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I became businessperson of the year in cutesy management sim Two Point Museum and delighted in its distinctly British humor
5:00 pm | February 25, 2025

Author: admin | Category: Computers Gadgets Gaming | Comments: Off

Two Point Studios have established a legacy of goofy simulators with their previous games, Two Point Hospital (the spiritual successor to 1997’s Theme Hospital) and Two Point Campus, asking players to succeed in institutional entrepreneurship through their set of distinctly silly business-building systems.

Now, the studio is solidifying its position with a third installment, Two Point Museum, which tasks you with fixing up a, you guessed it, failing museum after its previous owner suspiciously dipped out. Capitalizing on the series’ goofy sense of humor and forgiving gameplay, Two Point Museum isn’t hell-bent on reinventing the studio's tried and tested formula. Still, despite this overly familiar setup, Two Point has delivered a beginner-friendly management sim PC game that I found surprisingly hard to put down.

Review info

Platform reviewed: PC
Available on:
PS5, Xbox Series X|S, PC
Release date:
February 27, 2025

In Two Point Museum, your time is spent balancing your income through ticket sales and donations, as well as compelling guests with rare exhibits and intriguing interactive equipment like dino playgrounds and sound booths. The people are fickle, though, and it’s not enough just to have a caveman trapped in ice or a stegosaurus tail slide. You’ll also need to dress up that caveman with thematic decor, as well as send your hardworking explorers out to find more icemen in the wild, too.

To do this, you’ll participate in a mixture of active and idle gameplay, setting up Expeditions — which play like a passive resource-collecting minigame — and maintaining your customer’s happiness by building up local amenities and cleaning the museum clean.

Your staff are the hardworking backbone of your success, with essential work split between Experts, Janitors, Assistants, and Security Guards. If you can manage and train them well, the outer wilds of the game’s map become your playground, with your team able to steal enough artifacts to make your museum the greatest tourist destination in the world. The Natural History Museum might have whale bones, but it doesn't have a plant that births a clown every few minutes, does it?

A screenshot from Two Point Museum showing dinosaur bones exhibits

(Image credit: Two Point Studios/SEGA)

You are not serious people

Early in the campaign, your primary consideration is whether to send your staff on expeditions or leave them back to work, though admittedly, this isn’t a particularly challenging choice. Both exploits earn them experience to level up and learn new skills that make them more efficient, and you can comfortably stretch to afford multiples of each staffing type from the early game. This is until you start to explore further afield, and the expeditions become more dangerous.

At first, the trips you’re making look straightforward, and you can choose your staff based on who will be missing from work rather than who is the least likely to die. That doesn’t last long, though, as certain areas on the map will eventually prop up complex Event Cards that dictate riskier barriers to success. Here, the goal becomes matching your worker and their skill to the event to nullify the issue or pay the price.

On one occasion, my under-prepared archaeology expert got IBS on a job and couldn’t work, so I had to ship him off to the hospital for a hefty cost. A few trips later, my favorite janitor went MIA, and I had to train another staff member to replace him, leaving me unable to run the missions until everyone was up to speed.

Unpredictable events also attempt to sully your best efforts and pop up mid-mission, asking you to make decisions about the expedition, with the wrong decision resulting in illness or worse. Where previously I had been haphazardly shipping off anyone to earn precious loot, I quickly began playing favorite, taking the time to neutralize threats. This consideration added a much-needed layer of strategy that did well to keep me focused and drew my attention towards staff management as an essential metric rather than an afterthought.

Best bit

There’s something so funny about sardonic British tannoy playing overhead in your local shop, a humour Two Point Studios clearly understands with Two Point Museum. As you potter along, designing exhibits and sending your employees on perilous expeditions, an occasional voice will sound off, delivering informational addresses loaded with contempt. While there were far too many good ones to choose from, my favorite arrived as I set up my first tour, with the voice overhead announcing: "Childish behavior will be met with childish retribution."

Outside of Expeditions, special events occur randomly, drawing your attention back to the Museum. For example, health inspections and unique visitors require the space to be in top shape when they arrive, with cleanliness and exhibit quality adding to the overall experience. While these metrics aren’t hard to hit, having a few more considerations to juggle on my way to total success was nice.

Two Point Studios’ wacky British humor is visible in almost every aspect of Two Point Museum. Throughout the campaign, I was delighted whenever a text window would pop up or a tannoy would play overhead, giving me another chance to giggle at the goofy writing. This style applies to the non-verbal aspects of the game, with the NPCs acting out and interacting with my historical pieces in unlikely ways.

As my exhibitor numbers skyrocketed, the space became more like a Where’s Wally book of cartoonish weirdos, and all it took was me to zoom in randomly and watch someone pop out of a carnivorous plant or lick an ancient amber pod. These irreverent moments of stupidity not only made me giggle but did well to break up the repetitive nature of Two Point Museums' more tedious management activities.

A screenshot from Two Point Museum showing dinosaur bones exhibits

(Image credit: Two Point Studios/SEGA)

Life finds a way

Designing rooms and exhibits is where Two Point Museum really shines, and I thoroughly enjoyed placing tropical shrubbery and plotting dinosaur feet decals as if guiding guests through a Universal theme park ride. Visitors are most attracted to exhibits with ‘Buzz’, a metric related to how new the piece is and how well it’s dressed. Certain exhibits require specific decor to earn Buzz boosts, offering light touch guidance to your interior design exploits.

Your exhibits must also have educational prowess, with some patrons preferring edutainment over pure pizazz. Much like the rest of Two Point Museum’s forgiving gameplay, balancing these metrics isn’t overly complicated. Thankfully, the UI sorts the specific set dressing by room, so you don’t need to trawl through random menus to find your missing piece.

If dinosaurs aren’t your thing, Two Point Museum also offers alternative Museum genres, each with its own unique goal. The ghost-infested Wailon Lodge encourages you to explore a rift between worlds and house found poltergeists in unique homes that match their time period. Alternatively, Passwater Cove asks you to dive for all manner of fish and build lavish coastal aquariums to house them in. The alternate areas aren’t just extensions of the base and offer unique decor and mechanics that flesh out Two Point Museum’s foundational gameplay nicely.

A screenshot from Two Point Museum showing the game's UI

(Image credit: Two Point Studios/SEGA)

Unfortunately, as much as I adored going big on design, a densely packed space was more profitable for success in nearly every scenario. While I did find time to flex my creative muscles through frosty flooring and flora-forward props, the urge to min-max my staff routes often fell higher on my to-do list than style alone. The call towards efficiency isn’t helped by the game’s ‘Kudosh’ currency, which allows you to unlock additional cosmetics by hitting specific achievements. When my bags of income arrived without much extra work, Kudosh enabled a more instrumental style play, occasionally creating a strange bottleneck for my design goals.

Thankfully, Two Point Museum’s Sandbox mode is the salve to many of these issues. Split into three sections (Creative, Career, and Hardcore), this mode opens doors to those who want to build bespoke structures, like myself, or those, ahem, masochists who are looking for a much more complex and punishing management experience.

Despite the pressure to deliver financial success and the plethora of passive systems to consider, my time with Two Point Museum was surprisingly worry-free. As I consistently dipped into the financial red and sent my overpaid workers on expeditions, I never found myself on the verge of bankruptcy or failure - a far cry from the heightened emotional investment of Frostpunk 2. Still, I felt compelled to return to my museum even without impending doom on my coattails coaxing me on, which speaks to the game’s idiosyncratic charm and accessability.

A screenshot from Two Point Museum showing a packed exhibit

(Image credit: Two Point Studios/SEGA)

Should you play Two Point Museum?

Play it if...

You like a management sim with a heavy dose of comedy
Two Point Museum might be a management simulator, but it doesn’t hold back on the jokes. Whether you’re watching your expert puke onto the floor or watching a visitor faceplant on a fossil.

You want to play something casual
Despite the management simulator tag, Two Point Museum is reasonably forgiving, so you can pick up and play without making any plans.

Don't play it if...

You want a super complex management simulator
While Two Point delivers a moreish hand approachable simulator, those looking for something more challenging like Satisfactory or Factorio might not be satisfied with its more forgiving array of systems.

Accessibility

In Two Point Museum, you can access the settings submenu from the Pause menu at any time in the game. From the main Game subhead, you can toggle on and off camera shake, flash effects, and character limit. You can also choose your Game Autosave frequency (Ingame - Every Month, Every Three Months, Every Six Months) and your Career Auto Save Frequency (Every Change, Most Changes). From here, you can also toggle on Subtitles and a Player Idle Message, as well as toggle UI Scale (Small, Medium) and Status Icon Filter (All Icons, Reduced Icons, Minimal Icons, Vital Icons).

Where sound is concerned, you can tweak individual streams, such as Tannoy, SFX, and UI, using a slider from the Audio submenu Settings menu. In the Controls Menu, you have the option to toggle on/off Inverted Vertical and Horizontal Camera Rotation, as well as Camera Edge Scrolling, Controller Input, and vibration. From here, you can also use a slider to dictate camera sensitivities for panning, pitch, zoom, and rotation. You can also rebind keys to suit your set-up.

A screenshot from Two Point Museum showing a packed floral exhibit

(Image credit: Two Point Studios/SEGA)

How I reviewed Two Point Museum

We played Two Point Museum’s campaign and sandbox mode on the base model Steam Deck and gaming PC for around 20 hours. I used an AOC 27-inch QHD VA 144Hz gaming monitor for my PC, a Logitech MX Master 3S mouse, and a Logitech G915 TKL keyboard. I used my external Creative Pebble V2 computer speakers and Audio Technica ATH-MX50X headphones plugged into a Scarlett 2i2 interface for sound. My GPU is an RTX 3080, and my CPU is an AMD Ryzen 9 3950X.

I’ve tested the Panasonic Lumix S1R II, and it beats its bulky predecessor in almost every respect
5:00 pm |

Author: admin | Category: Cameras Computers Gadgets Mirrorless Cameras | Tags: | Comments: Off

Panasonic Lumix S1R II: two-minute review

The Panasonic Lumix S1R II is the new flagship model for Panasonic’s Lumix S series of full-frame mirrorless cameras, replacing the original, 2019-released S1R.

Built first and foremost for capturing massive amounts of detail (the ‘R’ in its name presumably referring to ‘resolution’), the S1R II features a new full-frame 44.3MP CMOS sensor and can record 8K video at up to 30fps, not to mention 4K video at 120fps – a significant video resolution and frame rate improvement over its predecessor.

Panasonic trumpets meaningful advances in other areas too, most notably autofocus, continuous shooting speed and image stabilization, all while reducing the overall size and weight of the camera body in comparison to the Lumix S1R.

Having used the Lumix S1R II for over a week in a wide variety of photo and video shooting scenarios, I’m mightily impressed by what Panasonic has achieved here. The S1R II is surprisingly compact and lightweight for a full-frame flagship camera, immediately solving one of the S1R's biggest flaws.

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Panasonic Lumix S1R II on harbor wall

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II

(Image credit: Future | Sam Kieldsen)

The S1R II isn't perfect. Its battery life isn't the most impressive, and some of its more demanding hi-res video modes can cause the body to gradually overheat and require a shutdown and cooling-off period. It also requires that you own a pricy CFexpress Type B card to use some of its features.

None of these issues is a deal-breaker for me, though, especially when taking the camera's capabilities and strengths into account. There's the portability, which I've mentioned, but also much-improved autofocus talents in comparison to the S1R, thanks to the implementation of a fast, accurate phase hybrid system to replace the rather slow and spotty contrast detection system on the old camera.

Image stabilization is also more effective here, stills shooting speeds are higher (especially the new 40fps electronic shutter option) and there are far more resolution, bitrate and frame rate options for video shooters than on the S1R – including Apple ProRes HQ internal recording and the aforementioned 8K resolution.

The Panasonic Lumix S1R II feels like a big leap over its predecessor and just a brilliantly flexible all-rounder. Yes, it's expensive, but I can't think of many full-frame cameras I'd rather pick if I needed a device that can do it all.

Panasonic Lumix S1R II: price and release date

  • Lumix S1R II body only: $3,299 / £2,999 / AU$5,499
  • UK-only Lumix S1R II with 24-105mm lens bundle: £3,799
  • On sale March 2025

The Panasonic Lumix S1R II will be available from March 2025 priced at $3,299 / £2,999 / AU$5,499 body only. In the UK, it'll also be available in a kit with a 24-105mm f/4 standard zoom lens for £3,799. These prices aren't too different to what you'd have paid for the original Lumix S1R cost upon its launch in 2019, so it's hard to have too many complaints about the cost. Inflation hasn't had too much of an effect here.

Panasonic is also launching a battery grip accessory, the DMW-BG2, alongside the camera. This will be available from March 2025 also, priced at $349 / £299.

  • Price score: 4.5/5

specs

Panasonic Lumix S1R II: design and handling

  • Relatively compact and just 795g
  • Large, detailed OLED viewfinder
  • Front and rear tally lamps

The original Lumix S1R was a large, bulky camera, often annoying so – but I don’t feel the same way about the S1R II. It’s so much easier to live with, weighing only 795g including a battery and SD card. That’s over 200g lighter than the S1R, despite retaining its premium metal body and weather sealing.

Thanks to this lighter, more compact body, it feels much more like a camera you could take out with you on a daily basis, rather than one you’d reserve for special occasions. That does depend somewhat on the lens you choose, of course: the 16-35mm f/4 zoom Panasonic loaned to me for the purposes of review is a really chunky and weighty piece of glass, and makes the S1R II feel quite bulky, whereas the 85mm f/1.8 prime the company also lent me makes for a much more manageable, agile setup.

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Panasonic Lumix S1R II

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II battery charger

(Image credit: Future | Sam Kieldsen)

The S1R II’s classic DSLR-style shape is a joy to handle. There’s a large grip to wrap one’s right hand around, and with the camera’s relatively low weight this meant I could even use it one-handed at times. Build quality feels solid and premium, although I was a little disappointed to note that Panasonic has eschewed metal lug rings for attaching the neck strap. The fixed rings used here feel a little cheap for a flagship camera.

The camera’s physical controls are all nicely placed; my day-to-day camera is a Panasonic Lumix GH6 II, so the S1R II’s similar control setup felt immediately familiar. There’s a dial to flick quickly between photo, video and S&Q (slow and quick) shooting modes, front and top record buttons and more than enough dials to ensure any setting can be swiftly adjusted with a minimum of fuss. The original S1R's top plate LCD info panel has been removed here, which helps keep the size down in this its successor – but I concede some people might miss its ability to deliver a quick rundown of the current settings.

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Panasonic Lumix S1R II menu screens

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II menu screens

(Image credit: Future | Sam Kieldsen)

The on-screen UI, meanwhile, will be immediately familiar to anyone who has used a recent Lumix camera. The 3-inch screen itself is a pretty standard affair, able to tilt and swivel nicely in almost any direction, while the large, ultra-sharp OLED viewfinder is a highlight and a pleasure to hold your eye against.

Connectivity is solid. There’s a full-size HDMI plus USB-C, mic, headphone and wired remote sockets, now each with their own protective door. On the storage front, there’s a single SD card slot plus an additional slot for high-performance CFexpress Type B cards.

Finally, there are front and rear tally lamps to indicate when recording is active. That might seem like a basic feature and a must-have for a mirrorless camera with a big video focus, but so many cameras skimp on it that I’m pleased to see it here.

  • Design and handling score: 5/5

Panasonic Lumix S1R II: features and performance

  • Phase hybrid autofocus
  • Dual I.S. 2 image stabilization
  • 10fps / 40fps burst shooting

The S1R II comes with a number of performance improvements over its predecessor. First and possibly foremost is its phase hybrid autofocus system, which is faster, smoother and more accurate than the contrast-based system on the old model. It’s particularly great for video use, slickly keeping subjects in sharp focus without any of the hunting that was sometimes seen on older Lumix models. It can also identify and automatically track a variety of subjects, from humans to animals to motorcycles. I’ve tested it with humans and cats and it's never been less than effective and dependable.

The on-board image stabilization is Panasonic’s Dual I.S. 2 variety, combining sensor-shifting in-body and lens-based stabilization with user-configurable electronic stabilization tailored to specific shooting scenarios. Panasonic generally does stabilization particularly well and from my testing that seems to be the case here too, with vlogging and handheld video gaining an almost gimbal-like stability at the cost of a crop to the frame. Panasonic claims the system adds up to 8 stops of shutter speed compensation, as opposed to 5.5 stops on the original S1R. Numbers aside, I can say it's a very capable system that leaves the user more time to focus on the more important and enjoyable aspects of video or photo capture.

Shooting speed has likewise been given a boost. When using the mechanical shutter, it’s risen from 9fps to 10fps with AF-S and 6fps to 8fps with AF-C, while switching to electronic shutter now allows for 40fps bursts with AF-C. This speedy shooting works hand in glove with the new autofocus setup, allowing you to point and shoot at moving objects and rely on the camera to recognize, focus on and capture them in motion.

Panasonic Lumix S1R II

(Image credit: Future | Sam Kieldsen)

Bucking the trend for improvements, battery life is slightly worse than that of the S1R, but you can still expect around 350 images on a full charge – or over 1000 when using the Power Save LVF mode. From my own personal use, where I switched fairly often between photo and video capture, plus made frequent use of potentially power-sapping modes like high-speed stills shooting and high resolution, high frame rate video recording, I did notice the battery bars dropping pretty fast. I think it’s fair to say that power users may need to invest in a spare battery or two – although with in-camera charging and the ability to use the USB-C port as a power supply, there may be alternatives.

The S1R II appears to have some kind of active cooling system, with fan noise audible at times, but it will overheat when pushed to its performance limits during video capture. When left recording 8K footage at 30fps or 4K footage at 60fps, it overheated and shut itself down after about 20 minutes, requiring a few more minutes of downtime to cool off before it could begin again. Worth noting if you're somebody who needs to record long uninterrupted videos.

  • Features and performance score: 4/5

Panasonic Lumix S1R II: image and video quality

  • 44.3MP stills and 8K/30p video
  • 177MP high-resolution mode
  • 10-bit color depth and wide range of bitrates for various qualities / file sizes

The S1R II is the resolution king for Panasonic’s Lumix S range, and both photos and videos are extremely rich in detail and dynamic range.

Photos are captured at 44.3MP which, while marginally smaller than the 47.3MP images captured by the S1R, are more than sufficiently detailed for creating huge prints or heavy cropping. Pixel peepers have absolutely nothing to fear from the images here: I found them richly detailed even when zoomed right in, with smooth color gradation and superb dynamic range. I shot both in JPEG and RAW, processing the latter in Adobe Lightroom. The majority of the photos I've included in the gallery here were captured in RAW, but even JPEGs allow for a nice measure of post-production tweaking.

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Panasonic S1R II photo sample

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic S1R II photo sample

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic Lumix S1R II sample photograph

(Image credit: Future | Sam Kieldsen)
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Panasonic S1R II photo sample

(Image credit: Future | Sam Kieldsen)
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Panasonic S1R II photo sample

(Image credit: Future | Sam Kieldsen)
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Panasonic S1R II photo sample

(Image credit: Future | Sam Kieldsen)

As you'd expect from a modern day full-frame camera, the S1R II is quite capable in low light situations, if perhaps not among the best performers in its class in that regard. Fit a fast prime on here and you could certainly use it as a discreet camera for nighttime street photography or similar.

As with the Lumix S1R, there's also the option to shoot a burst of images that the camera then combines into a single super high-resolution shot, which is here around 177MP. This can be even be achieved handheld, thanks to clever algorithms stitching the image together, and I found the results to be quite impressive. There's a lot more detail present when you zoom right into the images, and only the odd strange artefact (I noticed a seagull appearing multiple times) to signal that this isn't derived from a single exposure.

On the video front, the camera can record 8K footage at up to 30fps, as well as a variety of ‘lesser’ resolutions at higher frame rates. It has an Open Gate recording option, which uses the entire surface of the sensor and results in up to 6.4K video now – and 8.1K or 7.2K options being promised via a future firmware update later in 2025.

It also offers an option to record video in Apple ProRes RAW and RAW HQ formats at up to 5.8K internally, provided you use a CFexpress Type B card. Panasonic claims videos can exhibit up to 14 stops of dynamic range too.

I was very impressed by the camera's video capabilities. Not only does it offer a wide range of options to suit creators of all stripes, but it performs in an unfussy and dependable manner. The above vlogging video was captured in Panasonic's flat V-log color profile and corrected and graded in post-production, but the process took very little time and effort on my part. The base video I was able to capture from the camera was a great place to work from, and left me very happy with the results in terms of color and contrast.

Factor in the S1R II's excellent stabilization and autofocus and it's a very, very strong package for video creators.

  • Image and video quality score: 5/5

Panasonic Lumix S1R II: testing scorecard

Should I buy the Panasonic Lumix S1R II?

Panasonic Lumix S1R II on harbor wall

(Image credit: Future | Sam Kieldsen)

Buy it if...

You want a user-friendly flagship
The compact size, low weight and much improved autofocus make this a truly user-focussed flagship. Despite its capabilities and features, it’s a fairly portable camera that handles a lot of the hard stuff for you.View Deal

You’re serious about hi-res video
Beyond the headline-grabbing 8K recording, there’s also a 6.4K Open Gate option and various other higher-than-4K video modes available. If detailed video is important to you, the S1R II delivers.View Deal

You want a do-it-all device
With excellent photo and video skills, it doesn’t feel like the S1R II focusses on one to the detriment of the other. It’s a genuine hybrid camera that can handle all sorts of situations.View Deal

Don't buy it if...

You’re looking for a simple mirrorless model
The S1R II is an advanced and expensive flagship camera, offering many features that casual users will never need or use. If you’re just starting out on your mirrorless camera journey, pick something simpler and cheaper.View Deal

You need epic battery life
While the S1R II’s battery life isn’t terrible by any means, it’s not the best among flagship mirrorless cameras – and 8K video capture drains it fast. You might need to buy additional batteries or a portable power bank if you’re planning on a long weekend of shooting.View Deal

You need unlimited video recording times
Longer video clips at higher resolutions and frame rates not only drain battery life fast but overheat the S1R II. If you need to record uninterrupted, this isn't the camera for you.View Deal

Panasonic Lumix S1R II: also consider

How I tested the Panasonic Lumix S1R II

Panasonic Lumix S1R II

(Image credit: Future | Sam Kieldsen)
  • Pre-production model with latest firmware
  • Paired with wireless mic gear
  • Vlogging and photography in a range of scenarios

Panasonic loaned me a pre-production model of the Lumix S1R II running the latest firmware (the firmware that will be on the retail units on launch day), plus two L-Mount lenses: a 16-35 f/4 zoom and an 85mm f/1.8 prime.

I've used the camera for vlogging, both testing its internal mics and pairing it with a DJI Mic 2 wireless mic kit. I've also taken lots of photos in different scenarios, including a sunset walk along the East Kent coast and a day trip to Canterbury.

First reviewed February 2025

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Xiaomi 15 Ultra officially showcased, camera specs also revealed
12:02 pm |

Author: admin | Category: Mobile phones news | Comments: Off

In just two days, the Xiaomi 15 Ultra will launch in China. To hype up the fans, the company previewed the flagship on social media. We get to see the three color options that were expected, and learn about the new features of the camera setup. Xiaomi 15 Ultra Xiaomi's upcoming Ultra model will feature a 200 MP telephoto lens. It includes the Samsung ISOCELL HP9 sensor, which measures 1/1.4" and is designed to offer clear zoom to 200 mm and even 400 mm. Glare presents a significant challenge for long telephoto cameras, which Xiaomi aims to address using a specially...

OnePlus 13R gets a new update with camera improvements and February 2025 security patch
11:05 am |

Author: admin | Category: Mobile phones news | Comments: Off

OnePlus has released the OxygenOS 15.0.0.501 update for the OnePlus 13R, which improves the smartphone's camera performance and stability. The update also improves the OnePlus 13R's system stability and performance and bumps up the Android security patch level to February 2025. Besides, users now have the option to quickly delete the data of Notes, Messages, and My Files from the recycle bin. You can read the OxygenOS 15.0.0.501 update's changelog below for all the details. Apps Adds options to quickly delete Notes, Messages, and My Files data from the recycle bin. The...

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