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Samsung will bring Galaxy Z Fold Special Edition with a smaller crease
7:14 pm | October 14, 2024

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Samsung is preparing the Galaxy Z Fold Special Edition to arrive soon, and according to the latest reports, the new foldable will have a less visible crease. According to Ice Universe, it will be “better than ever”, and Ross Young, an analyst and display technology insider, replied this will be due to Samsung finally moving to UFG (Ultra Foldable Glass) technology. Samsung will reportedly launch the phone on October 25. However, the company will likely launch the device only in two markets: South Korea and China. The phone, also spotted as Galaxy Fold6 Special Edition, will have...

Ultimate Ears Miniroll review: a chic mini party speaker that brings the bass –if not every feature you might like
6:30 pm |

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Ultimate Ears Miniroll: Two-minute review

Parties in 2024 are about to get a bit bassier with the new Ultimate Ears Miniroll, a small-form Bluetooth speaker that wants to find its way onto our list of the best party speaker by virtue of the fact that it’s much smaller than all of its rivals.

A revival of the UE Roll from 2015 and UE Roll 2 from a year later, this is now Ultimate Ear’s smallest speaker by a country mile (and also a good few inches). It sits alongside the sonically superior, but much less totable, Wonderboom 4, as well as UE’s more pricy alternatives. Yes, that’s right, it’s not just small but it’s affordable too.

You only have to pay $79 / £69 / AU$99 for the UE Miniroll so it undercuts most of the competition, although a few other major audio brands also have lightweight party speakers like this for roughly the same (or less).

‘Miniroll’ is a funny name – the new UE speaker is bigger than the Roll and Roll 2, and probably doesn’t have any link to the sponge treat manufactured by former chocolate company (and now faux-chocolate company) Cadbury’s.

The Ultimate Ears Miniroll

(Image credit: Future)

But while Cadbury’s has sadly gone downhill in the eyes of many, Ultimate Ears has only improved on the formula of its older speakers. The sound offers loads of bass, marking a notable improvement in audio capabilities over the previous two Rolls. The use of a USB-C port and a longer battery life also make this a more tempting option for people who may consider buying older tech.

Some of the best features of the Roll are here too. I found the carry strap incredibly handy, as I could attach the Miniroll to bags, pieces of furniture or even body parts (well, my wrist) to make it easy to carry around. 

The speaker isn’t perfect though, as there’s no smartphone app to bring extra features or offer customization. There’s no equalizer either, something many rival party speakers offer, which will likely put off people who’d find the bass just a little 'too much'. I also wished there was a way to skip or rewind songs, as many other speakers offer, to stop me having to use my phone for these tasks.

Some may also find the max volume a little too low for ‘parties’, especially since bass doesn’t carry as well as treble, though I guess ‘intimate social gathering speaker’ doesn’t have the same ring as ‘party speaker’. I can see this being a great pick for hikers or picnickers who want some tunes, or group runners who blast music to get everyone through that pre-breakfast 5k, rather than for traditional house parties or gatherings.

Ultimate Ears Miniroll review: Price and release date

The Ultimate Ears Miniroll

(Image credit: Future)
  • Released in September 2024
  • Costs $79 / £69 / AU$99

The Ultimate Ears Miniroll was unveiled and released in mid-September 2024, ready for an outdoor party speaker to be almost obsolete in the wintery northern hemisphere.

The price of the Ultimate Ears Miniroll is $79 / £69 / AU$99, so it’s the cheapest wireless speaker currently offered by UE, and is one of the more affordable options on the market. It also undercuts the two UE Roll models which went for $99 / £99 / AU$149.  The Wonderboom is the closest sibling in price at $99 / £89 / AU$149.

In fact, if you’re looking for a party speaker as compact as the Miniroll, the market’s not burgeoning with good-quality options. Your best alternative is the even cheaper (but not quite as chic, and a little older now) Tribit Stormbox Micro 2 (now available for $59 / £59 or around AU$85) followed by the JBL Clip 5, which sells for $79 / £59 / AU$89, so both are actually a bit cheaper in most regions.

Ultimate Ears Miniroll review: Specs

Ultimate Ears Miniroll review: Features

The Ultimate Ears Miniroll

(Image credit: Future)
  • Can link up to other Minirolls
  • No equalizer or app
  • 12 hour battery life

The Ultimate Ears Miniroll struggles most in the features department because… well, there barely are any.

Unlike with some other UE speakers, the Miniroll doesn’t have a smartphone app, so it doesn’t let you utilize features of some of its rivals. There’s no equaliser, for example, or even different EQ presets for you to toggle between. You can’t change audio codec, fiddle with Bluetooth options or use a ‘find my speaker’ function.

There’s no outdoor mode either, which in other UE devices (it's the 'tree button' on the underside of the Wonderboom 4) strips bass in favor of treble to make the speaker easier to hear over distance. Of all the missing features this is the one I would have liked to see most – as with any bassy speaker, quality (and audibility) quickly drops off if you walk away from the Miniroll.

The Ultimate Ears Miniroll

(Image credit: Future)

One thing you can do is connect the Miniroll to its siblings, in order to sync up multiple speakers. However unlike many other UE devices (but like the Wonderboom), you can only pair it to others of its make – ie, other Minirolls. So while your Boom, Megaboom, Everboom, Epicboom and Hyperbooms might all be having their own little party, the Minirolls will have to form their own shindig. According to UE the Miniroll can pair to an unlimited number of other Minirolls though, as long as your budget is equally infinite.

The battery life stretches to 12 hours on a single charge, which is longer than most parties I get invited to. Its a lasting power which positions the Miniroll as a handy device for people going on hikes or camping, as does its design.

Charging is done via USB-C, with a little port just above the strap.

  • Features score: 3/5

Ultimate Ears Miniroll review: Design

The Ultimate Ears Miniroll

(Image credit: Future)
  • Small compact body
  • Incredibly handy carry strap
  • IP67 protected, survives up to 1.2m drop

The key selling point of the Ultimate Ears Miniroll is its design – it’s mini and feels lovely in your hand. A little pebble of a gadget, it weighs only slightly more than a smartphone at 279g, and measures 122 x 105 x 48 mm so it’s incredibly slender.

If you don’t trust measurements, trust me: it’s really easy to carry around whether it’s in the hand, strapped to a bag, inside said bag, or even slipped into a pocket (yes, it fits in my pockets, although that really muffles the audio).

Strapping it to a bag comes thanks to a rubbery strap, which is locked to the Miniroll at one end and is hooked and removable at the other. This gives you lots of versatility in how you attach the Miniroll to things, especially with a gap in the strap letting you hang it from objects. This was my preferred way of using the speaker, hanging it from doorknobs or cupboards – the multitude of ways to position the speaker is great for positioning it in rooms or attaching it to various rucksacks. Ultimate Ear's promotional material even shows someone attaching it to a dog.

Image 1 of 3

The Ultimate Ears Miniroll

I could hang the Miniroll in my living room... (Image credit: Future)
Image 2 of 3

The Ultimate Ears Miniroll

...or in my kitchen... (Image credit: Future)
Image 3 of 3

The Ultimate Ears Miniroll

...or on my wine rack. (Image credit: Future)

One annoying element of the design comes into play here though, in combination with the speaker’s heavy bass (more on that later). Sometimes when on certain objects, the natural vibrations from the bass would cause the speaker to wobble, and it fell off boxes I put it on several times. Likewise when I hung it up, it’d sometimes shudder from the bass and start to sway – I can’t put it on my bedroom door because the bass makes it repeatedly knock into the wood panel. It’s an odd situation and I had to always think about where I placed the Miniroll.

On the top of the Miniroll are a volume up and volume down button, which should surprise no-one given that the buttons are a giant + and -. The edge of the speaker has the power button as well as the play/pause one, which can also be held to enable pairing with other Minirolls (more on that later). There’s no button to skip or restart tracks so you’ll have to rely on your phone for that.

If you’re worried about damage, the speaker is IP67 rated – that means it’s totally protected from dust particles and can be immersed in water for a depth of a meter for up to half an hour. It’s drop-proof but only up to 1.2 meters, which is something else to bear in mind when placing the speaker – my rucksack is higher than that off the floor and so are most of the tables I’d put it on.

As you can see from the pictures, I tested the pink Miniroll – Calming Pink, as UE calls it – and there’s also black (Gentle Black), blue (Majestic Blue) and white (Revive Gray).

  • Design score: 4/5

Ultimate Ears Miniroll review: Sound quality

The Ultimate Ears Miniroll

(Image credit: Future)
  • (No need to) turn up the bass
  • Volume not suitable for large parties
  • Lack of equalizer limits appeal

I’ve referred to the Ultimate Ears Miniroll as a ‘party speaker’, but I should qualify that ‘party’ part of the phrase – this isn’t for big gatherings in Beverly Hills mansions or beach parties with hundreds of people. Think ‘D&D party’ size – this isn’t the loudest speaker in the world and it will best suit medium- to small-sized groups.

In my (very studious) tests, the Miniroll sounded decent at up to 5 meters distance, but when I got to 10m it was hard to hear parts of the song (partly from the volume, but partly from other sounds being more prominent). I found the Miniroll great for playing music in my bedroom, but unlike some other speakers I’ve tested, its sound didn’t carry through my entire (two-person) flat. If you’re going on a trip with this attached to your bag, you’d better keep your friends close if they want to hear music.

The UE Miniroll isn’t so quiet that it’s going to disappoint you, but you need to temper your expectations in keeping with its size – UE does have bigger speakers if you want to entertain a large number of listeners.

In terms of the audio itself, the Miniroll is a bassy little creature, and I was pretty surprised by just how much bass the thing eked out. I’ve already written about how it literally vibrates from what it’s putting out!

The bass is admittedly a little muddy, and the sheer nature of physics means it doesn’t carry that far (thanks, physics), but bass-heads near to the speaker will really pick up what it’s putting down.

As with any bass-heavy speaker, treble and mids suffer the consequences of this heavy lean, and both lack an extra ounce of detail – they also distort a little at higher volumes. However, balanced treble and audiophile-quality mids aren’t something it'd be truly fair to demand from party speakers at this price. It’s certainly not necessary for the Macarena.

  • Sound quality: 3.5/5

Ultimate Ears Miniroll review: Value

The Ultimate Ears Miniroll

(Image credit: Future)
  • Form factor makes it appealing for portable music
  • Some users might prefer other speakers

The Ultimate Ears Miniroll fits its niche really well: it’s cheaper and more portable than many other Bluetooth speakers, with a decent battery life, sufficient protection from life’s bumps and a really handy strap. With that in mind it’s hard to argue that the Miniroll isn’t good value – it’s much better for a certain type of user than other options in the market.

However, if you’re just looking for an affordable Bluetooth speaker for your house or garden, you can find options with better audio and a couple of extra features for a similar price. They just lose portability as a trade-off.

  • Value: 3.5/5

Should I buy the Ultimate Ears Miniroll?

Buy it if…

Don’t buy it if…

Ultimate Ears Miniroll review: Also consider

How I tested the Ultimate Ears Miniroll

The Ultimate Ears Miniroll

(Image credit: Future)
  • Tested for two weeks
  • Tested at home and on some trips

I tested the Ultimate Ears Miniroll for over two weeks, during which time I used them alongside my Android smartphone.

Most of the testing was done at home but I also took it on a few day trips and picnics to see how well it works outdoors. Mostly I used the speaker for music streaming but I also tested it with spoken word podcasts a little bit as well.

I've been reviewing audio products at TechRadar for 5 years, including other Ultimate Ears products.

  • First reviewed in October 2024
Xperia 1 VI now available in a new color across Europe
6:01 pm |

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

Remember that striking red color for the Xperia 1 VI that leaked just before its launch? Well, after keeping it exclusive for Japan for five months, Sony is now offering the Xperia 1 VI in that specific color across European markets. The new Scarlet color features a strikingly saturated red hue with the same matte texture over the glass back and aluminum frame. The Scarlet Xperia 1 VI is priced at €1,499/£1,399 and will be exclusively available in the 12/512GB storage trim from the official Sony Store. First deliveries are scheduled for tomorrow, October 15 in the UK and October 17 in...

De’Longhi La Specialista Arte Evo review: the bean-to-cup coffee machine that’ll have you bossing the barista basics in no time
6:00 pm |

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De'Longhi La Specialista Arte Evo: two-minute review

The De'Longhi La Specialista Arte Evo Espresso Machine with Cold Brew is available to buy in the US, UK, and Australia. They have slightly different product names in each territory: in the US, the model code is EC9255M, and it’s called La Specialista Arte Evo Espresso Machine with Cold Brew. In the UK and Australia, the model code is EC9255.M, and the full product name is La Specialista Arte Evo Compact Manual Bean to Cup coffee machine with Cold Brew in the UK, and La Specialista Arte Evo Cold Brew in Australia.

Specialista Arte Evo is listed at $699.95 / £549.99 / AU$699 on the official De'Longhi website. You can also purchase it from third-party retailers, including Amazon in the US and the UK, which offer discounts on occasion.

For a quality manual bean-to-cup coffee machine with cold brew capabilities, this is pretty good value, and the De'Longhi La Specialista Arte Evo should be considered alongside one of the best espresso machines.

A compact example of a manual bean-to-cup espresso machine, the Arte Evo has dimensions of 11.2 x 14.4 x 15.9 inches / 285 x 365 x 400mm, and is a pretty weighty 21.5 lbs / 9.3 kg. I did feel that it had the potential to move around despite this, so I always tended to have a steadying hand on the machine whenever I pushed the portafilter and tamper guide in to receive the ground coffee.

A close-up of the control buttons and the pressure gauge.

(Image credit: Future)

There is a helpful small storage compartment in the top of the machine, to the right of the hopper. The My Latte Art steam arm sits on the right of the coffee-making area and can be rotated out, so I could easily get the included metal milk jug under. Located on the back of the machine, the generous 56 fl oz / 1.7L water tank was easy to remove and replace.

One thing I missed with the Arte Evo, is that it doesn’t have changeable hoppers, so it can prove tricky if you like to switch between caffeinated and decaffeinated coffee. I can’t really complain about this considering the price though, as it’s mainly the more premium coffee machines that have this ability.

There are three temperature settings to choose from on this manual espresso machine, so it can be adjusted to suit whichever beverage is being made, and eight different bean-grinding settings to achieve the right intensity, and I found this useful for perfecting different coffee options.

The portafilter, single-walled filters, and cleaning brush are arranged on a stone-effect surface.

(Image credit: Future)

The Arte Evo comes with two single-walled coffee filters in a single and double dose. The filters were unusually difficult to get out of the portafilter once pushed in. I had to use a taper-ended butter knife to remove the filter each time, so this isn’t the end of the world, but care will need to be taken when attempting to remove them.

The De'Longhi La Specialista Arte Evo was delightfully straightforward to use. The setup process was quick and simple, and thanks to the helpful tips in the quick guide it was easy to determine the perfect grind coarseness, dosage, and techniques to create tasty cups of coffee.

I’m a huge fan of this coffee machine, and I’d recommend it as the best in this price bracket, but if you think you might want some different features or you prefer a different aesthetic, you could always take a look at our selection of the best bean-to-cup coffee machines to see if anything catches your eye.

De'Longhi La Specialista Arte Evo review: price and availability

  • List price: $699 / £549 / AU$699
  • Available in the US, UK, and Australia

The list price for the Specialista Arte Evo is $699.95 / £549.99 / AU$699 on the official De'Longhi website. It’s available from other third-party retailers too, including Amazon in the US and the UK, where the price is occasionally discounted.

This is pretty good value for a quality manual bean-to-cup coffee machine with cold brew capabilities, and while it may not have as many grind settings or auto-tamping as the reigning champion of our selection of the best bean-to-cup coffee machines, the Sage Barista Express Impress, this compact De'Longhi espresso machine offers cold brew and is a whole lot cheaper.

  • Value score: 5/5

De'Longhi La Specialista Arte Evo review: specs

De'Longhi La Specialista Arte Evo review: design and features

  • Quick and easy setup
  • Dishwasher safe accessories
  • Smaller-than-average footprint for manual bean-to-cup machines

The De'Longhi La Specialista Arte Evo is fairly compact as far as manual bean-to-cup espresso makers go, with dimensions of 11.2 x 14.4 x 15.9 inches / 285 x 365 x 400mm. It’s understandably a bit weighty at 21.5 lbs / 9.3 kg, but this is fine as it’s a product that’s not intended to be moved around. One thing I will say, though, is that it didn’t feel quite heavy enough for me to push the portafilter and tamper guide in to receive the ground coffee without a hand on the machine to hold it in place.

One small niggle is that there isn’t the option to have changeable hoppers, which can prove to be a pain if you’ve left the beans in for too long, or if you like to switch between caffeinated and decaffeinated coffee, for example. It’s only really more premium coffee machines that offer this, so I can’t complain much considering the price of the Arte Evo. If you only use the amount of beans needed to avoid leaving them sitting for too long, or only use one kind of bean, you shouldn’t have any problems.

A close-up of the hopper and the conical burr grinder within it.

(Image credit: Future)

To the right of the hopper, there is a small storage compartment that could fit the filter baskets and small cleaning utensils. At first, I believed that the UK model didn’t come with a tamping mat, as it is not obviously listed on the De'Longhi UK website, but it turned out to be hidden underneath the base fitment in the accessories box. I found it really helpful when tamping my coffee, with a circular indentation for the tamper to sit in, and a shaped area for the portafilter. This also fit the tamper slot after it was removed before attaching the portafilter to the machine, so it was easy to keep things neat and tidy through each stage.

The Arte Evo also comes with a small cup support, to give those mini espresso glasses a little boost. The removable water tank is easy to remove and replace. It has a 56 fl oz / 1.7 capacity, which is plenty for a few cups of java, while also remaining light enough to be maneuvered easily.

A view of the back of the De'Longhi Specialista Arte Evo, which sits on a stone-effect surface in front of a pink backdrop.

(Image credit: Future)

The layout of the grinder, extractor, and My Latte Art steam arm is fairly standard, but the steam arm is in close proximity to where the extraction area and small cup support sit in a bid to save some space. The steam arm rotates outwards, so I could easily get the included metal milk jug under.

Inside the removable drip tray sits a red plastic water level indicator that rises through the cup grille as the tray fills up so it can be emptied before it gets too full. Speaking of the drip tray, it’s really easy to remove for emptying and cleaning. It breaks down into three parts: the cup grille, the cup grille support, and the drip tray itself.

There are three drink presets to choose from, Espresso, Americano (Long Black in the UK and Australia), and Cold Brew. The My Latte Art steam arm was easy to maneuver and I was able to use it to create smooth microfoam, as well as using it to heat and add body to the milk when mocha and cappuccino making.

A close-up view of the OK, temperature, and steam arm buttons, along with the dial to select drink types.

(Image credit: Future)

The Arte Evo has three temperature settings to choose from, so it can be adjusted to deliver the best results for whatever you’re making. It also has eight different bean-grinding settings to achieve the ideal intensity. I mostly used level five for americanos and espresso shots (which I of course used to make my beloved mochas), but I found that level six worked best for cold brews.

The My Latte Art steam arm was easy to maneuver, and thanks to the tips in the quick guide I easily created a smooth microfoam. I also used the steam arm to heat and add body to the milk for mocha making, which I did a lot of in my time with it, as it quickly became my favorite way to make coffee each day.

  • Design score: 4.5/5

De'Longhi La Specialista Arte Evo review: performance

  • Simple to use
  • Hassle-free
  • Great results

Straight out of the box, the setup and coffee-making process was straightforward. The De'Longhi Quick Guide manual was easy to follow and made setting up this espresso machine a breeze. Plus, for those who are new to a manual bean-to-cup coffee machine, or you’re a visual learner, De'Longhi also has a useful how-to YouTube channel where you can see videos of their coffee machine setup processes.

After washing and drying the accessories and water tank, I put the drip tray back in place and filled the water tank before rinsing the included SoftBalls sachet under running water and dropping it into the tank. Each SoftBalls sachet lasts for three months and is designed to prevent limescale formation without affecting the quality of the coffee. After plugging the machine in and turning it on, I placed a glass bowl under the water spout before pressing okay to initiate a short rinse cycle. I then popped a filter basket into the portafilter before locking it into place, then hit okay again so that it rinsed through.

Some things to note here are that it’s tricky to get the filter baskets out of the portafilter: I had to use a taper-ended butter knife to prise them out, and in addition, it took a fair bit of elbow grease to get the portafilter to lock into place. Perhaps those stronger than me won’t have as much of an issue, but I found myself having to put my other hand on the machine to brace myself when inserting or removing the portafilter. The final part to be flushed through was the steam arm, which was just a case of placing it into the bowl and pushing the steam button on the machine.

The tamper guide, tamper, and nozzle cleaning needle are arranged on a stone-effect surface.

(Image credit: Future)

Once the machine was all set, I experimented with the grind and dose levels until I was happy with the result. This De'Longhi machine comes with a really helpful dosing and tamping guide that simply screws onto the top of the portafilter, so it’s easy to give it a few taps to help the coffee grounds settle before pushing them down with the satisfyingly weighted tamper.

The quick start guide had a helpful little Infusion Temperature Profiles box out, explaining that different beans and roasting colors require specific temperatures, informing me that Robusta coffee beans prefer a lower temperature, and Arabica beans like a higher temperature. As I was using Arabica beans, I used the maximum temperature option (level three) and selected my drink using the right-hand dial, which for my first attempt was an espresso.

A close-up view of the dose level dial, dose selection button, and indicator lights.

(Image credit: Future)

Following the instructions and tips helped me to make a pretty perfect espresso shot in a few minutes. There wasn’t quite as much crema as I’d anticipated, but other than that it was great. When trying out the steam wand on some semi-skimmed milk, I once again found the quick start guide super helpful with its additional barista tips, recommending that fresh cold milk is used and that the metal milk jug is cold. The visuals provided a little guidance, explaining where the nozzle should be placed to get the milk to froth, and these pointers helped me make some lovely foam for a cappuccino on my first attempt.

The Thermoblock heating system and active temperature control feature seemingly worked well during the brewing process, as the extracted coffee tasted spot-on every time. All three presets delivered satisfying and great-tasting results. I used the Espresso preset most frequently, combining it with steamed milk and hot chocolate powder, as I am quite partial to a mocha.

A close-up of the steam arm that sits on the right-hand side of the front of the machine.

(Image credit: Future)

I’ll admit that cold brew coffee isn’t really my thing, so I roped in my very helpful editor to do a taste test for me. I ground a single dose of espresso, which the Arte Evo mixes with 3.7 fl oz /110ml of water; alternatively, I could have ground a double dose, which would then have been used to create a 6 fl oz / 180ml sized drink. In his opinion, the coffee tasted nice, wasn't overly bitter as you'd expect from a cold brew, but it was a little too diluted for his taste.

De'Longhi recommends a grind coarseness of between four and six for cold brew. Originally I aimed for the middle with level five, so I increased the coarseness to level six following the feedback from our team's resident cold brew fanatic. He confirmed that this tweak to the settings did indeed make it stronger and, although not perfect, it was more to his tastes.

Cleaning the machine was fairly straightforward. The drip tray and grill can be removed easily and are dishwasher safe. For thorough cleaning, it’s recommended to run a mixture of white vinegar and water through the water spout, portafilter, and steam arm.

  • Performance score: 5/5

The De'Longhi Specialista Arte Evo sits on a stone-effect surface in front of a pink backdrop. It has a small cork-topped bottle of milk to its left, and a metal milk jug to its right.

(Image credit: Future)

Should I buy the De'Longhi La Specialista Arte Evo?

Buy it if

You want to be your own barista
As the Specialista Arte Evo is easy to operate, and the quick start manual offers so many helpful tips, you’ll be brewing up all kinds of beverages for your family and friends in no time.

You don’t want to dedicate too much space
No manual bean-to-cup machine can be truly compact due to the nature of the espresso-making process. But De'Longhi has been mindful of how valuable countertop space is in our kitchens, which is reflected in the smaller-than-average footprint of this machine.

You want fancy coffee at home
With the La Specialista Arte Evo Espresso Machine, you’ll have the freedom to make your own espresso, cappuccinos, lattes, mochas, cold brews, and more, right from the comfort of your own kitchen.

Don't buy it if

You don’t want to have to clean up after every cup
Whether you have your coffee black or white, there’s extra maintenance to consider when it comes to a manual bean-to-cup machine. The extracted ground coffee will need to be knocked out of the filter and rinsed, and any milk will need to be wiped off the steam arm straight away to stop it from solidifying (which it likes to do very quickly).

You want your coffee quick
The process of making a coffee with the Arte Evo isn’t particularly long when compared to similar machines, but compared to a standard instant coffee, it naturally takes longer due to the extra steps involved. It’s certainly worth the effort, though!

You don’t want to get into tweaking settings
Due to the different settings available, including dose adjustment, grinding levels, and water temperature, it may take time to perfect the settings to get the right brew for you.View Deal

De'Longhi La Specialista Arte Evo review: also consider

Ninja Luxe Café
For those who want to take some of the guesswork out of their budding barista journey, the Ninja Luxe Café is a great beginner machine thanks to its grind coarseness guidance, weight-based dosage system, and automatic milk frother. It also has a slightly larger water tank, a removable hopper, and a digital display. Our reviewer was mightily impressed when they tested it out, awarding it four and a half stars. Check out the full review of the Ninja Luxe Café for further details.

De'Longhi Dinamica Plus
Undoubtedly more expensive, but the perfect alternative if you don’t want to take a hands-on approach to coffee making. It’s packed full of features, including a removable ergonomic thermal milk carafe that can be kept in the fridge to keep the milk fresh and cold. Interestingly, this machine is compatible with the De'Longhi link app, allowing you to perform some of its functions remotely. This too was awarded four and a half stars, with little in the way of negatives. Read the full De'Longhi Dinamica Plus review here.

How I tested the De'Longhi La Specialista Arte Evo

  • I tested the De'Longhi La Specialista Arte Evo over a few weeks
  • I repeatedly made espresso and frothed milk four days a week
  • I tested its variety of settings and features

I used the De'Longhi La Specialista Arte Evo Espresso Machine roughly three times a day, four days a week for several weeks, for the most part making mochas, cappuccinos, lattes, long blacks, and the odd cup of tea.

I evaluated how easy it was to put together, and how easy the setup process was. I made use of all of the features, paying close attention to the process, testing how easy the machine was to use, and the quality of the drinks produced. I tested all of the different coffee types available, and used all of the included accessories to see how they performed.

Finally, I investigated how easy it was to remove the washable parts of the machine and see how easy they were to clean.

Read more about how we test.

First reviewed August 2024

vivo X200 Pro hands-on review
5:14 pm |

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vivo X200 Pro hands-on review
5:14 pm |

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vivo X200 hands-on review
5:14 pm |

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The vivo X200 is smaller than both its predecessor and its Pro sibling, however, the circular camera island on the back is just as big – and the cameras on it just as impressive. This year, vivo chose a 6.67” display for the vanilla model, down from 6.78” last year. This makes the X200 several millimeters shorter than the X100 and it’s half a millimeter thinner (7.99mm vs. 8.5mm). However, it’s not that much narrower (74.8 mm vs. 75.2mm) and not that much lighter (197g vs. 202g), so the in-hand feel is only slightly improved. The display has a quad-curved design and is a Zeiss...

Fujifilm X-M5 review – a tiny powerhouse
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Fujifilm's new X-M5 is a dinky and stylish beginner mirrorless camera with a focus on video, delivering sharp 6K video recording in color-rich 10-bit. It also features 4K up to 60fps for cinematic half-speed effects, plus open gate video recording, which means the camera can take information from the full height and width of the 3:2 sensor, rather than being restricted to 16:9 or wider.

Open gate 6K video allows for a new 9:16 vertical video mode without you having to rotate the camera 90 degrees, with the new social media-focused mode cropping the central vertical portion of the frame at 1080p resolution, complete with handy preset recording times of 15, 30 or 60 seconds.

The X-M5 is also equipped with an improved wind filter and three internal directional mics, whereby you can employ any of those mics individually or together based on your video needs, with options for surround, front or back priority, or front and back priority. Alternatively, you can use an external mic for even better audio, connecting via the 3.5mm jack and securing it into the X-M5's hotshoe.

Fujifilm X-M5 camera  with flip-screen out, on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)

There are some well-considered design touches: the mic port has been positioned on the rear above where the screen sits, while the other ports are on the right-hand side of the camera rather than the left, which means they don't interfere with the flip-out touchscreen. As on the X-T50, you also get a film simulation dial for quickly switching between Fujifilm's legendary color profiles.

Price-wise, and indeed for a large part features-wise, the X-M5 matches and therefore sits alongside the photography-focused X-T30 II, and below the X-S20, as an excellent-value starter mirrorless camera for those who shoot more videos than photos. Yet with its tiny form-factor – this is the smallest X-series camera in 2024's lineup – the X-M5 is also a decent walkaround camera, say for street photography.

Given its low price, naturally there are compromises. The X-M5 does not feature in-body image stabilization, which you get in the pricier X-S20, and which is supremely helpful for smoothing out handheld videos.

That flip-out touchscreen is a lower 1.04m-dot resolution compared to those on other Fujifilm cameras, like the 1.84m-dot one on the X-S20, plus there's no viewfinder as on the X-T30 II, and so the X-M5 might not prove to be the easiest camera to use in bright light. Design-wise, the X-S20 is a better option for enthusiasts – it offers the best of the X-M5 and X-T30 II in one camera, and it has much better battery life plus image stabilization, although it costs a fair bit more.

In the few hours I had with the dinky X-M5 ahead of its launch I found that it's a highly capable little camera that's not for everyone, but for those starting out making videos it could be one of the most powerful tools available for the money.

Fujifilm X-M5: price and release date

  • X-M5 body only: $799 / £799 / AU$1,449
  • X-M5 with 15-45mm lens: $899 / £899 / AU$1,649
  • On sale November 14

You'll be able to pick up the X-M5 with the 15-45mm kit lens for $899 / £899 / AU$1,649 when it goes on sale on November 14. If you don't need the lens, the X-M5 can be picked up body-only for a little less, at $799 / £799 / AU$1,449.

That price point matches the X-T30 II exactly, making the feature-rich X-M5 one of the cheapest mirrorless cameras available in 2024.

Fujifilm X-M5 specs

Fujifilm X-M5: design and handling

  • Tiny and lightweight
  • No viewfinder
  • Film simulation dial

Tipping the scales at just 12.52oz / 355g, the X-M5 is one of the lightest mirrorless cameras around, and it's properly dinky too. I actually found it a little too small at times, regularly knocking controls, unintentionally taking pictures and so on, but I can certainly see the appeal of its tiny proportions, especially as an everyday walkaround camera.

I was testing the X-M5 with the 15-45mm lens, which is available as a kit with the camera, and is a decent pairing physically. With the camera's modest-sized handgrip and such a tiny body, Fujifilm's larger lenses will feel like a bit of mismatch, and the sweet spot will be smaller zoom and prime lenses – I'd especially like to try the X-M5 with the XF 27mm f/2.8 pancake lens.

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Top plate of the Fujifilm X-M5 camera on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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Underside of the Fujifilm X-M5 camera on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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Fujifilm X-M5 camera  with flip screen out, on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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Closeup of the Fujifilm X-M5 camera's flip screen, on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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Fujifilm X-M5 camera on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)

The Fujifilm X-M5 is sporting the classic Fujifilm retro look with faux-leather finish, plus a top plate (available in black or silver – I had the all-black version) with shooting mode and Film Simulation dials. Like the X-T50, the most popular film simulations are present, plus three customizable slots for your other favorites. The dial cannot be changed to control something else.

The flip-out screen is unimpeded, unlike on so many other cameras. That's because Fujifilm has positioned the ports on the opposite, right-hand side of the camera. There's also a new position for the mic input, just above where the screen rests. It's a logical placement near the hotshoe, which is where you can secure an external mic, meaning your cable doesn't need to get in the way of camera controls or the screen either.

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Closeup of the Fujifilm X-M5 camera's top plate,  on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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Closeup of the mic port of the Fujifilm X-M5 camera, with rich blue background

(Image credit: Future / Tim Coleman)
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Closeup of the Fujifilm X-M5 camera's ports, on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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Rear of the Fujifilm X-M5 camera with screen folded away, on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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Fujifilm X-M5 camera on a marble surface with rich blue background

(Image credit: Future / Tim Coleman)
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The battery and a memory for the Fujifilm X-M5 camera on a marble surface

(Image credit: Future / Tim Coleman)

That 3-inch touchscreen is the lowest-spec screen in Fujifilm's range of cameras, with just a 1.04m-dot resolution compared to the 1.62m-dot and 1.84m-dot screens of the X-T30 II and X-S20 respectively. Still, you get a revised user interface with handy short cuts to shooting modes such as the new vertical video mode.

The X-M5 is powered by Fujifilm's NP-W126S battery, which is the same battery as found in the X-T30 II and other models like the X-T50 and X100VI. Here you get a 440-shot battery life, which is an improvement on some other models, thanks in part to Fujiflm's latest X-Processor 5 engine, although battery life is reduced to more like 330 shots if you're not in Eco mode.

The key difference between the X-M5 and Fujifilm's other entry-level camera, the X-T30 II, is that the latter has a viewfinder, which can be very helpful for composing photos in bright light. I only used the X-M5 in cloudy weather, but I suspect that in bright light it could be a challenge to view the flip-out screen clearly.

Fujifilm X-M5: features and performance

  • 60-minute video record time
  • Three internal directional mics
  • Less effective digital image stabilization only
  • 8fps / 30fps for up to 173 JPEGs

The X-M5 packs a lot of power for such a small camera, but there are also compromises. For example, it can shoot up to 8fps continuous burst sequences (using the mechanical shutter) or 30fps (with the electronic shutter), but the X-S20 is able to squeeze out more frames.

Both cameras use the same processor, so I can only assume that the limited performance of the X-M5 – a still respectable 173 JPEGs or 25 raws in continuous high mode – is due to the fact that it records onto UHS-I SD memory cards, while the X-S20 is compatible with the faster UHS-II SD-type memory card. The X-M5 is no slouch by any means, but it's a shame that it isn't compatible with the latest SD cards.

Offloading those files onto a smartphone should be a breeze. You don't even need to mess around with unreliable Bluetooth connections and slow transfer speeds – the X-M5 offers high-speed file transfer to a smartphone via USB connection, with Fujifilm's XApp. There's also frame.io camera to cloud storage and sharing available for subscribers.

Fujifilm has equipped the X-M5 with its best autofocus system with its latest subject-detection algorithms, including animal eye AF and touch tracking autofocus for video. In fact, it's better than higher-end Fujifilm cameras right now, although some of those cameras, like the X-H2S, will be improved with this latest algorithm via a firmware update.

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Closeup of the Fujifilm X-M5's screen with new UI and the 9:16 portrait video mode

(Image credit: Future / Tim Coleman)
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Closeup of the Fujifilm X-M5's screen with the built-in microphone direction menu

(Image credit: Future / Tim Coleman)

For me, a major downside to the X-M5 is that it lacks in-body image stabilization. To be clear, I wouldn't expect such a feature in a beginner camera given that you won't find it at this price point anywhere else. It just feels like a video-focused camera can really benefit from it, and if I was getting serious about video I'd turn my attention to the X-S20 instead.

The X-M5 utilizes digital image stabilization (DIS) instead, should you need it, and you will for handheld videos. The X-S20 also features DIS, which incurs a 1.1x crop of the image area; however, that crop is much more severe in the X-M5 – at least 1.32x and up to 1.44x depending on the video modes and frame rates.

If you want steady video, say for handheld vlogs, your frame will be cropped. That means you need a seriously wide-angle lens to fit yourself in the shot, otherwise vlogging won't really be possible with DIS employed. Alternatively, you can buy a gimbal to stabilize footage and keep DIS switched off. However, adding a gimbal pushes the price up, perhaps to the point where you might as well have bought the X-S20.

Audio recording quality is impressive. The X-M5 features three directional mics (there are two on the X-S20 and X-T30 II) that can be isolated or used together – so for example you can have the mics picking up just your voice vlogging, or audio from in front of and behind the camera for the camera-person and subject conversing, or complete surround sound that captures the ambient sound too.

Fujifilm says the X-M5 has an improved wind filter – though I can't vouch for how this has been improved from my limited testing – plus 'steady state' noise reduction. There's a mic input too, should you need even better audio recording.

Fujifilm X-M5: image and video quality

  • 26MP stills and 6K/30p video
  • 10-bit color depth and wide range of bitrates for various qualities / file sizes
  • New vertical video mode for social media

I only had my hands on a pre-production version of the X-M5, just for a few hours, and so it's not possible for me to comment with authority on image quality. The raw photo files weren't even readable by any photo editor at the time of testing, as is the case with most cameras ahead of their announcement.

However, I have tested the Fujifilm X-S20, which shares the exact same 26MP X-trans CMOS 4 sensor and X-Processor 5 engine, plus the same 6K video resolution and frame rates, meaning that I already have a good idea of what to expect from the X-M5 – superb-quality photos and videos.

There are two key differences between the X-S20 and X-M5. The X-S20 features in-body image stabilization for smoother handheld video clips, plus a higher maximum 360Mbps bitrate to the X-M5's 200Mbps, meaning its best-quality video is less compressed. The X-S20 also imposes just a 1.1x crop when using its digital image stabilizer, while the X-M5's crop is more severe at 1.32x and higher.

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London street photo of a red telephone box and black shop front, taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)
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Closeup of London souvenirs in a shop, taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)
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London street photo of a pub sign taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)
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Dark alleyway with a lone silhouette and bar sign above, taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)
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London street photo of fallen hire bikes, taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)
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London street photo of a lady with dog, taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)
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China Town in London street photo taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)
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China Town in London street photo taken with the Fujifilm X-M5

(Image credit: Future / Tim Coleman)

The lack of in-body image stabilization will probably have the most noteworthy adverse impact on video quality, especially for those who shoot handheld vlogs. Digital image stabilization, which works with the lens' optical stabilization, is far less effective, and using it incurs that severe 1.32x crop, so you'll need to use a particularly wide lens with the camera for vlogging, or splash out on a gimbal. We'll share more reflections about video quality without IBIS in our in-depth review.

Fujifilm has introduced additional 8Mbps and 25Mbps low bitrates for those who want to work with super-small video files sizes and don't mind the additional compression that affects outright quality. These low bitrates are not proxies recorded alongside higher bitrate videos – you choose the bitrate you want and that's that. Low bitrates are handy if you need to work fast on location, and don't have the time or capacity to work with large file sizes. If your videos are only going to be viewed on phones, these low bitrates are an acceptable option.

Otherwise, there's not a lot to choose between the two cameras, which reflects well on the X-M5 because it's so much cheaper, at just 56% the cost of the X-S20. The X-S20 has loads more going for it regarding its build and handling, but the X-M5 offers excellent bang for buck in terms of video quality.

How I tested the Fujifilm X-M5

Fujifilm X-M5 camera with 15-45mm lens, in the hand, with screen flipped out

(Image credit: Future / Tim Coleman)
  • Just a few hours
  • Not a final firmware version
  • A photo and video walk around central London

Following an in-depth briefing with Fujifilm, I spent a couple of hours using a pre-production version of the of the X-M5 around central London during the day, mainly taking street photos and short-form 9:16 videos using the new video mode.

As I was using a pre-production model I'm not able to comment on image quality, nor the outright performance of the camera; rather, this first-look review constitutes my first impressions, and a general feel for the handling of the camera. TechRadar's full review will be published soon.

First reviewed October 2024

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