Organizer
Gadget news
I’ve found a new favorite pair of sub-$100 cuff-style open earbuds, with some surprisingly premium features
1:30 pm | December 13, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , , | Comments: Off

Soundpeats Clip1: Two minute review

The real measure of whether earbuds are good, is if I keep wearing them after the two-week testing period is over. And judging by how keen I was to keep on using the Soundpeats Clip1, enthused by the best bits of the buds, that they’re easily some of the best open earbuds I’ve tested recently.

The latest clip-style open earbuds from prolific audio maker Soundpeats, the Clip1 follow the manufacturers’ style in being budget alternatives to bigger names, in this case the Bose Ultra Open Earbuds and Shokz OpenDots One. As a budget brand, they’ve made some solid earbuds in the past, but the recent and impressive Soundpeats H3 made me curious to see what else was in the pipeline.

What ended up being next in the pipeline, has quickly become one of my favorite pairs of sub-$100 open earbuds, and definitely the best I’ve tested recently. The Clip1 tick all the boxes you hope for with open earbuds, and then go above and beyond in a few ways.

My favorite of these ways is that Soundpeats offers a listening test; these aren’t the first lower-cost earbuds to offer this once-premium feature, but I’ve never used such a test that’s so simple yet so effective in its results. I couldn’t stop listening to the finely-tuned personal audio mix it delivered me.

Of course the buds also nail the basics; they’re comfortable to wear, grip reliably in the ear when you’re working out and don’t weigh too much. The battery life is solid, the buds are hardy and, in a rare case for clip-ons, they look a bit more refined than the usual children’s-play-thing look.

There are a few rough edges here though. The case feels cheap and plasticky, the touch controls were way too sensitive and the max volume just wasn’t high enough to fit the bill for open-ears. But I enjoyed using the buds enough to overlook some of these concerns.

Soundpeats Clip1 review: Specifications

Component

Value

Water resistant

IPX5

Battery life

8 hours (earbuds), 32 hours (total)

Bluetooth type

Bluetooth 5.4

Weight

5g / Charging case: 55.5g

Driver

12mm

Soundpeats Clip1 review: Price and availability

The Soundpeats Clip1 in their case.

(Image credit: Future)
  • Announced on November 12, 2025
  • Priced at $69.99 / £74.99 / AU$79.99
  • Generally cheaper than rivals

The Soundpeats Clip1 were announced on November 12, 2025, and put on sale immediately after.

They’ll set you back $69.99 / £74.99 / AU$79.99, so they’re fairly cheap as far as clip- or cuff-style earbuds go (especially in Australia). However they’re Soundpeats’ priciest clippers, costing more than the cheap PearlClip Pro and even cheaper PopClip.

In the grand scheme of open earbuds, they’re definitely towards the cheaper end of the spectrum though. If you look for even more affordable options, you’re only finding options from budget brands like Ugreen and Anker, and most top-spec rivals have price tags over the three-figure mark.

Soundpeats Clip1 review: Design

The closed Soundpeats Clip1 case.

(Image credit: Future)
  • Classy design of buds, but cheap-feeling case
  • Lightweight and comfortable
  • Poorly-working controls

Despite clip earbuds being nice and small, and therefore generally coming in svelte carry cases, Soundpeats bucks the trend by putting the Clip1 in a fairly large carry case. It’s a large, cheap-plasticky gray shell which weighs 55.5g, and I found it a little harder to open than I’d like, due to the indentation you’re meant to grip being a little shallow.

I’m not saying it’s hard to open, just that you need to consciously think when you’re getting the buds out, which is more brainwork than I generally use for a brainless task like opening a case. At least the buds are nice and easy to whip out, not buried in the case.

Onto the buds themselves: these are, of course, clip-style earbuds which consist of a spherical bud and a counterweight, joined together with a small arch. They weigh 5g and have an IPX5 rating, which means they’re protected from jets of water.

This is hard to state with anything resembling objectivity, but the Clip1 earpiece feels like it has an air of elegance about it; the dainty stem connecting the perfect sphere and little ellipsoid feels more refined than the chunky alternatives I’ve tested before.

Practically speaking, this translates to the feel of wearing the buds too. They were light enough that I barely felt like I was wearing anything, and stayed attached to my ear reliably – there were no drops during testing.

There are touch controls on each bud, but every time I had gestures enabled in the settings, my music would inexplicably pause or skip songs without me touching anything, and so I turned off the feature. I don’t know if I had a faulty unit or if the sensors are just so oversensitive that wind can set them off. At least a different kind of sensor works better: while the two Clip1 buds are identical, so there’s no left or right one, they can automatically detect which ear they’re in to adjust channels accordingly.

  • Design score: 4/5

Soundpeats Clip1 review: Features

The Soundpeats Clip1 buds on a table next to the case.

(Image credit: Future)
  • Fantastic listening test
  • Battery life is 8 hours, 32 hours with case
  • Fewer other features than some rivals

In any earbud, but especially ones designed for fitness use, battery life is important; the SoundPeats Clip1 aren’t a frontrunner in this department but they have a decent battery life and I can’t ask for any more.

The buds last for 8 hours of listening at a time, and the case has enough juice for 32 extra hours before that needs charging. Those respectively hit and exceed what I’ve come to expect for this kind of bud. You won’t see those figures if you use LDAC when listening, but the lack of noise cancellation means you won’t have the battery leeched from that.

Onto the PeatsAudio app on your smartphone. Booting this up, you’re faced with a wall of toggle sliders for things like Dolby Audio, in-ear detection, low-latency game mode, touch controls, LDAC and dynamic equalization.

If you don’t want your dynamics, er, dynamically calibrated, you can also use the in-app equalizer, which offers eight genre-based presets as well as a 10-band custom mode and also a listening test. This latter was a lot quicker and easier to use than equivalents I’ve had to slog through, simply requiring you to press a button if you can hear a sound while it cycles through frequencies and volumes.

I didn’t have high hopes due to the simplicity, but the results it returned (and custom EQ mode) were pretty similar to what I’ve received from similar tests, and greatly improved the music from the default mode… but those are, sadly, spoilers for the next section.

  • Features score: 4/5

Soundpeats Clip1 review: Sound performance

The Soundpeats Clip1 in a man's ear.

(Image credit: Future)
  • Single 12mm driver
  • Supports Dolby Audio, LDAC, AAC, SBC, more
  • Bright audio that perhaps lacks bass

The Soundpeats Clip1 have 12mm drivers squirrelled into those spherical orbs. That fine (rather large) driver spec is enhanced with a wide range of codecs, more than you’d imagine for low-cost buds: they support Dolby Audio, Hi-Res Audio, LDAC, AAC and SBC.

That’s really good… but also possibly overkill on a set of open-ear buds. By virtue of the form factor, you’re getting an even 50/50 mix of music and your surrounding sound, so you’re hearing a crazy train alongside your Crazy Train, a babbling river at the same time as The River, and don’t even get me started on The Divine Comedy’s most popular song. Soundpeats touts the LDAC support as giving you CD-quality audio, and while that’s true, it’s a CD that’s playing from your neighbour’s flat, not yours.

That’s all to say that there’s a cap on how good open-ears can be before drastically diminishing returns, and the Clip1 aren’t in the select community which find a way to bypass the cap. That’s especially true when you bear in mind that their biggest issue is a max volume that’s just not high enough; I could barely hear my tunes while cycling through traffic.

When you get a chance to actually hear the SoundPeats, though, you’ll find that they sound pretty good – as long as you play around with the equalizer, as the default preset doesn’t do the sound justice. No matter how you shake it, the sound profile certainly tends towrds the bright side, with vocals shining through the audio mix, and as someone who prefers treble to bass for workout music, I was happy with that. Sung lines sound crisp and clear, with energy enough to motivate me through my run.

Songs have more audible detail than I’m used to from open-ears; in songs like She Had Me At Heads Carolina by Cole Swindell, you can easily hear the various guitars in the mix, and the panning in Declan McKenna’s Brazil giving the song a lovely dimension.

In all my equalizer fiddling, though, I struggled to bring out much bass. The mode called Bass Boost puts it on the map, and gives it a small amount of refinement, but it’s not exactly powerful or prominent. Yes, it's a regular issue with open-ear designs, but notable nonetheless.

  • Sound performance score: 4/5

Soundpeats Clip1 review: Value

Two Soundpeats Clip1 buds hanging from each other.

(Image credit: Future)

There are a few elements of the Soundpeats Clip1 that I’m really surprised to see. It’s uncommon to see LDAC in buds like these, let alone Dolby Atmos or a listening test that works really, really well.

I’m “surprised to see” them because these are competitively-priced buds, coming in cheaper than some of our favorite open earbuds and a lot cheaper than some of our top-rated clip headphones.

While they’re not the outright cheapest on the market, they still offer fantastic value for money compared to lots of the alternatives which you might be considering.

  • Value score: 4/5

Soundpeats Clip1 review: scorecard

Category

Comment

Score

Value

They undercut their similar rivals yet offer great features.

4/5

Design

Reliably, comfortable and lightweight (though it's a shame about the case, letting the side down).

4/5

Features

The battery life is decent and the listening test is great, though I wouldn't mind seeing one or two more extras.

4/5

Sound

I liked the bright audio which lent itself to vocals well, although some might malign the limited bass.

4/5

Soundpeats Clip1: Should I buy?

A single Soundpeats Clip1 bud in a hand.

(Image credit: Future)

Buy them if...

You like personalized audio
Listening tests are becoming a trend, and if you want to try one of the easiest such tests, Clip1 these on..

You need something reliable for workouts
I really put the Clip1 through their paces and never had any issues with them falling out mid-workout.

You're on a budget
Most open earbuds have mid-range prices but the Clip1 are temptingly affordable.

Don't buy them if...

You're going to be in really noisy areas
With no noise cancellation and a low maximum volume, you won't be able to hear your tunes.

You need a small case
Some clip earbuds have svelte carry cases but if you want something that'll fit snug in your pocket, the Clip1 won't deliver.

Also consider

Component

Soundpeats Clip1

Edifier LolliClip

Anker Soundcore AeroClip

Water resistant

IPX5

IP56

IPX4

Battery life

8 hours (earbuds), 40 hours (total)

9 hours (earbuds), 39 hours (total)

8 hours (earbuds), 24 hours (total)

Bluetooth type

Bluetooth 5.4

Bluetooth 5.4

Bluetooth 5.4

Weight

5g / Charging case: 55g

7g / Charging case: 46g

6g / Charging case: 42g

Driver

12mm

13mm

12mm

Edifier LolliClip

Edifier's Dali-esque Lolliclip open-ears have a higher price point than the Soundpeats but a longer battery life and better IP rating at IP56. The equalization isn't on par with the Clip1 though.

Read our full Edifier LolliClip review

Anker Soundcore AeroClip

These buds also cost a little more than the Soundpeats, and they're certainly doing something different design-wise. They sound good but only have IPX4 prorection, and the case holds a lighter battery load.

Read our full Anker Soundcore AeroClip review

How I tested

The Soundpeats Clip1 buds on a table next to the case.

(Image credit: Future)

The testing period for the Soundpeats Clip1 was two weeks, which is the standard amount of time we give earbuds to make sure they're up to snuff – after a thorough run-in.

I paired the Soundpeats with my Android phone for the duration of the testing, listening on Spotify, Tidal, YouTube, Netflix and several games. I tested at home, on walks around my neighborhood, at the gym and on cycles around the city, so they really got put through their paces.

I've tested countless open earbuds for TechRadar, including other clipping and Soundpeats models. And they're just the tip of the iceberg, as I've been reviewing gadgets for the website for going on seven years now.

Read more about how we test

  • First reviewed: December 2025
Fairphone’s newest eco-friendly headphones have a feature I wish Bose or Sony would use – and the sound’s good too
11:05 am | December 9, 2025

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Tags: , , | Comments: Off

Fairphone Fairbuds XL (2025): Two-minute review

Two and a half years after eco-friendly tech champions Fairphone released its first pair of headphones, the company is back to release… the same pair but better. Sort-of. The new Fairbuds XL 2025 aren’t a 2.0 model of the original cans, but an updated model with a few nice changes, and a maintained feature that the best headphones should’ve copied years ago.

Fairphone is primarily a smartphone maker, with the Fairphone 6 from mid-2025 being its latest release, and its green credentials come in two forms. Firstly, its gadgets are generally made from recycled or ethically-sourced materials, and secondly they’re designed to last so you won’t be throwing them away and contributing to e-waste.

The original Fairbuds already ticked those boxes pretty well, but the XL 2025 add in more recycled elements and a longer warranty. It’s a nice bonus on cans you already feel good wearing. They also build on one of the big perks of the originals in that they’re modular, so if one part breaks you can easily replace it yourself.

As is always the case with Fairphone tech, though, you come for the environmentally-friendly promise and stay for one or two surprising extra ways the product elevates itself from the competition. Case in point with the Fairbuds XL 2025: they maintain the 2023 version’s joystick, which is a control system so easy and responsive to use that I’m surprised the big dogs aren’t copying it.

Instead of having myriad touch-capacitive buttons, dials, sliders and levers like most headphones I test, they delegate controlling your sound to a small joystick (well, and a separate ANC button that you rarely need to touch). By pressing or nudging this you can control basically everything you need to for your music, quickly and easily. I love using it and already know I’ll miss it when I move onto my next headphone review.

Beyond that, these are decent-sounding headphones which have energetic and bassy sound, but miss out on the extra ounce of detail or super-expansive soundscapes that many rivals offer. They’re comfortable to wear and look much more distinctive (and fun) than your generic dime-a-dozen headphones.

If there’s something that’ll put off prospective buyers, it’s the price – a common consideration with eco-friendly tech. These cans cost more than I would’ve guessed if I didn’t know, and while their long-lasting guarantee justifies that price well, it’s still a fair amount to pay upfront for headphones which don’t exactly rival the Sony WH-1000XM6 or Bose QuietComfort Ultra.

Fairphone Fairbuds XL (2025) review: Price and release date

The Fairphone Fairbuds XL 2025 folded down on the arm of a bench.

(Image credit: Future)
  • Released on December 9, 2025
  • Costs £219 (roughly $300, AU$460)
  • US release possible; AU unlikely

The Fairphone Fairbuds XL 2025 were announced on December 9, 2025, roughly two and a half years after the original model. According to the company, the newer model are more of an improved version of the older one, not a brand-new device.

The headphones will set you back £219 (roughly $300, AU$460). Fairphone is generally a European brand but its recent move into America means we could see these launch in the US, and we’ll add in a dollar price once we learn of one. Don’t expect to see these release in Australia though – Fairphone follows geographical (not Eurovision) rules on continents.

That price is, importantly, exactly the same cost that the original cans cost when they came out – but where some manufacturers are actually lowering prices in response to increasingly tough competition in a crazy-crowded market, Fairphone hasn't.

Fairphone Fairbuds XL (2025) review: Specs

Drivers

40mm

Active noise cancellation

Yes

Battery life (ANC off)

30 hours

Weight

330g

Connectivity

Bluetooth 5.1

Frequency response

Not listed

Waterproofing

IP54

Fairphone Fairbuds XL (2025) review: Features

The Fairphone Fairbuds XL 2025 in a man's hand.

(Image credit: Future)
  • 30-hour battery life
  • ANC is decent when combined with PNC
  • App has equalizer... and not much else

If there’s an issue with the Fairbuds (aside from the fact that they're absolutely, positively not buds and let's be clear on that), it’s that they’re a little scant on features. There’s no find-my functionality, no listening test or spatial audio, and the Fairbuds app doesn’t offer much.

The key reason to download it is its equalizer, offering presets as well as a custom mode so you can tweak it via a five-band deck – this is called ‘Studio’ mode, so I missed it when I first tested the buds. I found that the only preset worth listening to is the default one, called Amsterdam, as it was louder a clearer than the others.

Beyond that the app lets you install firmware updates, learn the basics of headphones (not particularly important to anyone who’s used headphones before) and order replacement parts for the XL if you damage any. I can see this last service being useful – though hopefully not too often!

The Fairphone Fairbuds XL 2025 on a bench.

(Image credit: Future)

You can toggle ANC, but only with the button on the buds, and not via the app. There are three modes: on, off and ambient. Combined with the passive noise cancellation of the fabric cups, the ANC does a good job at blocking out most sounds around you. It’s not the best noise cancellation I’ve ever heard in headphones, but they won’t leave you wanting more.

The battery life clocks in at 30 hours, which is decent enough for headphones though nothing stellar – some models now offer 80 hours. Fairphone says the battery will last for at least 500 charges before needing to be replaced (that’s 15,000 hours, if you empty the juice tank fully each time) – and given that Fairphone is basically the only company to release a stat like this, it’s hard to say whether that’s standard or not. Still, it’s good to know, and there’s no way you’ll reach that amount of listening in the three years the warranty now covers, anyway.

  • Features score: 3.5/5

Fairphone Fairbuds XL (2025) review: Design

The joystick of the Fairphone Fairbuds XL 2025

(Image credit: Future)
  • Sustainable build
  • Comfortable to wear
  • Incredibly handy joystick controls

The Fairbuds XL aren’t your bog-standard over-ear headphones, and that’s not just a comment on their sustainability. They have a distinctive look and hue, with a fabric band covering and cups, protruding plastic loops connecting the cans and the band, and a two-tier look for the phones. I tested the attractive green model, but there’s also a black one.

I found the headphones comfy to wear, though some people might find them a little heavy. They can be folded, as well as extended quite a bit if you’ve got a larger head, and the fact that the wider tier of the cans wiggles a little bit means they can adapt to different head shapes. However, you can’t rotate the cups to lie flat, like you can on certain other headphones.

On the right cup, there’s an ANC button which you can use to switch ANC modes and also enable Bluetooth, and just beyond that is one of my favorite features of the cans. It’s a little joystick which you can use to turn on the buds (press and hold), play or pause (single press), change the volume (nudge it up or down) and go forward or back a track (nudge it left or right).

The connector of the Fairphone Fairbuds XL 2025

(Image credit: Future)

It’s really simple and easy to use, and is probably the best implementation of touch controls that I’ve ever used on a pair of headphones.

Let’s also talk about sustainability. The 2023 models used 100% recycled plastics and aluminum, and the 2025 versions one-up that: 100% of the cobalt, copper and silver is fair-mined, 100% of the rare-earth materials are recycled and the cans were assembled with 100% renewable energy.

Now, I’m no eco-genius, but that all sounds good to me – especially the part about rare earth materials given how they cost the Earth. The buds are also modular, so if a part breaks you can replace it without needing a whole new pair of cans, and Fairphone offers a three-year warranty on the Fairbuds (one year longer than on the last model).

  • Design score: 5/5

Fairphone Fairbuds XL (2025) review: Sound quality

  • 40mm driver
  • Punchy, warm sound
  • Restrictive sound stage

The Fairphone Fairbuds XL 2025 on a bench.

(Image credit: Future)

While the 2025 model of Fairbuds XL have the same 40mm driver, one of their big updates is still in the sonic department. Apparently the new cans have been re-tuned for more balanced audio – that doesn’t quite track with my own experiences with them, but I’m not really complaining.

In our reporting on the original cans we noticed that the sound of the Fairbuds was “energetic and forthright, rather than refined an analytical”, and that’s exactly how the new model sound to me.

The bridge of the Fairphone Fairbuds XL 2025

(Image credit: Future)

In sounds like O.A.R’s Lay Down, or Michael Franti’s Once A Day, you can hear the punch of brass lines and hearty bass, giving an infectious energy to songs. But songs which have complex instrumentation can sometimes feel like their losing some of their edge – Somewhere in Between by Morningsiders feels a little more monophonic than it needs.

Generally, it’s the warmer sounds that benefit from whatever touch Fairphone has added, with (reasonably) well-defined bass and mids that keep their head above the water more often than not. But there’s not quite the expansiveness through the soundstage as you might want and crave, which stops instruments from standing apart, keeping back certain songs from reaching their true sonic breadth and impact.

Some technical specs here: the Fairbuds connect with Bluetooth 5.1. They miss most codecs but do support aptX HD for higher-resolution 24-bit wireless streaming, if you're source material and device is up to it.

  • Sound quality: 3.5/5

Fairphone Fairbuds XL (2025) review: Value

The Fairphone Fairbuds XL 2025 folded down in a man's hand.

(Image credit: Future)
  • Pricier than the features would suggest
  • Longevity balances value out

If you compare the Fairbuds XL 2025 to same-price contemporaries, it’s easy to make the case that they’re not great value for money. They lack features and the same level of audio refinement that you’d get in rivals.

While that’s true, it's also missing a key point – these headphones are designed for longevity. Where you might need to buy a new pair of Sonys or Bose in a year or two when they inevitably break or the battery renders them unusable, the Fairbuds XL will almost certainly last you a lot longer.

So these are better value than they may first appear – but you need to be playing the long game to appreciate it.

  • Value: 4/5

Should I buy the Fairphone Fairbuds XL (2025)?

Fairphone Fairbuds XL (2025) score card

Attributes

Notes

Rating

Features

The ANC and battery life are average, and there are few other features.

3.5/5

Design

Between the eco-friendly build, the comfortable fit and the handy joystick, I have no notes.

5/5

Sound quality

It's a flawed but fun sound, far from perfect but still enjoyable to listen to.

3.5/5

Value

Sure, the price is high, but they'll last longer than alternatives.

4/5

Buy it if…

You care about the planet
It's the core selling point here: these have been built sustainably.

You want long-lasting cans
Between the modular design and the warranty, you can guarantee these will last longer than alternatives.View Deal

You like controlling music from your cans
The joystick is the single best control feature I've used in headphones.View Deal

Don’t buy it if…

You're on a budget
While they're long-lasting cans, that doesn't stop the fact that the upfront cost is fairly high.

You like tweaking your sound profile
The Fairbuds' equalizer doesn't give you much wiggle room over your sound, and the presets don't help.

Fairphone Fairbuds XL (2025) review: Also consider

Fairphone Fairbuds XL (2025)

House of Marley Positive Vibration Rebel

Sony WH-1000XM5

Drivers

40mm

40mm

30mm

Active noise cancellation

Yes

Yes

Yes

Battery life (ANC on)

30 hours

75 hours

30 hours

Weight

330g

517g

250g

Connectivity

Bluetooth 5.1

Bluetooth 5.4

Bluetooth 5.2

Waterproofing

IP54

IPX5

Not specified

House of Marley Positive Vibration Rebel
These more affordable headphones are made from wood and recycled aluminum, while offering a much longer-lasting battery too.

Sony WH-1000XM5
Thanks to its Green Management 2025 plan, Sony headphones can be relatively eco-friendly, and these previous-generation ones are actually cheaper than the Fairbuds.

Read our full Sony WH-1000XM5 review

How I tested the Fairphone Fairbuds XL (2025)

  • Tested for 3 weeks
  • Tested at home, on walks, on public transport and the gym

My testing period for the Fairphone Fairbuds XL (2025) lasted for roughly 3 weeks, not including the additional time it took to write this review (or run them in).

I generally used the headphones for streaming music from Spotify and Tidal using my Android phone, but also tested on Netflix, Prime Video and various games. I listened at home, on walks around my local area, at the gym, and on public transport (trains and buses) during several long journeys.

In the past I've reviewed multiple smartphones from Fairphone, and other gadgets with an emphasis on eco-friendly tech. I've also tested plenty of headphones over the 7 years I've been writing for TechRadar.

  • First reviewed in December 2025
FiiO’s wired FT13 over-ear headphones offer unique design and an organized sound, they just lack a bit of bite
12:00 am | December 3, 2025

Author: admin | Category: Audio Computers Gadgets Headphones | Comments: Off

FiiO FT13: Two-minute review

If you’re after a touch of individuality in your wired, over-ear, closed-back headphones, the FiiO FT13 have you covered. These are big, relatively bulky headphones but that does mean that on the outside there’s plenty of room for a quantity of highly polished purpleheart wood, while on the inside you've got a pair of 60mm ‘W’-shaped dynamic drivers that offer a frequency response of 7Hz - 40kHz.

The standard of build and finish is excellent, and the combination of plenty of adjustability in the headband and some judicious clamping force means the FT13 are comfortable in situ. Mind you, the use of lambskin on the inside of the headband, and the choice of suede even more lambskin for the earpads, means vegetarians aren’t going to be comfortable in the slightest.

Inside the big, nicely tactile travel case there’s a choice of four cable terminations, along with a generous length of very credible Furukawa cable that connects to both earcups. These options mean you should be able to connect your FiiO to pretty much any source of sound available.

Once they’re connected, there’s plenty to enjoy. The sound is large and spacious, and thanks to good low-frequency control there’s lots of momentum and rhythmic confidence. The FT13 communicate readily through the midrange, too. If it weren’t for a slight tonal discrepancy at the top of the frequency range and a more obvious rolling off of the same area, they’d be even more obvious front-runners and part of the best wired headphones.

FiiO FT13 closed-back over-ear wired headphones in their own hard carry case.

(Image credit: Future / Simon Lucas)

FiiO FT13 review: Price and release date

  • Released November 5, 2025
  • $329 / £269 / AU$499 (approx.)

The FiiO FT13 wired over-ear closed-back headphones are on sale now, and in the United States they sell for no more than $329. The going rate in the United Kingdom is £269, while in Australia you’re looking at something like AU$499, where sold.

The FT13 look, on paper, like a lot of headphones for the money, but with everyone from Austrian Audio to Sennheiser having broadly similar alternatives available, it’s not going to be plain sailing…

FiiO FT13 closed-back over-ear wired headphones connected to a portable music player on a wooden surface.

(Image credit: Future / Simon Lucas)

FiiO FT13 review: Features

  • 60mm ‘W’-shaped dynamic drivers
  • 7Hz - 40kHz frequency response
  • 1.5m Furukawa silver-plated OFC cable

As we all know, FiiO never knowingly underspecifies any of its products. And that’s the case again here – wired headphones may not offer much scope for piling on the features, but the company has given it a proper go.

So, there’s a 1.5m length of Furukawa monocrystalline silver-plated oxygen-free copper cable in the package. This is terminated with two 3.5mm plugs at one end – each earcup must be wired – while at the other FiiO offers a choice. Thanks to a neat plug arrangement, the cable can be terminated with either 3.5mm unbalanced or 4.4mm balanced sockets; the 3.5mm version can accept a supplied 6.3mm adapter, and the 4.4mm version can accept a supplied four-pin XLR adapter. Good luck finding a piece of audio equipment with a headphone socket the FT13 can't connect to.

The cable feeds a pair of 60mm dynamic drivers. These are a ‘W’-shaped design, which makes the active area of an already oversized driver even larger than is the norm. The diaphragm is just 0.1mm thick and is made of a carbon-fiber and wood pulp that’s stiffened by wool fibers until it’s as light and rigid as possible.

The drivers are activated by a light, responsive CCAW (copper-clad aluminum wire) voice coil – it’s a high-efficiency design, says FiiO, and combines with the rest of the hardware to deliver a frequency response of 7Hz - 40kHz. Low impedance (32ohms) and high sensitivity (98dB) mean the FT13 are one of the more easy-to-drive options of their type around.

The headphones feature a long, slender, ‘U’-shaped damping tube above the back of the driver assembly inside the earcup. It’s intended to lower the resonant frequency inside the cavity in an effort to liberate greater low-frequency extension and control, and in combination with a standing wave chamber plus a quantity of resonance-absorbing cotton, FiiO suggests the FT13 offer more passive noise-isolation than any comparable design.

  • Features score: 5 / 5

Closeup of the drivers in earcup of the FiiO FT13 closed-back over-ear wired headphones.

(Image credit: Future / Simon Lucas)

FiiO FT13 review: Sound quality

  • Spacious, well-defined presentation
  • Driving, rhythmically positive sound
  • Lack a touch of high-frequency presence

Flawless sound is hard to come by no matter how much you’re spending on a pair of headphones, of course, and sure enough the FiiO FT13 are not flawless in the way they sound. In the context of the asking price, though, and balanced against all the ways in which their sound is deft and enjoyable, it doesn’t seem all that reasonable to get too bogged down in their deficiencies.

In any case, those deficiencies are fairly slight. The way they go about reproducing the top of the frequency range means treble sounds don’t have a whole lot in common, tonally speaking, with all the frequency information below here – and they roll off the top end quite pointedly. If it’s real high-frequency attack and drive you value in your headphones, the FT13 are going to be altogether too polite and mild-mannered for your tastes.

Otherwise, though, the news is all quite positive. With a nice fat 24bit/192kHz FLAC file of David Bowie’s Sound and Vision playing, the FT13 create a large, well-laid-out soundstage and keep every element of the recording secure in a little individual pocket of space. They do this, though, without sacrificing any sense of togetherness or performance – they just ensure everyone gets sufficient elbow room.

Low frequency presence is considerable, but bass reproduction here is no blunt instrument. There’s plenty of detail regarding tone and texture available, and this level of variation combines nicely with decent observance of the attack and decay of low-end information. The FiiO describe rhythms confidently as a result. The modulation into the midrange is smooth, and here there’s similarly impressive detail retrieval and tonal fidelity – the double tracking of the vocal in this recording is made obvious, and the small harmonic variations in the voice are identified without being overstated. The FT13 communicate vocal intentions and attitudes really well.

Dynamic headroom is considerable, as a listen to a 24bit/44.1kHz FLAC file of Holy Ghost by Young Fathers makes apparent. The open and spacious sound of the FiiO allows the shifts in volume and attack in this recording to be made plain, and the distance between the quiet/malevolent and loud/even more malevolent passages couldn’t really be any greater. It’s worth noting the FiiO are pretty agnostic in this regard – they are more than happy to dig in and kick off if a recording demands it, but are just as comfortable dealing with the small-scale and understated.

  • Sound quality score: 4 / 5

Earcups of the FiiO FT13 closed-back over-ear wired headphones, connected to a portable music player, on a wooden surface.

(Image credit: Future / Simon Lucas)

FiiO FT13 review: Design

  • 356g (without cable)
  • Magnesium alloy headband and frame
  • South American purpleheart wood

Just as in the ‘features’ section, with the FT13 FiiO has taken what might, on the face of it, seem like an unpromising product type where ‘design’ is concerned and done its utmost. Unlike almost every price-comparable alternative, here it’s possible to discern that ‘design’, rather than simply ‘construction’, has happened.

The relatively large earcups are supplied with a choice of earpads. There’s suede (for a warmer sound, so the company says) or lambskin (for a cleaner presentation) and they’re easily swapped, but it should be noted that there’s no vegetarian option. On the outside of the earcups, meanwhile, the polished and lacquered purpleheart wood offers a genuine point of difference. The deep purple colour is entirely natural, the specifics of the grain are obviously unique to each pair of headphones, and its acoustic properties are long-established.

At 356g without the hefty cable attached, the FT13 are far from the lightest closed-back over-ear headphones around. But thanks to a light-yet-robust ‘U’-shaped magnesium alloy frame, some very carefully judged clamping force, and a ball-bearing adjustment mechanism with plenty of adjustability, it’s possible to get comfortable inside the FiiO and to stay that way for extended periods.

There’s a degree of articulation in the earcups, but the FT13 don’t come anywhere close to folding – the case in which they travel is necessarily bulky. It’s a reasonably good-looking case, at least, and the Yaoli linen from which it’s made is tactile, plus there are compartments inside for storing all your very many adapters and cable terminations.

  • Design score: 5 / 5

FiiO FT13 closed-back over-ear wired headphones, 1.5m cable, earpad options and various terminations, all on a wooden surface.

(Image credit: Future / Simon Lucas)

FiiO FT13 review: Usability and setup

  • Select your source of music...
  • Ensure you have the appropriate cable termination fitted...
  • And away you go

Something would be terribly wrong, wouldn’t it, if the setup and usability of a pair of hard-wired passive headphones was in any way complicated?

The FT13 are about as involved as it ever gets, really. The quartet of options for cable termination means it might take you a beat or two longer to plug into your source of sound than it otherwise would.

After that, ensure you have your favored earcup in place, get comfortable using the headband adjustment mechanism, and you’re in business.

  • Usability and setup score: 5 / 5

Closeup up of the adjustable headband of the FiiO FT13 closed-back over-ear wired headphones, on a wooden surface.

(Image credit: Future / Simon Lucas)

FiiO FT13 review: Value

  • Standard of build and finish superb
  • Lots of available connectivity options
  • Excellent sound quality for price

In terms of specification, materials, the standard of build and finish, and the available connectivity options, there’s really no arguing with the value the FT13 offer. In fact, if you consider the generous use of staunchly non-vegetarian materials in their construction, perhaps there’s too much going on here.

But when it comes to performance, the sound quality that’s available here is likeable in lots of ways – and if the balance FiiO has struck is your kind of thing, you’ll find the FT13 offer very acceptable value for money indeed.

  • Value score: 4.5 / 5

Hard carry case of the FiiO FT13 closed-back over-ear headphones on a wooden surface.

(Image credit: Future / Simon Lucas)

FiiO FT13 review: Should you buy them?

Attributes

Notes

Rating

Features

Dizzying array of connections; 60mm dynamic 'W-shaped' drivers; good passive noise-isolation.

5 / 5

Sound quality

Spacious and well-defined, with a driving, rhythmically positive sound; but slight lack of high-frequency presence.

4 / 5

Design

Purpleheart wood offers unique finish; highly adjustable headband finds the midpoint between 'design' and 'construction'.

5 / 5

Usability and setup

Select the termination you want for your music source, and you're away.

5 / 5

Value

No arguing with the standard of build, finish or connectivity terminations, but lack of vegetarian options.

4.5 / 5

FiiO FT13 closed-back over-ear headphones plugged into a portable music player, on a wooden surface.

(Image credit: Future / Simon Lucas)

Buy them if...

You like a bit of individuality
How many pairs of headphones that feature lots of purple-ish wood can you think of? Exactly.

You have several sources of music
The FT13 come with several different cable terminations.

You enjoy big and organized sound
The FiiO sound every bit as large as they look, and they control their soundstage with real determination.

Don't buy them if...

You’re vegetarian
Suede or lambskin are your options for earcups, and there’s more lambskin on the inside of the headband.

You’re on the small-headed side
These are relatively large headphones with relatively large earcups, and they could swamp those with a smaller-than-average head.

You like a bit of bite and shine to your sounds
The FT13 play it overtly safe where treble response is concerned, and they sound just slightly blunt at the top end as a result.

FiiO FT13 review: Also consider

Sennheiser HD 620S
The Sennheiser HD 620S have none of the FT13’s visual drama, but they most certainly have plenty where it counts - their sound is poised and spacious. They’re not as comfortable as the FiiO, it’s true, but then they’re not as off-putting to vegetarians, either.
Read our Sennheiser HD 620S review for more

FiiO FT13 review: How I tested

  • Tested for well over a week
  • Used as listening headphones, at home
  • Connected to numerous music sources using various different formats, file types and sizes

I connected the FiiO FT13 to the same brand’s M15S digital audio player using the balanced 4.4mm connection, to an Apple MacBook Pro using the 3.5mm jack and a Linn Majik DSM (5th Gen) using the 6.3mm connection. This way I got access to lots of different music, of numerous different formats, file types and file sizes, and I listened to the headphones for well over a week in several different rooms of my house.

The size and the purpleness of the headphones, along with the unwieldy nature of the cable, put me off using them outdoors, though.

I tested the new cheap Earfun earbuds everyone’s raving about; here’s how they compare to my favorites
3:34 pm | November 13, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Earfun Air Pro 4 Plus: Two-minute review

I’ve tested quite a few pairs of Earfun earbuds before, but before I’d even had a chance to get the new Earfun Air Pro 4 Plus into my shell-likes, I’d already seen countless rave reviews of them from other websites. Suffice to say, the press at large finally discovered Earfun (not just audio-savvy types like me) and their impressions are glowing.

I can’t pretend to have reviewed every Earfun proposition – the budget brand puts out far more products than any one person could hope to review – but I’ve used multiple of its in-ears and over-ears, and some of them have made it into TechRadar's list of the best cheap headphones we (and I) have tested.

So what about the Earfun Air Pro 4 Plus, so good that Earfun had to name it four times (then add a 'Plus' moniker, to make things a bit more confusing)? They’re – drumroll please – absolutely fine. More of the cheap-and-cheerful same that I’ve come to expect from the brand, but with a few rough edges that mean they’re not the best earbuds I’ve ever used. No, not even at this low price.

The 'Plus' presumably signifies a more advanced model of the Earfun Air Pro 4 I tested in late 2024, although with more titles than a character from Downton Abbey it’s hard to be sure. Those were decent and cheap headphones with a few too many EQ modes for their own good and a lack of refinement in the audio department, and the Plus has added a few things – but not fixed any of those issues.

As with other buds from the brand, my favorite thing about the Air Pro 4 Plus is the stand-out feature list, which rivals alternatives that’d cost you twice as much. There’s a stellar battery life, a listening test, dual-device connectivity and multiple other options. When you put some Earfuns in, the ball’s in your court.

The things is, loads of features can also become a problem – there are six different ANC modes (counting ‘off’, I’ll admit), one of which has its own slider. How to tell which mode you should be using at any one time is anyone’s guess (unless you want it ‘off’, which is a pretty easy pick).

The buds are nice and lightweight, surviving long listening periods as well as gym workouts and runs well, and the case is pretty svelte too. These are solid picks for your commute or while you’re sitting in the office.

If you’re an audiophile, though, these won’t tick your boxes; they’re not the best buds in terms of sound, even for their price. I’ll get to some better-sounding options below, but the feature set makes a great case for why you should consider buying these anyway.

Earfun Air Pro 4 Plus review: Price and release date

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)
  • Released on September 26, 2025
  • Costs $99.99 / £89.99 (around AU$280)
  • Slight price increase over non-Plus model

The Earfun Air Pro 4 Plus – I’m going to get really sick of writing that whole title out across this review, I can tell – were released on September 26, 2025, and could be bought on that day.

The official price of the earbuds is $99.99 / £89.99 (around AU$180) . Amazon lists those costs as the discounted price, and $119.99 / £109.99 (around AU$220) as the original price, but as far as I can tell they’ve never been sold for that higher price, making it look like a bit of an underhanded method to present the usual price as discounted. On Earfun’s website, the cheaper price is presented as the normal one, and so I’m taking that as my guide price for the purposes of context and comparison.

That price puts them as a hair pricier than the $89.99 / £79.99 (roughly AU$140) Air Pro 4, and roughly the same as the Air Pro 3. They’re among the priciest buds for Earfun but that’s not saying much, as the brand specializes in affordable audio.

At that cost, I’d still call the Air Pro 4 Plus ‘cheap earbuds’, although they’re toeing the border and bumping up against some real heavyweight rivals in the triple-figure-price-tag camp.

Earfun Air Pro 4 Plus review: Specs

Drivers

Balanced Armature driver + 10mm dynamic driver

Active noise cancellation

Yes

Battery life (ANC off)

12 hours (buds) 54 hours (case)

Weight

5g (buds) 54g (case)

Connectivity

Bluetooth 6

Frequency response

Not listed

Waterproofing

IP55

Earfun Air Pro 4 Plus review: Features

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)
  • 8-hour buds battery, 54-hour with case
  • Confusing ANC modes
  • Loads of handy features in app

I love a meaty battery life in earbuds, and Earfun clearly concurs. With 54 hours of listening time in the tank, you’re not going to need to worry about powering the buds daily (or even weekly, depending on your listening habits).

That’s the figure for the case, and the buds themselves last 12 hours if you’re listening with ANC turned off or 8 hours if it’s turned on. Both are great figures, slightly better than on the non-Plus model, that’ll assuage any battery anxiety you might have.

You get a few extra features with Earfun Audio, the tie-in smartphone app. You can toggle wear detection, customize the buds’ touch controls, choose which Bluetooth codecs are in use, change some microphone settings, find your headphones if you’ve misplaced them, and set up dual device connection.

I’m always surprised by the number of features Earfun offers in its earbuds, with many premium alternatives having half as many. Sometimes that gets a little overwhelming though, like in the case of noise cancellation. Not counting ‘off’ or a useful Ambient mode, there are four different modes: Ear Adaptive, Environment Adaptive, Wind and Manual Adaptive (which lets you use a slider to choose its intensity).

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)

Even after having read the descriptions multiple times, and having used other Earfun products with these modes, I can’t tell the difference between Ear and Environment, or Environment and Wind, and have no idea how to choose which of these modes to use. Even if I could work out the use case for each mode, there’s no way you’re going to catch me going into the app to change modes every time the wind picks up a little bit.

The app offers an equalizer with myriad presets, a ten-band custom mode or a sound profile test to create a personalized mix. This latter isn’t quite as accurate as rival modes, but generally speaking you have to spend a lot more money on alternatives with listening tests, so it’s a welcome presence in this budget option.

Through the entire testing process, I never once had any Bluetooth drop-out issues with the buds, and it was reliably quick to pair. You can probably thank the use of Bluetooth 6 for this, which is a much more advanced version of wireless connection than most rival buds have.

  • Features score: 4.5/5

Earfun Air Pro 4 Plus review: Design

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)
  • Understated purple hue
  • Lightweight case and buds
  • IPX5 rating

It’s in the name: the ‘Air’ part of Earfun Air Pro 4 Plus describes the case. It’s lovely and light, weighing 54g, and the ‘clamshell’ style of opening means it’s easy enough to open and remove the buds. No fiddling involved.

Now onto the buds; they’re nice and lightweight too, hitting the scales at about 6g, although they seem a little bit bigger than the non-Plus models (at least, based on my recollection, and I’m sure a justification will be clear when we get to the sound quality section).

The Earfun Air Pro 4 Plus are stem-style buds, with the earbuds attached to your ear via a tip, and a stem dangling down, just like AirPods.

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)

Each bud has a touch control, which you can trigger by tapping the circle at the top of the stem. I found them easy to press, albeit a little too sensitive when I was readjusting the buds in my ears.

The buds have an IP55 rating, which means they’re protected against limited dust ingress and jets of water. This latter means they’re not suitable for water submersion, so don’t take them for a swim. One of the benefits of a plastic build material ensures that the buds are hardy against drops and knocks.

I took the Earfuns to the gym a few times and they never fell out, and while they felt a little loose when they accompanied me on a run, they never actually did fall out. This was with the default tips, but the box comes with a few alternatives to account for various ear sizes. They were comfy to wear too, and I didn’t face any aches or strains after extended listening periods.

  • Design score: 4/5

Earfun Air Pro 4 Plus review: Sound quality

  • BA driver + 10mm dynamic driver
  • Range of codecs supported
  • Treble and mids still miss some pizzazz

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)

Perhaps the biggest advances the Earfun Air Pro 4 Plus brings over its siblings – and other cheap buds – is in the audio specs department.

There are two drivers: a 10mm composite dynamic driver which handles the bass and midrange, alongside a balanced armature driver which focuses on providing high-frequency response and high audio detail.

If that wasn’t enough, the Earfun supports a range of audio codecs and features that you’d expect from pricey buds: LDAC, aptX Lossless, aptX Adaptive Snapdragon Sound and Hi-Res Audio Wireless Certification to be precise.

The spec improvements certainly bring some benefits over past Earfun buds I’ve tested, with well-defined bass and a slightly more pronounced sound stage, but the augments don’t do enough to make these sonic equals to some of the other budget buds on the market.

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)

Treble remains somewhat dampened, with vocals missing that sparkly energy and depth that you’d want from a song, and mids still hopelessly lost in the mix. As I mentioned before, the bass improvements ensure it’s tactfully-tuned, and doesn’t drown out other parts of a song as much as in the non-Plus pair, but that also makes these buds less tempting for bass-heads.

Using the equalizer, you can pull out some strings to improve the sound – I liked Vocal Enhancement which added some force to the sung word and expanded the sound stage, but it increased the risk of peaking on certain instruments and made sibilant lines sound tinny. For certain other sounds I went for Bass Boost 1, which doesn’t send the bass into overdrive as you’d expect, but adds clarity and dimension to low-frequency lines. As a bass player myself, it got surprisingly close to replicating the sound of actually playing a bass guitar.

I don’t want to be too down on the Air Pro 4 Plus – it sounds perfectly fine, and I don’t imagine many people will be disappointed by how it sounds. But as someone that’s tested plenty of rivals, I’d be remiss not to point out that it’s not the top dog.

  • Sound quality: 3.5/5

Earfun Air Pro 4 Plus review: Value

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)
  • Feature set is great for price
  • Audio quality is more what you'd expect

As with its many past earbuds, Earfun has packed a great number of features and some impressive specs into a relatively low-cost set of buds.

Perhaps not all of those features are as fleshed-out as they would be on a pricier pair of buds, but their very presence in the first place is great for people who don’t want to pay more.

My only caveat would be that you could get even more bang for your buck by buying one of Earfun’s other, cheaper options.

  • Value: 4/5

Should I buy the Earfun Air Pro 4 Plus?

Earfun Air Pro 4 Plus score card

Attributes

Notes

Rating

Features

You're getting loads of features for the price, and a fantastic battery life, even if the ANC situation is confusing.

4.5/5

Design

They're nice and light, and reliably stick in the ear.

4/5

Sound quality

There are a few issues, but nothing that you can't overlook with the price.

3.5/5

Value

You're getting an impressive feature set for the price you're paying.

4/5

Buy it if…

You need buds for the long haul
Thanks to the case offering 54 hours of listening time, these buds will be great for people who can't regularly get to a charging point.

You like tweaking with your music
There are loads of presets, a 10-band equalizer and your own personal sound thanks to the listening test. Great for people who like their own music.View Deal

You need something lightweight
I liked how easy it was to forget about the Earfun; when the buds were in my ears, and while the case was in my pocket.View Deal

Don’t buy it if…

You need fine-tuned music
I didn't mind listening to the Air Pro 4 Plus, but they're not my favorite cheap buds ever, at least when it comes to audio quality.

You need the best noise cancellation
The ANC was fine, but due to the myriad options and my confusion on which to pick, it's hard to say how to get the best of the buds.

Earfun Air Pro 4 Plus review: Also consider

Earfun Air Pro 4 Plus

Skullcandy Method 360

Sony WF-C710N

Drivers

Balanced Armature driver + 10mm dynamic driver

12mm

5mm

Active noise cancellation

Yes

Yes

Yes

Battery life

12 hours (buds) 54 hours total (with case)

11 hours (buds) 29 hours total (with case)

12 hours (buds) 30 hours total (with case)

Weight

5g (buds) 54g (case)

11g (buds); 77g (case)

5.2g (buds); 38g (case)

Connectivity

Bluetooth 6

Bluetooth 5.3

Bluetooth 5.3

Waterproofing

IP55

IPX4

IPX4

Sony WF-C710N
These top-rated and similarly-priced earbuds from Sony have fantastic noise cancellation and a great range of the company's features. A few of the Earfun's features are missing, like LDAC, but it's still a top-rated pick (and it looks funky too).
Read our full Sony WF-C710N review here

Skullcandy Method 360
These are perhaps my favorite sub-$100 earbuds of the year so far. They've got a lovely bassy sound, a funky look (both for the buds and the case) and a snug fit that kept them safe in the ear. The case is absolutely huge, though.
Check out our full Skullcandy Method 360 review here

How I tested the Earfun Air Pro 4 Plus

The Earfun Air Pro 4 Plus on top of a keyboard.

(Image credit: Future)
  • Tested for 2 weeks
  • Tested at home, on walks, and the gym and on runss

I used the Earfun Air Pro 4 Plus for about two weeks to write this review, which is about enough time to write that entire name.

During the test process, the buds were mostly paired to my Android smartphone. I used them in a wide variety of environments including at home, at the gym, on walks around my borough, on runs and to the shops. I played games, listened to Spotify, Tidal and Qobuz and watched YouTube videos as the main ways to test, but used them as my daily blowers too, so there are a plethora of other tasks I used them for.

As mentioned in the introduction, I saw quite a bit of coverage on the Earfun before writing my review, however I never read into reviews beyond the positive headlines in order to avoid their biasing my opinions.

Also as mentioned, I've used other Earfun earbuds in the past, as well as plenty of other cheap alternatives in my six-plus years testing tech for TechRadar.

  • First reviewed in November 2025
CMF Headphone Pro could easily cost twice as much – and even if the sound is fun and fierce (rather than fully fledged fantastic) they’re still a great buy
5:28 pm | November 12, 2025

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Tags: , | Comments: Off

CMF Headphone Pro: two-minute review

Anyone familiar with Nothing and/or its affordable sub-brand CMF (often written as "CMF by Nothing", but the company has seemingly dropped the last two words of its traditional moniker for this particular product) knows that a normal-looking set of headphones was never going to be on the brand's bingo card.

And true to form, the CMF Headphone Pro neither look normal nor behave normally for the level – and I mean that in a good way. They're modular, with the option of buying extra ear pads if you want an even more striking look (pistachio with orange, anyone?) and there are three thoroughly abnormal on-ear controls, too, including an 'Energy Slider', an excellent 'Multi-function roller' and an 'Action button'. All of which I'll get into later.

How's the sound? Actually, really good for the level – easily as detailed, nuanced and energetic enough to skip to the top of our best cheap headphones guide. And while they won't compete with the more flagship models in our best headphones roundup for neutrality or audiophile-grade insight (and the noise nixing won't challenge pricier sets from Bose, Cambridge or Apple in our best noise-cancelling headphones list), there's clarity, a great circumaural delivery, two types of spatial audio, LDAC and hi-res wired connectivity.

And all of this means I can't – nay, won't! – pick too much fault for the money, especially when I've compared them to Nothing's original Headphone (1) and actually preferred the audio in the newer cans…

CMF Headphone Pro in pistachio green held in a hand or hung on a barbell, being pushed up by a carved frog

(Image credit: Future)

Oh, and that's before I get granular on the fact that the CMF Headphone Pro include one of the most detailed hearing tests of any set of cans I've ever tried at the level, which the headphones use to create a remarkable personal profile for your listening. It's something I thoroughly recommend you take soon after buying them.

OK, your EQ is limited to three tabs if you want to create a preset yourself, you don't get a hard-shell case (or even a USB-C charger) in the box and the 'Energy Slider' feels a little surplus to requirements when they're a bit bassy to begin with (although some will love it – particularly grime and drum 'n' bass fans). But the battery life is nothing short of excellent for the money and for me, the sound quality more than atones for these minor drawbacks.

All in all, you could do so much worse for $99 / £79 – and having seen a few healthy discounts already, I find myself recommending them even more urgently…

CMF Headphone Pro in pistachio green held in a hand or hung on a barbell, being pushed up by a carved frog

(Image credit: Future)

CMF Headphone Pro review: price & release date

  • $99 / £79 / AU$179
  • Launched on September 29, 2025

The CMF Headphone Pro launched on September 29, 2025, with a list price of $99 / £79 / AU$179, but in the UK I've already seen them discounted to £49 (at the time of writing, Black Friday approaches). This is huge because for that money you won't regret this purchase, I assure you.

At their regular list price, the CMF Pro Headphone's closest competition is likely the 2024 1More Sonoflow Pro HQ51 at $89 / £99 / AU$130, which also boast a great battery life and perhaps edge it for ANC efficacy, but the build is a tad flimsier, including the buttons. Also the 1More's app is neither as seamless or enjoyable and to be honest, the design doesn't exactly wow me – not like the CMF Headphone Pro's does, anyway.

Meanwhile, Nothing's own flagship Nothing Headphone (1) launched on July 15, 2025 with asking fees of $299 / £299 / AU$549 – ie. at least triple the price of the CMF Headphone Pro, depending on where you're buying. So, you know, food for thought there…

CMF Headphone Pro review: Specs

Drivers

40mm (nickel-plated diaphragms; 16.5 mm copper voice coil; dual chamber design)

Active noise cancellation

Yes (low; mid; high; adaptive)

Battery life

50 hours ANC on; 100 hours ANC off

Weight

283g

Connectivity

LDAC, AAC, 3.5mm - 3.5mm hi-res certified

Frequency range

20Hz-20kHz

Waterproofing

None

CMF Headphone Pro either beside Nothing Headphone (1) or on a table, with the accessories in the box

(Image credit: Future)

CMF Headphone Pro review: features

  • Excellent Personal Sound curation
  • Class-leading battery life
  • Premium-feel companion app

Here's the thing with the CMF Headphone Pro: they surprise you at every turn. The Nothing X companion app is slick, chic and helpful. Make no mistake, the experience here is thoroughly Nothing, which is to say that it still feels premium, rather than budget-grade.

The excellent hearing test software – which takes roughly three minutes and involves struggling to listen to ever-quieter tones piped first into your left ear, then your right – creates a graph of your hearing in each ear, then one of the best Personal profiles I've had the pleasure of testing at this level.

Aside from support for the more hifalutin LDAC Bluetooth codec, the CMF Headphone Pro also offer wired 3.5mm Hi-Res certified listening, albeit only when they're powered on, rather than passively. I hooked them up to my FiiO M15S (which is a fair bit smaller than the FiiO M23 player) and Teenage Fanclub's Satan was every bit as jagged, petulant and angsty through the ragged intro as I could've wished for, even at 45 per cent volume.

There's a dual connection toggle in the app which essentially means multipoint is on the menu and why you'd ever toggle it off I don't know – it becomes essential very quickly for chopping and changing between music from my phone and team meetings on my laptop.

CMF Headphone Pro: three screen-grabs of the Nothing X app

(Image credit: CMF)

Also here in the Nothing X app, you'll find noise cancellation in low, mid, high, adaptive and off increments, as well as a transparency option. The transparency profile in particular is very good, augmenting nearby voices in a useful way and without making frequencies within my music go tinny and unpleasant.

The ANC is fine rather than fantastic at dulling extraneous noise (the claim is up to 40 dB noise reduction, although that feels optimistic to me), but it does so without upsetting my music's timbre and detail. Ultimately I'd rather have it than not, which is not something I say about all budget noise-nixing software and at this level that's more than good enough. Serious, weapons-grade active noise cancellation really does still require climbing further up the food chain, because I've yet to find anything for this money that offers Bose-grade ANC. OK? OK, good to make that clear.

While I'm on the subject of mics (because these are imperative for the aforementioned ANC), the Headphone Pro come with three of the what Nothing calls "HD microphones" and with that same metallic wind-resistant mesh around each of them, they do look almost identical to those on the Nothing Headphone (1). Aside from ANC, these mics provide Clear Voice Technology in a bid to keep your voice sharp in calls. Now, I've been told my dulcet tones were indeed audible and clear in calls, but perhaps because the cups are quite big and the padding so ample, passive isolation is also good to the point that I could barely hear my own voice when talking. There's no sidetone-adjacent tech to boost your own speech either. Would I expect that at this level? No, but it's my job to point it out as a very minor issue.

Elsewhere, there are two flavors of device- and streaming service-agnostic spatial audio: cinema mode or concert mode. Cinema mode broadens the soundstage a touch, for clear dialog and decent pew-pew bullet effects in movies; concert mode is all about plonking you in the middle of a concert. Neither offers a dynamic, head-tracked presentation with your phone as the source device, mind, but I still enjoyed concert mode for lowering me into the melee a touch more.

  • Features score: 4.5/5

CMF Headphone Pro either beside Nothing Headphone (1) or on a table, with the accessories in the box

(Image credit: Future)

CMF Headphone Pro review: sound quality

  • Punchy, expressive and zealous – a true circumaural listen
  • Nuance and detail with both wired and LDAC listening
  • Limited in-app EQ options; energy slider gives mixed results

I'll talk a lot about the energy slider to amp up the treble and bass in the 'design' section of this review, below (since this unusual button is a key part of the headphones' design) but know this: if you want the most detailed, layered, unadulterated sound, you should probably leave this kind of tinkering alone.

There's a low lag toggle in the app to minimize issues when watching content, but I keep that off to test the sound over LDAC. And here, Billie Eilish's WILDFLOWER is emotive, textured, layered and underpinned by inky-deep and resonant keys.

Uh Oh by Tate McRae is a great test of the CMF Headphone Pro's bass impact and, let me tell you, if you like to feel a beat in your molars, these headphones can oblige. It's a head-nodding, cohesive mix with snap and crisp leading edges of notes, particularly through those zealous bass registers.

Switching to Girls Like You by Maroon 5 and I hear the intentional blurring of the axe in the intro, with Adam Levine's vocal upfront, up-close and central in an expansive and exciting soundstage. It’s Amazing to Be Young by Fontaines D.C. is a similar story – and here I perceive treble elements in the intro that lesser headphones can’t reach, along with oft-overlooked happier inflections is Grian Chatten's voice.

CMF Headphone Pro either beside Nothing Headphone (1) or on a table, with the accessories in the box

(Image credit: Future)

It's an emotive mix overall, but Nothing has just about stayed on the right side of faithful here, rather than succumbing to parlor tricks to get you in the feels – unless you want to deploy those with the slider. Every Other Freckle by alt-J is a good one to to prove this. I really get the sense that Joe Newman wants every other freckle, even at 50 per cent volume, with certain lines (like ‘let me be the wallpaper that papers up your room’) jumping out more readily in what is a highly complex track.

Did I listen against the original Headphone (1)? I did. And while the presentation is a touch more neutral in the inaugural (and much more expensive) product, I did feel that the CMF opens the audio out just a touch more. It's also a more full-throttle listen to boot.

Could the CMF Headphone Pro offer even more detail – even more nuance through the rise and fall of each musical passage? Yes, of course, but if the ultimate in audiophile sound quality had been achieved for this money we could all go home. There are compromises in terms of true neutrality and an ounce or two of clarity here and there over much pricier options. But know this: for the money, these headphones sound a lot better than I expected.

  • Sound quality score: 4.5/5

CMF Headphone Pro in pistachio green held in a hand or hung on a barbell, being pushed up by a carved frog

(Image credit: Future)

CMF Headphone Pro review: design

  • Nothing isn't afraid to be different – but no cassettes on your ears here
  • Extension arms are silent; comfort is good
  • On-ear controls work well, but the Energy Slider is a tad gimmicky

If you'd asked me to sketch what I thought a set of headphones made by Nothing's budget sub-brand CMF should look like, I can confidently tell you that I would not have drawn the CMF Headphone Pro.

Where the CMF Buds Pro 2 are all angular lines, slightly odd circle and grid motifs, brushed matte plastic (available in dark gray, blue, or red and with a silver rotary dial in the corner of the case), the CMF Headphone Pro come in totally different light green, light gray or darker gray glossy finishes with a resoundingly cushioned, polyurethane synthetic leather and memory foam build across the headband and ear pads.

My review sample is giving two tubs of pistachio ice cream and, for me, the build quality is rock solid for the level. The band is comfortable over the crown of my head, extends silently and offers decent clamping force without ever hurting. The ear cups are generously padded and rotate to lie flat (although they don't concertina up into the band for easier storage) and the buttons are not at all flimsy.

So let's explain what's going on with those, shall we? On the left ear cup, in between two mics you'll find power/pairing, your 3.5mm in and an 'Energy Slider'. The function of this solid little slider can be switched between 'Bass Tuning' and 'Treble Tuning' in the Nothing X app.

I cue up Kehlani's Folded to toy with the bass slider and ramping things up does augment the low end, albeit to the point of marginal bloating – but hey, it's a way of replicating that authentic 'standing just a little too close to a big (possibly blown?) sub at a gig' feel. Switching to the treble option and the track does sound a little too sweet and even tinny when moving the slider through its range, but then I know from various hearing tests that my own ear hones in on treble frequencies in most mixes. Having been on the fence about all of this for a week or so, I've decided that it does add novelty and for some grime tracks it might be a winner.

CMF Headphone Pro in pistachio green held in a hand or hung on a barbell, being pushed up by a carved frog

(Image credit: Future)

On the right ear cup and above the USB-C port, there's a little circular button with a red dot at the center. In the X app, this is simply called 'Button' and your options here are a single press or long press. A single press can handle voice assistant access, noise control, spatial audio profiles or even switch the mics on or off (there's another on this ear cup). A long press? That can perform any function from this same menu.

But above this is where I think Nothing has really knocked it out the park, because this brings me to the 'Roller' in the controls menu. And as well as being able to roll this to quickly tweak the volume (seems like a small thing but really isn't – especially when you're on the go) you can press and hold it to scroll through noise-cancellation profiles, single press it to pause and resume playback or answer/hang up on calls, double press to skip a track or triple press to go back.

There's no IP rating for rain or dust ingress, which isn't unusual at the level (or even a rung higher up) but because you also only get a simple fabric bag for transportation, you might want to think carefully about taking these out in the rain.

One other thing: you get a 3.5mm cable in the box, but no USB-C charger cable – much less an actual wall plug for it. In 2025, you almost certainly have one of these already in the wings, waiting for the job, but if you were hoping for an extra (or one in the CMF Headphone Pro's winsome pistachio green, say), you'll be disappointed.

  • Design score: 4.5/5

CMF Headphone Pro either beside Nothing Headphone (1) or on a table, with the accessories in the box

(Image credit: Future)

CMF Headphone Pro review: value

  • An excellent all-round budget package
  • No charger or hard-shell case – but these are minor omissions
  • As a sound-per-pound proposition, there's top value here

I mean look, for this money I struggle to argue with even basic headphones, provided they sound good for the level. But the CMF Headphone Pro are not basic headphones – just see the hearing test software and extra on-ear controls for that. They're a lot better than basic and a lot better than their fee suggests.

Market saturation does of course drive pricing and here, that's very good for us.

OK, those wanting bubble-of-silence ANC will not find their ideal set of cheap headphones here (the ANC is adequate, it just isn't shutting out the entire world), but those wanting zealous, bass-blasting sound and/or a quirky design that actually is not a case of style over substance just found a great inexpensive option to step out with.

  • Value score: 4.5/5

Should I buy the CMF Headphone Pro?

Attributes

Notes

Rating

Features

Excellent battery life, LDAC, top-tier app, adequate ANC

4.5/5

Sound quality

Big bass energy and commendable detail, with phenomenal hearing tests for the level

4.5/5

Design

Finessed, yet unusual – even among CMF by Nothing's other audio gear. You love to see it.

4.5/5

Value

Great audio, incomparable design, OK ANC, amazing battery life and a super-low price.

4.5/5

CMF Headphone Pro either beside Nothing Headphone (1) or on a table, with the accessories in the box

(Image credit: Future)

Buy them if…

You’re after a budget buy – but with good sound
With a list price of $99 / £79 / AU$179, but dropping even as I type, CMF by Nothing has aimed these headphones squarely at the budget market and priced them to sell out quickly. And given the audio quality and hearing test software to create a profile just for your ears, you won't find me suggesting you don't buy them…

You love on-ear whistles and bells
I actually really enjoyed playing with the various sliders and rollers on the CMF Headphone Pro – and while they're not exactly a gateway audiophile-grade sonic clarity, they do mean you can tweak the volume easily without grabbing your oh-so-pinchable phone, on the commute.

You like to style your own way
These headphones are not the same as the swathes of Sony dupes out there in the budget sector. And if a striking mint-or-pistachio green hue isn't enough for you, CMF sells alternate ear cups in a striking orange color for a nominal fee ($25 or £19). Mint!

Don’t buy them if…

You want bubble-of-silence ANC
The CMF Headphone Pro's solution is acceptable for the money, but it won't nix jet-engine noise on your next long-haul flight. For that, though, you'll need to climb the ranks a little, with something like the Bose QuietComfort Ultra Headphones (2nd Gen) or the Apple AirPods Max. And by "climb the ranks", I mean that there'll be a surcharge.

You want auto-off when you remove them
No dice here, sadly, but it's perhaps the one area where they're lacking in terms of features I'd hoped to see.

You need to hear your own voice in calls
Certain pricier cans offer tech called 'sidetone' or similar, to pipe the sound of your own voice into your ears as you converse on calls. The CMF Headphone Pro don't have this, but the good news is that it's only an issue when the passive isolation is as good as it is in these headphones… 

CMF Headphone Pro in pistachio green held in a hand or hung on a barbell, being pushed up by a carved frog

(Image credit: Future)

CMF Headphone Pro review: also consider

CMF Headphone Pro

1More Sonoflow Pro HQ51

Earfun Wave Pro

Sony WH-CH720N

Price

$99 / £79 / AU$179

$89 / £99 / AU$130

$79.99 / £79.99 (about AU$13)

$149 / £99 / AU$259

Drivers

40mm (nickel-plated diaphragms; 16.5 mm copper voice coil; dual chamber design)

40mm dynamic

40mm dynamic

30mm dynamic

Active noise cancellation

Yes

Yes

Yes

Yes

Battery life

50 hours ANC on; 100 hours ANC off

65 hours ANC on; 100 hours ANC off

55 hours ANC on; 80 hours ANC off

35 hours ANC on; 50 hours ANC off

Weight

283g

246g

268g

192g

Connectivity

Bluetooth version not stated; LDAC, 3.5mm

Bluetooth 5.4, 3.5mm

Bluetooth 5.3, 3.5mm

Bluetooth 5.2, 3.5mm

Frequency range

20Hz-20kHz

20Hz-40kHz

20Hz-40kHz

7Hz-20kHz

Waterproofing

None

None

None

None

1More Sonoflow Pro HQ51
Head over to our best headphones guide and our pick of the budget cans is the product you see written in bold, above this sentence. They're a bit normal, looks-wise, but after that there's nothing average about their performance – including the stamina. The ANC probably just edges it over the CMF Headphone Pro, too, although the build quality and companion app don't feel as good. Read our full 1More Sonoflow Pro HQ51 review to learn more.

Earfun Wave Pro
For quite some time, the Earfun Wave Pro also held the title of best budget option in our guide to the best over-ear headphones – and it’s not difficult to see why. Think similarly stupendous battery life, above-average sound and a neat design, all at a temptingly low price. Not into the quirky aesthetic of the CMF Headphone Pro? Read our full Earfun Wave Pro review.

CMF Headphone Pro review: How I tested

  • Tested for four weeks
  • Used at home, on the Eurostar to Paris, at the (blustery) beach
  • Predominantly tested using Tidal and Apple Music, or wired to my FiiO DAP

I tested the CMF Headphone Pro over a period of four weeks, using my MacBook Pro, iPhone 15 Pro Max and LDAC-toting FiiO M15S as source devices.

I listened to everything from my heavy rotation Three Bean Salad podcast on a long walk on Weymouth's blustery beach, to Bruce Springsteen's Nebraska '82 Outtakes on the Eurostar train to Paris from London. I listened in both wired and wireless modes and found much to celebrate in terms of audio chops across the frequencies and energy.

I maxed out the battery and got 49.5 hours from them using ANC too – which, given their 50-hour claim at 50 per cent volume is no meat feat.

I've been testing audio products full time since 2019, first on TechRadar's sister publication What Hi-Fi? as a lowly Staff Writer, then Senior Staff Writer at TechRadar and, since early 2024, Audio Editor (hey, career progression is gradual sometimes in journalism… and that's fine when you've got music).

  • First reviewed: November 2025
  • Read more about how we test
I really like Beyerdynamic’s newest on-ear headphones, but more for their looks, battery life, and portability than their sound quality
2:00 pm | November 2, 2025

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Tags: , , , | Comments: Off

Beyerdynamic Aventho 100: Two-minute review

I really like the Beyerdynamic Aventho 100 and have enjoyed my time reviewing them, but feel a little conflicted because their sound quality may actually be one of their least interesting qualities.

That’s not to say that they don’t sound good – in fact, I think anyone shopping for a pair of headphones for under $250 (and are used to cheaper headphones) will have nothing but great things to say about how these sound. They’re fun to listen to, just a little exaggerated in their tuning (a little hyped, if you will) particularly through the low end and not as detailed as I would expect, especially from an audio specialist such as Beyerdynamic.

But if their big brother, the Beyerdynamic Aventho 300, can hang with the best wireless headphones in terms of audio quality, the Aventho 100’s best attributes have more to do with their design, from the cool old-school Aviator look to the fact that they fold up to a relatively small size for easy portability. They also come with a very healthy battery life that adds to their long-haul flight appeal.

Overall, these are fun headphones that are great for anyone looking for something a little distinctive or a bit more portable, where the last word in audio quality is not the most important factor (again, they sound good, but they don’t do anything particularly special on the audio front at this level either).

Beyerdynamic Aventho 100 headphones on a wooden table

(Image credit: Future)

Beyerdynamic Aventho 100: Price and release date

  • Priced $229.99 / £199.00 / AU$314.00
  • Released on July 8, 2025
  • Available in the US, UK, and Australia

The Beyerdynamic Aventho 100‘s price tag of $229.99 / £199.00 / AU$314.00 is firmly in mid-range territory. And that’s appropriate for these headphones. They have a solid feature set, but it’s not the full kitchen sink. And these on-ear headphones are meant a little more for those looking for a unique looking pair of 'lifestyle' headphones than those wanting the ultimate audio performance, which in the Beyerdynamic ecosystem are the Beyerdynamic Aventho 300.

The Beyerdynamic Aventho 100 are available in the US, UK, and Australia. If you’re in the EU, they’ve been available since July of this year whereas those in North America have been able to order them since September.

Beyerdynamic Aventho 100 review: Specs

Drivers

Not stated

Active noise cancellation

Yes

Battery life

More than 60 hours (or more than 40 hours with ANC)

Weight

220g

Connectivity

Bluetooth 5.4 with aptX Lossless, aptX Adaptive; USB-C charging

Waterproofing

N/A

Beyerdynamic Aventho 100 headphones on a wooden table

(Image credit: Future)

Beyerdynamic Aventho 100 review: Features

  • No proprietary spatial audio or headtracking
  • Supports lossless over Bluetooth
  • Adaptive ANC and transparency modes available via app

While the Beyerdynamic Aventho 100 doesn’t have the full bag of tricks of more expensive headphones like head tracking or Dolby Atmos, they have enough to satisfy most people. To start, these headphones support lossless audio including aptX Lossless and the aptX Adaptive codec (which automatically balances quality and latency over Bluetooth) as well as the more vanilla AAC and SBC. Multipoint connectivity is on offer as well, which is useful.

Most of the Aventho 100’s adjustable features are accessible via the easy-to-use mobile app. The presses and holds on the action button can be remapped to a small number of different options, though I do wish Beyerdynamic could have facilitated the enabling / disabling of active noise cancellation (ANC) and transparency modes here.

On that note, not only are both ANC and transparency modes available in the companion app, but both have three levels (low, medium, high). Both work reasonably well. I was able to use the ANC while working in a cafe and didn’t hear anything but the music I was listening to. The transparency mode does a good job as well, though as soon as I play music at anything but a low level, I can’t really hear my surroundings.

Overall, I appreciate the inclusion and think these profiles work well, particularly so given that these are on-ear headphones, but they aren’t going to be quite as robust as what you'll find in flagship Bose or Sony headphones – Bose QC Ultra Headphones (2nd Gen), I'm looking at you… 

  • Features score: 4.5/5

Beyerdynamic Aventho 100 headphones on a wooden table

(Image credit: Future)

Beyerdynamic Aventho 100 review: Design

  • Cool if not quite premium old-school Aviator aesthetic
  • Foldable with soft case
  • Very long battery life

The Beyerdynamic Aventho 100’s design are notable in comparison to other headphones not only because they’re on-ear as opposed to over-ear (as the majority of $200+ headphones tend to be these days), but because they sport an old aviator-style aesthetic that is marked contrast from the competition.

Of course, the Beyerdynamic Aventho 100 aren’t the only aviator-inspired on-ear headphones out there. The Master and Dynamic MH40 already fit the bill (see the heritage MW50 Wireless too), but are also often double the price. Unlike those M&D headphones, the Beyerdynamic Aventho 100 are half metal and half molded plastic, which keeps them from feeling as premium on my ears as they look in their advertising images. Still, whether you get the black, brown, or cream colorway, they do have quite the vibe.

Filling out the look are the removable ear cups and headband padding. Both have a relatively plush feel and are covered in what I can only assume is some kind of pleather-type material.

On that note, the feel and fit is comfortable. There is plenty of adjustment for different size heads via the ear cup yokes and that padding is soft enough that I’m able to wear the Beyerdynamic Aventho 100 for long listening sessions without feeling fatigued. They do sit a little tight on the head initially, but this can be stretched out.

Beyerdynamic Aventho 100 headphones on a wooden table

(Image credit: Future)

The controls all sit on the right earcup (left and right are marked on the cloth inside the earcups) and consist of a volume up, action, volume down, and power / bluetooth pairing button. And they responded quickly and accurately, whether I’m adjusting the volume or pressing the action button twice to go to the next track.

One thing I appreciate about the Beyerdynamic Aventho 100 is that they’ve been designed for easy travel. They not only come with a soft traveling case and USB and Aux cables (the former for charging), but have foldable ear cups so that they take up less space. That makes these much more attractive for those who travel light like myself over something like their big brother, the Aventho 300, or even bigger headphones like the Apple Airpods Max or Sony WH-1000XM6.

Lastly, the battery life on the Beyerdynamic Aventho 100 is quite impressive. With ANC on, they still last 40 hours, and without, can last 60 without needing a recharge. Plus, if for some reason you get really low, 15 minutes of charging turns into 15 hours of playback. That kind of fast charging is very helpful.

  • Design score: 4.5/5

Beyerdynamic Aventho 100 headphones on a wooden table

(Image credit: Future)

Beyerdynamic Aventho 100 review: Sound quality

  • Lots of bass
  • Fun, but not very neutral or accurate sound
  • Has low latency for watching media

When using the Beyerdynamic Aventho 100, I listened to all sorts of music for a benchmark. This included rock, hip hop, electronic dance to acoustic and jazz. After my extended time with these headphones, I was struck by the amount of low-end the default audio profile has.

In fact, I had to go into the EQ settings in the app and use the “neutral” setting to get a more balanced sound. Simon & Garfunkel's Scarborough Fair doesn’t sound quite as good as Kendrick Lamar's DNA. It’s no surprise then that this setting cuts the bass quite a bit, along with an extreme high-end cut.

Speaking of that high end, the Aventho 100 have plenty of presence, sometimes even sounding a tiny bit harsh (also helped with that neutral setting). Somehow though, they don’t have quite the resolution that I’ve experienced with other Beyerdynamic headphones.

I appreciate that the Beyerdynamic Aventho 100 support lossless audio, but these are not audiophile-grade listening headphones. I may sound a bit negative on these headphones, but they actually do sound fun to listen to. They’re just not accurate in the way the Aventho 300 are – and I also tested those.

Since many people also use headphones when watching TV and movies, it’s worth noting that these work well with streaming Netflix or Youtube. Not only do they use Bluetooth 5.4 but have a low latency mode available through the app. I didn’t notice any lag or latency when watching something on my phone or computer.

  • Sound quality: 4/5

Beyerdynamic Aventho 100 headphones on a wooden table

(Image credit: Future)

Beyerdynamic Aventho 100 review: Value

  • Not overpriced, but not exceptional value, either
  • Significantly cheaper than their big brother
  • Competition at this price will have other compromises

Some headphones punch way above their weight compared to their price tag and some come with a hefty price tag that are only really justified by their name or because they’re marketed as "premium".

The Beyerdynamic Aventho 100 fit into neither of those categories. At $229.99 / £199.00 / AU$314.00, they’re about what I would expect them to cost. As mentioned, they look cool but are partially molded plastic instead of more premium (and costly) materials. Their sound quality is also fairly middle-of-the-road. Of course, they’re a step down in terms of sound quality from the Beyerdynamic Aventho 300, but those have an MSRP of $399.99 / £359.00 (about AU$640). That’s almost double, and it's not lost on me – because the Aventho 300 do sound better.

I’ve also mentioned the Master & Dynamic MH40, a pair of headphones that takes similar influence from past headphones but use more premium materials, sound a little better, but also cost around $400.

At a similar price point, the Anker Soundcore Space One Pro focus less on style and more on value. They’re also slightly cheaper at $199.99 / £149.99 (about AU$300), though being an Anker product means it will see regular discounts below that price tag. They support high-res audio but aren’t any more detailed than the Beyerdynamic Aventho 100.

  • Value: 4/5

Beyerdynamic Aventho 100 headphones on a wooden table

(Image credit: Future)

Should I buy the Beyerdynamic Aventho 100?

Beyerdynamic Aventho 100 scorecard

Attributes

Notes

Rating

Features

ANC, transparency mode, and multipoint connectivity are just some of the features on hand, only missing Dolby Atmos support.

4.5/5

Design

The Aventho 100 look cool and fold into a small package, making them fairly portable

4.5/5

Sound quality

The sound quality is good with plenty of bass, but doesn’t sound as detailed as one might hope from this brand.

4/5

Value

They cost about what they should, neither being overpriced or offering a particularly excellent value

4/5

Buy them if…

You want some cool looking on-ear headphones
If you don’t mind the half plastic build, the Beyerdynamic Aventho 100 look really cool with their throw-back vibes.

You want portability and a long battery life
These headphones last a long time and fold up pretty small making them ideal for on-the-road use.

Don’t buy them if…

You care about audio quality above all else
I feel bad that I keep saying this because they sound good, but you can find other headphones in the same price point with fewer features or stripped down in some other way that sound better.

You want premium
While these look very cool, they still don’t look like the premium headphones that their aesthetic presents them as. This is a small gripe, but worth noting since the Aventho 100 are big on style.

Beyerdynamic Aventho 100 review: Also consider

Anker Soundcore Space One Pro
The Anker Soundcore Space One Pro are just a little cheaper with a comparable audio quality. There’s plenty of bass and a decent (though not great) amount of detail. They also have have an impressive battery life. Of course, aesthetically, they’re a bit on the chunky side.
Read our full Anker Soundcore Space One Pro review

Beyerdynamic Aventho 300
The Beyerdynamic Aventho 300 might be almost double the price, but they offer the kind of pristine audio quality that Beyerdynamic is known for. They’re also a little more feature-filled, mainly including Dolby Atmos, not to mention have a similarly long battery life.
Read our full Beyerdynamic Aventho 300 review

How I tested the Beyerdynamic Aventho 100

  • Tested the various features over two weeks
  • Tested with different music as well as video streaming

I spent a week using the Beyerdynamic Aventho 100 as my daily headphones. While using them, I listened to all sorts of genres from electronic and hip hop to rock and acoustic music to compare the frequency range and soundstage. I also tested them with streaming video and used the various settings such as ANC, transparency mode, EQ, and multipoint.

After testing, it seems that the Beyerdynamic Aventho 100 are best suited for those wanting a pair of headphones that look and sound fun.

I’ve spent the last few years reviewing audio equipment and have spent even longer using my critical ear as a listener and musician to understand what does and doesn’t sound good.

  • First reviewed in November 2025
Some of my favorite earbuds from last year just got a massive upgrade and the sound is excellent – bar one key issue
1:30 pm | October 29, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: | Comments: Off

Creative Aurvana Ace 3: Two-minute review

Earbuds specialist Creative is back with another fully-fledged assault on our list of the best earbuds with its Aurvana Ace 3. And like 2024’s Aurvana Ace 2, one small piece of tech makes these a shoo-in for audiophiles’ wish-lists.

The Creative Aurvana Ace 3 are the latest earbuds to have thoroughly modern solid-state drivers by tech manufacturer xMEMS, which are designed to bump up the phase consistency and allow audio to be dynamic while still coming from small drivers (and by ‘small’, I mean ‘ones that fit in tiny earbuds’). People who are put off by tech jargon may be scratching their head and preparing to tab out, but the gist is that the buds are designed to sound especially great. They do.

I said this about the Ace 2, and it’s true again: the buds provide high-quality well-defined sounds, bristling with energy and with a cosy, all-embracing soundstage. Fantastic. Audio spec-wise, though, the Aurvana Ace 3 take this pairing of xMEMS driver and a 10mm dynamic driver, and copy it wholesale. No hardware changes, but given what I thought about the previous buds, that’s no bad thing.

Instead, Creative has made improvements across the board to lots of other aspects of the previous buds that needed some help – mostly, but more on that in a moment – and brought some extras which make it easy to award the buds a higher star rating.

The battery life of the Ace 3 is greatly improved from the previous buds, touch controls feel a little bit more intuitive, the maximum volume has seen a bump, there’s LDAC support and the equalizer has a more palpable impact on sound quality. Plus, the introduction of a sound profile test (in collaboration with experts Mimi) provides you with a bespoke sound mix and, in my humble opinion, it’s one of the best listening tests I’ve taken in a pair of earbuds.

One area hasn’t seen a major improvement, and it’s ANC – noise cancellation still isn’t on par with rivals. And if you’ve just tabbed out to read my Ace 2 review, and were curious about the strange screaming sound the buds could make when in ANC mode, you’ll be confused to hear that it’s back – but only for ambient mode.

I first noticed this when I cycled to the cinema early on in my testing. I used ambient to be safe on the road but when I stepped into the foyer while removing my buds, I started getting odd looks: they were making a loud, shrill screaming sound, one far more pronounced than on the Ace 2. It stopped when I put the buds in the case, but on other occurrences, this wasn’t a reliable way to silence the noise; on one occasion they started making the sound out of the blue a few seconds after I’d cased them. It’s a shame, but having experienced the issue with the Ace 2, I did not request a fresh sample since I knew it had happened before. I’ve also occasionally faced it with other buds – it’s an odd side-effect of how noise cancellation works. Still, it's my job to notice these things and the simple fact is that many of the rival earbuds I have tested over the years do not suffer from this issue (and that is largely why this set of earbuds get the star rating you see above). If you use ambient and ANC sound profiles a lot, this will likely affect your decision on whether or not to purchase Creative's Aurvana Ace 3 earbuds – excellent audio performance or not.

Creative Aurvana Ace 3 review: Price and release date

The Creative Aurvana Ace 3 buds and case on a pink bass guitar.

(Image credit: Future)
  • Announced on October 1, 2025
  • Priced $149.99 / £139.99 / AU$259.95
  • Price increase, decrease or no change depending on where you live

The Creative Aurvana Ace 3 were released on October 1, 2025, roughly 18 months on from the release of their predecessor.

Oddly, at the time of writing it seems difficult to buy the buds from anywhere other than Creative's own website, but I'll keep checking since major third-party retailer support is expected.

Anyway, the Creative Aurvana Ace 3 can be bought for $149.99 / £139.99 / AU$259.95, a fairly mid-ranged price for earbuds. For a bit of context, the Ace 2 sold for $149.99 / £169.99 / AU$229.95 so the new buds are cheaper in some places, more expensive in others but the same in the US.

That’s quite a competitive price point. Furthermore, out of all my favorite pairs of buds I tested in 2025, none are more than $50 / £40 above or below that (that’s about AU$80, but not all of the pairs were actually released in Australia, making it a harder comparison). You’ve already read the introduction though; you know the Ace 3 hold their own.

Creative Aurvana Ace 3 review: Specs

Drivers

xMEMS solid state driver + 10mm dynamic driver

Active noise cancellation

Yes

Battery life

7 hours (buds) 26 hours (case)

Weight

4.7g (buds) 43g (case)

Connectivity

Bluetooth 5.3

Frequency response

5 - 40,000Hz

Waterproofing

IPX5

Creative Aurvana Ace 3 review: Features

The Creative Aurvana Ace 3 buds and case in front of a stripy colorful screen.

(Image credit: Future)
  • 7-hour buds battery, 26-hour with case
  • ANC doesn't cut the mustard
  • Highly intuitive sound profile test

One of my gripes with the Aurvana Ace 3’s predecessor was that the Active Noise Cancellation (or ANC) didn’t match up to rivals. Unfortunately that’s no different here and if there are improvements they’re not on par with the big leaps rivals are making. The buds will dampen surrounding sounds but you can still hear most of what’s going on around you – essentially, the ANC still leaves a lot to be desired.

The Ambient mode is a little worse though, and sadly the buds seem to amplify all surrounding whispers to deafening proportions when in this configuration. That’s not the worst of it either; the older Ace 2 had an odd ANC issue which would cause the buds to make a squealing sound when held tight in the hand, and while I didn’t have this issue with the Ace 3 in standard ANC mode, it was a lot more pronounced when I was in Ambient. Thankfully, simply using the buds in ANC mode (or with ANC off) stopped me facing this issue, but it’s something to know about if you often use ambient modes in earbuds.

Another problem of the Ace 2 that’s been nipped in the bud is battery life; no more 4 hours of listening time, or 16 hours in the case. The figure’s been nearly doubled, to 7 hours per earbud and 26 hours from the case. That’s still far from industry-leading (some buds can go for 8-10 hours now before needing a jolt of juice), but it’s a welcome upgrade nonetheless. Just note: listening with ANC or LDAC enabled will give you a lower stat, and I got 5.5 hours with ANC on.

The Creative Aurvana Ace 3 buds on a pink bass guitar.

(Image credit: Future)

The Creative app reveals some of the earbuds’ best features; if you buy the Aurvana Ace 3, don’t be one of those people who never bothers downloading the companion software. The standards are here: you can customize the buds’ touch controls, toggle ANC, play with an equalizer and set up Auracast (although I wish the buds’ assistant wouldn’t loudly announce that it was scanning for broadcasts every time I opened the app).

There’s more: the Ace 3 has perhaps the best listening test I’ve used on a pair of wireless earbuds. It’s easy to use, not overly long and delivers noticeable results that significantly improve music. Creative’s partnership with audio profiling company Mimi for the buds pays dividends.

The buds connect to your phone via Bluetooth 5.4, and they support low-latency mode for gaming and movies as well as LDAC if you don’t mind your battery life taking a hit. I had a few issues with Bluetooth connectivity, most of which were solved by my returning the buds to the case for a few seconds and then trying again, though the app struggled to detect the buds when I began testing and it took quite a few tries to get it working.

  • Features score: 3.5/5

Creative Aurvana Ace 3 review: Design

The Creative Aurvana Ace 3 case on a pink bass guitar.

(Image credit: Future)
  • Understated purple hue
  • Lightweight case and buds
  • IPX5 rating

The Creative Aurvana Ace 3 earbuds have benefitted from big changes, but these are definitely not reflected in the design. I had to get right into the nitty-gritty of my review of the predecessors to discover that the case is in fact 3g lighter, at 43g, but to me they’re identical (other than a slight color difference).

That’s no bad thing given how the distinctive hue and zingy inside help the Aurvana stand out from the line-up. It doesn’t quite translate on camera, but the case has a purple sheen that catches the light well.

A few tiny design tweaks and a slightly lighter build do little to differentiate the Ace 3 buds from the Ace 2, but again there are no complaints on my part. They fit like a dream, didn’t feel achy even after long listening sessions, and stuck strong in my ear even when I was at the gym or cycling.

I had a little bit of trouble with the touch controls, as finding the exact correct spot at the top of the stem takes some practice. It doesn’t help that there’s no single-tap gesture, so you need to hit the right spot at least twice in a row to trigger a command. But I still found it a lot more usable than the Ace 2’s, especially when I’d gotten the knack.

One thing to note is that the buds have an IPX5 rating, which means they’re protected against jets of water. This is fine for rain or sweat but it’s not the highest kind of protection you see on earbuds – the new AirPods Pro 3 have an IP57 rating, for example, which means that Apple's newest can actually be submerged in up to one meter of water and survive (for a limited time).

  • Design score: 4/5

Creative Aurvana Ace 3 review: Sound quality

  • xMEMS + 10mm dynamic driver
  • Range of codecs supported
  • For natural-sounding detail and clarity, the audio quality is sublime

The Creative Aurvana Ace 3 buds and case on a pink bass guitar.

(Image credit: Future)

The bad news: while the Creative Aurvana Ace 3 enjoys a series of improvements across the board, that's not the case in the sonic department. The good news: that's because last year's buds were such a slam dunk that no upgrade was necessary to the sonic recipe.

So we're looking at a fancy xMEMS solid state driver paired with a 10mm dynamic driver. The first of those is the selling point: they can deliver high-quality, natural-sounding audio that's as true as possible to the artist's (well, sound engineer and producers') vision. The effect on your ears is that music is imbued with a sparkle and energy that you're simply not getting on lesser buds: it's palpable that these aren't electronic signals being blasted into your ears, but real musical instruments being played by real people (well, unless you listen to electronic music, that is).

The glorious bagpipe solo of John Farnham's You're The Voice rocks just as much as the later guitar solo and anthemic vocals, and you can hear the vibrato of The Boss' voice in Dancing in the Dark when it comes up on shuffle next. Next up is Chesney Hawkes' The One and Only, and I've never heard the harmonies as powerful and succinct as with the Ace 3.

The Creative Aurvana Ace 3 bud on a pink bass guitar.

(Image credit: Future)

I've been focusing on treble and mids because there's no denying that the Aurvana maintain their predecessors' lovely neutral sound; you're not getting your tunes blown out by thumping bass like many cheap and mid-range earbud makers love to do.

Despite that, bass is lovely and scooping, enough that you can picture the bassist's fingers walking on the string. And when lower pitches are important, the Ace 3 delivers; Sayonara by The 502s offers a well-defined bassline that sits harmoniously against the brass stings without either losing any energy (see, I can use musical examples from the last half-century!). The encompassing soundstage of the buds gives all of the instruments in a busy composition like this enough breathing room that you don't miss a note or a line.

All of these points could equally be made about the Ace 2 (well, except Sayonara, which wasn't out when those buds were released), but that's not to say that nothing's new in the Aurvana Ace 3. The addition of LDAC and aptX Lossless means the buds are better at supporting lossless audio and there's also now support for Snapdragon Sound, which will have a similar effect if your broadcasting device also is compatible.

  • Sound quality: 4.5/5

Creative Aurvana Ace 3 review: Value

The Creative Aurvana Ace 3 buds on a pink bass guitar.

(Image credit: Future)
  • A textbook example of getting what you paid for
  • Ace 2 discounts may make it a tempting alternative

At $149.99 / £139.99 / AU$259.95, you’re getting what you pay for with the Creative Aurvana Ace 3 – they deliver a good sound quality and commendable feature set at a price that’s a little higher than some people can afford, but sits as a much more tempting alternative to many of the top-end buds on the market.

Don’t buy these expecting a bargain, but you’re certainly getting bang for your buck. Rather, you’re not getting bangs, but getting nice, well-tuned audio.

The messy price increase / decrease / maintenance of the Creative Aurvana Ace 3 compared to its predecessor, make a value comparison hard, especially with the older buds having seen a pretty significant price cut since release. The improvements may win over some people, but if all you care is the sound quality, you can save money with the Ace 2.

  • Value: 3.5/5

Should I buy the Creative Aurvana Ace 3?

Creative Aurvana Ace 3 score card

Attributes

Notes

Rating

Features

The ANC isn't great but the battery life is okay and the sound personalization is great.

3.5/5

Design

These are lovely little buds that fit well, look good and don't weigh you down.

4/5

Sound quality

The detailed, crystal-clear and naturalistic audio all create one wonderful musical package.

4.5/5

Value

The price is chosen well: you get as much as you pay for.

3.5/5

Buy it if…

You want a guiding hand with your sound mix
The Mimi customization mode is all but guaranteed to help you find a music mix for you – if you’re not keen to mess around with an equalizer, it’ll sort you right out.

You need buds that are lightweight
Even amongst other stem earbuds, the Aurvana Ace 3 are lovely and light, and you can listen for hours without feeling anything (or until the battery runs out). Perfect for people who readily feel buds in the ear.View Deal

Don’t buy it if…

You listen in ambient mode
I’ve already mentioned the strange screaming issues with ambient mode. If you tend to listen with ambient mode turned on, perhaps consider other earbuds.

You want a bassy sound profile
Some people need warm-sounding bassy buds, and the Aurvana Ace 3 are too neutral to give you those thumping rhythms that might help at the gym.

Creative Aurvana Ace 3 review: Also consider

Creative Aurvana Ace 3

Nothing Ear (3)

Soundpeats H3

Drivers

xMEMS solid state driver + 10mm dynamic driver

12mm

12mm + dual balanced armatures

Active noise cancellation

Yes

Yes

Yes

Battery life

7 hours (buds) 26 hours total ( withcase)

5.5 hours (buds) 22 hours total (with case)

7 hours (buds) 37 hours total (with case)

Weight

4.7g (buds) 43g (case)

5.2g (buds); 61g (case)

6g (buds); 53g (case)

Connectivity

Bluetooth 5.3

Bluetooth 5.4

Bluetooth 5.4

Waterproofing

IPX5

IP54

IPX5

Soundpeats H3
A pair of similar-costing earbuds, the Soundpeats use a cocktail of drivers to offer fantastic-sound music with an equally neutral sound profile. In fact they’re pretty similar in a lot of ways, but with a different design and a feature set that gains and loses various aspects of the Ace 3.
Read our full Soundpeats H3 review here

Nothing Ear (3)
Another pair of buds with a great personal hearing system, albeit one for a little more money, is Nothing’s latest pair of earbuds. The battery life and price leave something to be desired, but Nothing earbuds have long graced loads of our ‘best-of’ lists and the (3) is no exception.
Check out our full Nothing Ear (3) review here

How I tested the Creative Aurvana Ace 3

The Creative Aurvana Ace 3 buds and case on a pink bass guitar.

(Image credit: Future)
  • Tested for 2 weeks
  • Tested at home, on walks, and the gym and while cycling

The testing period for the Creative Aurvana Ace 3 was just over two weeks, and the buds were connected to my Android phone for the entirety of the testing process.

I mostly listened to the buds using Spotify, both with Lossless and standard quality, but I also watched some Netflix and played some games with them. I tested in loads of environments: at home, at my office, on walks around my neighborhood, on buses and trains, while cycling (in ambient mode for safety, of course), and while at several different gyms.

I've been testing gadgets for TechRadar for over six years now, which has included plenty of other similar-price earbuds, the previous Aurvana Ace last year and certain other Creative products.

  • First reviewed in October 2025
Some of my favorite earbuds from last year just got a massive upgrade and the sound is excellent – bar one key issue
1:30 pm |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: | Comments: Off

Creative Aurvana Ace 3: Two-minute review

Earbuds specialist Creative is back with another fully-fledged assault on our list of the best earbuds with its Aurvana Ace 3. And like 2024’s Aurvana Ace 2, one small piece of tech makes these a shoo-in for audiophiles’ wish-lists.

The Creative Aurvana Ace 3 are the latest earbuds to have thoroughly modern solid-state drivers by tech manufacturer xMEMS, which are designed to bump up the phase consistency and allow audio to be dynamic while still coming from small drivers (and by ‘small’, I mean ‘ones that fit in tiny earbuds’). People who are put off by tech jargon may be scratching their head and preparing to tab out, but the gist is that the buds are designed to sound especially great. They do.

I said this about the Ace 2, and it’s true again: the buds provide high-quality well-defined sounds, bristling with energy and with a cosy, all-embracing soundstage. Fantastic. Audio spec-wise, though, the Aurvana Ace 3 take this pairing of xMEMS driver and a 10mm dynamic driver, and copy it wholesale. No hardware changes, but given what I thought about the previous buds, that’s no bad thing.

Instead, Creative has made improvements across the board to lots of other aspects of the previous buds that needed some help – mostly, but more on that in a moment – and brought some extras which make it easy to award the buds a higher star rating.

The battery life of the Ace 3 is greatly improved from the previous buds, touch controls feel a little bit more intuitive, the maximum volume has seen a bump, there’s LDAC support and the equalizer has a more palpable impact on sound quality. Plus, the introduction of a sound profile test (in collaboration with experts Mimi) provides you with a bespoke sound mix and, in my humble opinion, it’s one of the best listening tests I’ve taken in a pair of earbuds.

One area hasn’t seen a major improvement, and it’s ANC – noise cancellation still isn’t on par with rivals. And if you’ve just tabbed out to read my Ace 2 review, and were curious about the strange screaming sound the buds could make when in ANC mode, you’ll be confused to hear that it’s back – but only for ambient mode.

I first noticed this when I cycled to the cinema early on in my testing. I used ambient to be safe on the road but when I stepped into the foyer while removing my buds, I started getting odd looks: they were making a loud, shrill screaming sound, one far more pronounced than on the Ace 2. It stopped when I put the buds in the case, but on other occurrences, this wasn’t a reliable way to silence the noise; on one occasion they started making the sound out of the blue a few seconds after I’d cased them. It’s a shame, but having experienced the issue with the Ace 2, I did not request a fresh sample since I knew it had happened before. I’ve also occasionally faced it with other buds – it’s an odd side-effect of how noise cancellation works. Still, it's my job to notice these things and the simple fact is that many of the rival earbuds I have tested over the years do not suffer from this issue (and that is largely why this set of earbuds get the star rating you see above). If you use ambient and ANC sound profiles a lot, this will likely affect your decision on whether or not to purchase Creative's Aurvana Ace 3 earbuds – excellent audio performance or not.

Creative Aurvana Ace 3 review: Price and release date

The Creative Aurvana Ace 3 buds and case on a pink bass guitar.

(Image credit: Future)
  • Announced on October 1, 2025
  • Priced $149.99 / £139.99 / AU$259.95
  • Price increase, decrease or no change depending on where you live

The Creative Aurvana Ace 3 were released on October 1, 2025, roughly 18 months on from the release of their predecessor.

Oddly, at the time of writing it seems difficult to buy the buds from anywhere other than Creative's own website, but I'll keep checking since major third-party retailer support is expected.

Anyway, the Creative Aurvana Ace 3 can be bought for $149.99 / £139.99 / AU$259.95, a fairly mid-ranged price for earbuds. For a bit of context, the Ace 2 sold for $149.99 / £169.99 / AU$229.95 so the new buds are cheaper in some places, more expensive in others but the same in the US.

That’s quite a competitive price point. Furthermore, out of all my favorite pairs of buds I tested in 2025, none are more than $50 / £40 above or below that (that’s about AU$80, but not all of the pairs were actually released in Australia, making it a harder comparison). You’ve already read the introduction though; you know the Ace 3 hold their own.

Creative Aurvana Ace 3 review: Specs

Drivers

xMEMS solid state driver + 10mm dynamic driver

Active noise cancellation

Yes

Battery life

7 hours (buds) 26 hours (case)

Weight

4.7g (buds) 43g (case)

Connectivity

Bluetooth 5.3

Frequency response

5 - 40,000Hz

Waterproofing

IPX5

Creative Aurvana Ace 3 review: Features

The Creative Aurvana Ace 3 buds and case in front of a stripy colorful screen.

(Image credit: Future)
  • 7-hour buds battery, 26-hour with case
  • ANC doesn't cut the mustard
  • Highly intuitive sound profile test

One of my gripes with the Aurvana Ace 3’s predecessor was that the Active Noise Cancellation (or ANC) didn’t match up to rivals. Unfortunately that’s no different here and if there are improvements they’re not on par with the big leaps rivals are making. The buds will dampen surrounding sounds but you can still hear most of what’s going on around you – essentially, the ANC still leaves a lot to be desired.

The Ambient mode is a little worse though, and sadly the buds seem to amplify all surrounding whispers to deafening proportions when in this configuration. That’s not the worst of it either; the older Ace 2 had an odd ANC issue which would cause the buds to make a squealing sound when held tight in the hand, and while I didn’t have this issue with the Ace 3 in standard ANC mode, it was a lot more pronounced when I was in Ambient. Thankfully, simply using the buds in ANC mode (or with ANC off) stopped me facing this issue, but it’s something to know about if you often use ambient modes in earbuds.

Another problem of the Ace 2 that’s been nipped in the bud is battery life; no more 4 hours of listening time, or 16 hours in the case. The figure’s been nearly doubled, to 7 hours per earbud and 26 hours from the case. That’s still far from industry-leading (some buds can go for 8-10 hours now before needing a jolt of juice), but it’s a welcome upgrade nonetheless. Just note: listening with ANC or LDAC enabled will give you a lower stat, and I got 5.5 hours with ANC on.

The Creative Aurvana Ace 3 buds on a pink bass guitar.

(Image credit: Future)

The Creative app reveals some of the earbuds’ best features; if you buy the Aurvana Ace 3, don’t be one of those people who never bothers downloading the companion software. The standards are here: you can customize the buds’ touch controls, toggle ANC, play with an equalizer and set up Auracast (although I wish the buds’ assistant wouldn’t loudly announce that it was scanning for broadcasts every time I opened the app).

There’s more: the Ace 3 has perhaps the best listening test I’ve used on a pair of wireless earbuds. It’s easy to use, not overly long and delivers noticeable results that significantly improve music. Creative’s partnership with audio profiling company Mimi for the buds pays dividends.

The buds connect to your phone via Bluetooth 5.4, and they support low-latency mode for gaming and movies as well as LDAC if you don’t mind your battery life taking a hit. I had a few issues with Bluetooth connectivity, most of which were solved by my returning the buds to the case for a few seconds and then trying again, though the app struggled to detect the buds when I began testing and it took quite a few tries to get it working.

  • Features score: 3.5/5

Creative Aurvana Ace 3 review: Design

The Creative Aurvana Ace 3 case on a pink bass guitar.

(Image credit: Future)
  • Understated purple hue
  • Lightweight case and buds
  • IPX5 rating

The Creative Aurvana Ace 3 earbuds have benefitted from big changes, but these are definitely not reflected in the design. I had to get right into the nitty-gritty of my review of the predecessors to discover that the case is in fact 3g lighter, at 43g, but to me they’re identical (other than a slight color difference).

That’s no bad thing given how the distinctive hue and zingy inside help the Aurvana stand out from the line-up. It doesn’t quite translate on camera, but the case has a purple sheen that catches the light well.

A few tiny design tweaks and a slightly lighter build do little to differentiate the Ace 3 buds from the Ace 2, but again there are no complaints on my part. They fit like a dream, didn’t feel achy even after long listening sessions, and stuck strong in my ear even when I was at the gym or cycling.

I had a little bit of trouble with the touch controls, as finding the exact correct spot at the top of the stem takes some practice. It doesn’t help that there’s no single-tap gesture, so you need to hit the right spot at least twice in a row to trigger a command. But I still found it a lot more usable than the Ace 2’s, especially when I’d gotten the knack.

One thing to note is that the buds have an IPX5 rating, which means they’re protected against jets of water. This is fine for rain or sweat but it’s not the highest kind of protection you see on earbuds – the new AirPods Pro 3 have an IP57 rating, for example, which means that Apple's newest can actually be submerged in up to one meter of water and survive (for a limited time).

  • Design score: 4/5

Creative Aurvana Ace 3 review: Sound quality

  • xMEMS + 10mm dynamic driver
  • Range of codecs supported
  • For natural-sounding detail and clarity, the audio quality is sublime

The Creative Aurvana Ace 3 buds and case on a pink bass guitar.

(Image credit: Future)

The bad news: while the Creative Aurvana Ace 3 enjoys a series of improvements across the board, that's not the case in the sonic department. The good news: that's because last year's buds were such a slam dunk that no upgrade was necessary to the sonic recipe.

So we're looking at a fancy xMEMS solid state driver paired with a 10mm dynamic driver. The first of those is the selling point: they can deliver high-quality, natural-sounding audio that's as true as possible to the artist's (well, sound engineer and producers') vision. The effect on your ears is that music is imbued with a sparkle and energy that you're simply not getting on lesser buds: it's palpable that these aren't electronic signals being blasted into your ears, but real musical instruments being played by real people (well, unless you listen to electronic music, that is).

The glorious bagpipe solo of John Farnham's You're The Voice rocks just as much as the later guitar solo and anthemic vocals, and you can hear the vibrato of The Boss' voice in Dancing in the Dark when it comes up on shuffle next. Next up is Chesney Hawkes' The One and Only, and I've never heard the harmonies as powerful and succinct as with the Ace 3.

The Creative Aurvana Ace 3 bud on a pink bass guitar.

(Image credit: Future)

I've been focusing on treble and mids because there's no denying that the Aurvana maintain their predecessors' lovely neutral sound; you're not getting your tunes blown out by thumping bass like many cheap and mid-range earbud makers love to do.

Despite that, bass is lovely and scooping, enough that you can picture the bassist's fingers walking on the string. And when lower pitches are important, the Ace 3 delivers; Sayonara by The 502s offers a well-defined bassline that sits harmoniously against the brass stings without either losing any energy (see, I can use musical examples from the last half-century!). The encompassing soundstage of the buds gives all of the instruments in a busy composition like this enough breathing room that you don't miss a note or a line.

All of these points could equally be made about the Ace 2 (well, except Sayonara, which wasn't out when those buds were released), but that's not to say that nothing's new in the Aurvana Ace 3. The addition of LDAC and aptX Lossless means the buds are better at supporting lossless audio and there's also now support for Snapdragon Sound, which will have a similar effect if your broadcasting device also is compatible.

  • Sound quality: 4.5/5

Creative Aurvana Ace 3 review: Value

The Creative Aurvana Ace 3 buds on a pink bass guitar.

(Image credit: Future)
  • A textbook example of getting what you paid for
  • Ace 2 discounts may make it a tempting alternative

At $149.99 / £139.99 / AU$259.95, you’re getting what you pay for with the Creative Aurvana Ace 3 – they deliver a good sound quality and commendable feature set at a price that’s a little higher than some people can afford, but sits as a much more tempting alternative to many of the top-end buds on the market.

Don’t buy these expecting a bargain, but you’re certainly getting bang for your buck. Rather, you’re not getting bangs, but getting nice, well-tuned audio.

The messy price increase / decrease / maintenance of the Creative Aurvana Ace 3 compared to its predecessor, make a value comparison hard, especially with the older buds having seen a pretty significant price cut since release. The improvements may win over some people, but if all you care is the sound quality, you can save money with the Ace 2.

  • Value: 3.5/5

Should I buy the Creative Aurvana Ace 3?

Creative Aurvana Ace 3 score card

Attributes

Notes

Rating

Features

The ANC isn't great but the battery life is okay and the sound personalization is great.

3.5/5

Design

These are lovely little buds that fit well, look good and don't weigh you down.

4/5

Sound quality

The detailed, crystal-clear and naturalistic audio all create one wonderful musical package.

4.5/5

Value

The price is chosen well: you get as much as you pay for.

3.5/5

Buy it if…

You want a guiding hand with your sound mix
The Mimi customization mode is all but guaranteed to help you find a music mix for you – if you’re not keen to mess around with an equalizer, it’ll sort you right out.

You need buds that are lightweight
Even amongst other stem earbuds, the Aurvana Ace 3 are lovely and light, and you can listen for hours without feeling anything (or until the battery runs out). Perfect for people who readily feel buds in the ear.View Deal

Don’t buy it if…

You listen in ambient mode
I’ve already mentioned the strange screaming issues with ambient mode. If you tend to listen with ambient mode turned on, perhaps consider other earbuds.

You want a bassy sound profile
Some people need warm-sounding bassy buds, and the Aurvana Ace 3 are too neutral to give you those thumping rhythms that might help at the gym.

Creative Aurvana Ace 3 review: Also consider

Creative Aurvana Ace 3

Nothing Ear (3)

Soundpeats H3

Drivers

xMEMS solid state driver + 10mm dynamic driver

12mm

12mm + dual balanced armatures

Active noise cancellation

Yes

Yes

Yes

Battery life

7 hours (buds) 26 hours total ( withcase)

5.5 hours (buds) 22 hours total (with case)

7 hours (buds) 37 hours total (with case)

Weight

4.7g (buds) 43g (case)

5.2g (buds); 61g (case)

6g (buds); 53g (case)

Connectivity

Bluetooth 5.3

Bluetooth 5.4

Bluetooth 5.4

Waterproofing

IPX5

IP54

IPX5

Soundpeats H3
A pair of similar-costing earbuds, the Soundpeats use a cocktail of drivers to offer fantastic-sound music with an equally neutral sound profile. In fact they’re pretty similar in a lot of ways, but with a different design and a feature set that gains and loses various aspects of the Ace 3.
Read our full Soundpeats H3 review here

Nothing Ear (3)
Another pair of buds with a great personal hearing system, albeit one for a little more money, is Nothing’s latest pair of earbuds. The battery life and price leave something to be desired, but Nothing earbuds have long graced loads of our ‘best-of’ lists and the (3) is no exception.
Check out our full Nothing Ear (3) review here

How I tested the Creative Aurvana Ace 3

The Creative Aurvana Ace 3 buds and case on a pink bass guitar.

(Image credit: Future)
  • Tested for 2 weeks
  • Tested at home, on walks, and the gym and while cycling

The testing period for the Creative Aurvana Ace 3 was just over two weeks, and the buds were connected to my Android phone for the entirety of the testing process.

I mostly listened to the buds using Spotify, both with Lossless and standard quality, but I also watched some Netflix and played some games with them. I tested in loads of environments: at home, at my office, on walks around my neighborhood, on buses and trains, while cycling (in ambient mode for safety, of course), and while at several different gyms.

I've been testing gadgets for TechRadar for over six years now, which has included plenty of other similar-price earbuds, the previous Aurvana Ace last year and certain other Creative products.

  • First reviewed in October 2025
I tested the AirPods Pro 3 and the ANC is even better than before – and that’s before I get to the improved fit and heart-rate monitor
4:52 pm | October 24, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , | Comments: Off

Apple AirPods Pro 3: Two-minute review

Apple's AirPods Pro 3 are doubtless the biggest earbuds release of the year – figuratively and in terms of the furore surrounding them, that is, rather than physically (they're nice and small, as it happens). They're still ice-white only, and they'll still prefer an iPhone, iPad or MacBook over an Android device any day of the week – yes, they'll work with Android, but you'll miss even some of the more commonplace perks if using them this way, such as device switching and a quick way of checking the battery.

So know this: I wrote the bulk of this review while using the AirPods Pro 3 with an iPhone 15 Pro Max, otherwise known as the oldest iPhone that is still able to support Apple Intelligence. Why is that important? Because without it you'd miss key perks such as Live Translation (one of the headline features) and personalized fitness insights, for example.

This time around you get five ear tips in the box, although Apple has performed some wizardry with the shape of the driver housing, so they should slip right into your ear and stay there without too much fuss – at least they did for me, and for several others on the TechRadar team. Are these some of the best earbuds on the market for fit and novel features (I will mention heart-rate monitoring; I will also go into Live Translation at length, later) then, as well as claiming the best in-ear active noise cancellation? Oh, without a doubt.

These particular AirPods have very few snafus, but it's my job to mention the small issues I had. My AirPods Pro 3 review sample has refused to acknowledge the existence of the iPhone 12 Pro Max I've tried to pair them with several times, on the grounds that said phone is a non-Apple Intelligence option, and performing a reset is now quite a bit more fiddly than it was previously. This is because the button on the back of the case is now gone. Instead, you have to double-tap the front of the case to do a factory reset, but without touching the front of the case while flipping the lid. If that sounds tricky, it is.

Also, there's still a slight stamina niggle for me. Don't get me wrong: Apple has improved the battery life here, claiming up to eight hours from the earbuds with ANC on, which is up from six hours for the AirPods Pro 2. But this, of course, is without Spatial Audio, heart-rate monitoring and a few other bells and whistles deployed (which you may not have checked before leaving the house, because without a dedicated app to click, some of these toggles feel buried away in your phone's settings). I found the battery life a bit lower than that in real life, at around 5.5 hours in my testing, so it's fine, rather than fantastic.

All of this aside, the AirPods Pro 3's sound is both zealous and head-turning (especially with dynamic head-tracking on), bringing your music to your ears with panache and, hang it all, joy. And let me be clear: these ice-white buds can do this thanks largely to the neatest near-silent ANC performance I've ever experienced using an iPhone source device. And that's worth this kind of money for your next long-haul flight – or heck, even your commute, as far as I'm concerned.

Apple AirPods Pro 3 review: Price and release date

Apple AirPods Pro 3 held in a hand, with beige woollen background

(Image credit: Future)
  • Released on September 9, 2025
  • Priced $249 / £219 / AU$429
  • Available in white or… white again

Both the inaugural AirPods Pro and the follow-up AirPods Pro 2 were priced at $249 / £249 / AU$399 when they first appeared, so the fact that AirPods Pro 3 came with a $249 price tag when they hit shelves on September 19 come as a surprise to nobody.

What is a touch odd is the quoted pricing in other regions, because the AirPods Pro 3 are priced £219 in the UK (I double-checked so you don't have to) and AU$429. So, while they're £30 cheaper in the UK, they're AU$30 more expensive in Australia. I don't make the rules…

On the one hand, plenty of the best wireless earbuds have risen in price in the last few years in line with inflation, but the fact that Apple made a point of hanging on at the same price as the original AirPods Pro from 2019 – in the US at least – and even reduced them in the UK, is quite surprising.

And the huge news is that because of this pricing, Apple's flagship earbuds will actually come at the lower end of the premium earbuds market, depending on region. I know!

What of direct competition at the level? Your rivals are perhaps most pressingly the older AirPods Pro 2, which can now be yours for around $159 / £169 / AU$349, the Bowers & Wilkins Pi8 (which are a fair bit pricier, at $399 / £349 / AU$599), the Technics EAH-AZ100 which are $299 / £259 / AU$478 or perhaps the Bose QuietComfort Ultra Earbuds (2nd Gen) for $299 / £299 / AU$450.

So you see, Apple's actually gone quite aggressive with the pricing here, when you look at it like that…

Apple AirPods Pro 3 review: Specs

Drivers

'Custom high-excursion' Apple driver with new multiport acoustic architecture and revised driver angle

Active noise cancellation

Yes

Battery life

8 hours (buds, ANC on); 6.5 hours (buds, heart rate sensor on); 24 hours (case)

Weight

5.6g (buds); 44g (case)

Connectivity

Bluetooth 5.3 (H2 chip)

Waterproofing

IP57

Apple AirPods Pro 3 held in a hand, with beige woollen background

AirPods Pro 3 are on the right (AirPods Pro 2 on the left) (Image credit: Future)

Apple AirPods Pro 3 review: Features

  • Heart-rate monitoring
  • Live Translation is really fun (once set up)
  • Your fitness app may not support HRM natively though

There are plenty of features here to get through folks, but I want to start on the one no other AirPods are getting any time soon: heart-rate monitoring. Simply by wearing them, that extra black little bar on the inside neck of the bud plus the built-in movement sensors can track 50 workout types with just AirPods Pro 3 – ie. no Apple Watch needed – to give you a heart-rate reading as long as you're wearing at least one earbud.

According to Apple: “AirPods Pro 3 introduce a custom photoplethysmography (PPG) sensor that shines invisible infrared light pulsed at 256 times per second to measure light absorption in blood flow.”

Believe it or not, this is actually a different solution to the one found in the also-ticker-taking (and also made by Apple) Beats Powerbeats Pro 2, launched in February 2025. You need to be wearing both earbuds to get a reading there, because when you do, a green LED light sensor in each earpiece pulses over 100 times per second, then measures the light reflected back to calculate how many times your heart is beating per minute. See?

I had heard that my heavy-rotation free Seven app (of 'seven-minute workout' fame – because lunchtime is rarely the full hour in journalism) would simply work with AirPods Pro 3's heart-rate monitoring in-app, but alas, it does not. In fact, at the time of writing, Apple hasn't published a full list of third-party fitness apps that support AirPods' heart-rate monitoring natively. But I still know that my heart-rate went up from its resting 60 BPM to 117 BPM during that short workout, because your reading can be found in the Health app – or you can simply ask Siri to tell you your heart rate whenever you like (once you've turned it on and sorted out the correct permissions within Siri) provided you've got the breath to speak.

Apple is clearly using AirPods' newest trick to send you to its free Fitness app (or better still, its paid-for Fitness+ offering) because even in the free variant, 19 types of activity are clearly displayed with simple Apple Music integration, your AirPods icon in the top right, your choice of three 'workout buddy' voices for personalised encouragement using Apple Intelligence and a little heart icon as if to scream 'heart-rate logging here folks – just get going!' I'm a little disappointed to see no aerial silks/hoop or pole dance activities listed here, Apple (both are hugely popular) but this review is about AirPods Pro 3 rather than the suite of offerings within Fitness, and AirPods' help in facilitating all of this data accumulation does add a lot of value to your purchase.

Three screen grabs from iPhone using AirPods Pro 3, one showing the live translation feature

(Image credit: Apple)

Now, Live Translation: once you get it up and running, it's excellent. I say 'once you get it up and running' because there are various hoops you need to jump through and barriers to pass (and tricks I used) before it'll work properly. And you should do these when you first set up your AirPods if you'd like to get at it quick enough so that when the time comes, the poor bar-tender you're trying to talk to doesn't get cold feet and run away while you're telling them to hang on.

So, you need: your AirPods Pro 3 (although it is also available in AirPods 4 (ANC) and AirPods Pro 2); iPhone 15 Pro or later; iOS 26 or later; Apple Intelligence turned on; the Translate app downloaded (and the language modules you want downloaded) plus the latest AirPods Firmware version. In addition to this, I customised the iPhone Action button on my iPhone 15 Pro Max to start Live Translation – because I found it marginally quicker and more reliable than pressing both stems of my AirPods Pro 3. But do either of those things once you've got everything running and you'll feel like James Bond in Casino Royale, dropping in on local gossip at the tables in Venice's Hotel Danieli.

Luckily, I have a Spanish-speaking other half to deploy. He spoke to me about his plans to play tennis that night until 10pm (see the left screen-grab, below). The English version of his Spanish prose was piped vocally into my ears with very little delay, as well as appearing on my iPhone as a transcript. It is remarkably good.

Elsewhere, Apple's fit- and hearing tests are back (you do the first, before you can take the second) and very thorough they are too. Since I answered the hearing test honestly (stay with it; it's worth it), I cannot in good faith test the hearing aid help in action, because I do not require it. But what is very useful is Conversation Awareness, which you simply toggle on in the AirPods Pro tab of your iPhone's settings. Then, when you talk, your music volume is lowered and background noise is reduced so that you can easily converse.

It's worth noting that both of these features (Live Translation and Conversation Awareness) are not popular with some of the team, because they encourage wearing AirPods constantly – and some of us (myself included) find this rude. Perhaps in time the pet peeve of a friend or colleague refusing to remove their earbuds when talking to me will cease to annoy me, but I'm not so sure…

AirPods Pro 3 three screen grabs showing translation on the left, heart-rate in the center and the fit test on the right

(Image credit: Future)
  • Features score: 5 / 5

AirPods Pro 3 on a woollen background, held in a hand

(Image credit: Future)

Apple AirPods Pro 3 review: Sound quality

  • Enjoyable, emotive audio with personalised spatial audio on
  • Vocals nicely textured and three-dimensional
  • Not the last word in detail and neutrality, but that's not the point

Please, please take Apple's excellent ANC performance in the AirPods Pro 3 as read – it's almost scarily good at sucking the noise out of your ears, but without the actual sucky, wind tunnel, nauseating effect you can sometimes get with similar levels of noise-nixing. I found toggling on Apple's 'Adaptive' audio less effective (it felt just a touch laggy at picking up low-level noise when I'd have liked the AirPods to cancel it) so I chose to keep noise-cancelling and conversation awareness on, at my desk. And it eased me into my day in a cocoon of silence that very little could breach.

Sonically, you can expect an expansive, exuberant soundstage that allows bass registers ample space to rumble with regimented clout. The detailed Spanish guitar intro of Daddy Yankee's Toy Hermoso is textured through the mids and feels as if the guitarist is by my left ear, but as the reggaeton beat comes in, it's a toe-tapping and head-nodding mix that has me dancing at my desk like I'm in a Cuban salsa club – especially with head-tracked spatial audio on.

Cueing up Rema's FUN, the intentionally warm and static-filled intro is faithfully relayed, and as the dynamics and speed of the track build, I'm once again dancing in my seat.

For neutrality and detail (that 'integrated hi-fi versus fun' debate), it's worth pointing out that you'll get a little more from both the Technics EAH-AZ100 and the Bowers & Wilkins Pi8 – think the breathy delivery of Taylor Swift's vocal in Elizabeth Taylor, which feels just slightly more human and detailed in the rival buds. But if you prioritise immersive, vigorous impact, I find the AirPods Pro 3 even better than the also-excellent Bose QuietComfort Ultra Earbuds (2nd Gen) – and that's not a statement I make lightly.

  • Sound quality: 4.5 / 5

Apple AirPods Pro 3 held in a hand, with beige woollen background

AirPods Pro 3 on the right – with no reset button! (Image credit: Future)

Apple AirPods Pro 3 review: Design

  • Vastly improved fit
  • Loss of the case button is a misstep
  • Could do with a dedicated app now

As mentioned (and pictured below), the AirPods Pro earpiece shape has been reworked this time around. The angle of the neck has been tweaked quite significantly and I'm a huge fan. Simply put, they fit well – and by that I mean securely, even when I shake my head – for me now, and that has never been the case with any AirPods until this iteration.

An IP57 rating means the buds are also dust resistant and waterproof to a depth of one meter for up to 30 minutes, which is noteworthy.

The case is a touch taller and wider but less deep now. The LED light is now undetectable when it's not on, which makes for a sleek look. Also sleeker but for me less helpful is the loss of the reset button on the back of the case. I say this because when upgrading my iPhone to a model that supports Apple Intelligence to test these earbuds, I found myself needing to reset the AirPods. And that's no longer as easy as it once was, because double-tapping the front of the case with the lid flipped, but not touching the front of the case (so that said case registers my tap attempts) isn't a simple maneuver.

My one minor gripe here concerns the supporting software – because software design is still a 'design' issue, for me.

Yes, you can pull down on the Control Center on your iPhone to see the basic AirPods bubble, at which point you can check your listening mode, conversation awareness status and spatial audio profile. Then, you can go into your AirPods Pro tab, in Settings, to check the current state of more general features such as the Hearing Health tab, call controls, head gestures, enabling charging case sounds, automatic ear detection to pause your music when you remove one, and so on.

But given that so many of AirPods Pro 3's newer features require extra taps and navigation to alternate apps (there's the Translate app for your language modules, the Health app to see your heart-rate data, the Fitness app to see that heart-rate increase as you exercise) I wonder whether at this point it might make sense to have one dedicated AirPods Pro 3 app to rule them all. I'm speculating, but I'd definitely like to try that, because the current solution will doubtless have you consulting Apple's support pages in an effort to find how – or more importantly, where – to toggle on what you need…

Apple AirPods Pro 3 either worn by a man standing in front of a red-brick wall, or on a table with gray twine cover

(Image credit: Future)
  • Design score: 4.5 / 5

Apple AirPods Pro 3 held in a hand, with beige woollen background

(Image credit: Future)

Apple AirPods Pro 3 review: value

  • The best ANC earbuds on the market for iPhone owners
  • Not the most original choice… but the best

Popular taste doesn't always mean good taste, does it? And I say that as a fan of pop music. Value is also an odd thing to quantify, since whether or not these represent value for you will hone in on possibly three things. Firstly, do you want the best ANC for your iPhone? Because here, AirPods Pro 3 are doubtless the best noise-cancelling earbuds on the market – Apple said they're twice as good as AirPods Pro 2, and I can vouch for that claim.

Secondly, do you value the extra battery life offered here over the Pro 2 – even though it's far from the the best on the wider market. For reference, the Technics EAH-AZ100 (which we called "good rather than great for battery") can offer up to 12 hours from the buds on a single charge with no ANC deployed, while AirPods Pro 3 can only manage a maximum of 10 hours before needing to be charged.

And thirdly, how much do you want your earbuds to take your heart-rate and use that reading within workouts (yes, even vocally, thanks to Apple Intelligence's virtual buddies)?

It's worth noting that I think AirPods Pro 3 are also the best earbuds for small ears Apple has made, because of the newer fit – and I found myself loving the Live Translation feature at home (although it's not exclusive to the Pro 3), since my other half speaks Spanish.

So, I'll leave all of that with you. For me personally though (and putting my minor queries with the case and software support to one side) there's great value here.

  • Value: 4.5 / 5

Apple AirPods Pro 3 held in a hand, with beige woollen background

(Image credit: Future)

Should I buy the Apple AirPods Pro 3?

Attributes

Notes

Rating

Features

Heart-rate monitoring and Live Translation add to an extensive suite of perks for newer iPhone owners

5/5

Sound quality

Zealous, powerful and immersive audio backed by excellent ANC

4.5/5

Design

The tweaked shape and repositioned neck on the driver housing is a huge hit

4.5/5

Value

Simply the best iPhone earbuds for ANC on the market – if not the longest-lasting

4.5/5

Buy them if…

You work out (or you care about heart health)
If you don't have a subscription already, Apple will prompt you to try out Fitness+ for free, but even if you stick with free workouts – or you just like asking Siri "what's my heart-rate" – it becomes a very useful tool, very quickly

You want bubble-of-silence ANC from your iPhone
Simply put, no other buds do it quite like this if your source device is an iPhone

You have bilingual friends and family
Ha! We can all understand your French, Spanish, German or Portuguese conversations now… 

Don’t buy them if…

You own an Android
It may go without saying, but for this money (and for the number of features that slip away for it) you'll be better served with a Bose, Technics or Bowers & Wilkins product.

You need long-haul flight stamina
The battery life isn't awful (and it is better than the AirPods Pro 2), but compared to rivals it can certainly be beaten – the Technics EAH-AZ100 last two hours longer on a single charge with no ANC, for instance.

You want Lossless audio support, LDAC or aptX
No dice here, friend. If you need Apple Music's Lossless support from an iPhone, AirPods Max do it (using the USB-C wire), but if you want aptX or Sony's higher-resolution Bluetooth audio codec (LDAC), look to the Cambridge Audio Melomania A100.

Apple AirPods Pro 3 review: Also consider

Apple AirPods Pro 3

Bose QuietComfort Ultra Earbuds (2nd Gen)

Technics EAH-AZ100

Cambridge Audio Melomania A100

Drivers

'Custom high-excursion' Apple driver with new multiport acoustic architecture

10mm

10mm free-edge dynamic

10mm Neodymium dynamic

Active noise cancellation

Yes

Yes

Yes

Yes

Battery life

8 hours (buds, ANC on; 10 hours with ANC off); 6.5 hours (buds, heart rate sensor on); 24 hours (case)

6 hours (earbuds, ANC off; 4 hours with it on) case not specified

12 hours (earbuds, ANC off); 17 hours (charging case)

11 hours per charge; up to 39 hours with the case

Weight

5.6g per bud

7.7g per bud

5.9g per bud

4.7g per earbud

Connectivity

Bluetooth 5.3

Bluetooth 5.3 with aptX Lossless / Adaptive

Bluetooth 5.3 with LDAC and LC3 compatibility

5.4 with LDAC and aptX Lossless

Waterproofing

IP57 case and earbuds

IPX4 earbuds only

IPX4 earbuds only

IPX5 earbuds only

Technics EAH-AZ100
An option with slightly better stamina that also offers excellent sound quality and decent noise cancellation – plus LDAC higher-resolution Bluetooth support if you've got a Sony device. Here, you even get multi-point to three brand-agnostic devices (rather than the standard two) and the classy finish makes them nothing short of a joy to own – even though they won't take your heart-rate. Get the full picture in our Technics EAH-AZ100 review.

Bose QuietComfort Ultra Earbuds (2nd Gen)
They've got excellent streaming-service agnostic immersive audio profiles, wonderful ANC for Android phones as well as iPhones and a colorful look. Some may find the buds a touch big and there are no guided hearing tests, but if it's the best ANC and an Android phone companion you seek, you've found the best there is. See our full Bose QuietComfort Ultra Earbuds (2nd Gen) review for more.View Deal

Cambridge Audio Melomania A100
Cambridge Audio also offers a premium listen in its latest earbuds with good ANC. No heart-rate monitoring or Live Translation, of course, but if it's an integrated hi-fi listen you seek, add them to your list – and they'll last longer than the Bose option. Read more in our Cambridge Audio Melomania A100 review.

How I tested the Apple AirPods Pro 3

  • Tested for three weeks
  • Tested walking along Seaham beach, on a packed Eurostar train and at home

I used AirPods Pro 3 for three weeks while compiling this review, and my testing involved listening to podcasts and music, as well as watching streamed movies from various devices and streaming platforms – including Android and Apple sources.

I listened at home, during several sea-glass hunting walks in County Durham and on a busy train to Paris – and let me tell you, with these as both a musical companion and live translation tool, they eased my journey no end.

I've been testing audio products full-time since 2019, firstly over at our sister publication What Hi-Fi? as a staff writer (locked in our hi-fi testing facility for two years, I was), then as senior writer at TechRadar – and, since early 2024, audio editor.

My background as a professional dancer meant I was very interested in what AirPods Pro 3 made of my heart-rate and overall fitness (still got it, friends) and my seemingly insatiable need to move to music is what drives me to search for faithful timing, precision, clarity and good old fashioned fun in recorded audio.

  • First reviewed October 2025.
I tested them, and Bose QuietComfort Ultra Headphones (2nd Gen) are the absolute best active noise cancelling cans for the money
1:30 pm | October 22, 2025

Author: admin | Category: Audio Computers Gadgets Headphones | Tags: | Comments: Off

Bose QuietComfort Ultra Headphones (2nd Gen): two-minute review

The original QuietComfort Ultra Headphones from 2023 are still a competitive product, so for this second generation Bose has wisely left a lot unchanged. Even more wisely, the changes it has made turn out to be judicious and useful, and serve to make the QuietComfort Ultra Headphones (2nd Gen) even more competitive than the model they replace – a shoo-in for our best noise-cancelling headphones guide and honestly, they're some of the comfiest and best over-ear headphones in general.

Battery life, at 30 hours with ANC switched on, is improved. The ability to switch ANC off, in order to eke out as much as 45 hours of action from a single charge, is worthwhile too. Adding a ‘cinema’ mode to the ‘Immersive’ audio offering is a smart move. And being able to hard-wire the headphones to a source of music in order to enjoy truly hi-res audio quality can’t be sniffed at either.

These improvements just enhance what is class-leading noise cancellation, a sky-high comfort quotient, excellent portability thanks to the degree of articulation in the frame, and vigorous, entertaining sound quality.

In truth, similarly priced alternatives from other brands will give you a slightly fuller sonic picture. But these alternatives are heavier, not quite as comfortable over the long haul – and in ultimate terms they can’t lay a glove on the immaculate noise-cancellation these headphones offer.

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background.

(Image credit: Future)

Bose QuietComfort Ultra Headphones (2nd Gen) review: Price and release date

  • Released on September 10, 2025
  • Price: $449 / £449 / AU$699

The Bose QuietComfort Ultra Headphones (2nd Gen) launched in September 2025 and in the United Kingdom they’re priced at £449. In the United States they cost $449, and in Australia they go for AU$699.

In the UK this is the same money at which the original QuietComfort Ultra Headphones launched back in 2023, while in the US and Australia it’s nudged upwards a little. In any event, though, this price indicates the QC Ultra Headphones (2nd Gen) are up against some capable and credible opposition…

Bose QuietComfort Ultra Headphones (2nd Gen) review: Specs

Weight:

250g

Drivers:

TBC

Battery life:

30 hours

Control:

App; voice; physical

Bluetooth:

5.4

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background.

(Image credit: Future)

Bose QuietComfort Ultra Headphones (2nd Gen) review: Features

  • Bluetooth 5.4 with aptX Adaptive codec compatibility
  • ‘Immersive’ audio
  • 30 hours of battery life (ANC on)

There are some aspects of specification that Bose has never been all that keen on divulging, and it seems never will be. So as to the drivers fitted to the QC Ultra Headphones (2nd Gen), their size and material and frequency response, well, your guess is as good as mine. Quite why this run-of-the-mill information should be considered so sensitive is anyone’s guess, but here we are…

Still, there are things about which Bose is happily forthcoming. So we know these headphones use Bluetooth 5.4 for wireless connectivity, and are compatible with the aptX Adaptive codec as well as the less glamorous SBC and AAC alternatives. And in a notable upgrade for the model they replace, the QC Ultra II can be hard-wired to a source of music using their USB-C slot – connected this way, they can deal with audio content up to 24bit/48kHz resolution.

The company’s ‘Immersive’ take on the whole spatial audio thing is on board, too – the system can be switched off altogether, or set to either ‘still’ or ‘motion’, and this new model also features a ‘cinema’ mode that seeks to offer a more – hey! – cinematic presentation for that content that might benefit from it.

Active noise-cancellation, the area in which Bose has historically been the front-runner, is back in its ‘ActiveSense’ guise – the headphones can automatically adjust ANC levels to respond to environmental changes. There’s a slider in the control app to adjust the intensity of the ANC and also to dictate the amount of external sounds you hear while in ‘Aware’ mode – and unlike the original model, the ANC in the QuietComfort Ultra Headphones (2nd Gen) can be turned off altogether.

Battery life is improved for this new model, too. You can now expect 45 hours between charges with ANC off, 30 hours or so if you switch it on, and around 23 hours if you’re enjoying ‘Immersive’ audio at the same time. The thick end of three hours of playback can be liberated from a 15-minute connection to mains power.

There are a total of 10 mics in and around the ear cups, and no matter what you’re using them for – ANC, telephony, voice-assistant interaction – they prove sharp and rapid in their response.

  • Features score: 5 / 5

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background.

(Image credit: Future)

Bose QuietComfort Ultra Headphones (2nd Gen) review: Sound quality

  • Energetic and engaging sound quality
  • Not, perhaps, the last word in fine-detail retrieval
  • Absolutely superb ANC

I’ll start with the least surprising thing about these headphones: they're fitted with the best active noise-cancellation you can buy at anything like this kind of money. In fact, they have better ANC than plenty of wireless over-ear headphones costing two or three times this amount. Somehow Bose has worked out how to banish external sounds almost entirely from the experience of wearing a pair of QuietComfort Ultra Headphones (2nd Gen). And it’s done so without altering the sonic character of the headphones in the slightest, and without introducing any sensation of noise-floor disruption or that weird ear-sucky-vacuum thing that less accomplished companies deal in. It’s remarkable, really.

That eerie silence outside leaves you free to enjoy sound quality that’s upfront, entertaining and thoroughly vigorous. There’s a very agreeable up-and-at-’em attitude to the way the Bose go about delivering a 16bit/44.1kHz FLAC file of Never Stop by Echo & The Bunnymen – momentum levels never dip, there’s confidence in the way the rhythm is expressed, and the broad dynamic shifts in volume and intensity are dispatched with something approaching relish.

The overall frequency response, from the very bottom of the range to the very top, is nicely even. The bottom end hits hard and digs deep, but is controlled enough to stop bass sounds dragging at the sound, while at the opposite end there’s just about substance to treble sounds to keep the bite and shine in check. In between, the midrange communicates in a forward and direct manner, and voices feel the benefit of this positivity no end.

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background.

(Image credit: Future)

The soundstage the QC Ultra (2nd Gen) create is large and quite convincingly defined, and even in a fairly hectic mix like this one the Bose can create enough space for each element of the recording to express itself fully. The headphones tie everything together pretty well, too, so even though there’s plenty of separation to the sound the recording is still presented as a singular event rather than a collection of individual occurrences.

A switch to Nina Simone’s version of Isn’t It a Pity? establishes that the Bose can do ‘stripped back’ and ‘slow burning’ just as readily as they can sink their teeth into the uptempo stuff. The balance and poise they exhibit here is the mark of an accomplished product – but the relatively spare recording also exposes the fact that the QC Ultra II are not, in ultimate terms, the most detailed headphones around.

They’re not a blunt instrument by any means, you understand, and they have some insight into harmonic variation and transient details. But the more minor, more fleeting episodes in this recording are rather glossed over. As a shortcoming it’s hardly the end of the world – and, in fact, it’s a testament to just how good the ANC is here that the listeners can enjoy enough isolation to be able to identify this little deficiency in the first place.

  • Sound quality score: 4.5 / 5

Bose QuietComfort Ultra Headphones (2nd Gen) review: Design

  • Choice of five finishes
  • 250g
  • Folding design

What’s most immediately striking about the design of the Bose QC Ultra II – and, to be fair, striking for quite a long while afterwards too – is how light and comfortable they are. At just 250g they’re usefully lighter than pretty much every price-comparable rival, and the combination of carefully judged padding in the headband and earpads, along with well-judged clamping force, means they’re a comfortable proposition even after you’ve been wearing them for hours. The pleather that covers the earpads and inner part of the headband stays cool for a good long while, too.

There’s plenty of articulation in the frame of the headphones, so they fold in on themselves to the point that the semi-hard travel case Bose supplies is helpfully smaller than the majority of alternatives. Despite the amount of movement available in the frame, though, the headphones don’t feel flimsy or vague in their construction.

The QuietComfort Ultra Headphones (Gen 2) are available in five finishes. My review sample is in a rather insipid medicine color that Bose optimistically describes as ‘white smoke’ – the alternatives (‘black’, ‘midnight violet’, ‘driftwood sand’ and ‘desert gold’) are all more agreeable. For several of these colourways, including mine, the brightwork at the yokes and headband adjustment mechanism are much brighter than previously.

  • Design score: 5 / 5

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background.

(Image credit: Future)

Bose QuietComfort Ultra Headphones (2nd Gen) review: Usability and setup

  • Physical and touch controls
  • Control app for iOS and Android
  • ‘Immersive’ audio calibration

When it comes to set-up, the Bose QuietComfort Ultra Headphones (2nd Gen) are no more tricksy than any other wireless headphones. Power them up, put them in ‘pairing’ mode and your source device will locate them in no time. And it’s no more difficult to pair to two devices at a time as it is one.

There is a combination of physical and touch controls on the right earcup. The physical stuff consists of a button taking care of power on/off and Bluetooth pairing, and a second slightly larger button that can deal with play/pause, skip forwards/backwards and cycling through your ANC options. The ‘touch’ part consists of a slider that controls volume – a ‘touch and hold’ can act as a ‘shortcut’ to either hearing the battery level, cycling through ‘Immersive’ audio options, summoning a voice assistant, or waking Spotify. You can decide which of these shortcuts you’d like in the control app.

The app itself is useful as far as it goes, though it’s far from the most visually exciting example of the type around – it’s just that when compared to the alternatives from the likes of, say, Bowers & Wilkins, it doesn’t go all that far. Volume control, EQ adjustment, ANC and ‘Immersive’ audio settings, as well as that ‘shortcut’ nomination, are all catered for, and here’s where you can check on software updates and what-have-you too. For all its stability and ease of navigation, though, it lacks the ability to integrate music streaming services or access to internet radio that many price-comparable rivals provide.

  • Usability and setup score: 4 / 5

Bose QuietComfort Ultra Headphones (2nd Gen) review: Value

  • Some rivals are better-value
  • Top sound quality, ANC and comfort

There’s absolutely nothing wrong with the way the Bose QuietComfort Ultra Headphones (2nd Gen) are constructed or finished, and the quality of the materials is unarguable too.

Somehow, though, the perceived value is not as high as it is with some rival models – perhaps that’s to do with the color of my sample, perhaps it’s the slightly hard- and thin-feeling plastics that make up the bulk of the earcups.

What can’t be argued with, though, is the experience – and in every respect, from sound quality and active nose-cancellation to extended comfort and portability, these headphones are right up there.

  • Value score: 4 / 5

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background.

(Image credit: Future)

Should I buy the Bose QuietComfort Ultra Headphones (2nd Gen)?

The Bose QuietComfort Ultra Headphones (2nd Gen) on a plain background.

(Image credit: Future)

Section

Notes

Score

Features

Lots of features like spatial audio and support for various codecs.

5 / 5

Sound quality

Energetic and engaging sound with top ANC.

4.5 / 5

Design

Light and comfortable, available in five finishes.

5 / 5

Usability and setup

A range of controls with the app bringing a few extras.

4 / 5

Value

A few rough finishes but otherwise, top value.

4 / 5

Buy them if…

You’re in this for the long haul
Between the battery life and the comfort quotient, the Bose are excellent travel companions.

Your long haul is noisy
One day, Bose will fail to produce class-leading active noise-cancellation – but today is not that day.

You enjoy energetic and entertaining sound
They’re not the absolutely final word in outright fidelity, but these headphones know how to have a good time.

Don't buy them if…

You want everyone to see where your money has gone
A similar spend with alternative brands will buy you a little more tactility and perceived value

You want all the control app whistles and bells
What the Bose app does, it does properly – but alternative apps from other brands go further in their functionality.

Bose QuietComfort Ultra Headphones (2nd Gen) review: Also consider

Bowers & Wilkins Px7 S3
If it’s perceived value as well as great sound you’re after, the Bowers & Wilkins Px7 S3 make a whole lot of sense – even if, just like everyone else, they have to bow to the noise-cancellation Bose deals in.
Read our full Bowers & Wilkins Px7 S3 review

Sony WH-1000XM6
If you’re after something that does really well in every single department without ever quite being the best at any one thing, the Sony WH-1000XM6 are consummate all-rounders.
Read our full Sony WH-1000XM6 review

Apple AirPods Max
The stalwart point of comparison, Apple's top-tier over-ear headphones cost a tiny bit more and get you cans that are part of the AirPods ecosystem... if that's what you want.
Read the full Apple AirPods Max review

How I tested Bose QuietComfort Ultra Headphones (2nd Gen)

  • Wireless connections to an iPhone 14 Pro, FiiO M15S digital audio player and MacBook Pro
  • A variety of music, a variety of file types and sizes
  • Connections wirelessly but also via USB-C cable

I connected the QC Ultra II wirelessly to an Apple MacBook Pro, an iPhone 14 Pro and a FiiO M15S digital audio player, in order to get as wide an experience of codecs and audio content as possible.

I also connected the headphones to the laptop using USB-C in order to get a little flavour of their high-resolution credentials. Lots of styles of music came through them, of lots of different file-types and -sizes… and I did plenty of listening outdoors as well as at home, too.

Read more about how we test

First reviewed: October 2025

Next Page »