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I tested these Bowers & Wilkins noise-cancelling headphones and for sound, there’s no better buy
10:00 am | April 24, 2025

Author: admin | Category: Audio Computers Gadgets Headphones | Comments: Off

Bowers & Wilkins Px7 S3: two-minute review

The third version of Bowers & Wilkins’ Px7 wireless over-ear noise-cancellers is the most expensive yet. This money does buy a pair of extremely well-specified headphones, mind you – between Bluetooth 5.3 with aptX Lossless compatibility and multipoint connectivity, chunky battery life and a bespoke noise-cancellation platform, the S3 have it where it counts. And there’s more to come, in the form of spatial audio and Auracast compatibility, via promised upgrades. It also buys slightly less, in the physical sense. The profile of the S3 is a little more discreet than any previous Px7 model.

It also gets you absolutely impeccable build quality and standard of finish – there’s undeniable pride of ownership included as part of your outlay. Wearing them outdoors will reveal a little inefficiency where suppression of wind noise is concerned, but at least you won’t feel as self-conscious as you might have when wearing previous Px7 models.

The new active noise-cancellation platform works well, and it brings Bowers & Wilkins into line with the best noise-cancelling headphones that aren’t Bose. And where sound quality is concerned, this is now the best way to spend your cash. In every respect, the Px7 S3 impress. They’re detailed and dynamic, they’re open and spacious, they’re punchy and rhythmically adept – and best of all, they’re engaging and entertaining.

Circumstances a long way out of Bowers & Wilkins’ control means that a North American launch date, as well as a North American price, are yet to be confirmed. There are papers to be written about whether pricing Americans out of ownership of products like this is a good thing, and there are obviously ramifications for companies like Bowers & Wilkins when the North American market is so difficult to read. But for those of us living where the Px7 S3 are available and (relatively speaking) affordable, the news is uncomplicatedly good.

Bowers & Wilkins Px7 S3 over-ear headphones on a white surface

(Image credit: Future / Simon Lucas)

Bowers & Wilkins Px7 S3 review: Price and release date

  • Release date: April 24th, 2025
  • Price: $TBC / £399 / AU$699 (approx.)

The Px7 S3 launch at a very similar price (in the company’s native UK, at least, where tariffs aren’t quite such a thing as they are in some other territories) to 2023’s £379 Px7 S2e – so Bowers & Wilkins is to be congratulated for developing and releasing a new product without having to up the price all that much. At the time of writing, though, Bowers & Wilkins is still not certain of a launch date in North America, and still less of the price when that launch finally comes. This, apparently, is the sort of uncertainty that will make America great again.

The Px7 S3 nevertheless find themselves contesting the very upper end of the 'premium/mainstream' best wireless headphones market where the fearsome likes of Bose and Sony (to name just a couple of high-profile alternatives) roam. In other words, it’s going to take more than a premium logo and a premium price to make a success of the Px7 S3…

Bowers & Wilkins Px7 S3 review: Specs

Integrated side buttons on Bowers & Wilkins Px7 S3 over-ear headphones, on a white surface

(Image credit: Future / Simon Lucas)

Bowers & Wilkins Px7 S3 review: Features

  • Bluetooth 5.3 with aptX Adaptive and aptX Lossless codec compatibility
  • Redesigned 40mm biocellulose drivers with discrete amplification
  • 30 hours of battery life

When it comes to the most important stuff, Bowers & Wilkins has specified the Px7 S3 without apparent compromise. This may be a relatively expensive pair of headphones, but don’t doubt that it’s got it where it counts.

And while Bowers & Wilkins will tell you it’s concentrated its efforts on the physical design of the Px7 S3 and on upgrading the active noise-cancelling system, that doesn’t mean the driver arrangement hasn’t come in for attention. The company may, in public, declare itself very satisfied with the way the outgoing Px7 S2e sounded, but it’s made plenty of changes in an effort to liberate even better sound.

So while the 40mm biocellulose cones themselves are unchanged over the previous model, the Px7 S3 features a new chassis arrangement, new voice-coil, reworked suspension and upgraded magnet. The intention is to lower distortion and coloration yet further while offering superior dynamics. And for the first time in a pair of Bowers & Wilkins over-ear headphones, these drive units are powered by dedicated, discrete headphone amplification – improved sonic scale and energy is the idea.

Getting audio information to the drivers can be done in a couple of ways. As well as charging for the battery (which is, incidentally, good for 30 hours of playback with active noise-cancellation switched on and can turn 15 minutes of charging into seven hours of action), the USB-C slot can be used for data transfer. Connect it to the digital or analogue output of an appropriate source of music and 24bit/96kHz high-resolution content can be dealt with.

Multipoint wireless connectivity is handled by Bluetooth 5.3 and, as well as aptX Adaptive, the S3 are compatible with the aptX Lossless codec. This technology will automatically optimize transmission resolution, and will allow you to hear what that top-tier Presto, Qobuz or Tidal streaming service subscription is actually buying you (Qobuz and Tidal are both available for direct streaming in the Bowers & Wilkins ‘Music’ control app). The company also intends to make the Px7 S3 compatible with Bluetooth LE Audio (which includes the LC3 codec) and Auracast via a free firmware update ‘soon’. Support for spatial audio won’t be all that far behind.

Trio of screenshots from Bowers & Wilkins app displaying environment control, EQ options and wear sensors

(Image credit: Future / Simon Lucas)

As well as the ability to integrate (some of) the best streaming services around, the ‘Music’ control app also gives access to a five-band EQ with memory to save some settings, as well as presets including the company’s preferred ‘True Sound’ settings. It allows you to switch noise-cancelling on or off, engage ‘transparency’ mode, adjust wear-sensor sensitivity, check on battery status, and more besides.

Voice control is available via your source’s native assistant, and there are some physical buttons arranged on each earcup. On the right side there’s ‘volume up/down’ and ‘play/pause’ – these buttons have been reshaped to help with operation – and on the left there’s a ‘power on/off/Bluetooth pairing’ slider and a ‘quick action’ button. You can use the app to switch its function between ‘cycle through ANC options’ and ‘summon voice assistant’. Really, all that’s missing is a physical control for ‘skip forwards/backwards’.

Optimizing active noise-cancellation without impacting on the sonic performance of the headphones isn’t an easy trick, of course, but Bowers & Wilkins has given it a very thorough go. It’s developed a new ANC platform from scratch, and has deployed a total of eight mics to monitor the output of the drivers as well as outside noise in an effort to offer its best-ever ANC as well as outstanding call quality.

  • Features score: 5 / 5

Bowers & Wilkins Px7 S3 over-ear noise-cancelling headphones on a white surface

(Image credit: Future / Simon Lucas)

Bowers & Wilkins Px7 S3 review: Sound quality

  • Wide open and yet tightly unified
  • Great tonal balance
  • Detailed and dynamic in equal measure

I may as well get right to it: the Bowers & Wilkins Px7 S3 are a great pair of headphones in purely sonic terms, and represent the very best way to spend £399 (or thereabouts, once worldwide pricing is sorted) if outright sound quality is the most important thing to you.

Tonally, they’re really nicely judged – even and pretty much neutral, with just the tiniest hint or warmth to prevent things sounding austere or chilly (unless you’re listening to something like Kraftwerk’s Trans-Europe Express, of course, which sounds just as draughty and frostbitten as is appropriate). The top end has bite that’s balanced against substance, and at the opposite end there’s weight and ample variation. In the midrange, the character and ability of singers as dissimilar as Mark E Smith and Aretha Franklin is made absolutely explicit. As well as the impeccable tonal balance, the Px7 S3 retrieve and contextualize a huge amount of fine detail, which contributes no end to the sensation of a complete and unexpurgated account of recordings.

Frequency response is equally convincing - there’s no suggestion of any area of the frequency range getting understated or overplayed. And while the Bowers & Wilkins can hit with more than enough purpose to make Holy Calamaf*** by Run the Jewels sound as assertive and uncompromising as anything, control of bass sounds is such that rhythmic expression is natural and coherent. The sort of dynamic variation that’s apparent in this recording is given free expression, too – there’s an appreciable amount of distance between the most and least intense passages.

The soundstage on which all of this occurs is large and properly defined. Despite the width and depth to the Px7 S3’s presentation, though, and despite the fact that every element of a recording enjoys a fair amount of space in which to operate, there’s a unity and singularity to the overall presentation that makes recordings sound of a whole. Even something like Aphex Twin’s Alberto Balsalm, which never was a performance, sounds somehow together.

Where active noise-cancellation is concerned, Bowers & Wilkins has made great strides with the Px7 S3. The headphones deal decisively with the majority of external sounds, and can do so without affecting their sonic signature in the slightest. That these headphones can’t do as complete a job on ambient noise as an equivalent pair of Bose will come as no surprise, because no other headphones can either, but now the Bowers & Wilkins ANC needs no excuses made for it. It’s a match of any of those ‘not quite Bose’ contenders from Sennheiser, Sony and so on.

In fact, about the only way I can imagine there is scope for worthwhile improvement is in suppression of wind noise. My part of the UK's south coast is windy more often than it isn’t, and the Px7 S3 prove more susceptible to wind noise than quite a few alternative designs. It’s by no means a fatal flaw, but it’s noticeable nevertheless. And I guess it’s a measure of just how accomplished the Px7 S3 are that my contractually obliged complaining consists of some tepid bleating about how they could deal with wind noise a little better…

  • Sound quality score: 5 / 5

Headband of the Bowers & Wilkins Px7 S3 over-ear noise-cancelling headphones on a white surface

(Image credit: Future / Simon Lucas)

Bowers & Wilkins Px7 S3 review: Design

  • Choice of three finishes
  • Slimmer profile, redesigned arms and headband
  • Look and feel expensive (which is just as well)

On first acquaintance you’d be forgiven for thinking the Px7 S3 are the same as the outgoing Px7 S2e where design is concerned – certainly that’s what my first glance led me to believe. But Bowers & Wilkins has had a bit of a think about this new model's design, and has made some very worthwhile adjustments without in any way affecting its perceived value.

For instance, the earcups are now appreciably slimmer in profile. Previous Px7 models have made the wearer look a bit, well, Cyberman-y – the earcups and pads were deep enough to increase the width of the wearer’s head more than somewhat. The Px7 S3 aren’t as slim as, say, the Sonos Ace, but they’re definitely tidier, and it makes for a less conspicuous look when they’re in position.

A new headband and redesigned arm mechanism makes the Px7 S3 ever so easy to get comfortable inside – an all-in weight of 300g has a part to play in this – while the pleather-over-memory foam contact points are nicely padded and reluctant to return your body heat too rapidly. And in a first for Bowers & Wilkins, the inner section of the headband and the earpads can be removed and replaced (by a trained service engineer, of course).

The fabric around the outside of the headband and the earcups looks and feels good, and will prove hard-wearing if previous Px7 models are anything to go by. The narrow grille that separates the outer part of the earcup from the earpads, first seen (on a much smaller scale) on the splendid Pi8 true wireless in-ears, allows mics and Bluetooth aerials to operate more freely, but the fact that it’s a nice design flourish doesn’t do any harm either.

The standard of build and finish is basically impeccable, and the concealed headband adjustment mechanism operates with well-damped precision. It doesn’t matter if you choose the ‘anthracite’ black of my review sample, ‘indigo’ blue or ‘canvas’ white, you’ll find yourself in possession of a pair of headphones with appreciable perceived value, which is just as well, given how much you’re paying.

The Px7 S3 can be kept in peak condition during transit thanks to a nice robust carry-case that’s just a few millimetres smaller in each direction than the case the Px7 S2e travelled in. As well as protecting the headphones, it features a pocket behind a magnetically closing flap that conceals USB-C / USB-C and USB-C / 3.5mm cables.

  • Design score: 5 / 5

Bowers & Wilkins Px7 S3 headphones in their carrying case, with magnetic pouch holding cables

(Image credit: Future / Simon Lucas)

Bowers & Wilkins Px7 S3 review: Value

  • Extensive specification
  • Excellent standard of build and finish
  • Class-leading sound

Just because it’s possible to spend plenty more than £399 on a pair of wireless noise-cancelling over-ear headphones (not least with Bowers & Wilkins itself), that doesn’t mean it’s an insignificant amount of money.

Happily, at every turn the Px7 S3 try their hardest to make it seem like a perfectly reasonable asking price. The standard of build and finish here is basically impeccable, and a thoughtful little redesign has resulted in a more discreet, yet somehow no less premium, appearance – pride of ownership is significant.

Specification is as good as it currently gets at anything like this sort of money. And where sound quality is concerned, you’re getting what I am confident is the most complete performance available at anything like this sort of money.

  • Value score: 5 / 5

Bowers & Wilkins Px7 S3 earcups on a white surface

(Image credit: Future / Simon Lucas)

Should I buy the Bowers & Wilkins Px7 S3?

Buy them if…

You like nice things
The Bowers & Wilkins look, feel and (for the first few days of ownership, at least) even smell like a premium product. Perceived value is very high indeed.

You intend to wear them in public
The new slimmer profile suits the Px7 S3, and you’ll feel a lot less conspicuous wearing them than you did in previous Px7s.

You value sound quality above all else
The balance struck by the Px7 S3 is beautifully judged. They have sonic talent in every department, and are a very satisfying listen.

Don't buy them if…

You’re expecting extended functionality
There are plenty of alternatives that offer touch controls, hearing tests, heart monitoring and all the rest of it. Bowers & Wilkins has concentrated on sound quality.

You’re an impatient listener
You can only skip through tracks by getting your source player out or asking your voice-assistant to take care of it. There’s no physical control for this function.

You live on a hillside
The Px7 S3 are a little more susceptible to wind noise than is absolutely ideal.

Bowers & Wilkins Px7 S3 review: Also consider

Sony WH-1000XM5
If you want all the whistles and bells of extended functionality while still enjoying very agreeable sound and a fair serving of perceived value, Sony’s venerable WH-1000XM5 remain strong contenders. Appreciably more affordable than the Px7 S3, they’re excellent all-rounders, though they have to concede to the Bowers & Wilkins where outright sound quality is concerned.
Read our full Sony WH-1000XM5 review

Bose QuietComfort Ultra
If you’re preoccupied with noise-cancellation, the Bose QuietComfort Ultra are basically a default choice. Bowers & Wilkins may have made strides with ANC where the Px7 S3 are concerned, but it, like every other brand, has to concede that Bose rules the roost in this respect. The Ultra are not as deft a listen as the Px7 S3, though.
Read the full Bose QuietComfort review

Dali iO-8
If you want an alternative to the Bowers & Wilkins that can match them for outright sound quality, well, it’s going to cost you – you’re probably looking at forking out even more money for a pair of Dali iO-8. These are deeply accomplished, great-sounding headphones, facts that are reflected in the asking price.
Read our full Dali iO-8 review

How I tested Bowers & Wilkins Px7 S3

  • Wireless connection to an Apple iPhone 14 Pro, wireless and wired connections to a FiiO M15S digital audio player
  • A variety of music, a variety of file types and sizes
  • Indoors and outdoors

Wireless listening used the AAC and aptX codecs (depending on the source player), while the wired listening was able to extend to 24bit/96kHz content.

I listened at my desk, I listened while on the street and I listened on public transport, to a wide variety of music of many different file types and sizes. I spent well over a week listening critically, and found myself listening simply for listening’s sake too.

Read more about how we test

First reviewed: April 2025

AceFast’s open-ear offering has all the trappings of the best cheap open earbuds… except the price
12:30 pm | April 23, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

AceFast AceFit Pro: Two minute review

Having tested several of the best open-ear headphones now, I’ve been waiting for a really affordable pair of earbuds to shake up this burgeoning and relatively new audio market that's perhaps still looking for a reliable budget offering. So when I heard that AceFast had made some open-fit earbuds, I was ready to be excited – however, I was wrong to be.

AceFast isn’t a big player in the game yet, but I tested the AceFast T9 last year, and loved the funky look, low price and emphasis on usability. I was expecting the new AceFit Pro to replicate all three of these traits, then. Sadly, it only actually nails one.

Arguably, the one attribute it does nail is the most important check-box for open earbuds. These designs typically hover just over the ear canal instead of sitting in it, to ensure you can hear your surroundings while listening to music. And AceFast’s have a reliable, comfortable fit that doesn’t wobble in your ear or fall out without warning, issues other open-ears have certainly fallen foul of.

But AceFast drops the ball with the other two traits. The price is one, as not only are they not cheap earbuds, they’re actually more expensive than some impressive mid-range rivals from Honor and Huawei.

And then there’s the design, which initially began as my favorite thing about these earbuds. Not only do they come in a range of colors, all toting see-through cases with LED lights that you can customize the hue of, but they also boast battery displays. This lets you know the battery percentage left for the case, and how close to fully-charged the buds are. And I absolutely love it – it’s incredibly handy in planning your charging and knowing how much listening time you have left (that’s despite the battery life being pretty awful, all things considered).

Unfortunately, the AceFit Pro’s design is its biggest strength but also its biggest weakness, with a few sad and curious design choices. The sad one is that, like many other cheap earbuds, the case is unreliable – just two weeks into my testing, the right earbud developed a problem that meant the case didn’t always recognize its presence. It wouldn’t always charge when in the case, or turned on when removed, and though removing and reinserting the bud several times would generally resolve the issue, it’s not a good sign for the longevity of the AceFast AceFit Pro.

The ‘curious’ decision I spoke of was to put the charging port on the underside of the case. To power it up, you have to flip it on its back like a beached turtle.

Beyond that, the AceFast AceFit Pro don’t do that much to impress. They have a limited range of features (though they do have an equalizer at least, which you can’t say about all open-ears) and the audio quality leaves a lot to be desired.

Most of these issues could be hand-waved with the simple explanation that cheap earbuds aren’t perfect, and that’s what I did a lot of the time during my testing… but the inescapable fact is that the AceFast AceFit Pro aren’t actually that low-cost. They just have all the hallmarks of cheap earbuds – and all in all, that makes them hard to recommend.

AceFast AceFit Pro review: Specifications

AceFast AceFit Pro review: Price and availability

The Acefast Acefit Pro on a window sill

(Image credit: Future)
  • Kickstarter campaign ran Jan-Feb 2025, now selling via Amazon
  • Priced $159.99 (roughly £120, AU$250)
  • Cheaper option is AceFit Pro at $79.99 / £79.99 (roughly AU$160)

The AceFast AceFit Pro were launched on Kickstarter, in a campaign which ran from mid-January to late-February 2025. Nowadays, though, you can buy them on Amazon, and I’m going to use this price as a guide instead of the Kickstarter fee, as it’s the only way for new buyers to pick up the buds.

At the time of writing, the AceFast AceFit Pro are on sale in the US and not the UK or Australia, though based on precedent (and the Pro's siblings, which we'll get to) I'd expect them to hit Amazon's UK site at some point soon.

You can pick the buds up for $159.99 (roughly £120, AU$250) so they’re mid-range open earbuds, in the rough price bracket that most rivals inhabit (although towards on the higher end of the spectrum than most contemporaries).

For some context, the also-open-ear AceFast AceFit Air sell for $79.99 / £79.99 (roughly AU$160) so those at least are affordable earbuds.

AceFast AceFit Pro review: Design

The Acefast Acefit Pro on a window sill.

(Image credit: Future)
  • Funky battery display and see-through parts
  • Weird-placed charging port
  • Earbud recognition/charging issues

It’s unusual to find much to say about the case of headphones; that’s never the case with AceFast products. The case – which you can pick up in white, pink, purple or green, as with the buds – is transparent, letting users pretend they’re putting on gadgets from the noughties instead of the twenties.

That’s not all, as the case also has a digital battery display that shows you the overall power of the case in a percentage, as well as the charge in each bud while they’re enclosed. This isn’t just a funky design element but a really useful way to know that your case is fully charged, to prevent overcharging, and to remind you when it needs charging too. I really appreciated this feature and it deserves being mentioned in the ‘Pros’ list of this review.

The feature came in handy when (and this is where things take a turn for the worse) it showed me that one of the buds wasn’t charging. The AceFit Pro buds weren’t always good at recognizing that they were in their charging case: they wouldn’t begin powering up when inserted, or automatically turn on when taken out, and I’d have to wiggle the buds or remove and re-insert them for it to work. I can’t say whether this was a problem with my review unit or a larger issue with the device but it’s not an uncommon headache among cheap earbuds (and in the case of these buds, it didn’t completely scupper the buds, which isn’t always true).

This feature is potentially disastrous, so if you’re confused why I’m not making a bigger deal about it than I am, it’s because the buds still worked, and because I can’t say with any certainty that it’s not just my review unit. It seems unlikely, but it’s not impossible.

The Acefast Acefit Pro on a window sill.

Yes, it is an odd spot for the USB-C charger (Image credit: Future)

As well as the battery display, the case has an array of LED lights to fully embody that noughties aesthetic. You can change the color of this via the app, and since it only turns on when the case is open there’s no need to turn it off.

The case is quite thin, and it’s light too at just 74g. It looks like it’s made from cheap plastic, as you can probably see from the images, but it actually feels surprisingly premium and solid when you get your mitts on it. It’s also sturdy, as I found out through dropping it repeatedly. This wasn’t my butter-fingers but a symptom of the shape of the case: it’s rounded like a pebble, not even flat on the bottom, and so it had a habit of sliding off things I put it on if they weren’t totally flat.

Another weird quirk of the case is that the charging port is on the bottom, meaning you need to turn the case on its back like a flipped turtle in order to power it up – apparently AceFast didn’t take notes from the Apple Magic Mouse. Functionally it doesn’t have much of an effect but it means you can’t really see the battery display while charging, and it frankly looks pretty silly too.

Finally, we move to the earbuds. These will look pretty standard to people familiar with open earbuds: A large pill that hovers over your ears, and a sports loop that ends in a counterweight ad battery pack behind the ear. Your earbuds will be the same color as your charging case.

The AceFit Pro buds are comfortable and lightweight to wear, at 7.8g each. I only rarely found issues with them wobbling too much during exercise, and they felt pretty flexible to fit different ears too. They’re also protected against sweat with an IP54 rating.

There’s a touch-sensitive area on the buds’ body for gesture controls, but this was less reliable than South London buses and I rapidly gave up any hope of using them.

Something that may impress certain users (and upset others) is that the AceFast logo on each bud lights up, which is a lot more obvious than the simple, single LED that most buds have. I’ll admit I did feel quite self-conscious working out with a giant glowing logo on each ear, but the app does let you turn this off.

  • Design score: 2.5/5

AceFast AceFit Pro review: Features

The Acefast Acefit Pro on a window sill.

(Image credit: Future)
  • 6-hour battery life (25 for case) or less
  • AceFast app brings few features
  • Bluetooth 5.4 connectivity

Even early into my testing for the AceFit Pro, I was surprised by how quickly the battery level dropped. AceFast says the buds have a battery life of 6 hours and the case bumps that to 25 hours, both relatively low figures compared to rivals. But read the fine print and you discover that that’s listening at just 60% volume – I don’t think I ever listened with the volume this quiet.

In my personal testing, I found the AceFit Pro to have a battery life of about five hours, listening at around 80%-90% of their volume (out and about I generally used them one or two volume increments below max volume). That is, frankly, pretty awful battery life – even the AirPods Pro 2 beat that! You know if your product is beaten in battery life by a 2022 Apple option, it’s not quite up to par.

The Acefast Acefit Pro on a window sill.

(Image credit: Future)

The AceFit Pro can pair to the AceFast phone app, but it doesn’t offer all features that buyers might hope for. No ANC, no find-my-buds feature, no listening tests, but at least there’s an 8-band equalizer and a few presets, as well as the ability to change gesture controls.

It feels like the main point of the app is to customize the LED lights of the bud and case. You can toggle whether the AceFast logo lights up on the buds and change the light color and effect pattern of the case. It’s not exactly a feature which makes the app a must-download, I'd say.

The AceFit Pro connect to your phone with Bluetooth 5.4 and I never had any issues with it during my testing.

  • Features score: 3/5

AceFast AceFit Pro review: Sound performance

The Acefast Acefit Pro in a man's ear.

(Image credit: Future)
  • 20x8mm driver
  • V-shaped audio profile loses mids
  • Some peaking

If, like me, you’re used to cheap-and-cheery AceFast buds sounding… well, cheap, then you might be surprised to peruse a little down the AceFit Pro specs list: three-magnet 20x8mm speakers, bass enhancement tech and a special design to reduce sound loss – it's all painting a very pretty picture.

The acoustic design sadly comes to nothing, because these earbuds simply don’t sound amazing, embodying once again AceFast’s modus operandi of ‘cheap and cheerful’. The audio is fine for the budget-conscious end of the market, but the AceFit Pro can't compete with the big dogs they find themselves up against at this price.

The buds have quite dramatic V-shaped audio – bass and treble vocals abound, but at the expense of just about anything else. As I write this, I’m listening to Counting Crows’ Omaha. I can hear the vocals and bass well but the accordion frequently trails off into nothingness and the acoustic guitar is almost totally missing.

The Acefast Acefit Pro on a window sill.

(Image credit: Future)

It doesn’t help that audio isn’t very detailed, with character and texture missing from instruments and vocals. And this is when I’m listening indoors – as open-ear users will know, buds like this sound much worse when you’re out and about and they’re competing with every passing bus, street busker and annoying fellow human playing social media videos straight out of their phone's speakers instead of using their own headphones.

For what it's worth, audio loss outside isn't as bad on some other buds I've tested. It's still noticeable, but that's hard to avoid due to the nature of open-ears.

There’s some peaking going on here too, though it’s admittedly hidden well by the fact it’s largely happening in the midrange frequencies – which are so lost in the mix themselves that you might not notice!

I can see buyers looking for simple workout buds finding the AceFit Pro acceptable due to the audio profile, but audiophiles – the few of them who’d ever consider open earbuds – won’t love these buds.

  • Sound performance score: 3/5

AceFast AceFit Pro review: Value

The Acefast Acefit Pro on a window sill.

(Image credit: Future)

The AceFast AceFit Pro have all the trappings of the best cheap open-ear buds… except the price.

If these buds had launched for more than a third less (or even better, half the price), I’d be hailing them as a great option for budget-conscious buyers, however the various issues are hard to overlook when you consider the price you’re paying for these earbuds. The low battery life, unimpressive audio and possible longevity concerns all hurt when you’re paying $160 (or equivalent) for earbuds. The competition at this level is fierce – and AceFast simply hasn't aced it.

If you can find the AceFit Pro for below $100 (or equivalent), they could be worth picking up, but it’s hard to recommend them even then, especially when the AceFit Air are still cheaper.

  • Value score: 3/5

AceFast AceFit Pro: scorecard

AceFast AceFit Pro: Should you buy them?

Buy them if...

You like the battery display

The battery display is a really useful feature that I've loved on various AceFast gadgets, as it's both functional and fun.

You want a reliable on-ear fit

I've tested a fair few open-ear buds that don't sit still when you're walking, running or working out, so sometimes it's nice for buds to just fit reliably.

You find them majorly discounted

The AceFit Pro doesn't offer a great value-for-money proposition, but that could change if you find them with a meaty discount.

Don't buy them if...

You need to listen for long periods of time

Sub-6-hour battery life gadgets are always hard to recommend, due to many use cases requiring longer-lasting buds.

You're worried about how long they'll last

The fact that my buds kept falling off surfaces and partly broke may put off people who've been burned by cheap tech before.

You want top-tier audio

Actually, you can get great audio in an open-ear design (from Huawei or Honor, see below), but if audio quality is your chief concern, you won't enjoy the AceFit Pro.View Deal

Also consider

Huawei FreeArc

These are the best open-ear buds I've tested and they significantly undercut the AceFast AceFit Pro. They sound great, they last longer in your ears and they fit comfortably.

Read our full Huawei FreeArc review

AceFast AceFit Air

The Pro's siblings, which I haven't actually tested, seem to be everything the Pro aren't. They're more affordable, last longer and weigh less, yet don't sound any worse and seem to fit just the same. You're missing out on the battery display, mostly.

How I tested

I tested the Acefast AceFit Pro for two weeks in order to write this review, though I continued to test them for an extra week during the writing process.

The use cases match how I tested many rivals: I paired them to an Android smartphone (and, a few times, a Windows laptop) to go on walks, work at home or in the office, go on runs, cycle around my city and work out at the gym.

I have six years of experience testing tech for TechRadar, which includes many earbuds. I've tested five different pairs of open-ear buds in the last four months and have plenty more waiting to be tested...

Read more about how we test

  • First reviewed: April 2025
I tested these open earbuds and I never, ever want to use them again
6:00 pm | April 21, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Happy Plugs Clip: two minute review

The Happy Plugs Clip are a pair of open ear headphones that really surprised me – but not in the way I'd hoped. These clip-on buds are bizarre in the sense that they don’t really nail anything in particular. They’re a jack of few trades and a master of absolutely none.

Usually I’d start by talking about sound quality, but I want to instead start with design – because these have a quirk I’ve not encountered before. After you open up the admittedly attractive charging case, you’re met with the two open earbuds which are… upside down? Yes, after picking these out of their charging vessel, I realized that the ‘L’ and ‘R’ symbols on the left and right bud were the wrong way up. That means that each time you go to put them on (or go to put them back), you need to mess around a fair bit to get them in your ear – not sure how that one got past the drawing board.

Anyway, the buds themselves look a little cheap – perhaps to be expected given their list price of $49 / £50. They’re also quite large compared to some other clip-style open earbuds I’ve tested, though they only weigh 5g each, which is lighter than even some of the best open ear headphones.

I found them to be fairly comfortable, though a tad loose-fitting, which made it a little challenging to find the perfect fit. On top of that, these things use touch controls, but they activate with a single touch, meaning I often accidentally paused music or adjusted volume by mistake when trying to get them to stay put. However, if your ear shape works with them, said touch controls do let you control a fair amount, including music playback, calls, power status and even your source device’s voice assistant.

And one final point on design – Happy Plugs call the Clip ‘sweat resistant’ but don’t specify their waterproof rating. I wouldn’t expect that it’s any higher than IPX4 with that description, which is a little disappointing when you consider that other budget models like the Huawei FreeArc, are IP57-rated.

But anyway, let’s get onto the main event: audio performance. Unfortunately, this is one of the worst areas for the Happy Plugs Clip. You’re going to get thin, unbalanced, sometimes harsh sound out of these, which is going to be a problem for almost anyone. For instance, when listening to Una canzone d’amore per te by Pino D’Angio, the 80s style percussion sounded tinny – unlistenable at high volumes – with the lead saxophone lacking separation from other instrumental elements.

How Much I Feel by Ambrosia also had an almost muffled tone throughout. The soundstage was cluttered and percussion through the treble frequencies again sounded grating. It’s safe to say I was excited to go back to my usual LG Tone Free T90S earbuds.

You won’t get good bass response out of the Happy Plugs Clip either – and I'm taking into account their open design, where bass clout is always a potential issue. When tuning into Black Eye by Allie X, the deep drum machine was hugely understated, stripping the track of its impact, rhythmic bounce and groove. The only time I really got a serviceable listen out of these open earbuds was when listening at low volumes, when the harsh, muddied nature of its sound was considerably tempered. But who wants to listen to music so quietly in a set of open ear headphones?

Happy Plugs Clip in charging case

(Image credit: Future)

So, it’s safe to say that these lack star quality in the sound department, but there’s always an opportunity for a solid feature-set to redeem things, at least slightly. However, that is something that the Happy Plugs Clip don’t possess either.

Firstly, there’s no companion app, so you won’t get dedicated EQ settings, adjustable noise cancelling, customizable touch controls or… anything really. There are a couple of features available to you, though. First of all, these highlight ambient sounds if you’re on the go. For instance, it was easier for me to hear a child screaming in a supermarket, which some open ear fans may be looking for. I wasn't exactly loving that experience, though.

Secondly, these have two inbuilt mics, intended to facilitate “clear calls”. That was something I didn’t experience, however. When making a video call and a standard phone call, I was told that my voice sounded pretty muffled and less clear than when using my phone’s built-in microphone. I also recorded a voice note and heard a whole lot of sibilance, which was pretty unpleasant.

Unfortunately, even the battery life of the Happy Plugs Clip is sub-par. On the front of the box, you’re told you get 20 hours from these. And in a sense, that’s true. If you count the additional battery life supplied by the charging case, you’ll be able to get a total of 20 hours from these. But really, you’re getting 4.5 hours per charge, which is – to be blunt – simply bad. When we reviewed the Honor Earbuds Open, we described their six hour battery life as “limited”, so, yeah… nothing to shout about.

An additional issue worth considering, is that like most open ear headphones, these are pretty prone to sound leakage. So, if you're out in public and have your tunes cranked up a little too loud, expect a few glares to come your way – although you likely won't do that, because of that troublesome treble.

All in all, the Happy Plugs Clip fail to make a splash in the ever-expanding ocean of open ear headphones. They struggle to deliver across the board, with unsatisfying sound quality, a weak feature-set, unimpressive design and restricted playtime. The only real draw of these is, of course, their price. The bulk of the open earbuds market does sit closer to that $100 / £100 mark, it's true – but it’s well worth spending that bit extra, and I hope you'll trust me on this.

Take a step up to the sub £100 Huawei FreeArc, for example, and you’re getting great audio, superior waterproofing and more features – more on those later. Otherwise, I highly recommend checking out some cheaper options in our guide to the best wireless earbuds – if you activate Ambient Sound mode on the ultra-cheap Sony WF-C510, for example, you’ll hear surrounding noise and still get superb audio.

Happy Plugs Clip review: specs

Reverse side of Happy Plugs Clip charging case showing USB-C port

(Image credit: Future)

Happy Plugs Clip review: price and availability

  • $49 / £50 (about AU$80)
  • Launched in January 2025

The Happy Plugs Clip launched in January 2025 alongside a handful of other products, including the Happy Plugs Joy Speaker. They have a list price of $49 / £50 (about AU$80) which is comfortably in budget tech territory, but of course, you’re not getting great quality in return. It’s worth noting that these are available in either Black or White, but the color you pick should have no bearing on the price you pay.

Happy Plugs Clip on stone surface with charging case

(Image credit: Future)

Should you buy the Happy Plugs Clip?

Buy them if...

You want a more relaxed fit
There aren’t many reasons to recommend the Happy Plugs Clip, but one thing going for them is their open design, which is ideal if you’re the active type. That’s because they let in a lot of ambient noise, so if you want to have the measure of your surroundings, they’re more effective than ANC-enabled wireless earbuds.

You’re looking for a lightweight option
Each of the Happy Plugs Clip’s buds weigh only 5g – that’s pretty light compared to much of the competition. If you’re fed up with weighty wired earbuds or bulky over-ears, these might be a better fit.

Don't buy them if...

You care about audio quality
Even if you’re not an audiophile, I think you’ll pick up on the sonic shortcomings of the Happy Plugs Clip. You get thin, muffled audio that’s grating at high volumes. And you don’t have to settle for that, even for this money. If you’re not so set on the open design, you can check out our guide to the best cheap wireless earbuds for some ace alternatives.

You want plenty of playtime
The Happy Plugs Clip can only manage 4.5 hours of playtime per charge, which isn’t very good to be honest. You get 20 hours in total with the charging case, but if you’re a keen listener, you’re gonna be charging these quite often.

Happy Plugs Clip review: also consider

Anker Soundcore AeroClip
The Anker Soundcore AeroClip are a great pair of open ear headphones that nail the clip-on look. They supply impressive sound quality, a comfortable fit and excellent companion app compatibility. Sure, there’s no ANC on offer and their IPX4 waterproof rating could be better, but they’re still well worth checking out. Read our full Anker Soundcore AeroClip review.

Huawei FreeArc
If you’re a UK customer, we strongly recommend taking a look at the Huawei FreeArc. They serve up great audio, wonderful waterproofing and a neat design. Again – no ANC here and battery life could be a touch improved, but for less than £100, they’re an absolute steal. Read our full Huawei FreeArc review.

Happy Plugs Clip review: How I tested

Person picking one earbud out from Happy Plugs Clip charging case

(Image credit: Future)
  • Tested for one week
  • Used in the office and while out and about
  • Predominantly tested using Tidal

I tested the Happy Plugs Clip for one week and spent hours listening to music, watching videos and making phone calls. Most of the time, I used these in the office at Future Labs, but I also used them while out and about in busy areas.

When listening to music, I used the Tidal app on my Samsung Galaxy S24 FE. I also ensured that I ran through the TechRadar testing playlist, which includes tracks from a range of genres and is optimized for judging sound quality across the frequencies. In addition, I played a ton of tunes from my personal library. Where appropriate, I compared these to the Soundcore AeroClip on aspects such as sound quality, battery life and design quirks.

OpenRock S review: solid affordable open earbuds that are a bit weak around the edges
12:00 pm | April 20, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: | Comments: Off

OpenRock S: One minute review

Audio brand OneOdio is back with its second-gen air conduction headphones – the OpenRock S are more affordable and longer-lasting than their predecessors the OpenRock Pro, but include quite a few extra features that unfortunately don’t work too well.

Air conduction is a tech intended to let you listen to music while exercising without impacting your awareness of your surroundings, and it features heavily in our guide to the best open earbuds (often called the best open ear headphones). While the AirPods Pro 2 have Transparency Mode to intentionally boost the sounds of your surroundings and Shokz has its bone conduction, OneOdio’s solution is to dangle a mini speaker over your ear, so it’s not blocking out all your surrounding noises but instead traversing a bit of open space and still getting the job done.

While air conduction hasn’t historically leant itself to fantastic audio fidelity, the feature works for its intended purpose, and you can enjoy music while also being aware of vehicles, people, aggressive dogs or other hazards. Too aware, perhaps, as one of the S’ big problems is that its max volume is just too low. Lots of the time during my testing, music was all but drowned out by noises such as cars, treadmills or, as my parkrun testing will attest, the sounds of other runners!

That’s doubly true if you’re riding a bike or somewhere windy, as the sounds of gusts of wind rushing past your ears will all but drown out your tunes.

If you can get around this volume issue (if perhaps you listen during a yoga class, say), then you may well be impressed by the OpenRock S. Like their predecessors, the OpenRock Pro, they have an incredibly comfortable fit that keeps them secure on your ear; they’re lightweight too, and it’s easy to forget you’re wearing them.

Plus, the battery life here is absolutely incredible. You can listen to music for 19 hours non-stop before you need to charge the earbuds, and when you factor in the charge of the carry case itself, that number goes up all the way to 60 hours. You’d be hard-pressed to find a rival sports earbud that comes even close to that figure.

These are some of the most affordable sports earbuds too, costing roughly half the price of some of the best-known rivals from the likes of Shokz. A great pick for people on a budget.

As you can tell from that description, these are some solid sports earbuds at heart. OneOdio has added quite a few features which don’t work too well – the touch controls perform poorly and the EQ modes seem to have little effect whatsoever – but if you can ignore these, the OpenRock S are decent buds for fitness fans.

OpenRock S review: Specifications

OpenRock S review: Price and availability

The OpenRock S bud being held in a hand.

(Image credit: Future)
  • Announced and released in October 2023
  • Cost $99 / £89 (roughly $150)
  • Some of the most buds with this kind of tech

The OpenRock S was announced in mid-October 2023 as the newest entry to OneOdio’s line-up of over-ear sports headphones.

You’ll pay just $99 / £89 (roughly $150) for them, which is a competitive price compared to rivals within and without of the company. This is the price that OneOdio announced them for, and that they’re selling for, but Amazon US lists this as a discounted cost down from $129. As far as we can tell, they’ve never actually sold for this price.

At this price, the S undercuts OneOdio’s own previous entry into the running earbuds space, the OpenRock Pro, which cost $119/£119 (around AU$185). For the most part, those are more premium, though in some areas (like battery life) the S is the better buy.

Most rivals cost more, like the Shokz Openfit which sells for $179.95 / £179.99 / AU$289. So you could well consider these budget options if you’re looking for air conduction earbuds, though of course, you can buy fitness earbuds for much cheaper if you don’t need this tech.

  • Value score: 4/5

OpenRock S review: Design

The OpenRock S's case, closed.

Yes, that's an earbuds case, not a reading glasses case…  (Image credit: Future)
  • Solid and light earbuds build
  • Temperamental touch controls
  • Carry case is big, bulky and heavy

There are two aspects to the OpenRock S’ design: the earbuds themselves and the carry case.

I’ll touch briefly on the carry case because you can't miss it: it’s a big sturdy plastic shell that charges the buds and keeps them safe when you’re not using them. However, it’s pretty long and wide, so it may not slip into your backpack’s side pocket like most other buds' charging cases will.

Now the buds: these are very comfortable. They’re lightweight at just 12g each, and have the hooked design common in sports earbuds that means they stay lodged on your ears whether you’re on a mountain bike or running around on an uneven surface.

The best testament to the design is to point out that not once during testing did they fall out. I will say, though, that the OpenRock Pro did feel even more robust on the ear, thanks to a tighter grip.

Ostensibly there are touch controls on the buds, but in testing these rarely worked reliably. You’re meant to be able to tap the OpenRock logo on the buds to control your music or calls, but I found it often failed to pick up touches. That was doubly the case if my hands were damp from rain or sweat, and I would sometimes end up just hammering at my ears trying to stop a track. I found it much easier to just use the paired phone to change tracks or hang up a call.

The OpenRock buds are IPX5 water resistant, which in theory means they’re protected from water jets and low-pressure streams. They’re certainly sweat-proof, which is the most important thing, but I wouldn’t recommend using them in heavy rain if you’re hoping to use the touch controls.

  • Design score: 4/5

OpenRock S review: Features

The OpenRock S bud in an ear

(Image credit: Future)
  • Air conduction makes sure you can hear your surroundings
  • Possibly the best stamina on the market
  • EQ modes have little impact

As was mentioned in the introduction, the OpenRock S are air-conduction earbuds. This means that a speaker on the bud hovers over your ear canal and ‘projects’ the music in – the whole point is that you can wear these and also hear surrounding sound, perfect for if you’re on a road or somewhere else where awareness is important.

For this purpose, the OpenRock S works really well – I could hear my music while also having situational awareness. The main issue would be that this is often too much the case – sometimes I couldn’t actually hear music, for reasons I’ll get into in the ‘Performance’ section.

There’s also fairly little audio spilling, so people around you aren’t going to hear you working out to an hour-long loop of Mambo No. 5 (unless you sing along, of course).

The best feature of the OpenRock Pro is back and even better for the S, and that’s the battery life. The Pro version of these sports headphones had incredible lasting power but OneOdio has turned that up to 11 for the OpenRock S.

The OpenRock S: a single bud

(Image credit: Future)

The OpenRock S buds last for 19 hours straight of music or calls, but when you factor in the battery in the case, you can get a whopping 60 hours of use time before you need to power them back up. That’s an incomprehensibly long battery life when you consider that many sports headphones only last for 10 hours or less before needing a boost.

With this one feature, the OpenRock S make themselves invaluable for people doing long expeditions and trips, who want to listen to music but might not have reliable access to a charging point.

Not all the features of the headphones are this commendable though. One I’ll flag is OneOdio’s attempt to utilize adjustable EQ: pressing and holding both buds’ touch controls at once will toggle you between ‘Rock’ and ‘Relax’ modes. Sounds useful for whatever kind of exercise you’re doing, right?

Not quite right. Ignoring what I’ve already said about the messy touch controls, the difference between these two modes is incredibly minor. What’s worse, is that you can’t actually change the mode when you’re on a call or listening to music – you have to turn that off before you change the mode, making it harder to perceive the EQ changes. An app would work so much better for this function, but the OpenRock doesn’t have one.

  • Features score: 3.5/5

OpenRock S review: Performance

The OpenRock S's two buds next to each other.

(Image credit: Future)
  • The design doesn't lend itself to great audio fidelity
  • OneOdio's TubeBass only succeeds ensuring there's any bass
  • Max volume is very low

Given the nature of air conduction technology, it’s understandable if you’d expect the OpenRock S to struggle in the audio performance department compared to other fitness bud rivals… and you’d be right.

The biggest issue I faced during the testing period is that the OpenRock S was just too quiet, even at max volume. The point of the tech is to let you hear surrounding sounds, but sometimes that’s all I could hear – for example at the gym, it was sometimes hard to hear parts of a song over the sound of surrounding treadmills, and when wearing the buds near a road, traffic could drown out a song. To be clear, this isn’t an issue I had with the OpenRock Pro to the same degree.

Of course, you don’t want to be deafened by earbuds, especially since air conduction tech could easily disturb people around you if it were too loud. But OneOdio would only have improved the buds by letting them crank out a few more decibels.

When you can hear them properly, the OpenRock S sound just fine – audiophiles won’t be impressed but with the drivers dangled close to your ears instead of directly in them you’re not getting the same treatment as you would for in-ear earbuds or headphones. Yes, the tech is improving a lot, but these earbuds aren't the best example of great sound in an open design.

OneOdio has a tech called TubeBass which offsets some of the issues of air conduction, as it’s designed to enhance bass. However its benefits can only go so far.

As I mentioned before, there are two sound profiles you can toggle between. Rock mode is the one I’d recommend – relaxed is just too tinny.

  • Performance score: 3/5

OpenRock S review: scorecard

OpenRock S: Should I buy them?

The OpenRock S's open case with the buds inside.

(Image credit: Future)

Buy them if...

Battery life is important to you

The OpenRock S battery life is so good that it makes almost all other sports headphones feel rubbish in comparison. An easy recommendation here.

A lightweight bud is important

Depending on your sport, lightweight headphones might be much more valuable than good-sounding ones. The OpenRock S are easily the former, not so much the latter.

You need to hear your surroundings

The central feature of air conduction works well here (if anything, too well). Using these, you'll be able to hear traffic and people around you.

Don't buy them if...

You care about music quality

If loud, booming tunes are all you need for a good workout, you'll find that the OpenRock S doesn't really impress in that regard.

You need a svelte carry case

If you prefer to travel light at all times, you might find the OpenRock S' carry case is a little unwieldy. It won't fit in clothes or bag pockets very easily.

You rely on touch controls

If you want earbuds with stellar touch controls, so you can ignore your phone on a workout, avoid the OpenRock. The touch controls are too unreliable.

Also consider

The OpenRock S bud next to the OpenRock Pro bud

(Image credit: Future)

OpenRock Pro

The OpenRock S' predecessor (and higher-end sibling) costs more and has a lesser battery life. However the audio sounds a little better, the fit is tighter (and therefore a little cosier) and the travel case is much smaller and lighter too.

Read our full OpenRock Pro review

Shokz OpenFit

These are perhaps the OpenRock Pro's closest rivals, as alternative air conduction headphones. They're smaller, lighter and better-sounding, but don't have as impressive battery lives and the fit isn't as customizable.

Read our full Shokz OpenFit review

How I tested

The full testing period for the OpenRock S ended up being well over a month, and while that was partly due to an illness which meant I couldn't test these buds for exercise purposes for the entire period, it does mean I got to use them a lot.

I tested the buds in the following ways: while cycling through a city along roads, while running in busy and quiet areas, while in gyms on various pieces of equipment, and also when at home in an otherwise-quiet area. I really put the OneRock S through their paces, with different activities and in different environments.

Mainly I streamed music through an Android smartphone, but I did test calling and video calls with them too. I also tested them side-by-side with the OpenRock Pro, to fully test out how they compare.

I've been writing for TechRadar for almost five years now, for several as a full member of team and several more as a freelance tester. I've tried various pieces of fitness equipment including earbuds, headphones, smartwatches, fitness trackers and sleep headphones and also tablets, smartphones, ereaders, speakers, scooters and a lot more.

I tested Sony’s cheap new ANC earbuds, and if noise-cancelling is king, you just found your new budget buds
12:31 pm | April 19, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , , | Comments: Off

Sony WF-C710N: Two-minute review

Sony's WF-C710N earbuds find themselves in a similar spot to The White Album in 1968: you want to better the absolute barn-stormer that was Sgt. Pepper's Lonely Hearts Club Band a mere year later? Good luck. But of course, the Beatles managed it (was it transcendental meditation, or was it simply a clean mind?). So, has Sony done the same with its update on the WF-C700N? Yes and no, Dear Prudence. And given that Sony actually had two years to work on its follow-up, that may not feel enough initially.

The model the C710N are based on topped our pick of the best noise-cancelling earbuds in the budget space for over a year following their release, until Nothing's (a)-suffixed set of buds came in and did almost everything the Sony buds did just that little bit better – and looked slightly classier doing it. And although there are improvements here, a few in-app foibles and initial pairing issues left me struggling to find a reason to pick the Sony WF-C710N over the rivals… until I tested the ANC.

Here, Sony has truly upped its game. On a packed commuter train, I drifted off into my own happy bubble of music. I genuinely didn't expect the blissfully quiet backdrop they served up. The uptick in ANC efficacy is almost certainly aided by the extra mic in each earpiece, but however Sony achieved it, it's commendable.

Also, (because I'm still talking about those mics), call quality is very good for the money here, thanks to Sony's new AI-enhanced voice pickup technology. So, if you regularly take calls on your earbuds, there's an extra value add.

The overall sound profile and fit? It's still good despite the size increase – but it's not better than the outgoing model (Sony has essentially said that little about the driver and acoustic setup changed), so if you've picked up the older set for a discount, you may be tempted to stick with them unless you need that improved ANC.

In fact, other than the much-improved noise cancellation, it's a case of incremental upgrades rather than anything headline-grabbing or ground-breaking.

Yes, there's now a 'Find Your Equalizer' tab, but it works by asking you to pick from a selection of pre-made sound profiles rather than dishing out any otoacoustic tests or splodges to denote where your hearing might be lacking, unlike JBL's Personi-Fi or Nothing Ear's hearing tests (although it's true that you have to pay a little more to get those). The two basic 'Which do you prefer?' tests offered by the WF-C710N don't feel quite as comprehensive, detailed, or involved as those rivals.

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

See the wires in the case? (Image credit: Future)

Also back for 2025 is Sony's entry-level DSEE upscaler, so Spotify streams will sound better, plus there's that Sony-special 360 Reality Audio support. However, since Tidal parted ways with the format, your only source options for listening to this particular spatial-audio-adjacent offering now are Amazon Music Unlimited and Nugs.net.

Do I still like the new transparent blue colorway now that I've tested it? Not as much as I'd wanted to. The shiny plastic avidly collects fingerprint smudges, and at the risk of stating the bleedin' obvious (as these cases have almost always been plastic, dear reader), this one feels overly plastic. It's also a little bigger than the older model. That said, Sony's more traditional matte black, off-white and pink colorways are available too.

For sound, there's no addition of LDAC, but they're still a solid listen with good volume and energy levels, albeit sacrificing a modicum of dynamic nuance, detail and sonic placement to get there. They're still good for the level, but that's my point, good is simply no longer great in budget 2025 noise-cancelling earbuds.

To really hammer it home: in 2023, when the WF-C710N's predecessor made its grand entrance, earbuds bearing these kinds of features had never been seen at that level. But the competition really upped its game in the following 24 months, didn't it? One can even buy inexpensive open earbuds with excellent ANC now (see the Honor Earbuds Open), something unheard of, even considered impossible, until very recently. So, the fact that these Sony earbuds fit well, boast slightly better stamina and offer auto-off isn't quite enough to trounce the competition these days. But the ANC? If you prioritise noise-nixing, that'll make up the difference…

Sony WF-C710N review: Price & release date

  • Released on March 25, 2025
  • Priced $119 / £100 / AU$189

Yes, Sony has won this territory before (see the April 2023-issue Sony WF-C700N I keep going on about), but that was before the excellent Nothing Ear (a) arrived, a year later in 2024.

The fact that Sony released these follow-up earbuds at the same MSRP as their older counterparts is welcome but unsurprising news: we've seen it with everything from AirPods to Bluetooth speakers. Why? Because competition is rife, and once-flagship tech (comprehensive ANC, wearer detection, EQ tweaks, spatial audio tech, customisable on-ear functions, and so on) keeps trickling down to entry-level products.

If you've done even a little research into this end of the market, you'll know the current class leader is the Nothing Ear (a) mentioned above, with the insanely cheap $30 / £30 / AU$70 JLab Go Pop ANC or even the $69 / £59 / AU$110 (approx.) Earfun Air 2 NC not far behind.

So have the few extra perks offered by the new WF-C710N – slightly better battery, an auto-off feature, improved call quality, a rudimentary equalizer test and much better noise cancellation – trounced the Nothings? Depending on your priorities, yes, but it's all about that last point…

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

See the mesh over the mic? (Image credit: Future)

Sony WF-C710N review: Specs

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Sony WF-C710N review: Features

  • Dual noise sensor tech (feedback and feedforward mics) for ANC
  • Auto-off is a welcome addition
  • AI-enhanced voice pickup for clearer calls

Let's start with the above bullet points: call-handling? It was good before, but it's even better now. That's thanks to the implementation of AI-enhanced voice pickup technology, which works a treat even on crowded, windy and rainy London Soho streets during rush hour (trust me on this one).

Wearer detection for auto-off is perhaps the biggest usability perk added this time around, which means music pauses when you remove one bud (or both) and resumes once you put it back in. It doesn't sound like a big deal, but once you're used to it, you'll always be reaching for buds that can do it.

OK, so Sony's 360 Reality Audio – 24 object-based channels arranged in a 360-degree soundstage (launched back in 2019) – isn't the big ticket feature it used to be, since few streaming platforms support it and Tidal waved goodbye to its support in July 2024.

As noted, Sony's Headphones Connect app is gone, but it's been replaced by the Sony Sound Connect app. Adaptive Sound Control still takes the wheel as far as noise profiles go, optimized according to what you're doing – yes, they know when you're 'Staying'. And although you can't manually up the noise cancellation levels on the fly (although you can tailor the ambient awareness on a slider from 1-20), if you tap the cog under 'Optimize switching for you', you can tailor each sound profile according to your actions. So if you want Adaptive ANC to kick in on your commute, here's how you do it.

That extra mic has paid dividends because the WF-C710N's dual noise sensor tech (feedback and feedforward mics) provides much more robust noise-cancellation performance. On a packed train from London to Dorset, I was struck by how cocooned in my music I felt.

Any omissions worth mentioning? Although there's multi-point to two devices now (you can toggle it off if you want, but why would you?), there's still no LDAC support. Why mention this? Because the WF-C710N's main rival, the Nothing Ear (a) do boast it.

Also, while there's now a 'Find Your Equalizer' tab in the app, it's a little basic compared to any hearing tests to create splodge-type graphs of your hearing profile you might have tried. Essentially, playing your choice of music, there are five profiles to pick from, and then a further four based on your initial pick. It's more than the older model offered, but given the lengths the competition is going to these days (see JBL, Nothing and Denon to name a few, and, of course, the AirPods Pro 2, for a surcharge), it feels a little basic. Yes, the WF-C710N are budget earbuds, but the Nothing Ear with their lengthy hearing tests are roughly the same price now…

  • Features score: 4.5/5

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Sony WF-C710N review: Sound quality

  • Agile, fun, energetic listen
  • Minor treble distortion if we're being picky
  • LDAC would be a great addition

The sound, as with the older option, is good for the money, but there are incremental gains to be had here. The opening keys in Grian Chatten's All of the People are textured and three-dimensional. There's a human quality to the depressing of each key that most entry-level earbuds cannot convey through the upper midrange.

Out of the box, the older WF-C700N feel just a little congested and treble-centric in direct comparison – although it took me a while to set up this comparative test, since once paired to either set of buds, my phone flat-out refused to pair to its siblings, and I'm still unsure why. Anyway, the Beatles' Helter Skelter is a great test of the stereo imaging, and with the C710N, drums sit dutifully in my right ear (until the fill, when the kick drum darts between each ear) as the driving bass sits in my left concha with pinpoint precision.

In more layered, complex and groove-heavy tracks (Michael Jackson's Billie Jean, for instance), timing and musicality are bang on across the frequencies. I can detect a minor shortfall in dynamic nuance to get all of that exuberance and volume – these are loud and proud earbuds, and for the most part, that's great news. There's just a small compromise to be made in the leading edges of lower-mids and bass notes, and just a shred of distortion through the treble, very occasionally.

Look, I'm nitpicking – and I'm better able to do it because the noise cancellation here provides such a glorious backdrop. Of course, you can tweak the sonic curve to your liking in the Sound Connect app, but it's important to note that, by default, these are zealous, unafraid earbuds. Compare them to the excellent Technics EAH-AZ100 and you'll get a greater rise and fall through each pensive, building musical passage in Dom Sigales' The Ghost is Me, with exhalations of breath, jagged keys, and waves of strings given an extra ounce of due diligence to be impactful. It's hardly a fair test given the price difference (the EAH-AZ100 retail for $299 / £259 / AU$479), but it's important to note that the sound is very good here for the money, rather than just very good, period.

  • Sound quality score: 4.5/5

Sony WF-C710N three 'Sound Connect' app screen-grabs on gray background

(Image credit: Future)

Sony WF-C710N review: Design

  • Bigger but still ergonomic earpieces
  • Case is a little bigger – and a little cheap?
  • Capacitive touch controls aren't very customisable

These are still some of the most comfortable earbuds I've had the pleasure of wearing (besides the aforementioned Technics), even though the buds and case are bigger this time around. While 4.6g to 5.4g may not sound like much of a size increase, it is noticeable. Given that the WF-C700N really were small, that's perhaps not such a bad thing, depending on your ears.

I still found them easy to fit. That said, the shinier plastic of my glass blue colorway did affect the in-ear security, and the right one fell out on a train. I don't think the fit was an issue, as they feel beautifully weighted and slipped easily into my ears with very little work. I think I just need a more matte, brushed plastic finish – and that is available.

Sony WF-C710N next to the Sony WF-C700N, side by side

See the difference in case (and earpiece) size, against the WF-C700N (Image credit: Future)

One potential bone of contention is the case: it's bigger – well, deeper – than the older WF-C700N case, and it feels a shade off high-end. Do I love the transparent finish? I'm not sure. Seeing the little red, yellow and black cables under the casework is novel, but the overall aesthetic feels a bit (dare I say it) cheap and cheerful, compared to the way Nothing has implemented transparent sections within its earbuds design language.

And the physical button is gone. I liked it, but it seems I'm in the minority. And to be honest, the new touch capacitive sensor is aided by a slightly larger concave top plate to help your finger find it, and it works fairly reliably.

My main gripe with this? You can now control volume in addition to playback, sound modes, and access to a virtual assistant, but a little more scope for customisation on what each tap does would be a huge bonus. Right now, the only way to up the volume a little is a quadruple press on the right earbud, and a quadruple press on the left lowers it just a tad. As you can probably imagine, these constant quick presses are hit-and-miss. Ah, well – and it hurts your tragus and external auditory meatus (the bit right before your ear canal) a little, after a while.

  • Design score: 4/5

Sony WF-C710N held in a woman's hand

The case is quite a bit deeper than the previous model (Image credit: Future)

Sony WF-C710N review: Value

  • For ANC, there's real value-for-money here
  • 360 Reality Audio isn't the draw it once was – LDAC would be excellent
  • Nothing's products look and feel more premium

Before the Nothing Ear (a) arrived, with their LDAC and great audio quality, I'd have no issue recommending the Sony WF-C710N above all else. But times have changed. Nothing's earbuds are here, and they are impossible to ignore.

The design of the Sony WF-C710N is fine rather than groundbreaking, and the feature set is good, although 360 Reality Audio support is not the big draw it once was.

Then again, here I sit at our shared table-slash-desk, my partner hitting the keys of his MacBook Pro keyboard heavily, because he's under a tight deadline and is stressed. Can I hear him? Not really. And there's the value, folks – because I've never heard ANC this good for this money…

  • Value score: 4.5/5

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Should I buy the Sony WF-C710N?

Buy them if...

You need great ANC for budget money
These earbuds are some of the most gifted at noise-nixing as I've tried for the money, thanks to that new mic array.

You have an Amazon Music Unlimited account
Link Amazon Music Play Now (after taking photos of your ears, all guided by the app) and you unlock Sony's proprietary 360 Reality Audio for Sony's own spatial audio solution.

You like earbuds that pause the music when you take one out
The WF-C710N now have wearer detection, and you love to see it.

Don't buy them if...

You prioritize on-ear volume control
You can do it, but you still need to press each bud four times quickly to get an incremental increase or decrease. It's a bit much.

You're expecting buds the same size as the C700N
There's a difference: the C710N are a little bigger and heavier owing to that extra mic and capacitive touch plate

You want LDAC
No dice, sadly. You'll need to look to Nothing's Ear (a)

Sony WF-C710N review: Also consider

Nothing Ear (a)
The battery life isn't as good, and the ANC is close but no cigar. But if you need a better level of dust- and waterproofing and want LDAC audio support, these buds are oh-so-stylish and just slightly cheaper than the Sony WF-C710N.
Read our Nothing Ear (a) review for more information

Sony WF-C510
What if you want quality Sony sound in Sony's smallest earbuds (smaller than the WF-C710N) and even better battery life, because you don't care about ANC? This is the model you need, and you'll save money. But just to be clear, the noise cancellation is the WF-C710N is very good… 
See our Sony WF-C510 review for the full scoop

How I tested the Sony WF-C710N

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)
  • Tested for two weeks, compared against the Sony WF-C700N and Technics EAH-AZ100
  • Used in the office, walking through London, on a train, and at home
  • Listened to Apple Music Lossless tracks, Qobuz, Deezer and Spotify on an iPhone 12 Pro and a MacBook Pro

As always when testing portable earbuds, the Sony WF-C710N became my musical companions for two weeks – after a thorough 48-hour run-in period.

They accompanied me to work (walking brusquely to Weymouth station at an ungodly hour; boarding a train to London Waterloo; and at the office – yes, I really do this) and throughout a long weekend at Seaham, collecting sea glass from the stunning County Durham shoreline.

To better test the comfort and battery life claims of the Sony WF-C710N, I wore them throughout the working day on numerous occasions – and as you can see from the above over-share, my working days can be long.

To get through it all, I listened to various playlists (spanning everything from Korn to Dom Sigalas) on Apple Music and Tidal, but also to podcasts and albums on Qobuz and Deezer – and YouTube tutorials (mostly about making music on Cubase and using Cakewalk, since you ask) from my MacBook Pro.

I’ve been testing audio products for well over five years now. As a dancer, aerialist and musical theater performer in another life, sound quality, fit and user experience have always taken priority for me personally – but having heard how wonderful ANC can be when done well, I know what to look for.

Read more about how we test

  • First reviewed: April 2025
I tested Sony’s cheap new ANC earbuds, and if noise-cancelling is king, you just found your new budget buds
12:31 pm |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , , | Comments: Off

Sony WF-C710N: Two-minute review

Sony's WF-C710N earbuds find themselves in a similar spot to The White Album in 1968: you want to better the absolute barn-stormer that was Sgt. Pepper's Lonely Hearts Club Band a mere year later? Good luck. But of course, the Beatles managed it (was it transcendental meditation, or was it simply a clean mind?). So, has Sony done the same with its update on the WF-C700N? Yes and no, Dear Prudence. And given that Sony actually had two years to work on its follow-up, that may not feel enough initially.

The model the C710N are based on topped our pick of the best noise-cancelling earbuds in the budget space for over a year following their release, until Nothing's (a)-suffixed set of buds came in and did almost everything the Sony buds did just that little bit better – and looked slightly classier doing it. And although there are improvements here, a few in-app foibles and initial pairing issues left me struggling to find a reason to pick the Sony WF-C710N over the rivals… until I tested the ANC.

Here, Sony has truly upped its game. On a packed commuter train, I drifted off into my own happy bubble of music. I genuinely didn't expect the blissfully quiet backdrop they served up. The uptick in ANC efficacy is almost certainly aided by the extra mic in each earpiece, but however Sony achieved it, it's commendable.

Also, (because I'm still talking about those mics), call quality is very good for the money here, thanks to Sony's new AI-enhanced voice pickup technology. So, if you regularly take calls on your earbuds, there's an extra value add.

The overall sound profile and fit? It's still good despite the size increase – but it's not better than the outgoing model (Sony has essentially said that little about the driver and acoustic setup changed), so if you've picked up the older set for a discount, you may be tempted to stick with them unless you need that improved ANC.

In fact, other than the much-improved noise cancellation, it's a case of incremental upgrades rather than anything headline-grabbing or ground-breaking.

Yes, there's now a 'Find Your Equalizer' tab, but it works by asking you to pick from a selection of pre-made sound profiles rather than dishing out any otoacoustic tests or splodges to denote where your hearing might be lacking, unlike JBL's Personi-Fi or Nothing Ear's hearing tests (although it's true that you have to pay a little more to get those). The two basic 'Which do you prefer?' tests offered by the WF-C710N don't feel quite as comprehensive, detailed, or involved as those rivals.

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

See the wires in the case? (Image credit: Future)

Also back for 2025 is Sony's entry-level DSEE upscaler, so Spotify streams will sound better, plus there's that Sony-special 360 Reality Audio support. However, since Tidal parted ways with the format, your only source options for listening to this particular spatial-audio-adjacent offering now are Amazon Music Unlimited and Nugs.net.

Do I still like the new transparent blue colorway now that I've tested it? Not as much as I'd wanted to. The shiny plastic avidly collects fingerprint smudges, and at the risk of stating the bleedin' obvious (as these cases have almost always been plastic, dear reader), this one feels overly plastic. It's also a little bigger than the older model. That said, Sony's more traditional matte black, off-white and pink colorways are available too.

For sound, there's no addition of LDAC, but they're still a solid listen with good volume and energy levels, albeit sacrificing a modicum of dynamic nuance, detail and sonic placement to get there. They're still good for the level, but that's my point, good is simply no longer great in budget 2025 noise-cancelling earbuds.

To really hammer it home: in 2023, when the WF-C710N's predecessor made its grand entrance, earbuds bearing these kinds of features had never been seen at that level. But the competition really upped its game in the following 24 months, didn't it? One can even buy inexpensive open earbuds with excellent ANC now (see the Honor Earbuds Open), something unheard of, even considered impossible, until very recently. So, the fact that these Sony earbuds fit well, boast slightly better stamina and offer auto-off isn't quite enough to trounce the competition these days. But the ANC? If you prioritise noise-nixing, that'll make up the difference…

Sony WF-C710N review: Price & release date

  • Released on March 25, 2025
  • Priced $119 / £100 / AU$189

Yes, Sony has won this territory before (see the April 2023-issue Sony WF-C700N I keep going on about), but that was before the excellent Nothing Ear (a) arrived, a year later in 2024.

The fact that Sony released these follow-up earbuds at the same MSRP as their older counterparts is welcome but unsurprising news: we've seen it with everything from AirPods to Bluetooth speakers. Why? Because competition is rife, and once-flagship tech (comprehensive ANC, wearer detection, EQ tweaks, spatial audio tech, customisable on-ear functions, and so on) keeps trickling down to entry-level products.

If you've done even a little research into this end of the market, you'll know the current class leader is the Nothing Ear (a) mentioned above, with the insanely cheap $30 / £30 / AU$70 JLab Go Pop ANC or even the $69 / £59 / AU$110 (approx.) Earfun Air 2 NC not far behind.

So have the few extra perks offered by the new WF-C710N – slightly better battery, an auto-off feature, improved call quality, a rudimentary equalizer test and much better noise cancellation – trounced the Nothings? Depending on your priorities, yes, but it's all about that last point…

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

See the mesh over the mic? (Image credit: Future)

Sony WF-C710N review: Specs

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Sony WF-C710N review: Features

  • Dual noise sensor tech (feedback and feedforward mics) for ANC
  • Auto-off is a welcome addition
  • AI-enhanced voice pickup for clearer calls

Let's start with the above bullet points: call-handling? It was good before, but it's even better now. That's thanks to the implementation of AI-enhanced voice pickup technology, which works a treat even on crowded, windy and rainy London Soho streets during rush hour (trust me on this one).

Wearer detection for auto-off is perhaps the biggest usability perk added this time around, which means music pauses when you remove one bud (or both) and resumes once you put it back in. It doesn't sound like a big deal, but once you're used to it, you'll always be reaching for buds that can do it.

OK, so Sony's 360 Reality Audio – 24 object-based channels arranged in a 360-degree soundstage (launched back in 2019) – isn't the big ticket feature it used to be, since few streaming platforms support it and Tidal waved goodbye to its support in July 2024.

As noted, Sony's Headphones Connect app is gone, but it's been replaced by the Sony Sound Connect app. Adaptive Sound Control still takes the wheel as far as noise profiles go, optimized according to what you're doing – yes, they know when you're 'Staying'. And although you can't manually up the noise cancellation levels on the fly (although you can tailor the ambient awareness on a slider from 1-20), if you tap the cog under 'Optimize switching for you', you can tailor each sound profile according to your actions. So if you want Adaptive ANC to kick in on your commute, here's how you do it.

That extra mic has paid dividends because the WF-C710N's dual noise sensor tech (feedback and feedforward mics) provides much more robust noise-cancellation performance. On a packed train from London to Dorset, I was struck by how cocooned in my music I felt.

Any omissions worth mentioning? Although there's multi-point to two devices now (you can toggle it off if you want, but why would you?), there's still no LDAC support. Why mention this? Because the WF-C710N's main rival, the Nothing Ear (a) do boast it.

Also, while there's now a 'Find Your Equalizer' tab in the app, it's a little basic compared to any hearing tests to create splodge-type graphs of your hearing profile you might have tried. Essentially, playing your choice of music, there are five profiles to pick from, and then a further four based on your initial pick. It's more than the older model offered, but given the lengths the competition is going to these days (see JBL, Nothing and Denon to name a few, and, of course, the AirPods Pro 2, for a surcharge), it feels a little basic. Yes, the WF-C710N are budget earbuds, but the Nothing Ear with their lengthy hearing tests are roughly the same price now…

  • Features score: 4.5/5

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Sony WF-C710N review: Sound quality

  • Agile, fun, energetic listen
  • Minor treble distortion if we're being picky
  • LDAC would be a great addition

The sound, as with the older option, is good for the money, but there are incremental gains to be had here. The opening keys in Grian Chatten's All of the People are textured and three-dimensional. There's a human quality to the depressing of each key that most entry-level earbuds cannot convey through the upper midrange.

Out of the box, the older WF-C700N feel just a little congested and treble-centric in direct comparison – although it took me a while to set up this comparative test, since once paired to either set of buds, my phone flat-out refused to pair to its siblings, and I'm still unsure why. Anyway, the Beatles' Helter Skelter is a great test of the stereo imaging, and with the C710N, drums sit dutifully in my right ear (until the fill, when the kick drum darts between each ear) as the driving bass sits in my left concha with pinpoint precision.

In more layered, complex and groove-heavy tracks (Michael Jackson's Billie Jean, for instance), timing and musicality are bang on across the frequencies. I can detect a minor shortfall in dynamic nuance to get all of that exuberance and volume – these are loud and proud earbuds, and for the most part, that's great news. There's just a small compromise to be made in the leading edges of lower-mids and bass notes, and just a shred of distortion through the treble, very occasionally.

Look, I'm nitpicking – and I'm better able to do it because the noise cancellation here provides such a glorious backdrop. Of course, you can tweak the sonic curve to your liking in the Sound Connect app, but it's important to note that, by default, these are zealous, unafraid earbuds. Compare them to the excellent Technics EAH-AZ100 and you'll get a greater rise and fall through each pensive, building musical passage in Dom Sigales' The Ghost is Me, with exhalations of breath, jagged keys, and waves of strings given an extra ounce of due diligence to be impactful. It's hardly a fair test given the price difference (the EAH-AZ100 retail for $299 / £259 / AU$479), but it's important to note that the sound is very good here for the money, rather than just very good, period.

  • Sound quality score: 4.5/5

Sony WF-C710N three 'Sound Connect' app screen-grabs on gray background

(Image credit: Future)

Sony WF-C710N review: Design

  • Bigger but still ergonomic earpieces
  • Case is a little bigger – and a little cheap?
  • Capacitive touch controls aren't very customisable

These are still some of the most comfortable earbuds I've had the pleasure of wearing (besides the aforementioned Technics), even though the buds and case are bigger this time around. While 4.6g to 5.4g may not sound like much of a size increase, it is noticeable. Given that the WF-C700N really were small, that's perhaps not such a bad thing, depending on your ears.

I still found them easy to fit. That said, the shinier plastic of my glass blue colorway did affect the in-ear security, and the right one fell out on a train. I don't think the fit was an issue, as they feel beautifully weighted and slipped easily into my ears with very little work. I think I just need a more matte, brushed plastic finish – and that is available.

Sony WF-C710N next to the Sony WF-C700N, side by side

See the difference in case (and earpiece) size, against the WF-C700N (Image credit: Future)

One potential bone of contention is the case: it's bigger – well, deeper – than the older WF-C700N case, and it feels a shade off high-end. Do I love the transparent finish? I'm not sure. Seeing the little red, yellow and black cables under the casework is novel, but the overall aesthetic feels a bit (dare I say it) cheap and cheerful, compared to the way Nothing has implemented transparent sections within its earbuds design language.

And the physical button is gone. I liked it, but it seems I'm in the minority. And to be honest, the new touch capacitive sensor is aided by a slightly larger concave top plate to help your finger find it, and it works fairly reliably.

My main gripe with this? You can now control volume in addition to playback, sound modes, and access to a virtual assistant, but a little more scope for customisation on what each tap does would be a huge bonus. Right now, the only way to up the volume a little is a quadruple press on the right earbud, and a quadruple press on the left lowers it just a tad. As you can probably imagine, these constant quick presses are hit-and-miss. Ah, well – and it hurts your tragus and external auditory meatus (the bit right before your ear canal) a little, after a while.

  • Design score: 4/5

Sony WF-C710N held in a woman's hand

The case is quite a bit deeper than the previous model (Image credit: Future)

Sony WF-C710N review: Value

  • For ANC, there's real value-for-money here
  • 360 Reality Audio isn't the draw it once was – LDAC would be excellent
  • Nothing's products look and feel more premium

Before the Nothing Ear (a) arrived, with their LDAC and great audio quality, I'd have no issue recommending the Sony WF-C710N above all else. But times have changed. Nothing's earbuds are here, and they are impossible to ignore.

The design of the Sony WF-C710N is fine rather than groundbreaking, and the feature set is good, although 360 Reality Audio support is not the big draw it once was.

Then again, here I sit at our shared table-slash-desk, my partner hitting the keys of his MacBook Pro keyboard heavily, because he's under a tight deadline and is stressed. Can I hear him? Not really. And there's the value, folks – because I've never heard ANC this good for this money…

  • Value score: 4.5/5

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Should I buy the Sony WF-C710N?

Buy them if...

You need great ANC for budget money
These earbuds are some of the most gifted at noise-nixing as I've tried for the money, thanks to that new mic array.

You have an Amazon Music Unlimited account
Link Amazon Music Play Now (after taking photos of your ears, all guided by the app) and you unlock Sony's proprietary 360 Reality Audio for Sony's own spatial audio solution.

You like earbuds that pause the music when you take one out
The WF-C710N now have wearer detection, and you love to see it.

Don't buy them if...

You prioritize on-ear volume control
You can do it, but you still need to press each bud four times quickly to get an incremental increase or decrease. It's a bit much.

You're expecting buds the same size as the C700N
There's a difference: the C710N are a little bigger and heavier owing to that extra mic and capacitive touch plate

You want LDAC
No dice, sadly. You'll need to look to Nothing's Ear (a)

Sony WF-C710N review: Also consider

Nothing Ear (a)
The battery life isn't as good, and the ANC is close but no cigar. But if you need a better level of dust- and waterproofing and want LDAC audio support, these buds are oh-so-stylish and just slightly cheaper than the Sony WF-C710N.
Read our Nothing Ear (a) review for more information

Sony WF-C510
What if you want quality Sony sound in Sony's smallest earbuds (smaller than the WF-C710N) and even better battery life, because you don't care about ANC? This is the model you need, and you'll save money. But just to be clear, the noise cancellation is the WF-C710N is very good… 
See our Sony WF-C510 review for the full scoop

How I tested the Sony WF-C710N

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)
  • Tested for two weeks, compared against the Sony WF-C700N and Technics EAH-AZ100
  • Used in the office, walking through London, on a train, and at home
  • Listened to Apple Music Lossless tracks, Qobuz, Deezer and Spotify on an iPhone 12 Pro and a MacBook Pro

As always when testing portable earbuds, the Sony WF-C710N became my musical companions for two weeks – after a thorough 48-hour run-in period.

They accompanied me to work (walking brusquely to Weymouth station at an ungodly hour; boarding a train to London Waterloo; and at the office – yes, I really do this) and throughout a long weekend at Seaham, collecting sea glass from the stunning County Durham shoreline.

To better test the comfort and battery life claims of the Sony WF-C710N, I wore them throughout the working day on numerous occasions – and as you can see from the above over-share, my working days can be long.

To get through it all, I listened to various playlists (spanning everything from Korn to Dom Sigalas) on Apple Music and Tidal, but also to podcasts and albums on Qobuz and Deezer – and YouTube tutorials (mostly about making music on Cubase and using Cakewalk, since you ask) from my MacBook Pro.

I’ve been testing audio products for well over five years now. As a dancer, aerialist and musical theater performer in another life, sound quality, fit and user experience have always taken priority for me personally – but having heard how wonderful ANC can be when done well, I know what to look for.

Read more about how we test

  • First reviewed: April 2025
I tested Sony’s cheap new ANC earbuds, and if noise-cancelling is king, you just found your new budget buds
12:31 pm |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , , | Comments: Off

Sony WF-C710N: Two-minute review

Sony's WF-C710N earbuds find themselves in a similar spot to The White Album in 1968: you want to better the absolute barn-stormer that was Sgt. Pepper's Lonely Hearts Club Band a mere year later? Good luck. But of course, the Beatles managed it (was it transcendental meditation, or was it simply a clean mind?). So, has Sony done the same with its update on the WF-C700N? Yes and no, Dear Prudence. And given that Sony actually had two years to work on its follow-up, that may not feel enough initially.

The model the C710N are based on topped our pick of the best noise-cancelling earbuds in the budget space for over a year following their release, until Nothing's (a)-suffixed set of buds came in and did almost everything the Sony buds did just that little bit better – and looked slightly classier doing it. And although there are improvements here, a few in-app foibles and initial pairing issues left me struggling to find a reason to pick the Sony WF-C710N over the rivals… until I tested the ANC.

Here, Sony has truly upped its game. On a packed commuter train, I drifted off into my own happy bubble of music. I genuinely didn't expect the blissfully quiet backdrop they served up. The uptick in ANC efficacy is almost certainly aided by the extra mic in each earpiece, but however Sony achieved it, it's commendable.

Also, (because I'm still talking about those mics), call quality is very good for the money here, thanks to Sony's new AI-enhanced voice pickup technology. So, if you regularly take calls on your earbuds, there's an extra value add.

The overall sound profile and fit? It's still good despite the size increase – but it's not better than the outgoing model (Sony has essentially said that little about the driver and acoustic setup changed), so if you've picked up the older set for a discount, you may be tempted to stick with them unless you need that improved ANC.

In fact, other than the much-improved noise cancellation, it's a case of incremental upgrades rather than anything headline-grabbing or ground-breaking.

Yes, there's now a 'Find Your Equalizer' tab, but it works by asking you to pick from a selection of pre-made sound profiles rather than dishing out any otoacoustic tests or splodges to denote where your hearing might be lacking, unlike JBL's Personi-Fi or Nothing Ear's hearing tests (although it's true that you have to pay a little more to get those). The two basic 'Which do you prefer?' tests offered by the WF-C710N don't feel quite as comprehensive, detailed, or involved as those rivals.

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

See the wires in the case? (Image credit: Future)

Also back for 2025 is Sony's entry-level DSEE upscaler, so Spotify streams will sound better, plus there's that Sony-special 360 Reality Audio support. However, since Tidal parted ways with the format, your only source options for listening to this particular spatial-audio-adjacent offering now are Amazon Music Unlimited and Nugs.net.

Do I still like the new transparent blue colorway now that I've tested it? Not as much as I'd wanted to. The shiny plastic avidly collects fingerprint smudges, and at the risk of stating the bleedin' obvious (as these cases have almost always been plastic, dear reader), this one feels overly plastic. It's also a little bigger than the older model. That said, Sony's more traditional matte black, off-white and pink colorways are available too.

For sound, there's no addition of LDAC, but they're still a solid listen with good volume and energy levels, albeit sacrificing a modicum of dynamic nuance, detail and sonic placement to get there. They're still good for the level, but that's my point, good is simply no longer great in budget 2025 noise-cancelling earbuds.

To really hammer it home: in 2023, when the WF-C710N's predecessor made its grand entrance, earbuds bearing these kinds of features had never been seen at that level. But the competition really upped its game in the following 24 months, didn't it? One can even buy inexpensive open earbuds with excellent ANC now (see the Honor Earbuds Open), something unheard of, even considered impossible, until very recently. So, the fact that these Sony earbuds fit well, boast slightly better stamina and offer auto-off isn't quite enough to trounce the competition these days. But the ANC? If you prioritise noise-nixing, that'll make up the difference…

Sony WF-C710N review: Price & release date

  • Released on March 25, 2025
  • Priced $119 / £100 / AU$189

Yes, Sony has won this territory before (see the April 2023-issue Sony WF-C700N I keep going on about), but that was before the excellent Nothing Ear (a) arrived, a year later in 2024.

The fact that Sony released these follow-up earbuds at the same MSRP as their older counterparts is welcome but unsurprising news: we've seen it with everything from AirPods to Bluetooth speakers. Why? Because competition is rife, and once-flagship tech (comprehensive ANC, wearer detection, EQ tweaks, spatial audio tech, customisable on-ear functions, and so on) keeps trickling down to entry-level products.

If you've done even a little research into this end of the market, you'll know the current class leader is the Nothing Ear (a) mentioned above, with the insanely cheap $30 / £30 / AU$70 JLab Go Pop ANC or even the $69 / £59 / AU$110 (approx.) Earfun Air 2 NC not far behind.

So have the few extra perks offered by the new WF-C710N – slightly better battery, an auto-off feature, improved call quality, a rudimentary equalizer test and much better noise cancellation – trounced the Nothings? Depending on your priorities, yes, but it's all about that last point…

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

See the mesh over the mic? (Image credit: Future)

Sony WF-C710N review: Specs

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Sony WF-C710N review: Features

  • Dual noise sensor tech (feedback and feedforward mics) for ANC
  • Auto-off is a welcome addition
  • AI-enhanced voice pickup for clearer calls

Let's start with the above bullet points: call-handling? It was good before, but it's even better now. That's thanks to the implementation of AI-enhanced voice pickup technology, which works a treat even on crowded, windy and rainy London Soho streets during rush hour (trust me on this one).

Wearer detection for auto-off is perhaps the biggest usability perk added this time around, which means music pauses when you remove one bud (or both) and resumes once you put it back in. It doesn't sound like a big deal, but once you're used to it, you'll always be reaching for buds that can do it.

OK, so Sony's 360 Reality Audio – 24 object-based channels arranged in a 360-degree soundstage (launched back in 2019) – isn't the big ticket feature it used to be, since few streaming platforms support it and Tidal waved goodbye to its support in July 2024.

As noted, Sony's Headphones Connect app is gone, but it's been replaced by the Sony Sound Connect app. Adaptive Sound Control still takes the wheel as far as noise profiles go, optimized according to what you're doing – yes, they know when you're 'Staying'. And although you can't manually up the noise cancellation levels on the fly (although you can tailor the ambient awareness on a slider from 1-20), if you tap the cog under 'Optimize switching for you', you can tailor each sound profile according to your actions. So if you want Adaptive ANC to kick in on your commute, here's how you do it.

That extra mic has paid dividends because the WF-C710N's dual noise sensor tech (feedback and feedforward mics) provides much more robust noise-cancellation performance. On a packed train from London to Dorset, I was struck by how cocooned in my music I felt.

Any omissions worth mentioning? Although there's multi-point to two devices now (you can toggle it off if you want, but why would you?), there's still no LDAC support. Why mention this? Because the WF-C710N's main rival, the Nothing Ear (a) do boast it.

Also, while there's now a 'Find Your Equalizer' tab in the app, it's a little basic compared to any hearing tests to create splodge-type graphs of your hearing profile you might have tried. Essentially, playing your choice of music, there are five profiles to pick from, and then a further four based on your initial pick. It's more than the older model offered, but given the lengths the competition is going to these days (see JBL, Nothing and Denon to name a few, and, of course, the AirPods Pro 2, for a surcharge), it feels a little basic. Yes, the WF-C710N are budget earbuds, but the Nothing Ear with their lengthy hearing tests are roughly the same price now…

  • Features score: 4.5/5

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Sony WF-C710N review: Sound quality

  • Agile, fun, energetic listen
  • Minor treble distortion if we're being picky
  • LDAC would be a great addition

The sound, as with the older option, is good for the money, but there are incremental gains to be had here. The opening keys in Grian Chatten's All of the People are textured and three-dimensional. There's a human quality to the depressing of each key that most entry-level earbuds cannot convey through the upper midrange.

Out of the box, the older WF-C700N feel just a little congested and treble-centric in direct comparison – although it took me a while to set up this comparative test, since once paired to either set of buds, my phone flat-out refused to pair to its siblings, and I'm still unsure why. Anyway, the Beatles' Helter Skelter is a great test of the stereo imaging, and with the C710N, drums sit dutifully in my right ear (until the fill, when the kick drum darts between each ear) as the driving bass sits in my left concha with pinpoint precision.

In more layered, complex and groove-heavy tracks (Michael Jackson's Billie Jean, for instance), timing and musicality are bang on across the frequencies. I can detect a minor shortfall in dynamic nuance to get all of that exuberance and volume – these are loud and proud earbuds, and for the most part, that's great news. There's just a small compromise to be made in the leading edges of lower-mids and bass notes, and just a shred of distortion through the treble, very occasionally.

Look, I'm nitpicking – and I'm better able to do it because the noise cancellation here provides such a glorious backdrop. Of course, you can tweak the sonic curve to your liking in the Sound Connect app, but it's important to note that, by default, these are zealous, unafraid earbuds. Compare them to the excellent Technics EAH-AZ100 and you'll get a greater rise and fall through each pensive, building musical passage in Dom Sigales' The Ghost is Me, with exhalations of breath, jagged keys, and waves of strings given an extra ounce of due diligence to be impactful. It's hardly a fair test given the price difference (the EAH-AZ100 retail for $299 / £259 / AU$479), but it's important to note that the sound is very good here for the money, rather than just very good, period.

  • Sound quality score: 4.5/5

Sony WF-C710N three 'Sound Connect' app screen-grabs on gray background

(Image credit: Future)

Sony WF-C710N review: Design

  • Bigger but still ergonomic earpieces
  • Case is a little bigger – and a little cheap?
  • Capacitive touch controls aren't very customisable

These are still some of the most comfortable earbuds I've had the pleasure of wearing (besides the aforementioned Technics), even though the buds and case are bigger this time around. While 4.6g to 5.4g may not sound like much of a size increase, it is noticeable. Given that the WF-C700N really were small, that's perhaps not such a bad thing, depending on your ears.

I still found them easy to fit. That said, the shinier plastic of my glass blue colorway did affect the in-ear security, and the right one fell out on a train. I don't think the fit was an issue, as they feel beautifully weighted and slipped easily into my ears with very little work. I think I just need a more matte, brushed plastic finish – and that is available.

Sony WF-C710N next to the Sony WF-C700N, side by side

See the difference in case (and earpiece) size, against the WF-C700N (Image credit: Future)

One potential bone of contention is the case: it's bigger – well, deeper – than the older WF-C700N case, and it feels a shade off high-end. Do I love the transparent finish? I'm not sure. Seeing the little red, yellow and black cables under the casework is novel, but the overall aesthetic feels a bit (dare I say it) cheap and cheerful, compared to the way Nothing has implemented transparent sections within its earbuds design language.

And the physical button is gone. I liked it, but it seems I'm in the minority. And to be honest, the new touch capacitive sensor is aided by a slightly larger concave top plate to help your finger find it, and it works fairly reliably.

My main gripe with this? You can now control volume in addition to playback, sound modes, and access to a virtual assistant, but a little more scope for customisation on what each tap does would be a huge bonus. Right now, the only way to up the volume a little is a quadruple press on the right earbud, and a quadruple press on the left lowers it just a tad. As you can probably imagine, these constant quick presses are hit-and-miss. Ah, well – and it hurts your tragus and external auditory meatus (the bit right before your ear canal) a little, after a while.

  • Design score: 4/5

Sony WF-C710N held in a woman's hand

The case is quite a bit deeper than the previous model (Image credit: Future)

Sony WF-C710N review: Value

  • For ANC, there's real value-for-money here
  • 360 Reality Audio isn't the draw it once was – LDAC would be excellent
  • Nothing's products look and feel more premium

Before the Nothing Ear (a) arrived, with their LDAC and great audio quality, I'd have no issue recommending the Sony WF-C710N above all else. But times have changed. Nothing's earbuds are here, and they are impossible to ignore.

The design of the Sony WF-C710N is fine rather than groundbreaking, and the feature set is good, although 360 Reality Audio support is not the big draw it once was.

Then again, here I sit at our shared table-slash-desk, my partner hitting the keys of his MacBook Pro keyboard heavily, because he's under a tight deadline and is stressed. Can I hear him? Not really. And there's the value, folks – because I've never heard ANC this good for this money…

  • Value score: 4.5/5

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)

Should I buy the Sony WF-C710N?

Buy them if...

You need great ANC for budget money
These earbuds are some of the most gifted at noise-nixing as I've tried for the money, thanks to that new mic array.

You have an Amazon Music Unlimited account
Link Amazon Music Play Now (after taking photos of your ears, all guided by the app) and you unlock Sony's proprietary 360 Reality Audio for Sony's own spatial audio solution.

You like earbuds that pause the music when you take one out
The WF-C710N now have wearer detection, and you love to see it.

Don't buy them if...

You prioritize on-ear volume control
You can do it, but you still need to press each bud four times quickly to get an incremental increase or decrease. It's a bit much.

You're expecting buds the same size as the C700N
There's a difference: the C710N are a little bigger and heavier owing to that extra mic and capacitive touch plate

You want LDAC
No dice, sadly. You'll need to look to Nothing's Ear (a)

Sony WF-C710N review: Also consider

Nothing Ear (a)
The battery life isn't as good, and the ANC is close but no cigar. But if you need a better level of dust- and waterproofing and want LDAC audio support, these buds are oh-so-stylish and just slightly cheaper than the Sony WF-C710N.
Read our Nothing Ear (a) review for more information

Sony WF-C510
What if you want quality Sony sound in Sony's smallest earbuds (smaller than the WF-C710N) and even better battery life, because you don't care about ANC? This is the model you need, and you'll save money. But just to be clear, the noise cancellation is the WF-C710N is very good… 
See our Sony WF-C510 review for the full scoop

How I tested the Sony WF-C710N

Sony WF-C710N earbuds in 'blue glass' on a grey table, with a woman's hand holding one of the earpieces

(Image credit: Future)
  • Tested for two weeks, compared against the Sony WF-C700N and Technics EAH-AZ100
  • Used in the office, walking through London, on a train, and at home
  • Listened to Apple Music Lossless tracks, Qobuz, Deezer and Spotify on an iPhone 12 Pro and a MacBook Pro

As always when testing portable earbuds, the Sony WF-C710N became my musical companions for two weeks – after a thorough 48-hour run-in period.

They accompanied me to work (walking brusquely to Weymouth station at an ungodly hour; boarding a train to London Waterloo; and at the office – yes, I really do this) and throughout a long weekend at Seaham, collecting sea glass from the stunning County Durham shoreline.

To better test the comfort and battery life claims of the Sony WF-C710N, I wore them throughout the working day on numerous occasions – and as you can see from the above over-share, my working days can be long.

To get through it all, I listened to various playlists (spanning everything from Korn to Dom Sigalas) on Apple Music and Tidal, but also to podcasts and albums on Qobuz and Deezer – and YouTube tutorials (mostly about making music on Cubase and using Cakewalk, since you ask) from my MacBook Pro.

I’ve been testing audio products for well over five years now. As a dancer, aerialist and musical theater performer in another life, sound quality, fit and user experience have always taken priority for me personally – but having heard how wonderful ANC can be when done well, I know what to look for.

Read more about how we test

  • First reviewed: April 2025
OneOdio’s DJ headphones have two features non-DJs will love –but for most listeners, there are better-sounding options for the money
1:00 pm | April 18, 2025

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Comments: Off

OneOdio Studio Max 1: Two-minute review

According to friends of mine who've tried it, and a quick Google check to see if they know what they’re talking about, the best headphones for DJs (and other kinds of live music performers, by all accounts) are wired ones. Why? Latency – going wireless incurs a lag, and that's just not OK when you're building a set or trying to keep to a beat. But all of this is something OneOdio seems set on challenging with its new Studio Max 1 DJ headphones.

These new wireless cans aren’t aiming for our list of the best wireless headphones, but instead aim to provide musicians with a tempting wireless rival to the current wired hegemony – with the option to go back to wired if you'd like to. So, a sort of best wired headphones hybrid proposition, if you will.

In many ways they work, with a range of useful features and some handy in-box extras that you don’t see in many rivals. However, TechRadar is first and foremost a consumer website and for everyday non-DJ cans – or even people who want an audio solution for work and for play – and the Studio Max 1 don’t cut the mustard I'm afraid.

The primary issue is that the headphones just don’t sound good. Audio is oddly crunchy and with overblown bass that drowns out most everything else, and treble is so weak that even spoken-word audio doesn’t sound great.

The Studio Max 1 are also a little tiresome to set up, with a Bluetooth pairing process that’s a bit confusing and a design that needs some untangling when you use them, despite the lack of cables.

But there’s a lot to like here. OneOdio isn’t just giving you a pair of headphones in the box but several different cables (the cans have multiple ports) as well as a wireless transmitter to give you much further range for Bluetooth. For many users, the inclusion of this transmitter is all that it’ll take to make the Studio Max a must-buy; cutting the cable gives DJs a lot more freedom anyway, and the transmitter gives you even longer range.

A further potential downside of wireless over wired DJ headphones is that they need recharging, unlike wired ones. However OneOdio has given the Studio Max 1 such a big battery life that it lasts a whopping 120 hours between charges, a figure so high that it dwarfs even its longest-lasting rivals. Honestly, if battery life is important to you and you’re not a DJ, it still might make these cans a great buy.

These fantastic features aren’t quite enough to offset the poor audio quality in terms of my star rating for this review, but they'll definitely give some buyers a reason to ignore my rating and pick up the OneOdio Studio Max 1 anyway.

OneOdio Studio Max 1 review: Price and release date

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)
  • Released in February 2025
  • Sell for $169.99 / £135 / AU$275

The OneOdio Studio Max 1 were announced in December 2024, and were released a few months later in February 2025.

You can pick up the headphones for $169.99 / £135 / AU$275, which is a little north of some of our favorite Bluetooth headphones but a reasonable price when you consider what comes in the box: there’s a carry bag, a USB-C to USB-C charging cable, 3.5mm-3.5mm audio cable, 3.5mm-6.35mm audio cable, 6.35mm audio adaptor and special Bluetooth transmitter. Yes, it's all included in that upfront cost.

The world of wireless DJ headphones features few competitors so far, and OneOdio’s offering is relatively affordable compared to, say, the AIAIAI TMA-2 which costs $300 / £250 (roughly AU$500). Of course, DJs or musicians can also find many worthy offerings by heading over to our list of the best headphones, but they won’t all have the full range of jacks and features.

Here's the thing: for accessories and functionality, there's value here. The problem is, headphones need to sound good first and foremost – ideally to anyone who listens, whether pro mixer or dedicated music lover. And as we'll see, that's the main issue with the OneOdio Studio Max: I don't think they'll appeal to either listener.

OneOdio Studio Max 1 review: Specs

OneOdio Studio Max 1 review: Features

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)
  • Impressive 120-hour battery life
  • Myriad connectivity options
  • No ANC or app (but that's not really the point)

Let’s start with the OneOdio Studio Max 1’s best feature: its battery life. Stamina here stretches to a whopping 5 days of listening time. That’s right, days and not hours – OneOdio puts the figure at 120 hours.

That’s by far one of the longest battery lives you’ll find on wireless headphones, making this a fantastic pick for all kinds of users who may be unavailable to charge (or to remember to charge) their headphones regularly.

Certainly helping that battery life, but not helping all listeners, is the lack of any kind of noise cancellation in the Studio Max 1 (beyond the natural damping and passive isolating effect of the ear pads).

Given that you may want to use the DJ headphones in, say, busy music-filled halls where you’d want to cut away audience and reverb and projected music to hear just your turntables, it feels an odd choice in 2025 – although it's true that traditional DJ cans don't come bearing ANC. The thing is, it also makes these headphones a little less appealing for everyday listeners, although again, hybrid users will likely look to all the other things they can do that others can't.

The OneOdio Studio Max 1 on a man's head.

(Image credit: Future)

So back to the Studio Max’s unique features, then: in the box OneOdio has included something called the Transmitter M1. You plug this into your musical instrument or DJ deck to greatly extend the Bluetooth connection range, and I can see this being useful in many a professional or casual situation. It also lets you plug into devices that don’t have on-board Bluetooth like guitar pedals, certain DJ decks and, very usefully for me, custom-build PCs which don’t have Bluetooth adaptors.

Also helping connectivity is a feature which OneOdio calls Rapid WiLL+, and it’s basically an improved latency for everyday Bluetooth connection. That’s not its only connection option though as the headphones, as mentioned, have a 3.5mm and 6.25mm jack as well as in-box cables to use them. There are a plethora of connection options available, making these really adaptable headphones.

Bluetooth users beware though: I found the Studio Max hair-pullingly annoying to set up via the standard in the first instance, due to (as I found out later) the headphones defaulting to pairing in a different mode. I never normally say this, but you’ll need to keep two eyes on the in-box instruction manual to make sure you set this up properly.

If you’re using your Studio Max 1 alongside a smartphone or tablet, you might miss the lack of a companion app and any of the features it might bring (an equalizer, touch control customization, visual indicator of battery life, etc). Almost all the features of these headphones boast are musician-friendly ones, and although notable and niche, the Studio Max 1 do therefore lack certain perks mere mortals may have become used to – and I do mean those you'd find in an app.

  • Features score: 4/5

OneOdio Studio Max 1 review: Design

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)
  • Bulky body
  • Many ports
  • Many more buttons

The Studio Max 1 are rather large 'I'm the DJ' headphones – as far as I can recall, they’re the first headphones I’ve ever tested which I could see in my peripheral when worn normally. So don’t expect svelte little things, these are industrial-strength and industrial-sized.

The Studio Max 1 are big over-ear headphones with a padded headband and thick padded cups that tip the scales at 350g. Something I grew to really appreciate about them is how moveable they are, making them easy to fold for a bag, fit on different heads or listen with just one ear pressed against the corresponding driver: each cup rotates across 90-degrees inward to fold as well as 180 degrees on the x-axis and almost a full 360 degrees of tilt.

This did get a little confusing sometimes when I wanted to quickly listen to music, yet had to spend ages fiddling about and rotating cups, but I’m still in support of it.

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)

The OneOdio take quite a lot of getting used to, and that’s because of how many different ports and buttons the headphones have. On the left cup you’ve got the USB-C charging port and the 6.25mm jack – so far, so simple. However, on the right side we’ve got the 3.5mm jack as well as a volume up button, a power button, a volume down button and another icon which simply says ‘B’ that I constantly forgot the function for (it’s for changing pairing modes).

When listening to music, I’d find it impossibly hard to feel out which of these little plastic stumps was for volume, and I quickly decided to stick to my input device’s volume buttons instead.

I couldn’t find an IP rating for the Studio Max 1 – they’re not exactly streamlined enough for swimming, but it’s something to bear in mind if you’re DJing at, say, a pool party or foam party (in case you take a time machine back to the 90s).

  • Design score: 3/5

OneOdio Studio Max 1 review: Sound quality

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)
  • Tinny-sounding audio
  • Overwhelming bass
  • One issue better, one worse with wired audio

Given the range of features and the target audience of live musicians on a budget, you can begin to understand that perhaps connectivity was key and music quality wasn’t the most important aspect when delivering the OneOdio Studio Max 1 to meet a brief. I need to say that to get you in a forgiving mood, because these headphones don’t sound great.

The one thing going for the Studio Max 1 is a meaty amount of bass, so if that’s all you care about, then you might find the headphones acceptable. But it’s an indistinct and crunchy one-note kind of bass, so while you can feel your head shake, it’s hard to make out the actual strumming of a bass guitar or timbre of lower-register instruments.

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)

I also struggled to enjoy vocals and other treble lines when they were barely audible behind the bass, a problem that also affects mid-register instruments and… well, anything that isn’t bass, really. Boy, did I wish that OneOdio had given these things some kind of equalizer I could use to reduce bass!

Another issue with the sound quality was simply that music sounds a little tinny, most notably in the usual suspects like drum hi-hats and rhythmic guitar riffs but apparent, per song, in everything from vocals to classical instruments. I say “a little” to indicate that it’s not as bad as in, say, cheapie $30 headphones, but it’s more than I’ve come to expect at this price.

It's worth noting that I did most of my testing in Bluetooth mode. When I connected the headphones via wires, the bass problem was noticeably diminished. However, the audio was inexplicably even crunchier across the frequencies, which put me off using cables.

  • Sound quality: 2.5/5

OneOdio Studio Max 1 review: value

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)

On their own, the OneOdio Studio Max 1 don’t quite justify their price, with the iffy audio quality making other headphones much more tempting.

However, OneOdio tilts the balance in its favor with all the in-box extras: the multiple cables, transmitter and carry bag and just their imposing size and meatiness all help the headphones to justify their cost.

  • Value: 3.5/5

Should I buy the OneOdio Studio Max 1?

Buy them if…

You often struggle with Bluetooth range
If you're often wandering outside the Bluetooth range of your headphones, whether it's for specific use cases or you're just a pacer, the in-box transmitter with the Studio Max will stop your songs sounding patchy.

You have the worst memory for charging
Reliably forget to charge your gadgets for weeks at a time? The 120-hour battery life of these headphones means you don't need to.

Don’t buy them if…

You care about audio first and foremost
Audio isn't the most important aspect of headphones for everyone, but if it is for you, then the Studio Max 1 won't impress you very much.

You want lightweight headphones
There's no denying that the OneOdios are some pretty hefty headphones, and they won't win you fashion points.

OneOdio Studio Max 1 review: Also consider

OneOdio Studio Wireless C
These alternative headphones to the Studio Max from OneOdio have many similar features, including a very long battery life and 50mm driver, but without any of the DJ trappings. Oh, and they're much cheaper… 

AIAIAI TMA-2 Wireless
If you want DJ headphones, the AIAIAI options here are much more lightweight options. The battery life isn't comparable but they also come with a wireless transmitter. (Our AIAIAI TMA-2 experiential is incoming, but until then, you can read more about the older TMA Studio Wireless+).

How I tested the OneOdio Studio Max 1

The OneOdio Studio Max 1 on a colored rug.

(Image credit: Future)
  • Tested for two weeks
  • Tested with smartphone, computer and keyboard

I tested the OneOdio Studio Max 1 for two weeks before writing this review. For the most part I used them alongside my Android smartphone via Bluetooth but I also used them alongside my PC and plugged into a digital keyboard at several times too.

I listened to music and audiobooks with the headphones, both at home and about, and also watched a movie and several hours of TV with them at home. The keyboard I used them with was a cheapie one, and this part of the testing was largely to appreciate the versatility that the in-box wires provides.

I've been testing gadgets at TechRadar for six years, so have a wealth of knowledge to draw on for this review. I've been playing the keyboard for about 20, but that didn't help out here too much.

  • First reviewed in April 2025
I reviewed Earfun’s new cheap open earbuds and sadly, they come up short in a flooded market
1:00 pm | April 13, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Earfun OpenJump: Two minute review

Now that open-ear headphones have evolved from a simple fad to a fully-fledged new kind of headphone (and a hugely competitive one, at that), two rough groups are emerging. On one hand you've got the open-ears designed for fitness use, offering long battery lives and hardy builds so you can run and cycle around traffic; on the other you've got lifestyle open-ears that provide decent music and some useful additional features.

The new Earfun OpenJump seem to want to straddle that divide, landing loosely in the second camp, but offering features which will appeal to the first. Unfortunately, poor timing has hampered what could have been a warm reception.

I associate Earfun with making cheap and cheerful audio tech, but the new OpenJump cost roughly the same as, and came out at the same time as, the Huawei FreeArc. These rival buds trump the Earfuns in myriad ways, with another contemporary (the Honor Earbuds Open) also eclipsing the OpenJump. So it's hard to recommend Earfun's proposition given that you can easily buy those alternatives – and I think, depending on your priorities, you should (although that's a different piece, isn't it? This is about Earfun).

But forgetting its rivals for a second, how do the Earfun OpenJump hold up? Well, they're... decent, but I don't think they'll be remembered for ushering in the new age of open earbuds as much as their H-branded rivals.

The buds are fairly lightweight and comfortable to wear, though some design issues made the fit and gesture controls a little unreliable. There's a decent feature set, particularly with a long-lasting battery life and an in-depth equalizer, and this is almost certainly where the OpenJump stands out.

Unfortunately, the audio quality just isn't there, and I mean that despite some bass tech from Earfun plus the aforementioned equalization options. Until very recently, you couldn't expect top-notch audio from such a design. But times have changed, and although the OpenJump are decent, that isn't quite good enough any more, even for this money.

Something to bear in mind: already in my testing period, Earfun has reduced the OpenJump by a noticeable margin. So there's a good chance that you can find these buds for a significant discount over the price listed below, firmly placing these into cheap earbuds territory. If that's the case, you can ignore a healthy chunk of my criticism here, since you'll be picking up a useful bargain. But at retail price, perhaps it's worth waiting for these to come down.

I really didn't mind using the OpenJump through the testing period, and I see myself continuing to use them until my next pair of open-ears come in. Nothing about them offends or annoys, but also, nothing delights or wows. And in the end, a tech review is meant to be an appraisal of which option is most worthy of your hard-earned cash. It's just too hard to point to the OpenJump as being that, given the competitive state of the market right now.

Earfun OpenJump review: Specifications

Earfun OpenJump review: Price and availability

The Earfun OpenJump on a white ledge.

(Image credit: Future)
  • Announced in February 2025
  • Costs $79.99 / £99.99 / AU$149.99
  • Price is variable

The Earfun OpenJump was announced and released in February 2025, ready for everyone who put ‘exercise more’ on their list of New Year’s Resolutions (but didn’t start straight away, for whatever reason).

You can buy the earbuds for $79.99 / £99.99 / AU$149.99 – Earfun’s website has them listed as costing more in certain regions (£129.99 in the UK, for example), and the prices I’m going by are the RRP on Amazon.

In an odd break from Earfun’s modus operandi, that means that these are priced in the mid-range of the open earbuds market, not at the super-cheap cutting edge of it. At that price they’re the same price as the Huawei FreeArc, and there are a fair few open-ear options on Amazon for less – though don’t expect reliability and quality if you don't pay for it.

It’s worth noting that, unlike competitors, Earfun’s open-ear buds are already subject to price cuts and discounts. I found them at $20 off in the US and £40 off in the UK, just one month after their release. So it seems money-saving deals come thick and fast on these buds, however it wouldn't be fair for me to treat these prices as the default, since you may not be so lucky.

Earfun OpenJump review: Design

The Earfun OpenJump on a white ledge.

(Image credit: Future)
  • Cheap-feeling plastic charging case
  • IPX7-protected buds
  • Slightly unreliable fit and gestures

From a distance, the Earfun OpenJump’s case looks like most other open-ear buds’: a medium-sized clamshell. And that’s certainly true, but when you get up close and get the thing in your hand, you realise how cheap the plastic material feels. It didn’t feel very robust either, and I’d be curious to see how durable the case is over a longer amount of time. Even over a relatively short testing time of two weeks, it picked up a few scratches.

Of course, the case is simply for holding and charging the buds. It does that, with a USB-C port for powering up and an indicator LED on the front. On to the buds themselves then, and these look how you'd expect for open-ear designs: they have a bud which is held just over your ear by a sport loop, with a counterweight (and a very little battery pack) tucked behind your ear.

The Earfun OpenJump in a man's ear

Evidence of how easily-bendable the hook is. (Image credit: Future)

They mostly fit well, and I went on several runs and workouts without issue, but now and then there was slight wobble and which made me worry that they'd fly off at any moment. This was nowhere near as bad as with some other rivals I've tested, mind you, but I've also used other buds without issue.

The buds have an IPX7 rating, meaning that they're protected from immersion in water up to a depth of a meter for up to thirty minutes. Given that the new athletically-minded Beats Powerbeats Pro 2 (although these are in-ear, rather than open-ear) only list a splash-proof IPX4 rating, it's good to see that the Earfuns will handle a puddle drop and survive.

Both buds support gesture controls by tapping once, twice, thrice or tapping and holding. They picked up my taps reliably, but the angle of the sensor meant I kept whacking my ear antihelix when trying to tap them. In a telling move, I soon relied on my phone or smartwatch for music control instead of these sensors.

Unlike some rivals, there's only one color option for the Earfun OpenJump: black. They weigh 8g each so they're pretty light, and they never felt a burden to wear.

  • Design score: 3.5/5

Earfun OpenJump review: Features

The Earfun OpenJump on a white ledge.

(Image credit: Future)
  • Pairing issues
  • Versatile EQ
  • Long-lasting battery

I had some troubles during my initial pairing with the Earfun OpenJump, in which my phone wouldn't find the buds it'd paired to, and throughout the testing process the Earfun App listed a profile for phantom OpenJumps which were simply a leftover from the first time I had tried to connect. After a while I got them to connect, and didn't have problems after that, but it's worth bearing in mind. I test earbuds constantly, and I rarely have these issues.

Talking of the Earfun app: it's worth downloading, because it brings a plethora of extras. These include various modes for gaming or streaming movies, the ability to customize touch controls and, most importantly, an equalizer.

The Earfun OpenJump on a white ledge.

(Image credit: Future)

Earfun fans will know that the company offers a fairly robust (possibly to a fault) equalizer. There are countless presets to pick from plus a 10-band equalizer and also a listening test to provide a custom sound profile.

A slight issue with the latter is that, like most other companies' versions, it requires you to listen to a sound until it fades from your hearing... all well and good except that these are open-ears. So by their very design, it's especially hard to tell when audio is soft, or when the sounds of the world are simply creeping in (unless you own a hermetically sealed subterranean bunker in which to conduct these tests).

The OpenJumps have some of the best battery life of any open earbuds that weren't made by OpenRock. The buds themselves will last for 11 hours according to Earfun, and my testing backed that up. The case itself offers a total of 42 hours of listening time before it needs to be charged and if anything, I'd say that my actual listening time seemed to surpass that slightly, up to nearly 44 hours, meaning stamina is one area where these buds are genuinely competitive.

  • Features score: 4/5

Earfun OpenJump review: Sound performance

The Earfun OpenJump on a white ledge.

(Image credit: Future)
  • 14.2mm driver
  • Music is slightly lacking in energy and detail
  • Bass redemption tech

The Earfun OpenJump came out at a poor time, released simultaneously alongside the two best-sounding open-ear headphones I've ever used (more on that in the Competition section later), so it was always going to struggle in the sound department. And they certainly do, though not to the extent I was expecting.

That's not a huge surprise given that the open-ear form factor naturally means that the drivers are hanging over your ears with no seal. This form factor still isn't for audiophiles and the OpenJump don't change that.

You're getting a fairly forward sound profile with the OpenJump, but music lacks energy or detail. There's little separation between instruments or any expanse to the soundstage, and it doesn't help that the treble lacks sparkle in a congested, compressed-sounding mix.

The Earfun OpenJump on a white ledge.

(Image credit: Future)

I had hoped that the Theater mode, which is meant to improve the soundstage, would help. While it did seem to spread out the music a little more, it also sadly made the overall performance quite tinny.

Earfun has added a feature which it's cryptically calling 'BassSurge Bass' (I wonder what that does?) and this goes some way into providing a little kick in certain songs, but it's hardly a surge of juicy and impactful low-end frequencies. You could argue that bass-heads should still look for over- or in-ears rather than an open-fit design, but other rivals have managed to deliver better bass, despite the inherent shortfalls of a design that doesn't fully cover or go into your ear canal.

The other bit of tech of note is a 14.2mm driver, which is a fairly standard piece of tech for this kind of bud, and I remember the Nothing Ear (open) had the same.

The OpenJump have quite a lot of noise bleed – again an inevitable part of open-ears given the design, but it was a little more pronounced here than on some other buds I've tested.

  • Sound performance score: 3/5

Earfun OpenJump review: Value

The Earfun OpenJump on a white ledge.

(Image credit: Future)

I'm going to use the Amazon price to judge the Earfun OpenJump's value rating, because it seems that the buds are readily accessibly at that lower cost.

These are reasonably affordable open-ears for this price, undercutting some more expensive rivals though not quite offering the refined design, or sonic prowess.

They're certainly not alone at this price point though...

  • Value score: 4/5

Earfun OpenJump review: scorecard

Earfun OpenJump: Should you buy them?

The Earfun OpenJump on a white ledge.

(Image credit: Future)

Buy them if...

You like using an equalizer

Compared to other open-ear rivals, the Earfun OpenJump have one of the best equalizers I've used with lots of options for sound customization.

You prioritise a long-lasting battery

The OpenJump outlast many competitors with their 11-hour listening time, and that's equally true with how much extra power the case offers.

You're on a budget

While not the cheapest open-ears out there, the Earfuns still offer you great value for money, especially if you find them discounted.

Don't buy them if...

You're picky about fit

For many users, anything but the most solid fit for open-ears isn't enough, and these users won't like the OpenJump.

You need best-quality audio

This brand tends to offer decent audio and a great feature-set, and although the feature set is still good here, the audio was a little disappointing.

Also consider

Huawei FreeArc

For the same price as the OpenJump you can buy these buds which sound great, have a sturdy fit and come in a more premium-feeling case. They struggle compared to the OpenJump in the battery life department and the app is a chore to download, but overall, I prefer the Huawei option.

Read our full Huawei FreeArc review

Honor Open Earbuds

These slightly-pricier models have an incredibly slim carry case, a design that's most similar to the Earfuns, and a very good audio offering. Again, the battery life doesn't match up, but for sound and secure fit, Honor wins the race.

Read our full Honor Open Earbuds review

How I tested

I tested the Earfun OpenJump for two weeks prior to writing this review, and before them I'd tested two similarly-priced contemporaries: the Honor Earbuds Open and the Huawei FreeArc.

I used the earbuds paired to my Realme phone for listening to music and podcasts, and the testing took place when I was at home, at the office, cycling through the city, going on runs and working out at the gym.

I've been reviewing gadgets for TechRadar since early 2019 and have used a huge range of tech. This includes other open-ear buds as well as audio offerings from Earfun.

Read more about how we test

  • First reviewed: April 2025
I’m slowly being converted into a cuff-style open earbuds fanatic, thanks to this top effort from Soundcore
1:30 pm | April 10, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Anker Soundcore AeroClip: review

If you’re the athletic type or maybe just a regular gym goer, the Anker Soundcore AeroClip could be the perfect set of open earbuds for you. These clip-on buds have the basics down: solid sound, a secure and comfortable fit plus nifty companion app functionality. And although they’re not perfect, their more-than-fair price of $129.99 / £129.99 (about AU$210) makes them an option well worth considering.

Generally, my problem with open-ear headphones and open earbuds is that they don’t offer a proper seal and let in a lot of ambient sound. That means you’ll hear all sorts, from squawking gulls to wailing children. As you can imagine, that can make it difficult to indulge in a high-quality listening experience. But after putting my anti-open-ear bias to one side, I discovered that the Anker Soundcore AeroClip pleasantly surprised me in a number of ways – especially in terms of their audio performance.

From the off, I was met with clean, impressively immersive audio and an airy, ear-filling quality brought out the best in Não Tem Nada Não by Marcos Valle. Similarly, when tuning into Remind Me by Patrice Rushen, I was delighted to hear clear, distortion-free vocals, layered with smooth, tonally accurate bass and controlled percussion. Even at higher volumes, vocals didn’t sound muddied in the overall mix and higher pitched percussion didn’t get tinny either. That sort of performance is exactly what I’d expect from a pair of the best open ear headphones.

Sure, there are no fancy audio codecs, like LDAC, for a more detailed sonic experience, but the AeroClip were still pretty well-rounded, considering some similarly priced rivals struggle to even manage clean, balanced sound.

When listening to wyd? by wev, I encountered a couple of sonic shortcomings, though. First up, the track’s deep bass was a little much for the AeroClip to handle at times. I could almost hear the drivers overextending themselves to manage the tune’s low-end, something you’re not going to experience when using a pair of the best earbuds, for instance. Secondly, I felt that the excitable treble was a little understated, meaning the record’s energy was sapped out slightly.

There wasn’t much I could do about that first point, but help was at hand for my treble trouble. I took to the Soundcore app and created my own custom EQ – one which put a bit more emphasis on high-end frequencies, while also bumping bass and slightly lowering mids. That gave the AeroClip a far more colorful, charismatic sound profile than the balanced, yet sometimes slightly unexciting Soundcore Signature tuning.

On top of custom EQ options, you can also pick from a small selection of presets: Bass, Treble, or Volume Booster (all pretty self-explanatory), or Classical (big dips in the mids, large bumps to bass, sub-bass and treble) and Podcast (essentially the opposite of that). With the right tuning, you’re going to get energetic, yet crisp highs, clean mids and relatively rich bass – just don’t expect these to reach into the depths of sub bass with too much skill.

However, one characteristic of the Soundcore AeroClip that will either make or break your listening experience is their open design. As I mentioned earlier, their lack of a proper seal means that a lot of noise from your surroundings will creep through. Now, if you’re someone that loves a good run and you want to keep an ear out for traffic or people around you, that could be ideal.

But personally, I prefer to focus on my tunes and the lack of external noise nixing really did prevent that at times. Chatter in public, wind and even typing in my office were all very much audible – there’s no ANC or anything to counter that either, something the Edifier LolliClip open ears supply. These Soundcore headphones are also prone to leaking sound to those around you, especially above 50% volume.

Anker Soundcore AeroClip on a circular surface

(Image credit: Future)

There might not be any ANC, but what features do these open ear headphones offer? Well, if you head into the very slick Soundcore app, you can mess around with the aforementioned EQ options, toggle multi-point or customize touch controls. And the touch controls were really responsive in my experience. You can double tap to pause or triple tap to skip – the absence of a single tap option means you’re unlikely to make accidental, unwanted adjustments too.

What’s here works very nicely, but I would have liked to see a more fleshed out feature-set, in honesty – even just the addition of auto-pausing media when you remove the buds from your ears. Another aspect that could be better is battery life. You get a respectable eight hours of playtime per charge, which I found to be accurate during my testing. But with the charging case, you only get a maximum of 24 hours – not that much compared to the 40 hours from the Honor Earbuds Open, for instance.

Before I put an end to my moaning, I want to point out a couple of slight design shortcomings. Firstly, these are only IPX4 waterproof rating, meaning there’s no guarantee on dustproofing and you’re only getting resistance against sweat and water droplets. A lot of rivals outdo the AeroClip here – the splendid Huawei FreeArc, for example, are IP57 rated, meaning they can survive submersion under a meter of water for 30 minutes.

Secondly, I’d argue that these aren’t the prettiest buds around. I quite like the look of the batteries and buds, but the clips do appear slightly cheap-looking. On the other hand, these are still highly comfortable and secure on-ear, so you’ll never have to worry about them flinging off mid-workout.

Having said all this, I want to end on a real positive note: mic quality. These open ears claim to deliver AI-enabled clear calls. And I found them to be plenty clear – though I’m not so sure how much of that is thanks to AI. During a phone call, I was told that my voice sounded “crisp”, even at lower volumes – something that I also felt when listening back to a voice recording.

So all in all, are the Soundcore AeroClip worth a $129.99 / £129.99 outlay? I’m not 100% sure. If you’re only after an open design, I’d say yes – you get great sound for this headphone type, as well as impressive calling capabilities. But if you want noise cancelling and a more premium design, I’d suggest pursuing a pair of the best wireless earbuds instead, for awesome audio and ANC.

Edifier LolliClip review: specs

Someone picking a bud from the Anker Soundcore AeroClip charging case

(Image credit: Future)

Anker Soundcore AeroClip review: price and availability

  • $129.99 / £129.99 (about AU$210)
  • Launched in March 2025

The Anker Soundcore AeroClip released in March 2025, marking the manufacturer’s latest foray into the world of open ear headphones. They launched with a list price of $129.99 / £129.99 (about AU$210) and are available in three colorways: Midnight (black); Rosy Brown (pink and brown) ; and the variant I tested, Champagne Mist (white and gold).

These are very similar in price to the Nothing Ear (open), which launched at the tail-end of 2024. And they’ll set you back far less than a premium option like the wonderful Bose Ultra Open Earbuds, which carry a sizeable list price of $299 / £299 / AU$449.95…woah!

Anker Soundcore AeroClip in charging case

(Image credit: Future)

Should you buy the Anker Soundcore AeroClip?

Buy them if...

You want open ears that still sound up-to-scratch
The AeroClip sound surprisingly crisp, offering rich bass, clean mids and controlled treble. You can even use the Soundcore app’s preset and custom EQ options to get the right tuning for you. It’s still worth noting, though, that the open design of these means that they may not produce audio as faithfully as a pair of the best wireless earbuds, such as the Technics EAH-AZ100.

You want earbuds suitable for a workout
OK, the waterproofing could be better – more on that below – but still, these earbuds are awesome for workouts. They have a highly comfortable, secure fit, and IPX4 rating, enabling them to discard excess sweat and water droplets. You’ll also be able to hear ambient sounds if you’re in a traffic-heavy area, for instance.

Don't buy them if...

You’re looking for noise cancelling earbuds
Like a lot of open-ear models, the Soundcore AeroClip skip on active noise cancellation. If that’s something you’re looking for in an open design, check out the Edifier LolliClip below. But if you’re instead looking for top-tier external noise reduction, you can instead assess the options in our best noise cancelling earbuds guide.

You want ultimate protection against the elements
These open ear headphones are only IPX4 waterproof rated, meaning they aren’t dustproof and only resist sweat and water. If you want something a bit more hardy, I’d recommend the IP57-rated Huawei FreeArc below.

Anker Soundcore AeroClip review: also consider

Edifier LolliClip
There’s a lot of similarities between Edifier’s LolliClip open-ear headphones and the Soundcore AeroClip. Both go for that jewellery-esque aesthetic, offer high comfort and crucially, supply impressive sound considering their build. The big differentiator is that this Edifier model incorporates adaptive ANC, which is decently effective. You’ll also get better waterproofing and battery life here, but the companion app is less user friendly. Read our full Edifier LolliClip review.

Huawei FreeArc
The Huawei FreeArc serve up surprisingly strong sound quality, fantastic protection against the elements and high comfort levels. They’re available for less than £100 (about $130 / AU$200) and at that price, they’re an absolute steal. There’s no ANC and battery life could be better. But still, these are an excellent value pick. Read our full Huawei FreeArc review.

Anker Soundcore AeroClip review: How I tested

Anker Soundcore AeroClip charging case connected to USB-C cable

(Image credit: Future)
  • Tested for one week
  • Used in the office and while out and about
  • Predominantly tested using Tidal

I put the Anker Soundcore AeroClip to the test over a one week period. I predominantly listened in the office, but also made use of them at home and when out and about. I tinkered with each and every feature, engaged in both casual and critical listening and compared them with the Edifier LolliClip for on-ear comfort.

When listening to music, I tapped into Tidal on my Samsung Galaxy S24 FE. And as per usual, I flicked through the whole TechRadar testing playlist, which includes tracks from a wide range of genres and is optimized for judging sound quality across the frequencies. In addition, I played a bunch of tunes from my personal library.

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