JBL Tune 305C review

If you’re on the hunt for some new earbuds but you’ve not bought into the whole wireless thing, the JBL Tune 305C could be an enticing budget option. These wired earbuds promise punchy bass, a comfortable fit – not a bad package for £16.75 / AU$24 (about $21). So can the JBL Tune 305C live up to these bold promises, or do they instead fall flat?

Well, let’s start where it matters most – sound. Of course, the main attraction is meant to be JBL’s “Pure Bass” sound but despite providing enjoyable warmth, this won’t conjure up the low-end boom that bass heads may want. For instance, when I tuned into Black Eye by Allie X, there was a solid amount of depth to the thumping drum machine, but it lacked the impact and prominence in the mix to really have my head bopping. When listening to All Night Long by Chris Stussy, the bouncing bass never sounded lethargic or unresponsive, but again, it wasn’t as hard-hitting as I’d hoped.

You can be assured, however, that bass won’t sound nasty and distorted. Similarly, I didn’t experience much in terms of tinniness in the treble range or overly thin mids – something that all our picks of the best wired earbuds are capable of circumventing. But clean audio isn’t always a given with budget buds – the Belkin SoundForm Wired Earbuds with USB-C Connector, for instance, are very cheap… and they sound it. The JBL feel like good value in comparison.

Another positive is that the JBL Tune 305C can play hi-res music files thanks to the inclusion of a built-in digital to analog converter (DAC) – pretty impressive for some buds that come in at £16.75 / AU$24 (about $21). But although overall audio is certainly clear, it doesn’t really sound massively detailed.

For instance, I tuned into Clair de Lune by Kamasi Washington and piano notes soaring up and sinking down sounded slightly clumped – where they’d sound more individualized and defined using more premium buds such as the Sennheiser IE 200. Piano was also given a lot more breathing space with the IE 200, whereas it sounded more muddied with the Tune 305C – but not to a degree that it was totally lost in the mix.

One reason that I didn’t get a massively nuanced, informative listen from the Tune 305C was their in-ear fit. Like the Apple EarPods USB-C, they’re pretty loose-fitting, with an 'open-ear' design. They don’t include eartips, like the SoundMagic E11D, for example, meaning sound is less concentrated into the ear canal. Some may prefer the looser feel of these – I can’t deny that they were easy to keep in for longer listening sessions.

But still, they would occasionally feel as if they were falling out, especially when I was on the go. Not ideal if you’re on a run or working out. This design choice also limits noise isolation, so you may have to put up with the sound of that wailing baby on your four-hour flight… uh oh.

But again, some may prefer the more relaxed feel of the Tune 305C. On top of that, these are pretty lightweight and didn’t subject me to all too much cable noise – impressive for buds at this price-point.

And that’s not all – you also get a neat controller, which has volume, play/pause and mic controls built-in. Firstly, I have to say I was very impressed with mic quality. There was some very slight tinniness on a phone call, but my voice was nice and clear. Meanwhile, a voice recording came through with limited background static and well-defined vocals – rare for lots of wired earbuds.

You’re not going to believe me, but the fun doesn’t stop there either. If you hold down the volume up button for two seconds, you can even switch between Standard, Bass and Voice modes. EQ settings are pretty rare for cheap wired earbuds, so I was delighted to find this here. Really, the only downside practicality-wise is the lack of waterproofing, which would be ideal for listening in the rain or when exercising.

Another slightly disappointing aspect of these earbuds is their design. The buds each have a raised piece of plastic with the JBL logo on which looks a little clumsy, and the flat wire might not be to everyone’s taste either. Don’t get me wrong, my eyes didn’t burn just looking at the Tune 305C, but I was hardly swooning over them. The controller looks decent, however, and is positioned near your cheek for easy access, not to mention that the wire – despite not being too pretty – is tangle-resistant, which is useful if you need to slide these into your pocket.

All in all, the JBL Tune 305C are a solid pair of in-ear buds. They have typically clean audio with commendable bass and volume, EQ options and a surprisingly good mic. The loose fit does come with sacrifices in the audio and noise isolation departments and it's a shame not to see waterproofing too. But at £16.75 / AU$24 (about $21), there’s still plenty to like here.

If you want a step-up USB-C option, the SoundMagic E80D will outperform the Tune 305C in most departments, but there are some nice cheaper options too, such as the Skullcandy Set USB-C.

JBL Tune 305C review: Price and release date

• £16.75 / AU$24 (about $21)
• Launched in 2024

The JBL Tune 305C launched in 2024 – the same year that the audio specialists dropped the Tune 310C model, which uses ear tips for a more snug, noise-isolating listening experience.

These in-ears are typically priced at £16.75 / AU$24, making them a very budget-friendly option. They’re also available in a number of attractive color variants including: Black, Blue, Red and White – I tested the latter for this review.

JBL Tune 305C review: Specs

Should I buy the JBL Tune 305C?

Buy them if...

Don't buy them if...

JBL Tune 305C review: Also consider

JBL Tune 305C review: How I tested

• Tested for one week
• Used in the office and on public transport
• Predominantly tested using Tidal

I tested the JBL Tune 305C over the course of one week. When I used these buds for music listening, I mainly used Tidal on the Samsung Galaxy S24 FE, but I also tried them out with YouTube and Spotify on my Windows Laptop.

Not only that, but I made sure to run through tracks in the TechRadar testing playlist, which contains songs from a variety of genres – read our guide on how we test earbuds for more. I did, however, also spend hours tuning into songs from my personal library. And I took the 305C with me everywhere for this review. I tested them at a busy London train station, on walks through my local town centre and in the office.

• First reviewed: February 2025
• Read more about how we test

Master & Dynamic ME05: Review

10 years after their original release, the Master & Dynamic ME05 are back. Remastered for the modern era, these wired buds now include a Hi-Res USB-C adapter, meaning they’re able to seamlessly slot into your modern smartphone’s charging port. This revamped model also aims to provide “more expansive acoustics” and fit options, while still harnessing the strengths of their original, high-caliber build materials. But do these re-released classics still hold up?

Well, if we’re talking audio quality, the answer is yes – very much so. The re-released Master & Dynamic ME05 have an incredibly satisfying sound signature: it’s elegantly balanced, but adds a dash of warmth to ensure you get an exciting, yet tightly controlled listen. When I tuned in to I Want You by Moloko – a densely layered, all-action track – the Master & Dynamic ME05 captured each element with ease. The multiple synths, dramatic strings and thumping bass all sounded neatly separated and clear.

The details in this track weren’t lost either. For instance, bold vocals in the introduction maintained their breathy tone and the resonance of the piano wasn’t lost. The sudden crash of cymbals roused excitement without sounding harsh too, something I always listen out for in my epic quest to discover the best wired earbuds.

As I touched on earlier, there’s a pleasing degree of warmth to these buds, meaning you’ll hear clean bass that never sounds lethargic or muddied with lower-mids. When listening to Black Eye by Allie X, the hard-hitting drum machine could get admirably deep and sounded rhythmic and energetic.

If you’re a massive fan of bass-heavy bangers these might not quite offer the big boom you’re looking for, though. For instance, I threw on Splash Mountain by Yung Gravy and sub-bass didn’t have the raw power that’s meant to command the track. If that’s something you’re looking for, you may be better served by some of the best over-ear headphones, which are more capable of thunderous low-end output and customizable EQ.

Regardless, you’re getting fantastic high-resolution audio from these buds, whether you’re using the standard 3.5mm connector or the included USB-C adapter. This adapter supports up to 32-bit / 384kHz resolution audio, meaning you can indulge in higher-than CD quality sound with one of the best Android phones or best iPhones since the iPhone 15 switch to USB-C.

As well as the USB-C connector, the ME05 now come with a large selection of additional ear tips, including both gel and foam variants. This was something we hoped for in our review of the review of the original model back in 2017 – so kudos to Master & Dynamic for delivering! There’s also a premium-feeling carry case to keep your buds safe, adding some points in the value category.

On top of their stellar sound quality and generous fit options, the re-released ME05 have commendable build quality. The 8mm drivers are enclosed in sturdy and stylish brass casing. The metallic controller also feels durable and has well-sized button controls. Maybe some will find its central position a little unorthodox, but I liked it – sometimes wired buds place their controller too close to my cheek, which can be irritating when adjusting volume. And although it’s not detachable, the cable is up-to-scratch too – it's tangle-resistant and slim, and it really checks all the boxes.

There’s also a mic that’s handily positioned higher up the cable. This includes wind reduction tech for clear calling, which I’m happy to report works well. To test mic quality, I made a voice recording and found that there was a bit of static in the background, though my speech was still extremely clear-cut and natural-sounding.

At this stage, you may think I have little to no complaints about these remastered classics – and you’d be right. But they’re not quite perfect. That’s mainly because these buds aren’t ideal for when you’re out and about. I did experience quite a lot of cable noise – something that’s admittedly common with most wired buds – but they couldn’t mute this as effectively as models like the Sennheiser IE 200.

And although they’re comfortable in-ear, they are fairly heavy-feeling – not to mention the lack a waterproof rating, meaning you may want to look elsewhere if you need some earbuds for workouts or runs.

One more small thing before I start gushing again – don’t expect particularly stand-out noise isolation from the re-released ME05. When listening to a bass-heavy track between 40% and 50% volume, the sound of typing in my office was dulled, but I could still hear it a decent amount. That’s in part down to the more relaxed fit of these buds, meaning you’re not getting an ultra-tight seal. But still, there’s a silver lining here – I was happy to listen with these for hours on end. So, even if a model like the Shure SE215 has superior passive noise isolation, they were nowhere near as pleasing to keep in for long listening sessions.

With that said, I’d still class the Master & Dynamic as a top-drawer pair of in-ears. With awesome audio quality, eye-catching design and dual connectivity options, there’s just so much to like. At $199 / £169 (about AU$320), they’re not cheap but they are good value. A lot of audiophile-friendly buds will cost double that amount… or even more. And for the level of detail on offer, I think these are well worth your consideration.

Sure, if you want top-tier noise cancelling and waterproofing, you may be better off with a pair of the best wireless earbuds instead, but for those of you looking for a wonderful wired option, I can recommend these with ease.

Master & Dynamic ME05 review: Price and release date

• $199 / £169 (about AU$320)
• Re-launched in December 2024

The Master & Dynamic ME05 re-released in December 2024, almost an entire decade after their original launch in 2014. They have a list price of $199 / £169 (about AU$320), which is by no means cheap, but nowhere near the price you’ll pay for more premium models like the Sennheiser IE 900 or the Campfire Audio Solaris Stellar Horizon. The re-released ME05 model is available in four classy colorways: Gold/Black; Gunmetal (Gray)/Black; Palladium (silver)/Black; and Palladium/White.

Master & Dynamic ME05 review: Specs

Should I buy the Master & Dynamic ME05?

Buy them if...

Don't buy them if...

Master & Dynamic ME05 review: Also consider

Master & Dynamic ME05 review: How I tested

• Tested for one week
• Used in the office and while on walks
• Predominantly tested using Tidal

I tested the Master & Dynamic ME05 re-release over a one week period. During this time, I predominantly listened to music using Tidal on the Samsung Galaxy S24 FE via its USB-C port, but I also tried them out using Spotify via my Windows laptop’s headphone port. I tested these buds in the office and while out on walks in windy conditions, in order to test both noise isolation and wind noise-reduction capabilities

When I threw on some music, I bumped tracks from the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library. Where appropriate, I also used the Sennheiser IE 200 to compare aspects including audio presentation, style and build.

• First reviewed: February 2025
• Read more about how we test

Sony MDR-EX15AP review

The Sony MDR-EX15AP are an extremely cheap pair of wired earbuds – the type that you’d pick up at the airport after forgetting your pesky Bluetooth ones for your flight (or leaving them at home, on charge). They have a list price of just $19.99 / £10 / AU$29.95 – but are often available for even less. So, I think it’s fair to say you can’t expect phenomenal audio, noise isolation or build quality from the Sony MDR-EX15AP. But what you would hope for is clean sound, a comfortable fit and an attractive design – which for the most part, you get here.

Let’s start where it matters most, audio quality. A lot of ultra-cheap earbuds are guilty of supplying tinny, often grating or even muffled sound, but luckily the Sony MDR-EX15AP didn’t burden me with such issues. For the majority of the time, audio was fairly clean and didn’t come through sounding distorted or harsh. This wasn’t necessarily the case at top volumes, where things could admittedly get a little edgy, but I rarely felt the need to crank things up towards 100%.

Does that mean you get impressive audio, though? Not exactly. The soundstage can get a little cluttered when listening with the Sony MDR-EX15AP. For instance, I tuned in to Summer Soul by Cero and found that vocals lacked prominence and would sometimes have to wrestle with other sounds in the mid-range for my attention – an issue that you won’t encounter with some of the best wired earbuds.

Similarly when listening to Komm, Susser Todd by Arianne, sound could get bloated during climactic sections of the song, in part down to imperfect instrument separation. For example, the plodding bassline got a little muddied with main and backing vocals towards the end of the track and rhythmic claps didn’t have that crisp snap that more premium buds can supply.

So, again, the audiophiles among you may well find fault in the audio department here, but it’s very rare to get a nuanced listen out of earbuds this cheap. And in terms of the basics, these wired earbuds perform decently anyway. For example, when listening to Relentless by Grant Nelson, higher-pitched percussion elements were pretty well behaved – I didn’t get that grating, harsh effect until going towards the top end of the volume scale. In I Want You by Moloko, I also found the bass to be pleasingly warm and relatively impactful, even if the buds struggled to uncover the complexities of the layered synths, vocals, percussion (and more) to my ears.

So sound is pretty average overall and, for this price, that suits me just fine. But what of the noise isolation? Now I have to say, this actually surprised me a fair bit because the Sony MDR-EX15AP actually blockade external noise pretty effectively. Are these going to offer the isolation you’d get from some of the best wireless earbuds with ANC? No. But the gel eartips (there are small, medium, and large sizes included) create a pretty firm seal, which ensured that colleagues nattering, the sound of typing and the whirr of an air purifier were all considerably dulled.

Another department that impressed me was the EX15AP’s appearance. I’m a big fan of the glossy finish applied to the buds themselves and the multi-toned blue colorway that I tested out looked very elegant indeed. You can also get these buds in Black, Pink or White, so there’s an option for everyone. Build quality is perhaps not the strongest though; I found the wire to be fairly flimsy and a bit cheap looking, but that didn’t take away from the elegance of the buds all too much.

Something that I wasn’t massively keen on, however, was the EX15AP’s remote and mic. This is the only thing that separates this model from the slightly cheaper Sony MDR-EX15LP, but it’s not amazing. First of all, the controller only has a play/pause button, no volume controls. That means you’ll have to reach into your pocket to adjust volume on your source device, which is annoying if you’re out on a walk or run, for instance. The mic isn’t good either – when taking a voice recording there was an almost underwater sound to my voice, rendering the inbuilt controller pretty lackluster overall.

One more design issue is that these buds don’t have a waterproof rating. A lot of the more recent models to come to the market have an IPX4 or higher rating, meaning they’re resistant to sweat and rain – handy for outdoor listening. But you don’t get any pledges on resistance to elements here, so if you’re searching for some rough and ready buds for all environments, you’ll have to look further.

So, overall the Sony MDR-EX15AP are a decent pair of earbuds, that offer adequate, albeit unremarkable audio, a pleasing design and impressive noise isolation. There’s nothing particularly standout other than their exceptionally low price, but there doesn’t have to be. If you just need a backup pair of wired buds or need a quick solution for keeping the tunes flowing for your travels, you could certainly do worse.

If you have a little more cash to play with and a device with USB-C, I’d instead opt for the SoundMagic E80D, which are still, in my view, some of the best cheaper wired buds on the market. Apple device users might prefer the Apple Earpods USB-C, Lightning or 3.5mm variant too – but these popular Sony buds are still worth considering for those on a slightly tighter budget.

Sony MDR-EX15AP review: Price and release date

• List price of $19.99 / £10 / AU$29.95
• Often available for a fair bit less, though
• Launched in 2014

Sony doesn’t always like to make it easy with product names and the Sony MDR-EX15AP as a moniker is no exception. This model is essentially the same as the Sony MDR-EX15LP; it just adds a microphone into the mix. For that privilege, you have to pay a bit more: the EX15AP carry a list price of $19.99 / £10 / AU$29.95.

Of course, they are still very much on the ultra-cheap side of the price spectrum, especially from a trusted name is audio. However, you can often find them for even less. They are often available for less than $10 / £8 on Amazon US and UK respectively, so they’re ideal for a small gift or if you need a cheap option after forgetting your wireless earbuds for a flight, for instance.

Sony MDR-EX15AP review: Specs

Should you buy the Sony MDR-EX15AP?

Buy them if...

Don't buy them if...

Sony MDR-EX15AP review: Also consider

Sony MDR-EX15AP review: How I tested

• Tested for two weeks
• Used in the office and while outdoors
• Predominantly tested using Tidal on FiiO M11S

I put the Sony MDR-EX15AP to the test over the course of two weeks. I usually listened to music with them via Tidal on my Windows laptop, but I also tried them out using Spotify on the Samsung Galaxy S24 FE. I trialled the EX15AP in the office, at home and while walking near busy roads to judge noise-isolation capabilities.

After first plugging these buds in, I made sure to run through tracks in the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library.

• First reviewed: January 2025
• Read more about how we test

Bowers & Wilkins Pi6: Two-minute review

The Bowers & Wilkins Pi6 are a more 'budget' alternative to B&W’s big flagship pair for 2024, the Bowers & Wilkins Pi8. I put budget in quotation marks, because despite undercutting their siblings, the Pi6 are still a premium pair of buds in their own right when you consider that rivals come in at almost half the price – and some of those offer hearing tests, proprietary spatial audio solutions and personalised sound profiles.

Bowers & Wilkins is a name revered for top-tier audio, even if you’re getting the company's ‘budget’ option, and that’s emphatically the case with the Pi6. As soon as you start listening to them you’ll be serenaded with a detailed soundstage, a zealous sound and smart ANC that’ll strip away any distractions.

If you're all about audio and can't quite stretch to the premium B&W Pi8, these earbuds are still a viable option. But to start with the sound quality might be getting ahead of ourselves, because you certainly won’t start there – like me, you’ll probably begin by hitting your shins on the harsh edges that B&W has left about the place. These buds have a surprising number of cut corners for earbuds that cost this much.

Sadly, I found pairing with the Pi6 a torturous and ongoing process. I realise it's one person's experience, but nonetheless I reviewed over 30 pairs of wireless headphones and earbuds last year and I'm not slouch on this. It was difficult. For me, the initial set-up was a time-consuming struggle, which I went through on multiple devices to check whether it was just my phone being problematic. And sadly, the connection wasn’t 100% reliable even once the buds were paired, because Bower & Wilkins’ app would reliably fail to recognize the buds if I put them in my ears once the app was already open.

The app doesn’t offer any scope for Spatial Audio or otoacoustic hearing profile curation, which is fair enough, but there are one or two standard quality-of-life perks missing, such as ‘find my headphones’.

Fortunately, the Pi6 are nice and light to wear, making them comfortable to wear and reliable to place in your ear. Honestly, the great audio quality here could very well offset the omission of a few personalisation perks and my connectivity issues, and this review was initially meant to have a 4.5-star score. However, near the end of the testing I was having trouble getting the Pi6 to work before leaving home, once again, and so despite the fact I was meant to be testing the Pi6 I had to leave the house with another pair of buds. And if I choose not to use the Pi6, despite the great-sounding audio, then it makes it hard to wholeheartedly recommend them to someone else.

Bowers & Wilkins Pi6 review: Price and release date

• Released in September 2024, after Pi8
• Costs $199 / £219 / AU$449

You can buy the Bowers & Wilkins Pi6 for $199 / £219 / AU$449, so they’re mid-range buds that act as cheaper – though not ‘cheap’ – alternatives to the Pi8.

The Bowers & Wilkins Pi8 sell for $399 / £349 / AU$599, which is a big step up, and so people who don’t need the very best and want to save a few pennies will find it a tempting option, and they are absolutely worthy of consideration.

Both earbuds were announced at the same time in August 2024. The Pi8 were put on sale straight away while the Pi6 were released in September.

Bowers & Wilkins Pi6 review: Specs

Bowers & Wilkins Pi6 review: Features

• App doesn't offer the plethora of features others can
• Persistent connectivity issues
• Quoted battery life is 8 hours, but didn't reach that

The Bowers & Wilkins Pi6 easily takes a top-three spot in my all-time ranking of the most troublesome earbuds to pair with.

Devices just refused to recognize the Pi6. That’s plural devices – I tried to connect to a smartphone, a laptop and an iPad during testing. On all occasions, the device stalwartly refused to ‘see’ the buds via Bluetooth, and I’d have to keep turning Bluetooth on and off before the planets aligned and the device found the Pi6. Mercury must have been in retrograde or something when I was trying to connect the buds to my iPad, because I simply never managed it – not once.

When I first paired the Pi6 to my smartphone, the right bud wouldn’t work, a process which was only fixed when I went through the entire process all over again and re-paired them to my mobile. And when it did work, the connection wasn’t always reliable, with the app not always recognizing the buds and the left earbud continuing to give up the ghost from time to time. Again, it's important to note this is my personal experience (and it's very different to the one Becky Scarrott had when testing the flagship Pi8) but still, it's valid: I'm a regular TechRadar audio tester and in this particular area, the B&W Pi6 were unusually troublesome.

Another weak link is the battery life. Bowers & Wilkins quotes the Pi6 as having an 8-hour battery life but from my testing, it fell an hour or so short each time. Seven hours is still just above average, but the case was the real issue. The charging case is meant to provide 24 hours of listening time but I found that the power on this would be much less than that.

I’d sometimes put the earbuds in after a few days of not using them, to find that the battery had fully drained, even if it was powered up before. I’d need to charge the buds back up again before using them.

There’s a smartphone app to provide some extra controls over the buds. However, this was chock-full of adverts for things like streaming service free trials and podcasts that B&W sponsors, and so the actual features feel somewhat hidden. You can turn on ANC or ANC pass-through, play with a simple equalizer (you can increase or decrease treble or bass), turn off or on the wearer detection and customize the touch controls.

Most of these are listed under the ‘Discover More’ section of the app’s home page, as though they’re optional extras instead of the main reason you’d download said app. That’s only if you have the buds paired though and remember, several times in my testing the app wouldn’t recognize that the buds were connected.

• Features score: 3.5/5

Bowers & Wilkins Pi6 review: Design

• Premium-feel, compact case
• Handy touch controls
• Four color options to pick from

The Bowers & Wilkins Pi6 come in a small pebble-like charging case. It measures 6.5 x 2.9 x 5.2 cm and weighs 46g so it’s nice and small. I had no issue popping it in a trouser pocket and forgetting about it for a day. The case doesn’t seem to have an IP rating.

The buds themselves are fairly light in weight, tipping the scales at 7g each. I found the fit to be comfortable and reliable, staying in my ears during a gym session amongst other activities, but several different ear tip sizes come in the box with the Pi6.

Each bud has a sensor on the top plate that you can use to control your music. Using these took a little bit of getting used-to (to figure out where to tap and how firm to be) but after a while it became a convenient way to handle the playback of my music. Using the app you can choose for the hold options to be to change the volume, or to handle ANC and summon your voice assistant.

You can pick up the buds in four colors. I used Cloud Gray but there’s also Glacier Blue (pale blue), Storm Gray (black) and Forest Green (olive).

I mentioned that the case doesn’t have an IP rating, but the buds do: they’re certified at IP54, which is a good dust-resistant and water-resistant rating – but I hope it goes without saying that you shouldn’t submerge them in water.

• Design score: 4.5/5

Bowers & Wilkins Pi6 review: Sound quality

• 12mm driver, but misses the Pi8's custom one
• Hearty bass and mid, treble falls a little short
• Support for a range of codecs

Bowers and Wilkins has managed to get a 12mm dynamic driver into each of the Pi6 buds, and they support SBC, AAC, aptX Adaptive and aptX Classic codecs.

The Pi6 sound great for their price, which is just as well given the lack of a hugely meaningful equalizer to let you fix any issues. I really enjoyed listening to music with them, when the buds worked.

The buds took a zealous approach to my music, with a meaty but not overwhelming bass and full-bodied mids, and a detailed soundstage helps you appreciate these elements. For certain kinds of music, the Pi6 were some of the best buds I’ve tested in some time.

If there’s an Achilles’ Heel, it’s the treble, which I found to lack an extra ounce of sparkle as well as prevalence in the mix. I found myself wishing female vocals and harmonising instruments were a little more prominent, and even maxing out the treble in the equalizer only went so far towards fixing the issue.

At least for the music I listen to, however, the treble was never a huge issue, but it’s something worth flagging to prospective buyers. A few features are missing in the Pi6 that show up in the Pi8, including aptX Lossless support, an advanced DAC and bespoke drivers, but those are pretty niche features that only certain audiophile-grade fans will really need.

• Sound quality: 4.5/5

Bowers & Wilkins Pi6 review: Value

• Don't offer fantastic value for money
• Hunt around for sales to save

The B&W Pi6 have great audio for the price and a nice light case design, but the value proposition is knocked by the limited feature set.

I’ve tested plenty of earbuds that cost a third of the price of the Pi6 and have more impressive feature sets, more detailed equalizers and apps that don’t attack you with advertising for music services, playlists or podcasts.

You’re paying a fairly high price for the audio tech here and even non-audiophiles will enjoy the sound quality. But you can definitely find earbuds that sound almost as good for around $120 / £120 / AU$300 if you shop around. You can even find the Pi6 for a lot less in sales, despite writing this review only a few months after their release, so shop around.

• Value: 3.5/5

Should I buy the Bowers & Wilkins Pi6?

Buy them if…

Don’t buy them if…

Bowers & Wilkins Pi6 review: Also consider

How I tested the Bowers & Wilkins Pi6

• Tested for over three weeks
• Tested at home, in the office and at the gym

I tested the Bowers & Wilkins Pi6 (when they weren't testing me...) for roughly three weeks, due to the testing period falling over the Christmas break.

I've detailed lots of my testing process above; I used them alongside my phone, an iPad and a laptop, in a range of environments including my home, the office, public transport and the gym. I streamed music, played games and watched some TV too.

I've been testing gadgets for TechRadar for almost six years now, and in that time have tested a huge range of headphones and earbuds, so I'm used to troubleshooting and fixing faulty tech.

• First reviewed in January 2025

• Read TechRadar's reviews guarantee

Shure SE215 review: Review

The Shure SE215 have made quite a name for themselves in the live music scene, offering solid monitoring capabilities at a competitive price point. Specifically, the SE215 are often available for less than $100 / £100 / AU$200, meaning they’re a fairly low-priced set of entry-level in-ear monitors for live performers, producers, or fans of wired listening.

Let’s start where it matters most: sound quality. The Shure SE215 have a self-proclaimed “warm” sound signature and look to showcase “enhanced bass” while still delivering clear, detailed overall audio. So, how do they fare? Generally, quite well.

First, the Shure SE215 live up to their promise of offering enhanced bass. When I tuned into Black Eye by Allie X, the thumping drum machine had impressive levels of depth and responsiveness, making for a punchy, rhythmic listening experience. Generally, the track’s bouncing bassline was managed well, sounding controlled and impactful throughout the song’s runtime – something I’d always look for when testing the best wired earbuds.

And this was a recurring theme, pretty much every tune I threw on offered very good low-end depth, especially considering the price you pay for these IEMs. The only slight issue you may have is that the higher focus on bass can result in a slightly cluttered sound, especially at top volumes.

When listening to I Want You by Moloko, the song’s pounding bass was both impactful and immersive, but cranking the volume up could sometimes create a slightly overbearing, cluttered sound. This could be slightly frustrating for musicians who want ultra-clear, expertly balanced information during sets, but again, at medium volumes, I found the focus on bass to be pleasing, rather than a source of severe bloating.

The only other complaint I’d have sonically is that highs can sometimes sound a touch inaccurate with these IEMs. For instance, cymbals in I Want You sounded prominent but slightly harsh, particularly the crash that connects the intro to the main portion of the track. But otherwise, audio quality is up to standard here. Vocals, although not perfectly breathy or realistic, are clear and well-balanced, while music rarely sounds distorted or tinny.

Despite offering commendable audio quality, I’d argue that the real highlight of the SE215 is in another domain entirely – passive noise isolation. I’ve been impressed by Shure’s wired noise cancellation before (see my Shure AONIC 3 review), and these deliver more than enough protection against external sounds.

When using the default foam tips and listening at around 50% volume I could barely hear anything in my office, from typing through to colleagues conversing. At one stage, there was some drilling taking place, which was audible, but strongly dulled, thanks to the excellent seal these ear tips provide. So, if you’re a musician who needs a consistent, clear audio feed, free from too much distraction, the SE215 will serve you well.

Speaking of the included ear tips, you get the usual selection of small, medium and large included. But that’s not all, you also get the same, but in gel form, if you find that more comfortable for longer in-ear listening. On top of that, you get a fabric carrying case included with the earbuds, which has a clip that can attach to a belt or bag – pretty handy. For the price, you do get a decent amount included, but something worth considering is that there’s no in-line mic or controller. You can detach the cable and switch it out for an alternative with such features, but you’ll have to cough up extra for this.

I mentioned earlier that you get a great seal with these earbuds and the overall fit is very secure. The buds are attached to a bendy wire that can be molded around your ear – ideal for keeping them in-ear when you’re on the move. I would argue, however, that these aren’t the comfiest buds on the market. You definitely get a reliable, tight fit but they can feel a bit uncomfortable after a couple of hours. So, if you’re looking for a wired option for casual listening, they may not be the best option.

Regardless, these are well-made IEMs with good build quality. The earbuds I tested came in a see-through, black-tinted shell so you can see the components powering the IEMs. That might not be for everyone, but I found it made for a cool-looking aesthetic. The buds don’t appear cheap or fragile, either, so these should last you some considerable time. They don’t have a specific waterproof rating, but Shure’s website claims that they’re sweat-resistant at the least, making them fit for purpose if you’re an on-stage performer.

Finally, the included wire is decently slim, except for the slightly chunky Y-connector. You’ll hear a bit of cable noise if moving around with these earbuds, but it’s decently muted, meaning the SE215 do well at mixing style and substance overall.

All in all, the Shure SE215 are a very solid pair of entry-level IEMs, that offer impressive bass, pleasing clarity, excellent noise isolation, and a neat design. Audio can get a little bloated at top volumes and you might not find them the most comfortable buds on the market, but they’re still more than fit for purpose, whether you’re on the stage, cooking up beats in the studio or indulging in some leisurely listening at home.

Shure SE215 review: Price and release date

• $99 / £90 / AU$179
• Launched in 2011

The Shure SE215 were released all the way back in 2011, but they’re still a super-popular option among musicians and fans of wired listening in general. They’re available for around $99 / £90 / AU$179, but you can pick them up for even less on sale, so keep an eye out for sweet deals. This model is available in a range of color options, including Black, Blue, Clear and Purple.

Shure SE215 review: Specs

Should you buy the Shure SE215 review?

Buy them if...

Don't buy them if...

Shure SE215 review: Also consider

Shure SE215 review: How I tested

• Tested for two weeks
• Used in the office and while outdoors
• Predominantly tested using Tidal on FiiO M11S

I tested the Shure SE215 over the course of two weeks. I predominantly listened with them using Tidal on the FiiO M11S, but also tried them out using Spotify on my Windows laptop. I tested the SE215 in the office, at home and while out on walks near busy roads to assess noise-isolation capabilities.

When listening to music I played tracks from the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library.

• First reviewed: December 2024
• Read more about how we test

Nothing Ear (open): One minute review

I started testing for this Nothing Ear (open) review under the impression that, like other open ear headphones, they were designed for fitness use. Over the last few years open earbuds, or air conduction headphones, have become a popular type of sports headphone to let you hear your surroundings while running, cycling or working out outdoors.

When judged against this use case, though, the Nothing Ear (open) fly far from the mark, and they're not ideal for going on walks along roads either, and it’s all from one questionable design decision. I found them frustrating to use and had to force myself to put them on my ear every time I was going to hit the gym or go on a run.

It’s a shame, because Nothing has become a reliable name in earbuds in the last few years. Its Nothing Ear and Nothing Ear (a) from earlier in 2024 were both impressive and affordable earbuds with amazing bass and unique feature sets, and there were high hopes for the Ear (open), which mark the company’s first foray into the open-ear headphones market.

I’d wait until the second foray to buy some of these buds though, because as I said one design issue ruins the user experience with these buds. That issue is in the band hook, which loops over your ears to connect the body of the bud (which goes over your ear, providing the music), with the rest of it which goes behind your ear.

This band is made of a very flexible material which does a poor job at holding the bud and counterweight still. This means that when you’re moving; say, going on a run or bending down at the gym to pick up some weights, or even walking, it wobbles. Wobbles enough to change how the music sounds for a little moment, and wobbles enough to slap against the tragus of your ear (that’s the sticky-outy bit in your ear) if you’re moving rapidly or repeatedly.

Going for workouts with the Nothing Ear (open), then, was an exercise in patience: could I survive the tap-tap-tap of the wobbling bud for long enough to complete a course or a workout routine? For the purposes of this review I endured it, but I don’t think I would have if not for that!

Putting aside fitness use, it was also an issue when I was walking at any speed (though it was more pronounced the quicker my pace), and given that the entire point of open ear buds is that you can hear your surroundings when walking on roads, this means they miss the mark as non-fitness earbuds too.

Beyond the annoying design, the Ear (open) would need to be incredibly impressive to get a decent review, and unfortunately it missed that high bar. Primarily, the audio wasn’t on par with other open-ear headphones I’ve tested, particularly in the volume department — this latter is vital to combat surrounding sounds when you’re in busy areas.

I did like a few aspects of the buds: the case is the main one, as it’s pretty slender compared to other open-ear headphone cases and was attractive all things considered. Plus the touch controls on the earbuds were handy to use, and there was no sound leakage which fixes a problem I’ve faced in other earbuds (open-ear and not).

These elements show that Nothing is on the right track with the Ear (open), but I only see these buying a worthwhile buy if you’re not into your exercise. If you simply want earbuds you can wear in public without being unaware while crossing roads, it could be a decent option — as long as your walking pace isn’t too quick!

Nothing Ear (open) review: Specifications

Nothing Ear (open) review: Price and availability

• Announced and released in September 2024
• Priced at $149 / £129 / AU$249
• Middling price for this kind of tech

The Nothing Ear (open) costs a reasonable $149 / £129 / AU$249, and was both announced and released in September 2024.

That price puts them slap-bang in the middle of a host of other open ear headphones on our list of the best open ear headphones (excusing the exceedingly-premium Bose Ultra Open, which costs twice as much).

The Nothing roughly matches the $149.99 / £149.99 (about AU$290) 1More Fit Open Earbuds S50, a competitor with which the Ear (open) has a lot in common (namely, a poor fit). If you want to spend a little more you can opt for the Shokz Openfit at $179.95 / £179.99 / AU$289 but if you want to save money, the OpenRock Pro go for $129.99 / £119.99 (roughly AU$185).

Bear in mind that open ear headphone tech is in its infancy, so you’re paying a premium no matter what you opt for; if you’re conscious about price, opting for ‘standard’ headphones will get you superior audio quality at a much lower price.

• Value score: 3/5

Nothing Ear (open) review: Design

• Bendy hook makes buds wobble
• IP54 rating and light weight
• Case is nice and slender

I’ll start with the case, because you will too when you take the buds out of the box.

If you’ve tried other ear-hook headphones, you’ll know that the cases often end up being pretty large to house the hook. The Nothing Ear (open)’s case is comparatively small, due to its thickness of only 2cm. Its total dimensions are 12.6 x 4.4 x 2 cm and it weighs 63.8g – I found it more pocketable than many other open ear headphone cases that I’ve tested.

Like most other Nothing headphone cases, this one has a see-through front, so it’s easy to double-check whether the gadgets are in there or not.

The headphones also resemble Nothing earbuds, in that they’re small and see-through with rounded designs, but with the addition of a long silicon hook to go around your ear and a counter-weight at the end. The buds weigh 8.1g each, so they’re lighter than many rivals, which is obviously really important for fitness earbuds.

In terms of an IP rating you’re looking at IP54: protection against dust ingress and sprays of water, but not full immersion in liquid. The important thing, though, is that they’re sweat-proof.

I’ve often touted Nothing’s buds as having some of the best touch controls: they’re pinch-controlled, so you get a nice haptic ‘click’ when you trigger the function. While the Ear (open) don’t provide this same click, they’re also pinch-controlled – they’re easy to use but impossible to accidentally trigger.

That’s a lot of praise for the Nothing Ear (open)’s design, and you’ve (presumably) already read in this review’s introduction that design is the Achilles Heel of the earbuds. And that’s correct.

As I mentioned earlier, the hook is made from silicon, a very weak and flimsy material being used in a very thin hook. The result of this is that, when you move about, the body of the bud isn’t held in place – it bounces around horizontally which is really annoying to feel and affects the sound quality you’re getting. Sometimes, poor fit can be justified by a reviewers’ ears not matching the size of the buds, but given that this is an issue with the build, it’s a lot less subjective than that.

The fit is a lot less rigid than on other open ear headphones I’ve tried, which I can see some people hailing as making them comfortable, but this just exacerbated the issues that I faced. I’d rather firm-feeling wearables than ones that keep flicking me!

This floppy build quality made the Nothing Ear (open) infuriating to use when on a run, as the body would bounce up and down, and at the gym, as bending down to pick up weights or leaning back on a bench would see the gravity pull the body away from my ear. That’s why I said these aren’t fitness headphones – I found myself opting to hear the clunks and grunts of my gym than endure the Ear (open) wobbling around near my ears.

A problem like this doesn’t solely affect exercise though, and it was even a problem when going on walks. It’s hard not to view these as a ‘draft one’ version of the earbud, if the problem is this pronounced.

• Design score: 2/5

Nothing Ear (open) review: Features

• 8-hour battery life, up to 30 if counting case
• Minimal feature set but equalizer present
• ChatGPT function for certain users

In its marketing, Nothing loudly cites that the Ear (open) has a 30-hour battery life, but you have to delve into the small-text to realize that this refers to the combined lasting power of the earbuds and the case.

On their own, the earbuds last for 8 hours of listening time before they need to be charged, which is slightly above average compared to other earbuds — the lack of ANC helps here. The case holds 22 hours, for a grand total of 30, which is a little on the low side compared to some other bud cases on the market but it’s not a terrible figure.

In headphone reviews, ANC usually goes in the ‘features’ section, so I should touch on it for anyone using CTRL-F: there is none, of course, due to the nature of open earbuds. You don’t want to cancel noise, you want as much of it as possible!

In terms of the rest of the feature set, the Nothing Ear (open) has a few taken from other Nothing earbuds, but a few missing too. Using the Nothing X app you can change what the touch controls do, play with an equalizer, turn on a low-latency mode (for gaming, which doesn’t seem like something you’d want to do on open-ear buds?), and set off a ‘find my earbud’ alert which makes them play a loud chirping sound if you’ve lost them.

The equalizer is the main feature there, and it’s just as intuitive as Nothing fans will be used to. It’s default option is a three-band customization model between mid, bass and treble, but there’s an advanced option with an eight-band equalizer for people who know their way around EQ.

In the default Simple mode, there are three four presets as well as the ability to customize your own mix, which I think most people will go for. A few Nothing features like Bass Enhance mode and Listening Test are missing, but that’s not unexpected given the nature of these headphones.

If you own a Nothing or CMF phone you get an extra feature: you can use ChatGPT as your smart assistant from the buds. You can easily squeeze the button and ask your buds what the weather’s like, what the time is or how many kilometres are in a marathon — given that it’s ChatGPT, though, there are no guarantees that the answer will be correct!

• Features score: 3.5/5

Nothing Ear (open) review: Performance

• Max volume isn't high enough
• Lacking bass and mid
• Little sound leaking

You can’t expect incredible audio quality in open-ear headphones, due to the way they work — it’s just the nature of the beast, and a trade-off you get with the increased situational awareness of wearing them. That’s not even factoring in how background sounds will get in the way of your tunes.

However even with this in mind, I wasn't blown away with how the Nothing Ear (open) sounded. I’ve typically found Nothing earbuds to provide overwhelming bass and admirable treble and mid, but that wasn’t the case here.

The earbuds didn't offer as much bass as fitness-bud fans will be accustomed to, and while they did fare a lot better in the treble department, mid was left in the wayside. There was quite a bit of peaking and distorting too, particularly on drums but it affected other instruments to a noticeable degree too.

Some of these issues could be fixed with the EQ, and I squeezed enough extra bass into tunes to emphasize some workout tracks, but was always aware that I could get a better sound quality purely by changing to another pair of earbuds (normal, workout or open).

A gripe I’ve had with previous Nothing earbuds reared its head, in that the maximum volume wasn’t that high. I listened at max volume for most of my listening, and lots of the time when I was outdoors I could barely hear my music.

One thing I do appreciate — though it could be a knock-on from the volume issue — is that there’s very little audio bleed. People around you won’t be pestered by the tunes you’re listening to.

• Performance score: 3/5

Nothing Ear (open) review: scorecard

Nothing Ear (open): Should I buy?

Buy it if...

Don't buy it if...

Also consider

How I tested

To write this review, I used the Nothing Ear (open) for roughly three weeks. During the first two weeks of that, I only used them for exercise: on a run or at the gym (so perhaps five hours per week), but for the final week I made sure to use them a lot more.

This latter testing involved use at home, at my office, on walks in various areas and on public transport. Most of my testing was done using Spotify and Tidal though I watched a few videos and played games to see how they fared. It was paired with an Android phone during the process.

I've been reviewing technology for TechRadar for almost six years as of writing this, which includes many audio and fitness devices. I've also tested open-ear headphones and other Nothing earbuds prior to the Nothing Ear (open).