Open-world gacha game, Infinity Nikki, is the fifth entry in the Nikki series. The franchise, developed by Papergames / Infold Games, was previously available on mobile devices only. In fact, the series had completely flown under my radar until late September when I got the chance to play the Infinity Nikki demo at the Tokyo Game Show.

What intrigued me back then was the notion that this free-to-play game would allow me to progress at a leisurely pace and have a stress-free time, without worrying too much about leveling characters and gear just to take on tough bosses. This concept is almost antithetical to what I’ve experienced in titles like Genshin Impact, Zenless Zone Zero, Wuthering Waves, and others, where “pulling for meta characters” and “min-maxing stats” are tantamount to improving your chances at completing late-game content.

Fortunately, Infinity Nikki managed to exceed my expectations, thanks to its gorgeous visuals and exploration beats, some of which reminded me of other successful titles. However, it does suffer from a few pitfalls, most notably those related to the series’ use of mobile game-focused ideas.

Welcome to Miraland

Infinity Nikki’s campaign begins as the titular character, along with her cat companion Momo, are sent to a magical realm known as Miraland. This leads to an isekai-style romp that takes them to nearly half a dozen explorable regions in search of the fabled Miracle Outfits.

These zones of Miraland include the city of Florawish, where I learned more about the setting, as well as the green fields of Breezy Meadows. Later, I marveled at the sights of the Abandoned District, a region consisting of multiple towering islands that are only reachable by gliding across tornado-filled seas.

Likewise, there’s the Wishing Woods, a forest that’s dotted with several twisting pathways, tall treetops, and thorny vines. Regions also have their own uniquely themed dungeons, such as a power plant in the sewers and a runaway train with scarecrow-esque ghosts.

Infinity Nikki’s themes and cartoony designs tend to be bright, vibrant, and vivid, as though the whole experience is meant to be a joyful celebration. Even the theme song performed by Jessie J, 'Together Till Infinity,' which plays whenever I launch the game, is so upbeat that I can’t help but tap my feet to the tune. But what makes the world truly come to life is the use of various environmental features to aid in traversing these aforementioned regions.

For instance, there are giant birds and paper cranes that give you a good vantage point of your surroundings. Do you want to reach a distant island? You can do that by passing through floating rings that are suspended in mid-air. Need to get to the top of a mountain? There might be a seal that could toss you over yonder. And, yes, there’s also a bike that you can ride across hills and fields.

However, the main downside is that comical and silly themes also cause Infinity Nikki's narrative arc to falter. Although some story beats have a more serious tone – such as Florawish villagers falling into a coma or hopeful wishes being stolen – some ideas just weren’t compelling and several supporting characters were plainly unremarkable.

Runway modeling and runaway spending

The Nikki series is known for its dress-up mechanics and Infinity Nikki is no exception, given that there are several outfits that grant unique abilities. Early on, I obtained attires that allowed Nikki to glide in mid-air, pet animals, catch bugs, fish in rivers, and even fix electrical panels. Later in the game, I actually made a dress that caused Nikki to shrink so I could control Momo instead.

These ability dresses, as well as many others that I found during my travels, can be used in Styling Contests and the Mira Crown. In these activities, I was graded based on Nikki’s clothing score or whim, denoted by attributes like ‘Sweet’, ‘Cool’, ‘Elegant’, and bonus points from cosmetic frills. All of these make for a very engaging gameplay loop that involves finding new outfits and then upgrading them to increase their stats, so you can defeat faction leaders and grab additional rewards.

The above concepts are complemented by a handy wardrobe menu where I mixed and matched clothing parts, hairstyles, and makeup. From dazzling ball gowns, fluffy jackets, shimmering tiaras, and high-heeled stilettos, to colorful blushes, peculiar accessories, floating neon effects, and alternative designs, there are a thousand ways to showcase your sense of fashion. Moreover, the game has an amazing Photo Mode feature that has numerous poses and effects, all to shine a spotlight on your style as you progress.

However, the most glaring issue here is actually tied to the gacha system itself. While cash purchases are disabled in the Infinity Nikki build that I played, I was still able to check out the in-game store and banner. The most telling fixture is that full outfit sets from gacha banners consist of nine or more parts, making it extremely unlikely to get a full set within your first few ‘pulls’ (i.e. gacha attempts). In my case, I spent diamonds, a standard in-game currency, on 100 pulls, and I still wasn’t able to get a complete 5-star set.

It goes without saying that players who are after all the item pieces might feel compelled to spend more money. While the ‘pity system’ helps guarantee a 5-star reward every 20 pulls, I feel that this would exacerbate the problem further.

Countless collectibles and content for the constantly curious

Another facet that bolsters Infinity Nikki’s quirks and charms is the countless collectibles and side content to discover in Miraland. There are collectibles known as Whimstars which are used to unlock outfits and perks in the Heart of Infinity, a skill tree with dozens of interconnected nodes.

Obtaining Whimstars tends to be an effortful and enjoyable endeavor. Some require running around to pick up fragments or looking for a star-shaped graffiti that’s hidden in the environment, while others are embedded in magical creatures that you should pet or catch. There are also those that are found in mini-domains with puzzles, akin to shrines in The Legend of Zelda games like Breath of the Wild and Tears of the Kingdom.

Aside from Whimstars, there are orbs known as Dews of Inspiration, which are vastly more numerous. These are given to a friendly dragon named Kilo the Cadenceborn, who then provides you with extra attires. Additionally, there are side quests where you look for the correct Photo Mode locations, missing perfumes, and historical sites, as well as countless treasure chests to unlock.

In the same vein, there are ways to quickly farm for resources, including Realm Challenges that grant bling currency (i.e. gold) and a “Dig Pear Pal” panel where you passively earn items after enough hours have elapsed. All in all, even if you’re not focusing on the main quest, Infinity Nikki still provides many tasks that enrich the sense of discovery.

Combat conundrums and timegating troubles

One feature of Infinity Nikki that’s sure to be contentious is its combat system, or rather the very simplistic and lackluster way in which it’s presented. After all, this is meant to be a cozy game, right? Sadly, Nikki’s main offensive move is just an extremely basic projectile attack that travels in a straight line, and most enemies can be defeated in a single hit. Coincidentally, certain foes, including bosses, have relatively simple, repetitive, and easily telegraphed attack patterns. Combat is unchallenging to a fault that it’s something I tuned out most of the time while exploring.

Still, combat woes don’t hold a candle to the most egregious of all of Infinity Nikki’s flaws: its mobile game-style approach to timegating. To clarify, there’s already content that causes you to use up energy. But there are also portions of the campaign where you need to increase your Stylist Rank just to receive the next main quest objective. The Stylist Rank requires not just the overall tally of your progress, such as Whimstars collected, total number of outfits acquired, and so on, but also Daily Wishes.

Daily Wishes, as the term implies, come from the daily tasks you complete. Here’s the kicker: these cap at 500 points each day, but some of the overall requirements are not divisible by 500 (i.e. 1,100, 1,600, 2,100 points, and so on). A good example was when I encountered a progress-blocking bug as part of a quest. It took a while for that bug to get fixed and, once I had completed the quest, I was really eager to see what was next in store. Only then did I realize that I lacked points from dailies, so I had no choice but to wait for the next reset.

Timegating also extends to Insights, which are gathering and combat-specific tallies. As you pet animals, catch fish/bugs, take out enemies, and gather resources, you earn Insight points for upgradable perks. However, once you’ve done too many of these actions in a single day, you no longer earn the actual points.

Initially, I thought that these systems were put in place to combat gaming addiction. However, as the days passed, I began to think that these create an adverse effect where players feel more invested since they have no choice but to log in repeatedly. As such, even if Infinity Nikki does have brilliant ideas that kept me entertained, it still suffers from the same pitfalls that characterize forced time investment in mobile and live service games.

Should you play Infinity Nikki?

Play it if...

Don't play it if...

Accessibility

Infinity Nikki doesn’t have much in the way of accessibility features. At best, there are player view assists that cause the camera to pan automatically whenever your character is moving, falling through the air, or fighting enemies. There’s also an Enable Jump Guide Line option that creates a shining glyph below your character so you know where you’d land. Lastly, there’s an option to respawn Nikki in case she gets stuck in the environment.

How I reviewed Infinity Nikki

I played Infinity Nikki on a TCL P755 TV at 4K resolution and mostly high settings. My gaming PC has an Nvidia GeForce RTX 3080 GPU, Intel Core i9-10900K CPU, and 32GB of RAM. I used a Razer Viper Mini mouse and a locally-made keyboard, as well as a Logitech F710 wireless controller.

My progress as of the time of this writing is around 40 hours across six days, and I was able to reach the main story chapter that takes place in the Whispering Woods. On days when I encountered progress-blocking bugs and gameplay mechanics, I opted to tackle side quests and look for collectibles just to get a good grasp of open-world exploration features.

First reviewed November/December 2024.

Mouthwashing has made a statement in late 2024. I wouldn't be surprised if you've seen it all over social media, as more streamers and gaming fans are diving straight into the latest indie horror game. It's easy to see why, even just saying the name of the game makes people go "Mouthwashing? What kind of name is that?". Well, nothing can quite prepare you for the next two hours or so worth of gameplay, I can tell you that much. A game with a title so strange deserves to be a wild ride and god, I'm going to be thinking about this for such a long time alongside many of the other best horror games out there.

Indie game developers Wrong Organ are the ones to blame for the inevitable onslaught of nightmares I'll have over the coming days, as they've burned their horrifying imagery into my retinas and they're probably feeling pretty gleeful about that. In fact, it's so utterly disturbing I've had a hard time picking out images for this article for fear of scaring away half our audience. I've spared you the worst of it, whether or not you go and see the rest for yourself is up to you.

In space no one can hear you... drinking mouthwash?

Mouthwashing has a wonderfully sadistic premise. The five-person crew of the Tulpar, a freighter spacecraft owned by Pony Express, find their ship in a state of emergency. It was intentionally crashed, causing irreversible damage, and now its crew is stranded in space. We learn this in the first 30 seconds of the game where a little tagline in the captain's log reads I hope this hurts. It only gets darker from that moment on.

Not only are they stranded, and they've had their personal credits docked due to navigational incompetence (you will quickly learn Pony Express likes to dock worker's pay), but food and supplies are rapidly running out. But, hey, they're transporting cargo! Surely there's something of value in there right? They'll be penalized if they take a little peek at what they're transporting, but surely it's worth the risk if you're literally stranded?

Well, as the title foreshadows, their cargo is useless. It's just boxes and boxes of mouthwash. No food in sight, nothing useful. As if being stranded wasn't cruel enough. Sanity is in short supply too, and that soon begins to dwindle.

We play as Jimmy, the co-pilot of the Tulpar. He's Curly's second in command, and the captain has seen better days. When we meet Curly, we learn he bore the brunt of the damage from the crash, rendering him mute, physically scarred, and without any hands or feet. He's in a terrible condition and has a frightening appearance, something the game does not shy away from.

The rest is made up of Anya, the nurse and sole female member of the crew (yes, that is an uncomfortable experience), Daisuke the cheerful, naive intern whose parents forced him to get the job, and Swansea the gruff, recovering alcoholic mechanic. The game is non-linear and moves before and after the big crash, where we get to see the dynamics between the characters and Jimmy's worsening mental state. His inevitable breakdown is where the real horror comes in.

The descent into madness

It's important to note that Mouthwashing is a very surreal game. You find yourself in impossible locations, you see things that don't exist, and much of the game is Jimmy hallucinating the most horrible stuff. There are a few jump scares here and there, especially the climactic vent scene near the end of the game, but much of the horror comes from the psychological aspects. Horrible visuals, sudden text popping up on-screen, and Jimmy's often deranged decisions are far scarier than things that go bump in the night. Or day. Frankly, it's hard to tell what time it is onboard the Tulpar and that's also pretty scary.

One of the Steam tags does describe the game as a walking simulator, but don't be surprised if it's more of a "frozen on the spot" simulator because you're bracing yourself for whatever horrors await behind closed doors or hidden inside vents. The game is dialogue-heavy in a lot of places - you'll read a brilliant monologue from Swansea late in the game - but the scares are in abundance too. It's hard to wax lyrical about how great this game is without going into full spoilers, so you're just going to have to see for yourself.

There's a limited amount of voice acting here but the sounds we do hear are crafted in such a way it'll make your skin crawl. Curly's wails and moans of pain, screaming sounds, and eerie corporate jingles are all this game needs to pack a very effective punch. It makes way for the haunting soundtrack to do most of the legwork, which only elevates the horror.

The less said about this, the better, as it really is a game you should go in and experience for yourself. You'll learn so much about the characters for better and for worse, and it leaves a lasting impression. You play for a couple of hours, but it will stay with you for much, much longer.

Should I play Mouthwashing?

Play it if...

Don't play it if...

Accessibility

Mouthwashing is very easy to navigate. There are different language and subtitling options, and since 99% of the dialogue is not spoken and comes up as text, it's very clear and easy to understand. You can adjust your camera sensitivity too, but I played on the default settings and had no issues.

There are also quite a lot of flashing images and things suddenly popping up that are unavoidable, and visually it can be jarring and distorted, but that is simply the nature of the game rather than a technical issue. If you do find yourself affected by these things, just be aware it's a very unforgiving game in that sense.

How I reviewed Mouthwashing

I tested Mouthwashing for around two hours and finished the main game. I played the game using a Lenovo Legion 5-15ACH6H gaming laptop with Beats Flex wireless headphones and a PS5 DualSense Wireless Controller. I also did additional testing with the laptop’s built-in keyboard and Steelseries Aerox 9 wireless gaming mouse, to check that the game ran smoothly in both modes.

Offering you the chance to build a theme park (almost quite literally) brick by brick, Planet Coaster 2 builds on the series’ strengths and addresses some of its most glaring weaknesses. Couple these quality-of-life improvements with a brand new category of attraction – pools, flumes, and water parks – and it certainly seems to be offering a lot to a new generation of theme park fans.

As a creative person who shades on the obsessive side, I’ll admit I’m pretty much genetically predisposed to being a Planet Coaster 2 addict. The series offers almost complete creative freedom at the cost of hours spent meticulously arranging scenery parts and is almost pharmaceutically engineered to squirt dopamine around my pixel-addled brain. As a result, I’ve spent many hours boring the pants off my nearest and dearest about my latest rides and animal enclosures, to the extent I can almost hear the glop of their eyes glazing over as I talk.

But as the oenophile has the shrewdest expectations of the wine they imbibe and the true caffeine addict won’t sip anything other than locally roasted micro-lot beans from a tiny farm in El Salvador, I’ve also got pretty high expectations of my chosen vice. Both Planet Coaster and Planet Zoo helped me scratch my creative itch as PC games while also coming with some limitations that sometimes made me question my habit. So the announcement of Planet Coaster 2 did make me wonder: has developer Frontier Developments finally found a cleaner way for me to get my creative kicks?

Pool party

If you’ve seen any of the Planet Coaster 2 trailers, you’ll already be well aware of Frontier Developments’ big pitch for the sequel: water parks. In fact, in terms of new content, they are the only substantial addition the game brings. I was initially slightly nonplussed by this: could the inclusion of one new ride category encourage me to do any more than dip my toe into this sequel? Do pools and flumes really offer enough to justify sinking hours of my time into a new Planet game? In a word: yes. Yes, they do.

First of all, Planet Coaster 2 allows you to create a wide array of pools. Want to create a classy resort vibe, complete with cabanas, palm trees, and juice shacks? Or maybe you want to create a shallow kiddy pool, replete with donut-shaped swim rings and wave machines? You’re free to shape, customize, and decorate your pools however you like and, as in previous Frontier Developments titles, the only limit is your imagination. New tools allow you to carve out pools in any shape you desire, adjust the depth as you see fit, and adorn them with everything from sunloungers to beachballs.

Flumes also add a lot of fun to your water park. From basic chutes to gargantuan inner tube slides with switchbacks and speed bowls, you can create thrilling flumes that will draw more visitors to your pools. As with rollercoasters, they’re fully customizable – you’ll place them piece by piece, controlling both vertical and horizontal bends, adding special parts, and trying to hit that sweet spot between exciting and nausea-inducing that will encourage your guests to take the plunge.

As with your rollercoasters, your flumes will need to be tested before they can be opened, to make sure they provoke just the right amount of excitement and not too much nausea or fear. While testing you can view the results as they change from moment to moment or check out heatmaps of the whole ride to spot problem areas.

It’s not all fun and games though: you’ll also have to watch over your guests’ safety and make sure the water stays free of pe… err, dirt. Nobody’s at risk of drowning in Planet games – they’re far too cozy for that – but swimmers will panic, so you’ll need to make sure your pool is covered by lifeguards to help calm their distress. Meanwhile, you’ll have to add pool filtration to make sure that water remains crystal clear, hooking up water filters to flumes or to the pool itself.

Speaking of pipes, the utilities in Planet Coaster 2 have had an overhaul as well. While the original Planet Coaster was seemingly a Tesla-inspired free-energy utopia and Planet Zoo just required a generator plonking down here or there, hooking up power and water in Planet Coaster 2 requires a bit more thought. Not only will your generators and pumps need regular maintenance from your mechanics but the resulting electricity and water will need to be distributed around your park. Using underground wires and pipes, you’ll hook them up to power distributors and water filters, which will provide the required resources to everything within a set radius. It hardly requires Factorio levels of micromanagement and can easily be switched off but it adds a little extra realism to your parks.

In comparison to the water parks, traditional rides in Planet Coaster 2 have had much less of an overhaul. You can still design a wide array of rickety wooden coasters, water rides, and super-modern hanging coasters, as well as place thrilling flat rides and customize their sequences. They’re as fun as ever to design and integrate well with your water parks but, if you’re expecting a sea change here, you’ll be disappointed. However, I feel like the water parks add plenty of new challenges and creativity to the game and definitely justify picking up Planet Coaster 2 over firing up the original.

A smooth ride

As you might expect, Planet Coaster 2 has had a bit of a facelift compared to its eight-year-old predecessor.

Unsurprisingly, the most work has gone into improving water effects – lakes and beaches now look much more realistic, with the gradation between shallow and deep water looking much more true to life. Not only does the sunlight glimmer across the surface of your swimming pools but this casts underwater ripples across the ceramic tiles as well. All the water in the game feels like it’s had a literal glow up and it does help to add some visual polish to your waterparks and natural water alike.

Terrain textures too have received some love. There’s a wider variety than ever: alongside familiar terrain from Planet Zoo, like long and short grass, hard and soft rock, there are now multiple rock types, gravel, scree, and several densities of shrubbery, which help really add variation to the landscape. Whether I was creating small coves or craggy peaks, these extra textures really helped make the terrain look richer and more organic.

This ties in nicely with some of the new Scenery Themes, making it easier to match your landscape to various regions. As well as the classic theme park style, the new game also offers Viking, Mythological (read: Ancient Greece), Resort, and, predictably, Aquatic themes. Some of these are fantastic: Viking offers fantastic runic statues, Aquatic beautiful corals and the Greek pack allowed me to relive some of my favorite Aegean destinations.

However, I do miss the versatility of some of PlanCo’s original themes and the relative paucity of animatronics in the sequel does make sequencing ride scenery less exciting. Being able to perfectly program an explosion in a Wild West mine as a coaster roared past, complete with terrified miners leaping to escape the flames, was one of my favorite moments in the original and I hope new content packs will restore some of this creative potential.

I was expecting this graphical boost to have a noticeable impact on performance but I was pleasantly surprised. Playing on an Acer Predator Helios 300 with an Nvidia GeForce RTX 3080, I found my frame rate rarely ever dropped below 65 frames per second, even on the Ultra graphics settings. With all of its AI pathfinding and animal behavior, I found Planet Zoo could get pretty sluggish on some rigs, especially at high guest counts, but Planet Coaster 2 seems to run smoothly even on an older graphics card.

Not only that but, despite assuming the game would be an absolute no-go on the Steam Deck, it actually runs pretty adequately. Yes, your graphics settings will have to plunge like you’re on a drop tower but the game still runs smoothly, averaging out at a decent-for-Deck 30fps. How true this will remain when you’re working with Disney World-sized parks remains to be seen but it shows there has been some effort to optimize things behind the scenes.

Breaking new paths

As someone who has sunk thousands of hours into the original Planet Coaster and Planet Zoo, I’ll be the first to admit that they can be… a little idiosyncratic. It’s become something of an inside joke among fans of the series that the games offer almost unlimited creative potential while also forcing you to butt heads with some frustrating design limitations. Paths and scenery placement in particular have drawn ire for being unnecessarily convoluted.

To its credit, Frontier Developments has tackled some of these complaints head-on in Planet Coaster 2. Object placement has received some much-needed love: you can now turn Snap Distances on and off for all objects, meaning you’re no longer forced to keep building parts on a grid but can also set props to move in relation to the grid when you want. And the new Scale Tool allows you to tweak the size of individual items, something I’ve been desperate to see for a long time, and makes it much easier to create organic variations in the sizes of objects. All in all, this adds a great deal of flexibility to the Blueprints you can create.

There are also plenty of labor-saving tweaks that have been made: the new scenery brush groups together similar items like tropical trees or Mediterranean rocks and quickly paints them across the landscape. You can also easily create your own presets by adding a selection of scenery items. The end result definitely requires some editing to get it looking natural but, as someone who has spent many hours in Planet Zoo getting each collection of bushes and stones looking just right, automating a part of this process is definitely something I appreciate.

In past games, paths were easy to place in general and maddeningly difficult to place in specific circumstances – anyone who has also lost a whole evening trying to stack paths on top of each other in multi-story buildings shares my pain here. Fortunately, path placement has had a complete overhaul: in addition to the Classic Paths tool, there is now an overhauled Line Builder tool, options to manually draw the edges of paths line by line, a Stamp Builder tool to place geometrically shaped paths, and an Edit tool to manually tweak paths point by point. This gives you a whole lot more variability in terms of the shapes of path you can create, making plazas, buildings, and a whole heap more much easier to create.

Water mechanics have previously been this series’ Achilles heel: creating natural ponds, rivers, and lakes was always a bit of a finicky process, often requiring a lot of tinkering before the games would acknowledge water placement as valid. Fortunately, Planet Coaster 2’s swimming pools utilize the new path mechanics – you can carve out pools using shapes or manually set their boundaries by drawing lines, then round their edges using the Smooth Brush. Depth is set according to presets at first – either shallow, wading, swimming, or diving – but you can set the depth to whatever you want with the Edit tool. And you can add paths around the edges automatically using the Customize Brush.

All in all, these features go a long way to reducing the slog involved in perfecting your park.

Off the rails

This isn’t to say that some of Frontier Developments’ more eccentric tendencies aren’t on display: you’ll definitely encounter bugs and odd design choices here and there.

Designing rollercoasters is still that same combination of childlike delight and frustratingly finicky refinement. Having spent roughly 20 minutes designing an old-school log flume that wound through forests, plunged down mountainsides, and splashed through salt lakes, I was pretty happy with my handiwork. But I then had to spend at least another 30 minutes closing the loop: there’s no auto-complete function for certain rides and trying to get the returning track on the same height as the station platform required a tedious process of trial and error.

Ride testing has also maintained some of its irksome habits from the original. Any time I’ve attempted a coaster or flume of significant ambition, it still required a high degree of testing and tweaking to keep speed and G-forces within safe limits. And there are still some glitches here. One of my early flumes repeatedly tested as being around a 15 in terms of fear overall – a bowel-liquefying level of terror that wouldn’t allow me to open the ride – despite the fact heatmaps showed the fear didn’t hit much higher than a 6. I’d imagine minor bugs like this will be fixed in future patches but it can be confusing trying to work out whether your design is at fault or an unpatched bug.

But, as I say, I’d maintain these kind of issues are the flipside of the creative freedom Planet Coaster 2 offers. What I’ve come to expect from the Planet series of games is the ability to create pretty much whatever I want and an inevitable side effect of trying to create something the developer never anticipated is the fact I may run up against the odd hard limit where the engine struggles to deliver what I’ve asked for. Ultimately: with great flexibility, comes great errors.

Should I play Planet Coaster 2?

Play it if…

Don't play it if...

Accessibility

Planet Coaster 2 has a reasonable number of accessibility options, although perhaps there’s room for improvement too. You can scale the interface if you find smaller type hard to read and can tweak color palettes to improve readability if you have protanopic, deuteranopic, or tritanopic color blindness.

For those who have auditory processing problems, you can set the game to mute all other audio when narrative dialogue is playing. Meanwhile, for those with reduced hearing in one ear, you can switch on a mono mix to ensure you’re receiving all sounds.

However, you don’t seem to be able to adjust gamepad controls, which might make things harder for those who require certain tweaks to be able to use controllers.

How I reviewed Planet Coaster 2

I sank over 23 hours into playing Planet Coaster 2. I tried to cover as much of the game as possible, dividing my time between Career Mode, Franchise Mode, and Sandbox Mode. I tried the game out on Low, High, and Ultra graphics settings.

In terms of hardware, I played Planet Coaster 2 on an Acer Predator Helios 300 with a 12th-gen Intel Core i9-12900H CPU and an Nvidia GeForce RTX 3080 GPU. During this testing, I used the laptop’s built-in keyboard and an external Logitech B100 mouse. I also played the game for hours on my LCD Steam Deck.

My past experience of the Planet series of games includes almost 400 hours on the original Planet Coaster and over 1,000 hours on Planet Zoo.

Who doesn’t love Lego? From intense building challenges to comedic film and game adaptations, what began as simple clicky bricks has expanded well beyond ABS plastic and into a media genre of its own. Joining the ranks of other block-based game adaptations like Lego Star Wars and Lego Batman, Lego Horizon Adventures adapts the events of Guerrilla’s post-apocalyptic robo-animal kingdom adventure Horizon Zero Dawn for a younger audience, turning its cast of survivors into a handful of quippy Minifigures. Yet despite all the witty exchanges and endearing left-field gags, Lego Horizon Adventures stumbles in the gameplay department, presenting players with a monotonous combat system and a series of repetitive levels lacking the depth and intrigue to help maintain interest beyond its affable opening hours.

Lego Horizon Adventures begins with a young Aloy being cast out from the superstitious Nora Tribe to be raised by her Golden Retriever of an adoptive father, Rost. Players assume control as Aloy enters young adulthood and journeys towards the village of Mother’s Heart to search for answers about their past. Conveniently, this trip doubles as a speedy tutorial that acquaints you with the approachable movement and combat systems you’ll master throughout the campaign. Alongside basic platforming challenges and quirky power-ups, you’ll get to grips with aiming, charging, and shooting arrows in the direction of the meddling machines that block your way.

For toppling the tutorial, Rost also rewards you with Aloy’s trusty Focus, which you can use to highlight weak spots on enemy machines and deal extra damage. It’s a manageable set of verbs that manages to evoke the gameplay of Horizon Zero Dawn without deviating too far from the kid-friendly Lego setting. Plus, if the process begins to feel a little too easy, you can conveniently switch to a more challenging difficulty at any time from the menu.

Soon enough, Aloy arrives at a ravaged Mother’s Heart, which becomes the central hub where much of the game revolves. From here, you’ll access missions that propel the story forward, earning studs and gold bricks to revive the surrounding area between levels, decorating it with all manner of new plots and yards, complete with alternate color schemes and theming from Lego brands like Ninjago and Lego City. The additional decor and costumes earned with studs and bricks also act as collectibles here, as there aren’t any hidden across the levels.

Later, you unlock the ability to purchase upgrades that provide classic XP, defense, and damage boosts for the quartet of playable protagonists — Aloy, Erend, Varl, and Teersa. A Community Jobs Board also rewards you with bonus progression-gating bricks for completing specific tasks. The cosmetic changes you can make to Mother's Heart result in a pretty play space but one that also feels empty. You can build a rocket ship that blasts a minifig into space, but these little sidecars are one-and-done experiences that might’ve worked better in a different part of the game, perhaps peppered through the levels to freshen up the formula.

Rinse and repeat

The first few levels of Lego Horizon Adventures feel stacked with exciting details and beautifully lit exploration opportunities — chests hidden under broken highways and glistening waters flowing from industrial pipes. However, it’s not long before the levels begin feeling familiar. The game is split into four biomes, and upon leaving Mother's Heart, you’ll spend your time platforming around these themed environments, collecting studs, and picking up powerups amid repeating set dressing. Occasionally, the pace will be split by a shop zone where you can pop chests and collect unique gadgets that modify your abilities in battle. Most missions end with an arena encounter leading to a level-ending gold brick and one of the many hilarious cutscenes to send you back home with a smile.

Aside from a few boss battles and refreshing visits to Horizon Zero Dawn’s Cauldrons, this rinse-and-repeat formula follows you throughout the game, all the way until the story’s final moments. While the cutscenes give you the broad strokes of Horizon’s plot among all the gags, the gameplay surrounding them feels noticeably distinct from the narrative. It’s a far cry from Lego Star Wars, where you tend to engage in the beat-to-beat activities of the movie with an aloof Lego veneer layered on top.

Thankfully, environmental hazards like character-freezing ice pools and piercing flora bring welcome considerations to the game’s encounters and allow for moments of tactical intrigue. You can lure a Grazer into an electrified field of water to stop it in its tracks and target weak points. Gadgets (from the games and beyond) also help spice up fights, presenting an alternate means to take out machines and antagonize cultists. My personal favorite, the Tripcaster, lets you engage your inner Kevin McAllister. You can drop two pegs to create a wobbly wire and then lure machines into a comical demise.

As enemy types and numbers add up, upgrades become key and help stack the odds in your favor. As a lifelong min-maxxer, I mainly spent my studs on the XP-boosting options, so Aloy and Co would deal more damage in the long run. But there are plenty of defensive and offensive options to fit how you play, whether you want enemies to drop more health globs or start levels with powerful gadgets. You can pick from the game’s four cast members throughout or have friends embody the troupe in co-op, which helps flip the odds on the robots. While I rarely deviated from the satisfaction of Aloy’s targetted arrow attacks, it was nice to have the option to switch to the bomb-toting Teersa or the clumsy spear-throwing Varl – if not just to enjoy their unique quips and animations.

Once you’ve conquered one of the biomes, you can also try your hand at Apex Hunts, which involves jumping into the levels you’ve completed to destroy mecha-monsters sans cutscenes. Success here earns you more cosmetics to flesh out Mother's Heart as well as the pride of knowing you bested a burly beast.

Built brick by brick

Despite its mediocre framework, Lego Horizon Adventures picks up much of the slack with its spirited visual style. Soft lighting reflects off semi-matte structures, giving areas a playful diorama look—a feeling amplified by the game's bokeh camera effect. Up close, pieces look worn and scratched, as if ripped from real playsets and scanned into the game. Plus, the buildings and bridges look like they’ve been made from actual Lego, as opposed to being digitally created to fit the scene. I was especially impressed by how tactile the machines looked in battle and how convincingly they fell apart when I crumpled a weak spot.

With so much thought put into the world, I was confused about why other Lego properties like Amusement, Ninjago, and Lego City had been shoehorned into the game beyond the cosmetic options available in Mother’s Heart. Each biome is themed around a Lego property — so in the jungle missions, you’ll spot Ninjago pagodas and other assets thrown in, for example. It’s a cute gag, but this assumes a level of Lego understanding from players and confuses the art direction, particularly for a game set in post-post-apocalyptic America.

Moreover, Lego Horizon Adventures’ biggest sin is switching to cutscenes for some of its most pivotal moments. Despite a beautifully animated world and plenty of screenshot-worthy dialogue, I longed to feel more instrumental in significant Horizon lore events that would help to ground me in the experience. Yet, more often than not, I was met with an animated sequence showing me something I wished I was doing instead. Ultimately, this lack of interactivity does a disservice to the source material and makes the moments that do land feel less meaningful overall.

Should I play Lego Horizon Adventures?

Play it if...

Don't play it if...

Accessibility

Lego Horizon Adventures offers five difficulty options (Story, Scout, Adventurer, Machine Hunter, and Hero), and you can toggle them anytime from the pause menu. You can also toggle on invulnerability while playing with these options. For combat, there are three aim assist options (Precise, Assisted, Auto) and a throwing sensitivity scale. Additionally, there are three color blindness modes (Deuteranope, Protanope, and Tritanopia), as well as a Colour Correction Strength scale in the Accessibility menu. Plus, if you want assistance seeing interactable objects or hazards in levels, you can choose to have them appear when you Focus Scan an area.

You can toggle subtitles on for cinematic, conversational, and ambient dialogue, choose the font size (small, medium, large), and tweak the text’s background opacity (0-10 scale). If you prefer to move between lines of dialogue manually, there’s a dedicated option for Conversation Control.

Where audio is concerned, you can tweak individual streams such as sound effects and music and switch between a mono mode. There is also an option to turn on Midnight sound mixing, which raises the volume of quiet sounds while lowering the volume of louder sounds.

How I reviewed Lego Horizon Adventures

I completed Lego Horizon Adventures on PlayStation 5 in around eight hours, across which I tried various difficulty settings, from Story to Hero. I also played each character option, including Aloy, Varl, Teersa, and Erend. I jumped between single and couch co-op across the campaign and in Apex Hunts. I used an AOC CQ27G2 27-inch QHD VA 144Hz gaming monitor with my PS5, and for audio, I used my external Creative Pebble V2 computer speakers.