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The European Commission is investigating WhatsApp for not allowing third party AI providers anymore
9:01 pm | December 4, 2025

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

The European Commission is now launching an investigation into whether WhatsApp's new policy that disallows AI providers from using its business tools to communicate with users may breach EU competition rules. On the face of it, things are pretty clear - WhatsApp owner Meta has Meta AI, which is very prominently featured inside all of its apps, including WhatsApp. And while competing AI providers have been able to offer their chatbots inside WhatsApp, Meta recently prohibited third party AI providers from using the WhatsApp business tools "when AI is the primary service...

Opera for Android gets new AI upgrades
4:33 pm |

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

Opera has announced new AI upgrades for its Android browser, Opera for Android, as it aims to bring its AI capabilities closer to those of its flagship desktop browser, dubbed Opera One. First is Ask AI, which gets a new access point for all AI queries in the browser. Just tap on the browser's search bar and select the "Ask AI" option to open a new search bar. This will allow you to switch between traditional web search and AI queries easily. Next is the ability to attach files in the new search bar for AI to translate, summarize, or explain. This includes support for PDFs and...

One UI 8.5 changelog leaks: improvements to battery management, DeX, AI and more
1:03 am |

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

Samsung has been testing One UI 8.5 for a while, though not everything is going to plan. But now we have a detailed list of what to expect from the next major update. Tarun Vats has posted a leaked changelog for One UI 8.5. There will be improvements to DeX, e.g. the size and position of app windows will be remembered. The battery will get a new, more detailed info screen with remaining time, charging status and daily usage reports for the past week. Adding to this is the improved Power Saving mode that will offer a choice between Standard and Maximum saving levels. Leaked Samsung...

The Galaxy S25 FE has all the looks of the Galaxy S25 Plus, but none of the snap
12:40 am |

Author: admin | Category: Computers Gadgets Phones Samsung Galaxy Phones | Tags: , , , | Comments: Off

Samsung Galaxy S25 Edge review: One-minute review

Samsung Galaxy S25 FE in hand with long green leaves behind

(Image credit: Philip Berne / Future)

The Fan Edition range, now dubbed FE, offers a premium flagship experience at a more affordable price, but this is naturally achieved through compromises on the specs sheet. This year’s Galaxy S25 FE tries to be a lower-cost Galaxy S25 Plus, and toward this goal, Samsung has completely delivered.

The Galaxy S25 FE features a solid specs sheet and an experience that’s mostly akin to its more expensive siblings, but some of the tradeoffs result in an experience that’s hard to recommend. The Galaxy S25 FE delivers the same battery life and charging speeds, the same great display, and two of the three cameras are also identical. Yet, the reduction in RAM to 8GB and the switch to last year’s Exynos 2400 processor resulted in performance I found considerably wanting.

A key challenge is the competition - rivals are proving that Samsung may need to tweak its approach to the Fan Edition to deliver on its value. If you’re in the US, the Galaxy S25 FE is much easier to recommend at its starting price of $650, but even then, the OnePlus 13R is a worthy alternative.

In the UK, the Galaxy S25 FE is much harder to recommend. It's starting price is still £649, but there are competitors in this price range that you won't find in the states, like the Honor 400 Pro and Poco F7 Ultra, which both offer more powerful chipsets, better cameras, faster charging, and longer battery life.

That ultimately sums up the biggest challenge for the Galaxy S25 FE. It offers a solid, yet unremarkable experience that doesn’t excel in any particular area and struggles to stand out against its rivals, whether from Samsung or others. It’s a good phone that’ll keep you mostly happy, but there are better choices out there.

Samsung Galaxy S25 Edge review: Price and availability

  • Starts at $649 / £649 / AU$1,099 for 128GB/8GB configuration
  • That’s $350 / £350 / AU$600 less than S25 Plus, although this has double the storage.

Samsung Galaxy S25 FE Blue in the hand

(Image credit: Nirave Gondhia)

The US and UK launch prices for the Galaxy S25 FE are competitive, especially as they’ll likely reduce further with sales, and Samsung is offering incentives such as a free Watch 7 and Buds in the UK. It’s worth noting that this pricing applies to the 128GB storage option; the 256GB model costs an extra $50, £50, or €50. If you want the top 512GB model, it’ll cost you a further $100, £100, or €100; at $799 in the US, other devices offer a true flagship experience and also come with similar amounts of storage.

At $649, the Galaxy S25 FE offers considerable value for US audiences and fills an emerging market need. Still, Samsung could do more to deliver a truly competitive experience at this price point.

Storage

US price

UK price

AU price

128GB

$649

£649

AU$1,099

256GB

$699

£699

AU$1,199

512GB

$799

£799

AU$1,399

  • Value score: 4 / 5

Samsung Galaxy S25 FE review: Specs

The Galaxy S25 FE is effectively a pared-back version of the Galaxy S25 Plus at a lower price. It weighs the same, has the same-sized screen, the same battery life and charging speeds, and two of the three cameras are also identical.

To achieve this, Samsung chose to cut down on the RAM (from 12GB to 8GB), reduce the peak brightness of the screen to 1,900 nits, and drop the Snapdragon 8 Elite processor for its own Exynos 2400 processor. The periscope camera is lower resolution and has a longer focal length, but it still offers the same 3x optical zoom.

The 4,900 mAh battery is identical to the Galaxy S25 Plus, as is the 45W charging, which is faster than the 25W included in the more expensive Galaxy S25. There’s also 15W wireless charging and Qi2-Ready cases that add magnetic wireless charging support. As it launches with Android 16 and One UI 8 out of the box, the Galaxy S25 FE will receive one more software update than its namesake siblings.

Samsung Galaxy S25 FE

Dimensions

161.3 x 76.6 x 7.4 mm

Weight

190g

OS

OneUI 8, Android 16, up to 7 major Android upgrades promised

Display

6.7-inch Dynamic LTPO AMOLED 2X, 120Hz, 1,900 nits peak brightness

Chipset

Exynos 2400 (4nm)

RAM

8GB

Storage

128GB / 256GB / 512GB

Battery

4,900mAh

Rear cameras

50MP main, 12MP ultra-wide, 8MP telephoto

Front camera

12MP

Charging

45W wired, 15W wireless

Colors

Icyblue, Jetblack, Navy, White

Samsung Galaxy S25 FE review: Design

  • The same familiar design as the rest of the Galaxy S25 lineup
  • The rear finish is less prone to scratching than the S25 Plus

Samsung Galaxy S25 FE Blue in the hand

(Image credit: Nirave Gondhia)

Put the Galaxy S25 FE and Galaxy S25 Plus next to each other, and by design, they’re virtually indistinguishable. The Galaxy S25 FE offers most of the Galaxy S25 Plus experience at a lower price by retaining the same design language as the rest of the Galaxy S25 series.

The exception to this is in the rear glass finish. Almost a year after the Galaxy S25 Plus, the Galaxy S25 FE solves one of my key problems with the Plus's navy finish: it scratches extremely easily. Although there’s no notable change to this finish, during my time with the Galaxy S25 FE, I’ve found that the rear finish is more durable than the Galaxy S25 Plus, which is a welcome improvement that wasn’t even applied to the Galaxy Z Fold 7 a few months ago.

Beyond this, the build is virtually identical to the Galaxy S25 Plus, right down to the same 190 grams weight. By virtue of larger bezels — more on that below — the Galaxy S25 FE is almost 3 mm taller and 1 millimeter wider than the Galaxy S25 Plus, but this doesn’t have a large impact on daily usage. Instead, it feels just like the Galaxy S25 Plus does.

If you’ve seen a recent Samsung phone, the design of the Galaxy S25 FE will feel instantly familiar. However, I hope that, in future versions, Samsung aims to differentiate it somewhat so it feels unique, in much the same way that the Galaxy S25 Edge feels familiar yet unique within the rest of the Galaxy S25 family.

  • Design score: 4 / 5

Samsung Galaxy S25 Edge review: Display

  • Large, vibrant display that's on par with the Galaxy S25 Plus and Galaxy S25 Plus
  • Just as capable as the best Samsung phones.

Samsung Galaxy S25 FE Blue in the hand

(Image credit: Nirave Gondhia)

The key selling point for the Galaxy S25 FE is that it offers a display of the same size and quality as the flagship Galaxy S25 Plus, but at a more affordable price. In this vein, the 6.7-inch screen on the FE absolutely delivers, and it’s one of my favorite features on this phone.

A peak brightness of 1,900 nits is lower than the Galaxy S25 Plus (which reaches 2,600 nits) and lower than key rivals such as the Pixel 10 (up to 3,000 nits) and OnePlus 13R (up to 4,500 nits). Yet, under the bright sunshine in Bali over the past few days, I’ve had zero issues with this lower brightness and it’s proven to be just as capable as its siblings in direct sunlight. There’s also the same 1-120Hz dynamic refresh rate and HDR10+ support, although it lacks the Dolby Vision support that some non-Samsung rivals continue to offer.

Although the screen size is the same, the bezels around the Galaxy S25 FE display are slightly larger than on the Galaxy S25 Plus, but this doesn’t affect daily usage. Similarly, the drop from Gorilla Glass Victus 2 to Gorilla Glass Victus+ on both the front and rear hasn’t led to any reduction in protection, at least in the time I’ve been using it, especially since both feature the same Mohs hardness rating for durability.

Samsung consistently makes my favorite smartphone screens, and the Galaxy S25 FE screen is up there with the best Samsung phones. If you want a large, vibrant, and colorful display, this one hits the mark!

  • Display score: 5 / 5

Samsung Galaxy S25 Edge review: Software

  • Seven years of Android and security updates
  • Slower AI performance thanks to more reliance on the cloud

Samsung Galaxy S25 FE Blue in the hand

(Image credit: Nirave Gondhia)

The Galaxy S25 FE runs One UI 8 on top of Android 16 out of the box, and comes with the same seven-year commitment towards software and security updates as the rest of the family. By launching with the latest Android version out of the box, the seven-year commitment means it will support up to Android 23, whereas the rest of the Galaxy S25 is only guaranteed to support up to Android 22.

Samsung has proven to be quite adept at rolling out updates quite quickly — a stark contrast to its past history of being amongst the slowest — so it’s likely that the Galaxy S25 FE will receive updates in a timely way like the rest of the lineup.

One UI 8 remains one of the most polished Android experiences you can find, and the Galaxy S25 FE does nothing out of the ordinary that you won’t find on the rest of the lineup. However, the lower RAM and change in processor — more on that below — also mean AI performance is far weaker, with more tasks requiring cloud assistance rather than being performed on-device.

Samsung’s Galaxy AI suite has all the features you’d expect from an AI suite on a flagship smartphone, but the lack of performant capabilities means you are less likely to use these. That’s a shame as Writing Tools, editing in the Gallery app, and Circle-to-Search are all features I use quite often. On the Galaxy S25 FE, I’ve found I use them less often simply because there’s a notable delay in responses and completing requests.

Beyond this, you’ll find that the Galaxy S25 FE feels just like any other Samsung smartphone. It’s designed to be instantly familiar to anyone who has used a modern Samsung smartphone, and it delivers the same experience and interface as the One UI 8 update for the Galaxy S25 Ultra, Galaxy S25 Edge, and Galaxy S25 Plus.

  • Software score: 3 / 5

Samsung Galaxy S25 Edge review: Cameras

  • A nearly identical experience to the Galaxy S25 Plus camera
  • A poorer telephoto camera, that's even farther behind the competition

Samsung Galaxy S25 FE Blue in the hand

(Image credit: Nirave Gondhia)

Look at the Galaxy S25 Plus camera and the Galaxy S25 FE camera, and you'll notice that they're virtually the same. This is both a blessing and a curse, as it's easy for Samsung to use this camera system again — it's been the same in many recent Samsung phones — but it continually struggles against the competition.

However, dive deeper, and you'll notice that while the 50MP main and 12MP ultrawide cameras are the same as the Galaxy S25 Plus, the 8MP telephoto is a step lower than the 12MP telephoto in the Galaxy S25 Plus. As a result, average telephoto performance on the Plus is even worse on the Galaxy S25 FE.

The net result is that while this camera is mostly as capable as the rest of the Galaxy S25 family — save for the flagship Galaxy S25 Ultra — it's not a true flagship camera. Instead, the main and ultrawide cameras are slightly above average at best, while the telephoto is below average, especially compared to the competition.

Despite this, the Galaxy S25 FE does retain one of my favorite camera features on any smartphone camera: color point in portrait mode.

Samsung's portrait mode has proven more versatile than the competition, with a variety of options that can be adjusted before or after taking a photo.

Color Point is the most unique feature on a phone. It lets you keep a subject in color while turning the background grayscale. While performance is less capable on the Galaxy S25 FE than on other Samsung phones, it still lets you capture unique photos that no other phone can natively.

Then there's the 12MP selfie camera, and this delivers the same performance as the rest of the lineup, which uses the same selfie camera. I've found that images are a little soft and lacking in detail, but this is true of most of its siblings.

That mostly summarizes the entire Galaxy S25 FE camera experience: it's virtually identical to the Galaxy S25 Plus, but this isn't necessarily a positive, especially as the Galaxy S25 Plus camera is slightly above average at best. However, the Galaxy S25 FE offering this at a lower price does mean it's better than most phones at this price point.

  • Camera score: 3 / 5

Samsung Galaxy S25 Edge review: Camera samples

Samsung Galaxy S25 Edge review: Performance

  • Average performance from the Exynos 2400 processor in daily tasks
  • Below average performance under heavy usage, or when using AI features.

Samsung Galaxy S25 FE Blue in the hand

(Image credit: Nirave Gondhia)

If there's one area where the Galaxy S25 FE has proven disappointing, it's performance.

Samsung managed to reduce the price of the Galaxy S25 FE (compared to the Galaxy S25 Plus) by switching from Qualcomm's flagship Snapdragon 8 Elite for Galaxy to last year's Samsung Exynos 2400. While this is acceptable for daily use, it has a marked impact on performance under gaming, heavy loads, and AI.

Simply put, the Galaxy S25 FE begins to struggle under heavy loads, especially since the lower RAM means it's often bumping up against the edge of available memory. This is also readily apparent in the camera app, where image processing takes considerably longer than on the Galaxy S25 Plus.

In most daily tasks, the Galaxy S25 FE delivers flagship-level performance, but if you're a heavy user, you will likely find it wanting. Similarly, the fingerprint sensor remains one of the worst on a smartphone to date — just like the rest of the Galaxy S25 family — and Samsung needs to improve it considerably in future phones, especially as the competition is significantly better.

  • Performance score: 3 / 5

Samsung Galaxy S25 Edge review: Battery

  • Solid battery life that delivers a day of use with a little to spare.
  • 45W charging is also a welcome improvement

Samsung Galaxy S25 FE charging

(Image credit: Max Delaney / Future)

The Galaxy S25 FE features the same 4,900 mAh battery as the Galaxy S25 Plus, and as such, it delivers mostly the same battery life.

During my time with it, it has mostly lasted a full day of use with around 5-6 hours of screen time, but it doesn't achieve much more than that. With heavy usage, this slips to just under five hours, and the battery needs recharging by the end of the day, but this is mostly when using the camera extensively or gaming heavily.

When you need to recharge the battery, charging speeds have improved from 25W to 45W, reducing overall charging time to around an hour.

However, like the rest of Samsung's lineup, achieving the top speeds requires using Samsung's own 45W charger, or another higher-rated PPS charger. When plugged into my trusty Nomad wall charger — which can deliver up to 100W for most phones — or my Anker power bank, I've experienced charging speeds closer to 30W, and overall charging time dropped to around an hour and 20 minutes.

Then there are two different occasions where the Galaxy S25 FE decided to trickle charge and took over 3 hours to charge to full. When I next charged it with the same charger, it had suddenly returned to the fast charging speeds, and even restarting the phone didn't help when it had entered this trickle charging mode. There's no specific reason this should have happened, and I've yet to replicate it beyond those two occasions, but it's puzzling and a little concerning.

Overall battery life is more than good enough for most people, but the charging situation remains somewhat puzzling. It can deliver a fast charge in an hour, but it can also take much longer, and there seems to be little rhyme or reason for it.

  • Battery score: 3 / 5
Samsung Galaxy S25 Edge score card

Value

If you want a Galaxy S25 Plus at a more affordable price, the Galaxy S25 FE delivers. However, rivals stand out for key reasons in ways that the Galaxy S25 FE just can't.

4/5

Design

An improved rear finish over the Galaxy S25 Plus, but otherwise this is virtually indistinguishable from the rest of the Samsung's lineup. I wish Samsung had found a way to make it stand out.

4/5

Display

The same great display I saw on the Galaxy S25 Plus (with the same below-average fingerprint scanner). It’s vibrant and sharp, even in direct light despite the lower peak brightness, but it remains one of the best screens on a phone.

4/5

Software

Samsung’s One UI looks as good as ever, though the lack of performance means the AI features are less useful than ever. Thankfully, this phone still gets seven years of updates so is a solid buy for long-term support.

3/5

Cameras

The cameras are virtually identical to the Galaxy S25 Plus, meaning you get the same above-average camera experience. Yet, this is the same camera system found on Samsung phones for years, and doesn't stand out in any way, especially when rivals offer better zoom performance.

3/5

Performance

The Exynos 2400 is a key difference to the rest of the Galaxy S25 family, and also a source of disappointment for overall performance, but especially on-device AI features. An older Snapdragon chipset would likely have performed better here.

3/5

Battery

Solid but unremarkable battery life, that's just shy of the battery found on the Galaxy S25 Plus.. The 45W charging is a welcome improvement, but doesn't markedly change overall charging times and neither stands out against the competition.

3/5

Buy it if...

You want a cheaper Galaxy S25 Plus
The Galaxy S25 FE is effectively a more affordable Galaxy S25 Plus, so if your budget doesn't stretch that far, or deals aren't as widely available, you should consider the Galaxy S25 FE.

The camera isn't as important to you. If you don't take many photos or don't care about the best camera, the Galaxy S25 FE is worth considering.

Don't buy it if...

You want the best phone.
If you want the best phone, look elsewhere. The Galaxy S25 FE is fine, but there are better phones you can buy at a similar price.

You want a camera that doesn’t disappoint.
The Galaxy S25 FE's camera can be disappointing if you want the best or if you take a lot of photos.

Samsung Galaxy S25 Edge review: Also consider

Samsung Galaxy S25 Plus
The Galaxy S25 Plus is a better version of the Galaxy S25 FE, and is often available at a similar price, especially outside the US. If it's between these two, the Galaxy S25 Plus is a much better purchase.

Read our full Samsung Galaxy S25 Plus review

Samsung Galaxy S25 Ultra.
If you want the best Samsung phone you can buy, this is it, as it comes with an S Pen, anti-glare screen, two zoom lenses, incredible battery life, and up to 1TB of storage. The only problem? It's twice the price.

Read our full Samsung Galaxy S25 Ultra review

How I tested the Samsung Galaxy S25 Edge

  • I used the phone as my primary phone for a week, and as a secondary phone for another two weeks.
  • I took over 100 photos and videos in a variety of lighting conditions
  • I played games and watched movies
  • I checked my email, posted on social media and worked in Slack
  • I used AI features extensively

I've been using the Galaxy S25 FE for over two months since its launch in early September.

Before posting this review, I used it extensively in the US, UK, and Bali for a week, complete with two active SIM cards. I tested all of the AI features on both Wi-Fi and mobile data connections, as well as

Future Labs tests phones using a mix of third-party benchmark software and proprietary, real-world tests. We use Geekbench, CrossMark, JetStream, WebXPRT, Mobile XPRT, and 3DMark for performance testing. We test a phone's performance on video tasks using Adobe Premiere Rush. We also measure display color output and brightness.

For battery testing, we perform proprietary tests that are the same for every phone, which enable us to determine how long it takes for the battery to run down.

Read more about how we test

Why you can trust TechRadar

☑️ 100s of gaming laptops reviewed
☑️ 15 years of product testing
☑️ Over 16,000 products reviewed in total
☑️ Nearly 200,000 hours testing tech

I tested the MSI Cubi NUC AI+ 2MG and it’s perfectly placed if you want a simple productivity mini PC with onboard AI
8:07 pm | December 3, 2025

Author: admin | Category: Computers Gadgets Pro | Tags: , , , | Comments: Off

I'm a big fan of compact desktops. The more I do and grow in my professional career, the more I appreciate their value. Not only are compact desktops great for administrative roles, but also front desks, stationary desktops for employees to be able to utilize, perhaps you have offices where part-timers, or hourly employees need to be able to work and access company data or systems, or maybe the setup that you have you need to have a compact workstation and a laptop doesn't make sense for whatever reason.

Mini PC's are phenomenal in these areas. Now, for this review, I am not going to act like this is the most powerful machine I have worked with and that it is capable of running large LLM Models, a massive codebase, edit 12K videos and teach you how to perform open heart surgery all at the same time, I understand that while there are machines that are built to be powerhouses, this is meant to be a compact machine, it's meant to give you the power that is needed at a reasonable price and a better footprint.

MSI isn't trying to break records with this machine; they are trying to create a machine for everyday users. It wanted to make a machine that can be plugged into any display and perform basic tasks, or run headless and connect to servers, run processes in the background, or something along these lines.

MSI Cubi NUC AI+ 2MG: Price and availability

MSI | Cubi NUC AI+ 2MG

(Image credit: Collin Probst // Future )

The MSI Cubi NUC AI+ 2MG is widely available from online retailers like Amazon. I'm seeing prices starting at around the $1000 / £1000 mark depending on where you buy.

MSI Cubi NUC AI+ 2MG: Unboxing and First Impressions

MSI | Cubi NUC AI+ 2MG

(Image credit: Collin Probst // Future )

The Cubi NUC is a simple setup. It's included in a basic package, which consists of power, a VESA mount, and an extended power button, if needed. The VESA mount design is excellent, allowing you to easily use it or forget it exists without altering the layout, restricting access to key ports, or requiring the purchase of an accessory. The VESA mount is ideal for mounting behind a monitor, TV, or display, or for attaching to the underside of a desk, wall, or other surfaces.

Like so many of the best mini PC machines I've used, the size of the Cubi NUC lends itself to plenty of different use cases as well. It's ideal for tucking away in a cabinet at a medical office, on a cart in a hospital, in a digital screen display kiosk, in a classroom, at a welcome desk, and more. That's where a machine like this thrives.

I was pleased to see the port layout, which makes quick-access ports extremely easy to reach, along with a fingerprint scanner for added security. Additionally, for setups and use cases where the computer may be tucked away, mounted, or hidden out of reach, MSI includes an external power button with a long cable, allowing you to place it in a readily accessible area and keep the machine where you ideally want it.

MSI Cubi NUC AI+ 2MG: Design & Build Quality

Specs

CPU: Up to Intel Core Ultra 9 Processor 288V
Graphics: Up to Intel Arc Graphics 140V
Memory: Up to 32GB
Storage: 1x M.2 2280 SSD
IO: 4x USB-A, 1x MicroSD, 1x Headphone, 2x USB-C Thunderbolt 4, 2x RJ45, 1x HDMI
Wireless: Up to Wi-Fi 7

The design is both minimal and functional. Unlike some machines that place all ports on the back to maintain an ultra-minimal look, MSI understands that this approach is not always the most functional.

Therefore, they opted to divide the ports on the front and back to maximize productivity. The quick access ports are on the front, accessible if the machine is mounted or on top of a desk, and the (typically) one-time-plug-in-and-forget-about-it kind of ports are in the back. This layout facilitates cable management, as it positions the majority of the cables to the back of the desk, or at least away from the user.

For a business machine that isn't competing in any beauty pageants, this design is excellent, focusing on productivity and functionality.

MSI | Cubi NUC AI+ 2MG

(Image credit: Collin Probst // Future )

MSI Cubi NUC AI+ 2MG: In use

MSI | Cubi NUC AI+ 2MG

(Image credit: Collin Probst // Future )

MSI's Cubi NUC AI+ 2MG has been in my fleet (yes, it's a fleet at this point, as I currently have 18 computers in my review queue) for 92 days. In that time, I've had it set up at my secondary desk in my home office, plugged into my BenQ EW2790U on my Flexispot E7 Plus Desk Setup. It's been great for background tasks, writing, emails, and some productivity work as well.

The ease of having a machine always ready to go is fantastic. I like having a server computer that I can remotely access using a VPN, Remote Desktop, or my recent favorite, Chrome Remote Desktop, to modify my network drives. Locally access my Synology, rip content without slowing down my primary machine, transfer data, or perform other tasks that don't require my primary machine.

Having a computer ready to go, plugged in at all times, is also great if you want the least amount of friction possible to get from not working to working and then back to not working again. You just have to sit down, press a key on a keyboard and you are good to go.

The dual network lines came in handy when I tested connecting to my Synology BeeStations and Disk Stations for some updates to the newest DSM software, while I also wanted to connect to my LAN. Granted, Synology allows for LAN access, but I wanted to transfer some content quickly to my NAS as well, making this a perfect solution.

Another great use case for the dual Ethernet would be if you need to connect to a redundant network, a secure network, and a more open network, a server, a network audio controller, or really any other network-controlled device. It’s a little machine like this that can take your workstation, studio, office, or role to the next level, harnessing the simplicity and power of its ease, connectivity, and possibilities as a headless unit to run tasks for you in a more efficient way.

MSI | Cubi NUC AI+ 2MG

(Image credit: Collin Probst // Future )

There are some scenarios where these armrests may not be ideal, but for most, they’ll be fine, or worth the lack of adjustment if you like the style and overall aesthetic and feel of this chair.

Some chairs you give up look and design for overall comfort and features. The Serene Nox by Eureka is the exact opposite, you give up highly adjustable armrests and lumbar for the overall aesthetic.

That’s another element of this chair that you should probably know. You’re not going to want to use this chair with a cheap folding desk, nor at the kitchen table, where your temporary workspace is, you won’t even want to use this chair in a bullpen, you want to use this chair in offices, in executive corner suites, you want this chair at the reception desk of a high end corporation so that it can look the part and still provide comfort.

MSI Cubi NUC AI+ 2MG: Final verdict

The MSI Cubi NUC AI+ 2MG is not for everyone. In fact, it may not even be for most people. But it's well-specced for those who need an easy office machine. It'll capably handle tasks like a Windows headless unit to run a server, running multiple digital displays, or an always-on machine that can be on dual networks at once.

It’s a discreet and smart machine that may just be the building block to a more efficient chain of automations, or simplified workflows, or introducing AI into your sphere, all without taking up precious real estate on your desk, or locking you into a non-upgradable display that may or may not meet your desired specifications.

Should you buy a MSI Cubi NUC AI+ 2MG?

Value

Upper mid range, strong ports and usability for the right business applications

4 / 5

Design

Sleek, compact, and thoughtful layout and port offering

4 / 5

Hardware

Modern chips, great ports, Thunderbolt, fingerprint sensor

4 / 5

Performance

Quiet, responsive, reliable, great for headless access and server access

3.5 / 5

Overall

A great mini PC for the right user, always-on needs, digital signage, server companions, and perhaps remote access

4 / 5

Buy it if...

You need a compact, always-on, Windows machine
While this may not be the powerhouse your creative department needs, this could be what your development team could use for accessing servers, running background processes, or running digital signage

You want a solid, redunant-backed, connection
Dual LAN ports are vital for those who want a redundant backup for a vital piece of machineryView Deal

Don't buy it if...

You need a machine for your creative department
This is not the machine you want for graphic intensive proceses or workstation-level performance.

You need something portable
While this mini PC is ultra-portable, it's still nowhere close to the power and performance you can get in a quality laptop, so unless there is a unique usecase, check out some of our best laptops.

For more professional-grade computing, we've tested the best business laptops and best business computers.

I tested the new Sony A7 V, and now it’s my favorite Sony camera ever
5:01 pm | December 2, 2025

Author: admin | Category: Cameras Computers Gadgets Mirrorless Cameras | Tags: , , , | Comments: Off

Sony A7 V: two-minute review

Some photographers, possibly even those working at Sony, see the A7 range of mirrorless cameras as the firm’s entry-level full-frame models. On paper alone, this may seem a reasonable suggestion when comparing the specifications to the most premium models. However, the Sony A7 IV, launched in October 2021, carries a 33-megapixel 36x24mm sensor, ISO50-204,800 sensitivity range, 5.5EV in-body image stabilization system, and a top continuous shooting rate of 10 frames per second. It’s by no means a slouch and this is all available for under $2500, so while it might be one of Sony’s more affordable E-mount bodies, it has been able to give pro-spec cameras a run for their money for several years.

On the face of it, the A7 V seems more of an iterative upgrade to its predecessor, rather than a revolution. However, once you dig deeper, there is a lot of exciting new technology to explore. Debuting the new partially-stacked sensor and new Bionz XR 2 processing engine, this camera represents a significant step forward for photography enthusiasts and semi-professionals. It’s more responsive than the A7 IV, both in focusing reaction time and accuracy, and delivers superior performance from the ground up.

Images are sharply detailed, and noise is well-controlled, especially for a model equipped with a 33MP resolution. It certainly matches or outperforms the current generation of competing cameras, such as the Canon EOS R6 Mark II or Panasonic Lumix S5 II, although I’ll be interested to see how low-light capabilities compare to the likes of the Canon EOS R6 Mark III when it inevitably comes to market, which is likely not too far in the future.

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

If you’ve used other Sony Alpha cameras, you’ll fall right into step with the A7 V. Some might call Sony’s conservative approach to design unimaginative, but it means that you can allow muscle memory to play its part on shoots where speed matters most. A few useful practical refinements notwithstanding, the A7 V is very similar to models that came before it, and on picking it up, you get a feeling of coming home, a comforting sensation when other stressful elements of a photoshoot come into play.

These days, I’m more likely to be blown away by enthusiast-level products than flagships, which rarely offer many surprises, as pro technology trickles down the rankings to more affordable offerings. The niche this camera inhabits has the potential to provide unbeatable value to the greatest range of photographers, and happily, the A7 V fulfills this promise. It’s an impressive upgrade to an already outstanding camera, serving up great responsiveness, useful features and exceptional image quality. I still wouldn’t call it revolutionary, and there are some quirks that I’d like to see refined, but if you’re an aspiring wildlife, event, or travel photographer, I’m confident you’ll fall in love with it, and that it will trouble TechRadar's best cameras and best mirrorless camera guides.

Sony A7 V specs

Sony A7 V Specs:

Type:

Mirrorless camera

Sensor:

Full-frame (36x24mm) semi-stacked CMOS

LCD:

3.2-inch, multi-articulated, 2.095m dots

Memory:

2x SDXC, 1x CFexpress Type A

Resolution:

33-megapixels

Video:

Up to 4K60p (4K120p in 1.5x crop mode)

ISO range:

ISO 50-204,800

Mechanical Shutter speeds:

30-1/8000sec

Electronic Shutter speeds:

30-1/16000sec

Viewfinder:

3.686m dot, OLED EVF, 0.78x

Processor:

Bionz XR 2

Connectivity:

AX WiFi (WiFi 6), Bluetooth, 2x USB-C, audio

Weight:

659g

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

Sony A7 V: Price and availability

  • Released December 2, 2025
  • Body only price of $2,899 / £2,799 (Australia TBC)
  • Kit options will be available, including with a new FE 28-70mm F3.5-5.6 OSS II

The Sony A7 V launched worldwide on December 2, 2025 priced $2,899 / £2,799 (body only, Australia TBC), alongside a new FE 28-70mm F3.5-5.6 OSS II kit lens. The lens costs $449.99 / £429 separately (Australia TBC) and will be available separately from February 2026.

Ahead of then, the FE 28-70mm F3.5-5.6 OSS II kit lens can be purchased as a kit with the A7 V for $3,099 (UK / Australia TBC). There will be other kits available, TBC.

This pricing is right on par with the Canon EOS R6 Mark III (and just $100 / £100 more than the Nikon Z6 III was at launch, but which is now available for much less).

  • Price score: 4.5/5

Sony A7 V: Design

  • Larger 3.2-inch rear LCD
  • Versatile multi-pivot articulated monitor
  • Hybrid memory card slot

Externally, I’d be very impressed if anyone could distinguish the A7 V from the A7 IV on looks alone. Apart from the name, discreetly emblazoned on the top plate, just to the left of the viewfinder, there isn’t much else to identify the latest iteration. However, a closer inspection reveals a redesigned handgrip. It’s very slight, with a tiny shift to the angle of the shutter button to account for the modest increase in weight from the Mark IV, but it makes a natural refinement to the ergonomics of the camera.

In terms of handling, the A7 V is supremely comfortable to hold, perhaps more so than most other Alpha bodies in the range. Logically, I know there is significant continuity between models, but something about the A7 V felt more balanced to me. I’ve always found Sony cameras to be too boxy for my tastes, especially when shooting for longer periods and when using larger lenses. The A7 V is unmistakably a Sony product, but it just fit my hands a lot better than I remember the A7 IV doing.

Shooting all day around London with the FE 24-50mm f/2.8 G lens, the setup was perfectly balanced, the center of gravity seemingly right where the optics meet the lens mount. This made shooting one-handed a breeze, even when holding the camera at arm's length over my head to shoot a street performer over the heads of a large crowd.

I appreciated that the playback and delete buttons are located on the same side of the camera body and immediately adjacent to each other on the back plate. This is a personal preference, of course, but I find this makes quickly making in-the-field quality control decisions quicker, rather than having to work two-handed and hunting for a control on the opposite side of the body to preview and delete obviously blurry shots.

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

Another excellent feature that seems unique to Sony cameras is dual-function card slots that fit both SD and CFexpress. As someone with more high-performance SD cards than I’d like to think about, I love this. Although I am gradually filling out my stock of CFexpress, I still like to have the choice, and a camera that supports both, while still allowing dual card functionality with either format is hugely thoughtful.

With a Canon EOS R5 Mark II, for example, you need to take a supply of both card types if you want the benefits of in-the-field backups, while the Canon EOS R6 Mark II requires two SD cards only, delaying investment in CFexpress until a future upgrade (which will no doubt be an expensive ordeal). On Sony cameras, there are no such compromises.

It’s a shame the A7 V only has one of the two slots capable of accepting CFexpress Type A, but perhaps this is what you pay the extra money for when buying a camera like the Sony A7R V.

Another excellent design flourish is the extra control wheel above the Auto Exposure Lock button, which by default is set up to adjust exposure compensation in P, A or S modes. I enjoy not having to hold down another button to change this, and the additional dial allows you to amend the aperture and image brightness with single controls each. Naturally, each dial can be reassigned a custom function from within the A7 V’s Operation Customize menu, found under Setup.

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

The build quality is of an exceptionally high standard. I didn’t have the opportunity to test the camera’s weather resistance – unusual for a British reviewer in November – but nevertheless, there are no obvious compromises in the integrity of the construction. Apart from the hollow battery and memory card bays, no other part of the body reverberates excessively when tapped, giving the sensation of it being milled from a single piece of metal.

All of the dials are beautifully knurled and easy to twist, but with enough resistance that it isn’t too easy to nudge them by accident.

We also can’t talk about the design of the camera without mentioning the versatile dual-hinged main LCD. Sony has gone back and forth with its approach to screen articulation over the years, and as far back as the A99 II DSLR camera, the multi-point design has allowed the user to both tilt and swivel the LCD. Some photographers prefer the vertical tilt format, while others like myself appreciate a full swivel function.

Users of the A7 V don’t have to choose – unlike with the A7 IV which is single-axis vari-angle only – which I found useful when shooting ground-level street photos of graffiti artists under Waterloo Station. It’s a clever strategy also found in recent Lumix cameras, and which I’d like to see more brands adopting.

  • Design score:4.5/5

Sony A7 V: Performance

  • New Bionz XR 2 processor
  • No dedicated AI autofocus processing engine
  • Long 750-shot battery life

Speaking of LCD screens, the model featured on the A7 V is both larger and more detailed than its predecessor. It measures 3.2 inches, up from 3 inches on the A7 IV, while resolution has doubled the 1,036,800 dots previously available. I found it to be very crisp, and colors look natural. This is a attribute of camera screens that isn’t talked about enough. Monitors might be super contrasty and saturated as standard, but this won’t always give the most useful preview of the images about to be captured.

The touch sensitivity is just right, and I found it to be more responsive than both the Mark IV and the A7R V, demonstrating the difference that three years can make. It’s not that those cameras were particularly unresponsive, but this latest monitor gave me no sense that it was standing between me and the settings I wanted to access.

I especially liked the reaction time for touch focus; with a single tap the camera activates the AF and immediately snaps to the object selected. I don’t always use touch focus features, but combined with the versatile LCD pivot points, I found myself using them frequently during my testing of the A7 V.

Autofocus itself is smooth and super-fast. Built around a new system of 759 Phase Detection AF points that cover 90% of the frame, the A7 V can focus in lighting as low as -4EV. Although the camera did slow down as ambient lighting dropped, with the rate of focus hunting increasing, it still did a sterling job of finding and tracking the subject. It’s also incredibly precise.

Interestingly, the A7 V doesn’t feature a dedicated AI processor, as found on the Sony A1 II. This might surprise many industry observers, in an age where AI is king and excluding such features might seem a retrograde step. However, the new Bionz XR 2 moves all AF computations on-chip, instead of dividing the workload between two units.

Sony says the up-specced processor brings the same benefits of a separate AI engine, namely better AF target recognition, but with the added advantage of reduced heat emissions, superior speed, and improved battery life. After all, powering one chip is better than supplying two.

I didn’t have an A1 II body available to test the cameras side-by-side, but rarely did the A7 V struggle to locate my subject. There are plenty of options to customize subject recognition, and the camera coped well with human figures, cars, and airplanes, in the chaos of Central London and at Heathrow Airport.

Also new to the A7 V are the options to change AF responsiveness and to select an extra small or large AF point. While I didn’t find much need to alter these settings during my test, I could see where this might be of huge benefit. Turning down AF responsiveness if it’s likely that other objects will pass between the camera and the subject, like when shooting across a busy road or players on a football field, will help keep the focus sticky on your subject.

I can also vouch for the stated 750-shot battery capacity. After 300 frames, in the relative chill of a winter afternoon, I still had 75% charge, and by 650 shots, this sat around the 40% mark. This excellent, rival-beating performance included shooting both long still exposures and video.

In terms of shooting speed, the A7 V is one quick camera in operation. Startup is near instantaneous, and exposure assessment is now done at twice the number of calculations per second compared to the A7 IV.

Using the electronic shutter, it’s now possible to capture images at up to 30fps, up from 10fps on the previous camera. Pre-capture is also possible up to a user-selectable 30fps, meaning the camera is always ready and able to cover the action in the briefest of moments. Without wanting to sound like an advert for Sony (remember, this review is completely independent), there were times when I felt I was having to keep up with the camera. This isn’t something I encounter often, and it kept me on my toes.

It’s a very minor point, but I found the shutter release to be just a little too sensitive for my liking. There were a few occasions when I was simply trying out a composition and accidentally fired off a burst of shots – a bit of a laborious situation when the camera makes 30 frames every second! I’d definitely recommend re-assigning focussing to the AF-ON button to work around this.

  • Performance score: 5/5

Sony A7 V: Image quality

  • Excellent Dynamic Range
  • Superior high-ISO performance
  • Ultra-effective IBIS system

One of the headline features of the A7 V that is certain to get people talking is the new semi-stacked sensor. This CMOS design has developed somewhat of a bad rep because of its deployment in other cameras with limited success, such as the Nikon Z6 III. There is a risk of significant trade-offs in dynamic range for the additional readout speed a semi-stacked (or partially-stacked) sensor provides. Sony is confident enough, however, to claim a DR of up to 16-stops with the A7 V – that's an additional stop versus the A7 IV – so I couldn’t wait to see how the camera performed in the real world.

I’m not entirely convinced by the 16EV claim, as there were times when there was less highlight texture than I had anticipated, and clipped shadows where I hadn’t expected. However, the results were still impressive. In the majority of shots, there was recoverable detail across the range. From memory alone (and not having yet taken the A7 V into the lab for testing, that’s all I have to work on), I would place the dynamic range on an even footing with models like the 24MP Canon EOS R6 Mark II and Nikon Z6 III. Clearly, Sony deserves some applause for this, as it’s a clear indicator that the A7 V is a next-gen competitor.

Now let’s talk about color. Traditionally, this hasn’t been my favorite aspect of Sony cameras. I’ve always felt that, compared to Canon and Fujifilm models, Sony color science was a bit sterile. Accurate, maybe, but lacking warmth and ‘flavor’. These traits are present in the A7 V, as is to be expected, but I noticed colors seemed more organic than I’ve seen from its stablemates.

The auto White Balance system hardly ever missed a trick, even when shooting wall art comprising overlapping primary colors in mixed natural and artificial lighting: quite possibly a condition that cameras have nightmares about. The A7 V handled the situation beautifully. I could wax lyrical here for three more paragraphs, but I’ll summarize with this: if the camera could cope this well under these conditions, it could cope anywhere.

Images captured in London with the Sony A7 V

Dynamic range might not quite manage 16-stops in every image, but matches lower resolution cameras from competing brands (Image credit: Future/ Peter Fenech)

I don’t always believe rumors, but in this case the suggestion that Composite RAW capability was to be included on the A7 V has turned out to be true. Previously seen on the Sony A9 III, this mode captures a sequence of RAW files that are then combined to produce a higher-resolution file with reduced noise. It works nicely and does what it says on the tin – if you shoot landscapes or in the studio, this is a great feature for squeezing every oodle of quality out of the sensor.

Of course, it works less well with moving subjects, even when shooting at a high frame rate, so I chose not to use it for street photography. If you can support the camera, it would also be beneficial for capturing poorly-lit interiors at higher sensitivities.

Even without Composite RAW active, the signal-to-noise ratio will put a smile on your face. I spent most of my shoot at ISO 6400 and above, and the camera delivered a commendable balance of sharpness and grain. I wasn’t blown away by the in-camera treatment of JPGs though, and as low as ISO 800, there was smudging of detail through quite aggressive noise reduction. Weirdly, this didn’t seem to get much worse up to ISO 3200.

Further proof that the dynamic range is noteworthy is highlight retention at the extended low ISO settings. At ISO 50, which is essentially an overexposed image with the exposure digitally reduced, there was still data present at the right side of the histogram.

One of my favorite features of the A7 V is the IBIS system. Compensating for up to 7.5EV of shake in the center of the frame and 6.5EV at the edges, up from 5.5-stops on the A7 IV, the stabilisation enables hand-held shots at ridiculously slow shutter speeds. I was able to capture usable images at exposures of around one second – unthinkable just a few years ago. This enabled me to capture the movement of objects within the frame while rendering static areas sharp. It’s one of my go-to street and urban photography techniques.

It doesn’t quite match the 8-stop hybrid IBIS-lens-based system seen in the Canon EOS R5 Mark II, Canon EOS R3, and Canon EOS R7 on paper, but it performs exceptionally well.

  • Image quality score: 4.5/5

Sony A7 V: testing scorecard

Sony A7 V

Attributes

Notes

Rating

Price

The A7 V is another example of how pro features are becoming increasingly more affordable. It's not cheap, but you get a hell of a lot of camera for the money

4.5/5

Design

There are no surprises from Sony. You might call the similarities with other Alpha cameras unimaginative but why fix what isn't broken?

4.5/5

Performance

The IBIS is superb, allowing hand-held long exposures, while AF is responsive, customizable, and accurate.

5/5

Image quality

Low-light quality is superb, as is auto White Balance. Jpeg processing is heavy-handed, but overall, the camera sets a new standard for enthusiast products.

4.5/5

Should I buy the Sony A7 V?

Buy it if...

You want an affordable full-frame camera

It might not be the cheapest camera with a full-frame sensor on the market, but you get a lot of camera for your buck. The A7 V has everything an enthusiast photographer could hope for or need.View Deal

You shoot both stills and video

Like the A7 IV before it, the new camera delivers exceptional video features too, with 4K resolution, 60fps without a crop, and S-Log available for high-end grading.View Deal

Don't buy it if...

You are a beginner

There is a lot of camera here. Novices are unlikely to get the most from all of the features available, and the mammoth toolset might even be off-putting. View Deal

You just bought an A7 IV

Let's be clear, the A7 V is a significant upgrade to its predecessor, but with a similar resolution, equal sensor size, and advanced features, the A7 IV is a great camera on its own merits. I wouldn't suggest there's enough difference between the two for an upgrade just yet.View Deal

Also consider

How I tested the Sony A7 V

  • I tested a full production model
  • The A7 V body was accompanied by the FE 20-50mm f/2.8 G and FE 70-200mm f/4 Macro G OSS II
  • Images were taken in a range of lighting conditions, using each ISO setting so noise levels could be compared throughout the range

I always like to push a camera to the edges of its capabilities and, to that end, I shot using the extremes of the ISO range. In bright light, I set the camera to the extended low ISO of 50, and then explored several low-light locations to test the camera all the way up to the expanded high setting of 204,800. I left the White Balance set to auto throughout the review to see how the camera responded to different lighting conditions. I also shot in RAW+JPG mode, so I had unprocessed files and compressed images for the sake of comparison.

  • First reviewed December 2025
I tested the new Sony A7 V, and now it’s my favorite Sony camera ever
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Sony A7 V: two-minute review

Some photographers, possibly even those working at Sony, see the A7 range of mirrorless cameras as the firm’s entry-level full-frame models. On paper alone, this may seem a reasonable suggestion when comparing the specifications to the most premium models. However, the Sony A7 IV, launched in October 2021, carries a 33-megapixel 36x24mm sensor, ISO50-204,800 sensitivity range, 5.5EV in-body image stabilization system, and a top continuous shooting rate of 10 frames per second. It’s by no means a slouch and this is all available for under $2500, so while it might be one of Sony’s more affordable E-mount bodies, it has been able to give pro-spec cameras a run for their money for several years.

On the face of it, the A7 V seems more of an iterative upgrade to its predecessor, rather than a revolution. However, once you dig deeper, there is a lot of exciting new technology to explore. Debuting the new partially-stacked sensor and new Bionz XR 2 processing engine, this camera represents a significant step forward for photography enthusiasts and semi-professionals. It’s more responsive than the A7 IV, both in focusing reaction time and accuracy, and delivers superior performance from the ground up.

Images are sharply detailed, and noise is well-controlled, especially for a model equipped with a 33MP resolution. It certainly matches or outperforms the current generation of competing cameras, such as the Canon EOS R6 Mark II or Panasonic Lumix S5 II, although I’ll be interested to see how low-light capabilities compare to the likes of the Canon EOS R6 Mark III when it inevitably comes to market, which is likely not too far in the future.

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

If you’ve used other Sony Alpha cameras, you’ll fall right into step with the A7 V. Some might call Sony’s conservative approach to design unimaginative, but it means that you can allow muscle memory to play its part on shoots where speed matters most. A few useful practical refinements notwithstanding, the A7 V is very similar to models that came before it, and on picking it up, you get a feeling of coming home, a comforting sensation when other stressful elements of a photoshoot come into play.

These days, I’m more likely to be blown away by enthusiast-level products than flagships, which rarely offer many surprises, as pro technology trickles down the rankings to more affordable offerings. The niche this camera inhabits has the potential to provide unbeatable value to the greatest range of photographers, and happily, the A7 V fulfills this promise. It’s an impressive upgrade to an already outstanding camera, serving up great responsiveness, useful features and exceptional image quality. I still wouldn’t call it revolutionary, and there are some quirks that I’d like to see refined, but if you’re an aspiring wildlife, event, or travel photographer, I’m confident you’ll fall in love with it, and that it will trouble TechRadar's best cameras and best mirrorless camera guides.

Sony A7 V specs

Sony A7 V Specs:

Type:

Mirrorless camera

Sensor:

Full-frame (36x24mm) semi-stacked CMOS

LCD:

3.2-inch, multi-articulated, 2.095m dots

Memory:

2x SDXC, 1x CFexpress Type A

Resolution:

33-megapixels

Video:

Up to 4K60p (4K120p in 1.5x crop mode)

ISO range:

ISO 50-204,800

Mechanical Shutter speeds:

30-1/8000sec

Electronic Shutter speeds:

30-1/16000sec

Viewfinder:

3.686m dot, OLED EVF, 0.78x

Processor:

Bionz XR 2

Connectivity:

AX WiFi (WiFi 6), Bluetooth, 2x USB-C, audio

Weight:

659g

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

Sony A7 V: Price and availability

  • Released December 2, 2025
  • Body only price of $2,899 / £2,799 (Australia TBC)
  • Kit options will be available, including with a new FE 28-70mm F3.5-5.6 OSS II

The Sony A7 V launched worldwide on December 2, 2025 priced $2,899 / £2,799 (body only, Australia TBC), alongside a new FE 28-70mm F3.5-5.6 OSS II kit lens. The lens costs $449.99 / £429 separately (Australia TBC) and will be available separately from February 2026.

Ahead of then, the FE 28-70mm F3.5-5.6 OSS II kit lens can be purchased as a kit with the A7 V for $3,099 (UK / Australia TBC). There will be other kits available, TBC.

This pricing is right on par with the Canon EOS R6 Mark III (and just $100 / £100 more than the Nikon Z6 III was at launch, but which is now available for much less).

  • Price score: 4.5/5

Sony A7 V: Design

  • Larger 3.2-inch rear LCD
  • Versatile multi-pivot articulated monitor
  • Hybrid memory card slot

Externally, I’d be very impressed if anyone could distinguish the A7 V from the A7 IV on looks alone. Apart from the name, discreetly emblazoned on the top plate, just to the left of the viewfinder, there isn’t much else to identify the latest iteration. However, a closer inspection reveals a redesigned handgrip. It’s very slight, with a tiny shift to the angle of the shutter button to account for the modest increase in weight from the Mark IV, but it makes a natural refinement to the ergonomics of the camera.

In terms of handling, the A7 V is supremely comfortable to hold, perhaps more so than most other Alpha bodies in the range. Logically, I know there is significant continuity between models, but something about the A7 V felt more balanced to me. I’ve always found Sony cameras to be too boxy for my tastes, especially when shooting for longer periods and when using larger lenses. The A7 V is unmistakably a Sony product, but it just fit my hands a lot better than I remember the A7 IV doing.

Shooting all day around London with the FE 24-50mm f/2.8 G lens, the setup was perfectly balanced, the center of gravity seemingly right where the optics meet the lens mount. This made shooting one-handed a breeze, even when holding the camera at arm's length over my head to shoot a street performer over the heads of a large crowd.

I appreciated that the playback and delete buttons are located on the same side of the camera body and immediately adjacent to each other on the back plate. This is a personal preference, of course, but I find this makes quickly making in-the-field quality control decisions quicker, rather than having to work two-handed and hunting for a control on the opposite side of the body to preview and delete obviously blurry shots.

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

Another excellent feature that seems unique to Sony cameras is dual-function card slots that fit both SD and CFexpress. As someone with more high-performance SD cards than I’d like to think about, I love this. Although I am gradually filling out my stock of CFexpress, I still like to have the choice, and a camera that supports both, while still allowing dual card functionality with either format is hugely thoughtful.

With a Canon EOS R5 Mark II, for example, you need to take a supply of both card types if you want the benefits of in-the-field backups, while the Canon EOS R6 Mark II requires two SD cards only, delaying investment in CFexpress until a future upgrade (which will no doubt be an expensive ordeal). On Sony cameras, there are no such compromises.

It’s a shame the A7 V only has one of the two slots capable of accepting CFexpress Type A, but perhaps this is what you pay the extra money for when buying a camera like the Sony A7R V.

Another excellent design flourish is the extra control wheel above the Auto Exposure Lock button, which by default is set up to adjust exposure compensation in P, A or S modes. I enjoy not having to hold down another button to change this, and the additional dial allows you to amend the aperture and image brightness with single controls each. Naturally, each dial can be reassigned a custom function from within the A7 V’s Operation Customize menu, found under Setup.

The Sony A7 V camera

(Image credit: Future/ Peter Fenech)

The build quality is of an exceptionally high standard. I didn’t have the opportunity to test the camera’s weather resistance – unusual for a British reviewer in November – but nevertheless, there are no obvious compromises in the integrity of the construction. Apart from the hollow battery and memory card bays, no other part of the body reverberates excessively when tapped, giving the sensation of it being milled from a single piece of metal.

All of the dials are beautifully knurled and easy to twist, but with enough resistance that it isn’t too easy to nudge them by accident.

We also can’t talk about the design of the camera without mentioning the versatile dual-hinged main LCD. Sony has gone back and forth with its approach to screen articulation over the years, and as far back as the A99 II DSLR camera, the multi-point design has allowed the user to both tilt and swivel the LCD. Some photographers prefer the vertical tilt format, while others like myself appreciate a full swivel function.

Users of the A7 V don’t have to choose – unlike with the A7 IV which is single-axis vari-angle only – which I found useful when shooting ground-level street photos of graffiti artists under Waterloo Station. It’s a clever strategy also found in recent Lumix cameras, and which I’d like to see more brands adopting.

  • Design score:4.5/5

Sony A7 V: Performance

  • New Bionz XR 2 processor
  • No dedicated AI autofocus processing engine
  • Long 750-shot battery life

Speaking of LCD screens, the model featured on the A7 V is both larger and more detailed than its predecessor. It measures 3.2 inches, up from 3 inches on the A7 IV, while resolution has doubled the 1,036,800 dots previously available. I found it to be very crisp, and colors look natural. This is a attribute of camera screens that isn’t talked about enough. Monitors might be super contrasty and saturated as standard, but this won’t always give the most useful preview of the images about to be captured.

The touch sensitivity is just right, and I found it to be more responsive than both the Mark IV and the A7R V, demonstrating the difference that three years can make. It’s not that those cameras were particularly unresponsive, but this latest monitor gave me no sense that it was standing between me and the settings I wanted to access.

I especially liked the reaction time for touch focus; with a single tap the camera activates the AF and immediately snaps to the object selected. I don’t always use touch focus features, but combined with the versatile LCD pivot points, I found myself using them frequently during my testing of the A7 V.

Autofocus itself is smooth and super-fast. Built around a new system of 759 Phase Detection AF points that cover 90% of the frame, the A7 V can focus in lighting as low as -4EV. Although the camera did slow down as ambient lighting dropped, with the rate of focus hunting increasing, it still did a sterling job of finding and tracking the subject. It’s also incredibly precise.

Interestingly, the A7 V doesn’t feature a dedicated AI processor, as found on the Sony A1 II. This might surprise many industry observers, in an age where AI is king and excluding such features might seem a retrograde step. However, the new Bionz XR 2 moves all AF computations on-chip, instead of dividing the workload between two units.

Sony says the up-specced processor brings the same benefits of a separate AI engine, namely better AF target recognition, but with the added advantage of reduced heat emissions, superior speed, and improved battery life. After all, powering one chip is better than supplying two.

I didn’t have an A1 II body available to test the cameras side-by-side, but rarely did the A7 V struggle to locate my subject. There are plenty of options to customize subject recognition, and the camera coped well with human figures, cars, and airplanes, in the chaos of Central London and at Heathrow Airport.

Also new to the A7 V are the options to change AF responsiveness and to select an extra small or large AF point. While I didn’t find much need to alter these settings during my test, I could see where this might be of huge benefit. Turning down AF responsiveness if it’s likely that other objects will pass between the camera and the subject, like when shooting across a busy road or players on a football field, will help keep the focus sticky on your subject.

I can also vouch for the stated 750-shot battery capacity. After 300 frames, in the relative chill of a winter afternoon, I still had 75% charge, and by 650 shots, this sat around the 40% mark. This excellent, rival-beating performance included shooting both long still exposures and video.

In terms of shooting speed, the A7 V is one quick camera in operation. Startup is near instantaneous, and exposure assessment is now done at twice the number of calculations per second compared to the A7 IV.

Using the electronic shutter, it’s now possible to capture images at up to 30fps, up from 10fps on the previous camera. Pre-capture is also possible up to a user-selectable 30fps, meaning the camera is always ready and able to cover the action in the briefest of moments. Without wanting to sound like an advert for Sony (remember, this review is completely independent), there were times when I felt I was having to keep up with the camera. This isn’t something I encounter often, and it kept me on my toes.

It’s a very minor point, but I found the shutter release to be just a little too sensitive for my liking. There were a few occasions when I was simply trying out a composition and accidentally fired off a burst of shots – a bit of a laborious situation when the camera makes 30 frames every second! I’d definitely recommend re-assigning focussing to the AF-ON button to work around this.

  • Performance score: 5/5

Sony A7 V: Image quality

  • Excellent Dynamic Range
  • Superior high-ISO performance
  • Ultra-effective IBIS system

One of the headline features of the A7 V that is certain to get people talking is the new semi-stacked sensor. This CMOS design has developed somewhat of a bad rep because of its deployment in other cameras with limited success, such as the Nikon Z6 III. There is a risk of significant trade-offs in dynamic range for the additional readout speed a semi-stacked (or partially-stacked) sensor provides. Sony is confident enough, however, to claim a DR of up to 16-stops with the A7 V – that's an additional stop versus the A7 IV – so I couldn’t wait to see how the camera performed in the real world.

I’m not entirely convinced by the 16EV claim, as there were times when there was less highlight texture than I had anticipated, and clipped shadows where I hadn’t expected. However, the results were still impressive. In the majority of shots, there was recoverable detail across the range. From memory alone (and not having yet taken the A7 V into the lab for testing, that’s all I have to work on), I would place the dynamic range on an even footing with models like the 24MP Canon EOS R6 Mark II and Nikon Z6 III. Clearly, Sony deserves some applause for this, as it’s a clear indicator that the A7 V is a next-gen competitor.

Now let’s talk about color. Traditionally, this hasn’t been my favorite aspect of Sony cameras. I’ve always felt that, compared to Canon and Fujifilm models, Sony color science was a bit sterile. Accurate, maybe, but lacking warmth and ‘flavor’. These traits are present in the A7 V, as is to be expected, but I noticed colors seemed more organic than I’ve seen from its stablemates.

The auto White Balance system hardly ever missed a trick, even when shooting wall art comprising overlapping primary colors in mixed natural and artificial lighting: quite possibly a condition that cameras have nightmares about. The A7 V handled the situation beautifully. I could wax lyrical here for three more paragraphs, but I’ll summarize with this: if the camera could cope this well under these conditions, it could cope anywhere.

Images captured in London with the Sony A7 V

Dynamic range might not quite manage 16-stops in every image, but matches lower resolution cameras from competing brands (Image credit: Future/ Peter Fenech)

I don’t always believe rumors, but in this case the suggestion that Composite RAW capability was to be included on the A7 V has turned out to be true. Previously seen on the Sony A9 III, this mode captures a sequence of RAW files that are then combined to produce a higher-resolution file with reduced noise. It works nicely and does what it says on the tin – if you shoot landscapes or in the studio, this is a great feature for squeezing every oodle of quality out of the sensor.

Of course, it works less well with moving subjects, even when shooting at a high frame rate, so I chose not to use it for street photography. If you can support the camera, it would also be beneficial for capturing poorly-lit interiors at higher sensitivities.

Even without Composite RAW active, the signal-to-noise ratio will put a smile on your face. I spent most of my shoot at ISO 6400 and above, and the camera delivered a commendable balance of sharpness and grain. I wasn’t blown away by the in-camera treatment of JPGs though, and as low as ISO 800, there was smudging of detail through quite aggressive noise reduction. Weirdly, this didn’t seem to get much worse up to ISO 3200.

Further proof that the dynamic range is noteworthy is highlight retention at the extended low ISO settings. At ISO 50, which is essentially an overexposed image with the exposure digitally reduced, there was still data present at the right side of the histogram.

One of my favorite features of the A7 V is the IBIS system. Compensating for up to 7.5EV of shake in the center of the frame and 6.5EV at the edges, up from 5.5-stops on the A7 IV, the stabilisation enables hand-held shots at ridiculously slow shutter speeds. I was able to capture usable images at exposures of around one second – unthinkable just a few years ago. This enabled me to capture the movement of objects within the frame while rendering static areas sharp. It’s one of my go-to street and urban photography techniques.

It doesn’t quite match the 8-stop hybrid IBIS-lens-based system seen in the Canon EOS R5 Mark II, Canon EOS R3, and Canon EOS R7 on paper, but it performs exceptionally well.

  • Image quality score: 4.5/5

Sony A7 V: testing scorecard

Sony A7 V

Attributes

Notes

Rating

Price

The A7 V is another example of how pro features are becoming increasingly more affordable. It's not cheap, but you get a hell of a lot of camera for the money

4.5/5

Design

There are no surprises from Sony. You might call the similarities with other Alpha cameras unimaginative but why fix what isn't broken?

4.5/5

Performance

The IBIS is superb, allowing hand-held long exposures, while AF is responsive, customizable, and accurate.

5/5

Image quality

Low-light quality is superb, as is auto White Balance. Jpeg processing is heavy-handed, but overall, the camera sets a new standard for enthusiast products.

4.5/5

Should I buy the Sony A7 V?

Buy it if...

You want an affordable full-frame camera

It might not be the cheapest camera with a full-frame sensor on the market, but you get a lot of camera for your buck. The A7 V has everything an enthusiast photographer could hope for or need.View Deal

You shoot both stills and video

Like the A7 IV before it, the new camera delivers exceptional video features too, with 4K resolution, 60fps without a crop, and S-Log available for high-end grading.View Deal

Don't buy it if...

You are a beginner

There is a lot of camera here. Novices are unlikely to get the most from all of the features available, and the mammoth toolset might even be off-putting. View Deal

You just bought an A7 IV

Let's be clear, the A7 V is a significant upgrade to its predecessor, but with a similar resolution, equal sensor size, and advanced features, the A7 IV is a great camera on its own merits. I wouldn't suggest there's enough difference between the two for an upgrade just yet.View Deal

Also consider

How I tested the Sony A7 V

  • I tested a full production model
  • The A7 V body was accompanied by the FE 20-50mm f/2.8 G and FE 70-200mm f/4 Macro G OSS II
  • Images were taken in a range of lighting conditions, using each ISO setting so noise levels could be compared throughout the range

I always like to push a camera to the edges of its capabilities and, to that end, I shot using the extremes of the ISO range. In bright light, I set the camera to the extended low ISO of 50, and then explored several low-light locations to test the camera all the way up to the expanded high setting of 204,800. I left the White Balance set to auto throughout the review to see how the camera responded to different lighting conditions. I also shot in RAW+JPG mode, so I had unprocessed files and compressed images for the sake of comparison.

  • First reviewed December 2025
Gurman: iOS 27 update to focus on performance improvements and AI
9:42 am | November 24, 2025

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

The iOS 26 update for iPhone was all about the new ‘Liquid Glass’ user interface and several new features. However, the next major iPhone update, iOS 27, will reportedly focus on improving performance and AI features. According to Bloomberg’s Mark Gurman, the iOS 27 update will offer ‘quality improvements and artificial intelligence features’. He adds that Apple is prioritizing bug fixes, improving core system performance, and overall platform stability. Other than improving performance and stability, Apple will also be bringing new AI features to the iOS 27 update. As per Gurman,...

Gurman: iOS 27 update to focus on performance improvements and AI
9:42 am |

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

The iOS 26 update for iPhone was all about the new ‘Liquid Glass’ user interface and several new features. However, the next major iPhone update, iOS 27, will reportedly focus on improving performance and AI features. According to Bloomberg’s Mark Gurman, the iOS 27 update will offer ‘quality improvements and artificial intelligence features’. He adds that Apple is prioritizing bug fixes, improving core system performance, and overall platform stability. Other than improving performance and stability, Apple will also be bringing new AI features to the iOS 27 update. As per Gurman,...

Sony Xperia 1 VII review: has Sony’s long-standing Xperia family lost what it takes to compete?
5:25 pm | November 19, 2025

Author: admin | Category: Computers Gadgets Phones Sony Xperia Phones | Tags: , , , | Comments: Off

Sony Xperia 1 VII: Two-minute review

The Xperia 1 VII is Sony’s top Android phone. It’s simultaneously refreshing among its peers and too conservative to be considered all that interesting or dynamic.

It’s very similar to its predecessor, the Sony Xperia 1 VI, but stands out as one of the few higher-end phones with a headphone jack and microSD expandable storage. These are not expensive features, but do partially come to define the Xperia 1 VII’s appeal against its rivals.

The other side of the phone is a bit more problematic. Aside from using what was at launch the latest, most powerful, Qualcomm chipset, the Xperia 1 series is falling behind in a few areas.

Charging speed, battery capacity, camera slickness, and video modes nowadays feel a little regressive in this class, and some of these areas are more limited than they were in some earlier generations of the Sony Xperia 1 VII’s family.

This would not matter so much were the Sony Xperia 1 VII not extremely expensive, but it costs more than the Samsung Galaxy S25 Ultra, which is the more dynamic phone.

Sony Xperia 1 VII review: price and availability

Sony Xperia 1 VII review images

(Image credit: Future)
  • Starts at £1,399 (roughly $1,870 / AU$2,885)
  • Launched in June 2025

The Sony Xperia 1 VII was released in June 2025, following an announcement in May.

It costs £1,399 or 1,499 euros, equivalent to around $1,870 / AU$2,885 in a direct currency conversion at the time of writing, but with no current availability in those regions. This is for the model reviewed, which has 12GB RAM and 256GB of storage. There is also a 512GB model in some parts of the world, but this isn't available in the UK.

In any case, that price puts the Sony Xperia 1 VII among the most expensive Android phones to date, short of unusual models encrusted with jewels or gold bling.

  • Value score: 2 / 5

Sony Xperia 1 VII review: specs

Here's a full specs list for the Sony Xperia 1 VII, so you can see what it has going for it at a glance:

Sony Xperia 1 VII specs

Dimensions:

162 x 74 x 8.2mm

Weight:

197g

Screen:

6.5-inch 19.5:9 FHD+ (1080 x 2340) 120Hz LTPO OLED

Chipset:

Snapdragon 8 Elite

RAM:

12GB

Storage:

256GB

OS:

Android 15

Primary camera:

48MP, f/1.9, 24mm

Ultra-wide camera:

48MP, f/2.0, 16mm

Telephoto camera:

12MP, f/2.3-f/3.5, 3.5x-7.1x zoom (85-170mm)

Front camera:

12MP, f/2.0, 24mm

Audio:

Stereo speakers

Battery:

5,000mAh

Charging:

30W wired, 15W wireless

Colors:

Moss Green, Orchid Purple, Slate Black

Sony Xperia 1 VII review: design

  • Gorilla Glass Victus 2 screen protection
  • Familiar Sony 'monolith' design
  • 3.5mm headphone jack

Phones these days are often accused of being boring, and in many ways the Sony Xperia 1 VII is also guilty of that. It looks virtually identical to its predecessor, and is part of a design family tree so long it could shame some monarchical dynasties.

The Sony Xperia 1 VII is a metal and glass brick that offers very little in the way of visible outer progress in tech or style. But that’s kind of the point with this series.

Sony offers lots of the bits other manufacturers have long since discarded in the noble pursuit of copying Apple. For example, the Sony Xperia 1 VII has a headphone jack, which I love as someone who actually bought a pair of wired in-ear monitors during testing.

It also has space for a microSD card in its SIM tray, and there’s no notch or punch-hole in the screen, just larger-than-most display borders. And it has a two-stage shutter button for the camera too. I’m not much of a fan of the latter these days, but Sony can make treading water seem valuable because it offers so much that other flagship phones just don’t have anymore.

Most of the build bullet points are largely beyond reproach too. The Sony Xperia 1 VII is a full metal and glass phone, with Corning’s tough Gorilla Glass Victus 2 up front, and aluminum sides. Its rear panel is 'just' Victus rather than its successor, which has better drop resistance, but this still provides a respectable amount of protection.

The back is also textured, with a series of embossed dots, apparent when you look real close. It’s very fingerprint-resistant, and simply gives the Sony Xperia 1 VII a different feel than that of flat glossy glass.

Sony Xperia 1 VII review images

(Image credit: Future)

It is basically an identical feel to the Sony Xperia VI, though, especially as the two generations also have a sort-of corrugated effect to the frame.

The rectangular shape makes the Sony Xperia 1 VII feel tough, the sort of phone you could use as a bludgeoning weapon. But in previous generations I’ve found it less than ideal for the finish’s longevity. Eventually the paint will wear off the sharp corners of the frame, showing up as bright, raw aluminum highlights. A couple of weeks in, that wear is already visible on the Sony Xperia 1 VII's camera lens housing.

You can fix that with a case, of course, but the Sony Xperia 1 VII does not include one.

Like other phones in this series, the Xperia 1 VII also has a side-mounted fingerprint sensor rather than an in-screen one. It doesn’t feel as instantaneous as some, and I find it annoyingly picky. As soon as I’ve done a little exercise, just a bit of sweat will cause my finger not to be recognized.

The speaker array deserves a note too. There are front-mounted stereo speakers, with the fairly full-sounding audio I’ve come to expect of top-tier phones. It may not be the loudest stereo pair among flagship phones, but I’ve happily spent many (many) hours listening to podcasts using nothing more than these speakers.

Water resistance is excellent too, as is typical for Sony. The Xperia 1 VII is rated for IP65 and IP68, for protection from immersion in fresh water and being subjected to jets of the stuff. This finish may be easy to scrape, but the phone is difficult to drown.

  • Design score: 3 / 5

Sony Xperia 1 VII review: display

Sony Xperia 1 VII review images

(Image credit: Future)
  • Bright screen makes good use of HDR
  • Lower resolution than older Xperia flagships
  • Colorful and contrasty

This Sony series used to employ some pretty wild display panels, with ultra-tall shapes and ultra-high resolutions. But the Sony Xperia 1 VII has a far more ordinary 1080p screen that measures 6.5 inches across.

There’s no notch, it’s a totally flat panel, and this is a 120Hz OLED screen with OLED staple deep color and flawless contrast.

The Sony Xperia 1 VII’s default color mode has strong saturation, but there’s also a Creator mode that lowers saturation for a more measured appearance. This also kicks in as standard in apps that try to take over the color presentation of the screen, which is great.

It means your photos end up looking as they will on other well-calibrated screens, rather than severely oversaturated.

There’s nothing too special going on here, but the Sony Xperia 1 VII's screen is at least very bright. Legibility in strong direct sunlight is good, and the high peak brightness makes the most of the latest movements in HDR.

And I’m not just talking about HDR video. You’ll notice in Instagram that sometimes the highlights of the picture are brighter than the app’s white border. That’s HDR for you, and it can look great. It’s used when you look at your own photos in the gallery too, most notably bringing out the bright highlights in clouds in a very eye-catching manner.

Let’s not get carried away, though. Phones are currently on an upwards peak brightness trend thanks to the underlying OLED panel tech developing fairly rapidly in the background. Even fairly affordable phones have ridiculously high peak brightness claims — like the 3,000-nit Nothing Phone 3a.

  • Display score: 3.5 / 5

Sony Xperia 1 VII review: cameras

Sony Xperia 1 VII review images

(Image credit: Future)
  • High-quality primary camera
  • Could feel more responsive and quick
  • Zoom is fun to use but disappoints on image quality in 2025

You’d think phones like the Sony Xperia 1 VII would have the best phone cameras in the world. A division of Sony, after all, does make almost all of the camera sensors used by the best phones.

Yet despite that the Sony Xperia 1 VII doesn't quite match the best rivals here, not in all respects anyway. While the Sony Xperia 1 VII has mostly top-tier hardware, the experience of actually using the camera doesn’t have the standard-setting gloss and slickness you might expect.

For example, the shutter doesn’t always feel instantaneous, and there’s sometimes a fractional wait between captures as you shoot single stills. The best-feeling phone cameras appear to operate as fast as your finger will go. The Sony Xperia 1 VII isn’t quite there.

Its preview image isn’t the best either. For example, Samsung provides a solid estimation of what a photo will look like before you even take it, including the effects of its HDR processing. The Sony Xperia 1 VII will sometimes show blown highlights in the preview view, even if it pretty much always fixes those highlights by the time the image hits your gallery.

As we’ve seen across the phone, much of the camera is pretty familiar compared to the last generation. The Sony Xperia 1 VII has a large-sensor 48MP primary camera and a still-unusual genuine optical zoom lens – virtually every other phone zoom has what’s known as a prime lens, where the view is fixed.

The ultra-wide gets a notable upgrade, though. Sensor resolution jumps from 12MP to 48MP, which could be good or bad depending on the sensor used. But this time it’s also a much larger sensor, jumping from 1/2.5-inch in the Xperia VI to 1/1.56-inch here. It’s one of the higher-spec ultra-wide cameras you’ll find.

Sure enough, the ultra-wide takes lovely pictures, giving the Xperia 1 VII an admirable sense of consistency between the wide and ultra-wide lenses. Colors aren’t oversaturated, instead appearing largely natural.

Are these two lenses actually equals? It’s not even close, and that becomes clear at night. The Sony Xperia 1 VII can only take (barely) passable low-light shots with the ultra-wide, lacking the dynamic range and detail of the main camera. Far-away brick work turns to mush, and it also seems the ultra-wide shots don’t get as much low-light processing either.

The main camera’s night shots are good, although Sony perhaps leans slightly less egregiously on computational photography to enhance dynamic range. This can mean photos look more natural than the norm, if also less impressive in some scenes.

Sony Xperia 1 VII review images

(Image credit: Future)

The deficiencies of the zoom camera aren’t too hard to find either, even though having what amounts to 16mm-170mm framing versatility is amazing. This camera allows you to shoot at anywhere from 3.5x to 7.1x optical zoom, but when shooting at the further reaches of the zoom in particular, detail integrity and clarity are actually pretty poor considering we are looking at a non digitally-zoomed image.

It’s likely down to a conjunction of two factors that limit the quality of photos we’ll be able to get. There’s the lowly f/3.5 aperture – which is fine in a 'proper' camera but very poor in a mobile phone. And the sensor itself is small. That said, I’ve found that image quality issues can appear in any kind of lighting, from blazing sunshine to night.

That’s not to say the Sony Xperia 1 VII’s extreme zoom images are unusable. They can look good on the surface, but fall apart a bit when approached with a critical eye.

The zoom camera also has a kind of amazing macro mode, which is available at the 120cm focal length. You can focus at up to 4cm away from the camera. It’s enough to reveal the printed dots in a Magic the Gathering card, or the subpixels in a MacBook Air’s display. I’ve used it to identify tiny spiders, and get a closer look at ripening blackberries, but you need a steady hand as the depth of field is extremely shallow. Thankfully the Xperia 1 VII does have a focus peaking option to help out. This is where in-focus elements of the scene are highlighted.

But, stepping back once more, compared to the more conventional pericope designs in phones like the Samsung Galaxy S25 Ultra and Xiaomi 15 Ultra, Sony needs to up its game to compete.

For video, the Sony Xperia 1 VII has some solid skills, with some odd missing parts. It can capture 4K video at up to 120fps, and there’s a software-generated 'bokeh' blur video mode and an extra stabilized 'AI' mode.

However, where Sony used to be the master of slow-mo video, the Xperia 1 VII has no real notable skills here. Back when ultra-powered slow-mo modes became a show-off contest, there was often interpolation involved. But it was fun to play around with, and that’s largely absent here.

Around the front, the Sony Xperia 1 VII has a 12MP selfie camera. It’s good, capable of rendering natural-looking skin tones, and has the detail to pick out pores, single facial hairs and so on – when you aren’t obliterating such details with filters.

  • Camera score: 3.5 / 5

Sony Xperia 1 VII review camera samples

Sony Xperia 1 VII review: performance

Sony Xperia 1 VII review images

(Image credit: Future)
  • Gradual thermal throttling attempts to manage heat
  • A high-performing phone
  • Still gets a little too warm on occasion

The Sony Xperia 1 VII has one of the best chipsets available to Android phones in 2025. This is the Qualcomm Snapdragon 8 Elite. It’s enormously powerful (though now beaten by the new Snapdragon 8 Elite Gen 5), and here it’s paired with 12GB of RAM and 256GB of storage.

This will be able to handle any game you throw its way and, the largely non-processor-related camera hitches aside, general performance is great. But that's as it should be, as we have every right to expect one of the best possible processors in the Sony Xperia 1 VII, given how much it costs.

When pressure is applied, Sony takes a highly progressive approach to thermal throttling in the Xperia 1 VII. Where some phones hang on for dear life until the internal temperature sensor reaches a certain level, here the performance scales with temperature in a more fine grain way, chipping down almost from the beginning of a gaming session or benchmark test.

After 20 minutes the Xperia 1 VII ends up at 55% of its peak performance. And as that test was performed on a hot day during the summer, I also slung the phone in a fridge to see what happened with the same test. Once again, there was that very gradual loss of power, ending up with 78.8% of its max after 20 minutes.

I have also noticed that the Xperia 1 VII gets hot on occasion, which is predictably accompanied by faster power drain.

In any case, losing up to 45% of peak power may sound pretty bad, but it’s not uncommon to see up to a 55% loss in phones with these high power chipsets.

Some folks had major reliability issues with the Xperia 1 VII at launch, spurring a response from Sony itself. Thankfully, it’s been mostly smooth sailing day-to-day during testing, though.

  • Performance score: 4 / 5

Sony Xperia 1 VII review: software

Sony Xperia 1 VII review images

(Image credit: Future)
  • Sticks to the AI basics
  • Fewer Sony apps than some older phones
  • Familiar Sony interface style

The Sony Xperia 1 VII runs Android 15 and has Sony’s long-standing custom interface on top. It comes with the promise of four years of operating system version updates and six years of security patches.

There’s nothing too surprising here. It has an app drawer, one that can be arranged either alphabetically or using your own layout. Choose the latter and you can also sort apps into folders.

The only interface niggles we’ve found are that the Wi-Fi switch wasn’t put in the feature toggle drop-down as standard, and that the standby behavior and lock screen layout means it’s easy to accidentally have podcasts or songs skip while the phone is in your pocket.

These are not problems without fixes, but they are annoying.

Sony Xperia 1 VII review images

(Image credit: Future)

A while back, Sony went big on its own apps, including multiple camera apps for enthusiasts and the point ’n’ shoot crowd. It made a minor splash at the time, but all that has mostly been scaled back in favor of simplicity.

And, let’s be honest, having to maintain multiple apps for the same job has got to be a pain.

The Sony Xperia 1 VII gets a single camera app, a basic video editor, the Music Pro multi-track recorder app, and what Sony calls the Creators’ App. This is part social network, part a way to bring over the photos taken with your 'proper' Sony camera(s).

Sony’s concept here does kind of make sense, to bring together the other sides of Sony’s wider business to lend the Xperia 1 VII additional credibility. It desperately wants to make phones for creatives, but doesn’t really have a hope in hell of bringing many of them over to its stable, especially as there are alternatives to all of these apps floating around, ones with more workflow-boosting features.

This phone also does not have an app pre-installed that lets you use the phone as an external monitor for Sony Alpha mirrorless cameras, despite that feature once being hailed as a photographer’s USP for buying a top-tier Xperia. I did install a Sony app that appeared to do that job, but it also appears to be largely brand-agnostic on the phone side, and I’m primarily a Fuji camera user anyway.

Sony has not gone heavy on AI software in the way other manufacturers have – which may be appealing or a turn-off depending on your tastes. It is here, though. Long-press the side power button and Google Gemini AI appears. There’s just not much in the way of Sony-made AI features, which is probably for the best given how at-risk they’d be of coming across as superfluous and try-hard.

  • Software score: 3 / 5

Sony Xperia 1 VII review: battery

Sony Xperia 1 VII review images

(Image credit: Future)
  • Bottom rung 'fast' charging
  • One-day real-world battery life
  • 5,000mAh capacity

The Sony Xperia 1 VII has a 5,000mAh battery, just like its predecessor. I have found that with my use it lasts a solid day and no more.

Is it worse than last year’s model? Perhaps not, or at least not hugely, but Sony has not caught up with one of the new meaningful developments in phone tech of late. This is the silicon-carbon battery, which allows for higher-capacity batteries in the same size of cell.

The Sony Xperia 1 VII lasts a full day with my kind of use, but rarely has much spare to keep it going overnight or into the next day. On a couple of occasions – usually when I’ve watched too much YouTube – it has needed an evening top-up too. And, as noted earlier, there have been moments when it has inexplicably got warmer than it should, indicative of excess power drain.

I think if you are able to get Sony’s claimed two-day use, you’re not using your phone intensively enough to justify one this pricey.

Charging speeds are not particularly impressive either, as 30W is the power ceiling. Sony does not include a power adapter with the phone, but plenty of non-Sony plugs will be able to charge it at max speed, over USB-PD.

A full charge from flat took 88 minutes, while it reached 50% in a much better-sounding 29 minutes. It’s not a real fast charger, and is now also beaten by Samsung – not a fast-charging pioneer either, but at least top phones like the Galaxy S25 Ultra support 45W charging.

The Sony Xperia 1 VII can be charged wirelessly too, but at up to a dismal 15W. Reverse wireless charging is in as well, though, which should come in handy if you have wireless earphones that support Qi charging.

  • Battery score: 3 / 5

Should you buy the Sony Xperia 1 VII?

Sony Xperia 1 VII score card

Attributes

Notes

Rating

Value

The phone costs a fortune. And while it has the raw power expected at this level, and uses great materials, it’s not clear Sony has really done enough to justify asking for this.

2 / 5

Design

It’s that same old Sony design. Largely impeccable materials and great water resistance, but the brick-like shape creates areas that wear down quickly, and Sony doesn’t include a case.

3 / 5

Display

It’s bright and it has OLED color and contrast. But it’s also pretty ordinary considering the panels Sony used to employ. You don’t miss much, other than the sense you’re paying a lot for a screen like this.

3.5 / 5

Software

Sony offers us some creative apps we imagine most buyers will ignore, but the rest of the software is business as usual. Android 15 with a layer of Sony interface pasted on top, and no obvious AI obsession for better or worse.

3 / 5

Camera

A zero-fat camera array like this is what we want to see. And the phone can take beautiful pictures. It could be better on the slickness of the experience, though, and the zoom is falling behind rivals despite sounding great on paper.

3.5 / 5

Performance

Qualcomm’s Snapdragon 8 Elite chipset is swiftly and progressively throttled in the phone to manage heat. A sensible move, if not one the techy gamers may love.

4 / 5

Battery

We’re in the process of seeing a big leap in phone battery capacities. But Sony isn’t there yet, and this phone doesn’t last more than a day in our experience. Fast charging needs to improve too.

3 / 5

Buy it if...

You want a phone with a headphone jack
Old-school in a great way, the Sony Xperia 1 VII has a high-quality 3.5mm headphone jack, which has been a rarity in all but budget phones for years now.

You are a big Sony Alpha mirrorless camera fan
The phone has software to link up to your 'proper' camera’s photo library, and the screen is a great way to review photos.

You just love Sony’s style
Recognizable from way further than arm’s length to any phone geek, Sony’s phone design hasn’t changed much over the years, and fans may be glad of it.

Don't buy it if...

You want cutting-edge tech
While it has a high-end Snapdragon chipset, other areas of the device do not feel as though they are pushing at the edge of what’s possible in phone tech.

You want a deal
This is one of the most expensive Android phones in existence, and there’s a good argument that Sony doesn’t really justify the outlay fully.

You love fast charging
30W power supply support means the Xperia 1 VII takes almost 90 minutes to charge from flat, which seems a lot in 2025.

Sony Xperia 1 VII review: Also consider

Not sure about the Sony? Here are a few alternative options.

Samsung Galaxy S25 Ultra
There are plenty of more aggressive and competitively priced phones at this level. The perhaps most obvious one is the Samsung Galaxy S25 Ultra, which has better zoom skills, costs less and has a larger screen. There’s no headphone jack, of course.

Read our full Samsung Galaxy S25 Ultra review

Google Pixel 9 Pro
The Google Pixel 9 Pro sticks with a smaller screen, costs loads less and still has a solid 5x camera zoom. It makes much more use of software AI, though whether that’s your bag or not depends on your proclivities.

Read out full Google Pixel 9 Pro review

Xiaomi 15 Ultra
The Xiaomi 15 Ultra is an alternative you might not instantly think of. It uses more aggressive camera hardware, and has a larger, faster-charging battery. A more cutting-edge design also fits in a significantly larger screen even though the phone itself is only fractionally wider.

Read our full Xiaomi 15 Ultra review

Sony Xperia 1 VII

Samsung Galaxy S25 Ultra

Google Pixel 9 Pro

Xiaomi 15 Ultra

Price (at launch):

£1,399 (roughly $1,870 / AU$2,885)

$1,299 / £1,249 / AU$2,149

$999 / £999 / AU$1,699

£1,299 (roughly $1,740 / AU$2,675)

Dimensions:

162 x 74 x 8.2mm

162.8 x 77.6 x 8.2mm

152.8 x 72 x 8.5mm

161.3 x 75.3 x 9.4mm

Weight:

197g

218g

199g

226g

Displays

6.5-inch OLED, 120Hz

6.9-inch AMOLED, 120Hz

6.3-inch OLED, 120Hz

6.73-inch AMOLED, 120Hz

Cameras

48MP main, 48MP ultra-wide, 12MP telephoto

200MP main, 50MP ultra-wide, 10MP telephoto, 50MP telephoto

50MP main, 48MP ultra-wide, 48MP telephoto

50MP main, 50MP ultra-wide, 200MP telephoto, 50MP telephoto

Chipset:

Qualcomm Snapdragon Gen 8 Elite

Qualcomm Snapdragon Gen 8 Elite for Galaxy

Google Tensor G4

Qualcomm Snapdragon Gen 8 Elite

How I tested the Sony Xperia 1 VII

  • Review test period: several weeks
  • Testing included: everyday use, photography, long days away from a charger, a weekend away
  • Tools used: Geekbench 6, 3DMark

The Sony Xperia 1 VII was used as my primary phone for several weeks, to get the best idea of how it works. I took hundreds of photos with its cameras, and used it during a weekend away, with long days away from the charger.

Some benchmark performance testing was done too, in order to back up, or potentially challenge, observations I found from my everyday phone use. However, there were not any grand surprises to be found in those benchmarks anyway.

Read more about how we test

First reviewed October 2025

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