DJI Mic Mini: one-minute review

You're hardly short of options if you're looking for a new wireless mic. My recent favorite is the DJI Mic 2, which is one of the best wireless mics on the market, boasting pro-quality features such as 32-bit float audio. However, for many content creators, especially those who shoot mostly with a smartphone, the Mic 2 is overkill. That's where the Bluetooth-equipped DJI Mic Mini steps in: it's a smaller, simpler and cheaper alternative, with the same DJI reliability that I've come to appreciate over years of using its devices.

The Mic Mini is positively tiny, weighing just 0.35oz / 10g (without magnet), and it pairs easily with smartphones and cameras for better quality audio on the fly. Oh, and it's half the price of the Mic 2.

Its natural rival is the recently announced Rode Wireless Micro; however Rode's new wireless mic is only for smartphones, whereas the Mic Mini can be used with cameras too, via its 3.5mm jack, which means it's more versatile. It's not a sweeping victory for the Mic Mini, though – if you're only going to shoot with a smartphone, the Rode Wireless Micro might be the better pick because its receiver is tiny and sits flush along the underside of your phone, whereas the Mic Mini's receiver sticks out awkwardly.

Audiophiles will probably prefer the Mic 2 over the Mic Mini too, not just for its pro audio quality with forgiving 32-bit float capability, but because the transmitters feature built-in storage and can be used independently, while you can monitor levels on the receiver's LCD touch display for peace of mind.

Having used all three of the above mics extensively, I would personally go for the Mic Mini. The audio quality from all three is fantastic, but for outright ease of use, value, reliability, and versatility for phones and cameras, it's the one that ticks all the boxes. DJI has created another trustworthy wireless mic; and trust me, reliability is an unsung attribute. I've ditched many other wireless mics for letting me down at crucial moments, leaving me without proper audio. I would have no such concerns with the Mic Mini, and it earns my five-star seal of approval.

DJI Mic Mini: price and release date

• $169 / £145 / AU$245 for the compete kit with 2x mics, receiver and charging case
• Components available individually
• Available now

DJI sells the Mic Mini components individually but also as a complete kit, whereas the Rode Wireless Micro is a complete kit only, and you need to select the USB-C or Lightning receiver version.

The Mic Mini transmitters (mics) are available in Infinity Black or Arctic White. One transmitter costs $59 / £49 / AU$69, a transmitter with receiver costs $89 / £79 / $AU125, while the complete kit, which includes two transmitters, a receiver and a charging case, costs $169 / £145 / AU$245. The complete kit is probably your best bet if you're starting from scratch.

The receiver is attached to a phone using a USB-C connector, but if you're using an iPhone with Lightning port you'll need to purchase the adapter separately for $19 / £19 / AU$39. When connecting to a camera, you use a 3.5mm jack instead.

The list price for the kit is similar to that of the Rode Wireless Micro, despite the Mic Mini's greater versatility – it's roughly $15 / £10 / AU$20 more than Rode's offering – while it's around half the price of DJI's Mic 2. I think it's excellent value.

DJI Mic Mini: specs

DJI Mic Mini: Design

• Tiny, discreet and available in black or white
• Easy clip or magnetic attachment
• Receiver with manual audio levels gain, but no monitoring

The neat thing about DJI's Mic Mini is that there are several ways you can connect to your phone or camera, and several ways to buy; individual components, a mic and receiver kit, or the complete kit which contains two mics (with magnets), one receiver, a charging case, plus wind muffs for the mics.

I had the complete kit for this review with USB-C connector, though technically you only need a single mic to get going with the Mic Mini because it can connect to your phone via Bluetooth. For manual control of audio levels, plus the added stability and richer audio quality, I prefer connecting a phone to the mic through the Mic Mini receiver, rather than relying on Bluetooth.

The mics, also called transmitters, are tiny and easily droppable, but they attach easily to clothing using the built-in clip, or the magnetic mount, one half of which fixes to the back of the clip, with the other half going inside your jacket or similar – DJI knows how to make a powerful magnet with a reliable hold. If you want a discreet mic in your shots, you'll struggle to find a smaller alternative, plus you can buy the mics in black or white to blend in with clothing.

When using a camera, you can slot the receiver into the camera's hotshoe / coldshoe and then connect it using a 3.5mm jack (the cable is provided). The receiver is a good fit for cameras, but it is a little awkward with a phone when attached via the phone's USB-C / Lightning port, because it sticks out a lot and the connection feels a little loose (see image below).

The receiver is a simpler offering compared to the one you get with the Mic 2. It features a power button, pairing button, 3.5mm jack and a ±12db audio level dial. That's it. The Mic 2 receiver features a basic LCD touch display through which you can monitor audio levels for both mics and make more advanced audio adjustments. The bulkier Mic 2 transmitters also feature built-in storage, and can be used independently of your camera of choice, or used as a backup device.

DJI Mic Mini: Performance

• Two-level noise reduction, and Automatic Limiting to prevent audio clipping
• 11.5 hours battery life (transmitter), 10.5 hours battery life (receiver)
• Omnidirectional audio and up to 400m range

Where DJI's wireless mics differ here is that the pricier Mic 2 features 32-bit float audio that can more effectively avoid clipping when your audio suddenly gets loud, and internal storage for direct recording so that you can use it independently of a camera or as a backup, while its receiver features a display to let you monitor audio levels.

The Mic Mini is a much simpler device, with its receiver offering basic manual ±12db audio level control, but otherwise it's really for those who want the mic to capture excellent quality audio with minimal fuss.

I used the Mic Mini complete kit over several weeks and found it to be completely reliable and glitch-free, whatever phone or camera I paired it with. It's transmission range is rated up to 400m (with clear line of sight), which is plenty enough for any conceivable scenario – I've never been even close to that distance from my camera when recording audio wirelessly.

As for audio quality, I've recorded clips using a Bluetooth connection and the receiver in the quiet indoors, outside in the wind, and in noisy environments, and in general the Mic Mini captures clear audio in any of those scenarios. Vocals aren't quite as rich as with the Mic 2, but for 99% of people the difference won't be noticeable. You should also note that audio drops from 24-bit to 16-bit if you connect via Bluetooth, so there's not quite the same richness in vocal quality.

Having such relatively limited control over audio settings was a little disconcerting at first, especially compared to using the Mic 2, but the real plus to the Mic Mini is its sheer simplicity – you can rely on its connectivity and two-level noise reduction to do the job, including the one-touch denoise control when in particularly loud environments.

What I didn't do for this test was pair the Mic Mini kit with a DJI camera, such as the DJI Osmo Pocket 3 – a top-rated vlogging camera – or the Osmo Action 5 Pro. Doing so affords additional benefits courtesy of the DJI ecosystem – for one, the cameras have a built-in receiver, so you only need a transmitter from the Mic Mini kit. I've previously paired the Mic 2 with the Osmo Pocket 3 and found the experience completely seamless, so if you're using a DJI camera it makes sense to opt for a DJI mic over rivals.

Should I buy the DJI Mic Mini?

Buy it if…

Don’t buy it if…

DJI Mic Mini: also consider

How I tested the DJI Mic Mini

• Used for several months
• Paired with cameras and smartphones
• Used Bluetooth and receiver connection methods

I've been using the DJI Mic Mini on and off for months, both with mirrorless cameras like the Panasonic Lumix GH5 and smartphones such as the Google Pixel 6. I've paired the Mic Mini to a phone using Bluetooth and via the receiver attached to my phone. I haven't used the Mic Mini with DJI cameras such as the Osmo Pocket 3 and Osmo Action 5 Pro (though I have used the Mic 2 with them), for which the compatibility is even easier given they both feature a built-in receiver.

I've made sure to test the mic in a range of environments: the quiet of indoors, in still outdoor conditions and in wind, and in noisy places too, with and without denoise applied. I've also been able to compare it directly to the Rode Wireless Micro which I was testing at the same time.

• First reviewed: December 2024
• Read more about how we test

Peak Design Outdoor Backpack 25L: two-minute review

Peak Design's Outdoor Backpack range is the latest series of bags from the US-based camera accessory maker. It's available in three colors and in 25L and 45L versions, and is due to hit the market in November 2024 after a successful crowdfunding campaign, with retailers already taking preorders.

I was among the first group of reviewers to receive a review sample, and I've been using the Peak Design Outdoor Backpack 25L, in white, as my primary bag for the last three months ahead of its launch. I've found it to be a highly versatile bag that has rewarded the time I've invested to customize it for my needs.

I'm a photographer, commuter and serial outdoors adventurer, and Peak Design's Outdoor Backpack and has proven itself to be apt companion for all these scenarios, becoming my first-choice bag these last couple of months. It's not a dedicated camera bag per se, but it'll do the trick for a little bit of camera gear, with the right Peak Design accessories.

Peak Design Outdoor Backpack 25L: price and availability

• Two sizes: 25L and 45L
• Three colors: white, black or dark red
• Preorders now, global launch due late November

The Peak Design Outdoor Backpack is available in two sizes: 25L and 4L, and in three colors; Cloud (white) Eclipse (dark red) or Black – the white 25L version is pictured throughout this review. The 25L version costs $249.99 / £249.99 and the 45L version is $329.99 / £329.99. The bag is due to go on sale globally in late November.

Peak Design Outdoor Backpack 25L: specs

Peak Design Outdoor Backpack 25L: design

• Daisy-chain loops to fasten cords to
• Weather-resistant exterior but not waterproof
• Accessories include raincover, hip belt and more

For commuting, I usually pack a 17-inch MacBook Pro laptop, mirrorless camera with lens, a spare change of clothes, as I often run to work, plus a few accessories (in a Peak Design Camera Cube), all of which fit snugly into the 25L version of the Peak Design Outdoor Backpack. I slip a water bottle and a travel tripod into the elasticated side pockets and I'm good to go.

There's no dedicated place to store camera gear – the Outdoor Backpack's main compartment is single open space, without the padded dividers you typically get in a dedicated camera bag. If you want to pack you camera and accessories you can pick up one of Peak Design's Camera Cubes, which will slot in nicely to securely hold that pricey gear. You just need to ensure that it's the right-size cube for the size of bag – there's guidance on Peak Design's website, plus new soft-shell Packing Cubes. A decent alternative to a Peak Design Cube is a gear wrap like 3 Legged Thing's Wrapz.

For daily use over months, the Outdoor BackPack 25L has proven itself durable, comfortable, and versatile. Its shoulder straps are well padded, and are fastened to the bag through a loop rather than being stitched on. This excellent design touch removes the stitching stress point (lesser-quality straps can become un-stitched) and should ensure that the straps last for many years of heavy use.

Both of the straps also feature an elasticated pocket that will comfortably fit a large phone – my Pixel handset slotted in comfortably and securely.

Elsewhere on the outside are the aforementioned elasticated side pockets, and what I've seen Peak Design call a 'daisy chain' of loops along most of the bag's seams that you can feed cords through, several of which there are included, to secure larger items such as a travel tripod. The ways to customize the Outdoor Backpack based on what you're carrying feel endless, even if some are a little fiddly.

I have regularly used the bag for short runs (around 6km) from a train station to my workplace, and even with a full load it sits comfortably on my shoulders, especially with the optional hip belt in place for additional lumbar support. However, on my runs, and on hikes in hot weather, I found that got more sweaty than I'd like to; it would be great to have better breathability on the back.

I also found the two zips to the main compartment, when closed together at the top of the bag, came loose during running and on a couple of occasions I had to rescue the contents as they spilled out. Closing the zips towards the bottom of the bag on once side instead avoided this issue.

There are two ways to access the main compartment: the zips, which open the entire back, or the soft roll-top magnetic-clasped opening. For the former, you lie the bag down on its front to open it up and access the entire contents, while using the latter you can keep everything inside and rummage through the contents via the top opening.

The roll-top pocket is fitted securely inside the bag's weatherproof exterior with a cord, which is released for access via a neat pull-tab. To pack the top away, you pull at the cord to close down the opening (see gallery below). It's a very clever bit of design, and reassuringly robust, locking the cord securely with whatever tension you like. I regularly crammed a sweater or light rain jacket outside the main compartment but inside that adjustable weatherproof exterior, securing it in place with the cord. It's just a shame that there's no obvious place to put that cord when the top is closed off, as it simply dangles and is at risk of snagging.

There are no interior pockets in the main compartment, just a laptop sleeve. Peak Design says the 25L bag can hold a 16-inch laptop, but I found the stretchy sleeve snuggly held my 17-inch MacBook Pro.

There are no dedicated padded dividers, which I understand helps to keep the bag light and customizable. However, even with one of Peak Design's (add-on) Camera Cubes in place to secure gear in its padded dividers, access to gear is slower than I'd like.

Speaking as a photographer, I would love quicker access to gear, say through a side-access zipped opening. A few design tweaks like these could realize the Outdoor Backpack as the perfect versatile camera bag.

With a fully loaded bag and a Camera Cube positioned inside at the top, it doesn't take too long to access your gear, but you will have to take the bag off your shoulders.

I wouldn't describe this as a dedicated camera bag, nor would I specifically call it an outdoors bag; but it does a decent job of both, even if there are better alternatives out there that are focused on one or the other. As an all-in-one option, the Peak Design Outdoor Backpack has served my daily needs, photography and otherwise, better than any bag I've used for quite some time.

Should I buy the Peak Design Outdoor Backpack 25L?

Buy it if...

Don't buy it if...

How I tested the Peak Design Outdoor Backpack 25L

• Two months of daily use
• Commuting, outdoor hikes and photography walks
• Paired with Peak Design Camera Cubes

I used the Peak Design Outdoor Backpack 25L as my primary bag for a few months ahead of its official launch and writing this review. It has been on my shoulders for commuting, running and hiking. I've paired it with Peak Design's Camera Cubes to improve the overall handling of the bag for securely storing camera gear.

First reviewed November 2024

Heipi 3-in-1 Travel Tripod W28: two-minute review

Heipi was a totally new brand to me when I was contacted about its versatile travel tripod. (I’m not even sure how to pronounce the name – does it sound like you're greeting a fruity baked dessert?) However, just because it’s a new name, that doesn’t mean Heipi should be dismissed. In fact, the Heipi 3-in-1 Travel Tripod is one of the most relevant travel tripods today, able to transform for multiple tasks and various camera gear in a way that almost all other tripods can’t. 

The average photographer doesn’t use very heavy gear in 2024; the kind of gear that needs an equally robust and heavy support. Mirrorless cameras and lenses are, overall, smaller and lighter. Heck, people shoot with their phones just as much as a 'proper' camera. Heipi’s tripod is for those photographers, the ones using small cameras like a Canon EOS R10 and one of the best cameraphones, who still need a lightweight and versatile support.

Regardless of size, a tripod still needs to provide firm footing, and unless you’re standing on a gusty cliff face, the Heipi tripod will offer shake-free support for moderate-size gear. A max capacity of up to 55lbs / 25kg feels fanciful, but I'd be happy adding an enthusiast-level mirrorless or DSLR camera with a moderate-size zoom lens.

As a travel tripod that weighs just 3lbs / 1.35kg (with ball head included) and packs away to just 17.7in / 45cm in length, something has to give, and that something is its max reach. It can’t provide the tallest level to work from, just 59in / 150cm with the center column fully raised. 

As its name suggests, this 3-in-1 tripod has many guises. For one it’s a regular, lightweight travel tripod that packs away more compact than most, in its supplied case. That's thanks to its four leg sections, each a smidge smaller than average.

I’ve reviewed heaps of tripods over the past fifteen years, yet Heipi's creation has a design feature I’ve never seen in a tripod before, an innovative center column. You can’t really call it a center column but it does perform as one. 

It's effectively a mini tripod that’s folded into the main tripod with its three legs locked vertically as a column. You can then pull it out and lock it off as a column to extend the reach of the main tripod or remove it completely to gain a hefty and stabler-than-most tabletop tripod: the tripod's second guise.

Tabletop tripods are particularly popular for vlogging, and the Heipi 3-in-1's robust center column-cum-tripod is more than able to support the best vlogging cameras for such purposes. 

It's a party piece that should be enough to make the Heipi 3-in-1 Travel Tripod stand out, but as its name suggests, it has another trick up its sleeve. 

Remove the tripod plate from the ball head and tucked away is a mobile phone clamp that can be pulled out, transforming the tripod into a mobile phone support (see below). 

The clamp extends enough to support large phones like an iPhone 15 Pro Max in horizontal format. Should you need to shoot in vertical format with your tripod-mounted phone, it's fiddly to rotate the ball 90 degrees, but it's doable if you persevere. 

Heipi's tripod is impressively versatile and lightweight, but what’s it like to use?

I'll start by reiterating just how compact the tripod packs down, and how light it is. I've been inclined to add it to my camera bag 'just in case', as it really doesn't add much weight to the overall package.

The main legs tuck very tightly together in between the mini tripod's legs. They fold out easily too, although I pinched my fingers several times in the fiddly locks that further open the maximum angle you can spread the legs. You have to repeat the motion many times to get the pain-free hang of it.

I also found the leg section locks unnecessarily long, they can snag during hectic moments on a shoot, and are fiddlier than most to open and close. However, they provide a secure lock and the process of extending all four leg sections and locking them off is speedy.

When the tripod is fully extended you get a modest maximum height. And if you need to increase the height by extending the center column, the column is quite sticky. 

Doubling up the center column as a mini tripod is a really clever idea, but in its role as a center column, it's not the slickest operator. 

The tripod comes with a matching ball head, while another type of ball head with a different locking mechanism is available as a pricier bundle. Check the prices above if you missed them. 

In terms of strength, the tripod legs lock off tightly and you get a strong support. Despite the claimed 55lbs / 25kg weight capacity, this is designed for those on the move with enthusiast-level camera gear, not those that need the largest and sturdiest support available for bulky gear. 

Ultimately, the Heipi 3-in1 Travel tripod lives up to its name and comes with the TechRadar recommendation.

Heipi 3-in-1 Travel Tripod W28: Also consider

Should I buy the Heipi 3-in-1 Travel Tripod W28?

Buy it if...

Don't buy it if...

How I tested the Heipi 3-in-1 Travel Tripod W28

• Long term use
• All three facets properly tried out
• Camera gear of various size and weight

I've had the Heipi 3-in-1 Travel Tripod for some months and it's had moderate use in this time, traveling many miles with me. I still don't feel like I can say I've properly tested its durability – you need years not months to test a tripod properly and be sure it'll last the distance – but so far, it's withstood the rigors of moderate use as a full tripod and tabletop tripod. It's an ideal travel companion. 

First reviewed June 2024

Shimoda Urban Explore 25: one-minute review

There has clearly been a lot of thought put into the design of the stylish and simple Shimoda Urban Explore 25. The bag's layout is quite conventional, with a top compartment for everyday accessories, a main camera core at the heart of the bag, and various pockets throughout for productive storage.

Whilst there is nothing massively groundbreaking, the small design touches add up: rubber grips on pockets to prevent items from slipping out, handles on three sides of the bag, a cable management pocket, USB power passthrough, a strap loop for a camera clamp, a dedicated Apple Air Tag pocket, and a secret passport pocket.

The padding provides a good balance between comfort, security, and weight, and I found the bag comfortable to wear all day.

We're not looking at perfection: access to the waterproof cover is tricky and there's  no dedicated spot for a USB battery for the passthrough hole. But these are quite trivial points that don't detract from the overall quality of the Shimoda Urban Explore 25 bag.

Shimoda Urban Explore 25: design

When worn on the back, the Shimoda Urban Explore 25's minimalist look could fool you into thinking that the bag might be somewhat basic, which is anything but the truth. Beneath the strong, tough Cordura material and stylish leather zip-pulls are discerning features that will appeal to those wanting a photo backpack for that weekend city break. 

The bag layout is quite conventional: there's a main compartment with a removable camera core should you wish to use it as a regular backpack, a top compartment ideal for accessories, plus two pockets one on each side for either a tripod or a drinks bottle. These side pockets are unzipped, with one allowing quick access to the main camera compartment (which can also be zipped closed internally for extra security). In contrast, the other side opens and reveals a pocket and elasticated loops for keeping all those essential cables neat and tidy. Within each of these compartments are plenty of pockets and even hidden spaces, which we will come on to later. 

Shimoda Urban Explore 25: performance

There is a decent amount of space in the removable camera core. I added a Sony A7 IV with a Sony FE 24-70mm f/4 lens mounted to it. This was easily accessible when I needed access from the side compartment. It is worth adding here that access to the camera core can be zipped shut so that even if the side of the bag is open, it requires an additional 'unzipping' before your kit can be accessed; again, this adds a touch more security from prying hands. If you want quick access, the side access flap can be tucked into the inside flap of the camera bag, which keeps everything neat and tidy.

In addition to the camera and mounted lens, I could fit a FE 70-200mm f/4 lens as well as a couple of smaller lenses and a flashgun. In summary it has the space you need for a weekend shooting. The camera core also has a hard metal internal frame on one side to prevent your gear from getting crushed in an overhead plane compartment. There is a second metal frame around the edge of the rear of the bag, again preventing it from being crushed easily but also allowing it to keep the bag shape and sturdy.

Getting access to your laptop is easy. The laptop compartment is accessible from the top compartment, and it runs down the front of the bag rather than sitting against your back, which is more common. Instead, it is the tablet compartment that takes up this spot on the back of the backpack, and it is accessed from the main camera compartment.

There is plenty of space in both the laptop and tablet compartments. The laptop compartment measures 25W x 35.5H x 2D cm / 9.8W x 14H x 0.8D in, meaning it should fit a 16-inch laptop with no issues. I used it for my 13-inch MacBook Air, and it was swimming around in there. My laptop also fits in the tablet compartment, so iPad Pro users shouldn't have any issues.

The straps on the bag are nicely padded, offering a comfortable carrying experience. They are also adjustable at the top, allowing the user to get a good fit over the shoulder as well as being able to adjust the length. One of the straps also has a little accessory mount, allowing a camera clip, such as the Peak Design Capture Clip, to be easily attached.  

A chest/sternum strap allows for a snug fit, but sadly, there is no waist strap, although there is a way of adding a third-party one behind the cushioning on the bottom of the rear of the bag. All of that said, this is very much a city bag rather than one you will be taking out on technical hikes, so the lack of a waist strap is completely understandable.

There are some lovely design touches on the bag, including an easy-access Apple Air Tag pocket – it is nice to have a dedicated place for it within the bag.  The passport pocket is tricker to find and access, as it should be; no one will be slipping their hand in your bag and getting your passport out.

For storing accessories, the bag has plenty of space. The top compartment has a zipped mesh pocket, with two individual pockets inside for storing smaller items such as batteries and memory cards. These pockets have a little rubber grip at the top, helping to prevent any items in the pocket from slipping out or shifting around too much; it is a simple touch that adds to the quality feel of the bag. There is also a quick-release loop in this pocket, which could be used for keys or an appropriate accessory.

The top compartment is spacious and can easily hold a pair of headphones and a compact camera; like most top compartments, its location means it is best for things you need quick access to. Interestingly, the entire top compartment can be unzipped. Along with the ability to remove the camera core, this means that the Urban Explore can be used as an everyday backpack when you don't need all your camera gear.

I found the main front compartment to be another useful pocket for easy access to items. The size is perfect for holding a notebook or documents, while the internal plastic pocket is good for smaller general items such as tickets or pens.

Having a dedicated pocket on the side for cables is great and helps to keep everything tidy and easily found. The USB passthrough comes through this pocket, and one of the few criticisms of the bag is that there isn't a dedicated space to put a USB battery, although it is easy enough to put it in the main camera core or even thread a long enough cable through the top compartment; it isn't a big deal but seems something of an oversight when so much great design has been implemented elsewhere.

Besides the camera core, the main compartment is spare, except for a plastic pocket, which is effectively the rear of the top compartment. This pocket isn't the easiest to access, so it is suitable for things that you may need less often—lens and sensor cleaning kits, spare cameras and lens caps, batteries, etc.

The only other thing of note is that the bag's waterproof cover is tucked into a fold at the bottom of the main compartment. While the bag is water resistant, in a really heavy prolonged rain shower, the rain cover isn't the easiest to access when you really need it. And it could potentially mean exposing your camera gear to the elements to retrieve it. Again, the bag is designed for the city, so you should be able to find shelter somewhere; so for the target market, it isn't a deal breaker by any means, but you would have thought there could be a better place for the cover or at least a better way of retrieving it.

One thing I liked was the fact that the bag has handles on the side, top, and bottom. You can grab it easily and securely from any angle, which is reassuring when you need to put it in an overhead locker on a plane or generally just move it around.

Carrying a bag with a mid-size tripod was no issue. I just about managed to squeeze all three legs into the side pouch designed for a bottle or tripod legs. Smaller travel tripods will fit comfortably and won't shift around, and for larger tripods, you can just put two legs in and use the straps to tighten everything in place.

Should I buy the Shimoda Urban Explore 25?

Buy it if...

Don't buy it if...

How I tested the Shimoda Urban Explore 25

• I used the bag as a daily camera backpack
• Walk around 5k with the bag on my back
• Packed it with as much gear as possible

I have tested the Shimoda Urban Explore 25 by using it as an everyday camera bag. I carried my laptop in the backpack and set off to work in a coffee shop, taking all my weekend camera kit with me for some shooting before and after.

While out and about, I used the bag as I normally would, taking items in and out of the compartments and pockets to use them, all the time thinking about the bag's weak points and whether anything could be designed differently to speed up access or make things more secure. 

It is very difficult to design bags that are overtly different. Most backpacks have standardized layouts, so I was looking for small features on the bag that would make a difference in how I would use it. 

First reviewed June 2024

DJI RS 4: two-minute review

The RS 4 is the latest in line of handheld gimbals to demonstrate why DJI is the biggest name in this market. Gimbals can be a nuisance to use, taking too long to set up and being given to outbursts of freakish behavior in polite company, which is why many videographers try to avoid using them whenever possible.

DJI, however, has recognised and acknowledged this common perception, and has continuously worked to iron out the many niggles the plague gimbal users, and the RS 4 is its next step is the process of making the operator-gimbal encounter stress-free. DJI had gone quite a long way on that journey with the Ronin RS 3, but this new model brings a host of changes that make life a quite a bit better.

One thing that all videographers will appreciate immediately is the Teflon coating on the arms of the gimbal. Along with the micro-adjustment knob on the camera mounting that was introduced in the RS 3, this makes balancing and rebalancing the gimbal much easier. The Teflon surfaces enable users to make tiny shifts of the axis mounting points with less effort, instead of having to put lots of pressure on the arms to overcome inertia, only to find the shift has gone too far. Thanks to the large locking clasps on the arms, what might seem a minor change actually makes a big difference, and I had the gimbal balanced with my camera very quickly. I also was quite happy to add extras to the camera after balancing, as I knew it wouldn’t be a huge drama to rebalance the system. 

On the subject of balancing, the RS 4 has a longer tilt-axis arm than its predecessor, which makes it possible to add more accessories to the camera without running out of arm to balance it all. The arm is 8.5mm longer than the arm on the RS 3, which is enough to allow the user to add microphones on top of the camera and/or a pile of filters on the front of the lens. In total the Ronin RS 4 can carry up to 6.6lbs / 3kg, which is the same as the capacity of the RS 3, but the new arm means that weight doesn’t necessarily have to be placed right around the center of gravity of the camera.

The other big difference in this model compared to the previous one is the way you can shoot vertical video. With the RS 3, you needed to set Portrait mode in the PTF settings, but with the RS 4 you just unclip the camera mounting plate and stick it on the other way. The camera mount has two connection points – a regular one on the end and one underneath – and a quick-release button. You simply unlock the plate, release it, and reattach it using the connection point underneath so that the camera is held in the vertical position. It’s very quick to do, the camera doesn’t need rebalancing, and you have the full range of follow modes available, as well as the movements you can create via the joystick. It feels like a much more satisfactory solution. 

Another important upgrade is the introduction of a 4th-generation stabilization algorithm that not only improves stabilization in horizontal orientation when things are bumpy, such as when you’re running, but which is also better optimized for vertical shooting.

If you go for the RS 4 combo kit you’ll get the lens control motor in the box. The Focus Pro Motor can be used to turn zoom rings as well as focus rings on your lens, and can be controlled either via the joystick for zooming or the front dial for focusing. This new version of the motor is 30% faster than the previous model, but still offers users the chance to adjust its speed, torque and direction via the menu. 

As before, the gimbal’s control buttons and dials can be used to control certain elements of compatible cameras, so you can stop/start recording, take a photo, and adjust some exposure settings. Depending on the model of camera, these things can be achieved wirelessly via Bluetooth or via a USB connection to the body of the gimbal. 

The DJI Ronin RS 4 is not entirely without its complexities, but so long as you dedicate the time and effort to familiarize yourself with its workings it will reward you will good faithful service. In the past I’ve often felt I was working harder than the gimbal I was using, but in the case of the Ronin RS 4 that balance is switched – the gimbal is definitely putting in a good shift and working hard to make the life of the operator a lot easier. 

Of course footage is smooth when walking with the head in the standard position, but anyone can do that. What counts here is that you can throw the camera around, take it high and drop it low, and the motors can cope – even when you’ve added a load of extras to the lens or the hotshoe. 

Fast walking and running scenes are also very well compensated for, but it is the Ronin’s ability to make all the same right moves in vertical mode, with a 10-second adjustment, that marks it out for me.

DJI RS 4 price and availability

The DJI RS 4 is available now standalone for a pricy $549 / £469 and includes the gimbal, battery grip, USB-C cable, lens-fastening support, extended grip (plastic), quick-release plate, multi-camera control cable and screw kit. The Combo kit costs $719 / £619 and adds Focus Pro Motor, Focus Pro Motor Rod Mount kit, Focus Gear Strip, additional Multi-camera control cable, briefcase handle and carrying case. 

If you have a weightier camera and lens combo then you'll need the RS 4 Pro instead, which is available for $869 / £749 (standalone, with a metal extended grip rather than plastic) or $1,099 / £949 in the Combo kit. 

In addition, the DJI Focus Pro system can add superb manual focus assist tools including a LiDAR powered autofocus system for manual focus lenses. The All-In-One Combo costs $1,849 / £1,449 although items such as the Focus Pro LiDAR / Focus Pro Motor can be purchased separately. More details on the DJI website.

Should I buy the DJI RS 4?

Buy it if...

Don't buy it if...

How I tested the DJI RS 4

I used this gimbal with the Panasonic Lumix S5 ll and the Lumix GH6, and fitted both cameras with a variety of big and small lenses, including some heavier manual-focus anamorphic lenses, to see how it performed in a range of situations. And I found that it performed very well – it’s easy to adjust when you’re changing lenses and cameras, and when adding extras on top.

I’ve used a lot of gimbals, and find that I often want to revert to my shoulder-mount rig because it’s less hassle to operate, but this model has me convinced that the right gimbal can offer similar stability and ease of use.

I’ve been working as a photography journalist for 28 years. I experienced the advent of handheld stabilization devices as they were conceived, and I’ve followed them closely as they’ve evolved, and become smaller, stronger and very much better. 

First reviewed April 2024

Manfrotto Element MII Aluminium: two-minute review

Coming in at the cheaper end of travel tripods, the Manfrotto Element MII Aluminium is a budget option that does exactly what it’s designed for with a no-frills approach. I can appreciate that this may make the MII sound a little lacklustre but in all honesty, for the modest sum of just $155 / £109 / AU$259 at the time of writing, it’s undeniably great value for money that makes it an attractive travel tripod for beginners and those on a budget.

Not everyone has a huge budget for photographic accessories after buying expensive cameras and lenses. Not to mention, for many photographers, a small and fairly lightweight travel tripod that provides standard camera support is more than enough, making additional features superfluous. The great thing about the MII is that you get a basic and inexpensive tripod from a well-respected manufacturer.

The MII is undoubtedly well-made and can’t be faulted in this respect, although being a budget model it’s not made to the same standards as more expensive travel tripods. However, a sensible quality / value balance has been struck. As the name suggests, the MII is made of aluminum, which is a heavier material than carbon fiber so despite its compact size it weighs 3.4lbs / 1.55kg.

Its weight is mid-range for travel tripods, so it’s not a dealbreakingly heavy and fairly light considering it’s an aluminum tripod. Plus, the slightly more expensive carbon fiber version only weighs 7oz / 200g less. 

Adding further metaphorical weight behind the MII, it’s fairly compact when folded at 16.5 / 42cm with an impressive maximum height of 63in / 160cm with the center column extended, and a minimum height of 17in / 43cm.

You can also shoot at lower levels than this by removing the screw-in bung / hook at the bottom of the center column and inserting it into the legs upside down. The center column hook is an extremely useful accessory, particularly with lighter travel tripods, because it allows you to hang your kit bag from the hook to increase stability when required, such as in windy conditions where the tripod may otherwise get blown over.

The maximum payload of 17.6lbs / 8kg comfortably supports a camera and a 70-200mm lens. You wouldn’t want to push too far beyond a camera and lens combo like this because the ball head can slip with heavier set-ups. 

Looking at the design of the MII, it’s fairly basic with just two leg angles available using twist lock mechanisms unique to Manfrotto at the top of the four section legs. Otherwise, there's no particular additional features or functionality to speak of

Simplicity may sound like a negative and, of course, additional features are always welcome in any tripod to increase its effectiveness in a wider range of scenarios. But simplicity when combined with the effectiveness of support in a compact and lightweight travel tripod can be a huge positive. The MII is quick and easy to use, and this ultimately comes down to the simplicity of the design and features.

The MII can’t be faulted in the support it provides in a lightweight package, and it packs down small for transportation which is exactly what most people want in a travel tripod. There is a small amount of flex in the legs when at their full extension, but the M11 maintains adequate stability and depending on your preference, it’s available with red, blue or black graphics on the legs.

Moving on to the ball head – this is a small and lightweight option that fits the overall size of the tripod perfectly, but it can be swapped if you need to use a different type of tripod head for any reason. The overall design of the head is simple with just the pan control and a main knob for adjusting the ball mechanism.

The ball head isn’t as robust as the heads that come with more expensive travel tripods and can’t support as much weight. In its favor, it uses the popular Arca Swiss-style plate compatible with L brackets – impressive for such a budget model – while some other Manfrotto tripods use a less versatile Manfrotto 200PL Quick Release Plate that can't be easily used with an L bracket.

Overall, the Manfrotto Element MII Aluminium is a great travel tripod at the budget/beginner end of the market and is well-made for the low price. It’s never going to be as effective as more expensive alternatives, but its simple design and functionality is sufficient for lighter camera and lens combinations – fulfilling its fundamental task admirably.

Should I buy the Manfrotto Element MII Aluminium?

Buy it if...

Don't buy it if...

How I tested the Manfrotto Element MII Aluminium

The Manfrotto Element MII Aluminium was tested over a period of time using several different camera and lens combinations to test how the tripod stood up to standard use in travel-oriented scenarios. Cameras used included a premium compact, an APS-C mirrorless camera and a full-frame mirrorless camera. The tripod was also carried around with other photographic kit in my f-stop backpack to evaluate performance over longer shoots such as landscapes.

With nearly 30 years of photographic experience and 15 years working as a photography journalist, I’ve been covering photographic accessories such as tripods for many years. As a professional photographer, I frequently use a range of accessories to enhance my photography and bring my real experience of using these to reviews where I can consider how effective photographic accessories are from both a professional and an enthusiast point of view.

First reviewed March 2024

Gomatic McKinnon Camera Pack 35L: two-minute review

If you need a high-quality bag that can be worn comfortably and can hold lots of modern camera gear, clothes, a large laptop plus everyday essentials, then Gomatic believes it has the answer – the Gomatic McKinnon camera pack 35L. 

Combining forces with YouTube influencer Peter McKinnon, Gomatic (under the site Nomatic , in the US) has created a large camera pack that presents plenty of neat design features such as magnetic clasps and an expandable compartment, plus it's compatible with a host of accessories to further increase its versatility. 

This is a luxury camera bag designed for travel. If you're after a large day bag purely for camera gear for a long shoot and / or large telephoto lenses, offering quick access to gear, then look elsewhere. But if you need space for weekend supplies as much as you do camera gear, then this could be the bag for you – if you can afford it. 

Gomatic makes high-end camera bags – certainly, if price is anything to go by – and the McKinnon range, which also includes a 25L pack( $299 / £309), will set you back $399 / £369 for the 35L camera pack. However, to get the most out of what Gomatic calls a "travel system", you'll also want some of the optional accessories – which also cost a fair sum. 

For this review, for example, the 35L camera pack arrived with the Camera Tech Organizer ($70 / £52). While the McKinnon Cube pack 21L ($130 / £109) wasn't supplied, it looks like an excellent addition. It's a neat, collapsible day bag with lower compartment for a camera and lens that can slot inside the 35L camera pack for you to use once you're out and about on location, assuming you don't want to lug the 35L camera pack with all your gear and clothes on day trips. 

To offer an idea of how the cost of such a camera pack with accessories can stack up, although not available any more, the Gomatic McKinnon 35L Ultimate Travel Camera Bundle Pack that included numerous accessories cost twice the price of the 35L pack on review! 

I used the camera pack as my main carry-on luggage during a week-long trip overseas. It's slimline, tucking nicely into the body and I experienced no issues stowing it in the overhead compartment on a plane.

For the trip, I used the main compartment for two mirrorless cameras, three lenses –one of which was a 70-200mm – plus a ring light and all the necessary chargers and accessories, making use of the Tech Organizer, slotted in between the durable dividers.

Note that the Gomatic bag's slim form factor and interior design restricts the size of camera gear it will hold. For example, while this is unlikely an option for sports photographers with large DSLRs and monster telephoto lenses, those with compact mirrorless cameras such as the Sony A7IV, lenses and consumer drones such as the DJI Mini 4 Pro should be just fine.

The velcro fastening of the dividers is secure, and feels as though it will remain so even after prolonged use. After one month and numerous configurations, going on various shoots, commuting and travelling, they appear as strong as they were on day one. You'll need to spend a while configuring the dividers. For one trip I needed to pack an awkward-sized ring light; an unusual setup of horizontal dividers did the trick, protecting the ring light during transit.

There's a side access pocket straight to your main camera, which works fine, even if the velcro divider sticks to it – that feels like ill-fitting design. Indeed, the design leans more towards opening the camera compartment in full when the bag is off your back and lying flat on a surface. 

I've not used it, but I prefer the look of the Camera Pack 25L in the same McKinnon range. It has a separate top-loading pocket into which you can put a camera and open separately without exposing the bag's entire contents.

I don't feel like this 35L version is designed for regularly taking out and stowing away gear, or perhaps it just takes a little getting used to. Nevertheless, on more than one occasion I was caught out moving the bag with the main zip compartment open – fortunately, no camera gear was damaged falling out.

The bag is listed as accepting 16-inch laptops, but my 17-inch MacBook Pro slotted snuggly into the compartment that sits nearest to your back. On the front end is an expandable main pocket designed for clothes, with a strap to hold them in place, and once expanded the capacity increases to a generous 42L. I'd say you could cram a few days worth of clothes in there.

Then there's all the features you'd expect from a high-end camera bag: comfortable back padding and adjustable shoulder straps, a removable waist-support strap, a pouch that can hold a water bottle or tripod, that neatly stows away using a magnetic clasp – clever. There's also an internal magnetic pocket for valuables such as keys, a wallet or passport.

I particularly love the top padded handle plus additional slimline handles on the top corners of the bag's exterior, which make lifting the fully loaded bag up to your shoulders as easy as can be. And with a rigid underside, you can confidently stand the bag upright on the ground without it toppling over.

In terms of quality, I have no complaints. The pack has a slick-looking and durable weather-resistant exterior, while all zips are weather-resistant and glide easily, too. All the materials are superb and I'd expect to comfortably carry a heavy load with this bag for years to come.

It' isn't the best camera bag for gear-minded pros, nor those who want quick access to gear; but for camera enthusiasts wanting one bag for a long weekender, you'll struggle to find better, even if the price is high.

For alternatives, check out our best camera bags guide.

Should I buy the Gomatic McKinnon Camera Pack 35L?

Buy it if...

Don't buy it if...

How I tested the Gomatic McKinnon Camera Pack 35L

• One month of regular use
• International travel
• Multiple purposes including travel, commuting and photoshoots

I had the Gomatic McKinnon Camera Pack 35L for over a month, during which time it was my primary camera bag. It was my carry-on bag for overseas travel, my commuter bag, plus a bag for shoots. 

I've regularly switched up the gear stowed inside and the internal divider configurations, packing various mirrorless cameras, accessories, lighting and more, as well as everyday essentials.

First reviewed March 2024

Two-minute review

Travel tripods typically follow a fairly standardized set of features, with simplicity, size and weight at the forefront of designers’ minds. The Vanguard VEO 3T+ 234CB travel tripod bucks this trend with a feature that’s much more common in larger full-size tripods – an articulating center column. This undoubtedly makes the tripod stand out from the crowd, but it also carries a compromise or two if this is a feature you need.

Having an articulating center column is far from a negative. It’s a huge positive, because of the versatility it provides for macro photographers and anyone who often shoots subjects in awkward positions, and incorporating it into a travel tripod could be a masterstroke from Vanguard, because you’ll struggle to find another travel tripod like it.

In the past few years or so Vanguard has been innovating with its tripods, and the huge leap in functionality and build quality can't be ignored. The VEO 3T+ 234CB continues this trend, and is essentially a smaller and lighter version of the VEO 3+ 263CB. It’s still a bit of a beast for a travel tripod though – weighing in at 4.4lbs / 1.98kg it's one of the heavier travel models available. The tripod kit costs $330 / £320 / AU$500, making it a mid-range option price-wise.

The 234CB offers a maximum height of 57.5 inches / 146cm, with a minimum height of ground level thanks to the articulating center column. The maximum height is average for a travel tripod, and will be sufficient in many cases, while the folded length is slightly longer than average at 18.1 inches / 46cm. That may sound long, and combined with the weight could suggest that the 234CB is heavy to carry; but in practice neither spec is an issue, unless you’re looking for an ultra-lightweight travel tripod.

Aside from the obvious advantages of the articulating center column, a feature that’s unique to Vanguard tripods is that the 234CB comes with a VEO+ MA1 Multi-Mount Adaptor. This slides onto the end of the center column, and can accommodate a tripod head or be used to mount accessories such as video monitors, phones, tablets or lighting. It’s a simple yet clever feature that can be extremely useful, and if you need more than one you can purchase additional Multi-Mount Adaptors separately. There’s also a hook that can be screwed into the bottom of the center column, for hanging a photography bag when required to increase stability.

The build quality of the 234CB can’t be faulted, and the twisting leg locks come apart easily for cleaning, which is essential after shooting at the coast, where sand and salt water will damage tripods unless cleaned off. This is a feature that's sometimes overlooked, but it’s especially useful for landscape photographers, who typically need to clean their tripod often to maintain smooth operation and to increase the lifespan of the legs.

The four-section carbon fiber legs are sturdy, and while there’s a small amount of flex at full extension this doesn’t affect stability. Plus, one of the legs can be unscrewed for use as a monopod, which is another handy feature alongside the leg locks and articulating centre column. The kit also comes with spiked feet, which can be swapped with the rubber feet when required.

In operation, I found the 234CB to be smooth and reliable, and the articulating centre column, despite the additional weight it undoubtedly brings, is both useful and surprising for a travel tripod; it adds an extra level of versatility for photographers, thanks to the ability to position the camera practically at ground level – perfect for macro photography.

Like most travel tripods, the 234CB comes with a fairly simple ball head, but the VEO BH-110S Arca Compatible Dual Axis Ball Head does have one advantage over the competition, and that’s the panning mechanisms at the top and the bottom of the head. Being able to pan the top of the head just below where the tripod plate sits is useful, as once the camera is level it can be rotated to adjust composition and remain level. Having the panning mechanism at the bottom of tripod heads is useful, but this doesn’t guarantee that the camera will remain level when rotated unless the legs are 100% level.

If the weight of the 234CB is something that doesn’t bother you, and you feel you'll benefit from all of the other features including the articulating center column, then it’s a great option worth consideration. It’s easily one of the more versatile travel tripods available except for the maximum height. It provides a user experience akin to that of a full-size tripod, and it comes with a well-made carry bag with handles and a shoulder strap, so you can either use this or attach the tripod directly to your backpack.

Should I buy the Vanguard VEO 3T+ 234CB travel tripod? 

Buy it if...

Don't buy it if...

How I tested the Vanguard VEO 3T+ 234CB

The Vanguard VEO 3T+ 234CB was tested over a period of time using several different camera and lens combinations to test how the tripod stood up to standard use in travel-oriented scenarios. Cameras used included a premium compact, an APS-C mirrorless camera, and a full-frame mirrorless camera. The tripod was also carried around with other photographic kit in my f-stop backpack to evaluate performance over longer shoots such as landscapes.

With nearly 30 years of photographic experience and 15 years working as a photography journalist, I’ve been writing about tripods and other photographic accessories for many years. As a professional photographer, I frequently use a range of accessories to enhance my photography and bring my working experience of using these to reviews, gauging how effective particular accessories are from both a professional and an enthusiast point of view.

First reviewed February 2024

Two-minute review

Gitzo tripods need no introduction as a premium option, and the Gitzo tripod Traveler series 1 (4 sections) being reviewed here is a travel tripod made for professional use thanks to its excellent build quality, tall height and light weight. This is one of those tripods that doesn’t look remarkable in any way, but as soon as you use it the smoothness of operation alongside the quality materials used identify it as a high-end travel tripod.

With this in mind and before we get into the specifics, the Traveler series 1 is expensive at $680 / £539 / AU$1,154.95. But this is a tripod that could easily last a lifetime thanks to the build quality and the availability of spare parts if something needs to be replaced. Spare part availability isn’t unusual in the tripod world, but when you’re paying this much money for a small tripod it’s reassuring to know that you can replace parts as and when required.

Despite the high price, this tripod doesn’t include a carry bag or case which some photographers may miss. It’s not a major downside because in reality, many photographers simply attach their tripods to a backpack while walking or carry them in their hand, and the Gitzo does include a well-made shoulder strap which is extremely useful.

Gitzo tripods and heads have some, well, utilitarian naming conventions and the official name of the Gitzo tripod kit Traveler, series 1, 4 sections is the GK1545T-82TQD which is a Traveler tripod/head kit that includes the GT1545T Tripod and the GH1382TQD Center Ball Head. I’ve only outlined these names to make it easier to find the kit we’re looking at here because retailers title the kit differently based on their own naming styles.

The Gitzo Traveler Kit is incredibly well made and oozes quality alongside providing stable support up to 64.4in / 163.5cm with the center column extended. This provides a maximum working height comparable to some full-size tripods, which is impressive for a travel tripod that’s just 16.7in / 42.5cm long when folded with a weight of 3.19lbs / 1.45kg. 

The minimum height is 12.8in / 32.4cm, although you can get lower with the short plastic center column that’s included with the legs splayed out flat, or by inserting the standard center column into the legs upside down.

Going with four section rigid carbon fiber legs rather than five sections improves overall stability. This, of course, results in a slightly longer folded length, but the positive trade-off here is the additional stability fewer leg sections naturally provide because this means that the sections have a larger diameter. 

The maximum payload is 22lbs / 10kg, so the tripod can support a wide range of camera and lens combinations although Gitzo does recommend that 200mm is the maximum focal length that should be used with the tripod and head.

You could undoubtedly go beyond this given the maximum payload, but travel tripod heads are typically smaller than those designed for full-size tripods. So, even when they can accommodate longer focal length lenses, it’s often not going to provide the most reliable shooting experience. 

The head itself, like the legs, is exceptionally well made. There’s no friction control for the ball mechanism, but the main locking control provides this depending on how loose it is and a pan lock controls the stiff yet smooth panning movement.

It's a simple ball head, but it does everything you need and does it smoothly. The plate used is also Arca Swiss compatible so you can use plates from other tripod heads and L brackets. The head can also be tilted over 90 degrees for portrait format shooting with one notch that allows this. This is ultimately a head where the adage ‘less is more’ is at play, but it does what it does well and can’t be faulted for this.

Twist locks for the legs and control knobs on the ball head and the centre column feature a rubberized grip that is comfortable to use, effective and doesn’t require too much twisting to lock and unlock. This doesn’t sound like much, but when you’re adjusting a tripod, speed and comfort can make a huge difference over a long day of shooting.

It feels almost strange to enjoy using a tripod – camera supports are hardly glamorous, they simply need to hold a camera securely. However, the level of quality and the smooth and positive level of operation afforded by the Gitzo make it a premium option worth considering if your budget stretches that far. 

It may be is expensive, but it’s far from being one of the most expensive options available. Believe it or not, there are tripods available that cost upwards of $1000 / £1000 so in this context, the Gitzo is arguably well-priced.

 Should I buy the Gitzo tripod kit Traveler series 1? 

Buy it if...

Don't buy it if...

How I tested the Gitzo tripod kit Traveler series 1

The Gitzo tripod Traveler series 1 was tested over a period of time using several different camera and lens combinations to test how the tripod stood up to standard use in travel-oriented scenarios. Cameras used included a premium compact, an APS-C mirrorless camera and a full-frame mirrorless camera. The tripod was also carried around with other photographic kit in my f-stop backpack to evaluate performance over longer shoots such as landscapes.

With nearly 30 years of photographic experience and 15 years working as a photography journalist, I’ve been covering photographic accessories such as tripods for many years. As a professional photographer, I frequently use a range of accessories to enhance my photography and bring my working experience of using these to reviews where I can consider how effective photographic accessories are from both a professional and an enthusiast point of view.

First reviewed March 2024