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1:12 pm | September 1, 2025

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LG xboom Stage 301: two-minute review

If you’re looking to get the party moving, the LG xboom Stage 301 could be the perfect Bluetooth speaker for you. This floor monitor-inspired party speaker aims to unleash powerful bass, AI-optimized sound, and karaoke features – for casual users and performers alike. But can it live up to the hype? Well, yes – yes it can.

During my time testing the LG xboom Stage 301, I was hooked on its clean, impactful, yet controlled sound. Bass is meaty, sure, but it doesn’t overwhelm sounds elsewhere in the frequency range. There’s also AI calibration and EQ modes so that you can uncover the perfect tuning for your space and the genre of music you’re playing.

Even when blasting bass-heavy house tunes at top volumes, the LG xboom Stage 301 didn’t produce distorted or overly compressed audio – like the best Bluetooth speakers around, it’s a disciplined, talented sonic companion. It may not be capable of ‘hi-res’ Bluetooth audio, and its front-facing design means that you get pretty directional audio, but I was still very impressed with the speaker’s sonic capabilities.

This thing doesn’t only sound good, though, it’s also rammed full of features – most of which are accessible through the LG ThinQ companion app. Auracast, multi-speaker pairing, a sleep timer – you name it. There are even some fun (but kinda gimmicky) DJ sliders and sound effects, a karaoke mode (if you’ve got mics or a guitar to plug in), and Healing Therapy sounds, for when you want to wind down.

Design-wise, this model is a hit too. It has a quality dual-bar LED light system, which can be synced to your music or customized from scratch in LG’s companion app. Elsewhere, a classic black finish, well-sized buttons, and a classy speaker grille all combine for a solid overall look.

You can also angle this speaker upwards, stand it upright, or mount it on a stand, making it a very versatile option.

What’s more, this model is actually priced pretty well – something LG hasn’t always got right with its other Bluetooth speakers. It comes in with a list price of $299.99 / £299.99 / AU$449, but you’ll already spot it going for less in some territories.

Now, you probably won’t get the maximum 12 hour battery life LG quotes – that is unless you have lights off and play music at a low volume, but you can use this speaker plugged in, which also enables the speaker to hit its maximum power output. You can also replace the battery, which is handy if you run out of juice and want to slot a second in to keep the party going.

Overall, I’m feeling highly positive about this model. The IPX4 waterproof rating is average for a stage-style model, but won’t compete with typical party speakers like the IP67-rated Earfun UBoom X, for instance. There are a couple of small technical quirks in the app, too, but otherwise, it’s a really useful companion.

And in the end, the LG xboom Stage 301 stands tall as a versatile, fantastic-sounding, and feature-rich model that’s up there with some of the best party speakers I’ve tested. LG’s xboom range – produced alongside will.i.am – has been a bit of a mixed bag so far. But the Stage 301 is, without a doubt, one of the highlights of this line, and I’m more than happy to recommend it.

LG xboom Stage 301 angled upwards

(Image credit: Future)

LG xboom Stage 301 review: price and release date

  • $299.99 / £299.99 / AU$449
  • Launched in April 2025

The LG xboom Stage 301 was announced at CES 2025 as part of a new Bluetooth speaker range, alongside the LG xboom Bounce and LG xboom Grab. It’s the largest, and, as you’d expect, priciest speaker in the line-up, which was launched in collaboration with producer and artist will.i.am.

Although the Stage 301 has a list price of $299.99 / £299.99 / AU$449, I’ve already seen it going for less – it’s down to under £250 in the UK via LG's digital store, for instance. It’s worth noting that there’s no stand included for Concert Mode, so you’ll have to purchase one separately.

LG xboom Stage 301 review: specs

Weight

14.7lbs / 6.7kg

Dimensions

12.3 x 12.2 x 11.1 inches / 312 x 311 x 282mm

Connectivity

Bluetooth 5.4, 3.5mm, USB (MP3 playback)

Battery life

12 hours

Speaker drivers

2x 2.5-inch midrange woofers, 1x 6.5-inch subwoofer

Waterproofing

IPX4

Person pressing the play button on the LG xboom Stage 301

(Image credit: Future)

LG xboom Stage 301 review: features

  • Incredibly feature-rich companion app
  • Customizable lights and EQ, room calibration, DJ and karaoke modes
  • 12-hour battery life, but can play while charging

As is usually the case, LG has packed a ton of neat smart features into this speaker. There’s classic stuff like multi-point connectivity and multi-speaker pairing (with xboom models), for example. But with the LG ThingQ companion app, you can access so much more.

You can customize the speaker’s LED lights, with a variety of presets with differing colors and motion patterns. You can also enable AI Lighting, which analyzes playback and produces optimal lighting for your audio content. I made use of the AI mode and it worked great – it really made my music come alive.

The lights aren’t the only thing you can customize though. You can also adapt the speaker’s sound to fit your needs with EQ settings. There are a handful of presets here, such as Bass Boost and Voice Enhance, but the AI sound option was the one that piqued my interest the most. This performs a real-time “genre analysis” of the media being played, in order to output the best possible audio, and again, I could really hear the difference in the best way here.

One issue I had, though, is that while listening to music, changing to a different EQ causes playback to cut out for a split second. That was a bit jarring when I simply wanted to activate Bass Boost in a pinch, say. In addition, the custom equalizer option only uses three bands, which is a bit basic compared to a Bluetooth speaker like the Sony ULT Field 3, which has a seven-band alternative.

Anyway, let’s go back to the good stuff. Something I personally appreciated was an AI calibration tool, which tailors the speaker’s sound to your listening space. After you perform this, the app provides a before and after, making the difference more tangible to listeners. This is a really smart inclusion from LG, and it genuinely improved the clarity of my tunes.

And really, I could go on all day about the app’s copious options. I’ve not even mentioned the Healing Therapy sounds, which are great if you want a bit of ambience or just want to wind down at night. On top of that, there’s a sleep timer, Auracast, customizable shortcut button (called MY Button), and a tab that integrates locally stored music files. Whew. I did say there was a lot.

But perhaps some of the more unique options are the DJ and karaoke related modes. DJ mode allows you to alter playback with delay, wah, phaser, and flanger effects, play drum and ‘club’ sound effects, and even layer vocal samples that you can record in the companion app. These sounds aren’t perfectly responsive, but it's a fun little mode to play around with.

Meanwhile, karaoke mode can be accessed if you hook a microphone or guitar up to the Stage 301. It includes vocal effects like helium, robot, and soprano if you fancy switching things up a bit, and you can alter volume or reverb using control knobs on the reverse side of the speaker.

So, there’s a lot of options at your fingertips with the LG xboom Stage 301, but does it have the battery life to keep the party moving? Well, even though LG quotes battery life at twelve hours, your mileage will almost certainly vary. See, if you’re using AI sound mode with volume high and both lights on, you won’t get close to that. With this setup, I lost 20% capacity in about 40 minutes. If you’ve got the lights off and you’re keeping volume low-high in Clear Voice mode, though, you can expect a ton more playtime.

That max 12 hours is standard for this type of speaker, though most users will probably struggle to get that much. Instead, I found it best to keep the Stage 301 playing while plugged into the power socket. You get louder max volume and don’t have to worry about the speaker dying on you. It’s worth noting, too, that the battery is replaceable. So, if you’re not near a socket, you could insert a second battery to keep the tunes blasting well into the early hours.

  • Features score: 4.5/5

LG xboom Stage 301 with person holding phone next to it with the LG ThinQ app

(Image credit: Future)

LG xboom Stage 301 review: sound quality

  • Clean, rhythmic bass
  • Limited distortion and compression
  • By design, sound is pretty directional

When we tried the LG xboom Stage 301 at CES 2025, our Managing Editor of Entertainment, Matt Bolton, said that it offered “bass that felt suitably deep but not overwhelming at all”, while also providing “tons of space for the rest of the music to leap out at you”. So, after putting the speaker through its paces in our music testing space, does this still ring true?

Well, before I give a definitive answer, let’s talk bass, which is the most important aspect of the Stage 301’s sonic abilities. I’ll start by saying that our first impression was very much accurate. This speaker didn’t spit out the heftiest bass I’ve ever heard, but that’s not inherently a bad thing. Low-end output remains meaty, but it doesn’t smother sounds elsewhere in the frequency range.

In addition, bass output is both clean and responsive. When blasting Fascinator by Max Dean, the hard-hitting kick drum sounded pleasingly deep and rapid, never sounding lethargic or unrhythmic. Sub-bass entering the fray around the minute-mark was also handled really well – every note was clear and impactful, resulting in an immersive, almost hypnotic listening experience.

If you feel like you do want a bit more low frequency weight, you can always enable Bass Boost in the speaker’s companion app or set your own custom EQ.

When bumping various bass-heavy bangers, vocal chops in the mid-range – as well as high-pitched percussion – were both well-defined in the mix, so you’ll get a disciplined, yet exciting listen out of the Stage 301. Even with a ballad like Solji’s Rains again, rain sound effects were true-to-life rather than staticky, while the delicate vocal performance was replicated adeptly, indicating that this model has the talent to handle a range of genres.

I tested the Stage 301 at a range of volumes, even cranking it up to the max for a bit. Something I realized was that peak loudness is only available if you’re using the speaker while its AC adapter is plugged in – it’s a fair bit quieter while battery powered. But when listening at top volumes, I was impressed with the lack of distortion and noticeable signal compression.

One shortcoming here, which may seem obvious, is that the Stage 301’s front-facing design limits the soundstage to a degree. For example, I tried listening to music from behind the speaker, and both mid-range and treble sounds were a bit muffled and far less prominent. This speaker is designed to fire audio towards listeners, rather than be a true 360-degree stereophonic hub, like the Marshall Kilburn III, say, so just ensure you work around its build and most will love what they hear.

And as one final note, there aren’t any ‘hi-res’ Bluetooth codecs here. The best this speaker can manage is AAC – there’s no LDAC or Snapdragon sound to uncover, something LG has experimented with on other products like the LG Tone Free T90S earbuds, which are fantastic by the way.

But still, you can expect a decently detailed, full-sound from the Stage 301. For so many speakers, ‘hi-res’ Bluetooth audio really isn’t the bottleneck. It’s well engineered drivers and enclosures, quality materials, and intelligent tuning that make a world of difference.

  • Sound quality score: 4.5/5

Volume and reverb knobs on the reverse side of the LG xboom Stage 301

(Image credit: Future)

LG xboom Stage 301 review: design

  • Classy, customizable LED lighting
  • Three different ways to stand the speaker
  • IPX4 waterproof rating

When I reviewed the LG xboom Buds, I was very critical of their looks. How could a pair of buds designed alongside the fashion-savvy will.i.am look so plain and uninspired? Well, LG can consider itself redeemed, because I love the look of the Stage 301!

First of all, I’m a huge fan of the dual bar LED lights, which can sync up to your music for a highly immersive listening experience. Unlike a party speaker like the original Tribit Stormbox Blast, this model takes a much classier approach to LEDs. They’re housed behind a speaker grille and don’t appear cheap – there’s also a million ways to customize them via LG’s companion app.

The speaker itself also has a well-finished black exterior alongside red-detailed ‘xboom’ logos on either side. Being able to see the drivers behind the grille is a nice touch too. The handle is conveniently placed as well, and 14.7lbs / 6.7kg is fairly lightweight for a model of this size and shape, making it fairly easy to transport.

In addition, buttons on top of the speaker are well-sized and backlit, while the volume control can be twisted clockwise or anti-clockwise to crank things up (or tone them down).

Something I really loved about this speaker, though, was its ability to be stood in various positions, enabling you to find the optimal sound and display type. It can be placed flat like a regular Bluetooth speaker, but I personally enjoyed using it in Street Mode, an upward-angled configuration that made me feel like I was at a rave. There’s also Concert Mode, but this requires a stand, which is sold separately.

Finally, this speaker is IPX4-rated, essentially meaning it's splash resistant. Although that’s disappointing against IP67-rated party speakers like the JBL Xtreme 4, say, IPX4 is fairly standard for a stage speaker like this. It may not be the best for outdoor environments, though, so if you’re not totally sold on the wedge design, maybe look to a typical party speaker, such as those in the ‘Also consider’ section.

  • Design score: 4.5/5

Handle and xboom logo on the LG xboom Stage 301

(Image credit: Future)

LG xboom Stage 301 review: value

  • Competitively priced against rivals
  • Already on sale in some markets
  • Very good all-round quality

LG doesn’t always get it right when it comes to pricing. I can recall testing out the LG XBoom Go XG8T and being totally bamboozled by its sky-high $379.99 / £400 (about AU$600) list price. We weren’t quite bowled over by the $179.99 / £139 / AU$299 cost of the LG xboom Bounce, either, which couldn’t stack up to rivals in its price-class.

But when it comes to the LG xboom Stage 301, it’s a different story. This speaker is priced competitively if you stack it against rivals like the JBL Partybox range or the Bose S1 Pro+ PA system. It's even on par in terms of cost against Bluetooth speaker/karaoke machine hybrids like the Tribit Stormbox Blast 2, which has a list price of almost $300 / £260.

For new DJs looking for a stage speaker, it’s fairly affordable too, with a lot of the more industry-specific models costing well upwards of $300 / £300 for similarly designed alternatives. Considering the versatility of the Stage 301 for casual listening, karaoke, and even DJing, it’s a strong value pick.

It’s already on sale in some territories too. In the UK, for instance, you can scoop the speaker up for less than £250, which is well worth it. Sure, this isn’t a budget product, and if you want mics and a stand you’ll have to purchase them separately. But with a combination of great sound, features galore, and neat looks, you certainly get what you pay for.

  • Value score: 4.5/5

Person lifting tab on the reverse side of the LG xboom Stage 301

(Image credit: Future)

Should I buy the LG xboom Stage 301?

Attributes

Notes

Rating

Features

Standard battery life, but AI features rock and it has customizable sound and lights.

4.5/5

Sound quality

Clean, impactful, but disciplined bass, controlled audio at higher volumes.

4.5/5

Design

Attractive lights, neat positioning options, IPX4 waterproofing is average.

4.5/5

Value

Well-priced against rivals, strong quality all round, overall well-worth it.

4.5/5

Buy it if...

You want plenty of bass
The LG xboom Stage 301 produces clean, impactful bass, but it never sounds overwhelming or muddy. When blasting a range of house tunes, I was treated to rapid, responsive, and rhythmic low-end output that had me hooked.

You’re looking for a versatile party speaker
The LG xboom Stage 301 is ideal for parties thanks to its floor speaker style design, immersive lighting, and pumping bass output. It even has DJ and karaoke modes if you want to make use of those. Wired connectivity is also handy if you want low-latency audio for performances.

Don't buy it if...

You want a rugged audio companion
This model is only IPX4-rated, meaning it’s not going to be ideal for outdoor use if it’s raining, or if you’re poolside, for example. IPX4 is normal for a model like this, but I would’ve liked to see LG push the boundaries.

You’re expecting ultra-long battery life
The LG xboom Stage 301 is a powerful stage speaker and won’t have the battery life of typical party rivals, such as those listed down below. Even compared to rival options, it's got a fairly standard battery life, and you’ll have to keep things very minimal to get the max 12 hours of playtime, as listed.

LG xboom Stage 301 review: also consider

LG xboom Stage 301

Tribit Stormbox Blast 2

Sony ULT Field 7

Price

$299.99 / £299.99 / AU$449

$299.99 / £257 (about AU$490)

$499 / £399 (about AU$770)

Weight

14.7lbs / 6.7kg

19.2lbs / 8.7kg

14 lbs / 6.3kg

Dimensions

12.3 x 12.2 x 11.1 inches / 312 x 311 x 282mm

18.8 x 10.2 x 7.6 inches / 477.5 x 259.1 x 193mm

20 x 9 x 9 inches / 512 x 224 x 222mm

Connectivity

Bluetooth 5.4, 3.5mm, 6.3mm (mic/guitar) USB (MP3 playback)

Bluetooth 5.4, 3.5mm, mic ports

Bluetooth 5.2, 3.5mm, 6.3mm (mic/guitar), USB

Battery life

12 hours

30 hours

30 hours

Speaker drivers

2x 2.5-inch midrange drivers; 1x 6.5-inch woofer

2x 45W mid-range drivers; 2x 15W tweeters

2x 46mm tweeters; 2 x 114mm woofers

Waterproofing

IPX4

IP67

IP67

Tribit Stormbox Blast 2
It’s safe to say I was blown away by the Tribit Stormbox Blast 2 when I tested it at the start of 2025. It offers phenomenal thumping bass, customizable LED lights, and wonderful battery life – it really is the full package. Pair that with a karaoke mode, IP67 waterproofing, as well as a regularly discounted price, and you’re looking at a class-leading party speaker. Read our full Tribit Stormbox Blast 2 review.

Sony ULT Field 7
The Sony ULT Field 7 has a lot in common with LG’s party-ready speaker, and thanks to price-cuts, it’s now well-worth considering. Both the Sony and LG are almost equal in weight, each offer ports for guitars and mics, and they each assume a unique build in what is a fairly ‘same-y’ market. You’ll get better battery life and wraparound sound from the ULT Field 7, but its build isn’t as optimal for DJs as the LG speaker and the lighting isn’t as classy. Read our full Sony ULT Field 7 review.

How I tested the LG xboom Stage 301

Button controls on top of the LG xboom Stage 301

(Image credit: Future)
  • Tested across the course of one week
  • Mainly used in the music testing space at Future Labs
  • Predominantly tested using Tidal

I tested the LG xboom Stage 301 Bluetooth speaker across the course of one week, spending most of my time with the unit in our music testing space at Future Labs.

During the testing period, I spent hours on end blasting tunes from a variety of genres, though I did put more of an emphasis on bass-heavy tracks to get the best out of the model. On top of that, I ran through the TechRadar testing playlist, which is standard practice for me when trialing audio gear.

When listening to music, I typically used Tidal, but I also tried bumping some tunes from my library on Spotify. I listened at a variety of angles and volumes, exhausted all of the features in the LG companion app, messed around with various lighting calibrations, and used the speaker in its various standing positions.

  • First reviewed: September 2025
  • Read more about how we test
Technics SL-1200GR2 review: an iconic DJ deck design and sound for audiophiles
6:00 pm | February 11, 2024

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Tags: | Comments: Off

Technics SL-1200GR2: Two-minute review

The Technics SL-100GR2 is the latest version of a design that the brand has been refining and finessing for over five decades now. The SL-1200 is an unarguable design classic – and while this SL-100GR2 version nods more than somewhat towards its lineage, it features one or two enhancements that are intended to keep it at the forefront of consumer’s minds – or, at least, those consumers with a couple of grand to drop on a new turntable.

So as well as the features familiar to anyone who’s ever hung around the DJ booth on a night out, the SL-100GR2 has a reworked direct drive motor arrangement and a new power supply. Unlike some of the best turntables, what it doesn’t have, though, is a cartridge – so be sure to factor that in when you’re working out your budget…

Once you’ve selected, purchased and fitted your cartridge, you’ll be treated to a sound of rare positivity and composure. The SL-1200GR2 is a direct, solid and properly organised listen, with proper talent for integrating the frequency range, establishing a persuasive soundstage and generally making your records sound clean and composed. It’s not the last word in dynamic potency, it’s true – but that trait needs to be balanced against all the things the Technics does beautifully. 

Technics SL-1200GR2 review: Price and release date

The Technics SL-1200GR2

(Image credit: Future)
  • Priced at $2190 / £1799 / AU$2999
  • Released in December 2023

The Technics SL-1200GR2 is on sale now. In the US, you’ll need to part with around $2199. For those in the UK, it sells for a maximum of £1799, while in Australia you’re looking at AU$2999 or something quite like it. That’s not the end of your spending, either – at the very least you’re going to need a cartridge…

And it’s not as if you’re short of choice if you’re fortunate enough to have this sort of money to spend on a record player. Two TechRadar.com favourites immediately spring to mind: the aptX Bluetooth-equipped Cambridge Audio Alva TT v2 and the exquisite Clearaudio Concept. They sit either side of the Technics in terms of price – but each comes with a very acceptable cartridge attached. 

Technics SL-1200GR2 review: Features

The Technics SL-1200GR2

(Image credit: Future)
  • Hi-fi deck, DJ features
  • 230mm S-shaped tonearm 
  • Coreless motor 

Technics is adamant that the SL-1200GR2 is a hi-fi deck, rather than a piece of DJ equipment – users who need to be able to scratch, for instance, are directed towards the SL-1200mk7 instead. But get a look at the GR2 from above – it certainly seems to have one or two DJ credentials to me…

Just to the right of the 230mm S-shaped tonearm, for example, is a defeatable pitch control giving up to +/- 8 percent variation. At the front edge of the surface there’s a blue LED-lit stroboscope to indicate rotational accuracy, and a white LED target light for accurate cueing in the dark. 

And, of course, the big ‘stop/start’ button produces nigh-on immediate results – the SL-1200GR2 comes up to speed in an instant, which is the sort of feature a DJ relies on. Admittedly, the ability to play at 78rpm – by pressing the ‘33.3’ and ‘45’ rpm button simultaneously, isn’t all that DJ-centric, but you nevertheless take my point…

As with some previous versions, the SL-1200GR2 uses a coreless direct drive motor in an effort to eliminate the dreaded ‘cogging’ – the less-than-perfectly-consistent rotation that can be evident in some direct drive designs. For this model, though, Technics has augmented this with something it calls ‘delta sigma drive’ - this software package delivers a cleaner signal to the motor to help it turn more consistently, eliminating those minute variations that can cause cogging. 

There’s also a new multi-stage switching power supply, supposedly much quieter and less prone to electrical noise than a bog-standard analogue alternative. It works in conjunction with noise-cancellation circuitry first seen in the (horrifically expensive) SL-1000R turntable, and a low-voltage power supply, to keep the noise floor as low as is realistically possible. 

Features score: 5 / 5 

Technics SL-1200GR2 review: Sound quality

The Technics SL-1200GR2

(Image credit: Future)
  • Positive, direct presentation 
  • Cleanly informative and full-bodied sound
  • Not the most dynamic listen around

The headline – and this will come as no kind of spoiler to anyone who’s heard a Technics turntable over the past few decades – is that the SL-1200GR2 is a direct and unequivocal listen. When it comes to giving a complete, unambiguous and easy-to-understand account of recording, it’s money very well spent indeed.

A listen to a heavyweight reissue of Trans Fatty Acid (K&D Session) by Lamb illustrates the fact in some style. From the top of the frequency range to the bottom, the Technics presents a unified, coherent sound – each area of the frequency range gets precisely the correct amount of weighting, and despite the nature of the recording there’s no overstating or underplaying of any area. Low frequencies are deep and punchy, naturally – but they’re also rigorously controlled, straight-edged at the leading edges of sounds, and carry plenty of information regarding tone and texture along with out-and-out muscularity. Momentum is good, and rhythmic expression is natural and convincing.

It’s a similar story at the top of the frequency range, where substance is just as well-represented as speed, and there’s plenty of tonal variation to give proper colour and balance to the sound. Treble sounds attack with crisp determination, but any latent edginess or hardness remains just that: latent. Even if you like to listen at nightclub volumes, the SL-1200GR2 stays composed and unabrasive.

In between, smoothly integrated into the information above and below it, the midrange communicates easily. There’s more than enough detail available to give the vocal - somewhat buried in the mix and electronically treated around its edges - the chance to express itself, and the SL-1200GR2’s soundstaging abilities mean there’s plenty of space in what is quite a busy mix for the midrange to shine. The stage is wide and deep, and organised to the point that there’s no blurring of boundaries between one element of the recording and the next. Without sounding remote or estranged, each individual strand is secure in its own pocket of space.

Where the Technics is found slightly wanting against the best of its nominal rivals is with dynamic expression. The small dynamic variations of tone and timbre that are apparent in instruments or voices are identified and contextualised, most certainly – but when it comes to the big dynamic shifts that come in a switch from ‘quiet contemplation’ to ‘big charge into the final chorus’  (such as in Pixies’ Tame, for example) the SL-1200GR2 doesn’t quite breathe deeply enough. It doesn’t track changes in intensity as rigorously as it might, and the changes it does identify it struggles to express quite as fully as other turntables can manage. Which means you won’t be in for any sudden surprises, but also that you might not get quite as visceral an account of a recording as you might be after.   

Sound quality: 4.5 / 5

Technics SL-1200GR2 review: Design

Technics SL-1200GR2

(Image credit: Future)
  • All-silver (or all-black)
  • Built to last
  • 11.5kg

You know what you’re getting here, don’t you? After all, this is a) a record player and b) a Technics SL-1200 record player – and while the original SL-1200 from 1972 looked a little different to this, by the launch of the SL-1200 mkII in 1979 the design was basically set in stone. Technics has tinkered around the edges of the design ever since, but fundamentally this looks like a turntable from over 40 years ago. I’m all for it.

So what you get is a 173 x 453 x 372mm (HxWxD) rectangle with a circle on it. The top of the chassis is made from cast aluminium, the bottom from a bulk moulding compound material - this combination is designed to minimise vibration and offer optimum damping, and it goes a long way to explaining the Technics’ 11.5kg weight. On top of this is a rubber-damped aluminium platter, and the whole thing is topped off by a hinged clear Perpsex dust-cover. Support comes in the shape of four adjustable silicone rubber feet that assist both with levelling the deck and rejection of external vibrations.

A small but effective design flourish for the GR2 is that the SL-1200 is now an all-silver design, while the corresponding SL-1210 is all-black. Previous models have been ‘mostly silver’ or ‘mostly black’, but this new, more rigorous approach to colour-coding the turntable’s accessories and peripherals makes for a cleaner, even more upmarket look.     

Design score: 5 / 5 

Technics SL-1200GR2 review: Usability and setup

The Technics SL-1200GR2

(Image credit: Future)
  • Iffy tonearm lift
  • Not as tricky to set up as the manual might suggest
  • Choose a cartridge 

Not every instruction manual advises you to be ‘tentative’ when setting up your new piece of equipment – but Technics has seemingly decided that putting the frighteners on new SL-1200GR2 owners when they first unbox their turntable is the best way to ensure accidents don’t happen.

In truth, the SL-1200GR2 is no more difficult to set up than any other high-end record player and actually a sight easier than some. Once you’ve adjusted its feet to make sure it’s sitting perfectly level, it’s really only a question of adjusting tracking and anti-skate controls and you’re basically in business.

Or, at least, you are once you’ve selected a cartridge. Technics supplies a simple-to-fit bayonet headshell with the GR2, but not a cartridge – so you’ll have to decide on what will suit you best and what you can realistically afford. I’d suggest budgeting around $500 / £500 / AU$650 in order to do some justice to the Technics’ abilities – for the majority of this test, I use an Ortofon Quintet Bronze moving-coil cartridge that sells for anywhere between $450—600 / £450—600 / AU$600—850.

Once that’s done, the SL-1200GR2 is simplicity itself to use. With the exception of the rather vague and relatively flimsy-feeling tonearm lift mechanism, all the control function with the sort of chunky precision this range of turntables has become famous for.

 Usability and setup score: 4 / 5

Technics SL-1200GR2 review: Value

Technics SL-1200GR2

(Image credit: Future)
  • Not competitively priced
  • Plenty of competition 

Yes, it’s a design classic. Yes, it’s built to withstand even medium-sized detonations. Yes, it has plenty to recommend it where the sound it makes is concerned. But it’s not without competition at this price point. Also the fact that you’re looking at another $500 / £500 / AU$650 or so for a cartridge to do its engineering some justice, means the Technics SL-1200GR2 isn’t exactly nailed-on value for money.

Should you buy the Technics SL-1200GR2?

Buy it if... 

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Technics SL-1200GR2 review: Also consider

How I tested the Technics SL-1200GR2

Technics SL-1200GR2

(Image credit: Future)
  • Tested with a Chord phonostage and a Naim amplifier
  • Hooked up to Bowers & Wilkins speakers
  • Fitted an Ortofon Quintet Bronze MC cartridge 
  • Using a lot of records for quite a long time 

Set up isn’t tricky – or, at least, no trickier than it ever is when a cartridge needs to be fitted. After that, the SL-1200GR2 played into a Chord Huei phonostage, which was attached to a Naim Uniti Star amplifier, which in turn was attached to a pair of 705 S3 loudspeakers by Bowers & Wilkins. 

After that, I must admit I found it no hardship whatsoever to dig out dozens of my favourite records and listen to them under the guise of ‘work’. After having done this for well over a week, I had to admit to myself that I had probably finished testing…  

  • First reviewed February 2024