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Ultimate Ears Miniroll review: a chic mini party speaker that brings the bass –if not every feature you might like
6:30 pm | October 14, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Ultimate Ears Miniroll: Two-minute review

Parties in 2024 are about to get a bit bassier with the new Ultimate Ears Miniroll, a small-form Bluetooth speaker that wants to find its way onto our list of the best party speaker by virtue of the fact that it’s much smaller than all of its rivals.

A revival of the UE Roll from 2015 and UE Roll 2 from a year later, this is now Ultimate Ear’s smallest speaker by a country mile (and also a good few inches). It sits alongside the sonically superior, but much less totable, Wonderboom 4, as well as UE’s more pricy alternatives. Yes, that’s right, it’s not just small but it’s affordable too.

You only have to pay $79 / £69 / AU$99 for the UE Miniroll so it undercuts most of the competition, although a few other major audio brands also have lightweight party speakers like this for roughly the same (or less).

‘Miniroll’ is a funny name – the new UE speaker is bigger than the Roll and Roll 2, and probably doesn’t have any link to the sponge treat manufactured by former chocolate company (and now faux-chocolate company) Cadbury’s.

The Ultimate Ears Miniroll

(Image credit: Future)

But while Cadbury’s has sadly gone downhill in the eyes of many, Ultimate Ears has only improved on the formula of its older speakers. The sound offers loads of bass, marking a notable improvement in audio capabilities over the previous two Rolls. The use of a USB-C port and a longer battery life also make this a more tempting option for people who may consider buying older tech.

Some of the best features of the Roll are here too. I found the carry strap incredibly handy, as I could attach the Miniroll to bags, pieces of furniture or even body parts (well, my wrist) to make it easy to carry around. 

The speaker isn’t perfect though, as there’s no smartphone app to bring extra features or offer customization. There’s no equalizer either, something many rival party speakers offer, which will likely put off people who’d find the bass just a little 'too much'. I also wished there was a way to skip or rewind songs, as many other speakers offer, to stop me having to use my phone for these tasks.

Some may also find the max volume a little too low for ‘parties’, especially since bass doesn’t carry as well as treble, though I guess ‘intimate social gathering speaker’ doesn’t have the same ring as ‘party speaker’. I can see this being a great pick for hikers or picnickers who want some tunes, or group runners who blast music to get everyone through that pre-breakfast 5k, rather than for traditional house parties or gatherings.

Ultimate Ears Miniroll review: Price and release date

The Ultimate Ears Miniroll

(Image credit: Future)
  • Released in September 2024
  • Costs $79 / £69 / AU$99

The Ultimate Ears Miniroll was unveiled and released in mid-September 2024, ready for an outdoor party speaker to be almost obsolete in the wintery northern hemisphere.

The price of the Ultimate Ears Miniroll is $79 / £69 / AU$99, so it’s the cheapest wireless speaker currently offered by UE, and is one of the more affordable options on the market. It also undercuts the two UE Roll models which went for $99 / £99 / AU$149.  The Wonderboom is the closest sibling in price at $99 / £89 / AU$149.

In fact, if you’re looking for a party speaker as compact as the Miniroll, the market’s not burgeoning with good-quality options. Your best alternative is the even cheaper (but not quite as chic, and a little older now) Tribit Stormbox Micro 2 (now available for $59 / £59 or around AU$85) followed by the JBL Clip 5, which sells for $79 / £59 / AU$89, so both are actually a bit cheaper in most regions.

Ultimate Ears Miniroll review: Specs

Ultimate Ears Miniroll review: Features

The Ultimate Ears Miniroll

(Image credit: Future)
  • Can link up to other Minirolls
  • No equalizer or app
  • 12 hour battery life

The Ultimate Ears Miniroll struggles most in the features department because… well, there barely are any.

Unlike with some other UE speakers, the Miniroll doesn’t have a smartphone app, so it doesn’t let you utilize features of some of its rivals. There’s no equaliser, for example, or even different EQ presets for you to toggle between. You can’t change audio codec, fiddle with Bluetooth options or use a ‘find my speaker’ function.

There’s no outdoor mode either, which in other UE devices (it's the 'tree button' on the underside of the Wonderboom 4) strips bass in favor of treble to make the speaker easier to hear over distance. Of all the missing features this is the one I would have liked to see most – as with any bassy speaker, quality (and audibility) quickly drops off if you walk away from the Miniroll.

The Ultimate Ears Miniroll

(Image credit: Future)

One thing you can do is connect the Miniroll to its siblings, in order to sync up multiple speakers. However unlike many other UE devices (but like the Wonderboom), you can only pair it to others of its make – ie, other Minirolls. So while your Boom, Megaboom, Everboom, Epicboom and Hyperbooms might all be having their own little party, the Minirolls will have to form their own shindig. According to UE the Miniroll can pair to an unlimited number of other Minirolls though, as long as your budget is equally infinite.

The battery life stretches to 12 hours on a single charge, which is longer than most parties I get invited to. Its a lasting power which positions the Miniroll as a handy device for people going on hikes or camping, as does its design.

Charging is done via USB-C, with a little port just above the strap.

  • Features score: 3/5

Ultimate Ears Miniroll review: Design

The Ultimate Ears Miniroll

(Image credit: Future)
  • Small compact body
  • Incredibly handy carry strap
  • IP67 protected, survives up to 1.2m drop

The key selling point of the Ultimate Ears Miniroll is its design – it’s mini and feels lovely in your hand. A little pebble of a gadget, it weighs only slightly more than a smartphone at 279g, and measures 122 x 105 x 48 mm so it’s incredibly slender.

If you don’t trust measurements, trust me: it’s really easy to carry around whether it’s in the hand, strapped to a bag, inside said bag, or even slipped into a pocket (yes, it fits in my pockets, although that really muffles the audio).

Strapping it to a bag comes thanks to a rubbery strap, which is locked to the Miniroll at one end and is hooked and removable at the other. This gives you lots of versatility in how you attach the Miniroll to things, especially with a gap in the strap letting you hang it from objects. This was my preferred way of using the speaker, hanging it from doorknobs or cupboards – the multitude of ways to position the speaker is great for positioning it in rooms or attaching it to various rucksacks. Ultimate Ear's promotional material even shows someone attaching it to a dog.

Image 1 of 3

The Ultimate Ears Miniroll

I could hang the Miniroll in my living room... (Image credit: Future)
Image 2 of 3

The Ultimate Ears Miniroll

...or in my kitchen... (Image credit: Future)
Image 3 of 3

The Ultimate Ears Miniroll

...or on my wine rack. (Image credit: Future)

One annoying element of the design comes into play here though, in combination with the speaker’s heavy bass (more on that later). Sometimes when on certain objects, the natural vibrations from the bass would cause the speaker to wobble, and it fell off boxes I put it on several times. Likewise when I hung it up, it’d sometimes shudder from the bass and start to sway – I can’t put it on my bedroom door because the bass makes it repeatedly knock into the wood panel. It’s an odd situation and I had to always think about where I placed the Miniroll.

On the top of the Miniroll are a volume up and volume down button, which should surprise no-one given that the buttons are a giant + and -. The edge of the speaker has the power button as well as the play/pause one, which can also be held to enable pairing with other Minirolls (more on that later). There’s no button to skip or restart tracks so you’ll have to rely on your phone for that.

If you’re worried about damage, the speaker is IP67 rated – that means it’s totally protected from dust particles and can be immersed in water for a depth of a meter for up to half an hour. It’s drop-proof but only up to 1.2 meters, which is something else to bear in mind when placing the speaker – my rucksack is higher than that off the floor and so are most of the tables I’d put it on.

As you can see from the pictures, I tested the pink Miniroll – Calming Pink, as UE calls it – and there’s also black (Gentle Black), blue (Majestic Blue) and white (Revive Gray).

  • Design score: 4/5

Ultimate Ears Miniroll review: Sound quality

The Ultimate Ears Miniroll

(Image credit: Future)
  • (No need to) turn up the bass
  • Volume not suitable for large parties
  • Lack of equalizer limits appeal

I’ve referred to the Ultimate Ears Miniroll as a ‘party speaker’, but I should qualify that ‘party’ part of the phrase – this isn’t for big gatherings in Beverly Hills mansions or beach parties with hundreds of people. Think ‘D&D party’ size – this isn’t the loudest speaker in the world and it will best suit medium- to small-sized groups.

In my (very studious) tests, the Miniroll sounded decent at up to 5 meters distance, but when I got to 10m it was hard to hear parts of the song (partly from the volume, but partly from other sounds being more prominent). I found the Miniroll great for playing music in my bedroom, but unlike some other speakers I’ve tested, its sound didn’t carry through my entire (two-person) flat. If you’re going on a trip with this attached to your bag, you’d better keep your friends close if they want to hear music.

The UE Miniroll isn’t so quiet that it’s going to disappoint you, but you need to temper your expectations in keeping with its size – UE does have bigger speakers if you want to entertain a large number of listeners.

In terms of the audio itself, the Miniroll is a bassy little creature, and I was pretty surprised by just how much bass the thing eked out. I’ve already written about how it literally vibrates from what it’s putting out!

The bass is admittedly a little muddy, and the sheer nature of physics means it doesn’t carry that far (thanks, physics), but bass-heads near to the speaker will really pick up what it’s putting down.

As with any bass-heavy speaker, treble and mids suffer the consequences of this heavy lean, and both lack an extra ounce of detail – they also distort a little at higher volumes. However, balanced treble and audiophile-quality mids aren’t something it'd be truly fair to demand from party speakers at this price. It’s certainly not necessary for the Macarena.

  • Sound quality: 3.5/5

Ultimate Ears Miniroll review: Value

The Ultimate Ears Miniroll

(Image credit: Future)
  • Form factor makes it appealing for portable music
  • Some users might prefer other speakers

The Ultimate Ears Miniroll fits its niche really well: it’s cheaper and more portable than many other Bluetooth speakers, with a decent battery life, sufficient protection from life’s bumps and a really handy strap. With that in mind it’s hard to argue that the Miniroll isn’t good value – it’s much better for a certain type of user than other options in the market.

However, if you’re just looking for an affordable Bluetooth speaker for your house or garden, you can find options with better audio and a couple of extra features for a similar price. They just lose portability as a trade-off.

  • Value: 3.5/5

Should I buy the Ultimate Ears Miniroll?

Buy it if…

Don’t buy it if…

Ultimate Ears Miniroll review: Also consider

How I tested the Ultimate Ears Miniroll

The Ultimate Ears Miniroll

(Image credit: Future)
  • Tested for two weeks
  • Tested at home and on some trips

I tested the Ultimate Ears Miniroll for over two weeks, during which time I used them alongside my Android smartphone.

Most of the testing was done at home but I also took it on a few day trips and picnics to see how well it works outdoors. Mostly I used the speaker for music streaming but I also tested it with spoken word podcasts a little bit as well.

I've been reviewing audio products at TechRadar for 5 years, including other Ultimate Ears products.

  • First reviewed in October 2024
Focal Diva Utopia is the ultimate stereo speaker system for anyone who can afford it – here’s our review
7:00 pm | October 2, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Tags: | Comments: Off

Focal Diva Utopia: Two-minute review

Let’s be polite in our choice of word, shall we, and describe an asking price of $39,999 / £29,999 / AU$59,999 for a pair of wireless active speakers as ‘punchy’? Focal has leveraged both its own long-established expertise (and that of its sister company Naim) and spent five years developing what the asking price insists must be the most accomplished, least compromised wireless music streaming system you can buy.

Certainly it looks the part, as long as you consider ‘the part’ to mean ‘striking and dramatic’. The quality of construction is unarguable, and the finish is currently unique in the world of loudspeakers. There are numerous control options, all of them expertly implemented. And it’s specified without apparent compromise, to the point that it’s ready to do unashamedly high-performance things to all your favourite music no matter where it’s stored.  

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

When it comes to performance, there’s virtually nothing to take issue with. As long as your room is large enough for the Diva Utopia to stretch out and properly express itself, it will reward you with a sound that combines muscularity, insight, scale and attack with the sort of deft manoeuvrability and rhythmic positivity that makes every listen an event. It’s a staggeringly accomplished system with a list of talents as long as your arm – which, in the context of the asking price, is exactly as it should be.

 Will they enter our best stereo speakers roundup very soon? That's hardly fair since most products within our guide are a mere fraction of the Diva Utopia's asking fee. That said, if you've got this kind of money, they're well worth it, and we never make such statements glibly. 

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

Focal Diva Utopia review: Price & release date

  • Released October 2, 2024
  • Priced $39,999 / £29,999 / AU$59,999

The Focal Diva Utopia launched on 2nd October 2024, and in the United Kingdom they cost a not-inconsiderable £29,999 while in the United States they will set you back an equally significant $39,999. The price in Australia is AU$59,999.

Need I say with undue emphasis that this is an awful lot of money for a wireless audio system in a pair of loudspeakers? That expectations in every respect – design, build, finish, specification, performance, you name it – are, inevitably, sky-high? That anything less than across-the-board excellence must count as a failure? No pressure then, Focal…

Focal Diva Utopia three screenshots of the app

(Image credit: Focal)

Focal Diva Utopia review: Features

  • 800 watts of Class AB power in total
  • 32bit/384kHz native DAC resolution
  • Numerous analog and digital input options

Apparently Focal has, in conjunction with sister company Naim, been working on the Diva Utopia for the past five years. Obviously that’s quite a chunk of time for a product to be in development – but it’s sufficient time for a product’s feature-set to be specified without apparent compromise, too.

Each Diva Utopia is a three-way bass-reflex speaker. Near the top of the front baffle there’s a 27mm pure beryllium ‘M’-shaped inverted dome tweeter – it sits behind a red/black ‘double’ grille that appears to change colour and brightness as you move around the speaker. Beneath it there’s a 165mm ‘W’ mid/bass driver with tuned mass damper surround and a ‘neutral inductance circuit’ motor of the type Focal has been refining for quite some time. 

On each of the speaker’s side panels there are a pair of 165mm ‘W’ bass drivers arranged in a push/push configuration. The output of this quartet is augmented by a downward-firing bass reflex port that vents against the fixed boundary of the speaker’s integrated aluminium plinth.

There’s a total of 400 watts of Naim Audio-designed Class AB amplification on board each speaker to power this driver array. The tweeter and the mid/bass driver get 75 watts each, and the remaining 250 watts is divided between the four bass drivers. Focal reckons this is an arrangement that’s good for a frequency response of 27Hz - 40kHz.

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

As is the way with the majority of products of this type, one speaker does all the heavy lifting where connectivity is concerned. So one of the Utopia Diva has just a mains power socket and an RJ45 socket for making a hard-wired connection to its partner on its rear panel, the other is taking care of business. It features the same mains power input and RJ45 system link, and also has the same substantial heat-dissipating radiator arrangement that’s more than a little reminiscent of Naim’s statement Statement amplification. But it also incorporates an RJ45 for Ethernet, a Type 2.0 USB-A slot, a digital optical input, a line-level stereo RCA input, and an HDMI eARC socket. With the possible exception of a phono input for use with an unamplified turntable, it’s difficult to know what else Focal might have included where physical connectivity is concerned. 

Wireless stuff is handled by Bluetooth 5.3 with aptX Adaptive codec compatibility, and dual-band wi-fi. Wi-fi (or Ethernet, if you prefer) brings Apple AirPlay 2, Google Cast, Spotify Connect and TIDAL Connect into play – the Diva Utopia is UPnP-compatible, too, although it’s not Roon Ready. Internet radio is available, and both Qobuz, and QQMusic via QPlay (for Chinese customers) are also accessible via the dedicated control app. All incoming digital signals, whether wired or wirelessly received, are dealt with by a 32bit/384kHz DAC that’s also compatible with DSD128. 

Focal has deployed UWB (ultra wide band) technology to ensure latency between the two speakers is negligible. When the speakers are connected wirelessly, resolution tops out at 24bit/96kHz - but use the supplied RJ45 cable to make a physical connection between the two and 24bit/192kHz can be yours.  

  • Features score: 4.5/5

Focal Diva Utopia review: Sound quality

  • Deftly dynamic presentation
  • Scale and muscularity combined with detail and insight
  • Requires a fair bit of breathing space

Just imagine what a story it would be if the Focal Diva Utopia, with its remarkable looks, extensive specification and terrifying price-tag, didn’t actually sound all that good? What a story that would be…

But it’s a story that will have to wait for another day – because in the simplest terms, the Diva Utopia sounds bloody marvellous. It’s a profoundly accomplished, endlessly engaging and thoroughly enjoyable listen, a system that revels in any and every type of music, and that is seemingly capable of wringing the last drop of detail from a recording.

No matter if it’s decoding, amplifying and delivering an Amazon Prime Video stream of Nick Cave & The Bad Seeds’ Distant Sky via its HDMI eARC socket, dealing with a (pre-amplified) vinyl copy of Mary Lattimore’s And Then He Wrapped His Wings Around Me or giving the treatment to a TIDAL Connect stream of a 24bit/96kHz FLAC file of What Goes On by The Velvet Underground, the Focal system is is complete command of the material. It combines iron-fisted low-frequency behaviour, unarguable dynamic potency and a forensic level of insight that ensures you always feel like you’re getting a complete account of a recording - and at considerable scale.

Low-frequency presence is, unsurprisingly, significant. The system digs deep and hits hard, but loads bass information with an absolute stack of detail concerning tone and texture, and is so positive and straight-edged in its control that rhythmic expression is never a concern. It’s deft enough to skip through a complex double-bass part, muscular enough to attack a hip-hop drum pattern, dynamic enough to make the harmonic variations in a timpani obvious. 

Above there, the midrange communicates in an absolutely explicit, torrential manner. No transient detail is too minor or too fleeting to escape it, and no singer has yet made a recording that can’t have the nuance of emotion, attitude and character of their performance teased out of it. At the top of the frequency range, the Focal is more than substantial enough to give treble sounds proper presence, detailed enough to make the gauge of, say, a cymbal obvious, and attacking enough to really sink its teeth into the brightest and/or splashiest high-end stuff.

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

The tonal balance is carefully and convincingly neutral, and the crossover between the drivers is imperceptible. The entire frequency range hangs together as if it was being produced by a single driver, and there’s no understatement or overplaying of any particular area. The Diva Utopia is a naturalistic as they come where this sort of thing is concerned.

Dynamic headroom is superabundant, as seems only reasonable when you consider the sheer amount of power that’s on tap here. When Michael Tilson Thomas shifts the Cleveland Symphony Orchestra and Chorus into top gear during Orff’s Carmina Burana the sheer amount of drive and attack that the system can summon is almost shocking. But all of this barn-burning intensity is not at the expense of subtlety – when the going gets mild and contemplative, the Focal can cosset with the best of them. And no matter the specific circumstances, the soundstage the Diva Utopia creates is large, three-dimensional and entirely convincing. Even a full-scale orchestra with massed chorus enjoys sufficient elbow room. 

Everything the system does, it does without seeming to make all that much of an effort. There’s an almost casual authority about the way it goes about things, a suggestion that ‘there’s plenty more where that came from’. I’m not sure if the Diva Utopia can be provoked into sounding in any way stressed or otherwise uncomfortable – all I know is I haven’t been able to do so. And believe me, I have tried. 

It follows that downsides are few. In fact, it’s really only the amount of breathing space the system needs that is noteworthy. I’m going to go ahead and assume that anyone with 30 grand to spend on a couple of speakers has a fair amount of space in which to position them – but in a room that’s anything less than ‘really quite large’ the Diva Utopia can overwhelm. And that, really, is about the only note of caution I can sound.     

  • Sound quality score: 5/5

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

Focal Diva Utopia review: Design

  • High-density moulded polymer cabinet
  • Gray felt finish (with other colors to follow)
  • Floor-spikes or castors 

Each Diva Utopia loudspeaker is 121 x 42 x 56cm (HxWxD) and 64kg – and consequently is quite imposing. But while Focal has obviously designed this system for optimum performance, it hasn’t allowed the opportunity to inject a little visual drama into the ownership experience to pass it by.

The cabinets here are made from high-density moulded polymer, and are structurally reinforced to produce a rigid structure that rejects vibrations almost entirely. Each one stands on an injected aluminium base that is pre-fitted with castors – these can be swapped for chunky, high quality floor-spikes that are also supplied, along with discs they can stand in to protect your floor’s finish. The angularity of the cabinet, especially the top section that houses the tweeter, is a) recognisable to anyone who’s familiar with the Utopia range, b) dictated by sound acoustic principles, and c) more than a little reminiscent of an H.R. Giger creation. 

Focal has finished these cabinets with a robust, tactile grey felt cloth – it combines, says the manufacturer, elegance and minimal environmental impact. Other colors are likely to be available in the future.

It’s certainly a point of difference from high-gloss colors or wood finishes, and it gives the speakers a slightly ethereal look. The division between the side panels (which also include contrasting grille covers for the side-firing bass drivers), where the obligatory illuminated ‘Focal’ logo sits proudly, is brilliantly consistent – Tesla could learn a thing or two about panel gaps from Focal, that’s for sure. The overall quality of the finish is basically flawless and, even if it’s not your cup of tea, you can’t deny that it makes the Diva Utopia look distinctive.  

  • Design score: 5/5

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

Focal Diva Utopia review: Setup and usability

  • Focal & Naim control app
  • Voice assistant-compatible
  • Zigbee remote control handset

Obviously these are large, heavy loudspeakers. But Focal has gone to reasonable lengths to make installation and set-up as straightforward as possible.

The speakers arrive with the castors pre-fitted, and it’s actually quite straightforward to wheel them out of their necessarily large boxes using the little wooden ramp that’s inside. After that, it’s easy enough to get them positioned as you’d like (although if you decide to put them on the supplied floor-spikes, as you really should, you’ll need the help of at least one additional volunteer). 

The system also ships with a ‘Zigbee’ remote control that will be familiar to anyone with experience of Naim electronics over the last decade or so. The Diva Utopia is also compatible with your preferred voice assistant – but it’s the Focal & Naim app where the real action is. As well as the usual stuff like saving some favourites and assigning presets, checking for firmware updates and what-have-you, it also features a comprehensive room correction routine into which the end user gets an unusual amount of input (although Focal’s assertion that it is ‘fun’ is, I am prepared to say here and now, a false alarm). It allows you to enable or disable specific inputs to keep the homepage nice and clean, trim the output level of specific inputs, and plenty more besides. The app was in ‘beta’ at the time of testing, but even in less-than-perfect shape it proves clean, logical, reliable and stable. 

  • Setup and usability score: 5/5

Focal Diva Utopia review: Value

You might argue that $39,999 / £29,999 for a wireless music streaming system can’t possibly represent value for money, and to be honest you won’t get much of an argument from me. 

But what I would point out is that it’s possible to build a high-end music system of the more traditional type and spend way more money than this, that the Diva Utopia is an architectural talking-point as well as a superbly adaptable music system, and that quality like this where both industrial design and sonic performance are concerned seldom comes cheap. 

On a pound-for-pound basis it’s difficult to make the case that you’re getting notable value here – but if you can afford it, I say go right ahead. I know I will if my numbers ever come up… 

Should you buy the Focal Diva Utopia?

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

Buy it if...

You want what is definitely the best wireless streaming system costing less than six figures
It doesn’t have a huge amount of competition at the price, it’s true - but nevertheless the Focal Diva Utopia is a tremendously accomplished product

You have a fairly large room in which to put it
These are big speakers that are capable of big sound – and they will prove altogether too much of a good thing in smaller spaces…

You enjoy muscular, poised and endlessly communicative sound
If there’s an aspect of music reproduction that the Diva Utopia isn’t in complete command of, I’ve yet to identify it

Don't buy it if...

You think this sort of money should buy amplification for a turntable
If a system is really going to be all-in-one (or even all-in-two) then a phono stage for use with a record player really needs to be on the menu

You’re a Roon subscriber
Focal has its reasons for shunning Roon, but well-off music streaming aficionados tend to have music on a number of different platforms that it’s nice to aggregate…

You have a badly behaved cat
That felt finish is a visual and tactile delight – but if I owned the Utopia Diva, I’d be concerned that I wasn’t the only one who thought so…

Focal Diva Utopia speakers in a hi-fi listening room

(Image credit: Future)

Focal Diva Utopia review: Also consider

As far as all-in-two music streaming systems are concerned, there’s not a lot of competition for the Diva Utopia at a similar sort of price – even the never-knowingly-underpriced Bang & Olufsen can only offer its Beolab 28 high-resolution wireless stereo speakers, and they’re around half the price of the Focal. 

Of course, it’s possible to build a system that does much of what the Diva Utopia can do by checking out amplification, passive loudspeakers and a music streamer at around ten grand a pop - but that’s not going to have the same sort of visual impact or ergonomic tidiness of the Focal. The Diva Utopia, then, currently seems to be number one in a field of one…  

First reviewed: October 2024

Read more about how we test at TechRadar

Loewe We Hear Pro vs Kylian Mbappé review: a powerful player… and so is the Bluetooth speaker
4:30 pm | October 1, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: , | Comments: Off

Loewe We Hear Pro: Two-minute review

The We Hear Pro is the latest powerful outdoor speaker from luxury brand Loewe, and it comes with a luxury price tag too: it's more expensive than its sibling, the We Hear 2, and it's more expensive than many rivals too. However, it's also considerably more powerful than most of the best Bluetooth speakers with 100W of Class D amplification driving two woofers, two tweeters and two passive bass radiators. If budget allows, you can connect more than a dozen of these speakers to play simultaneously.

The We Hear Pro is a good-looking thing, especially in its neon option, and the design is familiar with some thoughtful touches. Having on-device EQ controls is unusual and useful, although the illumination on the controls isn’t visible in direct sunlight. 

The bass frequencies aren’t as low as some rivals but the low end is tight and doesn’t get unpleasant at higher volumes, and the volume of this speaker goes very high indeed. Like any single-speaker system it can get a bit tiring when you’re listening loud but as a go-anywhere speaker it’s very impressive in almost every respect: it's big enough to deliver a big sound but not so big you'll hate moving it around. 

This isn't the most expensive party speaker you can buy, but it is still considerably more expensive than most rivals. However, its closest rival, the JBL Xtreme 4, costs even more – and Ultimate Ears' loudest portable is more expensive still.

Loewe We.HEAR Pro

The We Hear Pro is available in two sober colors and this hugely entertaining neon option. (Image credit: Future)

Loewe We Hear Pro review: Price & release date

  • Released May 2024
  • Costs £249.99 (about $319 / AU$489)

The We Hear Pro is available now with an RRP of £249.99. That’s significantly more expensive than its £159 predecessor the We Hear 2, but it has 40W more power and around seven more hours of battery life.

At this price the Loewe is competing with some of the best portable speakers by brands such as JBL, Ultimate Ears and Marshall.

Loewe We Hear Pro review: Specs

Loewe We.HEAR Pro

The Kylian Mbappé branding isn't too much: it's limited to initials on the bass reflex ports and on the optional carrying strap. (Image credit: Future)

Loewe We Hear Pro review: Features

  • Fast and stable Bluetooth
  • Up to 24 hours of battery life
  • Can charge your other devices

Setting up the We Hear Pro couldn’t be simpler: press the on button, press the connect button and it’ll appear in your phone’s Bluetooth list. Connecting is fast and remained stable; we didn’t suffer from a single dropped connection. There are nicely subtle audio cues on power up, power down and when you establish a Bluetooth connection.

The We Hear Pro has Bluetooth multipoint and can be paired with up to 14 other Loewe speakers if you have the desire and the cash, although unlike the JBL Xtreme it doesn't support Auracast multi-speaker streaming. It has an aux input as well as Bluetooth 5.3 and includes a mic so you can use it for voice calls via your phone.

The USB-C port isn’t just for charging the speaker; you can use it to charge your smaller devices too.

Unlike most speakers, where the EQ is controlled via your phone, the We Hear Pro enables you to adjust the bass and treble using controls on the top. We didn’t feel the need to change the standard EQ but it’s nice to have the option. It's most effective at lower volumes; at full pelt it doesn't make a great deal of difference.

Battery life is a claimed 24 hours, which seems accurate enough: if you run it at full power that’ll drain the battery more quickly but as we were listening at more neighbour-friendly levels in the evenings we were able to go the best part of a week between charges.

  • Features score: 4/5

Loewe We. HEAR Pro

The on-speaker controls are really useful but the white illumination isn't visible in direct sunlight. (Image credit: Future)

Loewe We Hear Pro review: Sound quality

  • Very, very loud
  • Sounds particularly good with dance music
  • EQ controls are right there on top

This is first and foremost a party speaker – something for the football dressing room after a win, say. And that means it needs to be loud, it needs to deliver great bass and it needs to be able to connect to more speakers in larger spaces. The We Hear Pro delivers in all three respects. Its 100W Class D amplification with two drivers, two tweeters and two hard-working bass radiators is impressively loud and doesn’t push the drivers too hard into excessive distortion; like most party speakers it loses all subtlety at higher volumes but it remains punchy and fun, especially on dance tracks such as Charli XCX’s 360. Rock music, particularly classic rock such as AC/DC, works very well too, but it’s with dance music that this portable speaker really excels. 

In addition to our usual playlists we decided to try some party-themed songs too from The Associates’ Party Fears Two through LMFAO’s Party Rock Anthem and of course, Andrew WK’s Party Hard. They’re very different songs sonically – 80s synth-pop, chart-topping house and hard-driving party rock respectively – but the We Hear Pro delivered each one with plenty of enthusiasm. 

The frequency range doesn’t go quite as deep as some rivals – it’s 50Hz to 20kHz, while the likes of the JBL Charge 5 goes down to 20Hz – so if you’re looking for truly subterranean bass you might want to look elsewhere. But during our extensive listening we never felt that the Loewe was lacking in low-end; for solo indoor listening you might notice a difference but outside with friends it really isn’t an issue. 

We only had a single speaker to review so we weren’t able to test it as a paired speaker or as part of a multi-speaker setup.

  • Sound quality score: 4/5

Loewe We.HEAR Pro

The USB port can charge other devices and there's an Aux port too. Both are located on the underside and protected with a seal. (Image credit: Future)

Loewe We Hear Pro review: Design

  • On-device controls are really useful...
  • ...but the illumination isn't visible in direct sunlight
  • Celebrity branding isn't off-putting

While the We Hear Pro's cylindrical design with bass ports at either end is a familiar silhouette, there are some nice touches here. On top the volume, bass and treble controls light up with a separate touch-sensitive bar to adjust them. It looks really nice in the evening but the choice of white illumination here means you can’t see it at all in direct sunlight.

The obligatory USB-C port and aux cable socket are on the bottom, protected by a weatherproof flap. It’s neat but it does mean that you’ll need to slightly angle the speaker if you’re using a cabled connection to an audio source.

There are three colour choices: black, blue and the eye-popping neon yellow of our review unit. That’s by far the best-looking option and means you’re very unlikely to misplace it. There’s also a matching carrying strap that enables you to wear the speaker like a satchel or to carry it like a small handbag; it’s a little scratchy feeling but it’s solid enough, and you’ll be glad of it: the speaker weighs a hefty 2.2kg.

The speaker is IPX6 water resistant but not waterproof, so while it’ll survive the odd rain shower it’s not a speaker you want to dunk in deep water. If you’re planning to party poolside you might be better off with a fully waterproof rival.

  • Design score: 4/5

Loewe We Hear Pro: Value

  • Very expensive compared to most portable speakers
  • You're paying a lot for that extra power
  • The same firm's We. HEAR 2 is a lot cheaper

The We Hear Pro is one of the most eye-catching outdoor speakers around, especially in its neon option, and it’s also one of the more expensive options. That’s largely because it has a larger battery and more power than similarly sized rivals, delivering 100W with 20-plus hours of listening time. You can also use it as a portable charger for your other devices. However, that price tag means it's up against some serious competition: at the time of writing the Sonos Roam 2, our current pick of the best portable Bluetooth speakers, is around $169 / £139. You could buy two for only slightly more than you’d pay for one We Hear Pro.

  • Value score: 4/5

Should you buy the Loewe We Hear Pro?

Buy it if…

Don't buy it if…

Loewe We Hear Pro review: Also consider

How I tested the Loewe We Hear Pro

  • I tested for two weeks as an alternative to Apple HomePods and UE's Wonderboom 4
  • I used it indoors at sensible levels and loud outside
  • I listened to Apple Music, my own library, Overcast podcasts and some of my own tunes too

I tested the Loewe We. HEAR Pro over the course of two weeks both indoors and out, testing it both as an everyday speaker inside and a party speaker outside. I have a go-to playlist that encompasses a lot of different genres including block-rocking bass and much more delicate recordings, and for this speaker I added in plenty more party anthems as that's the most common use of such a loud outdoor speaker. I used Apple Music and Overcast for streaming from my iPhone and also streamed from my Mac.

I've been a musician and audio obsessive for over 35 years now, and I've been reviewing audio kit – headphones, speakers and audio devices of all kinds – since the late 1990s.

Read more about how we test

  • First reviewed: October 2024
Ultimate Ears Wonderboom 4 review: a surprisingly punchy budget speaker
7:15 pm | September 26, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Ultimate Ears Wonderboom 4: Two-minute review

We’ve long been fans of the Wonderboom series: compact, durable speakers designed to go with you anywhere and pump out sound quality far better than you’d expect for the size – and Ultimate Ears is a name that regularly features in our best Bluetooth speakers roundup. The Logitech brand clearly knows it’s onto a winner with this model, because the latest iteration – the aptly named Wonderboom 4 – doesn’t change too much.

Like the Wonderboom 2 and 3 before it, this is a well-built, backpack-friendly Bluetooth speaker that can survive a fair few adventures. Not only does it feel sturdy in the hand, but its IP67 rating equates to top-tier water- and dust-proofing. In case you wanted further confirmation, throw it in the drink and it also floats.

Sonically, the Wonderboom 4 is identical to the Wonderboom 3. Bass output has no business being so punchy for such a small speaker, while both clarity and separation are impressive at reasonable volumes. Only when you push up the decibels is there a noticeable loss of detail.

You also get all the listening features of previous versions, including stereo pairing, 360-degree sound output and Outdoor Boost for beefier alfresco audio. New for the Wonderboom 4 is a Podcast mode, which adjusts EQ settings to better suit the spoken word. Oh, and Ultimate Ears has finally made the switch to USB-C on the Wonderboom as well – hurrah! 

If you don’t need USB-C connectivity or the added vocal clarity of the Podcast Mode, the now-discounted Wonderboom 3 offers better value. But for the price and size, you’d be hard-pressed to find a Bluetooth speaker that can beat the Ultimate Ears Wonderboom 4.

Ultimate Ears Wonderboom 4 review: Price and release date

  • Released June 26, 2024
  • Officially priced at $99.99 / £89.99 / AU$149

The Ultimate Ears Wonderboom 4 was released in June 2024, priced at $99.99 / £89.99 / AU$149. That’s the same as the Wonderboom 3 cost at launch, putting it firmly in the affordable category. It’s worth noting that the Wonderboom 3 has since been discounted, making it an even cheaper option with identical audio hardware.

At that price, the Wonderboom 4 sits in a very a competitive category, with recent price reductions bringing both the JBL Flip 6 and Bose SoundLink Micro down to similar numbers. As you’ll read below, though, we think the Ultimate Ears Wonderboom 4 has a lot to offer if you’re looking for a compact Bluetooth speaker to depend on when you travel.

Ultimate Ears Wonderboom 4 Bluetooth speaker against a pink wall

(Image credit: Future)

Ultimate Ears Wonderboom 4 review: Specs

The back of an Ultimate Ears Wonderboom 4 Bluetooth speaker

(Image credit: Future)

Ultimate Ears Wonderboom 4 review: Features

  • 14-hour battery life
  • USB-C charging port
  • No aux-in or microphone

One of the headline changes for the Wonderboom 4 is the switch from a microUSB charging port to USB-C. With the world well on its way to a one-cable future, this change was long overdue on the Wonderboom 3. So while it might seem a minor update, it’s also a welcome one that means you've got one less wire to worry about.

Otherwise, the Wonderboom 4’s feature set remains very much the same as its predecessor. As before, there’s no 3.5mm aux input, so you’ll need to look elsewhere if you want the option to hard-wire your audio source. There’s no built-in mic, either, so the Wonderboom 4 can’t function as a speakerphone.

Nor does it benefit from the app support of more premium Ultimate Ears speakers, such as the Hyperboom. While the option to connect to the Boom app would objectively add value, we think it’s no bad thing that the Wonderboom 4 is an ‘offline’ speaker; it keeps things simple and accessible, while the Outdoor Boost and new Podcast sound modes (see below) offer all the EQ adjustment that most people would expect at this price point.

Wireless pairing is by Bluetooth 5.2. This isn’t the latest standard and, as we’d expect for an affordable speaker, there’s no support for hi-res codecs. But it can host multiple connections simultaneously, in case you’re sharing DJ duties.

Where the Wonderboom 4 continues to excel is battery life. Rated at 14 hours from a full charge, we routinely achieved better than this during testing. On a single stint, this is a speaker that simply goes and goes. And it’s also the kind of speaker that you could charge at a weekend and use heavily throughout the week, without worrying that you’re about to see the red light come on.

  • Features score: 4/5

The port cover and underside of an Ultimate Ears Wonderboom 4 Bluetooth speaker

(Image credit: Future)

Ultimate Ears Wonderboom 4 review: Design

  • Available in four color options
  • IP67 waterproof and dust-proof
  • Six-button interface

Owners of the Wonderboom 3 won’t find anything physically different about the Wonderboom 4. It remains a compact, tidily designed Bluetooth speaker that’s put together very well. Weighing just 420g and measuring 104 x 95.3 x 95.3mm, it’s a neat little cylinder that’s perfect for tossing in a bag.

Four color schemes are yours to choose between: Active Black, Cobalt Blue, Hyper Pink and Joyous Bright. Preference is personal, but each of these color combos are characterful in their own way, complementing the Wonderboom 4’s fun-sized stature with a natty look. Each features those trademark Ultimate Ears volume buttons in a bold contrasting hue, with a matching fabric loop that can be used to carabiner the Wonderboom 4 to the outside of your backpack.

It’s all very familiar and all the better for it. From the fabric wrap to the rubberized bumpers top and bottom, the Wonderboom 4 feels like it’s built to go the distance. Despite its lightweight construction, it’s reassuringly solid in the hand. That’s borne out by an IP67 rating against water and dust, plus it’s drop-proof from 1.5m and floats for good measure. All of which adds up to a speaker that’s genuinely adventure-proof and made for the great outdoors.

Besides those unmissable volume buttons, you’ll find three controls on top of the Wonderboom 4 and one beneath. There is a slight learning curve here: the top buttons are unmarked for minimalism, but that does mean it takes a little time to remember their functions. One is for power, one for pairing and the central one is a multi-function number for controlling playback and connecting to other Wonderbooms in stereo.

Underneath is a button marked by a tree symbol, which is used to switch between standard, Podcast and Outdoor Boost sound modes.

  • Design score: 5/5

Control buttons on an Ultimate Ears Wonderboom 4

(Image credit: Future)

Ultimate Ears Wonderboom 4 review: Sound quality

  • Punchy 360-degree sound output
  • Double Up stereo pairing
  • Outdoor Boost and Podcast EQ modes

To the ears, the Wonderboom 4 is identical to the Wonderboom 3. That’s because it uses the same pair of active drivers, together with two passive radiators, to pump out 360-degree sound. The result is a speaker that punches well above its weight when it comes to both low-end oomph and overall clarity.

Audiophiles will find things to pick at, but for its price and proportions, the Wonderboom 4 is right up there with the best in this bracket. Bass is bold, yet it doesn’t overwhelm the mids and trebles. There’s impressive separation here for a portable Bluetooth speaker, with a richness to the output that isn’t found in many speakers of a similar size. The soundstage is nicely balanced, too.

Crank the volume beyond reasonable levels and you will encounter distortion, with harsh treble creeping in. That said, we were impressed with how well the Wonderboom 4 handled complex tracks even at higher volumes. It’s perfectly capable of filling a small or medium room, and we found that positioning it in a corner or near a wall gives a fuller sound.

For more immersive listening, you have the option to Double Up with another Wonderboom 3 or 4. You can have both speakers play the same audio, or use them as left and right separates for proper two-channel audio. The result in our experience is no gimmick, revealing plenty of details that would be lost in single-speaker playback.

If you’re listening outdoors, the Outdoor Boost setting reduces the bass and amps up the treble. This produces audio that carries better outside, but it also comes with a clear loss in quality. It’s a useful setting for picnic playlists, but not one to use at home. 

New for the Wonderboom 4 is a Podcast mode, which tweaks the EQ to suit spoken vocals. Listening in the kitchen, there was a difference in output versus the standard mode, with words carrying more clearly in a mix that focuses on upper midrange frequencies, giving a marginally more emotive quality to speech patterns. That said, you’d have to be a keen-eared podcast enthusiast to really pick up on this or value it as a dedicated feature.

  • Sound quality: 4/5

Ultimate Ears Wonderboom 4 review: Value

We’ve always rated Wonderboom speakers as excellent value and the fourth version is no exception. For the price, you’re getting a fun, compact speaker that’s built tough and capable of impressive sound quality. Add to that its solid battery life and the option to pair it in stereo, and we think it stacks up as one of the most complete Bluetooth speakers you can buy for the money.

You’ll need to look elsewhere for certain features, such as the app connectivity offered by the similarly priced JBL Flip 6. But that’s not a dealbreaker for the price, and for most people the Wonderboom 4 will do all that they need and more.

It’s worth mentioning that recent discounts mean the Wonderboom 3 is now available for less, making it better value outright. If you don’t need USB-C connectivity or a Podcast mode, it gives you an identical listening experience for a lower price, at least while stocks last. Otherwise, we think the Ultimate Ears Wonderboom 4 represents fantastic value for a Bluetooth speaker in 2024.

  • Value score: 4.5/5

Ultimate Ears Wonderboom 4 Bluetooth speaker on a log

(Image credit: Future)

Should I buy the Ultimate Ears Wonderboom 4?

Buy it if…

Don’t buy it if…

Ultimate Ears Wonderboom 4 review: Also consider

How I tested the Ultimate Ears Wonderboom 4

  • Tested for a month, both indoors and in the back garden
  • Played a variety of music types
  • Listened via the Spotify app on iPhone

I used the Ultimate Ears Wonderboom 4 as my go-to Bluetooth speaker for the best part of a month. That meant listening to it both at home and while travelling around the UK, sticking it in my backpack for a number of trips to see how it held up on the road.

The Wonderboom 4 went on a real musical journey with me, as I streamed a wide variety of genres via Spotify on my iPhone. That eclectic selection covered everything from mellow background music to Seventies classics, plus more than a few kitchen anthems.

It handled playlist and podcast duties indoors, and was also put to the test around the firepit, soundtracking most of my September evenings on the patio, whatever the weather.

Read more about how we test

  • First reviewed: September 2024
Edifier D32 review: a retro-look wireless speaker that supplies detailed audio
5:30 pm | September 12, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Edifier D32: Two-minute review

Looking for a fresh wireless speaker, which combines old-school charm with hi-res audio capabilities? Thought so. Well, you’re in luck, because the Edifier D32 is just that and at a very reasonable price too.

This amp-like tabletop speaker is a very solid entry from the Chinese audio specialists Edifier and delivers clean, balanced, delicate sound. The Edifier D32 is compatible with both the LDAC and ALAC (when using AirPlay) audio codecs, meaning you’ll get access to hi-res audio regardless of whether you’re an Android or iPhone lover. As well as Bluetooth 5.3 or the 5GHz and 2.4GHz dual-band Wi-Fi module, there’s also AUX and USB-C wired options if you’d prefer, making the Edifier D32 a very versatile option.

Whether you’re a rocker, folk fan or classical connoisseur, the Edifier D32 will deliver talented sound that’s sure to impress you or your esteemed guests. It handles treble frequencies most competently, delivering more delicate sounds with accuracy and precision. Mid-range sounds are also well-weighted with imperfect, yet respectable levels of detail on offer. Even bass comes through with a degree of impact and depth, making for a good all-round listening experience. OK, drum and bass lovers may feel that sub-bass is a bit lacking; audiophiles may even sense that separation doesn’t match up to some of the best wireless speakers. But the vast majority of listeners are sure to like what they hear.

Sound is customizable too, thanks to the Edifier ConneX app. This free companion app allows you to adjust the EQ via a number of presets or a custom option. However, that’s pretty much it as far as in-app features go, so don’t expect anything super fancy here.

Another decent, but non-standout factor is the Edifier D32’s battery life of 11 hours. Some competitors, like the JBL Authentics 300, for instance, can only manage eight in fairness – although a lot of competitors, like Marshall's Stanmore, can give you 15 hours with its retro-style multi-room speaker. This should still be enough for the average gathering, of course, but if you want a speaker for parties or similar events, there are a lot of other low-cost options that offer far superior playtimes.

Potentially the biggest draw of the Edifier D32 is its design. Sure, the JBL Authentics and Marshall Stanmore products have done similar things, but this is considerably cheaper than most options in these lines. The Edifier D32 does a lot right aesthetically, with an attractive, textured outer casing and golden speaker grille. However, some of the gold detail on the White model (which I tested) makes for a slightly less-than premium appearance due to its plasticky look. If you’re looking for the classiest option on the market, this is likely not going to cut it, but it does still keep that old school vibe alive – as long as you don't look too closely.

It’s looking pretty positive for the Edifier D32 here. For what it sets out to do, it succeeds on almost every metric. It may not be a perfect 10 looks-wise or particularly feature-rich, but these things aren’t going to be a number one priority for most. After all, when it comes to audio quality, the Edifier D32 offers plenty of bang for your buck. It’s not the top performing speaker on the market, sure, but with hi-res output using your home's Wi-Fi network,, talented all-round sound and EQ customizability, you’re almost certain to be satisfied with what’s on offer.

So if you’re the nostalgic type and want adept audio at a not-so daunting price, I would recommend the Edifier D32. For lovers of big bass, party vibes and the great outdoors, though, this is probably not for you and I’d recommend checking out our guide to the best party speakers instead.

Edifier D32 on wooden surface

(Image credit: Future)

Edifier D32 review: price and release date

  • $199.99 / £179.99 (about AU$300)
  • Launched on March 2024

The Edifier D32 is available for a reasonable price, given you get hi-res audio, a decent amount of bulk and several good connectivity options, including Wi-Fi and Bluetooth streaming. It has a list price of $199.99 / £179.99 (about AU$300), which is considerably cheaper than a lot of the speakers in JBL’s Authentics line, for instance, a model that attracts those looking for a similarly retro vibe. 

The D32 also launched in March 2024, so it still has that fresh feeling about it. Sure, its build quality isn’t quite as high as alternatives from Marshall or JBL, but the savings you recoup even things out nicely.

Edifier logo on the Edifier D32

(Image credit: Future)

Edifier D32 review: Specs

Reverse side of the Edifier D32 with AUX, USB-C and AC adapter ports

(Image credit: Future)

Edifier D32: Features

  • Apple AirPlay2, Bluetooth 5.3 and wired connectivity options
  • Companion app compatibility
  • Average battery life

Features-wise, the Edifier D32 does a lot more than its looks suggest. Firstly, it’s worth noting that it has a good set of connectivity options, which include: Bluetooth 5.3, 5GHz and 2.4GHz dual-band Wi-Fi (and Apple AirPlay), USB-C and AUX for wired listening. Specifically, the Edifier D32 supports Apple AirPlay 2, meaning that you can Wi-Fi stream music using iOS devices, Apple TV, and computers with iTunes installed.

When harnessing Bluetooth connectivity (except when streaming using LDAC), you get access to multipoint connectivity. If you’re hosting a gathering and both you and a friend want to queue up some tracks, it's best to stick to Bluetooth. 

If you download the Edifier ConneX app, you can access a few more features, but things are admittedly pretty limited. The only real feature available is what Edifier calls ‘Sound Effects’, which is just an EQ calibration tool. You can select from one of five options: Classic; Monitor; Dynamic; Vocal; or Customized. Although all of these have distinctive sound profiles, I only really found myself using either the well-balanced Classic mode, which enabled me to pick out more sonic details, or Dynamic, whichdiminishes highs in favor of more booming bass.

The app doesn’t have much more going for it really. You can check battery life (although it annoyingly only shows percentages as a multiple of 20), toggle multipoint, turn speaker prompt sounds on or off and view the user manual. That’s basically it – and I’m not really complaining. After all, there’s not a whole lot more I’d expect from a wireless speaker at this price point.

When it comes to battery life, the Edifier D32 is pretty average. Edifier claims that this speaker has a playtime of 11 hours, which I found to be relatively accurate. After playing music at 30% volume for eight hours, the speaker still had 40% of its charge remaining, but of course, if you play at higher volumes using hi-res quality it will die far sooner. Although the Edifier D32’s playtime can’t rival retro-looking competitors like the Marshall Emberton 2, with its 30-hour battery, 11 hours will almost definitely be enough for playing tunes at a party or gathering.

It would be nice to have something akin to a battery saver mode, like JBL’s Playtime Boost, or a setting to calibrate the speaker’s sound to its surroundings, like Marshall’s Placement Compensation. But, all in all, the Edifier D32’s feature-set is decent.

  • Features score: 3.5/5

Button controls of the Edifier D32

(Image credit: Future)

Edifier D32: Sound quality

  • Well-balanced hi-res audio
  • Crisp highs and clean bass
  • Impressive levels of detail for price

OK, so you’re not going to lose your mind over how good the Edifier’s D32 audio sounds, but it’s undeniably strong for its price. Firstly, it’s worth noting that I mainly used the D32’s more balanced EQ preset, Classic, when listening to tracks, although I did dip into Dynamic mode for more bass-heavy bangers.

Something I was delighted to find, straight off the bat, is that the Edifier D32 supports the LDAC codec, which processes audio up to 24-bit/96kHz. This is wonderful news for anyone with a modern Android phone, as almost all of these support the codec. The D32 also supports Apple’s ALAC ‘lossless’ audio codec, but only if you’re using AirPlay mode – ie over Wi-Fi. Even some of 2024’s more expensive Bluetooth speakers – like the JBL Xtreme 4 – don’t support any lossless codecs, (because remember, Bluetooth streaming by its very nature incurs loss) so this is a big win for a speaker costing less than $200 / £200 / AU$300.

OK, so the Edifier is compatible with some levelled-up Bluetooth codecs and AirPlay support using Wi-Fi, but how does it actually sound? Well, I whipped out my trusty FiiO M11S and opened up Tidal to give it a whirl and was pleasantly surprised by the quality on offer. I tuned into Black Eye by Allie X and the Edifier effectively captured the dynamism of the intro’s bass bouncing up to the mid-range, resulting in a controlled yet energetic sound. The Edifier can achieve respectable bass depth; for instance, deep synths placed throughout the song 635 South by FORQ sounded very clear, maintained their boom and didn’t distort, even at higher volumes.

It’s not an entirely perfect picture when it comes to low-frequencies, though. If you’re looking to hear imposing bass, you might want to look elsewhere. For instance, when listening to Diva Bonita by bbno$, the sub-bass was a little lacking for clout and impact in the mix. I tried the (admittedly more expensive) JBL Xtreme 4 and it was able to perform better in this department, so if you’re really into ultra low-frequency rubbles and feels, weigh up other options.

However, it’s not about bass with the Edifier D32. With its retro aesthetic, it’s clearly not trying to be a party speaker with intense low-end capabilities, even though it’s still very much competent in this area. And the positive news is the D32 sounds very good overall, with both rich mids and elegant highs.

I listened to Rains again by Solji and the rain sound effects in the intro sounded pretty natural, with the vocalist’s delicate, high-pitched vocals coming through in a crisp manner and retaining their atmospheric edge. There wasn’t any noticeable warping or distortion when listening to this track and even when flicking through the TechRadar testing playlist, I constantly felt that songs relying on treble performance sounded neat.

The Edifier D32 isn’t always the best with more subtle details. For instance, the electric guitar throughout Young Blood by The Naked and Famous was a bit more muted in the overall mix than I would’ve liked. When returning to Black Eye by Allie X, I similarly sensed that light electronica in the middle of the track was a bit lacking – noticeable, sure – but just not as clear-cut as it could be. This is nitpicking I accept, especially given the price you pay, but it is my job to do so.

All in all, the Edifier D32 may not be the boldest-sounding speaker on the market and it may not possess the ability to paint perfectly accurate sonic pictures – but that doesn’t prevent it from being a great-sounding wireless speaker. You’re still getting super-clean, on-beat, hi-res audio certain to impress. If you’re looking for a more party-ready speaker with the most hard-hitting bass, this isn’t the optimal choice, but if you want high-quality audio for laid-back listening, the Edifier D32 is a strong option.

  • Sound quality score: 4/5

'Hi-Res Audio' label on the front of the Edifier D32

(Image credit: Future)

Edifier D32: Design

  • Retro aesthetic
  • Gold details a bit cheap-looking
  • Designed for tabletop play but has decent portability

Whether you’re a guitarist, rock fan, or just one of those people that claims to be ‘born in the wrong generation’, the Edifier D32’s design is likely to appeal to you. That’s because it has a retro, amp-like look that is fitting for those hoping to add a splash of vintage flair to their living space. I tested the White color variant and found that the bronze speaker grille and outer casing were stylish and satisfying on the eye.

However, I’m not gonna lie: the overall look of the Edifier D32 is slightly ruined by the golden finish on the protruding button controls, feet and outer rim. The plasticky, gold finish looks a bit cheap; tacky even. This prevents it from exuding the classy vibe of Marshall’s Emberton or Stanmore lines for instance, and it damages the retro look Edifier was going with here. This speaker is by no means bad to look at, but the inconsistent quality did stop me from falling head over heels, design-wise.

Although I wasn’t a massive fan of the look of the buttons, they’re fairly easy to use. There are power, Bluetooth, play/pause and volume controls, all of which are super-straightforward with the exception of one. That exception is the power button, which has a light panel that can flash in nine different ways, including different colors and flashes. You’ll need to consult the user manual to understand what each of these means, because at first, I found myself baffled by whether the speaker was on, off, or somewhere in between.

Otherwise, this is a pretty practical device. It’s only a little bit heavy at 6.7lbs / 3kg and has a handle on the back of the speaker for easier transportation. Really, though, this isn’t the best option if portability is crucial for you. But for a tabletop wireless speaker, I’d argue that it’s the perfect size – not huge and overbearing, but not too small to deliver quality, room-filling audio.

In order to deliver that room-filling audio, the D32 holds two 15W silk dome tweeters as well as what Edifier calls a "long-throw, mid-low" driver. They’re encased in an MDF cabinet, designed to reduce resonance and distortion. This setup definitely helps to deliver a strong balance of loudness and clarity, making the Edifier D32 very pleasant to listen to.

Overall, this isn’t the most elegant retro-style Wi-Fi speaker on the market, but it’s considerably cheaper than comparable alternatives from JBL and Marshall. It may be the case that you, reader, think I’m terribly mistaken about the gold looking tacky! However, one thing that can’t be disputed is that this is a nicely weighted and sized tabletop speaker that still offers adequate portability – combine that with the strong audio quality on offer and you’re onto a winner with the Edifier D32.

  • Design score: 3.5/5

Handle on the reverse side of the Edifier D32

(Image credit: Future)

Edifier D32: Value

  • Much cheaper than similar competitors
  • Great sound quality for the price
  • There are still cheaper alternatives out there

Let’s be clear: if you’re looking for a super low-price Bluetooth speaker, the Edifier D32 is probably not your best option. Sure, it’s inexpensive compared to a lot of its rivals, but there are plenty of good Bluetooth speakers out there closer to the $100 / £100 / AU$200 mark.

However, if you’re specifically on the hunt for a tabletop speaker with an old school vibe, this is really strong in the value department. You get both wired and wireless (Wi-Fi and Bluetooth) higher-resolution audio, strong connectivity options and companion app compatibility all for $199.99 / £179.99 (about AU$300). That’s not bad at all, especially considering that the cheapest in JBL’s Authentics line, the JBL Authentics 200 has a list price of $349.99 / £249.99 / AU$499.95.

What matters the most with a wireless speaker is sound – and the Edifier D32 performs very nicely in this category. When you couple that with the appeal of its design and consider the high cost of competitors, the Edifier D32 is a very solid value pick.

  • Value score: 4/5

Corner of the Edifier D32

(Image credit: Future)

Should I buy the Edifier D32?

Buy it if...

You’re looking for a retro-style speaker
If you’re the nostalgic type, this could be the perfect wireless speaker for you. With its amp-like grille, textured outer casing and tabletop design, the Edifier D32 is a solid-looking speaker. It may not have the build quality that you’ll see from the likes of Marshall, though, so bear that in mind if you want a more premium look.

You’re craving hi-res audio quality
The Edifier D32 offers wired and wireless hi-res audio at a very reasonable price, so if you’re an audiophile on a budget it's a strong option. With both LDAC and ALAC compatibility, it doesn't matter if you have an Android or Apple device, you’ll have access to hi-res quality regardless.

Don't buy it if...

You need a party speaker
If you want a booming, party-ready speaker, this shouldn’t be your go-to. The D32 handles low frequency sounds nicely, but it's not exactly optimized for bass-heavy bangers and, when it comes to sub-bass, you’re not going to be blown away. It’s totally capable of playing music to a high standard, sure, but it has no waterproof or dustproof rating for outdoor parties and can only be paired with more speakers via Airplay – not so practical if you have limited or no Wi-Fi.

A broad feature-list is a priority for you
There’s not a lot to play with on the Edifier ConneX app, so if you’re someone that’s big on customizability, you’ll likely be a bit disappointed. You can adjust EQ settings, but in terms of actual features, that’s basically it.

Edifier D32 on wooden surface

(Image credit: Future)

Edifier D32: Also consider

JBL Authentics 300
The JBL Authentics 300 is a tabletop speaker that is slightly reminiscent of a (very chunky) vintage handbag, but that’s not necessarily a bad thing. This beast of a speaker boasts bold audio, Wi-Fi connectivity and fantastic portability. You can often find the Authentics 300 for much less than its list price (I’m talking $100/£100 less), so the price difference isn’t quite so drastic. This won’t be the perfect alternative for everyone though, especially given its slightly underwhelming battery life and lack of support for any fancy audio codecs, so you’ll have to weigh up whether the extra spend is worth it. We’re yet to get our hands on the JBL Authentics 300, but we have tested its more expensive sibling the JBL Authentics 500, which earned plenty of praise.

Marshall Emberton 2
OK, a bit of a curveball coming your way. Is this thing a like-for-like comparison with the Edifier D32? Well, not exactly. It’s way smaller and lighter, it's Bluetooth only, and won’t offer quite as imposing audio. But it does rock a similar retro design and is perfect for tabletop play. It isn’t going to set you back as much as the D32 and it also offers an incredible battery life of 30+ hours and an IP67 dustproof and waterproof rating. If value is what you care about most, this might not beat out the Edifier D32 entirely, but if you want more portability and longevity, this could be a better pick for you. Read our full Marshall Emberton 2 review.

Edifier D32 review: How I tested

Reverse side of the Edifier D32

(Image credit: Future)
  • Tested for two weeks
  • Used in the office and music testing studio
  • Tested using Tidal on Fiio M11S and Samsung Galaxy Z Flip 4

I spent hours listening to music on the Edifier D32, testing it across its various sound modes and at differing volume levels. I predominantly used the speaker in our music testing room for assessing audio quality and battery testing.

I used Spotify on my Samsung Galaxy Z Flip 4 and Tidal on the Fiio M11S hi-res music player to stream tracks from our carefully curated TechRadar reference playlist. This included songs with pumping deep bass, delicate vocals, and complex mixes, enabling me to test a speaker’s full range and dynamism across different frequencies. I also used the JBL Xtreme 4 as a point of comparison, when appropriate.

  • First reviewed: September 2024
  • Read more about how we test
Hidizs S8 Pro Robin review: the tiny DAC/headphone amp that almost could
1:00 pm | September 8, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Comments: Off

Hidizs S8 Pro Robin: Two-minute review

The idea of taking the crucial business of digital-to-analogue conversion duties away from your smartphone (which has plenty of other stuff to be getting on with) and doing it properly using a dedicated USB dongle is not a new one – our guide to the best portable and desktop DACs is proof. And the idea of making the price of this USB dongle as aggressive as possible is not especially new, either. But Chinese specialist Hidizs thinks that with the S8 Pro Robin, it has perfected the balance between ‘price’ and ‘performance’. 

Certainly this little device looks more expensive than it is, both on paper and in the palm. Specification that includes a balanced architecture DAC arrangement from Cirrus Logic, proper hi-res audio 32bit/384kHz and DSD256 compatibility, and balanced and unbalanced outputs all bode well, as do low weight, tidy dimensions and build quality that makes good use of glass and aluminium.

And up to a point, the Hidizs S8 Pro Robin makes good on its promises. The sound it delivers via a pair of Sennheiser IE900 IEMs when compared to that handed over by an Android smartphone and an Apple laptop is altogether bigger, more detailed, better organised and more dynamic. Where all of these things are concerned, it’s an unarguable step forward.

It doesn’t take long to reveal one or two shortcomings, though. The S8 Pro Robin is no fan of the sort of squashed MP3 files that are Spotify’s stock in trade – it makes the compression they have undergone obvious, and compared to the work it does when given something of 16bit/44.1kHz resolution or above to deal with, they sound rather flat and undemonstrative.

And no matter the quality of the digital audio file you ask the Hidizs to deal with, it renders the top of the frequency range thin and hard. Treble sounds are edgy and splashy, and only get edgier and splashier the louder you listen. This skewing of the frequency range makes the S8 Pro Robin sound rather lopsided, and its top-end characteristics are tiring.

Hidizs S8 Pro Robin on a white table, with a smartphone

(Image credit: Future)

Hidizs S8 Pro Robin review: Price and release date

  • Released in May 2024
  • Priced $79 / £59 / AU$119

The Hidizs S8 Pro Robin USB DAC/headphone amp is available now, having hit shelves (in most regions, at least) in May 2024, and in the United Kingdom it sells for £59. In the United States it goes for $79, while in Australia it costs AU$119.

This is not a lot of money for a USB DAC/headphone amp, it hardly needs saying – our favourites from the likes of Astell & Kern and Helm Audio cost well into three figures. But then again, a bargain is only a bargain if it’s fit for purpose… 

Hidizs S8 Pro Robin review: Features

  • 32bit Cirrus Logic DACs 
  • 3.5mm and 4.4mm outputs 
  • Supports up to 32bit/384kHz and DSD256 resolutions

Yes, the S8 Pro Robin is small and affordable. But that hasn’t prevented Hidizs from including quite a number of highlights where features are concerned.

For example, the S8 Pro Robin is compatible with pretty much any operating system – attach it to a source of music using the USB-C slot on the bottom and it can play nicely with Windows, every Apple OS, Android and Harmony. And at the opposite end of its little chassis there are both 3.5mm and 4.4mm output sockets - so headphones with balanced or unbalanced terminations can be connected.

It’s in between, though, that the real action is. The Hidizs uses balanced DAC architecture via a couple of 32bit Cirrus Logic CS43131 chipsets, and this allows it to support PCM up to 32bit/384kHz resolution and DSD256. Which means it has its Hi-Res Audio certification and the badge to prove it. 

Six digital filters offer a small degree of input into the eventual sound of the S8 Pro Robin – these can be accessed by simultaneously pressing the ‘volume up’ and ‘volume down’ buttons on the side of the chassis. The indicator light on the glass front panel briefly flashes in one of six different colours to let you know which particular filter you’ve selected, before it reverts to a colour that indicates the type and size of digital audio file you’re listening to. 

Features score: 5 / 5

Hidizs S8 Pro Robin on a white table, with a smartphone

(Image credit: Future)

Hidizs S8 Pro Robin review: Design

  • Aluminium frame
  • 58 x 23 x 11mm (HxWxD) 
  • 17g

Hidizs has done the sensible thing, and made the S8 Pro Robin as small and light as realistically possible. At just 17g you won’t even notice it in your pocket, and at 58 x 23 x 11mm (HxWxD) it’s about as unobtrusive as these things ever get.

It’s nicely built and finished, too. The frame is aluminium, and the front and back panels are of glass - it’s quite a tactile little thing. On the front there’s an illuminated company logo, and on one side three little control buttons. The bigger button in the centre is ‘play/pause’, and it has a volume control on either side. Press both ‘volume up’ and ‘volume down’ together and you can cycle through your filter options. 

Design score: 5 / 5  

Hidizs S8 Pro Robin on a white table, with a smartphone

(Image credit: Future)

Hidizs S8 Pro Robin review: Sound quality

  • Enough power to drive even quite tricky headphones 
  • Open and detailed presentation 
  • Insubstantial top end can get tiring

The most important job the S8 Pro Robin has to do is make your headphones (and we truly hope you've chosen something from our best wired earbuds or best wired headphones buying guides here) sound better than when they’re plugged directly into your laptop or smartphone – and it can most certainly do this. Plugged into an Apple MacBook Pro or a Samsung Galaxy S21 Ultra at one end and a pair of Sennheiser IE600 at the other, the difference the Hidizs can make to your experience is significant.

A 16bit/44.1kHz FLAC file of Mary Lattimore’s We Wave From Our Boats sounds fuller, more open and quite a lot more detailed in every department. There’s greater heft to low frequencies, a more spacious rendering of the midrange and a whole lot more bite and attack at the top of the frequency range (which, as I’ll get to, is not an entirely positive trait). Dynamic headroom is improved, soundstaging is more convincing, and there’s greater positivity to the way rhythms are expressed.

Move upwards in resolution from there and all of these positives continue to apply. Go in the other direction, though, with a listen to a 320kbps MP3 file of Idles’ Never Fight a Man with a Perm and the S8 Pro Robin can’t hide its dissatisfaction. Its dynamic response is underwhelming, and the overall presentation is, when compared to what it’s capable of with bigger files, flat and undemonstrative. To say that it doesn’t sound like much of an improvement on the unassisted sound of the source players tells you all you need to know.

Still, it’s simple enough to avoid this just by avoiding listening to horribly compressed content from Spotify’s free tier. What’s impossible to avoid is the hard, unyielding nature of the Hidizs’ high-frequency reproduction. The character of the treble sound is at odds with the rest of the frequency range, and the thin, insubstantial top end is tiring and ultimately not especially pleasant to listen to. And don’t, whatever you do, turn the volume up too far – the relentless nature of the high-end reproduction here is just compounded by loudness.

And it’s also worth noting that this top-end unpleasantness is exacerbated by the majority of the filter options that are available here. In fact, there’s only one filter (called ‘deem phasis filter’ on the Hidizs website – I suspect it’s actually a de-emphasis filter, and its corresponding colour on the fascia is blue) that gets anywhere close to calming the DAC’s treble response – and consequently that’s the one I selected when conducting this test.      

Sound quality score: 3 / 5 

Hidizs S8 Pro Robin on a white table, with a smartphone

(Image credit: Future)

Hidizs S8 Pro Robin review: Value

In some ways, the Hidizs S8 Pro Robin represents unarguable value. For not very much money at all, it can turn your smartphone or laptop into a much more viable source of music, and as such is a gift for your wireless headphones. 

Sonically, though, it’s not quite the finished article – and anyone who’s especially sensitive to high-frequency sound is unlikely to enjoy the way it goes about things. All of which means it probably only offers middling value for money.

Value score: 3 / 5

Hidizs S8 Pro Robin on a white table, with a smartphone

(Image credit: Future)

Should you buy Hidizs S8 Pro Robin?

Buy it if...

Don't buy it if...

Hidizs S8 Pro Robin review: Also consider

How I tested the Hidizs S8 Pro Robin

  • With an Apple laptop and a Samsung smartphone
  • With content from Spotify and Tidal
  • Connected to Sennheiser IE600 headphones via the balanced output

As a process, there’s really not much to describe here. For the best part of a week I listened to the S8 Pro Robin while it was connected to either an Apple MacBook Pro or a Samsung Galaxy S21 Ultra using the USB-C input – Sennheiser IE600 wired in-ear headphones were connected to the 4.4mm balanced output. And then I listened to a variety of music, of a variety of genre and a variety of file types and sizes, from the Spotify and Tidal apps loaded on to both devices.  

First reviewed September 2024

Morel Biggie review: a small yet mighty wireless speaker that’s minimal to a fault
2:30 pm | September 7, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Morel Biggie: Two-minute review

The Morel Biggie is the smaller sibling of Morel’s Högtalare (Swedish for speaker) – and is ironically named, given its compact size. But don’t let that fool you, because sonically it packs a punch.

It oozes class thanks to its superb engineering, evident from the perfectly planned surfaces on every side. It’s hard to imagine it looking out of place in any home, especially given the myriad colorways available. But home is where you’ll want to keep the Biggie, because even though Morel describes it as a portable speaker, it’s still too big and heavy to be carried around easily.

True to form, the Biggie’s feature set is similarly spartan, even for a Bluetooth-only speaker. One for our best Bluetooth speakers buying guide? Well, there’s no app to control or alter its settings, which is a pretty big omission and one the bulk of the competition (even at much lower price-points) does offer in 2024. There are five buttons for operation, but the only additional interface feature is the battery level indicator. And this is poorly implemented, requiring you to hold both volume buttons to reveal the level via the LEDs of all five buttons, which is far from precise.

As for audio features, the biggie (sorry) is Auracast compatibility, which allows you to join Auracast audio streams, designed for broadcasting to an unlimited number of playback devices. You can also use two Biggies in unison for stereo playback, although I was unable to test this feature as I was only given one unit to review.

The Biggie makes a strong impression on first listen, bellowing out the bass notes and creating a sense of space that rivals some of the best Bluetooth speakers out there. Mids and highs are mostly clear and detailed, but there are too many occasions when that low-end dominates the sonic space, masking the subtleties of other frequencies.

Morel’s dynamic EQ also fails to achieve its goal of optimizing the listening experience depending on volume, and the lack of hi-res codec support means there’s no way to improve the audio further.

Battery life is also average, and during my tests it failed to live up to its claimed 20 hours, ending up closer to 16. Fast charging is available, though, which means going from empty to full takes just two hours and only 20 minutes to get four hours of playback.

As for price, the Biggie is undeniably costly, and it seems most of your money is going towards the superlative build quality. The lack of features could be forgiven if the sound was truly exceptional, but it fails to deliver on that front too.

If it’s features you’re after, Sonos’s range of speakers, including the Sonos Roam 2 and Sonos Era 100, offer a ton of options and customizations plus wi-fi support, and cost less than the Biggie. If you want a standout sonic performer, the Audio Pro C20 is one of the best in that department.

Morel Biggie close up of handle clasp

(Image credit: Future)

Morel Biggie review: Price & release date

  • $299 / £299 / $AU499
  • Multiple colorways
  • Available worldwide

The Morel Biggie is available now for $299 / £299 / $AU499. It comes in several colorways, ranging from monotones and oak to shades of blue, green, and red. The faux leather strap is either black or brown, depending on the colorway.

It sits towards the higher end of the market, making it more expensive than the Sonos Era 100, our current pick as the best wireless speaker. It is considerably cheaper than the Era 300, though, which is slightly bigger than the Biggie, and features Dolby Atmos support plus multi-room audio using your home wi-fi network, among other technologies.

There are also cheaper alternatives that offer better portability, such as the Sonos Roam 2, our number one pick overall for Bluetooth speakers, and the B&O Beosound A1 Gen 2, which we think is the best for sound quality.

Morel Biggie review: specs

close up of Morel Biggie speaker grill tag

(Image credit: Future)

Morel Biggie review: Features

  • Bluetooth and 3.5mm AUX playback
  • Stereo playback possible
  • No app

In terms of functionality, the Biggie is about as simple as wireless speakers get. There are only five buttons on the Biggie: one for power, two for volume, one for pairing, and one for switching between wired or wireless connections. On the back is a single USB-C port for charging the speaker, which can also be used for charging a phone (although this didn’t work with my Google Pixel 7a). The port doesn’t allow for wired playback, though – there’s a 3.5mm AUX input for that.

There’s also very little in the way of audio enhancements, with no support for Dolby Atmos, Spatial Audio, and hi-res codecs like aptX. It is Auracast compatible, which lets you join audio broadcasts that can potentially reach an unlimited number of playback devices. You can use two units together in stereo, but as I only had one test unit, I couldn’t try this out.

There’s only one way to use the Biggie wirelessly and that’s via Bluetooth. While it paired instantly with a FiiO M11S music player, it struggled to connect to my Pixel 7a. It remained stuck in pairing on the first attempt, and on the second it paired but failed to establish a connection, with the Biggie’s pairing button flashing interminably. After pressing the mode select button twice it connected successfully. Of course, minor glitches like this can occur when pairing devices, but I’ve never had an issue pairing the latest audio devices with my phone before, and it’s a blemish on a speaker of this price.

To check the battery level, you have to hold both volume buttons for two seconds. The lights of all five buttons indicate the battery's remaining charge, making for an imprecise measurement – and since there’s no app, it’s the only option. Again, it’s an oversight on a modern-day premium wireless speaker to have no mobile app of any kind.

close up of Morel Biggie handle

(Image credit: Future)

There are other issues with the battery indicator too. When I tried checking the level on a full charge, all five buttons flashed very quickly and faintly, which seemed like a glitch of some kind. Also, when holding the two volume buttons together they’re obscured, so when the battery is between 21-40% or 10-20% – which is when only the volume buttons will light – you can’t see the readout until you’ve taken your fingers away. Suffice to say, it’s not the most elegant solution – ironic given it’s designed to preserve the Biggie’s minimalist design.

Morel claims the battery will last up to 20 hours, which is reasonable for a wireless speaker. Things didn’t get off to a good start during my tests, though: after only one hour of continuous playback, it dropped to four lights, indicating a level of between 61-80% (I believe it was closer to the latter figure).

However, for the next five and a half hours of playback, it remained at this level before dropping to about 60%, so thankfully the battery’s rate of depletion didn’t follow its initial trajectory. Extrapolating beyond this figure, though, the Biggie still falls short of its purported lifespan: realistically, it’s closer to 16 hours.

  • Features score: 2/5

rear of Morel Biggie

(Image credit: Future)

Morel Biggie review: Sound quality

  • Full and rich sound
  • Excessive boom
  • No hi-res codec support

Given the compact size of the Biggie, the bass sounds are surprisingly full and powerful, with plenty of punch. Highs are crisp and mids are clear for the most part. What’s most impressive is the sense of space the Biggie imparts, doing an admirable job of rendering the kind of experience you’d expect from a much larger speaker.

However, the Biggie is all too prone to excessive amounts of boom, even with the volume low; the so-called dynamic EQ fails to keep the sound in check at all levels as is claimed, and it’s unable to rein in mild distortion at higher levels. The speaker is definitely best experienced at a distance, but even then, that boominess all too often masks the finer details, especially in classical and other string-heavy music.

It’s also a shame that a speaker aiming for the premium end of the market only supports lossy SBC and ACC codecs, losing out on the higher fidelity offered by LDAC, aptX (which the larger Högtalare supports), and others. Using a wired connection via the 3.5mm AUX input doesn’t improve matters either, sounding near-identical to its wireless counterpart.

The volume controls don’t offer enough increments, with the lowest possible setting still too loud and boomy for more discreet listening. They also frequently clash with the volume controls on playback devices, with one overriding the other. A dedicated app could’ve kept volume levels consistent between speaker and source. It could’ve also offered an adjustable EQ for those who like to dial in their preferred settings.

  • Sound quality score: 3/5

Morel Biggie review: Design

speaker grill opened on Morel Biggie

(Image credit: Future)
  • Brilliant build quality
  • Ultra-minimalist
  • Weight compromises portability

It’s clear the Biggie is going for the sleek, ultra-minimalist look, with a hint of tradition courtesy of the large faux leather handle – which, together with the strap locks, serves to imitate a pair of headphones, a design choice I have to believe was intentional.

The overall engineering of the Biggie is impeccable, even down to the included USB-C cable. Every edge and fixture is solid and seamless, although the fitting of the back panel in my test model wasn’t quite perfect. Still, it was more than acceptable and barely a cause for complaint.

Every side of the Biggie is completely flat, making it easy to fit anywhere in your home. The four rubber feet are thick and sturdy, keeping the Biggie firmly planted. However, despite Morel claiming it to be a portable speaker, it’s too cumbersome and heavy to take on your travels. Really, this is an indoor speaker meant to be kept in place.

The aforementioned strap can be removed if you want to streamline the Biggie even more, simply by unscrewing the side clamps. There’s an optional wall mount available from Morel, should you wish to declutter your space even more.

The magnetic cloth grill is incredibly slick and, again, feels engineered to the highest standards. A small yet sturdy leather tab can be used to pull the panel off, although it's a little surplus to requirements, more of a style accessory than anything else. The fit and finish of the panel are faultless, and it's an incredibly elegant solution to masking the buttons that sit behind, invisible until the LEDs shine through once powered on.

But despite the quality of the grill, I do worry that the thin cloth will degrade after repeated button presses through it. After only a few days with the Biggie, I began to notice a crease running up the cloth from repeated compressions against the large button panel.

Another issue is that you can’t see the power button when it’s off. Muscle memory will take hold quite quickly, but it’s still a quirky design choice to hide it from view completely and illustrates just how committed Morel is to the Biggie’s minimal aesthetic.

True to the rest of the speaker, the Biggie’s buttons are solid yet light to the touch, with a pleasing clack to the presses. Their fit isn’t quite as perfect as other aspects of the Biggie’s overall construction, but I’m nitpicking here; they’re certainly up to the standards you would expect from a speaker of this price.

  • Design score: 3.5/5

Morel Biggie review: Value

At $299 / £299 / AU$499, there’s no denying the Biggie is an expensive wireless speaker. It’s more expensive than the Sonos Era 100, our number one pick for the best wireless speaker, which has more features and the brand’s unique ability to create a network of speakers for a complete home setup.

If you’re looking for a more portable experience, then our current pick for the best Bluetooth speaker, the Sonos Roam 2, is cheaper than the Biggie and fits in your luggage nicely thanks to its pill-like shape. It also has an IP67 waterproof rating, making it ideal for travel. Overall, it’s a more versatile performer than the Biggie.

Other similarly premium speakers include the Bose SoundLink Max, which is sturdy and portable but $100 more than the Biggie. Being a hardy, go-anywhere speaker, though, it’s also got an IP67 rating, and a battery life that actually lasts the 20 hours it claims, according to our tests.

Should I buy the Morel Biggie?

Morel Biggie with speaker grill removed

(Image credit: Future)

Buy it if...

You adore minimalism
If you want zero fuss in your speaker, then look no further than the Biggie. It’s as clean as they come and fits in virtually any space in any home.

You want a sense of space
For such a small unit, the Biggie impresses with its all-encompassing soundscapes. The low-end response is also powerful.

Don't buy it if...

You want the best sound
The Biggie gets boomy all too easily, and the lack of any hi-res codec support is a real shame on a speaker this premium.

You want plenty of features
There are no extras on the Biggie: you get Bluetooth and wired playback, and a few buttons for control. There’s no app or settings to adjust.

You want portability
Despite what Morel says, you’ll struggle to carry the Biggie around comfortably. There are plenty of Bluetooth speakers out there that are much better suited for this purpose.

Morel Biggie review: Also consider

Sonos Era 100
The Sonos Era 100 is at the top of our wireless speaker list for a reason – and that is stellar sound that’s improved even over its sibling, the Sonos One, including better bass tones and a wider broadcast for optimal listening across a larger area. It also undercuts the Biggie on price.
Find out more in our Sonos Era 100 review

Tribit Stormbox Micro 2
If you’re after something more budget-friendly, the Tribit is one of the best Bluetooth speakers around. The sound quality belies its tiny size and it comes packed with features, including a power bank function, a built-in strap that can fit on your bike, and a microphone.
Read our full Tribit Stormbox Micro 2 review

How I tested the Morel Biggie

I tested the Morel Biggie for about a week and tried it with a variety of playback sources, including my phone, a laptop and a music player. I tested both its Bluetooth and wired capabilities.

I mainly listened to music via Tidal, a streaming service that allows for hi-res playback, although this wasn’t applicable in the Biggie’s case, reverting to the SBC/ AAC formats instead. I used TechRadar’s specialized playlist, designed to put audio devices through their paces with a comprehensive mix of genres and sonic styles, ranging from pop and electronic dance, to jazz and classical across multiple eras.

I tested the battery by letting the Biggie run continuously for six hours and took readings about every hour. Since there’s no volume readout, I can’t say exactly what levels I had set but suffice to say, I would describe my sessions as being comfortably loud.

First reviewed: September 2024

LG XBoom XO2T review: a groovy Bluetooth speaker that does the business
2:38 pm | September 3, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: , | Comments: Off

LG XBoom XTO2: Two-minute review

The LG XBOOM XO2T is not the company’s first attempt at a stylish portable speaker – the slightly larger XO3C is still available, for instance – but it is, in LG’s own estimation, the best iteration. At least, that is how it was presented to me when LG gave a demonstration on this speaker.

While I can’t confirm how it stacks up against LG’s previous iterations (since those weren't made available to me), I’ve spent plenty of time with the XO2T reviewed here and I have to say that I’m impressed. Is it among the best Bluetooth speakers out there? I think so, though it does depend on your needs.

To start with, there’s plenty of volume on tap that stays surprisingly clear at higher volumes, plus it sounds very good for its size. It might not be audiophile-grade, sonically speaking, but most people will be impressed with the amount of low-end it musters up, not to mention the detail-rich sound. The high-end is ever-so-slightly dull and is the main difference, audio-wise at least, that keeps it from rivalling a truly premium, Bang-and-Olufsen-style product. But it gets close.

Due to its form factor, you’ll miss out on stereo audio, unfortunately, though you can always pair it with a second one for that. But there are plenty of features available, mostly through the app, to make up for it. Also, this is a portable speaker meant to deliver quality audio no matter where you’re located in relation to it. 

Just as striking as its audio performance is the way it looks. Not many portable speakers make me want to upgrade my furniture to something from Ethan Allen or grab a bourbon on the rocks. This one does. It has a sleek, almost teardrop shape, but also mood lighting for an experience you just don’t get from most portable speakers. The only real issue is that its fabric covering does tend to attract hair, so if you have a pet, you might end up with a somewhat fluffier LG XBoom XO2T.

LG XBoom XO2T speaker, illuminated, in a listening room

Groovy baby!  (Image credit: Future)

LG XBoom XTO2 review: Price and release date

  • $199.99 / £199.99 (about AU$300)
  • Launched March 2024

Since the LG XBoom XO2T is a relatively new speaker, having been released in March of 2024, it is not a model you’re going to see a whole lot of offers for – yet. While you can certainly wait to hopefully get a discount, the asking price of $199.99 / £199.99 (about AU$300) is really not a bad figure for what you get – although it's true that you can buy myriad rugged, outdoorsy barrel-shaped Bluetooth speaker options for a lot less.

It’s currently only available in one color, unlike the XO3, which is available in black and beige. More importantly, it seems to not be available in Australia at the moment. Whether that will change in the near future remains to be seen since it’s relatively new. However, this review is coming out five months (August 2024) after the speaker’s initial release.

LG XBoom XO2T speaker, illuminated, in a listening room

(Image credit: Future)

LG XBoom XTO2 review: Specs

LG XBoom XO2T speaker, illuminated, in a listening room

(Image credit: Future)

LG XBoom XTO2 review: Features

  • Customization for both sound and lighting
  • Can link with other LG speakers
  • Multipoint connectivity

When it comes to features, the LG XBoom XO2T has a good assortment. Just about all the features discussed here are available through the app including the ability to adjust the sound and lighting. As far as adjusting the sound goes, it might seem light at first glance as there’s a Standard, Soundboost for listening to music, and Custom selection available. However, when choosing custom, you can pull up a six band EQ tab with up to 6 dB of boost per band. That’s pretty significant.

There’s actually much more in the way of customization when it comes to the light at the top of the speaker. There are three different types of mood lighting available: Ambient, Nature, and Party, with each type having three presets and a My Pick selection where you can customize the hue and saturation. Plus, the Ambient and Party modes have a Candle Effect and Party Strobe effect to add some movement to the lighting. My particular favorite is the “Comfort of a cozy night” setting under the Ambient selection. You can also adjust the lighting’s brightness.

There are some other features on hand as well, such as the Wireless Party Link mode that lets you use multiple LG speakers at one time. This is where you can pair two XO2Ts together for a stereo experience. There’s also an XBoom Lab selection, where you can play with new features. Currently, there’s a "Healing Therapy" section listed, where you can download and play healing sounds that are pre-paired with specific mood lighting settings. Also worthy of mention is a One Touch Mode that gives you the ability to hold the Lighting button on the speaker for two seconds to bring up a specific playlist and lighting setting. However, it only works with the Apple Music Library or Apple Music (at least on my iPhone). At least multipoint connectivity is available.

  • Features score: 4.5/5

LG XBoom XO2T speaker, illuminated, in a listening room

(Image credit: Future)

LG XBoom XTO2 review: Design

  • Chic lamp-like design
  • Bluetooth-only connectivity
  • Good battery life

The LG XBoom XO2T resembles a fancy 1960s lamp more than a portable speaker, and it’s a design choice that I truly appreciate. I’ve tested and used quite a few different Bluetooth speakers and very few inspired me from a design perspective. This one is one of the few.

Of course, it probably resembles a lamp because it is. Sure, you have the bulk of the body covered by a fabric as well as an upward-facing silver grill to emanate audio in all directions. But, it also has an overhang that houses a downward-facing LED light.

The light can get pretty bright, though I wouldn’t use it to replace anything but a nightlight. It’s better for use as mood lighting (which is what it’s advertised as anyway) via the app’s customization mentioned above.

While a lot of the features are available just via the app, the capacitive controls on top are good enough for general usage. The Bluetooth icon is the only one that stays lit, but a quick tap will light up all the available controls including Volume Up, Play / Pause, Volume Down, and Lighting.

The port selection is pretty minimal as there’s no Aux or 3.5mm input, just a USB-C port for charging. The LG XBOOM XO2T is a purely bluetooth experience. Plus, the USB-C port has a covering that’s difficult to pull out, though this is most likely to maintain the speaker’s IP55 rating, making it a little safer to use outside.

A little more impressive is the battery life. It’s rated as offering up to 15 hours of use. While there are some other speakers that offer more, this is not the type of speaker I imagine someone would take on a hike, so 15 hours is more than adequate. In fact, I actually appreciated running it over night for ambient music and a night light and only using 40% of the battery after 8 hours.

  • Design score: 4.5/5

LG XBoom XO2T speaker, illuminated, in a listening room

(Image credit: Future)

LG XBoom XTO2 review: Sound quality

  • Goes nice and loud
  • Great performance in the lows and mids
  • High-end can come off a tad dull

First things first, this thing can get loud! Though LG doesn’t offer a specific dB rating for the LG XBoom XO2T, I was able to get it up to 90 dB. Pretty impressive for something this size with what appears to be a one-inch tweeter, a three-inch driver and passive radiator handling the sound. On top of that, it stays fairly clear at higher volumes except for loud, aggressive bass sounds.

More importantly, the XO2T sounds very good. Whether I was listening to Kavinsky’s Nightcall, Jidenna’s Long Live the Chief, or The Weeknd’s I Feel It Coming, the low-end is punchy and full. There’s not much in the way of sub-bass, but that’s to be expected.

Often smaller speakers – and I would consider the LG XBOOM XO2T to be in this category – you end up with something where the low-end and high-end (or bass and treble) are boosted while the mids suffer, offering a somewhat hollow sounding listening experience. Or, the mids are a bit too full so that you feel like you’re getting a good listening experience, but the audio isn’t exactly clear. 

Higher quality speakers thread the needle and the LG does so well, as the mids are full but balanced. Voices and guitars (as well as other upper midrange instruments) have body to them without sounding distorted as I experienced with Paramore’s Now and Cocteau Twin’s Heaven or Las Vegas. Another example is Chris Stapleton’s version of Tennessee Whiskey, where I felt the full range of his voice – rich and full without sounding compressed or distorted.

The only place where the sound quality leaves something to be desired is in the high notes. While you can surely boost treble frequencies through the app’s EQ, there’s a slight shortfall in terms of detail here, as if there’s a very thin blanket over the audio. Considering the speaker’s construction – again there’s a 3-inch driver, a one-inch upward firing tweeter and a passive radiator – it’s not a huge surprise.

  • Sound quality: 4.5/5

LG XBoom XO2T speaker, illuminated, in a listening room

(Image credit: Future)

LG XBoom XTO2 review: Value

The LG XBOOM XO2T’s price tag of $199.99 / £199.99 (about AU$300) may seem to be in the premium bracket for portable speakers, it’s actually more in the midrange. Offerings from premium brands such as Bose, with the Bose SoundLink Max, will certainly put this speaker’s price tag into perspective, especially when you consider all that the LG XBoom XO2T has to offer.

The Ultimate Ears Everboom, for instance, also delivers 360-degree with plenty of oomph and comes with a nice aesthetic and build. It does have a little more battery life and a slightly better IP67 rating. But it will also set you back $249.99 / £249.99 / AU$349.

The Sonos Roam 2 is another portable speaker in this range with its slightly lower $179 / £179 / AU$299 price tag. While you have access to the Sonos ecosystem for multi-room setup, you could do the same with the LG via the Wireless Party Link feature (more on that later). Plus, the LG XBOOM XO2T has better battery life and at least a more unique look, not to mention that mood lighting.

  • Value score: 4/5

LG XBoom XO2T app, three screen grabs

(Image credit: LG)

Should I buy the LG XBoom XTO2?

Buy it if…

Don’t buy it if…

LG XBoom XTO2 review: Also consider

How I tested the LG XBoom XTO2

  • Tested for 2 weeks
  • Listened to all sorts of genres of music as well as podcast and streaming video
  • Predominantly tested using high fidelity streaming through Deezer and Podcast app on an iPhone 13

I spent two weeks testing the LG XBoom XO2T, having listened to all sorts of genres of music through the HiFi tier of the Deezer streaming app as well as watching some YouTube videos and listening to some podcasts through the iOS Podcast app. I also played around with the LG XBOOM app, to test all the features including customizing the lights and audio.

The LG XBoom XO2T, after all is said and done, seems to made for those that don’t want to pay quite the premium prices of Bang & Olufsen or Bose, but still want a quality speaker that looks as good as it sounds.

I’ve spent the last few years reviewing tech gear including audio equipment, where I’ve gotten a feel for what to look for and how to put a piece of kit through its paces to see whether it’s worth the recommendation.

Read more about how we test

  • First reviewed: September 2024
Majority Moto 2.0 review: an astoundingly cheap Bluetooth record player with USB – but that comes with compromises
12:30 pm | August 24, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Tags: , , | Comments: Off

Majority Moto 2.0: two-minute review

The Majority Moto 2.0 is the first record player from the budget audio company: the number isn't a version number but a reference to the built-in 2.0-speaker setup. It is an entire music system in a single box: thanks to its built-in speakers and Bluetooth 5.3, you can stream audio from your phone or computer as well as play records, and even rip them to digital via your PC, thanks to its USB port. 

The Majority Moto 2.0 is clearly aimed at someone who doesn't have an existing sound system of any kind and it offers a lot of features for relatively little money. There are, of course, many compromises at its £79 price compared to the best turntables, but the Moto 2.0 is better than you might expect, due in part to the inclusion of a good-quality Audio-Technica cartridge. However, we did experience some quality issues with our review unit that suggest this is a record player that'll need careful handling.

The Moto 2.0 is clearly designed to be your first turntable that covers all the bases: Bluetooth streaming to headphones or speakers and from other devices, USB output for recording, even the ability to play ancient 78s as well as the much more common 45 and 33 and 1/3 speeds. 

But you shouldn't expect room-shaking volume from those integrated speakers: they don't go loud because if they did, their vibration would do a Taylor Swift to your tonearm and shake it off. The sub chassis is separate to isolate it from their vibrations and copes fine with the volume levels available, but if you've got a big space or like to listen loud you'll want to connect an amp, or wirelessly connect it to one of the best Bluetooth speakers that you place on a different surface, or to some of the best wireless headphones.

I would encourage people to step up to the similar-but-just-overall-better Audio-Technica AT-LP60XBT if you can, which also offers Bluetooth and USB, and is fully automatic, but offers no built-in speakers… however, it's around twice the price of the Majority, so if you want to keep it under £100, this is still a solid choice.

Majority Moto 2.0 speaker close-up

The integrated speakers are very small and fire upwards, so don't expect room-filling audio or earth-shaking bass. (Image credit: Future)

Majority Moto 2.0 review: Price and release date

  • Released in February 2024
  • Available in UK and Europe
  • £79.95 / €99.95

Despite a very low price, the Moto 2.0 is packed with features including one very significant one: it comes with an Audio-Technica AT3600L cartridge, which is definitely unusual at this end of the market. That cartridge alone typically retails for around £20, or one-quarter of this entire turntable's price. 

For comparison, consider than Pro-Ject's super-cheap (for Pro-Ject) entry-level turntable, the E1, is around £200, and doesn't have speakers, USB, a phono stage or Bluetooth (though more expensive versions do have those things). However, it does sound a lot better as a result, as our Pro-Ject E1 review will attest.

Majority Moto 2.0 USB port close-up

In addition to playing records you can rip them to computer or play from USB. (Image credit: Future)

Majority Moto 2.0 review: Features

  • Bluetooth and USB
  • Three turntable speeds
  • Integrated speakers and phono stage

You can't fault the feature list here: it does basically everything a turntable can do.

It has three playing speeds, and while it's not fully automatic, it does have auto-stop. There's an integrated phono stage if you want to connect it to an amp – though as mentioned before, it has its own speakers, so you don't technically need to.

It also has Bluetooth, and this goes in both directions: you can beam your records out to Bluetooth speakers, or you can send music over to the Moto 2.0 and listen over its built-in speakers. There's no aptX or anything else higher-res, though. It also has an aux-out if you prefer the best wired headphones to wireless ones.

And with a USB port on board, you can connect it to a computer and record your vinyl to a digital file – either because you want to preserve rare tracks that aren't available elsewhere, or just to capture the song complete with crackles.

Features score: 5 / 5

Majority Moto 2.0 phono out close-up

You don't have to use the integrated speakers: there are phono outs to connect an amp or powered speakers. (Image credit: Future)

Majority Moto 2.0 review: Sound quality

  • Better than you might expect
  • Built-in speakers aren't great
  • Speakers aren't built for bass

There's a limit to how much air two small speakers can push, but while the Moto isn't very loud the sound is pleasant enough on well-recorded records at reasonable levels; it's bass-light but does the job provided you don't turn the volume up too much. Do that and the sound starts to get harsh, the middle frequencies taking over as the speakers struggle.

One key thing the integrated speakers don't do is deliver a sweet spot, that perfect place where the soundstage is at its most immersive. To do that you need the sound waves to be coming towards you and the speakers some distance apart; these speakers are just an album's width apart and send their soundwaves towards the ceiling. 

Things improve considerably when you team up the turntable with external, forward facing speakers or a decent set of headphones, but the flaws are more apparent too: there's noticeable mechanical noise in the quieter bits. If you're listening to songs with a lot of sustained notes, such as U2's With Or Without You, you might also notice some slight speed variation. It's not apparent on faster, choppier songs, and vocal vibrato tends to hide it for singing. But it's audible on very clear, sustained tones such as Edge's trademark infinite guitar. 

No matter what you listen on, the sound is slightly boxy and cluttered in the way so many budget audio products are: everything's doing its best but the overall result lacks the spaciousness, separation and sparkle that you get with better-quality gear. 

A lot depends on what you're listening to: give it some yacht rock with some expensive-studio smoothness and it's really rather nice, although the lush arrangements of Fleetwood Mac's Rumours lose some of their sparkle here with an emphasis on the cookie-tin snare drums and rubber-band bass. 

More electronic pop such as Sigrid's second album is fun when it's well separated but feels claustrophobic in the busier tracks: there's a lack of air and low-end separation, with harshness creeping in as you turn the volume up. That harshness is particularly apparent with heavier genres of music, especially modern rock featuring brick-wall compression designed to make everything louder than everything else.

This isn't an audiophile product. But it's a fun one, especially if you skip the built-in speakers and hook up something more substantial either by Bluetooth or via an amp: connecting the turntable to an Ultimate Ears Wonderboom added some of the bass the built-in speakers lacked, and connecting the Moto to my Onkyo amp and Bowers & Wilkins bookshelf speakers was better still. Is it up there with turntables that cost four times the price or more? Absolutely not. But with decent speakers it doesn't sound like it cost £80 either.

Sound quality score: 3 / 5

Majority Moto 2.0 close-up of the Audio-Technica cartridge

Unusually for a turntable this affordable, you get a pretty decent Audio-Technica cartridge. (Image credit: Future)

Majority Moto 2.0 review: Design

  • Unusual platter placement
  • Integrated speakers and lots of connectivity
  • Feels a bit fragile

The Moto 2.0 comes in a dark wood effect with black hardware, with the wooden section overhanging the front and sides of the chassis. The two built-in speakers are behind circular black grilles facing directly upwards from the top front of the turntable and the controls are on the front and sides. On top of the dampened sprung platter there's a slipmat to keep your records in place.

The Moto 2.0 is smaller than many turntables, at just 38cm wide compared to the much more common 43cm. And the platter is smaller than usual too, at 20cm/8 inches. The speaker placement means the platter is oddly positioned: instead of sitting centrally it's off-centre, nearer the back than the front. That means if you're playing 12-inch records they will extend beyond the rear border of the turntable and through a space in the back of the dust cover. 

There are some issues, however. The plastics here are cheap-looking, especially at the speed switch, and the tonearm is very thin and feels eminently breakable. Between these and the upfiring speaker design that doesn't lend itself to ideal audio quality, there are definitely flaws to how this is put together.

Design score: 3 / 5

Majority Moto 2.0

The tonearm is very thin and doesn't have tracking force adjustment or anti-skid. (Image credit: Future)

Majority Moto 2.0 review: Usability and setup

  • All you need to do is plug it in
  • Switches and controls are around the edge
  • Doesn't get much easier

This turntable is all about simplicity, and because everything's in one unit all you need to do is remove the protective cover from the stylus and the plastic wire from the tonearm, plug the power supply into the wall and turn it on. So for a user-friendly beginner turntable, you can't get much better than that.

The two most important controls – the on/volume and the audio source – are both on the front along with the 3.5mm headphone socket. Other connection options are easily accessed along the edges, so no usability struggles there.

Frankly, it doesn't get any easier for your first turntable than this.

Usability and setup score: 5 / 5 

Majority Moto 2.0

The Moto 2.0 is really plug and play: select the source and turn the Moto on via the volume dial. (Image credit: Future)

Majority Moto 2.0 review: Value

  • You get a lot for your money...
  • ...but you're paying for features you might not use
  • Quality is limited, though

The sub-£100 turntable market should probably be labelled "here be monsters", but the Majority is not one of them: you'd be hard pushed to get a better value turntable at this price. It's less than half of the price we'd typically expect to pay for a decent budget turntable. 

However, the trade-off for that low price is audio quality, especially if you're going to be listening via the integrated speakers: they're okay but they're not great. If you're serious about sound quality you might want to save a little longer for something like the Pro-Ject E1 if you want to go the hi-fi route, or the Audio-Technica AT-LP60XBT if you want to stick with something with Bluetooth and USB. Or scour the second-hand market for a bargain.

Value score: 4 / 5 

Should you buy the Majority Moto 2.0?

Buy it if...

Don't buy it if...

Majority Moto 2.0 review: Also consider

How I tested the Majority Moto 2.0

  • Tested at home for two weeks with more than a dozen new and used records 
  • Tested solo, on headphones and through an external amp and speakers
  • Streamed Apple Music from iPhone 

I tested the Majority Moto 2.0 at home, focusing on its vinyl performance and listening intensely to records I know inside-out across a range of genres from the most polished productions to ragged punk rock. I also streamed Apple Music from my iPhone to test its streaming prowess.

When I connected the Moto 2.0 to other equipment I used Beyedynamic wired headphones, which are known for their relatively flat performance (so reveal the sound of the underlying player well), and an Onkyo amp with the direct setting engaged to bypass the bass and treble circuits. The amp was connected to a set of Bowers & Wilkins bookshelf speakers, giving the Moto access to some pretty sweet-sounding hardware in order to show what it's capable of.

JBL Go 4 review: a fun-size budget Bluetooth speaker, just don’t expect big things
7:30 pm | August 22, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: , , | Comments: Off

The compact and durable JBL Go 4 makes for a good poolside companion. It’s the latest, May 2024-issue model in the Go range, and is one of the first JBL speakers to feature Auracast, along with the Clip 5 and the Xtreme 4 – both of which are happy members of our best Bluetooth speakers buying guide. It's reasonably priced at $49.95 / £39.99 / $59.95 and is available to purchase in the US, UK, and Australia from the official JBL website, and from Amazon for $49.95 / £34.99 / AU$59.95 at the time of writing. 

The JBL Go 4 comes in Black, White, Red, Blue, Purple, Pink, or Squad (i.e. camo) in the US, UK, and Australia. Additional color variations are available in the US and Australia, including Sand, and Black and Orange – which also has a lot of light blue on it, as it happens. I was given a sample of the Red Go 4 to test out and one thing’s for certain: though it may be little, if you go for this or one of the other bolder colors you won’t lose sight of it easily. 

The front and back of the eye-catching little speaker are covered in woven fabric, with silicone panels on the top and sides in which the various buttons and the USB-C charging port are housed, and textured silicone areas on the back and bottom that provide stability whether the speaker is placed upright or on its back. The buttons in the top and left-hand panels include a play/pause button and volume controls, and the power, Bluetooth, and Auracast buttons. I have to give JBL some bonus points for taking a sustainable approach by using recycled fabric and plastic in parts of the speaker, and for using packaging that’s largely paper-based and printed using soy ink.

The corner loop of a red JBL Go 4 pictured against a pink background. It is sitting on a dark stone surface with puddles of water around it.

(Image credit: Future)

There’s a small fabric and silicone loop fixed around the top-right corner of the speaker that did come in handy, although I needed to use a hook or separate carabiner to hang it from, which was not as helpful as the integrated carabiner on the JBL Clip 5 or the multiway strap on the Sony XB100.

At a dinky size of 3.7 x 3.0 x 1.7 inches / 94 x 78 x 42 mm and weighing just 11oz / 190g, this speaker would make a useful little music companion. Due to its IP67 rating, it’s safe to use at a pool party or at the beach – we can confirm that it continues to work after it’s submerged in water, as we gave it a good dunking in the TechRadar testing tank.

The JBL Portable app is intuitive, and its attractive design makes it satisfying to use and simple to navigate. The app can connect to any compatible JBL speaker, with each speaker displayed on the My Products page (provided they’re powered on). From this page, you can also skip over to the PartyTogether area to add other JBL speakers into the mix for amplified sound.

The side panel and control buttons of a red JBL Go 4 pictured against a pink background. It is sitting on a dark stone surface with puddles of water around it.

(Image credit: Future)

Once I selected the Go 4 from the product page, I could see the battery level and enable PlaytimeBoost, which is designed to boost the volume of the music while consuming less battery by disabling the EQ. There’s also a Product Information section, Stereo Group mode for connecting two speakers together in stereo, and the four preset equalizer profiles: JBL Signature, Chill, Energetic, and Vocal, plus the Custom EQ profile.

The stated battery life of the Go 4 is seven hours. Now, I’m used to some speakers not quite going the distance, which is often covered by caveats on the brand's website; however, this speaker went above and beyond, lasting for nearly 10 hours of continuous music playing at 50% volume on the default JBL signature EQ preset.

At one point I experienced a small issue when the Go 4 wouldn’t play music from our FiiO M11S music player or a Samsung Galaxy Z Flip 4. Both devices could connect to the Go 4 and were shown as playing music, but no sound was coming out of the speaker. Taking a leaf out of the operations manual of IT help desks everywhere, I turned the speaker off and on again, and fortunately that fixed the issue straight away.

The back face of a red JBL Go 4 pictured against a pink background. It is sitting on a dark stone surface with puddles of water around it.

(Image credit: Future)

The overall listening experience was fine; nothing groundbreaking, but perfectly adequate for the price. When music is played using the default JBL Signature EQ profile the depth and clarity are lacking somewhat, but I was able to make improvements by implementing the other EQ presets or by employing a custom EQ. If you’re used to higher-end speakers, you may find this lower-quality sound a chore to listen to, but for those who just want something compact that they can throw in a bag when they want to enjoy tunes on the go, it’s great.

This tiny speaker can reach a good level of volume for its size. At 50% it’s loud enough to dance around your kitchen to, but if you’re doing any noisy cooking you may need to bump it up a bit. The speaker’s orientation makes a noticeable difference to the sound quality, particularly for tracks with high levels of treble or bass. Most users would naturally want to stand it on its base as advertised, but I found that the best sound was achieved with the speaker lying on its back. This is also the best position if you’re listening with others, as the sound is firing upward rather than in one direction.

The play, pause, and volume buttons on the top of a red JBL Go 4 ,pictured against a pink background. It is sitting on a dark stone surface with puddles of water around it.

(Image credit: Future)

When listening to Black Eye by Allie X, I found the bass wasn’t dynamic enough, and the beat fell flat so the track lost the powerful rhythm that’s usually present when listening through more bass-heavy alternatives such as the Tribit XSound Plus 2 speaker. The vocals also got a little lost amid the different elements as they all seemed to fight for center stage.

I tried the Vocal EQ to see if it would make an improvement, but I found it instead distorted all elements of the track, so it appears this setting wouldn’t be a great one to use when listening to music. There was a slightly noticeable increase in vocal clarity and prominence when enabled for podcasts and other vocal-focused content, however. Going back to Black Eye, the best EQ profile by far was Energetic – the vocal clarity was much improved, and the other elements sounded like they’d been pushed back in line.

The same was true when listening to St. Thomas by Sonny Rollins, and I Want You by Moloko. On the default JBL Signature EQ, everything felt flat, but the Energetic preset does exactly what it says on the label, giving everything a little boost where needed.

The USB C charging port on a red JBL Go 4 pictured against a pink background. It is sitting on a dark stone surface with puddles of water around it.

(Image credit: Future)

The JBL Signature EQ was adequate for listening to slower and more relaxing tracks, and the output was softened further after switching to the Chill EQ preset, which pulls the highs down so you aren’t hit with any harsh notes when you’re trying to unwind. This EQ delivered a pleasant listening experience when playing Where’s My Love (Alternative Version) by SYML.

Overall, if you aren’t particularly fussed about sound quality and you’re just looking for a cheap and cheerful little speaker that’s durable enough to handle a rainy day or a beach party, the JBL Go 4 is a solid choice. There are a lot of good alternatives available though, so I’d recommend checking out our selection of the best waterproof speakers and best cheap Bluetooth speaker deals to see if anything else catches your eye.

A red JBL Go 4 is being held in the air from the corner loop in front of a pink background.

(Image credit: Future)

JBL Go 4 review: Price and availability

  • $49.95 / £39.99 / $59.95
  • Available now in the US, UK, and Australia

Released in May 2024, the JBL Go 4 is the latest model in the JBL Go range, following on from the Go 3. It’s available for purchase from the official JBL website for $49.95 / £39.99 / AU$59.95, and from Amazon for $49.95 / £34.99 / AU$59.95 at the time of writing.

As mentioned, it has plenty of competition in this price range – in particular, there’s the five-star rated Tribit Stormbox Micro 2 that massively impressed our reviewer considering the $59.99 / £59.99 price tag. However, if your budget maxes out at $50 / £40 and you just want something small, durable, and a bit jazzy, then the JBL Go 4 is a good choice.

JBL Go 4 review: Specs

Should I buy the JBL Go 4?

A red JBL Go 4 pictured against a pink background. It is sitting on a dark stone surface with puddles of water around it.

(Image credit: Future)

Buy it if...

Don't buy it if...

JBL Go 4 review: Also consider

How I tested the JBL Go 4

  • I tested the speaker over several months
  • I listened to a variety of music genres and podcasts
  • I played music continuously to test the battery life

I tested the JBL Go 4 over a few months. I listened to a variety of music genres, as well as the TechRadar testing playlist, which includes tracks that feature a range of musical styles and textures, including complex and layered instrumentals, deep bass, and delicate vocals, to enable me to determine the speaker's ability to handle different frequencies.

I played our TechRadar playlist on Tidal continuously at 50% volume using the default JBL signature EQ preset to test whether the battery could last up to the claimed seven hours.

I also used it to listen to music and podcasts in the TechRadar office, our music testing room, and at home, using Spotify and Tidal from an iPhone 12 Pro and a OnePlus Pad Go.

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