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Sony HT-A7000 Dolby Atmos Soundbar review
6:58 pm | March 25, 2022

Author: admin | Category: Computers Gadgets Soundbars Televisions | Tags: , | Comments: Off

Editor's note

• Original review date: March 2022
• Current Sony flagship Dolby Atmos soundbar
• Launch price: $1,399 / £1,299 / AU$1,699
• Target price now: $999 / £1,299 / AU$1,699

Update: February 2024. The Sony HT-A7000 remains the company’s flagship soundbar, and the only all-in-one model equipped for 7.1.2-channel Dolby Atmos sound. It was initially pricey at launch, and remains so in the UK and Australia, though its price has seen regular drops in the US, with discounts from $1,399 to around $999 being common. That price makes it competitive with the Sonos Arc, the  5.0.2-channel flagship soundbar from Sonos. The Sony’s higher channel count, multiple HDMI inputs, and DTS:X support make it a superior option to the Arc, however, and the now under-$1,000 price, while still high, is a better value than at launch. The rest of this review remains as previously published.

One-minute review

The Sony HT-A7000 comes with a pedigree. It follows the Sony HT-ST5000 as the company’s new de facto flagship soundbar and it carries an air of distinction.

What helps elevate the HT-A7000 above its competitors is its integrated upfiring speakers that help it support true Dolby Atmos and DTS:X, with a sprinkling of Sony’s new 360 Reality Audio format thrown in, too. 

There are other niceties thrown in at this price - such as the two HDMI 2.1 ports that will allow you to connect both your PS5 and Xbox Series X to the soundbar - and it even has room to grow thanks to an optional subwoofer and rear surround speakers. 

At this price point we wish some of those optional extras were simply included in the box and that the height channels produced a more convincing soundstage, but what’s on offer is a powerful, room-filling soundbar that richly deserves a place amongst the best soundbars.

Price & release date

The Sony HT-A7000 Soundbar made its debut at the tail-end of 2021, effectively replacing the older Sony HT-ST5000 model that long held a position on our best soundbar list.

In terms of pricing, the Sony HT-A7000 comes in at $1,399 / £1,299 / AU$1,699  - and that’s just for the soundbar. If you want to add a subwoofer and rear speakers, that’s going to cost you an extra $300 / £449 / AU$599 and $350 / £449 / AU$649  respectively, depending on which of Sony’s two subwoofers you decide to use. (The more expensive subwoofer, the SA-SW5, costs $698 / ‎£699 / AU$899 by itself, so be prepared for that.)

For a soundbar, that’s a lot of money - especially if you plan on buying all the extras that go with it. Overall, that’s not a horrible price if this becomes your one home cinema purchase for the next decade, but most folks will want a more flexible option at this price point.

The Sony HT-A7000 Soundbar underneath a Sony TV.

(Image credit: Future)

Design

At roughly 51 inches long and three inches tall, the HT-A7000 is a pretty big ‘bar. It’s just the right size to fit underneath a Sony X95J TV or one of Sony’s new OLED TVs, but it could very easily block the IR sensor on TVs from other manufacturers or collide with the legs. 

In short, it’s a long bar and probably not the best partner for any screen below 55 inches.

The good news is that big ‘bars like these often pack big drivers to go inside of them - and that’s absolutely what’s going on here. Inside the HT-A7000 are two upfiring speakers for overhead sound, two beam tweeters and five front speakers and a subwoofer that’s in charge of handling the bass for a total output of 500W.

Covering all those speakers is a mish-mash of textures and materials. On the front is a metal grille that covers all the front-firing drivers and a small LED screen, while on the top you’ve got a fabric mesh covering the upfiring drivers. There’s also a glossy finish on the top where you can find the touch-capacitive control buttons. 

The LED screen certainly works well when you’re simply changing the volume, but it’s not the most helpful in showing you which format you’re working with: other soundbars will turn a certain color when they detect an Atmos signal or display it on the front LED. The A7000 does neither.

The included remote is straightforward to use, though you’ll be able to use your TV’s remote should you connect the soundbar via HDMI to your TV or AV receiver, which we highly recommend. 

The Sony HT-A7000 Soundbar underneath a Sony TV.

(Image credit: Future)

Features

If you have a TV with an eARC port, you should have next to no problem setting up the HT-A7000. It’s really as easy as plugging in the power cable and running an HDMI cable between the TV and the soundbar. 

That being said, if you want a more in-depth setup and calibration process, Sony makes that relatively simple by building a basic UI into the soundbar itself. 

The most basic step you can take to improve the sound quality of the soundbar is to run a basic room calibration test. This takes just 20 seconds and it will help the soundbar know how far away from walls it is and which channels need extra power. 

You can manually adjust those settings for yourself in the simple UI Sony provides, but most folks should be fine with just the automatic calibration. 

Also this UI is where you can select other sources for audio. The soundbar supports HDMI obviously, but also 3.5mm auxiliary, Bluetooth audio, USB devices, Spotify, Chromecast, Amazon Alexa and 360 Reality Audio via Deezer, Tidal and Amazon Music. It’s a very wide selection of sources, and allows you to have some flexibility in terms of what you want to connect. 

Speaking of music, Sony also included its DSEE Extreme upscaling tech in the soundbar that helps restore details lost in the wireless transmission process. It’s something we’ve seen in the company’s flagship WH-1000M4 headphones, but not in a soundbar. 

The Sony HT-A7000 Soundbar underneath a Sony TV.

(Image credit: Future)

Performance

By itself, the Sony HT-A7000 is capable of producing a 7.1.2-channel sound. While that sounds like a lot of sound output - and it certainly is - it’s mostly focused around the mid-range if you don’t go in and manually change the EQ. 

Out of the box, without any additional hardware hooked up, what you’ll hear is robust and clear dialogue. Throughout our testing, no matter the source, we were able to make out dialogue clearly, even when we changed the sound mode of the TV to something more dynamic, like, say the Cinema sound mode on a Sony TV.

The double woofers on the front of the bar do provide a bit of oomph - especially when you crank the volume up above the 60% mark - but they in no way replace what a discrete subwoofer can provide. The same can be said for the upfiring speakers and drivers responsible for surround sound that come off as a little weaker than what we’d like. 

We also noticed that the soundbar cut out once or twice during our two-week testing period. It would happen without rhyme or reason and would momentarily cause the audio to stop before resuming - however, it was certainly annoying whenever it happened.

In terms of stereo imaging and soundstage, there’s a lot to like about the HT-A7000 - it’s a very musically talented soundbar. Testing out some 360 Reality Audio music, you get a real room-filling sound with a clear idea of where all the instruments are located. 

Turning on some Spotify, we were impressed with the force of the soundbar and, again, that robust mid-range. Trebles could’ve been a little clearer and the bass - while easy to hear - just didn’t have the same depth that a separate sub can provide. 

Overall, we feel most folks will be pleased with the sound quality the soundbar provides, but there is obvious room for improvement for whatever Sony designs next. 

Should you buy the Sony HT-A7000 Soundbar?

The Sony HT-A7000 Soundbar underneath a Sony TV.

(Image credit: Future)

Buy it if… 

You want a full-range soundbar that can play Dolby Atmos content
While the height channels could stand to be a bit stronger, overall the A7000 is a powerful soundbar that hits most of the right notes. It gives you a bit of everything right out of the box, and then you can always add more oomph to the bass or surround channels by picking up additional hardware.

You have two HDMI 2.1 devices and you want to save some ports
One of the biggest gripes we’ve heard about some TVs supporting just one or two HDMI 2.1 ports is that one of those belongs to the eARC port on the TV. The HT-A7000 allows you to effectively use that one eARC port as two more HDMI 2.1 ports - which is a huge boon for folks who have two (or more) HDMI 2.1 devices that need to be plugged in. 

Don’t buy it if… 

You want a complete system in a single box
Unfortunately, if you want a complete system with a sub-woofer and surround units in a single box, the HT-A7000 isn’t for you. Yes, those things are available to buy separately, but they’re relatively expensive compared to some HTIB systems from other manufacturers.

You want the full Dolby Atmos effect from a soundbar
We’ve known for years that getting a full surround sound effect from a soundbar has been, well, difficult. As more manufacturers have figured out how to do it thanks to room calibration features, we’re now at the point where we’re seeing the same thing happen with upfiring Atmos speakers. They’re good - but they’re just not the same as discrete speakers. 

I reviewed the espresso Display 15 – a premium portable monitor that’s so good it’s always out of stock
6:38 pm | May 25, 2021

Author: admin | Category: Computers Gadgets Pro | Tags: | Comments: Off

espresso Display 15: 30-second review

Those using a laptop as their primary computing platform can sometimes need more screen space, and bringing a monitor from the office isn’t always a practical exercise.

The espresso Display 15 is, as the name implies, a 15-inch display that’s designed to work with a single USB-C cable connection to a laptop or mini PC.

It has a magnetically attached stand and a 1m USB-C cable but no power supply. The makers also sell a range of accessories, including a battery power pack, a Pro stand, case, mount, and screen protectors. The makers also make an HDMI to USB-C adapter cable for those who don’t have Thunderbolt or USB-C, which supports DisplayPort Alt Mode.

The caveat of a thin and elegantly engineered display is that, for a 15-inch 1080p resolution display, it isn’t especially cheap, and to keep it so svelte, the designer left out lots of features, like speakers.

It also has no on-screen menu, no power button, or brightness controls. The only external features are two USB-C ports, enabling the espresso Display 15 to be externally powered or take power from the connected computer.

The minimalist approach of this design will either be exactly what you want or a major hindrance, depending on how you intend to use the screen. For those who need a portable monitor for presenting on the road or more display space, the espresso Display 15 has some potential if the price isn’t a showstopper.

espresso Display 15: Price and availability

espresso 15

(Image credit: Mark Pickavance)
  • How much does it cost? $299/£259/€299
  • When is it out? It available now, but can be out of stock
  • Where can you get it? Direct from espresso

Before we get into the pricing, it’s worth noting that espresso Display 15 was out of stock for US, UK, EU, and Australian customers directly from espresso when I last looked.

Hopefully, it will come back into stock soon since it’s evidently a popular choice.

When that happens, it might also be available on Amazon.

Also not currently available is a bundle where the monitor comes with a cover.

The snag for espresso is that much cheaper options exist for those who don’t specifically want a display with aerospace engineering and a magnetically attached stand.

As an example, Arzopa has a 15.6-inch 1080p portable monitor with HDMI and USB-C inputs for only $65 on Amazon.com. It might not be made to the same exacting standards as the espresso model, but at 20% of the price, it’s certainly an option.

Even better-known brands like Lenovo and its L15 portable display are only asking $170 for a similarly specified portable display. Asus also has a ZenScreen 16” option that’s only $109.

Therefore, the espresso Display 15 is pitched at those who are happy to pay a steep premium to have something of exceptional quality.

  • Value: 2.5 / 5

espresso Display 15: Specs

espresso Display 15: Design

espresso 15

(Image credit: Mark Pickavance)
  • Simple design
  • Magnetic stand
  • No speakers

The espresso Display 15 is an exercise in minimalism. But, and this is much of the pleasure of this hardware, it does make you question why monitors are festooned with buttons and controls.

Being only 5.3mm thick, this sandwich of 6H hardness glass, LCD electronics and anodised aluminium projects the level of engineering that went into its design and manufacturing.

The front has a 34mm deep metal tide line on the bottom edge with the espresso logo on the left corner. While such a thick border on most monitors might be considered less ergonomic, it provides a layer that should raise the screen slightly if it rests on a desktop.

The rear of the panel is entirely metal, and it needs to be for the Stand+ component that comes with the espresso 15 to work. This curious structure has a hinged mechanism that can be used in a number of ways, and in its most expanded form, it can raise the screen to 245mm from the desk surface.

The connection between the two parts is via neodymium magnets, enabling the display to be repositioned easily and quickly reoriented to portrait mode. My only reservation about this connection method is that the 765g of the display can cause some sliding if the panel is knocked, mostly due to how smooth the rear surface is.

It’s interesting to note that espresso makes a Pro stand that is not jointed, and its extra rigidity might help prevent the screen from being accidentally moved. It also makes a magnetic mount for VESA attachment to a conventional display arm, but espresso didn’t include either of these accessories with our monitor.

Having a magnetically attached support is a slight departure from the norm, but this monitor doesn’t have any external controls whatsoever, and the only edge-mounted features are two USB-C ports.

espresso 15

(Image credit: Mark Pickavance)

The logic behind the two USB-C ports is to allow either the PSU of a laptop to power both the espresso 15 and the laptop that’s connected by one port. Or, to provide a means to independently power the monitor and still attach it, something that would be necessary if the optional HDMI to USB-C cable were used.

There is no power button, as it’s assumed that if you connect the screen to a system, it will be used. I’m fine with that, but I’m less convinced that this monitor has no OSD and no manual means to adjust the brightness. It can be adjusted using a free-to-download application, but that’s not very useful if you don’t use Windows or Mac OS.

Another gotcha is that the screen doesn’t have any speakers, not even the horrible small ones that sound like they’ve been made from tiny foil pie tins.

I’d accept that if speakers had been included, they probably wouldn’t be any better than those in a laptop, but if you use this screen with a TV streaming box, you may be forced to use headphones to hear anything.

Even if espresso mentions that this screen will work with computers, phones and tablets, the omission of speakers does hint that it was made specifically for laptop use, even if I found it ideal for mini-computers that typically don’t have speakers.

Putting aside some odd design choices and idiosyncrasies, the espresso 15 is still a desirable portable display, and the quality of the engineering in it is impressive.

  • Design: 4 / 5

espresso 15

(Image credit: Mark Pickavance)

espresso Display 15: Performance

  • Great contrast
  • 98% sRGB

Before discussing the results of a display analysis, I should mention that testing this monitor proved truly annoying, mostly because it doesn’t have an OSD, and the only way to adjust screen brightness was via the espressoFlow application.

Given that the Datacolor Spyder X2 Elite calibration application we used is designed to be full screen, and the espressoFlow application doesn’t show brightness percentages, the display analysis proved to be an absolute nightmare to perform.

Windows 11 didn’t help much either. If you use the brightness controls of the laptop, they only apply to the built-in screen and not an external one, even if the external display is the only one in use.

The quoted specifications for the display are that it is 300 nits, is 100% RGB, and has a contrast ratio of 1000:1. While the maximum brightness was slightly less than expected, the contrast was better than predicted, and the gamut representation was almost exactly right.

It’s not nearly colourful enough for a professional designer, but for a portable monitor, the gamut range is decent, and the colour is reasonably accurate.

One area that might have been better was the luminance uniformity, where it was distinctly darker at the bottom of the display than at the top. However, this might have been the direct result of some of the brightness control issues I’ve mentioned, as colour uniformity was good.

Overall, this is a good quality display for IPS technology. It might have been brighter, and the screen less glossy to reduce reflections, but compared with many portable monitors, it delivered on more of its maker’s promises than were flunked.

espresso 15

(Image credit: Mark Pickavance)
  • Performance: 4 / 5

espresso Display 15: Final verdict

Testing this hardware revealed that the extra cost over a lesser brand option might be worth it if you want image clarity and punchy colours. However, the cost difference is substantial, and with portable items, long-term durability might also be worth considering.

While I found the lack of brightness controls an issue for testing, for others who can use the provided application to make adjustments more easily, its omission isn’t a showstopper.

The omission of speakers might be more of a problem in some contexts, but again, you can get external speakers that use the audio jack or Bluetooth inexpensively.

Given that the Stand+ is half a kilogram of metal, you might also want to budget for the display cover to keep the two items from moving against each other in transit.

That increases an already high price, possibly pushing it beyond what some customers might consider reasonable. That said, the touch version of this display is another $200, so in the greater scheme of espresso displays, this hardware is as inexpensive as it goes.

I’m saying it’s worth that price, but getting the expense through accounts might be an entirely different problem for those who want one- when it eventually comes back into stock.

espresso 15

(Image credit: Mark Pickavance)

espresso Display 15: Report card

Should you buy a espresso Display 15?

espresso 15

(Image credit: espresso)

Buy it if...

You need different orientations
Due to the magnetically connected support, it is easy to switch from landscape to portrait and back again with this display. If you load the espressoFlow software, the computer should sense the change in orientation from the monitor.

You need colour accuracy
This monitor offers decent colour accuracy for a portable display, although it’s not at the level that a professional working with colour would want. But, if you can avoid direct sunlight, this is a good screen for doing close-up presentations, delivering punchy colours and excellent contrast.

Don’t buy if...

You travel light and need a second screen
When the weight of the display and Stand+ are combined, the total weight is 1330g, excluding the cable or a cover. That’s an extra weight above whatever the laptop mass is to be lugging around. Portable monitors that don’t use glass and metal weigh less, but lack the resilience of this one.

You have a laptop without USB-C or HDMI
It is possible to drive the espresso 15 directly with USB-C from the PC without other cables, but if you use HDMI, you need to have a USB port that can deliver 15W or an external power source. Connecting this monitor without an HDMI or USB-C port (or Thunderbolt 3/4) is impossible.


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