The idea of taking the crucial business of digital-to-analogue conversion duties away from your smartphone (which has plenty of other stuff to be getting on with) and doing it properly using a dedicated USB dongle is not a new one – our guide to the best portable and desktop DACs is proof. And the idea of making the price of this USB dongle as aggressive as possible is not especially new, either. But Chinese specialist Hidizs thinks that with the S8 Pro Robin, it has perfected the balance between ‘price’ and ‘performance’.
Certainly this little device looks more expensive than it is, both on paper and in the palm. Specification that includes a balanced architecture DAC arrangement from Cirrus Logic, proper hi-res audio 32bit/384kHz and DSD256 compatibility, and balanced and unbalanced outputs all bode well, as do low weight, tidy dimensions and build quality that makes good use of glass and aluminium.
And up to a point, the Hidizs S8 Pro Robin makes good on its promises. The sound it delivers via a pair of Sennheiser IE900 IEMs when compared to that handed over by an Android smartphone and an Apple laptop is altogether bigger, more detailed, better organised and more dynamic. Where all of these things are concerned, it’s an unarguable step forward.
It doesn’t take long to reveal one or two shortcomings, though. The S8 Pro Robin is no fan of the sort of squashed MP3 files that are Spotify’s stock in trade – it makes the compression they have undergone obvious, and compared to the work it does when given something of 16bit/44.1kHz resolution or above to deal with, they sound rather flat and undemonstrative.
And no matter the quality of the digital audio file you ask the Hidizs to deal with, it renders the top of the frequency range thin and hard. Treble sounds are edgy and splashy, and only get edgier and splashier the louder you listen. This skewing of the frequency range makes the S8 Pro Robin sound rather lopsided, and its top-end characteristics are tiring.
(Image credit: Future)
Hidizs S8 Pro Robin review: Price and release date
Released in May 2024
Priced $79 / £59 / AU$119
The Hidizs S8 Pro Robin USB DAC/headphone amp is available now, having hit shelves (in most regions, at least) in May 2024, and in the United Kingdom it sells for £59. In the United States it goes for $79, while in Australia it costs AU$119.
This is not a lot of money for a USB DAC/headphone amp, it hardly needs saying – our favourites from the likes of Astell & Kern and Helm Audio cost well into three figures. But then again, a bargain is only a bargain if it’s fit for purpose…
Hidizs S8 Pro Robin review: Features
32bit Cirrus Logic DACs
3.5mm and 4.4mm outputs
Supports up to 32bit/384kHz and DSD256 resolutions
Yes, the S8 Pro Robin is small and affordable. But that hasn’t prevented Hidizs from including quite a number of highlights where features are concerned.
For example, the S8 Pro Robin is compatible with pretty much any operating system – attach it to a source of music using the USB-C slot on the bottom and it can play nicely with Windows, every Apple OS, Android and Harmony. And at the opposite end of its little chassis there are both 3.5mm and 4.4mm output sockets - so headphones with balanced or unbalanced terminations can be connected.
It’s in between, though, that the real action is. The Hidizs uses balanced DAC architecture via a couple of 32bit Cirrus Logic CS43131 chipsets, and this allows it to support PCM up to 32bit/384kHz resolution and DSD256. Which means it has its Hi-Res Audio certification and the badge to prove it.
Six digital filters offer a small degree of input into the eventual sound of the S8 Pro Robin – these can be accessed by simultaneously pressing the ‘volume up’ and ‘volume down’ buttons on the side of the chassis. The indicator light on the glass front panel briefly flashes in one of six different colours to let you know which particular filter you’ve selected, before it reverts to a colour that indicates the type and size of digital audio file you’re listening to.
Features score: 5 / 5
(Image credit: Future)
Hidizs S8 Pro Robin review: Design
Aluminium frame
58 x 23 x 11mm (HxWxD)
17g
Hidizs has done the sensible thing, and made the S8 Pro Robin as small and light as realistically possible. At just 17g you won’t even notice it in your pocket, and at 58 x 23 x 11mm (HxWxD) it’s about as unobtrusive as these things ever get.
It’s nicely built and finished, too. The frame is aluminium, and the front and back panels are of glass - it’s quite a tactile little thing. On the front there’s an illuminated company logo, and on one side three little control buttons. The bigger button in the centre is ‘play/pause’, and it has a volume control on either side. Press both ‘volume up’ and ‘volume down’ together and you can cycle through your filter options.
Design score: 5 / 5
(Image credit: Future)
Hidizs S8 Pro Robin review: Sound quality
Enough power to drive even quite tricky headphones
Open and detailed presentation
Insubstantial top end can get tiring
The most important job the S8 Pro Robin has to do is make your headphones (and we truly hope you've chosen something from our best wired earbuds or best wired headphones buying guides here) sound better than when they’re plugged directly into your laptop or smartphone – and it can most certainly do this. Plugged into an Apple MacBook Pro or a Samsung Galaxy S21 Ultra at one end and a pair of Sennheiser IE600 at the other, the difference the Hidizs can make to your experience is significant.
A 16bit/44.1kHz FLAC file of Mary Lattimore’s We Wave From Our Boats sounds fuller, more open and quite a lot more detailed in every department. There’s greater heft to low frequencies, a more spacious rendering of the midrange and a whole lot more bite and attack at the top of the frequency range (which, as I’ll get to, is not an entirely positive trait). Dynamic headroom is improved, soundstaging is more convincing, and there’s greater positivity to the way rhythms are expressed.
Move upwards in resolution from there and all of these positives continue to apply. Go in the other direction, though, with a listen to a 320kbps MP3 file of Idles’ Never Fight a Man with a Perm and the S8 Pro Robin can’t hide its dissatisfaction. Its dynamic response is underwhelming, and the overall presentation is, when compared to what it’s capable of with bigger files, flat and undemonstrative. To say that it doesn’t sound like much of an improvement on the unassisted sound of the source players tells you all you need to know.
Still, it’s simple enough to avoid this just by avoiding listening to horribly compressed content from Spotify’s free tier. What’s impossible to avoid is the hard, unyielding nature of the Hidizs’ high-frequency reproduction. The character of the treble sound is at odds with the rest of the frequency range, and the thin, insubstantial top end is tiring and ultimately not especially pleasant to listen to. And don’t, whatever you do, turn the volume up too far – the relentless nature of the high-end reproduction here is just compounded by loudness.
And it’s also worth noting that this top-end unpleasantness is exacerbated by the majority of the filter options that are available here. In fact, there’s only one filter (called ‘deem phasis filter’ on the Hidizs website – I suspect it’s actually a de-emphasis filter, and its corresponding colour on the fascia is blue) that gets anywhere close to calming the DAC’s treble response – and consequently that’s the one I selected when conducting this test.
Sound quality score: 3 / 5
(Image credit: Future)
Hidizs S8 Pro Robin review: Value
In some ways, the Hidizs S8 Pro Robin represents unarguable value. For not very much money at all, it can turn your smartphone or laptop into a much more viable source of music, and as such is a gift for your wireless headphones.
Sonically, though, it’s not quite the finished article – and anyone who’s especially sensitive to high-frequency sound is unlikely to enjoy the way it goes about things. All of which means it probably only offers middling value for money.
Value score: 3 / 5
(Image credit: Future)
Should you buy Hidizs S8 Pro Robin?
Buy it if...
Don't buy it if...
Hidizs S8 Pro Robin review: Also consider
How I tested the Hidizs S8 Pro Robin
With an Apple laptop and a Samsung smartphone
With content from Spotify and Tidal
Connected to Sennheiser IE600 headphones via the balanced output
As a process, there’s really not much to describe here. For the best part of a week I listened to the S8 Pro Robin while it was connected to either an Apple MacBook Pro or a Samsung Galaxy S21 Ultra using the USB-C input – Sennheiser IE600 wired in-ear headphones were connected to the 4.4mm balanced output. And then I listened to a variety of music, of a variety of genre and a variety of file types and sizes, from the Spotify and Tidal apps loaded on to both devices.
The Morel Biggie is the smaller sibling of Morel’s Högtalare (Swedish for speaker) – and is ironically named, given its compact size. But don’t let that fool you, because sonically it packs a punch.
It oozes class thanks to its superb engineering, evident from the perfectly planned surfaces on every side. It’s hard to imagine it looking out of place in any home, especially given the myriad colorways available. But home is where you’ll want to keep the Biggie, because even though Morel describes it as a portable speaker, it’s still too big and heavy to be carried around easily.
True to form, the Biggie’s feature set is similarly spartan, even for a Bluetooth-only speaker. One for our best Bluetooth speakers buying guide? Well, there’s no app to control or alter its settings, which is a pretty big omission and one the bulk of the competition (even at much lower price-points) does offer in 2024. There are five buttons for operation, but the only additional interface feature is the battery level indicator. And this is poorly implemented, requiring you to hold both volume buttons to reveal the level via the LEDs of all five buttons, which is far from precise.
As for audio features, the biggie (sorry) is Auracast compatibility, which allows you to join Auracast audio streams, designed for broadcasting to an unlimited number of playback devices. You can also use two Biggies in unison for stereo playback, although I was unable to test this feature as I was only given one unit to review.
The Biggie makes a strong impression on first listen, bellowing out the bass notes and creating a sense of space that rivals some of the best Bluetooth speakers out there. Mids and highs are mostly clear and detailed, but there are too many occasions when that low-end dominates the sonic space, masking the subtleties of other frequencies.
Morel’s dynamic EQ also fails to achieve its goal of optimizing the listening experience depending on volume, and the lack of hi-res codec support means there’s no way to improve the audio further.
Battery life is also average, and during my tests it failed to live up to its claimed 20 hours, ending up closer to 16. Fast charging is available, though, which means going from empty to full takes just two hours and only 20 minutes to get four hours of playback.
As for price, the Biggie is undeniably costly, and it seems most of your money is going towards the superlative build quality. The lack of features could be forgiven if the sound was truly exceptional, but it fails to deliver on that front too.
If it’s features you’re after, Sonos’s range of speakers, including the Sonos Roam 2 and Sonos Era 100, offer a ton of options and customizations plus wi-fi support, and cost less than the Biggie. If you want a standout sonic performer, the Audio Pro C20 is one of the best in that department.
(Image credit: Future)
Morel Biggie review: Price & release date
$299 / £299 / $AU499
Multiple colorways
Available worldwide
The Morel Biggie is available now for $299 / £299 / $AU499. It comes in several colorways, ranging from monotones and oak to shades of blue, green, and red. The faux leather strap is either black or brown, depending on the colorway.
It sits towards the higher end of the market, making it more expensive than the Sonos Era 100, our current pick as the best wireless speaker. It is considerably cheaper than the Era 300, though, which is slightly bigger than the Biggie, and features Dolby Atmos support plus multi-room audio using your home wi-fi network, among other technologies.
There are also cheaper alternatives that offer better portability, such as the Sonos Roam 2, our number one pick overall for Bluetooth speakers, and the B&O Beosound A1 Gen 2, which we think is the best for sound quality.
Morel Biggie review: specs
(Image credit: Future)
Morel Biggie review: Features
Bluetooth and 3.5mm AUX playback
Stereo playback possible
No app
In terms of functionality, the Biggie is about as simple as wireless speakers get. There are only five buttons on the Biggie: one for power, two for volume, one for pairing, and one for switching between wired or wireless connections. On the back is a single USB-C port for charging the speaker, which can also be used for charging a phone (although this didn’t work with my Google Pixel 7a). The port doesn’t allow for wired playback, though – there’s a 3.5mm AUX input for that.
There’s also very little in the way of audio enhancements, with no support for Dolby Atmos, Spatial Audio, and hi-res codecs like aptX. It is Auracast compatible, which lets you join audio broadcasts that can potentially reach an unlimited number of playback devices. You can use two units together in stereo, but as I only had one test unit, I couldn’t try this out.
There’s only one way to use the Biggie wirelessly and that’s via Bluetooth. While it paired instantly with a FiiO M11S music player, it struggled to connect to my Pixel 7a. It remained stuck in pairing on the first attempt, and on the second it paired but failed to establish a connection, with the Biggie’s pairing button flashing interminably. After pressing the mode select button twice it connected successfully. Of course, minor glitches like this can occur when pairing devices, but I’ve never had an issue pairing the latest audio devices with my phone before, and it’s a blemish on a speaker of this price.
To check the battery level, you have to hold both volume buttons for two seconds. The lights of all five buttons indicate the battery's remaining charge, making for an imprecise measurement – and since there’s no app, it’s the only option. Again, it’s an oversight on a modern-day premium wireless speaker to have no mobile app of any kind.
(Image credit: Future)
There are other issues with the battery indicator too. When I tried checking the level on a full charge, all five buttons flashed very quickly and faintly, which seemed like a glitch of some kind. Also, when holding the two volume buttons together they’re obscured, so when the battery is between 21-40% or 10-20% – which is when only the volume buttons will light – you can’t see the readout until you’ve taken your fingers away. Suffice to say, it’s not the most elegant solution – ironic given it’s designed to preserve the Biggie’s minimalist design.
Morel claims the battery will last up to 20 hours, which is reasonable for a wireless speaker. Things didn’t get off to a good start during my tests, though: after only one hour of continuous playback, it dropped to four lights, indicating a level of between 61-80% (I believe it was closer to the latter figure).
However, for the next five and a half hours of playback, it remained at this level before dropping to about 60%, so thankfully the battery’s rate of depletion didn’t follow its initial trajectory. Extrapolating beyond this figure, though, the Biggie still falls short of its purported lifespan: realistically, it’s closer to 16 hours.
Features score: 2/5
(Image credit: Future)
Morel Biggie review: Sound quality
Full and rich sound
Excessive boom
No hi-res codec support
Given the compact size of the Biggie, the bass sounds are surprisingly full and powerful, with plenty of punch. Highs are crisp and mids are clear for the most part. What’s most impressive is the sense of space the Biggie imparts, doing an admirable job of rendering the kind of experience you’d expect from a much larger speaker.
However, the Biggie is all too prone to excessive amounts of boom, even with the volume low; the so-called dynamic EQ fails to keep the sound in check at all levels as is claimed, and it’s unable to rein in mild distortion at higher levels. The speaker is definitely best experienced at a distance, but even then, that boominess all too often masks the finer details, especially in classical and other string-heavy music.
It’s also a shame that a speaker aiming for the premium end of the market only supports lossy SBC and ACC codecs, losing out on the higher fidelity offered by LDAC, aptX (which the larger Högtalare supports), and others. Using a wired connection via the 3.5mm AUX input doesn’t improve matters either, sounding near-identical to its wireless counterpart.
The volume controls don’t offer enough increments, with the lowest possible setting still too loud and boomy for more discreet listening. They also frequently clash with the volume controls on playback devices, with one overriding the other. A dedicated app could’ve kept volume levels consistent between speaker and source. It could’ve also offered an adjustable EQ for those who like to dial in their preferred settings.
Sound quality score: 3/5
Morel Biggie review: Design
(Image credit: Future)
Brilliant build quality
Ultra-minimalist
Weight compromises portability
It’s clear the Biggie is going for the sleek, ultra-minimalist look, with a hint of tradition courtesy of the large faux leather handle – which, together with the strap locks, serves to imitate a pair of headphones, a design choice I have to believe was intentional.
The overall engineering of the Biggie is impeccable, even down to the included USB-C cable. Every edge and fixture is solid and seamless, although the fitting of the back panel in my test model wasn’t quite perfect. Still, it was more than acceptable and barely a cause for complaint.
Every side of the Biggie is completely flat, making it easy to fit anywhere in your home. The four rubber feet are thick and sturdy, keeping the Biggie firmly planted. However, despite Morel claiming it to be a portable speaker, it’s too cumbersome and heavy to take on your travels. Really, this is an indoor speaker meant to be kept in place.
The aforementioned strap can be removed if you want to streamline the Biggie even more, simply by unscrewing the side clamps. There’s an optional wall mount available from Morel, should you wish to declutter your space even more.
The magnetic cloth grill is incredibly slick and, again, feels engineered to the highest standards. A small yet sturdy leather tab can be used to pull the panel off, although it's a little surplus to requirements, more of a style accessory than anything else. The fit and finish of the panel are faultless, and it's an incredibly elegant solution to masking the buttons that sit behind, invisible until the LEDs shine through once powered on.
But despite the quality of the grill, I do worry that the thin cloth will degrade after repeated button presses through it. After only a few days with the Biggie, I began to notice a crease running up the cloth from repeated compressions against the large button panel.
Another issue is that you can’t see the power button when it’s off. Muscle memory will take hold quite quickly, but it’s still a quirky design choice to hide it from view completely and illustrates just how committed Morel is to the Biggie’s minimal aesthetic.
True to the rest of the speaker, the Biggie’s buttons are solid yet light to the touch, with a pleasing clack to the presses. Their fit isn’t quite as perfect as other aspects of the Biggie’s overall construction, but I’m nitpicking here; they’re certainly up to the standards you would expect from a speaker of this price.
Design score: 3.5/5
Morel Biggie review: Value
At $299 / £299 / AU$499, there’s no denying the Biggie is an expensive wireless speaker. It’s more expensive than the Sonos Era 100, our number one pick for the best wireless speaker, which has more features and the brand’s unique ability to create a network of speakers for a complete home setup.
If you’re looking for a more portable experience, then our current pick for the best Bluetooth speaker, the Sonos Roam 2, is cheaper than the Biggie and fits in your luggage nicely thanks to its pill-like shape. It also has an IP67 waterproof rating, making it ideal for travel. Overall, it’s a more versatile performer than the Biggie.
Other similarly premium speakers include the Bose SoundLink Max, which is sturdy and portable but $100 more than the Biggie. Being a hardy, go-anywhere speaker, though, it’s also got an IP67 rating, and a battery life that actually lasts the 20 hours it claims, according to our tests.
Should I buy the Morel Biggie?
(Image credit: Future)
Buy it if...
You adore minimalism If you want zero fuss in your speaker, then look no further than the Biggie. It’s as clean as they come and fits in virtually any space in any home.
You want a sense of space For such a small unit, the Biggie impresses with its all-encompassing soundscapes. The low-end response is also powerful.
Don't buy it if...
You want the best sound The Biggie gets boomy all too easily, and the lack of any hi-res codec support is a real shame on a speaker this premium.
You want plenty of features There are no extras on the Biggie: you get Bluetooth and wired playback, and a few buttons for control. There’s no app or settings to adjust.
You want portability Despite what Morel says, you’ll struggle to carry the Biggie around comfortably. There are plenty of Bluetooth speakers out there that are much better suited for this purpose.
Morel Biggie review: Also consider
Sonos Era 100 The Sonos Era 100 is at the top of our wireless speaker list for a reason – and that is stellar sound that’s improved even over its sibling, the Sonos One, including better bass tones and a wider broadcast for optimal listening across a larger area. It also undercuts the Biggie on price. Find out more in our Sonos Era 100 review
Tribit Stormbox Micro 2 If you’re after something more budget-friendly, the Tribit is one of the best Bluetooth speakers around. The sound quality belies its tiny size and it comes packed with features, including a power bank function, a built-in strap that can fit on your bike, and a microphone. Read our full Tribit Stormbox Micro 2 review
How I tested the Morel Biggie
I tested the Morel Biggie for about a week and tried it with a variety of playback sources, including my phone, a laptop and a music player. I tested both its Bluetooth and wired capabilities.
I mainly listened to music via Tidal, a streaming service that allows for hi-res playback, although this wasn’t applicable in the Biggie’s case, reverting to the SBC/ AAC formats instead. I used TechRadar’s specialized playlist, designed to put audio devices through their paces with a comprehensive mix of genres and sonic styles, ranging from pop and electronic dance, to jazz and classical across multiple eras.
I tested the battery by letting the Biggie run continuously for six hours and took readings about every hour. Since there’s no volume readout, I can’t say exactly what levels I had set but suffice to say, I would describe my sessions as being comfortably loud.
The LG XBOOM XO2T is not the company’s first attempt at a stylish portable speaker – the slightly larger XO3C is still available, for instance – but it is, in LG’s own estimation, the best iteration. At least, that is how it was presented to me when LG gave a demonstration on this speaker.
While I can’t confirm how it stacks up against LG’s previous iterations (since those weren't made available to me), I’ve spent plenty of time with the XO2T reviewed here and I have to say that I’m impressed. Is it among the best Bluetooth speakers out there? I think so, though it does depend on your needs.
To start with, there’s plenty of volume on tap that stays surprisingly clear at higher volumes, plus it sounds very good for its size. It might not be audiophile-grade, sonically speaking, but most people will be impressed with the amount of low-end it musters up, not to mention the detail-rich sound. The high-end is ever-so-slightly dull and is the main difference, audio-wise at least, that keeps it from rivalling a truly premium, Bang-and-Olufsen-style product. But it gets close.
Due to its form factor, you’ll miss out on stereo audio, unfortunately, though you can always pair it with a second one for that. But there are plenty of features available, mostly through the app, to make up for it. Also, this is a portable speaker meant to deliver quality audio no matter where you’re located in relation to it.
Just as striking as its audio performance is the way it looks. Not many portable speakers make me want to upgrade my furniture to something from Ethan Allen or grab a bourbon on the rocks. This one does. It has a sleek, almost teardrop shape, but also mood lighting for an experience you just don’t get from most portable speakers. The only real issue is that its fabric covering does tend to attract hair, so if you have a pet, you might end up with a somewhat fluffier LG XBoom XO2T.
Groovy baby! (Image credit: Future)
LG XBoom XTO2 review: Price and release date
$199.99 / £199.99 (about AU$300)
Launched March 2024
Since the LG XBoom XO2T is a relatively new speaker, having been released in March of 2024, it is not a model you’re going to see a whole lot of offers for – yet. While you can certainly wait to hopefully get a discount, the asking price of $199.99 / £199.99 (about AU$300) is really not a bad figure for what you get – although it's true that you can buy myriad rugged, outdoorsy barrel-shaped Bluetooth speaker options for a lot less.
It’s currently only available in one color, unlike the XO3, which is available in black and beige. More importantly, it seems to not be available in Australia at the moment. Whether that will change in the near future remains to be seen since it’s relatively new. However, this review is coming out five months (August 2024) after the speaker’s initial release.
(Image credit: Future)
LG XBoom XTO2 review: Specs
(Image credit: Future)
LG XBoom XTO2 review: Features
Customization for both sound and lighting
Can link with other LG speakers
Multipoint connectivity
When it comes to features, the LG XBoom XO2T has a good assortment. Just about all the features discussed here are available through the app including the ability to adjust the sound and lighting. As far as adjusting the sound goes, it might seem light at first glance as there’s a Standard, Soundboost for listening to music, and Custom selection available. However, when choosing custom, you can pull up a six band EQ tab with up to 6 dB of boost per band. That’s pretty significant.
There’s actually much more in the way of customization when it comes to the light at the top of the speaker. There are three different types of mood lighting available: Ambient, Nature, and Party, with each type having three presets and a My Pick selection where you can customize the hue and saturation. Plus, the Ambient and Party modes have a Candle Effect and Party Strobe effect to add some movement to the lighting. My particular favorite is the “Comfort of a cozy night” setting under the Ambient selection. You can also adjust the lighting’s brightness.
There are some other features on hand as well, such as the Wireless Party Link mode that lets you use multiple LG speakers at one time. This is where you can pair two XO2Ts together for a stereo experience. There’s also an XBoom Lab selection, where you can play with new features. Currently, there’s a "Healing Therapy" section listed, where you can download and play healing sounds that are pre-paired with specific mood lighting settings. Also worthy of mention is a One Touch Mode that gives you the ability to hold the Lighting button on the speaker for two seconds to bring up a specific playlist and lighting setting. However, it only works with the Apple Music Library or Apple Music (at least on my iPhone). At least multipoint connectivity is available.
Features score: 4.5/5
(Image credit: Future)
LG XBoom XTO2 review: Design
Chic lamp-like design
Bluetooth-only connectivity
Good battery life
The LG XBoom XO2T resembles a fancy 1960s lamp more than a portable speaker, and it’s a design choice that I truly appreciate. I’ve tested and used quite a few different Bluetooth speakers and very few inspired me from a design perspective. This one is one of the few.
Of course, it probably resembles a lamp because it is. Sure, you have the bulk of the body covered by a fabric as well as an upward-facing silver grill to emanate audio in all directions. But, it also has an overhang that houses a downward-facing LED light.
The light can get pretty bright, though I wouldn’t use it to replace anything but a nightlight. It’s better for use as mood lighting (which is what it’s advertised as anyway) via the app’s customization mentioned above.
While a lot of the features are available just via the app, the capacitive controls on top are good enough for general usage. The Bluetooth icon is the only one that stays lit, but a quick tap will light up all the available controls including Volume Up, Play / Pause, Volume Down, and Lighting.
The port selection is pretty minimal as there’s no Aux or 3.5mm input, just a USB-C port for charging. The LG XBOOM XO2T is a purely bluetooth experience. Plus, the USB-C port has a covering that’s difficult to pull out, though this is most likely to maintain the speaker’s IP55 rating, making it a little safer to use outside.
A little more impressive is the battery life. It’s rated as offering up to 15 hours of use. While there are some other speakers that offer more, this is not the type of speaker I imagine someone would take on a hike, so 15 hours is more than adequate. In fact, I actually appreciated running it over night for ambient music and a night light and only using 40% of the battery after 8 hours.
Design score: 4.5/5
(Image credit: Future)
LG XBoom XTO2 review: Sound quality
Goes nice and loud
Great performance in the lows and mids
High-end can come off a tad dull
First things first, this thing can get loud! Though LG doesn’t offer a specific dB rating for the LG XBoom XO2T, I was able to get it up to 90 dB. Pretty impressive for something this size with what appears to be a one-inch tweeter, a three-inch driver and passive radiator handling the sound. On top of that, it stays fairly clear at higher volumes except for loud, aggressive bass sounds.
More importantly, the XO2T sounds very good. Whether I was listening to Kavinsky’s Nightcall, Jidenna’s Long Live the Chief, or The Weeknd’s I Feel It Coming, the low-end is punchy and full. There’s not much in the way of sub-bass, but that’s to be expected.
Often smaller speakers – and I would consider the LG XBOOM XO2T to be in this category – you end up with something where the low-end and high-end (or bass and treble) are boosted while the mids suffer, offering a somewhat hollow sounding listening experience. Or, the mids are a bit too full so that you feel like you’re getting a good listening experience, but the audio isn’t exactly clear.
Higher quality speakers thread the needle and the LG does so well, as the mids are full but balanced. Voices and guitars (as well as other upper midrange instruments) have body to them without sounding distorted as I experienced with Paramore’s Now and Cocteau Twin’s Heaven or Las Vegas. Another example is Chris Stapleton’s version of Tennessee Whiskey, where I felt the full range of his voice – rich and full without sounding compressed or distorted.
The only place where the sound quality leaves something to be desired is in the high notes. While you can surely boost treble frequencies through the app’s EQ, there’s a slight shortfall in terms of detail here, as if there’s a very thin blanket over the audio. Considering the speaker’s construction – again there’s a 3-inch driver, a one-inch upward firing tweeter and a passive radiator – it’s not a huge surprise.
Sound quality: 4.5/5
(Image credit: Future)
LG XBoom XTO2 review: Value
The LG XBOOM XO2T’s price tag of $199.99 / £199.99 (about AU$300) may seem to be in the premium bracket for portable speakers, it’s actually more in the midrange. Offerings from premium brands such as Bose, with the Bose SoundLink Max, will certainly put this speaker’s price tag into perspective, especially when you consider all that the LG XBoom XO2T has to offer.
The Ultimate Ears Everboom, for instance, also delivers 360-degree with plenty of oomph and comes with a nice aesthetic and build. It does have a little more battery life and a slightly better IP67 rating. But it will also set you back $249.99 / £249.99 / AU$349.
The Sonos Roam 2 is another portable speaker in this range with its slightly lower $179 / £179 / AU$299 price tag. While you have access to the Sonos ecosystem for multi-room setup, you could do the same with the LG via the Wireless Party Link feature (more on that later). Plus, the LG XBOOM XO2T has better battery life and at least a more unique look, not to mention that mood lighting.
Value score: 4/5
(Image credit: LG)
Should I buy the LG XBoom XTO2?
Buy it if…
Don’t buy it if…
LG XBoom XTO2 review: Also consider
How I tested the LG XBoom XTO2
Tested for 2 weeks
Listened to all sorts of genres of music as well as podcast and streaming video
Predominantly tested using high fidelity streaming through Deezer and Podcast app on an iPhone 13
I spent two weeks testing the LG XBoom XO2T, having listened to all sorts of genres of music through the HiFi tier of the Deezer streaming app as well as watching some YouTube videos and listening to some podcasts through the iOS Podcast app. I also played around with the LG XBOOM app, to test all the features including customizing the lights and audio.
The LG XBoom XO2T, after all is said and done, seems to made for those that don’t want to pay quite the premium prices of Bang & Olufsen or Bose, but still want a quality speaker that looks as good as it sounds.
I’ve spent the last few years reviewing tech gear including audio equipment, where I’ve gotten a feel for what to look for and how to put a piece of kit through its paces to see whether it’s worth the recommendation.
The Majority Moto 2.0 is the first record player from the budget audio company: the number isn't a version number but a reference to the built-in 2.0-speaker setup. It is an entire music system in a single box: thanks to its built-in speakers and Bluetooth 5.3, you can stream audio from your phone or computer as well as play records, and even rip them to digital via your PC, thanks to its USB port.
The Majority Moto 2.0 is clearly aimed at someone who doesn't have an existing sound system of any kind and it offers a lot of features for relatively little money. There are, of course, many compromises at its £79 price compared to the best turntables, but the Moto 2.0 is better than you might expect, due in part to the inclusion of a good-quality Audio-Technica cartridge. However, we did experience some quality issues with our review unit that suggest this is a record player that'll need careful handling.
The Moto 2.0 is clearly designed to be your first turntable that covers all the bases: Bluetooth streaming to headphones or speakers and from other devices, USB output for recording, even the ability to play ancient 78s as well as the much more common 45 and 33 and 1/3 speeds.
But you shouldn't expect room-shaking volume from those integrated speakers: they don't go loud because if they did, their vibration would do a Taylor Swift to your tonearm and shake it off. The sub chassis is separate to isolate it from their vibrations and copes fine with the volume levels available, but if you've got a big space or like to listen loud you'll want to connect an amp, or wirelessly connect it to one of the best Bluetooth speakers that you place on a different surface, or to some of the best wireless headphones.
I would encourage people to step up to the similar-but-just-overall-better Audio-Technica AT-LP60XBT if you can, which also offers Bluetooth and USB, and is fully automatic, but offers no built-in speakers… however, it's around twice the price of the Majority, so if you want to keep it under £100, this is still a solid choice.
The integrated speakers are very small and fire upwards, so don't expect room-filling audio or earth-shaking bass. (Image credit: Future)
Majority Moto 2.0 review: Price and release date
Released in February 2024
Available in UK and Europe
£79.95 / €99.95
Despite a very low price, the Moto 2.0 is packed with features including one very significant one: it comes with an Audio-Technica AT3600L cartridge, which is definitely unusual at this end of the market. That cartridge alone typically retails for around £20, or one-quarter of this entire turntable's price.
For comparison, consider than Pro-Ject's super-cheap (for Pro-Ject) entry-level turntable, the E1, is around £200, and doesn't have speakers, USB, a phono stage or Bluetooth (though more expensive versions do have those things). However, it does sound a lot better as a result, as our Pro-Ject E1 review will attest.
In addition to playing records you can rip them to computer or play from USB. (Image credit: Future)
Majority Moto 2.0 review: Features
Bluetooth and USB
Three turntable speeds
Integrated speakers and phono stage
You can't fault the feature list here: it does basically everything a turntable can do.
It has three playing speeds, and while it's not fully automatic, it does have auto-stop. There's an integrated phono stage if you want to connect it to an amp – though as mentioned before, it has its own speakers, so you don't technically need to.
It also has Bluetooth, and this goes in both directions: you can beam your records out to Bluetooth speakers, or you can send music over to the Moto 2.0 and listen over its built-in speakers. There's no aptX or anything else higher-res, though. It also has an aux-out if you prefer the best wired headphones to wireless ones.
And with a USB port on board, you can connect it to a computer and record your vinyl to a digital file – either because you want to preserve rare tracks that aren't available elsewhere, or just to capture the song complete with crackles.
Features score: 5 / 5
You don't have to use the integrated speakers: there are phono outs to connect an amp or powered speakers. (Image credit: Future)
Majority Moto 2.0 review: Sound quality
Better than you might expect
Built-in speakers aren't great
Speakers aren't built for bass
There's a limit to how much air two small speakers can push, but while the Moto isn't very loud the sound is pleasant enough on well-recorded records at reasonable levels; it's bass-light but does the job provided you don't turn the volume up too much. Do that and the sound starts to get harsh, the middle frequencies taking over as the speakers struggle.
One key thing the integrated speakers don't do is deliver a sweet spot, that perfect place where the soundstage is at its most immersive. To do that you need the sound waves to be coming towards you and the speakers some distance apart; these speakers are just an album's width apart and send their soundwaves towards the ceiling.
Things improve considerably when you team up the turntable with external, forward facing speakers or a decent set of headphones, but the flaws are more apparent too: there's noticeable mechanical noise in the quieter bits. If you're listening to songs with a lot of sustained notes, such as U2's With Or Without You, you might also notice some slight speed variation. It's not apparent on faster, choppier songs, and vocal vibrato tends to hide it for singing. But it's audible on very clear, sustained tones such as Edge's trademark infinite guitar.
No matter what you listen on, the sound is slightly boxy and cluttered in the way so many budget audio products are: everything's doing its best but the overall result lacks the spaciousness, separation and sparkle that you get with better-quality gear.
A lot depends on what you're listening to: give it some yacht rock with some expensive-studio smoothness and it's really rather nice, although the lush arrangements of Fleetwood Mac's Rumours lose some of their sparkle here with an emphasis on the cookie-tin snare drums and rubber-band bass.
More electronic pop such as Sigrid's second album is fun when it's well separated but feels claustrophobic in the busier tracks: there's a lack of air and low-end separation, with harshness creeping in as you turn the volume up. That harshness is particularly apparent with heavier genres of music, especially modern rock featuring brick-wall compression designed to make everything louder than everything else.
This isn't an audiophile product. But it's a fun one, especially if you skip the built-in speakers and hook up something more substantial either by Bluetooth or via an amp: connecting the turntable to an Ultimate Ears Wonderboom added some of the bass the built-in speakers lacked, and connecting the Moto to my Onkyo amp and Bowers & Wilkins bookshelf speakers was better still. Is it up there with turntables that cost four times the price or more? Absolutely not. But with decent speakers it doesn't sound like it cost £80 either.
Sound quality score: 3 / 5
Unusually for a turntable this affordable, you get a pretty decent Audio-Technica cartridge. (Image credit: Future)
Majority Moto 2.0 review: Design
Unusual platter placement
Integrated speakers and lots of connectivity
Feels a bit fragile
The Moto 2.0 comes in a dark wood effect with black hardware, with the wooden section overhanging the front and sides of the chassis. The two built-in speakers are behind circular black grilles facing directly upwards from the top front of the turntable and the controls are on the front and sides. On top of the dampened sprung platter there's a slipmat to keep your records in place.
The Moto 2.0 is smaller than many turntables, at just 38cm wide compared to the much more common 43cm. And the platter is smaller than usual too, at 20cm/8 inches. The speaker placement means the platter is oddly positioned: instead of sitting centrally it's off-centre, nearer the back than the front. That means if you're playing 12-inch records they will extend beyond the rear border of the turntable and through a space in the back of the dust cover.
There are some issues, however. The plastics here are cheap-looking, especially at the speed switch, and the tonearm is very thin and feels eminently breakable. Between these and the upfiring speaker design that doesn't lend itself to ideal audio quality, there are definitely flaws to how this is put together.
Design score: 3 / 5
The tonearm is very thin and doesn't have tracking force adjustment or anti-skid. (Image credit: Future)
Majority Moto 2.0 review: Usability and setup
All you need to do is plug it in
Switches and controls are around the edge
Doesn't get much easier
This turntable is all about simplicity, and because everything's in one unit all you need to do is remove the protective cover from the stylus and the plastic wire from the tonearm, plug the power supply into the wall and turn it on. So for a user-friendly beginner turntable, you can't get much better than that.
The two most important controls – the on/volume and the audio source – are both on the front along with the 3.5mm headphone socket. Other connection options are easily accessed along the edges, so no usability struggles there.
Frankly, it doesn't get any easier for your first turntable than this.
Usability and setup score: 5 / 5
The Moto 2.0 is really plug and play: select the source and turn the Moto on via the volume dial. (Image credit: Future)
Majority Moto 2.0 review: Value
You get a lot for your money...
...but you're paying for features you might not use
Quality is limited, though
The sub-£100 turntable market should probably be labelled "here be monsters", but the Majority is not one of them: you'd be hard pushed to get a better value turntable at this price. It's less than half of the price we'd typically expect to pay for a decent budget turntable.
However, the trade-off for that low price is audio quality, especially if you're going to be listening via the integrated speakers: they're okay but they're not great. If you're serious about sound quality you might want to save a little longer for something like the Pro-Ject E1 if you want to go the hi-fi route, or the Audio-Technica AT-LP60XBT if you want to stick with something with Bluetooth and USB. Or scour the second-hand market for a bargain.
Value score: 4 / 5
Should you buy the Majority Moto 2.0?
Buy it if...
Don't buy it if...
Majority Moto 2.0 review: Also consider
How I tested the Majority Moto 2.0
Tested at home for two weeks with more than a dozen new and used records
Tested solo, on headphones and through an external amp and speakers
Streamed Apple Music from iPhone
I tested the Majority Moto 2.0 at home, focusing on its vinyl performance and listening intensely to records I know inside-out across a range of genres from the most polished productions to ragged punk rock. I also streamed Apple Music from my iPhone to test its streaming prowess.
When I connected the Moto 2.0 to other equipment I used Beyedynamic wired headphones, which are known for their relatively flat performance (so reveal the sound of the underlying player well), and an Onkyo amp with the direct setting engaged to bypass the bass and treble circuits. The amp was connected to a set of Bowers & Wilkins bookshelf speakers, giving the Moto access to some pretty sweet-sounding hardware in order to show what it's capable of.
The compact and durable JBL Go 4 makes for a good poolside companion. It’s the latest, May 2024-issue model in the Go range, and is one of the first JBL speakers to feature Auracast, along with the Clip 5 and the Xtreme 4 – both of which are happy members of our best Bluetooth speakers buying guide. It's reasonably priced at $49.95 / £39.99 / $59.95 and is available to purchase in the US, UK, and Australia from the official JBL website, and from Amazon for $49.95 / £34.99 / AU$59.95 at the time of writing.
The JBL Go 4 comes in Black, White, Red, Blue, Purple, Pink, or Squad (i.e. camo) in the US, UK, and Australia. Additional color variations are available in the US and Australia, including Sand, and Black and Orange – which also has a lot of light blue on it, as it happens. I was given a sample of the Red Go 4 to test out and one thing’s for certain: though it may be little, if you go for this or one of the other bolder colors you won’t lose sight of it easily.
The front and back of the eye-catching little speaker are covered in woven fabric, with silicone panels on the top and sides in which the various buttons and the USB-C charging port are housed, and textured silicone areas on the back and bottom that provide stability whether the speaker is placed upright or on its back. The buttons in the top and left-hand panels include a play/pause button and volume controls, and the power, Bluetooth, and Auracast buttons. I have to give JBL some bonus points for taking a sustainable approach by using recycled fabric and plastic in parts of the speaker, and for using packaging that’s largely paper-based and printed using soy ink.
(Image credit: Future)
There’s a small fabric and silicone loop fixed around the top-right corner of the speaker that did come in handy, although I needed to use a hook or separate carabiner to hang it from, which was not as helpful as the integrated carabiner on the JBL Clip 5 or the multiway strap on the Sony XB100.
At a dinky size of 3.7 x 3.0 x 1.7 inches / 94 x 78 x 42 mm and weighing just 11oz / 190g, this speaker would make a useful little music companion. Due to its IP67 rating, it’s safe to use at a pool party or at the beach – we can confirm that it continues to work after it’s submerged in water, as we gave it a good dunking in the TechRadar testing tank.
The JBL Portable app is intuitive, and its attractive design makes it satisfying to use and simple to navigate. The app can connect to any compatible JBL speaker, with each speaker displayed on the My Products page (provided they’re powered on). From this page, you can also skip over to the PartyTogether area to add other JBL speakers into the mix for amplified sound.
(Image credit: Future)
Once I selected the Go 4 from the product page, I could see the battery level and enable PlaytimeBoost, which is designed to boost the volume of the music while consuming less battery by disabling the EQ. There’s also a Product Information section, Stereo Group mode for connecting two speakers together in stereo, and the four preset equalizer profiles: JBL Signature, Chill, Energetic, and Vocal, plus the Custom EQ profile.
The stated battery life of the Go 4 is seven hours. Now, I’m used to some speakers not quite going the distance, which is often covered by caveats on the brand's website; however, this speaker went above and beyond, lasting for nearly 10 hours of continuous music playing at 50% volume on the default JBL signature EQ preset.
At one point I experienced a small issue when the Go 4 wouldn’t play music from our FiiO M11S music player or a Samsung Galaxy Z Flip 4. Both devices could connect to the Go 4 and were shown as playing music, but no sound was coming out of the speaker. Taking a leaf out of the operations manual of IT help desks everywhere, I turned the speaker off and on again, and fortunately that fixed the issue straight away.
(Image credit: Future)
The overall listening experience was fine; nothing groundbreaking, but perfectly adequate for the price. When music is played using the default JBL Signature EQ profile the depth and clarity are lacking somewhat, but I was able to make improvements by implementing the other EQ presets or by employing a custom EQ. If you’re used to higher-end speakers, you may find this lower-quality sound a chore to listen to, but for those who just want something compact that they can throw in a bag when they want to enjoy tunes on the go, it’s great.
This tiny speaker can reach a good level of volume for its size. At 50% it’s loud enough to dance around your kitchen to, but if you’re doing any noisy cooking you may need to bump it up a bit. The speaker’s orientation makes a noticeable difference to the sound quality, particularly for tracks with high levels of treble or bass. Most users would naturally want to stand it on its base as advertised, but I found that the best sound was achieved with the speaker lying on its back. This is also the best position if you’re listening with others, as the sound is firing upward rather than in one direction.
(Image credit: Future)
When listening to Black Eye by Allie X, I found the bass wasn’t dynamic enough, and the beat fell flat so the track lost the powerful rhythm that’s usually present when listening through more bass-heavy alternatives such as the Tribit XSound Plus 2 speaker. The vocals also got a little lost amid the different elements as they all seemed to fight for center stage.
I tried the Vocal EQ to see if it would make an improvement, but I found it instead distorted all elements of the track, so it appears this setting wouldn’t be a great one to use when listening to music. There was a slightly noticeable increase in vocal clarity and prominence when enabled for podcasts and other vocal-focused content, however. Going back to Black Eye, the best EQ profile by far was Energetic – the vocal clarity was much improved, and the other elements sounded like they’d been pushed back in line.
The same was true when listening to St. Thomas by Sonny Rollins, and I Want You by Moloko. On the default JBL Signature EQ, everything felt flat, but the Energetic preset does exactly what it says on the label, giving everything a little boost where needed.
(Image credit: Future)
The JBL Signature EQ was adequate for listening to slower and more relaxing tracks, and the output was softened further after switching to the Chill EQ preset, which pulls the highs down so you aren’t hit with any harsh notes when you’re trying to unwind. This EQ delivered a pleasant listening experience when playing Where’s My Love (Alternative Version) by SYML.
Overall, if you aren’t particularly fussed about sound quality and you’re just looking for a cheap and cheerful little speaker that’s durable enough to handle a rainy day or a beach party, the JBL Go 4 is a solid choice. There are a lot of good alternatives available though, so I’d recommend checking out our selection of the best waterproof speakers and best cheap Bluetooth speaker deals to see if anything else catches your eye.
(Image credit: Future)
JBL Go 4 review: Price and availability
$49.95 / £39.99 / $59.95
Available now in the US, UK, and Australia
Released in May 2024, the JBL Go 4 is the latest model in the JBL Go range, following on from the Go 3. It’s available for purchase from the official JBL website for $49.95 / £39.99 / AU$59.95, and from Amazon for $49.95 / £34.99 / AU$59.95 at the time of writing.
As mentioned, it has plenty of competition in this price range – in particular, there’s the five-star rated Tribit Stormbox Micro 2 that massively impressed our reviewer considering the $59.99 / £59.99 price tag. However, if your budget maxes out at $50 / £40 and you just want something small, durable, and a bit jazzy, then the JBL Go 4 is a good choice.
JBL Go 4 review: Specs
Should I buy the JBL Go 4?
(Image credit: Future)
Buy it if...
Don't buy it if...
JBL Go 4 review: Also consider
How I tested the JBL Go 4
I tested the speaker over several months
I listened to a variety of music genres and podcasts
I played music continuously to test the battery life
I tested the JBL Go 4 over a few months. I listened to a variety of music genres, as well as the TechRadar testing playlist, which includes tracks that feature a range of musical styles and textures, including complex and layered instrumentals, deep bass, and delicate vocals, to enable me to determine the speaker's ability to handle different frequencies.
I played our TechRadar playlist on Tidal continuously at 50% volume using the default JBL signature EQ preset to test whether the battery could last up to the claimed seven hours.
I also used it to listen to music and podcasts in the TechRadar office, our music testing room, and at home, using Spotify and Tidal from an iPhone 12 Pro and a OnePlus Pad Go.
Time flies, doesn’t it? This is now the eighth generation of Bowers & Wilkins’ entry-level 600 Series of loudspeakers, and the 607 S3 is the smallest and most affordable member of the range. It’s also the most expensive cheap loudspeaker the company has ever made.
A glance at the specification (25mm double-dome tweeter, 130mm Continuum mid/bass driver, and a whole stack of upgrades both where crossover and cabinet construction are concerned) and at the standard of build and finish lets you know where that money has gone, though – and goes some of the way to explaining why they'll enter our best stereo speakers roundup very soon.
It’s always been possible to buy less expensive loudspeakers than Bowers & Wilkins, but if you bite the bullet and spend the money, it won’t take long for your investment to seem very wise indeed.
By the standards of a compact standmounter, the 607 S3 produce a remarkably open and assertive sound. They have scale and rigorous soundstaging on their side, frankly unlikely dynamic headroom and an excellent facility for detail retrieval. They seem to like every single genre of music, too - and not just in an analytical, “here’s every shred of information” kind of way. They’re an energetic and entertaining listen that seem fully aware that the business of listening to music is meant to be as enjoyable and emotionally rewarding as possible.
So yes, you can spend your money on a bigger, louder loudspeaker than this - of course you can. But if you’re not trying to fill a great big space with sound, and if you want to put your foot on the ownership ladder of one of the biggest names in the business, the 607 S3 absolutely demand your attention.
(Image credit: Bowers & Wilkins)
Bowers & Wilkins 607 S3 review: Price & release date
Released September 3, 2023
Priced $899 / £549 / AU$1,149 (approx)
The Bowers & Wilkins 607 S3 standmount speakers were unveiled in September 2023 alongside three other S3-suffixed 600-series models, and in the United Kingdom they’re routinely available at £549 per pair. In the United States they go for $899 tops, while in Australia they sell for AU$1149 or something very like it.
So while this is the most affordable way to acquire a new pair of Bowers & Wilkins passive stereo loudspeakers, you’ll never mistake the 607 S3 for being especially cheap – profoundly credible alternatives from profoundly credible brands like Dali (see the five-strong Dali Rubikore range), Monitor Audio (check out our Monitor Audio Studio 89 review) and Q Acoustics (see the M40 HD for starters) many of which can be had for less money than this. So what makes the 607 S3 so special?
Bowers & Wilkins 607 S3 review: Features
(Image credit: Bowers & Wlkins)
25mm titanium double-dome tweeter
130mm Continuum mid/bass driver
Rear-firing bass reflex port
Yes, the 607 S3 is the junior member of the most affordable Bowers & Wilkins passive loudspeaker line-up. But don’t imagine that status means that it’s had less attention paid to its features than all of its other, more expensive, siblings.
The tweeter arrangement, for example, is now built mostly from titanium (rather than of aluminium as it has been in previous 600-series models). It’s a 25mm decoupled double-dome design, using a thin (25µm) dome reinforced by a 30µm ring, and the switch to titanium allows (according to Bowers & Wilkins) for greater refinement and detail at the top of the frequency range.
The tube-loading assembly in which the tweeter sits is longer than previously (in an effort to minimise the rearward standing waves that result from the twitter’s activity), and the tweeter itself is protected by a grille the design of which is derived from the company’s flagship 800 Signature series of speakers. This, too, is deployed in an effort to create greater space and refinement in the tweeter’s output.
(Image credit: Bowers & Wilkins)
The tweeter sits closer to the mid/bass driver beneath it than previous – the 130mm Continuum assembly is mostly carried over from the previous 600 Signature series, but now it features a beefed up motor assembly derived from the 700 S3 range. And the eagle-eyed will notice it’s a little higher up in the cabinet and a little closer to the tweeter as a result - Bowers & Wilkins reckons it improves integration between the drivers and allows the mid/bass unit to generate a little more energy.
At the rear of the cabinet there’s a bass reflex port positioned above some newly upgraded speaker cable terminals (they’re intended to offer a cleaner signal path). And on the inside, the cabinet bracing is upgraded – so rigidity is improved. The crossover components have been upgraded too, in an effort to bring even greater transparency to the sound.
Features score: 5/5
Bowers & Wilkins 607 S3 review: Sound quality
Refinement and entertainment in fairly equal measure
Dynamic and detailed in every circumstance
Careless system-matching will be exposed
(Image credit: Bowers & Wlkins)
‘Zest’ is an underused word in hi-fi, I think, so let’s start there. No matter the sort of music you like to listen to, the Bowers & Wilkins 607 S3 deliver it with zest. Oh, they can do the ‘insight’ and ‘analysis’ things with the best of their price-comparable rivals, but what sets them apart from those alternative designs is the zest and enthusiasm of their delivery. There’s nothing feral about these loudspeakers, but there’s an energy and a desire to entertain that is a fair bit more difficult to come by.
So it doesn’t matter if you try out a nice big hi-res file of David Bowie’s Hallo Spaceboy or a CD-standard file of Anastasia Coope’s Woke Up and No Feet, the results are – broadly speaking – the same. Low-frequency activity is given decent depth and notable speed, along with plenty of variation; the 607 S3 have no difficulty expressing rhythms in a convincing manner. The midrange is open and eloquent, so these two profoundly idiosyncratic vocalists have their character and attitude made apparent. Midrange projection is good too, so there’s always a pocket of space for a singer to operate in – even though they’re always nicely integrated into the overall presentation, rather than sounding remote or removed.
There’s plenty of dynamic headroom available, so the Bowie tune gets its changes in attack and intensity described faithfully. Detail levels are very high in every respect, so the smaller harmonic variations and changes in emphasis in the recording are paid attention to as well. And thanks to a soundstage that’s bigger than the physical size of the speakers might seem capable of creating, it’s easy to follow these fluctuations no matter where they occur.
They’re an upfront and fairly assertive listen, the 607 S3. And in almost every way, these are welcome and actually quite valuable traits – it generally translates into a vivacious, spirited and engaging presentation. But it also means that a moment’s care with system-matching is in order, because the Bowers & Wilkins have high-frequency characteristics that are not beyond provocation.
The treble sound the 607 S3 produce is just as detailed, just as convincing and just as nicely tonally balanced as all of the information below it. But in a system with treble-forward amplification, being fed by a source player with similar characteristics, the result can easily become rather too much of a good thing. The Bowers & Wilkins are quite assertive enough at the top of the frequency range without being goaded.
But in every other respect, feel free to throw caution to the wind. The 607 S3 are musical and entertaining, poised and attentive, dynamic and detailed in equal measure, and seem to enjoy every single one of your favourite styles of music. They may not have the out-and-out scale of the bigger speakers this sort of money can buy – how could they? – but when it comes to musicality, energy and, yes, zest, it’s hard to know how your money could be any more wisely spent.
Sound quality score: 5/5
Bowers & Wilkins 607 S3 review: Design
(Image credit: Bowers & Wilkins)
300 x 165 x 207mm (HxWxD)
Choice of three finishes
4.65kg
You can’t really expect much by way of ‘design’ to happen where (relatively) affordable standmounting speakers are concerned – and, sure enough, not much has happened here. That’s not to say the 607 S3 aren’t harmonious lookers, or aren’t built and finished to a very high standard – they are. It’s just that they look exactly as you’d expect.
At 300 x 165 x 207mm (HxWxD) they’re the smallest stereo speakers in all of Bowers & Wilkins-land, and at 4.65kg they aren’t going to put any kind of pressure on your shelves or wall-brackets if that’s how you decide to position them.
Equally, a choice of black, white or light(ish) oak vinyl-wrap finishes isn’t going to startle anyone. The oak finish comes with a contrasting white front baffle, which is about as close to a design flourish as the 607 S3 get.
Design score: 5/5
Bowers & Wilkins 607 S3 review: Value
You can buy bigger, more imposing loudspeakers for this sort of money – and I mean both physically and sonically. But if you’re in the market for a compact, high-achieving standmounter at this kind of price, it’s hard to know how to better spend your cash. Add in the excellent standard of build and finish, along with the ‘if you know, you know’ brand logo, and the 607 S3 represent very good value indeed.
Should I buy the Bowers & Wilkins 607 S3?
(Image credit: Bowers & Wilkins)
Buy them if...
Space is at a premium
These speakers prove that small can sound beautiful
You enjoy an energetic and entertaining sound
There’s plenty of refinement here, but there’s even more brio
Space is at a premium
These speakers prove that small can sound beautiful.
Don't buy them if...
Your system is very treble-happy
It is possible to have too much of a good thing.
You’re expecting tactility
These speakers are very well made and very well finished - but ‘luxurious’ is not a word that applies.
You want to fill a big room with sound
There are plenty of speakers at this sort of money that can shout louder than the 607 S3.
Bowers & Wilkins 607 S3 review: Also consider
If the size of these cabinets is a big attraction, then the only-slightly-larger and similarly priced Dali Oberon 3 are well worth a listen – they don’t have quite the vim of the 607 S3. That said, the splendid Monitor Audio Studio 89 do – although they're quite a bit more expensive.
Want something smaller, wireless, and slightly cheaper? The Ruark MR1 MkII Bluetooth stereo speakers are worth a look.
But if you’re after a physical representation of the money you’ve spent (and you have an appropriately sized space in which to put them) the Wharfedale Diamond 12.3 have plenty to recommend them beyond how very large they are.
The idea that the man who operates turntable hero Pro-Ject might require another brand building and selling record players might seem an odd one – but Heinz Lichtenegger (for it is he) sees Rekkord Audio as the perfect method of filling in gaps in the Pro-Ject line-up. Specifically those gaps marked ‘automatic operation’.
So the Rekkord Audio F300 (hand-made, like the rest of the Rekkord Audio range, in the Black Forest) is a fully automatic turntable, arrives with its cartridge and even its belt pre-fitted, and is about as close to ‘plug and play’ as a product of this type ever gets. It’s properly built and finished, too – so the asking price seems absolutely fair enough.
Or. at least, it does until you get down to the business of actually ‘playing a record’. The F300 is a fine-sounding device in many ways – it’s detailed and forgiving, able to flow through rhythms and tempos with complete assurance, and creates a convincing soundstage on which the action can unfold.
But it’s ‘action’ that exposes the Rekkord Audio’s few shortcomings and marrs its bid to enter our best turntables buying guide. It’s not an especially dynamic listen when it comes to tracking shifts in volume or intensity, and it’s overtly short of outright ‘punch’ when it comes to describing bass sounds.
So ultimately it comes down to your own personal scenario. That there are more complete-sounding turntables available at this sort of money is undeniable. But if the fully automatic convenience of the F300 excites you (and that's understandable – nobody likes harming vinyl), it’s currently about as good as you’re going to get at the price.
Rekkord Audio F300 review: Price and release date
(Image credit: Rekkord Audio)
The Rekkord Audio F300 automatic turntable is on sale now, and in the United Kingdom it sells for £549. It’s available to American customers for $599, but currently no price is quoted for the Australian market – if exchange rates are anything to go by, you’re looking at AU$1,049 or something quite like it.
There's no shortage of well-regarded turntables from well-regarded brands available at this sort of money, chief of which might be the excellent ProJect Debut Carbon Evo. But Rekkord Audio reckons it has a worthwhile point of difference…
Rekkord Audio F300 review: Features
Fully automatic operation
Audio Technica AT91 moving magnet cartridge
Captive RCA connections and grounding lead
The obvious feature, and the feature Rekkord Audio is understandably most pleased about, is its fully automatic operation. Hands not as steady as they used to be? Hand/eye coordination not all it might be? The F300 is here to help.
Better still, the F300 is not only fully automatic but it’s quiet and reliable with it. Set the controls to the desired rpm, and press the ‘start’ control – the Rekkord Audio takes care of the rest. About my only gripe concerns the F300’s insistence that 12in discs spin at 33.3rpm and 7in discs at 45rpm. So, anyone who wants to listen to a 45rpm 12in single will have to cue it up manually and take it off manually at the end of the side. Which takes a bit of the shine off the ownership experience, no two ways about it.
(Image credit: Rekkord Audio)
The F300 is hard-wired for stereo RCA and grounding wire connections, which adds to its ‘plug-and-play’ credentials but does mean you’ve no possibility of upgrading. The Audio Technica AT91 cartridge that arrives pre-adjusted and attached to the headshell that is, in turn, pre-attached to the 211mm low-mass aluminium tonearm is a very capable item – but again, it seems optimised for the role and upgrading doesn’t seem to have been factored in. Still, all you need to do is adjust tracking weight and dial in the appropriate anti-skate setting, and the F300 is good to go. Added to the automatic operation, it makes the whole ownership experience about as painless as it realistically can be. Even the belt that moves the aluminium platter is pre-fitted when you take the player out of its packaging.
Features: 4.5/5
Rekkord Audio F300 review: Sound quality
(Image credit: Rekkord Audio)
Nicely tranquil and fluent sound
Good detail retrieval and pleasant rhythmic expression
Not especially dynamic or at all punchy
There’s a Paul Simon song that opens with the line, “Well, I’m accustomed to a smooth ride”. It seems unlikely to me that he is referencing the Rekkord Audio F300 (especially as the song in question is getting on for 35 years old), but nevertheless it sprang to mind when I first heard the F300 in action, and I haven’t been able to shift it.
Because if there’s one thing the F300 offers, it’s a smooth ride. In fact, you could do a lot worse than listen to something like The Rhythm of the Saints (the Paul Simon album from which that line is taken) if you want to hear the Rekkord Audio at its most comfortable and consequently at its best. It fairly glides along in the most natural and unforced manner, handling rhythms and tempos with a deft certainty, digging out plenty of detail at every stage and offering plenty of midrange insight. It has a fair amount of bite at the top of the frequency range, creates a large and plausible soundstage, and has a slightly-warmer-than-neutral tonality that suits the material well.
There’s a pleasing unity to its presentation, and it gives every aspect of the frequency range equal billing. It’s alert to even very minor details, and is able to contextualise them both in terms of their weighting and their position on the stage.
(Image credit: Rekkord Audio)
Unfortunately, it’s not even remotely difficult to take the F300 out of its comfort zone where it is, obviously, far less comfortable. A heavyweight reissue of Aphex Twin’s timeless Selected Ambient Works 85 - 92 makes the point in unequivocal fashion – the F300 may be alert to small dynamic variations in instruments or voices, but it’s not all that adept at dealing with the big dynamic shifts associated with changes in attack or intensity. The distance between the quietest and loudest moment of this record is no distance at all when described by the Rekkord Audio.
Equally problematic is the relative lack of low-end punch the F300 is able to summon. It has no problem expressing the rhythms of this recording with positivity, but the best it can summon is a sort of mild ‘shove’ where you just know the music wants to hit with greater determination. This lack of rigour, allied to the easy-going overall nature of the F300’s delivery, conspires to serve up a presentation that’s probably most politely described as ‘tepid’. Which is no one’s idea of what Aphex Twin should sound like, let’s face it.
Sound: 3/5
Rekkord Audio F300 review: Design
Perspex dust-cover
Single-piece MDF plinth
Decoupled sub-chassis
(Image credit: Rekkord Audio)
It’s not easy to make a mainstream record player look anything other than ‘a rectangle with a circle on it’ – and Rekkord Audio hasn’t tried. The F300 looks exactly as you might expect, in a good way.
It’s very nicely built and finished, though, and feels the part just as much as it looks it. The three available finishes (satin black or silver are available as well as the ‘stirling oak’ wood veneer of my review sample) look good, and in the case of the wood veneer model there’s a degree of tactility in the fairly deep grain, too. The plinth is of a single, relative chunky, piece of MDF – a material valued for its rejection of resonances – and the clear Perspex dust-cover on top of it is mildly angled and consequently mildly interesting in visual terms.
The F300 is distinct from the less expensive models in the Rekkord Audio line-up thanks to the floating sub-chassis that’s visible beneath the aluminium platter. The platter itself, the tonearm assembly and the components that control the automatic operation are all decoupled from the main body of the chassis – and so the theoretical benefits where isolation from internal and external vibrations are obvious.
Design: 4.5/5
Rekkord Audio F300 review: Usability and setup
(Image credit: Future/Simon Lucas)
Minimal user input into set-up
Even more minimal input needed when playing a record
...Sit back and listen
It’s hard to know how setting up or operating the F300 could be any simpler or more straightforward. If you can’t get a sound out of this record player within minutes of taking it from its box, you should probably have a word with yourself.
There’s a wall-wart mains adapter in the packaging that needs to be plugged in. The captive RCA leads and grounding lead need to be attached to your amplifier, wireless speaker or what-have-you. The aluminium platter needs positioning, the counterweight needs adjusting – as does the anti-skate control. And then you just need to take the plastic guard off the cartridge. You are now set up.
And, of course, the whole point of the F300 relative to most of its rivals is its ease of usability. Select the speed at which you’d like the platter to turn. And then, having put a record on the platter, push ‘start’. The job is very much done.
Usability and setup: 5
Rekkord Audio F300 review: Value
As a painless-to-own, easy-to-use turntable that’s properly built and finished, it’s difficult in the extreme to fault the value that Rekkord Audio is offering with the F300. Whether or not it sounds like the money’s-worth is, admittedly, a slightly different question - the answer will depend quite strongly on whether you consider the words “laid back” to be especially positive or not…
Should I buy the Rekkord Audio F300?
Buy it if...
You value convenience
The F300 is as convenient as they currently come.
You admire good engineering
There’s no arguing with the quality of construction here, nor the standard of the engineering involved.
You like an easy-going sound
To be honest, ‘easy-going’ is to understate it somewhat.
Don't buy it if...
You own a lot of 12in singles
Rekkord Audio is adamant: 12in records turn at 33.3rpm, 7in records at 45rpm.
You enjoy upgrading your equipment
The captive leads and the cosy nature of the relationship between tonearm and cartridge don’t lend themselves to upgrades.
You admire a punchy sound
You have a stack of choice if you want a more assertive-sounding turntable. None of the alternatives are automatic, though.
Rekkord Audio F300 review: Also consider
If it’s the automatic operation that’s brought you this deep into the Rekkord Audio F300 review, you won’t find too many alternatives that perform to this sort of standard. If, however, you’re simply in the market for the best-sounding turntable this sort of money can buy, you most definitely have options – Pro-Ject and Rega (see in particular the Rega Planar PL1) are probably the most high-profile turntable brands with very capable machines at this sort of price.
How I tested the Rekkord Audio F300
I plugged its captive RCA connections into my Naim Uniti Star amplifier via a Cambridge Audio phono stage, from where it played through a pair of Audiovector QR-1 SE loudspeakers, and also into the ‘aux’ input of a KEF LS60 wireless speaker system. I played 12in and 7in records of all types, all vintages and various conditions (although I steered clear of those LPs it appears someone has been eating off). And I didn’t stop for the thick end of a week.
The JBL Clip 5 is reasonably priced at $79.95 / £59.99 / AU$89.95 and is available in the US, the UK, and Australia. Considering that the JBL Go 4 costs $49.95 / £39.99 / AU$59.95, if your budget can stretch to the JBL Clip 5 the extra investment will return big gains in sound quality and volume levels.
From minute one I was impressed with what this compact Bluetooth speaker had to offer. The Clip 5 is a satisfying mix of durability, practicality, and enjoyable sound in a small package. Is it one of the best Bluetooth speakers around? All in good time.
The JBL Clip 5 is covered in woven fabric on the front and back, with a silicone mid-section. It has a large plastic carabiner on the top that's easy to open and clip onto things. I’ve had it hanging from door handles, the bathroom mirror, and shelving units amongst other places, and could easily change up its position to allow for the best listening experience.
There are silicone strips on the back of the speaker body for added stability when the speaker is placed face-up on a surface, and the JBL logo on the front of the speaker is also made from silicone. Above the logo are the play/pause button and the volume up and volume down buttons. These have icons that represent the respective functions – so, a triangular 'play' icon, and plus and minus signs – and I found them satisfying to press. Within the silicone area on the left-hand side of the speaker sit the power, Bluetooth and Auracast buttons.
(Image credit: Future)
This pint-sized speaker measures just 3.4 x 5.3 x 1.8 inches / 86 x 134.5 x 46mm, but at 10 ounces / 285g, it feels a little heavy for its size. It’s a shame that it's only possible to hang the Clip 5 or lie it on its back; there was many an occasion when it would have been more convenient to stand it on its base, but its pebble-like shape makes it unstable.
The speaker has IP67 water and dust protection, meaning I wasn’t limited to where I could listen to tunes. It quickly became my favorite bath-time companion, and the steam was no issue for it. We also did a dunk test in the TechRadar testing tank, after which the Clip 5 continued to function quite happily, so whether you want to listen to tunes on the beach or do karaoke in the shower, it looks like this speaker can handle it. JBL has adopted a sustainable approach with the Clip 5 by incorporating some post-consumer recycled materials in the design. Great stuff.
(Image credit: Future)
If you’ve read my JBL Go 4 versus feature, you’ll already know I’m a fan of the JBL Portable app's user-friendly interface. It has an attractive, easy-to-use design that makes it a snap to view the battery level, use Stereo Group mode to play in stereo from two speakers, or use the PartyTogether mode to add other JBL speakers into the mix for amped-up sound.
Further features on the app include PlaytimeBoost, which is designed to boost the volume of the music without consuming more battery power, a Product Information section, and an EQ settings section. There are four equalizer profile presets: JBL Signature, Chill, Energetic, and Vocal, as well as a customizable EQ profile.
I tested out the Clip 5’s Auracast capabilities by connecting it with a JBL Xtreme 4 and Go 4 speaker. The connection process was easy thanks to PartyTogether mode, and the resulting surround sound effect was impressive. I must admit that my colleague, audio expert Harry Padoan, and I couldn’t help but bop along to the tunes in our music testing room.
(Image credit: Future)
The battery is said to last up to 12 hours on the JBL website. When I tested it by playing our TechRadar testing playlist non-stop at 50% volume, it lasted just under eleven-and-a-half hours, which isn’t bad considering how obnoxiously loud the Clip 5 is when playing at this volume level.
The sound quality of the JBL Clip 5 is pretty impressive considering its size and price. It’s capable of some surprisingly deep bass and delivers this without losing the detail, even when just using the default JBL Signature EQ setting.
When I laid the speaker down, I could feel the bass pounding through the surface it was on. Not only was the bass impactful and dynamic in tracks like Black Eye by Allie X, but it also delivered low-frequency bass impressively well when I listened to Angel by Massive Attack.
(Image credit: Future)
Unfortunately, there was a shortcoming that became apparent when listening to Black Eye. The vocals came across slightly strained and overpowering when listening to the track at 75% volume. They were brought more into proportion when the volume was reduced to 50%; the bass continued to bounce dynamically across the track, and I could still hear the detail in the vocals. I changed to the Energetic EQ preset to see if this made any improvements. While it did what it said on the tin and added some energy to the instrumental element of the track, the vocals continued to have a sharp edge to them. As was also the case with the JBL Go 4, changing over to the Vocal EQ preset just results in all the elements sounding distorted, as if they were recorded underwater.
When listening to Hit the Road Jack by 2WEI and Bri Bryant, the delivery was satisfyingly atmospheric and immersive considering the size of the Clip 5. The different elements layered together well. The bass was dramatic and impactful, and I could hear the finer details in the background of the track as the beat was building up.
(Image credit: Future)
Cheaper speakers can struggle with the treble and intensity of some vocal sections on this track, making them sound tinny and strained. The Clip 5 handled it well, but the tinniness did appear at around 75% volume, which seemed to be a running theme when I listened to various tracks. The song Boom Boom by the same artists sounded good at 75%, with plenty of detail and drama, but the highs again began to feel a little harsh; at 50% volume, everything blended together a bit better. So this definitely wouldn’t make a replacement for a party speaker if you wanted to blast out the tunes at a get-together.
Adagio Per Archi E Organo In Sol Minore by the London Philharmonic Orchestra was a satisfying listen with this speaker; there was a clear distinction between the different notes and instruments, but a slightly tinny edge to the sounds of the organ. This will likely only be noticed by audiophiles who are scrutinizing the sound quality, however. I don’t imagine anyone expects perfection at this price point but, actually, outside of the treble troubles, the Clip 5 is certainly reaching for it.
Another enjoyable listen was I Believe in a Thing Called Love by The Darkness. The guitar and vocals sounded great, and everything was well-proportioned. I could easily hear the detail and depth in Justin’s voice, and the instruments layered together well, with nothing stepping out of line or trying to steal the limelight when it shouldn’t have been.
(Image credit: Future)
The difference between the sound quality of the Clip 5 and the cheaper JBL Go 4 is certainly noticeable. While there is of course a $30 price difference to consider, I'd say it’s worth it if you want deeper bass and the ability to blast out some tunes without lugging about a bigger speaker – though there's naturally some sacrifice when it comes to sound quality at the higher end of the volume scale.
If you're still undecided whether the JBL Clip 5 covers all your bases, we’ve curated a list of the best Bluetooth speakers with alternatives suitable for varied budgets and requirements. We also keep track of the best cheap Bluetooth speaker deals, so it's worth checking back now and then to see if there’s money to be saved.
JBL Clip 5 review: Price & release date
List price: $79.95 / £59.99 / AU$89.95
Available now in the US, UK, and Australia
The JBL Clip 5 was released in June 2024 and is one of JBL’s first speakers to include Auracast capabilities, along with the Xtreme 4 and Go 4. It’s available directly from the JBL website in the US, UK, and Australia for $79.95 / £59.99 / AU$89.95.
JBL Clip 5 review: Specs
Should I buy the JBL Clip 5?
(Image credit: Future)
Buy it if...
Don't buy it if...
JBL Clip 5 review: Also consider
How I tested the JBL Clip 5
I tested the speaker over several months
I listened to a variety of music genres and podcasts
I played music continuously to determine battery usage
I tested the JBL Clip 5 over a few months. I listened to a variety of music genres, as well as the TechRadar testing playlist that includes tracks ranging from complex and layered instrumentals to deep bass and delicate vocals. This enabled me to determine the speaker's ability to handle different frequencies.
I played our TechRadar playlist on Tidal continuously at 50% volume using the default JBL signature EQ preset to test whether the battery could last up to 12 hours.
I used it to listen to music and podcasts in the TechRadar office, our music testing room, and at home, using Spotify and Tidal from an iPhone 12 Pro and a OnePlus Pad Go.
The Sonos Roam 2 is the brand's latest speaker, and while much of the attention on Sonos lately has been on its app and new Ace headphones, speakers are at the heart of its lineup. These all seamlessly connect with each other for a great listening experience with easy access to plenty of services either in the home or outside.
The Sonos Roam 2 replaces one of the best Bluetooth speakers, and launched alongside the Sonos Ace headphones with little fanfare and only a handful of changes that were mostly under the hood. The main changes here are an extra button to make setup easier and a slight redesign in terms of colors.
At $179 / £179 / AU$299, the Roam 2 is certainly not a cheap or an ultra-affordable speaker, but it does get you a Sonos product for that price, and that's what really adds up to a winning device here. Adding a dedicated button on the back lets you more effortlessly switch between using this lightweight speaker on Wi-Fi or Bluetooth. Furthermore, with either, you'll get a stable, drop-free experience – at least I did during my over two months of testing.
The Roam 2 also fits right in with other Sonos products, offering a rich, clear, and balanced experience that doesn't come across as flat, especially the soundstage. Whether it was Bruce Springsteen, Olivia Rodrigo, The Rolling Stones, or Taylor Swift, the Roam 2 sounded great. Thanks to the Automatic Trueplay feature, it also adjusts the mix on its own to make sure it sounds at the same level wherever you are.
It's also very lightweight and easily movable, with a pretty minimalist design that puts the focus on the music versus some fancy party tricks. The let-down, though, is the battery life and that limits how travel-ready the Roam 2 truly is. At 10 hours it falls behind both more expensive and more affordable speakers, which means you'll want to bring a power bank with you.
I’ve spent about three months with the Roam 2, using it at home, on trips to the Jersey Shore, and even on weekend trips, and it's a great speaker. While it isn't an immediate upgrade if you already have a Roam, unless the single button on the back is driving you crazy, the Roam 2 is an excellent option for someone who wants a terrific-sounding Bluetooth speaker that offers a premium build and a higher-end feature list.
(Image credit: Future/Jacob Krol)
Sonos Roam 2 Review: Price and release date
$179 / £179 / AU$299
Available in Black, White, Olive, Sunset, or Wave
Released in May 2024
If you're already sold, the good news is that the Sonos Roam 2 is readily available. Regardless of color, the Roam 2 is priced at $179 / £179 / AU$299 and comes in either Black, White, Olive, Sunset, or Wave.
This isn't cheap by small portable speaker standards – you can get the likes of the JBL Flip 6 for a lot less, which still sound great. However, you won't get Wi-Fi connectivity too there, so the Sonos brings its own value.
In the box, you'll get some documentation and a USB-C to USB-C cable for charging. You can, of course, bring your own cable or use another, but the Roam 2 can also recharge wirelessly. You're not required to invest in the one that Sonos makes, but it does offer a wireless charger that matches perfectly with the design of the Roam 2 for $49.99.
Sonos Roam 2 review: Specs
(Image credit: Future/Jacob Krol)
Sonos Roam 2 review: Features
The Roam 2 is both a Bluetooth and Wi-Fi speaker
Automatic Trueplay ensures great playback in any environment
10 hours of battery life will leave you wanting more
While Sonos is declaring this the Roam 2, it could probably pass for a Roam 1.5, given the minute changes here. Then again, considering how stellar a wireless speaker the original Roam was – with excellent playback and connectivity – it allowed the brand to fix its shortcomings.
The biggest advantage over the sea of other Bluetooth speakers available at, above, or below the price is that Roam 2 is a full-throttle Sonos speaker in every sense. For one, it boasts Bluetooth and Wi-Fi connectivity, and thanks to the latter, it fully integrates with the Sonos ecosystem.
Bluetooth makes the Roam 2 easy to use while on a trip, whether it be to another state, country, or simply to a park. As I’ll discuss in the Design section later, Sonos fixed the biggest gripe with the original by adding a dedicated Bluetooth button – above the one for power – on the back. You can easily connect by just holding the Bluetooth button on the back, seeing the light on the front switch to a glowing blue, and connecting from your phone to play easily from your service or library of choice.
It also eliminates the requirement of using the Sonos app to use the Roam, and even in Bluetooth, it delivers a rich playback experience. Furthermore, both indoors and outdoors, I had zero Bluetooth connectivity issues or dropouts.
Wi-Fi connectivity is the key to the integration of the Roam 2 with other Sonos products you may already have in your home. I’ve used the ultra-portable speaker with a Beam 2nd Gen, Era 100, Era 300, and Move 2, and it fits right in. I can easily add it to the mix or first start playing on the Roam 2 and then add the other speakers. It’s also a great speaker to carry around in the home to bring music elsewhere… for me, that was to the bathroom, and it serves excellently as a shower speaker.
While the Sonos app has had its ups and downs, I still like it because it makes it easy to group speakers together succinctly and places most streaming services – be it the big-hitters like Spotify, Apple Music or Tidal, or hundreds of others – under one roof, and lets you get to streaming pretty easily. It’s still a main selling point here and is different from competing Bluetooth speakers. I also really appreciate the integration of "Automatic Trueplay," which lets the Roam 2 automatically adjust the EQ on the fly through onboard microphones for the best playback possible.
It's a major disappointment that Sonos didn’t expand the battery size or the overall runtime. just like the first-generation, the Roam 2 is rated for 10 hours of playback, and that’s exactly what I’ve been hitting with either Wi-Fi or Bluetooth streaming.
In two tests, I streamed a long playlist of songs and found that Roam 2 streamed playback with the volume at 60% for 10 hours. I was able to use it for most of the day on the beach and several hours at a time during a BBQ function. For both of these, it was on Bluetooth connectivity, but at home, I tend to move the Roam 2 around, but I generally find myself plugging it in; it’s not perfect, but it is a pretty seamless way to solve the maximum 10 hours of playback. Sonos does include a USB-C to USB-C cable in the box, but you won’t find a power brick or a wireless charger.
Simply, that’s a bit low for a Bluetooth speaker that costs this much, but it’s not a dealbreaker when you consider the other features here, especially if you want something to play within the broader Sonos ecosystem.
In a similar vein to battery life here, the microphone situation on the Roam 2 is an interesting one. When on Wi-Fi, you can use the built-in voice microphone with Amazon Alexa or Sonos Voice Control. Through this, it acts like an Echo with the former, and with the latter, you can ask Giancarlo Esposito to play your favorite songs. But when on Bluetooth, you can’t use the Roam 2 as a speakerphone or for conference calls. A little strange, but in line with the first-generation.
Even with battery shortcomings and microphone oddities on the Roam 2, these features largely support excellent audio quality and minimalist design quite well. This makes Roam 2 an excellent choice for someone who’s already in or brand-new to the Sonos ecosystem.
While this is more expensive than smaller Bluetooth speakers and even similarly sized ones like the Beats Pill, the Roam 2 feels higher-end, with excellent sound in a simple build.
Features score: 4/5
(Image credit: Future/Jacob Krol)
Sonos Roam 2 review: Sound Quality
Delivers excellent sound that punches far above its size
Produces a wide soundstage that doesn't over emphasize bass
Great sound quality over Bluetooth or Wi-Fi
And simply, that’s an excellent sound that punches far above the sheer size. The Roam 2, like the original Sonos Roam, is powered by a tweeter, mid-woofer, and two class-H digital amplifiers that are all controlled by Sonos’ sound engineering. That’s a lot of tech jargon, but the Roam 2 produces an excellent sound that works for a broad range of artists, and presents low, mid, and high frequencies quite well.
When just paired over Bluetooth, skipping the Sonos app experience, I think most will be happy with the balanced sound. It’s not necessarily heavy on bass, especially with pop tracks, but it does let that element of a song be heard.
While playing Born to Run by Bruce Springsteen, the speaker mimics the wall of sound effects quite nicely, letting you hear the various elements of the mix, including guitars, drums, piano, and saxophone. A live cut of Racing In The Street by the same boss lets the piano opening riff and closing interlude flow across various frequency ranges with zero distortion. That’s powerful on its own, but it sounds great when paired with Springtseen’s vocals and the rest of the band kicking in – saxophone, bass, backing guitars, and drums – all at once.
For most tracks at moderate volumes reaching, say, 80%, the audio experience is both rich and crisp with a wide soundstage that doesn’t feel like it’s compressing any element. You also have the ability to hop into the Sonos app for Android or iOS to adjust the EQ to your liking. Remember, another benefit here is Automatic Trueplay. Like on other Sonos speakers, it will tap the onboard microphones to help tune the mix in real time – for instance, if it needs to lower or up the bass, depending on where you are using it.
I also really enjoyed pop tracks on the Roam 2, like Apple by Charli XCX, which delivered thumping bass with smooth vocals and EDM sounds layered on top, to bad idea right? by Olivia Rodrigo, which showed how the speaker could handle vocals at varying frequencies.
Sound quality score: 4.5/5
(Image credit: Future/Jacob Krol)
Sonos Roam 2 review: Design
The Roam 2 doesn't call much attention to itself with a minimalistic build
The addition of a Bluetooth button on the back fixes a major issue with the original
It's ready for a trip to the beach or a tumble in a park with a IP67 resistance rating
The Roam 2 largely looks like the original Roam. It’s still super portable, either held in hand or tossed into a backpack at just 0.95 lbs and it stands at about the size of a water bottle. It comes in a few shades, and I’m particularly fond of the “Wave” shade, which is essentially a light blue. It’s easy to spot and a bit more fun without popping too much.
Compared to the original Roam, the second generation is hard to tell apart. One way is that the Sonos logo on the front is now color-matched to the rest of the speaker. It still sits on top of the front grille, which is where the sound gets pushed out. Unlike competing options from, say, Ultimate Ears,the Roam 2 simply pushes sound out the front. That’s something to keep in mind when placing it.
The Roam 2's top and bottom, or end caps, are rubberized, which makes it easy to stand vertically. However, you can also place it horizontally, and four pegs let it rest easily and not shake too much when you’re playing a rock-roll classic or a pop hit at full blast.
On the top of the Roam 2, you’ll find four physical buttons – microphone on or off, volume down, play or pause, and volume up. They're all easy to find, and unlike on the Sonos Era 100, they aren’t capacitive. Considering you can take this speaker to the beach and toss it in the sand or use it in the rain, this is probably a good design call. I also successfully used it in those two environments and dunked the Roam 2 a few times. It held up just fine, and that’s thanks to its IP67 resistance rating.
Sonos’ best design decision with the Roam 2 can be witnessed on the back, though. You might recall that the original only had one physical button on the rear that had to be used to turn the Roam on or off, as well as for connectivity. It was a bit of a pain to use, and as someone who’s had an original Roam since launch, I never really forgot the oddity of it. That is rectified here as there are two buttons on the back – a power button and a Bluetooth pairing one. Rejoice!
This not only makes it easy to turn the Roam on or off, but you can also power it on and immediately use it without having to connect or pair it with the Sonos app on your Android or iOS device. You can immediately start streaming music from an iPhone or any Bluetooth-enabled device.
Lastly, the Roam 2 has a USB-C port on the back that can be used to charge the speaker. Unlike other options, there is no reverse charging here. Thanks to a Qi unit on the bottom, you can also wirelessly charge the Roam 2.
On the whole, I was already pretty fond of the Roam 2's design. As we said in our first generation review, it is a “really attractive” Bluetooth speaker that sticks with Sonos’ minimalist focus. It might not be as vibrant or LED light-filled as competing options, but that also lets the focus be on the sound it produces.
Design score: 4.5/5
(Image credit: Future/Jacob Krol)
Sonos Roam 2 review: Value
Sonos fixed most of the issues with the original here
For the price, you get an excellent piece of hardware with rich sound that's on par with other speakers
You can spend less for a great sounding longer-lasting speaker
Whether you have a home-filled with Sonos speakers or are brand new to the connected audio brand, the Roam 2 should be on your sort list for an ultra-portable speaker. It fixes one of the biggest pain points with the original, while still delivering excellent sound in a strong build that comes in some fun shades.
Thanks to the Bluetooth button on the back, you can easily unbox it and get right to playing music if you're away from home. You'll just power the Roam 2 on, hold it in, and connect from your Bluetooth-enabled device to start streaming. The onboard tweeter and woofer deliver a rich, balanced audio experience that can get surprisingly loud for the sheer size, and it outpaces competing Bluetooth speakers.
The Roam 2 also has an edge when it comes to Wi-Fi connectivity, letting it integrate with other Sonos speakers for multi-room audio and, in fact, works with the Sonos app for easy music streaming from a plethora of sources. You can also use the onboard microphone with Amazon Alexa for other smart controls.
It's not all perfect, though; at $179 / £179 / AU$299, the Roam 2 should last longer than just 10 hours, and you can get more mileage for a lot less. You might also be looking for a more fun design or integration with other platforms that Roam 2 doesn't offer.
Still, even with a battery life shortcoming, the Roam 2 offers improvements to an already excellent Bluetooth (and Wi-Fi) speaker. While it's not an immediate upgrade for folks with the original – unless you're frustrated by the lack of a Bluetooth button – the Roam 2 is an excellent option for someone who wants excellent sound in an ultra-portable build with simple aesthetics.
Value score: 3.5/5
(Image credit: Future/Jacob Krol)
Should you buy the Sonos Roam 2?
Buy it if...
You're already in the Sonos ecosystem I love how the Roam 2 fits right at home with an existing Sonos ecosystem and I can easily carry this around my home, or continue the experience outside. If you already have a Sonos setup, the Roam 2 gives you the best of both worlds.
You want a simple, ultra-portable speaker The Roam 2 not only looks great and has plenty of buttons, but it's really easy to take it on the go with you... both near and far.
Don't buy it if...
You need a long-lasting speaker At just 10 hours of battery life, the Roam 2 is the opposite of a road warrior, so if you want a speaker that can last for days you'll want to look elsewhere.
You don't want to spend a ton At $179 / £179 / AU$299, the Roam 2 is in the higher-end sector of Bluetooth and Wi-Fi speakers, and while the feature list mostly matches the price tag, there are plenty of cheaper options out there.
Sonos Roam 2 review: Also consider
Beats Pill Yes, the iconic Beats Pill is back and asides from a strange button situation that reminds me of the first-gen Roam, it's a very well-feature Bluetooth speaker that checks off nearly all of the boxes. It offers rich, booming sound, nearly ultra-long battery life at 24-hours, and pairs seamlessly with an iOS or Android device. Here's our full Beats Pill review for more information.
JBL Flip 6 The JBL Flip 6 is a little older, as it launched in late 2021, but like the Roam 2 is beach-ready with an IP67 resistance rating. It's nearly the same size and offers excellent sound, but it also has a party mode which the Roam doesn't offer while on Bluetooth. You can connect the Flip 6 with up to 100 other JBL speakers with the PartyBoost functionality. IT remains a great buy today, so here's our full JBL Flip 6 review.
(Image credit: Future/Jacob Krol)
How I tested the Sonos Roam 2
Tested over two months on its own and in conjunction with other Sonos speakers
Listened to a range of music over Bluetooth and Wi-Fi connections
Tested in a variety of spaces, both inside and outside
I tested the Sonos Roam 2 for over two months with a long list of my favorite tracks across genres like rock, pop, hip-hop, and jazz, as well as the TechRadar testing playlist, which has a wide range of songs. I tried to throw a broad range of tracks at the Roam 2, from Bruce Springsteen and The Beatles to Olivia Rodrigo, Taylor Swift, and Charli XCX.
Since it works over Bluetooth and Wi-Fi, I tried the former with several devices, including an iPhone 15 Pro Max, iPad Mini, Galaxy S24 Ultra, Google Pixel Fold, Google Pixel 8, and the Galaxy Z Flip 6. On Wi-Fi, I used it on my pre-existing Sonos system that consists of an Era 100, Roam 1st Gen, Sonos Beam 2nd Gen, Sonos Sub Mini, Sonos Move 2nd Gen, and a Sonos Era 300.
I tested the battery qualitatively in a broad range of places and a formal test to see what it netted out at. I ran it through a long playlist twice with the volume set to 60%.
The Pro-Ject Juke Box E1 is here to change the reputation of all-in-one record players. These have a poor reputation, largely because they're usually built to a very low price, with all the sacrifices that entails. The Juke Box E1 is not like this, because Pro-Ject hasn't built this for budget, it's built it for convenience. This isn't a cheap-o system, and it doesn't look, feel or sound like one either.
The Pro-Ject Juke Box E1 takes the familiar and good-looking Pro-Ject Primary E1 turntable and adds a built-in phono stage, amplification and Bluetooth receiver to deliver an all-in one sound system – just add speakers. Or grab the bundle that Pro-Ject offers with matching speakers.
If you already have a decent amp, then you'd be better off with one of the stand-alone Pro-Ject E1s, but as a one-box option among the best turntables for beginners who are starting from nothing, this is exceptionally simple to set up and use, and it delivers an impressive performance across all kinds of music.
At £599 / $799 / AU$999, this is not a super-cheap purchase, but you'd need to spend the same or even more to get a good-quality turntable and separate amplifier of the same level of quality, so it's fair value and compact, in that regard.
However, if you think you'll become more ambitious in the future, a standard Pro-Ject E1 and separate amp might be more future-proof, since you could replace one without swapping the other.
Despite its additional features the Juke Box E1 looks very similar to the E1, E1 Phono and E1 BT turntables. (Image credit: Future)
Pro-Ject Juke Box E1 review: price and availability
Released in February 2024
£599 / $799 / AU$999
£799 / $1,199 / AU$1,566
The Pro-Ject Juke Box E1 is available as a stand-alone unit without speakers for £599 / $799 / AU$999, or you can buy it in a bundle with the matching Pro-Ject Speaker Box 5 set of stereo speakers for £799 / $1,199 / AU$1,566.
The price here is more expensive than most other all-in-ones, but it's targeted at a different kind of buyer – one who's got more interest in audio and component quality, but is perhaps short on space or would prefer to avoid the hassle of separates.
The Juke Box E1 is the successor to 2018's Juke Box E, and it was released in early 2024.
All the key connections are round back where you'll find line and phono outs as well as the speaker outs. (Image credit: Future)
Pro-Ject Juke Box E1 review: Features
Includes its own amp
Can be used with external amps
You can stream to it over Bluetooth
The Juke Box E1 comes with an Ortofon OM 5E cartridge, which is also used to excellent effect in the standard E1: it's a good all-rounder and easily upgradeable. But the most significant features are inside, where you'll find both an integrated phono stage and 2x50W of Class D amplification. That makes this a full hi-fi system: just bring or buy speakers, no separates required.
The platter here is belt-driven to reduce mechanical noise and in addition to the outputs there's a line in so that you can connect another sound source. You can also stream from your phone via Bluetooth.
As with the E1 there's no start/stop automation: you set and lift the tonearm manually.
Features score: 4/5
Pro-Ject Juke Box E1: Audio performance
Musical, involving and entertaining
Decent bass and airy highs
Can go fairly loud
Having previously tested the Pro-Ject E1 we had a good idea of what to expect here when we connected it to the same speakers as before: Pro-Ject's turntables are very musical, and the E1 with the Ortofon OM 5E performs very well with a wide range of genres including classic rock and electronic pop.
As with the E1, the sound stage was clear and detailed, offering excellent separation of instruments with a largely neutral performance and a bit of warmth. It's the sort of turntable that makes you smile involuntarily as you listen. Bass guitars are tight rather than rubber band-y, layered vocals and synth pads are well positioned and you'll often hear details that other turntables can't deliver quite so well. Lushly recorded music is a particular pleasure, but we had fun annoying the neighbors with noisy guitar rock too. It's a very enjoyable listen.
What's different this time, of course, is that the Juke Box has its own phono stage and amplification – and if you buy the bundle, its own speakers. The amp is rated 2x50W at 4 ohms, and I was impressed by its performance compared to an affordable standalone option.
Whether you're using Pro-Ject's speakers or bringing your own there's a noticeable difference in spaciousness if you're streaming a song over Bluetooth rather than listening to it on vinyl. That's Bluetooth's fault rather than the amp and speakers' fault, but it does feel like you're not making the most of what the Juke Box can do.
Pro-Ject's own speakers have a frequency range of 55Hz to 20kHz, which is decent for relatively small bookshelf-sized speakers like these and only marginally narrower than the 52Hz to 28kHz of the Bowers & Wilkins bookshelf speakers I normally test with.
Like the B&Ws, they're two-way speakers with bass reflex ports and benefit from careful placement: too far from a wall and they can lack bass; too close and there can be too much of it. I preferred the sound of my B&Ws using the same built-in amp, finding them to be slightly wider and more airy, but the Pro-Ject speakers are still very lively and entertaining.
Audio score: 4/5
There's a status display in the lower right corner of the plinth, but because it's on top you can't see it from across the room. (Image credit: Future)
Pro-Ject E1 review: Design
It's a Pro-Ject E1, but chunkier
Still good-looking despite the added bulk
Retains the zen design of its siblings
As the name suggests, the Pro-Ject Juke Box E1 has a lot in common with its sibling, the Pro-Ject E1 – but while they look very similar, the Juke Box is a little more chunky because it's not just a turntable. It also has a significantly larger power supply.
This is the latest generation of the firm's award-winning all-in one, and as before it provides everything you need to enjoy vinyl apart from the speakers (unless you opt for the bundle that includes stereo speakers). What's different from the previous version is that there's a new tonearm, a new drive system for the sub-platter, and a switch to toggle between 33 and 45rpm.
The Juke Box has the same belt-driven ABS anti-resonant platter as the regular E1, but it's in a slightly different place, presumably because the interior needed to be repositioned to make room for the amplification circuitry. As with the previous Juke Box, there's a small LCD display in one corner of the plinth to show the selected input and its volume, and as before it's on top so it's only visible if you're looking down on the turntable.
In order to achieve something close to the zen-like simplicity of the normal E1, the Juke Box has hidden some of its controls. The speed switch has been relocated to underneath the front of the plinth, and the on-off switch is on the underside too. Speaker, line in and out and power connectors are round the back. There's a single volume control on the front and the inputs are switched by pressing it or via the included remote control.
There are four finishes: glossy white, red or black, and a walnut wood grain effect. All come with a clear acrylic dust cover. The cover is in a normal place but opening it will knock the Bluetooth aerial out of position.
Design score: 4/5
The included remote is straightforward and slim, with a tendency to slide down the side of your chair. (Image credit: Future)
Pro-Ject Juke Box E1 review: Usability and setup
Extremely user-friendly
A small display shows input source
Included remote control
The Pro-Ject E1 on which the Juke Box E1 is based is an extremely user-friendly turntable, and the same applies here but even more so: where the E1 still needed to be connected to an amp, the Juke Box has one inside it. As with the E1, the tonearm tracking force is factory pre-set, so it's just a matter of assembling the Juke Box, putting the belt on the pulley, adding the platter and slip mat and connecting your speakers.
The other main difference here is the display, which standard E1 doesn't have. It's simple and effective, showing the volume level and input source. You can control the volume with the control dial or press it to change inputs.
Really, the only usability thing missing here is automatic operation, which would certainly be a nice pairing with how generally great this is for beginners – but not everyone wants it, so it's not a real issue that it's missing.
Usability score: 4.5/5
Pro-Ject Juke Box E1 review: Value
A decent price for a turntable/amp combination
Hard to find a good rival at this price
The Pro-Ject Juke Box E1 is roughly twice the street price of the regular Pro-Ject E1, but for that extra cash you're also getting a powerful amplifier. You'll really struggle to get a decent, separate amp for that amount of money, and of course an all-in-one is more convenient as it takes up less space. In that regard, this thing is excellent value – and having it be a Bluetooth receiver is the icing on the cake.
However, there's a question of the long-term value that it delivers because you obviously don't get any flexibility for future upgrades, if you think you'll want them. You can't swap the amp out for a more powerful one to pair with more capable speakers. You can't swap the turntable out for something with different options while keeping the amp.
If you don't think you'll need to make these changes in the future, or you just don't think you'll mind the cost, then no problem. But it does mean that the Pro-Ject Juke Box E1 is a double-edged sword when it comes to value – fantastic in the first instance, but with an issue as you get more ambitious.
Value score: 4/5
Buy it if...
You don't want separates
The Juke Box contains everything you need to play records apart from speakers, and Pro-Ject will happily sell you a set of those too.
You have eclectic tastes
The supplied Ortofon cartridge is a good option for all kinds of genres.
You appreciate style
Pro-Ject's turntables are beautiful things, even in this slightly more chunky size.
Don't buy it if...
You have a decent amp
The regular E1 model will be a better fit from this specific range.
You'll probably upgrade
If you think you might go down the audiophile road in future, separates offer better upgrading options.
You tend to lose things
The remote here is slim and easy to lose down the side of your chair.
Also consider
Pro-Ject E1 If want an affordable Pro-Ject option and have an amp already, then the amp-less sibling here, the E1, is an ideal option. It's super simple, it's warm and rich sounding, it's very well priced – and it comes in a version with a phono stage, or with Bluetooth, if you prefer. Here's our full Pro-Ject E1 review.
Lenco LS-410
We didn't exactly rave about this record player in our Lenco LS-410 review, but it one-ups the Pro-Ject by including speakers as well, so if you really want to save space and money, take a look.
Pro-Ject Juke Box E1: How I tested
Used over several weeks across a ton of records and with streamed Apple Music
Tested alongside the Pro-Ject E1
Tested with Pro-Ject's optional speakers as well as the reviewer's own; tested with and without integrated amp
I tested the Pro-Ject Juke Box E1 at home over several weeks alongside its sibling, the Pro-Ject E1, connected through its own amplifier to both Pro-Ject's own bundled speakers and to my own Bowers & Wilkins bookshelf speakers.
I also connected the Juke Box to my Onkyo amp, bypassing the Juke Box's own integrated amplifier; as expected it sounded identical to the E1. For both turntables I listened intensely to albums I already know inside out across a wide range of genres from the most luscious yacht rock to rowdy punk and slinky electronic pop.
