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The DJI Osmo Nano delivers all the pro features I actually need in an action camera, without the gimmicks

3:00 pm | September 23, 2025

Author: admin | Category: Action Cameras Cameras Computers Gadgets | Tags: DJI, HLG, LCD, US | Comments: Off

DJI Osmo Nano: two-minute review

The DJI Osmo Nano is the latest in the brand's line of action cameras. Rather than building on a predecessor it's a whole new concept in its own right, although it shares the same-sized 1/1.3-inch CMOS sensor as the DJI Osmo Action 5 Pro, which landed at the end of 2024.

The range of best action cameras is more diverse today than it was even just a few years ago. The one-block shops of design like the GoPro Hero 13 Black are still popular, for sensible reasons like ruggedness and extended battery times, but modular designs like the Osmo Nano and the new Insta360 Go Ultra are becoming more common.

Why? We don't just want to hold our action cams or use a fiddly mount to attach them to our bike handlebars anymore. The content creation universe is continuing to grow, and so is the number and variety of places where we need our cameras to go.

In a nutshell, the Osmo Nano is a light, wearable action camera. You can wear it around your neck, on your head, on a hat or helmet, plonk it on your car, bike, or even attach it to your dog. It's remarkably small, and at 52g it's a gram lighter than its main competitor, the Insta360 Go Ultra, released a month before it.

The product is modular in design and built as a two-piece system, with a tiny, standalone camera unit that pairs with the Multifunctional Vision Dock underneath. The dock acts as a remote, screen, and charging station, with a small but bright 1.9-inch display to help you compose shots and adjust settings.

The DJI Osmo Nano held by a female photographer in a pink top — (Image credit: Lauren Scott)

These two parts join together via two clips and a strong magnetic system, and it's this magnet that also allows the camera to snap onto DJI's various accessories, for a wide range of hands-free, wearable mounting options.

Although the camera is a fully IPX8-rated unit that's waterproof down to 10m, the dock is only IPX4-rated for splash resistance, which limits its use in heavy rain or near a body of water – a totally rugged design this is not.

Inside the camera is a 1/1.3-inch CMOS sensor, which captures a dynamic range of up to 13.5 stops according to DJI. I haven't done any calculations with my test images on this, but I did find great levels of detail and color in bright sky highlights as well as darker, shadowy areas like tunnels. I was genuinely impressed by the level of detail and tone the camera could capture, particularly for a sensor this small (in full-frame terms).

Check out our DJI Osmo Nano vs Insta360 Go Ultra write-up to see how the small action cams compare

For me, DJI has always been a brand for what I'd call 'serious' creators, and that's something I'm pleased to see the brand has leaned into with the Osmo Nano. There aren't any 'fun' filters or gimmicks in the menus. Instead, the settings are pared back to sensible and helpful options; voice controls and gestures to start recording all work very well to make hands-free shooting that much easier.

A big draw for professionals is the color performance. I was surprised to discover that the Osmo Nano can record in 10-bit color with D-Log M and HLG profiles – a pro-level feature that gives you more leeway for color grading in post-production, if you want to edit manually rather than relying on the automatic outputs from the DJI Mimo app. In 10-bit, I found videos were punchy but still well-balanced.

Screenshots from the DJI Mimo app — (Image credit: Lauren Scott)

Performance-wise, the Osmo Nano delivers exceptionally well in some areas but underwhelms in others. The promise of rapid file transfer holds up, with the 128GB version clocking transfer speeds of up to 600MB/s over a USB 3.1 connection. This is a huge time-saver.

Battery life, however, is a clear limitation. While DJI claims up to 90 minutes from the camera and 200 minutes with the dock, I found that shooting at 4K/60fps got me closer to just 60 minutes of continuous recording. On the upside, the dock's ability to fast-charge the camera to 80% in about 20 minutes means you can be back to shooting in no time.

The RockSteady 3.0 and HorizonBalancing stabilization features work well for walking or light activity, and even when I tried recording star jumps and high-intensity workouts, the footage was stable in sports mode. Audio quality is good all-round too, and two built-in microphones capture immersive stereo sound, with decent but not brilliant wind reduction. Another plus for more advanced creators is the ability to pair the Nano with two mics separately, and you won't need receivers if they're from DJI.

While the image quality is good for a camera this small, it’s still bound by the limitations of its form factor. The fixed 143-degree ultra-wide field of view is great for first-person shots, but obviously lacks the versatility of a more zoomed-in lens. And while DJI's SuperNight mode for low-light shooting is better than ever, it's limited to 30fps and 8-bit color.

A female photographer wearing the DJI Osmo Nano on a headband — (Image credit: Lauren Scott)

The Osmo Nano is pricing is really aggressive, coming in much cheaper than the Insta360 Go Ultra and the GoPro Hero 13 Black – and that's with built-in storage too, meaning you can start shooting straight out of the box.

It's not necessarily the most charming camera I've tested, but it's thoroughly dependable and sensible, and for that reason I found it growing on me, while the low price sweetens the deal. The DJI Mimo app is less intuitive than Insta360's, and AI edits are a little less exciting, but it's smart and stable, and puts a clear live feed with access to settings at your fingertips on your smartphone.

DJI isn't marketing the Osmo Nano for family users, and it lacks some of the fun features of the Insta360 lineup, plus Toddler Titan mode for capturing kids. While charging is fairly speedy it doesn't charge as quickly as its main competitor, the Insta360 Go Ultra, either, but the camera does last longer.

If you need a fully rugged and all-in-one device for more extreme sports or environments, the GoPro Hero 13 Black or the DJI Action 5 Pro might be a better choice. But this is a well-thought-out, truly wearable action camera for creators who want to experiment with unique perspectives, and need a B-camera for places their main camera can't go, for a B-cam price.

The DJI Osmo Nano being worn on a pendant in front of a woman's shirt — (Image credit: Lauren Scott)

DJI Osmo Nano: specs

DJI Osmo Nano specs
Sensor	1/1.3-inch CMOS
Max Resolution	35MP (6880 x 5160) photos 4K, 60fps footage
Weight	Camera: 2.54oz / 53g Vision dock: 3.8oz / 72g
Dimensions	Camera: 57 x 29 x 28mm Vision Dock: 59 x 42 x 22mm
ISO Range	100–25600
Lens	FOV: 143 degrees Aperture: f/2.8 Focus: 0.35m to ∞
Operating Time	Camera: 90 mins* Camera + Multifunctional Vision Dock: 200 mins*
Connectivity	Bluetooth, Wi-Fi, USB-C 3.1
Storage	64GB/128GB built-in microSD card, up to 1TB
Waterproofing	Camera: 33ft (10m) Vision Dock: IPX4-Rated

DJI Osmo Nano: Price and availability

Launched worldwide on September 23 2025, except US
Osmo Nano Standard Combo (64GB) costs £239 / AU$529
Osmo Nano Standard Combo (128GB) costs £259 / AU$589

The DJI Osmo Nano was announced on August 23, 2025, and is now shipping from DJI’s online store and authorized retailers, including Amazon. It won't be available officially in the United States at launch. A DJI Spokesperson told TechRadar that "DJI remains dedicated to the US market and is optimizing our strategy to best serve our customers amidst evolving local conditions."

There are two standard combos to choose between, broken down by the internal storage capacity: the Osmo Nano Standard Combo at 64GB (£239 / AU$529) or 128GB (£259 / AU$589).

Each combo comes with the same content, including the Osmo Nano Camera, Multifunctional Vision Dock, Magnetic Hat Clip, Magnetic Lanyard, a protective case, USB-C cable (USB 3.1), and a Dual-Direction Magnetic Ball-Joint Adapter Mount. The protective case is more just a plastic sheath rather than substantial padded protection.

That price puts it way below the Insta360 Go Ultra Standard Combo ($449.99 / £369 / AU$759), which is more impressive given that you get built-in storage too. It's also less than the GoPro Hero 13 Black (now available for around $359.99 / £315).

Price score 5/5

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A female photographer holding the DJI Osmo Nano action camera — (Image credit: Lauren Scott)

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DJI Osmo Nano: Design

Standalone camera is waterproof, dock is splashproof
Magnetic base connects easily to mounts
The camera weighs 1.83oz / 52g

The DJI Osmo Nano camera is oblong-shaped, about half as wide as it is long. It sits comfortably between your thumb and forefinger in either portrait or landscape mode, but I didn't find it as pocketable as the Insta360 Go Ultra because of its extra depth.

Without the dock, the Osmo is a light, wearable action camera at just 52g. Adding the dock, by way of two secure mounting clips and a magnetic, adds another 72g and turns the camera into a more complete action companion. It's small, but I found the combo top-heavy on uneven surfaces, making low-level shots without a mount more difficult.

There's just one built-in OLED HD touchscreen on the dock, rather than a screen at the front and back, or a flippable design like the Insta360 Go Ultra. This means you have to detach and remount the camera every time you want to go from shooting your environment to talking to the camera (if you want to see yourself, that is). Unlike the Go Ultra, which simply plops back into place with strong magnets, flipping the Osmo Nano around is a bit fiddly.

The design is gray and plastic, which is familiar territory for both DJI and action cams in general. The body is subtly textured though, meaning it's easy to grab onto with cold, wet or sweaty hands. Ruggedness is key for an action camera, but only the wearable part of the Osmo Nano is waterproof. The camera is IPX8-rated for submersion up to 10 metres underwater.

The dock is only splash, rain and likely sweat resistant, and I wouldn't fancy its chances in a heavy rain shower. This is a shame, because it limits potential usage and introduces a little caution to creativity when shooting. It's also a far cry from DJI's Action 5 Pro, which is verified down to 20m / 65ft.

While the dock isn't waterproof, you can use the whole product in temperatures of -20C to 45C (-4F to 113F), so you're good for everything from winter sports to desert treks. A lens cover screws over the main lens, so if you damage or scratch it a replacement costs a fraction of buying a whole new unit.

The Osmo Nano has just two physical controls: there's a big red record button on the top of the camera and another on one side of the dock. These also act as power switches, and they require some force to push down so that you're not likely to press them accidentally. That's it, other than a small flap that opens up on the other side of the dock to reveal the USB 3.1 port for charging and transferring files, plus the microSD slot, which takes up to a 1TB card.

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The LCD screen on the DJI Osmo Nano in the sunshine — (Image credit: Lauren Scott)

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I didn't find the DJI Osmo Nano as enjoyable or easy to navigate as other action cameras I've tested. You swipe up to access video settings, down for the main menu, and left to change the shooting mode. To toggle Pro Mode on or off, you tap the slider icon on the right side of the screen.

It's not rocket science, but at 1.96 inches the small screen means you need to be extra precise with your touch gestures to bring up menus and dial in settings. My partner – who has bigger hands and fingers than I – sometimes had to tap the screen a few times to activate settings.

The menus are mainly black and white with yellow accents, and I found this less eye-catching than the GoPro or Insta360 ecosystems, although that may be more a matter of personal preference. Some settings are also overlaid on the live picture and can be difficult to read. The camera doesn't have the same detailed tutorials and guides that you get when you start using the Insta360 Go Ultra, although I'm sure DJI fans will have no trouble finding their way around.

Design score: 4/5

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DJI Osmo Nano: Performance and features

Quick-edit videos on the DJI Osmo Mimo app
Standalone camera charges 80% in about 20 mins
In-built storage and takes microSD cards up to 2TB

The performance of the Osmo Nano is hard to pin down. In some areas I felt it delivered exceptionally well, but in others it was a bit underwhelming. The rapid file transfer ended up being surprisingly helpful, and in my tests with the 128GB version DJI's claim of up to 600 MB/s transfer speed over USB 3.1 holds up, and I found it a huge time-saver compared to sending lots of files wirelessly.

The camera's battery life is a limitation, though, particularly when shooting at higher resolutions like 4K/60fps. I got closer to 60 minutes of continuous recording here – rather than the 90 minutes that DJI claims at 1080p/24fps – which isn't bad for its size, but lags behind the multi-hour endurance of larger cameras like the Osmo Action 5 Pro. The dock can top up the battery on the go, and I was also impressed by its ability to charge to 80% in just 20 minutes, especially if you're as bad as I am at remembering to charge your gear before a shoot.

You then get up to 200 minutes of 1080p/24fps video from the dock, but in reality, I found this closer to two hours once the screen and Wi-Fi are on and you've powered the camera up and down a few times.

If you tend to record short clips throughout a longer day, it's nothing to worry about. If you're the type of shooter to record continuously, you may lament the fact that there aren't replaceable batteries to swap out when you run out of juice. I left the camera running for my battery tests during a particularly warm day, and although it felt hot to the touch during, it never overheated to the point of turning off.

The Osmo Nano is equipped with DJI's RockSteady 3.0 stabilization and HorizonBalancing. It handles a fair amount of shake, but it's not on the same level as a dedicated gimbal like the Osmo Pocket series. In footage of fast-paced, high-impact activities like running on trails you'll still see some micro-jitters, but for walking shots it's pretty impressive.

Using different mounts will dictate how stable your results are. Using the pendant seemed to cause me more wobbles than handholding the camera, for example, but the head mount gave me super-smooth footage when running. It's worth noting that there are different levels of stabilization, with daily, sport, or anti-motion blur options. You can also turn off image stabilization to save battery, or if you're using a secondary DJI product to keep things stable.

The DJI Osmo Nano performs really well in remote shooting scenarios without a phone. The voice commands, like 'start recording', work almost instantaneously in a quiet environment, but require you to shout when it's loud (not a great look in a city center). I found that gestures worked well too, and I liked being able to pat the camera when it was powered off to start recording, or nod my head when it was mounted on my head. Much more subtle.

The Osmo Nano has two built-in microphones for stereo sound, and I found the audio straight out of the camera surprisingly immersive. It picks up sound from a variety of directions when you're shooting in a public place, but still hones in on your voice when you're speaking to the camera clearly.

Like all action cameras, the audio quality sounds muffled underwater, but the clarity returns more quickly than others I've tested when you pull the camera back out into fresh air. There are lower and stronger wind reduction modes, and both did a decent job of reducing disturbance when I captured some clips on a blustery countryside walk, without removing the noise entirely (see the clips below). My voice was clear and free from distortion, but it's not the perfect solution for clean audio; for that, you'll need a separate mic.

A major draw is the ability to connect the Osmo Nano directly to DJI's wireless microphones without needing a separate receiver. I haven't been able to try this yet, but I can see it being convenient for creators who want to capture high-quality audio, especially those already with DJI mics.

Performance score: 4/5

DJI Osmo Nano: Image quality

1/1.3-inch sensor
Video up to 4K/120fps and 35MP photos
10-bit D-Log M and HLG color profile options

The Osmo Nano has a 1/1.3-inch sensor, the same size as you'll find in the Osmo Action 5 Pro and just a fraction smaller than the one in the Insta360 Go Ultra. Video headlines include 4K at 60fps in 16:9 format, and 4K 120fps slow-mo footage, which expands to 1080p 240fps.

The specs are one thing, but the proof is in the pudding; or in this case, in the videos and shots you get from the camera. Overall, I think the image quality is good for an action camera of this size. As ever, it won’t completely replace a full-sized or full-frame camera, but that's not the expectation here. The fixed 143-degree ultra-wide field of view is perfect for first-person POV shots, and I could fit a whole wedding group in the frame (I don't have permission to include the sample shot in the review, sadly), but it's not easy to zoom in on the scene should you want to get closer in.

I tested the Osmo Nano in all weather and lighting scenarios. DJI touts the wide dynamic range of the Osmo Nano, but in direct sunshine I noticed some banding where the highlights had been clipped. You can see this in the video above, which was a test of the one-tap editing feature in the DJI Mimo app.

4K resolution is sharp and punchy, and even in 8-bit color mode the camera seems to capture vibrant blue skies and leafy greens, and handles quick changes in light (coming out of a dark tunnel, from indoors to outdoors) well; however, while I like a bit of lens flare, this is one area that could be handled better. It tended to keep my face exposed when I was talking to the camera, but this wasn't set up anywhere in the camera. If I were to generalize, I'd say footage comes out darker than Insta360's Go Ultra, possibly for greater leeway when editing, where the Insta option is designed for near-automatic use.

DJI's SuperNight mode does a decent job of reducing noise in low light, but it only works at up to 30fps and with 8-bit color, which might limit its utility for serious cinematographers. It’s the best night image quality in a wearable camera I’ve seen, but it’s still bound by the laws of physics – a smaller lens and sensor will always have certain limitations compared to a larger, more dedicated camera. There's some AI-smoothing being applied to reduce noise in low-light footage, but this is less obvious to the untrained eye, and less muddy than some night modes I've seen on earlier action cameras.

DJI's automatic horizon leveling (which can be calibrated) is pretty flawless, and the RockSteady image stabilization is most impressive in sports mode. To really test it out, I wore the camera on DJI's headband mount and recorded the first five minutes of a high-intensity workout. Throughout a gruelling round of burpies, star jumps and squats, the footage was stable and smooth (almost unnaturally so). Trail runs, dog walks, and cycle clips were all just as usable, but the handheld results are slightly more jittery than using a dedicated mount.

Photos from the camera have a medium-range megapixel count (the maximum resolution is 35MP and you can shoot in a 16:9 or 4:3 ratio), and as to their quality, I said the same thing about Insta360 Go Ultra's photo results: they're good enough to insert into videos, but I probably wouldn't use them for standalone social posts or prints as a creator. Consider them as an additive rather than a standalone feature, and you won't be disappointed.

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Test shots in low-light from the DJI Osmo Nano — (Image credit: Lauren Scott)

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Sample shots from the Insta360 Go Ultra and DJI Osmo Nano action cameras showing a black retriever in a field — (Image credit: Lauren Scott)

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Test shot in bright sunshine from the DJI Osmo Nano — (Image credit: Lauren Scott)

Impressively, the Osmo Nano gives you the option of recording footage with a flat color profile (DJI's D-Log M setting), designed to preserve the maximum color and brightness info in the video file, especially in lights and darks.

While the footage out of the camera is desaturated in this mode, I found you had far more wiggle room to adjust the colors, contrast, and saturation to achieve a specific, cinematic look without losing any of the detail captured in the original scene. This is also going to benefit creators shooting a project with the Osmo Nano alongside other cameras who want their edited work to look consistent.

Image quality score: 4/5

DJI Osmo Nano: testing scorecard

DJI Osmo Nano
Attributes	Notes	Rating
Price	Much cheaper than the Insta360 Go Ultra, and that includes helpful built-in storage.	5/5
Design	Unexciting but functional, and it's a shame the dock is only splash-proof. The lens replacement adds ruggedness.	4/5
Performance & features	Fewer filters and modes than the Insta360 Go Ultra, but you get the option of manual controls. The DJI Osmo app makes quick, clever edits.	4/5
Image quality	In daylight, colors are vivid and dynamic range is good. Stabilization is excellent, and low light footage is fine. Slow-mo could be crisper.	4/5

Should I buy the DJI Osmo Nano?

Buy it if...

You want a camera that 'disappears'
The Osmo Nano is small enough to be worn on a pendant, hat, or headband, thanks to its small size and weight. The magnetic mount allows for quirky mounting solutions like lamp posts, cars, and even washing machines.

You already own DJI products
To boost the sound quality, you can connect the Nano directly to two DJI microphone transmitters without needing a receiver. If you've already got a DJI mic, gimbal or camera, sticking with the brand also means greater familiarity with the app.

Don't buy it if...

You like a roomy LCD screen
At less than two inches, I found the Osmo Nano's LCD touchscreen a little small for composing shots and reviewing footage. You can use your phone for a larger live view, but this isn't always convenient.

You want a fully waterproof solution
The Nano's Vision Dock is only splashproof, and this made me uncomfortable while shooting in the rain or near water. If you're a real action lover, I'd recommend a camera with a more rugged build.

Also consider

The Insta360 Go Ultra on a white background

Insta360 Go Ultra

The Insta360 Go Ultra has a similar form factor, with a separate camera and action pod. The flip-up screen is more vlog-friendly and bigger at 2.5 inches, while the camera weighs the same as the Osmo Nano but is more square and shallow (which I found easier to mount). Pricing and image quality are similar, but it's a slightly more fun action camera that's great for the whole family.

Read my full Insta360 Go Ultra review

GoPro Hero 13 Black action camera on a white background

GoPro Hero 13 Black

The GoPro Hero 13 Black is still the flagship of action cams and one I'd recommend for serious filmmakers. It's chunkier than the Osmo, but it also has magnetic mounting. GoPro also has the widest range of mount accessories to open up creative shooting opportunities, and it's possible to squeeze 1.5 hours of 5.3K video from the battery, for recording with fewer interruptions.

Read our full GoPro Hero 13 Black review

The DJI Osmo Nano camera held by a female photographer in a pink top — (Image credit: Lauren Scott)

How I tested the DJI Osmo Nano

I tested the camera for two weeks pre-embargo
I wore it on walks and runs, and mounted it for drives
I recorded videos at all settings and in all modes

DJI sent me a full-production Osmo Nano for review around two weeks before its release date, and I used it at least once a day – often much more – during this period. I always like a camera to become a natural part of my workflow, rather than carrying out one intense period of testing, so that I uncover the nuances for a more informed and helpful review.

I tried all the camera's modes, used it with and without the dock, and mounted it on the magnetic pendant and headband. I mainly used the DJI Mimo app to edit footage right from my iPhone 15 Pro.

First reviewed September 2025

I tested TCL’s new flagship mini-LED TV, and for this price it’s going to be hard to beat

9:00 pm | July 25, 2025

Author: admin | Category: Computers Gadgets Televisions | Tags: Dolby Atmos, HLG, Sony Bravia, TV | Comments: Off

TCL QM8K: Two-minute review

The TCL QM8K is the company’s flagship mini-LED TV for 2025, and it brings several refinements over last year’s TCL QM851G, which was the brightest TV we’d ever tested at the time. The QM8K also delivers high brightness via a new Super High Energy LED Chip. Still, that brightness is now balanced with a Halo Control System, a 23-bit backlight controller, and a Dynamic Light Algorithm to ensure that pictures also have solid contrast and deep, detailed shadows.

The improvements made to the TCL QM8K make it one of the best TVs for movies, but its anti-reflection screen and new Ultra Wide Angle feature also make it perfect for sports. Not only do you get a very bright picture, but its anti-reflection coating lets you watch without having to worry about screen glare, while the Ultra Wide Angle feature means that groups can gather around the screen and everyone will experience the same picture quality no matter where they are sitting.

TCL tapped speaker Danish speaker maker Bang & Olufsen to design the QM8K’s built-in speaker system, which supports both Dolby Atmos and DTS Virtual:X. Audio by Bang & Olufsen on the QM8K entails a ‘Beosonic’ equalization interface that lets you tune the sound using categories like Bright or Relaxed, as opposed to typical EQ options. Overall, the QM8K’s built-in sound is good for a TV, though it’s unsurprisingly light on bass and dynamics.

The QM8K’s Ultra Slim design uses a Zero Border bezel that reduces the distance between the TV’s edge and the actual picture to a mere 3.4mm. It has a more premium look than many TVs, and models up to 85 inches all get a sturdy pedestal stand with adjustable height to clear space for a soundbar.

Google TV is used for the QM8K’s smart TV platform, and it’s a serviceable one, but also one that serves up ads. A quick menu lets you easily access basic picture and other settings, and Google TV’s Live program guide can incorporate broadcast channels pulled in by the QM8K’s ATSC 3.0 ‘NextGen TV’ tuner.

Gaming is well represented on the QM8K with 4K 144Hz support, though that refresh rate is only supported on two of the TV’s four HDMI ports. A Game Accelerator 288 VRR feature also lets you double the TV’s native 144Hz refresh rate for 1080p resolution gaming. The QM8K’s 13.2ms input lag would be considered an average level for most TVs, though most gamers should be perfectly satisfied with its gaming performance.

Value is a strong point with the QM8K. TCL’s current discounted $1,599 price for the 65-inch model is several hundred dollars less than the 65-inch Samsung QN90F, and it offers many of the same features, including an anti-reflection screen and Ultra Wide Angle feature. But it's also more expensive than the Hisense U8QG, another super-bright mini-LED TV with impressive picture quality.

TCL QM8K review: Price and release date

TCL QM8K showing image of sunset — The QM8K's powerful contrast and wide color gamut coverage results in rich-looking color (Image credit: Future)

Release date: May 2025
65-inch: $2,499.99
75-inch: $3,199.99
85-inch: $3,799.99
98-inch: $6,499.99

Similar to its TCL QM851G predecessor, the new TCL QM8K series is available in 65- to 98-inch screen sizes. All QM8K sizes launched at a higher list price than the preceding models, but have since dropped significantly, with the 65-inch version I tested now widely selling for $1,599.

With its reduced pricing, the QM8K is now more competitive with the Hisense U8QG, which is that company’s flagship mini-LED TV series. The 65-inch U8QG dropped to $1,299 during the time I was reviewing the TCL QM8K. Another close mini-LED competitor for the QM8K is the Samsung QN90F, a 2025 model that has since dropped in price to $1,999 for the 65-inch model.

TCL QM8K review: Specs

Screen type:	QLED with mini-LED
Refresh rate:	144Hz
HDR support:	Dolby Vision, HDR10+, HDR10, HLG
Audio support:	Dolby Atmos, DTS Virtual:X
Smart TV:	Google TV
HDMI ports:	4 (2x HDMI 2.1)
Built-in tuner:	ATSC 3.0

TCL QM8K review: Benchmark results

Hisense U8QG review: Features

TCL QM8K side panel ports — The QM8K has two HDMI 2.1 ports with 4K 144Hz support, plus two HDMI 2.0 ports (Image credit: Future)

Ultra Wide Viewing Angle
Dolby Vision IQ, HDR10+, HDR10, and HLG support
Audio by Bang & Olufsen

The TCL QM8K series uses a new CrystGlow WHVA Panel with TCL’s Halo Control System. To decipher all that, it’s a QLED display with a mini-LED backlight that uses a Super High Energy LED Chip for increased brightness, along with a reduced optical distance between the light modules and display panel. The Halo Control System in QM8K series TVs also feature a 23-bit backlight controller for more precise local dimming, which is helped by a Dynamic Light Algorithm.

Two other CrystGlow WHVA Panel features are a Zero Border display that reduces the distance between the TV’s edge to the actual image down to 3.4mm, and Ultra Wide Viewing Angle, which provides a 40% improvement in off-axis picture uniformity compared to last year’s TCL QM851G series, according to TCL.

QM8K series TVs feature up to 3,800 local dimming zones and up to 5,000 nits specified brightness. An anti-reflective screen is also provided to reduce screen glare when viewing in bright rooms.

HDR support on the QM8K series includes the Dolby Vision IQ, HDR10+, HDR10, and HLG formats. The TVs are also IMAX Enhanced and they provide a Filmmaker Mode picture preset – a new feature for TCL TVs in 2025.

The Audio by Bang & Olufsen built-in speaker system on QM8K series TVs supports Dolby Atmos and DTS Virtual:X. No specific speaker configuration or wattage information is supplied in TCL’s specifications, but there are upfiring Atmos speakers on the TV’s top edge, along with dual subwoofers on the rear panel.

Like other TCL TVs, the QM8K series uses the Google TV smart TV platform, and it also features a built-in mic for hands-free Google Assistant voice control. If you don’t want to deal with Google Assistant, other control options include Amazon Alexa and Apple HomeKit.

Gaming features on the QM8K include 4K 144Hz support on two of the TV’s four HDMI inputs. A Game Accelerator 288 VRR feature lets you double the TV’s native 144Hz refresh rate to 288Hz for 1080p-resolution gaming, and there’s also a Game Bar menu for easy onscreen access to gaming-related adjustments.

The QM8K’s connections include an ATSC 3.0 tuner input. This lets you connect one of the best indoor TV antennas to receive both standard and ‘NextGen’ digital TV broadcast channels, and there are options to view channel data either in a dedicated program grid guide or integrated in the Google TV Live TV guide along with free streaming channels.

Features Score: 4.5/5

TCL QM8K review: Picture quality

TCL QM8K showing image of green plant — The QM8K's picture looks great for both light and dark room viewing, and it has has an effective anti-glare screen (Image credit: Future)

Excellent brightness
Accurate out-of-the-box picture
Impressive off-center picture uniformity

When I tested the QM8K’s predecessor, the TCL QM851G, it was the brightest TV I’d yet measured. The QM8K doesn’t hit the same brightness heights as that model, but it still has very high brightness even by flagship mini-LED TV standards.

In Filmmaker Mode, the QM8K hit 2,268 nits peak brightness (measured on a 10% HDR white window pattern) and 584 nits fullscreen brightness. Standard mode brightness was even higher, at 3,176 and 629 nits, respectively.

For comparison’s sake, the Samsung QN90F measured 2,086 and 667 nits, respectively, on the same tests in Movie mode when I reviewed it, while the Hisense U8QG – 2025’s current reigning brightness king – hit 2,888 nits peak brightness and 744 nits fullscreen brightness in my tests.

Color gamut coverage was also excellent, with the QM8K measuring 97% for UHDA-P3 and 78.7% for BT.2020. Picture accuracy was also notably good, with the QM8K delivering Delta-E (the margin of error between the test pattern source and what’s shown on-screen) averages of 1.9 for grayscale and 0.8 for color, which means both are indistinguishable from perfect to the human eye.

The QM8K features an Intelligent picture preset that uses AI to determine the proper picture settings based on content. I used this for casual TV viewing with generally good results, though I’d recommend the more accurate Filmmaker or Movie modes for movies. Upscaling was impressive, with the QM8K presenting older TV shows and other lower-resolution content with a good level of clarity.

Brightness is one of the QM8K’s main advantages, and it helped sports come to life on screen, and also made highlights in movies like Alien: Romulus visually pop. In dark movies like that one, the QM8K’s refined local dimming ensured that shadows looked deep and detailed. Contrast was consistently strong, and, true to the promise of TCL’s Halo Control System, there was virtually no sign of backlight blooming.

TCL QM8K showing image of fantastic landscape — An Ultra Wide Angle features means the QM8K's picture looks good from a range of seating positions (Image credit: Future)

Motion handling on the QM8K was average, with a reference scene from the James Bond film No Time to Die showing a fair amount of blur and judder as Bond traversed a rocky hillside cemetery. Selecting the Custom Motion Clarity option in the Motion menu and setting both the judder and blur settings to 2 reduced this, however, and it didn’t add any soap opera effect to the picture in the process.

The QM8K’s anti-reflection screen proved effective when viewing with bright overhead room lights turned on. I could see mirror-like reflections when a lamp was placed in the way of its screen, but otherwise, general ambient room lighting didn’t harm picture contrast, even when watching movies.

Equally impressive is the QM8K’s Ultra Wide Viewing Angle feature. During my testing, pictures retained their contrast and color saturation even when viewed from a far-off-center seat. That’s a big step up from last year’s QM851G, which performed poorly in the same test.

Less impressive was a faint vignetting, an effect that is likely related to the QM8K’s Zero Border design, which places the LCD panel driver circuitry along the outer edges of the screen. The effect was minor, and I mostly saw it only on gray full-field test patterns during my initial testing, but during normal viewing, I occasionally noted it on flat fields of color, such as an empty blue sky.

Picture quality score: 4.5/5

TCL QM8K review: Sound quality

TCL QM8K rear panel bass modules — Dual bass drivers on the TV's back panel deliver extra low end, but certainly not subwoofer-level bass (Image credit: Future)

Dolby Atmos and DTS Virtual:X
Audio by Bang & Olufsen built-in speakers
Good overall sound quality

The QM8K’s Audio by Bang & Olufsen built-in speakers support both Dolby Atmos and DTS Virtual:X. TCL doesn’t provide any specs about speaker configuration or power, but there are upfiring drivers on the TV’s top surface, and bass modules on the back panel.

Sound features are mostly limited to presets such as Speech, Movies, Game, and Night. There’s also a Custom preset that lets you make adjustments using Bang & Olufsen’s Beosonic interface, which involves moving a cursor between Relaxed, Energetic, Bright, and Warm options until you settle on a sonic mix that you like. Using this, I found it useful for taking off the bright edge that’s typical for built-in TV sound.

I did most of my viewing using the TV’s Movie preset, which provided a good level of spaciousness with Dolby Atmos soundtracks while retaining speech clarity. The QM8K’s sound was good overall, with accurate positioning, but bass was limited, and soundtracks could also get a bit muddied when pushed to higher volume levels. Movie fans will want to consider pairing the QM8K with one of the best soundbars.

Sound quality score: 4/5

TCL QM8K review: Design

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TCL QM8K pedestal stand close up — The QM8K's pedestal stand uses an aluminum base and a plastic top panel (Image credit: Future)

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TCL QM8K bezel shown from top — A contoured design gives the QM8K a slimmer look when viewed from the side (Image credit: Future)

Ultra Slim design
Adjustable height pedestal stand
Full-sized, backlit remote control

The QM8K’s “Ultra Slim” design features a sloping back panel that gives the impression the TV is thinner than it actually is. A sturdy plastic-capped aluminum pedestal stand is used for all sizes except the 98-inch model, and it has an adjustable height to clear space for a soundbar. Many TVs claim to have a “bezel-free’ design, but the QM8K with its 3.4mm, Zero Border bezel comes closer to presenting an all-image look than most I’ve seen.

Connections are located on a side-mounted input section and include four HDMI ports (including one with eARC and two HDMI 2.1 with 4K 144Hz support), an optical digital audio output, RF antenna, two USB type-A, and Ethernet.

TCL’s remote control strikes a nice balance between the more minimalist ones that come with TVs from LG and Samsung and the button-heavy remotes included with Hisense TVs. The buttons are backlit so you can actually see what you’re doing in the dark, and there are dedicated controls for input selection and for accessing Netflix, Prime Video, YouTube, and the ad-supported TCLTV free streaming channels portal.

Design score: 4/5

TCL QM8K review: Smart TV and menus

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TCL QM8K Google TV screens — The QM8K's Google TV homescreen (Image credit: Future)

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Google TV
Live program grid integrates FAST and broadcast channels
Quick settings menu

TCL TVs use the Google TV smart TV platform, which features a homescreen with a large banner at the top with rotating show recommendations and a few sponsored ads. A ‘Top picks for you’ row of recommended programs is located directly below, and the options can be determined by your Google search activity and viewing history when you’ve signed in with a Google account. The final component of the homescreen is a ‘Your apps’ row at the bottom of the screen, which can be edited to reflect your most-used apps.

Tabs located at the top of the homescreen let you access the following: Live (a program guide with Google TV Freeplay channels and channels pulled in by antenna), Apps (a portal for downloading and organizing apps), Library (for purchasing and renting shows and movies on Google TV), and TCL (TCL’s own TCLtv free, ad-supported channels).

As usual with Google TV, picture adjustments and other settings can be accessed by clicking the gear icon onscreen, or its equivalent on the remote control. There are a fair number of adjustments available, including advanced ones such as 2- and 20-point white balance and variable gamma settings.

A quick menu can also be accessed via a dedicated remote control button, and this presents an overlay at the bottom of the screen for easy access to a range of settings, including essential ones like brightness and picture mode.

Smart TV & menus score: 4/5

TCL QM8K review: Gaming

TCL QM8K Game menu — The QM8K's Game Menu in action (Image credit: Future)

Two HDMI 2.1 ports with 4K 144Hz support
Game Accelerator 288 VRR
13.2ms input lag is an average level for TVs

Gaming features on the QM8K include two HDMI 2.1 ports with support for 4K 144Hz, ALLM, and FreeSync Premium Pro. There’s also a Game Accelerator 288 VRR feature that doubles the TV’s native 144Hz refresh rate for 1080p-resolution gaming (which may be of interest to PC gamers), and an onscreen Game Menu that lets you make quick gaming-related adjustments without having to exit the main screen.

I measured the QM8K’s input lag in Game mode at 13.2 using a Bodnar 4K meter. That’s an average level, and below the 15ms threshold most gamers look for, but other TVs we’ve recently tested from Samsung and LG, and also the new Hisense U8QM, yielded under 10ms lag times when we measured them.

Gaming score: 4/5

TCL QM8K review: Value

TCL QM8K remote control held in hand — The QM8K's full-size, fully backlit remote control (Image credit: Future)

Great value at current price
Cheaper options available with similar brightness
You’ll pay considerably more for premium brand options

At its current reduced $1,599 price for the 65-inch model I tested, the TCL QM8K is an excellent value.

That price is more than what you’ll pay for the Hisense U8QG, that company’s flagship model, but the TCL arguably has better overall picture quality and also better built-in sound. It’s also less than what you’ll pay for the Samsung QN90F, another flagship mini-LED, and one that offers a better smart TV platform and gaming features, along with a slimmer design.

Taking all that into consideration, the TCL is a solid middle mini-LED option, and perhaps the best value of the three.

Value score: 4.5/5

Should I buy the TCL QM8K?

TCL QM8K showing abstract colorful image — (Image credit: Future)

TCL QM8K
Attributes	Notes	Rating
Features	Comorehensive HDR support and Audio by Bang & Olufsen built-in speakers	4.5/5
Picture quality	High brightness, refined local dimming, an anti-reflective screen, and a wide viewing angle make this a great all-purpose TV	4.5/5
Sound quality	Good overall sound quality but limited bass. A Beosonic interface allows for fine-tuning audio	4/5
Design	A literally bezel-free design with a sturdy pedestal stand and solid, backlit remote control	4/5
Smart TV and menus	Google TV is a serviceable smart interface plus the quick menu provides easy access to basic settings	4/5
Gaming	4K 144Hz and FreeSync Premium Pro supported, but only on two HDMI ports	4/5
Value	At its current discounted price, the QM8K is a great value	4.5/5

Buy it if...

You want a great TV for movies
The QM8K’s high brightness, refined local dimming, and comprehensive HDR format support make it an excellent choice for watching 4K movies.

You also want a great TV for sports
An anti-reflection screen on the QM8K effectively reduces screen glare during daytime sports viewing, and an Ultra Wide Angle feature means its picture looks solid even from off-center seats.

You don’t want to pay top dollar for a mini-LED TV
The QM8K offers much the same performance level as other flagship mini-LED TVs from brands like Samsung, while costing several hundred dollars less.

Don't buy it if…

You want the best gaming TV
While the QM8K has a strong set of gaming features, including 4K 144Hz and FreeSync Premium Pro support, those features are only supported on two of its HDMI ports. Also, there are other TVs with lower input lag time than the TCL.

You want the best smart TV platform
Google TV is a generic, serviceable smart TV platform, but it's been eclipsed by the smart platforms on LG and Samsung TVs, which have seen strong improvements over the past few years.

You want to watch movies, but don’t want a soundbar
The QM8K has good built-in sound, but movie soundtracks can get congested at loud listening levels, making a soundbar a necessity for best audio quality.

TCL QM8K: Also consider...

	TCL QM8K	Samsung QN90F	Hisense U8QG	Sony Bravia 9
Price (65-inch)	$2,499.99	$2,499.99	$2,199	$2,999
Screen type	QLED w/ mini-LED	QLED w/ mini-LED	QLED w/ mini-LED	QLED w/ mini-LED
Refresh rate	144Hz	165Hz	165Hz	144Hz
HDR support	DolbyVision/HDR10+/HDR10/HLG	HDR10+/HDR10/HLG	DolbyVision/HDR10+/HDR10/HLG	DolbyVision/HDR10/HLG
Smart TV	Google TV	Tizen	Google TV	Google TV
HDMI ports	4 (2x HDMI 2.1)	4x HDMI 2.1	3x HDMI 2.1	4 (2x HDMI 2.1)

Samsung QN90F
The QN90F is pricier than the QM8K, but it has better gaming features and performance and a superior smart TV platform. Its Glare Free screen is also more effective at reducing reflections in bright rooms.

Here’s our Samsung QN90F review

Hisense U8QG
Hisense’s flagship mini-LED TV is currently a cheaper option than the TCL QM8K. It has a similarly bright picture plus refined local dimming, but it lacks the QM8K’s Ultra Wide Angle feature and has less impressive built-in speakers.

Here’s our Hisense U8QG review

Sony Bravia 9

The Sony Bravia 9 is significantly more expensive than the other TVs listed here, but it has a bright picture with refined local dimming plus excellent built-in sound and audio-related features.

Here’s our Sony Bravia 9 review

How I tested the TCL QM8K

TV brightness being measured by a TV reviewer — Measuring a 10% HDR white window pattern during testing (Image credit: Future)

I spent about 15 viewing hours in total measuring and evaluating
Measurements were made using Calman color calibration software
A full calibration was made before proceeding with subjective tests

When I test TVs, I first spend a few days or even weeks using it for casual viewing to assess the out-of-the-box picture presets and get familiar with its smart TV menu and picture adjustments.

I next select the most accurate preset (usually Filmmaker Mode, Movie or Cinema) and measure grayscale and color accuracy using Portrait Displays’ Calman color calibration software. The resulting measurements provide Delta-E values (the margin of error between the test pattern source and what’s shown on-screen) for each category, and allow for an assessment of the TV’s overall accuracy.

Along with those tests, I make measurements of peak light output (recorded in nits) for both standard high-definition and 4K high dynamic range using 10% and 100% white window patterns. Coverage of DCI-P3 and BT.2020 color space is also measured, with the results providing a sense of how faithfully the TV can render the extended color range in ultra high-definition sources – you can read more about this process in our guide to how we test TVs at TechRadar.

For the TCL QM8K, I used the Calman ISF workflow, along with the TV’s advanced picture menu settings, to calibrate the image for best accuracy. I also watched a range of reference scenes on 4K Blu-ray discs to assess the TV’s performance, along with 4K HDR shows streamed from Max, Netflix, and other services.

First reviewed: July 2025
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I tested Samsung’s mid-range QD-OLED TV, and it delivers near-flagship-level performance at a much lower price

2:30 pm | June 1, 2025

Author: admin | Category: Computers Gadgets Televisions | Tags: AI, HLG, RGB, TV | Comments: Off

Samsung S90F 65-inch: Two-minute review

The Samsung 65S90F TV I tested features the brand’s quantum dot approach to OLED technology. It doesn’t push the brightness of this relatively new take on the best OLED TV tech as hard as the flagship Samsung S95F OLED TV does, but that doesn’t stop it from delivering a big improvement over last year’s Samsung S90D – a level of improvement that makes it arguably the most all-round attractive TV in Samsung’s 2025 TV range once you’ve taken value into account.

Movie fans will be in awe at the Samsung 65S90F’s phenomenal contrast and light control, which finds stunningly deep black levels (provided you’re not shining some sort of spotlight at the screen…) balanced with highlights that hit levels of intensity we once thought OLED would never achieve.

Samsung’s approach to OLED technology also helps the 65S90F deliver incredibly vivid colors, while its latest NQ4 AI Gen3 Processor ensures that there’s much more subtlety and nuance in the way these fantastically rich tones are used to create more natural, three-dimensional pictures than its already illustrious predecessor managed.

Gamers are in for a treat with the 65S90F too, as it delivers such console and PC-friendly features as support for 4K at up to 144Hz, variable refresh rates across all four of its HDMI 2.1 ports, and one of the fastest response times I've ever seen from a TV.

Its Tizen smart system is packed with content and increasingly easy to use, too, and notwithstanding the occasional bass fumble, the 65S90F even manages to sound good despite its ultra-slim design.

Add to all this the fact that the 65-inch S90F costs hundreds less than its flagship S95F sibling, and it starts to become seriously hard to resist. But let me point out that this review and the performance figures only apply to the 65-inch version – at other sizes, instead of a QD-OLED panel, you may get a W-OLED panel, with different performance.

Samsung S90F series: Prices and release date

Samsung S90F showing image of cluttered table — The mid-range Samsung S90F brings the picture benefits of QD-OLED to a lower price point (Image credit: Future)

Release date: April 2025
42-inch: $1,299 / £N/A / AU$1,799
48-inch: $1,499 / £1,499 / AU$2,499
55-inch: $1,799 / £1,899 / AU$3,299
65-inch: $2,499 / £2,699 / AU$4,299
77-inch: $3,499 / £3,799 / AU$5,999
83-inch: $5,399 / £5,999/ AU$7,999

The 65-inch S90F was released worldwide during April 2025. It sits in the second tier of Samsung’s 2025 OLED TV range, below the significantly brighter and more expensive S95F flagship series.

Its $2,499 / £2,699 / AU$4,299 pricing places it right at the heart of today’s upper mid-range TV marketplace, and pitches it squarely against such key rivals as the LG C5 and Samsung’s premium mini-LED TV for 2025, the Samsung QN90F.

The sizes above are the official prices for the other options in the S90F model range, but again, we're only focusing on the 65-inch here.

Samsung S90F 65-inch review: Specs

Screen type:	QD-OLED
Refresh rate:	144Hz
HDR support:	HDR10+, HDR10, HLG
Audio support:	Dolby Atmos, Eclipsa Audio
Smart TV:	Tizen 9.0
HDMI ports:	4 x HDMI 2.1
Built-in tuner:	ATSC 1.0 (US)

Samsung 65S90F review: Benchmark results

Samsung S90F 65-inch review: Features

Samsung S90F rear panel view — The S90F has four HDMI 2.1 ports with 4K 144Hz support for gaming (Image credit: Future)

4K quantum dot OLED TV
HDR10, HLG and HDR10+ HDR support
Gaming support up to 4K 144Hz with VRR

For many AV fans, the 65S90F’s key appeal will be getting Samsung’s QD-OLED technology for substantially less money than the brand’s S95F flagship OLED costs.

The attraction of QD-OLED technology is that it delivers red, green and blue colors without the additional white element used by traditional OLED screens, yet still manages to at least match those ‘WRGB’ OLEDs when it comes to high dynamic range-friendly brightness for video and gaming content.

The tech has already delivered some truly spectacular picture quality results since Samsung first launched the technology back in 2022, including multiple TV of the Year award-winners.

Samsung claims to have improved the performance of the 65S90F over its S90D predecessor with increased brightness and more granular control of its QD-OLED panel, as well as an upgraded NQ4 AI Gen 3 processor.

This is stated to run NPU and GPUs that are twice as fast as the ones used in Samsung’s step-down S85F OLEDs, as well as a 17% faster CPU, while introducing new AI-driven picture and sound elements on the back of a 6.4 times increase in the number of neural networks the TV carries.

The 65S90F’s sound also benefits from Samsung’s OTS technology, which, despite the TV only having a 2.1-channel speaker configuration, uses clever audio processing to try and make sounds appear to be coming from the correct part of the screen. Or even the precise area beyond the screen’s edges if that’s what an audio mix dictates.

If you partner the 65S90F with a Samsung soundbar, you get the additional advantage of Samsung’s Q-Symphony feature, where the speakers in the TV join forces with those in the soundbar (rather than being replaced by them) to deliver a larger center channel sound with more accurate detail placement.

The 65S90F’s connections are outstanding for a mid-range TV, dominated as they are by a set of four HDMI ports that are all built to cope with the latest gaming features of 4K 120Hz feeds (actually 4K 144Hz is supported via Samsung’s Motion Xcelerator technology), variable refresh rates (including both AMD FreeSync Premium Pro and Nvidia G-Sync, with the latter coming in a software update), and auto game mode switching.

All of that is backed up by both a dedicated gaming hub within the TV’s Tizen operating system and a specific game monitoring and adjustment menu, but more on this later.

As ever with Samsung TVs, the 65S90F’s HDR support includes the ‘core’ HDR10 and HLG formats, as well as the premium HDR10+ system that adds extra scene-by-scene image data to help compatible displays deliver more accurate and punchy results.

This HDR10+ support extends to the Adaptive version that can adjust its output to compensate for ambient light conditions, and HDR10+ gaming.

Samsung continues, though, not to support the Dolby Vision HDR format on its TVs.

One other thing the 65S90F does not have is one of the potent anti-glare screen filters sported by Samsung’s S95F flagship OLED TVs and some of its 2025 premium LCD TVs.

That doesn’t mean the 65S90F’s screen is so reflective that it often or severely gets between you and the TV’s outstanding picture quality in a regular living room set up, though. And while I personally have a lot of time for Samsung’s anti-glare TV filters, some people actually prefer a slightly glossy screen, and for those people, the 65S90F is therefore a potentially great QD-OLED alternative to the S95F.

Features Score: 5/5

Samsung S90F 65-inch review: Picture quality

Samsung S90F showing image of fireplace — The S90F's above-average brightness makes it good for bright room viewing, though it lacks the anti-reflective screen coating found in the flagship S95F (Image credit: Future)

Exceptional contrast
Rich, pure RGB colors
No viewing angle limitations

Despite not being the flagship 65-inch model from Samsung’s 2025 OLED range, the 65S90F still delivers a gorgeously potent demonstration of what the latest QD-OLED panels are capable of.

Its light control and contrast are particularly phenomenal. The ability of each pixel in any OLED screen to deliver its own brightness and color entirely independently of its neighbors always gives OLED TVs an instant and important area of advantage with home theater fans, of course – but for the vast majority of the time the 65S90F manages to combine the sort of phenomenally inky, deep black tones expected of OLED TVs with brighter HDR image highlights than its S90D predecessor managed.

And that’s while also revealing substantially more consistently visible shadow detail in the darkest image corners – it's better in both bright and dark scenes.

Its brightness sees the 65S90F managing to reach as high as 1,500 nits on a 10% white HDR test window – a huge increase of almost 50% over the brightness in the same test circumstances achieved by 2024’s 65S90D.

This can be delivered on the 65S90F, too, without causing any of the backlight haloing and clouding problems rival LCD TV technology would typically present when dealing with the sort of contrast the 65S90F loves to show.

Just occasionally, the 65S90F can still sometimes crush the subtle detail out of the picture in some of its presets – but if this becomes problematic to you, then nudging the TV’s Shadow Detail adjustment up to level three or four pretty much fixes the issue without causing any unwanted side effects.

I was also struck by how clean the 65S90F’s dark picture areas and scenes look. There’s really zero sign of the sort of graininess or grey blocking noise that less able OLED screens can show in dark areas, revealing a fantastically granular level of control over the QD-OLED panel even in challenging near-black image areas.

Having so much extra brightness in its arsenal hugely increases the intensity the 65S90F can pump into HDR playback, resulting in HDR images that look more natural and realistic as well as more dynamic.

It feeds also into a significantly richer color performance than the S90D served up, getting much more value out of the QD-OLED pixel design. This is particularly and spectacularly obvious in the hard-to-resist Standard picture preset, but crucially, the more accurate Movie and Filmmaker Mode presets also look richer and warmer than they did on the 65S90D without losing that sense of ‘as the director intended’ authenticity home cinema fans are so often looking for.

On that accuracy point, the 65S90F’s measured color and white balance results with SDR content in Filmmaker Mode average out at marginally above the Delta E average error level of three – anything below this is where the human eye is considered incapable of perceiving a visible difference between what the TV is showing and the established video standards.

But since the results average only misses that Delta E error margin goal of three by a puny 0.48, I’m pretty confident that only the most trained eye will have any chance of spotting anything off-key about the Filmmaker Mode’s glorious efforts.

In fact, thanks to the refinements the 65S90F can apply to its more vibrant colors, the Filmmaker Mode looks as gorgeous in its own calmer, more nuanced way as the much more vibrant Standard mode does, with both presets bringing out the extremes of the QD-OLED panel’s capabilities. Extremes that now include a level of subtlety to go with the potency that just wasn’t there before.

Samsung S90F showing colorful abstract image — The S90F's brightness reserves give highlights and colors in images added punch (Image credit: Future)

The 65S90F’s extremes of light and color precision also play their part in creating a beautifully crisp and clean picture with both native 4K sources and, thanks to the efforts of Samsung’s latest AI picture engine, upscaled HD images.

The only thing that damages the 65S90F’s sense of clarity and detail is the out-of-the-box motion settings Samsung applies to some of its picture presets, which can cause quite aggressive glitches in the picture during camera pans or around/over fast-moving objects.

Happily, though, it’s possible to tweak these issues away pretty straightforwardly by choosing a Custom setting for the Picture Clarity settings, and then turning off noise reduction and reducing the judder and blur reduction processing components to around level three or four.

Unlike most LCD and even some rival OLED screens, the 65S90F’s pictures don’t lose contrast or suffer from shifting color tones when viewed from even a really wide angle, making it a great option for big families or awkward room layouts.

I could find only two real issues with the 65S90F’s pictures. First, despite being much brighter than its predecessor, its brightness falls a fair way short of the sort of numbers we’re seeing now from the high-end OLEDs out there from the likes of LG, Samsung, and Philips. And second, if the 65S90F is being watched in very high levels of ambient light, its typically stunning black levels can start to look a bit gray.

The brighter OLEDs out there are typically much more expensive than the 65S90F, though, unless you pick up a 2024 model if you can find one. And the circumstances that cause grayness to creep into black areas are rarer and the degree of grayness milder than it was with the 65S90D, so much so that most home setups will seldom notice it.

Picture quality score: 5/5

Samsung S90F 65-inch review: Sound quality

Samsung S90F rear panel support legs — The S90F's stand uses a pair of feet that slot screw-free into the TV’s bodywork (Image credit: Future)

2.1-channel, 40W speaker array
OTS Lite system accurately positions sound effects
Dolby Atmos and AI sound modes

The 65S90F’s sound isn’t quite as talented as its pictures, but it still is much better and louder than you might expect from such an ultra-thin TV.

For starters, it gets good traction from its Object Tracking Sound (OTS) system. As its name suggests, this enhancement ensures that soundtrack elements are coming not just from the screen generally, but from the correct part of the screen. The system also manages to stage ambient sounds and music so that they appear, correctly, to be hanging out somewhere beyond the on-screen action.

The 65S90F’s OTS Lite system isn’t quite as uncannily precise with its sound effect positioning as Samsung’s higher-end TVs are – not least because it only carries a 2.1-channel speaker system versus the 4.2.2-channel speaker setups typically provided by those more premium models. But it’s still effective enough to make soundtracks feel detailed, busy and immersive.

The staging includes a good sense of forward impact with hard sounds like gunfire, punches and explosions too, despite the TV lacking any forward-facing speakers, while shrill treble effects avoid sounding distractingly harsh or thin.

The 65S90F isn’t the loudest TV we’ve heard – at least at the sort of volume levels you’ll need to stick to if you don’t want the speakers to start feeling a bit strained. Its speakers have enough headroom, though, to be capable of shifting up at least a few gears as action or horror scenes escalate towards a crescendo – even if they don’t quite have that ‘fifth gear’ required to carry the movie world’s loudest moments all the way home.

The 65S90F even manages to find a bit of bass from somewhere, despite its skinny form. This can succumb to buzzing interference, however, and sound a bit strained with the most extreme bass drops, but such moments don’t crop up all that often.

Sound quality score: 4/5

Samsung S90F 65-inch review: Design

Samsung S90F pedestal stand — The S90F's pedestal stand (Image credit: Future)

‘LaserSlim’ design at its extremities
Screw-free stand design
Ultra-thin bezel

At first glance, the 65S90F looks like one of the most futuristic TVs you’ll see. This is because at its outer edges, the screen is incredibly thin – barely deeper than a couple of credit cards stacked on top of each other. The width of the frame around the screen is also unusually narrow, adding to the feeling that you’re watching pictures being conjured up out of thin air.

The 65S90F is not actually as skinny as it initially appears, though. There’s a much deeper mid-section on its rear hosting the TV’s speakers, connections and electronics. This results in a slightly awkward two-tier appearance if you’re looking at the back of the TV, with the screen seeming like it’s just been stuck onto the chunky section rather than the two areas coming together to forge a truly unified design.

Who in their right mind, though, wants to look at the back of a TV rather than its front? And from the front – and, actually, even from quite wide viewing angles – the 65S90F is a futuristic cutie.

While the 65S90F can be hung on a wall if you wish, most users will probably opt to place it on its included stand. This features a unique design that finds a pair of feet slotting screw-free into the TV’s bodywork, and a metallic plate then slotting onto the feet to create what looks like a centrally mounted pedestal support. The resulting central pedestal enables the TV to sit on pretty much as narrow a piece of furniture as you want.

Design score: 4.5/5

Samsung S90F 65-inch review: Smart TV and menus

Samsung S90F's Tizen 9.0 smart TV homescreen is rich with content — The S90F's Tizen 9.0 smart interface (Image credit: Future)

Tizen 9.0 smart TV system
Multiple voice control systems
AI-bolstered content recommendation

The Tizen OS carried by all Samsung TVs is now in its ninth generation, and after a few stumbles along the way, all that experience has paid off handsomely.

For starters, Tizen is now extremely rich with content, including – so far as I can tell – all of the main streaming apps used around the world, as well as many more obscure ones besides.

The only obvious absentee in the UK is the Freeview Play app that brings together all of the streaming services of the UK’s main terrestrial broadcasters. But crucially, each of those catch-up apps is still available on an individual basis.

The Tizen interface can feel a little overwhelming when you’re first presented with it, and it can also run a touch sluggishly for a moment or two after the 65S90F is switched on. Once it’s settled down, though, and you’ve spent just a few moments exploring what it can do, it’s now a friendly and – in the way it learns your viewing habits and recommends content accordingly – highly intelligent TV OS.

Tizen 9.0 has also now resolved most of the navigational quirks that used to affect it when it first switched to a full-screen interface, and it’s customizable enough to easily be adapted to your personal preferences. Also, it can adapt to the personal preferences and viewing habits of different members of your household thanks to its support for multiple user profiles.

Accessing the 65S90F’s setup menus from within the Tizen OS is a bit long-winded, but pressing the settings menu on either of the two remote controls the TV ships with offers a shortcut to all the most-used adjustments.

A notable addition to Samsung’s 2025 menu system is a new AI shortcut option that both makes Samsung’s AI-based picture and sound enhancements easier to access, and makes users more aware that such AI features exist.

Purists likely won’t care for the AI enhancements, of course, and things can get a bit complicated when it turns out that some of the other picture settings you can choose can have an impact on how aspects of the AI enhancements work. But I’d recommend that most people at least experiment with them, even if only with broadcast or sub-4K content too if you prefer how it sharpens things up.

One of the remote controls I just mentioned is a fairly chunky, button-crowded ‘standard’ one, while the other is a much sleeker, less button-heavy smart handset that I suspect will become the one most people use.

Smart TV & menus score: 4.5/5

Samsung S90F 65-inch review: Gaming

Samsung S90F remote control on table — Samsung includes its Solar Cell rechargeable remote control with the S90F (Image credit: Future)

4K 144Hz support on all four HDMI ports
Variable refresh rates support, including FreeSync and G-Sync
Game hub and Game Bar screens

The 65S90F is an outstanding gaming display. For starters, all of its HDMI ports can take in full bandwidth gaming feeds, meaning you could simultaneously attach four 4K 120Hz-capable consoles and PCs if you wanted to.

All four HDMIs also support variable refresh rates, including in the AMD Freesync Premium Pro format and Nvidia G-Sync (though this is being added via an update), as well as auto low latency mode switching so that the TV automatically switches into its fastest response mode when the TV detects a game is incoming.

When in its Game mode, the 65S90F only takes 9.2ms to render incoming 60Hz feeds – a truly outstanding result for a TV that pretty much halves, too, if the game you’re playing supports 120Hz.

The 65S90F also lets you call up a dedicated Game Bar menu screen rather than the usual TV menus when it knows a game is being played, and from this Game Bar you can both get key information about the incoming gaming feed and access a few gaming aids, including a mini map zoom, the option to raise the brightness of dark picture areas without impacting bright areas, and a crosshair superimposed over the center of the screen.

The Tizen OS homescreen, meanwhile, includes a dedicated Game Hub page, where all of your gaming sources, from connected consoles to game streaming services, are gathered together.

The 65S90F’s gaming performance, finally, is fantastic. Its rich color and contrast are perfectly placed to deliver gaming graphics with exceptional exuberance and dynamism, especially with titles that make particularly aggressive use of high dynamic range. The speedy input lag time ensures that gaming always feels ultra fluid and responsive, too.

The only negative thing to say about the 65S90F’s gaming performance is that unless you’re taking advantage of its HDR Gaming Interest Group (HGiG) support, where the console takes control of the HDR that’s fed out to the TV, the default game settings can cause some distracting brightness fluctuations as you run around any map that has a mix of light and dark areas.

If this is troubling you with whatever game you’re playing, though, you just need to turn off the TV’s dynamic tone mapping setting.

Gaming score: 5/5

Samsung S90F 65-inch review: Value

Cheaper QD-OLED option than flagship Samsung S95F
Enhanced picture quality over S90D predecessor
Lacks S95F's anti-reflection filter

While the 65S90F is not by any stretch of the imagination cheap, it does sit slightly at the right end of the same price ball park as its key rivals.

Also, more importantly, it’s around £700 / $800 cheaper than its 65-inch S95F sibling, while delivering a more potent sense of QD-OLED technology’s strengths than its S90D predecessor.

The S95F series does look set to deliver a major brightness upgrade over the S90F, to be fair, as well as carrying a really strong anti-reflection filter that the S90F does not have.

But that price difference adds up to a lot of 4K Blu-rays and/or other home theater gear.

Value score: 4.5/5

Should I buy the Samsung S90F 65-inch?

Samsung S90F 65-inch
Attributes	Notes	Rating
Features	Aside from not supporting the Dolby Vision HDR format, the 65S90F overall delivers a mammoth set of smart, gaming, audio and video features for its money.	5/5
Picture quality	The 65S90F’s pictures radically improve on those of its already excellent predecessor, delivering a mid-range OLED masterclass.	5/5
Sound quality	While more robust bass handling would have been nice, the 65S90F is loud enough, detailed enough and clever enough with the accuracy of its staging.	4/5
Design	While its two-tier design feels a little awkward during setup, the narrow, well-built bezel, and stunning thinness at its outer edges make it an opulent, elegant addition to your living room.	4.5/5
Smart TV and menus	It takes a little getting used to, but once you do, the rewards offered by the intelligence and scope of its content recommendation and voice recognition systems are immense.	4.5/5
Gaming	As well as looking gorgeous thanks to the screen’s rich colors and sensational contrast, games on the 65S90F feel fantastically responsive and crisp.	4.5/5
Value	The 65S90F delivers a massive chunk of QD-OLED goodness for way less than Samsung’s flagship S95F range.	4/5

Buy it if...

You want spectacular QD-OLED pictures without breaking the bank: With its stunning colors and spectacular contrast, the 65S90F still delivers truly premium picture quality despite its mid-range price.

You love gaming as much as movies: The 65S90F’s outstanding response time, excellent gaming features and spectacularly rich, dynamic pictures make it a stellar gaming screen – so long as you turn Dynamic Tone Mapping off, anyway.

You want a sophisticated smart TV system: The latest Tizen platform is exceptionally good at learning what different members of your household like to watch and recommending relevant content accordingly. Its voice control system is particularly good, too.

Don't buy it if…

You want Dolby Vision support: Samsung has never supported the Dolby Vision HDR format yet, and that doesn’t change with the 65S90F.

Your TV will sit in direct sunlight: The 65S90F doesn’t get one of the extreme anti-reflection screens the step-up S95Fs get, and QD-OLED technology can lose black level in strong direct light.

You’re not prepared to tweak a setting or two: Unhelpful default motion processing and slight black crush with some presets means you should be prepared to tinker with some of the 65S90F’s settings to get the best out of it.

Samsung S90F 65-inch review: Also consider...

	Samsung 65S90F	LG OLED65C5	Panasonic 65Z85A	Philips 65OLED909
Price	£2,699 / $2,499	£2,699 / $2,699	£1,999 / $1,799	£2,499 / $N/A
Screen type	QD-OLED	OLED	OLED	OLED (w/ MLA)
Refresh rate	144Hz	144Hz	144Hz	144Hz
HDR support	HDR10+/HDR10/HLG	HDR10, HLG, HDR10+, Dolby Vision	HDR10, HLG, HDR10+, Dolby Vision	HDR10, HLG HDR10+, Dolby Vision
Smart TV	Tizen 9.0	webOS 25	Fire TV	Google TV
HDMI ports	4x HDMI 2.1	4x HDMI 2.1	4 (2x HDMI 2.1)	4 (2x HDMI 2.1)

LG OLED65C5
LG has long dominated the OLED TV scene, and the brand’s new 2025 mid-range C5 series still represents the 65S90F’s closest competition. Its pictures are capable of outstanding accuracy and support Dolby Vision, but there’s no HDR10+ support, and it also has lower peak brightness.

Here's our full LG OLED65C5 review

Panasonic 65Z85A
This Panasonic mid-range isn’t as bright or vibrant as the 65S90F, and only supports advanced gaming features over two HDMI ports. Its pictures are extremely refined and natural, though, and it supports both Dolby Vision and HDR10+ and is substantially cheaper.

Here's our full Panasonic 65Z85A review

Philips 65OLED909
Remarkably, this Philips OLED TV provides both brightness boosting micro lens array technology and a bold Ambilight design for just £2,499 at the time of writing. While its pictures can be truly spectacular, though, you have to learn your way around the TV’s complicated menus to get the best from it.

Here's our full Philips 65OLED909 review

How I tested the Samsung 65S90F

Tested over 13 days
Tested with 4K Blu-rays, multiple streaming platforms and resolutions, Freeview HD broadcasts, and HD Blu-rays
Reviewed in both dark and light dedicated test room conditions, on its stand in both corner and flat wall positions

The nature of the 65S95F’s QD-OLED technology required me to spend as much time testing it in daylight conditions as I did testing it in darkened rooms, to make sure I wasn’t disturbed by the potential for bright light to impact the screen’s contrast. So it became my full-time living room TV for much of the nearly two weeks I spent with it.

That said, I also tested it under the same specific dark test room conditions TechRadar tests all of our TVs in, with a wide range of disc, game and streaming test content. Disc content included the 4K and HD Blu-rays of It: Chapter One, Blade Runner 2049 and Pan, while for gaming tests, I deployed both a PlayStation 5 and Xbox Series X running such titles as Call Of Duty: Black Ops 6, Forza Horizon 5 and South Of Midnight.

Finally, as ever I put the 65S90F through a barrage of objective tests using Portrait Displays’ Calman Ultimate analysis software, G1 signal generator, and newly released C6 HDR5000 light meter.

You can read an in-depth overview of how we test TVs at TechRadar for more information.

First reviewed: May 2025
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I reviewed the Samsung QN900F: good enough to sway 8K cynics, and it’s not even Samsung’s most expensive 8K TV

3:00 pm | April 5, 2025

Author: admin | Category: Computers Gadgets Televisions | Tags: Dolby Vision, HLG, TCL, TV | Comments: Off

Samsung QN900F: Two-minute review

With native 8K content still pretty elusive (though no longer flat out unfindable), buying an 8K TV might not sound like it makes much sense. The new Samsung QN900F, though, builds spectacularly on the successes of 2024’s mind-alteringly brilliant Samsung QN900D 8K range to keep the 8K TV flag flying high.

For starters, at £4,899/$4,299 for the 75-inch version of the Samsung QN900F we’re focusing on here, it’s relatively affordable by Samsung's premium 8K TV standards. It also uses the remarkably effective glare-free screen found in the Samsung S95D OLED, one of the best TVs of 2024; carries no less than 256 neural networks to apply AI enhancements to smart features, picture quality and audio quality; and supports a comprehensive array of gaming features, including support for frame rates up to 165Hz.

The QN900F’s latest (gen 9) Tizen smart system supports a typically huge range of streaming services, as well as offering AI-enhanced systems for finding content tailored to the viewing habits of different members of your household. Its powerful, cinematic multi-channel sound system ups the big screen’s immersive potential substantially, too.

The star of the show, though, is undoubtedly its eye-popping pictures, which combine phenomenal brightness and ultra-vibrant colour with, crucially, a new level of upscaling for converting non-8K sources to the screen’s native 8K resolution. It’s this, in particular, that builds on 2024’s QN900D efforts in making our previous cynicism about 8K TVs a thing of the past.

Samsung QN900F review: Prices and release date

Samsung QN900F showing image of trees — The QN900F's 8K resolution and clean upscaling make pictures look detailed and lifelike (Image credit: Future)

Release date: March 2025
65-inch: £3,599 / $3,299 / around AU$5,240
75-inch: £4,899 / $4,299 / around AU$6,825
85-inch: £6,899 / $5,499 / around AU$8,730

The QN900F is at the vanguard of an expansive swathe of TVs Samsung is bringing to market in March 2025. All three screen sizes of the QN900F should be available in the UK and US this month, with launch pricing for each model shown above.

Samsung QN900F review: Specs

Samsung QN900F review: Benchmark results

Samsung QN900F review: Features

Samsung QN900F back panel ports — The QN900F has four HDMI 2.1 ports with 4K 165Hz support (Image credit: Future)

8K FALD VA panel with mini-LED
HDR10, HLG and HDR10+ HDR support
Gaming support up to 4K 165Hz with VRR

While sales of 8K TVs might not have set the world on fire so far (in fact, Samsung is currently the only brand consistently sticking with them), the QN900F’s 7680x4320 native resolution is undoubtedly its main feature. After all, while true 8K sources are still scarce, Samsung’s upscaling processors can turn any video that comes the TV’s way into 8K, so if that processing is good enough, there’s still scope for the TV’s 8K resolution to count.

Fitting an 8K pixel count into the screen massively reduces the pixel pitch of any resulting images, of course, potentially making for a denser, smoother, more realistic image, especially when you get to screen sizes of 75 inches and up.

The 75QN900F fits its 8K resolution into a VA-type panel, which usually bodes well for contrast, and it lights all those tiny pixels using a mini-LED backlight system driven by 52x28 (1,446) local dimming zones. That’s a very high zone count for what is essentially Samsung’s entry-level 8K TV for 2025, raising hopes of an extreme contrast performance with minimal backlight clouding and haloing interference.

At the other end of the contrast scale, measurements taken using the Calman Ultimate image testing and calibration software and Portrait Displays’ G1 signal generator and C6 HDR5000 colorimeter reveals peak brightness levels as high as 2,350 nits on a 10% HDR test window. That much brightness will surely test the local dimming system, but Samsung has risen to similar challenges before with aplomb.

Potentially further boosting the 75QN900F’s contrast is its glare-free screen filter – something its predecessor lacked. This does an almost uncanny job of suppressing and rejecting reflections from your room.

Colours are delivered by a Quantum Dot system capable of covering a measured 89.28% of the DCI-P3 colour spectrum used in most HDR mastering, and all aspects of the pictures are controlled by Samsung’s latest NQ8 AI Gen 2 processor.

This processor should have a particularly strong impact on upscaling sub-8K content to the TV’s native 8K resolution, but also feeds into features such as a Real Depth Enhancer Pro system for creating a more three dimensional effect, auto HDR remastering for converting SDR to HDR, and an AI Motion Enhancer system. The processor also plays a part in delivering what Samsung claims should be much wider effective viewing angles than you would normally get with LED technology.

The AI features extend to an AI Mode option you can call in for any of the TV’s presets, which analyses the incoming content and ambient room conditions in a bid to constantly optimise the picture and sound quality. The more puritanical AV fans out there won’t like the sound of this at all, of course - but it is all strictly optional. I’ll be looking at how well it works in the next section.

Features Score: 5/5

Samsung QN900F review: Picture quality

Samsung QN900F showing image of mountain — High resolution and high brightness combine with powerful contrast in the QN900F's picture (Image credit: Future)

High brightness and contrast
Vibrant colours
Excellent backlight control

The QN900F improves so much over its 2024 equivalent model that it’s hard to believe it isn’t actually Samsung’s flagship TV for 2025. The step-up QN990F series is really going to have to go some to be better than this.

The first thing that hits you like a lightning bolt is how bright the QN900F’s pictures are. This is especially true in the rather OTT Dynamic mode, but also hits home hard in the extremely watchable Standard preset. Even the Filmmaker Mode, though, which is designed to track the UHD Alliance’s preference for accuracy to industry mastering standards and minimal processing, retains a satisfyingly punchy look, with strong HDR highlighting to go with its generally more balanced and nuanced approach.

The extreme brightness is especially effective with aggressively mastered HDR footage, but the screen also adapts itself pretty much perfectly to milder HDR fare. Nothing looks forced or strained. Even SDR footage converted to HDR by the HDR Remaster option enjoys an uptick in light and colour range without looking weird or unbalanced.

At least as important as the QN900F’s impressive brightness, though, is the fact that it’s delivered without the backlight system exhibiting either heavy backlight blooming or any general greyness in dark scenes or dark picture areas. In fact, black levels are nothing short of outstanding for LCD technology, hitting essentially OLED-level black depths during fades to black, and maintaining a surprisingly inky and consistent (as in, cloud- and halo-free) look even with shots that combine lots of very bright and dark elements.

Samsung has managed to accomplish the QN900F’s exceptional LED contrast, too, without pursuing its old habit of dimming down stand-out brightness elements to stop light blooms appearing around them. The level of backlight control achieved by the NQ8 AI Gen 2 processing is so sophisticated and granular that such overt local dimming activity just isn’t needed any more.

Suppressing backlight blooming and greyness as well as the QN900F does hasn’t come completely string-free; there’s some minor crushing of shadow details in the Standard and Movie modes. But this is seldom serious enough to be distracting, and in any case it can be improved by just nudging up the TV’s Shadow Detail setting one or two points.

The QN900F’s high brightness contributes to a gorgeously rich, satisfying colour performance, too. This is most vividly obvious in the Standard preset - so much so that I’d say most QN900F buyers will find this mode irresistible for most day-to-day viewing conditions. Especially as Samsung has clearly worked hard with its latest Standard preset to try and make it deliver much more immersive and consistent pictures than the mode typically has in the past.

If you switch to a more mild, accurate preset such as Movie or Filmmaker Mode, you won’t get to ogle the most vivid extremes of the QN900F’s colour capabilities, but the wider colour range still plays its part in unlocking both more subtlety and more expressive shading than last year’s equivalent Filmmaker Mode offered.

In other words, no matter what picture preset you like the best, the much more thoughtful colour and light management of the new panel and attendant processing engine means it will look equally fantastic in its own specific way.

Samsung QN900F detail shot of TV frame — The QN900F's thick, chamfered frame lends itself well to displaying art from the Samsung Art Store (Image credit: Future)

While it’s telling that I’ve focused so far on picture attributes that don’t directly relate to its native 8K resolution, this doesn’t mean that resolution doesn’t still matter. It is now possible to find and play native 8K videos on Youtube, and while the quality of these can be variable to say the least (you have to watch out for videos that say they’re 8K in their titles when they actually aren’t, too), the good ones reveal to a wider audience at last what some of us lucky TV reviewer types have known for years: that true 8K looks absolutely spectacular.

That’s partly because 8K looks incredibly sharp and detailed, as you might expect. But more because something about the extra density of the image somehow breaks down the usual sense that you’re watching a picture on a TV, leaving you feeling more as if you’re literally looking at reality. And that’s especially true when an 8K clip features some decent HDR encoding.

Crucially, though, the QN900F not only looks better than 4K TVs with native 8K content. Samsung’s latest 8K upscaling efforts are the best they’ve ever been, managing to make 4K sources look sharper, more textured and more dense than they would in their native resolution, while simultaneously making the upscaled results look more natural and refined than they have been on previous Samsung 8K TVs.

This is chiefly because, I think, the upscaling system has got even cleverer about detecting the difference between noise and actual picture information in a sub-8K source as it goes about figuring out how the millions (and millions) of pixels it needs to add to the picture should look.

Even fairly grubby, compressed HD sources make the journey up to 8K on the QN900F without becoming artificial looking, or suffering with exaggerated source artefacts. SD is a stretch, unsurprisingly - though even here the results only look a bit soft rather than becoming flat out ugly or messy.

Playing around with Samsung’s AI Mode yields some interesting results. Initially I found its picture optimization features a little over the top, causing some distracting processing side effects. Most notably slightly peaky skin tones, slightly forced bright highlights, and some processed-looking motion. Tweaking one or two picture settings to help ‘train’ the AI Mode, though, can help it quickly deliver much smarter results. Ultimately, I wouldn’t say I felt particularly compelled to use the AI Mode picture setting, not least because the TV does such a fantastic job even without the extra AI help. But it’s certainly good enough to at least be worth trying out.

There are a couple of other niggles to report. Default motion settings with 24fps films in the otherwise stunningly watchable Standard mode are a bit of a blunt instrument, generating a few distracting side effects. You can address this problem yourself, though, by choosing a custom setting for the Picture Clarity set of options, and turning noise reduction off while setting the power of the motion and judder reduction elements to somewhere below five each.

The second issue is that while colour saturations and contrast hold up well when viewing the TV from down its sides, the otherwise miraculously well-controlled backlight blooming suddenly starts to become noticeable.

Most of the initial niggles with the QN900F prove ultimately fixable within its menus, though, and anything left is so puny against the picture’s overwhelming strengths that it’s barely worth mentioning, honestly.

Picture quality score: 5/5

Samsung QN900F review: Sound quality

Samsung QN900F rear of TV — The QN900F's 4.2.2-channel built-in speakers convey a soundstage with impressive scale (Image credit: Future)

4.2.2 channel speaker array
70W of total audio power
Excellent detail placement and soundstaging

Samsung has backed up the QN900F’s stellar pictures with an excellent audio system. Particularly impressive is the scale of the soundstage it produces. Sounds are cast beyond the TV’s physical boundaries to left, right and even, to a more limited degree, upwards, getting a decent multi-channel effect from Dolby Atmos soundtracks that’s taken to another level, too, by Samsung’s Object Tracking Sound system.

This system manages to place sound effects and vocals so that they actually seem to be coming from the correct part of the image – or the correct place just beyond the image’s edges, where appropriate. The OTS system manages to track the motion of multiple noisy objects in an action scene frame, too, so that soundtracks always appear busy and precise – and, as a result, more engaging and clear.

The QN900F’s speakers deliver a decent amount of dynamic range too. Trebles at one end of the spectrum sound crisp and clean but also well-rounded rather than harsh or over-exposed, while bass reaches reasonably low while projecting powerfully enough to stop action scenes from sounding thin or one-dimensional.

Some of the film world’s most extreme and sustained bass rumbles push the QN900F’s speakers right to their limit, so that low frequencies started to sound a little ‘stuck’ inside the TV. But the speakers always just stop short of succumbing to really distracting amounts of bass-induced crackling or distortion.

The sound is powerful enough overall, too, to be able to shift up a few gears as action or horror sequences build towards a climax, without falling away when the going gets really tough. Dialogue is always clear and well contextualised, meanwhile – especially as Samsung’s AI-driven dialogue enhancement system is always ready to lend a vocal-boosting hand if a particular source or ambient noise in your room is making dialogue hard to pick up.

The AI Mode, if you choose it, does a pretty effective job of expanding the scale of the soundstage. This can cost the sound a little bass heft at high volumes, but you can improve this considerably by tweaking the low frequency elements of the TV’s graphic equaliser.

If I had to find a fault, the sound overall doesn’t have quite as much forward impact as you get with the very best sounding rival TVs, but overall the QN900F’s sound is a healthy improvement over many of Samsung’s other recent TVs.

It’s worth adding that the QN900F supports Samsung’s Q-Symphony feature, where its speakers can join forces with those in a Samsung soundbar to deliver a larger, more detailed soundstage.

Sound quality score: 4.5/5

Samsung QN900F review: Design

Samsung QN900F support feet — The QN900F's support feet can be set narrow or wide, and there are two different height adjustments (Image credit: Future)

Chamfered screen frame
Glare-free screen can look like a painting
Multi-position feet

The QN900F’s design is quite a change from previous equivalent models, switching from the usual barely-there screen bezel approach to an unusually wide, dark grey chamfered frame that looks more like something you’d find holding a painting rather than a cutting-edge TV screen. Which, actually, is exactly the impression Samsung wants the QN900F to give, as its at the heart of a campaign to expand the sort of design thinking that’s served Samsung so well with its The Serif and, especially, The Frame lifestyle TVs.

Personally, I’m torn over the QN900F’s new look. When you’re watching TV on it, the frame’s width feels a touch too much, and the dark finish lacks the glamour of the gleaming, ultra-slim frames of previous equivalent 8K models. If you’re using the TV’s Ambient Mode abilities, though, where you can play a still photo, gentle video or digitised artwork on the screen as a screensaver, the painting-style frame looks great. Especially with the new matte glare-free screen completing the painting-like impression.

The QN900F ships with a pair of rather spindly looking feet. These feet can, though, be attached in multiple ways: either set quite wide apart or close together, depending on how wide the furniture you’re putting the TV on is, and at two different height levels to potentially provide more space under the screen for a soundbar to sit.

You can also wall mount the QN900F, of course, and the reasonably slender, tiered rear panel lends itself well to this. I can’t help but wonder, though, whether the performance of the bank of eight mid-range speakers built into the TV’s rear might be compromised if the drivers are pressed up against your wall.

One last design point to mention is Samsung’s Art Store. Originally designed for Samsung’s lifestyle TVs, this service allows people who subscribe to it to choose from a library of thousands of digital and digitised artworks to use as screen savers in the TV’s Ambient Mode.

Design score: 4/5

Samsung QN900F review: Smart TV and menus

Samsung QN900F Tizen smart interface home screen — The QN900F's Tizen 9.0 smart interface (Image credit: Future)

Tizen 9.0 smart system
Extensive voice control support
Dedicated Gaming Hub menu

The QN900F uses Samsung’s own Tizen platform to deliver its smart interface and services, which is mostly very good news. What was once a rather over-complicated interface with some questionable content prioritisation decisions has gradually morphed into a sophisticated and helpful interface, bolstered by the introduction of handy new shortcut options, one of the most intuitive and in-depth voice recognition systems in the TV world (including a far-field mic), and some really impressive AI-driven talents when it comes to both recommending content based on the viewing habits of different members of your household, and advanced content searching.

New AI-driven features added to Tizen for its latest generation include an AI To Search feature that identifies which actors are in what you’re watching and does in-depth searches across all its available sources to find other films or TV shows those actors are in; a Live Translate feature that translates foreign language dramas with real-time subtitles; and a new Generative Wallpaper feature that can conjure up screensaver images to suit your described mood.

The Tizen menu system now features an attractive and usefully organised home menu that becomes more useful over time as the QN900F learns your viewing habits. The home screen also provides a link to a dedicated Gaming Hub page, which I’ll go into more in the next section, while the app support includes pretty much every streaming service anyone could ever want. The only significant absentees in the UK are Freeview Play and Freely – but you can access the individual catch up services for all of the main UK’s key terrestrial broadcasters. The QN900F also features an ATSC 3.0 tuner for receiving Next-Gen digital TV broadcasts in the US.

Smart TV & menus score: 4.5/5

Samsung QN900F review: Gaming

Samsung QN900F remote control held in hand — Samsung includes its Solar Cell rechargeable remote control with the QN900F (Image credit: Future)

Gaming Hub menu
Game Bar menu with multiple gaming aids
4K 165Hz gaming support

The QN900F is a beast of a gaming display that ticks all the feature boxes you could want from the best gaming TVs. All four of its HDMI ports can support high frame rate 4K gaming feeds. Those high frame rates can stretch to 165Hz this year (up from 144Hz in 2024) for anyone with a PC powerful enough to take advantage of that, and variable refresh rates are supported right up to this eye-catching new frame rate peak. The VRR support is available in the AMD FreeSync Premium format as well as the basic HDMI format, too.

Gaming HDR is supported in the HDR10+ and HGiG approaches as well as basic HDR10, and low lag gaming modes are available for all those HDR options. This lag reduces to a fantastically low (especially considering the QN900F has to upscale graphics to the screen’s 8K resolution) 10ms with 60Hz sources with the TV’s Game mode in play. There are also options, though, to increase this lag slightly in return for mild motion smoothing processing with low frame rate titles that aren’t particularly dependent on fast reaction times.

There are also sophisticated options for magnifying and even repositioning a game’s mini map, brightening dark picture areas without affecting bright areas to make enemies lurking in the shadows easier to see, and calling up an onscreen target reticle to give you an aiming edge over your rivals.

Finding game sources is a doddle, too, as the Tizen interface provides a clearly labelled dedicating Gaming Hub, which brings together all your HDMI inputs that have gaming sources attached alongside every gaming streaming service Samsung TVs now have access to.

The QN900F’s OTS audio system proves very useful for gaming thanks to the accuracy with which it places sound effects around the TV’s frame, and finally, best of all, graphics look fantastic on the QN900F’s screen.

The TV’s brightness and colour punch are beautifully to the fore, backed up by more inky black levels and a breathtaking level of sharpness and detail that constantly reminds you this is an 8K TV. The high and variable frame rate support delivers all these pixels of gaming beauty with outstanding fluidity and responsiveness, too.

There’s a touch more backlight blooming in Game mode than you get with video content, perhaps. But I only really noticed this in menus, where there can be bright text appearing against a dark backdrop; it seldom bothered me during game play.

I know pro-grade gamers will always want to play fast-response games, at least, on a small monitor. But the vast majority of more casual gamers will struggle to go back to a small screen if they get to experience the gaming joys of the QN900F.

Gaming score: 5/5

Samsung QN900F review: Value

Samsung QN900F rear corner detail — The QN900F's thick frame bucks the trend of Samsung's previous ultra-slim Neo QLED TVs (Image credit: Future)

More expensive than 4K equivalent
Upscaling of 4K and lower-res content adds value
Substantially cheaper than flagship QN990F series

The QN900F series isn’t cheap compared with even Samsung’s most premium 4K TVs. So you certainly can’t say that 8K doesn’t still attract a substantial premium, especially now that Samsung has ditched its previous, more affordable QN800 and QN700 8K ranges.

There is at least a small amount of native 8K content available on YouTube now with which to unlock the full 8K capabilities of 8K TVs, though, and Samsung’s upscaling is now so good that even 4K footage consistently benefits from being translated into 8K.

It’s also worth saying that the QN900F is substantially more affordable than Samsung’s flagship 8K TV for 2025, the QN990F series. Those models - which ship with external wireless connectivity, support ground-breakingly high frame rates and carry even more powerful sound systems - go for £4,999 / $5,499 for the 65-inch, £6,499 / $6,499 for the 75-inch, and £9,499 / $8,499 for the 85-inch.

Value score: 4/5

Should I buy the Samsung QN900F?

Samsung QN900F showing image of cupcakes — Dual bass drivers on the TV's rear convey the ".1" subwoofer channel in Atmos soundtracks. (Image credit: Future)

Buy it if...

You want a truly next-gen picture quality experience
The QN900F backs up its core 8K resolution with all the colour range and subtlety, sharpness and contrast it needs to fully unlock that resolution’s potential.

You’re a gamer
The QN900F’s response time, eye-catching picture attributes, impressive game-friendly connectivity and support for ultra-high frame rates make it a fantastic gaming display.

You want a TV that turns into a painting when you’re not watching it
The QN900F’s anti-glare matt frame, wide chamfered screen frame and extensive collection of digital artworks really can turn it into a work of art when you put it into its Ambient mode.

Don't buy it if…

You can’t afford it
Samsung and other brands sell some excellent 4K TVs for substantially less than the QN900F costs. So while the QN900F justifies its price, it’s probably not worth getting yourself into debt for!

You want Dolby Vision
Samsung has never supported Dolby Vision HDR on its TVs, so it can’t always take in the very best version of every source you might feed it.

You’re not prepared to tweak a few settings
Getting the best out of the QN900F means making a few tweaks to things like noise reduction and motion processing. So if you’re not prepared to do that, even for a TV as deserving of your time as this, maybe you should go for a cheaper, more basic model instead.

Samsung QN900F review: Also consider...

TCL 98Q9BK
If you want to base your home cinema thrills more on screen size than resolution, TCL’s 4K-resolution 98-inch 98Q9BK delivers startlingly bright, colourful and contrasty pictures at a truly epic scale, as well as delivering strong gaming capabilities. All for substantially less money than the QN900F costs.

Here's our full TCL 98Q9BK review

LG G4
As well as giving you a couple of inches more picture, the LG G4 uses OLED technology rather than LCD, meaning every pixel produces its own light and colour for an exceptionally precise image. The G4’s micro lens array technology helps it deliver good brightness for OLED, too - but it’s only a 4K resolution screen.

Here's our full LG G4 review

Samsung QN900D
If you’re quick you can still pick up Samsung’s 2024 8K QN900Ds for a few hundred pounds less than the 2025 QN900Fs cost. Though the QN900Fs do deliver a few very worthwhile picture quality and smart feature advances over their predecessors, of course.

Here's our full Samsung QN900D review

How I tested the Samsung QN900F

Tested over 16 days
Tested with 4K Blu-rays, multiple streaming platforms and resolutions, Freeview HD broadcasts, and HD Blu-rays
Reviewed in both dark and light dedicated test room conditions, on its feet in both corner and flat wall positions

Not least because we needed to test it out with our collection of native 8K test material and the small collection of 8K YouTube videos that are now available on top of all our usual 4K test sources.

Those 4K sources, which included 4K Blu-rays and streams, needed to be scrutinised with the TV’s 8K upscaling in mind, too. As did the collection of varying quality HD and SD sources we cruelly also decided to push the QN900F hard with!

The TV was tested in a variety of locations, including 10 days in a regular living room environment in both corner and mid-wall placement positions, and in a wide range of ambient light conditions, from total black out to all the curtains open on a bright sunny day. The majority of the really critical testing was done in a darkened room with 4K and HD Blu-rays, to ensure source and environmental consistency with our other tests.

Finally, as ever we put the QN900F through a barrage of objective tests using Portrait Displays’ Calman Ultimate analysis software, G1 signal generator, and newly released C6 HDR5000 light meter.

You can read an in-depth overview of how we test TVs at TechRadar for more information.

First reviewed: March 2025
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DJI Osmo Action 5 Pro review: a seriously feature-packed action camera

4:00 pm | September 19, 2024

Author: admin | Category: Action Cameras Cameras Computers Gadgets | Tags: HLG, OLED | Comments: Off

DJI might be the market leader in consumer drones, but when it comes to action cameras the company remains leagues behind GoPro – at least in the public consciousness. That won’t be the case for long though if it keeps turning out products like the Osmo Action 5 Pro.

Even if nobody should get too excited about the ‘Pro’ moniker – this is currently the only model in the range, so there’s no ‘amateur’ model as yet – the Action 5 Pro is a very impressive action camera, and I had a lot of fun reviewing it. Not only is its image quality superb (in daylight, at least – and even at night it’s still better than a GoPro), but it has long-lasting battery life, effective image stabilization, a rugged lightweight build, two beautifully color-rich OLED screens, and genuinely brilliant compatibility with the DJI Mic 2.

DJI Osmo Action 5 Pro — (Image credit: Future | Sam Kieldsen)

And while it isn’t as mod-friendly as the recent GoPro Hero 13 Black, the Action 5 Pro’s quick-release magnetic mounting system works with all manner of accessories, from helmet and bike mounts to extendable selfie sticks and mini tripods. It can even be used as a webcam.

This versatility means it’ll suit everyone from food vloggers to divers to mountain climbers, and the sheer range of improvements over the Osmo Action 4 suggests that DJI is deadly serious about surpassing the likes of GoPro and Insta360 to establish itself as the leading action camera brand. There’s still a long way to go if that’s going to happen, but if we keep getting cameras like this, it’s a clear possibility.

DJI Osmo Action 5 Pro: release date and price

Priced at $349 / £329 / AU$599 for the Combo bundle
Available from September 19 2024

The DJI Osmo Action 5 Pro is available to order now, priced at $349 / £329 / AU$599 for the Standard Combo bundle, which includes the camera, one battery, one protective frame, one quick-release adapter mount, one curved adhesive base, one locking screw, one rubber lens protecter, one glass lens cover, one anti-slip pad and one USB-C to USB-C cable). There's also an Adventure Combo bundle, which is priced at $449 / £409 / AU$769 and includes all of the above plus a mini quick-release adapter mount, one battery case and one 1.5m extension rod.

DJI has priced the Action 5 Pro aggressively: it’s $50 cheaper than the GoPro Hero 13 Black and Insta360 Ace Pro. Given the specs and performance, which I’ll get into below, that’s impressive. (You can read more about how the Action Pro 5 compares to GoPro's latest in our GoPro Hero 13 Black vs DJI Osmo Action 5 Pro article.)

Additionally, a wide range of optional accessories, each sold separately, is available alongside the Action 5 Pro, including mounts, extension rods, GPS units and microphones.

Price score: 4.5/5

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DJI Osmo Action 5 Pro battery charger — (Image credit: Future | Sam Kieldsen)

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DJI Osmo Action 5 Pro: design and handling

Small, lightweight and sturdy build
Quick-release magnetic mounting system
Waterproof to 20m without a case
Front and rear OLED touchscreens

When it comes to rugged reliability, the Osmo Action 5 Pro feels reassuringly well made. The camera itself is small, lightweight (145g) and sturdy, with few protruding parts and a removable, replaceable cover to help prevent damage to the surface of the lens.

It also comes with a frame to further protect the camera body from impact and, while use of this is optional, it adds little to the weight or size of the setup, and leaves buttons and the USB-C chamber fully accessible. In other words, you might as well leave it on all the time. The frame also features mounting points for horizontal and vertical mounting options, allowing you to quickly detach and reattach the camera to magnetic mounts and change orientation for 16:9 or 9:16 shooting as required.

DJI Osmo Action 5 Pro key specs

Sensor: 1/1.3” CMOS
Video: Up to 4K/120fps
Photo: 40MP
Screens: 2 x OLED touchscreens
Video modes: Standard, Slo-Mo, SuperNight, Hyperlapse, Subject Tracking
Connectivity: USB-C 3.0, Wi-Fi 6.0, Bluetooth
Weight: 145g

The Action 5 Pro supports the same ‘fingers’ mounting method as GoPro (which means it should be compatible with hundreds of third-party and GoPro-made mounts) while maintaining the magnet-and grip-based quick-release system that previous DJI action cams have used. This setup meant I could unclip the Action 5 from one mount and attach it to another in seconds, rather than having to fuss around with screws and the like. During my review I used a few different mounting systems, including DJI’s own extendable selfie stick and a trio of bike-friendly mounts the company sells. Being able to quickly switch between them all is a godsend.

DJI has buffed the camera’s case-free water resistance even beyond the Osmo Action 4’s impressive 18m depth. The company says the Action 5 can go to 20m (or 65 feet) without a dive case, and 60m with one. That’s double the case-free depth of a GoPro Hero or Insta360 Ace Pro. I wasn’t able to fully test this out myself, but can confirm that it'll take a dunk in the ocean without any ill effects.

The Action 5 Pro also supports a wider range of operating temperatures than its close rivals too, working all the way from -4F / -20C to 113F / 45C. If you’re looking for an all-weather, all-environment consumer camera, this is about as hardy as they come. DJI’s Care Refresh protection plan is available for the camera too, which ensures that you can get a repair or replacement (up to two on a one-year plan, or four on a two-year plan) if the camera suffers accidental damage.

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The controls are simple, with only two physical buttons on the camera: a power/mode button on the side and a large shutter/video button on the top. Other settings are accessed either through the touchscreen menus, which are accessible on both the front and rear screens, or via the DJI Mimo mobile app and a paired smartphone. Having tried both methods, I don’t have a preference; both work well and suit different shooting situations, although those with larger fingers might prefer the app due to the small size of the Action 5’s touchscreens.

The screens are in general excellent, though. Now upgraded to OLED, they’re sharp, clear and colorful, and having one on each side of the camera means that properly framing and composing images and videos never feels like a chore; no matter whether you’re self-shooting or filming something in front of you, there’s a screen right there.

Design score: 4.5/5

DJI Osmo Action 5 Pro: features and performance

1950mAh battery
47GB of on-board storage plus microSD slot
RockSteady, RockSteady+ and HorizonSteady image stabilization
48kHz Bluetooth recording via DJI Mic 2

DJI makes some bold claims about the Osmo Action 5 Pro’s battery life, saying that a single fully charged 1950mAh battery allows the camera to record up to four hours of video. That’s a 50% improvement over the Osmo Action 4, and DJI says it’s managed this due to the more power-efficient 4nm processor, improvements to battery capacity, and a ‘new algorithm’ that optimizes energy use.

Keen to put these boasts to the test, I set the camera up to record continuously in two video modes: first, 4K at 60fps with RockSteady image stabilization on; then 1080p at 30fps with all stabilization turned off. With the former, a full battery lasted just under two hours – not bad given the relatively high-performance settings. With the latter, it lasted a shade under four hours, just as billed, which is really strong. I should also say that, while the camera was a bit warm to the touch after its two-hour 4K/60fps recording session, it never overheated to the point where it stopped recording.

The Action 5 Pro features a USB-C 3.0 port for in-camera battery charging and file transfer (it also allows the camera to be connected to a computer and used as a plug-and-play webcam). There’s Wi-Fi 6.0 for fast wireless file transfer of up to 80MB/s, which is a big improvement on the Wi-Fi 5.0 of the Action 4; it can also be used for livestreaming, in conjunction with the Mimo mobile app.

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On the subject of the Mimo app, while I won’t get too much into it in this review for reasons of space, it’s the same app you may have used with older DJI cameras. It’s basically a great remote control for the Osmo Action 5 Pro, giving you not only access to all the settings and controls but the ability to compose and review your photos and videos on a much larger screen than the camera’s own display. It also lets you share your content quickly via social media and messaging apps.

The camera comes with 47GB of built-in storage (enough for about 80 minutes of 4K/60fps or three hours of 1080p/30fps video), as well as a microSD card slot for expansion. That’s a nice setup in my opinion, as users on the more casual side of things can rely on the internal storage, while the more demanding, heavier users can supplement that with extra cards to ensure they never run out of space.

There are three types of electronic image stabilization on board, as well as the option to turn it off (which, as I’ll get into, you may have good reason to do at times). RockSteady is the basic level; RockSteady+ ups the ante at the cost of a larger crop to the frame; and HorizonSteady keeps the video aligned horizontally (to a point) while applying an even larger crop. They’re all very effective at smoothing and/or levelling video, and I have no complaints about them – even with the crops applied, the field of view remains quite wide.

The camera also embeds non-stabilized videos with gyroscope data, allowing you to stabilize clips yourself in post-production (if you’re wondering why you might do this, it conserves battery life while giving you more control over how stabilization is applied). I tried this using the free GyroFlow plugin for DaVinci Resolve 18 and it works brilliantly (you can see the results in my sample videos). For some reason, you need to select the ‘Wide’ field of view when recording though – the stabilization won’t work if you’ve shot using other settings.

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DJI Osmo Action 5 Pro and DJI Mic 2 — (Image credit: Future | Sam Kieldsen)

A new feature that social media creators will love (but the rest of us probably won’t touch) is the ability to track and frame a subject (with a TikTok-friendly 9:16 frame) as it moves around in the camera’s field of view. This seems to work with humans only (my cat didn’t register a response), but it does a good job of recognizing someone and keeping them framed. The output 9:16 video then crops out the rest of the frame.

The final feature worth mentioning is the camera’s superb compatibility with the DJI Mic 2. You can wirelessly link up to two DJI Mic 2 transmitters with it via Bluetooth and have them record pristine 48kHz audio, which I found a great way to record clean, clear voiceover or vlog audio, even in windy conditions. It’s the only action camera that currently allows this – other cameras that support the Mic 2 will only support a 16kHz sampling rate, which won’t sound as clear.

Features and performance score: 5/5

DJI Osmo Action 5 Pro: image and video quality

Video up to 4K/120fps
4K SuperNight mode for low-light shooting
10-bit, D-Log M and HLG color profile options

The Action 5 Pro uses the same size 1/1.3-inch sensor as the Action 4, but I found its image quality is a clear step above, with strong dynamic range (DJI claims up to 13.5 stops), and beautifully clean colors and excellent detail in good daylight conditions. Rather than wax lyrical about the image quality, I’ll let you watch the embedded videos (below) and see for yourself. I shot most of the footage here in 4K/60fps using the ‘flat’ D-Log M color profile, color-correcting in post-production with Davinci Resolve 18.

The one exception is the 4K SuperNight sequence, which doesn’t allow D-Log M shooting and limits 4K clips to 30fps; I’ve left this footage untouched to demonstrate how it looks direct from the camera. I wasn’t blown away by SuperNight, and when shooting at night in future I’d be tempted to dial the resolution back to 1080p as the 4K footage doesn’t look particularly sharp. But it does a serviceable job of providing clearer images in low light – a situation where action cameras traditionally struggle.

The fact that the Action 5 Pro doesn’t shoot 5.3K or 8K footage doesn’t bother me much, as in my experience 4K is plenty of resolution for an action camera. That being said, those who like cropping their footage might find the extra detail offered by rival cameras like the GoPro Hero 13 Black or Insta360 Ace Pro handy.

Aside from low-light shooting, the one area where DJI could make improvements in the future is by implementing GoPro-style lens mods. The ability to shoot macro images or insert ND filters could add some extra flexibility to what’s already a very impressive action camera.

Image quality score: 4/5

DJI Osmo Action 5 Pro: testing scorecard

Should I buy the DJI Osmo Action 5 Pro?

Buy it if...

You want great reliability
Waterproof to 20m, freeze-proof to -25ºC and offering up to four hours of battery life, the Osmo Action 5 Pro is unlikely to let you down.

You own a DJI Mic 2
The pristine 48kHz recording compatibility between this tiny wireless mic and the Action 5 Pro is a game-changer for live voiceover recording. You can even link two mics.

Don't buy it if...

You want crystal-clear night-time footage
DJI’s SuperNight mode may produce better low-light video than most action cameras, but it’s still grainy and lacking in detail compared to video from a mirrorless camera.

You want super high-res footage
4K is fine for 90% of users, but those who need more should look at Insta360 and GoPro’s higher-resolution alternatives.

DJI Osmo Action 5 Pro: also consider

GoPro Hero 13 Black

GoPro’s flagship is a polished performer, recording excellent 5.3K video and supporting a wide range of accessories – including the auto-detected Lens Mods that dramatically widen its creative options. It also features built-in GPS, and finally supports the faster magnetic mounting system already used by rival action cam makers.

Read our GoPro Hero 13 Black review

Insta360 Ace Pro

The Ace Pro is something of a resolution master, offering 8K video (at 24fps) and 4K slow-mo at 120fps from a 1/1.3-inch sensor. Video enthusiasts won’t like the lack of log recording options, however. Design-wise, it sports a large 2.4-inch flip-up touchscreen, eschewing the dual-screen setup favored by GoPro and DJI.

Read our Insta360 Ace Pro

How I tested the DJI Osmo Action 5 Pro

A week of vlogging and biking
Paired with DJI Mic 2
Footage edited using DaVinci Resolve Studio 18.6

I spent a week using a pre-release version of the DJI Osmo Action 5 Pro, capturing vlog-style videos using the including extendable selfie stick and, at times, a paired DJI Mic 2 lavalier microphone. I used DJI’s road cycling mount kit to attach the camera to various points on my bike. I also tested battery life by allowing the camera to continuously record until the battery died.

I recorded video at different resolutions and frame rates, using different color profiles and video modes, and with the various forms of stabilization on or off. Footage was later edited on my PC using DaVinci Resolve Studio 18.6 software, which I used to color-grade and stabilize some clips.

First reviewed September 2024

Samsung The Premiere 9 ultra short throw projector review: bright, beautiful images and big sound

4:00 pm | September 12, 2024

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: HDR, HLG, TV | Comments: Off

SAMSUNG THE PREMIERE 9: two-minute review

The Samsung Premiere 9 is a highly capable example of the best ultra short throw projectors and builds on the brand’s earlier successes in this growing market segment. The key to this popularity is the triple-laser light source that uses red, green and blue lasers to generate cinematic images that are bigger than the largest TV screens. But these pictures aren’t just big, they’re bright enough to handle white walls and ambient light, while creating a huge gamut for more vibrant colours.

Samsung’s The Premiere 9 uses single-chip DLP display technology, which results in sharply defined images due to there being no alignment issues, and while not strictly native 4K the level of detail on show is often impressive. The Premiere 9 delivers superb motion handling regardless of the content – a recognised strength of DLP – but also suffers from poor black levels, which is weakness of the technology. On the plus side, a triple-laser should help reduce incidences of rainbow artifacts that can accompany DLP tech.

The Premiere 9 delivers accurate pictures thanks to the inclusion of Filmmaker Mode, while highly effective HDR tone mapping also ensures shadows are detailed and highlights free of clipping. The colour gamut covers the entire HDR standard, and beyond, so, as a result, the performance with high dynamic range is exceptional. Whether it's HDR10, HLG or HDR10+ (but not Dolby Vision, an HDR format not supported by Samsung TVs and projectors) the pictures burst off the big screen with dazzling highlights and vibrant color primaries that are a treat for the eyes.

This beamer sports an attractive lifestyle-friendly design and is easy to install and set up, while the Dolby Atmos audio system is genuinely immersive – acting more like a built-in soundbar thanks to its 2.2.2-channel speaker layout. There’s also Samsung’s AI-enhanced Object Tracking Sound processing for non-Atmos audio. There are extensive gaming features, a full smart platform with a comprehensive choice of streamers, good connectivity, and a myriad of control options.

In fact, the only real complaint is the lack of any built-in tuners, but otherwise, this capable beamer artfully blurs the line between projector and supersized TV. It does an excellent job of producing big and bright images that rival the largest examples of the best TVs, and as a result, it provides a viable, more affordable, and definitely more practical alternative, and comes highly recommended.

SAMSUNG THE PREMIERE 9 review: price and release date

First available: September 2024
The Premiere 9 (LPU9D): $5,000 / £5,999

Samsung’s The Premiere 9 (LPU9D) is the new range-topper in the brand’s line-up of laser-powered ultra short throw (UST) 4K HDR projectors and is available now for $5,999 / £5,999. It replaces the older The Premiere LSP9T, although this is also still available for the same price of $5,999 / £5,999. In addition, Samsung will release the mid-tier Premiere 7 in October, although pricing has yet to be announced. The Premiere 9 is not currently available in Australia.

Samsung The Premiere 9 on table — The Premiere 9 uses single-chip DLP display technology and supports HDR10+ high dynamic range (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: Specs

Samsung The Premiere 9 on table close up of lens — The Premiere 9's lens (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: design

Stylish and discreet design
Excellent connectivity
SolarCell remote control

The Premiere 9 is surprisingly stylish for a UST projector, with a curved chassis that’s well-built and finished in a neutral white. The front is covered in grey fabric, with the speakers behind, and there are air vents on either side for cooling. Despite being relatively large, this projector’s lifestyle-friendly design allows you to place it discreetly up against the wall.

Better connectivity is offered on The Premiere 9 than most other UST projectors, with three HDMI 2.0 inputs, one of which supports eARC. There’s also a USB port for multimedia playback and powering dongle-style streaming devices, an optical digital output, and an Ethernet port. The wireless connectivity includes built-in Wi-Fi 5, Bluetooth 5.2, and support for Apple AirPlay.

Samsung provides a variation of the SolarCell remote included with its current range of TVs, although the controller is styled in white to match the projector. The zapper is well-designed, intuitive to use, and comfortable to hold. There’s also a far-field microphone for the built-in voice assistants, although those wishing privacy can switch this off at the back of the projector.

Design score: 4.5/5

Samsung The Premiere 9 rear ports — Ports include 3 HDMI 2.0 connections (1 with eARC) (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: features

Triple-laser light source
HDR10, HLG and HDR10+ support
2.2.2-channel Dolby Atmos audio system

Samsung’s The Premiere 9’s headline feature is its triple-laser light source that uses red, green and blue lasers for 3,450 lumens brightness plus a wide colour gamut and 20,000-hour lifespan. This gives it an advantage over most other UST projectors and delivers sufficient luminance to handle rooms with white walls, large windows or ambient light.

As a UST beamer it’s able to project 100 inches from only 11cm (around 4 inches) , and can fill a 130-inch screen at just 24cm (9.5 inches), so even those with limited space can enjoy big screen fun. You change the image size by physically moving the projector towards or away from the wall, centre it by moving to the left or right, and level it using the adjustable feet. There are also manual controls for focusing the image.

The Premiere 9 is a single-chip DLP projector with a claimed resolution of 4K – although this is achieved by shifting pixels. It also supports most high dynamic range formats with HDR10, HLG (hybrid log-gamma), and HDR10+. Samsung doesn’t support for Dolby Vision on any of its current displays, but the RGB laser light source ensures HDR is punchy with bright and vibrant colours.

This projector sports a built-in sound system with a 2.2.2-channel speaker layout and 40W of amplification. There’s support for Samsung Object Tracking Sound (OTS) AI-enhanced audio processing, along with Dolby Atmos decoding. As a result, there’s an immersive soundstage, with clear dialogue, width at the front, some bass presence, and effectively rendered overhead sound.

There’s also support for music casting, as well as various proprietary audio features such as AI-powered Adaptive Sound Pro enhancements, Adaptive Voice Amplifier Pro for making dialogue clearer, and Q Symphony for synching the Premiere 9 with a compatible Samsung soundbar. The latter would definitely provide benefits for those who enjoy seriously deep bass with their movies.

Once installed the setup is exactly the same as a Samsung TV, with the SmartThings app taking you through the entire process. Just follow the instructions, and within minutes you’ll have the Wi-Fi connected and all the streaming apps installed. There’s even a Vision Boost feature that uses a built-in light sensor to adjust the image brightness based on levels of ambient light in the room.

The Premiere 9 runs the full Tizen-powered smart TV system found in Samsung’s TVs, and crucially has sufficient processing power to ensure the platform is responsive. There’s smart assistance in the form of built-in Bixby and Amazon Alexa, along with a comprehensive choice of video streaming services. Where available these all offer 4K, HDR, HDR10+ and Dolby Atmos.

For gaming, there’s support for ALLM (auto low latency mode), although when in the game mode the input lag is still 53ms, which is too high for competitive gamers. In addition, the HDMI 2.0 inputs cap the frame rate at 4K/60Hz and there’s no VRR. However, the motion handling is excellent, resulting in smooth gameplay that also benefits from the immersive big-screen images.

There’s a host of other features including Samsung’s Game Hub for gaming without a console, plus a Game Bar that curates all the main settings and technical data in one place and provides access to gaming-related settings for a more personalised gaming experience. Finally, the AI Auto Game Mode allows the projector to automatically optimise settings for specific gaming genres.

This is a well-specified projector and about the only TV features missing are built-in terrestrial and satellite tuners. This is fairly common on UST projectors, probably because it makes them easier to manufacture and market globally. While you can use the TV catch-up apps instead for most shows, if you really want to watch live linear broadcasts you’ll need a set-top box of some kind.

Samsung The Premiere 9 showing image of moose in field — The Premiere 9 beams bright, colorful 4K images using a triple-laser light engine (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: picture and sound quality

Sharp and detailed 4K images
Bright and punchy HDR
Extremely wide colour gamut

The Samsung Premiere 9 immediately impresses with its bright and punchy big screen pictures. There’s no doubt the triple-laser adds value, not just in terms of lumens but also with its wider colour gamut. The projected image is sharply defined thanks to the use of single-chip DLP, while focus and uniformity across the screen are also good, resulting in a clean and even presentation.

The out-of-the-box picture accuracy is excellent, with the white point close to the industry standard of D65, an even greyscale, and colours hitting close to their saturation targets for BT.709, but this can be improved through calibration. I was able to get a near reference-level accuracy through adjustment, and when you factor in the cost of a Premiere 9 the additional expense of a calibration is worth considering.

This accuracy also extends to HDR, with the Premiere 9 covering 100% of DCI-P3, and 92% of the even wider BT.2020 colur gamut. The previous generation of Samsung’s UST had trouble reigning in this massive native colour gamut, resulting in noticeable errors, so I was pleased to discover the accuracy of the Premiere 9 has definitely been improved with better tracking of saturation targets.

The blacks look more of a dark grey, which is fairly standard for a DLP projector, and while the claimed native contrast ratio is 1,500:1, I actually measured it at 1,700:1. The dynamic contrast ratio is a claimed 2,000,000:1, but this is basically achieved by turning the laser off on a black screen, so it doesn’t really reflect real-world content. There’s also a Real Depth Contrast Enhancer feature to help with contrast.

The Premiere 9 certainly has sufficient lumens to light up a 130-inch screen, even in the dimmer Filmmaker Mode, which doesn’t hit the brightness peaks of the Dynamic mode. It also means the HDR has plenty of punch and although the black levels might not be great, the tone mapping is very effective, sticking close to the PQ curve and thus avoiding unwanted crush or clipping.

The imaging is based around the Quantum Processor 4K picture engine, applying AI upscaling to lower-resolution content to take full advantage of the available pixels. The result is a finely detailed image, regardless of the original resolution, and the processing is also able to clean up the image, reducing noise or compression artefacts to deliver expertly rendered big-screen pictures.

As you’d expect from a DLP beamer, motion handling is superb, with the lightning-fast response times of the technology delivering smooth movement. Samsung includes its Motion Xcelerator technology, along with a Film mode to ensure that film-based content looks natural but is also free of judder, while fast-paced sports can enjoy smoother motion without introducing artefacts.

In standard HDR10, the brightly lit snowy landscapes of The Revenant look absolutely stunning. The same is true when watching Dune Part 2 with its desert vistas, and in both cases, these native 4K films reveal exceptional levels of detail in the sharply rendered images. Inside Out is a movie that fully utilises the wider gamut, and its deeply saturated colours really pop off the screen viewed on The Premiere 9.

Alita: Battle Angel includes HDR10+ and the Premiere 9 correctly detected the signal, applying the dynamic metadata to the tone mapping. The resulting images are well-defined, with colours that are rendered with skill, highlights that are bright, and impressive levels of detail in the shadows. There’s a lot of motion in this film as well, which was handled without judder or other artefacts.

Picture quality aside, the Premiere 9 is quiet in operation, with the noise level going from 30dB next to the chassis, down to 26dB at the main seating position. There is also an eye protection feature designed to automatically reduce the light intensity if something blocks the beam. It’s an important safety feature for anyone with small children or pets, preventing any vision damage.

Picture quality score: 4.5/5

Samsung The Premiere 9 gaming hub — Samsung's Gaming Hub provides easy access to cloud gaming apps from Xbox and other services (Image credit: Future)

SAMSUNG THE PREMIERE 9 review: value

More expensive than much of the competition
Cheaper and more convenient compared to a supersized TV

The Samsung Premiere 9 may seem expensive at $5,999 / £5,999, and it’s certainly not cheap compared to other ultra short throw projectors, but most of them don’t use a triple-laser with all the benefits that provides. The Premiere 9 also offers great value compared to jumbo-sized TVs, with the Samsung considerably more affordable than screens with panel sizes over 100 inches. It’s also a lot easier to install – just try getting a TV with a 110-inch screen into your living room.

If you’re looking for alternatives you could consider the Epson LS800, which doesn’t support HDR10+ or Dolby Vision but is even brighter at 4,000 lumens. There’s also the Hisense PX2-Pro, which only delivers 2,400 lumens but offers support for HDR10+ and Dolby Vision. However, neither has a sound system as good as the Premiere 9 nor do they offer as many gaming features or as comprehensive a smart platform.

Value score: 3.5/5

Samsung The Premiere 9 remote control — The Premiere 9's basic remote control for navigating its smart menus (Image credit: Future)

Should I buy the SAMSUNG THE PREMIERE 9?

Buy it if...

Don’t buy it if…

Also consider...

Epson LS800
The Epson LS800 uses a 3LCD laser light source to beam a stunningly bright 4,000 lumens image. This makes it a great option for daytime sports viewing and it also has good built-in sound.

Read our full Epson LS800 review

Samsung The Premiere 9 close up — (Image credit: Future)

How I tested the SAMSUNG THE PREMIERE 9

Reviewed in a dedicated home cinema
Measurements taken using Calman calibration software
Evaluated using SDR and HDR content

As with all my TV and projector reviews I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen. In the case of the Premiere 9, I also tested it in my lounge in order to simulate the kind of conditions for which it was primarily designed.

The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. These scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.

For the objective testing, I measured the Premiere 9’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3 and BT.2020. To do this I used a pattern generator and colour meter combined with Portrait Displays’ Calman calibration software.

I measured the Premiere 9’s input lag in milliseconds using a Leo Bodnar tester with the low latency mode switch on.

First reviewed: September, 2024

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Samsung Q80D TV review: great QLED pictures at an attainable price

9:41 pm | July 3, 2024

Author: admin | Category: Computers Gadgets Televisions | Tags: HD, HLG, QLED, UK | Comments: Off

Samsung Q80D TV: Two-minute review

The Samsung Q80D is a reasonably priced TV that inevitably loses the company’s most cutting-edge tech but still has more to offer than most other mid-range TVs in its class. That’s good news because, although Samsung’s various 8K, Quantum Dot OLED and Mini LED TVs for 2024 are undoubtedly impressive and rank among the best TVs, their lofty prices make them merely the stuff of dreams for many households.

The well-built bodywork on the Samsung Q80D plays host to a contrast-friendly VA LCD panel illuminated by LEDs placed directly behind the screen and controlled by Samsung’s powerful Neo Quantum 4 Gen 2 processor driving an impressive local dimming system. This engine also delivers exemplary 4K upscaling and contributes to much richer colours and far greater sharpness and detail than you might reasonably expect with a mid-range TV.

The Q80D’s audio, meanwhile, actually outperforms some of Samsung’s more premium TV options, while smart features are provided by the content-heavy (including a dedicated Gaming Hub) Tizen OS platform.

Pictures need a little attention to get the best from the Q80D, but that best is well worth the effort for gamers as well as movie and TV fans.

Samsung Q80D remote controls on table — The Samsung Q80D's SolarCell (top) and regular (bottom) remote controls (Image credit: Future)

Samsung Q80D TV review: Price and release date

Release date: February 2024
QE50Q80D: £1,099 / $999 (around AU$1,500)
QE55Q80D: £1,399 / $1,199 (around AU$1,800)
QE65Q80D: £1,799 / $1,599 (around AU$2,400)
QE75Q80D: £2,499 / $2,199 (around AU$3,300)
QE85Q80D: £2,999 / $3,299 (around AU$5,00)

The 55-inch Samsung Q80D I tested launched in June 2024 in multiple territories around the world. In the UK it’s already been discounted for £1,199 at the time of writing, and its price has dropped $100 in the US for an asking price of $1,099. The Q80D range, which is available in 50 to 80-inch screen sizes, is not currently being shown as available or coming soon for the Australian market.

The UK and US prices both confirm the Q80D as sitting at the top of the relatively basic half of Samsung’s 2024 TV range. By which I mean that it’s the most premium Samsung TV you can buy this year before you get into the much higher prices demanded by Samsung’s top-tier TV technologies. This positioning potentially makes it a great option for anyone wanting to get (hopefully) plenty of Samsung’s trademark LCD picture quality for much less money than those premium technologies require.

Samsung Q80D TV review: Specs

Samsung Q80D TV review: Benchmark results

Samsung Q80D rear panel ports — The Q80D's side-mounted connections include four HDMI 2.1 ports (Image credit: Future)

Samsung Q80D TV review: Features

4K FALD VA LCD TV
HDR10, HLG and HDR10+ support
Full gaming features across all HDMIs

The Q80D’s position in Samsung’s range means that it gets a 4K resolution rather than an 8K one, uses regular-sized LED lights rather than mini LEDs, and isn’t a Quantum Dot OLED. That doesn’t mean it doesn’t still have anything to get excited about, though.

For starters, it deploys its regular LEDs within a FALD (full array with local dimming) lighting system. This means the LEDs are placed directly behind the screen rather than around its edges, and are divided into what I counted to be 100 (10x10) separately controllable zones. The idea behind this being to enhance the TV’s contrast by allowing different parts of the picture to receive different amounts of light at any given moment depending on the ever-changing needs of the picture.

There are TVs out there these days with far more than 100 dimming zones. Experience has shown, though, that while a high dimming zone count is a good starting point, ultimately it’s not so much how many zones you have as what you do with them that counts.

The Q80D’s panel is a VA rather than IPS type, meaning its pictures may lose a bit of contrast when viewed from an angle but should deliver much better contrast when viewed head-on. Those expectations I will naturally be checking up on in the course of this review.

Driving the Q80D’s lighting engine, 4K upscaling, colour management, motion processing, noise reduction and all the other picture features the TV boasts is the second generation of Samsung’s Neo Quantum 4 processor. This, impressively, is the same processor that’s used on Samsung’s flagship 4K mini LED TVs for 2024, the Samsung QN95D range.

As you might guess from the use of Quantum in the Q80D’s processor name, the set’s colours are created by Quantum Dots. Quantum Dots handle high brightness better than traditional RGB filters, enabling TVs to achieve the bigger colour volumes needed to do justice to HDR footage.

Talking of HDR, the Q80D can handle the HDR10, HLG and premium HDR10+ formats, the latter of which adds extra scene-by-scene metadata to the feed to help TVs produce more accurate and dynamic results. Samsung continues, though, not to support the Dolby Vision premium HDR format; anything encoded in Dolby Vision will drop down to its generic HDR10 ‘layer’ (minus Dolby Vision’s extra scene-by-scene data).

As you would expect of even a mid-range Samsung TV these days, the Q80D is equipped with all the tools necessary to have it professionally calibrated. You can even have a go at this yourself thanks to the TV’s Smart Calibration system, which can perform a surprisingly effective auto calibration with no other external kit required than a recent and sufficiently high-quality mobile phone.

The Q80D carries an excellent roster of connections for a mid-range TV, including, most importantly, four HDMI ports able to handle the latest gaming features. (I’ll come back to this in the dedicated gaming section.) One of the HDMIs is also equipped with eARC functionality, to pass lossless Dolby Atmos audio tracks to soundbars and AVRs, while elsewhere there are two USB ports, an Ethernet port, an RF port, a digital optical audio output, and the now ubiquitous Bluetooth (including headphones) and Wi-Fi support.

Features Score: 4.5/5

Samsung Q80D showing landscape image — The Samsung Q80D's picture can lose some contrast and color saturation when viewed from off-center seats (Image credit: Future)

Samsung Q80D TV review: Picture quality

Great black levels and contrast
Vibrant colours
Sharp 4K and HD pictures

The Samsung QE55Q80D immediately addressed my biggest pre-testing concern about its picture quality by delivering an outstanding contrast performance, combining more brightness with deeper, more natural, and more consistent black levels than any other LCD TV I can think of in its class.

The brightness strikes you in two ways. First, the brightest bits of HDR images have a real intensity to them – and for the most part, this intensity doesn’t come at the expense of subtle toning and details in those extreme areas. Second, the screen retains markedly more intensity with bright HDR images that flood the whole screen than most other mid-range TVs. In fact, while more expensive OLED TVs can look more intense still with small light peaks, especially when those peaks appear against dark backdrops, not even the brightest current OLED can get as bright with a full-screen HDR light show as the Q80D.

Measurements confirmed out-of-the-box peak brightness of just over 1,000 nits using 10% and 25% HDR windows – though thanks to the way the local dimming system works, the highest measurements on the 10% window were achieved in Movie and Filmmaker modes, while with the 25% window the highest measurements came with the Standard and (rather over-aggressive) Dynamic picture presets.

On a 100% HDR window, the 55-inch Q80D peaked at just under 700 nits in Standard and Dynamic mode, or around 600 nits in the Movie and Filmmaker Mode presets.

Samsung’s more advanced LCD TVs can, of course, get significantly brighter still than the Q80D. By general mid-range LCD TV standards, though, 1,000 nits is a very good effort. Especially when allied with those inky black levels I mentioned.

Dark scenes really do look fantastically convincing for the most part. The lack of any substantive blue, green or grey wash over areas of the picture that should be black is an awesome find at this level of the TV market. The amount of shadow detail the set reveals, especially in its Movie and Filmmaker Mode presets, is also excellent for such a contrast-rich FALD TV.

Even better, the local dimming system that’s largely responsible for this black level depth works its magic while throwing up impressively few backlight blooming or clouding issues. Even where something like a torch or streetlight shines out against a night sky there’s only the faintest hint of extraneous light leaching into the surrounding darkness.

If you’re watching an HDR film with black borders above and below it in a very dark room you can occasionally see a faint patch of greyness creep into the borders where a particularly bright part of the image appears right up against them. Even in these quite extreme circumstances, though, these slight ‘blooms’ are very faint for such a punchy mid-range TV.

The Q80D also proves actually more subtle than its brighter Samsung LCD siblings in a couple of areas – at least in its agreeably eye-catching Standard preset. You’re much less likely to see the TV sharply adjust its general brightness level during abrupt cuts between dark and bright shots, and bright highlights of mostly dark images don’t tend to dim down as much to prevent blooming artefacts.

I’m not saying the Q80D is totally immune to either of these occasional and short-lived backlight adjustment inconsistencies, but they’re certainly both less common and less aggressively obvious than they have been on some previous Samsung TVs I’ve reviewed.

Samsung Q80D showing cartoonish abstract image — (Image credit: Future)

Samsung TVs have long tended to thrive on 4K diets, and so it proves again with the Q80D. Native 4K sources look truly pin sharp – breathtakingly so with the best quality sources. Classic 4K showcase minutiae like the weave in clothing, facial pores, individual strands of hair, individual blades of grass in a meadow or grains of sand on a beach are all starkly obvious. As is the enhanced sense of depth associated with a high-resolution screen being able to deliver a more defined draw distance.

All of this is being delivered on a 55-inch screen, remember – hardly the biggest showcase for 4K’s charms by today’s standards. But the difference all those pixels make is plain as day. The Neo Quantum 4 Gen 2 processor proves so good at upconverting HD sources into 4K, too, that the Q80D’s 4K talents remain clear even when you’re not watching a true 4K source.

The Q80D’s colour performance is also (predictably at this point) very good by mid-range TV standards after a touch of tweaking - though it does also give us one of the TV’s main out of the box weaknesses.

At first glance, all seems well. Tones in all modes (though especially the daft Dynamic and very watchable Standard presets) enjoy bold saturations that aren’t in the least bit thinned out by the screen’s high brightness, while the more accurate Movie and Filmmaker Mode settings tone things down for a more balanced, ‘accurate’ look without, still, looking in the least bit thin or muted.

Fine blends are handled without striping, coarseness or blockiness, too, helping colours play their part in creating the image’s three-dimensional feel.

The issue that you gradually start to notice is a slightly artificial pinkish tone creeping into skin tones and some really bright parts of HDR pictures. This is particularly noticeable in the Dynamic and Standard presets, but it’s also slightly present with the more accurate Movie and even Filmmaker Modes.

Our SDR Colour Checker tests using Portrait Displays’ Calman software, C6 meter and G1 pattern generator confirmed this colour issue to some extent, as while the set registered an excellent overall Delta Error 2000 (Delta-E) figure of under three, the consistently largest colour errors came with tones most likely to be found with skin tones and peak whites. Fortunately, running the Q80D’s Smart Calibration feature can improve this problem, as can nudging the TV’s Tint control a couple of points towards green.

Another smallish sign of the Q80D’s mid-range rather than premium Samsung nature is the way the backlight blooming that the set handles so well when viewing it head-on can become quite a bit more noticeable if you have to watch the TV from more than 30 degrees or so off-axis.

Samsung’s default motion processing options for its Standard picture mode also deliver their usual heavy handed mix with 24p services of overly aggressive smoothing and messy processing side effects. So you’ll need to head into the Picture Clarity settings and either turn all motion processing off or, if you find the resulting judder too jarring, establish a Custom mode with blur and judder reduction both set below halfway (I’ll leave it to you to choose the exact settings according to your tastes).

The crucial thing about the Q80D’s main flaws, though, is that all of them, even the colour one, can be avoided or at least improved with a little manual intervention.

Picture quality score: 4.5/5

Samsung Q80D corner detail — The Q80D's substantial bodywork helps with its sonics (Image credit: Future)

Samsung Q80D TV review: Sound quality

Large soundstage
Good Dolby Atmos staging
Plenty of well-placed detailing

Experience suggests that the Q80D’s substantial bodywork relative to some of Samsung’s slimmest TV options could be helpful to the set’s sonics. And so, happily, it proves.

Two strengths in particular jump out. First, there’s hardly any of the buzzing, phutting or drop-out distortions when handling bass that I’ve experienced with some Samsung models. And that’s despite bass reaching quite deep and being more readily involved in the audio presentation than it is with many mid-range TVs.

Also strong by mid-range TV standards is the scale of the Q80D’s soundstage. With Dolby Atmos sources in particular, sound mix elements that aren’t directly connected to the onscreen action, such as the score or ambient effects, appear well beyond the TV’s left and right sides without starting to sound thin or incoherent. This draws you into the action and leaves the more central areas of the sound stage with more room to handle more specific sound elements such as dialogue and separate object sound details.

Dialogue appears decently rounded without losing clarity, and the speakers are subtle enough to bring out even the smallest, most quiet effects. High trebles typically don’t sound gratingly harsh, either, and the ‘Lite’ version of Samsung’s Object Tracking Sound system does a decent job of making effects seem as if they’re appearing from the right part of the screen.

The Q80D doesn’t get as loud as some home cinema fans might wish, and the OTS system doesn’t deliver effects as accurately as the more premium versions of the technology you get on Samsung’s high-end TVs, especially when it comes to voices. Overall, though, the Q80D is one of the best-sounding TVs in Samsung’s 2024 range, and a strong general competitor to other examples of the best TVs for sound.

Sound quality score: 4.5/5

Samsung Q80D close up of pedestal stand — Samsung's aluminum pedestal stand for the Q80D (Image credit: Future)

Samsung Q80D TV review: Design

Centrally attached pedestal desktop stand
Not one of Samsung’s super-thin designs
Impressive build quality

Despite not boasting the ultra-thin, futuristic looks of the ‘Infinity’ design applied to Samsung’s high-end TVs, the Q80D still makes an attractive addition to your living space. The silver metallic finish of both its plate-style desktop stand and screen frame/edges looks striking, and is elevated by some impressive build quality by mid-range TV standards.

Neither the frame nor the set’s rear panel are spectacularly thin by modern TV build standards. But that’s not to say the frame doesn’t still look and feel premium, and given that we all spend our lives looking at the front of our TVs rather than the back, I’d rather a FALD TV like the Q80D be given the room for its light system to work properly rather than potentially hurting image quality by trying to make the rear super-thin.

It’s worth pointing out, too, that there are channels on the Q80D’s rear to help keep your cables tidy, and that you can call up photos, videos or even artwork onto the set’s screen rather than having to be left with a big black rectangle in your room when you’re not actually watching TV.

Design score: 4/5

Samsung Q80D Tizen smart TV interface — The Q80D's Tizen smart TV interface (Image credit: Future)

Samsung Q80D TV review: Smart TV and menus

Tizen OS carries lots of content
No Freeview Play in the UK
Excellent Gaming Hub feature

The Q80D’s smart features are provided by the brand’s own Tizen OS (also sometimes known as ‘Eden’). This system has undergone extensive changes over the past few years, in particular shifting from a compact interface super-imposed over whatever you’re watching to a full-screen OS.

I still find aspects of the full-screen OS a little daunting in their presentation, and illogical in their navigation. The latest version sported by the Q80D continues to refine things in the right direction, though – especially when it comes to deciding what sort of content is relevant to you (based on analysis of your viewing habits) to highlight on its home screen.

A generally high content level is provided on the Tizen OS, including all the video streaming apps most viewers will ever need. The only exception is that there’s no support for the UK’s Freeview Play system, which brings together all the UK’s main terrestrial broadcaster catch-up apps.

You can control the Q80D to an impressively deep level using just voice commands if you’re okay with talking to your TV, and, finally, there are a couple of great resources for gamers with the Gaming Hub and Game Bar, which I’ll cover in more detail in the next section.

Smart TV & menus score: 4.5/5

Samsung Q80D Gaming hub interface — The Samsung Gaming Hub interface lets you easily access connected consoles and cloud-based gaming services (Image credit: Future)

Samsung Q80D TV review: Gaming

4K 120Hz and VRR support
All four HDMIs support all gaming features
Gaming Hub and Game Bar menu

Along with being a fine TV, the Q80D is an outstanding gaming monitor. For starters, all four of its HDMI ports can handle 4K 120Hz signals delivered by PlayStation 5 and Xbox Series X consoles and premium PC graphics cards – the set doesn’t limit you to just two 4K 120Hz HDMIs like many rival TVs do.

All the HDMIs also support variable refresh rates (including the AMD FreeSync Premium format) and auto game mode switching, and when running in its Game mode input lag drops to an outstandingly low 9.8ms.

The Gaming Hub I mentioned in the previous section is a dedicated screen in the Tizen OS that brings together all your gaming sources, from streamed platforms like NVidia GeForce to connected consoles and PCs. The Game Bar, meanwhile, is an onscreen menu you can call up when gaming that provides at-a-glance details about the graphics feed and quick access to specific gaming features. These include mini-map magnification, a super-imposed crosshair, the option to sacrifice a little response time in return for smoother panning in low frame rate games, and the ability to raise the brightness of just the dark parts of a game to make it easier to spot enemies.

Gaming score: 5/5

Samsung Q80D rear shot — The substantial Samsung Q80D seen from the rear (Image credit: Future)

Samsung Q80D TV review: Value

Samsung’s cheapest non-mini-LED or OLED TV
Impressive gaming features for its money
Picture and sound quality both above par for a mid-range TV

In many ways, the Q80D feels like a premium Samsung TV from three or four years ago – which is actually a pretty big compliment. Its FALD LCD display delivers much better all-around pictures than we usually find in the mid-range TV world, and they’re backed up by more than respectable sonics too.

It also ticks more feature boxes than I might have expected of a mid-range TV in terms of its core panel technologies, gaming support and its expansive and unusually intelligent smart TV system.

Value score: 4.5/5

Samsung Q80D showing abstract image onscreen — One of many abstract images available in the Samsung Q80D's Ambient mode (Image credit: Future)

Should I buy the Samsung Q80D TV?

Buy it if...

Don't buy it if…

Also consider...

Samsung QN900D showing test pattern — (Image credit: Future)

How I tested the Samsung Q80D TV

Tested over 12 days
Tested with 4K Blu-rays, multiple streaming platforms and resolutions, Freeview HD broadcasts, and HD Blu-rays
Reviewed in both dark and light dedicated test room conditions, and a regular (corner position) living room set up

As a mid-range TV, my starting point with the 55-inch Samsung Q80D was trying to home in on some of the basic qualities of its panel. So I measured its brightness using an HDR window test from the Spears & Munsil Ultra HD Benchmark 4K Blu-ray disc measured with a professional light meter, and also fed the screen various real-world scenes, such as the early party in the mansion sequence in Babylon on 4K Blu-ray, that feature lots of bright highlights against dark backgrounds. This gave me a feel for how good the set’s backlight controls and viewing angles are.

I also used a test screen featuring a small white square tracking around the outsides of the image to count the number of dimming zones the 55-inch Q80D carries.

From here on in, for the ‘test results’ part of my analysis I used Portrait Displays’ Calman Ultimate software, together with the same company’s C6 light meter and G1 pattern generator.

For regular viewing tests, I watched all sorts of content, from HD SDR broadcasts via a Sky Q box to HD SDR streams, 4K SDR streams and 4K HDR streams from a selection of the main streaming platforms.

For more consistently dependable results, I also watched several 4K Blu-ray films that I regularly use for TV testing, such as Babylon, Pan, It Chapter One, and Blade Runner 2049. I also watched these sources in a variety of room conditions, from a blacked-out test room to a sun-drenched living room.

Gaming was tested using both a PS5 and an Xbox Series X, with a Leo Bodnar input lag meter used to measure input lag.

You can read an in-depth overview of how we test TVs at TechRadar at that link.

First reviewed: July 2024
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Sony X95L review: A mini-LED TV marvel with boosted brightness and contrast

4:00 pm | February 18, 2024

Author: admin | Category: Computers Gadgets Televisions | Tags: HLG, LCD | Comments: Off

Sony X95L: Two-minute review

The Sony X95L is on a mission to fix the niggles of its mini-LED predecessor with an improved panel design, pepped up processing and a 10% higher local dimming zone count.

It sets out a pretty premium stall right away with its design, which combines a classic slice of Sony minimalism with an unusual amount of flexibility in the shape of thee different foot mount options.

Smart features are provided by the latest version of Google TV, while the TV’s brains come courtesy of Sony’s latest and most powerful Cognitive XR Processor.

The new backlight system is a revelation. Practically all the light ‘blooms’ seen around bright objects with Sony’s previous mini-LED models, the X95Ks, have gone, leaving a much more consistent and immersive picture that still enjoys outstandingly deep, rich black tones.

Sony has had to modify its previous ‘brightness at all costs’ LCD philosophy a little to achieve this new bloom-free look, mildly toning down very bright image highlights if they appear against a black backdrop. But the pros of this new approach far outweigh the cons, especially as the increased backlight consistency is joined by some of the most refined colours, most polished motion handling and most natural-feeling 4K sharpness we’ve seen.

As if all the picture heroics weren’t enough, the 65X95L also boasts a strikingly clear, detailed and involving sound system.

There’s some seriously tough competition in the mini-LED space this year that might make determining the best TVs of 2024 a very difficult task but the X95L is talented and unique enough to stand tall in any company.

Sony X95L Review: Price and release date

The Sony X95L on a table — (Image credit: Future)

Release date: September 2023
Price starting from £1,899 / AU$4,495 and up to $4,499.99

Following a summer 2023 launch, Sony’s current premium 65-inch X95L LCD TV is now available for £1,899 in the UK and AU$4,495 in Australia. In the US, only one X95L screen size is available: 85-inches, which is priced at $4,499.99. In the UK, the 85-inch model costs £3,499 and the 75-inch is priced at £2,699.

For smaller screen sizes, US consumers have to step down to the X93L range (a range that isn’t available in the UK). The X93Ls differ from the UK X95Ls by having fewer dimming zones, reduced contrast, no frame tweeters and no XR Clear Image processing. We’ll cover all these features the X95Ls have that the US X93Ls don’t in the next section if you’re not sure what they all mean.

Sony X95L Review: Features

A close up of the side of the Sony X95L — (Image credit: Future)

4K mini-LED TV with local dimming
Cognitive XR processor
HDR10, HLG and Dolby Vision HDR

As we’ve now come to expect of flagship LCD TVs from ‘serious’ AV brands like Sony, the 65X95L benefits from a mini LED lighting system backed up by local dimming. Sony claims that this dimming engine has been much improved from its predecessor – improvements that begin by upping the dimming zone count to 480 versus 432 on the previous 65X95K model.

Combined with other improvements to the 65X95L’s processing and panel set up, this local dimming enhancement claims to generate 30% more peak brightness than its predecessor managed. If you’d like to put some actual measured numbers on this, the 65X95L produces a hefty 1560 nits on a 10% white HDR window, 1225 nits on a 2% window and 611 nits on a full-screen HDR window. Note that contrary to what you’d expect to see with OLED screens, the 65X95L’s brightness with the smallest 2% window is lower than the 10% window because of the way local dimming works.

OLED screens can’t currently get quite as bright on a 10% window or nearly as bright on a 100% test window as the 65X95L does. Though on the other side of the coin, of course, even 480 dimming zones can’t deliver the same sort of pixel-level light control you get with self-emissive OLED screens. That said, Sony has previously shown an uncanny talent for getting almost eerily good light control from much lower dimming zone counts than the 65X95L carries.

The improved processing, I mentioned earlier, is the latest version of Sony’s Cognitive Processor XR engine. A processing system predominantly motivated (depending on the presets you choose) by two aims: Making images look more like real life and getting sources to resemble as closely as possible the way they looked when they were created in a professional mastering suite.

In terms of specific new processing enhancements for the 65X95L, the local dimming algorithms have apparently been enhanced, while a new XR Clear Image system claims to deliver even better upscaling of HD and SD sources to the TV’s native 4K resolution than Sony’s already brilliant previous upscaling systems have.

At first glance, the 65X95L’s connections roster of four HDMIs, two USBs, a hybrid composite/S-Centre speaker input, an optical digital audio input, an Ethernet port and inevitable Wi-Fi and Bluetooth support looks pretty up to speed for a premium TV. Closer inspection, though, reveals that only two of the HDMIs support the sort of high bandwidths demanded by cutting edge gamers, and even those require you to swallow a compromise or two. We’ll discuss this more in the Gaming section of the review.

As with Sony’s premium sets for a couple of generations now, the 65X95L goes a bundle on third party partnerships and endorsements. There’s a full house of Dolby action, for starters, with Dolby Vision HDR and Dolby Atmos sound decoding both on the menu. The TV has also been certified by IMAX as capable of getting the best from the IMAX Enhanced home video format. Meanwhile, Netflix has granted it a Netflix Calibrated mode that sets the TV to closely match Netflix’s in-house mastering conditions.

The only notable absentee from the 65X95L’s format support list, really, is HDR10+. LG, too, refuses to adopt this rival for Dolby Vision (while Samsung refuses to adopt Dolby Vision). But there are TVs out there from Philips, Panasonic and TCL that support both formats – and both formats are fairly widely available in the content world now.

The 65X95L’s premium features aren’t limited to its picture quality. A so-called Acoustic Multi-Audio+ sound system uses speakers placed all around the TV’s body, including frame-vibrating tweeters in its sides, to deliver what Sony claims will be a larger and more precisely detailed soundstage.

If you have or are thinking of adding a Sony soundbar to the TV, the S-Centre port I mentioned in passing earlier can enable the TV to do centre channel duties while the soundbar handles the rest.

Features score: 4.5 / 5

Sony X95L review: Picture quality

Excellent backlight control
Bright HDR pictures
Excellent image processing

While Sony’s mini LED debut, 2022’s X95K range, was good, it didn’t quite rise to the level of some of its premium TV rivals. It felt almost as if the twin challenges of handling vast amounts of extra LEDs and a much higher dimming zone count than Sony was used to working with was a step too far for its usually stellar backlight control systems. Happily, the extra year or so Sony’s engineers have had to work on the 65X95L have reaped fantastic dividends.

In particular, where dark scenes on the X95Ks could look rather inconsistent, especially when it came to ‘blooms’ of backlight appearing around stand-out bright objects, on the 65X95L they look brilliantly consistent and, as a result, much more immersive. Blooming around bright objects is hugely reduced in terms of the regularity with which you can see it, the extent of its ‘spread’ and, best of all, the intensity of its greyness on those very rare occasions when it does become faintly visible.

One of the tools Sony has introduced to reduce blooming is to slightly dim down very bright objects if they appear against a very dark backdrop. This is something mini-LED rival Samsung has been doing for years, but Sony has previously avoided. The dimming is very mild, though, compared with the extent that it can happen with Samsung TVs, and so it’s much less likely to be distractingly noticeable. Which means it feels like a pretty reasonable compromise in return for the 65X95L’s greatly improved black level uniformity.

Dark scenes don’t just impress for the much improved evenness of their black colours, either. The sheer inky depths of the 65X95L’s black colours is also remarkable. So much so that it’s often hard to believe that you’re watching an LCD TV rather than an OLED TV. Except, that is, that the 65X95L is routinely capable of hitting levels of brightness OLED TVs can’t compete with. Especially when it comes to bright HDR shots that flood the whole screen area with brightness.

Again I need to qualify this a little by saying that the 65X95L doesn’t get as bright as Samsung’s flagship mini LED TVs do. But as well as Sony’s mini-LED 4K flagship being significantly cheaper than Samsung’s, the way it handles its light is so effective that the brightness on offer feels ample for giving you a spectacular but also consistently believable and natural HDR experience.

The 65X95L’s improved brightness and contrast over the 65X95K feed into an improved colour performance, too. Saturations look more wide-ranging and vivid, and as usual Sony’s slightly mysterious Triluminos colour system does a spell-binding job of using the light available to render tones with outstanding subtlety. Achieving such a rich combination of vibrancy but also finesse is one of those things that really separates the best TVs out from the rest.

The subtlety of the colour handling and light control contributes to an outstanding sense of sharpness, detail and, especially, depth in the 65X95L’s pictures. Objects look genuinely three-dimensional without the need for any 3D goggles, and the image looks extremely ‘4K’ at all times. Even, actually, with HD sources, thanks to the X95L’s remarkably astute and effective new 4K upscaling engine the X95L boasts.

It’s worth adding here that despite the outstandingly deep black colours the 65X95L is capable of delivering, its light control, even at ‘near black’ levels, is good enough to ensure that you never feel as if you’re missing out any subtle shadow details even in the darkest picture corners.

There’s no loss of clarity during motion-filled action scenes, either. Even with no motion processing in play the 65X95L handles judder with 24p film sources with impressive neutrality, but if you do happen to find yourself distracted by judder with a particular (likely very bright) 24p source, then some of the motion processing options Sony provides do an excellent, arguably class leading job of reducing the impact of the judder without leaving the image full of unpleasant processing side effects. So long, anyway, as you only ever use the motion processing options on their lowest power settings.

It’s interesting to note, too, how the outstanding Cognitive Processor XR works, depending on your selected picture preset, on either subtly emphasising key objects in images as your eyes would when perceiving the real world, or recreating the emphasis preferences of original source masters. Both approaches deliver delicious results while catering for slightly different image preferences.

While the 65X95L’s pictures represent a big leap from those of its predecessor and are really never less than a joy to watch, there are a trio of small niggles to report. One I’ve already touched on: That while brighter than OLED, there one or two even brighter mini LED TVs out there. Though the brightness the 65X95L feels optimised to spectacular effect.

The 65X95L’s Vivid picture preset oddly jettisons the sensitivity and subtlety the TV so proudly displays with really all of its other picture modes, with colours in particular becoming blown out and unrealistic. Some presets can cause noticeable clipping (lost shading and detailing) in the brightest bits of HDR pictures too, and while the backlight controls are usually excellent, just occasionally a very aggressively mastered HDR scene containing a particularly dynamic mixture of bright and dark content, such as the party/orgy that dominates the opening section of Babylon on 4K Blu-ray, can feel a touch flat as the TV struggles to reconcile such complex and extreme brightness and contrast variations.

Most of the niggles are avoidable simply by being careful what presets you use, though, and those that aren’t so easily fixed typically only crop up very rarely. Meaning that overall the 65X95L’s pictures can be considered things of surprisingly consistent beauty.

Picture quality score: 5 / 5

Sony XR-65X95L Review: Sound quality

The back of the Sony X95L — (Image credit: Future)

Acoustic Multi-Audio speaker system works well
Punchy, undistorted bass
Wide and well-developed sound stage

Despite not appearing at first glance as if it has the physical room to house any speakers worthy of the name, the 65X95L actually sound excellent by built-in TV audio standards.

Using a wide array of speakers, including ‘frame vibrators’ built into the screen’s sides, helps to both disperse the sound much more widely than a simple stereo or down-firing speaker system would. The frame tweeters also do an at times quite uncanny job of making sound effects appear to be coming from just the right spot on or just off the screen – even tracking the sound of moving objects with startling accuracy.

Dialogue is excellent too, enjoying an artful balance of clarity and context, and again typically sounding like it’s coming from part of the screen where a talker’s head is, rather than from some separate speaker array below or to the side of the onscreen action.

There’s good balance between the various frequency ranges and elements of a busy movie soundtrack too, with nothing tending to sound overly bright or unduly dominant.

Bass is a bit limited in the depths of frequency response it can hit and the weight it can add to an action movie mix. What bass there is, though, does at least avoid buzzing, drop outs and other common TV audio distortions, while the mid-range is wide enough to stop the sound ever appearing thin or brittle. There’s enough power, too, to enable the sound stage to open up nicely as an action or horror scene gathers momentum.

Sound quality score: 4.5 / 5

Sony X95L review: Design

A close up of the Sony logo on the X95L

(Image credit: Future)

Three different feet position options
Can be raised to accommodate a soundbar
Impressive build quality

The 65X95L’s design offers an appealing combination of minimalist elegance and practicality.

Its black, silver-trimmed frame is slender enough to represent barely any distraction from the pictures you’re watching yet feels very robustly built, while the feet supplied with the TV are so narrow when you’re viewing the TV head on that you barely see them.

You can position the feet in no less than three different configurations too. The most elegant option sees them tucked right under the screen’s bottom corners, so that they almost feel like a horizontal extension of the screen frame. But you can also position them so that they lift the screen up far enough to place a soundbar underneath it, or else you can position them closer together so that the TV can be placed on a narrow piece of furniture. All very thoughtful.

The 65X95L’s rear sticks out a fair bit further than those of most of today’s ultra-slim TVs - but unless you’re wall hanging it you probably won’t notice. This is because the chunkiness is cleverly delivered in two distinct tiers, with the fattest bit sitting towards the centre of the back panel so that you can’t see it unless you’re looking at the TV from an extreme angle.

Design score: 4.5 / 5

SonyX95L review: Smart TV and menus

The Sony X95L remote — (Image credit: Future)

Google TV support
Voice control support
Menus can feel a little overwhelming

Sony has long been aboard first the Android and then the Google TV train for its TV smart systems – so it’s not surprise to find Google TV in place on the 65X95L too.

Google TV is a substantial improvement over its Android predecessor, with more attractive and intuitive menus. For me, though, it still feels a bit overwhelming for a TV rather than smart device interface, and doesn’t offer as many customisation options as some rival systems. Or, at least, it doesn’t make its customisation options as obvious.

It doesn’t carry by default all the UK’s key terrestrial broadcaster catch up apps, either – though Sony has been able to get these onboard via its own agreements with the various channels involved.

There’s one exclusive to Sony streaming service that’s well worth a mention, too: Bravia Core. The big story behind this is that its large collection of movies (including some recent releases as well as a horde of catalogue stuff) can all be streamed at much higher bandwidths than most video streaming services provide, resulting in better 4K HDR picture quality. You need a broadband speed of at least 80Mbps to get the maximum benefit from Bravia Core – but you’ll be pleased to know that just by buying a 65X95L you’ve gained access to 10 free films to add to your library before you need to start paying for any others.

Voice control is supported via Google Assistant, and there’s one final more unusual smart feature to report in the shape of an optional (£199) Bravia Cam accessory. This can connect to the top edge of your TV and open up such features as auto sound and picture adjustment based on analysis of your seating position, video calling and even a degree of gesture control. Personally I’m not convinced the Bravia Cam is really worth the extra cash, but it picked up a CES 2022 Innovation Award, so what do I know…

Smart TV and menus score: 4 / 5

Sony X95L review: Gaming

4K / 120Hz VRR support on two HDMIs
No Dolby Vision support for gaming
Perfect for PS5 features

Surprisingly for a brand with such a huge video game presence, Sony has been a little lethargic compared with some of its rivals when it comes to whole-heartedly embracing the latest game graphics features in its TVs. This continues to some extent with the 65X95L.

For starters, only two of its four HDMIs support 4K/120Hz game inputs and variable refresh rates. And one of those two game-friendly HDMIs is also the one you’re supposed to use if you want to take advantage of HDMI’s audio return channel capability.

Also, frustratingly, the TV requires you to choose between either variable refresh rates or Dolby Vision HDR gaming; you can’t have both at the same time. Given that there’s no fast-responding Dolby Vision Game mode either, though, you probably won’t want to game in Dolby Vision on the 65X95L anyway.

There is support for auto low latency mode switching, however, where the TV switches in to its fastest responding Game picture preset when a game rather than video source is detected. Plus, of course, there are the other limited Perfect For PlayStation features Sony rolled out a couple of years ago in a bid to make it look like its TV and console divisions really do talk to each other. This includes the ability to have the PS5 auto-optimise its HDR output to suit whatever Sony TV model it detects that it’s connected to.

Sony now provides a dedicated game onscreen menu too, providing key information on the incoming game feeds and access to a few gaming aids. It’s not quite as advanced as some rival Game menu systems, including the one on Sony’s own A95L flagship OLED model. But it’s much better than having no such menu at all.

The 65X95L manages to get input lag down to a decent if not world-leading 18.8ms when running in its Game picture preset, and actually produces consistently gorgeous gaming imagery, powered in particular by the set’s brightness, bold but also subtle colour management and high degree of sharpness and detail.

Gaming score: 4 / 5

Sony X95L review: Value

Much more expensive than TCL’s 65C845K
Cheaper than premium OLEDs and some rival LCD flagships
Fair value overall for what’s on offer

The 65X95L’s UK price of £1,899 is the result of recent discounting, and so represents good value for a TV boasting such a strong feature count and premium level of picture and sound performance. The Australian price of AU$4,495 doesn’t look like quite such good value, working out at around £500 more than the UK price based on a simple currency conversion.

Samsung’s flagship 65-inch 4K mini LED model, the 65QN95C, is currently listed at £2,199 – though that is itself a big discount from the set’s original £3,699 launch price. The 65X95L is much cheaper, though, than Sony’s 65-inch flagship OLED TV, the 65A95L, which is currently available for a hefty £3,499.

It’s impossible to do a review of a mini LED TV with lots of dimming zones right now without also mentioning the TCL 65C845K. This delivers more than 2000 nits of brightness and 576 local dimming zones for just £1,049. But it doesn’t share the same quality of video processing or general picture precision and accuracy that the 65X95L achieves.

Value score: 4 / 5

Should you buy the Sony X95L?

Buy it if…

Don’t buy it if…

Sony X95L review: Also consider

How I tested the Sony X95L

Tested over two weeks
Tested with 4K Blu-rays, multiple streaming platforms and resolutions, Freeview HD broadcasts, and HD Blu-rays
Reviewed in both dark and light dedicated test room conditions, and a regular (corner position) living room set up

While a substantial amount of time was spent testing the Sony 65X95L in a blacked out test room environment to make it as easy as possible to spot potential flaws with its new LCD backlighting system, we also tested it at a series of different light levels using a remote controlled lamp, as well as testing it for a number of days in a completely regular living room set up, complete with changing day and night conditions.

The ‘controlled environment’ testing typically focused on a selection of 4K Blu-rays and streaming sequences that we know from long experience tend to test different aspects of a TV’s picture and sound quality to the limit. Particularly useful for the 65X95L were the 4K Blu-ray of Babylon, the early stages of which present a tough challenge for LCD backlighting and colour controls; It Chapter One on 4K Blu-ray with its often intensely dark black levels and expansive Dolby Atmos soundtrack; and the HD Blu-ray of Harry Potter And The Deathly Hallows Part 2, the many dark and grainy scenes of which pose a tough test for upscaling systems.

A Sky Q box was used to provide both HD and 4K 60Hz content, and we also spun up favourite episodes from shows across all the main streaming services using their built in apps, including Netflix, Amazon Prime Video, Apple TV and Disney Plus.

Read more about how we test
First reviewed February 2024

I saw Panasonic’s Z95A OLED TV and its super-bright MLA display blew me away

8:31 pm | January 16, 2024

Author: admin | Category: Computers Gadgets Televisions | Tags: Dolby Atmos, HLG, PC | Comments: Off

When it comes to advancing the tech of OLED TVs, brightness is usually the big battleground, and Panasonic is putting forward its best fighter yet. The flagship Panasonic Z95A OLED TV for 2024 is a knockout in picture quality from my earlier experience with it, combining Panasonic's 'Master OLED Ultimate' panel with boosted micro lens array (MLA) tech and an upgraded processor to achieve next-level brightness.

The new Panasonic Z95A model was announced on January 8, and while I've seen it in action, I haven't yet been able to measure just how much brighter it is – but given that last year's flagship Panasonic MZ2000 beat out the competition (it achieved 1,480 nits in Filmmaker mode and 1,366 nits in Standard picture mode, making it brighter than the LG G3 and Samsung S95C), there's a good chance we might see a repeat of this result over the LG G4 and Samsung S95D in 2024.

Outside of the upgraded panel, Panasonic has also made some other big changes, including a partnership with Amazon to use the Fire TV software instead of Panasonic's own platform. This brings together Panasonic's elite TV tech with Amazon's slick interface, which means that you can access all of Fire TV's bevy of smart features, such as Alexa-enabled smart home control, its Ambient Experience, and its great streaming service support. There are also new gaming features, including a 144Hz refresh rate for PC gamers, but the Z95A still only comes with two HDMI 2.1 ports.

Will the Panasonic Z95A be this year's best OLED TV? It's far too early to tell without being able to do our own test of the picture quality, but I did get a look at it during CES 2024, and was bowled over by its crisp picture detail and intuitive smart home features.

Panasonic's Z95A: Likely price and availability

The Panasonic Z95A at CES 2024 — From left to right, the 77-inch Z93A beside the 65-inch and 55-inch Z95A in the Panasonic booth at CES 2024. (Image credit: Future)

Announced in January 2024
Likely to be released later this year
No confirmed price yet

The Panasonic Z95A OLED TV comes in two screen sizes, both 55- and 65-inches. Unlike last year's MZ2000, though, the TV maker has released the larger 77-inch size under a different model name. It's calling it the Z93A and from what we can tell, this mainly comes down to the fact that it uses a 'Master OLED Pro Cinema panel', which is essentially the same as you'll find in the Panasonic MZ1500 (i.e. no MLA), making it less bright than the Z95A (which is visible in person, but the Z93A certainly isn't dim by OLED standards).

As is usual with Panasonic TVs, these won't come to the US, but will be available in the UK, Europe and Japan. When will they be available to buy in these markets? Panasonic will likely release the TVs much later this year (the MZ200 arrived in the second half of 2023) so we don't yet know how much they will cost. But we expect to see similar prices to the MZ2000, which launched at £2,699 for the 55-inch, £3,599 for the 65-inch, and £4,499 for the 77-inch.

It would be nice if Panasonic could bring down the cost of the sets to be more in line with its rivals this year – last year's MZ2000 was priced higher than the same sized 65-inch LG G3, and 55-inch and 77-inch Samsung S95C – but it's not likely. Panasonic uses much more advanced speaker tech, which must add to the price, for example.

Panasonic's Z95A: Features

Fire TV Ambient Experience and Alexa widgets
Access to Apple Home and Google Assistant
144Hz refresh rate for PC gamers

The most attention grabbing new feature with the Z95A is the Amazon Fire TV software. It replaces Panasonic's smart TV platform, my Home Screen 8.0, which was what we found to be one of the downsides in last year's MZ2000 because it was clunky and difficult to navigate. The home screen is now a curated feed of the best streaming services, allowing you to see what you're watching instantly and easily navigate between apps. You can also set up a profile so you can better curate personalized recommendations.

Access to the Fire TV Ambient Experience also means that the Z95A can be a central hub for your smart home, giving you the ability to control smart home devices with Alexa. During a demo of these features, we were able to see how you could simply command Alexa to draw the curtains or turn off the lights via the TV. Even in a busy convention center, the mics were able to pick up commands like "Alexa turn on the lights" or "Alexa open the curtains" and trigger the actions on an adorably miniature sized home model (as seen in the picture above). With access to Apple Home, AirPlay and Google Chromecast, you'll also be able to use tools like viewing a security camera's livestream. It's very much the future of home tech that puts the TV at the center of the home.

As for gamers, the Z95A is packed to the brim with gaming features, including 4K 144Hz as a new feature (compared to 4K 120Hz in the MZ2000), while VRR, ALLM, AMD FreeSync Premium, Nvidia G-Sync and Dolby Vision gaming capabilities all return from last year's MZ2000. However, there are still only two HDMI 2.1 ports, which is a bit of a shame considering the focus on improving the gaming experience as a whole.

Panasonic packed in an improved processor called the HCX Pro AI Processor Mk II, which not only enhances the picture quality but powers new gaming features, such as a new Game Mode Extreme that instantly updates the TV's settings to be more gaming optimized. To access these features, there's also the Game Control Board, which works as a dashboard for all the adjustable gaming settings.

Panasonic Z95A: Picture quality

Master OLED Pro Cinema panel with MLA tech
Dolby Vision IQ, HDR10+ Adaptive and HLG support

It's the enhanced HCX Pro AI Processor Mk II that's also behind a lot of the improved picture quality in the Panasonic Z95A. In addition to Dolby Vision gaming at 144Hz, the chip powers Dolby Vision IQ Precision for added picture precision and brightness. It's also behind a new '4K Remaster Engine', which Panasonic says gives automatic noise reduction a boost when watching the best streaming services. Outside of Dolby Vision, there's also the usual support for popular formats such as HDR10+ Adaptive, HDR10 and HLG.

The combination of the new processor, boosted MLA panel and Panasonic's multi-layer heat management configuration has given the Z95A a boost in brightness and overall picture quality. When viewing the model next to the Z93A during a demo, the lack of MLA in the larger model is slightly noticeable. But what was even more of a stark contrast was when comparing the Z95A to the MZ980, which of course isn't exactly a fair comparison given that it's not the flagship model from last year, but uses a 'regular' OLED panel without MLA or Panasonic's other brightness-boosting tech.

Regardless, I could see that the whites were far starker and stood out considerably – in fact by so much that you can even slightly see the difference in the picture above for yourself (if you look at the center of the image, the whites appear more fuller and brighter on the left than they do on the right), though this is way more pronounced in person. The spectrum of colors was also another major difference between the two. The Z95A set looked to have a level richness that made it pop a lot more when compared to the MZ980.

Panasonic Z95A: Sound quality

Dolby Atmos sound with 360 Soundscape Pro
Customizable directional speakers

The audio quality of the Z95A was another high point during the demo. Panasonic's 360 Soundscape Pro tech provides Dolby Atmos spatial audio with seven speaker channels, which means you won't need one of the best soundbars to get immersive audio.

During the demo, I also got to test out the 'Pinpoint Positioning' feature in the audio settings, which lets you manually adjust the direction of the speakers depending on your living room setup. While most households will no doubt sit directly in front of their TVs, I can see this feature being useful in more of a mismatch setting – it steers the 'sweet spot' of the sound to wherever you're sitting, including off to the side.

From a technical standpoint, the only slight difference between the 55- and 65-inch Z95A is that the larger model has a slightly higher wattage of 160W (compared to 150W). In terms of the speaker channels, there are two side-firing, two upward-firing, three forward firing, and a subwoofer.

Panasonic Z95A: Early verdict

While the Panasonic Z95A OLED TV may not look too different on the surface from last year's MZ2000 – it has the same swivel design and black bezels – there's a lot going on under the hood that shows how it has improved.

From what I've seen so far, my first impressions are that it has a lot of promise to be a knockout OLED TV in 2024 and I'll be excited to hear more about what Panasonic decides on the pricing front, and to get it in our testing labs. As ever, it's such a pity that our US readers will miss out on it.

Roku Plus Series review: a great budget 4K QLED TV

6:00 pm | June 10, 2023

Author: admin | Category: Computers Gadgets | Tags: Dolby Vision, Google Assistant, HLG, TV | Comments: Off

Roku Plus Series TV: Two-minute review

Most people know Roku for its streaming boxes and sticks – like the Roku Streaming Stick 4K – as well as the company’s smart interface, which can be found in TVs from brands like TCL, Hisense and others. Back in March of 2023, the company also started selling its own Roku-branded TVs, and as with its streamers, they are priced at a level that most people can afford.

There are two lines of Roku TVs: the Plus Series and the Select Series. Both are inexpensive compared to other sets, but the Plus Series is more feature-packed and consequently priced a bit higher. I was sent a 65-inch Plus model to review, and as a longtime Roku user, I was very curious to see how this $649 set would stack up against other 4K TVs I’ve recently tested.

Along with the company’s own smart TV interface, Plus Series TVs feature AirPlay for wireless streaming from devices and work with Alexa and Google Assistant. You can also conduct hands-free voice searches using the remote control’s built-in mic by first saying “Hey Roku” or by pressing a button on the remote and speaking your search directly.

Plus Series TVs use a QLED display panel with a full-array local dimming backlight, and there’s support for Dolby Vision, HDR10+, and HLG high dynamic range. The 65-inch model I tested doesn’t offer nearly the same peak brightness as QLED TVs with a mini-LED backlight, but it has a local dimming feature that's effective enough to deliver images with strong contrast.

All new Roku TVs have a native 60Hz refresh rate. And while we normally recommend 120Hz 4K TVs for gaming, the Plus Series had an impressive 11.5 ms measured input lag when its Game mode was enabled.

The design of Plus Series sets are basic though, and they come with side-mounted support feet that can’t be height-adjusted. Inputs include 4 HDMI 2.0 ports (1 with eARC) along with an RF connection for an antenna and an optical digital audio output.

Audio on the Plus Series is also basic, with the TV sporting two bottom-mounted speakers. And while the sound is perfectly satisfactory given the TV’s price, the company offers several inexpensive options to enhance audio quality, including a 2-channel soundbar that connects wirelessly with the TV, and wireless surround sound and subwoofer speakers.

Between the company’s own The Roku Channel and a Live TV portal with an enormous amount of free streaming channels that can be browsed in a grid format with TV broadcasts pulled in by antenna, there’s plenty available to watch here, much of it free. Even so, the Roku smart TV interface provides almost every streaming service app you could possibly want, and it also supports personal photo streaming, with an option to add pictures directly from your phone.

Roku Plus Series TV review: price and release date

Release date: March, 2023
55R6A5R: $499
65R6A5R: $649
75R6A5R: $999

The Plus Series models are the step-up offerings in the Roku TV lineup. They are available in 55-, 65-, and 75-screen sizes, and are only sold in the US at Best Buy stores and online.

Pricing for the Roku Plus Series TVs is in the same approximate range as budget models from Hisense, TCL, and Amazon Fire TVs, all of which also feature QLED screen tech, and in some instances a local dimming backlight similar to Roku Plus series models.

Roku Plus Series TV review: Specs

Roku Plus Series TV back input panel — Back panel inputs include two side-mounted HDMI 2.0 ports (one with eARC), two bottom-mounted HDMI 2.0 ports, an optical digital output, and an antenna connection. (Image credit: Future)

Roku Plus Series TV review: features

Roku smart TV interface and voice remote
Dolby Vision, HDR10+, and HLG high dynamic range
Four HDMI inputs, one with enhanced audio return channel (eARC)

Roku Plus Series TVs feature the company’s popular smart TV interface, which is easy to navigate compared to other options. It provides an extensive amount of streaming apps to select from, and includes The Roku Channel and the Live TV portal for streaming free ad-supported TV shows and movies. Live TV also lets you integrate TV channels tuned by an indoor TV antenna.

Plus Series TVs support AirPlay for wireless streaming from iPhones and iPads, and they also work with Alexa and Google Assisant. They include voice remote pro features, a rechargeable battery and it has a built-in mic that allows for hands-free voice searches (the built-in mic can also be easily disabled using a switch located on the remote).

A QLED display panel with a native 60Hz refresh rate is used for the Plus series, and there’s a full-array local dimming backlight for enhanced contrast. High dynamic range support includes Dolby Vision, HDR10+ and HLG. A Game mode is also provided that reduces input lag when gaming with a connected console.

The set’s four HDMI inputs include one that supports HDMI eARC for a soundbar connection, and there’s an optical digital audio output and an RF input to connect an antenna. When viewing TV broadcasts, you can pause and rewind live TV for up to 90 minutes when a 16GB USB flash drive is plugged into the set’s USB port. Roku TVs also support a wireless audio connection to the company’s Roku Smart soundbar.

Roku’s features package for its Plus Series is fairly basic overall compared to other TVs, but it includes a solid array of video performance basics such as a QLED display panel and full array local dimming backlight.

Features Score: 3.5/5

Roku Plus Series TV showing Max app screen with Avatar 2

The new Max is one of the many streaming apps available in the Roku smart TV interface (Image credit: Future)

Roku Plus Series TV review: picture quality

Average brightness
Deep blacks with detailed shadows
Some screen reflections

The 65-inch Roku Plus Series TV I tested delivered an average brightness level for a QLED TV, with peak brightness topping out at 556 nits (measured on a 10% white window test pattern) in its Standard HDR picture mode, and 533 nits in Dark HDR mode. To put those numbers into perspective, the TCL 6-series TV, a model with a mini-LED backlight, can hit 1,326 nits peak brightness, while the LG C3 OLED TV tops out at 830 nits.

A full-array local dimming backlight on the Plus Series enabled it to display deep blacks, though it didn’t hit the 0 IRE full black that OLED TVs and the best mini-LED models are capable of, with maximum contrast measuring 20,500:1. Even so, blacks looked strikingly deep in most movie clips I watched, and backlight 'blooming' artifacts were surprisingly minimal given the set’s low price. For most of my testing I kept the Micro Contrast setting at High, which delivered the best black depth and shadow detail.

The color balance in the Movie picture mode’s default Warm color temperature setting was slightly blue-ish, with most Delta E values measuring in the 3-4 range (we typically look for these to dip below 3). Measurements made with Portrait’s Calman display calibration software also showed coverage of DCI-P3 (the color space used for mastering 4K Blu-rays and digital cinema releases) to be 95.8%, and BT.2020 to be 81.3%. These are very good results, and closely match what was measured on the TCL 6-Series TV.

Roku’s Plus Series set had a fair amount of screen reflectivity, with reflections visible when viewing in a room with bright overhead lights. Picture contrast and color saturation also weren’t as solid when viewing from off-center seats, though that effect is common with LCD-based TVs like the Plus Series.

I watched several scenes from 4K Blu-ray discs that I typically use for testing on the Roku Plus Series, starting out with the Spears & Munsil Ultra HD Benchmark (the just-released new version). Viewing the 4,000 nits version of the montage sequence, some clipping artifacts were visible with the set’s Dynamic Tone Mapping setting active, though the issue disappeared when I watched a version graded at 1,000 nits – a more typical peak brightness for programs with HDR. Otherwise, images in the montage looked clean, crisp and had rich color, though the strongest highlights lacked some of the visual punch I’ve seen when watching the same material on brighter TVs.

Next up was No Time to Die, the James Bond film from 2021. Shadows looked deep and solid in the early scenes where Bond and Madeleine arrive in Italy, and in a later one where 007 walks across a craggy hill toward the resting place of Vesper Lynd with the camera panning along, the motion was smooth with almost no blurring artifacts.

Dune also looked very good on the Roku TV, with the set’s processor managing to deliver a detailed and noise-free picture even in difficult scenes like one where Paul walks through a dark and misty environment with Lady Jessica following an interrogation by the Reverend Mother. I’ve seen other, much more expensive TVs trip up on this sequence, which made the Roku’s handling of it all the more impressive.

With Spider-Man Across the Spider-Verse now out in theaters, it seemed appropriate to give 2018’s Spider-Man Into the Spider-Verse a spin on the Roku Plus TV. This film has an incredible range of color, and images are enlivened with finely detailed textures throughout that give it a printed comic book look. The Roku conveyed all of it in a convincing manner, with images looking impressively dynamic for such an affordable TV.

Picture quality score: 4/5

Roku Plus Series TV main smart interface — Inputs can be accessed from the main Roku TV interface (Image credit: Future)

Roku Plus Series TV review: sound quality

Two downfiring speakers
Average TV sound quality
Can make a wireless soundbar connection

Roku Plus Series use two down-firing speakers and the sound quality is average – you can easily hear dialogue and there’s a good overall balance, but otherwise dynamic movie soundtracks tend to flatten out during loud scenes.

Roku sells a two-channel Roku TV wireless soundbar ($150), which is designed specifically for its TVs and can be connected wirelessly (surround speakers and a subwoofer can also be added for a wireless 4.1-channel setup). Roku sent me its wireless soundbar to try out, and setting it up was incredibly easy. Configuration and control of the soundbar is carried out using the voice remote pro, with sound presets selectable via the TV’s menus.

Of the various presets, the Standard mode proved to be the best for most viewing, and with it selected dialogue gained weight and body while soundtrack elements like music and effects came across with greater clarity and dynamic presence. Given the TV’s low price, this is definitely a situation where you should consider a soundbar, and while there are plenty of great choices on our best soundbars list, the Roku TV wireless soundbar is a perfect match for this TV.

Sound quality score: 3.5/5

Roku Plus Series TV support feet on TV stand — The 2-channel Roku TV wireless soundbar (shown) provides an easy and inexpensive audio upgrade (Image credit: Future)

Roku Plus Series TV review: design

Basic design
Side-mounted, non-adjustable support feet
Roku voice pro remote with built-in mic

The design of Plus Series TVs is fairly basic, with a thin bezel surrounding the screen’s edges and a thicker bezel at the bottom with a protruding compartment with an IR receiver and multipurpose control button under the Roku logo. Side-mounted feet provide sturdy support, though both their height and horizontal spread can’t be adjusted.

Two of the TV’s HDMI ports are located on an input panel accessible from the side, while the other two are on the panel’s bottom along with the antenna, USB, and Ethernet ports. There’s also a composite-video and RCA-type analog stereo audio input here that lets you connect legacy sources such as a VCR or vintage game console. The bottom HDMI ports were somewhat difficult to access, and could potentially be a challenge when using a stiff cable to connect sources.

The built-in battery of Roku’s compact voice pro remote control can be recharged by connecting it to the TV’s USB port. It has a built-in mic that can either be always on or disabled using a switch located on the remote’s side. The benefit to having the mic always on is that you can do hands-free voice searches by saying “Hey Roku” followed by a request. You can also momentarily activate the mic for searches by pressing the mic button at the remote’s center. Four quick buttons let you instantly access the Apple TV Plus, Disney Plus, Netflix and Max streaming services, and there are two numbered “shortcut” buttons that can be configured for a range of uses.

Design score: 3.5/5

Roku Plus Series TV Live TV program guide shown onscreen — The Live TV "Favorites" program grid with streaming and broadcast TV channels listed (Image credit: Future)

Roku Plus Series TV review: smart TV & menus

Roku TV interface
Works with Alexa and Google Assistant
Picture adjustments hard to access

Roku’s well-known and well-regarded smart TV interface is one I’m familiar with having spent many years as a Roku owner before making the leap to an Apple TV 4K. It’s a great interface for browsing apps, mainly because everything is right up front and accessible, and it’s easy to add or delete apps.

The Roku Live TV portal is a good way to supplement any streaming services you subscribe to. It offers an abundance of free channels organized in a time-based grid, and you can add broadcast TV channels tuned by an antenna to expand your free TV menu. With so many channels to choose from, it’s a good idea to edit the grid down to a more manageable size – something that the Favorites feature easily lets you do.

The Roku Photo Streams app has received recent enhancements that let you upload images directly from a phone to for viewing on the TV. You can also now edit streams and set screensavers, and the app now supports up to 1,000 images. When it comes to displaying personal photo libraries, the Roku Plus series is no Apple TV 4K, which provides tight integration with that company’s Photos app. Even so, most viewers will find Photo Streams to be sufficient for their needs.

Picture adjustments are carried out by pressing the remote’s asterisk button, which calls up the onscreen setup menus. You can adjust picture settings separately for regular and HDR sources, and those custom settings can also be applied across all of the TV’s inputs. Getting to basic adjustments like Brightness, Contrast and Color can take a lot of button presses, which is something that I found annoying during my time testing the TV's performance.

Smart TV & menus score: 4.5/5

Roku Plus Series TV remote control held in hand — The Roku TV remote has a USB rechargeable battery and quick buttons to access select apps (Image credit: Future)

Roku Plus Series TV review: gaming

No cloud gaming apps
Low 11.5 ms input lag
Auto Game Mode

With a native 60Hz refresh rate, the Roku Plus isn’t designed to be a powerhouse gaming TV. There’s also no gaming portal with subscription cloud-based services like you’ll find on Samsung and LG sets, and there’s no support for Bluetooth game controllers.

What Roku Plus TVs do offer gamers is a Game mode that reduces input lag to 11.5ms – an impressive level for a budget TV and one that will satisfy all but competitive gamers. Game mode is automatically enabled when a console input is detected, saving you the trouble of having to turn it on in the TV’s settings menu.

Gaming score: 3/5

Roku Plus Series TV showing image from Spider-Man: Into the Spider-verse onscreen — The Roku TV Plus isn't the brightest TV, but it has a very good combination of features and performance for the money (Image credit: Future)

Roku Plus Series TV review: value

Very good picture quality for price
Roku interface adds to value
Loads of free (but ad-supported) streaming channels

At just $649, the 65-inch Plus Series TV I tested is a great value. It’s not able to hit the high peak brightness levels some of its budget TV competition manages, particularly models with a mini-LED backlight, and that limitation lessens some of its impact when viewing movies with HDR. But overall, image quality here is very good for the price.

Also adding to the value of Plus Series TVs is the company’s built-in streaming interface, which is clean and easy to navigate and offers pretty much any app you’d want along with a Live TV portal to stream a multitude of free ad-supported channels. You’ll have a tough time not finding something to watch on Roku’s TV, and if you do, you can always use its hands-free voice remote to recommend something.

Value score: 5/5

Roku Plus Series TV shown at side angle — (Image credit: Future)

Should I buy the Roku Plus Series TV?

Buy it if...

Don't buy it if…

Also consider...

TCL 6-Series mini-LED
TCL’s 6-Series TVs are a fairly substantial price jump over the Roku Plus Series, but you’re getting a big brightness boost for the money. The 6-Series is also a better option for gaming with next-gen gaming features like 4K 120Hz and VRR.

How I tested the Roku Plus Series TV

Roku Plus Series TV showing Ferris Wheel onscreen — (Image credit: Future)

I spent about 15 hours in total measuring and evaluating
Measurements were made using Calman color calibration software
A full calibration was made before proceeding with subjective tests

When I test TVs, my first step is to spend a few days using it for casual viewing for break-in and to assess the out-of-box picture presets. The next step is to select the most accurate-looking preset (typically labeled Filmmaker or Movie) and measure the white balance (grayscale), gamma, and color point accuracy using Portrait Displays’ Calman color calibration software. The resulting measurements provide Delta-E values (the margin of error between the test pattern source and what’s shown on-screen) for each category, and they allow for an assessment of the TV’s overall accuracy.

For the Roku Plus Series TV, I used the CalMan ISF workflow, along with the advanced picture menu settings in the Roku control app, to calibrate the image for best accuracy with SDR and HDR sources. Once done, I watched a range of reference scenes on 4K Blu-ray discs that I’ve gathered after years of TV and projector testing to assess the TV’s performance, as well as new Dolby Vision-encoded material streamed from sources like Netflix and Max.

First reviewed: June 6, 2023