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Panasonic DC-FZ80D / FZ82D review: the bridge camera is back, but should it be?
2:07 pm | August 16, 2024

Author: admin | Category: Bridge Cameras Cameras Computers Gadgets | Tags: , | Comments: Off

Panasonic FZ80D: One-minute review

Panasonic Lumix FZ80D/FZ82D

(Image credit: Rod Lawton)

The Panasonic FZ80D / FZ82D (Confusingly, Panasonic seems to call it the latter, but it most retailers call it the former) is an updated variant on the Lumix FZ80 bridge camera launched back in 2017. The new version has been refreshed with USB-C charging and improved resolution for the EVF and rear screen. Otherwise, it’s pretty much the same camera, so it’s more of a relaunch than a new camera.

The specifications look pretty spectacular on paper, including a huge 60x zoom, a very useful 20mm equivalent wide-angle capability, 4K video, and Panasonic’s clever 4K Photo modes, which can grab an 8MP still from a continuous 4K video sequence, or focus on a subject after you’ve shot it by capturing a short video sequence with multiple focus points.

They key drawback with cameras of this type, though, is the sensor size. The FZ80D / FZ82D uses a tiny 1/2.3-inch sensor no bigger than those in a smartphone, as it’s the only way to get this incredible zoom range in an affordable, portable camera.

This impacts heavily on the image quality, and it’s compounded by a drop-off in lens performance at long zoom settings. At short-to-medium zoom settings images are about as good as those from a smartphone, but by the time you reach the longest zoom setting – which is probably one of the reasons why you bought the FZ80D / FZ82D – the definition has fallen through the floor, and is not really adequate.

The FZ80D / FZ82D delivers a huge list of features for the money, but its plasticky build quality, and especially its variable performance, could leave you disappointed. It does an awful lot, but it does none of it very well.

Panasonic FZ80D / FZ82D: Price and availability

(Image credit: Rod Lawton)
  • $478 / £429 / AU$699
  • Available now 

The Panasonic FZ80D / FZ82D is priced at $478 / £429 / AU$699, and is available now. That puts it at a similar price to some of the cheaper best beginner mirrorless cameras, but none of these will come with zoom lenses that match the Panasonic’s zoom range – such lenses don't exist for mirrorless cameras, although of course you can swap lenses on a mirrorless camera, and there are telephotos available that give you something like the same reach. The difference is the image quality – images from the FZ80D / FZ82D do not approach the quality of those from the best mirrorless cameras, and you don’t need to be an expert to see the difference.

Quick specs

Panasonic FZ80D: Design

The FZ80D / FZ82D looks a lot like an old-school beginner DSLR. The 60x zoom is quite compact when the camera is powered off or at its wide-angle setting, but extends quite a long way as you zoom in (Image credit: Rod Lawton)

You get a decent level of manual control, and there are plenty of features for new photographers to try out as they find their favorite photography genre (Image credit: Rod Lawton)

There's no eye sensor for the EVF, however. You need to press the LVF button to toggle the display between the viewfinder and the rear screen (Image credit: Rod Lawton)

• Same shape and size as a beginner DSLR

• Distinctly plasticky feel overall

• Disappointing fixed rear screen 

The Panasonic FZ80D / FZ82D definitely looks the real deal. It’s the same size and shape as an old-school beginner DSLR like a Canon EOS Rebel, for example, with the same rounded corners and big viewfinder housing on the top. The difference is apparent when you turn it on and use the zoom lever to extend that huge 60x zoom – you could never do that on a DSLR.

The body does have a plasticky feel, though the dials and buttons work pretty well. There’s only one control dial rather than two, which is often the case with beginner-oriented cameras, and there’s no spinning dial around the four-way pad on the back, which is actually a bit of a relief since these seldom work well.

While the FZ80D / FZ82D does have improved EVF and rear screen resolution compared to the original FZ80, it’s not all good news. For a start, there’s no eye sensor to detect when you’ve taken the camera from your eye – if you want to compose a shot on the rear screen instead you have to press a button next to the viewfinder.

Worse, the rear screen is fixed – it doesn’t even have a tilt mechanism. That’s a real surprise in an era when just about every camera has some kind of rear screen articulation, and it’s going to make the FZ80D awkward for low-angle shots or video. Cheaply made but not cheap – that’s not a good combination.

Happily there’s not too much else to complain about. The menus are big, clear, and easily navigated, and the main mode dial has custom settings for those who like to shoot with specific setups. The memory card slot is next to the battery in the base of the camera, which is always a bit of a nuisance, but pretty normal in a lower-end camera.

Design-wise, the FZ80D / FZ82D is a mixed bag. It’s a good size and fits your hand well, but the finish and controls have a budget feel, and the viewing system is primitive.

Panasonic FZ80D: Performance

The 20-1200mm zoom lens performs well at wider zoom settings and up to about 400mm equivalent, but the performance quickly tails off after that (Image credit: Rod Lawton)

The rear screen doesn't tilt or flip out and it's not especially bright, so it can often be hard to find an angle at which it's clearly visible in bright sunlight (Image credit: Rod Lawton)

There's a chunky looking battery in the base, though the battery life is a pretty average 300 shots. The single memory card slots in alongside (Image credit: Rod Lawton)

• Fairly snappy autofocus

• Reasonable high-ISO quality

• Very weak stabilization at full zoom

The major disappointment with the Panasonic FZ80D / FZ82D is its performance at longer zoom settings, which is especially annoying because the huge zoom range is probably what convinced you to buy this camera. It does indeed zoom to an amazing 1200mm-equivalent (in full-frame terms) focal length, but by this point the image detail is very soft and there’s visible color fringing around object outlines. In fact, judging by the processed look of fine details and textures, it looks as if there’s some heavy image processing going on at the long zoom settings to try to compensate for the lens’s limitations.

This doesn’t just affect the maximum zoom setting. You can see the fine detail rendition starting to fall away even at 400mm-equivalent, and it just gets worse from there. I wouldn’t use the FZ80D / FZ82D past its 400mm setting for this reason, which means a lot of the focal range would be wasted for me.

There’s another issue with shooting at the 1200mm-equivalent maximum zoom: camera shake. The FZ80D / FZ82D does have image stabilization, and this works well at shorter focal lengths. But at 1200mm, it just can’t cope – if you try to shoot handheld the viewfinder image leaps all over the place, and even if you brace the camera against a wall or railing, getting a sharp-ish shot at this focal length is a lottery.

Want to see what a 60x zoom can do? This is my test subject with the camera zoomed right out to 20mm. Can you even see it? (Image credit: Rod Lawton)

Here's our toy penguin shot from exactly the same position at the maximum 1200mm zoom setting. That's an amazing zoom range, and it looks pretty good at this magnification, but when you zoom in there's a lot of softening and over-processing. Also, it's only as sharp as this because the camera was on a tripod; handheld shooting at this zoom setting was a lottery (Image credit: Rod Lawton)

At shorter focal lengths and for everyday subjects, the FZ80D / FZ82D performs pretty well. Images look sharp, crisp, and clear, though highlight detail in bright skies is often lost, and the camera does not have the HDR modes that smartphones have. You might think it’ll be a step up if you switch from a smartphone to a bridge camera like this, but in some respects it’s a step down.

The autofocus is nice and snappy, and there’s a macro mode for close-up shots, which makes this camera even more versatile. The 4K Photo mode is good for extracting single frames from extended bursts, and the Post Focus mode is almost uncanny in the way it lets you choose the focus point after you’ve taken the shot. In fact, here the camera is capturing a short video with a focus that shifts from near to far, so it’s not magic after all – it just feels like it. 

The issue with the 4K Photo and Post Focus modes is that they're based around 4K video capture, which means the images you extract are just 8 megapixels. If you want to capture a full-resolution sequence you’ll need to switch to the high-speed shooting mode, which tops out at 10fps, and that’s with the focus fixed on the first frame. 4K Photo mode aside, the FZ80D / FZ82D is okay for action sequences, but not great.

It did okay in my ISO tests, though. You can see fine details and textures start to slip away by ISO 400, but even at ISO 3200 images look reasonable as long as you don’t blow them up too much. This is where the FZ80D’s small sensor really holds it back; on a DSLR or mirrorless camera you'd be able to go way beyond these ISO settings before starting to lose quality.

Panasonic FZ80D / FZ82D: Sample images

Here’s a gallery showing our penguin at different focal length settings: 1200mm, 800mm, 400mm, 200mm, 100mm, 50mm and 20mm, moving the tripod nearer each time to keep the penguin more or less the same size in the frame to check for image quality at different zoom settings.

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Panasonic FZ80D

Panasonic FZ80D at 1200mm (Image credit: Rod Lawton)
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Panasonic FZ80D

Panasonic FZ80D at 800mm (Image credit: Rod Lawton)
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Panasonic FZ80D

Panasonic FZ80D at 400mm (Image credit: Rod Lawton)
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Panasonic FZ80D

(Image credit: Rod Lawton)

Panasonic FZ80D at 200mm

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Panasonic FZ80D

Panasonic FZ80D at 100mm (Image credit: Rod Lawton)
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Panasonic FZ80D

Panasonic FZ80D at 50mm (Image credit: Rod Lawton)
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Panasonic FZ80D

Panasonic FZ80D at 20mm (Image credit: Rod Lawton)

Here are some more sample images shot at a range of focal lengths, and which are more representative of casual day-to-day photography.

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Panasonic FZ80D

The 20mm wide-angle setting is wider than most lenses go and undeniably useful. (Image credit: Rod Lawton)
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Panasonic FZ80D

Here's an overall shot of a scene at 20mm. (Image credit: Rod Lawton)
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Panasonic FZ80D

And here's a zoomed-in shot of a water lily in the foreground – it's not very sharp. (Image credit: Rod Lawton)
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Panasonic FZ80D

It is useful to be able to pick out interesting details at a distance. (Image credit: Rod Lawton)
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Panasonic FZ80D

The colors and exposures are good, but the FZ80D is prone to blowing out highlights in bright skies. (Image credit: Rod Lawton)
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Panasonic FZ80D

You don't really need the FZ80D's zoom range for shots like this, and it's not exactly inconspicuous. (Image credit: Rod Lawton)
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Panasonic FZ80D

The FZ80D is certainly versatile, as you can get up close for short-range subjects too. (Image credit: Rod Lawton)

Should I buy the Panasonic FZ80D / FZ82D?

(Image credit: Rod Lawton)

Buy it if...

You want one camera that can do everything

The FZ80D / FZ82D covers a zoom range wider and longer than most people will ever need, with a macro mode for close-ups, 4K video and more.

You’re on a tight budget and still experimenting

The FZ80D / FZ82D is cheaper than all but a few low-end mirrorless cameras, and none of them can match its zoom range. It might help you decide which direction to take in your photography.

You’re not that bothered by outright image quality

Lots of people aren’t. It’s only at longer zoom settings that the FZ80D / FZ82D starts to fall apart, and in regular shooting it can hold its own against a smartphone.

Don't buy it if...

You’re looking for a ‘second’ camera

If your main camera is a DSLR or mirrorless system, you’re unlikely to be happy with the results from the FZ80D / FZ82D, despite its do-it all convenience.

You don’t really need that huge zoom range

Look instead at bridge cameras with larger 1-inch sensors. They cost more and the zoom ranges may be shorter, but the image quality will be a whole lot better.

You’re looking for a handy ‘travel’ camera

The FZ80D / FZ82D is too big for a coat pocket and the image quality is not good enough for once-in-a-lifetime experiences. It’s not small enough and, to be honest, not good enough.

How I tested the Panasonic FZ80D / FZ82D

(Image credit: Rod Lawton)

• I shot the same subject at different zoom settings with the camera on a tripod and the ISO set to 80 for absolute best quality

• I also tested the camera’s ISO performance using a tripod

• I checked the image stabilization across the zoom range

• I shot a range of subjects at different zoom settings handheld to get a feel for the kind of results average users can expect

The key feature of the Panasonic FZ80D / FZ82D is its massive 60x zoom range, but this is of limited use if it can’t maintain a good level of image quality at longer zoom settings. This is a regular failing of long-range bridge cameras, and likely to be a major disappointment for users who bought the camera specifically for that range.

It was also important to check the overall image quality and ISO performance. The FZ80D / FZ82D has a 1/2.3-inch sensor that's far smaller than the sensors in even cheap mirrorless cameras, and this can be a serious limiting factor.

Sony Cyber-shot RX10 IV review
8:16 pm | October 25, 2017

Author: admin | Category: Bridge Cameras Cameras Computers Gadgets | Comments: Off

Editor's Note

• Original review date: October 2017
• Still the most recent model
• Launch price: $1,700 / £1,500 / AU$2,000
• Official price now: $1,699 / £1,499 / AU$1,784

Update: July 2024. Seven years after its release and the Sony Cyber-shot RX10 IV remains the best bridge camera money can buy, with 1-inch 20MP sensor and impressively sharp and versatile 24-600mm F2.4-4.0 lens. However, because it doesn't feature a USB-C port for charging, it will be stripped from sale in the EU after December 28 when the EU's Common Charger Directive comes into force. Will Sony refresh the existing model with a USB-C port to keep it on sale, launch an upgraded Mark V version with Sony's latest tech, or kill the line altogether? We'll know soon enough, but if you've got your eye on this best-in-class super-zoom, you might have to act fast.

The Cyber-shot RX10 IV is Sony's latest high-end bridge camera, aimed at the enthusiast who wants an advanced all-in-one camera that doesn't compromise on performance.

It wasn't long ago that bridge cameras were a dirty word in photography – they may have looked like DSLRs, but their performance and image quality were anything but. But, thanks to the likes of the original Cyber-shot RX10, with its 1-inch sensor, that all changed.  

Four generations on we arrive at the RX10 IV, and while at first glance it may appear that little has changed from the RX10 III, Sony has furnished its latest camera with a host of new features. Packing a long, fast zoom lens, large sensor (for and bridge camera at least), and performance that, on paper at least, would make some advanced DSLRs blush, is this the ultimate bridge camera, as well as one of the best travel cameras?

Sony Cyber-shot RX10 IV: Features

  • 1.0-inch CMOS sensor, 20.1MP
  • 24-600mm f/2.4-4 zoom lens
  • 4K video capture

Like the previous generations of the RX10 series the RX10 IV sports a 20.1MP 1.0-inch sensor, but takes advantage of Sony's latest EXMOR RS CMOS stacked sensor design. This, combined with the BIONZ X image processor borrowed from the Alpha A9 and front-end LSI, delivers a serious bump in performance. 

The RX10 IV can now rattle off an impressive 24fps (and that's with full autofocus and auto exposure functionality active), and can focus in 0.03 seconds, while the sensitivity range runs from ISO100-12,800, and is expandable to 64-25,600.

The lens design remains the same, with the RX10 IV using the same Zeiss Vario-Sonnar T* 24-600mm f/2.4-4 optic. The combination of a massive zoom range with a fast variable maximum aperture certainly makes this a versatile proposition for many photographers, allowing you to shoot everything from broad vistas to tightly framed action and wildlife images.

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River Thames and bridge

(Image credit: Future)
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600mm setting of Sony Cyber-shot RX10 IV

(Image credit: Future)

Such an extreme focal length introduces a serious risk of camera shake when you're shooting, and to compensate the RX10 IV features Sony's built-in Optical SteadyShot image stabilization system to enable the use of shutter speeds 4.5 stops slower than would normally be required to achieve a sharp shot.

The RX10 IV keeps the same 2.35 million dot EVF, but the arrival of the new BIONZ X processor means display lag during continuous shooting has been improved. The 3.0-inch tilt-angle display has also been revised, with resolution getting a modest boost to 1.44 million dots, while touch functionality is now featured, with Touch Focus supported. 

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Sony Cyber-shot RX10 IV

(Image credit: Future)
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Sony RX10 IV

(Image credit: Future)
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A pair of hands holding the Sony RX10 IV

(Image credit: Future)
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Sony Cyber-shot RX10 IV

(Image credit: Future)
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Sony Cyber-shot RX10 IV

(Image credit: Future)
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Sony Cyber-shot RX10 IV

(Image credit: Future)

The RX10 IV also becomes the latest RX series camera to offer 4K (QFHD 3840 x 2160) movie recording at 24/30p, while Sony reckons its Fast Hybrid AF system (more on that in a bit) offers focusing speeds twice as fast as the RX10 III when shooting video. If you're happy with 1080p footage, this can be captured at up to 120fps, while S-Log2/S-Gamut 2 and S-Log3/S-Gamut3 are also supported. The RX10 IV can also capture a 720p stream alongside the 4K footage to help speed up editing.

There's a mechanical shutter with a maximum speed of 1/2000 sec, while the RX10 IV also employs Sony's electronic high-speed Anti-Distortion Shutter, which is designed to eliminate the ‘rolling shutter’ effect commonly experienced with fast-moving subjects. When this is engaged the RX10 IV can shoot completely silently a maximum shutter speed of 1/32,000 sec.

Finally, there's the full range of connectivity options to choose from, with Wi-Fi, NFC and Bluetooth offering hassle-free transfer of images to your smart device via the PlayMemories Mobile app.

Sony Cyber-shot RX10 IV: Build quality and handling

  • Dust- and moisture-resistant
  • Comfy handgrip
  • Weighs 1095g

Even for a bridge camera, the Sony RX10 IV is a chunky affair – weighing in at 1,095g it makes some DSLRs look lightweight. When you consider that Sony has managed to squeeze a 24-600mm optic into the body, however, it begins to look incredibly compact for what it offers. A Nikon 600mm f/4 telephoto prime lens, for instance, is almost four times the weight of the RX10 IV – and that's just the lens. Granted, that's not quite comparing like with like, but it does make you appreciate what a neat all-in-one solution this camera is, despite its bulk.

As you'd hope for with a camera demanding this amount of cash, the finish is very good. The RX10 IV is constructed from a blend of magnesium alloy and polycarbonate, and is dust- and moisture-resistant, while the generous handgrip enables you to keep a firm hold the camera even when the lens is extended. 

The control layout is pretty much the same as on the RX10 III, although the RX10 IV gains a new focus limiter button that's positioned on the left-hand side of the camera. This gives you the option to choose between the RX10 IV's entire focus range, or from 3m to infinity.

Back-button focusing can be incredibly useful, especially when you're tracking moving subjects, and while the RX10 IV doesn't have a dedicated button, as some premium DSLRs do, it's now possible to activate the camera's AF with any of the custom buttons – we reckon the AEL button positioned just below the rear command dial is the best choice for this.

The large lens barrel sports three lens rings controlling aperture, zoom and manual focus. If you wish, you can also zoom using the rocker switch encircling the shutter button, while the aperture ring can be either click-less, or set to click every third of a stop if you prefer. 

Overall, handling is very good. The controls are laid out in a logical manner, while the menu system has been refined. There are still reams of options, but the video settings are now in one sub-section, making it that bit easier to navigate. 

Sony Cyber-shot RX10 IV: Autofocus

  • 315-point phase-detection AF
  • 0.03 sec focusing speed
  • Enhanced AF

The biggest update to the Sony RX10 IV over the RX10 III is the arrival of on-sensor phase-detection autofocus. And Sony hasn't scrimped on AF points either, with a total of 315 phase-detection points covering 65% of the frame. 

Because the RX10 IV takes advantage of the same BIONZ X image processor as Sony's flagship Alpha A9, it also enjoys the luxury of using the same autofocus algorithms used for focus tracking as in Sony's top-flight mirrorless camera. This is known as high-density AF tracking, and concentrates AF points around a subject to improve tracking and focus accuracy, with Sony claiming that even the most unpredictable subjects should be captured with ease.

Parrot in flight with camera subject detection autofocus employed

(Image credit: Sony)

Sony reckons focusing speeds should be as quick as 0.03 sec, and in use it's hard to dispute that – even at the 600mm end of the zoom range focusing speeds are very swift for static subjects. 

Flick the RX10 IV into AF-C (or AF-A, a new mode that Sony has added that will choose between AF-S and AF-C based on its assessment of subject movement), and it continues to impress. In fact, the tracking performance of the RX10 IV is nothing short of excellent – we haven't seen this level of performance on a bridge camera before, and it would embarrass some advanced DSLRs.

We shot with the AEL button programmed as our back-button focus control (and with the shutter button therefore only required to trigger the shutter), and with Lock-on AF: Flexible Spot M mode selected as our Focus Area. And, just as we experienced with the Alpha A9, a exorbitant array of AF points light up the viewfinder as it tracks your subject round the frame. What's really nice is that when you add in the Touch Pad AF control, which allows you to guide the AF area round the rear display with the camera raised to your eye, it's quick and easy tell the camera where you want to focus.

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Skateboarder

(Image credit: Future)
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Skateboarder in 20fps sequence taken with the Sony Cyber-shot RX10 IV

(Image credit: Future)

For those shooting a lot of portraits, Sony's Eye AF technology does exactly as the name suggests. Activate this and the camera will lock on to you subject's eye, and hold focus and track the eye for as long as the mode is activated (it's initially set via centre button at the rear of the camera).

Sony Cyber-shot RX10 IV: Performance

  • 24fps burst shooting
  • 5-axis image stabilization
  • 400-shot battery life

The 14fps burst shooting on the RX10 III was already impressive, but the Sony RX10 IV's 24fps burst shooting puts it in a class of its own for a bridge camera, even trumping the 20fps offered by the Alpha A9. 

You might have to ask yourself whether you actually need this kind of performance (if you don't, it can be set to 10 and 3.5fps), but for those who do, you can rest safe in the knowledge that the camera will sustain this rate for up to 112 raw or 249 JPEG files, with full AF and metering.

The RX10 IV's EVF doesn't disappoint either, rendering a crisp and clear view, while the broad dynamic range of the display means its suited to a range of scenes. There are no quibbles when it comes to the rear display either – resolution is good, while colors and detail also look good. 

The 24-600mm f/2.4-4 lens impresses, performing extremely well throughout the zoom range

The touchscreen integration is welcome – especially the AF functionality – but Sony could have gone much further here. Frustratingly, it's not possible to navigate the menus via the touchscreen (something that would be really useful given how comprehensive they are), or swipe through images when reviewing.

The 24-600mm f/2.4-4 lens impresses, performing extremely well throughout the zoom range. There's a hint of vignetting when the lens is wide open, but overall the lens is very sharp considering the extreme focal range it covers. 

More good news is that Sony's built-in SteadyShot image stabilization system is very effective and, with Auto ISO enabling you to set a minimum shutter speed, you can customize the settings to ensure that camera shake shouldn't be an issue. We managed to shoot as slow as 1/125 sec and still achieve a sharp shot at 600mm.

Sony Cyber-shot RX10 IV sample image of Japan

The RX10 IV's metering did a sound job with this tricky backlit scene (Image credit: Future)

The RX10 IV's metering system did an excellent job; even under tricky lighting conditions it seemed to cope well, while the camera's Auto White Balance was also very accurate.

Battery life has actually reduced a little from the RX10 III, dropping to 400 shots per charge compared to 420. This could perhaps be attributed to the newer sensor and the demands of the image processor.

Sony Cyber-shot RX10 IV: Image quality

  • ISO100-12,800, expandable to 64-25,600
  • Decent dynamic range
  • Noise controlled well at high ISOs

With the Sony RX10 IV packing a similar sensor to the RX10 III and RX100 V, images didn't throw up any unpleasant surprises. For a 1-inch sensor camera, the RX10 IV is capable of delivering some very pleasing shots at a range of ISOs, while the dynamic range available means it's possible to recover a decent amount of detail in raw files.

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Sony Cyber-shot RX10 IV

(Image credit: Future)

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Sony Cyber-shot RX10 IV

(Image credit: Future)

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Sony Cyber-shot RX10 IV

(Image credit: Future)

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Sony Cyber-shot RX10 IV

(Image credit: Future)

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Sony Cyber-shot RX10 IV

(Image credit: Future)

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Resolution is very good, and you should have no qualms about making a decent A3 print from an RX10 IV file, especially if you shoot at under ISO800, where image noise is nicely controlled. Even if you go above that (and let's be honest, you probably will), things are still very good. At ISO1600 color noise is just starting to appear in shadow areas of images, while at ISO3200 there are hints of both color and luminance (grain-like) noise present. It's still more than satisfactory though, especially if you shoot in raw, as you can mitigate these effects in post. We'd resist going above ISO6400 if possible, although if you really have to you'll still be able to get acceptable results, provided you're realistic about how large you'll be able to print.

Sony Cyber-shot RX10 IV: Verdict

The RX10 IV suggests that Sony has listened to the main criticism levelled at the RX10 III, namely the slightly frustrating autofocus performance, and delivered an excellent bridge camera.

The AF performance now does justice to the camera, making it a viable option for shooting wildlife and action, especially if you want to rattle off images at 24fps – while we found that burst rate to be overkill, there will certainly be some applications where it's useful. 

Stills and video image quality are impressive from the 1-inch sensor, while handling is very good. There's still room for improvement though – the arrival of some touchscreen functionality is welcome, but this could be integrated even further. 

The biggest sticking point that's likely to deter potential purchasers is the price. The RX10 IV is almost twice the price of its closest direct competition, while there are also several tempting DSLR and mirrorless rivals to consider. However, you'd find it impossible to get a similarly-capable camera and lens combination to match the RX10 IV for a similar amount of money – and when you take that into account the price starts to look less outrageous.

It's also the case that not everyone wants to invest in a system with multiple lenses, and for those looking for a powerful all-in-one solution, the Sony RX10 IV is the best camera out there. It comes at a price, but there's nothing else quite like it. 

Sony Cyber-shot RX10 IV: Also consider

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Sony Cyber-shot RX10 III

(Image credit: Sony)

Sony Cyber-shot RX10 III

If you can live without the advanced AF system and other performance advantages, the RX10 III is still worth a look. The design is pretty much identical to the RX10 IV, and you've got the same 24-600mm f/2.4-4 lens, but you miss out on the AF performance gain, and the touchscreen interface.

Read our in-depth Sony Cyber-shot RX10 III review 

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Panasonic FZ2000

(Image credit: Panasonic)

Panasonic Lumix FZ2000 / Lumix FZ2500

The Lumix FZ2500 (known as the FZ2000 outside the US) also sports a 1-inch sensor, but the zoom tops out at 480mm equivalent. It may not offer quite the same performance levels as the RX10 IV, but it's considerably more affordable, making it one of our favorite bridge cameras right now.

Read our in-depth Lumix FZ2000 / Lumix FZ2500 review 

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Sony Cyber-shot RX100 V

(Image credit: Sony)

Sony Cyber-shot RX100 V

Like the idea of a high-performance compact, but don't want the bulk of the RX10 IV? It's still pricey, but the RX100 V offers similar performance, including 24fps burst shooting and 4K video capture, but in a smaller body. The zoom range is a much more modest, however, with the RX100 V featuring a 24-70mm f/1.8-2.8 lens.

Read our in-depth Sony Cyber-shot RX100 V