The Yaber K3 is a budget smart projector that offers 1080p resolution, 1600 ANSI lumens brightness and built-in access to streaming services such as Netflix and Disney Plus. While it delivers good sound and a Google TV smart interface for cheap, its picture quality is inconsistent and there are several other issues with it as well.
A smart projector such as the Yaber K3 for $599 / £569 is a tempting prospect, especially when it can light up 40-200-inch screens. And while it’s not as well featured as the best projectors, built-in Wi-Fi and decent built-in speakers are hard to find at this price range. But some of the K3’s other main features such as its auto keystone correction and processing are sluggish and often frustrating to use. Gamers will also be better off looking elsewhere.
The K3’s picture quality is a very mixed bag. It displays natural colors and solid enough detail at times and puts in a decent showing with sports. But contrast is weak and black levels are washed out. The K3’s picture quality was never going to compete with the best 4K projectors, but even compared with some of the best portable projectors, such as the Samsung Freestyle Gen 2, the K3’s picture struggles.
Where the K3 excels is its sound, as the built-in JBL speakers are punchy and powerful, especially at this budget price range. While one of the best soundbars is still recommended, some won’t find the need to add one, especially for casual viewing.
Fundamentally, the Yaber K3 is for those who are looking for a smart projector at an affordable price for the occasional movie night. While it packs as much as it can into its budget-friendly frame, it’s not quite the bargain budget gem it could have been.
Yaber K3 projector review: Price & release date
The Yaber K3 has natural enough colors but they appear washed out in some instances (Image credit: Future)
Price: $599 / £569 (roughly AU$942)
First available: September 2024
The Yaber K3 is a 1080p smart projector that follows on from Yaber’s K2 series. The K3 is priced at $599 / £569 (roughly AU$942 with direct exchange), putting it at the budget end of the projector spectrum in direct competition with portable projectors such as the Samsung Freestyle Gen 2 (also a 1080p smart projector) which has a standard price of $749 / £649.
Since its release in September 2024, there have been some discounts on the Yaber K3, with prices falling to $499 / £465 during sales events. This is similar to the discounts the Samsung Freestyle receives, as it’s regularly priced at $549 / £499 during sales events.
Yaber K3 projector review: Specs
Yaber K3 projector review: Design & features
1600 ANSI lumens
Google TV smart interface
Nice fabric grill but bulky elsewhere
The Yaber K3 offers access to smart features and streaming via Google TV at a budget price (Image credit: Future)
The Yaber K3’s fabric front grill gives it a slightly more premium appearance than its budget price would suggest, but elsewhere it appears a little plain and oddly bulky looking. It measures 11.4 x 12.7 x 6.1 inches (290 x 3232 x 154mm) and requires a mains power supply with no battery options. There’s also a noticeable amount of fan noise after extended viewing periods.
The K3 has a specified 1080p resolution and 1600 ANSI lumens brightness. It has a 1.2:1 throw ratio and fits screens from 40-200 inches. Auto and manual keystone adjustment and object detection count among its features, but I generally found that auto keystone was frustrating and often didn’t calibrate correctly to the Optoma 80-inch portable screen I was using for my tests. Manual keystone correction can only be done via the Yaber homepage and not while watching content – another aspect I found frustrating.
Despite its budget price, it uses Google TV as a smart TV interface. This provides access to some of the best streaming services including Netflix, Prime Video and Disney Plus. For connections, it has two HDMI ports, one USB-A port, a 3.5mm audio output and Bluetooth wireless.
The K3 has a surprisingly robust built-in speaker system for such a budget projector, with dual 15W JBL speakers totaling 30W of power.
No gaming features are included on the K3. For those looking for a gaming projector, you’re better off with something like the BenQ X300G.
The Yaber K3 displays details well on occasion, but textures and contrast are often inconsistent and unbalanced (Image credit: Future)
Inconsistent picture quality
Decent enough colors
Surprisingly punchy sound
For my testing, I used an Optoma 80-inch, 1.0 gain matte white projection screen. I first began by taking brightness measurements using a colorimeter, and the K3 yielded results of 109 nits and 93 nits in Standard and Natural picture modes respectively, putting it above 4K portable projectors such as the LG CineBeam Q (which yielded 60 nits in Filmmaker Mode).
Moving on to critical viewing, I first looked at an HD stream of Star Wars: The Last Jedi on Disney Plus, focusing on the throne room fight scene. Colors were natural enough, but they lacked any sort of dynamic punch. Characters’ skin tones also appeared washed out, even in the most accurate Natural picture mode (though there wasn’t a great deal of difference between the various picture modes). The same was true for La La Land on Blu-ray, which showed natural colors but also inaccurate textures, although in some scenes details were more refined than I’d anticipated.
Next, I watched a Blu-ray of The Batman to test black levels and contrast. While mostly acceptable, I found some scenes difficult to watch due to limited brightness (namely the opening crime scene investigation) even in blacked-out viewing conditions. In brighter scenes, details were clear and accurate enough, but there was a gray wash over the screen and textures still appeared fuzzy.
One area where the K3 did well was with sports. Watching soccer matches in Sports mode, the action was smooth and accurate enough that the games were watchable, though it won’t beat more premium projectors.
While the K3’s picture is average, its built-in sound is surprisingly good. Equipped with a JBL speaker system totaling 30W of power, the K3's sound is punchy, detailed and clear. Watching the Batmobile chase sequence in The Batman, the sound of swerving cars was accurately presented, with a strong sense of direction. The rumble of the Batmobile’s engine had a hefty amount of bass and plenty of power, especially for small built-in projector speakers.
Even La La Land’s dynamic, jazzy score was presented with real clarity, with a good balance between the horns, strings and vocals throughout. While the JBL speaker’s soundstage is limited by its size, it’s still surprisingly effective for a built-in speaker at this price range.
Picture and sound quality: 3/5
Yaber K3 projector review: Value
The Yaber K3's remote is cheap-feeling but has the buttons you need (Image credit: Future)
Smart projector for a budget price
Cheaper than most portable projectors
Overall performance is frustrating
The $599 / £569 Yaber K3 is good value for those looking for an affordable projector that provides access to streaming services via the Google TV smart platform. It isn’t going to beat more premium projectors and may even struggle against some of the best portable projectors, but for those looking for a casual projector, the K3 is a budget-friendly option.
Unfortunately, shortcomings in the K3’s picture quality and some frustrations with setup such as keystone correction hold it back from being a budget gem. You’ll have to make some sacrifices, particularly with sound, on other portable projectors such as the Samsung Freestyle Gen 2, but the Freestyle is likely to give you a more consistent experience for a similar price.
Value score: 3.5/5
Should I buy the Yaber K3 projector?
Black levels are one of the K3's weakest areas, with pictures appearing washed out at most times (Image credit: Future)
Buy it if...
You want a smart projector for cheap If you're looking for a projector with access to streaming services like Netflix but don't want to break the bank, the Yaber K3 ticks the boxes. View Deal
You want a projector with solid built-in sound Yes, the K3's JBL speaker system isn't going to beat a soundbar, but at this price, it does a pretty good job.View Deal
Don't buy it if...
You want a consistent picture Brightness and colors are OK on the K3, but its contrast, textures, detail and motion handling are all inconsistent, with not many ways to tweak or improve things.View Deal
You want a hassle-free setup In my testing, I found both auto and manual keystone adjustments to be frustrating and time-consuming. View Deal
Also consider
Samsung Freestyle Gen 2 The Samsung Freestyle may not be as bright and its sound isn't as good as the Yaber K3s sound, but its interface is more responsive and its overall picture quality is superior. Although pricier normally, the Freestyle Gen 2 is frequently on sale. Read our full Samsung Freestyle Gen 2 projector review.
Xgimi MoGo 3 Pro The MoGo 3 Pro is a budget, portable HD projector that's cheaper than the K3 and it offers HDR support and good picture quality. But the K3 takes the crown when it comes to sound. Read our full Xgimi MoGo 3 Pro review.
LG CineBeam Q Pricier than the K3, the LG CineBeam Q offers 4K resolution in a compact, stylish portable design. Its interface is also more responsive. The K3 may have better sound, but it pales in comparison in all other areas. Read our full LG CineBeam Q review.
How I tested the Yaber K3 projector
(Image credit: Future)
Tested with an Optoma 1.0 gain, matte white 80-inch screen
Tested using Blu-ray, streaming sources
Measurements taken using Portrait Displays' Calman calibration software
To test the Yaber K3 projector, I first used high definition and standard definition sources including Blu-ray and streaming. I tested the K3's picture quality, analyzing color, contrast, black levels, detail and motion. I also evaluated its built-in JBL sound using the same reference scenes from movies and TV shows.
I used a colorimeter, test pattern generator and Portrait Displays' Calman color calibration software to record measurements for brightness, contrast ratio and color and grayscale accuracy.
The projector was primarily tested in pitch-black conditions in our testing room at TechRadar and also in full ambient light settings to see how it handled brighter viewing environments.
The Sony Bravia Projector 8 (VPL-XW6100ES) is the latest addition to the company’s lineup of native 4K projectors, all of which use the Z-Phosphor laser light source. This new beamer, along with the flagship Bravia Projector 9 (VPL-XW8100ES), adds several key features that bring the brand’s higher-end models in line with their chief competitors among the best 4K projectors, the JVC DLA-NZ800 and JVC DLA-NZ900.
Brightness for the Sony Projector 8 has been increased to 2,700 lumens and both models now use Sony’s professional-grade XR Processor. One of the key benefits is genuine dynamic tone mapping for a superior HDR experience.
The Projector 8 and 9 retain the same chassis and Advanced Crisp-Focus (ACF) lens, motorised lens controls and lens memories as the previous generation, but unlike the JVC projectors, they don’t support HDR10+ high dynamic range or 3D.
The Projector 8’s design is the same as previous generations, but the compact chassis remains well-built. The menu system is easy to navigate, installation is flexible, and the backlit remote control makes this beamer a pleasure to operate. The connectivity has been upgraded and now includes two HDMI 2.1 inputs, which means the Projector 8 accepts signals with higher frame rates up to 4K 120p – great news for next-generation console and high-end PC rig gamers.
The inclusion of 4K 120p isn’t the only good news for gamers, with the Projector 8 supporting ALLM. As a result, it automatically goes into the game mode when a console is detected, and the input lag is an incredibly low 10ms. All of this finally makes this beamer the ideal companion to the brand’s own PlayStation 5 game console, as well as other consoles and PC gaming rigs.
It’s not perfect of course. There’s no HDR10+ or 3D support, the colour gamut could go wider, the black levels dig a little deeper, and shadows retain more detail, but overall this high-end beamer delivers the big screen goods. In fact, its smooth motion, superior processing, fast responses, and improved HDR are sure to please even the most demanding cinephile or competitive gamer.
Sony Bravia Projector 8 review: price and release date
First available: October 2024
Price: £15,999 / $15,999 / around AU$21,170
The Sony Bravia Projector 8 (VPL-XW6100ES) is the new mid-range model in the brand’s line-up of home cinema projectors and is available now in a choice of matte black or white finishes. The Projector 8 currently retails for £15,999 in the UK or $15,999 in the US.
The Sony Projector 8 has a specified 2,700 lumens light output, and its laser light engine has a 20,000-hour lifespan (Image credit: Future)
Sony Bravia Projector 8 review: Specs
The Projector 8 is available with either a white or black casing (Image credit: Future)
Sony Bravia Projector 8 review: design
Advanced Crisp-Focus (ACF) lens
Motorised lens controls and memories
Backlit remote control
The Sony Projector 8 looks identical to the brand’s previous generations, with the same angled design and centrally-mounted lens. There are air intake grilles at the front, exhaust vents at the rear, and some basic controls on the left-hand side as you face the lens.
The Projector 8 measures 460 x 210 x 517mm (WxHxD), and weighs in at 14kg. Sony offers a choice of matte black or matte white, and you can also choose between a stand or ceiling mount. The build quality is good, although it feels less substantial when compared to the JVC NZ800.
The Projector 8 uses the Advanced Crisp-Focus (ACF) 70mm lens introduced on earlier models, which is designed to resolve more detail. The lens controls are also motorised, making setup easier, and there are lens memories to create different aspect ratios if you use a 2.35:1 screen.
The connections are all located in a recess along the bottom left-hand side as you face the projector. Here you’ll find two HDMI 2.1 inputs, which is a welcome addition, along with an Ethernet port and RS-232C connector, a 12V trigger, an IR input jack, and a USB port for power.
The provided remote is the same large and backlit zapper included with previous generations of Sony beamers. The buttons are laid out sensibly, it’s comfortable to hold and use with one hand, and includes all the controls you’ll need to set up and operate the Projector 8.
Design score: 5/5
Ports include 2 HDMI 2.1 connections with 4K 120Hz support for gaming (Image credit: Future)
Sony Bravia Projector 8 review: features
Z-Phosphor laser light source
Dynamic HDR Tone Mapping
Support for 4K 120Hz high frame rate
The Sony Projector 8 uses the brand’s current 0.61-inch SXRD chip to deliver native 4K (3840 x 2160) images. The projector has a refresh rate of 120Hz, and thanks to the addition of the two HDMI 2.1 inputs it can now support higher frame rates up to 4K 120p.
The Projector 8 also uses a Z-Phosphor laser light source, with an increased claimed brightness of 2,700 lumens and a claimed lifespan of up to 20,000 hours. That basically means you could watch a film a day for the next ten years without worrying about the image dimming like a lamp or bulb.
The inclusion of wide dynamic range optics and Sony’s XR Triluminos Pro technology promises deeper blacks, more saturated colours and improved contrast ratios. Sony’s professional-grade XR Processor also promises advanced image processing and real-time optimisation of the picture.
Thanks to the addition of the XR Processor the Projector 8 has XR Clear Image processing for intelligent upscaling and noise reduction, along with improved HDR thanks to image cross-analysis, depth mapping and focal point recognition. There’s also XR Deep Black laser dimming and XR Dynamic Tone Mapping for optimised HDR10 based on analysis of the incoming signal.
There’s Motionflow frame interpolation for fast-paced sports action and a low-latency mode for gaming. In addition to the support for 4K 120p high frame-rate gaming, the Projector 8 also has ALLM (auto low latency mode) that puts it into game mode when a games console is detected.
Features score: 4
The Sony's Reference picture mode proved very accurate out of the box (Image credit: Future)
Sony Bravia Projector 8 review: picture quality
Bright and detailed pictures
Impressive HDR tone mapping
Very low input lag for gaming
The Sony Projector 8 (VPL-XW6100ES) delivers awesome big-screen pictures thanks to its native 4K (3840 x 2160) resolution and Advanced Crisp-Focused (ACF) 70mm lens. This results in detailed and distortion-free images, along with wider dynamic range optics. All of this means you’ll get pin-sharp resolution across the entire screen – no matter how big that screen is.
If you have a really large screen, there’s no need to worry, because this beamer has a Z-Phosphor laser light source that can reach an extremely bright 2,700 lumens. It also has a claimed lifespan of 20,000 hours, so you’ll never have to worry about changing a lamp, plus the laser itself delivers a consistent colour performance and doesn’t dim significantly over its long average lifespan.
The Reference picture mode proves very accurate out of the box, and the extensive calibration controls can be used to dial in a near-perfect picture. The black levels are not as good as the JVC NZ800, and I measured the Projector 8’s contrast ratio at 12,000:1. Sony only quotes a dynamic contrast ratio of infinity to one, but this is achieved by turning the laser off, which doesn’t represent mixed content.
The big selling point of a Sony projector is its image processing, and the XR Processor doesn’t disappoint. When watching a high quality 1080p source, you’ll be rewarded with an upscaled picture that makes full use of the projector’s more than eight million pixels, producing images that are expertly rendered so they appear clean, detailed and free of unwanted artefacts or noise.
Sony’s Reality Creation detail enhancement applies sharpening to any resolution, including 4K, but is so sophisticated that it achieves this without introducing distracting artefacts. Motion handling is class-leading, appearing fluid and free of judder or other issues, even without engaging Motionflow. Although for fast sports the frame interpolation feature can be beneficial.
The Projector 8 supports HDR10 and HLG, but not HDR10+. The addition of dynamic tone mapping is most welcome, performing frame-by-frame analysis of incoming HDR signals, and adjusting the tone mapping dynamically through pixel processing and the laser power. The results are impressive for a projector, bringing out details in the darkest and brightest parts of the picture.
While I was generally impressed by the picture quality, I do feel that to get the most out of this beamer you need to use all the processing. The Reference mode, which bypasses a lot of the processing, often appeared flat and lifeless, but when switched to Film 1 or Film 2 it was a different story. The images burst into life with detail, depth and colour that really add to SDR and HDR.
Watching Passengers reveals a detailed native 4K image with well rendered HDR and rich colours that retain plenty of depth. The same is true with the saturated primaries in The Greatest Showman, which the Projector 8 handles with skill. It’s only when watching a darker film like The Batman that the weaker blacks of the Projector 8 are laid bare, but at least the shadows are free of crush and the peak highlights don’t suffer from loss of detail or clipping.
The Projector 8 is a great choice for gamers thanks to its bright and detailed images, as well as its peerless motion handling. The performance with SDR is superb, while HDR gaming is exceptional due to the laser light source and HDR enhancements. The overall gaming experience is smooth and responsive thanks to a dedicated game mode that delivers an input lag of 18ms with 4K 60p, and just 10ms with 4K 120p. Both these latency measurements are lightning-fast for a projector, and better than many TVs.
Picture quality score: 4.5/5
The Sony's fully backlit remote control makes it easy to adjust settings in a dark room and has all of the adjustments you'll need (Image credit: Future)
Sony Bravia Projector 8 review: value
Priced to directly compete with superior JVC NZ800
Expensive when compared to very similar JVC NZ700
The Sony Bravia Projector 8 (VPL-XW6100ES) is priced to compete directly with the JVC DLA-NZ800, which also costs £15,999/$15,999. However, the NZ800 does have the edge due to its all-glass lens, deeper blacks, superior dynamic tone mapping, and support for both HDR10+ and 3D.
The Projector will also face serious competition from JVC’s DLA-NZ700, which currently retails for £9,499/$8,999. The NZ700 isn’t as bright at 2,300 lumens, but it delivers better contrast and HDR tone mapping, and it supports HDR10+. However, the Sony still has the edge with gaming thanks to its lower input lag and support for 4K 120p compared to the JVC, which is limited to 4K 60p.
Value score: 4/5
The Projector 8's surface controls (Image credit: Future)
Should I buy the Sony Bravia Projector 8?
(Image credit: Future)
Buy it if...
You want class-leading image processing The XR Processor brings professional-grade processing to the Projector 8, ensuring superb upscaling, noise reduction, and dynamic HDR tone mapping for awesome big-screen images.
You want 4K 120p support
The HDMI 2.1 inputs allow the Projector 8 to support frame rates of up to 4K 120p, making this beamer a perfect choice for next-gen console owners or anyone using a high-end PC gaming rig.
You want superior motion handling Motion handling is an area where Sony projectors have always been strong, and the Projector 8 is no exception. Whether it's films, sport or gaming the movement is smooth, clean and detailed.
Don’t buy it if…
You want deep inky blacks Sony’s SXRD LCoS display tech is better at delivering blacks than LCD or DLP, but it still can’t reach the inky depths of JVC’s D-ILA, which is also LCoS but remains the king of contrast.
You want support for HDR10+ The Projector 8 doesn’t support HDR10+, so if you want to benefit from the format’s dynamic metadata, which is very handy for beamers, you’ll need to look at models from Epson or JVC.
You want support for 3D Sony has dropped 3D support with this generation, so if you’re a fan of the third dimension you’ll either have to look at a DLP projector with their poor blacks and rainbows or JVC’s NZ800.
Also consider...
Epson QB1000 The Epson QB1000 has higher brightness than the Sony and also costs less. The Sony has superior black levels and actual 4K imaging chips, however, and its gaming performance is better.
Epson LS12000 Epson's LS12000 has the same brightness as the Sony and costs less. It's also a great choice for gaming with 4K 120Hz support though the Sony has the added benefit of ultra-low input lag.
JVC DLA-NZ800 The JVC is priced the same as the Sony and has better black levels and HDR10+ and 3D support. It also has 4K 120Hz support for gaming but higher input lag than the Sony.
As with all my TV and projector reviews I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.
The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. Any test scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.
For the objective testing, I measured the Projector 8’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3. To do this I used a pattern generator and colour meter combined with Portrait Display’s Calman calibration software. I measured the Projector 8’s input lag in milliseconds using a specialised Leo Bodnar tester.
The Epson EH-QB1000 is a fantastic projector, and in terms of performance, specifications and features, no other beamer comes close at this price.
The QB1000 uses a three-chip LCD design and laser light source that’s capable of producing an incredibly bright 3,300 lumens, which is higher brightness than many of the best 4K projectors can manage. In addition, thanks to excellent out-of-the-box accuracy the resulting images are not only bright but also naturally saturated. There’s a very low input lag, 4K 120Hz high frame rate support, and even HDR10+ high dynamic range support, making this beamer a cracking all-rounder.
The SDR performance is clean and detailed, with good motion handling and great accuracy. The HDR images are even better thanks to the dynamic tone mapping that gets the most out of the specular highlights and expanded shadow detail. The result is a rich and nuanced image with plenty of visual pop. The same goes for HDR10+ content, with its additional dynamic metadata.
Epson includes a host of higher-end features that are often absent from competing projectors. These include fully motorised lens controls and up to 10 lens memories for those using a ‘Scope ratio (2.35:1) screen. The menus themselves are comprehensive but simple to navigate, plus there are also extensive picture controls if you fancy getting your new beamer professionally calibrated.
The build quality is excellent, with a solid chassis and a choice of matte black or white finishes. There’s an extensive selection of connections, including two HDMI 2.1 inputs, along with a well-designed remote control that has a very useful backlight. There’s even a motorised lens cover to keep out dust, which is important because the light path on an LCD projector isn’t sealed.
Aside from the possibility of dust blobs, the only other limitation is the black level, which could be deeper. It’s also worth pointing out that the Epson isn’t native 4K, but can still produce higher-resolution images thanks to pixel-shifting technology. So when you add it all up, you really won’t find a more highly specified or better performing 4K HDR home cinema projector for the money.
Epson QB1000 review: price and release date
First available: December 2024
Price: £4,799 / $7,999
The EpsonQB1000 is the new entry-level model in the brand’s range of Premium Residential projectors and is available now in a choice of matte black or matte white finishes. The QB1000 currently retails for £4,799 in the UK but costs more in the US, where it will set you back $7,999.
The QB1000 has a specified 3,000 lumens light output, and its laser light engine has a 20,000-hour lifespan (Image credit: Future)
Epson QB1000 review: Specs
The QB1000's motorised lens controls include 10 lens memories for those using a 2.35:1 screen (Image credit: Future)
Epson QB1000 review: design
Fully motorised lens controls
10 lens memory positions
Backlit remote control
The Epson QB1000 looks identical to the earlier Epson LS12000, with the same matte black or white chassis and central lens flanked by large forward-firing cooling grilles. The bodywork is solid and well-built, the motorised lens cover is retained, and there are basic controls at the rear, along with a removable cover to keep things tidy. There’s also an optional ceiling mount if required.
Setup is simple thanks to a generous throw ratio and motorised lens controls that include 10 lens memories for those using a 2.35:1 screen. The QB1000’s increased brightness makes it ideal for rooms with lighter-coloured walls, and as a bonus, the weak contrast ratios won’t be as obvious. There are also various picture modes, along with extensive calibration controls.
The connections are located in a long recess at the rear of the unit, where you’ll find two HDMI 2.1 inputs with support for 4K 120Hz, eARC, HDCP 2.3 and HDR10+, alongside regular HDR10 and HLG. There are also three USB ports, a 12V trigger output, an Ethernet port and RS-232C serial connector, along with support for various integrated control systems when used in a custom installation.
Design score: 5/5
Ports include 3 HDMI 2.1 connections (1 with eARC) with 4K 120Hz support for gaming (Image credit: Future)
Epson QB1000 review: features
Dynamic HDR Tone Mapping
Support for 4K 120Hz high frame rate
Support for HDR10+ with dynamic metadata
The Epson QB1000 incorporates the same 3LCD design the brand uses on all its projectors, and this particular technology is limited to Full HD (1920 x 1080 pixels). However, the QB1000 can accept and display 4K content (3840 x 2160 pixels) by using pixel-shifting technology that literally shifts each pixel diagonally to increase the perceived resolution and create more detailed images.
Despite using the same laser light source as earlier models it has a claimed peak brightness of 3,300 lumens, which is massive, and an average lifespan of 20,000 hours. As with all beamers that use LCD display technology the black levels are poor, with the QB1000 producing a claimed native contrast ratio of 5,000:1, although the dynamic laser feature can boost this to 5,000,000:1.
New this year is dynamic tone mapping that analyses HDR10 content and optimises the image, allowing the QB1000 to deliver improved performance with HDR compared to the earlier LS12000. As with the earlier model there is also support for HDR10+, which means the QB1000 can use the format’s dynamic metadata to deliver an image optimised to its inherent capabilities.
The QB1000 has improved motion handling and upgraded frame interpolation. As a result, it can deliver smooth and detailed motion with sport, although I’d recommend leaving the frame interpolation off when watching film-based content. The Epson also supports higher frame rates up to 4K 120Hz, which makes this beamer a great choice for any next-generation gamers.
Features score: 5
Picture accuracy is excellent in the Cinema mode (Image credit: Future)
Epson QB1000 review: picture quality
Incredibly bright HDR images
Impressive HDR tone mapping
Very low input lag for gaming
The Epson QB1000 impresses right out of the gate, with the kind of bright, detailed and saturated picture that makes big-screen projection so enjoyable. With quality content, primary colours are punchy, while the uniformity of the LCD chipset is good with no signs of patchiness, banding or dust blobs. The latter can be an issue with LCD due to the light path not being sealed.
The out-of-the-box accuracy is excellent in the Cinema mode, with whites that aren’t awash in blue. The same goes for the skin tones, which look suitably natural, while the image itself is pleasingly sharp thanks to effective 4K upscaling and the three LCD panels being well-aligned.
Despite its inherent brightness, the QB1000 is surprisingly quiet, although the noise levels will increase if you use the higher laser settings. However, there’s so much brightness available that you don’t need to move the power up too high to illuminate even a large projection screen.
In fact, the QB1000 has sufficient brightness to handle rooms with light-coloured walls, and the option of a white finish also lends it to more lifestyle-friendly installations. The reflected light in this kind of setup has the added advantage of disguising the Epson’s poor contrast performance.
Black levels are the QB1000’s big weakness, with the contrast ratio only measuring 4,300:1 in my tests. To be fair at least this is close to the 5,000:1 Epson claims in its marketing, but it does mean blacks look more like a dark grey. You can use the dynamic laser feature to improve the contrast performance but in reality this only helps with fades to black and the rest of the time the blacks remain the same.
One area where Epson has improved the performance is in terms of motion handling, even with the frame interpolation turned off. When it’s engaged this feature results in smoother motion, which makes it very effective when watching fast-paced sports. However, make sure it's switched off for movies and TV dramas, so they don't end up looking like cheap video.
The inclusion of HDMI 2.1 inputs means the QB1000 can support frame rates up to 4K 120Hz. This makes it a great choice for gamers, and this appeal is only enhanced by the inclusion of ALLM (auto low latency mode), which automatically selects the Game mode when a console is detected. In Game mode the input lag measures a very impressive 19ms, with only Sony’s VPL-XW5000ES projector measuring lower.
The QB1000 supports high dynamic range, and really impresses with a bright and detailed image where the highlights pop and the shadows reveal more subtleties. The QB1000 doesn’t use a colour filter, which means it only covers 88% of the DCI-P3 wide colour gamut. However, thanks to the increased brightness and new dynamic tone mapping the results are often excellent.
For example, the Alfred Hitchcock classic North by Northwest was shot on the larger VistaVision film format and the resulting 4K disc is stunning. The QB1000 expertly delivers the sumptuous images, fleshing out the fine detail and rich colours with skill. The crop-duster attack is a particular treat, with the Epson’s increased brightness helping to bring the Indiana cornfields vividly to life.
Furiosa is the prequel to Mad Max: Fury Road and enjoys the same epic desert vistas and insanely detailed production design as the earlier film, along with a deliberately stylised colour scheme. The QB1000 handles all these visuals perfectly, while the excellent motion handling ensures all the frenetic vehicular action is delivered smoothly and without any annoying artefacts.
The WW1 thriller 1917 is about a mission across no-man’s land and boasts superb photography and HDR10+ encoding. As a result, the QB1000 can render all the detail in the native 4K image, as well as deliver bright and clean daytime vistas. The nighttime scenes are more of a challenge, and while the blacks could be better, the bright flares really cut through the darkness.
Picture quality score: 4/5
The QB1000's fullly backlit remote control makes it easy to adjust settings in a dark room (Image credit: Future)
Epson QB1000 review: value
Fantastic value for money
Cheaper than any direct competitor
The Epson EH-QB1000 is fantastic value for money value, especially when compared to its direct competitors. The Sony VPL-XW5000ES is currently £4,499/$5,999, and while it might be native 4K it doesn’t have motorised lens controls, dynamic HDR tone mapping, or HDR10+ and 4K 120Hz support. The JVC DLA-NZ500 is more expensive at £6,499/$5,999 and while it is native 4K, has better blacks levels and does include motorised lens controls, lens memories and HDR10+, it still lacks support for 4K 120Hz and doesn’t have a Game mode, so it’s not the best choice for gamers.
Value score: 5/5
(Image credit: Future)
Should I buy the Epson QB1000?
(Image credit: Future)
Buy it if...
You want a super-bright picture The laser light source not only delivers a longer lifespan of 20,000 hours but also 3,300 lumens of peak brightness. This is brighter than any projector aside from Sony’s super-high-end XW8100.
You want 4K 120Hz support The HDMI 2.1 inputs allow the QB1000 to support frame rates of up to 4K 120Hz, which makes this beamer a perfect choice for next-gen console owners or anyone using a high-end PC gaming rig.
You want HDR10+ support The inclusion of HDR10+ allows the QB1000 to take advantage of the format’s dynamic metadata, ensuring tone mapping that’s optimised for the lower brightness of a projector compared to a TV.
Don’t buy it if…
You want native 4K The QB1000 has Full HD resolution, and while it can accept and project 4K sources by using pixel-shifting technology, the detail isn’t as impressive as native 4K beamers from Sony and JVC.
You want deep blacks The QB1000’s LCD display technology doesn’t deliver deep blacks or impressive contrast, so if that’s important you should be looking at the more expensive JVC NZ500 D-ILA projector instead.
You want support for 3D Epson dropped 3D support with the previous generation, so if you’re a fan of the format you’ll either have to look at an alternative DLP projector or the high-end and very expensive JVC NZ800.
Also consider...
Epson LS12000 Epson LS12000 is less bright than the QB1000 but also costs less. It's also a great choice for gaming with 4K 120Hz support and it has great overall picture quality.
Sony VPL-XW5000ES The Sony VPL-XW5000ES costs less than the Epson but is less bright and lacks the Epson's motorised lens controls, dynamic HDR tone mapping, and HDR10+ and 4K 120Hz support.
JVC DLA-NZ500 The JVC is more expensive than the Epson, has better blacks levels and includes motorised lens controls, lens memories and HDR10+ support. it lacks 4K 120Hz support, however, and doesn’t have a Game mode
(Image credit: Future)
How I tested the Epson QB1000
Measured with Calman calibration software
Evaluated using SDR and HDR content
Reviewed in a dedicated home cinema
As with all my TV and projector reviews I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.
The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. Any test scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.
For the objective testing, I measured the QB1000’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3. To do this I used a pattern generator and colour meter combined with Portrait Displays’ Calman calibration software. I measured the QB1000’s input lag in milliseconds using a specialised Leo Bodnar tester.
Epson’s smaller, portable EpiqVision home projector models were long overdue for an update, and that’s just what it has done with the Epson EpiqVision Mini EF22. This introduces the tilting, swiveling stand design that’s proven so popular with many other recent projectors, and it packs in Google TV for streaming, which helps bring the EpiqVision Mini EF22 closer to parity with its competition. Add in a pair of stereo speakers and the EpiqVision Mini EF22 proves an effective all-in-one system.
The Epson EpiqVision Mini EF22 beams a laser through its 3LCD projection system, providing respectable brightness near 1,000 lumens. It makes for a decent picture, though it doesn’t manage quite the exciting color gamut of triple-laser options like the JMGO N1S Pro. Its 1080p resolution will also have you sticking to smaller projection sizes than you might otherwise opt for with the best 4K projectors like the BenQ X300G or even the older Xgimi Horizon Pro.
While the EpiqVision Mini EF22 is a simple and effective little home theater projector selling for a reasonable $999, it struggles to contend with the market it’s entering. Not only are there many great new projectors in the $1000-$2000 range but there’s also a sea of slightly older models that have come down in price. It’s a good projector, but I’m hard-pressed to find a reason to choose it over the alternatives. I’d snag myself a BenQ X300G or Xgimi Horizon Pro instead, both of which have been seeing some impossible-to-ignore discounts.
(Image credit: Future)
Epson EpiqVision Mini EF22 review: Specs
The JMGO N1S Pro 4K delivered strong picture quality across the board (Image credit: Future)
Epson EpiqVision Mini EF22 review: Prices & release date
Release date: October 2024
Price: $999
The Epson EpiqVision Mini EF22 launched in late 2024 with a starting price of $999 (£799, AU$1,599). It has seen some discounts since then, though these tend to come and go. The EpiqVision Mini EF22 comes in a variety of colors, giving you more options. You can find it in Stone Blue, Opal Green, Quartz Rose, Onyx Black, and Diamond White.
(Image credit: Future)
Epson EpiqVision Mini EF22 review: Design & features
Built-in stand makes setup easy
Google TV and automatic image adjustments
Built-in 2x 5W stereo speakers
Like many of the new consumer projectors in 2024, the Epson EpiqVision Mini EF22 comes with a stand built in. This makes it easy to adjust the vertical tilt and horizontal angle of the projector, even supporting vertical projection up toward the ceiling. This provides a simpler setup, though anything but a perfectly lined-up projection will result in some digital corrections that detract from the usable image.
The EpiqVision Mini EF22 makes automatic vertical and horizontal keystone adjustments very quickly, letting you shift the projector around and see the image change shape in real time. It’s also quick to focus automatically. It has an optional setting to avoid obstacles when projecting, and this proves effective, but it is a slower process than the other automatic corrections, taking a few seconds. The EpiqVision Mini EF22 rounds out its smart projection features with eye protection that dims the projector when it detects someone in front of it.
The Epson EpiqVision Mini EF22 is plenty compact, proving not dramatically different in size from the JGMO N1S I recently tested. That said, projectors can certainly come smaller, as LG showed with the LG CineBeam Q. It’s hard to have small projectors get very bright or offer solid audio, though, and those aren’t sacrifices the EpiqVision Mini EF22 made. It features stereo speakers and is rated to hit 1,000 ISO lumens. It also comes with Google TV. Unfortunately, Epson didn’t make the most of the projector’s size, as it opted to include just one HDMI port (with ARC), a USB-A port, and a 3.5mm audio output jack. It’s providing options, but not many. The focus of the EpiqVision Mini EF22 really is on being a standalone device that doesn’t call for external connections.
The Epson EpiqVision Mini EF22 comes with a simple remote. It’s all plastic with rubber buttons and nothing too elegant, but it’s effective. It has simple navigation controls, a Google Assistant button, a shortcut to the HDMI input (making the input selection button a bit redundant), dedicated volume and brightness controls, and shortcuts for projection settings, auto-focus, as well as YouTube, Netflix, and Prime Video. None of the buttons have backlighting, making it a bit hard to use in the dark, but at least some of the buttons are white, and it’s easy enough to feel out the volume buttons.
Design & features score: 4/5
The JMGO N1S Pro 4K's picture is at its best with bright and colorful images (Image credit: Future)
Epson EpiqVision Mini EF22 review: Picture & sound quality
Decent brightness
No unsightly motion smoothing
Color could use a boost
The Epson EpiqVision Mini EF22 provides an overall good-looking image, but it’s not the most impressive I've seen in this projector category. While natural content looks solid, with the projector offering a great presentation for Dune, it can struggle elsewhere. In the extremely colorful Mind Game, it didn’t keep up with some of the triple-laser options on the market, like the JMGO N1S, and I noticed some banding in color gradients. That said, the 3LCD technology avoids some of the unsightly swimming-pixel artifacts I’ve seen from DLP projectors displaying large monotone regions, as well as DLP rainbow artifacts.
The EpiqVision Mini EF22 doesn’t keep up with some of its 4K competition either. BenQ’s X300G may have originally been much more expensive, but it’s come down considerably in price, and it has the chops to really threaten the EpiqVision Mini EF22.
I took a rough measurement to overall brightness in the Dynamic profile, which achieved 959 lumens with an ANSI test pattern and a matte white screen. There again, it’s just decent. Competitors like the Dangbei Atom and JGMO N1S offer as much, and slightly more expensive options from BenQ and JMGO take it to another level.
Gaming on the Epson EpiqVision Mini EF22, I found the projector added considerable latency if it had any sort of processing going on (i.e., keystone correction or digital zoom). With these disabled, the projector still had a tangible delay between actions and on-screen effects, but it wasn’t significant enough to slow me down as I worked my way through numerous encounters in Hades. Oddly enough, there’s no specific picture profile for gaming that would disable the projector's processing automatically, so you’ll have to manage these settings on your own.
With two speakers on the rear of the EpiqVision Mini EF22, it works reasonably well whether you set the projector up in front of you or at the back of the room. They provide a bit of stereo separation, which adds a touch of depth, though they’re no substitute for a dedicated audio system. They get reasonably loud for a small, quiet room, but the sound gets a bit muddled at higher volumes, making it hard to pick out everything that’s going on in a song, for example. You’ll get clear enough mids and a bit of bass, but higher frequencies tend to suffer when the volume is cranked.
To the EF22’s credit, it doesn’t mess around with any unsightly motion smoothing. Right from the jump, it provides good, clear motion.
Picture and sound quality score: 3/5
(Image credit: Future)
Epson EpiqVision Mini EF22 review: Value
Effective all-in-one package
Comes up short next to the competition
The Epson EpiqVision Mini EF22 puts plenty into one package. It’s a decent projector, providing a bright image that can handle impromptu movie nights or let you settle in to binge the next hot series, as long as you turn the lights off. With Google TV, it’s ready to stream a great variety of content with no external sources. And it packs in a good enough set of speakers to make do in quiet, intimate viewing conditions. The built-in stand also proves helpful, making it that much easier to set up in various places without the need to stack up a pile of books or go buy a separate stand.
The biggest thing holding the EpiqVision Mini EF22 back in the value department is the competition it faces. You can get much brighter projectors and ones that offer 4K or provide more vivid color for the same price or just a little more. Compared to these, the EpiqVision Mini EF22 ends up feeling lacking.
Value score: 3/5
The JMGO N1S Pro 4K comes in a styrofoam carry case. Although portable, it is on the weightier side (Image credit: Future)
Should I buy the Epson EpiqVision Mini EF22?
Buy it if...
You want a simple all-in-one: The Epson EpiqVision Mini EF22 is easy to set up and easy to use. It has the streaming platform, speakers, stand, and display all covered. It performs decently in each department as well, giving you a reasonably well-rounded experience.View Deal
You can’t stand DLP rainbow artifact and dithering: Epson’s 3LCD projection technology gets around a couple visual artifacts that often impact DLP projectors. If you see rainbows or are distracted by weird pixel movement when watching DLP projection, you may prefer the look of Epson’s projector. View Deal
You can’t stand motion smoothing: The Epson EpiqVision Mini EF22 doesn’t mess around with motion smoothing at all. While most projectors I test have it enabled by default, forcing you to turn it off manually, the EF22 lets you avoid it entirely. View Deal
Don't buy it if...
You can’t control ambient lighting: Projection at 1,000 lumens is decently bright and can work in a dim or dark room. But if you can’t close the blinds and dim the lights, it won’t be enough for a bright room.View Deal
You’re a big gamer: The Epson EpiqVision Mini EF22 has no optimizations for gaming. It requires all of its image adaptations to be disabled to avoid serious input latency, and even then the latency is perceptible. There are much better gaming projector options, like the BenQ X300G.View Deal
You plan on setting it up with more home theater gear: A key aspect of the Epson EpiqVision Mini EF22 is its all-in-one nature. It’s well-rounded, but not exceptional in any one area. If you’re planning on pairing your projector with separate speakers and video sources, you may as well go with one that goes more all-in on visuals (and one that has more useful ports).View Deal
Also consider
JMGO N1S Pro
The JMGO N1S Pro costs twice as much, but its tri-laser projection system is brighter and way more colorful. If you can tolerate DLP artifacts, it makes for a great alternative with more stunning visuals.
The LG CineBeam Q gets you upgrades in color quality and resolution thanks to its 4K, triple-laser projection system. It’s also tiny, making it far more portable. But it sacrifices brightness and audio for its size.
While this projector might have a high MSRP, it’s recently seen its price reduced to becomeincredibly competitive. It’s much brighter and offers 4K visuals and gaming enhancements. If you can live without the built-in stand of the Epson EpiqVision Mini EF22, strongly consider this one instead.
Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade
I tested the Epson EpiqVision Mini EF22 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, HDR and non-HDR, and PC gameplay.
My testing evaluates the projector’s performance concerning its price and competition from other models that I and my colleagues at TechRadar have tested.
I have been testing projectors since 2021 and displays for even longer.
Chinese electronics brand XGIMI is on a continued mission to be the brand of choice when searching for a projector, hoping to lure you away from the likes of Samsung, BenQ or LG in the process. The MoGo 3 Pro, released alongside the much higher-end Aura 2 4K UST projector towards the end of 2024, certainly has a resumé to suggest it’s in with a fair shot of becoming one of the best portable projectors: full HD resolution, 450 ISO lumens brightness, Google TV and Netflix onboard and, of course, a portable design. And yes, I recognize XGIMI has diverted away from the design of the previous two MoGo projectors and has instead adopted something akin to Samsung’s The Freestyle projector.
Admittedly, the new XGIMI MoGo 3 Pro’s new look does make it a lot more portable and it has added practical benefits. The cylindrical design allows the projector lens to remain covered up when it’s not in use and it can be tilted through a 130º angle. XGIMI claims this allows the projector to beam onto the ceiling but, in my use, I wasn’t able to do so without physically angling the whole projector unit itself. A full 180º of tilt would allow it to perform better in this regard, if that’s what you’re looking for in a projector.
Images projected onto a wall using the XGIMI MoGo 3 Pro are of excellent quality, although you will want to dive into the picture settings to make some adjustments for the best results. Out of the box, images could look washed out and overexposed, but after diving into the albeit limited picture settings and making a few adjustments, I found that the projected images were able to deliver good color and contrast. I was impressed with its ability to combat some bright ambient light filtering into my testing room, too. Naturally, when the lights went down, the images projected onto my wall became much clearer.
(Image credit: Future / Max Langridge)
Because the MoGo 3 Pro is a portable projector it needs to rely on its built-in speakers for sound, which is where things get less positive. The XGIMI MoGo 3 Pro has 2 x 5W Harman Kardon speakers built in which, sadly, fail to deliver anywhere near a cinematic experience, despite XGIMI's claims. Dolby Audio and Dolby Digital Plus are both supported formats, but it adds little to what is an overall unengaging sound. For casual viewing with friends, family or even by yourself, it can pass, but if you’re planning on movie nights when you’re away camping or on holiday, for example, then you’ll likely be disappointed. You can connect a Bluetooth speaker to help boost things on the audio front, and a Mini HDMI connection is onboard with ARC support, meaning you can connect a soundbar, for example, using a Mini HDMI-to-HDMI cable. But if you’ve taken the MoGo 3 Pro away on a camping trip, you’re unlikely to have access to a full-fat external audio system.
The XGIMI MoGo 3 Pro also doesn’t have a built-in battery, which naturally can also affect its portability. If you know you’re going to want to take it somewhere where a power outlet won’t be accessible, then you can connect a USB-C power bank with a minimum power output of 65W, or you can buy the optional PowerBase stand, which not only raises the projector off the ground or a small table, but has its own built-in battery to keep it powered. XGIMI says the stand allows you to “continuously play a full-length movie without interruption,” although I found that would be the case only if said movie is 2.5 hours or less.
The other disappointing aspect I found when using the XGIMI MoGo 3 Pro was that it could be slow in use. Volume adjustments using the remote control took a few seconds to register; navigating around the main home page regularly suffered from lag and I even found when trying to watch a particularly fast moving scene from The Incredibles on Disney+ that the projector just completely crashed. I should stress that this was an isolated incident that I couldn’t repeat with other fast-motion content such as sports.
The XGIMI MoGo 3 Pro projector is, ultimately, a good option for anyone who wants big-screen thrills when on the go or perhaps as an option for a second bedroom at home in place of installing a TV. Keep in mind when comparing projectors, the 450 ISO lumens from the MoGo 3 Pro is about equivalent to 500 ANSI lumens. It does well against its main competition, Samsung’s The Freestyle projector, particularly when it comes to brightness. But, if your budget can stretch, you’ll find greater performance from the likes of the 4K RGB Laser equipped LG CineBeam Q.
XGIMI MoGo 3 Pro review: Price & availability
Launched on September 6, 2024
List price of $449 / £429 / AU$1,099
Optional accessories cost extra
The XGIMI MoGo 3 Pro was announced and officially launched at IFA Berlin on September 6, 2024, alongside the Aura 2 4K UST projector. It’s available to buy now for $449 / £429 / AU$1,099 for the standalone projector. You can buy it bundled with the PowerBase stand for $499 / £499 / AU$1,199
You can also pick up an optional carry case for the MoGo 3 Pro projector, which is only available in green, for $69 / £59 / AU$99.
The XGIMI MoGo 3 Pro portable projector’s list price is significantly less than the Samsung The Freestyle projector in the US, UK and Australia. However, Samsung’s projector does have greater HDR support, with HDR10+ available. The MoGo 3 Pro maxes out at ‘standard’ HDR10, although as we said in our Samsung The Freestyle projector review, “I didn’t see much of a picture quality difference when viewing in HDR from standard HD format”, so the MoGo 3 Pro’s lack of extended support isn’t necessarily a mark against it.
XGIMI MoGo 3 Pro review: Specs
XGIMI MoGo 3 Pro review: Design & features
(Image credit: Future / Max Langridge)
Compact and lightweight
Google TV interface
Can double up as a Bluetooth speaker
The XGIMI MoGo 3 Pro sports a cylindrical form factor and is finished in an anodized silver aluminum color. It’s lightweight at just over one kilogram, making it a breeze to not only move around your home, but to throw into a bag to take on the road with you. The main projector unit itself features an integrated stand, which also houses the built-in speaker system.
When connected to power, the MoGo 3 Pro turns on as soon as you lift it up to separate it from its stand. You can then tilt it through 130º to project an image onto a wall or screen. Alternatively, when you lift the projector from its integrated stand to power it on, you can leave it in this position, where it will light up in one of three selectable colors. In this mode, you can use it as a nightlight or you can stream music to it via Bluetooth, and you can select an option that will see the light pulse – this is more of a flickering of the light rather than it moving in time with the music.
(Image credit: Future / Max Langridge)
A remote control comes supplied with the XGIMI MoGo 3 Pro and two AAA batteries to power it. The remote feels good to hold, although I wasn’t enamored with the layout of the buttons. I found it required a bit of a learning process: the home button is in the bottom right for example and I’m used to it being more central on the majority of other remote controls I’ve used. I also occasionally pressed the Google Assistant button when I actually wanted to select ‘settings’. The remote control isn’t backlit, which can make things even trickier. Fortunately, the volume button is in an obvious and hard-to-miss place at the bottom, although I found the projector took a short while to register whenever I wanted to turn the volume up. Alternatively, because the XGIMI MoGo 3 Pro uses the Google TV operating system, you’re able to use your phone as a remote control via the Google Home app.
The single-chip DLP projector uses an LED light source, which XGIMI says is good for 25,000 hours of use. The company’s ISA 2.0 technology is onboard, which gives access to a number of especially useful setup tools, including automatic keystone correction, autofocus, obstacle avoidance, screen alignment and eye protection. Automatic screen adjustments are just a click away via a button on the remote control and you’re free to manually adjust settings further if you wish. I found autofocus to be the most successful of all the settings, while auto keystone correction delivered mixed results. The idea of this setting is that it will automatically realign the screen if you move the projector around. In most instances it worked fine, but I was occasionally forced to dive into the manual settings to get the screen aligned properly.
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(Image credit: Future / Max Langridge)
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(Image credit: Future / Max Langridge)
A small selection of accessories is available for the MoGo 3 Pro, including a PowerBase stand which has a built-in 20,000mAh battery for keeping the projector running when a power outlet isn’t accessible. XGIMI says it’s good for 2.5 hours of playback time when the projector’s brightness setting is set to Eco mode, which is just enough for movies such as Deadpool vs Wolverine, but too short for recent releases such as Wicked. When using the MoGo 3 Pro with just the PowerBase stand, the projector defaults to Eco mode. It can be changed, but it will impact battery life significantly.
A carry case is also available to keep it better protected during transport and a Creative Optical Filter can be placed over the MoGo 3 Pro’s lens to project a much larger image onto a wall. It’s intended to be used with the XGIMI Wall app to project underwater seascapes or immersive starry night sky images.
While the XGIMI MoGo 3 Pro features a Mini HDMI input for connecting to either an external sound system or a media streaming device, for the most part, you’ll likely be using the built-in apps to access content. In this regard, it’s good news as the MoGo 3 Pro uses Google TV, which provides access to a huge selection of apps and services. Perhaps most crucially, Netflix is supported. The ubiquitous streaming service doesn’t always play nicely with projector systems – a third-party app is required to access it on XGIMI's own Aura 2 for example, which uses the Android TV OS instead – so it’s great to see it front and center here. In a similar vein to the Samsung Freestyle projector, the XGIMI MoGo 3 Pro uses the older Wi-Fi 5 standard, which is more than capable enough to handle streaming, and didn’t cause any issues during my use.
(Image credit: Future / Max Langridge)
As a predominantly streaming-focused projector, connections on the MoGo 3 Pro are limited to micro HDMI. It would have been great to have received a cable or adaptor in the box, but alas, you’ll need to buy one if you want to connect an external gaming console, Blu-ray player, or other HDMI source. The micro HDMI connection does support HDMI-ARC, which allows you to connect it to a soundbar or other audio system, but there isn’t a 3.5mm audio output. You can also stream music to the projector via Bluetooth, or from the projector to a Bluetooth speaker thanks to dual Bluetooth support. I connected the projector to a Beats Pill to test this feature and experienced no obvious signs of audio delay. Android users can stream wirelessly via Google Cast, and AirPlay is supported too. XGIMI says in the support menus that you need to download the MagiCast app from the Google Play Store, but I searched for it and had no luck. I eventually found another app called AirMirror that allowed me to mirror the screen of my iPhone and stream music via AirPlay.
Design & features score: 4 / 5
XGIMI MoGo 3 Pro review: Picture & sound quality
(Image credit: Future / Max Langridge)
Decent brightness even in ambient light conditions
Impressive picture quality after some adjustments
Sound is poor unless you turn it up to maximum
I went into my review of the XGIMI MoGo 3 Pro with limited expectations about the picture quality it would be able to produce, given its size and limited specs. I’d previously reviewed the XGIMI Aura 2 which produced a gorgeous and bright image, but this was expected since it has a 2300 ISO lumens rating. The MoGo 3 Pro’s 450 ISO lumens rating, therefore, suggested to me it would only really function at its best in the dark.
The XGIMI MoGo 3 Pro supports the HDR10 HDR format, which did provide some benefit to contrast in movie scenes with dark and bright elements. The company claims the projector supports 90% of the DCI-P3 color gamut. With Game mode activated, XGIMI says the MoGo 3 Pro has input lag of ≈ 27ms with auto keystone correction turned off and ≈ 60ms with it turned on.
I was pleasantly surprised to find that it held up well in a brighter room, with ambient sunlight coming in through a small opening. With the overhead lights turned on, it was totally unusable, but with just some sunlight creeping in, I was able to watch the projected image without too much fuss. You are able to project an image up to 200 inches in size, but XGIMI says that for best results you’ll want to stay within a boundary of 60 to 120 inches. For reference, the size of the image I was able to project onto my wall was around 80 inches, with the projector positioned around 200cm (80 inches) from the wall. XGIMI says the throw ratio of the MoGo 3 Pro is 1.2:1.
There are slightly different picture presets depending on whether you’re watching HDR or SDR content. The majority of my testing used HDR content, which presented Standard, Sport and Game presets. I left it on Standard most of the time as I felt this offered the best overall picture. I was surprised to not find a ‘Movie’ picture preset, especially given the fact this will likely be the projector’s main use.
(Image credit: Future / Max Langridge)
There are also three different brightness settings hidden within the menus: Standard, Eco and Performance. Again, I left the standard option selected the majority of the time. Eco mode limits brightness to 40% to help prolong battery life, and in darker rooms is perfectly fine to watch. If you’re watching in a brighter room, however, it doesn’t do as good a job.
Performance mode, meanwhile, introduces a blue tint to the image, which was a little peculiar... I was expecting this mode to ramp up the brightness further, but it seemed to have the opposite effect. When this mode is selected, the built-in cooling fan also gets turned up to 11 to the point where it’s clearly audible. It’s also worth noting that the performance brightness mode can only be enabled when the official power adapter is plugged directly into the projector unit. It won’t work with other power adapters or when connected to a power bank or the PowerBase stand.
Enabling Performance brightness mode introduced a blue/green tint to the image. (Image credit: Future / Max Langridge)
A stream of Alien: Romulus provided a good test of darker content for the MoGo 3 Pro and, considering its size, specs and price, I was pleased with the results when watching in a dimly lit room. It was able to unearth details in shadowy areas of a scene, while brighter areas such as lights had a satisfying pop.
I switched over to Toy Story on Disney Plus for its color-rich palette and generally bright scenes. The various reds, yellows, greens and blues were prominent, although not quite as vibrant as I’ve seen on TVs and higher-specced projectors. Nevertheless, it was still an enjoyable watch.
Seeing as though the XGIMI MoGo 3 Pro is designed to be taken out of the home with you, I set it up in my courtyard to see how it fared when being used outside. I will preface by saying I was projecting onto a dark grey wall, but it was also at night and so, despite the color of the wall coming through, I was still able to watch without trouble. I have no doubts that if you project onto a white wall, a sheet or even a portable projection screen, you will have no issues when watching movies on the road.
(Image credit: Future / Max Langridge)
I also watched my favorite clip from The Incredibles and came across an issue with a fast-moving scene about two-thirds into the movie. When Dash is running through the forest away from Syndrome’s goons, the projector seemed to just crash and stopped playing the movie. Pressing the home button returned me to the main home page, but the same thing happened again when I attempted to watch the scene again. I wasn’t able to replicate this again with any other content, so it could be a one-off, isolated incident or due to a bug that can be fixed via a future firmware update.
The projector’s built-in speaker system is more difficult to be excited about. At full volume it does produce a spacious sound that will ultimately pass for whatever you’re watching. At lesser volumes however, it’s too quiet to do any real service and it lacks any real impact. Connecting a Bluetooth speaker is a fuss-free experience and can work wonders to boost the overall sound output, especially as I didn’t experience any signs of audio lag.
Picture & sound quality score: 4 / 5
XGIMI MoGo 3 Pro review: Value
Cheaper than its closest competitor
Great features and performance
Portable power options cost extra
(Image credit: Future / Max Langridge)
With a list price of $499 / £449 / AU$1,099, the MoGo 3 Pro offers enough to make it worth recommending. Its most obvious competitor, the Samsung The Freestyle, costs more in most markets yet has a similar specs list. Samsung’s offering doesn’t go quite as bright, but it does use the excellent Tizen operating system and it supports cloud gaming. Like the MoGo 3 Pro, there’s no built-in battery, but an optional base is available to make it truly portable.
To this end, I think the XGIMI's optional battery-powered base is the better choice as it’s also a tripod. Samsung’s option only raises the projector a few extra inches, so you may still need a table to put it on for optimal results. XGIMI's MoGo 3 Pro also has the added benefit of keeping the lens protected when it’s not in use. You will need to consider spending extra on the PowerBase stand (which is more cost effective to buy as a bundle with the projector) or a power bank that meets the required criteria.
If you can spend more and your only need for a portable projector is to use it in your garden, then almost any projector will do the job when plugged into an extension cord.
Value score: 4 / 5
Should you buy the XGIMI MoGo 3 Pro?
Buy it if...
You want a well-specced portable projector The MoGo 3 Pro is especially portable thanks to a compact design and lightweight build. A lightweight battery-powered tripod base, or power from an external power bank, allows it to be used practically anywhere.
You plan to watch in dark conditions The MoGo 3 Pro does well to combat ambient lighting in rooms, but when the sun goes down, it really comes into its own.
Don't buy it if...
You want 4K picture The MoGo 3 Pro only supports up to full HD 1080p, which does mean picture quality can diminish if you supersize your projected image
You like to game at odd angles 27ms of input lag with auto keystone turned off is pretty decent, but this does mean you have to have the projector set up to directly face your projection surface.
Also consider
Samsung The Freestyle 2nd Gen It’s been mentioned throughout this review for good reason, Samsung’s portable projector looks incredibly similar and has a similar spec sheet. It fares better in the gaming arena, but its picture isn’t quite as bright. But it costs quite a bit more than the XGIMI, and rarely receives discounts. Read our in-depth Samsung The Freestyle 2nd Gen review.
LG CineBeam Q LG’s portable projector rocks a funky retro design and supports 4K content with HDR. Color performance is excellent and brightness levels are good for a portable model. It does cost a lot more, but you also get a lot more in return compared to the MoGo 3 Pro. Read our full LG CineBeam Q review.
How I tested the Xgimi MoGo 3 Pro
I used the projector in a range of light conditions
Set it up inside and outside to test portability
Watched a variety of dark and bright content
I tested the XGIMI MoGo 3 Pro at home over a period of about a month so I could experience it during various daytime living conditions. This meant multiple light sources, be it natural daylight or overhead lightbulbs, came into my testing room, at which point I rated the picture to see how well it performed.
The projector was tested against a white wall for the duration of my review, but also on a dark grey wall outside to assess its portable credentials. Both performed well and I could see noticeable differences before and after calibration.
I used a variety of content, including HDR and SDR content from a variety of streaming services.
My testing evaluates the projector's performance against other reviews my colleagues at TechRadar have conducted. I have been writing about and reviewing displays for five years.
The Optoma UHZ66 is a rather staid update to the company’s projector lineup. It offers a bright 4K picture with solid contrast and the useful ability to drop down to 1080p and run at 240Hz for smooth gaming, but it’s not breaking the mold in any particular way. It may have good color, but it does not match competitors like the JMGO N1S Ultra.
HDR viewing on the Optoma UHZ66 leaves plenty to be desired, and its bland design isn’t offset by helpful utilitarian features you find on the best 4K projectors like vertical lens shift — something the BenQ X3100i includes. Factor in the lack of an onboard smart TV system for streaming, the bottom-of-the-barrel remote control, and the weak built-in speaker, and you get a system that’s not offering much value on top of the picture quality.
The Optoma UHZ66 really needed to do more to win our hearts. It’s got a good picture, but the picture is just about all it has, and even at its recent price of about $2,000, a good picture simply isn’t enough.
Optoma UHZ66 4K laser projector review: price and release date
Release date: October 2023
Price: $1,999 (around £1,637 / AU$3,230)
The Optoma UHZ66 has been on the market for a little while now, launching in late 2023. When it arrived, it had a retail price of $2,999 (about £2,935, AU$4,460), but street pricing has come down considerably since then. It’s readily available for $1,999 (around £1,637 / AU$3,230) at the time of writing and has wavered between about $1,800 and $2,300 for much of the past year. At $2,999, it would be an immediate pass for us, but at $1,999, it offers a slightly more competitive value.
The UHZ66 control buttons are located on the projector's top (Image credit: Future)
Optoma UHZ66 4K laser projector review: Specs
Connections include 2 HDMI 2.0 ports (1 with eARC) (Image credit: Future)
Optoma UHZ66 4K laser projector review: design and features
Bland design next to recent competitors
Limited optical adjustments
Requires additional home theater equipment
The Optoma UHZ66 is not one of those projectors that's gotten a recent glow-up, like the JMGO N1S Ultimate or any from Xgimi. Instead, it's your classic white plastic brick that would look just as at home in an office as it would in a home theater. The front of the projector is a flat piece of white plastic with a large lens protruding out of it. The sides are fully vented with grilles and the rear has an additional grille for even more airflow.
On the top of the Optoma UHZ66, you can find a handful of buttons that allow you to navigate the controls in case you misplace the remote control, which will be easy to do given how tiny it is. The top also includes a little slot with access to the zoom dial. That dial gives the UHZ66 an adjustable throw ratio, though no matter what you’re not getting a fairly long throw. The minimum is a 1.4:1 ratio. While optical zoom is useful, the Optoma UHZ66 unfortunately lacks vertical lens shift. I found placing it on a mantle at the back of a room too high to use it at all and also too low to use flipped upside-down. The most ideal setup is likely mounted to the ceiling with a long throw.
The Optoma UHZ66 sits on three small rubber feet allowing for some angle and tilt adjustments to help you align the projection with your wall. There are also mounting holes to set the UHZ66 up with a ceiling mount.
On the back of the projector, you’ll find a small selection of ports. You get two HDMI 2.0 inputs, including one with eARC, a USB port, a 3.5mm audio output, and RJ-45 and RS-232 ports. Given the projector only has a single speaker, an optical audio output would have also been good to see for more options and compatibility with different home theater setups given that HDMI eARC has a length limit and a 3.5mm port won’t carry a surround signal.
The remote included with the UHZ66 is not meant for much. It's a flat little thing about the size of a few stacked credit cards. It has three columns of buttons with no way to physically discern between them, which makes navigating it a pain. It also lacks backlighting, so it's hard to see in the dark conditions of a home theater. It does the job, but it has a long way to go to be user-friendly. It at least provides quick access to a few of the more important settings, such as input selection, picture mode, and keystone controls.
Design and features score: 2.5/5
The UHZ66's included remote isn't particularly user-friendly (Image credit: Future)
System stutters during setting adjustments and signal switches
Let’s start with the good. The Optoma UHZ66 offers a respectably bright image and is easy to get exceptionally sharp with the focus dial. The 4K picture goes a long way at the sizes the projector is ready to display at. The contrast achieved by the projector is also commendable. Many projectors struggle with elevated black levels, but the UHZ66 can dim down quite low for blacks.
As bright as the UHZ66 may get, it doesn't appear to want to get as bright as it's rated for. Instead of hitting its rated 4,000 lumens, it comes closer to 2200 lumens, and even that requires a cooler color temperature setting to achieve. With the default warmer color, it falls toward 2100 lumens. I fiddled with a bunch of settings to see if I couldn’t figure out which might achieve Optoma’s lofty 4,000-lumen mark, but none quite got there.
Running the projector at its brightest settings requires opting for a cooler color temperature which makes the fans kick in. They can be fairly noisy if you're close to them, though they're not shrill or very loud in a larger room. Different settings also don't require the fans to run as hard, such as the dimmer Reference mode.
The color output of the UHZ66 is impressive. ALPD laser projectors haven’t always had the most impressive color gamut coverage in my experience testing, but the UHZ66 blasts out impactful color for something like the opening credits of Cyberpunk: Edgerunners. One catch, though: it doesn’t seem to want to display its full color gamut when HDR is enabled. Everything turns rather mellow when HDR comes on. This is pretty much the opposite of what you’d expect from HDR content, so if you prefer a vibrant look, you’re better off setting your source devices to SDR output. Now, movies and TV don’t look bad in this condition, but they just lack some of the pop that they could have.
Trying to find ideal settings on the Optoma UHZ66 can be a real headache. The projector offers plenty of settings for tweaking the image, but navigating the menus is tedious thanks to the remote. And even just changing the volume on the Optoma UHZ66 is enough demand for the processor to actually cause the image to stutter. Switching picture modes or major settings can see blips where the projector goes out and comes back after a couple of seconds. And this happens not only when you’re changing settings yourself but also when you’re watching content and then back out to a menu.
A boon for gamers is the Optoma UHZ66’s ability to switch between 4K 60Hz and 1080p 240Hz modes. In its gaming mode, latency is minimal. It’s hard to detect input lag at 60Hz on the UHZ66 and it's practically imperceptible at the 240Hz mode. DLP projection systems are rather fast as well, providing quick pixel response times to avoid ghosting.
The UHZ66’s single speaker sounds boxed in and rather awful. It's nowhere near loud enough to match the kind of picture you can get from the UHZ66, and really shouldn't be relied on for anything.
Picture quality score: 3.5/5
The UHZ66 has manual zoom and focus controls, but no lens shift (Image credit: Future)
Optoma UHZ66 4K laser projector review: value
Limited utility for the price
Calls for streaming devices and external speakers
The Optoma UHZ66 is just one piece of a home theater setup. While it does include a speaker, it’s poorly matched for the theater capabilities of the projector. The lack of an onboard smart TV system also means you’ll need a source device no matter what setup you go for. While there are certainly some nice extras, like the 240Hz mode, it’s still largely filling just one role. If it came with more flexibility, such as an adjustable lens offset or hardware keystone, it would offer more value. But as it is, it’s fairly expensive to leave so much out, especially when competing projectors don’t make such omissions.
Value score: 2.5/5
Should I buy the Optoma UHZ66 4K laser projector?
(Image credit: Future)
Buy it if...
You’ve got a good ceiling mount already: Between its longer throw and vertical offset, the Optoma UHZ66 will serve well mounted to a ceiling at the back of a room and wired into an existing home theater setup.
You’re looking for responsive gaming: The gaming mode on the UHZ66 offers minimal input lag, and that lag drops to imperceptible levels in the 1080p 240Hz mode.
Don’t buy it if…
You want the best picture: The Optoma UHZ66 is good, but not amazing. The color from the JMGO N1S Ultra is more impressive and less finicky with HDR content.
You want an all-in-one package: Though the UHZ66 includes a speaker, it’s not up to the task for home theater audio. And the lack of a smart TV interface means you’ll need at least a streaming stick to get going.
You have aesthetic concerns: Not many projectors have what I’d call stunning aesthetics, but the UHZ66 makes little attempt at being pretty or subtle. The bland white hunk of plastic isn’t going to lend much to your decor.
Also consider...
BenQ X3100i The BenQ X3100i offers several upgrades over the UHZ66. It may not be as bright, but it’s geared up for gaming, is flexible, and offers an Android TV streaming stick for the money.
BenQ X300G The BenQ X300G is cheaper, but still reasonably bright and ready to shine a 4K 60Hz picture or 1080p 240Hz picture. It’s competent competition and a little better looking, too.
JMGO N1S Ultra The JMGO N1S Ultra is an all-in-one package with stunning visuals, excellent color, Google TV built-in, impactful speakers, and easy projection adjustments (even if many of them are digital).
Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade
I tested the Optoma UHZ66 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, HDR and non-HDR, and PC gameplay.
My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.
I have been testing projectors since 2021 and displays for even longer.
The Kaleidescape Strato V is the latest Movie Player from Kaleidescape, and it represents a definite shift for the company. Kaleidescape is synonymous with a premium movie experience at home, offering a proprietary ecosystem based around its own hardware and servers. While no one questions the quality of Kaleidescape’s products, the price of admission has been steep and the lack of Dolby Vision support has been a glaring omission given the brand’s pursuit of high-end video and audio performance.
The new Kaleidescape Strato V addresses both of these issues by offering Dolby Vision support and lowering the cost of entry. To achieve this, the Strato V integrates a 960GB solid-state hard drive, and while that means it can only store around ten 4K movies downloaded from the company’s Movie Store at any one time, at least it combines the movie player and movie server into a single, more affordable device that's an excellent alternative to the best 4k Blu-ray players.
With Kaleidescape, you can immediately access a huge library of films, TV shows, and concert videos, with new titles often available months before any disc release. The picture and sound quality are exceptional, with stunning 4K HDR10 and Dolby Vision images and full lossless audio that includes Dolby Atmos and DTS:X – something you don’t get from the best streaming services, which only provide compressed soundtracks. The result is a performance that’s at least equal to a disc but without taking up all your shelf space. So if you want convenience without any compromise look no further than the Strato V.
The new Strato V combines a movie player with built-in 960GB SSD storage – enough to hold 10 movies at a time (Image credit: Future)
KALEIDESCAPE STRATO V review: Price & release
Price: $3,995 / £5,379
Release date: September 2024
The Kaleidescape Strato V is available now through registered dealers and online sellers like Best Buy in the US and retails for $3,995 / £5,379. While this certainly isn’t cheap it’s definitely more affordable than the alternative of buying the Kaleidescape Strato C Movie Player. The latter costs about the same but doesn’t support Dolby Vision and requires you to buy one of Kaleidescape’s Terra Prime servers, which are very pricey. Of course, if you want to expand the storage of the Strato V you can add a Terra Prime server, although the extra cost does rather defeat the whole point of buying one.
KALEIDESCAPE STRATO V review: Specs
The Strato V uses wired Ethernet for a network connection; it has no Wi-Fi option (Image credit: Future)
KALEIDESCAPE STRATO V review: Design
Great build quality
Kaleidescape remote app
Control over Ethernet
The Kaleidescape Strato V certainly looks like a premium product with a sleek, stylish and very well-made cabinet that uses a combination of a 3mm-thick black anodised aluminium chassis combined with a 3mm-thick black glass front with an illuminated Kaleidescape logo. The unit is silent in operation and includes a 960GB solid-state drive, along with a powerful system-on-chip (SoC).
The unit is only 20cm wide, which might disappoint those who like their AV equipment full width, but there’s an optional faceplate for mounting in an equipment rack. There’s also a dual faceplate for use with a compact Terra Prime server, along with a wall bracket for mounting behind a TV.
The connectivity is at the rear, with a gold-plated HDMI 2.1 output, a coaxial digital audio output using a gold-plated RCA phono connector, and an optical digital output. There’s also a gigabit Ethernet port, a USB 3.0 port, an IR input, a service port, and a 12V input for the included power adapter brick. There is no Wi-Fi connectivity, so you will need a wired Ethernet connection for downloading movies, accessing the web interface, updating firmware and using the control app.
The included remote is small and simple but gets the job done. There’s no backlight, which can be annoying in a pitch-black home cinema, but given Kaleidescape’s target market, chances are you’ll be using a third-party control system over Ethernet like Crestron, AMX, Savant or Control4. There’s also the Kaleidescape app (iOS or Android) which makes an effective controller, providing an alternative to the remote with its handy swipe function and access to the Kaleidescape Movie Store.
Design score: 5/5
The Kaleidescape Movie Store features new releases that aren't yet available on VOD services (Image credit: Future)
KALEIDESCAPE STRATO V review: Features
Scalable storage options
Highest quality video
Fully lossless audio
The Kaleidescape Strato V’s primary function is as a high-end movie player that offers the best video and audio compared to any device on the market. To achieve this it supports every resolution up to 4K (3840 x 2160), and frame rates up to 60p. It also supports HDR10 and Dolby Vision high dynamic range, plus lossless audio up to and including Dolby Atmos and DTS:X.
Crucially, it isn’t limited to certain file sizes as with a 4K disc, nor is it restricted to lower bit rates like streaming services – supporting file sizes of over 100GB and speeds up to 100Mbps. As a result, when you buy or rent movies, TV shows or concerts from the Kaleidescape Movie Store you’re guaranteed the best picture and sound possible from a home entertainment product.
The Strato V is primarily designed to operate as a standalone unit, which is why it has a built-in solid-state hard drive. The downside is that the number of movies you can store at any one time is limited to around 10, and if you want to watch something else you have to download it. Once you purchase a title from the Kaleidescape Movie Store it remains accessible in your collection for download, even if it isn’t stored locally on the Strato V.
If you would rather store your entire collection on a drive for instant access you can connect to one of Kaleidescape’s Terra Prime servers. While doing so is obviously more expensive, and the built-in SSD is no longer available, the process is simple and won’t affect the Strato V’s performance in any way. It’s great to have the option to scale up the storage, even if you never actually need to.
Features score: 5/5
A Strato V setup menu page (Image credit: Future)
KALEIDESCAPE STRATO V review: Setup
Web-based interface
Selectable aspect ratios
Cataloging your discs
The Kaleidescape Strato V is incredibly easy to set up, and all you need to do is plug in the power brick, attach an Ethernet cable and connect to your display, or in my case an AV processor. Kaleidescape even includes a THX Certified HDMI cable, which is a nice touch. Once powered up, just follow the onscreen instructions and you’ll be up and running in no time.
The initial options allow you to set up the Strato V as a standalone player, configure it as a new system with a Terra movie server, or add it as a new zone to an existing Kaleidescape system. When set up as a standalone player it operates independently, only playing movies stored locally on its internal drive, and can’t be grouped with other Strato V units for additional storage.
After I selected standalone mode, the activation page appeared. You then either enter your email address if you already have a Kaleidescape account or create a new one. Once you’ve entered your email address you’ll receive a confirmation email to activate the player. You’ll obviously need to add your credit card details as well for making purchases from the Kaleidescape Movie Store.
The web-based interface offers access to all of the Strato V’s setup options and is my preferred choice for the initial installation, although once completed the remote is fine for accessing your movies on the player (Ready to Play), and navigating the Kaleidescape Movie Store and general settings.
In terms of the initial settings you can leave most at their defaults because the Strato V will read the EDID from your display, receiver or processor and optimise accordingly. The one area you may need to adjust manually is the aspect ratio, especially if like me you use a 2.35:1 projector screen. This feature works brilliantly, not only formatting the screens and menus for the wider aspect ratio, but also automatically rescaling 1.85:1 content within the ‘Scope ratio screen.
The main reason for buying a Strato V is access to the Kaleidescape Movie Store, and here your experience will really depend on on where you live. In the US the choice is huge and new films are added months before they’re released on disc, whereas elsewhere the choice isn’t as impressive, and films take longer to be added. I appreciate that studio agreements will differ from territory to territory, but given the store is the main feature it’s a bit frustrating if you live outside the States.
One final feature that Kaleidescape offers is the option to catalog your physical Blu-ray and DVD collections into a digital format. You’ll need to connect an external disc drive via USB, but once connected, the Strato V enters Recognition Mode. Insert a disc into the drive, and the Strato begins cataloging it. The process only takes a few seconds, and you can then see the title in the Store under Digital Offers – sometimes with a discount for the digital version.
The Strato V provides detailed info on video and audio formats during playback (Image credit: Future)
KALEIDESCAPE STRATO V review: Performance
Well-designed and intuitive interface
Exceptional picture and sound quality
Excellent upscaling of lower resolutions
The Kaleidescape Strato V is a rock-solid media player thanks to its intuitive user interface, and is also very responsive in operation. The Ready to Play page has titles from the Store along the top, a second layer showing the unwatched titles currently on the internal drive, followed by a layer of paused movies, then the played movies, and finally any movies you’ve marked as favourites.
Unlike the Strato C, the Strato V doesn’t show you all the films you’ve bought on the home page, only those on the internal drive. If you want to see the complete collection you’ll need to go to your account on the Movie Store, but this keeps things neat and tidy. The system automatically deletes the oldest played content to free up space, unless you mark a title as a favourite.
When you click on a title you get information about it, along with options to play, pause or choose a specific scene. When something is playing you can also press the up button on the remote and see additional information such as audio options and subtitles. The entire process is completely seamless, and I never had any issues with playing, pausing or stopping movies. It’s also worth pointing out that the Strato V runs completely silent and cool in operation.
The process of buying titles from the Movie Store couldn’t be easier, and you can access it via the Kaleidescape website, through the player’s interface or even using the app. There are thousands of titles available for purchase or rental, many of which haven’t even been released on 4K disc yet.
I found deleting existing films off the internal drive and downloading new ones onto it to be straightforward. If you decide to rent rather than purchase a title, it will remain on your system for 30 days, and once you begin watching it there’s a 48-hour window. If you like the film and decide to buy it within the 30-day rental period, half the rental price is credited towards the purchase.
The speed of download will depend on your internet connection – if you’re lucky enough to have gigabit speeds you can download movies in around 10 to 15 minutes. Unfortunately, I live in the countryside and only have speeds of 50Mbps, so it took about two hours to download a movie.
When you buy a title it might offer 4K Dolby Vision and 4K HDR10 versions, but even if your display doesn’t support Dolby Vision you still download the former. The Strato V will automatically output whatever your display is capable of handling, while the 4K HDR10 version is only intended for the Strato C because that player doesn’t support Dolby Vision at all.
Kaleidescape’s use of larger file sizes and higher bit rates results in stunning images that are at least as good as the equivalent 4K Ultra HD disc, if not better. I watched a number titles, including Top Gun: Maverick, Dune Part 2, and Furiosa, and the picture quality is simply stunning. The 4K images are sharp and detailed, the HDR10 or Dolby Vision is delivered precisely, and the overall presentation is free of any compression artefacts or other issues.
While you can obviously watch movies on streamers, or via VOD services like iTunes and Prime Video, Kaleidescape offers a quantum leap in quality. In fact, the larger file sizes mean it can even surpass 4K Blu-rays at times. A good example is Once Upon a Time in the West, which is a three-hour movie that gets crammed onto a 66GB 4K Blu-ray disc. Kaleidescape’s file is significantly larger, providing more space and a higher bit rate, which results in a better-defined image when directly comparing this film on both formats.
The audio is equally impressive, with full lossless support for Dolby Atmos and DTS:X. While streaming services may offer Atmos, it is usually delivered via lossy Dolby Digital Plus, but with Kaleidescape you’re enjoying the same full lossless experience you get with Blu-rays. Hans Zimmer Live in Prague sounds amazing in Atmos, while Harry Potter and the Prisoner of Azkaban benefits from a DTS:X soundtrack that really brings the wizarding world to life. The scene where the dementors search the Hogwarts Express is doubly scary thanks to the genuine scale and really deep bass.
While I expected the 4K images to look superb, I was equally impressed by the quality of the Strato V’s upscaling. When watching lower-resolution content the picture is clean and well-defined, with no obvious scaling artefacts. The same is true when the player automatically re-scales 1.85:1 content within the 2.35:1 aspect ratio – the process is seamless and the results are free of any scaling artefacts.
Performance score: 5/5
(Image credit: Future)
KALEIDESCAPE STRATO V review: Value
It’s a significant investment
There’s no direct competitor
The idea of value for money is always relative, and there’s no denying the Kaleidescape Strato V represents a significant investment. However, once purchased the ability to buy new movies months before they arrive on 4K disc in quality that’s at least as good, if not better, and without taking up shelf space is very appealing. This is especially true if you live in the United States, where the Movie Store library is genuinely impressive.
If on the other hand you’re the kind of person who prefers owning physical media, just to be on the safe side, and you don’t mind waiting for the disc to come out, then you could simply buy a media player and storage, rip your own discs and create a custom server for significantly less. The beauty of Kaleidescape’s unique ecosystem is that they do everything for you, so all you have to do is sit back and enjoy your favourite movies.
Value score: 5/5
KALEIDESCAPE STRATO V review: Should I buy it?
Buy it if…
You want the best video and audio quality: The larger file sizes offered by Kaleidescape, along with bit rates up to 100Mbps, ensure that 4K and HDR10/Dolby Vision performance is the best of any device on the market.
You want a slick and intuitive user interface: The Strato V’s intuitive user interface and high-powered processing ensure that downloading and watching content is a seamless, responsive and enjoyable experience.
You want early access to the latest movies: In the US in particular the Movie Store offers films months before they are released on UHD disc, and there are even 4K titles available that aren’t currently on physical media.View Deal
Don't buy it if…
You want to collect physical media: Kaleidescape’s system is based on a download model with titles accessed from an online account and stored on built-in drives. If you prefer physically owning content, discs are still your best bet.
You want to rip your disc collection: The cataloguing feature aside, the Strato V is designed to access Kaleidescape’s Movie Store and download content. if you want to rip discs you’re better off buying a media player and storage.
You want a streaming service: This is not a subscription streaming service like Netflix. Instead, you buy titles as very large files that, depending on your internet, can take a long time to download, but the picture and sound quality is significantly better.View Deal
(Image credit: Future)
How I tested the KALEIDESCAPE STRATO V
Reviewed in a dedicated home cinema
Video evaluated using 4K, HDR10 and Dolby Vision
Audio evaluated using Dolby Atmos and DTS:X
I tested the Kaleidescape Strato V in my reference home cinema where the video is handled by a JVC DLA-NZ900 projector, and the audio is configured in a 9.4.6-channel configuration using a Trinnov Altitude16 AV processor and 16-channel power amplifier.
I extensively tested 4K and HDR10 video, along with Dolby Atmos and DTS:X lossless spatial audio in the home cinema, although for completeness I also used an LG G4 OLED TV in my living room to test the Kaleidescape Strato V’s Dolby Vision capabilities.
Kaleidescape was kind enough to include a number of films pre-loaded, as well as more in the account, along with a credit for additional purchases and rentals. This provided me with an opportunity to test every aspect of the store and overall ecosystem.
The Formovie Cinema Edge is a follow-up on the well-regarded Formovie Theater, a projector that gained fame upon release for its Dolby Vision high dynamic range support – a rare feature among the best 4K projectors. Rather than being a shiny, new upgrade, the Cinema Edge is a pared-down model with a lower price. While it launched at around $2,199 (about £1,420 / AU$2,775), it has since settled at $1,799, making it a true budget ultra short throw (UST) projector offering.
The Formovie Cinema Edge's ALPD ((Advanced Laser Phosphor Display) laser light engine delivers a reasonably bright and sharp 4K image that looks great in the dark, and decent in well-lit environments. It has Google TV for streaming and a pair of 15-watt speakers, giving you a complete package, though both elements could perform better.
While it’s relatively cheap compared to other examples of the best ultra short throw projectors, the Formovie Cinema Edge has serious competition. I recently reviewed the Hisense PX3-Pro ($3,500), and the difference in image quality between the two is stark, with the dazzling brightness, color, and contrast of the PX3-Pro’s picture beating the Formovie Cinema Edge hands-down. The PX3-Pro is considerably more expensive, but even the older but still available Hisense PX2-Pro (around $2,000) has a better-looking picture.
Formovie Cinema Edge review: price and release date
Release date: September 2024
MSRP: $2,499
The Formovie Cinema Edge’s pricing is a bit all over the place. It launched at a $2,199 (about £1,650 / AU$3,250) pre-order price, though Formovie lists the retail price at $2499. Meanwhile, both Amazon and ProjectorScreen.com in the US now have the price listed at $1,799 – a steep decrease.
The Cinema Edge's laser light engine viewed from top (Image credit: Future)
Formovie Cinema Edge review: Specs
Connections include 3 HDMI 2.1 ports (1 with eARC) (Image credit: Future)
Formovie Cinema Edge review: design and features
All-in-one design for a simple theater setup
Front adjustable feet limit angle corrections
Google TV cumbersome to navigate
The Formovie Cinema Edge is a compact UST projector standing just over 3.5 inches tall. Width is 17.95 inches and it’s a little over a foot deep. With a 0.22:1 throw ratio, it can sit extra close to the wall, with only a 33 cm distance needed to project a 120-inch picture.
The Formovie Cinema Edge sits on three feet with only the front two offering height adjustments. This means unless you’ve got a stand and wall that sit perfectly perpendicular (or at just over a 90-degree angle) to each other, you’ll need an adjustable console underneath the projector. The projector does support digital keystone adjustments, but these should be used only after making physical adjustments, as digital keystone processing increases latency and reduces picture resolution.
The Cinema Edge packs in the Google TV smart TV interface and 30-watt speakers, letting you quickly get up and running with all your cinema needs. That said, all-in-one packages can struggle to do everything well.
The processor running Google TV on the Formovie Cinema Edge is fairly weak. It stumbles when opening settings while content is playing, and that can be trouble if you’re trying to tweak picture settings while evaluating the impact of your adjustments on the picture. Navigating the operating system can prove a little tedious as well. Sluggishness is a common ailment for projectors running Android or Google TV, and the Cinema Edge falls prey to it.
It’s small fries, but if you’re hoping to take the Formovie Cinema Edge out of the box, set it down, and experience its magic right away, you’ll need to temper your expectations. The configuration, regardless of whether you’re going for the full Google TV streaming experience or just basic HDMI input setup, takes a long time.
Around the back, you’ll find enough HDMI 2.1 ports for a solid home theater setup, including support for eARC on one of them. Optical digital audio output is also available. A pair of USB ports are located on the back, providing power for a streaming stick or external storage for local media playback.
Like many laser projectors, the Formovie Cinema Edge has a feature that detects when someone gets too close to the laser output and automatically dims the display. It promptly activates, though oddly doesn’t go as black as on some others.
Design and features score: 4/5
The Cinema Edge's picture quality shines in a dark viewing environment (Image credit: Future)
Formovie Cinema Edge review: picture quality
1900 ISO lumens plenty for dim and dark environments
Not as color-rich as RGB laser competitors
Motion smoothing by default, but picture controls to compensate
The Formovie Cinema Edge readily projects a 100-inch picture with crisp 4K detail. It looks best in a very dim or dark room, though it’s also bright enough to watch some content during the daytime. RuPauls’ Drag Race, for instance, is typically bright, and it’s easy to watch even in a well-lit room, though sunlight can still be a bit much.
Contrast is also fairly strong. Alien was a joy to watch, with the intricate, H.R. Giger-designed mechanical details of the ship shining brightly while the nooks and crannies sank effectively into darkness.
Alas, the Formovie Cinema Edge is a simple ALPD projector that doesn’t deliver the same color richness of the Formovie Theater or Hisense’s PX3-Pro, both of which are specced to achieve around 100% of BT.2020 color gamut coverage. Watching Avatar 2, it was painfully apparent how much more drab the visuals were by comparison, with the many blue hues looking dull and the flora and fauna throughout failing to exude their characteristic vibrance. This isn’t to say the Formovie Cinema Edge looks bad, but there are better options on the market for picture quality.
I also noticed plenty of blown-out highlights in the earlier scenes after the Sully family joins the water tribe in Avatar 2. The Formovie Theater had some tone mapping issues in our hands-on testing, and it appears that’s the case again here. HDR is also limited to HDR10 and HLG on the Cinema Edge – there’s no Dolby Vision or HDR10+.
The Formovie Cinema Edge has a fairly aggressive motion smoothing feature (called MJC) enabled in most of its picture settings by default. It’s not the worst-looking implementation of motion smoothing I’ve seen, but it looks better set to Low or disabled outright. Either way, the projector can struggle a bit with motion. Fight sequences looked choppy at times with or without MJC enabled. At Low, it subtly smooths out camera motion, though action can still look a little overdone.
For what it’s worth, the Formovie Cinema Edge includes a veritable trove of picture settings to adjust. It does little to explain what any of them are, though, so it may be difficult to dial in things to your liking. Thankfully, the picture generally looks good without getting into the weeds.
The sound put out by the Formovie Cinema Edge’s modest built-in speakers isn’t explosive, but they deliver a half-decent volume level for a small living room. The soundstage isn’t very wide, and there’s no deep bass, but it’s fine for casual viewing. For a more serious movie-viewing setup, external speakers will be an obvious upgrade.
Picture quality score: 3.5/5
The Cinema Edge comes with a basic remote control to operate its Google TV interface (Image credit: Future)
Formovie Cinema Edge review: value
Good value at the current reduced price
Older UST projectors pose a competitive threat
The Formovie Cinema Edge has a suggested retail price of $2,499, but that has since been reduced to $1,799. This discounted price is essential to the value of the projector, as it goes up against the Hisense PX2-Pro, which is now cheaper thanks to the launch of the PX3-Pro. It also faces off against Formovie’s higher-end projector, the Formovie Theater, which has also fallen in price since its launch, now seeing discounts as low as $2,299.
Value score: 3/5
(Image credit: Future)
Should I buy the Formovie Cinema Edge?
(Image credit: Future)
Buy it if...
You want a compact projector: The Formovie Cinema Edge is small and sits close to the wall, giving you a big picture without taking up much space.
You want advanced picture customization: If you know just how you like images to look and don’t mind fiddling with settings, the Formovie Cinema Edge has plenty for you to dig through to adjust the picture to your liking.
Don’t buy it if…
You want comprehensive HDR support: The Cinema Edge doesn't have extended color gamut coverage and it lacks HDR10+ and Dolby Vision HDR support.
You want the best all-in-one projector: While the Cinema Edge has a good picture, decent speakers, and okay streaming capabilities, demanding viewers may end up wanting an external streamer and speakers, which will add to the price.
Also consider...
Hisense PX2-Pro The Hisense PX2-Pro has better picture quality and features but costs at least $200 more. It also uses the Google TV smart interface for streaming. It's a less compact option than the Formovie, and its built-in speakers don't offer any better sound quality.
Epson LS650 The Epson LS650 uses a 3LCD laser light source to beam a bright 3,600 lumens image, though its color isn't any better than the Formovie and the built-in Android TV system is worse than Formovie's Google TV platform. Both projectors are currently priced at the same level.
Hisense PX3-Pro The Hisense PX3-Pro is our choice as the best ultra short throw projector for most people. It has a brighter, more color-rich picture than the Formovie and more comprehensive HDR support. At just over $3,000, it’s somewhat on the pricey side, though it’s much less so than other UST projectors from Samsung and LG.
Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade
I tested the Formovie Cinema Edge at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with both SDR and 4K HDR streamed content.
My testing evaluates the projector’s performance with respect to its price and competition from other models that I and my colleagues at TechRadar have tested.
I have been testing projectors since 2021 and displays for even longer.
The Xgimi Aura 2 is a premium ultra short-throw (UST) 4K projector to come from the Chinese brand and is an update to 2021’s Aura. Like its predecessor, the Aura 2 aims to be a complete one-box solution for big-screen home theater thrills and, as such, is capable of projecting an image up to 150 inches in size.
Xgimi is touting its new Dual Light 2.0 technology – which combines laser and LED light sources – in the Aura 2 to deliver bright, colorful, contrast-rich images. On paper at least, there is a marked improvement compared to its predecessor – the Aura 2 is capable of reaching 2,300 ISO lumens of brightness compared to the Aura’s 1,800. Indeed, in practice, the Aura 2 is certainly bright enough for general viewing during the day, with a good level of depth and detail, serving up a wonderful cinematic image.
Naturally, when viewed in a darker room, the quality of the projected image improves and HDR content performs particularly well. The Xgimi Aura 2 supports Dolby Vision, HDR10, HLG and, following a firmware update since launch, IMAX Enhanced.
Achieving a well-calibrated picture on a wall or white screen is relatively simple thanks to the Aura 2’s wealth of picture adjustment settings, including automatic keystone correction and focus. And, should you need to take the reins and make finer manual adjustments, you can do so.
Despite a UST projector’s cinematic credentials, there is always going to be a case for getting one of the best TVs, especially where cost is concerned. The Xgimi Aura 2 is available now for $2,699 / £2,459 / AU$6,399. That’s only a few hundred more US dollars and UK pounds than the Aura, but over AU$2,000 more in Australia, which is a little puzzling. While in the US and UK it makes a competitive alternative to a 65- or 75-inch TV, for example, in Australia it's a much tougher sell. Granted, the Aura 2 is capable of projecting an image far bigger than most TVs – and TVs that do encroach on 100-inches aren’t exactly cheap – but if you only have space to project an 80-inch image, then those in Australia may feel they’ll be better served by a TV.
The fact that the Xgimi Aura 2 uses the Android TV operating system rather than Google TV also feels like a bit of a missed opportunity, especially as some of the company’s other new projectors do use the latter. Because of its use of Android TV, it’s not the easiest process to get Netflix installed – although you can access it by first downloading a separate app from the Google Play Store – and I wasn’t able to get Disney Plus to install natively, instead resorting to connecting an Apple TV 4K to get my Pixar fix.
Speaking of connectivity, the Aura 2 has a wealth of inputs for connecting external devices, although some may feel doing so will ruin the otherwise clean aesthetic. An external soundbar can be connected too, although the built-in audio system is especially good, so you may not feel the need.
Despite a couple of setbacks, the Xgimi Aura 2 is a fantastic machine, although not without competition. Not only do companies such as Hisense and Samsung have excellent UST projectors of their own but, as already mentioned, home theater fans in certain countries may find greater value in a TV. But, if projection is the way you want to go, the Xgimi Aura 2 deserves an audition.
Xgimi Aura 2 review: Price & availability
Available since September 2024
List price: $2,699 / £2,459 / AU$6,399
The Xgimi Aura 2 was announced and officially launched at IFA Berlin on September 6, 2024. It’s available to buy now for $2,699 / £2,459 / AU$6,399.
Other recently released UST projectors such as the Hisense PX3-Pro, which has a higher ISO lumens brightness, costs $3,499 / £2,499 / AU$3,995 while the excellent Samsung Premiere 9 costs a lot more at $5,999 / £4,999. However, the Premiere 9 isn’t available in Australia at the time of writing. This means the Aura 2 is the most affordable of the three (except from in Australia) and, on paper at least, this is somewhat justified because it’s the lowest specced.
(Image credit: Future / Max Langridge)
Xgimi Aura 2 review: Specs
(Image credit: Future / Max Langridge)
Xgimi Aura 2 review: Design and features
Dual Light 2.0 laser light system
Motorized top cover to protect against dust
Android TV OS not the best
The Xgimi Aura 2 isn’t as projector-y looking as some of its competitors. On the contrary, it’s very much a lifestyle-oriented product designed to blend in with your home décor and not attract too much attention to itself. As such, it’s coated on all visible sides by a Moonlight Sand-colored fabric and has been given a treatment that claims to protect it against water, dust and oil (I didn’t have the confidence to test this out). In reality, it really is an attractive unit and could feasibly either go unnoticed in your room or at the very least be mistaken for a large Bluetooth speaker.
On the top you’ll find a motorized cover that slides open when the projector is powered on to reveal the laser light source. Not only is it a pretty cool party trick, but it helps keep the lasers and mirrors as free from dust and other debris as possible by hiding them away during downtime. There’s also an infrared detector that switches the laser off when it detects someone in its line of sight so you don’t damage your eyes, and yes, it really works.
Along the back (the side facing the wall) there are three HDMI inputs (two for connecting external devices and one that supports eARC if you want to connect an external soundbar or speaker system), three USB-A inputs and an ethernet port for a wired internet connection. Other outputs include a 3.5mm headphone jack and an optical audio port, plus Wi-Fi 6 and Bluetooth 5.2 are also supported.
(Image credit: Future / Max Langridge)
The Xgimi Aura 2 uses the company’s own Dual Light 2.0 technology. This, says Xgimi, is a “wide spectrum and narrow spectrum hybrid light source technology” which “addresses issues related to traditional tri-color lasers such as speckles and color fringe, ensuring more comfortable viewing.” It’s also because of this light technology that the Aura 2 is able to use a 0.177:1 ultra-short throw ratio – meaning you can achieve a 100-inch image from a distance of just 17.8cm. Do note that this 17.8cm distance is between the projection surface and the closest side of the projector. You’ll still need to factor in the Aura 2’s 27cm depth when placing it on a bench or entertainment unit. Xgimi says for a 150-inch image, you’ll need a distance of 38.9cm.
Once in position, it’s a relatively pain-free process to get a properly aligned picture on a wall or projector screen. The Aura 2 has built-in auto keystone adjustment, which kicks into action whenever the projector itself is physically moved, or it can easily be run from within the settings menu. I have to admit that my first try of using this feature actually resulted in a completely jarring image that wasn’t aligned at all. I ran the setting again and it fixed it… mostly. I still had to use the manual image correction settings to quickly (and easily) align the four corners of the image within the confines of the viewing space on my wall.
The Aura 2 uses Android TV for its operating system, which is a strange choice considering this platform is all but dead on smart TVs and the projector version of the OS don't necessarily get you access to all the streaming apps directly from the Google Play Store.
Xgimi acknowledges that Netflix doesn’t support projector systems running Android TV by way of a leaflet included in the box, which encourages you to download a separate app called Desktop Launcher. Doing so results in Netflix being able to be used, along with other apps such as Apple TV (which also can’t be found in the pre-installed Google Play Store).
Disney Plus was a notable omission entirely and in Australia where I’m based, 4K content on Stan wasn’t supported. I have a 4K subscription to the Australian streaming service which works without a hitch on my TV, but on the Aura 2 all content was available in HD quality only. The only workaround was to connect an Apple TV 4K to gain access to all my streaming apps, which was slightly disappointing.
That said, the UX will look familiar to anyone who’s previously used it or Google TV. A row of installed app icons is flanked above and below by recommended content and content you’re currently in the middle of watching. In use it was largely lag-free, with only the occasional stutter when trying to move quickly through rows or between menus.
The Xgimi Aura 2 comes with a remote control that’s surprisingly weighty, but which serves to provide a premium feeling. There aren’t many buttons, but I think this in turn makes it straightforward to understand and use. There are buttons for volume control, the home screen, settings, Google Assistant and a dedicated button for quick autofocusing. I did find myself pressing the Google Assistant button when I meant to select the settings, but I imagine this would become a non-issue with more use.
The remote isn’t backlit, which is a peculiar omission considering the projector is more likely to be used in low-light settings, and it’s powered by two AAA batteries. I would’ve preferred it if it were rechargeable via USB-C.
Design & features score: 3.5/5
(Image credit: Future / Max Langridge)
Xgimi Aura 2 review: Picture and sound quality
Bright, colorful images
Custom settings possible with various HDR content
Built-in sound system is impressive
Due to space limitations in the room where I tested the Aura 2, I was only able to project an image roughly 80 inches in size onto a wall as opposed to a dedicated projection screen. Despite this, the Xgimi Aura 2 delivered a delightfully colorful, crisp image even during the daytime. Its brightness figure of 2300 ISO lumens might not match some of its closest competitors, such as the Hisense PX3-Pro or Samsung Premiere 9, but even in a room with sunlight filtering in, the image produced by the Aura 2 was easy to watch.
A Dolby Vision stream of Toy Story 4 on Disney Plus via an Apple TV 4K device exhibited excellent color reproduction, with the Aura 2’s 99% coverage of the DCI-P3 color gamut meaning greens, pinks, yellows and reds were all delivered with vibrancy. Getting the best picture settings for your personal preference, though, isn’t the easiest thing in the world.
When the Aura 2 detects Dolby Vision content it automatically switches to a default picture mode which doesn’t give much in the way of customization. You can switch between Dolby Vision Bright and Dark modes, with the former boosting the brightness a little, and you are able to set your own custom settings for things such as brightness and contrast, but there isn’t anything in the form of Filmmaker Mode, for example. Switch to non-Dolby Vision content, however, and you are able to cycle through a more familiar set of picture presets, including Movie, which I used whenever it was available.
(Image credit: Future / Max Langridge)
Darker scenes in Toy Story 4, such as when Woody accidentally gets thrown out of the traveling RV at night revealed the Xgimi Aura 2 could handle subtle shadow details surprisingly well. As the famed cowboy is walking along the road at night, the rocky detailing of the tarmac road is easily seen, while grass and trees in dimmer lighting to the left are picked out as well.
While the majority of content projected by the Aura 2 includes the black bars above and below the central image – which can look a little too stretched out at times – because it is IMAX Enhanced, any content viewed in this format fills the entire projection surface. Shang-Chi and the Legend of the Ten Rings on Disney Plus is a good example, and one of the opening scenes featuring Ta Lo and Xu Wenwu in a lush green forest was another treat for the eyes. The fast-moving fight choreography was handled expertly and colors were clear and natural.
What was perhaps most surprising to me during my testing of the Xgimi Aura 2 was its audio performance. Xgimi has opted for a four-speaker Harman Kardon system with a combined output of 60 watts. With the projector and speakers sitting below the screen, it could have been all too easy for the sound output to feel low, but in actual fact voices clearly come from further above, resulting in a more immersive experience than I was expecting.
(Image credit: Future / Max Langridge)
It can support Dolby Atmos, although I experienced more of a half-dome of sound as opposed to a full enveloping effect, which is to be expected to some degree due to there not being any physical rear speakers. But the Aura 2 can throw sound out wide with accurate object placement within the soundfield. Bass performance was also surprisingly good, with the Aura 2 projector capable of going real low. A little further on in Shang Chi,when the titular hero is fighting on a bus, is an engaging watch, with the backing soundtrack, punches, kicks and smashes all being fired out with genuine impact.
The Aura 2 does have an eARC output for connecting an external sound system, but I don’t think many people will feel the need to do so unless they want a more authentic Dolby Atmos experience.
Picture & sound quality score: 4.5/5
Xgimi Aura 2 review: Value
Competitively priced in the US and UK
Expensive compared to other models in Australia
Affordable big-screen TVs could be a better option
The Xgimi Aura 2 can be considered good value, but only depending on where you live. In the US and UK, it costs less than a well-specced big-screen TV such as an 83-inch LG C4 OLED. In Australia, however, it does still cost more for an 83-inch LG C4, but only by a few hundred dollars. Given the TV has a more feature-packed operating system, delivers true blacks and has a picture quality that’s less susceptible to bright rooms, it makes it a more compelling option purely from a value standpoint.
But, if it is a projector you’re seeking, the Xgimi Aura 2 definitely deserves an audition. It’s a great projector that delivers a colorful, clear image. It’s let down by its operating system, but if you don’t mind plugging an external media streamer into one of its HDMI inputs, then this becomes less of an issue.
(Image credit: Future / Max Langridge)
Value score: 4/5
Should I buy the Xgimi Aura 2?
(Image credit: Future / Max Langridge)
Buy it if...
You want a simple UST projector The Aura 2 has a wealth of built-in, automatic picture adjustment settings that should mean getting the perfect image is just a button press away.
You want vibrant images With 99% DCI-P3 color gamut coverage, the Aura 2 delivers superb, punchy colors that dazzle no matter the image size.
You don't have an external sound system It's no issue for the Aura 2, the built-in speaker goes big and loud, and only adds to its home theater credentials.
Don't buy it if...
You do all your viewing in a bright room It's not specific to the Aura 2, but a bright room is a projector's kryptonite. It counters well, but ultimately won't be able to compete against a TV.
You want access to the popular streaming apps The Aura 2 uses Android TV as its OS, which isn't as talented as Google TV. Some apps are missing and others require workarounds. It's not the most seamless of experiences.
Also consider
Hisense PX3-Pro Our top pick as the best UST projector right now, the PX3-Pro delivers high brightness and rich color from its 3-laser light engine. It's also well-equipped for gaming, with multiple HDMI 2.1 ports and support for 4K 120Hz and 1080p 240Hz gaming.
Samsung The Premiere 9 It's expensive, but Samsung's The Premiere 9 is capable of delivering outstandingly bright images. Its Tizen smart TV platform is a joy to use and the built-in sound is so good, you won't need a soundbar.
Epson LS800 The Epson LS800 uses a 3-LCD laser light source to beam a stunningly bright 4,000 lumens image. This makes it a great option for daytime sports viewing and it also has good built-in sound.
Tested at home in various real-world living conditions
Projected the image onto a white wall as opposed to a dedicated screen
Watched a variety of content in SDR and HDR format
(Image credit: Future / Max Langridge)
I tested the Xgimi Aura 2 at home over a period of about a month so I could experience it during various daytime living conditions. This meant multiple light sources, be it natural daylight or overhead lightbulbs, came into my testing room, at which point I rated the picture to see how well it performed.
The projector was tested against a white wall for the duration of my review, which also allowed me to test out its wall color adaptation and wall flatness modes. Both performed well and I could see noticeable differences before and after calibration.
I used a variety of content, including 4K HDR and standard full HD content from a variety of streaming services.
My testing evaluates the projector's performance against other reviews my colleagues at TechRadar have conducted. I have been writing about and reviewing displays for five years.
If you’ve been looking for a projector you can wow your friends with, the Anker Nebula Mars 3 might be the one. Despite looking like a monster-sized flashlight, the Nebula Mars 3 is a portable projector designed for use both on the go and at home. To that end, it has a built-in battery that lets it operate at full brightness for upwards of two hours, plus the Android TV smart TV platform for streaming and fairly beefy speakers, though they regrettably play in mono. It’s well constructed, and works effectively, letting you set it down and get up and running quickly.
Where the Anker Nebula Mars 3 really impresses is its brightness, which knocks it out of the park compared to most other battery powered examples of the best portable projectors. It’s not enough to challenge daylight, but it’ll sizzle at night. At just over $1,000, it has competition, and you can also find 4K models around that price, though few have the portability on offer here. You can also get better color from triple-laser options like the LG CineBeam Q or JMGO N1S Pro, albeit at a lower brightness for the LG and no on-the-go use for the JMGO.
If you’re planning to do most of your viewing at home, it’s probably worth getting a projector that skips the battery and puts more effort into picture quality. But if you want a robust all-in-one theater you can tote anywhere, the Anker Nebula Mars 3 is a commendable option.
Anker Nebula Mars 3 review: price and release date
Release date: July 2023
Price: $1,099 (around £850 / AU$1,645)
The Anker Nebula Mars 3 launched in 2023 and is now readily available in the US for $1,099. It can occasionally be found for less, however, and was $50 off at the time of writing.
The Nebula Mars 3 features a sliding lens door and is IPX3 water resistant (Image credit: Future)
Anker Nebula Mars 3 review: Specs
The Nebula Mars 3's rear-panel ports cover and flashlight feature (Image credit: Future)
Anker Nebula Mars 3 review: design and features
Built for portability and durability
Convenient on-device controls
Built-in speakers and Android TV operating system
The Anker Nebula Mars 3 follows Anker’s Nebula series design language, bearing considerable resemblance to the Nebula Cosmos 4K SE projector. That said, there are considerable differences that make the Nebula Mars 3 stand out.
This model is built for more of a rough-and-tumble, on-the-go lifestyle. It features a hardened case that can withstand half-meter drops and has IPX3 water resistance. The front has a sliding lens cover and the rear includes a rubber cover over the ports. A sizable, hard handle stretches across the top of the projector, extending from the front to the back. While it includes a remote control, the handle also has built-in controls for volume and navigation of the projector’s onboard operating system. Neither of these control options is quite perfect though, as the remote is fairly limited in what you can access with a single press and the built-in buttons lack many of the typical controls for navigating the projector’s Android TV smart TV interface.
A key part of the portable nature of the Anker Nebula Mars 3 is its ability to operate outdoors. To that end, the projector integrates a beefy battery geared up to run for anywhere from 2 hours at full blast to 5 hours in a dimmer Eco mode. To help you keep track of power, the handle has a ring of lights that display battery level. The projector can also double as a Bluetooth speaker or a flashlight. A three-speaker built-in audio system resides near the front. It can pump out a good deal of sound, though only in mono and the dynamics are fairly weak. Meanwhile, an LED light bar sits along the rear, stretching out above a large exhaust vent and below the port cover.
Since the Anker Nebula Mars 3 isn’t designed to have a permanent home, it has a small, adjustable stand underneath to help angle it up at projection surfaces wherever it’s ultimately set up. It also features a quick and effective system for automatically adjusting image focus, keystone, and framing.
The projector’s Android TV 11 smart TV system is a little dated, but still effective as a streaming platform. Like many other projectors, though, it doesn’t get the Play Store version of Netflix, instead relying on a sideloaded version that offers a generally sub-par experience. If you’re off the grid and don’t have internet, the projector has a USB-A port and supports local media playback.
To upgrade the audio experience, you can wire it up to external powered speakers using the AUX port or wirelessly pair it to a Bluetooth speaker.
Design and features score: 4/5
The Android TV platform is used by the Nebula Mars 3 for streaming (Image credit: Future)
Anker Nebula Mars 3 review: picture quality
Good, but not exceptional picture
Decent color and detail
Enough battery power for a 2-hour-plus movie
The Anker Nebula Mars 3 features an LED DLP projection system rated for 1,000 lumens and 1080p resolution. That’s about what should be expected from a projector sitting at around $1,000.
Anker’s battery powered portable has a good-looking picture, but not an exceptional one. It isn’t the type of projector you’ll want if you’re viewing in a bright room, since its 1,000 lumens just aren’t enough to handle much ambient light. You might get by if you’re watching bright cartoons, but you really should be viewing with it in a dark space, and that extends to the outdoors as well. Controlling ambient lighting outdoors is even more difficult than indoors, and if you’re expecting a good viewing experience with lots of urban lighting present, you’ll be disappointed. That said, if you’re in a more rural area without much light pollution, the Anker Nebula Mars 3 should provide ample brightness after sunset.
The color you’ll get from the Anker Nebula Mars 3 is decent, but no match for triple-laser portable projectors like the LG CineBeam Q. It doesn’t feel utterly lacking or poorly managed, and a show like Ru Paul’s Drag Race still had plenty of visual spark when I viewed it. Colors have modest vibrance, but just don’t get the same level of pop I’ve seen from HDR-capable projectors reaching toward 100% coverage of the UHDA-P3 color space. The same is true of its resolution. At a projected image size of around 65 inches, the projector's 1080p image looks reasonably crisp, but go far above that and you will seeing more softness unless you sit further back. A larger image will also show an artifact of the projector’s DLP chip, which shows up as noticeable dithering (an effect like writhing small dots) when displaying dark colors over a large portion of the screen.
The projector has a motion smoothing setting buried slightly in the settings menu under the label MEMC that is set to on by default. While it can smooth out certain motions, it creates all sorts of distracting effects, especially in action sequences like those in Gladiator. It’s worth turning off, which results in more natural motion.
Many of the image trade-offs are a result of Anker needing to squeeze a battery in for the $1,099 price. And the battery makes it worth it. At full brightness, the Nebula Mars 3 was able to run for the entirety of a two-hour movie at 50% volume with a little over 20% charge to spare, which let it go for nearly 30 minutes longer. Annoyingly, if you’re nearing the end of your movie or show and the battery power starts to get low, your experience will be thoroughly interrupted by several low-battery warnings in a window that occupies a large portion of the display.
Picture quality score: 3/5
A remote control is included, and there are also controls located on the projector's handle (Image credit: Future)
Anker Nebula Mars 3 review: value
Great for portable use
Brighter than other compact portables
Better options for picture quality, but not portability
The Anker Nebula Mars 3 is an interesting package. It’s not a great home theater projector for the money, as there are far more appealing options available in the same ballpark. But it’s an overall decent projector and a powerful portable one. The Nebula Mars 3 is quick to set up, and can run for hours at a time. It’s a knockout next to something like the Samsung The Freestyle 2nd Gen, which has a portable setup with an optional battery pack but isn’t nearly as bright.
A competent projector you can bring anywhere and easily get up and running is something special, and the Anker Nebula Mars 3 nails the concept. It’s built to withstand surprises and has clever elements (like the lens cover and waterproofing) that let you easily grab it and go without worrying about a protective case.
Value score: 4/5
The carrying handle control buttons (Image credit: Future)
Should I buy the Anker Nebula Mars 3?
(Image credit: Future)
Buy it if...
You want an easy on-the-go projector: The key feature of the Anker Nebula Mars 3 is its ability to operate just about anywhere. Its handle is ready for travel and its battery lets it run for upwards of 2 hours at full brightness.
You’re rough with your gadgets: The Nebula Mars 3 isn’t indestructible, but it‘s a good deal more durable than other projectors. With hardware that can withstand 0.5-meter drops and rain, you can be a little more rough with this device.
You’re outdoorsy: The Nebula Mars 3 isn’t just a projector. It has a lamp that can come in handy at a campsite, and if you're not watching something, the built-in speaker can serve as a Bluetooth speaker. You can even use it as a power source for charging other electronics.
Don’t buy it if…
You’re never taking it outdoors: The Nebula Mars 3 is decent, but not exceptional when it comes to home theater viewing. You can easily get a cheaper projector with equivalent picture quality.
You want a really big, bright picture: The Nebula Mars 3’s 1080p resolution and 1,000 lumens brightness don’t really cut it for big-screen viewing unless you’re not picky about picture detail and have a dark viewing space.
You want great built-in sound: The Nebula Mars 3 has some hard limits when it comes to audio. Its built-in speakers are regrettably mono and there’s no optical digital or eARC ports to tap into higher-quality sound devices.
Also consider...
LG CineBeam Q The CineBeam Q is absolutely tiny next to the Anker Nebula Mars 3, and it’s nowhere near as bright, but benefits from a far more colorful projection system, 4K visuals, and a much better streaming platform. For viewing in the dark, it can work wonders.
Samsung The Freestyle 2nd Gen Samsung’s The Freestyle 2nd Gen is a smaller, somewhat cheaper alternative, though that depends on any discounts. It has greater portability size-wise, but requires an external battery pack. Next to the Anker Nebula Mars 3, it’s kind of a toy projector.
Xgimi Horizon Ultra The Xgimi Horizon Ultra is just about as compact, but isn’t portable. Instead, you get a much higher class of home theater projector. It’s stylish, bright, colorful, and just an altogether more competent machine for more static setups.
Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade
I tested the Anker Nebula Mars 3 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, both HDR and non-HDR.
My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.
I have been testing projectors since 2021 and displays for even longer.
