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Anker Nebula Cosmos 4K SE review: this well-priced 4K smart projector just rocketed its way to the top of my wishlist
2:00 pm | October 27, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: , , , | Comments: Off

Anker Nebula Cosmos 4K SE: two-minute review

The Anker Nebula Cosmos 4K SE is a laser and LED smart projector capable of projecting 4K Dolby-Vision-enhanced imagery up to 200 inches. It was first released in the US, followed by the UK in August and September 2024 for a list price of $1,299.99 / £1,299.99.

It's cheaper than its predecessor, the Anker Nebula Cosmos 4K, which has an extra 400 ANSI lumens of brightness, and a full laser light source, compared to the 4K SEs laser and LED HybridBeam. The Nebula Cosmos 4K SE has plenty to boast about though, with Google TV built-in, offering effortless access to popular streaming apps like Netflix and Disney+, and many other useful apps, as one would expect from Google. There’s decent support for external content too, with HDMI and USB-C ports making it simple to connect a disc drive or laptop.

The Nebula Cosmos 4K SE has a stated brightness of 1,800 ANSI lumens – this is some way short of most of the best 4K projectors. Our testing didn’t provide results to get excited about, with measurements taken including 122 nits peak brightness, which wasn’t radically different from the BenQ v5000i, and grayscale accuracy of 8, plus a color accuracy of 3.4.

Coverage of the UHDA-P3 color gamut came in at 88.9%, with BT.2020 reading 76.3%. The input lag measured up, with 35ms of lag in Game Mode Standard, and 18.5ms in Game Mode Extreme.

A close-up of the lens and sensors on the front of the projector.

(Image credit: Future)

Real-time autofocus, auto keystone correction, and auto screen fit worked well when projected onto small targets, but I found I had to manually alter the four keystone points to get the image to sit centrally (just about) on my 100-inch screen. I could only watch at 60 inches, as I lacked the space to have the projector the required 7.8ft / 2.4 meters away from the screen. If you have your heart set on getting the full movie theatre experience without having to shell out on a house extension, I’d recommend taking a look at our pick of the Best ultra short throw projectors instead.

When it comes to the performance of the contrast and brightness when watching content, darker scenes in movies and TV shows with a dark aesthetic were plagued by pixelated grays where darker areas would otherwise be visible while watching on a TV. This isn’t entirely uncommon for projectors, as producing dense blacks is naturally difficult given how the image is generated, but I can’t say that it didn’t subtract from the otherwise fabulous viewing experience. Scenes in Damsel and Prometheus in particular showcased the Cosmos 4K SE’s ability to deliver stunningly vivid color and intricate details, no doubt thanks to the addition of Dolby Vision. This, along with the two built-in 15-watt Dolby-Audio-enabled speakers made watching movies and series with this projector a satisfyingly immersive experience. You can read further details about this in the Picture Quality section below.

In a nutshell, provided you have the space to achieve the screen size you want, you’re happy watching content in little more than a dim light, and you have the space to place this chonky example of a portable projector, I’d highly recommend the Nebula Cosmos 4K SE.

A close up of the silicone-lined handle.

(Image credit: Future)

Anker Nebula Cosmos 4K SE review: price and availability

  • List price: $1,299.99 / £1,299.99
  • Available in the US and the UK
  • Released in August / September 2024

The Nebula Cosmos 4K SE became available in the US in August 2024, followed by the UK in September 2024, at a list price of $1,299.99 / £1,299.99. Apart from the Amazon Prime Day sales, when it dropped to $999 / £999, which Anker matched on the Nebula website, the cost of the Nebula Cosmos 4K SE looks to have remained at its usual price. At the time of writing, the Cosmos 4K SE is not available in Australia.

While unlikely to be a spontaneous purchase at this price, the Nebula Cosmos 4K SE is still miles cheaper than all but one in our choice of the best 4K projectors.

Anker Nebula Cosmos 4K SE review: specs

Anker Nebula Cosmos 4K SE review: design and features

  • Google TV built-in
  • Large but technically portable
  • Efficient auto-correction and calibration features

The Nebula Cosmos 4K SE just about classes as portable, though it is a bit of a chonk, weighing in at 4.5kg /9.9lb, and with dimensions of 10.4 x 8.7 x 6.5 inches / 264 x 221 x 165mm. I was able to pick it up and carry it about, but I had to be careful about it. It would be even more of a hassle if it wasn't for the helpful, and comfortable silicone inbuilt handle that protrudes from the top of the projector body.

This projector is solely mains-powered, with no built-in battery or compatible battery pack. So while you might be able to carry it outside, you'll need to have access to a suitable power outlet for al fresco viewing.

The Nebula Cosmos 4K SE uses its HybridBeam, which is a combo of laser and LED, to generate images with up to a specified 1,800 ANSI lumens of brightness. The auto screen adjustment, auto keystone, and autofocus features did a great job of projecting images that were rectangular and crisp for the most part, especially when projecting onto smaller targets, which for me in particular was the wall space next to my bed. However, I found I was limited to just 60 inches when trying to watch on my 100-inch screen. This forced me to make use of the four-point manual keystone correction, as the Cosmos 4K SE insisted on fixing the 60-inch projection to the upper-left corner of the screen each time, which looked all kinds of wrong. After some investigating, I learned that the 4K SE needs to be at least 7.8 feet / 2.4 meters away from the target to project at 90 inches or above. I was using the projector in quite a large room, so this seems fairly limiting.

A close-up of the lense and the depth sensor.

(Image credit: Future)

Anker claims that it’s possible to watch a 60-inch projection in a well-lit room with windows and indirect daylight, but unfortunately, I must disagree. The issues I’ve already mentioned regarding the contrast and black density were when watching in darkness. When I tried to watch with additional light sources any stronger than the colorful LED strips behind my TV, this contrast issue got worse, and anything more than very dim sunlight made it very difficult to see most of what was going on in whatever I was watching.

Having a light source in the room also plays havoc with the Wall Color Calibration feature, which is intended to alter the coloring of the projection so that it still looks correct regardless of the color of the wall you’re projecting against. I tested this out in our TechRadar music room, which is painted a deep teal color. When I tried this with some indirect sunlight coming from the small window far over to the right on the same wall I was projecting onto, the “color corrected” image had an off-putting blue tint to it. When I repeated the calibration with the lights off, it worked perfectly, and I was really impressed.

The Anker Nebula Cosmos 4K SE's remote control sits on a stone-effect surface with a pink background.

(Image credit: Future)

I found the Nebula Cosmos 4K SE easy to control thanks to the backlit remote control's handy voice assistant feature, as I could ask Google to whisk me straight to the content I wanted. The Nebula Connect app also worked well as a remote control, too.

I love that the Nebula Cosmos 4K SE comes with Google TV built-in, as in my experience it has proven to be the most efficient Android TV OS by far. As expected, it provides access to all of the popular streaming apps like Netflix, Disney Plus, Prime Video, and Apple TV, plus easy access to YouTube, naturally. It's simple to access content from external sources too, thanks to the USB-C input and the two HDMI ports, one of which is a HDMI 2.1 (eARC), supporting 4K visuals at 60 hertz, with lossless transmission.

When it comes to audio output, the Nebula Cosmos 4K SE has two built-in 15-watt speakers enabled with Dolby Audio. I didn't observe any issues with the sound quality during my testing, I was very satisfied with the quality. I would have picked up quite quickly if there were any issues that a typical user would notice – I've tested a lot of Bluetooth speakers in my time so I will spot from a mile off poor clarity or if the bass and treble are below par.

  • Design score: 4/5

Anker Nebula Cosmos 4K SE review: picture quality

  • Beautifully vivid color
  • Disappointing lack of contrast
  • Immersive cinematic experience

When I got my hands on the Cosmos 4K SE, I was really excited to try it out. I'd previously tested the Nebula Mars 3 Air back in my freelancing days, which I loved, so I was expecting big things from the 4K SE.

After letting it warm up for an hour, myself and my colleague James conducted tests to evaluate the projector's capabilities. The peak brightness, when viewing in Movie Mode and measured on a white 10% window pattern, was 122 nits in SDR, which isn't far off the peak brightness reading we got for the more expensive BenQ v5000i, and 119 in HDR, surpassing the reading we got for the BenQ.

The color performance figures that resulted from our testing didn't blow me away, but at this price and for casual viewing, I can forgive the Cosmos 4K SE for this. The projector achieved a Grayscale accuracy of 8, and a 3.4 for color accuracy, which was just a whisker off our target level of 3.

Coverage of the BT.2020 scored 76.3%, and the UHDA-P3 color gamut coverage was also nothing to shout about at 88.9% meaning that, although the colors were satisfyingly vivid, they weren't as rich and varied as those projected by the LG CineBeam Q, which gave an impressive reading of 98.7%. These test figures were obtained while viewing in HDR Movie Mode. The input lag in Game Mode Standard was 35ms, and in Gaming Mode Extreme was 18.5ms, which supports Anker's claims of the 4K SE being low latency with under 19ms of lag and should satisfy the majority of casual gamers.

A close-up of the projector's ports.

(Image credit: Future)

In terms of the brightness and contrast when viewing there were mixed results. In lighter scenes, the whites and colors were satisfyingly bright and dazzling, but the handling of the contrast in dark scenes left a lot to be desired. The first film I watched on the Cosmos 4K SE was Damsel on Netflix, starring Millie Bobby Brown. I can easily jump straight into all the positives, as I was stunned by the beautiful imagery that the projector delivered, but I'll get the negative out of the way first. It was clear fairly early on that there was a contrast issue.

When the main character Elodie enters a dark cave, all detail is lost around her, with stonework being replaced with grey pixelated sections. Achieving a quality deep black can prove difficult for projectors, especially those that don't possess full laser optical technology – with a 238:1 contrast ratio reading from the Cosmos 4K SE, it’s hardly surprising that it didn’t perform brilliantly in this area. Aside from this, there were so many scenes that took advantage of the projector's strengths, likely due to the presence of Dolby Vision. The scenes involving the luminescent grubs and the crystal caves were visually stunning, with the vivid colors and clarity making Damsel a delight to watch.

During the opening sequence of Prometheus, the level of brightness was impressive, as was the color density. The delicate details on the spaceship as it came in to land were visible and clear, as were the pores and veins on the Engineer's face. The level of intricacy in the DNA scenes when the strands were getting affected by the black pathogen highly impressed me too. The scene that really caught my attention, though, was when David has a drop of Chemical A0-3959X.91 on the tip of his finger. The close-up shots of this were visually stunning, so much so that I started to calculate quite how I could incorporate a projector screen into my living room on a permanent basis. Despite the darker scenes in Maleficent and Damsel noticeably lacking contrast, similar scenes appear to be handled better in Prometheus; they still weren't perfect, but darker details were more visible.

A close-up of the power button.

(Image credit: Future)

Despite my undeniable admiration of the Nebula Cosmos 4K SE, I wouldn't recommend it to anyone who regularly enjoys programs with a darker aesthetic. Series like Marvel's Daredevil take a real hit due to the lack of good contrast, making the scenes appear grainy and low-quality.

In Avengers: Age of Ultron, playback was smooth during intense fight scenes, with the images remaining crisp and high quality, despite the fast movement. The detail is fantastic once again, with the intricate weave of the fabric of Hawk Eye's suit clearly visible.

Despite my undeniable admiration of the Nebula Cosmos 4K SE, I wouldn't recommend it to anyone who regularly enjoys programs with a darker aesthetic, even when watching in the dark. Series such as Marvel's Daredevil take a real hit due to the lack of good contrast, making the scenes appear grainy and low-quality, which is a real shame considering the projector's fabulous performance in other areas.

  • Picture quality score: 4/5

Anker Nebula Cosmos 4K SE review: value

  • Good picture quality for the price
  • Delivers a satisfying at-home cinema experience
  • Uses Laser and LED hybrid optical technology

At $1,299.99 / £1,299.99, the Nebula Cosmos 4K SE is $400 / £400 cheaper than the previous model, the Nebula Cosmos 4K, despite the 4K SE having a large projection range, Google TV built in, and Dolby Vision. This price difference is likely due to the 400 additional ANSI lumens and, more importantly, due to the original 4K utilizing a laser light source, compared to the 4K SE's laser and LED HybridBeam, which could explain its lackluster brightness.

Overall, the viewing experience was fantastic when in a dimly lit room, and the sound quality was spot on. It was like having a pop-up cinema, with beautifully vivid colors and no problems with fast-paced scenes. The downsides can't be ignored, however, with a lack of contrast in some darker scenes when watching in the dark, and a distractingly bad lack of contrast and brightness issues when watching in the light, despite viewing at the projection size that Anker claims would be visible in a well-lit environment.

While it's pretty chunky, and not exactly an attractive addition to the decor unless it's situated in a casual TV and gaming den, it feels suitably robust for the price. While the size and weight initially made me question its apparent portability, this weight pales in comparison to other 4K projectors such as the Samsung The Premiere 9, and the carry handle definitely makes moving it about a simpler task. If the Nebula Cosmos 4K SE might upset your Feng Shui, then fear not, as more attractive alternatives are available, such as the LG CineBeam Q, which you can learn a little more about in the Also Consider section below.

  • Value score: 4/5

A close up of the front face of the projector.

(Image credit: Future)

Should I buy the Anker Nebula Cosmos 4K SE?

Buy it if

You don’t want to spend several thousand
While $1,299.99 / £1,299.99 is still a high price to pay, you get a lot of bang for your buck with the Cosmos 4K SE. Built-in Google TV, competent auto-correction features, and impressive imagery and sound are well worth the cost if you can spare it.

You want popular apps at your fingertips
The advantage of the built-in Google TV is the ease of the interface and the distinct lack of bug and lag-related issues that I’ve experienced with so many Android-based OS. It’s satisfyingly simple to get set up, so you can get to streaming content without the frustration.

You want an immersive cinematic experience
Picture this, relaxing comfortably in the dark, bag of popcorn in hand, as you watch a feature-length film in 4K on the big screen, all from the comfort of your own home. The stunning visuals and immersive sound the 4K SE delivers are worth splashing out on.

Don't buy it if

You want the big picture but have a small space
A short-throw projector the Cosmos 4K SE is not. You need at least 5.5ft / 1.69m of space to achieve a screen size over 60 inches, which, for me personally, is a must, as I love the big-screen experience.

You want an easily portable projector
While it wouldn’t be difficult to maneuver for most, this projector is big and weighty. The carry handle makes life easier, but if you’re going away for the weekend it’s going to take up valuable trunk space, and there’s no way you’d want to lug it around on public transport.

You don’t want to be kept in the dark
Although Anker claims that you can watch a 60-inch projection in a well-lit room and indirect daylight, I found that watching with just one small window a few feet from the projection on an overcast day caused the quality to reduce drastically, the projected image looked washed out, and darker scenes that lacked contrast in optimum conditions became practically invisible.

Anker Nebula Cosmos 4K SE review: also consider

Anker Nebula Cosmos Laser 4K
The 4K SE’s older sibling is almost identical in size and weight, and while it doesn’t possess some of the more desirable features, such as Dolby Vision and Google TV, it’s brighter and utilizes laser DLP optical technology, rather than a laser / LED hybrid. Check out the full Anker Nebula Cosmos Laser 4K review.

Hisense PX3-Pro
A far pricier option, but if you want a top-quality, ultra-short-throw projector, then this could be the one for you. It’s not portable like the other alternatives listed here, but it performed well in various lighting conditions, delivered bright, rich colors, and a higher standard of contrast when compared to the 4K SE. Why not take a look at the Hisense PX3-Pro review to find out more.

LG CineBeam Q
If you want a projector that’s not a space invader, and can even make an attractive addition to your decor, then the LG CineBeam Q would be a good fit. While it’s not perfect, with limited brightness and poor audio quality, it looks stylish, projects in good-quality 4K, and can provide access to popular streaming apps, whether you’re watching at home or on your travels. If this has piqued your interest, there's plenty more detail in the full LG CineBeam Q review.

How I tested the Anker Nebula Cosmos 4K SE

  • Tested at home and in the TechRadar music and TV testing rooms
  • Tested in different lighting conditions
  • Measurements were made using Calman color calibration software

I got the Anker Nebula Cosmos 4K SE setup and had an explore around the available features, apps, and settings. I tried out the various display presets to determine the most satisfying option for casual viewing. I watched several films, series, and online content to establish how well the projector handled the different aesthetics. I tested the visibility of the projection by watching in total darkness, minimal lighting, and daylight.

My colleague, TV expert James, and I, measured the white balance (grayscale), gamma, and color point accuracy using Portrait Displays’ Calman color calibration software. The results provided Delta-E values (the margin of error between the test pattern source and what’s shown on-screen) for each category, providing us with figures to assess the projector’s overall accuracy.

We also ran tests to obtain measurements of the peak light output in both standard and high dynamic range modes, and measured the coverage of DCI-P3 and BT.2020 color space, to obtain readings that determine how well the projector can render the extended color range. Finally, we measured the contrast ratio, determining the brightest white to the darkest black that the projector is capable of displaying, and the input lag, which is an important reading if you’re looking for a gaming projector in particular.

Read more about how we test.

First reviewed October 2024

Sony UBP-X700 review: a brilliant budget player that’s great for Dolby Vision
2:30 pm | October 26, 2024

Author: admin | Category: Blu-ray Computers Gadgets Home Theater Televisions | Tags: , , , | Comments: Off

Sony UPB-X700 review: One minute review

The Sony UBP-X700 is an affordable 4K Blu-ray player ($199 /£199 / AU$369 at the time of writing six years on from its release) that supports Dolby Vision HDR and Dolby Atmos and DTS:X soundtracks. It also supports a wide range of media, including 3D Blu-ray discs, SACDs, DVDs and CDs and has Wi-Fi for streaming from apps such as Netflix and Prime Video.

Performance-wise, the Sony UBP-X700 is an all-around brilliant player. It doesn’t quite manage the jack-of-all-trades excellence of the Panasonic DP-UB820, but it delivers superb 4K images with punchy color, accurate and refined textures and contrast up there with the best 4K Blu-ray players, especially when fed Dolby Vision discs. Upscaling is generally effective – more on Blu-ray rather than on the lower-resolution DVD format - and while it does enhance certain colors and applies some artificial cleaning to film grain, the UBP-X700 still offers excellent image reproduction, especially compared to the Panasonic DP-UB154 – a solid, similarly priced player.

The UBP-X700 effectively handles Dolby Atmos soundtracks and has balanced and accurate sound reproduction. CD playback is also effective.

The UBP-X700’s interface is easy enough to navigate, although a little on the plain side. A good number of settings for video and audio are provided. Design-wise, the UBP-X700 is compact, making it ideal for smaller spaces, though its physical design is plain – an LED display with playback info would have been welcome – and its remote feels very dated.

It’s tough to argue against the value of the UBP-X700 as it’s an overall fantastic performer for an affordable price. Pairing this with one of the best TVs, particularly one of the best OLED TVs such as the Samsung S95D or LG C4, will lead to a match made in heaven.

Sonu UBP-X700 home menu

The Sony UBP-X700's home page is a little on the plain side (Image credit: Future)

Sony UBP-X700 review: Prices & release date

  • Release date: January 2018
  • Prices: $199 / £199 / AU$369

The Sony UBP-X700 is a mid-range model in Sony’s 4K Blu-ray player lineup, sitting below the Sony UBPX-800MKII. At the time of its release in 2018, the UPBX700 was priced at $249 / £249 / AU$399.

Several years on prices have dropped overall, with the UBP-X700 sitting at roughly $199 / £199 / AU$369 at the time of writing, though it has previously sold for as low as $149 / £149 / AU$225.

Sony UBP-X700 review: Specs

Sony UBP-X700 rear connections panel

The Sony UBP-X700 offers a good number of connections, including dual HDMI and coaxial digital audio outputs (Image credit: Future)

Sony UBP-X700 review: Features

  • Dolby Vision HDR support
  • Dolby Atmos and DTS:X support
  • Built-in Wi-Fi and streaming capability

The Sony UBP-X700 supports 4K Blu-ray, regular Blu-ray, DVD and 3D disc playback. It also plays not only audio CDs but SACDs – a disc format the more premium Panasonic DP-UB820 and many other 4K Blu-ray players don’t support.

The UBP-X700 supports the Dolby Vision and HDR10 high dynamic range formats, but not HDR10+. For comparison, the cheaper Panasonic DP-UB150 supports HDR10+, but not Dolby Vision, while the pricier Panasonic DP-UB820 supports both Dolby Vision and HDR10+.

For audio, the UPBX700 supports Dolby Atmos and DTS:X soundtracks (bitstream only) and can decode Dolby TrueHD and DTS-HD soundtracks. There is also support for High-res audio file formats including ALAC, DSD and FLAC.

The UBP-X700 isn’t as well stocked with connections as more premium 4K Blu-ray players such as the DP-UB820, but has two HDMI ports – one for video and audio and one audio-only – as well as a coaxial digital audio output. There is also an Ethernet port and a front USB port. Built-in Wi-Fi allows access to streaming services including Netflix, Prime Video and YouTube, and there’s BBC iPlayer for UK customers.

In terms of performance, navigation was easy enough without any stutter or slowdown. A good number of settings are provided for both picture and sound, including a 4K upscaling setting with three different modes, a Digital Music Enhancer, audio dynamic range control and more.

One frustration I had involved the player’s Dolby Vision menu setting. With Dolby Vision turned on, the UBP-X700 indicated it was displaying Dolby Vision movies even when it wasn’t – even leaving it on when watching regular Blu-ray discs without HDR. I could see no obvious related picture issues, but it was still frustrating having to turn this on and off as there are some SDR-specific picture settings to improve quality which are locked when Dolby Vision HDR is activated. If you regularly switch between 4K and standard Blu-ray/DVDs, that’s something worth bearing in mind.

  • Features score: 4.5 / 5

Sony UBP-X700 with Panasonic MZ1500 connected with La La Land on screen

The Sony UBP-X700's color display is fantastic, filled with vibrancy as shown here on La La Land (Image credit: Future)

Sony UBP-X700 review: Performance

  • Short disc load time
  • Bold, vibrant colors
  • Effective 4K upscaling

The UBP-X700 demonstrated surprisingly short load time for a cheaper 4K Blu-ray player. Loading a disc into the disc tray to seeing the first logos on screen took roughly 30 seconds – some 5-10 seconds faster than the Panasonic DP-UB820 and nearly 30 seconds faster than the Panasonic DP-UB154.

For testing, the UBP-X700 was connected to a Panasonic MZ1500 OLED TV.

Starting with 4K Blu-rays, the UBP-X700 demonstrated excellent picture quality. In La La Land (HDR10 format) colors were bright and vibrant, with plenty of dynamic punch throughout. Colors with the Sony had a more vivid look than with the Panasonic UB820 and UB150, both of which had a more natural, subdued appearance. This isn’t to say colors were oversaturated on the UPBX700, but they definitely had a glossier look than on the Panasonic players.

I did notice during the ‘A Lovely Night’ scene in La La Land that the UBP-X700 favored a cooler color palette, accentuating the blues and purples of the night sky in the background. The colors were still accurate and crisp, but it’s worth noting.

Moving on to The Batman on 4K Blu-ray in Dolby Vision, the UBP-X700 demonstrated superb black levels and contrast, with the opening crime scene showcasing a great balance between the lights in the room and hallways and the darkened floors and walls. Shadow detail was also excellent, with details in clothing maintained even in the darkest shots.

Moving onto standard Blu-ray, I used the same scene from The Batman to test the effectiveness of the UBP-X700’s upscaling. Although it was not as good as the Panasonic UB820, the UPBX700 still did an impressive job. Textures were a touch softer and contrast wasn’t quite as good as you’d find on more premium players, but the Sony’s upscaling did improve the overall sharpness of the picture.

The UBP-X700 even did a decent upscaling job with a DVD of The Amazing Spider-Man, improving textures and colors. It was more effective here than the Panasonic UB154 but not as effective as the Panasonic UB820.

I also analyzed how much film grain the UBP-X700 left intact with older movies. Watching a Blu-ray of Thief, particularly shots at dawn in the opening, the UBP-X700 did maintain some grain but there was less present compared to the same scene played through the Panasonic UB820. I also found this to be the case when watching 4K Blu-rays of The Batman and La La Land. Film purists may want to make note of this.

For audio, I had no issue playing Dolby Atmos soundtracks through the UBP-X700. I also tested a CD in the UPB-X700 and found no issues with stutter or load times.

  • Performance score: 4.5 / 5

Sony UBP-X700 with disc tray open with La La Land loaded into tray

The Sony UBP-X700 has short loading times of under 30 seconds from when the disc is inserted to first logos appearing on screen (Image credit: Future)

Sony UBP-X700 review: Design

  • Very light and compact
  • No front LED display
  • Old-school, cheap remote

The UBP-X700 is a lightweight and compact player compared to the wider and deeper Panasonic UB820 and UB154, making it more versatile for smaller spaces. It feels less premium and uses cheaper materials than players such as the UB820, but looks and feels sturdy enough for the price.

One thing to note is there is no front LED display to notify of timing while watching a movie, a feature found on the Panasonic UB820. Timing and other info can be shown on your TV by pressing the info button on the remote, however.

The UPBX700 features two HDMI ports and a coaxial digital audio output alongside an Ethernet and a front USB port. This is a respectable number of connections and while it doesn’t match up to more premium players, it’s more than found on the budget Panasonic UB154.

The small supplied remote feels a little dated and cheap. While I wasn’t expecting a premium remote, I found the smaller buttons to be a little more difficult to use compared to those found on Panasonic player remotes.

  • Design score: 4 / 5

Sony UBP-X700 remote

The Sony UBP-X700 has a small, cheap-feeling remote (Image credit: Future)

Sony UBP-X700 review: Value

While the Sony UBP-X700 isn’t going to beat the workhorse-like Panasonic DP-UB820, it does offer great performance and a good number of features including Wi-Fi for streaming, which is a rare feature in an affordable player.

At $199 / £199 / AU$369 – even dropping as low as $149 / £149 / AU$369 – the UBP-X700 is great value for money and while it lacks the full HDR support of the Panasonic DP-UB820, Dolby Vision is an excellent feature in a cheaper player.

  • Value score: 4.5 / 5

Sony UBP-X700 with sunset on screen of Panasonic MZ1500

Contrast in the Sony UBP-X700's picture is also very rich (Image credit: Future)

Should you buy the Sony UBP-X700?

Buy it if...

You want excellent picture quality: The Sony UBP-X700 produces excellent picture quality with any disc format, especially 4K Blu-rays with Dolby Vision.View Deal

You want streaming options: The Sony UBP-X700 supports Wi-Fi and comes pre-loaded with streaming apps such as Netflix if your TV doesn't support them.View Deal

You want bang for your buck: With everything it delivers, the Sony UBP-X700 is an excellent value 4K Blu-ray player.View Deal

Don't buy if it...

You regularly swap between different disc formats: An annoying setting means Dolby Vision needs to be turned on and off every time you switch from Dolby Vision-supported discs to unsupported ones. View Deal

You need HDR10+ support: While the Sony UBP-X700 does support Dolby Vision, it doesn't support HDR10+, a format supported by the Panasonic DP-UB820 along with Dolby Vision. View Deal

Also consider

Panasonic DP-UB820: The workhorse of the 4K Blu-ray player world, the Panasonic DP-UB820 covers all the HDR formats you need and delivers phenomenal picture quality, but is pricier than the Sony UBP-X700. If you can stretch your budget, the UB820 is worth the investment.
Read our full Panasonic DP-UB820 reviewView Deal

Panasonic DP-UB150/154 - Cheaper than the UBP-X700, the Panasonic DP-UB150/154 (name varies by region) is a capable 4K Blu-ray player that supports HDR10+. It doesn't support Dolby Vision and is lighter on features than the Sony UB-PX700, so only go for this if you're trying to save money.
Read our full Panasonic DP-UB154 reviewView Deal

Sony UBP-X800M2: The step-up model of the Sony UBP-X700, the UBP-X800M2 comes equipped with more features, somewhat improved picture quality and a sturdier design, but also a higher price. It's worth the upgrade if you can stretch your budget for the better performance. View Deal

Sony UBP-X700 settings menu on Panasonic MZ1500

The Sony UBP-X700's settings menu (Image credit: Future)

How I tested the Sony UBP-X700

  • Tested using a variety of discs formats including 4K Blu-ray, Blu-ray and DVD
  • Tested with Panasonic MZ1500 OLED TV

To test the Sony UBP-X700, I connected it to the Panasonic MZ1500 OLED TV, which supports Dolby Vision.

For picture quality testing, I primarily used reference scenes from 4K Blu-ray discs I use for testing TVs such as The Batman, La La Land, Top Gun: Maverick and more. I also used a Blu-ray version of Thief to test the UBP-X700's film grain accuracy.

I used standard Blu-rays and DVDs to test the UBP-X700's upscaling ability and a CD to test the UBP-X700's audio playback.

I also tested the UBP-X700's software by navigating through different menus, testing response times, and exploring the level of settings. I also streamed content via Netflix and BBC iPlayer to test the UBP-X700's streaming capabilities.

JMGO N1S Pro 4K review: a solid and versatile portable projector
10:10 pm | October 4, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: , , | Comments: Off

JMGO N1S Pro 4K: One minute review

The JMGO N1S Pro 4K ($1,999) is a portable projector that uses a triple laser DLP light engine and is rated for 2,400 ANSI lumens brightness. It has Google TV built-in for streaming, allowing for easy access to apps including Netflix, Disney Plus, and Prime Video. It’s pricier than some of the other best portable projectors, such as the LG CineBeam Q and BenQ X300G, but offers a good mix of performance and features.

The JMGO N1S Pro 4K’s effective auto keystone and focus features, plus 135 degree vertical and 360 degree horizontal adjustments, make it easy to set up anywhere. Its looks may be fairly standard, but it’s hard to argue against its versatility.

Picture quality on the N1S Pro 4K is pretty solid. Colors look vibrant and natural. Contrast is rich, albeit better in bright scenes, and details and textures are refined. But it’s the N1S Pro 4K’s built-in sound that pleasantly surprises, with punchy bass, clear dialogue, and good directional sound. The sound quality is perfect for casual viewing, and an HDMI eARC port also gives you the option to add one of the best soundbars.

While the N1S Pro 4K isn’t going to topple the best 4K projectors on the market, it’s still a very good projector that can cover many bases, from movies to games and more.

JMGO N1S Pro 4K with city landscape on screen

The JMGO N1S Pro 4K delivered strong picture quality across the board (Image credit: Future)

JMGO N1S Pro 4K: Prices & release date

  • Release date: 2024
  • Price: $1,999

The JMGO N1S Pro 4K is the mid-range model in JMGO’s N1S range, sitting above the JMGO N1S and below the JMGO N1S Ultimate 4K. It’s available in the US for $1,999, a similar price to other portable projectors such as the BenQ X300G ($1,799), but higher than the Anker Nebula Cosmos 4K SE and LG CineBeam Q, both priced at $1,299.

Image 1 of 2

JMGO N1S Pro 4K with Google TV on screen

(Image credit: Future)

The JMGO N1S Pro 4K has Google TV built-in

Image 2 of 2

JMGO N1S Pro 4K ports

(Image credit: Future)

JMGO N1S Pro 4K has two HDMI ports, including one with eARC

JMGO N1S Pro 4K: Design & features

  • Plain, but solid and sturdy design
  • Triple laser DLP light engine
  • Google TV

The JMGO N1S Pro 4K is a robust, solidly built portable with a hinged design that lets you aim it towards an adjacent wall or the ceiling. Its plain, matte gray appearance doesn’t have the same flair as other portable projectors such as the LG CineBeam Q, and measuring in at 8 x 9.3 x 9.5 inches (H x W x D), it isn’t as portable. But it’s still easy enough to tote around, with a styrofoam carry case provided. There is no battery power option for the N1S Pro 4K, which needs to be plugged in.

The JMGO N1S Pro 4K uses a triple laser DLP light engine and has a brightness rating of 2,400 ANSI Lumens. It fits screens ranging from 85-180 inches and has auto focus and auto keystone correction, which I found to be fairly effective. Moving the JMGO back and forth, it was able to easily correct itself on the 80-inch screen I used during testing. Manual keystone correction is also available.

The N1S Pro uses Google TV as its smart platform, providing access to Netflix, Prime Video, Disney Plus and more streaming apps. There are two HDMI ports, including one with eARC to connect a soundbar, a USB-A port and a 3.5mm headphone output. Bluetooth and Chromecast are also supported for wireless streaming from a phone or tablet.

Support is provided for the HDR10 high dynamic range format, but not Dolby Vision like the Anker Nebula Cosmos 4K. Standard Dolby and DTS soundtracks can be played through its 20W speakers, but Dolby Atmos and DTS:X are not supported.

  • Design & features score: 4/5

JMGO N1S Pro 4K with butterfly on screen

The JMGO N1S Pro 4K's picture is at its best with bright and colorful images (Image credit: Future)

JMGO N1S Pro 4K: Picture & sound quality

  • Natural looking color
  • Middling black levels and contrast
  • Solid built-in audio

For testing, I used an Optoma 80-inch, 1.0 gain matte white projection screen. Before doing any critical viewing, I made brightness measurements using a 10% HDR white window pattern. The N1S Pro 4K yielded 178 and 161 nits in Standard and Movie mode, respectively, with brightness set to maximum. This is a very good result that puts it above the likes of ultra short throw projectors such as the BenQ v5000i, which achieved 125 nits in Bright mode, and also above the LG CineBeam Q, which measured 60 nits in Filmmaker Mode.

Measuring the N1S Pro 4K’s UHDA-P3 and BT.2020 color gamut coverage in Movie mode, it achieved results of 99.1% and 97.4%, respectively. The latter falls short of the 110% claimed by JMGO, but is still an excellent result that beats the likes of the more premium Samsung Premiere 9 ultra short throw projector.

I next watched some reference 4K Blu-rays and streaming clips that I regularly use to analyze the best TVs. The N1S Pro 4K displayed natural, yet dynamic color throughout my testing. In the throne room fight from Star Wars: The Last Jedi, a scene filled with strong reds, the N1S Pro 4K did a great job displaying the vibrant color and also delivered a surprising level of punch in HDR highlights. Watching the opening scene of La La Land, the colors on show all looked bold without being oversaturated, and Mia’s yellow dress in the ‘A Lovely Night’ scene looked vivid against the dark blue and black background.

Details were accurate and refined with the N1S Pro 4K, primarily in brighter scenes. Textures had a more lifelike quality than I anticipated, with close-up shots of pilots in Top Gun: Maverick revealing facial hair and skin pores.

JMGO N1S Pro 4K with The Batman on screen

Darker scenes sometimes suffered from black crush with the The JMGO N1S Pro 4K (Image credit: Future)

Black levels and contrast were a mixed bag. Viewing The Batman, a visually challenging movie with limited brightness and a gloomy overall look, the N1S Pro 4K displayed good shadow detail and contrast in the few ‘well-lit’ scenes such as an aerial shot of Gotham. The balance between light and dark tones was also fairly accurate in the movie’s opening crime scene.

However, blacks looked more of a dark gray in The Batman’s more dimly lit sequences, even when viewed in a darkened room. Despite solid contrast, black crush in the opening crime scene resulted in a loss of detail, with darker shadows taking on a flat appearance.

The N1S Pro 4K also struggled with motion. Sports benefitted from the projector’s MEMC setting being turned on, but there was still some blur present. Movies looked better, but I did see some judder in the long panning shots in Top Gun: Maverick.

The projector’s built-in speakers were a pleasant surprise, delivering punchy bass and clear dialogue regardless of what I watched. In The Batman, the rumbling of car engines in the Batmobile chase scene sounded weighty and some surround effects such as crashes and tires could also be heard. Even in La La Land, musical numbers sounded well-balanced. The soundstage was unsurprisingly limited, but overall the N1S Pro 4K’s speakers were good for a portable projector.

Gaming is limited to 4K 60Hz on the JMGO, which has a measured input lag time of 35ms. While that’s significantly higher than other projectors such as the BenQ v5000i, which gave a result of 18ms, gaming was still an enjoyable experience, with Battlefield V on Xbox Series feeling smooth when I scanned the environment.

  • Picture and sound quality score: 4/5

JMGO N1S Pro 4K remote

(Image credit: Future)

JMGO N1S Pro 4K: Value

  • Good features and performance
  • Built-in Google TV
  • Pricey

Priced at $1,999, the N1S Pro 4K sits at the premium end of the portable projector market. It costs $500 less than its more premium sibling, the JMGO N1S Ultra 4K, but over $700 more than both the BenQ X300G and LG CineBeam Q. It’s undoubtedly a pricey portable.

For the money, however, you’re getting a versatile, smart 4K projector. Google TV allows for easy streaming and the auto keystone and focus settings make setup a breeze. When you combine that with its impressive overall performance, the JMGO N1S Pro 4K comes across as fairly priced.

  • Value score: 4/5

JMGO N1S Pro 4K carry case on table

The JMGO N1S Pro 4K comes in a styrofoam carry case. Although portable, it is on the weightier side (Image credit: Future)

Should I buy the JMGO N1S Pro 4K?

Buy it if...

You want a great picture
The N1S Pro 4K's picture has bold color and rich detail, especially with HDR sources. View Deal

You want solid built-in sound
The N1S Pro 4K's speakers won't beat a soundbar, but they provide enough clarity and bass heft to please casual viewers. View Deal

You want versatility
The N1S Pro 4K can be set up in a range of positions that make it good for not only watching movies but other uses as well.View Deal

Don't buy it if...

You want the best possible picture
The N1S Pro 4K's black levels and contrast can be inconsistent and sometimes result in detail loss.View Deal

You're on a budget
The N1S Pro 4K offers a lot for the money, but there's no getting around its high price tag. View Deal

You watch a lot of sports
Motion can be a challenge for the N1S Pro 4K, with some judder and blur still present even after tweaking motion settings. View Deal

Also consider

BenQ X300G
The BenQ X300G is a better 4K projector for gaming than the N1S Pro 4K and delivers similar brightness and solid picture quality, though the N1S Pro 4K has better built-in sound. They cost roughly the same, but the X300G takes the win by being priced at $200 less.

Read our BenQ X300G reviewView Deal

LG CineBeam Q 4K Projector
The CineBeam Q offers better style, portability and value than the N1S Pro 4K, but doesn't have the same brightness or screen size options.

Read our full LG CineBeam Q reviewView Deal

Anker Nebula Cosmos 4K projector
The closest rival to the N1S Pro 4K, the Nebula Cosmos 4K offers similar smart features, brightness and performance. However, the Nebula Cosmos demonstrated some odd processing quirks, especially with HDR pictures, when we tested it. It is cheaper than the N1S Pro 4K if you're looking to save money.

Read our full Anker Nebula Cosmos 4K reviewView Deal

JMGO N1S Pro 4K with testing equipment attached

(Image credit: Future)

How I tested the JMGO N1S Pro 4K

  • Mostly tested in dim or pitch black conditions
  • Tested using HDR and SDR sources
  • Portrait Displays' Calman color calibration software used for measurements

I tested the JMGO N1S Pro 4K using an Optoma 80-inch, 1.0 gain matte white screen. I first did casual viewing to establish its most accurate picture mode – in this case Movie mode – before moving on to critical testing.

I used both standard-definition and high-definition content, as well as 4K streaming and Blu-rays to test the N1S Pro 4K's picture quality, focusing on brightness, color, black levels, contrast, motion, upscaling and detail. For 4K Blu-rays, I used the Panasonic DP-UB820 4K Blu-ray player.

I also tested the N1S Pro 4K's gaming capabilities using an Xbox Series X.

For objective testing I made measurements using a test pattern generator and colorimeter, recording the results with Portrait Displays' Calman color calibration software. I also measured the N1S Pro 4K's input lag using a Leo Bodnar 4K HDMI input lag tester.

For a more detailed explanation of how we test TVs at TechRadar, check out the link.

Hisense PX3-Pro: a perfect ultra short throw projector for gaming and movies
2:00 pm | September 21, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: | Comments: Off

Hisense PX3-Pro: two-minute review

Hisense has been has been responsible for some of the best ultra short throw projectors, and the Hisense PX3-Pro is among its latest. The PX3-Pro has a daunting task following up on the Hisense PX2-Pro, but Hisense has pulled it off with some key upgrades. 

The new Hisense PX3-Pro differs in design from the PX2-Pro, but under the hood, it gets an upgraded projection system that’s much brighter at 3,000 lumens and also boasts a 1080p/240Hz mode. This feature turns it from an exceptional ultra short throw (UST) projector into a speed demon of a gaming projector – Hisense even bills it as the "world's first designed for Xbox UST projector." And with rich color, strong contrast, and Dolby Vision HDR support, the PX3-Pro ranks up there with the best 4K projectors when it comes to picture performance. 

While the PX3-Pro’s built-in sound isn’t quite as impressive as its picture, it at least has the volume level to match the visuals, and Hisense offers plenty of ways to connect to better speaker systems. All of this comes at a higher price than its predecessor, but it seems well worth the extra expense. 

Hisense PX3-Pro review: price and release date

  • First available: October 2024
  • Price: $3,499 / £2,499

Availability of the Hisense PX3-Pro is set to begin in mid-October 2024. It is priced at $3,499 / £2,499, a marked increase over the lower brightness PX2-Pro, which launched at $2,999 in June 2023. Like the rest of the Hisense PX series, the PX3-Pro doesn’t come with a projection screen. 

Hisense PX3-Pro UST projector on a table with remote control

The Hisense PX3-Pro comes with a full-size remote control and features the Google TV smart TV platform for streaming (Image credit: Future)

Hisense PX3-Pro review: Specs

Hisense PX3-Pro UST projector rear panel ports

The PX3-Pro features dual HDMI 2.1 ports and supports gaming at 1080p/240Hz (Image credit: Future)

Hisense PX3-Pro review: design and features

  • Futuristic-looking design
  • All-in-one capability plus flexibility for different setups
  • Streaming and gaming benefit from hardware and software upgrades

Where the Hisense PX2-Pro was a simple under-the-hood refresh of its predecessor, The PX1-Pro, the new PX3-Pro sees some bigger changes both to its internal components and its outward appearance. The design has a stylistic resemblance to its predecessors, but it gives off more of a proper futuristic vibe than the prior models with their retro-futuristic looks. 

The whole unit is done up in gray and silver surfaces of all types: matte, shiny, smooth, and coarse. It features large grilles on either side for air intake and exhaust – generating 3,000 lumens creates some heat even when using lasers. The front also gets a perforated grille for the built-in speakers. At either side of the grille are vertical slots in shiny housing that have standby lighting built in, so when the projector is turned off, these illuminate the mirrored finish inside. This may appeal to some, but I found it a little tacky compared to the PX2-Pro’s subtler design.

Style aside, perhaps the most critical design change is the projector’s size. It’s a little wider and taller than its predecessors, but not as deep front-to-back. That combined with a shift from a 0.25:1 throw ratio to a 0:22 throw ratio means the PX3-Pro can sit closer to a wall, protruding into the room less, and still provide a massive picture.

The PX3-Pro sits on four height-adjustable feet, which helps get the picture aligned with a screen. It also offers digital image correction and adjustable focus, letting you dial in everything perfectly.

Around the back, you’ll find three HDMI ports, including one with eARC. There’s also a high-speed USB type-A port (and another on the right side), and both and optical digital and 3.5mm audio output. With Google TV onboard, the PX3-Pro can tap into plenty of streaming services, including Netflix, and has both Wi-Fi 6E and Ethernet network connections. 

The Hisense PX3-Pro has comprehensive high dynamic range support, including Dolby Vision and HDR10+. Its built-in speakers support Dolby Atmos and IMAX Enhanced for DTS, though audio is best passed on to an outboard sound system. Unlike its predecessors, the PX3-Pro offers Active 3D support (requires optional 3D eyewear). 

There are still a few features the PX3-Pro could have benefitted from. Optical image adjustments beyond focus would be a welcome addition, especially zoom, though I’ve never seen that feature in a UST projector. A cover would be a more reasonable one, as dust can gather quickly on top of UST projectors.

  • Design and features score: 4.5/5

Hisense PX3-Pro UST projector showing image from  Avatar 2 on screen

The PX3-Pro has exceptional color, along with powerful contrast in dim lighting conditions (Image credit: Future)

Hisense PX3-Pro review: picture and sound quality

  • Exceptional color and brightness
  • Crisp 4K picture with comprehensive HDR support
  • 240Hz mode is a perk for gamers

The Hisense PX3-Pro builds on a strong picture quality foundation. The PX2-Pro offered stunning color from its tri-chroma projection system and the PX3-Pro takes that up a notch with a notably brighter picture, rated to reach 3,000 lumens. For some content, like cartoons and sports, that’ll make a very presentable picture even with high ambient room lighting. It also gives the PX3-Pro plenty of latitude in dim lighting conditions, with a bright enough picture that it can call for some dimming of the laser in a dark room.

While the projector has powerful contrast as is, a High Dynamic setting for Laser Luminance can further enhance its picture. I’m normally wary of settings like this that adjust the picture based on the content being displayed as they tend to have noticeable artifacts, but the PX3-Pro managed it admirably, with imperceptible transitions. The only odd behavior I noted was a sudden brightening when white subtitles appeared onscreen during dark scenes. Otherwise, this played out well for Guy Ritchie’s Sherlock Holmes, helping to punch up the bright scenes while avoiding pumping up black levels in dark ones.

The PX3-Pro’s comprehensive HDR support made the latest seasons of The Rings of Power in HDR10+ and The Avengers: Endgame in Dolby Vision both look fantastic. The wide color gamut of the triple-laser projection system played a big part in this, giving the PX3-Pro simply astounding color. One downside of this is that rainbows, a regular artifact of DLP technology, can seem a little more pronounced.

The PX3-Pro serves up a big, bright 4K picture ranging from 80 to 150 inches. While it’s possible to project images beyond these sizes, the focus range is limited and you may end up with a softer image. 

For gamers, the Hisense PX3-Pro has something extra special in store. In addition to simply switching to a game mode with lower input lag, the projector can swap over to a 1080p/240Hz mode. This sacrifices some picture detail but provides buttery smooth visuals, and the DLP system has minimal ghosting. The gameplay is highly responsive and a big perk. Though the projector will also display 4K 120Hz signals, it doesn’t appear to display every frame but rather skips every other one as checked with Blur Busters’ frame skipping tool

Audio on the PX3-Pro isn’t half-bad either. Its 50W Harman Kardon-designed speakers can get loud enough to match the size of the pictures the PX3-Pro projects, and the sound has an impressive range with booming bass, though it doesn’t get deep into sub-bass territory. What it really lacks is the spatial aspect. The stereo separation isn’t very wide, and there are no side, rear, or height channels. This means that even though the projector supports Dolby Atmos and Imax Enhanced for DTS, it’s best used with external speakers.

  • Picture and sound quality score: 4.5/5

Hisense PX3-Pro UST projector showing google TV interface

The PX3-Pro's Google TV smart interface (Image credit: Future)

Hisense PX3-Pro review: value

  • High price but a compelling picture
  • Versatility adds to its value

The Hisense PX3-Pro doesn’t come cheap at $3,499. Its price puts it a ways above its predecessor and sets it up against others like the Epson Home Cinema LS800. It also raises the question of whether you should instead opt for a big TV since you can get an 83-inch OLED like the LG C4 for not too much more.

But the PX3-Pro brings a lot to the table. It has enough brightness and detail to comfortably stretch its 4K picture to massive proportions. The PX3-Pro also supports 3D content and a wide range of HDR formats, has a 240Hz refresh rate mode, and has Google TV built-in (with a fast enough processor to run it smoothly). There’s little question that the PX3-Pro UST offers a lot, and it’s a worthy rival to TVs and other projector types. 

  • Value score: 4.5/5

Hisense PX3-Pro UST projector showing image  from Avatar 2 onscreen

(Image credit: Future)

Should I buy the Hisense PX3-Pro?

Hisense PX3-Pro UST projector close up of front panel

(Image credit: Future)

Buy it if...

Don’t buy it if… 

Also consider...

Epson LS800
The Epson LS800 uses a 3LCD laser light source to beam a stunningly bright 4,000 lumens image. This makes it a great option for daytime sports viewing and it also has good built-in sound. 

Read our full Epson LS800 review

Hisense PX3-Pro UST projector with wires connected to rear ports

(Image credit: Future)

How I tested the Hisense PX3-Pro

  • Tested at home in multiple, real-world viewing conditions
  • Presented the display with a variety of media and formats
  • I have tested numerous projectors and displays over the last half-decade

I tested the Hisense PX2 Pro at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with standard definition and 4K HDR streamed content, and PC gameplay. 

My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer. 

I measured the Premiere 9’s input lag in milliseconds using a Leo Bodnar tester with the low latency mode switch on.

First reviewed: September, 2024

Samsung The Premiere 9 ultra short throw projector review: bright, beautiful images and big sound
4:00 pm | September 12, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: , , | Comments: Off

SAMSUNG THE PREMIERE 9: two-minute review

The Samsung Premiere 9 is a highly capable example of the best ultra short throw projectors and builds on the brand’s earlier successes in this growing market segment. The key to this popularity is the triple-laser light source that uses red, green and blue lasers to generate cinematic images that are bigger than the largest TV screens. But these pictures aren’t just big, they’re bright enough to handle white walls and ambient light, while creating a huge gamut for more vibrant colours.

Samsung’s The Premiere 9 uses single-chip DLP display technology, which results in sharply defined images due to there being no alignment issues, and while not strictly native 4K the level of detail on show is often impressive. The Premiere 9 delivers superb motion handling regardless of the content – a recognised strength of DLP –  but also suffers from poor black levels, which is weakness of the technology. On the plus side, a triple-laser should help reduce incidences of rainbow artifacts that can accompany DLP tech.

The Premiere 9 delivers accurate pictures thanks to the inclusion of Filmmaker Mode, while highly effective HDR tone mapping also ensures shadows are detailed and highlights free of clipping. The colour gamut covers the entire HDR standard, and beyond, so, as a result, the performance with high dynamic range is exceptional. Whether it's HDR10, HLG or HDR10+ (but not Dolby Vision, an HDR format not supported by Samsung TVs and projectors) the pictures burst off the big screen with dazzling highlights and vibrant color primaries that are a treat for the eyes.

This beamer sports an attractive lifestyle-friendly design and is easy to install and set up, while the Dolby Atmos audio system is genuinely immersive – acting more like a built-in soundbar thanks to its 2.2.2-channel speaker layout. There’s also Samsung’s AI-enhanced Object Tracking Sound processing for non-Atmos audio. There are extensive gaming features, a full smart platform with a comprehensive choice of streamers, good connectivity, and a myriad of control options.

In fact, the only real complaint is the lack of any built-in tuners, but otherwise, this capable beamer artfully blurs the line between projector and supersized TV. It does an excellent job of producing big and bright images that rival the largest examples of the best TVs, and as a result, it provides a viable, more affordable, and definitely more practical alternative, and comes highly recommended.

SAMSUNG THE PREMIERE 9 review: price and release date

  • First available: September 2024
  • The Premiere 9 (LPU9D): $5,000 / £5,999

Samsung’s The Premiere 9 (LPU9D) is the new range-topper in the brand’s line-up of laser-powered ultra short throw (UST) 4K HDR projectors and is available now for $5,999 / £5,999. It replaces the older The Premiere LSP9T, although this is also still available for the same price of $5,999 / £5,999. In addition, Samsung will release the mid-tier Premiere 7 in October, although pricing has yet to be announced. The Premiere 9 is not currently available in Australia.

Samsung The Premiere 9 on table

The Premiere 9 uses single-chip DLP display technology and supports HDR10+ high dynamic range (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: Specs

Samsung The Premiere 9 on table close up of lens

The Premiere 9's lens (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: design

  • Stylish and discreet design
  • Excellent connectivity
  • SolarCell remote control

The Premiere 9 is surprisingly stylish for a UST projector, with a curved chassis that’s well-built and finished in a neutral white. The front is covered in grey fabric, with the speakers behind, and there are air vents on either side for cooling. Despite being relatively large, this projector’s lifestyle-friendly design allows you to place it discreetly up against the wall.

Better connectivity is offered on The Premiere 9 than most other UST projectors, with three HDMI 2.0 inputs, one of which supports eARC. There’s also a USB port for multimedia playback and powering dongle-style streaming devices, an optical digital output, and an Ethernet port. The wireless connectivity includes built-in Wi-Fi 5, Bluetooth 5.2, and support for Apple AirPlay.

Samsung provides a variation of the SolarCell remote included with its current range of TVs, although the controller is styled in white to match the projector. The zapper is well-designed, intuitive to use, and comfortable to hold. There’s also a far-field microphone for the built-in voice assistants, although those wishing privacy can switch this off at the back of the projector.

  • Design score: 4.5/5

Samsung The Premiere 9  rear ports

Ports include 3 HDMI 2.0 connections (1 with eARC) (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: features

  • Triple-laser light source
  • HDR10, HLG and HDR10+ support
  • 2.2.2-channel Dolby Atmos audio system

Samsung’s The Premiere 9’s headline feature is its triple-laser light source that uses red, green and blue lasers for 3,450 lumens brightness plus a wide colour gamut and 20,000-hour lifespan. This gives it an advantage over most other UST projectors and delivers sufficient luminance to handle rooms with white walls, large windows or ambient light.

As a UST beamer it’s able to project 100 inches from only 11cm (around 4 inches) , and can fill a 130-inch screen at just 24cm (9.5 inches), so even those with limited space can enjoy big screen fun. You change the image size by physically moving the projector towards or away from the wall, centre it by moving to the left or right, and level it using the adjustable feet. There are also manual controls for focusing the image.

The Premiere 9 is a single-chip DLP projector with a claimed resolution of 4K – although this is achieved by shifting pixels. It also supports most high dynamic range formats with HDR10, HLG (hybrid log-gamma), and HDR10+. Samsung doesn’t support for Dolby Vision on any of its current displays, but the RGB laser light source ensures HDR is punchy with bright and vibrant colours.

This projector sports a built-in sound system with a 2.2.2-channel speaker layout and 40W of amplification. There’s support for Samsung Object Tracking Sound (OTS) AI-enhanced audio processing, along with Dolby Atmos decoding. As a result, there’s an immersive soundstage, with clear dialogue, width at the front, some bass presence, and effectively rendered overhead sound.

There’s also support for music casting, as well as various proprietary audio features such as AI-powered Adaptive Sound Pro enhancements, Adaptive Voice Amplifier Pro for making dialogue clearer, and Q Symphony for synching the Premiere 9 with a compatible Samsung soundbar. The latter would definitely provide benefits for those who enjoy seriously deep bass with their movies.

Once installed the setup is exactly the same as a Samsung TV, with the SmartThings app taking you through the entire process. Just follow the instructions, and within minutes you’ll have the Wi-Fi connected and all the streaming apps installed. There’s even a Vision Boost feature that uses a built-in light sensor to adjust the image brightness based on levels of ambient light in the room.

The Premiere 9 runs the full Tizen-powered smart TV system found in Samsung’s TVs, and crucially has sufficient processing power to ensure the platform is responsive. There’s smart assistance in the form of built-in Bixby and Amazon Alexa, along with a comprehensive choice of video streaming services. Where available these all offer 4K, HDR, HDR10+ and Dolby Atmos.

For gaming, there’s support for ALLM (auto low latency mode), although when in the game mode the input lag is still 53ms, which is too high for competitive gamers. In addition, the HDMI 2.0 inputs cap the frame rate at 4K/60Hz and there’s no VRR. However, the motion handling is excellent, resulting in smooth gameplay that also benefits from the immersive big-screen images.

There’s a host of other features including Samsung’s Game Hub for gaming without a console, plus a Game Bar that curates all the main settings and technical data in one place and provides access to gaming-related settings for a more personalised gaming experience. Finally, the AI Auto Game Mode allows the projector to automatically optimise settings for specific gaming genres.

This is a well-specified projector and about the only TV features missing are built-in terrestrial and satellite tuners. This is fairly common on UST projectors, probably because it makes them easier to manufacture and market globally. While you can use the TV catch-up apps instead for most shows, if you really want to watch live linear broadcasts you’ll need a set-top box of some kind.

Samsung The Premiere 9  showing image of moose in field

The Premiere 9 beams bright, colorful 4K images using a triple-laser light engine (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: picture and sound quality

  • Sharp and detailed 4K images
  • Bright and punchy HDR
  • Extremely wide colour gamut 

The Samsung Premiere 9 immediately impresses with its bright and punchy big screen pictures. There’s no doubt the triple-laser adds value, not just in terms of lumens but also with its wider colour gamut. The projected image is sharply defined thanks to the use of single-chip DLP, while focus and uniformity across the screen are also good, resulting in a clean and even presentation.

The out-of-the-box picture accuracy is excellent, with the white point close to the industry standard of D65, an even greyscale, and colours hitting close to their saturation targets for BT.709, but this can be improved through calibration. I was able to get a near reference-level accuracy through adjustment, and when you factor in the cost of a Premiere 9 the additional expense of a calibration is worth considering.

This accuracy also extends to HDR, with the Premiere 9 covering 100% of DCI-P3, and 92% of the even wider BT.2020 colur gamut. The previous generation of Samsung’s UST had trouble reigning in this massive native colour gamut, resulting in noticeable errors, so I was pleased to discover the accuracy of the Premiere 9 has definitely been improved with better tracking of saturation targets.

The blacks look more of a dark grey, which is fairly standard for a DLP projector, and while the claimed native contrast ratio is 1,500:1, I actually measured it at 1,700:1. The dynamic contrast ratio is a claimed 2,000,000:1, but this is basically achieved by turning the laser off on a black screen, so it doesn’t really reflect real-world content. There’s also a Real Depth Contrast Enhancer feature to help with contrast.

The Premiere 9 certainly has sufficient lumens to light up a 130-inch screen, even in the dimmer Filmmaker Mode, which doesn’t hit the brightness peaks of the Dynamic mode. It also means the HDR has plenty of punch and although the black levels might not be great, the tone mapping is very effective, sticking close to the PQ curve and thus avoiding unwanted crush or clipping.

The imaging is based around the Quantum Processor 4K picture engine, applying AI upscaling to lower-resolution content to take full advantage of the available pixels. The result is a finely detailed image, regardless of the original resolution, and the processing is also able to clean up the image, reducing noise or compression artefacts to deliver expertly rendered big-screen pictures. 

As you’d expect from a DLP beamer, motion handling is superb, with the lightning-fast response times of the technology delivering smooth movement. Samsung includes its Motion Xcelerator technology, along with a Film mode to ensure that film-based content looks natural but is also free of judder, while fast-paced sports can enjoy smoother motion without introducing artefacts.

In standard HDR10, the brightly lit snowy landscapes of The Revenant look absolutely stunning. The same is true when watching Dune Part 2 with its desert vistas, and in both cases, these native 4K films reveal exceptional levels of detail in the sharply rendered images. Inside Out is a movie that fully utilises the wider gamut, and its deeply saturated colours really pop off the screen viewed on The Premiere 9.

Alita: Battle Angel includes HDR10+ and the Premiere 9 correctly detected the signal, applying the dynamic metadata to the tone mapping. The resulting images are well-defined, with colours that are rendered with skill, highlights that are bright, and impressive levels of detail in the shadows. There’s a lot of motion in this film as well, which was handled without judder or other artefacts.

Picture quality aside, the Premiere 9 is quiet in operation, with the noise level going from 30dB next to the chassis, down to 26dB at the main seating position. There is also an eye protection feature designed to automatically reduce the light intensity if something blocks the beam. It’s an important safety feature for anyone with small children or pets, preventing any vision damage.

  • Picture quality score: 4.5/5

Samsung The Premiere 9 gaming hub

Samsung's Gaming Hub provides easy access to cloud gaming apps from Xbox and other services (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: value

  • More expensive than much of the competition
  • Cheaper and more convenient compared to a supersized TV

The Samsung Premiere 9 may seem expensive at $5,999 / £5,999, and it’s certainly not cheap compared to other ultra short throw projectors, but most of them don’t use a triple-laser with all the benefits that provides. The Premiere 9 also offers great value compared to jumbo-sized TVs, with the Samsung considerably more affordable than screens with panel sizes over 100 inches. It’s also a lot easier to install – just try getting a TV with a 110-inch screen into your living room.

If you’re looking for alternatives you could consider the Epson LS800, which doesn’t support HDR10+ or Dolby Vision but is even brighter at 4,000 lumens. There’s also the Hisense PX2-Pro, which only delivers 2,400 lumens but offers support for HDR10+ and Dolby Vision. However, neither has a sound system as good as the Premiere 9 nor do they offer as many gaming features or as comprehensive a smart platform.

  • Value score: 3.5/5

Samsung The Premiere 9 remote control

The Premiere 9's basic remote control for navigating its smart menus (Image credit: Future)

Should I buy the SAMSUNG THE PREMIERE 9?

Samsung The Premiere 9  on table

(Image credit: Future)

Buy it if...

Don’t buy it if… 

Also consider...

Epson LS800
The Epson LS800 uses a 3LCD laser light source to beam a stunningly bright 4,000 lumens image. This makes it a great option for daytime sports viewing and it also has good built-in sound. 

Read our full Epson LS800 review

Samsung The Premiere 9 close up

(Image credit: Future)

How I tested the SAMSUNG THE PREMIERE 9

  • Reviewed in a dedicated home cinema
  • Measurements taken using Calman calibration software
  • Evaluated using SDR and HDR content

As with all my TV and projector reviews I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen. In the case of the Premiere 9, I also tested it in my lounge in order to simulate the kind of conditions for which it was primarily designed.

The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. These scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.

For the objective testing, I measured the Premiere 9’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3 and BT.2020. To do this I used a pattern generator and colour meter combined with Portrait Displays’ Calman calibration software.

I measured the Premiere 9’s input lag in milliseconds using a Leo Bodnar tester with the low latency mode switch on.

First reviewed: September, 2024

BenQ W5800: A stellar but pricey 4K projector for dedicated home theaters
5:00 pm | August 4, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: | Comments: Off

BenQ W5800 projector: one-minute review

The BenQ W5800 provides a strong reminder that there’s nothing quite as dazzling as a home theater, especially one with a specialized projector, a screen that covers a full wall, cozy chairs, and a top-notch speaker setup. At $5,999 (£4,599, AU$8999), the W5800 is aimed at hardcore cinephiles who demand very few compromises on visuals and do not need on-board speakers or built-in smart TV platforms. To that end, the W5800 is a display and nothing else. 

Make no mistake – the BenQ W5800 is a fantastic display. It provides hardware adjustments for image placement and sizing to make it easy to get a perfect image wherever the projector is set up. And as you'd expect from the best 4K projectors, it has a dazzling, color-rich picture that looks great with a broad variety of content. Many cheaper projectors offer automatic image adjustment, but they almost invariably do so by simply cropping or distorting the image digitally – compromises the BenQ W5800’s manual hardware adjustments avoid.

Still, the BenQ W5800 suffers from the diminishing returns of many a premium product. You can get brighter projectors for the price, but you might miss out on some of the professional setup flexibility found here. For example, an ultra short throw projectors like the Epson EpiQVision Ultra LS800 easily beat it when it comes to brightness, but they can be fussier to set up for a geometrically perfect image. 

If you already have a big home theater that’s aching for a projector upgrade, the BenQ W5800 will be a fantastic option. But for most people, other, cheaper solutions should suffice.

BenQ W5800 projector review: price and release date

  • Release date: May 2024
  • MSRP: $5,999 (£4,599 / AU$8999)

The BenQ W5800 was launched in May 2024 at a starting price of $5,999 (£4,599 / AU$8999). Given the W5800’s premium status and relative newness, it’s unlikely to see major price changes anytime soon. 

BenQ W5800 projector close up of lens

BenQ's W5800 supports the HDR10+ high dynamic range format (Image credit: Future)

BenQ W5800 projector review: Specs

BenQ W5800 projector rear panel

Input connections include two HDMI ports (one with eARC) (Image credit: Future)

BenQ W5800 projector review: design and features

  • Sizable, with a stylish design
  • Lacks built-in sound and streaming
  • Motorized zoom, focus and offset

The BenQ W5800 immediately lets you know it means business. It’s a large, regal projector, nearly every bit as large as the Epson Pro Cinema LS12000, with a symmetrical design and a massive lens sitting at the center. This is flanked by loads of air intakes and ventilation slots that occupy much of the surface area. The benefit here is that the projector’s cooling fans are low-pitched and practically inaudible from even just a couple of feet away.

Around back, the projector features a small handful of ports. For many, the two HDMI ports, one of which supports eARC, and the S/PDIF audio output will be doing most of the work. Two USB-A ports can power streaming devices, and there are LAN and RS-232 ports for more specialized setups.  The projector’s 3D Sync Out port may come in handy, too, as it supports a variety of 3D formats. 

For many, the W5800’s HDR support will be most crucial. You get the basic HDR10 and HLG, but BenQ also steps up with HDR10+ support. Dolby Vision isn’t supported, unfortunately. 

The projector has some handy hardware for setup, with motorized control over zoom, focus, and horizontal and vertical offset. This allows you to shift the projection to perfectly fit your space, which is incredibly convenient. Keystone adjustments are digital, but they are thankfully less necessary because of the adjustable offset. All adjustments can be made with the included remote, which has a backlit keypad and convenient shortcuts to many settings in the projector’s menus. Several controls are also available directly on the projector. 

Even with its conveniences, the BenQ W5800 lacks many that other popular projectors offer. There’s no smart TV operating system, so you’ll have to source media from a separate device, and there are no built-in speakers. The W5800 is not the complete solution that something like the BenQ X3100i is, and that can make it a tricky proposition for many more casual users.

  • Design and features score: 3.5/5

BenQ W5800 projector  showing image from Spider-man movie

With 100% DCI-P3 coverage, images on the W5800 have rich, detailed color (Image credit: Future)

BenQ W5800 projector review: picture quality

  • Specified 100% DCI-P3 coverage, 2600 ANSI lumens brightness
  • Highly adjustable 4K picture
  • Excellent, natural motion processing

The BenQ W5800 is an excellent projector for home theater. It shines big and bright and readily adapts to a great many installation situations. It provides impressive color, though the occasional rainbow effect – a common artifact of the projector’s DLP imaging tech – can mar the viewing experience for those sensitive to it. 

At the heart of the BenQ W5800 is a laser light source shining through a 0.47-inch DLP micromirror array, and this is responsible for the sharp, 4K visuals and 2600 ANSI lumens brightness. BenQ rates the projector for a full 100% coverage of the DCI-P3 color space, and I’ve seen little lack of color to make me doubt the rating. Animated programs like X-Men ‘97 benefit greatly from the wide color gamut, appearing thoroughly vibrant, but the same applies to just about any content. 

Between its color and sharp 4K picture, the BenQ W5800 has a lot to work with, and it’s bright enough to look good in well-lit rooms and excel in dark ones. Shadows sink to a satisfyingly deep level, and they can maintain that depth alongside bright visuals elsewhere on the screen. 

Thanks to the W5800’s hardware controls, it is exceedingly easy to get an image squared up perfectly onscreen with sharp detail from edge to edge. A long-throw projector like the W5800 is less sensitive to small surface imperfections and misalignment than short-throw and ultra-short-throw projectors. I noted a similar level of flexibility with the Epson LS12000, which is a long-throw projector the BenW W5800 competes with. 

The BenQ W5800’s full DCI-P3 color space coverage gives it one critical edge over the Epson LS12000, which is rated only for 100% sRGB coverage. Of course, this still leaves room for improvement next to triple-laser projectors like the Hisense PX2-Pro, which is rated for 100% coverage of the even wider BT.2020 color space.

Nevertheless, the BenQ W5800 is a brilliant performer. It handles fast-motion content with aplomb and presents a colorful image that looks plenty vibrant. There are a few ways it could be even better, but it is nonetheless excellent.

  • Picture quality score: 4.5/5

BenQ W5800 projector remote control

The BenQ W5800's fully backlit remote control features shortcut buttons for key picture adjustments (Image credit: Future)

BenQ W5800 projector review: value

  • Expensive for a projector that does one thing
  • Performance and installation features help justify price

At  $5,999 (£4,599 / AU$8999), the BenQ W5800 is expensive for a consumer-grade projector, though it’s less than half the price of the JVC DLA-NZ800, the premium pick in our best 4K projectors guide. Even so, that’s a lot of money to ask for a projector that only provides a display and nothing else. 

The W5800 makes sense for the right audience. Its visuals are brilliant, and its flexible installation features provide a great picture with minimal fuss. Also, with many projectors that do feature built-in speakers and streaming platforms, those features often are just enough to make do, but not equal to their picture. 

BenQ’s W5800 sits alongside the exceptional Epson LS12000, which is $1,000 cheaper while offering similar brightness and capabilities, including a 120Hz refresh rate option. If a long-throw projector isn’t a must, the Hisense PX2-Pro ultra short throw model is also a stunning system with admirable speakers and even more brilliant color at half the price. And if you aren’t too picky, you might find something like the $2,399 (around £1,900 / AU$3,690) BenQ X3100i to be more than good enough.  

  • Value score: 3/5

BenQ W5800 projector on table

(Image credit: Future)

Should I buy the BenQ W5800 projector?

Buy it if...

Don’t buy it if… 

Also consider...

BenQ X3100i
The BenQ X3100i is a gaming projector that also does an excellent job displaying movies. It lacks the long-throw capability of the W5800 and isn't as adept with handling HDR, but it's a significantly less expensive and more flexible projector option.

Here's our full BenQ X3100i review

Hisense PX2-Pro
The Hisense PX2-Pro is an ultra short throw projector designed to beam a big image from close up to a wall as opposed to from the longer distance the W5800 is capable of. It's less expensive and nearly as bright, and features both built-in speakers and the Android TV platform for streaming.

Here's our full Hisense PX2-Pro review

BenQ W5800 projector setup screen

(Image credit: Future)

How I tested the BenQ W5800 projector

  • Tested at home in multiple, real-world viewing conditions
  • Presented with a variety of media and formats
  • I have tested numerous projectors and displays over the last half-decade

I tested the BenQ W5800 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows and in-room lighting as well as darkened conditions. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with both HDR and non-HDR streamed content. 

My testing evaluates the projector’s performance with respect to its price and competition from other models that I and my colleagues at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer. 

First reviewed: August 2024

JVC DLA-NZ800 projector review: class-leading performance plus 8K and 3D
11:43 pm | July 18, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: , | Comments: Off

JVC DLA-NZ800 projector: one-minute review

The JVC DLA-NZ800 is the latest high-end projector from the brand, combining its existing BLU-Escent laser light source with a redesigned D-ILA 4K chipset that delivers deeper blacks, brighter images, and improved uniformity. As a result, this excellent beamer builds on JVC’s established strengths, maintaining the company’s position as a preeminent maker of the best 4K projectors.

The JVC DLA-NZ800's native 4K images are crisply detailed, while the upgraded 8K/e-shiftX processing makes great content look even better. The overall picture accuracy is superb, the SDR images impressive, and the HDR performance state-of-the-art thanks to JVC's proprietary dynamic tone mapping and Theatre Optimiser features, along with support for HDR10, hybrid log-gamma and HDR10+.

Key improvements for this newly evolved model include an increased claimed brightness of 2,700 lumens and native contrast ratio of up to 100,000:1. The 8K/e-shiftX upscaling is now more sophisticated, and quieter, while the laser power setting offers greater control. The new features include a Deep Black function, a Balanced dynamic laser mode, and a Vivid picture setting.

The NZ800 supports 3D, with pictures that are bright, punchy and free of any crosstalk, and it has two HDMI 2.1 inputs with support for 8K/60p and 4K/120p. There’s an effective remote, intuitive menu system, and flexible installation – although whether stand or ceiling mounting, bear in mind that this beamer is very big and heavy.

The NZ800 is also rather expensive, although the pricing remains unchanged from the previous generation. As with the earlier NZ8 it also has no direct competitor, so if you want exceptional cinematic performance, peerless HDR tone mapping, comprehensive features and a high degree of future-proofing, this remarkable high-end projector is in a literal class of its own.

JVC DLA-NZ800 projector review: price and release date

  • MSRP: $15,999 / £15,999 / AU$24,999
  • Release date: May 2024

 The JVC DLA-NZ800 (DLA-RS3200) is the mid-range model in the brand’s 4K laser-powered line-up.  It’s available now and retails for £15,999  /$15,999 / AU$24,999. The NZ800 replaces the outgoing DLA-NZ8 (DLA-RS3100) and sits below the flagship DLA-NZ900 (DLA-RS4200), which has also been given an upgrade and replaces the discontinued DLA-NZ9 (DLA-RS4100). The entry point remains the DLA-NZ7 (DLA-RS2100), which is retained from the previous generation. 

JVC DLA-NZ800 close up of lens

JVC's proprietary dynamic tone mapping and Theatre Optimiser features bring out the best in 4K movies with HDR (Image credit: Future)

JVC DLA-NZ800 projector review: Specs

JVC DLA-NZ800 top panel controls

The projector has basic control buttons (Image credit: Future)

JVC DLA-NZ800 projector review: design and features

  • Gen3 0.69in 4K D-ILA device
  • Gen2 8K/e-shiftX
  • Gen2 Frame Adapt HDR

The JVC DLA-NZ800’s big new feature is the third generation of the brand’s proprietary D-ILA 4K chipset, which has been redesigned to be more efficient. These refinements allow for brighter images, deeper blacks, and improved uniformity. It’s also the reason why the NZ800 has an increased claimed brightness of 2,700 lumens and an improved contrast ratio of up to 100,000:1.

The NZ800 includes JVC’s second generation 8K/e-shiftX device, which physically shifts each pixel by half a pixel in four directions (up, down, left and right), thus allowing the projector to deliver a full 8K (8,192 x 4,320 resolution) image. This updated version of the proprietary feature uses sophisticated 8K upscaling for improved sharpness and detail across a wide range of content.

In addition to the improved black levels offered by the upgraded D-ILA chipset, JVC has added a new Deep Black function that employs a revised algorithm to further enhance the contrast without crushing shadows. In addition, the dynamic laser control adds a new Balanced setting for even punchier pictures without introducing the annoying brightness fluctuations seen on earlier models.

Speaking of brightness, JVC has improved the sliding scale setting on the laser power control, and while it still goes from 1 to 100 it’s now more granular, which means you can gradually boost the brightness without a sudden increase in fan noise, thus making it more useful. JVC has also added a “Vivid” mode for watching SDR sports or gaming in a room with some ambient light.

The NZ800 retains JVC's BLU-Escent laser diode light source with its claimed 20,000-hour lifespan and greater consistency. Other features include motorised focus, zoom and shift controls to simplify installation, plus lens memories for different screen aspect ratios. There’s also a Filmmaker Mode, along with extensive ISF-certified calibration controls.

JVC’s tone mapping is state-of-the-art, with the latest proprietary Gen3 Frame Adapt HDR dynamically analysing HDR10 content on a frame-by-frame basis to optimise the image, while 18-bit gamma processing results in smoother and finer gradations. JVC also includes the Theatre Optimiser which enhances tone mapping by taking into account the size, shape and gain of your projection screen.

In addition to the existing analysis of an incoming HDR signal, the NZ800 now reads the Display Mastering Luminance (DML) metadata. This tells the projector’s tone mapping function the peak brightness of the display on which the content was originally mastered and is useful because the more metadata the tone mapping has to work with, the better the results in terms of the displayed HDR images.

  • Design and features score: 5/5

JVC DLA-NZ800 rear panel ports

Rear-panel ports include two HDMI 2.1 connections (Image credit: Future)

JVC DLA-NZ800 projector review: picture quality

  • Detailed and cinematic 4K delivery
  • Bright and punchy HDR images
  • Exceptional image processing

The JVC DLA-NZ800 impresses right out of the gate, with the redesigned D-ILA chipset delivering images that are sharp, well defined and free of any uniformity issues. On the review sample I was testing there were also no signs of the dreaded ‘bright corners’ that have been apparent on some JVC projectors in the past, even when staring at a black screen in my dedicated home cinema.

The perceived black levels also appear slightly better when compared to my NZ8, the NZ800’s predecessor, and this was borne out by actual testing, with the NZ800 delivering contrast measurements of up to 100,000:1. The peak brightness approaches the claimed 2,700 lumens, although this was in the Vivid mode, and in the Filmmaker mode or calibrated Natural mode this is closer to around 2,000 lumens.

Out-of-the-box SDR accuracy is excellent with the white point close to the industry standard of D65, an even greyscale, and colours hitting close to their saturation targets for BT.709. This can be improved through calibration, and I was able to get a reference level accuracy, so if you’re spending this kind of money you really should get your NZ800 professionally calibrated.

This accuracy also extends to HDR, and the NZ800 covers 100% of DCI-P3 with its colour filter in place. This filter reduces the brightness by about 20% – so those extra lumens come in handy – but if you’d rather not use the filter (and with HDR10+ you don’t have a choice) then the brightness increases but the gamut coverage drops to around 90% of DCI-P3 instead.

Where JVC projectors are streets ahead of the competition is in terms of HDR tone mapping with the NZ800 not only accurately tracking the PQ curve standard, but also using dynamic tone mapping to get the best out of content based on the available metadata and real-time analysis of the HDR signal. The ability to read the Display Mastering Luminance also helps in this regard.

The new Deep Black feature certainly adds value, teasing a touch more detail out of shadows while keeping the blacks suitably inky. A Balanced dynamic laser setting also helps, creating more depth at the lower end while also boosting the brightness at the other without any ‘pumping’ in the image itself. The NZ800’s superior tone mapping ensures the highlights are also free of clipping.

Processing is also superb, taking lower resolution content and flawlessly upscaling it to the 4K panel, while the 2nd generation 8K/e-shiftX device is a revelation, shifting pixels to create images with the perceived resolution and detail of 8K. While I like the effect of e-shift I don’t use it on my NZ8 because I can hear it in operation, so I was delighted to discover it’s nearly silent on the NZ800. In addition, the 65mm all-glass lens delivers all these pixels with perfect geometry.

JVC DLA-NZ800 setup menu

The NZ800 can read Display Mastering Luminance (DML) metadata in sources to optimize its tone mapping function (Image credit: Future)

The NZ800 is equally impressive with motion handling, producing smooth pictures that are free of blurring and unwanted artefacts. An ability to handle frame rates up 120p adds to the beamer’s motion prowess, and its 36ms input lag – low for a projector that’s not specifically designed for gaming – and longer-life laser light source make the JVC a great choice for the well-heeled big screen gamer.

JVC’s NZ800 is a cracking performer with SDR content, producing detailed and natural images that enjoy added depth thanks to the awesome contrast ratios. Watching Gravity on Blu-ray revealed a remarkable image, where the whites of the space suits are juxtaposed against the black backgrounds, and every pixel of the computer-generated effects is rendered with precision.

Moving on to HDR, the NZ800 proves to be a stellar performer, delivering all the specular highlights of the sun-bleached desert landscapes of Dune Part Two, pulling out every detail in shadows during the nighttime action of The Crow, and reproducing the rich and saturated colours of La La Land, helping to replicate the Technicolor musicals to which it pays homage.

The projector’s dynamic tone mapping is very adept at optimising the performance of the NZ800, and the resulting HDR is often comparable to high-end video processors that cost more than the projector itself. When able to use the dynamic metadata of HDR10+, the results are equally impressive, and the bright flares in the nighttime scenes of 1917 are precisely rendered against the dark sky.

Finally, the 3D performance is excellent with plenty of depth and pictures that are bright, accurate, and free of any ghosting. You’ll need to purchase the optional RF transmitter and glasses, but if you’re a fan of 3D you’ll be rewarded with wonderfully layered images such as when you’re down in the streets of Iron City in Alita: Battle Angel, or floating inside the ISS in Gravity.

  • Picture quality score: 5/5

JVC DLA-NZ800 remote control

The JVC DLA-NZ800's remote control (Image credit: Future)

JVC DLA-NZ800 projector review: value

  • It’s a significant investment
  • There’s no direct competitor

The JVC DLA-NZ800 represents significant value for money, which might sound like a mad statement to make when you consider its price, but I’ll explain. The range-topper in JVC’s range is the DLA-NZ900, which costs $25,999 / £25,999, but in terms of features and performance, the NZ800 is very similar with the only real difference being the NZ900’s larger 100mm lens.

The NZ800 also doesn’t have a direct competitor, and the closest is the Sony VPL-XW7000ES in the UK (£12,999) or VPL-XW6000ES in the US ($11,999). While the XW7000ES is rated at 3,200 lumens, the XW6000ES only hits 2,500 lumens, and neither has support for 8K, 4K/120p or HDR10+, nor do they have HDMI 2.1 inputs. In addition, the NZ800 has better black levels and superior HDR tone mapping, making it the ideal choice for any discerning film fan.

  • Value score: 5/5

JVC DLA-NZ800 on table

(Image credit: Future)

Should I buy the JVC DLA-NZ800 projector?

Buy it if...

Don’t buy it if… 

Also consider...

BenQ X3100i
The BenQ X3100i is a gaming projector that also does an excellent job displaying movies. It lacks the long throw capability of the JVC and isn't as adept with handling HDR, but it's a significantly less expensive and more flexible projector option.

Here's our full BenQ X3100i review

JVC DLA-NZ800 setup menu

(Image credit: Future)

How I tested the JVC DLA-NZ800 projector

  • Reviewed in a dedicated home cinema
  • Used Calman calibration software for measurements
  • Evaluated using SDR, HDR and 3D content

As with all my TV and projector reviews I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.

The subjective testing is based on watching a variety of familiar scenes, primarily sourced from 4K, 3D and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. These scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.

For the objective testing, I measured the NZ800’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3 and BT.2020. To do this I used a pattern generator and colour meter combined with Portrait Displays’ Calman calibration software.

I measured the NZ800’s input lag in milliseconds using a Leo Bodnar tester with the low latency mode switch on.

Finally, because I currently use the JVC DLA-NZ8 as my reference projector, I was able to directly compare the NZ800 to its predecessor.

First reviewed: July 2024

JMGO N1S Ultra 4K projector review
2:01 pm | June 20, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: | Comments: Off

JMGO N1S Ultra 4K: 30-second review

At first glance, it's hard to see any real differences between the JMGO N1S Ultra and the older JMGO N1 Ultra in terms of physical design. They both look very similar, with the main projection unit sitting on top of the solid gimbal. This gimbal design, while simple, is incredibly useful when setting up and positioning the projector, enabling fast adjustments to fit a wall space or screen. What's more, like the N1, the N1S features outstanding instantaneous autofocus and keystone adjustment, which ensures the projection adjusts perfectly to the projection surface.

One of the features that makes the N1, and now the N1S, a great choice is its size, weight, and design. Like many of the best portable projectors we've tested, it is small enough to make it easily transportable, especially with the foam hard case that it ships with. This means that this is one of the few projectors with brightness, colour accuracy, and portability, making it a great solution for both home and business.

When it comes to the all-important updates to the projector, most hinge on the brightness, with the beam jumping from 2200 CVIA lumens to 3000 ANSI lumens. This essentially makes it a better choice than the majority of other projectors for use in daylit rooms and if you need a portable projector for presentations.

The next update is to the processor. The N1S Ultra is equipped with the MediaTek MT9679 processor, upgraded from the N1 Ultra's MT9669. This change in processor brings smoother interaction as you go through the applications and enables a more instant reaction speed when using the remote, as well as ensuring that all high-resolution footage plays back smoothly.

As with the previous projector, the operating system is based on Android, although this time, it utilises Google Home rather than Android, with the Bonfire OS being used as the base. While this is the same as the OS used by the N1, there have been some tweaks, and those improvements mean that many of the more jerky interactions noted with the N1 have now been ironed out. As the N1S utilises Google Home rather than Android TV, native Netflix support is now added without having to rely on a TV stick.

Alongside these updates, there are several smaller enhancements, with the image optimisation taking a step up, a greater projection range, and wider support for external 3D content. Colour accuracy and BT.2020 are also noted as having been enhanced. However, at a price, the new projector is expensive when compared with many of the best 4K projectors from better-known rivals, and it'll be down to that increased projection brightness, audio, and ease of use to see if it can truly compete in an increasingly crowded field.

JMGO N1S Ultra 4K: Price & availability

The final price of the N1S has yet to be announced, but with the N1 retailing widely for $2299, this new projector will likely be available for around $2500. It will be available directly from JMGO or through Amazon.com.

JMGO N1S Ultra 4K

(Image credit: Alastair Jennings)
  • Value: 4.5/5

JMGO N1S Ultra 4K: Specs

JMGO N1S Ultra 4K

(Image credit: Alastair Jennings)

JMGO N1S Ultra 4K: Design & features

  • Great aesthetics
  • Stunning design
  • Simple to use

The N1S's design follows the same lines as the rest of the JMGO line, giving the grey and matte metallic exterior a stylish and simple look. While the design is very simple, details such as the venting at the back and along the sides of the projector allow for plenty of cooling, which also means it runs extremely quietly, even over extended periods.

One of the key features of the JMGO is the gimbal, which enables you to tilt through 135º and rotate through a full 360º, which gives you loads of versatility when positioning. Another really nice feature of the stand is that they have incorporated the power supply socket into it, which means that as you tilt the projector, there is no strain put on this cable. However, when it comes to the HDMI, USB, and audio ports, these all remain in the more common location on the back of the projector unit itself. This is fine if you're using Google Home and the integrated apps to view content, and of course, you can cast directly from your PC if you're using the projector for presentations.

The projector's design instantly highlights a huge advantage over many other projectors for business use. Firstly, the EPP portable packaging acts as a decent protective carry case for the device with a carry handle, making it easy to stack and transport. Then, the gimbal design means that it's easy to position and adjust without the need to hunt around for books or other objects to adjust the height correctly.

The big feature of this style of the projector is, as ever, the autofocus, keystone correction, and colour adjustment. Here, the AF is instant and fast, and likewise, the keystoning catches up with any adjustments made quickly within seconds. While all projectors of note feature auto keystoning, this example is one of the better I've seen, easily avoiding objects and adjusting to all sizes and shapes while still enabling a high-quality picture to be projected.

Overall, when it comes to design, this is one of the most flexible out there, with absolute ease of use at its heart. This is one projector that you can just pop down on a desktop or meeting table, tilt the head to the screen or wall you want your projection to display, and the projector sorts out the rest while you can prepare for what comes next.

At home, this ease of use is just as useful. It means that the projector doesn't always have to stay out, perched on a shelf and carefully set up for movie night. Instead, the projector can quickly be packed away and then set up in less than a minute, and it's ready to go. What's more, if you're still looking for a decent position in the middle of the room to place the projector, then that's not an issue. Pop it on a side table, and the keystone will adjust accordingly, although there are limits!

  • Design & features: 4.5/5

JMGO N1S Ultra 4K: picture quality

  • Wide BT.2020 colour space 
  • Google Home is fast and intuative

Starting with the setup, after powering up the projector, you then have to run through the Google Home setup, tie it in with your Google Home account, and then run through the various screens and options. The whole process takes about five minutes, and if you already have the Google Home app set up, then that process should be fast and trouble-free.

Once you get to the main Google Home screen, you should see the main apps along with any that you downloaded through the setup process. A nice touch here is that Netflix is now a standard part of the installation and, as such, is fully integrated without any additional messing around.

When it comes to screen quality, as the projector makes the adjustments automatically, there's no need to make any corrections. However, if you did want to, there are no options to do this. If the keystone looks wrong, then it's because the position is beyond the point of adjustment, and to correct it, you'll need to move the projector. Through the test, the N1S auto adjustment feature was spot on, allowing the vast majority of locations to be adjusted without issue. If there were an issue, then a slight shift to the side would enable the projector to find its place and correct the image.

When used in a living room against a large, clear, open wall, the projector's performance is excellent, with a clear, crisp image and excellent sound coming from the small internal speakers. However, with DYNAUDIO, DTS HD, and Dolby Audio, there are plenty of enhancements to the audio quality that enable the projector to pack a decent volume and audio clarity when needed.

On location in a lecture theatre, studio, and village hall, the projector's flexibility really starts to come into its own. The ease of setup and use is only a small part of a larger setup process: Simply plug in, direct at the screen, and it's ready to go. What's more, the small size and lack of a loud fan keeping everything cool make this an instantly excellent choice for anyone travelling around giving presentations or talks of any type.

JMGO N1S Ultra 4K

(Image credit: Alastair Jennings)

While the N1 and the N1S seem very similar in specifications and design at first glance, a couple of updates make a big difference. The first is the brightness, which boosts the picture quality, both in daylight and at night. The colours look vibrant, and there's plenty of tone and detail. Watching TV or movies in HD looks great, but switching to 4K, the quality of the projection is outstanding.

If you don't have a projection screen, there's no need to worry. There's plenty of adjustment over the colour temperature or hue of the image, and as long as your walls are only subtly toned, you should be able to adjust the image quality to suit. One issue we did find with the image adjustment was that the contrast adjustment could be a little overly harsh, quickly highlighting burnout. However, when used with reservation, the adjustments enable you to fine-tune any preset options. The visual presets under the picture mode give a good selection of options, with Standard and Vivid being good for most TV, the Movie mode taking things down a notch to give everything a cinematic look, while the Game mode reduces the latency for more reactive gameplay.

The one mode of real interest here is the Office Picture mode, which helps to balance presentations for a screencast and helps to resolve the definition of text on the screen to great effect. This picture mode, along with the fine-tuning and the ability to select Ultra Brightness, makes this a versatile choice for all sorts of locations. The Ultra Brightness does exactly what it says, boosting the overall projection brightness. While this is good, you can see an instant influence of blue on the colours, which again can be compensated for with a slight tweak of the colour temperature under the advanced settings.

From watching movies where the resolution, colour, and tone make the image look hyper-realistic to watching TV, the smooth refresh rate, resolution, and brightness come together to create an engaging and absorbing projection.

Likewise, playing games through an HDMI connection from a mini PC for the test proved that the low latency gaming mode was enough to feel like the projection was in real-time, and there was no noticeable lag in the gameplay. The colour and contrast, as well as the refresh rate, kept up with the action, and again, this projector put in a great performance.

This projector really excelled over others, however, with the overall ease of use in different locations. With a projection screen, things are easy—set up the screen with the projector a few feet back, and the projector is essentially advanced enough to do the rest for you. Cast or plug directly into your projector, and you can get on with the details of the presentation without needing to delve into the technology. It's all very easy, especially with the autofocus and keystone.

  • Picture quality: 5/5

JMGO N1S Ultra 4K: Value

JMGO N1S Ultra 4K

Rear-panel inputs include one HDMI 2.1 and two HDMI 2.0 inputs, one with eARC (Image credit: Alastair Jennings)
  • Price on a par with similar models
  • Fully integrated Google Home and Netflix
  • Superb audio quality

At $2,500, the N1S is at the higher end of the scale for this size and brightness of projection. However, for that money, you get one of the brightest and most portable models out there. You also get a projector that is essentially no fuss and easy to use; you literally place it and switch it on, and the rest is just like using a standard TV or monitor for presentation.

While this does sit at the upper end of the price bracket, its ease of use can be invaluable, especially for businesses. Once you add in the lightweight, portable case, the solid build quality, and the integrated gimbal design, a few other projectors come close to this for all-in-one ease of use, which suddenly makes sense of the slightly higher price tag.

  • Value: 4/5

JMGO N1S Ultra 4K

(Image credit: Alastair Jennings)

Should I buy the JMGO N1S Ultra 4K?

While the N1S looks similar to the N1, there have been a few major updates to the inner workings that make what was already a great projector that much better. The first step forward is the increase in brightness, making this a better option for anyone who needs a powerful projector that can be used easily in different locations with minimal fuss.

The second is the speed of interaction, with the faster internal processor able to handle requests faster and also enable one of the swiftest autofocus and keystone features out there.

Then there's the gimbal system, which, while it remains the same as the N1, is actually a major selling point and makes this one of the easiest projectors on the market to position accurately. Although its design is simple, it will save you time not having to find books to alter the angle or fiddle around with screw legs which will inevitably fall out.

These upgrades all back up what a very proficient projector is with excellent colour, tone, and brightness. Combined with the 4K resolution, it will give your movies, TV shows, or presentations a hyper-real look. The system's base on Google Home means that it's easy to use and fast to update. Now that Netflix is part of the mix without needing to mess around with additional downloads and workarounds that plague some other projectors, it simply feels complete.

As a projector to use at home, this is a great choice. The relatively compact size makes it easy to position and pack away when needed, although you are paying a price premium. This really comes into its own as a portable solution that you can take with you and use for presentations. The clarity and quality of colour are exceptional and well worth the investment.

JMGO N1S Ultra 4K

(Image credit: Alastair Jennings)

Buy it if...

Don’t buy it if… 

Also consider...

Epson LS800
The Epson LS800 uses a 3LCD laser light source to beam a stunningly bright 4,000 lumens image. This makes it a great option for daytime sports viewing and it also has good built-in sound. 

Read our full Epson LS800 review


We've tested, reviewed, and rated the best business projectors

BenQ X300G review: a budget 4K projector for gaming and movies
4:00 pm | May 4, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: | Comments: Off

BenQ X300G 4K projector: one-minute review

If you love to sit back and enjoy movies but also like to lean in and get sweaty with the latest competitive games, the BenQ X300G could be just the projector for you. This short-throw model combines impressive capabilities in a compact package that rivals Xgimi’s Horizon Pro and Horizon Ultra

The BenQ X300G manages decent color from its LED light source, and puts on a strong show with bright, 4K visuals. But it can also dial up the speed, switching to a 1080p/240Hz mode for fast, responsive gaming. We’ve seen this trick in action on the BenQ X3100i, and it’s a real treat for gamers. 

Between its cinematic capabilities and gaming prowess, the BenQ X300G has a lot to offer. There’s room for improvement — the limited ports and so-so audio come to mind — but at $1,799, this projector puts up a respectable value, especially with its ability to play dual roles, something that not all the best 4K projectors can do. 

BenQ X300G 4K projector review: price and release date

  • Release date: December 2023
  • MSRP: $1,799 (around £1,400 / AU$2,720)

The BenQ X300G is a fairly new model in BenQ’s lineup. With an original price of $1,799 (around £1,400 / AU$2,720), the projector hasn’t yet seen any discounts, though its price is reasonable for a 4K model. 

BenQ X300G projector on table

Focus and keystone adjustments on the X300G can be made automatically, making setup quick (Image credit: Future)

BenQ X300G 4K projector review: Specs

BenQ X300G projector top surface controls

The projector has basic control buttons located on its top surface (Image credit: Future)

BenQ X300G 4K projector review: design and features

  • Compact and flexible design
  • Built-in speakers and streaming stick
  • Rare DisplayPort over USB-C support

The BenQ X300G takes up less than a cubic foot and has roughly cube-like dimensions. Inside that small footprint, it packs a 2,000-lumen DLP projection system, 2.1-channel speakers, an internal streaming dongle, and the necessary hardware for optical zoom. 

It’s an impressive package and not an unsightly one. Like many of BenQ’s recent designs, the BenQ X300G has a mostly white, plastic chassis complemented by a glossy black face with orange accents. In this case, those accents also extend to little LED fins that protrude from the projector’s back edges. That orange glow calls to mind heat – not a good thing for a projector – though the BenQ X300G deals with that well. Its internal fans do emit a light buzzing noise, but the sound is easily drowned out by its speakers. 

The whole unit sits on rubber feet for grip. The front foot is especially wide and built around a hinge for propping the front of the projector up to adjust its projection angle, though the feet don’t offer any horizontal tilt adjustment if the projector is set on an uneven surface. There is also a threaded hole for mounting onto a tripod or ceiling mount. 

The BenQ X300G includes a few ports on its side and uses an external brick for power. There’s an HDMI 2.0 port with eARC, a USB-C port with DisplayPort support — a rarity among projectors – and a USB 2.0 port. I found it regrettable to see neither a 3.5mm audio jack nor an optical audio output. The rear of the BenQ X300G hides a small compartment that hides BenQ’s included streaming stick. This has a built-in mini HDMI cable and micro USB cable for charging, and this fairly unusual design offers limited options for swapping the dongle out for a different unit such as a Roku or Amazon Fire TV streaming stick down the line. 

A large remote control operates both the included dongle and the projector. This has similarities to typical Android TV remotes but also quite a few shortcuts to projector settings. Backlighting provides helpful visibility in the dark, and activates after a button has been pressed. In addition to the remote, a set of controls is on top of the unit. Manual adjustments are made electronically, including focus, zoom, and keystone. Focus and keystone adjustments can also be made automatically, making setup quite quick.

The streaming stick BenQ includes is a first-party model running Android TV OS 11, which is a little behind the times now, though at least it saw a recent February 2024 security patch. The dongle still provides quick and easy access to the best streaming services like Disney Plus, Max, Netflix, and Prime Video. While Hulu also loaded onto the system without issue, I couldn’t successfully use it as all clicks on the Sign In button failed to register. 

  • Design and features score: 3/5

BenQ X300G projector showing Super Mario movie

The BenQ X300G is designed for gaming, but it also does a good job of displaying movies (Image credit: Future)

BenQ X300G 4K projector review: picture and sound quality

  • Short throw provides big picture in smaller rooms
  • Good image with movies and games
  • Average sound quality

The BenQ X300G is a capable little projector that’s ready to beam a big and bright picture without much fuss. It’s plenty bright for a dim room and excels in the dark, where it can readily produce a gorgeous, large image. In fact, you’ll likely have a hard time getting anything less than a huge picture due to the projector’s short throw. 

This projector is better suited for small rooms or coffee table installations. During setup, I already had a 77-inch diagonal image at a little under 4 feet from the screen. The projector’s optical zoom can shrink that down a bit, but if you place the projector at the back of a room, you’ll be sacrificing image quality quickly as it relies on digital zoom to shrink images down beyond the optical zoom range.

Once positioned, the BenQ X300G is a strong projector. Color rendition isn’t the best I’ve seen – BenQ rates it for 84% coverage of the DCI-P3 color gamut – with that crown going to triple-laser models like the Hisense PX2 Pro and LG Cinebeam HU915QE, but it’s not far off. The Na’vi looked plenty blue when I watched Avatar: The Way of Water, and the colorful world of Final Fantasy VII: Remake Intergrade was presented quite well throughout my testing. 

A main perk of the BenQ X300G is its flexibility. It can provide a cinematic image with 4K HDR movies and shows at 24 or 60Hz, but also dial up the speed by dropping to 1080p at 240Hz for gaming. The projector’s DLP chip not only provides a high refresh rate but a stunning pixel response time that’s virtually free of ghosting. If competitive gaming is your speed, the BenQ X300G can keep up. 

Speed is a critical advantage for the BenQ X300G, as it has competition from other models like the JMGO N1 Ultra and Hisense C1. Both models come in at similar prices and use triple-laser light sources to provide 4K visuals with far more stunning color, but they lack the option to ramp up to 240Hz in game mode. 

The BenQ X300G speakers complement the imagery. While not amazing, they do a decent job, pumping out plenty of sound in the small rooms this projector is ideal for. They’ll fall flat unless you’re sitting close in larger rooms, and the sound is grating at high volumes. But at middle volume, they sound clear and full. 

  • Picture quality score: 4/5

BenQ X300G projector rear panel ports

Ports include HDMI with ARC, USB type-C, and USB type-A (Image credit: Future)

BenQ X300G 4K projector review: value

  • Has major competition at $1,799
  • Powerful for the price

The BenQ X300G is a strong all-around option. Cinema-focused projectors like the Hisense C1 can do better for the same price but lack the gaming capabilities that set the X300G apart. The BenQ X300G does a great job with both, upping its value for anyone who wants that flexibility. It does cut some corners on the hardware front, so it that’s a concern, the BenQ X3100i offers extra hardware adjustments and image upgrades, but costs $600 more. 

  • Value score: 4/5

BenQ X300G projector remote control

The BenQ's large remote control has a backlit keypad (Image credit: Future)

Should I buy the BenQ X300G 4K projector?

Buy it if...

Don’t buy it if… 

Also consider...

BenQ X3100i
The BenQ X3100i has the same gaming features as the X300G but provides a higher level of visual quality. It also has useful hardware for setup, but comes at a considerable uptick in price. 

Here's our full BenQ X3100i review

BenQ X300G projector showing Avatar 2

(Image credit: Future)

How I tested the BenQ X300G 4K projector

  • Tested at home in multiple, real-world viewing conditions
  • Viewed with a variety of media and formats
  • I have tested numerous projectors and displays over the last half-decade

I tested the BenQ X300G at home, in real-world conditions. This saw it challenged by ambient light coming in from numerous windows, in-room lighting, and ambient noise that the projector’s speaker system had to overcome. The projector was tested on both a bare, white wall and an Akia Screens CineWhite screen and was presented with streamed HDR and non-HDR content and console gameplay. 

My testing evaluates the projector’s performance and takes into consideration its price and competition from other models.

I have been testing projectors since 2021 and displays for even longer. 

First reviewed: May 2024

LG CineBeam Q review: a portable 4K projector with style
2:00 pm | April 28, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: , | Comments: Off

LG CineBeam Q: Two-minute review

The LG CineBeam Q is an ultra-compact portable projector that, like Samsung's super-popular Freestyle, features the same streaming platform found in the company’s TVs – in this case, WebOS. At $1,299 /  £1,299 / AU$2,499, it’s pricier than Samsung's portable projector, but brings the benefits of 4K resolution and an RGB laser light engine for enhanced brighness and color. Picture quality is surprisingly good for such a tiny projector, and it can beam images large enough to light up the side of a garage, though the lack of a battery power option makes it best suited for indoor use.

The LG CineBeam Q stands out from the best portable projectors thanks to its 4K resolution in particular. Most are cheap HD-resolution models with a built-in rechargeable battery that run Android TV and can be used indoors or outdoors – even the great Samsung The Freestyle 2nd Gen, an ultra-compact projector that offers both portability and a superior streaming and gaming platform in an innovative design, is HD. The best 4K projectors have always been pricey, bulky and meant for indoor use – a different proposition. The LG changes this.

With an all-aluminum case and carrying handle, the LG CineBeam Q’s retro-industrial design makes it look good even when turned off. When turned on, an auto screen adjustment feature with autofocus allows for quick setup, and there are plenty of manual adjustments to dial in picture geometry and focus. Beyond that, the projector’s 22-point white balance adjustment duplicates the picture calibration controls found on LG’s OLED TVs, though its Filmmaker Mode picture mode also provides a high level of accuracy at its default settings.

WebOS offers most popular streaming apps such as Netflix and Disney Plus, though Hulu and Max are missing. Both AirPlay 2 and Android Screen Share allow for wireless streaming from a phone or tablet, and there are also USB type-C and HDMI inputs for connecting external sources such as one of the best 4K Blu-ray players or a games console.

While most portable projectors provide built-in speakers out of necessity, audio is an afterthought on the LG CineBeam Q, which produces tinny, anemic sound from its 3-watt mono speaker. Fortunately, it supports Bluetooth pairing with Dual Audio Output, allowing for wireless audio streaming to multiple Bluetooth speakers and headphones, or a soundbar.

LG Cinebeam Q projector WebOS interface

The LG Cinebeam Q projector's WebOS smart TV interface. (Image credit: Future)

LG CineBeam Q 4K projector review: Price and availability

  • Release date: April 2024
  • MSRP: $1,299 / £1,299 / AU$2,499

LG’s CineBeam Q sells for $1,299 /  £1,299 / AU$2,499, which is significantly higher than the Samsung The Freestyle 2nd Gen, another stylish portable projector. 

The LG is a 4K resolution model, however, and that feature alone justifies its higher price bracket – most 4K projectors cost a lot more than this!

LG CineBeam Q 4K projector review: Specs

LG Cinebeam Q projector held with carrying handle

The CineBeam Q's rotating metal stand allows for a range of placement options and also serves as a carrying handle. (Image credit: Future)

LG CineBeam Q 4K projector review: Design and features

  • Stylish design and sturdy build quality
  • RGB laser light engine
  • LG WebOS streaming platform

The LG CineBeam Q is about as cool-looking as portable projectors get. LG appears to have designed it to be a conversation piece as much as a projector, with the LG CineBeam Q’s compact aluminum case and 360-degree rotating aluminum stand giving it an appealing, Braun-like industrial style.

At 5.3 x 3.1 x 5.3 inches (H x W x D) and 3.3 pounds, the LG CineBeam Q is easy to tote from room to room (the rotating stand does double-duty as a carrying handle), though with no built-in rechargeable battery (or accessory battery pack) you’ll need to carry its external power brick along with it to plug in. LG includes an IR remote control, though it’s a regular version and not the “Magic Remote” kind that comes with LG TVs where you can just point at what you want on-screen.

The LG CineBeam Q uses an RGB laser light engine combined with a DLP chip to produce images with up to 500 ANSI lumens specified brightness. An auto screen adjustment feature with autofocus can be used to make images look rectangular and crisp without effort when pointing it at a wall or screen, and there’s also manual digital keystone correction with 4, 9, or 15-point warping options.

LG’s WebOS platform is used for streaming on the CineBeam Q, with Disney Plus, Prime Video, Netflix, Apple TV Plus, and YouTube all present. Strangely, there’s no Hulu or Max, which are popular streaming apps that I use regularly. The projector supports both AirPlay 2 and Android Screen Share, however, which lets you stream from apps on your phone to the projector, or you can connect an external source to its HDMI or USB type-C input.

The LG CineBeam Q has a built-in 3-watt speaker, though it doesn’t sound good and can’t play loud. A better option is to use the Bluetooth pairing with Dual Audio Output feature, which lets you simultaneously connect up to two Bluetooth devices like a speaker, headphones, or soundbar.

  • Design and features score: 4.5/5

LG Cinebeam Q projector showing butterfly image on screen

The Cinebeam Q has highly accurate color in Filmmaker Mode (Image credit: Future)

LG CineBeam Q 4K projector review: Picture Quality

  • Stylish design and sturdy build quality
  • RGB laser light engine
  • LG WebOS streaming platform

I went into this review with pretty low picture quality expectations for the LG CineBeam Q, and ended up pleasantly surprised by how good images looked. The main benefit the LG has over other ultra-compact portable projectors is 4K resolution with HDR10 and HLG high dynamic range support. That factor made a big difference in its picture, especially when watching movies, which is something I did on a 92-inch, 1.1 gain Stewart Filmscreen Cima matte white projection screen.

The LG CineBeam Q’s brightness was another surprise. Peak brightness measured on a white 10% window pattern was 60 nits in Filmmaker HDR Mode. Although that’s half the peak brightness you’d get from a more conventional home theater projector such as the BenQ v5000i, it’s very good for a portable model. The LG’s measured contrast ratio was 500:1, which is a typical result for a portable DLP projector.

Color performance was excellent, with the CineBeam Q’s grayscale and color Delta-E (the margin of error between the test pattern source and what’s shown on-screen) both averaging under our target level of 3 in Filmmaker Mode. Coverage of the UHDA-P3 colors gamut was also excellent at 98.7%, while BT.2020 coverage was an equally impressive 95%.

Input lag in Game Optimizer mode was 56ms, which is typical for projectors that aren’t specifically designed for gaming.

Watching reference 4K Blu-rays on the LG CineBeam Q, dark scenes in the James Bond film No Time to Die showed good contrast, and scenes with camera pans or fast motion looked solid and judder-free. Dark scenes in Dune were equally satisfying, though shadow detail wasn’t as good as what you can expect from the best larger 4K projectors. In both cases, the LG’s accurate color rendition made skin tones look completely natural, and brighter colors such as red, and orange, and yellow looked rich and clean.

  •  Picture quality score: 4.5 / 5

LG Cinebeam Q projector remote control

LG's included remote control is a basic version and not the "Magic Remote" type that comes with its TVs. (Image credit: Future)

LG CineBeam Q 4K projector review: Value

  • Less expensive than other 4K portables
  • Better picture than other ultra-compact projectors
  • Superior design for a portable projector

At $1,299 /  £1,299 / AU$2,499, the LG CineBeam Q is pricier than regular HD portable projectors such as Samsung’s The Freestyle 2nd Gen, but less expensive than other 4K portables such as the Anker Nebula Cosmos Laser 4K. And while its overall picture quality is very good, brightness is limited, and there’s no battery power option for true portability.

The LG CineBeam Q scores value points for having an all-metal exterior as opposed to the cheap plastic casings used for most portable projectors. If you’re looking for a portable projector with a classy design that you can leave out in your living room when not in use, the LG is one of the few worth consideration. If that’s not the case, you can easily find cheaper models, though they’ll have a less attractive design and a less impressive picture.

  • Value score: 4 / 5

LG Cinebeam Q projector on table with power supply

With no built-in battery, the CineBeam Q relies on an external power brick for power (Image credit: Future)

Should you buy the LG CineBeam Q 4K projector?

Buy it if...

Don’t buy it if… 

Also consider...

Anker Nebula Cosmos Laser 4K
This powerful portable has a laser-based light engine with a whopping 2,400 lumens brightness, though it costs significantly more than the LG. It also has an appealing design, though there’s no built-in battery for easy outdoor use. See our full Anker Nebula Cosmos Laser 4K review.

LG Cinebeam Q projector

(Image credit: Future)

How I tested the LG CineBeam Q

  • Tested at home, in a room with controlled light where I always test projectors
  • Measurements were made using Calman color calibration software
  • A 1.1 gain Stewart Filmscreen Cima matte white projection screen was used for evaluation and measurements

When I test projectors, my first step is to use it for casual viewing to assess the out-of-box picture presets. The next step is to select the most accurate-looking preset (typically labeled Filmmaker, Movie or Cinema) and measure the white balance (grayscale), gamma, and color point accuracy using Portrait Displays’ Calman color calibration software. The resulting measurements provide Delta-E values (the margin of error between the test pattern source and what’s shown on-screen) for each category, and allow for an assessment of the projector’s s overall accuracy.

Along with those tests, I make measurements of peak light output (recorded in nits) for both standard high-definition and 4K high dynamic range using a 10% white window pattern. Coverage of DCI-P3 and BT.2020 color space is also measured, with the results providing a sense of how faithfully the projector can render the extended color range in ultra high-definition sources. The final measurements are contrast ratio, which is the ratio of the brightest white to the darkest black that the projector can display, and input lag, which is measured using a Leo Bodnar 4K HDMI input lag tester.

The LG CinemaBeam provides a full range of adjustments to calibrate its picture, although its Filmmaker mode preset is accurate enough that most people will find it to be perfectly adequate. For my evaluation I calibrated the LG’s picture and relied on both reference 4K Blu-ray discs and streaming via AirPlay 2 to test its performance in the Filmmaker and Standard preset picture modes.

My projector testing experience spans almost three decades, going back to the early three-gun CRT models.

First reviewed: April, 2024

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