The Tales series has been going strong for almost 30 years. From the humble Tales of Phantasia to the recent Tales of Arise, the Japanese role-playing game franchise has shown no signs of slowing down.

In celebration of the anniversary, Bandai Namco has released a few remasters, one of which is Tales of Xillia Remastered. The 2013 original has now been reborn for the next generation of consoles and gamers, and I can safely say it’s well-deserved of it and more.

On the road (Again)

The story of Tales of Xillia follows a group of ragtag heroes on the lam after discovering a secret government weapon.

There’s a lot of depth and nuance laced in the narrative, as simple as it may seem at times. Its tackling of themes like life, neglect, and family rings true throughout. It's not too in your face either, weaving it all in like a fine tapestry for you to unravel as the story progresses. Plus, the action and drama are done quite well, delivering some great scenes and thoughtful moments.

If this is your first time with Xillia, there’s much to enjoy in it. For starters, the cast of colorful characters is among the series’ best. Each is highly memorable and lays the groundwork for future titles. From the shifty Alvin to the budding Leia, you instantly grow attached to them and by the game’s end, don’t want to leave them behind. Also, more games should have cool elders like Rowen. It shouldn't always just be teens hogging the spotlight!

Tales of Xillia Remastered can be played from two perspectives: the kind doctor Jude Mathis or the god-like deity Milla Maxwell. It’s the same story in each one, just told from a different viewpoint. Some plot points are learned earlier in one and later in another, and even holes in one story are filled in the next. Even if most of the gameplay is the same in each, it does boost the replayability a lot.

An old dog has learned some new tricks

In terms of updates, there’s a lot of work being done for the remaster. For one thing, it feels extremely approachable compared to other entries.

For example, guide markers for maps help steer players in the right direction, which is extremely helpful for certain maps. An autosave feature has also been added, which helps whenever you are unable to get to a save point or quicksave. All the additions are convenient and helpful, making Remastered the best version to play of Tales of Xillia.

Perhaps the biggest upgrade is the graphics. Seeing as Tales of Xillia is from 2013, it got a noticeable facelift in the remaster. Characters and settings look a lot nicer, and the improved framerate lends way to smoother gameplay. At times, however, the visuals can feel a bit lackluster, with some of the animations being a touch stiff.

Still, for a remaster, it does translate quite well and plays great on the PlayStation 5. Though some of the audio is a bit glitchy, with character's voices drowned out by mixing issues.

If you played Tales of Arise, you may notice the battle system is quite different, but it’s one worth staying with. While the LMBS system does take some getting used to, it feels fluid and fun.

I was a bit intimidated, given I’m used to Arise’s open-air combat, but it does grow on you quickly. Despite an option to walk around freely, I barely used it, as I started to find the groove of the system.

Furthermore, the link system, which connects you with another member on the battlefield, is a lot of fun to use. Crafting combos on the fly and hitting a satisfying move on an enemy never got old.

Nostalgic yet new

One of the best parts of Tales of Xillia Remastered, for me at least, is the vast amount of customization at your disposal. While it is in the original, the Lillium Orb is a fantastic system for players to use. It lets you personalize your moves, stats, and skills to your desire. The same goes for your teammates, as you can outfit them however you like. Want your Milla to be magic-focused with Alvin dealing critical? It’s all there and something I hope future Tales titles return to.

For many, this is likely the first time they will play Tales of Xillia, and for others, it’s a return trip. The ones who will benefit the most from the remaster are newcomers, as it gives them a whole new playground to explore. Older fans will get to see the world they know brought back to life for new consoles. Luckily, there’s a lot to love from both perspectives, whether it’s the intuitive new features or the upgraded graphics.

Overall, Tales of Xillia Remastered set out to do one thing and did it right. A classic has been reborn for a new era, and even more fans get to meet Jude, Milla, and the gang and go on the run with them. The improved graphics, while a touch shoddy at times, bring life back to the world and give way to the best version of the title on the market. With tons of replayability, customization, and charm, you can’t go wrong with it.

Should you play Tales of Xillia Remastered?

Play it if...

Don't play it if...

Accessibility features

In terms of accessibility, there are a few different options to adjust. The biggest is difficulty, it ranges from easy to unknown, the hardest one. Map adjustments, like the newly added markers, are available, as is turning on/off encounters in the open world. You can also change between English and Japanese audio at any time. Button mapping is also customizable and easy to use.

There isn’t too much on display, though, and it may have benefited from adding colorblind modes. Still, what’s been added definitely helps make Tales of Xillia Remastered a more approachable title for newcomers and fans alike.

How I reviewed Tales of Xillia Remastered

I played Tales of Xillia Remastered for around 30 hours, finishing the main story with some side content. My first playthrough was Jude with some time in New Game+ as Milla Maxwell.

There is multiplayer available, but I did not try it for the review. I played the game on a base PS5 with the DualSense wireless controller and Razer BlackShark V2 wired gaming headset, all on a Roku 4K TV. If you played other Tales titles like Symphonia and Vesperia, you’ll find a lot of similarities here.

First reviewed November 2025

For years now, I’ve heard many The Elder Scrolls fans proclaim that Oblivion is a better game than Skyrim. After nearly 80 hours spent exploring the diverse and fantastical land of Cyrodiil in The Elder Scrolls 4: Oblivion Remastered, I couldn’t agree more.

I’m floored by how well the core of Oblivion holds up almost 20 years after its release. This is a beautifully crafted RPG game with a true heart of gold, a wicked sense of humor, and a deceptively deep well of things to do and places to explore. Despite its name, Oblivion Remastered is closer to a full remake, with smart updates while keeping the core untouched. It’s just about perfectly executed, if just a touch too careful in its approach to modernizing certain systems.

I missed The Elder Scrolls 4: Oblivion the first time around, having jumped aboard the Bethesda RPG train with Fallout 3 and then sinking my teeth into Skyrim around the time I should have been studying to get into University.

In the years since, I’ve learned to understand Oblivion’s reputation as a classic, but one that’s been made somewhat irrelevant by the juggernaut success of it’s sequel. Pair that thinking with my lack of interest in diving into RPGs of a certain age, especially ones as notoriously buggy as Bethesda’s, and it’s really no wonder I’d largely written Oblivion off until now.

With Oblivion Remastered being perhaps the worst kept secret in gaming ever, I can’t say I was excited at the idea of a remaster of a 2006 fantasy RPG. Slap the word remaster onto a project, and I think we’ve all learned what to expect. A higher resolution, all of the DLC tied up into one neat package, maybe some re-recorded VO for good measure. Great for fans of the original, fairly unexciting for those that never played it.

But Oblivion Remastered isn’t what you would expect. This isn’t a simple facelift, it’s a meticulously crafted reconstruction, meshing old and new in ways that I don’t think we’ve really seen up to this point.

The visual upgrades are stunning, additional voice lines add new depth to character class choices, and combat is now just the right mix of Skyrim jank and contemporary action. This is the upgrade Oblivion always deserved, giving it the chance to finally step out of Skyrim’s shadow.

That old Bethesda charm

Whatever your opinions are on Starfield, Fallout 76, and Fallout 4, Bethesda’s modern RPGs are undeniably a bit of a mixed bag, with wildly different approaches to open-world design when compared to The Elder Scrolls series.

Still, I’ve found myself liking something about each, after digging deep to find the parts that prove the studio’s pedigree is well-earned, and ongoing. Oblivion might well be where Bethesda’s unique brand of game design is best showcased.

There are bugs and jank, oh the jank, but it’s all completely outweighed by excellent writing, an almost impossibly detailed world, and RPG systems that reward you for actually roleplaying. You can be a thief, an assassin, a mage. You can specialize in alchemy, go out into the world and clear fortresses for loot, and even run Guilds as the big boss in charge.

NPCs talk over each other, camera angles switch wildly in conversation, and picking up the wrong item can send the game into a hard crash, but it’s worth the trade off for moments that only Bethesda games can offer. Moments where you walk into a tavern and witness an argument that you have to intervene in, and before you know it you’re helping a man fake his own death to avoid paying his debts.

Moments like accidentally discovering a vampire lair and contracting Vampirism, which then must be cured if you’re ever to travel during daylight hours again. I can count the memorable quests and moments from the last few Bethesda RPGs I’ve played on one hand, but have no doubt that there’ll be twenty plus that’ll stay with me from my first Oblivion playthrough.

Best of both worlds

I’ve mentioned that Oblivion Remastered sits somewhere between a traditional remaster and a remake, but what does that mean exactly?

Well, in many ways, the team at Virtuous have Skyrim-ified Oblivion, bringing systems like levelling and player physics more in line with that of The Elder Scrolls 5. You now level up both major and minor skills just by doing that particular skill - e.g. improve lockpicking by picking more locks, get better at persuasion by attempting to persuade NPCs.

It’s a simple but elegant solution that helps remove some of the barriers that previously punished players for behaving out-of-character. You’re constantly improving your build as you go, whether that’s by sprinting between cities, or blocking attacks with a shield. These are very minor changes to the original formula, but offer a big enough quality of life improvement to make Oblivion feel like a game from 2016 (and a forward-thinking one at that), not 2006.

Then there’s the graphics, and oh boy, does Oblivion: Remastered look fantastic. By switching over to Unreal Engine 5, the developers have applied all new lighting tech. At night, this means moonlight dances across the surface of lakes, adding depth and vibrancy to even the darkest of settings. Wall-mounted torches flicker and cast shadows, filling cold sewer tunnels and deep subterranean caves with dynamic oases of light.

The game’s brilliant environmental design is left to provide the backbone here, but high-tech extras have been layered atop to accentuate and compliment, rather than remake completely.

You can tell Oblivion Remastered is a new version of an old game, absolutely, but it also gives some contemporary open world RPGs a run for their money in terms of presentation, art direction and atmospheric effects. It’s a strange mix - part old, part new, part something else entirely - but it works.

Moving forward, Oblivion Remastered should be a reference point for how to update an old game for new audiences, while keeping the magic of the original intact.

As someone who had only played the latest instalment of The Elder Scrolls series until now, I’m impressed to find that Magic plays a deeper, more complex role in Oblivion. Mage builds are not only more viable, but easier to put together thanks to the superior Guild quests found in major cities. You can cast spells with your weapons out, and Conjuration can be used to truly kit yourself out as a versatile battlemage.

Like many players, I’ve tended to slip into a stealth archer build when playing these sorts of games, but in Oblivion I’m being constantly rewarded for experimenting with play-styles, and sampling from all aspects of the game’s build-mechanics. In general, this all feels more in-line with my experience with Dungeons & Dragons, in that regardless of the situation I’m in, there’s probably a stat change, an enchantment, a spell or consumable that can help me tip the scales in my favor.

There’s certainly room to roleplay if you want to stick to one defined path and character, but for those looking for more of a comprehensive experience of the game, there’s very little punishment for trying out something new.

Almost too faithful?

Remastering a game like Oblivion is no easy task, given that the original’s inherent bugginess and unpredictability are big reasons as to why players still bring it up to this day.

The memes are ancient at this point, the slightly wonky line deliveries and erratic camera snaps now heavily ingrained in internet culture. To remake Oblivion completely would be to snuff out its originality and heart, but just how faithful can you be before you simply offer up what amounts to the same game just on newer platforms? Well, Oblivion Remastered is just about as close as I think it’s possible to get to while walking this particularly precarious tightrope.

As a modern way to play a historically significant game, this is perfect for new players, preserving the spirit of the original while making it as pain-free as possible to experience. The developer has definitely erred on the side of caution with Oblivion Remastered, choosing to leave things the way they were back in 2006 instead of switching them out for elements that would probably be better to play in 2025.

This devotion to the source material, while admirable and ultimately the right call, does lead to a few downsides. The difficulty settings are all over the place, not quite managing to bridge the gap between simplified levelling systems and the newly updated combat mechanics.

I was constantly switching between two settings, finding one too easy and the other tough as nails. There’s also stability issues, where the new atmospheric effects and lighting slow things down in the open world. Whether these are new issues, or remnants of ancient bugs, I don’t know. But really, it’s disheartening to run into so many inconsistencies in what is an otherwise beautiful game.

Throughout my 80 or so hours of play time, I’ve actually run into fewer bugs than I’ve come to expect from a Bethesda RPG. That’s not to say it’s been smooth sailing, with strange visual glitches, quest-halting bugs, and straight hard-crashes being semi-frequent.

What’s really disappointing is that after looking up fixes for the issues I was experiencing, I found that they were predominantly issues that were rampant in the original version. This is unfortunately a consequence of choosing to remaster rather than remake, likely unavoidable with the level of care put into preserving the original’s more charming blemishes.

Still, I’d rather deal with twenty year old bugs than play a sterilized, over-polished remake that’s missing what fans loved about Oblivion the first time around.

On the whole, Oblivion Remastered is a triumph. A carefully considered love-letter to a game that’s been somewhat overshadowed in the years since its successor’s launch. By skating the line between remaster and remake, Bethesda and Virtuos manage to offer up a worthy modernization that finally gives more players the chance to weigh Oblivion up as the best game in The Elder Scrolls series.

It’s so good in fact, and I can’t believe I’m about to say this, but perhaps just one more version of Skyrim wouldn’t be so bad? Okay, maybe we should settle for Morrowind first.

Should I play The Elder Scrolls 4: Oblivion Remastered?

Play it if…

Don’t play it if…

Accessibility

Oblivion Remastered features expanded accessibility options when compared with the original.

Aim Assist, five difficulty settings, and the option to turn off blood splatter are the only gameplay features on offer.

Sound is broken down into multiple categories that can be tweaked to personalize the experience, and FOV can be changed for both the first and third person viewpoints.

Text size and subtitle text size can be increased, though I found the largest options to be on the smaller size, especially when playing on a TV. There’s full button mapping, meaning the game should be compatible with accessibility controllers like the PlayStation Access.

Overall, this is a pretty standard suite of accessibility features. It would have been nice to see more resources put into further expanding the options, given this is a remaster, with gameplay-specific contrast modes and colorblind options being missing at present.

How I reviewed The Elder Scrolls 4: Oblivion Remastered

I played Oblivion Remastered for 80 hours on the PlayStation 5 Pro. During that time I completed Guild Quests for Fighters Guild, Thieves Guild and The Dark Brotherhood.

I played around half of the campaign, choosing instead to focus on thievery to get myself a house in Anvil, which did end up being haunted. I’m planning to continue playing the game, leveling up my lockpicking, Heavy Armor and Blocking, hoping to set off clearing Forts around the map. I played in Performance Mode throughout, which prioritizes frame rate over graphical resolution.

On PlayStation 5 Pro, I played the game using a 4K LG gaming monitor (LG UltraGear 4K Gaming Monitor 27GR93U). I used a DualSense Edge controller, with the Razer Blackshark V2 gaming headset connected via the controller jack.

Occasionally, I’d move the game onto PlayStation Portal to play on the go. I found Oblivion Remastered to be the perfect PS Portal game, with great presentation and stability throughout.

First reviewed May 2025

2053 A.D. The last bastion of humanity flees Earth as it’s caught up in a conflict between two unknown alien factions. The White Whale mothership crash lands on the seemingly habitable planet of Mira where humanity has a chance to begin again, but their struggles are far from over. Two months later, you’re discovered in a drop pod without a single memory save for your name. And so begins Xenoblade Chronicles X Definitive Edition - easily one of the best RPGs (role-playing games) I’ve played in recent years.

As the newest resident of New Los Angeles - humanity’s massive home base that successfully landed on Mira mostly intact - you’re swiftly encouraged to join BLADE (a handy shortening of Builders of the Legacy After the Destruction of Earth), an elite force tasked with everything from exploring Mira and subduing threats to gathering resources and keeping the peace on home ground.

Within your first hour, you’ll select one of eight BLADE divisions to be a part of, each specializing in a particular field (though these are fairly inconsequential outside of the online modes which I wasn’t able to try for this review). These include Pathfinders who specialize in deploying FrontierNav probes to expand the map, and Interceptors who’re tasked with handling dangerous fauna. No matter which division you pick, you’ll still get to explore Mira in pretty much any way you like.

While Xenoblade Chronicles X Definitive Edition does have a main story to follow, it’s not as much of a focus compared to the other three games in the series. Instead, you’ll be spending the bulk of your playtime ticking off side quests and party member affinity missions (of which there are plenty of both) in order to meet requirements for unlocking story missions and expanding your home base of New LA.

On paper it sounds like a slog - and indeed many quests can boil down to simple item fetches or enemy hunting. Thankfully, the context of each quest makes almost all of them worth doing. Each one meaningfully expands the lore of Mira and its many alien races. There’s also a fantastic feeling of progression here, as a good amount of quests will unlock more features in New LA as well as allow these other races to gradually inhabit the city.

There’s a real feeling of growth and community that’s seldom seen in the genre. And, if you’re paying attention, you’ll notice the various races co-existing. They’ll form their own friend groups, frequent commercial establishments, develop romantic relationships, and contribute to New LA in their own ways. It’s not a real-time simulation by any means, but it all still adds so much detail and flavor to the world around you.

In summary, I love the world of Mira, and I love Xenoblade Chronicles X’s approach to character development and overall progression. Sure, the lengthy gap between main story missions won’t sit right with everyone. Think of it like a hot bath; dipping a toe in can be intimidating, but if you allow yourself to slowly settle in, you’ll find an incredibly rewarding and satisfying experience. It might well be a re-release, but Xenoblade Chronicles X Definitive Edition is handily one of the best Nintendo Switch games today.

The world’s your (extremely dangerous) oyster

Besides the hub of New LA, Mira is split into five distinct (and utterly massive) biomes. Bordering the city is Primordia, a lush grassland dotted with lakes and mountains. To its west is Noctilum, a labyrinthine forest that combines wide open spaces with plenty of narrow pathways to explore. In the east you have the desert-like Oblivia, then off to the north is the ethereal Sylvalum and then bordering that is the volcanic region of Cauldros.

While these all sound like your cookie-cutter video game biomes, each has unique touches that help them really stand out. Noctilum, for example, is dense with large coral-like structures. Oblivia is dotted with towering ruins of an ancient civilization. Cauldros is heavily industrialized, having been largely taken over by the antagonist Ganglion race.

As you might expect from the Xenoblade series, there’s no shortage of breathtaking vistas to discover and the sense of scale is truly unmatched. The old adage of ‘if you see it, you can go there’ is often claimed but rarely actually true. However, in Xenoblade Chronicles X, you’d better believe that this is absolutely the case. Especially later in the game when you unlock the Skell, a flight-capable mech that greatly enhances your traversal options.

What’s especially great about Xenoblade Chronicles X is that you’re free to explore much of Mira from the off with your party of four including the player character. At first, your key objective in exploration will be finding FrontierNav sites at which you can unlock new fast travel points and reveal surrounding points of interest such as treasure locations or powerful Tyrant-class enemies.

On the topic of enemies, you’ll swiftly find that Mira is an incredibly dangerous place. High-level mobs are abundant, often strategically placed to discourage careless exploration. Xenoblade Chronicles X is not a power fantasy; you will frequently fall foul of enemies more than happy to ambush you when you least expect it. Thankfully, punishment for a full party wipe is lenient, simply taking you back to the nearest landmark or fast travel point.

Enemies are also surprisingly dynamic in their behavior. Many only appear at certain times of the day. They can also change their approach to you depending on your mode of travel; some may be perfectly willing to leave you be if you’re on foot. But in your Skell, they might be more hostile. Skell travel, while convenient, isn’t exactly a free lunch, either. Skell fuel is a limited resource and certain airborne mobs will attack if they spot you flying around.

This may sound super frustrating, but the flipside is that eventually, you will be able to fight back against enemies that previously gave you a hard time. It’s so satisfying to plow through an area that was at one point impassible due to the level gap. As you continue to improve your ground gear and Skell builds, you’ll gradually find that more of Mira opens up to you in a very natural way.

Guns, blades and indigens

Describing Xenoblade Chronicles X’s combat in full would require at least another 5,000 words and my boss would hate me, so I’ll do my best to detail the highlights instead. In short, X’s battle system is rich in depth and so incredibly fun once you get your head around it. But thanks to Definitive Edition’s better tutorialization, things are generally much easier to learn.

You and your party members will have access to a pool of Arts (read: skills) depending on their class (you can freely upgrade and switch yours as you progress, too) which you’ll assign to one of eight slots on the Arts Palette. Arts are color-coded; orange and yellow are melee and ranged attacks respectively. Green Arts provide support such as buffs or healing. Purple Arts typically apply debuffs to enemies, while Blue Arts grant the character an ‘aura’ which provides various temporary benefits.

What makes combat in X so engaging is you can’t just be throwing out Arts willy-nilly. Most will be more potent when used under certain criteria, such as hitting an enemy from its side, or activating the Art while you have an Aura active. It’s largely up to you which Arts to put on your Palette, but the game strongly incentivizes using Arts that synergize with one another.

A new ‘quick cooldown’ button has been added to Definitive Edition, too, which lets you immediately use an Art without waiting for its cooldown. The Art usually won’t be as powerful in this state, but it’s a very handy thing to have if you’re clearing out a group of weaker mobs or looking to quickly reapply a debuff.

That’s most apparent with Xenoblade Chronicles X’s coolest combat feature: Overdrive. Unlocked early on in the story, Overdrive is a massively powerful party-wide state. It lasts for about half a minute, during which time your Arts cooldowns will be greatly sped up and the party will be able to access a variety of bonuses based on the Arts you use.

In Definitive Edition, it’s easier than ever to tell which Arts to use, thanks to a color-coded chart displayed on-screen during Overdrive. For example, using three melee Arts in a row will boost the experience gained from the fight. Using a Blue and Green Art in succession will provide healing, and using a Green Art followed by any other will double its hit count which increases your TP (the resource required to enter Overdrive in the first place) gain.

Ideally, to get the most out of tough encounters, you’ll want to get your TP back up to 3,000 within your Overdrive window in order to activate it again, replenishing its timer. If managed correctly, you can keep the Overdrive state active throughout an entire fight. Pulling that off feels so, so satisfying and in the late game, it became the reason why I think X has the best combat system in the whole series. It’s up there with Xenoblade Chronicles 2’s take on the Chain Attack system for me.

As great as the on-foot combat is, I unfortunately can’t say the same for Skell combat. It’s as slow and clunky here as it was in the original. Skells feel incredibly floaty, and the Arts provided by its equipment typically have much longer cooldowns. You also can’t use the quick cooldown feature while in your mech. They can certainly be powerful, and hopping into your Skell if you’re running low on health is a viable tactic, but I do wish developers Monolith Soft could’ve taken the time to tighten up Skell combat as it just doesn’t provide the same rush as the on-foot Overdrive loop.

The fairest of them all

While Xenoblade Chronicles X Definitive Edition is certainly a little dated in the visuals department, by no means does that make it an ugly game. On the contrary, it provides some of the most gorgeous environments I’ve ever seen rendered on Nintendo Switch. Improved character models and an overall bump in resolution also help Definitive Edition look much sharper and cleaner than its Wii U counterpart.

As ever with the series, draw distance is incredibly impressive for a Switch game. However, some pretty egregious object pop-in is still an issue, especially in the busy hub of New LA. Non-player characters (NPCs), objects, and moving vehicles can materialize right in front of you. This can also happen out in the open world; I’ve had many times where I’ve descended onto a seemingly empty patch of earth to grab a treasure or open up a FrontierNav site, only for a group of high-level enemies to spawn in and obliterate my Skell in an instant.

In better news, performance is a mostly stable 30fps (frames per second), only rarely dipping when loading into a new area after fast travel. Load times are also impressively quick for the Switch; it wasn’t often that I had to wait longer than 10 seconds to beam into a new location, making general exploration extremely quick and convenient.

Lastly, I have to make a note of Xenoblade Chronicles X’s god-tier soundtrack. Composer Hiroyuki Sawano - well-known for his work on Attack on Titan and Kill la Kill - provides a legendary score for this game, and he’s back with new music for Definitive Edition, too. His work here does feel distinctly anime, with epic, sweeping tracks for the game’s biomes and vocal-driven battle themes that I never get tired of listening to.

Should I play Xenoblade Chronicles X Definitive Edition?

Play it if...

Don't play it if...

Accessibility

Xenoblade Chronicles X Definitive Edition is unfortunately very minimal in terms of accessibility features. You’ve got subtitles on by default and you can adjust dialogue text speed, but that’s really about it. There are no colorblind options, which would have been helpful to some players given the battle system’s reliance on color-coded Arts.

How I reviewed Xenoblade Chronicles X Definitive Edition

My playthrough of Xenoblade Chronicles X Definitive Edition lasted around 80 hours. This included the main story, most side quests, a good amount of affinity missions, and the new postgame content. I unfortunately wasn’t able to test the game’s online features for this review, as these will open up on release day.

I played the game on my Nintendo Switch OLED in both docked and handheld modes. I found it to be surprisingly playable and stable in handheld mode despite the drop in overall image quality and resolution, but still looks noticeably less soupy than other Xenoblade titles on that OLED screen. For docked play, I played on an LG CX OLED TV primarily with a GameSir Nova controller.

First reviewed March 2025

As a lover of Obsidian Entertainment’s catalog of incredible role-playing games (RPGs), I think Avowed is absolutely another feather in the developer’s cap. Taking place in the Pillars of Eternity universe, Avowed offers plenty for series fans to chew on lore-wise, while being a rich and inviting gameplay experience for newcomers.

You’d be forgiven for thinking Avowed is a Skyrim-esque experience with its first-person perspective, flexible build variety, and a focus on real-time combat. But that’s really where the similarities end; Avowed is very much its own beast. And while it might not hold a candle to the breathtaking immersion offered by an Elder Scrolls game, it handily trumps them in regards to both combat and the overall quality of the writing. Witty, engaging, and dripping with tidbits of lore at every turn, it’s certainly up to the usual Obsidian standard.

It is, however, fair to say that Avowed won’t be for everyone. Omissions like the complete absence of a day/night cycle and the inability to pickpocket do hamper some avenues of role play. And even though the game has a satisfying compact 25-30 hour runtime, the occasional filler quest can slow pacing to a crawl.

These complaints aside, Avowed is still definitely worth checking out if you’ve got a fantasy RPG itch to scratch, and it’s a fantastic start for Xbox Game Studios’ 2025 output.

Voice in my head

The player character in Avowed might just have the most unenviable set of tasks I’ve ever seen in a fantasy RPG. As the envoy of the Aedyran Empire, you’re sent off to the untamed, largely lawless frontier of the Living Lands. It’s a seriously dangerous place that folks nonetheless try their luck on in order to build a new life for themselves.

Unfortunately, the locals aren’t best pleased by the presence of the empire, and most NPCs treat you with the appropriate amount of suspicion. The empire also isn’t doing itself any favors, as it attempts to bring order to the Living Lands through authoritative measures.

As the envoy, you’re thrust into the center of proceedings. Officially, you’re here to investigate and quell the Dreamscourge, a spore-like plague that can turn people and creatures into uncontrollable, murderous lunatics. However, as the game progresses, you do get the feeling that this is just a front for the empire’s true intentions of control and dominance.

You’re also a godlike, a person born with unique powers and a connection to the Adra, a crystal-like substance that has a consciousness all its own. This entity makes itself known as a veritable voice in your head, and much of the intrigue in Avowed comes from you deciding just how much you can trust it - especially as it seems to regard the Dreamscourge as a boon rather than a plague to be eradicated.

It’s an involving setup that leaves plenty of room for you to make your own choices. And while not every decision you make from quest to quest is directly consequential, there’s enough for you to decide how to conduct yourself and shape the future of the Living Lands. Do you represent the empire with unwavering loyalty, or grow sympathetic to the land’s resistance factions? It’s all presented through Obsidian’s expert penchant for writing, and I found myself eager to keep playing throughout as a result.

And my axe

So how does character building work in Avowed? Well, there are three distinct skill trees you can invest points into upon leveling up, covering the fantasy RPG trifecta of fighter, ranger, and wizard. Each has myriad perks to help make your character stronger, with new perks opening up as you reach level thresholds.

What I will say is that sticking to one particular archetype (say, exclusively two-handed weapons) isn’t the best idea. Avowed can be a surprisingly difficult game, and given that you can swap between two distinct weapon loadouts at the press of a button, you’re strongly encouraged to mix up your build.

I opted to go for a mix of everything, with a sword and shield as my primary set, and a pistol paired with a grimoire of spells as my secondary loadout. With this I was able to cover practically all bases; strong offense and defense for up-close encounters, as well as two ranged options for crowd control and keeping a distance. What’s great is you’re not locked into any specific archetypes, with point respeccing costing only a small amount of gold.

While you can of course hard-focus your character down a specific skill tree if you’re wedded to a certain weapon type or armor class, I personally loved being able to adapt on the fly, especially as battles typically come against large mobs of enemies. Enemy packs do tend to show signs of organization, too, with pesky ranged units peppering you from a distance while chunkier shield-bearers getting up in your grille. Being able to respond with the same - hopping from a flaming sword to explosive crowd control spells - is where I got the most from Avowed’s combat.

And to be frank, you’ll need all the skills you can get. At launch, the combat AI of the companions you acquire in the game leaves a lot to be desired. It was all too often that I’d witness a close-range tank like Kai (the first companion you’ll meet close to the start of the game) either fail to close the gap to enemies or simply not bother to attack. It was a rare occurrence that companions left an encounter without being incapacitated first. Your party members can’t die, thankfully, but it would be nice to see improvements to their combat behavior in future patches.

With a little help from my friends

Your party members aren’t much use in combat, then, but that doesn’t mean I don’t love them. Each of Avowed’s primary companions brings a unique, fleshed-out personality, and there’s plenty of banter to enjoy between them a la Dragon Age or indeed Baldur’s Gate 3.

Kai is the first one you’ll join up with, and contrary to his gentle giant appearance and mannerisms, he’s actually pretty loose-lipped which can hilariously cause more problems than it solves. Yatzli, meanwhile, is an absolute delight. Genuinely funny and perhaps ever so slightly unhinged, she became a staple in my party of three (that’s yourself and up to two companions) simply because I couldn’t get enough of her dialogue.

Your companions do have their own skill trees for you to invest in, which include passive perks and active skills they can perform on command which does lend them a bit of usefulness in combat. Typically, these skills are good for crowd control, such as Kai’s ability to stun enemies, or Marius’s trap-laying skills that can hold enemies in place for a good chunk of time.

A land worth living in

In Avowed, the setting of the Living Lands is genuinely breathtaking. More ‘open zone’ than ‘open world’ (like The Outer Worlds, you’ve got a lot of individual areas to explore separated by loading screens). However, each is richly dense with meaningful side quests, opportunities for exploration, and no shortage of jaw-dropping vistas to gawp at.

You have the bustling city of Paradis, itself replete with enterable buildings and winding side paths. It’s a labyrinthine city in nature and it’ll take some time for you to get your bearings there, but that’s partly why I love it; I simply didn’t know what to expect around every corner.

Emerald Stair was another highlight for me, an area absolutely dripping with a morose atmosphere - its deathly quiet farmlands and surrounding forests genuinely left me feeling unsettled. It has an almost dreamlike quality to it, making exploration in itself feel plenty rich and rewarding.

The maps of Avowed are quite large and there’s plenty to explore in each. You’ll be encouraged to, as well, as you’ll want to find valuable resources to craft and improve your gear to keep up with enemies that increase in strength as you progress. Avowed doesn’t employ cheap level scaling, thankfully, and it’s quite easy to wander into areas filled with powerful enemies you’re just not ready to take on. Exploration overall, then, can be as dangerous as it is rewarding.

Over on the performance front, Avowed does occasionally buckle under the weight of its busy, richly detailed areas. I ran into frequent frame rate hitches on PC, but the game was more stable on Xbox Series X. On console, I felt that the 30fps (frames per second) Quality mode was a little too choppy to be enjoyable, but the 60fps Performance mode was much smoother - even if the overall impact on lighting and image quality was quite noticeable.

Should I play Avowed?

Play it if…

Don’t play it if…

Accessibility

Avowed has a good amount to offer in the accessibility department to accommodate players of all kinds. On the camera front, you can adjust the head bob and camera shake strength (or turn them off entirely) if you’re prone to motion sickness. For the user interface, you can adjust text size and there are plenty of subtitle options, from displaying a speaker’s name to adjusting subtitle background opacity. There unfortunately doesn’t appear to be any colorblind options available at launch, however.

There are also five difficulty settings: Story Time, Easy, Normal, Hard, and Path of the Damned. So there’s plenty here to tailor a difficulty experience that’s right for you and, they can be changed at any time.

How I reviewed Avowed

My time with Avowed lasted roughly 25 hours across both PC and Xbox Series X Digital Edition. I was able to carry my save between platforms thanks to the Microsoft account functionality.

Playtime included a full playthrough of the main campaign, as well as a generous helping of side quests and exploration to improve my character’s gear. I predominantly played with an Xbox Wireless Controller on Xbox Series X, and the Razer Wolverine V3 Pro on PC. On console, I played on an LG CX OLED TV.

First reviewed February 2025

Shin Megami Tensei and Persona series developer Atlus is back with its first original franchise in years in the form of Metaphor: ReFantazio. This new game trades in the modern-day Japan backdrop for a decidedly dark fantasy setting - something we haven’t really seen from Atlus since the Etrian Odyssey series.

However, Metaphor’s take on fantasy is remarkably different from its peers - and it’s highly ambitious. The game presents a world racked by discrimination and a broken class system in which church and state very much operate hand in hand. It explores how peoples’ fear and anxiety can be weaponized against them - and how that can cause people to confidently act against their own best interests time and again.

This - paired with an evolution of Atlus’s challenging ‘press turn’ battle system that merges the best elements of the developer’s other franchises - makes for a constantly engaging role-playing game (RPG) that never once grew stale across its mammoth 80-hour runtime. With all that said, Metaphor: ReFantazio is easily the best RPG of the year, one of Atlus’s best games to date, and shouldn’t be missed whether you’re familiar with the developer’s back catalog or not. 

Fight for your right

Metaphor: ReFantazio’s world is inhabited by numerous humanoid tribes, each with their own defining features such as horns, wings, or facial markings. Most of the tribes tend to keep to themselves, with rarely a nice thing to say about one another. Most have also fallen into the teaching of the Sanctist Church, which also acts as the world’s primary governing body.

Our protagonist hails from the eldan tribe, a near-extinct race defined by the fact that they have no, well, defining physical features at all. They are the closest to resembling real-world humans and thus are the most shunned of all of Metaphor’s societies. What the game refers to as ‘humans’ are instead towering, demonic monstrosities that roam the land, terrorizing countryside and communities both. You can see a bit of meta-commentary starting to form there, then, but to divulge more here would be to encroach on spoiler territory.

The story in Metaphor begins as the world is thrust into a rite of royal succession. The culprit is a high-ranking military man known as Count Louis. After assassinating the king in cold blood and placing a curse on the prince that puts him into a coma, we, as the prince’s aide, are tasked with bringing the Count to justice. However, that’s much easier said than done; while the populace knows Count Louis to be the culprit, discontent with the royal family and the Sanctist Church have made him a popular figure and thus a frontrunner to succeed the throne.

Much of Metaphor’s narrative revolves around the ‘Tournament for the Throne’- a contest set into motion by the deceased king. It’s here where our protagonist and his band of comrades must make a name for themselves in order to be considered worthy of Louis’ attention.

It’s an eclectic and diverse bunch, too. There’s Strohl - a nobleman’s son bent on killing Louis after razing his village to the ground - as well as Hulkenberg, a decorated royal knight who blames herself for being unable to protect the family in her charge. And that’s just the first two party members; the rest each have their own vibrant personalities, motivations and backgrounds that are equally rich and tragic. I’m also a huge fan of the wide variety of British accents used in the game’s English dub, ranging from East London ‘cockney’ and Welsh to Irish and Liverpudlian.

Overall, Metaphor: ReFantazio presents a constantly gripping story that I found incredibly difficult to step away from. It’s a veritable virtual page-turner where I often found myself playing into the wee hours of the night just to unfurl the next chain of unpredictable events. 

Royal beggars

The flow of gameplay in Metaphor: ReFantazio feels like a broad mixture of systems from other Atlus games. Like the Persona series, Metaphor features a calendar, but it only covers about four months as opposed to a year. The tradeoff there, then, is that you’re not attending school in Metaphor, and therefore there’s more you can do in a single day. Days are broadly split into two halves; day and night. Performing an activity consumes one of these halves, unless you’re exploring a dungeon, which will take up the whole day.

Metaphor repurposes Persona’s social link system as ‘Followers.’ There are 14 of these that’ll gradually unlock over the course of the game, and includes your party members and non-player characters (NPCs) that play a key role in the narrative. Improving your standing with your followers is crucial, as you can unlock various benefits such as increased battle experience, cheaper rates at shops, and new Archetypes to take into combat (more on those later).

You’ll also have opportunities to perform activities that increase the protagonist’s five Royal Virtues. These are Courage, Wisdom, Tolerance, Eloquence and Imagination, and upgrading them is essential to unlocking further bonuses with your Followers. My tip would be to spend your free days improving these, if you don’t have any dungeons to explore or present Follower conversations to see to.

Tasks like these will most often be done in the days you have before a plot-crucial deadline, which usually comes in the form of clearing one of the game’s major dungeons. I often found myself planning out my days in advance, and there’s a great deal of satisfaction in clearing up your to-do list with enough time to spare.

What's your Archetype?

Metaphor: ReFantazio employs Atlus’s ‘press turn’ style of battle system most commonly found in the Shin Megami Tensei series. Essentially, on your turn, you’ll have up to four actions based on the number of characters in your party. By attacking, guarding, or using an item, you’ll consume one of these actions by default. However, hitting an enemy’s elemental weakness (or passing a character’s action onto another) will only consume ‘half’ of it, thus increasing the number of actions you can perform in a whole turn. On the other hand, if an enemy dodges, blocks or repels your attacks, you’ll lose precious actions or possibly even your whole turn.

As a result, battles will typically either be a resounding success or a crushing disaster. Mercifully, Atlus has thrown in some lifelines this time. You can choose to restart a battle at any time (with enemy weakness and resistance analysis carrying over), and the game isn’t instantly over if the protagonist dies in battle.

The real genius of Metaphor’s battle system, though, is Archetypes, which feel more like traditional RPG classes that each bring their own sets of skills and abilities.These are Persona-esque summoned entities in appearance, but they really feel more like Shin Megami Tensei’s demons, with all the customizability and player expression those bring.

Also, there are zero restrictions on party members equipping different Archetypes. Unlike Persona, it’s not just the protagonist that gets free reign. As a result, different quests and dungeons will typically require you to change up your party and Archetype composition each time. For example, some enemies may be susceptible to a specific element, encouraging you to bring along magic casters. Others, rather humorously, might be enraged if they so much as see a staff, implying you should bring along a number of melee-based Archetypes.

Now, party members do have base stats to consider. Hulkenberg has high Endurance by default, making her excel with tankier Archetypes like the Knight or the Brawler. Heismay (a former knight hailing from the mouse-like eugief tribe) is physically weaker but has naturally high Agility, meaning Thief and Gunner Archetypes are perfect for him. Strohl is something of an all-rounder, making him handy for trying out specialist Archetypes like Merchant (which has attacks that literally cost money) and Faker (which specializes in applying debuffs to enemies).

Archetypes also have some leeway in which skills they can equip with up to four free slots with which they can inherit skills from others. This means that you can carry over skills that you regularly rely on should a quest or dungeon require you to change up your Archetypes. Each also has its own set of resistances and elemental weaknesses, which you’ll need to take into account to avoid enemies getting too much of an advantage.

To summarize, I think this is Atlus’s most rich and in-depth battle system to date. You simply can’t plow through the entire game relying on the same handful of Archetypes; you’re constantly asked to adapt to the situation at hand. This means you’ll get plenty of use out of every party member (there’s little room for choosing favorites here), and discovering which Archetypes are best suited to each - not to mention unlocking more powerful versions of them - is an adventure in itself.

Delightfully dystopian

While not the most visually stunning game on the market, Metaphor: ReFantazio nonetheless sells its setting with incredible art direction. The brutalist architecture of the royal capital of Grand Trad is striking, as are its dingy alleyways where the least fortunate in society congregate. Even in more seemingly well-to-do areas like the castle town of Martira or the port of Brilehaven feel like they’re subtly stagnating, helped in part by the deliberately drab color palette that goes a long way to sell the grim fantasy setting. It’s certainly Atlus’s grittiest-feeling game - probably since the PlayStation 2’s Digital Devil Saga.

The game’s soundtrack is also a highlight with renowned composer Shoji Meguro returning for the score. Here, he trades in the infectious pop beats of Persona and the grimy rock sound of earlier Shin Megami Tensei games for something more orchestral and offbeat. The battle themes are the crowning achievement here, for sure; while they took some time to grow on me, the fast-paced, almost overbearing chanting really helps drive battles forward.

Unfortunately there are some performance issues that Atlus should look to iron out with future updates. Atlus targets 60 frames per second (fps) here, but it can chug as low as 30fps in busier city areas and when traveling between zones. It does hold up better in battles and in dungeons, but overall performance is currently a blemish on an otherwise pristine package.

Accessibility

Metaphor: ReFantazio has no dedicated accessibility features, though it does have a robust difficulty selection for those who want to tailor their experience. Players can also choose to enable a network function that shows how others spend their in-game days, offering a handy bit of guidance in case you’re torn between multiple choices.

Should I play Metaphor: ReFantazio?

Play it if...

Don't play it if...

How I reviewed Metaphor: ReFantazio

My full playthrough from start to credits for Metaphor: ReFantazio lasted around 85 hours on the Normal difficulty setting. During this time, I was able to max out all Follower ranks, unlock most Archetypes and complete most side quests in addition to completing the main story.

Being a fan of the RPG genre and having played almost all major Atlus releases since the PS2’s Shin Megami Tensei 3: Nocturne, I’ve been able to experience the developer’s growth of its turn-based battle systems and storytelling over the years. With Metaphor: ReFantazio, I found a relatively much more mature story and arguably its most refined battle system to date.

I played through the game on PS5 on an LG CX OLED TV, using a DualSense Edge controller, occasionally playing with a JBL Quantum 910P gaming headset which really helped the game’s soundtrack to pop.

First reviewed October 2024.