the audio quality of a cheaper headset wouldn't be as impressive, and I couldn't be more mistaken. In fact, it's hard to express how impressive the sound quality of this mid-range headset really is without you hearing it for yourself.

The SteelSeries Arctis Nova Pro headset is by no means of bad quality. In fact, I was amazed by it when I first tested it and kept using it long after. However, I often found myself frustrated by all the wires that accompany it. After meeting the BlackShark V3, I feel as though I've got all the same sound quality as the Arctis Nova Pro with the satisfaction of a wireless headset.

Razer BlackShark V3 wireless headset

(Image credit: Future)

From the second you set it up and start using the BlackShark V3, you're met with rich, deep audio, whether that's in-game or if you're just listening to some tunes while you do something else. For music-oriented games like Sword of the Sea and Herdling, two games I played during my testing of the BlackShark V3, the clear audio and almost noise-cancelling capabilities (though not actually part of the design) helped me to really sink into the game and experience each and every note in their soundtracks.

Even just watching YouTube videos or listening to in-game dialogue feels more intense, especially given the headset's ability to block out external audio without being completely noise-cancelling. The memory foam earcups really help in this regard, and they really help you from getting distracted by any noise around you.

This is also helped by the almost 70-hour battery life when fully charged, since you're rarely interrupted by those tedious beeps that remind you to plug it in. Battery life is a huge selling point with wireless headsets, which is another place the SteelSeries Arctis Nova 5, or any SteelSeries headset for that matter, becomes a close competitor with the BlackShark V3. If you do find yourself listening to these obnoxious reminders, what makes the Razer BlackShark V3 wireless headset worth investing in alone is the fact that a 15-minute charge provides you with an additional 6 hours of battery life.

Razer BlackShark V3 wireless headset's dongle on a wooden surface

(Image credit: Future)

You don't need to do any sort of additional setup to get an incredibly solid performance from the headset, though the option is there if you want it, courtesy of the additional Razer Audio software you can download. I don't usually bother with messing around with many settings, especially since I don't often find myself needing to enhance my audio to hear things like footsteps or distant gunshots, but it felt rude not to at least try it out in a game of Arc Raiders.

So, I downloaded the Razer Audio app and started playing around, and was once again pleasantly surprised with how easy it was to take your audio customisation that one step further. Paired with the configurable wheel, it feels as if the Razer BlackShark V3 headset really has been designed to enhance your gaming. Even though the packaging blatantly says it's an esports headset, all these details and ways to make your gaming experience that little bit easier by utilising all the audio cues of other players certainly reinforce that factor.

Although you can use Razer Synapse to customise things like your EQ settings and play around with THX Spatial Audio, the dedicated audio app definitely feels easier to use. Plus, having it conveniently on your phone rather than a desktop means you can more seamlessly customise your settings across platforms rather than having one setup on PC, and then others programmed in the app for console.

Razer BlackShark V3 wireless headset lying down on a wooden surface with the ear cups facing toward the camera

(Image credit: Future)

The buttons are incredibly well-positioned on both earcups, too. Unless you're a frequent connection switcher or a competitive gamer, you rarely need to use the left cup. And, the added texture on the power button makes using the buttons a breeze rather than having to go through that awkward fiddly phase of hitting the wrong thing when you change your headset, and you're not quite used to where everything is. Yes, I'm definitely projecting, but it's one of those little things that you don't really appreciate until you experience it.

Its impressive performance doesn't stop at its stellar button placement and crystal clear audio either. The 9.9mm HyperClear Super Wideband detachable mic offers astounding quality given its mid-range price tag, so much so that I actually received compliments on the "noticeable upgrade" compared to my old headset when jumping into a Discord call with my friends.

Should I buy the Razer BlackShark V3?

Buy it if...

You find that comfort is key to a good session
The BlackShark V3 wireless gaming headset has been designed to be just as comfortable as it is impressive. If you often find yourself tethered to your setup for hours on end, having a comfortable headset is a must, and not once did I find any part of the headset uncomfortable, even as someone who wears glasses when gaming.View Deal

You're looking for a way to really get the most out of your audio
If you've ever been intimidated by all the additional software that comes with gaming headsets these days, the Razer BlackShark V3 and Razer Audio app do everything they can to make it more accessible. It's got all the flourishes you need to really make the most of the headset without being inundated with options and not knowing where to start. View Deal

You feel like your current headset isn't offering you the richest sound quality
What separates a good headset from a great headset is its audio quality, so if you're underwhelmed with what you're currently receiving, the BlackShark V3 is bound to impress with its audio quality. Even without tampering with any of the sound settings, this headset is built to offer you crystal clear audio from the moment it is fresh out of the box and switched on. View Deal

Don't buy it if...

You constantly jump in and out of calls, but don't want a massive mic in your face
It's hard to advise against the BlackShark V3, but the fact that there isn't any way to keep the mic safe and sound on the headset could definitely put some players off. If you like the convenience of how a SteelSeries mic tucks into the earcup, or a Turtle Beach headset mic slides neatly up the side of the headband, this set might feel like more of an inconvenience.View Deal

Also consider...

Still not sold on the Razer BlackShark V3 wireless gaming headset? Here's how it compares to two similar sets.

Razer BlackShark V3 wireless

Astro A20 X

SteelSeries Arctis Nova 5

Price

$149.99 / £149.99 / AU$350

$179.99 / £169.99 / AU$349.99

$129.99 / £129.99 / AU$139.95

Weight

9.5oz / 270g

10.23oz / 290g

9.5oz / 266g

Compatibility

PS5, Xbox Series X|S, Xbox One, Nintendo Switch, PC, Mobile

PS5, PS4, Nintendo Switch, Nintendo Switch 2, PC, Android, iOS

PS5, PS4, Xbox Series X|S, Xbox One, Nintendo Switch, PC, Mac, Mobile

Connection type

2.4 GHz Wireless / USB Wired / Bluetooth

Bluetooth / Lightspeed Wireless / Wired USB-C

Wireless (2.4GHz via dongle), Wired (USB-C), Bluetooth 5.3

Battery life

Up to 70 hours

40 hrs (default lighting), 90hrs (RGB off)

Up to 60 hours

Features

THX Spatial Audio, detachable Razer HyperClear Super Wideband 9.9mm mic,

Detachable 48kHz / 16 bit omni microphone, Lightsync RGB, Playsync Base

360-degree spatial audio, retractable ClearCast 2.X mic

Software

Razer Audio

Logitech G Hub (PC) / Logitech G app (mobile)

SteelSeries Arctis Nova 5 Companion App (mobile), SteelSeries GG

Astro A20 X
The Astro A20 X is a similarly priced product to the BlackShark V3, but it packs a bit more personality in its design through its RGB. If you don't fancy its flashy appearance, turning the RGB off ensures a battery life of up to 90 hours, beating the BlackShark, and this headset also boasts impressive audio quality alongside a fantastic detachable microphone.

For more information, check out our full Astro A20 X review.View Deal

SteelSeries Arctis Nova 5
The quality of gaming audio that the SteelSeries Arctis Nova 5 offers is what makes it a suitable competitor against the BlackShark. With this SteelSeries headset, you're also getting a crystal clear mic, alongside a plethora of customisation options to ensure you're getting the very best out of your audio.

For more information, check out our full SteelSeries Arctis Nova 5 review.View Deal

How I tested the Razer BlackShark V3

  • Compared with my beloved SteelSeries Arctis Nova Pro headset
  • Used every day for gaming and other media
  • Mic tested in Discord calls and Google meets

As soon as I realised just how quality the BlackShark V3 was, I ditched my old SteelSeries Arctis Nova Pro headset. So, for two weeks, I've relied on this bit of kit to carry me through all sorts of adventures in games like Sword of the Sea, Once Upon a Katamari, and even made the most of its customization in a couple of rounds in Arc Raiders. Outside of gaming, it's also accompanied me for hours upon hours of Spotify sessions and the odd evening watching Netflix. If anything, these almost all-nighters definitely put the battery life to the test, too.

I also spent around 10 hours testing the BlackShark V3 with the PS5 in a decent session of Red Dead Redemption 2. I will admit, I wasn't jumping in for the fast, gunslinging combat, so I can't comment on how immersive that is. But, I must say the BlackShark V3 is phenomenal when it comes to showing off the natural sound design. Birdsong is clear as day with this headset, and I could've quite happily spent a lot longer riding around on my horse and tracking down every bird I could hear - something that I'd missed out on entirely when just relying on my TV's default speakers.

To test the microphone, I used the BlackShark V3 for meetings, voice calls, and multiplayer games like Peak, R.E.P.O., Outlast Trials, and shouting at my friends over Discord. Although I'd already put my old SteelSeries headset to one side, I did dust it off for a quick comparison, alongside my wireless Razer Kraken Hello Kitty and Friends edition Bluetooth headset, and they just don't compare.

First reviewed December 2025-January 2026.

Read more about how we test

I tested the earbuds that morph from workout headphones to open ‘buds and it works — but that’s only half the story
2:30 pm |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , | Comments: Off

Soundcore Aerofit 2 Pro: Two minute review

Usually, when I review a product with a brand-new feature, I use that function for about a week before the novelty wears off. The Soundcore Aerofit 2 Pro may not be the best earbuds I’ve ever tested, but I’ve been using its key selling point constantly over the testing period, and that at least says something.

Are they a pair of open earbuds? Or are they a pair of standard workout headphones? Yes and yes – these new hearables from Anker’s audio-visual sub-brand Soundcore do both. The bud’s body is adjustable in relation to its loop: you can have them as standard sports buds, or raise the bud somewhat so it’s further out of your ear. Ta-da, you have open earbuds.

In theory, you get the best of both worlds. Put them in open-ear mode and you enjoy your listening while still hearing what’s going on around you. Flick them into standard mode and you can hear your music with no distractions from outside, thanks in part to ANC turning on.

When I first reported on the buds, I guessed that they could be the best fitness earbuds of the year – it’s safe to say I was cautiously optimistic about them. The function is useful: I’d run along a busy road in open mode and close it when I reached a quieter park, or keep it open when cycling to the gym and close it when I got there.

A home-run, then? Not quite – these are the first earbuds I’ve ever seen trying out a form factor like this, and myriad teething problems plague the buds. I don’t think they are the best fitness headphones of the year any more, but it’s still a valiant effort.

Take, for example, the design. The buds aren’t that far from your ear when in open mode, so don’t let in nearly as much sound as rivals. But due to having AirPods-style tip-less ends, the Aerofits aren’t fully in your ear when in ANC mode, and so don’t actually cancel that much sound.

The loop material is also quite flimsy, so the buds wobble a lot, and the buttons are hard to press when in ANC mode (but, admittedly, very easy in open mode).

You need to play around in the settings to get the best of the Aerofit 2 Pro too. The default EQ preset, Soundcore Signature, goes for a misshapen V-shaped sound profile which sounds pretty wonky; go into the equalization menu straight away. The Intelligent Noise Cancellation feature also gets in the way, by messing with your sound constantly; turn this off too.

You probably wouldn’t be buying adjustable buds like this if you weren’t okay with some tweaking, though; just know that you’ll have to be doing it quite a bit.

Soundcore Aerofit 2 Pro review: Specifications

Component

Value

Water resistant

IP55

Battery life

7 hours (earbuds), 34 hours (total)

Bluetooth type

Bluetooth 6.1

Weight

11g / Charging case: 109g

Driver

11.8mm

Soundcore Aerofit 2 Pro review: Price and availability

The Soundcore Aerofit 2 Pro case.

(Image credit: Future)
  • Released on January 6, 2026
  • Priced at $179.99 / £179.99 (roughly AU$350)
  • Paying a premium for the novelty

Anker unveiled the Soundcore Aerofit 2 Pro at CES 2026 in the first week of the year, and put them on sale immediately after. Perfect for your new year’s fitness resolution.

The earbuds cost $179.99 / £179.99 (roughly AU$350, but they don’t seem to have joined Soundcore’s line-up in Australia). That’s the official price, but mere weeks after release, I’ve seen them discounted by $30 in the US and £10 in the UK.

As open earbuds go, that price is on the higher side of things, but you’re paying to be the first to test this novel kind of tech.

It’s a little higher than the launch price of the first Aerofit Pro, but that device plummeted in price over two years, and we could see the new model drop to similar lows over time.

Soundcore Aerofit 2 Pro review: Design

  • Easy to switch between open- and closed-ear fit
  • Weak loop and heavy earpiece affect wear
  • IP55 protection, comes in black, white or purple

I’ve already described the Aerofit 2 Pro’s transforming gimmick; but how does it work? Basically, the sports loop connects to the driver housing via a connector that can be moved around five different settings; each one results in a different angle for the earpiece to sit at, relative to your ear. At the furthest extent, said headshell sits right in your ear, and at the opposite extent it’s hovering high above it. The first two are ANC (in-ear) mode, the latter two open mode, and the middle one is something in between.

I was skeptical about this, but functionally it works really well. Quickly I became adept at opening or closing the buds while they were in my ear, and in no time I was doing so without breaking my stride while on a run. Unfortunately, basically everything about this design (other than the ease of switching) poses problems.

The key one problem is the loop, made out of a thin silicone which just isn’t rigid enough to hold the earbuds in place. When I was running or working out with the buds, I often found that the battery-bearing counterweights would wobble. It was especially noticeable when in ANC mode. They never fell out, but it was an annoying sensation.

This is exacerbated by the buds’ weight. At 11g each, they’re the heaviest than any other open earbuds I remember testing.

The Soundcore Aerofit 2 Pro on a ledge.

(Image credit: Future)

The tip-less design brings with it another problem: the sound leakage on these things, especially in open mode, is significant. Your gym peers will definitely hear what you’re listening to.

Each bud has a button. No, not a sensor or an area you tap and pray something happened: an honest-to-God area that you press in and hear a satisfying ‘click’. Lovely. It’s really easy and simple to use when the bud is in open mode, however when in ANC mode, I found that the pressure needed to press the button instead just pushed it into my ear.

Now that I’m complaining about things: the material used for the end of the bud is a dirt magnet. When it’s in the case or ear it’s fine, but when I put the buds in my pocket or dropped them on the floor, they quickly picked up fluff and particles that were quite hard to clean off. That’s all to say: excuse the review images, I tried my best.

This section is already far too long, but let’s briefly touch on the case. It’s certainly on the big side, even for sports-hook earbuds, and it weighs 109g (including the buds). It has some neat touches: an LED bar gives you an indication of how much charge you have left, and the case also facilitates wireless charging.

  • Design score: 3.5/5

Soundcore Aerofit 2 Pro review: Features

The Soundcore Aerofit 2 Pro in a man's hand.

(Image credit: Future)
  • Little noise is cancelled due to design and the ANC algorithm
  • Battery life is 7 / 34 hours with ANC on
  • Several app features including handy EQ presets

Why have I been calling one form of the Soundcore Aerofit 2 Pro ‘ANC mode’? That’ll be because when you’re at these extensions, noise cancellation will turn on, ostensibly stopping as much surrounding sound as possible from entering your ears. An anti-open-ear mode, so to speak.

However, the Aerofit run into the same problem as the Apple AirPods 4 with ANC: there’s no rubbery ear tip to create a natural sound-blocking seal, and so the noise cancellation is fighting an impossibly steep uphill battle from the outset. It doesn’t win the battle, and it’s very easy to hear surrounding sounds in this mode – I can hear myself typing this sentence over fairly loud music. It’s not a totally lost cause, and sounds are made quieter, but there’s little meaningful difference between open mode and ANC mode.

ANC mode may do more harm than it’s worth, though, because of Soundcore’s adjustable ANC. This is designed to automatically adjust noise cancellation and many earbuds have similar modes, but on the Soundcore, it had too dramatic an effect on the sound. Frequently, I’d hear dramatic shifts in listening volume or sound profile, and sometimes the volume wouldn’t be able to go very high to compensate for the ANC. On my first run with the buds, I was frustrated with how quiet the max volume was – until I realized it was the noise cancellation running amok. Thankfully this mode can be turned off.

The Soundcore Aerofit 2 Pro in a man's hand.

(Image credit: Future)

Soundcore puts the battery life of the buds at 7 hours in open-ear mode and 5 hours with ANC turned on. My testing suggests these figures could be a little conservative, so I’m not going to knock the buds like I normally would with 5-hour listening time buds.

The Soundcore app brings a few extra features to the earbuds. These include the ability to customize what the touch controls do, a low-latency and a Spatial Audio mode, an equalizer and the ability to make ANC toggling manual instead of automatic.

The equalizer has a healthy selection of presets, most of which make meaningful adjustments to the sound, and there’s also an eight-band custom option too. I particularly like the Volume Booster preset, which doesn’t exactly sound fantastic, but it gives the buds that extra ‘oomph’ that you need with open buds when venturing somewhere noisy.

Pairing the buds to my phone was quick and easy, however I did have the occasional stuttering and connection dropping problems during testing.

  • Features score: 3/5

Soundcore Aerofit 2 Pro review: Sound performance

The Soundcore Aerofit 2 Pro in a man's hand.

(Image credit: Future)
  • Single 10.8mm driver
  • Music sounds lifeless
  • Lovely, high max volume

There’s a custom-built 11.8mm driver in each of the Aerofits. Their most impressive feature, though, may be the support for Bluetooth 6.1, which is more advanced than most smartphones you’d be pairing the buds with. That pairs with Hi-Res Audio Wireless certification and a support for LDAC.

When I first started listening to the Aerofit 2 Pro, I was in a quiet home and listening on ANC mode, and I was impressed by a few aspects. There’s decent spacing between instruments, and enough detail to hear the timbre of instruments. Lovely, and unexpected for fitness earbuds like these. However I made the critical mistake of listening to the Soundcore Signature EQ preset for much of my testing period.

This doesn’t sound great: it elevates treble, mutes bass and drops mids almost entirely, like V-shaped sound profile with a lop-sided ‘V’. Uncle Kracker’s In A Little While had distorted guitar that sounded like a fan with a scrap of paper stuck in it, while the chorus of Five More Minutes by The War and Treaty sounded like a duet between vocals and a lawnmower. And treble was far too prominent: Don McCloskey’s First In Flight was constantly jump-scaring me with brass stings.

However, jumping into the EQ preset menu let me salvage my listening experience; I’d recommend buyers to switch straight to ‘Balanced’, or one of the genre-based EQs if you only listen to one kind of music. Balanced levels out that ‘V’ into much more of a flat line, so you can enjoy the high-quality audio without any line or instrument being overwritten.

Max volume for the buds is pretty loud, especially on Volume Booster, but the auto-ANC mode can put a pretty significant upper limit; turn this off.

  • Sound performance score: 4/5

Soundcore Aerofit 2 Pro review: Value

The Soundcore Aerofit 2 Pro next to their case.

(Image credit: Future)

Novelty form factor aside, the Soundcore Aerofit 2 Pro go for quite a high price, compared to other open earbuds you’d be considering. These aren’t a budget option by any stretch of the imagination – I’d go so far as to call them premium, given that relatively few options exist above the $/£200 threshold.

All considered, it feels a little hard to recommend them for the price – you’re paying for the privilege of testing a new form factor of headphone, not for an especially competitive feature set or sound quality. You're not being ripped off exactly, but it's not a competitive price.

If you can find the Aerofit 2 Pro discounted, though, they’d be well worth considering. They don’t even need an especially meaty price cut; the minor discount already available is a good start.

  • Value score: 3.5/5

Soundcore Aerofit 2 Pro review: scorecard

Category

Comment

Score

Value

The Aerofit's price matches some premium alternatives.

3.5/5

Design

The two-in-one design and switching works well; some other elements don't.

3.5/5

Features

The ANC doesn't work too well and the battery life isn't fantastic, although the app brings some nice additions.

3/5

Sound

Play around with the settings enough, and you can get detailed, expansive audio that'll surprise you compared to other fitness buds.

4/5

Soundcore Aerofit 2 Pro: Should I buy?

The Huawei FreeClip 2 buds in a case, leaning on a zippo lighter.

(Image credit: Future)

Buy them if...

The 2-in-1 gimmick appeals
Think you want buds that switch between open and standard sports earbuds? You won't be disappointed by how Anker does it.

You want treble-first sound
The Aerofit aren't bassy buds, and they'll appeal to people who prefer hearing lyrics, spoken words or guitar solos.

You appreciate wireless charging
We don't see wireless charging available on many earbuds cases, especially sports-specific ones. If you like the feature, the Aerofit have you covered.

Don't buy them if...

You have noise that needs cancelling
Even in ANC mode, the noise cancellation of the Aerofit isn't competitive.

You won't use the 2-in-1 design
You're paying a premium for the novel form factor of the Aerofit. If you don't think you'll use it enough, other options will give you more value for money.

Also consider

Component

Soundcore Aerofit 2 Pro

Shokz OpenFit 2+

Huawei FreeArc

Water resistant

IP55

IP55

IP57

Battery life

7 hours (earbuds), 34 hours (total)

11 hours (earbuds), 48 hours (total)

7 hours (earbuds), 23 hours (total)

Bluetooth type

Bluetooth 6.1

Bluetooth 5.4

Bluetooth 5.2

Weight

11g / Charging case: 109g

9.4g / Charging case: 56g

8.9g / Charging case: 67g

Driver

11.8mm

17.3mm

17mm x 12mm

Shokz OpenFit 2+

Our favorite open earbuds right now come from Shokz, and they offer the full package: a stable fit, great sound quality and a solid feature set. Best of all, they either match or undercut the Soundcore depending on where you live.

Read our full Shokz OpenFit 2+ review

Huawei FreeArc

Want an affordable alternative? The Huawei FreeArc cost half the price of the Soundcore, and have fantastic sound. The case is small and the buds fit well.

Read our full Huawei FreeArc review

How I tested

I tested the Anker Soundcore Aerofit 2 Pro for just over two weeks in order to write this review. During this time, they were paired with my Android smartphone.

In that time, I used the Soundcore on runs, at the gym and on cylces. But because of their dual-purpose design, also treated them as my everyday headphones in that time, so I listened at home, on public transport, and on walks around my neighborhood. Most of the testing was done on Spotify, YouTube and Prime Video's apps.

I've tested plenty of open earbuds for TechRadar over the last few years, as the audio segment has emerged, as well as countless other earbuds and headphones.

Read more about how we test

  • First reviewed: February 2026
I tested the earbuds that morph from workout headphones to open ‘buds and it works — but that’s only half the story
2:30 pm |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , | Comments: Off

Soundcore Aerofit 2 Pro: Two minute review

Usually, when I review a product with a brand-new feature, I use that function for about a week before the novelty wears off. The Soundcore Aerofit 2 Pro may not be the best earbuds I’ve ever tested, but I’ve been using its key selling point constantly over the testing period, and that at least says something.

Are they a pair of open earbuds? Or are they a pair of standard workout headphones? Yes and yes – these new hearables from Anker’s audio-visual sub-brand Soundcore do both. The bud’s body is adjustable in relation to its loop: you can have them as standard sports buds, or raise the bud somewhat so it’s further out of your ear. Ta-da, you have open earbuds.

In theory, you get the best of both worlds. Put them in open-ear mode and you enjoy your listening while still hearing what’s going on around you. Flick them into standard mode and you can hear your music with no distractions from outside, thanks in part to ANC turning on.

When I first reported on the buds, I guessed that they could be the best fitness earbuds of the year – it’s safe to say I was cautiously optimistic about them. The function is useful: I’d run along a busy road in open mode and close it when I reached a quieter park, or keep it open when cycling to the gym and close it when I got there.

A home-run, then? Not quite – these are the first earbuds I’ve ever seen trying out a form factor like this, and myriad teething problems plague the buds. I don’t think they are the best fitness headphones of the year any more, but it’s still a valiant effort.

Take, for example, the design. The buds aren’t that far from your ear when in open mode, so don’t let in nearly as much sound as rivals. But due to having AirPods-style tip-less ends, the Aerofits aren’t fully in your ear when in ANC mode, and so don’t actually cancel that much sound.

The loop material is also quite flimsy, so the buds wobble a lot, and the buttons are hard to press when in ANC mode (but, admittedly, very easy in open mode).

You need to play around in the settings to get the best of the Aerofit 2 Pro too. The default EQ preset, Soundcore Signature, goes for a misshapen V-shaped sound profile which sounds pretty wonky; go into the equalization menu straight away. The Intelligent Noise Cancellation feature also gets in the way, by messing with your sound constantly; turn this off too.

You probably wouldn’t be buying adjustable buds like this if you weren’t okay with some tweaking, though; just know that you’ll have to be doing it quite a bit.

Soundcore Aerofit 2 Pro review: Specifications

Component

Value

Water resistant

IP55

Battery life

7 hours (earbuds), 34 hours (total)

Bluetooth type

Bluetooth 6.1

Weight

11g / Charging case: 109g

Driver

11.8mm

Soundcore Aerofit 2 Pro review: Price and availability

The Soundcore Aerofit 2 Pro case.

(Image credit: Future)
  • Released on January 6, 2026
  • Priced at $179.99 / £179.99 (roughly AU$350)
  • Paying a premium for the novelty

Anker unveiled the Soundcore Aerofit 2 Pro at CES 2026 in the first week of the year, and put them on sale immediately after. Perfect for your new year’s fitness resolution.

The earbuds cost $179.99 / £179.99 (roughly AU$350, but they don’t seem to have joined Soundcore’s line-up in Australia). That’s the official price, but mere weeks after release, I’ve seen them discounted by $30 in the US and £10 in the UK.

As open earbuds go, that price is on the higher side of things, but you’re paying to be the first to test this novel kind of tech.

It’s a little higher than the launch price of the first Aerofit Pro, but that device plummeted in price over two years, and we could see the new model drop to similar lows over time.

Soundcore Aerofit 2 Pro review: Design

  • Easy to switch between open- and closed-ear fit
  • Weak loop and heavy earpiece affect wear
  • IP55 protection, comes in black, white or purple

I’ve already described the Aerofit 2 Pro’s transforming gimmick; but how does it work? Basically, the sports loop connects to the driver housing via a connector that can be moved around five different settings; each one results in a different angle for the earpiece to sit at, relative to your ear. At the furthest extent, said headshell sits right in your ear, and at the opposite extent it’s hovering high above it. The first two are ANC (in-ear) mode, the latter two open mode, and the middle one is something in between.

I was skeptical about this, but functionally it works really well. Quickly I became adept at opening or closing the buds while they were in my ear, and in no time I was doing so without breaking my stride while on a run. Unfortunately, basically everything about this design (other than the ease of switching) poses problems.

The key one problem is the loop, made out of a thin silicone which just isn’t rigid enough to hold the earbuds in place. When I was running or working out with the buds, I often found that the battery-bearing counterweights would wobble. It was especially noticeable when in ANC mode. They never fell out, but it was an annoying sensation.

This is exacerbated by the buds’ weight. At 11g each, they’re the heaviest than any other open earbuds I remember testing.

The Soundcore Aerofit 2 Pro on a ledge.

(Image credit: Future)

The tip-less design brings with it another problem: the sound leakage on these things, especially in open mode, is significant. Your gym peers will definitely hear what you’re listening to.

Each bud has a button. No, not a sensor or an area you tap and pray something happened: an honest-to-God area that you press in and hear a satisfying ‘click’. Lovely. It’s really easy and simple to use when the bud is in open mode, however when in ANC mode, I found that the pressure needed to press the button instead just pushed it into my ear.

Now that I’m complaining about things: the material used for the end of the bud is a dirt magnet. When it’s in the case or ear it’s fine, but when I put the buds in my pocket or dropped them on the floor, they quickly picked up fluff and particles that were quite hard to clean off. That’s all to say: excuse the review images, I tried my best.

This section is already far too long, but let’s briefly touch on the case. It’s certainly on the big side, even for sports-hook earbuds, and it weighs 109g (including the buds). It has some neat touches: an LED bar gives you an indication of how much charge you have left, and the case also facilitates wireless charging.

  • Design score: 3.5/5

Soundcore Aerofit 2 Pro review: Features

The Soundcore Aerofit 2 Pro in a man's hand.

(Image credit: Future)
  • Little noise is cancelled due to design and the ANC algorithm
  • Battery life is 7 / 34 hours with ANC on
  • Several app features including handy EQ presets

Why have I been calling one form of the Soundcore Aerofit 2 Pro ‘ANC mode’? That’ll be because when you’re at these extensions, noise cancellation will turn on, ostensibly stopping as much surrounding sound as possible from entering your ears. An anti-open-ear mode, so to speak.

However, the Aerofit run into the same problem as the Apple AirPods 4 with ANC: there’s no rubbery ear tip to create a natural sound-blocking seal, and so the noise cancellation is fighting an impossibly steep uphill battle from the outset. It doesn’t win the battle, and it’s very easy to hear surrounding sounds in this mode – I can hear myself typing this sentence over fairly loud music. It’s not a totally lost cause, and sounds are made quieter, but there’s little meaningful difference between open mode and ANC mode.

ANC mode may do more harm than it’s worth, though, because of Soundcore’s adjustable ANC. This is designed to automatically adjust noise cancellation and many earbuds have similar modes, but on the Soundcore, it had too dramatic an effect on the sound. Frequently, I’d hear dramatic shifts in listening volume or sound profile, and sometimes the volume wouldn’t be able to go very high to compensate for the ANC. On my first run with the buds, I was frustrated with how quiet the max volume was – until I realized it was the noise cancellation running amok. Thankfully this mode can be turned off.

The Soundcore Aerofit 2 Pro in a man's hand.

(Image credit: Future)

Soundcore puts the battery life of the buds at 7 hours in open-ear mode and 5 hours with ANC turned on. My testing suggests these figures could be a little conservative, so I’m not going to knock the buds like I normally would with 5-hour listening time buds.

The Soundcore app brings a few extra features to the earbuds. These include the ability to customize what the touch controls do, a low-latency and a Spatial Audio mode, an equalizer and the ability to make ANC toggling manual instead of automatic.

The equalizer has a healthy selection of presets, most of which make meaningful adjustments to the sound, and there’s also an eight-band custom option too. I particularly like the Volume Booster preset, which doesn’t exactly sound fantastic, but it gives the buds that extra ‘oomph’ that you need with open buds when venturing somewhere noisy.

Pairing the buds to my phone was quick and easy, however I did have the occasional stuttering and connection dropping problems during testing.

  • Features score: 3/5

Soundcore Aerofit 2 Pro review: Sound performance

The Soundcore Aerofit 2 Pro in a man's hand.

(Image credit: Future)
  • Single 10.8mm driver
  • Music sounds lifeless
  • Lovely, high max volume

There’s a custom-built 11.8mm driver in each of the Aerofits. Their most impressive feature, though, may be the support for Bluetooth 6.1, which is more advanced than most smartphones you’d be pairing the buds with. That pairs with Hi-Res Audio Wireless certification and a support for LDAC.

When I first started listening to the Aerofit 2 Pro, I was in a quiet home and listening on ANC mode, and I was impressed by a few aspects. There’s decent spacing between instruments, and enough detail to hear the timbre of instruments. Lovely, and unexpected for fitness earbuds like these. However I made the critical mistake of listening to the Soundcore Signature EQ preset for much of my testing period.

This doesn’t sound great: it elevates treble, mutes bass and drops mids almost entirely, like V-shaped sound profile with a lop-sided ‘V’. Uncle Kracker’s In A Little While had distorted guitar that sounded like a fan with a scrap of paper stuck in it, while the chorus of Five More Minutes by The War and Treaty sounded like a duet between vocals and a lawnmower. And treble was far too prominent: Don McCloskey’s First In Flight was constantly jump-scaring me with brass stings.

However, jumping into the EQ preset menu let me salvage my listening experience; I’d recommend buyers to switch straight to ‘Balanced’, or one of the genre-based EQs if you only listen to one kind of music. Balanced levels out that ‘V’ into much more of a flat line, so you can enjoy the high-quality audio without any line or instrument being overwritten.

Max volume for the buds is pretty loud, especially on Volume Booster, but the auto-ANC mode can put a pretty significant upper limit; turn this off.

  • Sound performance score: 4/5

Soundcore Aerofit 2 Pro review: Value

The Soundcore Aerofit 2 Pro next to their case.

(Image credit: Future)

Novelty form factor aside, the Soundcore Aerofit 2 Pro go for quite a high price, compared to other open earbuds you’d be considering. These aren’t a budget option by any stretch of the imagination – I’d go so far as to call them premium, given that relatively few options exist above the $/£200 threshold.

All considered, it feels a little hard to recommend them for the price – you’re paying for the privilege of testing a new form factor of headphone, not for an especially competitive feature set or sound quality. You're not being ripped off exactly, but it's not a competitive price.

If you can find the Aerofit 2 Pro discounted, though, they’d be well worth considering. They don’t even need an especially meaty price cut; the minor discount already available is a good start.

  • Value score: 3.5/5

Soundcore Aerofit 2 Pro review: scorecard

Category

Comment

Score

Value

The Aerofit's price matches some premium alternatives.

3.5/5

Design

The two-in-one design and switching works well; some other elements don't.

3.5/5

Features

The ANC doesn't work too well and the battery life isn't fantastic, although the app brings some nice additions.

3/5

Sound

Play around with the settings enough, and you can get detailed, expansive audio that'll surprise you compared to other fitness buds.

4/5

Soundcore Aerofit 2 Pro: Should I buy?

The Huawei FreeClip 2 buds in a case, leaning on a zippo lighter.

(Image credit: Future)

Buy them if...

The 2-in-1 gimmick appeals
Think you want buds that switch between open and standard sports earbuds? You won't be disappointed by how Anker does it.

You want treble-first sound
The Aerofit aren't bassy buds, and they'll appeal to people who prefer hearing lyrics, spoken words or guitar solos.

You appreciate wireless charging
We don't see wireless charging available on many earbuds cases, especially sports-specific ones. If you like the feature, the Aerofit have you covered.

Don't buy them if...

You have noise that needs cancelling
Even in ANC mode, the noise cancellation of the Aerofit isn't competitive.

You won't use the 2-in-1 design
You're paying a premium for the novel form factor of the Aerofit. If you don't think you'll use it enough, other options will give you more value for money.

Also consider

Component

Soundcore Aerofit 2 Pro

Shokz OpenFit 2+

Huawei FreeArc

Water resistant

IP55

IP55

IP57

Battery life

7 hours (earbuds), 34 hours (total)

11 hours (earbuds), 48 hours (total)

7 hours (earbuds), 23 hours (total)

Bluetooth type

Bluetooth 6.1

Bluetooth 5.4

Bluetooth 5.2

Weight

11g / Charging case: 109g

9.4g / Charging case: 56g

8.9g / Charging case: 67g

Driver

11.8mm

17.3mm

17mm x 12mm

Shokz OpenFit 2+

Our favorite open earbuds right now come from Shokz, and they offer the full package: a stable fit, great sound quality and a solid feature set. Best of all, they either match or undercut the Soundcore depending on where you live.

Read our full Shokz OpenFit 2+ review

Huawei FreeArc

Want an affordable alternative? The Huawei FreeArc cost half the price of the Soundcore, and have fantastic sound. The case is small and the buds fit well.

Read our full Huawei FreeArc review

How I tested

I tested the Anker Soundcore Aerofit 2 Pro for just over two weeks in order to write this review. During this time, they were paired with my Android smartphone.

In that time, I used the Soundcore on runs, at the gym and on cylces. But because of their dual-purpose design, also treated them as my everyday headphones in that time, so I listened at home, on public transport, and on walks around my neighborhood. Most of the testing was done on Spotify, YouTube and Prime Video's apps.

I've tested plenty of open earbuds for TechRadar over the last few years, as the audio segment has emerged, as well as countless other earbuds and headphones.

Read more about how we test

  • First reviewed: February 2026
‘The tiniest autofocus lens I’ve played with in over 15 years of testing camera gear’ – the cheap Viltrox body cap full-frame lens is surprisingly sharp and has bags of character, but it makes even more sense for APS-C
4:00 am |

Author: admin | Category: Camera Lenses Cameras Computers Gadgets | Comments: Off

Viltrox AF 28mm f/4.5: one-minute review

I mean, the pictures don't do justice as to how impossibly small the Viltrox AF 28mm f4.5 lens is. It's a true body cap lens – meaning that you can have it on your Sony, Nikon or Fujifilm mirrorless camera at all times with no real footprint, ready to go for quick wide-angle snaps.

On several occasions throughout my couple of months with what is the tiniest lens I've ever tested, I thought I had lost it, quite literally mistaking it for a body cap in my gear bag (I was testing multiple lenses at the time).

Yet despite the Viltrox AF 28mm f4.5's minuscule proportions – it measures just 15.3mm in length and is a featherweight 60g – it features autofocus and has a respectable f/4.5 fixed aperture. That's way faster than other body cap / pancake-style lenses I've tried, such as the Panasonic 26mm f/8.

Oh, and did I mention that center detail is surprisingly sharp? That'll be the 6 lens elements in 6 groups crammed inside, two of which are ED and another two being aspherical optics.

Quality falls off somewhat at the corners and lens flare is notable. So if you're looking for technical perfection and supreme versatility, then the fixed focal length, fixed aperture Viltrox AF 28mm f/4.5 is not for you. What it is, though, is a memorable lens that I'm confident you will grow fond of, and by heck is it cheap.

Viltrox AF 28mm f/4.5 body cap lens in photographer's hand

Just 15mm in length – Viltrox AF 28mm f/4.5 is a true body cap lens, with a much faster f/4.5 aperture than other such optics, icncuding the Panasonic 26mm f/8. If you don't mind something a little larger and pricier, then there are f/2.8 alternatives. (Image credit: Tim Coleman)

Viltrox AF 28mm f/4.5: price and availability

  • Available in Sony E, Nikon Z and Fujifilm X-mounts
  • It costs $99 / £90 / AU$169, but Viltrox regular discounts its lenses by 15%
  • There's currently no indication of Canon RF or L-mount versions

The Viltrox AF 28mm f/4.5 first hit the scene for Sony E-mount in September 2024, and has since been launched in Nikon Z and Fujifilm X-mount versions. I wouldn't expect a Canon version since the camera giant sued Viltrox and those bridges feel burned (Nikon is next). Viltrox has joined the L-mount alliance, however, so there could be an L-mount version for Panasonic, Leica, and Sigma cameras – this could be a great pairing with the Lumix S9, for example.

The list price at the Viltrox store and trusted retailers is $99 / £90 / AU$169 (see links to the best prices, below). The 28mm f/4.5 is great value at full price, although I regularly see Viltrox doing site-wide discounts of its lenses, typically around 15% off. I've seen the lens for even less at cheap Chinese import online stores.

I usually include an Also Consider section in my reviews, but being available in three mounts there are too many alternatives to sensibly feature individually. For Nikon cameras, the Z 26mm f/2.8 is one possible, but it's 5x the price, while the 24mm f/1.7 DX (for APS-C) is around 2.5x the price – both are bigger than the Viltrox lens.

Fujifilm has its own XF 27mm f/2.8 R WR, which again costs much more than the Viltrox, plus the wider XF 23mm f/2.8 which was announced alongside the X-E5.

Sony makes a wider-angle 20mm f/2.8, while other third parties include TT Artisans with its AF 27mm f/2.8, which is much like Fujifilm's aforementioned 27mm lens for a much lower price.

For more options, check out my best Sony lenses and best Nikon lenses guides. Let me know in the comments below if a best Fujifilm lenses guide would interest you.

Viltrox AF 28mm f/4.5: specs

Viltrox AF 28mm f/4.5 specs

Type:

Wide-angle prime

Mount:

Sony E, Nikon Z, Fujifilm X

Sensor:

Full-frame

Focal length:

28mm (or 42mm effective on Sony, Nikon and Fujifilm APS-C cameras)

Max aperture:

f/4.5

Minimum focus:

0.32m, 0.11x magnification

Filter size:

N/A

Dimensions:

60.3 x 15.3mm

Weight:

From 2.1oz / 60g

Viltrox AF 28mm f/4.5: design

This is a playful lens, with plenty of quirks that won me over - one being the slide lens cap, which protects the otherwise non weather-sealed lens from damage. It's just as well the lens cap is built-in, really, because a removable lens cap would be the tiniest of them all, no bigger than a dime. I would give myself less than a week before losing such a thing.

And there's nowhere to click a lens cap on in any case – there's no thread for lens filters, which is normally where a clip-on lens cap sits. Nope, it's the neat slide lens cap only, which I heart.

I was honestly surprised that Viltrox was able to fit such a small, but more so, low-cost lens with autofocus. Sat alongside those electronic contacts (which provide full communication between camera and lens for autofocus, plus metadata) is a USB-C port, which makes future firmware updates possible.

On the note of focusing, there's another surprise on the flip side – there's no manual focus option whatsoever. No, this is an autofocus lens only – so you're reliant on your camera's autofocus skills.

Thankfully, I found autofocus performance with my mid-range Nikon full-frame camera to be snappy with the lens – but that's hardly a surprise given how lightweight the 6 tiny lens elements are.

I suppose adding a focus ring for manual focus would increase the bulk of the lens and water down its charm, but it was the feature I missed the most as autofocus can miss the mark occasionally. It's helpful to take control at such times.

Minimum focus is 1.05ft/0.32m, which makes for a 0.11x maximum magnification. In short, the lens's close focusing skills are fairly limiting for such a wide-angle lens. The ability to focus closer is a close second on my wishlist for this lens.

I don't mind the fixed f/4.5 aperture, though – that's right, you can't stop down to increase depth of field. For me, f/4.5 is a decent all-purpose aperture with a full-frame camera – it's shallow enough to blur backgrounds (when your subject / focus distance is close), and deep enough for sharp detail when your focus distance is further. What it's less ideal for, however, is low-light photography.

As you can see in the product photo above, the Viltrox AF 28mm f/4.5 lens tucks in neatly on a full-frame camera. In fact, the grip on the Z6 II camera I was using for this test is deeper than the lens.

For me, Viltrox's body cap-style lens makes more sense being paired with a smaller camera than the mid-range model, above, and even more sense with an APS-C model rather than full-frame. I'll explain why in a moment.

It's currently made for Sony E, Nikon Z, and Fujifilm X-mount versions, so the kinds of slimline cameras that would suit the lens include the Sony ZV-E10 II / A6700, Fujifilm X-E series / X-M5 and the Nikon Z30 / Zf series. Lumix users will surely hope that an L-mount version is forthcoming, especially since Viltrox joined the L-mount alliance last year.

Viltrox AF 28mm f/4.5: Performance

As for image quality, I have been pleasantly surprised. Detail is nice and sharp in the center. You'll find plenty other even sharper premium primes, but with a little additional sharpness applied in Adobe Camera Raw, I'm not complaining here at all. On the contrary, I'm impressed.

Sharpness falls off at the corners somewhat, and there's heavy vignetting in the corners, which again benefit from corrections in post. That said, those two notable lens distortions direct the gaze in the center of images and can add character, and as such I've avoided heavy-handed lens corrections and leaned into that style with my sample pictures.

It's these corner lens distortions that also make a strong case for using the Viltrox AF 28mm f/4.5 lens with an APS-C camera, as most of its image quality foibles (technically-speaking) fall outside the 42mm effective frame.

I've not used the lens with an APS-C camera, but if that were all I had done, I'd be even more impressed by the optical quality as those heavier distortions would be outside the frame. And, that tighter perspective with APS-C makes it a compelling everyday lens – you'd never need to take it off the camera.

The same sentiment for corner quality can be said for lens flare. Viltrox itself bills the starburst effect as a draw to this lens – it's a pronounced and a little over the top at times, but again, I'm filing this under characterful rather than ugly.

I've been able to get a couple of light leak affects to when shooting towards the sun, too. These are the kind of effects that could do well in 2026 and beyond, where authentic and lo-fi images are trending over technically perfect ones.

The 'flaws' I've drawn out in this review are worth noting, but take them within context; this is a tiny, sub $100 lens. Design drawbacks and optical quirks only add to the charm of a lens that I'm very fond of.

Should I buy the Viltrox AF 28mm f/4.5?

Viltrox AF 28mm f/4.5 body cap lens mounted to a Nikon mirrorless camera, outdoors in open nature

(Image credit: Tim Coleman)

Buy it if...

You want a tiny lens that lives on your camera
Never has the term 'body cap lens' felt so more apt.

You're bored of 'perfect' lenses
It's design is quirky and its images even more so, but not in a gimmicky way – center sharpness is complimented by corner and lens flare distortion.

Don't buy it if...

You're a low light photographer
The fixed f/4.5 aperture is a little limiting in low light.

You're short of lenses
I'd class the Viltrox AF 28mm f/4.5 as a fun backup for pricier, bulkier optics that are more able to deliver in more situations.

How I tested the Viltrox AF 28mm f/4.5

Viltrox AF 28mm f/4.5 body cap lens in photographer's hand

(Image credit: Tim Coleman)
  • Viltrox sent me the Z-mount version of the lens
  • I paired it with a full-frame Nikon Z6 II
  • I've tested the lens over a couple of months, in a wide range of scenarios

I had plenty of time to use the Viltrox AF 28mm f/4.5 lens – at least two months. I paired it with a full-frame Nikon camera, but haven't used it with an APS-C model.

Being a fixed focal length, fixed aperture lens, my testing didn't get bogged down in aperture comparisons and distortion at various focal lengths – I was freed up to use this lens in a very real way.

I've shot everything from portraits to landscapes and everyday observations. I've used the lens in good light and bad, and shot towards and around the sun / strong light sources to check for lens flare characteristics.

First reviewed February 2026

‘The tiniest autofocus lens I’ve played with in over 15 years of testing camera gear’ – the cheap Viltrox body cap full-frame lens is surprisingly sharp and has bags of character
4:00 am |

Author: admin | Category: Camera Lenses Cameras Computers Gadgets | Comments: Off

Viltrox AF 28mm f/4.5: one-minute review

I mean, the pictures don't do justice as to how impossibly small the Viltrox AF 28mm f4.5 lens is. It's a true body cap lens – meaning that you can have it on your Sony, Nikon or Fujifilm mirrorless camera at all times with no real footprint, ready to go for quick wide-angle snaps.

On several occasions throughout my couple of months with what is the tiniest lens I've ever tested, I thought I had lost it, quite literally mistaking it for a body cap in my gear bag (I was testing multiple lenses at the time).

Yet despite the Viltrox AF 28mm f4.5's minuscule proportions – it measures just 15.3mm in length and is a featherweight 60g – it features autofocus and has a respectable f/4.5 fixed aperture. That's way faster than other body cap / pancake-style lenses I've tried, such as the Panasonic 26mm f/8.

Oh, and did I mention that center detail is surprisingly sharp? That'll be the 6 lens elements in 6 groups crammed inside, two of which are ED and another two being aspherical optics.

Quality falls off somewhat at the corners and lens flare is notable. So if you're looking for technical perfection and supreme versatility, then the fixed focal length, fixed aperture Viltrox AF 28mm f/4.5 is not for you. What it is, though, is a memorable lens that I'm confident you will grow fond of, and by heck is it cheap.

Viltrox AF 28mm f/4.5 body cap lens in photographer's hand

Just 15mm in length – Viltrox AF 28mm f/4.5 is a true body cap lens, with a much faster f/4.5 aperture than other such optics, icncuding the Panasonic 26mm f/8. If you don't mind something a little larger and pricier, then there are f/2.8 alternatives. (Image credit: Tim Coleman)

Viltrox AF 28mm f/4.5: price and availability

  • Available in Sony E, Nikon Z and Fujifilm X-mounts
  • It costs $99 / £90 / AU$169, but Viltrox regular discounts its lenses by 15%
  • There's currently no indication of Canon RF or L-mount versions

The Viltrox AF 28mm f/4.5 first hit the scene for Sony E-mount in September 2024, and has since been launched in Nikon Z and Fujifilm X-mount versions. I wouldn't expect a Canon version since the camera giant sued Viltrox and those bridges feel burned (Nikon is next). Viltrox has joined the L-mount alliance, however, so there could be an L-mount version for Panasonic, Leica, and Sigma cameras – this could be a great pairing with the Lumix S9, for example.

The list price at the Viltrox store and trusted retailers is $99 / £90 / AU$169 (see links to the best prices, below). The 28mm f/4.5 is great value at full price, although I regularly see Viltrox doing site-wide discounts of its lenses, typically around 15% off. I've seen the lens for even less at cheap Chinese import online stores.

I usually include an Also Consider section in my reviews, but being available in three mounts there are too many alternatives to sensibly feature individually. For Nikon cameras, the Z 26mm f/2.8 is one possible, but it's 5x the price, while the 24mm f/1.7 DX (for APS-C) is around 2.5x the price – both are bigger than the Viltrox lens.

Fujifilm has its own XF 27mm f/2.8 R WR, which again costs much more than the Viltrox, plus the wider XF 23mm f/2.8 which was announced alongside the X-E5.

Sony makes a wider-angle 20mm f/2.8, while other third parties include TT Artisans with its AF 27mm f/2.8, which is much like Fujifilm's aforementioned 27mm lens for a much lower price.

For more options, check out my best Sony lenses and best Nikon lenses guides. Let me know in the comments below if a best Fujifilm lenses guide would interest you.

Viltrox AF 28mm f/4.5: specs

Viltrox AF 28mm f/4.5 specs

Type:

Wide-angle prime

Mount:

Sony E, Nikon Z, Fujifilm X

Sensor:

Full-frame

Focal length:

28mm (or 42mm effective on Sony, Nikon and Fujifilm APS-C cameras)

Max aperture:

f/4.5

Minimum focus:

0.32m, 0.11x magnification

Filter size:

N/A

Dimensions:

60.3 x 15.3mm

Weight:

From 2.1oz / 60g

Viltrox AF 28mm f/4.5: design

This is a playful lens, with plenty of quirks that won me over - one being the slide lens cap, which protects the otherwise non weather-sealed lens from damage. It's just as well the lens cap is built-in, really, because a removable lens cap would be the tiniest of them all, no bigger than a dime. I would give myself less than a week before losing such a thing.

And there's nowhere to click a lens cap on in any case – there's no thread for lens filters, which is normally where a clip-on lens cap sits. Nope, it's the neat slide lens cap only, which I heart.

I was honestly surprised that Viltrox was able to fit such a small, but more so, low-cost lens with autofocus. Sat alongside those electronic contacts (which provide full communication between camera and lens for autofocus, plus metadata) is a USB-C port, which makes future firmware updates possible.

On the note of focusing, there's another surprise on the flip side – there's no manual focus option whatsoever. No, this is an autofocus lens only – so you're reliant on your camera's autofocus skills.

Thankfully, I found autofocus performance with my mid-range Nikon full-frame camera to be snappy with the lens – but that's hardly a surprise given how lightweight the 6 tiny lens elements are.

I suppose adding a focus ring for manual focus would increase the bulk of the lens and water down its charm, but it was the feature I missed the most as autofocus can miss the mark occasionally. It's helpful to take control at such times.

Minimum focus is 1.05ft/0.32m, which makes for a 0.11x maximum magnification. In short, the lens's close focusing skills are fairly limiting for such a wide-angle lens. The ability to focus closer is a close second on my wishlist for this lens.

I don't mind the fixed f/4.5 aperture, though – that's right, you can't stop down to increase depth of field. For me, f/4.5 is a decent all-purpose aperture with a full-frame camera – it's shallow enough to blur backgrounds (when your subject / focus distance is close), and deep enough for sharp detail when your focus distance is further. What it's less ideal for, however, is low-light photography.

As you can see in the product photo above, the Viltrox AF 28mm f/4.5 lens tucks in neatly on a full-frame camera. In fact, the grip on the Z6 II camera I was using for this test is deeper than the lens.

For me, Viltrox's body cap-style lens makes more sense being paired with a smaller camera than the mid-range model, above, and even more sense with an APS-C model rather than full-frame. I'll explain why in a moment.

It's currently made for Sony E, Nikon Z, and Fujifilm X-mount versions, so the kinds of slimline cameras that would suit the lens include the Sony ZV-E10 II / A6700, Fujifilm X-E series / X-M5 and the Nikon Z30 / Zf series. Lumix users will surely hope that an L-mount version is forthcoming, especially since Viltrox joined the L-mount alliance last year.

Viltrox AF 28mm f/4.5: Performance

As for image quality, I have been pleasantly surprised. Detail is nice and sharp in the center. You'll find plenty other even sharper premium primes, but with a little additional sharpness applied in Adobe Camera Raw, I'm not complaining here at all. On the contrary, I'm impressed.

Sharpness falls off at the corners somewhat, and there's heavy vignetting in the corners, which again benefit from corrections in post. That said, those two notable lens distortions direct the gaze in the center of images and can add character, and as such I've avoided heavy-handed lens corrections and leaned into that style with my sample pictures.

It's these corner lens distortions that also make a strong case for using the Viltrox AF 28mm f/4.5 lens with an APS-C camera, as most of its image quality foibles (technically-speaking) fall outside the 42mm effective frame.

I've not used the lens with an APS-C camera, but if that were all I had done, I'd be even more impressed by the optical quality as those heavier distortions would be outside the frame. And, that tighter perspective with APS-C makes it a compelling everyday lens – you'd never need to take it off the camera.

The same sentiment for corner quality can be said for lens flare. Viltrox itself bills the starburst effect as a draw to this lens – it's a pronounced and a little over the top at times, but again, I'm filing this under characterful rather than ugly.

I've been able to get a couple of light leak affects to when shooting towards the sun, too. These are the kind of effects that could do well in 2026 and beyond, where authentic and lo-fi images are trending over technically perfect ones.

The 'flaws' I've drawn out in this review are worth noting, but take them within context; this is a tiny, sub $100 lens. Design drawbacks and optical quirks only add to the charm of a lens that I'm very fond of.

Should I buy the Viltrox AF 28mm f/4.5?

Viltrox AF 28mm f/4.5 body cap lens mounted to a Nikon mirrorless camera, outdoors in open nature

(Image credit: Tim Coleman)

Buy it if...

You want a tiny lens that lives on your camera
Never has the term 'body cap lens' felt so more apt.

You're bored of 'perfect' lenses
It's design is quirky and its images even more so, but not in a gimmicky way – center sharpness is complimented by corner and lens flare distortion.

Don't buy it if...

You're a low light photographer
The fixed f/4.5 aperture is a little limiting in low light.

You're short of lenses
I'd class the Viltrox AF 28mm f/4.5 as a fun backup for pricier, bulkier optics that are more able to deliver in more situations.

How I tested the Viltrox AF 28mm f/4.5

Viltrox AF 28mm f/4.5 body cap lens in photographer's hand

(Image credit: Tim Coleman)
  • Viltrox sent me the Z-mount version of the lens
  • I paired it with a full-frame Nikon Z6 II
  • I've tested the lens over a couple of months, in a wide range of scenarios

I had plenty of time to use the Viltrox AF 28mm f/4.5 lens – at least two months. I paired it with a full-frame Nikon camera, but haven't used it with an APS-C model.

Being a fixed focal length, fixed aperture lens, my testing didn't get bogged down in aperture comparisons and distortion at various focal lengths – I was freed up to use this lens in a very real way.

I've shot everything from portraits to landscapes and everyday observations. I've used the lens in good light and bad, and shot towards and around the sun / strong light sources to check for lens flare characteristics.

First reviewed February 2026

FiiO’s new elite hi-res audio player will delight you, provided you serve it only the best –but disappoint it at your peril
2:30 pm | January 31, 2026

Author: admin | Category: Audio Computers Gadgets Portable Media Players | Tags: | Comments: Off

FiiO M27: Two-minute review

If there’s a stone FiiO has left unturned in the way it’s specified and built the M27 digital audio player, it’s invisible.

This is a portable(ish) music player for which the word ‘uncompromised’ is almost an understatement. Specification is thorough to the point of exhaustion. Twin ESS Sabre DACS with 32bit/768kHz and DSD512 compatibility, aptX Lossless and LDAC for Bluetooth, balanced and unbalanced analogue outputs, a super-slick Android 13 operating experience, a whole host of modes that allow the M27 to work as a USB DAC, a digital transport, a desktop system host and more besides… the list goes on.

So if you want a player (a big and heavy player, let’s be honest) with enough power to drive even the trickiest of headphones, with battery life that’s approaching ‘epic’, and that arrives with its own little desktop charging stand with integrated cooling fan, you’ve come to the right place.

All of this would count for very little, though, if the FiiO M27 didn’t have it where it really counts. Happily, this is a great-sounding machine – or, at least, it is if you treat it respectfully. Hi-res stuff enjoys amazing detail resolution, expansive soundstaging, sky-high dynamic response and the sort of singularity of presentation that makes every listen an event. Lower-resolution stuff, though, is basically exposed to ridicule. So don’t imagine the M27 is about to flatter your choices if your choices are incorrect…

Among the best MP3 players on the market then? Oh, without a doubt.

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Price and release date

  • Released November 2025
  • Priced $1,799 / £1,499 / AU$2,699

The FiiO M27 launched in the middle of November 2025, and in the United Kingdom it’s priced at £1,499. In the United States it sells for $1,799, while in Australia you’re looking at AU$2,699.

And just because it’s possible to pay plenty more than this for a premium digital audio player, that doesn’t mean the M27 hangs out anywhere near the ‘affordable’ category…

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Features

  • Twin ESS Sabre ES9039S PRO DAC chipsets
  • Bluetooth 5.4 with aptX Lossless, Bluetooth LE Audio and Auracast support
  • 9200mAh battery

FiiO never knowingly underspecifies its products – so when it’s going all-out to create a class-leading, market-defining digital audio player, it follows that the feature-count here is significant.

For the M27, FiiO has leaned heavily on Qualcomm’s expertise. The machine features the company’s QCS6490 chipset with Snapdragon 770G architecture. Along with eight (count ‘em!) Kryo 670 cores and an Adrena 642L GPU, this arrangement promises lightning-fast response times, effortless multitasking and a solid foundation for streaming and playback no matter the size or type of the digital audio file the player is dealing with.

Qualcomm’s QCC5181 chipset makes an appearance too. It facilitates Bluetooth 5.4 wireless connectivity when the M27 is acting as a receiver, and allows for aptX Lossless and LDAC codec compatibility as well as Auracast and Bluetooth LE Audio. The FiiO will also function as a Bluetooth transmitter – in this direction it’s running Bluetooth 5.2 with support for aptX Adaptive and LDAC.

There’s more. Qualcomm’s Dragonwing AI platform, allows the M27 to offer a 31-band PEQ at resolutions up to 32bit/384kHz (among other things), global ‘All to DSD’ functionality for bitrates from DSD64 to DSD256, and fully controllable end-to-end audio processing.

The crucial business of digital-to-analogue conversion is taken care of by a couple of ESS Sabre ES9039 PRO chipsets that are good to go with resolutions of up to 32bit/768kHz PCM and DSD512. They’re supported by sixth (and latest) generation of FiiO’s ‘Digital Audio Purification System’, which deploys a new FPGA and dual RIVER femtosecond crystal oscillators in a drive for vanishingly low jitter and optimal timing accuracy.

The M27 features a replaceable 9200mAh battery, which is a) good news where product longevity is concerned, and b) a massive amount of power. It translates to eight hours of playback via a balanced output or a touch over nine from an unbalanced alternative – and it also allows for power outputs big enough to drive even the most truculent headphones. And on the subject of big power outputs, if you connect the M27 to mains power via a fast charger and select ‘Ultra High Gain’ mode, a giddy 10,000mW of power is available.

Naturally the list goes on (and on). The M27 features a six-stage fully differential audio circuit – it doubles up on the high-quality components like signal relays, volume control chips and TI op-amps in order to independently process each channel of audio information, and then drives them via discrete power supplies. It has a high-current, low-loss, MOSFET-managed power path with big energy storage capacitors; it has copper heatsinks; it has a graphite vapour chamber and graphene thermal conduction pads integrated into the chassis to enable effective cooling.

And it has more besides. But for the sake of brevity, it’s probably enough to know that FiiO has left nothing – by which I mean nothing – to chance where the specification of the M27 is concerned.

Features score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Sound quality

  • Remarkably complete and articulate rendition of hi-res audio files
  • Deeply impressive powers of resolution and organisation
  • Almost comically intolerant of lower resolution stuff

I’m guessing that anyone who’s thinking of dropping this sort of money on a digital audio player is well served for properly high-resolution digital audio content. I certainly hope so – because while the way the M27 handles hi-res stuff is thoroughly enjoyable and deeply impressive, it’s got next-to-no time for stuff that dips below the magic 16bit/44.1kHz point.

So while a 24bit/192kHz file of David Bowie’s Low (which has somehow just had its 50th birthday) is delivered in the most eloquent, revealing and utterly engaging manner, the same content streamed as a 320kbps file via Spotify sounds almost as if the M27 is taking it personally.

Big files are lavishly detailed, arranged on a large and convincingly defined soundstage, and are laid out with considerable ‘left/right’ distance available and quite a lot of ‘front/back’ too. The spaces between elements of the recording are carefully observed, and even if the music involves few participants on this very big stage there’s a tangible sense of ‘togetherness’ about the way the FiiO presents it. The unity of its delivery makes for a confident and believable overall performance.

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

It’s possible to fiddle with the sonic characteristics of the M27 quite extensively, of course - but leave well enough alone and the player has a neutral, uncoloured tonality that makes for a naturalistic presentation. The attention to detail it exhibits means texture and timbre of instruments and of voices are made apparent, and the low-level dynamic variations or harmonic under- and overtones are made apparent every time.

Frequency response, too, is convincing – from the deep, hard-hitting and endless varied bottom end to the bright, attacking top, the FiiO gives every area fair weighting and representation. And in the midrange, it communicates in the most direct and unequivocal manner – if there’s even a transient, minor detail concerning tone, technique, attitude or character in a voice, you can be sure the M27 is handing it over.

Those low frequencies are beautifully shaped and their attack and decay is observed in the hawk-like manner. As a result, rhythmic expression is almost casually correct and momentum levels are always appropriate to the material. Add in apparently limitless dynamic headroom and the full account of big shifts in volume or intensity that results, and the M27 goes quite a distance towards the accolade of ‘best pound-for-pound digital audio player on the market’ it craves.

Lower the tone, though, and cue up some lower-resolution content and the FiiO can’t really disguise its disdain. It’s a bit like watching Lewis Hamilton drive a bog-standard hatchback around a racing track: he’ll wring the maximum out of it, but at the same time he’s got one hand on the wheel, he’s checking his look in the rear-view mirror… it’s too easy.

Give the M27 a stream from Spotify’s free tier and it quite ruthlessly exposes the compression and its knock-on effects where dynamics, detail levels, harmonic accuracy and all the rest of it are concerned. You might be thinking 'Well, it would, no?' but honestly some players try to make the best of this sort of content. The FiiO M27 is simply not one of those players.

Sound quality score: 4.5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Design

  • Titanium or aluminium alloy chassis
  • 157 x 85 x 28mm (HxWxD)
  • 6in 1080p touchscreen

Until you see and hold it, the fact the M27 measures 157 x 85 x 28mm (HxWxD) and weighs somewhere between 550g and 630g (depending on your choice of chassis material – aluminium alloy or titanium are available) might seem a little abstract.

And then you see it and hold it, and you realise the FiiO is not ‘portable’ in the way lots of less expensive digital audio players are ‘portable’. This is a hefty unit, and the shirt pocket that’s strong enough to accommodate it has yet to be invented. Think of it in terms of ‘small desktop device’ rather than ‘pocket-friendly go-anywhere player’ and you won’t be far wrong.

Mind you, FiiO has gone to considerable lengths to make sure the look and feel also says ‘premium’ as much as it says ‘chunky’. The industrial design is interesting – angular and pointy but not threateningly so – and the choice of metals for the chassis (titanium or aluminium alloy) is a nice touch too. The front of the M27 is basically all Gorilla Glass-covered 6in 1080p touchscreen display, and the rear panel is a marble-effect slice of glass fibre. FiiO supplies a snug-fitting real leather case to help keep your M27 in tip-top condition. No mention is made of a vegetarian option.

Build quality is unarguable – the FiiO feels solid and made to last. The asking price insists on a certain standard of finish, of course, and it’s a standard the M27 comfortably surpasses.

Design score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Usability and setup

  • Android 13 OS
  • Six functionality modes
  • Fan-assisted charging stand

Accessing the full and exhaustive list of functions and options available to the M27 user can be done via the touchscreen. The FiiO is running an almost complete version of Android 13 as on operating system, and it’s just as swift and responsive to use as the prodigious processing power promises.

There are also a selection of physical controls, though, along with a comprehensive suite of inputs and outputs. On the upper edge of the chassis there’s a big turn/press dial dealing with power on/off and volume control. There are three analogue outputs/headphone sockets up here, too: 3.5mm and 6.3mm balanced connections with a 4.4mm balanced alternative inbetween. On the bottom there’s space for a full-size Toslink digital optical output, a coaxial on an RCA socket (it can function as either an in- or an output), two microSD card slots (each of which can accept cards of up to 2TB capacity), a ’hold’ switch to disable all physical and touch-controls, a switch to turn ‘desktop mode’ on or off, and three USB-C slots. One is for either charging the battery, or powering the M27 from the mains. One is for charging and also for data transfer. The third, which is designated ‘USB HOST’, allows connection to an external DAC if you wish to use your player as a digital transport.

‘Desktop mode’, by the way, bypasses the battery entirely when the M27 is connected to mains power, which obviously has benefits for the life of the battery. The other functionality modes are ‘Android’ (which allows access to third-party streaming apps), ‘Pure Music’ (only the FiiO Music app is available), ‘USB DAC’ (so the player can act as a soundcard for external devices), ‘AirPlay’ (no explanation necessary) ,‘Bluetooth Receiving’ (which turns the M27 into a Bluetooth amplifier), and ‘Coaxial Decoding’ (which allows digital information incoming via the coaxial socket to access the FiiO’s D-to-A circuitry). Something for everyone, I think we can agree.

On the left side of the player you’ll find a few physical control buttons: skip forwards, skip backwards, play/pause and a user-definable ‘multifunction’ control. On the right there’s a fairly large patch behind which the FiiO stores its wireless antennae. And on both sides there’s an area for some completely gratuitous lighting effects.

The M27 is supplied with a neat desktop charging stand with its own line-up of USB-C connections as well as an integrated fan to keep the M27 cool. The protective leather case features a stainless steel hollow-cut panel on its rear, backed by a gel pack, in a further effort to make sure the player runs cool.

Usability and setup score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Value

Fundamentally, the M27 doesn’t do anything that a less affordable digital audio player (not least from the FiiO catalogue) can’t do. But that’s slightly besides the point: the M27 is not only a fine-sounding player with a stack of wider functionality where desktop and full-system use are concerned, but it’s a quite luxurious accessory in the manner of some nice jewellery or a handmade pair of shoes.

If you’re a hard-nosed, clear-eyed consumer than you’ll struggle to make a case for the M27 – but if you value the intangibles as much as, well, the tangibles, there’s an awful lot to like (and to covet, quite frankly) about this FiiO machine.

Value score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

Should I buy the FiiO M27?

Buy it if... 

You’re after an uncompromised hi-res audio experience
The M27 can handle dizzily high resolutions and deliver them either digitally or via a selection of analogue outputs

You own a lot of digital audio content
The ability to up the storage here by as much as 4TB means you should never find yourself short of memory

You like nice things
It’s hard to quantify ‘pride of ownership’ but you know it when you feel it

Don't buy it if... 

You think ‘value for money’ is a live consideration
FiiO itself can offer a huge proportion of the M27’s talents from devices costing considerably less than this

You have a strong idea of what ‘portable’ means
Yes, you can carry the M27 from one place to another easily enough - but don’t imagine it’s going to slip into the back pocket of your jeans

You’re vegetarian
There’s no alternative to the real leather case FiiO supplies – the M27 arrives with it pre-fitted, just to really drive home the point…View Deal

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Also consider

Astell & Kern A&ultima SP3000T
You’ve come this far, so you may as well go the whole hog; I reviewed the Astell & Kern A&ultima SP3000 for the website a couple of years ago, and it remains an extraordinarily capable device that’s a match for the FiiO M27 in every way. Well, in every way in sonic terms, anyway – FiiO has, not for the first time, managed to undercut its most obvious rival where price is concerned, and as a result your choice of ‘extraordinary digital audio player’ is not as cut-and-dried as it once was.
See my Astell & Kern A&ultima SP3000T review

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

How I tested the FiiO M27

I downloaded Qobuz and Tidal streaming service apps from the Google Play store, and slotted a 512GB SanDisk microSD card (filled with hi-res audio content) into one of the two microSD card slots.

I connected the player to wired and wireless headphones of appropriate quality (the Sennheiser IE900 on a 4.4mm balanced connection proved particularly sympathetic), and I also used it as a desktop DAC. And then I listened to lots of different types of music, stored in many different formats and at a variety of resolutions.

  • First reviewed in January 2026
FiiO’s new elite hi-res audio player will delight you, provided you serve it only the best –but disappoint it at your peril
2:30 pm |

Author: admin | Category: Audio Computers Gadgets Portable Media Players | Tags: | Comments: Off

FiiO M27: Two-minute review

If there’s a stone FiiO has left unturned in the way it’s specified and built the M27 digital audio player, it’s invisible.

This is a portable(ish) music player for which the word ‘uncompromised’ is almost an understatement. Specification is thorough to the point of exhaustion. Twin ESS Sabre DACS with 32bit/768kHz and DSD512 compatibility, aptX Lossless and LDAC for Bluetooth, balanced and unbalanced analogue outputs, a super-slick Android 13 operating experience, a whole host of modes that allow the M27 to work as a USB DAC, a digital transport, a desktop system host and more besides… the list goes on.

So if you want a player (a big and heavy player, let’s be honest) with enough power to drive even the trickiest of headphones, with battery life that’s approaching ‘epic’, and that arrives with its own little desktop charging stand with integrated cooling fan, you’ve come to the right place.

All of this would count for very little, though, if the FiiO M27 didn’t have it where it really counts. Happily, this is a great-sounding machine – or, at least, it is if you treat it respectfully. Hi-res stuff enjoys amazing detail resolution, expansive soundstaging, sky-high dynamic response and the sort of singularity of presentation that makes every listen an event. Lower-resolution stuff, though, is basically exposed to ridicule. So don’t imagine the M27 is about to flatter your choices if your choices are incorrect…

Among the best MP3 players on the market then? Oh, without a doubt.

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Price and release date

  • Released November 2025
  • Priced $1,799 / £1,499 / AU$2,699

The FiiO M27 launched in the middle of November 2025, and in the United Kingdom it’s priced at £1,499. In the United States it sells for $1,799, while in Australia you’re looking at AU$2,699.

And just because it’s possible to pay plenty more than this for a premium digital audio player, that doesn’t mean the M27 hangs out anywhere near the ‘affordable’ category…

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Features

  • Twin ESS Sabre ES9039S PRO DAC chipsets
  • Bluetooth 5.4 with aptX Lossless, Bluetooth LE Audio and Auracast support
  • 9200mAh battery

FiiO never knowingly underspecifies its products – so when it’s going all-out to create a class-leading, market-defining digital audio player, it follows that the feature-count here is significant.

For the M27, FiiO has leaned heavily on Qualcomm’s expertise. The machine features the company’s QCS6490 chipset with Snapdragon 770G architecture. Along with eight (count ‘em!) Kryo 670 cores and an Adrena 642L GPU, this arrangement promises lightning-fast response times, effortless multitasking and a solid foundation for streaming and playback no matter the size or type of the digital audio file the player is dealing with.

Qualcomm’s QCC5181 chipset makes an appearance too. It facilitates Bluetooth 5.4 wireless connectivity when the M27 is acting as a receiver, and allows for aptX Lossless and LDAC codec compatibility as well as Auracast and Bluetooth LE Audio. The FiiO will also function as a Bluetooth transmitter – in this direction it’s running Bluetooth 5.2 with support for aptX Adaptive and LDAC.

There’s more. Qualcomm’s Dragonwing AI platform, allows the M27 to offer a 31-band PEQ at resolutions up to 32bit/384kHz (among other things), global ‘All to DSD’ functionality for bitrates from DSD64 to DSD256, and fully controllable end-to-end audio processing.

The crucial business of digital-to-analogue conversion is taken care of by a couple of ESS Sabre ES9039 PRO chipsets that are good to go with resolutions of up to 32bit/768kHz PCM and DSD512. They’re supported by sixth (and latest) generation of FiiO’s ‘Digital Audio Purification System’, which deploys a new FPGA and dual RIVER femtosecond crystal oscillators in a drive for vanishingly low jitter and optimal timing accuracy.

The M27 features a replaceable 9200mAh battery, which is a) good news where product longevity is concerned, and b) a massive amount of power. It translates to eight hours of playback via a balanced output or a touch over nine from an unbalanced alternative – and it also allows for power outputs big enough to drive even the most truculent headphones. And on the subject of big power outputs, if you connect the M27 to mains power via a fast charger and select ‘Ultra High Gain’ mode, a giddy 10,000mW of power is available.

Naturally the list goes on (and on). The M27 features a six-stage fully differential audio circuit – it doubles up on the high-quality components like signal relays, volume control chips and TI op-amps in order to independently process each channel of audio information, and then drives them via discrete power supplies. It has a high-current, low-loss, MOSFET-managed power path with big energy storage capacitors; it has copper heatsinks; it has a graphite vapour chamber and graphene thermal conduction pads integrated into the chassis to enable effective cooling.

And it has more besides. But for the sake of brevity, it’s probably enough to know that FiiO has left nothing – by which I mean nothing – to chance where the specification of the M27 is concerned.

Features score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Sound quality

  • Remarkably complete and articulate rendition of hi-res audio files
  • Deeply impressive powers of resolution and organisation
  • Almost comically intolerant of lower resolution stuff

I’m guessing that anyone who’s thinking of dropping this sort of money on a digital audio player is well served for properly high-resolution digital audio content. I certainly hope so – because while the way the M27 handles hi-res stuff is thoroughly enjoyable and deeply impressive, it’s got next-to-no time for stuff that dips below the magic 16bit/44.1kHz point.

So while a 24bit/192kHz file of David Bowie’s Low (which has somehow just had its 50th birthday) is delivered in the most eloquent, revealing and utterly engaging manner, the same content streamed as a 320kbps file via Spotify sounds almost as if the M27 is taking it personally.

Big files are lavishly detailed, arranged on a large and convincingly defined soundstage, and are laid out with considerable ‘left/right’ distance available and quite a lot of ‘front/back’ too. The spaces between elements of the recording are carefully observed, and even if the music involves few participants on this very big stage there’s a tangible sense of ‘togetherness’ about the way the FiiO presents it. The unity of its delivery makes for a confident and believable overall performance.

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

It’s possible to fiddle with the sonic characteristics of the M27 quite extensively, of course - but leave well enough alone and the player has a neutral, uncoloured tonality that makes for a naturalistic presentation. The attention to detail it exhibits means texture and timbre of instruments and of voices are made apparent, and the low-level dynamic variations or harmonic under- and overtones are made apparent every time.

Frequency response, too, is convincing – from the deep, hard-hitting and endless varied bottom end to the bright, attacking top, the FiiO gives every area fair weighting and representation. And in the midrange, it communicates in the most direct and unequivocal manner – if there’s even a transient, minor detail concerning tone, technique, attitude or character in a voice, you can be sure the M27 is handing it over.

Those low frequencies are beautifully shaped and their attack and decay is observed in the hawk-like manner. As a result, rhythmic expression is almost casually correct and momentum levels are always appropriate to the material. Add in apparently limitless dynamic headroom and the full account of big shifts in volume or intensity that results, and the M27 goes quite a distance towards the accolade of ‘best pound-for-pound digital audio player on the market’ it craves.

Lower the tone, though, and cue up some lower-resolution content and the FiiO can’t really disguise its disdain. It’s a bit like watching Lewis Hamilton drive a bog-standard hatchback around a racing track: he’ll wring the maximum out of it, but at the same time he’s got one hand on the wheel, he’s checking his look in the rear-view mirror… it’s too easy.

Give the M27 a stream from Spotify’s free tier and it quite ruthlessly exposes the compression and its knock-on effects where dynamics, detail levels, harmonic accuracy and all the rest of it are concerned. You might be thinking 'Well, it would, no?' but honestly some players try to make the best of this sort of content. The FiiO M27 is simply not one of those players.

Sound quality score: 4.5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Design

  • Titanium or aluminium alloy chassis
  • 157 x 85 x 28mm (HxWxD)
  • 6in 1080p touchscreen

Until you see and hold it, the fact the M27 measures 157 x 85 x 28mm (HxWxD) and weighs somewhere between 550g and 630g (depending on your choice of chassis material – aluminium alloy or titanium are available) might seem a little abstract.

And then you see it and hold it, and you realise the FiiO is not ‘portable’ in the way lots of less expensive digital audio players are ‘portable’. This is a hefty unit, and the shirt pocket that’s strong enough to accommodate it has yet to be invented. Think of it in terms of ‘small desktop device’ rather than ‘pocket-friendly go-anywhere player’ and you won’t be far wrong.

Mind you, FiiO has gone to considerable lengths to make sure the look and feel also says ‘premium’ as much as it says ‘chunky’. The industrial design is interesting – angular and pointy but not threateningly so – and the choice of metals for the chassis (titanium or aluminium alloy) is a nice touch too. The front of the M27 is basically all Gorilla Glass-covered 6in 1080p touchscreen display, and the rear panel is a marble-effect slice of glass fibre. FiiO supplies a snug-fitting real leather case to help keep your M27 in tip-top condition. No mention is made of a vegetarian option.

Build quality is unarguable – the FiiO feels solid and made to last. The asking price insists on a certain standard of finish, of course, and it’s a standard the M27 comfortably surpasses.

Design score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Usability and setup

  • Android 13 OS
  • Six functionality modes
  • Fan-assisted charging stand

Accessing the full and exhaustive list of functions and options available to the M27 user can be done via the touchscreen. The FiiO is running an almost complete version of Android 13 as on operating system, and it’s just as swift and responsive to use as the prodigious processing power promises.

There are also a selection of physical controls, though, along with a comprehensive suite of inputs and outputs. On the upper edge of the chassis there’s a big turn/press dial dealing with power on/off and volume control. There are three analogue outputs/headphone sockets up here, too: 3.5mm and 6.3mm balanced connections with a 4.4mm balanced alternative inbetween. On the bottom there’s space for a full-size Toslink digital optical output, a coaxial on an RCA socket (it can function as either an in- or an output), two microSD card slots (each of which can accept cards of up to 2TB capacity), a ’hold’ switch to disable all physical and touch-controls, a switch to turn ‘desktop mode’ on or off, and three USB-C slots. One is for either charging the battery, or powering the M27 from the mains. One is for charging and also for data transfer. The third, which is designated ‘USB HOST’, allows connection to an external DAC if you wish to use your player as a digital transport.

‘Desktop mode’, by the way, bypasses the battery entirely when the M27 is connected to mains power, which obviously has benefits for the life of the battery. The other functionality modes are ‘Android’ (which allows access to third-party streaming apps), ‘Pure Music’ (only the FiiO Music app is available), ‘USB DAC’ (so the player can act as a soundcard for external devices), ‘AirPlay’ (no explanation necessary) ,‘Bluetooth Receiving’ (which turns the M27 into a Bluetooth amplifier), and ‘Coaxial Decoding’ (which allows digital information incoming via the coaxial socket to access the FiiO’s D-to-A circuitry). Something for everyone, I think we can agree.

On the left side of the player you’ll find a few physical control buttons: skip forwards, skip backwards, play/pause and a user-definable ‘multifunction’ control. On the right there’s a fairly large patch behind which the FiiO stores its wireless antennae. And on both sides there’s an area for some completely gratuitous lighting effects.

The M27 is supplied with a neat desktop charging stand with its own line-up of USB-C connections as well as an integrated fan to keep the M27 cool. The protective leather case features a stainless steel hollow-cut panel on its rear, backed by a gel pack, in a further effort to make sure the player runs cool.

Usability and setup score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Value

Fundamentally, the M27 doesn’t do anything that a less affordable digital audio player (not least from the FiiO catalogue) can’t do. But that’s slightly besides the point: the M27 is not only a fine-sounding player with a stack of wider functionality where desktop and full-system use are concerned, but it’s a quite luxurious accessory in the manner of some nice jewellery or a handmade pair of shoes.

If you’re a hard-nosed, clear-eyed consumer than you’ll struggle to make a case for the M27 – but if you value the intangibles as much as, well, the tangibles, there’s an awful lot to like (and to covet, quite frankly) about this FiiO machine.

Value score: 5 / 5

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

Should I buy the FiiO M27?

Buy it if... 

You’re after an uncompromised hi-res audio experience
The M27 can handle dizzily high resolutions and deliver them either digitally or via a selection of analogue outputs

You own a lot of digital audio content
The ability to up the storage here by as much as 4TB means you should never find yourself short of memory

You like nice things
It’s hard to quantify ‘pride of ownership’ but you know it when you feel it

Don't buy it if... 

You think ‘value for money’ is a live consideration
FiiO itself can offer a huge proportion of the M27’s talents from devices costing considerably less than this

You have a strong idea of what ‘portable’ means
Yes, you can carry the M27 from one place to another easily enough - but don’t imagine it’s going to slip into the back pocket of your jeans

You’re vegetarian
There’s no alternative to the real leather case FiiO supplies – the M27 arrives with it pre-fitted, just to really drive home the point…View Deal

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

FiiO M27 review: Also consider

Astell & Kern A&ultima SP3000T
You’ve come this far, so you may as well go the whole hog; I reviewed the Astell & Kern A&ultima SP3000 for the website a couple of years ago, and it remains an extraordinarily capable device that’s a match for the FiiO M27 in every way. Well, in every way in sonic terms, anyway – FiiO has, not for the first time, managed to undercut its most obvious rival where price is concerned, and as a result your choice of ‘extraordinary digital audio player’ is not as cut-and-dried as it once was.
See my Astell & Kern A&ultima SP3000T review

The FiiO M27 player with screen and dial showing, and content on the screen, on beige or yellow background

(Image credit: Simon Lucas / Future)

How I tested the FiiO M27

I downloaded Qobuz and Tidal streaming service apps from the Google Play store, and slotted a 512GB SanDisk microSD card (filled with hi-res audio content) into one of the two microSD card slots.

I connected the player to wired and wireless headphones of appropriate quality (the Sennheiser IE900 on a 4.4mm balanced connection proved particularly sympathetic), and I also used it as a desktop DAC. And then I listened to lots of different types of music, stored in many different formats and at a variety of resolutions.

  • First reviewed in January 2026
I tested the KYY X90E laptop screen extender – a heavyweight dual-screen portable monitor with a lightweight price-tag
10:15 am |

Author: admin | Category: Computers Gadgets Pro | Comments: Off

KYY X90E Portable Monitor: 30-second review

KYY is a Chinese hardware maker specialising in portable displays, and the X90E is one of its latest releases.

Described by the makers as a ‘triple laptop screen extender’, more accurately, this is two monitors in a single package, designed to provide three times the normal screen space when used in conjunction with the monitor that the laptop already has.

Its hinged structure places a 15.6-inch 1080p display to the left and the right of the laptop, and connects via a single USB cable.

It can be configured to mirror the contents, so others can see your laptop display from different viewpoints, or provide an extended desktop.

Power can be sourced directly from the laptop, or for extended use, a small USB-C power supply is included.

The obvious limitation of this platform is that it assumes the laptop has USB-C with an ALT-DP capability or Thunderbolt 3 or 4. And, according to KYY, its designed exclusively for Windows PCs, and doesn’t work with Apple MacBook hardware.

At a little over $300 from the makers, and weighing 2.2kg, any purchaser needs to be convinced that the price and the additional carry are worth it for their productivity.

Despite a few limitations at this price point, it’s an obvious candidate for one of the best portable monitors on a budget that we’ve reviewed.

KYY X90E Portable Monitor: Price and availability

KYY X90E Portable Monitor

(Image credit: Mark Pickavance)
  • How much does it cost? $240/£230
  • When is it out? It available now
  • Where can you get it? Direct from KYY or via online retailers like Amazon

As with previous KYY products, buying directly from the maker isn’t the cheapest way to get the K3 portable monitor. It's selling for $309.99 direct from KYY.

On Amazon.com, it can be found for a standard price of $239.99 - a 20% discount on its official $299.99 list price.

However, on Amazon.co.uk, the same hardware is £229.99, making it slightly more costly to those in the UK. KYY doesn’t sell on the French or German versions of Amazon, but it should be possible to find it in Europe from another online reseller.

Those looking for this hardware should be aware that KYY also makes the X90A and X90D models with different specifications, so make sure you have the X90E variant before clicking the 'buy' button.

Moving away from the KYY brand, there is a collection of remarkably similar products from other Chinese display makers, and some are more expensive, and others slightly cheaper.

Those willing to use 14-inch displays instead of the 15.6-inch displays the X90E offers can be under $200, and ones with three extra displays (making four in total) can be nearer $450.

At the Amazon.com price, this is not a major investment, even if it’s only used sparingly, placing the KYY X90E in the affordable category.

  • Value: 4 / 5

KYY X90E Portable Monitor: Specs

Model:

X90E

Screen Size:

2x 15.6-inch corner to corner

Resolution:

1920 x 1080

Compatibility:

TB4, TB3, USB 4.0, USB-C

Number of Ports:

2

Ports:

2x USB-C (data and power)

Quoted colour spec:

85% NTSC

Quoted contrast:

1200:1

Panel depth:

6 (Hi FRC)

Display Technology:

IPS

Brightness:

300 nits

Size:

388 x 227 x 30mm

Weight:

‎2200g

Accessories included

1x USB-C to USB-A Cable, 1x USB-C to USB-C Cable, 5V 3A 15W Power Adapter

Touch capable

No

Maximum refresh

60Hz

KYY X90E Portable Monitor: Design

KYY X90E Portable Monitor

(Image credit: Mark Pickavance)
  • Structural integrity
  • Various display arrangements
  • Single cable connectivity

Out of the box, my first impressions of the X90E were positive. It’s constructed like Soviet-era infrastructure, with a metal skin on all non-display surfaces and two remarkably robust hinges linking the two monitors to a central support plate and foot.

The only downside of the rugged construction is that at 2.2kg, this isn’t a minor item to include in a laptop bag, and you will need one made for a 17-inch laptop to fit it.

When it’s unfolded, the width of the whole unit is a whopping 115cm, although you can make it slightly narrower by adjusting the hinges.

The standard orientation is to place the laptop in the middle and have an extra display on either side, but there are various other options, including rotating them back to provide left and right presentation screens, and also folding one screen away.

You can also use that one screen mode in portrait mode, if you like to mix your orientations.

One curiosity about this solution is that instead of there being one OSD and menu controls, each monitor has its own. I can’t seriously think of a scenario where you would configure one screen to have different brightness, contrast or colour temperature than the other, but this system has that capability.

On the subject of OSD menus, these ones don’t have a large amount of features, and the way they are navigated with buttons is painful. What I fail to understand is that these menus look unchanged from the first ones that appeared on tube monitors twenty-five years ago, same horrible fonts, same insipid colours. The maker's logic appears to be that people will only use it once, so there is little point in making it any better.

In this instance, a menu option to ‘copy to other screen’ might have been a smart choice, but clearly, the menu is something that comes with the display panels, and they’re gloriously unaware of each other.

KYY X90E Portable Monitor

(Image credit: Mark Pickavance)

A feature that I liked much more was that both these displays can be connected using a single USB-C cable to the laptop. That one cable supports ALT-DP to send data to both screens, and also power. The downside of having the one-cable solution is that the screen on a laptop is one of the biggest power consumers, and having three could whittle the battery capacity down rather rapidly.

If you have multiple USB-C ports, you could power the laptop, which might have enough power to drive the external monitors and recharge the battery, or you can use the included 15W PSU to power the monitors directly.

There are only two USB-C inputs on the X90E, one is for connecting and the other is for power, so it’s not possible to give one screen each to two laptops, sadly.

It’s also not on the menu for any laptop that hasn’t got USB-C (or Thunderbolt) or USB-C that supports video output, because there is no HDMI input. While this solution using USB-C is plug and play, requiring no drivers to function, to achieve those standards its exclusively for Windows PCs (7,8.1,10 and 11), and won’t work with Apple MacBook systems.

Overall, the design of the X90E is focused on a specific customer profile who uses a modern Windows laptop with a display between 14-inch and 17-inch. And, while that might seem a little niche, from a percentage viewpoint, it’s a reasonable price for those who might want more screens added to their mobile systems.

  • Design: 3.5 / 5

KYY X90E Portable Monitor

(Image credit: Mark Pickavance)

KYY X90E Portable Monitor: Performance

  • Better than 300 nits
  • 82% sRGB

Colour Gamut

Percentage

sRGB

82%

AdobeRGB

64%

P3

63%

NTSC

61%

Rec2020

46%

Gamma

2.2

Brightness/Contrast

Maximum Brightness

312.7

Maximum Contrast

900:1

When comparing these displays, we need to be mindful that these are inexpensive IPS technology panels, and therefore, they can’t hold a candle to OLED or MicroLED technology in terms of contrast and colour representation.

That said, the panels on the X90E were significantly better than those on the KYY K3 I previously tested, suggesting that this maker has developed improved designs.

I’m going to assume that the makers quoted 85% NTSC colour gamut is a misunderstanding, because in my tests, that number was closer to 61%. I suspect it got mixed up with the sRGB, as that’s much closer to 85%.

I say that because while the contrast isn’t the 1200:1 that KYY predicts, the brightness of these panels is almost exactly what they claim.

What information isn’t presented here is the uniformity of luminosity, which isn’t wonderful. The rear illumination of this panel is in the middle, with each of the corners being around 15% less illuminated at 100% brightness.

One curiosity I noticed was that the default White Point on these displays is 7600, not the typical 6500. The OSD doesn’t offer specific temperatures, only ‘cool’, ‘warm’ and ‘user’ definable via R, G and B settings.

Looking at this panel overall, it has decent contrast, gamut and tone response, excellent colour accuracy and uniformity, but suffers from the aforementioned luminance uniformity.

Had the backlighting been more diffuse, this might have been a great result.

I’d summarise the X90E as better than anticipated, but hardly something that those working professionally with colour might gravitate to. But for office work and presentation, in an office with blinds, it's definitely a workable option.

KYY X90E Portable Monitor

(Image credit: Mark Pickavance)
  • Performance: 4 / 5

KYY X90E Portable Monitor: Final verdict

I recall being shocked by how usable the KYY K3 was, but the X90E is an even better solution and an implausibly low price. Yes, it’s on the heavy side, and it won’t work with anything other than a Windows laptop with USB-C or Thunderbolt, but it's hard to argue with its value proposition.

An HDMI input to allow another system to share the screens would have been a nice option, or to allow both the USB-C ports to act as inputs. But that these aren’t included, along with speakers at this price point, isn’t a huge surprise.

If you need to triple your screen space and don’t mind another 2.2kg of luggage, then the KYY X90E might be the right choice for you.

KYY X90E Portable Monitor

(Image credit: Mark Pickavance)

KYY X90E Portable Monitor: Report card

Value

Cheap from online retailers

4 / 5

Design

Hinges allow for numerous screen layouts

3.5 / 5

Performance

Other than brightness uniformity, these are decent monitors

4 / 5

Total

Excellent value for money if you don’t mind some connection limitations

4 / 5

Should you buy a KYY X90E Portable Monitor?

KYY X90E Portable Monitor

(Image credit: KYY)

Buy it if...

You need extra screens
Attach one cable and you have three screens not one, it's that simple, mostly. These 15.6-inch panels can be used in many ways and can be powered separately.

Don’t buy if...

You need color accuracy
This monitor has a limited colour gamut for a portable display, although the colours it does include are mostly represented well. If you are promoting a product where colour is essential, then this probably isn't the best choice.

You have a laptop without USB-C
This hardware doesn't need a driver to work, but it does require a Windows PC with a USB-C port or Thunderbolt that supports ALT-DP mode. Apple MacBook owners aren't included.

For more options, we've reviewed the best monitors for a dual-screen set-up.

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