Like a Dragon: Pirate Yakuza in Hawaii is a game that I’m stunned even exists. In the AAA gaming space, it’s so rare to see a franchise just let loose with a genuinely absurd premise. Yet with action-adventure game Pirate Yakuza in Hawaii, developer Ryu Ga Gotoku Studio pulls it off with such unabashed confidence that you really just have to respect it.

And still upon reflection, it’s a premise that manages to make perfect sense for protagonist Goro Majima. For the most unhinged of the series’ legendary yakuza - a guy who’s previously had success running a cabaret club and a construction company - taking up the mantle of a pirate captain and sailing the high seas in search of lost treasure is something he’d probably do in a heartbeat. With or without the amnesia he’s struck with at the start of this game.

It’s a concept that elevates Pirate Yakuza in Hawaii from any old spinoff to a truly memorable adventure and one that absolutely stands out confidently against the backdrop of the long-running series. It’s still a Like a Dragon title through and through - with an abundance of minigames, side quests, and a massive open hub to explore - but the backdrop of piracy and treasure hunting makes Pirate Yakuza in Hawaii one of a kind.

Setting the stage

Six months on from the events of Like a Dragon: Infinite Wealth, we find Majima washed up on the beach of a remote island off the coast of Hawaii. Near death and with little in the way of memories to his name, he’s mercifully saved by a child named Luke, who lives on the island with his dad and older sister.

Over the course of the first chapter, Majima repays Luke’s kindness by helping the island deal with a rather major pirate problem. And we’re talking pirates in the strictest sense: galleons outfitted with powerful cannons and menacing sails, staffed by salty treasure-hungry sea dogs. It turns out the whole thing is quite the racket in the waters surrounding Hawaii (in the Like a Dragon universe at least).

After a stint doing errands on the island, it’s not too long before Majima gets a pirate ship - the Goromaru - and a ragtag crew of his own. And so properly begins an adventure that successfully weds a Treasure Island-esque narrative with Like a Dragon’s political and faction-based intrigue. While it’s not as big on throwing you wild curveballs as the mainline series, it’s a tale that’s nonetheless entertaining and thrilling from start to finish, with an absolutely phenomenal finale to boot.

White whale, holy grail

Gameplay and exploration in Like a Dragon: Pirate Yakuza in Hawaii is split into two distinct segments, those being land and sea. When you’re ashore, it’s perhaps unsurprisingly like most other Like a Dragon titles; Majima gets to fully explore the city of Honolulu (returning from Infinite Wealth) and engage in all kinds of minigames, side stories, and combat.

As in prior entries, clueless goons are more than keen to make a beeline for Majima should they spot him out and about, which is where his two distinct combat styles come into play. I’ve covered them extensively in my previews beforehand, but what you need to know is that the Mad Dog and Sea Dog styles offer incredibly unique ways to engage your foes.

Mad Dog is closer to the Majima you expect. Wielding his iconic knife, he employs rapid attacks, a powerful gap closer, throws, and more. It’s ideal for whittling down a single target or a small squad of baddies. Sea Dog is the more interesting of the two, as Majima dons his pirate garb, wields two cutlasses, and has access to a flintlock pistol and a hook. It’s much better suited to the larger-scale fights you’ll have during story missions and deck battles.

Overall, Majima feels exceptionally powerful here, to the point where the Normal difficulty setting was honestly quite a breeze. Throw in some hilariously strong Heat Actions, Mad Dog’s Doppelganger mode, and Sea Dog’s Dark Instruments (both available via the chargeable Madness Gauge) and we have what is certainly among the most overpowered move sets in series history.

But by Davy Jones is Majima such a joy to play as. Whether it’s blasting away entire scores of lads with a charged flintlock shot or wreaking havoc with a giant ethereal chimpanzee (no, really), combat rarely feels like a drag. Enemies aren’t necessarily pushovers though, with some types wielding spears or shields to counter specific abilities.

However, as powerful as Majima feels, you’ll still need to play smart. That’s especially so when you chase after Honolulu’s bounty targets - a piece of side content that provides plenty of cash with which you can use to invest in upgrades for Majima and his ship.

Those spear guys can poke you out of the air, for example, while shielded foes will need to be robbed of their protection with the hook before significant damage can be dealt. And that’s before we’ve even gotten to kickboxers, gunners, tigers, bears, and enemies that drop a grenade on defeat. Believe it or not, they’re actually worse than the tigers and bears.

Waterworld

Majima’s as much a terror out at sea, if not more so. Captaining the Goromaru is the other half of Like a Dragon: Pirate Yakuza in Hawaii, and it’s unlike anything we’ve seen from the series yet. Well, perhaps besides the vehicle combat of Fist of the North Star: Lost Paradise, but that’s obviously even more of a spinoff than this game is.

There’s a ton to do out on the high seas, with exploring the vast waters surrounding Hawaii and other notable locales forming a good chunk of the playthrough. You can engage in ship battles, explore uncharted islands for lost treasure, and even undertake a massive side story that has Majima and crew taking down the Devil Flags - a notorious pirate armada.

One thing to note is that content with the Goromaru is noticeably harder than anything else in the game. Enemy ships can pack a punch, especially those of higher ranks. So, you’ll need to do some groundwork in order to make your ship as powerful as possible. That’ll come in the form of scouting new crew members you can find dotted around Honolulu, as well as upgrading the ship’s durability and firepower.

Your shipmates will also level up when they’re staffed on the ship, and certain members can provide unique First Mate or Squad Leader buffs if they’ve been assigned to those positions. Such buffs include increasing damage you deal to an enemy ship’s stern, or increasing the number of times you can shoot out a smokescreen to obscure enemy vision while you resuscitate downed crewmates or put out hazards like fires or poison mist.

You’ll also be able to take your crew into the Madlantis Pirates’ Coliseum, a substantial bit of side content where you’ll engage in ship battles of escalating difficulty. Defeating the enemy ship will then transition you to a deck battle, where your entire crew faces off against the enemy’s on their own ship. It’s a genuine thrill to see so many characters clash against each other in combat like this, and while it can get quite messy and nonsensical, it’s still great chaotic fun.

Manning the Goromaru is a part of the game that I found to be the most engrossing. Ticking off content and participating in minigames to unlock new crew members always feels fulfilling, and definitely incentivizes you to try out activities like Dragon Kart, Crazy Delivery, and the usual smattering of side activities to unlock even more goodies.

There are a few stubborn barnacles to deal with out on the ocean, though. Engagements with enemy ships can get quite lengthy later on in the game, which does add to overall sea travel time. And while the Goromaru can boost and make use of air currents to sail swiftly, the simple act of traveling from A to B can still take a good chunk of time. Especially when you’re constantly running into other fleets.

The sea is also the only place in the game where you’ll experience notable performance drops (at least I did on the PS5 review version I tested), especially when inclement weather such as rain storms get involved. It’s nothing horrible or unplayable, but definitely worth noting if you’re playing on console.

Should I play Like a Dragon: Pirate Yakuza in Hawaii?

Play it if...

Don't play it if...

Accessibility

The accessibility options in Pirate Yakuza in Hawaii are something of a treasure trove, too, with plenty on offer to accommodate gamers of all stripes.

Some highlights include options for automatic quick time events, stick control swapping, reducing the motion of waves out at sea, thorough subtitle options (including backgrounds and character names), and three distinct color vision assistance settings (deuteranopia, protanopia, and tritanopia). Full button configuration is also supported.

How I reviewed Like a Dragon: Pirate Yakuza in Hawaii

My full playthrough of Like a Dragon: Pirate Yakuza in Hawaii took 25 hours to finish on PS5, playing on an LG CX OLED TV with the DualSense Wireless Controller.

While I finished the main story, the Goro Pirates side story, and tackled the majority of available side content, this was by no means a completionist run. If you’re going for 100% - that’s fully completing all side content including the exhaustive challenge list - expect to sink in anywhere between 30-40 hours.

First reviewed February 2025

Early on in narrative adventure game Lost Records: Bloom & Rage Tape 1, you find yourself in the maximalist milieu of its protagonist’s cluttered bedroom, circa 1995. After fiddling with the pin art board and pilfering through a collection of shiny VHS tapes, my eye was drawn to the off-brand Tamagotchi on Swann’s desk.

As I admired the familiar chunky design, marked delicately by little scratches, the screen came to life, and new options appeared on screen: Play, Feed, Eat. Like an archaeologist, I marveled at the unnecessary meticulousness of this moment — there was no need for Lost Records to include a fully-playable pocket pet, yet here I was, cleaning up its poop like any good teenager would.

This level of detail is redolent of developer Don't Nod's first two Life is Strange games, which solidified the studio’s reputation as new wave masterminds of segmented narrative. There have been many Don't Nod and even some Life is Strange games in the time since, but the key creatives behind that initial diptych have yet to deliver a successor, until now.

Lost Records: Bloom & Rage is a new IP that explores the uncanny, messy nature of humanity from a stylized and period-specific perspective. So far, it’s an adventure dripping in tactile nostalgia and pithy mystery that evolves the ethos of the games that came before it. Evoking Life is Strange’s episodic approach, Lost Records: Bloom and Rage is split into two parts, with the second tape coming in April 2025.

In Lost Records: Bloom & Rage Tape 1, four friends who vowed never to speak after an undisclosed incident are summoned back to their hometown when an ominous package arrives in the mail. You play as Swann, an anxious forty-something who must face the events of the troupe’s ‘lost summer’, rekindling their dormant relationships to understand why the parcel arrived after all this time and what could be inside.

To do this, you’ll rummage through gorgeously curated midwestern dioramas, jumping between 1995 and 2022 to pick apart set pieces and choose lines of dialogue, with the story molding around your version of events. The decisions you make in the past and present weave together as the story unfolds, ensuring each choice feels loaded regardless of what you’re doing. In Velvet Cove, appearances are deceiving, and the liberating break the friends have since put behind them obscures an otherworldly backbone waiting to be unearthed.

Swann’s teenage self is also equipped with a trusty camcorder that you’ll use to film the events of the summer as they unfold, a unique mechanic that helps to distinguish Lost Records from its peers. As you explore, you can pull out your trusty device on a whim to capture precious moments and create idiosyncratic memoirs. You’ll often be prompted to film certain scenes, too, with that footage showing up during cutscenes, cleverly immersing you in the 90s fantasy.

Be kind, rewind

The basis of Lost Records: Bloom & Rage Tape 1 is rewarding exploration. If you search hard enough in your reckless friend's garage, you might find the crude placement of perfume samples meant to hide the scent of weed. Or, if you wander deeper through an abandoned park, you might stumble upon some choice graffiti that illuminates the small-town mentality and class dissonance present in Velvet Cove. Not every nook and cranny hid something shocking, and oftentimes, the small clues served to illuminate the complexity of the townsfolk, blurring the lines between what I thought it meant to be a ‘good’ or ‘bad’ character.

Looking for such hints is helped by the overarching mystery of Swann’s amnesia, which weaves the spirit of investigation into the main plot. As such, combing through each room or open space feels natural and less game-like, with my attention drawn to Swann’s actions instead. Whether I’d scoured a room or not, I never felt as though I was missing something, with Don't Nod consistently giving me enough information to push forward.

This sense of immersion is helped by the stellar voice acting delivered by the Lost Records cast. There’s distinct naivete and softness as the younger versions of their characters chat, which rubs against the awkwardness as they reconnect as their older selves. Lines are delivered with patience and intent, and I relished watching their tones shift as the summer played out, as they became a closer, more flirty group. This shift is also accompanied by an atmospheric soundtrack that blends its original score with a smattering of licensed cult tracks (including Cocteau Twins) to great effect.

Despite how magical and freeing Lost Records can feel, Don't Nod doesn’t shy away from the harsher elements of humanity either, and handles them with care. As a teen girl, Swann doesn’t fit the ‘skinny’ mold, an issue that comes up cruelly for them throughout Lost Records. While visceral performances summoned plenty of emotion from me, I found the quieter teenage disaffection of Swann and their group to be equally as moving. This is particularly true for the case of Swann’s friend Nora, whose brash aesthetic and attitude act as a mask for insecurities about their troubled home life.

Of the leading group, the firecracker Kat is perhaps the most intriguing, with much of the story centering around their homelife, their polar opposite sister Dylan, and her disaffected but strangely magnetic boyfriend Corey, who appears to bully and accost the girls. Kat’s struggles seem simple, as punk beliefs wrestle with traditional family values. It would be easy to settle on Kat’s situation as one-dimensional family trouble, but Lost Records subverts these expectations considerably and did well to reframe my experiences with its cast of murky heroes and villains.

What’s in the box?

Perhaps my favorite aspect of Lost Records, though, is the variety of choices you can make and how they ratchet up your emotions. Unlike the team’s previous work on Life is Strange, here, the story-shifting decisions don’t appear with an intimidating on-screen chyron.

It’s fair to assume that the repercussions of my actions won’t be fully revealed until Tape 2. However, there were still plenty of instances where I saw my actions immediately play out. For example, in the opening moments, Swann talks to their mum on the phone and reminisces about their old cat: from here on out in the past, from feeding them to cuddles, that is your pet’s name. No matter how big or small the selection felt, a fine-tuned balance of player influence alongside the main linear story made me feel necessary to the plot despite it being moored in a confident overarching narrative.

Lost Records isn't always hazy sunsets, though, with some scenes twisting towards horror. In one particular instance, Swann fell through a window into an abandoned house, the exit guarded by a mystical padlock. Wandering through the dark, with only my camcorder light to guide me, I felt pangs of genuine fear while puzzle-solving. Much of Lost Records revolves around dialogue, and these surprising deviations into thrilling puzzles and spooky tricks kept me on my toes as I moved through the story, which is persistently tinged with menacing magical realism.

A stand-out feature was the intricately modeled characters and carefully curated visual identity in both the past and present. Despite jumping twenty-seven years, Velvet Cove feels trapped in the past, with its water tower adorned with gaudy wooden antlers and the plaid-wearing regulars in the local bar. Rusty chain link fences, cracked cement, and abandoned spaces create a strong feeling that the town has been left behind, a sensation which contrasts against the liberated aesthetic of the girl group who are keen to leave it behind.

Across my playtime I encountered a smattering of technical bugs, such as chugging when scenes would load and, in one instance, a crash. These issues were minor in the grand scheme of the game, and I’m hopeful they will be resolved before the launch. Thankfully, a forgiving checkpoint system meant I never lost that much progress when I did run into problems.

Lost Records: Bloom & Rage Tape 1 might only be the first half of the story, yet even as I rolled credits, tears streaming down my cheeks, I felt satisfied and deeply curious about the chaos its cliffhanger ending had wrought. I’m keen to dig in and unlock the missing pieces of Swann and Co.'s past, one aberrated camcorder clip at a time.

Should I play Lost Records: Bloom & Rage Tape 1?

Play it if…

Don’t play it if…

Accessibility

When you boot up Lost Records: Bloom & Rage Tape 1, you can choose the interface text size (small, medium, and large) and toggle on and off subtitles. From this screen, you can also select the size of the subtitles (small, medium, large.) Due to the heavy themes in Lost Records: Bloom and Rage, you’ll also have the choice to turn on trigger warnings.

These warnings include topics such as drugs, tobacco, and alcohol. On this screen, you can also tweak audio dynamic range, choosing between a narrow (little difference between loud and quiet moments, suitable for low-quality sound systems or noisy playspaces), Medium (moderate difference between loud and quiet moments, ideal for most speakers), and Wide (sizable difference between loud and quiet moments, ideal for high-quality sound systems or quiet playspaces)

From the pause menu, under controls, you can toggle on and off vibrations and how the camcorder behaves in the game. There are also options to reduce motion sickness, such as a toggling off head bob, camcorder motion controls, and shifting the camcorder feel between regular, light, very light, and none. You can additionally invert cameras and movements and remap the entire keyboard from this menu.

Where visual effects are concerned, You can toggle on and off motion blur, camera smoothing, and camera shake. From the interface menu, you can also toggle on and off a speaker cue that provides a visual cue for who is talking as well as toggle the persistent reticle in first and third person.

How I reviewed Lost Records: Bloom & Rage Tape 1

I completed Lost Records: Bloom & Rage Tape 1’s story in around nine and a half hours on my PC. In that time, I searched through each environment and completed most mini montages Swann could film throughout, as well as tested photo mode.

I used an AOC 27-inch QHD VA 144Hz monitor, a Logitech MX Master 3S mouse, and a Logitech G915 TKL keyboard. For sound, I used my external Creative Pebble V2 speakers and Audio Technica ATH-MX50X headphones plugged into a Scarlett 2i2 interface. My GPU is an RTX 3080, and my CPU is an AMD Ryzen 9 3950X.

First reviewed February 2025

Razer Hammerhead Pro HyperSpeed: two-minute review

The Razer Hammerhead Pro HyperSpeed are wireless gaming earbuds made for playing on the go thanks to their slender form and useful mobile-related features.

They certainly make a good first impression, with the elegant appearance of both the case and the earbuds themselves standing out. The AirPod-like stalks help on that front too, with the added benefit of making them easy to handle.

The Hammerhead Pro HyperSpeed buds are also very well-made, on par with the best gaming earbuds around. The hinge of the case is strong, as is the magnetic pull to keep the buds inside. This can make getting them out a little difficult, but it’s a compromise I’m okay with.

The Hammerhead Pro HyperSpeed can be configured and customized using the Razer Audio mobile app. This has some useful features, including plenty of touch control assignments, but I didn’t find it to be the most stable app in my experience, with connectivity issues and failed firmware updates proving a real thorn in its side.

As wireless gaming earbuds go, the audio quality of the Hammerhead Pro HyperSpeed is quite good. Sound is admirably rendered across the frequency spectrum, although the highs lack the pristine clarity found in high-end consumer-grade earphones. It’s also a shame that the ANC isn’t all that powerful either. However, the THX profile does help to create a greater sense of space with its surround sound effect, while the bass enhancement bolsters the low end without introducing too much distortion. The microphone quality is also good, if not the best in class.

The battery life of the Hammerhead Pro HyperSpeed isn’t great, lasting a couple of days according to my tests. Charging the case takes just over two hours, which again isn’t anything to boast about. However, the case charges the earbuds themselves quite quickly, meaning you won’t have to wait long to top them up.

With its competent sound and highly engineered design, the Hammerhead Pro HyperSpeed buds are a solid pair of wireless gaming earbuds. But while the sound is good, it’s not enough to make the Hammerhead Pro HyperSpeed stand with the very best gaming earbuds on this front. At this price, you would also expect greater comfort levels, better software, and fewer glitches. Better value earbuds are out there, such as the SteelSeries Arctis Gamebuds and the Sony Inzone Buds.

Razer Hammerhead Pro HyperSpeed review: price and availability

• $199.99 / £199.99 / AU$369.95
• Available now in black and white
• More expensive than the best gaming earbuds

The Razer Hammerhead Pro HyperSpeed earbuds cost $199.99 / £199.99 / AU$369.95 and are available now in two colorways: black and white. They come with Razer’s HyperSpeed Wireless USB dongle, as well as a charging cable and three different sizes of silicone tips.

At this price, the Hammerhead Pro HyperSpeed buds are some of the most expensive gaming earbuds around. They’re even the same price as the Razer BlackShark V2 Pro, our pick as the best wireless gaming headset. With its over-ear design, it’s hardly as portable as the Hammerhead Pro HyperSpeed, but we found it to have great battery life, high levels of comfort, and superb sound.

The SteelSeries Arctis GameBuds, the best gaming earbuds right now in our view, are less expensive than the Hammerhead Pro HyperSpeed, yet they have terrific build quality and sound. We also found the companion app to be flexible and full of useful features.

Then there are the Sony Inzone Buds, which are about the same price as the Hammerhead Pro HyperSpeed, but offer superb sound and noise cancellation. Naturally, they're compatible with the best gaming console around right now – the PS5 – but they also work great with PC and mobile devices.

Razer Hammerhead Pro HyperSpeed review: specs

Razer Hammerhead Pro HyperSpeed review: design and features

• Great build quality
• Comfort slightly compromised
• Razer Audio app issues

The Hammerhead Pro HyperSpeed ooze style. The matt black finish of the case is silky smooth and the engineering of the lid is impressive, opening with ease and closing with a satisfying click. The hinge is also weighted just right, with enough force to keep it securely shut.

In contrast to the case, the earbuds themselves are shiny. They feel equally as well-made, though, and ape the familiar design of Apple’s AirPods, with their long stalks protruding downwards from the drivers. In use, these stalks make the Hammerhead Pro HyperSpeed easy to put in and take out, while the drivers curve inwards, which also helps to secure them in your ear.

However, it can be quite awkward to remove the earbuds from the case, as the lack of divots on either the earbuds themselves or within the case makes it difficult to get a hold of them. And thanks to the strong magnetic slots, turning the case upside down won’t cause the earbuds to drop out with ease. This is a small price to pay for the added security, though.

Three sets of silicone tips with varying sizes are included to ensure you’ll get the fit right for you. However, regardless of which tip size I tried, I did experience minor aching after extended sessions, as the plastic body of the drivers exerted too much pressure on the inside of my ear canal. For shorter sessions, though, they were perfectly acceptable.

The Hammerhead Pro HyperSpeed can be customized using the Razer Audio mobile app. However, I had multiple issues with the headset failing to connect to the app on my Android device (a Google Pixel 7a). It also failed on numerous occasions to install a firmware update.

Once connected, though, you’ll find Razer Audio offers a range of useful tweaks, including various equalizer presets. The default is THX mode, which isn’t explained in the app, but this is Razer’s spatial audio engine. There’s also a custom profile that lets you boost or reduce multiple points across the entire frequency band as you see fit – a feature lacking in many other companion apps. However, it’s a shame that for PC users the Hammerhead Pro HyperSpeed buds don’t integrate with Synapse, Razer’s main peripheral software.

Razer Hammerhead Pro HyperSpeed review: Performance

• Decent sound
• Weak ANC
• Some connectivity issues

The Hammerhead Pro HyperSpeed earbuds perform admirably for a pair of wireless gaming earbuds. The bass response is strong and there is enough clarity across all frequencies, although overall fidelity isn’t the best, with mild distortion occasionally rearing its ugly head.

The default THX EQ profile suffices for most scenarios, offering a balanced sound. THX is designed to impart a greater sense of positional accuracy, and I did find this to be the case, as audio pans subtly yet effectively to sonically map to your in-game environment.

The bass enhancement profile is also useful in elevating the low end without becoming muddy or overblown. However, I found that the enhanced clarity profile reduced the bass too much, and did little to actually improve fidelity as far as I could tell.

The Hammerhead Pro HyperSpeed buds also have ANC, although I didn’t find this blocked out external sounds all that well, even on the highest setting. There’s also an ambient mode to allow outside noises to come through, which is more effective, letting you hear yourself and other noises in the room clearly.

The microphone on the Hammerhead Pro HyperSpeed is also good, offering sufficient vocal clarity, but it’s not equal to the mics equipped on the best wireless gaming headsets. However, for a set of earbuds, it provides reasonable quality.

Razer Audio can also be used to customize the touch controls, with a generous number of actions available to configure, including a two-second hold, double tap, double tap and hold, and triple tap and hold. These can be assigned to a myriad of playback and call controls, as well as other functions such as ANC toggling. What’s more, each bud can have different assignments for the same action, providing even more flexibility.

The various touch gestures are reasonably responsive and consistent, although the single press does require a firm hold rather than a mere tap, which makes it less convenient to use in a hurry. Also, the double tap and hold action took a while to perform its assigned functions during my tests.

The various wireless connectivity modes work well for the most part. Using the HyperSpeed Wireless Dongle on PC and console is easy, as it’s simply a case of plug and play, requiring no further setup. When using the dongle, I found there was an improvement in sound quality, with enhanced clarity and better low-end response, as well as a decrease in lag compared to Bluetooth.

However, one downside of using the HyperSpeed Wireless method is that you can’t use Razer Audio when connected, as it only works via Bluetooth. This is a major inconvenience for those who like to tweak their settings frequently or on the fly.

Setting up Bluetooth was smooth for the most part, however, there were occasions when the earbuds failed to connect to my Android phone. I also experienced a bizarre issue where the volume reduced considerably when switching back to my mobile from a PC that was connected via the HyperSpeed dongle.

This issue was resolved easily by restarting the Bluetooth connection to my phone, and, hopefully, it’s a glitch that can easily be solved via a firmware update. I had no such problems when connecting to a Nintendo Switch, though, so it’s possible the fault lies with my mobile device.

The battery life of the Hammerhead Pro HyperSpeed isn’t impressive, as they just about lasted a couple of days, during which time I switched between Bluetooth and HyperSpeed modes. Charging the case took over two hours, which is an average performance. The case itself, though, does charge the earbuds themselves quite quickly, and it managed to recharge the earbuds from half to full in about half an hour.

Should I buy the Razer Hammerhead Pro HyperSpeed?

Buy it if...

Don't buy it if...

Also consider...

How I tested the Razer Hammerhead Pro HyperSpeed

• Tested for over a week
• Used on numerous devices
• Extensive gaming experience

I tested the Razer Hammerhead Pro HyperSpeed for over a week, during which time I used them when playing games, listening to music, and watching video content.

I tried them with an Android phone – more specifically a Google Pixel 7a – as well as a PC, PS5, and Nintendo Switch. I used both Bluetooth and the HyperSpeed Wireless Dongle to connect to these devices.

I have been gaming for about 25 years, and have experienced numerous headsets and earbuds during that time. I have also reviewed various gaming headsets and general headphones.

• Read more about how we test
• First reviewed December 2024.

Razer Barracuda X Chroma: two-minute review

The Razer Barracuda X Chroma is a wireless gaming headset that sits towards the budget end of the brand’s lineup, offering plenty of features in a more affordable package.

It adopts a rather conservative design, with its gaming stylings confined to the RGB lighting on the sides of each driver. The matte finish and elegant form help make this a smart-looking headset.

The fit and comfort levels are up there with the best wireless gaming headsets around. Even glasses wearers should find there’s enough clearance and cushioning to accommodate the arms of their frames comfortably.

The headband is wonderfully plush too, and the relative lightness of the overall headset means it remains comfortable over long sessions. The earpads aren’t the most cushioned, however, which did result in the insides of the drivers making contact with my ears, but not enough to cause an issue like other gaming headsets.

In addition to some useful on-board functionality courtesy of the buttons on the left driver, you can make further tweaks using Synapse, Razer’s peripheral software. These include altering EQ profiles via numerous draggable points across the frequency spectrum, as well as advanced customization options for the lighting via the Razer Chroma add-on. However, it’s inconvenient that this latter feature opens in a separate app window, rather than being contained within Synapse.

You’ll also get access to the Surround Sound 7.1 feature with your purchase of the Barracuda X Chroma, but this also requires a separate app, rather than being a Synapse module.

The Barracuda X Chroma offers a balanced and clear sound. The various preset sound profiles can be hit and miss, with music mode being the best in my opinion, as it rounds out the bass nicely. Oddly enough, while the Surround Sound 7.1 capability does impart a subtle sense of directionality, the overriding impression I got from it was an increased fullness and punchiness – but at the expense of adding an unwanted airiness to the higher frequencies.

The various connectivity modes on the Barracuda X Chroma work well, with Bluetooth and the HyperSpeed dongle functioning as intended. Using the SmartSwitch button to hot-swap between the two modes is quick and easy too, although there were some occasions when it wasn’t quite so sharp.

The battery life is also good, with the 70-hour claim appearing to hold water during my tests, as it didn’t even deplete halfway after several days of varied use. Charging it from about half to full took just under two and a half hours, which is a middling performance.

All things considered, however, the Barracuda X Chroma represents better value than some of Razer’s more expensive gaming headsets, such as the Kraken V4, offering much the same features and performance but for less. I also found it more comfortable than the Kraken.

If you’re after a headset with superior sound, though, the SteelSeries Arctis Nova Pro is a better choice, and if you want to stick to the budget end of the market – and don’t mind missing out on wireless connectivity – you can’t do much better than the Epos H3.

Razer Barracuda X Chroma review: price and availability

• $129.99 / £129.99 / AU$229.95
• Available now in black and white
• Well-priced and good value

The Razer Barracuda X Chroma costs $129.99 / £129.99 / AU$229.95 and is available now in two colorways: black and white. With a purchase of the headset, you’ll also get access to the Surround Sound 7.1 app, which is usually a paid-for addition.

At this price, it sits well within the gaming headset market. It’s cheaper than the Razer Kraken V4, and yet it performs just as well according to my tests, with similar sound quality – yet the Barracuda X Chroma has better comfort levels. It also has a claimed battery life of up to 70 hours, whereas the Kraken can only manage 50 hours. However, the Kraken does feature a retractable mic, whereas the mic on the Barracuda X Chroma is only removable.

If you’re after a headset with better sound quality, then the SteelSeries Arctis Nova Pro, the best PC gaming headset around in our view, may be a better option. It also has some useful features, such as ANC. However, it’s considerably more expensive than the Barracuda X Chroma. If you want something a lot cheaper but still worthy, the Epos H3 is the best gaming headset in this regard, although you’ll have to make do with a wired connection.

Razer Barracuda X Chroma review: specs

Razer Barracuda X Chroma review: design and features

• Restrained looks
• Comfortable
• Volume wheel a little prone to misscrolls

The Barracuda X Chroma looks smart and rather understated for a gaming headset, with the RGB lighting on the sides of each driver being the only indicator in this regard. The smooth, matt finish adds a dash of elegance too. The whole headset is quite wide, but I wouldn’t describe it as bulky.

It’s also one of the most comfortable gaming headsets I’ve tried. The light weight means it’s hardly felt on the head, and the fit is snug but not too tight. The earcup padding isn’t the most plush, however, and I did feel the inside of the drivers making slight contact with my ears, but thankfully the pressure wasn’t great enough to cause aches, as I’ve experienced with other headsets. I also prefer their oval shape over circular designs, as they fit my ears completely without protruding behind me too much.

However, it has the same design flaw that I noted with the Kraken V4: namely that the volume wheel on the left driver has a tendency to spin unintentionally when leaning back in a chair or sofa, such is the ease with which it scrolls. It’s a small gripe, but one that may become irritating for those who like to lounge away when gaming.

The headband is more cushioned than the earcups, and I hardly felt it across my head. The headband adjustments are also easy to make while remaining secure. In fact, the entire headset is engineered to the high standards typical of Razer’s peripherals.

The mic on the Barracuda X Chroma is detachable, but since it employs a gooseneck design, it can be moved in and out of position with ease. It also feels durable, and the cloth tip is reasonably thick, so I don’t have many concerns about it deteriorating quickly.

There are various buttons adorning the left driver, including a power button that can also be used to perform various call and media-related functions, which is quite useful. There’s also a mic mute button and a SmartSwitch button, which quickly switches between Bluetooth and HyperSpeed Wireless modes, provided both are already connected to your devices.

The Barracuda X Chroma can be tweaked using Synapse, Razer’s peripheral software. Here you’ll find various settings for the sound, including an EQ graph where you can boost and cut numerous frequency bands, allowing for a lot more control than many other headsets offer. You can alter the existing sound profiles, or create a custom one. Synapse itself is well laid out and relatively stable, and I had hardly any issue with it, aside from the occasional slow-down.

As the Barracuda X Chroma name suggests, you can also customize the RGB lighting using the Razer Chroma add-on. This offers plenty of options to sink your teeth into, including audio-responsive effects and synchronization with other compatible peripherals. There’s also a Studio section where you can create layers of effects and segment the light bars with different colors, which is far more detailed than most.

It’s inconvenient, however, that Chroma isn’t integrated within Synapse; instead, it’s a separate app, which can be a hassle when hot-switching between windows.

Razer Barracuda X Chroma review: Performance

• Good audio quality for gaming
• Surround sound adds fullness
• Long battery life

The sound of the Barracuda X Chroma is well-balanced, although the low-end lacks the same level of depth as some of the best headphones out there. As I found with Razer’s other headsets, the best preset profile for most situations is Music, as it offers the best all-round frequency response, whereas the others tend to cut the lows and mids too much.

With your purchase of the Barracuda X Chroma you’ll also get access to the Surround Sound 7.1 feature, which is usually paywalled. Like Chroma, this opens in another app window, adding to the inconvenience. The Surround Sound 7.1 effect is reasonably subtle but does give a better sense of where sound is coming from in-game. It also provides a noticeably fuller sound, with greater presence and low-end, but at the cost of making the upper mids and highs more airy, with a faint drone in these registers. This can be a little off-putting but not egregious enough to ruin the experience entirely.

Both wireless modes work well, with the HyperSpeed dongle – true to its name – offering slightly better response times, although there isn’t much in it. The sound quality appears much the same too.

The SmartSwitch feature also works well enough, moving quickly between devices connected via Bluetooth and HyperSpeed Wireless. It also connects easily to various devices besides PC: it’s as convenient as the best PS5 headsets to use with Sony’s console, while both Bluetooth and HyperSpeed modes work seamlessly with the Nintendo Switch, with a slight improvement in sound quality and lag when using the latter method.

The HyperClear cardioid microphone on the Barracuda X Chroma provides sufficient clarity, but it’s not quite as pristine as that on the Kraken V4, as it introduces more sibilance and muffling. But for gaming, it’s still perfectly usable.

The claimed battery life of the Barracuda X Chroma of up to 70 hours seems to ring true according to my tests. After several days of varied use between Bluetooth and HyperSpeed modes, it only depleted to 54%. Charging the headset took just under two and a half hours from this point, which isn’t spectacular but not terrible.

Should I buy the Razer Barracuda X Chroma?

Buy it if...

Don't buy it if...

Razer Barracuda X Chroma review: Also consider

How I tested the Razer Barracuda X Chroma

• Tested for several days
• Used on multiple platforms
• Extensive gaming and headset experience

I tested the Razer Barracuda X Chroma for several days, during which time I used it while playing gamines, listening to music, watching video content, and attending virtual meetings. I made use of as many of its features and functions as possible, including the Surround Sound 7.1, Chroma, and Synapse apps.

I used the headset on a variety of devices, including PC, PS5, and Nintendo Switch, and played various titles ranging from Counter-Strike 2 to The Legend of Zelda: Tears of the Kingdom. I connected to these platforms via Bluetooth and the HyperSpeed Wireless Dongle where I could.

I have been gaming for over 25 years, and during that time I have experienced a number of headsets and headphones, from over-ear to in-ear. I have also reviewed a myriad of gaming headsets, including other offerings from Razer: namely the Kraken V4 and the Hammerhead Pro HyperSpeed.

• First reviewed December 2024
• Read more about how we test

Character action single-player games are something of a dying breed or rather only something a handful of developers excel at, often feeling at odds with contemporary expectations of features or content. That's why the announcement of Ninja Gaiden 4 is such welcome news, but it's the surprise shadow drop of Ninja Gaiden 2 Black, a current-gen remaster of Team Ninja's 2008 Xbox 360 title, that makes you truly realize that they truly don't make them like this anymore.

It's not just here to whet your appetite for the upcoming sequel that's being co-developed by action game extraordinaire PlatinumGames, but goes some way to addressing criticisms over the game's previous remaster in 2021's Ninja Gaiden Master Collection, which was based on the PlayStation 3 Sigma 2 port that purists consider to be inferior.

Arguably, the original 360 game was also unbalanced and a bit broken with an absurd enemy count that would infamously have the frame rate dipping into single digits, so Ninja Gaiden 2 Black is more like the best of both worlds, with Team Ninja doing its best to stay close to the original's vision of gushing, dismembering ultra-violence while still retaining features introduced in Sigma 2. In other words, it's as close to a definitive edition of the game as you can get today.

Old school of hard knocks

There is, however, a difference between a definitive and modernised experience. The most modern thing you can say about Ninja Gaiden 2 Black is however its stunning visuals updated in Unreal Engine 5.

Yet despite the impressive modern lighting and effects, there's something uncanny about how stubbornly old-school everything else remains, from its linear level design to Team Ninja's obsession with cleavage, a reminder that this is the team that gave us the Dead or Alive series. You often hear how a new game is described as being like a PlayStation 2 game, but it really puts things into perspective when playing a brand spanking new-looking game that controls exactly like one from the Xbox 360 era.

Quite honestly, I suspect it may turn players who have been accustomed to the smoother controls of Bayonetta (incidentally also a 360-era game, albeit released a year after Ninja Gaiden 2). There are times Ryu Hayabusa seems annoyingly sluggish just trying to get him to turn to face the correct enemy while dodging also requires holding block while shifting the control stick. Or the way your attacks can get easily interrupted by a relentless mob of enemies with the same nuisance of being out-jabbed in a fighting game.

The worst thing is a camera that you're supposed to be able to freely move with the right stick, only until it doesn't. Sometimes you're being ambushed from all sides but unable to correctly get the camera behind you while there's no option to target enemies, which you take for granted these days.

Playing Ninja Gaiden 2 Black then requires a bit of mental rewiring. Yet once you push through it, there's plenty to appreciate. Already a hardcore game, it's not actually as overwhelming as its reputation gives off.

The absence of a scoring and ranking system in the normal campaign offsets any performance anxiety, while you'll also automatically regain health outside of combat, with the exception of red damage that affects your maximum health. Then there are the deliciously gory cinematic finishers you can perform on any enemy that's already had one of its limbs lopped off, requiring nothing more than a single input.

There's still depth in the different weapons you can unlock and the different combos you can execute, though once I remembered how to pull off the Izuna Drop that just became my go-to. But there's also something so pure to its action – no quick time button-mashing, no parry or stagger mechanics, no indulgently lengthy cinematics, no bosses with multiple health bars and phases – it actually feels refreshing.

Ninja unlocked

Like other comparable character action games, Ninja Gaiden 2 Black's campaign only takes around 10-12 hours to complete but it's the additional challenges that add to its appeal, and that doesn't necessarily mean only for those who want to finish on the most punishing Path of the Master Ninja difficulty.

Sigma 2's Tag Missions make a welcome return here, which in the absence of the original's online co-op functionality simply allows you to pick two characters and then switch between them on the fly with a button press. Better yet, the mode's roster of female characters you can pick besides Ryu are all unlocked at the start, while completing the story once unlocks all the missions so you can jump ahead to the toughest challenges if you desire.

Players who do care about how well they play are also catered for with Chapter Challenge, which acts like an equivalent of New Game Plus where you can play any mission with all weapons and spells fully upgraded and where you will receive a rank, with UI flashing up to let you know what high-scoring techniques you've just executed.

Nitpickers may bemoan that not every element cut in the Sigma 2 port is restored but if you're an Xbox owner that original is at least still available to you. For everyone else, this is nonetheless the best way to play a classic action game either on Game Pass or at a reasonable price point. As an action game, I don't think it's a cut above Bayonetta, but it's also so uncompromisingly singular that it's in a class of its own. Bring on Ninja Gaiden 4.

Should you play Ninja Gaiden 2 Black?

Play it if...

Don't play it if...

Accessibility features

Although the original game has a reputation for being one of the most difficult games ever made, subsequent releases have provided easier difficulty options. Ninja Gaiden 2 Black adds to this with a 'Hero play style' option that activates the Hero Gauge when your health bar is extremely low. In this state, you'll automatically block or avoid enemy attacks until the gauge runs out or your health is restored.

Elsewhere, you can turn off blood and dismemberment effects, subtitles can be turned on and off, and their size can be adjusted between large, standard, and small with a slider. The game's audio options are English or Japanese, and there are, sadly, no colorblind options.

How I reviewed Ninja Gaiden 2 Black

I played Ninja Gaiden 2 Black for 15 hours on my PS5 Pro, completing the game once on the default difficulty setting, as well as spending some time replaying some missions in the ranked Chapter Challenge mode and playing as different characters in some of the Tag Missions.

I played on an LG C2 OLED TV, which allowed me to play the game in 120 frames per second, with the default TV speakers and a DualSense Edge controller.

First reviewed February 2025