The Akaso Brave 8 Lite is a stripped-back version of the Brave 8. No surprises there. For a saving of $90 / £50, you'll have to trade in the 1/2-inch sensor for a 1/2.3-inch alternative, and accept a drop in resolution from 48MP to 20MP.
As a result, this camera's video and image quality are inferior to not only the Brave 8's but that of other flagships such as the GoPro Hero 12 Black and the Insta360 Ace Pro. This is particularly noticeable in low-light conditions, a scenario that introduces so much noise that the footage oftentimes becomes unusable.
Before you rule out the Brave 8 Lite, though, you'll actually get a range of features that are not available on the more expensive Brave 8, including HDR video, a longer runtime, and Hindsight. The last of these enables additional recording time prior to pressing the record button, just in case you were too late to start shooting.
I love the rubber casing on the body, something that not only makes the camera easy to grip but is also pleasant to handle. This finish is let down, though, by the cheap plastic port hatches, which feel like they're going to break every time you open them. You'll also have to be especially dexterous to figure out a way to open the microSD card hatch with only one hand.
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The Brave 8 Lite is one of the smallest action cameras available, and will fit neatly into any bag or pocket. The abundance of additional cases means you can mount the camera on any surface, including a tripod, bike, or helmet. The metal case is particularly handy when you know you're going to struggle to keep the camera free from knocks, although you can't replace the battery when using this case.
There's no shortage of creative shooting modes, such as timelapse, hyperlapse, slow motion, and HDR video. Not all of these are available at 4K, though, and the resolution must be dropped to get extreme editing capabilities with regards to slowing down and speeding up the footage.
All in all, the Brave 8 Lite is a very capable action camera that performs as well as most flagships did two or three years ago, and at a more affordable price than the Brave 8 it's a great entry level choice.
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Akaso Brave 8 Lite: price and release date
The Akaso Brave 8 Lite is available for $199.99 in the US or £189.99 in the UK. This makes it $90 / £50 cheaper than the fully fledged Brave 8.
The Lite version has a smaller resolution, a slightly smaller sensor, and inferior slow-motion capabilities. On the flip side, over and above the full version you'll get longer runtime, and HDR video functionality. If you're happy with 20MP photo resolution and inferior low-light performance, the Brave 8 Lite is well worth the savings.
Akaso Brave 8 Lite: design
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The Akaso Brave 8 Lite looks much like most other action cams, and the fact that it's almost identical to the Brave 8 is to be expected.
The body measures 2.5 x 1.75 x 1.4 inches / 64 x 45 x 35mm. This makes it smaller than the likes of GoPro Hero 12 and Insta 360 Ace Pro, both of which are around 6mm larger in both width and height. The small body results in a very light overall weight of 4oz / 114g (including battery).
This lightweight body is wrapped in grippy gray rubber, which ensure that it stays securely in the hand, and also affords a reasonable degree of protection from knocks and scrapes.
Unfortunately, the hatches are of plastic construction, and they're very flimsy. Even in the short amount of time that I was testing the camera I noticed that I was visibly damaging these parts, even with careful handling. The microSD card hatch is also incredibly difficult to open, and despite trying numerous times I couldn't find a way to open this hatch with one hand.
The front of the unit is taken up by the lens and front-facing screen. The lens is prominent and aesthetically pleasing, with a removable guard that provides access to the lens itself for cleaning purposes. The 1.22-inch front screen is perfect for vlogging, but it isn't large enough to provide much feedback on images beyond basic composition. It also lacks touchscreen functionality.
The rear 2-inch touch screen is adequate enough for cycling through settings and getting a rough idea of what the sensor is picking up. There's room for a larger screen, though, which would really help, especially for reviewing footage and photos. For comparison, the GoPro Hero 12 has a 2.27-inch screen, which provides a much more pleasing experience.
Every action camera needs to be waterproof, and the Brave 8 Lite is rated to a depth of 33ft / 10m. That's fairly typical, with the main outlier here being the Osmo Action 4, which is rated down to 60ft.
The camera's interface is very easy to use, with the responsive touchscreen making it a joy to move through the menus. You're not able to zoom into photos in review mode, however, which is a shame given the small screen size.
Akaso Brave 8 Lite: performance
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The Akaso Brave 8 Lite performs as you'd expect for a sub-$200 action camera with a 1/2.3-inch sensor, and despite the inclusion of the aforementioned additional features over and above the Brave 8, in terms of video and image quality, the Brave 8 Lite doesn't match up to more expensive models.
Its 4K video footage looks pretty good when captured in ideal lighting conditions. Colors are vividly and accurately reproduced, although images are unnecessarily high in contrast. The lens and sensor begin to struggle when filming scenes that have extreme light and darkness, and the camera fails to capture the full dynamic range of such challenging scenarios.
This is not a camera that's made for filming in low-light conditions. An abundance of noise is introduced to dark areas, and while much of this can be removed in post without affecting image quality, the added step is a little annoying.
The wide-angle lens keeps distortions to a minimum, although as soon as you begin using the digital zoom you'll notice a reduction in the image quality, especially in terms of noise levels. The maximum zoom setting, named 'narrow angle' in the camera introduces so much noise that, in my opinion, the footage becomes unusable.
The Brave 8 Lite offers a range of other shooting modes, including timelapse, hyperlapse, slow motion, and HDR video. The slow motion functionality is only available at 2.7K resolution and below, and the fact that it's not available at 4K is disappointing. At 2.7K it's possible to slow footage down by 4x, while reducing the resolution to 1080p makes it 8x slower.
Like several other action cameras, the Akaso Brave 8 Lite features a hyperlapse mode that enables you to create high-speed timelapse sequences. Footage can be sped up by up to 30 times, which allows for a flexible level of creativity.
Photo resolutions of 20MP and 12MP give users the ability to manage their storage space, but the larger size option falls some way short of the 27MP of the GoPro Hero 12 Black.
Stabilization of footage is where the Brave 8 Lite really struggles, as can be seen in the clip below. The clip was shot a bumpy road, and the camera seems unable to provide anywhere near enough stabilization to make the footage usable. This is less of a problem with slow-motion or hyperlapse footage, but if you want a more reliable setup then you'll need to opt for something like the DJI Osmo Action 4.
Almost every action camera struggles to maintain a meaningful runtime, especially at 4K, and the Brave 8 Lite is no different, with the advertised runtime of 150 minutes only being available at 1080p. The battery is the same as the one in the Brave 8, so if you have both cameras, you'll be able to swap batteries between them.
The Akaso app is far easier to use than the on-board interface. The menus are more streamlined, and the higher resolution video display makes it possible to get a clearer idea of what you're filming. I prefer not to rely on an app when capturing footage, but for this camera, it became something of a necessity.
Should I buy the Akaso Brave 8 Lite?
Buy it if...
Don't buy it if...
How I tested the Akaso Brave 8 Lite
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I tested the Akaso Brave 8 Lite during a range of activities, including walking, running, and biking, capturing both stills and video in a variety of locations.
The Brave 8 Lite comes with a wide range of different shooting features, and I made sure to test every single one of them. This took a fair amount of time, but it was interesting to see where this camera excels and where it struggles.
One of the things that sets action cameras apart is their ability to handle low light, so I was also keen to put it through its paces when faced with both ideal and less-that-ideal lighting conditions.
With some bold claims under its belt, the SJCAM SJ20 Dual Lens Action is the world’s first action camera to provide two cameras and lenses: one for daylight shooting and a second for night capture. It may or may not fall into the best cheap action cameras category, but it’s undoubtedly an interesting concept, and there's compelling video footage comparing the night video capabilities against the GoPro Hero 12 on the SJCAM website that suggest it has GoPro-beating night vision. Are the claims true, or just marketing hype?
SJCAM SJ20 specification
Sensor: N/A FOV: 154 degrees Max photo resolution: 5888 x 3312 Video: Up to 4K 30fps (16:9) Stabilization: 6-axis gyroscope Front screen: 1.3-inch Rear screen: 2.29-inch Battery: Built-in 800mAh / External 1050mAh
The SJ20 provides the usual shooting modes found on action cameras, with a handful of extras thrown in for good measure. Video capture is possible up to 4K at 30fps, with lower resolutions offering higher frame rates, while stills can be captured at 20MP, which is impressive for an action camera. So, again, pretty much standard except for photo resolution, but higher-end action cameras typically offer a greater number of video capture options at 4K, alongside higher frame rates.
Shooting modes aside, the SJ20 is unmistakably a budget action camera, somewhat in the mold of the pricier Insta360 One R, albeit with two cameras and lenses, each with its own sensor, rather than one interchangeable lens module. Like that camera, the SJ20 uses a clip-on external battery alongside an internal battery, with the main difference being the SJ20's handy 1.3-inch front screen, which complements the rear 2.29-inch touchscreen.
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SJCAM SJ20: release date and price
Two kit options are available
Kits include multiple accessories
Available January 2024
The SJ20 was announced in November 2023, and has been available to purchase from the SJCAM website since January 2024. There are two kits available – we tested the Standard option, which includes the SJ20, a 1050mAh external battery, a dive housing, multiple attachments, a small frame to use the camera without the external battery, and a larger frame for use with the external battery. The Pro Kit also includes a 5650mAh battery grip to further extend shooting times.
Despite the SJCAM website suggesting that the SJ20 can be purchased in multiple currencies, it’s only available in US dollars with the Standard kit coming in at $229 and the Pro Kit at $249. At the time of writing, this converts to around £180 / AU$350 for the Standard Kit, and £200 / AU$380 for the Pro Kit. For what you get in the kits this is competitive pricing, and opens the camera up to a wider audience, including individuals with a smaller budget.
Price score: 3/5
SJCAM SJ20: design
External battery increases shooting time
Heavily inspired by the Insta360 One RS
Frames and dive housing provide water resistance
In terms of design, the SJ20 looks extremely similar to the Insta360 One R and One RS action cameras, to the point that it’s almost a clone. The main difference, aside from build quality, is that the SJ20 features a 1.3-inch front screen for use when filming yourself, as well as a 2.29-inch touchscreen on the rear via which you can access settings. There are just two buttons on the top: one to change between the day and night cameras, and a record/shutter button that doubles up as the power button.
There’s a built-in speaker plus a door panel that covers the microSD card slot and the USB-C charging port. Annoyingly, the external battery has to be removed to open this door and then reattached for charging, and the process followed in reverse once charging has completed. It’s not the end of the world by any stretch, but it’s one of those design elements that could have been better thought through.
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The SJ20 features a built-in 800mAh battery, and also an external 1050mAh battery that clips onto the bottom, just like the Insta360 One R. Battery life is reasonable, but never gets close to the maximum of three hours that’s suggested when capturing 4K video. Whether you're using the camera with its internal battery or with the external clip-on battery, the kit includes two frame configurations that wrap around the camera to provide water resistance to 5m / 16ft while the dive housing extends this to 40m / 130ft.
Build quality is average, and certainly not outstanding – the camera does feel a little cheap, and doesn’t offer the premium feel and smooth operation of the Insta360 cameras it’s so clearly inspired by. But this is unsurprising considering the much lower cost of the SJ20, and the fact that Insta360 is a premium action camera manufacturer alongside DJI and GoPro, with all three brands occupying the upper end of the market.
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Design score: 2.5/5
SJCAM SJ20: features and performance
Multiple shooting modes
6-axis gyroscope stabilization
Easy to use
Most action cameras these days are incredibly easy to use, and the SJ20 is no exception. But where the higher-quality action cameras typically rely on swipes from the edges of the LCD screen to access settings, the SJ20 uses on-screen buttons to access settings and menus, with just one edge swipe from the top of the screen to access a handful of settings. This gives the user interface a slightly dated look and feel, but it doesn’t impact negatively on the user experience.
The 2.29-inch rear touchscreen provides a clear image for navigating menus and composing photos and videos. It’s nice and responsive, but it can sometimes take a press or two to access settings or menus if you use the edge of your fingertip – something you often find yourself doing when holding the camera with both hands. The 1.3-inch front screen is great when you're capturing yourself, but this has no touch functionality, so you have to set everything up on the rear screen before switching between the two, because only one screen works at a time.
There’s no shortage of shooting modes alongside standard photo and video capture. You get everything you’d expect from an action camera, such as slow motion, pre-recording, timelapse and motion detection, among others. There are also livestream and webcam modes, alongside interval and continuous shooting for photos.
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The camera can be controlled manually by hand or using the SJCAM Zone smartphone app.The main advantage of the app, as with any action camera, is simply that it gives you a remote Live View alongside wireless control of the camera. Connection using the camera’s QR code, which is scanned with the app, failed during testing, but manual connection did succeed, and worked perfectly well once the connection was established.
The 6-axis gyroscope stabilization works reasonably well for minor movements and facilitates smooth video capture. However, is doesn't compensate for larger movements as effectively as higher-end action cameras. When I shot some footage while riding a skateboard, the more vigorous movements of the camera as I pushed along with my foot were visible in footage, but when I was cruising the stabilization was effective.
WhenI wasrunning, however, or even walking, a lot of shake can be seen,which is possibly jello, due to a slow shutter speed or a combination of the two. This is amplified during night capture with the night camera and produces video footage that is at best usable, but hardly smooth. The night video example on the SJCAM website looks much better, but it also looks like it was captured with the camera attached to a slow-moving bicycle, which would naturally result in smoother video footage.
Before shooting with the SJ20, I made a point of switching off the timestamp feature, which is switched on by default and adds the time and date to photos. It may have been that I didn’t commit to the change or that the camera reverted to its default, but the first batches of photos taken with the camera show the time and date. It would be much better if this was switched off by default, with the ability to switch it on if and when required, because most people don’t want their photos branded with a bright red time and date in the corner.
Features and performance score: 2.5/5
SJCAM SJ20: image and video quality
Video quality is mediocre
Photos offer the best image quality
Manual control not available
Alongside image adjustment controls such as contrast, saturation and sharpness, the only manual controls available for shooting are White Balance, ISO and EV (for exposure compensation), so camera control is essentially automatic rather than manual.
This is a shame, as manual control is preferable for video capture for many people, since it maintains consistency and allows you to select the exposure settings that work for you. The ISO and EV controls do allow this to a degree, but with no control over shutter speed or even the ability to see what it is, you never know if it’s too fast or too slow for the frame rate you’re shooting at, or to control motion blur, depending on the activity you’re capturing.
Photos offer the best image quality – images come in at 20MP and are captured in JPEG format. Noise reduction applied to JPEGs is obvious at higher ISO settings. The main camera, like most action cameras, produces the best results in bright light.
The night camera produces a brighter image in low light than the daylight camera, but the colors captured look much less natural, and certainly not as the naked eye sees them. Chromatic aberration can also be seen along high-contrast subject edges. Image quality from the daylight camera is fine, though and the 20MP resolution is decent for an action camera.
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4K video
Video quality is below par from both the f/2.0 day camera and the f/1.3 night camera. Even in daylight, artifacts are visible in footage, and at night the captured image is far from clear, and certainly doesn’t live up to the claim that the SJ20 outperforms the GoPro Hero 12 for night shooting.
What the night camera does is create a bright image, but overall quality is poor. Plus, the lack of camera control and the shakiness of the image stabilization don’t help here. It’s a little odd really, because where an action camera should excel at moving video capture, this is exactly where the SJ20’s performance is at its weakest.
Timelapse video
The available specifications for the SJ20 are a little vague. We can see that the field of view of the two cameras is 154 degrees, but it's guesswork what the 35mm equivalent focal length of the lens is. SJCAM is also holding the sensor specs for the two cameras close to its chest, so we can only assume that alongside providing different apertures, the two cameras use different sensors.
They could be the same sensor with different processing algorithms, but with no access to this information it’s impossible to say for sure. But since the results from each camera are different in terms of color and exposure, it suggests that there are sensor and/or processing differences between the two.
Slow-motion video
Image and video quality: 2/5
Should I buy the SJCAM SJ20?
Buy it if...
Don'y buy it if...
Also consider
GoPro Hero 12 Black
Whether you’re considering buying your first action camera or upgrading from an older model, the GoPro Hero 12 Black is an option you should consider if your budget stretches that far. With great image quality, excellent stabilization and a streamlined user interface it’s one of the best action cams available. Low-light video performance isn’t fantastic, but neither is the SJ20's, despite its night camera. Read our in-depthGoPro Hero Black review
Testing scorecard
How I tested the SJCAM SJ20
I carried the SJCAM SJ20 in my jacket pocket for over a week, so the camera was to hand whenever I needed it or wanted to try one of the many shooting modes on offer. I tested the photo and video quality of the day and night cameras at those respective times while walking, running, and skateboarding, to test both image quality and stabilization in a range of typical action camera scenarios.
The camera was used both independently and connected to my smartphone via the SJCAM Zone app to assess ease of use and the overall user experience. Action cameras are generally easy to use with intuitive interfaces, and I was able to find my way around the camera without the need to delve into the clear and easy-to-follow instruction manual.
Action cameras are a great option for capturing sport, travel and a whole host of subjects; they're small, lightweight, and in most cases designed to withstand the rough and tumble these cameras typically endure. The Kandao QooCam 3 is a 360-degree action camera that provides an alternative to the likes of Insta360 One R and X3, as well as the GoPro Max, which are all among the best 360 degree cameras currently available.
360-degree cameras are becoming increasingly common, providing users with the ability to capture 360-degree photos and videos that can be scrolled around, as well as to reframe 360-degree video into a traditional 2D perspective where you can pan, zoom and change camera direction to create the illusion of being filmed by someone else. 360-degree camera manufacturers often describe this as like having a personal camera person filming you, and in many ways it is.
The QooCam 3 fits this profile well, and while it’s not the kind of action camera you’d want to drop due to the two fisheye lenses, one on each side, it is dust and waterproof to IP68. This opens up more possibilities for a camera that can capture 360-degree photos at 62MP in JPEG and DNG formats, alongside the ability to capture up to 5.7K 30 fps 360-degree video. Low-light performance is also a key feature thanks to the 1/1.55-inch sensors and large f/1.6 apertures for each of the two fisheye lenses.
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QooCam 3: Release date and price
Launched in September 2023
Several kit options
Additional accessories available
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The QooCam 3 was launched in September 2023, and is the second consumer 360-degree camera produced by Kandao. The QooCam 3 standalone kit includes the camera, a battery, a USB-C cable, and a soft case, and costs $349 / £278 / AU$531. The Travel Kit is the best option for most people – this includes all of the above plus an additional battery, a 64GB microSD card and a 120cm invisible selfie stick for just a bit more at $370 / £295 / AU$563. The Motorcycle Kit includes all of the above, plus a plethora of mounting accessories for $400 / £319 / AU$609.
Alongside the kits, you can also purchase additional batteries, the invisible 120cm selfie stick, and a Marsace x Kandao co-branded mini tripod. When the camera was sent to me for review it arrived with a car suction mount, which is a great accessory that works exceptionally well, but which unfortunately is not available on the Kandao website at the time of writing – hopefully it will be soon.
Price score: 4/5
QooCam 3: Design
Near square design
1.9-inch LCD screen
Weighty at 7.76oz / 220g
The QooCam 3 is almost square at 2.8 x 3.3 x 1.0 inches / 71.5 x 82.7 x 26.6mm and weighs 7.76oz / 220g including a battery and microSD card. To say it looks familiar to the GoPro Max is an understatement, although the QooCam 3 is slightly larger and heavier. Controls are minimal, with just a power and record button on the top and a 1.9-inch rectangular touchscreen on which settings can be accessed easily by swiping from the sides and using the customizable Q menu.
The LCD screen isn’t the highest-resolution when compared to other action cameras, but it’s clear and bright enough, and provides a single camera view, which can be switched from front to back when capturing photos and videos. This is better than the phone app view, which shows a stretched-out 360-degree view and feels strange to use for composing, but the app does provide wireless control of the camera, which is useful.
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Build quality is impressive, especially considering this is one of the less expensive 360-degree cameras available, and the dark grey and black body has an undoubtedly high-quality look. The two fisheye lenses are positioned on opposite sides of the camera, and as on any camera of this type feel vulnerable, but they're protected when not in use by a soft case, which can be attached to the camera even when the selfie stick is inserted into the tripod mount on the bottom of the camera. There are four microphones, one on each side of the camera, that work well to record 360-degree sound in videos.
Design score: 4/5
QooCam 3: Features and performance
1/1.55 in sensors and f/1.6 apertures
6-axis gyro for image stabilization
360-degree ambisonic audio
With the ability to shoot photos and videos in several capture modes, the QooCam 3 follows a fairly standard approach to 360-degree cameras and what they’re capable of. Operation of the camera using the camera itself and the touchscreen, where you swipe from the sides of the screen to access various settings and features, is incredibly easy and intuitive, as on most modern action cameras. The phone app is just as simple and intuitive in this regard, while also providing wireless control and Live View.
The headline features of the QooCam 3 have to be the 1/1.55-inch sensors with a 2μm pixel size and 4-in-1 pixel merging, alongside the fast f/1.6 apertures. These make the camera a solid performer in low-light conditions, although with such fast apertures, shutter speeds need to be fast in brighter light, so it’s impossible to use the correct shutter speed for capturing more cinematic motion in videos. That said, even if the aperture was f/2.8 you would still have this problem, so the low-light performance is a huge bonus.
The camera uses a 6-axis gyro, which works well overall, and when I tested this while running the bobbing of the camera was minimized, although not completely eliminated. The same goes for walking, although with most action cameras you do have to walk with slightly bent knees while keeping the camera steady for the smoothest results. This is easiest when using the invisible selfie stick, which also allows you to maneuver the camera into interesting positions and apply sweeping movements for more dynamic videos.
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One point to note is that image stabilization isn’t applied to the image viewed on the camera screen or in the app when connected, so this will appear unsteady during filming. Stabilization is applied during editing using the gyro data, where you can use Horizon Steady to lock the camera angle while maintaining the ability to add keyframes, or View Lock Steady to simply apply stabilization.
Sound can often be a secondary consideration for action cameras, but the QooCam 3’s four microphones capture 360-degree ambisonic audio (full-sphere surround sound) and do a reasonable job of recording sound. However, wind noise can be an issue when it’s windy or if the QooCam 3 is attached to a car using a suction mount – it has to be said that attaching the camera to a car to create faster and more dynamic timelapse videos, 360-degree videos, and reframed videos is a lot of fun.
The smartphone app and desktop app are both reasonably easy to use, but both lack the range of features and finesse of Insta360’s comparable apps for Insta360 cameras. The QooCam 3 phone app offers more functionality than the desktop version, including the ability to use templates to make faster edits, add one of five music tracks, and remove the original sound, although these options take some getting used to before you can confidently create the video effects you’re aiming for. It’s not rocket science by any means, but expect a small learning curve here – and the functionality is limited to just about what you need, rather than something slightly more impressive.
Features and performance score: 3/5
QooCam 3: Image and video quality
Up to 5.7K 30fps video
62MP 360-degree photos
Decent low-light performance
The image quality produced by 360-degree cameras is never as good as that from standard action cameras, and the QooCam 3 is no exception here in general. It does, however, perform well in low-light conditions such as night scenes, thanks to the fast aperture. For example, when walking through Chinatown in London at night I only needed to increase the ISO to 640 while maintaining the correct 1/60 sec shutter speed for 5.7K 30fps video, and image quality was impressive.
The dual cameras on the QooCam 3 use fisheye lenses that provide a full-frame equivalent focal length of 9.36mm, with the images combined to create panoramic and 360-degree photos and videos. Camera control can be set to Auto, with control over exposure compensation and the ability to manually adjust exposure compensation and white balance, or Manual, which gives you full control over all settings except for aperture, which is fixed. Auto is best for situations where you’re moving from light to dark areas and vice versa, while Manual is generally best for everything else.
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Photo modes include Standard panoramic photo (360-degree), Interval Photo, DNG8 and AEB. DNG8 is where eight DNG files are captured and merged in the RawPlus software for increased detail and lower noise with HDR results. However, when editing photos in QooCamStudio (desktop) and with the RawPlus desktop app, I didn't always feel that I knew exactly what I was doing.
For this to work, you have to merge the eight DNGs with RawPlus and export a single DNG. This can then be processed in Lightroom or Adobe Camera Raw, with no cropping, exported as a JPEG, and then further adjusted in terms of viewpoint in QooCamStudio, before a new JPEG can be exported at up to 4K dimensions. It’s a convoluted process, and I found a tutorial by a third party covering this after I was unable to find a guide on the Kandao website. This is a process that needs to be simplified.
QooCam 3 video
Photo editing is much easier with the QooCam 3 smartphone app, but often still leaves you wondering. That said, the 360-degree photos can be captured up to 62MP, but you have to attach the camera to the selfie stick on a mini tripod and be out of shot to avoid being photographed, or you can reframe photos into a 4K 2D photo. Video can be captured in Standard panoramic video (360-degree) and timelapse, with interval and resolution options for the latter. For video, you can capture 5.7K 30fps, 4K 60fps and 4K 30fps.
Image quality overall is good, and sits within the norm for this type of camera, but photos and videos have an over-sharpened appearance, and there’s no control over the sharpening level in the camera settings; this would be a useful addition via a firmware update. Over three weeks of using and testing the camera, three firmware updates were delivered, so Kandao is working hard to improve what is already a solid yet imperfect 360-degree camera. With a handful of upgrades in terms of the apps and the camera firmware, the QooCam 3 could be greatly improved to make it a highly competitive option, because the hardware is solid.
QooCam 3 360-degree video
Image and video quality: 3.5/5
QooCam 3: Test scorecard
Should I buy the QooCam 3?
(Image credit: James Abbott)
Buy it if...
Don't buy it if...
QooCam 3: Also consider
(Image credit: James Abbott)
If our QooCam 3 review has inspired you to think about other options, here are two more 360-degree cameras to consider…
How I tested the Kandao QooCam 3
The QooCam 3 was tested over several weeks in a variety of environments and light conditions, including being attached to a car. This provided enough time to fully explore what the camera is capable of in terms of capture options, editing options, output quality using both the smartphone and desktop apps, and, importantly, overall ease of use while considering the learning curve of the apps.
With nearly 30 years of photographic experience and 15 years working as a photography journalist, I’ve covered almost every conceivable subject and used many of the cameras and lenses that have been released in that time. As a working photographer, I’m also aware of the factors that are most important to photographers, and aim to test cameras and lenses in a way that reflects this.
The Insta360 Ace Pro is Insta360’s first out and out wide-angle action camera – and the brand has absolutely nailed it, creating one of the best action cameras to market. Insta360 isn't new to this field though, with a range of 360-degree cameras that includes the low-light champion the Insta360 One R 1-inch, plus mobile gimbals.
The Ace Pro rivals the likes of the GoPro Hero 12 Black and the DJI Action 4, but it is the first of its kind to offer 8K video. Take that, GoPro and DJI. You also get 48MP stills – both of which are probably larger than most people will need. However, the quality of the output is generally great, with the HDR Photo mode particularly good at capturing detail in highlights.
The highest resolution 8K video is available at 24fps only, so there's definitely room for higher frame rates to be added in future versions of this camera. However, slow motion 4K video is possible up to 120fps.
Insta360 is a long-time partner of Leica, which has engineered the Ace Pro's 1/1.3-inch sensor, and this partnership seems to be paying off. The sensor, backed by the camera's AI-boosted chip, does a great job of capturing excellent video and photo quality, even under more demanding lighting scenarios such as low light and highlights.
The magnetic mounting system and wide range of mounts makes this camera a highly versatile option for all types of creatives. The multi mount is particularly useful, enabling the camera to be mounted on a tripod or carried around on a selfie-stick, and Insta360 provides mounts that would work with all types of action sports, including cycling, diving, and surfing.
I really enjoyed the camera, from the excellent build quality to the impressive output of the video and photo. Insta360 has made a great camera, and it’s hard to see what it can improve on in future releases – perhaps slow motion 8K recording?
Insta360 Ace Pro specifications
Sensor: 1/1.3-inch FOV/focal length: 16mm (35mm equivalent) Max photo resolution: 48MP (8064 x 6048) Video: 8K 24fps / 4K 120fps / 1080 240fps Stabilisation: FlowState and Horizon Lock Screen: 2.4-inch flip screen Mount: Magnetic standard, Quick release, Multi Mount Battery: 1,650mAh Connectivity: Bluetooth, USB-C and Wi-Fi
It's a pricier alternative to the Hero 12 Black and the Action 4, but there are a number of specs that make the Ace Pro stand out and justify the higher price. The first is the 8K recording functionality. To achieve this inside such a small camera body is to push the boundaries of what was previously possible.
The 1/1.3-inch sensor is another spec that's worth noting. This is bigger than the Hero 12 Black's sensor and the same size as the Action 4's, although not as big as the Osmo Pocket 3.
There's also a 2.4-inch flip screen that is the largest available on the market, compared to 2.25-inch for the Action 4 and 2.27-inch for the Hero 12 Black. The screens of those cameras are fixed, too, while the Ace Pro's can flip up for selfies.
Overall, Insta360 has done a breathtaking job of pushing the boundaries of what it's possible to pack into a small-form action camera.
(Image credit: Paul Hatton)
Insta360 Ace Pro: release date and price
Available to buy now for $449.99 / £429 / AU$729
Mounts available from $14.99 / £15.99 / AU$29
Cheaper 'Ace' version of the camera costs $379 / £359.99 / $AU609
The Insta360 Ace Pro is available now, with the lowest-priced Standard Combo package costing $449.99 / £429 / AU$729, which is a little pricier than the GoPro Hero 12 Black, which retails at $400 / £400 / AU$650, or the Hero 11 Black at $350 / £350 / AU$579.
To extend your mounting options you can get the Standard Mount for $14.99 / £15.99 / AU$29, and the Vertical-Horizontal Mount for $19.99 / £19.99 / AU$39.
To get waterproofing down to 16m rather than the standard 10m you can buy the Dive Case for $59.99 / £59.99 / AU$109.
An extra battery to extend shooting times costs $34.99 / £35.99 / AU$65, and if you're needing to charge your batteries quickly then the Fast Charge Hub is a great option, and costs $49.99 / £51.99 / AU$89.
The Insta360 Ace Pro doesn't come with GPS as standard, but if you pair it with the GPS Preview Remote you can track your location. The remote can be worn on your wrist or mounted on your bike, for example. It costs $149.99 / £149.99 / AU$269.
If you want a cheaper alternative to the Pro version there's an Insta360 Ace which retails at $379 / £359.99 / $AU609.
Price score: 4/5
Insta360 Ace Pro: design
Easy magnetic mount
Versatile multi mount
2.4-inch flip screen for selfies
The Ace Pro is really nicely engineered, from quality materials. As soon as you take it out the box you can tell that it's both heavier and bigger than other cameras on the market, such as the Hero 12 Black. It weighs in at 179.8g, compared to 154g for the Hero 12 Black and 145g for the Action 4.
The benefit of this is that it feels more substantial in the hand, while still feeling very much like an action camera. It also allows for much better heat dissipation, something that is the single biggest problem facing action camera designers. If you want a smaller Insta360 camera the brand does offer smaller consumer alternatives.
One area where the Ace Pro diverges from other action cameras, in a good way, is in the implementation of its screens. I find DJI and GoPro screens often a little unresponsive, and their front screens never seem to deliver what's required when shooting in selfie-mode. The Ace Pro, on the other hand, includes a fantastic 2.4-inch rear flip screen that hinges from the top. The screen is big and responsive, and the hinge is perfectly engineered, enabling the screen to perch securely at any angle. I love it.
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In terms of mounting, you have a plethora of options available to you. The camera itself has a magnetic plate at the base to allow for a super-quick snapping of the camera onto different mounts. It follows the Action 4 in this regard, and has left behind the Hero 12 Black, which will hopefully introduce this functionality next time round. Action cameras have to be versatile, and quick to get up and running, and the magnetic mount on the Insta360 Ace Pro enables exactly that.
The standard mount is ideal for cycling, for either mounting the camera onto a helmet or handlebars. It’s lightweight, and includes a quarter-inch screw hole. There's also a quick-release mount, which hooks into the camera and is removable using the quick-release buttons. Unfortunately, I found that the camera didn’t hook into the prongs first time every time, and at times it took a little fiddling to ensure that both prongs were clicked in, which isn't ideal.
The multi mount is a stroke of genius though, serving a whole host of different shooting scenarios. It can serve as a standard tripod, as a selfie-stick of sorts, or just as something to carry the camera around with when you're shooting on the go.
(Image credit: Paul Hatton)
Insta360 has also included a really nice front display, which isn't a touchscreen but updates you on some of the key settings. It’s a nice feature, but I couldn’t really find a use case for it; if I was shooting in selfie mode then I had the settings displayed on the flipped screen anyway.
I personally found the record button too hard to press, which made it difficult to begin recording or take a photo without dislodging the location of the camera in my hand and introducing a wobble into the start of the video. A more responsive button would easily overcome this.
The camera contains all the ports you would expect, including a USB-C port, microSD slot, and a battery cavity. These are all behind flaps which I found a little fiddly to open and close. The flap to the power port/microSD port also only just opens wide enough to allow the power cable in, while the microSD port is also right next to the power cable, which makes it tricky to remove or insert the SD card while charging.
Design score: 4.5/5
Insta360 Ace Pro: features and performance
Excellent FlowState stabilization and Horizon Lock
Decent waterproofing up to 33ft / 10m
Handy voice and gesture controls
The Insta360 Ace Pro has been co-engineered with Leica, which means it has a great sensor – it's actually the same size sensor as in the Osmo Action 4 at 1/1.3-inches, and is bigger than the Hero 12 Black's. It does, however, fall short of the new 1-inch sensor in the DJI Osmo Pocket 3; given this camera's larger camera body, I wonder if this bigger sensor will be introduced in a future Ace Pro camera.
The 1/1.3-inch sensor alongside the f/2.6 aperture facilitates impressive low-light performance – more about that later. The 5nm AI chip enables a strong level of noise reduction, which is perfect in those night-time scenes where you can’t get rid of all the noise in-camera. The AI on the chip also means it better handles the opposite extreme, where there are bright light sources in the shot, something that's difficult for any camera to handle, let alone a small action camera.
The stabilization in the camera centers around FlowState and Horizon Lock, features that are well implemented in pretty much all other action cameras. FlowState, Insta360’s proprietary algorithm, is tried and tested on its other cameras and works well. Horizon Lock does exactly that, and is ideally suited to when the camera is rotated a lot through the shot.
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The video resolution allows for up to 8K at 24 frames per second. This is an industry-leading resolution, with the Hero 12 Black topping out at 5.3K and the Action 4 at 4K. Not many users will need 8K in this type of camera, or have the display to watch it on, but if it's something that's important to your workflow then the Insta360 Ace Pro delivers.
The camera contains a neat little feature, although not unique, called ‘Photo Grab’, which enables the capturing of 12MP photos mid-video. We’ll look at the quality of the video and photo from this camera later.
The camera is waterproof down to 10m, which will be sufficient for most cases, but if you find yourself shooting at a greater depth the dive case that's available separately allows you to use the camera to depths of to 16m.
One feature I particularly love is the gesture control. With a simple raising of the palm the camera will start recording video, after a three-second countdown so you can get set up. And if you show the 'peace' sign a photo will be taken after three seconds. I like these types of features, as they minimize the interaction required with the actual camera.
Performance score: 4.5/5
(Image credit: Paul Hatton)
Insta360 Ace Pro: image and video quality
Max photo resolution: 48MP (8064 x 6048)
Video: 8K 24fps / 4K 120fps / 1080 240fps
Active HDR
The results produced by the Insta360 Ace Pro are noticeably impressive. Where do we start? How about low-light performance? This is where so many action cameras, over the years, have tripped up. If the lighting conditions are ideal then it's no problem, but creators don’t want to be limited by their tech.
The image quality across all resolutions is really nice including the 8K option. Colors are represented with clarity and vibrancy giving a punchy image that pops off the screen. Low-lighting conditions are also handled well, with only a small amount of noise noticeable during testing. The AI-boosted chip helps to clear away more of the noise that can’t be removed by the 1/1.3-inch sensor, and this low-light performance is replicated across video and photo.
The other scenarios these types of cameras often struggle with is highlights. The Ace Pro contains HDR technology when shooting video, and also includes a separate HDR photo mode. The Active HDR in video mode delivers fairly good results, although there is still some detail lost, especially in the highlights.
The HDR photo mode on the other hand does a much better job of capturing those details. When taking a photo of an overcast sky, for example, the image had definition in the clouds, where the video captured turned the sky completely white.
(Image credit: Paul Hatton)
Color replication across all modes is excellent, with little to no correction required to replicate real-life colors. GoPro and DJI cameras often struggle with this, so I was pleased to see the Insta360 Ace Pro doing such a good job. This color replication is also noticeable with faces and skin tones which, again, are captured accurately.
Unfortunately, there isn’t log capture functionality like the GP-Log in the GoPro Hero 12 Black. This limits your color-editing options in post, and it would be a fantastic additional feature to really take this camera to the next level.
Image and video quality score: 4.5/5
Should I buy the Insta360 Ace Pro?
Buy it if...
Don't buy it if...
Insta360 Ace Pro: Also consider
Testing scorecard
How I tested the Insta360 Ace Pro
I used the Insta360 Ace Pro as both an action camera and a vlogging camera. Taking it out and about enabled me to properly test all of its features, including its video and photo quality as well as its stabilization.
Taking the Ace Pro out on my bike provided a great opportunity to see how the camera would cope working at speed and under changing lighting conditions.
Having tested other action cameras I was able to make informed comparisons between the Ace Pro and other popular models.
The GoPro Hero 12 Black is a variation on a tried and tested GoPro formula. GoPro has an Apple-like ability to refresh its line without overhauling it to great effect, and this year there isn't much that's new in the way of hardware for the 12 Black. That said, familiar hardware might not be an issue given the upgraded software experience, particularly for filmmakers and anyone craving external wireless audio support.
Let's start with what's returning for 2023 from last year's GoPro Hero 11 Black. Firstly, there's that 27MP 8:7 sensor that can capture 16:9, 9:16, and 8:7 footage without needing to reorient your camera. It can shoot at up to 5.3K 60fps and 4K 120fps, and if you want to drop the resolution to 2K, it even captures 240fps, something the DJI Osmo Action 4 can't do.
Next, GoPro's Hero design is back for round six – or is it seven? Seriously, GoPro is very wedded to the style introduced on the Hero 5 Black, so it hasn't deviated too much from its overall aesthetic.
GoPro also brings back the same battery used in past Hero cameras, though, as in the Hero 11 Black, it's the higher-specced GoPro Enduro (1720mAh) cell. And the 12 Black has the same dimensions, processor, and weight as the 11 Black.
Given all these similarities, you might be asking yourself what's new, and whether the Hero 12 Black stands a chance of being rated as one of our best action cameras when its predecessor, the GoPro Hero 11 Black, costs less while offering similar features.
GoPro Hero 12 Black specifications
Sensor: 27MP 1/1.9-inch FOV/focal length: 156 degrees Max photo resolution: 27MP 8:7 (5568 x 4872) Video: Up to 5.3K 60fps / 4K 120fps (16:9) Stabilization: HypserSmooth 6.0 with AutoBoost Front screen: 1.4-inch Color LCD Rear screen: 2.27-inch Color LCD Mount: Action camera + 1/4-inch thread Battery: GoPro Enduro (1720mAh) Connectivity: Bluetooth, USB-C and Wi-Fi
Probably the most instantly useful addition to the Hero 12 Black is the 1/4-inch thread mount between its flip-out feet, perfect for mini tripods. GoPro has also added HDR capture to improve how the camera handles highlights and shadows, and this works to great effect.
Filmmakers who want to dig a little deeper can activate GP-Log capture for even greater dynamic range footage and 10-bit color, so video can be easily spliced into a timeline with clips from other cameras and easily color-matched.
Audio options have also been improved, with the 12 Black now supporting wireless audio from a Bluetooth microphone. This works with any Bluetooth earphones or headphones, so if you've got a pair of the best wireless earbuds available, you can just pair them with your GoPro and hit record – it really is that simple.
Whether you're using an external Bluetooth microphone or the Media Mod, GoPro's modular housing that upgrades audio and connection options, the new Hero 12 Black can also capture two audio channels, which you can access through the GoPro Quik app or in Premiere Pro. What's so cool about doing this with the Media Mod is that it captures the device audio or the Mod's own mini boom mic so that you can mix down directional and ambient tracks for the perfect clip.
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In a nutshell, while there are a lot of familiar features, GoPro levels up the Hero 12 Black just enough to meaningfully make it a more versatile and powerful action camera than the Hero 11 Black.
As for how it stacks up against the competition, the Hero 12 Black's stabilization is fantastic, dialing up or down based on what you're doing, thanks to HyperSmooth 6.0 and AutoBoost. It outperforms the DJI Osmo Action 4 in this regard, and I also prefer the tone of GoPro's video versus DJI's. Footage looks more crisp and less subdued – precisely what I want from my action camera. Having said that, the Action 4 does a better job of capturing a wider soundscape from its mics, while the Hero 12 Black focuses more on voices.
Low light is where GoPro has consistently dropped the ball, and while the Light Painting night modes are fun additions, they don't make up for the grainy video when recording in dimly-lit scenes. DJI takes the crown here.
Generally speaking, the action camera race has never been tighter, with DJI and GoPro almost neck and neck with their latest offerings. Whichever you go for, you're getting a fantastic action camera, but the Hero 12 Black edges ahead for anyone who mostly shoots in the day and wants the best stabilization available. It's also ideal for vloggers who want to cut up 16:9 and 9:16 content from the same clip, or GoPro users who already have compatible accessories like the Media Mod, and want to upgrade their camera but not their extras.
(Image credit: Basil Kronfli)
GoPro Hero 12 Black: release date and price
Available to buy now for $400 / £400 / AU$650
Accessories bundle costs $450 / £450 / AU$730
Max Lens Mod bundle costs $500 / £500 / AU$820
The GoPro Hero 12 Black is available now, with the lowest-priced Standard Combo package costing $400 / £400 / AU$650 – that's slightly pricier than the DJI Action 4. Interestingly, the Hero 11 Black is still on sale alongside the 12 Black on GoPro's website, and has seen its price drop to $350 / £350 / AU$579.
If you want to pick up an extra Enduro battery, GoPro's Handler grip, a head strap, and a carrying case, then the $450 / £450 / AU$730 accessories bundle is for you, and that price is slashed by around 20% if you have a GoPro subscription.
If you don't need all those extra peripherals but fancy the new Max Lens Mod 2.0, which GoPro announced alongside the camera, for a class-leading wide field of view, the Max Lens Mod bundle costs $500 / £500 / AU$820. Once again, if you have a GoPro subscription, you can enjoy a discount of around 20% on this combo.
While GoPro sold its Hero cameras at a discount with a subscription and a sky-high subscription-free price in previous years, it has simplified things this year. In turn, it's great to see that the standalone 12 Black has one fixed price that's lower than the list price of the 11 Black at launch.
So, while the Hero 12 Black isn't cheap by any stretch, it's great that its value for money isn't held back by what has, in the past, felt like inflated non-member pricing. This subscription-free model makes GoPro's latest camera much more competitive out of the gate.
Price score: 4/5
GoPro Hero 12 Black: design
Identical weight and dimensions to Hero 11 Black
New 1/4-20 tripod thread mount
Waterproof up to 33ft / 10m
At first glance, the GoPro Hero 11 and 12 Black look almost identical, apart from some speckled blue styling that differentiates the latest edition. Both cameras weigh 154g, sport the same dimensions (71.8 x 50.8 x 33.6mm), and have removable doors behind which are a USB-C port, battery cavity, and microSD slot.
The removable lens protects familiar f/2.5 aperture glass that delivers a 151-degree field of view, which is slightly less wide than the DJI Osmo Action 4's 155 degrees. The Hero 12 Black, however, can be bumped up to a class-leading 177 degrees with the Max Lens Mod 2.0.
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On to mounting, and the camera's base features GoPro's familiar flip-out feet that make traditional action camera mounting possible, and this year the Hero line gets a 1/4-inch mount too, so it works with traditional tripods and action-camera mounts alike. This is brilliant for anyone like me, who uses a Manfrotto Pixi or an alternative vlogging tripod with their main camera, saving the need to pack a separate grip when traveling light.
Having tested out the DJI Action 4 and Insta360 Go 3, both with magnetic mounting support, I do miss the feature when using the Hero12 Black. If GoPro manages to fit magnets into next year's 13 Black, then its action camera will have the holy trinity of mounting options; as it stands, though, two out of three isn't bad.
Just like the Hero 10 and 11 Black, the 12 Black has two color displays, one on the front and the other on the rear. Unlike DJI's latest action camera, only the rear screen is touch-sensitive. This isn't the end of the world, but it was handy to be able to vlog on the Action 4 without having to flip it around to make basic shooting adjustments.
The main screen on the rear measures 2.27 inches. It gets bright enough for comfortable viewing indoors and out, and unlike older GoPros, specifically the Hero 9 Black, it's super-responsive.
(Image credit: Basil Kronfli)
The 12 Black's physical controls include a record button at the top and a power button on the side. Pressing the record button when the camera is off activates quick-fire recording, and pressing the power button when the camera is on changes modes.
One of the big benefits of picking up a GoPro over a competitor is accessories – both first-party and third-party options. While DJI does a great job with its Action 4, offering an ND filter system and a host of magnetic mount tools, GoPro's ecosystem is richer.
From GoPro's own camp, the Media Mod is the most powerful addition to the Hero 12 Black if you're concerned about sound quality. This upgrades the audio with a directional mic while adding a 3.5mm microphone port for wireless solutions like the excellent Rode Wireless Go 2, as well as a micro HDMI port and an easy-access USB-C port, and there's nothing quite like it in the DJI camp.
Design score: 4.5/5
GoPro Hero 12 Black: features and performance
Excellent HyperSmooth 6.0 stabilization
Super-fast wired file transfer via USB-C
New Bluetooth microphone support
The key advantage the GoPro Hero 12 Black has over the DJI Osmo Action 4 is resolution. Yes, its sensor is physically smaller, but its 27MP stills and 5.3K 8:7 video wipe the floor with DJI's 10MP stills and 4K 16:9 video – on a sunny day when light is abundant, it's unsurprising that the Hero 12 Black's picture is noticeably crisper.
GoPro's 8:7 aspect-ratio sensor is poised to capture footage that's primed for editing. Max out the resolution to 5.3K, capture with an almost square aspect ratio, and your clips can be cropped easily in the GoPro Quik app to 1:1, 16:9, or 9:16 while still retaining a sky-high resolution.
GoPro's frame rates are also best-in-class, with 5.3K footage captured at up to 60fps, 4K footage at up to 120fps, and 2.7K footage at up to 240fps. GoPro even offers this super-fast frame rate with Horizon Leveling active, so you can compensate for tilts without them making it through to your final footage.
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One GoPro Hero 12 Black feature I love is that you can transfer files to your phone using a USB-C cable, so no more painfully slow wireless transfers. This feature is back from the 11 Black, and it's supported by Android phones with a USB-C port, and by the new USB-C-equipped iPhone 15 range.
GoPro includes a 1720mAh Enduro battery with the 12 Black, though the camera is compatible with the standard, non-Enduro variety, albeit with shorter run times. The battery performance best suits anyone who shoots clips shorter than 20 minutes. While there were reports of older GoPros overheating, I had relatively good experiences with the Hero 11 Black, and the 12 Black fares even better.
If you're shooting stationary on a hot day, you may experience overheating, but out and about in the UK and Berlin, in around 70F / 20C ambient temperatures, I shot for over 30 minutes at 5.3K without any issues.
The Hero 12 Black also plugs into the GoPro Volta grip and other power sources when you need more capture time than the battery offers, and you can also pack spares, with an Enduro battery capturing over an hour of continuous 4K 60fps video.
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GoPro has streamlined the interface slightly for 2023, leveling up the Easy Mode, while adding 8:7 capture to all modes.
If you haven't come across GoPro's Easy Mode, it's an alternative interface to Pro Mode, and makes all the decisions for you. All you need to decide is whether you're taking a photo, video, or timelapse, and choose a quality level, and Easy Mode will adjust the settings accordingly.
Pro Mode has a steeper learning curve, but if you want to access GP-Log, HDR capture, or control the stabilization and frame rates, Pro is the mode for you.
I found that results from Easy Mode were excellent in my first few days with the camera, and it's a great way to ease into the GoPro way of shooting. Once I found my feet, though, the mode felt restrictive, and I jumped to Pro Mode.
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GoPro's stabilization for 2023 is HyperSmooth 6.0 matched with AutoBoost. This incredible system doesn't just make super-smooth capture possible; it also supports horizon locking, so you can literally loop-de-loop in a plane or on a rollercoaster, and your footage will mask the spins.
AutoBoost dials the field of view up and down based on how much stabilization you need, so you always get the most information in frame. We didn't even notice the feature in action, which bodes well for GoPro's latest iteration of HyperSmooth, and footage always looked well held together.
GoPro also adds Bluetooth microphone support to the Hero 12 Black, with support for a total of four Bluetooth devices, be they a mic, a phone, a wireless shutter, or another GoPro for synchronized capture.
Your microphone will entirely dictate quality from Bluetooth audio sources. We tested the Hero 12 Black with the OnePlus Buds Pro 2, as demonstrated in the sample video, and the audio wasn't impressive. The Huawei FreeBuds 4 did a better job, and a dedicated microphone did a better job still.
While handy for anyone wearing a helmet or far from your camera, Bluetooth Audio will unlikely be able to match the quality of dedicated wireless mics like the stellar DJI Mic, which can be used out of the gate with the Action 4 if you have both gadgets.
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What is smart with GoPro's new external audio recording is that it captures two audio channels and bakes them into the video file, so you can access both in Adobe Premiere Pro or another video editor, or through the GoPro Quik app.
It's worth noting, for 2023, that GoPro has ditched GPS, a feature that's been on GoPros for generations. I haven't missed it in my time with the camera, though only you can say how much the lack of geotagging will impact your action-cam experience.
Features and performance score: 4.5/5
GoPro Hero 12 Black: image and video quality
High-resolution 27MP stills
10-bit 4K video quality
New HDR and GP-Log color profiles
While the new 1/1.3-inch sensor is the headline feature of the DJI Action 4, the headline feature of the GoPro Hero 12 Black's sensor is its 8:7 aspect ratio matched with its 27MP resolution.
While DJI has low light covered, GoPro's latest action camera crams in more resolved detail when the light is right. This is evident when playing back 4K video, or grabbing a still from a clip, or taking a photograph.
GoPro's default shooting modes do an excellent job of making daytime footage look zingy, crisp, and smooth. HDR capture is a welcome addition that makes a tangible difference in bright environments, while the GP-Log capture extends the dynamic range further to great effect.
The Hero 12 Black's 10-bit 4K video also looks impressive, with lively colors and extensive scope for editing. The key limiting factor when it comes to any GoPro's camera quality is ambient light, and when the lights drop, the Hero's video quality does too.
GoPro includes fun night modes for light painting-style video capture, and photos shot in dimly-lit scenes and timelapses can look respectable. That said, the 12 Black should be put in a bag and your phone should be taken out if you're capturing candlelit dinner scenes or nighttime strolls on the beach – your mobile will probably cope better.
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GoPros are excellent vlogging tools, and handle faces and skin tones better than DJI's Action 3 from experience. The Hero 12 Black's Horizon Lock feature is also more powerful than DJI's, looking great at up to 5.3K resolution, while DJI's caps out at 4K.
As with most action cameras, the GoPro Hero 12 Black has a fixed-focus lens, which means it isn't suited to close-up shots or videos, though there are macro lenses available that can bring this nearest focus distance close if you want to invest in the Hero ecosystem.
With 5.3K 60p 10-bit video, and impressive 120fps 2.7K slow-motion, GoPro brings back timelapse and hyperlapse modes, and some creative photography modes geared to helping the GoPro not become redundant in low light.
The 12 Black's microphones do a great job of capturing voices, making it our choice for vlogging, especially compared to other cameras including the DJI Osmo Action 4, which did a better job of pulling in more ambient sounds.
Image and video quality: 4/5
Should I buy the GoPro Hero 12 Black?
Buy it if...
Don't buy it if...
Also consider
Testing scorecard
How I tested the GoPro Hero 12 Black
While it's always ideal to get time off to test an action camera, I wasn't so fortunate in my fortnight with the GoPro Hero 12 Black, so exercised my city adventurer status, taking it on work trips to Berlin and Barcelona, while conducting lab tests on home turf.
I used the Hero 11 Black more like a vlogging and travel camera while out and about, and conducted stabilization tests at home, strapping it onto a remote-control car and taking it on runs. I also tested run times in various temperature conditions.
Having been a Hero 11 Black user, I wanted to focus on the new features for the 12 Black, so captured an abundance of GP-Log and HDR video, and tested it with different Bluetooth microphones, from AirPods Pros to over-ear solutions like the Sony WH-1000XM5.
• Original review date: September 2021
• Succeeded by the GoPro Hero 11 Black and Hero 12 Black
• Launch price: $499 / £479.99 / AU$749.95
• Official price now: $249.99 / £249.99 / AU$429.95
Update: March 2024. Formerly GoPro’s flagship action camera, the Hero 10 Black has been succeeded not once, but twice since its launch in 2021. In terms of overall features and image quality, both the Hero 11 Black and Hero 12 Black eclipse it. But if it’s outright value you’re looking for, the Hero 10 Black is still well worth considering. Significantly reduced over the last few years, it can now be purchased directly from GoPro for a fraction of its launch price. For your money, you’re still getting a fantastic action camera with effective Hypersmooth 4.0 image stabilization, a smooth interface with useful shooting features and a maximum video resolution of 5.3K/60p, all wrapped up in a shell that’s waterproof to 10m without a case. What’s more, in our experience, the GoPro Hero 10 Black is often the target of additional discounts in seasonal sales. We’d expect to see further reductions as GoPro’s customary September release date approaches, when we predict that the Hero 13 Black will break cover. The rest of this review remains as previously published.
Two-minute review
The GoPro Hero 10 Black is now the middle child in GoPro's action cam family, following the launch of the Hero 11 Black. While this means it's missing a few features compared to GoPro's flagship – most notably an 8:7 sensor that's ideal for shooting vertical, TikTok-friendly videos – it's arguably now the sweet spot for value. The GoPro Hero 9 Black is cheaper still, but this model's GP2 processor means it offers a more polished overall experience.
Despite its momentous name, the Hero 10 Black wasn't one of those GoPros that represented a big leap forward for the series. For example, we saw bigger step changes when the GoPro Hero 5 Black arrived with case-free waterproofing, or when the GoPro Hero 7 Black introduced HyperSmooth stabilization.
Instead, the Hero 10 Black refines (and fixes) most of the new features we saw on the Hero 9 Black, while adding a sprinkling of new shooting modes and better usability. This makes it the best action camera you can buy right now, as well as one of the best video cameras you can buy.
The Hero 10 Black is built around the same 23MP 1/2.3-inch sensor as its predecessor and is waterproof down to 10 meters. But it's that new GP2 processor that unlocks most its new talents. Chief among these are some new shooting modes, including new 5K/60p, 4K/120p and 2.7K/240p options.
As we discovered during our GoPro Hero 10 Black review, the latter two are fun, slow-mo affairs that are perfect for social media cut-scenes or b-cam footage, particularly as GoPro's revamped Quik app will happily do some of the editing for you.
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Other improvements include a much more responsive touchscreen interface (the Hero 9 Black fell down here), a handy new wired data transfer mode for phones, and some under-the-hood image quality boosts, including local tone mapping and improved low-light noise reduction. There are certainly some small improvements to video quality as a result, but the Hero 10 Black can still only do so much with its relatively small image sensor.
More significant for most people will be the fact that, despite the arrival of HyperSmooth 5.0 on the Hero 11 Black, this model's HyperSmooth 4.0 remains some of the best action camera video stabilization tech around. Watersports fan will also enjoy the effective new hydrophobic coating on its toughened-up lens cover.
It's a shame the Hero 10 Black didn't move up to a larger sensor like the Insta360 One R 1-Inch edition, while GoPro's recent moves into webcam and livestreaming continue to come with limitations on resolutions (still only 1080p) and platform support (although it is now possible to livestream with HyperSmooth stabilization).
Despite its relatively conservative upgrades, though, the GoPro Hero 10 Black does nicely refine the image-quality strides made by the Hero 9 Black, and alongside GoPro's new flagship it's the most user-friendly, powerful action camera you can buy. Its feature set also makes it one of the best YouTube cameras available right now, and for adventurers, it's also one of the best travel cameras you can buy.
GoPro Hero 10 Black price and release date
The GoPro Hero 10 Black has now dropped slightly in price since the arrival of the Hero 11 Black. You can now buy it for $349 / £349 / AU$549 with a GoPro Subscription, which you can cancel at any time, or for $450 / £449 / 699 on its own. That means it's $50 / £30 / AU$50 cheaper than its original launch price in September 2021.
The GoPro Subscription, formerly known as GoPro Plus, costs $49.99 / £49.99 / AU$69.99 per year when bought separately. If you buy the Hero 10 Black with a Subscription, you will be set up to auto-renew annually. But you can avoid this by cancelling the subscription at any time during the first year.
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Given that you're not obligated to renew the subscription, it's likely the best way for most people to buy the Hero 10 Black. Included in the GoPro Subscription is unlimited cloud storage for videos and photos at full quality, automatic uploads, full access to the Quik app's editing tools, 50% off all accessories (up to 10 per year), live-streaming support, and replacements for broken cameras (for a fee, depending on the camera).
The Hero 10 Black is now the middle model in GoPro's official range of three Hero action cameras. The Hero 9 Black ($299 / £299 / AU$499, with a Subscription) sits below, while the Hero 11 Black ($399 / £399 / AU$649.95) is the range's flagship.
GoPro Hero 10 Black: Design
New hardier lens cover with water-repellant coating
Rear touchscreen and menus are far more responsive
Otherwise physically identical to the Hero 9 Black
What about the Hero 11 Black Mini?
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Since this model launched, GoPro has also introduced the GoPro Hero 11 Black Mini. This compact action cam has the same sensor and processor as the standard Hero 11, but its size makes its more suitable for mounting on helmets. Compared to the Hero 10 Black and Hero 11 Black, the Mini is about 21g heavier and 20mm wider. This is something to bear in mind if a small action cam is your priority, though the downside is that you lose the front and rear screens.
The GoPro Hero 10 Black is, physically, nigh-on identical to its predecessor and its Hero 11 Black successor. The only external difference from the Hero 9 Black is the new model's fancy blue logos on the front and side.
GoPro made a couple of subtle tweaks, though, and the big one for watersports fans is the new lens cover. This now has a water-repelling hydrophobic coating, and it really works – we ran the Hero 10 Black and its predecessor under a tap, and the new lens cover was significantly better at repelling water, leaving no droplets to obscure your view.
This lens cover also apparently has greater scratch resistance, which was trickier to try out on our loan sample – although an unplanned test when our head-mounted GoPro flew off after a heavy zip-line landing and came to rest in some jagged wood chips resulted in no obvious marks on the lens.
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Like the Hero 9 Black, this lens cover is also removable and replaceable if it does suffer serious damage, like a direct hit from an Airsoft pellet, or if you want to add ND (neutral density) filters.
The Hero 10 Black is actually 5g lighter than its predecessor, although we can't tell exactly where GoPro has made this weight saving, and it brings no practical advantages anyway. Like before, the camera has folding 'fingers' in its base for mounting it directly onto accessories. These first appeared on the Hero 8 Black, and mean you don't need to fiddle around with an extra housing to bolt the camera onto your helmet.
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If you're not familiar with the Hero 9 Black, here's a quick refresh of the other design features the Hero 10 Black has inherited. There's a 1.4-inch front LCD for vloggers, which GoPro says is now a little smoother when showing movement than before, thanks to higher frame rates enabled by its GP2 processor (more on that later). although this screen is so small that we honestly couldn't tell the difference from its predecessor.
Far more noticeable is the improved 2.27-inch rear touchscreen. Again, GoPro says this has "improved touch sensitivity", but the real difference comes from the power of the GP2 processor. The Hero 9 Black's sluggish, unresponsive rear screen was one of our biggest criticisms of that model, and while it did improve with a recent firmware fix, it's still nowhere near as snappy as the Hero 10's touchscreen.
Let's be clear – this is how the Hero 9 Black should have performed from the outset, so it's hardly a win for its successor. But the faster startup times (it's typically ready to go in under five seconds, compared to eight seconds for the Hero 9 Black) and smartphone-like snappiness do make it far more enjoyable to use than last year's often frustrating experience.
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Open the Hero 10 Black's side door and you'll find the same 1,720mAh battery as the one used by its predecessor. Like the 1.4-inch front LCD, this was another change that was introduced on the Hero 9 Black, so it's something to be wary of if you're upgrading from an older GoPro – your older 1,220mAh batteries won't work here.
Flanking the battery cover are a microSD card slot and USB-C port. The latter is used for charging, but it can also be used to directly transfer footage to your Hero 10 Black via wired transfer (this is about 50% faster than wireless transfers). It's a simple enough process with Android phones, which just need a USB-C to USB-C cable, but iPhone users will need the Apple Lightning-to-USB camera adapter, plus a standard USB-A to USB-C cable.
Overall, then, the Hero 10 Black is a hardy pocket camera that's waterproof down to 10 meters, and which feels a little more polished than its predecessor.
GoPro Hero 10 Black: Features
Same 23.6MP, 1/2.3-inch sensor as the Hero 9 Black
GP2 processor unlocks significant boosts to shooting modes
Now possible to livestream with HyperSmooth stabilization
Back in 2020, the GoPro Hero 9 Black introduced a new image sensor. It was the same-sized sensor as those in previous GoPros (1/2.3-inch), but had a higher resolution that enabled that camera to be the first GoPro to shoot 5K video. The Hero 10 Black has this same image sensor, but pairs it with a new GP2 processor that unlocks some handy new talents.
The GP2 chip (now also in the Hero 11 Black) was the first big processing upgrade we'd seen in GoPros for four years, and was long overdue. The GP1 struggled to cope with the increased demands placed on it by the Hero 9 Black's dual screens and higher-resolution sensor, and its successor is behind pretty much all of the improvements you'll find in the Hero 10.
What are these improvements? Alongside the aforementioned boosts to start-up times and touchscreen performance, there are also some useful new frame-rate modes that make it a more versatile action camera. You can see a summary of the new modes in the table below, but the particularly fun ones are the slow-motion options – including a long-awaited 4K/120p mode.
The headline video improvements are those high frame-rate modes, but there are also some more enhancements. GoPro has been doing some algorithmic tinkering, and its GP2 chip brings local tone-mapping – an HDR processing technique for improving dynamic range – from its photo mode to video as well.
In theory, this enhances contrast in specific areas of the video (rather than globally, across the whole frame) to bring out more detailed textures. In a similar vein, GoPro says it's improved its '3D noise reduction' to boost the Hero 10 Black's low-light performance in dimly-lit scenes (think woodlands, dusk or your home).
Do these work? In a side-by-side comparison with the Hero 9 Black using the same settings, we did see a noticeable improvement in the definition of fine details (trees and grass, for example) on the Hero 10 Black. Look closely, and footage from its predecessor looked a little smudgy by comparison. This may only be noticeable to pixel-peepers though, and the noise reduction improvements were less obvious. It's a subtle rather than a dramatic difference.
Probably more useful to most people are the final GP2-related improvements: better in-camera horizon leveling and HyperSmooth 4.0. The option of automatic horizon leveling, which keeps your footage level even if you're rocking from from side to side, used to only be available in GoPro's app. The Hero 9 Black introduced an in-camera version, but the Hero 10 Black's horizon-leveling skills are much more powerful, with the ability to correct footage that's been skewed by 45 degrees, rather than just 27 degrees.
This is a handy feature for mountain bikers or skiers who want smooth footage that won't give viewers motion sickness. Another bonus on this front is HyperSmooth 4.0, which brings the stabilization's powerful 'High' mode to the Hero 10 Black's most demanding modes (5.3K/30p, 4K/60p and 2.7K/120p). Rivals like the Insta360 One R 1-Inch edition might have trumped GoPro with their larger 1-inch sensors, but in our experience HyperSmooth (now boosted to HyperSmooth 5.0 on the Hero 11 Black) remains the best form of stabilization on any action cam.
Finally, if you've been thinking of using a GoPro as your livestreaming camera, the Hero 10 Black brings one other upgrade here – you can now stream with HyperSmooth 4.0 stabilization.
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Unfortunately, there are still all sorts of restrictions on live-streaming with a GoPro, depending on your preferred platform – for example, Twitch is iOS-only, while YouTube requires you to have a channel with 1,000 subscribers, and you can also only create a private livestreaming link to send to friends if you're a GoPro subscriber. But the addition of HyperSmooth certainly makes it a much more useful tool for those who want to create action-packed streams with lots of movement.
Naturally, the GoPro Hero 10 Black also inherits all of the special shooting modes we saw on the Hero 9 Black. These include TimeWarp 3.0 (one of our favorite modes, which creates a stabilized timelapse film) and 'Power Tools', which were first teased in GoPro Labs. This group of features, which still feel a little 'beta', bring some specific modes that are collectively very useful.
One of our favorites, 'Hindsight', constantly buffers video so that when you press the shutter button you can record the previous 15 or 30 seconds of video; no longer will your dog's impromptu japes go unrecorded. Another 'Power Tool' includes 'scheduled capture', which enables you, for example, to leave your GoPro set up to capture the sunrise; it's not exactly earth-shattering, but it all boosts the Hero 10 Black's versatility. We'd note, though, that many of these features are also available on the older Hero 8 Black once you've loaded the GoPro Labs firmware onto the camera.
GoPro Hero 10 Black: Performance
Unchanged battery life means it's worth carrying spares
Built-in microphones are the same as on the Hero 9 Black
New slo-mo modes are a bonus for cut scenes
While the Hero 10 Black's GP2 processor does make it a more polished, fun camera to use than its predecessor, some aspects of its performance are still typical GoPro.
One of these, unfortunately, is battery life and overheating. The 10 Black has the same battery as the Hero 9 Black, which at 1,720mAh is larger than the batteries in all previous GoPros. But much of that capacity is drained by the Hero 10 Black's more demanding dual screens and high frame-rate modes.
In our battery test, with the camera shooting a continuous 4K/30p clip with HyperSmooth on and the screen brightness at 50%, we managed to get 72 minutes of recording from the Hero 10, which included two breaks for overheating, when the camera shut down under the strain.
(Image credit: Future)
This is actually a little less than we got from the Hero 9 Black, and similar to the result for the Hero 8 Black, so it's clear that the old GoPro adage is true: make sure you carry a spare battery or two with you.
In a real-world test, during a visit to an adventure park, our fully-charged Hero 10 Black gave us three and a half hours before conking out. That was a taxing afternoon for the camera, with lots of menu swiping and changing of frame-rates, but this is also a typical day out for a GoPro. Because it was exposed to moving air, we also didn't experience any overheating problems.
Another traditional GoPro weakness, audio, also hasn't improved from the Hero 9 Black. The microphones do produce acceptable sound quality in quieter environments, while voice isolation and the handling of wind noise are certainly superior to older GoPros. But if you want to guarantee audio that matches your video quality, then we'd recommend getting the Media Mod accessory, and either plugging in a lavalier mic, or getting a wireless option like the Rode Wireless Go II.
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On the plus side, though, the Hero 10 Black's new slow-mo modes (4K/120p and 2.7K/240p) are a lot of fun, and a great way to bring a change of pace to your social media videos.
As always, there is a noticeable quality drop when shooting in these modes, particularly if you find yourself in anything other than bright sunlight, but the versatility these modes give you, particularly when combined with horizon-leveling and HyperSmooth stabilization, makes them one of the main reasons to upgrade from an older GoPro.
GoPro Hero 10 Black: Video and image quality
GoPro made some changes to the default video settings on the Hero 10 Black. The action cam maker has seemingly outgrown the signature saturated look it's leaned towards previously, instead going for a more natural style out of the box.
There are actually now three color settings to choose from. Previously you either had the option of a 'GoPro' color profile (which produced punchy, bold colors) and a 'flat' one that you could grade afterwards. But now there's an additional 'Natural' profile, which is the new default, and we're pretty big fans of it.
GoPro has also dialed down the 'sharpness' to medium by default (another good move), but we tended to shoot with it on 'low', and with the bit-rate set to 'high' (or 100Mbps) for maximum image quality. When compared to footage shot on the Hero 9 Black with the same settings, the results were similar, but with subtle improvements that are likely down to that new local tone mapping.
Still, the Hero 9 Black had already made the big advances in areas like detail over older GoPros with that new sensor, and you're unlikely to notice a huge difference here unless you're really pixel-peeping. The 5K/60p mode is a nice-to-have, if not ideally suited to action scenes due to the more limited stabilization that's available, but it's the new slow-mo modes that are the most fun.
There's undoubtedly still a softness to the video in the Hero 10's slower frame rates of 120p and 240p (particularly the latter), but the option of shooting 4K/120p and 2.7K/240p lifts them from novelty status to something genuinely usable. GoPro's HyperSmooth also remains the best you'll find on an action cam, while the boosts to horizon leveling are another welcome bonus.
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The GoPro Hero 10 Black offers three 'views' for still photos – this is Linear... (Image credit: Future)
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...while this is 'Wide' for a more fisheye look. Lastly, for getting closer (albeit at the expense of image quality) theres... (Image credit: Future)
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...the 'Narrow' view, which is the equivalent of 27mm lens. (Image credit: Future)
On the other hand, not many people buy a GoPro to shoot stills – and while the Hero 10 is a passable, waterproof stand-in for your smartphone, it has been left a little behind on this front by rivals.
In good light, the results are pretty crisp and colorful, while SuperPhoto can help you regain some highlight details from areas like sky. But the 3MP resolution boost from the Hero 9 Black won't be noticeable to most, and in tough scenes – including low light ones – it simply can't compete with the computational pipelines of Apple, Google and Samsung.
You do get the option to shoot in raw, but this is only available in the 'wide' fisheye view and shadow recovery is limited with a 1/2.3-inch sensor.
Perhaps the more sensible approach to GoPro snapping is to simply accept the sub-smartphone quality, and embrace the convenience of 'frame grabs', which now let you grab slightly improved 15.8MP stills from 5.3K video (or 19.6MP from 5K 4:3 footage). The kind of shots you get from doing this are unlikely to be found in your phone's camera roll, and the GoPro's ability to venture into dangerous territory remains one of the main reasons to buy one.
Should I buy the GoPro Hero 10 Black?
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Buy it if...
Don't buy it if...
Also consider...
If our GoPro Hero 10 Black review has you considering other options, here are three more action cams to consider...
