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Gangs of Sherwood review – I sherwoodn’t recommend it
8:30 pm | November 30, 2023

Author: admin | Category: Computers Consoles & PC Gadgets Gaming | Tags: | Comments: Off
Review Information

Platform reviewed: PS5
Available: PS5, Xbox Series X|S, PC
Release date: November 27, 2023 

Gangs of Sherwood is a steampunk twist on the tale of Robin Hood that pits Robin and his grimdark Merry Men against the evil Sheriff of Nottingham and his army of identical thugs, many of whom seem to go by the name Gerald. As a Robin Hood game, it shakes things up, too: It steals from the time-rich and gives only poor experiences. 

Visually speaking, Gangs of Sherwood is a feast; the concept art in the loading screens and the design of every location is a fantastic twist on the classic tale. The steampunk style works brilliantly mashed together with the medieval setting, and wandering around the muddy and mechanic streets of Locksley while being bombarded by artillery is an unforgettable experience. You can navigate these places by yourself or in a group of four, with each player taking over the mantle of Robin of Locksley, Little John, Friar Tuck, or Maid Marion.

Unfortunately, a good-looking game can only go so far. Gangs of Sherwood fails to deliver any thrilling fights or explosive skills that action brawlers like itself usually promise. Despite only having three acts, which last a maximum of five hours, this steampunk fantasy can seem like it goes on for an eternity. 

Having to face up against the same group of bad guys, comprised of several goons and one big knight with a shield, over and over again can seem like a medieval version of Ground Hog Day. There’s also no reprieve to be found in the three side missions as the repetition carries on. One quest sees you stand in a large courtyard and shoot a gigantic mechanical bull over and over again as the same bad guys that plagued the main acts aimlessly chase you across the open space as you dodge the bull's incoming attacks. 

A walk in the park 

Two characters attacking a mechanical lion

(Image credit: Nacon)

My first encounter with Gangs of Sherwood earlier this year in the preview was slightly unimpressive. However, as I only saw a small snippet, there was still a ray of hope that the entire game wouldn’t just revolve around similar fights and enemies, which I had seen in my first hands-on. Unfortunately, these hopes ran up short once I finally got to play the rest of the action game.

Playing Gangs of Sherwood was painfully straightforward; I started on the standard difficulty setting and quickly upgraded to the hardest in an effort to find some joy in the heat of battle. Sadly, the more challenging option failed to paper over some mediocre and repetitive combat and didn’t even make the game feel much more difficult.  

Best Bit

Character shooting arrows at enemies

(Image credit: Nacon)

There are some interesting environmental kills in Gangs of Sherwood. One of my favorites is dropping a beehive onto an unsuspecting goon’s head.  

Gangs of Sherwood doesn’t have to be challenging to be enjoyable, but it does have to be interesting. After the first few fights, I quickly figured out the pattern of every following combat encounter. Not only was the threat easy to assess and counter, but the bigger, seemingly more dangerous opponents were predictable without fault. This predictability sucked any joy or danger out of the action game immediately, and I soon felt like I was simply going through the motions to reach the end of the game.

The matter wasn’t helped by the fact that almost every enemy encounter revolves around the same three fights. With limited enemy classes, every other combat sequence is like deja vu as you continually come up against similar groups of opponents. Once you get to the later stages, Gangs of Sherwood resorts to throwing every enemy at you at once instead of trying to switch up the combat. The most interesting encounter I had was with the main boss in the second Act, in which one enemy heals the main fighter periodically. Still, unfortunately, even that became monotonous as every move was evenly spaced out, which made it simple to predict and quick to defeat. 

The easy fights were made worse by Rebel Instinct, which acts as an ultimate ability for every character as it slowly charges as you deal damage, resulting in a powerful final attack. It can be so powerful that I began to feel bad for attacking opponents with a neverending volley of supercharged arrows. eviscerating them in no time at all. 

One is a lonely number 

Three characters attacking a knight with a shield

(Image credit: Nacon)

My time in Gangs of Sherwood was a dismal experience and claims that co-op would make it more enjoyable is hard to believe. I only played a few parts of co-op, but from what I saw, it wasn’t all that different; it felt like separate characters fighting their own battles in the same area instead of an authentic cooperative experience that would encourage players to gang up on enemies together. 

Gangs of Sherwood is ultimately let down by its lackluster fights and repetitive action

Gangs of Sherwood could be a fun experience with the right group of friends, but that’s not the mark of a great game. Almost everything can be improved with the right people around, and this is especially true in gaming. Oftentimes, subpar games are made better by co-op as you experience less of the game and more of your friend's hilarious antics. 

Furthermore, a co-op game that only works in multiplayer and not single-player despite having the option to play alone, isn’t a fantastic sign. If a title promises multiple ways to experience it, whether by yourself or in a group, it should deliver on that and not simply bank on players sticking with co-op. 

Gangs of Sherwood is ultimately let down by its lackluster fights and repetitive action. With almost nothing else to do other than practice moves, fight the same enemies, or walk around the beautiful yet empty base of operations, it’s not something I’d recommend if you’re looking for something new to play with friends or by yourself. While the artistic style and locations in this action game are something to be marveled at and are genuinely quite impressive, this alone isn’t enough to save Gangs of Sherwood from mediocrity. 

Accessibility

accessibility menu

(Image credit: Nacon)

Gangs of Sherwood also unfortunately fails to deliver any meaningful accessibility options. Other than controlling sound levels, you can change the brightness, motion blur, and language. Otherwise, there are no other options to be found. This was unhelpful for me since, while there are subtitles, there is no way of changing the size, meaning that I could barely read them.

How we reviewed 

It took me around five hours to finish the main story of Gangs of Sherwood and another two hours to complete the three extra missions. While I encountered no major bugs with the PS5 version, there were a few issues with characters clipping through walls during cutscenes, or occasionally, enemies would just stay still as if they had already given up the fight. 

If you’re looking for some fantastic co-op games then be sure to check out the best multiplayer PC games as well as the best online multiplayer Switch games.

iFi xDSD Gryphon review: a stylish DAC and headphone amp that’s as portable as a hip flask
7:24 pm |

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Tags: | Comments: Off

iFi xDSD Gryphon: Two-minute review

The iFi xDSD Gryphon represents a new area of flexibility for the company. iFi is one of the front-runners where audio products like this are concerned and has been for some time. This xDSD Gryphon wants to widen the operability and relevance of its DAC and headphone amp range by offering wireless, as well as wired, connectivity in a package small and light enough to be considered portable. And it’s only gone and pulled it off. The xDSD Gryphon ain’t cheap, but the way it performs justifies the outlay all day long. 

Huge flexibility where connectivity and digital audio content is concerned, a completely confident and convincing sonic attitude, and a user interface that only just stops short of ‘impenetrable’ are what makes this iFi, the product it is. If you want something that’s capable of doing the audio business whether at home or in the wild, it’s almost a no-brainer.   

‘Almost’ because it’s not without competition from the best portable DACs on the market. A lot of it is from in-house, admittedly – but the xDSD Gryphon is going up against the Chord Electronics Mojo 2, which is a massively capable device in its own right. Hear them both, and then make your mind up. 

iFi xDSD Gryphon review: Price and release date

The iFi xDSD Gryphon next to a phone and heardphones

(Image credit: Future)
  • Release date: December 2021
  • Price: $599 / £599 / AU$899

The iFi xDSD Gryphon went on sale a couple of years ago, and in that time its reputation has grown in line with its asking price. As of the time of writing, it’ll set you back $599 / £599 / AU$899, which puts it up against some very well-regarded alternatives from companies as credible as Astell & Kern, Audiolab and Chord Electronics.

iFi xDSD Gryphon review: Features

The iFi xDSD Gryphon on a stool

(Image credit: Future)
  • Burr-Brown DAC
  • Extensive compatibility
  • Wired and wireless connectivity

iFi is not messing around where the feature-set of the xDSD Gryphon is concerned. The serious business is taken care of by a Burr-Brown chipset with enormous headroom and compatibility with a huge number of different digital audio file types. Use the USB-C input and it can handle PCM files up to 32bit/768kHz, DSD512 and DXD768 – and it can fully unpack MQA files too. The digital coaxial input is good up to 24bit/192kHz.   

Regardless of the type or size of the file you’re interested in, though, you have plenty of options as to how to best deliver it to your headphones via its balanced 4.4mm or unbalanced 3.5mm analogue outputs.. Its ‘Xspace’ setting, for instance, strives to give the biggest soundstage possible. ‘XbassII’, I hardly need say, increases low-frequency presence and substance – and can be further assisted by a physical ‘bass and/or presence’ switch on the chassis. Content delivered digitally can also be breathed on by one of three digital filters: ‘standard’, ‘bit-perfect’ and ‘GTO’ (which stands for ‘Gibbs Transient Optimised’). The xDSD Gryphon can also be adjusted to best respond to the sort of headphones you’re using – high-sensitivity in-ear monitors, for example, can sometimes introduce hiss, so there’s an ‘IEmatch’ switch on the bottom of the chassis to help deal with that.

Wireless connectivity is handled by Bluetooth 5.1, and there’s codec compatibility from SBC and AAC to aptX (HD, Adaptive and Low Latency), HWA and LDAC. So you should be able to find something to best suit your needs. All the most significant (and noisiest) circuitry – amplification, Bluetooth and digital-to-analogue conversion – is kept isolated in order to minimise cross-talk and other sonic gremlins. 

Power comes from a battery, of course – it’s a portable device, after all, and anyway it’s a cleaner and more efficient way to drive electrical equipment than noisy, dirty old mains power. The iFi has a 3600mAH lithium-ion battery that’s good for around eight hours before it needs recharging. From ‘flat’ to ‘full’ should take a couple of hours. 

Peripheral features extend to a quite generous selection of high-quality (although admittedly quite short) connecting cables. If your needs aren’t met by USB-C / USB-C, USB-C / Lightning or USB-C / USB-A cables, then what exactly are you attempting to attach?

Features score: 5 / 5

iFi xDSD Gryphon review: Design

The iFi xDSD Gryphon

(Image credit: Future)
  • 19 x 75 x 123mm (HxWxD)
  • 215g
  • Unhelpful user interface

This isn’t the first iFi product with a strong suggestion of the hip flask about it, and I strongly doubt it will be the last. At 19 x 75 x 123mm (HxWxD) its proportions are most definitely hip-flask-y, and it’s halfway between being truly pocket-sized and more suitable for desktop use. 

If you do decide to take it out and about, though, its 215g weight is no kind of burden. A lot of that is down to its aluminium construction – its ridged and contoured design is quite interesting and tactile – and is broken only by the little mirrored strip on the top surface. There’s a crisp, bright white OLED display beneath it, which makes it easy to understand what the xDSD Gryphon is up to.

Getting it to the stage where it’s doing what you want it to is more trouble than it really should be, mind you. iFi has plenty of previous where unintelligible user interfaces are concerned, and the Gryphon is just the latest example of the company’s commitment to end-user confusion.

A push/turn control in the centre of the fascia takes care of volume, power and menu navigation. Nearby there’s a ‘settings’ button - it turns ‘Xspace’ and ‘Xbass II’ on or off if you use quick presses, while a longer press summons the on-screen menu. Here’s where you can select your preferred digital filter, set a maximum volume level and adjust screen brightness. An adjacent button handles input selection and Bluetooth pairing. There are also those balanced 4.4mm and unbalanced 3.5mm headphone outputs on the fascia, as well as five vanishingly small LEDs. One of them is embedded into the push/turn dial, and shines in one of five different colours (to indicate volume level) or flashes (indicating the Gryphon is muted). One reveals whether or not ‘Xbass II” and/or ‘Xspace’ is switched on. One reveals the input that’s in use (and so can shine in one of four different colours), and one reveals the audio format of the digital file currently on board (so shines in one of seven different colours, two of which are so similar as to be indistinguishable). All clear? Of course it bloody isn’t.

Meanwhile, the rear panel features two USB-C sockets (one for charging and one for data input), balanced and unbalanced analogue inputs and a 3.5mm digital coaxial input. There’s also the three-stage switch to select the ‘Xbass II’ tone (‘bass’, ‘presence’ or – hey! – ‘bass and presence’). It’s small, but it’s not as small as the switch on the bottom that controls the ‘IEmatch’ circuitry.

Design score: 3.5 / 5  

iFi xDSD Gryphon review: Sound quality

The iFi xDSD Gryphon being held in a hand

(Image credit: Future)
  • Fast, detailed and articulate sound
  • Dynamic and precise in equal measure
  • Not impressed by inferior headphones

It makes sense to start listening to the iFi xDSD Gryphon in its most ‘pure’ state, which means filters set to ‘min’ and with ‘Xbass II’ and ‘Xspace’ switched off. Heard this way, and with content ranging from a 256kbps MP3 file of Eartheater’s Pure Smile Snake Venom to a DSD64 file of Stevie Wonder’s Pastime Paradise incoming from an Apple MacBook Pro via USB-C, the iFi is an uncomplicated, satisfying and thoroughly entertaining listen.

Its fundamental character is one of energy and speed. It creates proper momentum at the bottom of the frequency range without sacrificing any substance or extension. It powers through bass information with pace and precision, controlling low-frequency information with absolute authority – so the low end stays in its lane, underpinning everything going on above.

It’s similarly confident and accomplished at the opposite end of the scale, too. Treble sounds have brilliance and bite, but there’s no suggestion of edginess or splashiness, even if you’re listening at volume – and the Gryphon is most certainly capable of summoning significant volume. What you get at the top end is enough substance to counteract the shine, and – just as with the rest of the frequency range, impressively high levels of detail retrieval.

In between, the midrange is handled with complete assurance. Vocalists as idiosyncratic as the two mentioned above are given complete expression, their character and attitude and emotional state made absolutely plain. There’s real articulacy to the way the iFi deals with singers of all levels of competence, and as a result they communicate in the most direct and positive fashion. 

The frequency range is properly integrated, and with its settings left well alone the Gryphon enjoys a nicely neutral and unshowy tonal character. It’s adept at creating a sensation of singularity and ‘performance’ to a recording, even if the recording itself isn’t the result of a group of musicians all playing in the same room at the same time. Dynamic range is considerable, so both harmonic variances and big changes in intensity or attack are tracked without apparent effort. And the soundstage it’s able to create inside your headphones is spacious, organised and utterly believable. 

Fiddling with filters and what-have-you can result in small differences around the edges of the DAC’s overall performance, but in truth its fundamental characteristics don’t change all that much. And this is true regardless of which of the wired or wireless inputs you use - although naturally the quality of the wireless source (and its codec compatibility) has an effect on the final sound. Of more concern to the Gryphon, it seems, is the quality of the headphones you attach to it – it can happily drive even uncooperative headphones, but it gets a bit sniffy about less capable pairs and isn’t about to disguise that fact.  

Sound quality score: 5 / 5 

iFi xDSD Gryphon review: Value

The iFi xDSD Gryphon

(Image credit: Future)
  • Getting more expensive rather than more affordable
  • Performance to back up the asking price…
  • …but not so much the appearance

Unlike plenty of rival products, the price of the iFi xDSD Gryphon has gone up, rather than down, in the time it’s been on sale. This suggests that it’s been a roaring success, sure – but it also makes it slightly less compelling than previously. That the sound it makes is worth the money is not up for question, but if you judge as much by appearances as by performance you might end up wondering what all that money has bought you…

Value score: 4 / 5

Should you buy iFi xDSD Gryphon?

The iFi xDSD Gryphon

(Image credit: Future)

Buy it if...

Don't buy it if...

iFi xDSD Gryphon review: Also consider

How I tested the iFi xDSD Gryphon

The iFi xDSD Gryphon

(Image credit: Future)
  • Tested indoors and out
  • Tested with numerous file types and sizes
  • Tested with a number of different pairs of headphones

Really, that’s the whole story. I used the iFi xDSD Gryphon as a desktop DAC and headphone amp connected to a laptop, and I used it wirelessly when out and about connected to a smartphone. 

I listened to a huge variety of file types and sizes, I used a number of different headphones, and I listened to lots of different types of music. I investigated its various options where filters and what-have-you are concerned, and I listened to some competing products too.  

First reviewed in November 2023

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Author: admin | Category: Mobile phones news | Tags: , | Comments: Off

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