CMF Buds Pro 2: Two-minute review

British tech brand Nothing has, in just a few short years, become a popular name for tech fans with its smartphones and earbuds proving you don’t need to spend a lot to get decent quality. It’s recent CMF by Nothing sub-brand pushes that idea to its extreme, but it doesn’t always work.

The CMF Buds Pro 2 are a good example of that: if you’re used to getting a lot more than you pay for with Nothing products, you’ll be surprised to find that these CMF earbuds give you exactly what you pay for. Nothing more, nothing less.

These are really budget earbuds too; you won’t find worthwhile products for less, and they’re among the cream of the bargain bin… if not the crop. At $59 / £59 / AU$99, your wallet will thank you.

Your ears might thank you too, because the CMF Buds Pro 2 sound good compared to same-price rivals, likely thanks to the union of a bass driver and a tweeter. Bass is the focus of music for sure but treble isn't lost, and the equaliser gives you some customization over your sound. I've certainly tested worse earbuds, including some that cost more.

The noise cancellation is a feature that doesn’t really impress, sadly. I found that it didn’t really compare to most of the CMF Buds’ rivals, even similarly-priced ones, and the Transparency mode was particularly poor. Still, any level of ANC is nothing to get snobby about, given that many rivals in this super-affordable category lack it.

What could have been the redeeming feature of the Buds Pro 2 is a returning feature from other CMF earbuds: the case has a swivel dial which you can use to control your music, rotating it to alter volume or pressing it for play/pause, and this partly replaces on-bud controls that most headphones have. 

In practice, though, the implementation of this feature is poor. The dial is prone to accidental turns or presses in your pocket, the notification sound to tell you that a function has been triggered is startlingly loud, and there’s a significant delay between using the dial and hearing its result. 

Lots of these issues can be overlooked if you consider the low price, but I’d recommend putting a little extra aside beyond the Buds 2 Pro’s asking price: the in-box ear tips are made from a material that isn’t very grippy, and they didn’t reliably stick in my ears. I’d recommend you look to third-party ear tips if you’re considering the CMFs.

There are some parts of the CMF Buds that I liked. The case-buds combo comes in four colors, including a distinctive orange (pictured) and a suave navy blue, so you have more options than for many other buds you may be considering. Plus a few Nothing-exclusive features like its bass boost mode and ChatGPT integration (as long as you’re using a Nothing phone) return, even if the overall feature set is nothing impressive.

It’s easy to look at any super-cheap earbuds and hand-wave any issues as being a symptom of the price, and that’s true with the CMF Buds Pro 2 as well – they’re basically what you’d expect for buds costing this much. However the budget bud market is competitive and a few rivals get you better value for money – more on them in the 'Also consider' section below.

CMF Buds Pro 2 review: Price and release date

• Unveiled in July 2024
• Costs you $59 / £59 / AU$99

The CMF Buds Pro 2 were but on sale in July 2024, just a short time after two other pairs of earbuds from Nothing: the Nothing Ear and Nothing Ear (a). This won’t be the last time you hear about these rivals in this review.

You can pick up the Buds Pro 2 for $59 / £59 / AU$99, so they’re not just cheap earbuds, but they’re cheap earbuds. That’s a $10 / £10 / AU$10 price increase over the original Buds Pro, and I can’t compare the price to a non-Pro CMF Buds 2 because, at the time of writing, no such model exists.

This area of the market is incredibly competitive, with Nothing itself offering some tempting entries into the sub-$100 / £100 / AU$200 price bracket, and so a low price alone isn’t enough for the CMFs to get winning grades.

CMF Buds Pro 2 review: Specs

CMF Buds Pro 2 review: Features

• 11-hour buds battery, 43-hour with case
• Limited features in app, including spatial audio
• Mediocre ANC

The CMF Buds Pro 2 uses Nothing’s smartphone tie-in app, called Nothing X, and as a result it borrows a few Nothing features.

Using Nothing X you can fiddle with an equalizer, change the case control scheme, toggle Spatial Audio, change between a few ANC modes and turn on ‘Ultra Bass’ which does what it says on the tin. Hidden in a menu are toggles for wear detection, high-latency mode, a default to LDAC audio, a find-my-buds feature, and an ear tip fit test. Good for the money, eh? Well, on paper, yes. 

I'm going to get into the equaliser in the sound section, so stay tuned for that. The noise cancellation in the app is similar, in theory, to other Nothing earbuds: you can change between it being off, in Transparency mode (which belts surrounding sounds into your ears so loud that you can barely hear your music) and between four ANC intensities: low, mid, high and adaptive. 

I’d recommend sticking with high ANC mode; the Buds Pro 2’s noise cancellation isn’t very strong, and you’ll want to make the most of it when you can. In testing it struggled to do anything about surrounding chatter, air conditioning unit hums, microwaves and other similar noises. Saying that, ANC is far from a given in buds this cheap and so knocking what there is here, rudimentary though it is, feels a little churlish.

Features like Spatial Audio, in-ear detection and an ear tip fit test are useful, but there are a few far more basic features lacking, that many of similar-priced rivals have. The lack of touch controls is something I’ve mentioned before, but many rivals have a full equalizer experience, not truncated ones like this. I also miss Nothing’s much more effective custom listening profile detector from the Nothing Ear.

In terms of battery life, the CMF Buds Pro 2 hit that ‘bang-average’ button: the buds will get you roughly six and a half hours of listening if you’ve got ANC turned on, and 11 if you’ve got it turned off. Those figures are pretty standard for wireless earbuds.

By using the case you can dial those figures up to 26 or 43 hours respectively, the latter of which is actually rather respectable, but remember, the ANC isn't amazing. 

• Features score: 3/5

CMF Buds Pro 2 review: Design

• Novel dial-toting case has issues
• Earbuds don't stick in ear well
• Buds and case are light and protected

Perhaps the most unique part of the CMF Buds Pro 2 is the case design. 

It starts with the color: no boring black or white here but dark gray, light gray (okay, those two are a bit boring), navy blue and bright orange. You can tell which one I tested – ‘bright’ is an understatement – and it’s nice to see earbuds with a range of colors.

The next special feature is the dial, which can be turned left or right or pressed in. This lets you change the volume or pause/play songs easily. 

In theory this is a novel concept, and I did find it really easy to pause music when the case was within reach, but changing volume definitely wasn’t as convenient as bud touch controls tend to be, and I found a range of inconveniences with the buds over the testing period. In fact, I ended up turning off the controls by the latter half of my testing time.

Firstly, rotating the dial resulted in a deafening beep to indicate that the volume was changing. I can see what Nothing was going for here, but the beep didn’t correspond with the new volume; the noise could be painfully loud at times. That became especially annoying bearing in mind that the dial didn’t adjust music much, and I’d need to turn it through endless resolutions to get the same effect as one simple press on my phone’s volume rocker. Oh, and there was a delay between using the dial and seeing an effect which effectively ruled out swiveling the dial loads to bump up the sound, as I’d only find out too late if I’d turned it far too loud.

However, the most annoying aspect for me was that the dial could be quite sensitive in my pocket; I was subjected to endless accidental presses. On one journey in a closely-packed bus, people walking past me would nudge the case in my jacket pocket, pausing my music. When I wore certain pairs of trousers, the constricting and flexing of my pockets when I walked would sometimes press the pause button. And sometimes when I put the case loose in my bad, its companion items would jostle against it and press the button. In the end these everyday annoyances pushed me to turn off the controls, despite my best attempts to like the controls.

Looking at the case itself, it measures 53.4 x 53.4 x 23mm and weighs 46g (not including the buds). Beyond the dial it only has a small button to enable pairing, and a USB-C port for charging.

The earbuds themselves match whichever color of case you opt for. They’re lightweight stem-toting buds weighing 4.9g each. Despite what you'd think given the presence of the dial, the buds also do have touch controls, but I found them quite sensitive and would often accidentally press them when trying to re-align the buds in my ear every time they slipped (for reasons you'll learn in just a moment). As a result I turned them off pretty quickly.

The buds have an IP55 rating against dust ingress and showers of water, though the case has no official rating.

While these buds are light enough to sit comfortably in your ear, they’re also light enough that you might not notice if they fall out of your ear (well, other than your music stopping). And fall they will: Nothing has seemingly opted to use soap for its ear tip material given how slippery they are, and during testing they just wouldn’t stay in my ears reliably, even when I tried different tip sizes. I put this down to the material, which doesn’t seem to have as much friction as the usual silicon tips you see in earbuds. 

It’s fairly easy to remove the Buds 2 Pro ear tips and I’d recommend you try out some third-party ones if you can, because the in-box ones just weren’t reliable for me. Worst of all, they kept sliding just far enough out of my ear for wear detection to think I wasn’t wearing them any more, so it kept pausing my music, and as a result I had to turn that feature off too.

Side-note: if you turn off wear detection, the buds don't even pause your music when you return them to the case, unlike basically every other earbud I've tested. Remember to turn your tunes off yourself!

• Design score: 2.5/5

CMF Buds Pro 2 review: Sound quality

• Heavy bass focus, but treble isn't lost
• Limited sound stage
• Equaliser brings some benefits

As in many other Nothing-built earbuds, bass is the focus of the CMF Buds Pro 2. Whatever genre of music I listened to, the bass was the most palpable part of any song.  

That might put some people off, but it's a staple feature of cheap and cheery earbuds like this. Treble and especially upper mids do suffer a little, but much less than in some other buds I've tested at this price.

That's possibly thanks to the fact that the 11mm bass driver is joined by a 6mm tweeter to carry the flag for higher-pitched lines.

I did miss the sense of soundstage that some other buds offer: the CMF seem to present all elements of a song in one solid block rather than spread out, and it meant that some instruments disappeared behind the omnipresent bass.

The Nothing X app offers the ability to add even more bass to its buds, and I've enjoyed this feature in other propositions from the company. However I couldn't hear much of a bass boost in the CMF Buds Pro 2, even when ratcheting it up to full power.

The equalizer in the app also lets you tweak your music, to a degree. For those of you who’ve cut your teeth on earbud app equalizers, this isn’t quite as in-depth; you can change the prominence of bass, mid and treble, to +/- 6 points. There are also six presets: pop, rock, classic, electronic, vocal enhancement or something called Dirac Opteo which apparently changes the EQ based on your music, but to my ears had little effect.

This EQ isn't hugely powerful, but it's a lot simpler to use than some others, and I did manage to rescue the treble somewhat from songs.

• Sound quality: 4/5

CMF Buds Pro 2 review: Value

• The incredibly low price means they offer value for money
• Definitely consider buying extra eartips though

I've been quite critical of the CMF Buds Pro 2 throughout this review, and that's because the design and feature set don't quite work for me. That said, the price makes the setbacks all-too-easy to overlook.

For just $59 / £59 / AU$99, these are some of the cheapest buds you can find from a reputable company, and while it's a very low benchmark, these buds do offer you reasonable value for money.

That's because you can de-activate the annoying features, leaving a case with an ornamental wheel, earbuds that sound decent for your price, and maybe a slight extra bill for when you buy third-party ear tips.

• Value: 3.5/5

Should I buy the CMF Buds Pro 2?

Buy it if…

Don’t buy it if…

CMF Buds Pro 2 review: Also consider

How I tested the CMF Buds Pro 2

• Tested for 3 weeks
• Tested at home, in the office and on walks

I tested the CMF Buds Pro 2 for over three weeks, and that review time saw them paired with both my Android smartphone and Windows laptop. I didn't test them alongside a Nothing phone.

To test the buds I listened to music on Spotify, watched TV shows on Netflix and Prime Video, partook in voice and video calls and played games on my phone. Most of this was done at home or in the office but I used the buds on several long journeys on trains and buses.

I've been testing gadgets for TechRadar for over five years, and in that time I've reviewed many budget headphones, as well as phones, tablets, watches and electric scooters.

• First reviewed in August 2024

• Read TechRadar's reviews guarantee

Google first introduced the inaugural Pixel Buds Pro back in 2022, so it’s about time we had a new model, and the technology giant has unveiled just that, alongside the third-generation Pixel Watch and four phones under the Pixel 9 umbrella. 

Google’s Pixel Buds Pro 2 might look a bit similar to their older siblings, but the portion that rests in your ear is slimmer and delivers a more comfortable fit, at least from my first impressions. Under the hood, these are the first earbuds with a Google Tensor chip to power some Pixel Buds-only features like ‘Clear Calling’ and promise improvements to both noise cancellation and battery life.

Now, ahead of a full-fat review, I’m sharing my very early first impressions. How early are we talking? I got to wear them in my ears with a medium-sized ear tip, but I didn’t get to listen to music or test out the new features. So I’ll share my opinions on fit and also run through the latest promised enhancements. And of course, I'll go hands-on as soon as possible and fully test them for a review as well.

Pricing and availability

Regardless of which color you choose, Google Pixel Buds Pro 2 will cost $229.99 / £219 / around AU$379. You can pick between Hazel, Porcelain, Wintergreen, or Peony – and having seen 'em all, those last two are my favorite and the most fun.

If you’re already sold, preorders are open. However, Google isn’t shipping the Pixel Buds Pro 2 until September 26, 2024, so you’ll have to wait a bit – in fact, that’s after the Pixel 9 family, including Pixel 9 Pro, Pixel 9 Pro XL, Pixel 9 Pro Fold, and Pixel Watch 3. 

The wait to jam might very well be worth it, though.

@techradar

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Much lighter and way more cozy

The earbuds still have a friendly circle that sticks out of your ear to the world with a “G” Google logo and capacitive touch controls, but it’s no longer attached to a longer, ovular piece that goes in the ear and attached to the ear tip. 

It’s now a molded, black, circular piece of plastic with an ear tip attached to the end. You’ll still get several sizes in the box, but the real significance is that each Pixel Bud Pro 2 weighs in at just 4.7 grams, which is 27% lighter than the original.

In my short first impressions, I slid the Pixel Buds Pro 2 into my ears and immediately noticed a more nestled, cozy fit that didn’t weigh down my ears as much. They also protrude far less and have a new twist-to-adjust stabilizer, which is not a wing tip but, like Studio Buds Plus from Beats, kind of like a corkscrew that you can turn to the left or right to stabilize these in your ear.

It aims to ensure the Pixel Buds Pro 2 won’t fall out, but the added bonus is a better seal in your ear. This way, whatever you’re listening to sounds better, and you can passively block out environmental sounds around you. This refreshed design and the onboard Google-made Tensor A1 chip also promises up to two times more effective active noise cancellation. Google is calling this Silent Seal 2.0, and I’m really keen to try it out, especially considering how good of a passive seal these provide. 

Much like AirPods Pro 2, Google’s Pixel Buds Pro 2 have a conversation detection feature that allows you to have a conversation with someone without removing the earbuds. The device switches into a listening mode that lets environmental sound in.

Powering the audio in each Pixel Buds Pro 2 will be a new 11-millimeter driver with a high-frequency chamber that works with the Tensor A1 chip for audio processing. These also still offer support for ‘Spatial Audio with Head Tracking’ with the right tracks.

Aside from music playback and noise cancellation, like other listening modes, the Pixel Buds Pro 2 will also pair and connect seamlessly between other Pixel devices –be it a Pixel phone, Tablet, or Watch. Similar to how Google Gemini is unashamedly front-and-center within its latest phones, you will be able to use Gemini on Pixel Buds Pro 2, and it will effectively be the smart assistant here. I hope it yields some improvements with the live translation features of the past.

Regarding battery life, Google says that Pixel Buds Pro 2 can last for up to 12 hours with active noise cancellation off or 8 hours with that listening mode enabled. That’s pretty much in line with other similarly priced earbuds, and I’m eager to see how this claim runs in our testing. When you factor in recharges in the case, the Pixel Buds Pro 2 should last for up to 30 hours. Here's the rub: the older set will serve up to 11 hours from the buds, or up to 31 hours total listening time with the wireless charging case… so a minor downgrade there. 

As I was hoping to see, just like the AirPods Pro 2, Google added a speaker to the Pixel Buds case. This means that when you misplace the Pro 2, you can still see the location but can also ping the case, and make it emit a sound so you can hear it. 

Considering the improved design – and the lovely shades of Peony and Wintergreen – plus the more comfortable design, I have high hopes for the audio playback and noise cancellation chops here. 

Most importantly, though they stick out less and aren’t as cumbersome. So, let’s just hope the other aspects live up to the hype.

You may also like

• See our pick of the best earbuds around
• Need a source device that's not your phone? Check out our roundup of the best hi-res audio players on the market
• Know your FLAC from your ALAC and get into hi-res with our audio file format explainer

Sennheiser IE 600 review

The Sennheiser IE 600 are a pair of in-ear monitors that paint the most delicate details onto a canvas. They excel in tying several sonic elements together into a beautiful work of art, with exceptionally clear and beautifully balanced audio, plus strong separation, too. Of course, such qualities come at a steep price (around $800 / £700 / AU$1,200), but there’s no denying that the Sennheiser IE 600 offer excellent quality on a number of levels.

First of all, the Sennheiser IE 600 are particularly skilled in supplying defined audio – in part because of their dual two-chamber absorbers. These essentially capture and attenuate multiple sounds occupying the same frequency range, according to Sennheiser, meaning that you can enjoy textured audio and pick out the finer details. As a result, it never feels like you have to go on a mission to discover intricate audio attributes – the Sennheiser IE 600 does all the necessary heavy lifting to ensure that each unique sonic element is unearthed.

The IE 600 perform fantastically across all frequencies – perhaps unsurprising given that they’re the higher-priced sibling of the Sennheiser IE 300, which proudly sit on our list of the best wired headphones.  When listening to Rains again by Solji, the rain coming down throughout the introduction is utteraly natural and convincing, with each drop defined. In addition to that, the earphones perfectly captured the delicate nature of the track’s high-pitched vocals and finer details, such as the click of the singer's tongue on the palate. Vocals in the mid-range also pop really well on the IE 600, and often sound slightly forward, but never in a way that disrupts overall balance.

Sennheiser claims that the IE 600 deliver “fast, accurate bass”, and it isn’t wrong. When tuning into Black Eye by Allie X, I was wowed by the rapid pumping of the drum machine as the bassline dipped to impressive depths; it bounced up in a very controlled manner. The depth of the bass was certainly imposing, so if you’re the kind of person who wants to experience meaty low-frequency sounds, these IEMs won’t disappoint.

The authoritative nature of the bass ties into a wider theme with the IE 600; they excel in serving up powerful, full-bodied audio. When switching between the far cheaper, but still fantastic, Sennheiser IE 200 and the IE 600, I certainly felt that the latter offered a more all-encompassing listening experience, mainly due to their ability to show off subtle sonic details. For instance, I used the IE 600 to test out I Want You by Moloko and felt genuinely energized by the almost cinematic reproduction of the tune. The IE 600 faithfully captured the track’s complexity, including the intro’s breathy vocals, natural-sounding keys, and the several instruments that enter the fray later in the track to form a dense, layered mix.

Of course, you understand why they're so difference when you compare the IE 200's price of $149.95 / £129.99 / AU$239.95 to the IE 600 at 4-5 times that. No wonder the IE 600 are a cut above for sound, and will impress hardcore audiophiles.

Now that’s out of the way, let’s talk design. The IE 600 are beautifully manufactured, and their 3D-printed metal casing rocks a textured, classy look. Fun fact: the metal used to build the IE 600 – ZR01 amorphous zirconium – is the same type used for the drilling head of NASA's Mars Rover. Now, that’s pretty sturdy. The earphones are still small and relatively lightweight, though. Coming in at 0.21oz / 6g (per bud), they bring elegance alongside durability. They also fit really well, and it took me no time at all to find the right feel. The earphones are attached to a bendy cable, which makes it easy to adjust the fit around your ear and achieve maximum comfort. Speaking of which, I never felt any irritation while wearing the IE 600, even when keeping them in for full work days. Thankfully, I was subjected to very limited cable noise, something that can be a real mood-killer with a lot of wired in-ear headphones.

My personal feeling is that the IE 600’s gray cable is a bit of a downgrade on the plaited silver one included with the IE 200. Although the IE 600’s wire has a smooth, clean aesthetic, I found myself more attached to the feeling and chain-like appearance of the cheaper model. Like the IE 200, it’s a shame that the included cable here doesn’t include an in-line controller or mic, which makes the IE 600 a little inconvenient if you’re on the go and have to adjust volume via the source device. There’s a way around this – but it involves spending an additional £59.99 (about $75 / AU$115) on an alternative Sennheiser cable with built-in controller.

The default wire for the IE 600 has a 3.5mm connector, but the box also includes one with a 4.4mm connector that you can attach the earphones to instead. There are other extras bundled in too, including a hard carry case, a cleaning tool, a clip that you can attach to the IE 600’s cable, and a collection of different-sized foam and gel ear tips. I found that the foam tips were the most comfortable, and they assist in enabling pretty solid noise isolation. If you want near-silence, though, you'll get a greater effect from the best noise cancelling earbuds. 

Overall, the Sennheiser IE 600 are a brilliant pair of IEMs that I thoroughly enjoyed using. If you’re looking to invest in some top-quality wired in-ear headphones, these will almost certainly sound the part – and last you for many years to come. As a result, I can definitely recommend the Sennheiser IE 600 – especially because you shouldn't need to pay list price (which is a touch high in my opinion), but should be able to pay more like $500 / £500 / AU$1,000.

Sennheiser IE 600 review: Price and release date

• $799 / £699 / AU$1,199
• Launched in March 2022

There’s no denying it, the Sennheiser IE 600 are pretty expensive. With a list price of $799 / £699 / AU$1,199, they’re truly in the high-end category compared to the likes of the Sennheiser IE 200 – although they’re capable of fuller, more detailed sound. On the flip side, the IE 600 are considerably cheaper than their even more premium sibling, the Sennheiser IE 900, which have a list price of $1,499 / £1,299 / AU$2,399. 

A crucial factor here is that it’s pretty unlikely you’ll have to fork out the list price to get your hands on the Sennheiser IE 600. I spotted them for as little as $469.95, £499.99, and AU$972 (in the latter’s case via Sennheiser’s own online store), so be a savvy shopper.

Sennheiser IE 600 review: Specs

Should you buy the Sennheiser IE 600?

Buy them if...

Don't buy them if...

Sennheiser IE 600 review: Also consider

How I tested the Sennheiser IE 600

• Tested across the course of two weeks
• Used in the office and on walks
• Predominantly tested using Tidal on the FiiO M11S music player

I put the Sennheiser IE 600 to the test over two weeks. I predominantly used the IEMs while seated in the office, but I also used them while on walks and at home. Most of the time, I used the IE 600 with the FiiO M11S hi-res music player, listening to tunes on Tidal.

When playing music, I started by tuning into the TechRadar testing playlist, which contains tracks from a wide variety of genres. I also used the IE 600 with my Windows laptop when watching YouTube videos or playing games, to ensure quality was high across multiple devices and media. I also used the Sennheiser IE 200 and Shure Aonic 3 to directly compare audio quality, comfort levels, and design features, when appropriate. 

Read more about how we test earbuds.

• First reviewed: June 2024 
• Read TechRadar's Reviews Guarantee

SoundMagic E80D: Review

With the SoundMagic E80D, the headphone manufacturer has released yet another budget pair of earbuds capable of serving up hi-res audio. That’s partly because the new E80D come with a built-in digital-to-analogue converter (DAC) – a common inclusion for SoundMagic products, and something that sets its products apart from a lot of other budget wired earbud creators. So, just how good do the E80D buds sound, and are they worth their asking price? Let’s find out…

The E80D’s built-in DAC is capable of handling audio up to 24bit / 96kHz, and was a key difference-maker on quality when I compared them to the DAC-less (and admittedly cheaper) Skullcandy Set USB-C. Added quality was apparent when listening to Adagio Per Archi E Organo In Sol Minore by the London Philharmonic Orchestra; the track’s organ and string elements were easily distinguishable, something that other budget buds can struggle with. When I listened to the same track on the Set USB-C, they melded the instruments together more, restricting the expressive nature of the composition. 

Similarly, when I listened to Diamonds On the Soles of Her Shoes by Paul Simon, vocals in the mid-range felt more natural on the E80D to me. Percussion also felt a bit more weighty and impactful in the transition out from the intro than it did with the Skullcandy model. 

SoundMagic claims that the E80D have a “defined bass” – and I’d agree. With Black Eye by Allie X, I was pleased by the level of depth the E80D could achieve. And although the kicks didn’t have the same sharpness that you’d expect from a more premium pair of wired headphones, they still packed a punch. 

The biggest drawback when it comes to sound is the fact that the E80D just don’t get loud enough. At first, I wondered if all the years of high-volume listening were catching up on me, but after checking my experience against that of others online, I realized I wasn’t alone here. I checked loudness across a Windows laptop, Samsung Galaxy Z Flip 4 and Fiio M11S music player, but couldn’t always quite get the power I craved. I found myself typically playing songs at the 80-90% volume mark, which is significantly higher than when using the SoundMagic E11D, for instance. 

Still, most people will likely be satisfied with the E80D’s sound levels if they keep them cranked high enough – it might just take a bit of getting used to. All in all, this is a bit of a shame though, given one of the reasons that their sibling, the SoundMagic E11C, got onto our list of the best wired headphones, was due to their impressive power.

Beyond sound, the E80D listening experience is relatively free of discomfort thanks to a comfortable fit – I gladly kept these in for hours across multiple days in the office and when walking home. They’re also pretty lightweight at 0.56oz / 16g, which adds a touch of elegance. 

Additionally, they offer passive noise isolation, which helps to reduce the rumble of passing traffic, surrounding chatter and similar. In all honesty, I was surprised at how good the E80D’s noise isolation was given their price tag of $44 / £39.98 / AU$66. When I was playing music in the office, I could barely make out the sound of typing or colleagues speaking. Of course, you’re not going to get the near-silence that you may get from active noise canceling, but for what they set out to do in the isolation department, the E80D deliver.

One area of minor frustration during listening sessions was with cable noise, which, although not severe, is still a slight distraction. This was more prominent when I was on the move, although this is pretty common for earbuds that hang down, rather than wrap around the ear. If you want to tune in to music or podcasts while on the go and you’re not hellbent on purchasing wired buds specifically, it might be a better move to select a pair of the best wireless earbuds instead. 

If you need to find the perfect fit or get the most out of the E80D’s noise isolation, you’ll be pleased to hear that there are additional ear gels included in small and large sizes, as well as a double-layered option (the default ear tips are standard, medium-sized gels). On the topic of extras, the E80D also come with a hard carry case for transporting your buds around.

The SoundMagic E80D look pretty similar to their predecessor, the SoundMagic E11D. They aren’t particularly stunning, although their silver-colored wire has a twisted look, which I’m a fan of. However, it’s worth noting that I also tested an older version of the E11D in Black, which had a much chunkier USB-C connector and didn’t have the coiled visual effect of the Silver model, so the E80D make for a significant improvement over this variant appearance-wise. My largest gripe with the E80D’s build is that the remote – which includes controls for volume and play/pause – is similar to that of the E11D, and still has buttons that are too small and close together. However, the controller’s inbuilt mic performs well, and recorded relatively clear audio when I created a voice recording – though I could make out a little static in the background.

Overall, you get a lot for your money with the SoundMagic E80D without having to sacrifice on quality across audio, design, or comfort – as a result, I would recommend these.

SoundMagic E80D review: Price and release date

• $44 / £39.98 / AU$66
• Launched on April 17, 2024

The SoundMagic E80D are still quite fresh, having only been released in April 2024, around six years after the E11D. One of the most attractive aspects of the E80D is their affordability, with the model holding a list price of $44 / £39.98 / AU$66.

If you’re working with a slightly smaller budget though, you can still find quality options, such as the stylish Skullcandy Set USB-C, which come in at $31.99 / £29.99 (about AU$50). You will, however, miss out on the inbuilt DAC, with the Skullcandy supplying decent audio, but not to the same standard you get with the E80D. 

SoundMagic E80D review: Specs

Should you buy the SoundMagic E80D?

Buy them if…

Don't buy them if...

SoundMagic E80D: Also consider

SoundMagic E80D review: How I tested

• Tested across the span of multiple weeks
• Used in the office and whilst on walks
• Predominantly tested using Tidal on FiiO M11S music player

When judging the SoundMagic E80D’s audio quality, I usually connected them to the FiiO M11S hi-res music player and listened to music via Tidal. However, I also tried tuning into some tracks on Spotify using my Samsung Galaxy Z Flip 4 and watched some YouTube videos with them on my Windows laptop. 

As always, I selected tunes from the TechRadar testing playlist when conducting this review, which includes records from a whole host of different genres. I used the E80D in the office, on walks, and at home over the course of multiple weeks.

Read more about how we test.

• First reviewed: June 2024

SoundMagic E11D: Review

SoundMagic makes some bold claims about the SoundMagic E11D, stating that they deliver “superior sound”, “enhanced accuracy and detail”, and are made from “high-quality aluminum components” – but how good are they really? Pretty good, actually.

Let’s start with what matters the most – audio quality. I was very pleased with the clarity offered by these buds, and when listening to Diamonds on the Soles of Her Shoes by Paul Simon, they skilfully weighted the various instrumental elements – from the groovy bassline to the recurring guitar riff and layered vocals. However, I did find that clarity was hampered somewhat at louder volumes. On that point, these buds can get very loud if you want them to; there’s no way that you’ll be left wanting more on the amplification front.

When tuning into Black Eye by Allie X, I was impressed by the E11D’s ability to supply controlled bass. The deepest tones weren’t astonishingly impactful, but they certainly demonstrated a bit more depth than the Skullcandy Set USB-C buds on comparing the two. Similarly, Rains Again by Solji was delivered clearly and without any tinniness at 50% volume. However, high-pitched vocals fell short of being perfectly crisp. All in all, though, audio will satisfy the vast majority of listeners – something that also rings true of the E11D’s sibling, the SoundMagic E11C, which appear on our list of the best wired headphones.

The E11D’s effectiveness in the sound department is, in part, thanks to their built-in digital-to-analogue converter (DAC), which can handle up to 24bit/96kHz audio. This alone earns the E11D kudos, especially given that even some of the best wired earbuds still require one of the best portable DACs to truly showcase their skills. That’s not to say that you’ll transcend to a new plane of consciousness by using the E11D, but for the very decent list price of $44 / £39.99 / AU$65, you’ll most certainly get your money’s worth.

On the topic of cost, it’s important to consider that the E11D arrive with a few extras to sweeten the deal. Alongside some silicone ear tips, in small, medium, and large sizes, you also get a sturdy black and gray carry case, which is a decent-looking, convenient addition to the mix. 

Another area in which the E11D score positively is comfort. I kept them in my ears for multiple full work days and while on walks, and they never once fell out of my ears or felt irritating after longer listening periods. In addition, the E11D enable you to enjoy music, podcasts or videos without being overly distracted by external noise, thanks to their noise isolation. 

Imagine this: you’re sitting in the office with colleagues around you typing away. A plethora of sounds surround you, whether it's occasional chatter or the roar of an engine as a car zooms past – but even that’s overridden by an electric guitar blaring from the next room over. Well, let’s just say I didn’t have to do much imagining last Thursday – but, thanks to the E11D, all of this wasn’t too much of a distraction. Noise isolation here is pretty good, and although some sounds will still creep through, these buds do a nice job of keeping you zoned into whatever you’re listening to – especially considering they don’t come with specialized foam ear tips. 

One more factor that can disrupt a wired listening experience is the sound of wires moving during use. SoundMagic has done a decent job of keeping cable noise relatively dulled compared to other more budget models. You can still hear these sounds if you touch the wires, for instance, but the noise is far less imposing than I’ve heard with the Skullcandy Set USB-Cs, for example.

So far you might be thinking that me and the E11D have an unbreakable bond that could last a lifetime. Unfortunately, I’m going to have to burst that bubble. You see, these earbuds may offer solid sound and considerable comfort, but they don’t hit all the right notes, especially on the design front.

First, the E11D’s controller is pretty disappointing. While equipped with the classic volume up, down, and play/pause buttons (the latter can also be used to take or hang up calls and skip songs), the buttons themselves are so small and positioned so close together, that they can prove a challenge to use. Even my colleague with fingers smaller than mine struggled with the button controls. This is pretty frustrating if you’re trying to adjust the volume while on the go, for instance. When it comes to the E11D’s built-in mic, though, I’m pleased to report that it works very well, and I could hear myself clearly – with only a little background static – when listening back to a voice recording.

Looks-wise, the E11D aren’t stone cold stunners, but they’re also far from ugly. The rounded appearance of the actual buds lacks the sharpness of models such as the Skullcandy Set USB-C, for instance, but they're still classy in their way. Available in either black or silver, I did test a seemingly older variant of the E11D in black, which had a larger connector, plus they did have some issues working with my Samsung Galaxy Z Flip 4. However, when using the newer, silver version of the E11D, I experienced no such issues, and in fact I’d argue that their cable’s twisted design makes them the better choice. 

Overall, the E11D deliver plenty of bang for their buck. The combination of hi-res audio and impressive noise isolation means that you’ll almost definitely be satisfied with what they offer.

SoundMagic E11D review: Price and release date

• $44 / £39.99 / AU$65
• Launched in November 2018

SoundMagic’s E11D earbuds are available for $44 / £39.99 / AU$65 and first launched in November 2018. 

These are a budget option, but there are USB-C earbuds on the market that are cheaper still, such as the aforementioned Skullcandy Set buds, which come in at just $31.99 / £29.99 (about AU$50), but also Apple’s USB-C EarPods (list price currently $19 / £19 / AU$29). More on the Skullcandy alternative later – but be warned that in our opinion, Apple’s USB-C EarPods don’t deliver particularly great sound quality. If you want access to a higher caliber of audio, shelling out a little more on the E11D could be well worth it.

SoundMagic E11D review: Specs

Should you buy the SoundMagic E11D?

Buy them if...

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SoundMagic E11D review: Also consider

SoundMagic E11D review: How I tested

• Tested across two weeks
• Used in the office, at home, and while walking
• Predominantly tested using Tidal on FiiO M11S hi-res music player

I tested the SoundMagic E11D earbuds in a range of environments, including the office, at home, and while out and about. When listening to music, I played tracks from the TechRadar testing playlist, which contains tracks from a vast variety of genres, in order to measure sound quality.

I also listened to hours of songs via Tidal on the FiiO M11S hi-res music player, and watched YouTube videos on my windows laptop. When appropriate, I used the Skullcandy Set USB-C buds to compare the E11D on audio quality, comfort, and ease of use.

Read more about how we test.

•  First reviewed: June 2024