Editor's Note

• Original review date: June 2022
• Launch price: $1,999 / £1,699 / AU$3,699
• Target price: As above

Update: February 2024. In the turntable arena, a May 2022-issue product is a babe in arms – this isn't the smartphone space, where fresh iterations are expected (nay, demanded!) annually. News that the Cambridge Audio Alva TT V2 is still one of the best turntables around will come as little surprise to anyone who read our Cambridge Audio Alva TT review, upon which it is built. This particular turntable has an ace up its sleeve too: onboard hi-res 24bit/48kHz aptX HD Bluetooth transmission (not to be confused with the swathe of recent decks that have a Bluetooth speaker inbuilt, to receive music from your phone; the Lenco LS-410 is a good budget example) which means whatever's spinning on the platter can be sent to your wireless headphones and Bluetooth speakers around the house. Other decks can do similar (the Victrola Stream Carbon will even work with your Sonos system, if you want that) but very few turntables can do it in hi-res, or this well… and that's before we mention how good it is when listening the old-fashioned way, via its inbuilt switchable phono stage… The rest of this review remains as previously published.

Cambridge Audio Alva TT V2 turntable: One-minute review

The Cambridge Audio Alva TT V2 is the updated version of a turntable that caused a bit of a stir when it launched – here, at last, was a premium turntable that wanted to offer more convenience than is normal. Specifically, wireless streaming – and hi-res wireless streaming at that. Acclaim was immediate and more-or-less universal.

So Cambridge is back with a new, more expensive and mildly updated Alva TT: the V2. Its integrated phono stage is now switchable. It has a new tonearm and cartridge. The price has risen a little. But V2 retains the original’s bank-vault build quality, aptX HD hi-res wireless streaming smarts, and overall air of profound solidity that made it one of the best turntables around.

It also retains a lot of the original’s sonic emphases. The Alva TT V2 is a deft, smooth and insightful listen, a little short of dynamic headroom but very long indeed on detail retrieval, tonal balance and generously engaging sound. 

Yes, this sort of money can buy a more rigorous sonic attitude and more dynamic headroom at the same time. What it won’t buy is better build quality, greater midrange fidelity, anything like as much convenience, or the ability to listen directly on the best wireless headphones. So, even more so than is usual on these pages, you need to make a value judgement.

Cambridge Audio Alva TT V2 turntable: Price and release date

• $1,999 / £1,699 / AU$3,699
• Release in May 2022

The Cambridge Audio Alva TT V2 turntable was released in spring 2022, and it's officially priced at $1,999 / £1,699 / AU$3,699. Don't expect to find it with much of a discount, either.

That’s serious money for a record player – and it’s the sort of money that brings quite a few high-profile alternatives into view. Everyone from Clearaudio and Rega in Europe, Technics in Japan and VPI in the United States will happily sell you a turntable for this sort of money with high-end audio credentials – although they won’t be quite so extensively specified, admittedly. In fact, let's take a look at the features now.

Cambridge Audio Alva TT V2 turntable: Design and features

• 24bit/48kHz aptX HD wireless streaming
• Integrated, switchable phono stage
• Direct-drive operation

As far as true ‘design’ is concerned, nothing about the Cambridge Audio Alva TT v2 is going to surprise or startle you. This turntable is designed to look like a turntable, albeit a nicely constructed and finished one, and as such is never going to be an interior decorator’s favourite item.

That’s not to say it doesn’t look good, or a lot like the outgoing Alva TT, though. A hefty, smoothly finished chassis is topped by a tactile aluminium plinth with the ‘Cambridge’ logo punched into one corner and three buttons (‘power on/off’, ‘33.3’ and ‘45’) nicely recessed into another. The whole thing is covered by a hinged, smoked-plastic dust-cover.

On top of the plinth there’s an extremely hefty polyoxymethylene platter, and off to one side an entirely fresh design of tonearm. For this V2 model, the tonearm now features anti-skate as well as counter-weight adjustment and has a detachable headshell for ease of cartridge-replacement. It’s pre-fitted with a cartridge, of course – a high-output Cambridge Audio moving coil option with a replacement cost (according to the brand’s website) of £499.

On the inside, the Alva TT v2 uses a direct-drive mechanism to turn that chunky platter – but this is no DJ-centric turntable for hooking into a mixer. Cambridge Audio asserts the best way to guarantee rotational stability is to specify a medium-torque direct-drive motor in conjunction with a high-density platter. That’s what this turntable has, and while it takes a turn or two longer than you might be expecting to come up to speed, once it’s there it’s unshakeable.

On the rear of the chassis are a number of items of interest. There’s power input and a pair of stereo RCA analogue outputs for connection to an amplifier, which are both pretty much par for the course. 

There’s also a switch for the integrated phono stage – this circuitry is based closely on the well-received Alva Duo stand-alone phono stage Cambridge Audio introduced a while back and, unlike the original Alva TT, it’s optional. Turn it on and the V2 outputs at a line-level any amplifier can handle; turn it off and the signal will need to be boosted by pre-amp circuitry on board an amplifier or by an external phono stage. 

So if the owner’s system already includes sufficient amplification, it’s possible to compare the V2’s onboard amplification with that of the system into which it’s playing and make a decision based on perceived sound quality. This is an improvement on the original Alva TT, the ‘always on’ phono stage of which seemed a little unhelpful.

There’s also a switch to turn Bluetooth connectivity on or off, plus a button to initiate Bluetooth pairing. Unlike the majority of Bluetooth-equipped turntables, which are generally entry-level devices that prioritise convenience over all else, the Alva TT V2 is deadly serious about wireless streaming. So it’s specified to support the aptX HD Bluetooth codec, and can stream at an authentically high-resolution 24bit/48kHz. 

Which means that if you want a turntable that can sit where you want it to, rather than where it insists on being, and deliver the audio goods wirelessly, well… Cambridge Audio continues to be the only game in town.

Cambridge Audio Alva TT V2 turntable: Audio performance

• Articulate and impressive wireless performance
• Very capable integrated phono stage
• Lacks a little dynamism and positivity  

Unlike the majority of turntables, there are three ways of listening to the Alva TT V2: Hard-wired to an amplifier with phono amplification turned on; the same but with the phono stage turned off; and wirelessly via Bluetooth. 

And while there are pretty obvious differences in the way the Cambridge presents your vinyl, its fundamental attitude doesn’t alter no matter the way you decide to listen to it. In all circumstances, it’s a poised, perceptive and engaging listen – and as long as you (and your music) aren’t permanently in ‘party on!’ mode, it’s a satisfying listen.

That it sounds better when hard-wired than when streaming wirelessly shouldn’t come as a surprise to anyone. What is quite startling, though, is just how accomplished the Alva TT V2 sounds when streaming via Bluetooth. 

With a heavy reissue of Miles Davis’ Kind of Blue spinning and the turntable streaming to a Naim Uniti Star streamer/amplifier while physically connected only to power, the Cambridge sounds full, detailed and quite eloquent. There is more than enough detail retained to make the nuances of the musicians’ techniques apparent, and sufficient control of the entire frequency range to make the recording sound authentically like a performance. Bass is deep and agile, the top end is acceptably crisp, and the midrange communicates in unambiguous fashion.

The soundstage is reasonably well organised and quite expansive, and there’s never any possibility of one element of the recording intruding into the space of another. Low-level dynamic insight is good too – a recording like this is alive with minor harmonic variations, and the Alva TT V2 is pretty alert to them. 

It’s not quite as successful where the broader dynamic peaks and troughs of a recording are concerned, though – it’s not as if the Cambridge sounds flat or operates at a single level, but the dynamic ebb and flow of a recording isn’t expressed as fully as it might be.

Our Naim doesn’t have any phono amplification, so the Cambridge is first hard-wired with its internal amplification switched on, and then via a Chord Huei stand-alone phono stage with the Alva TT V2’s amplification switched off. The differences in performance, it has to be said, are quite predictable.

Using its own on-board amplification, the Cambridge gains a degree of positivity compared to its wireless sound. It’s still a smooth and detailed listen, but low frequencies gain a little alacrity where attack and decay are concerned while the top end is a little more assertive too. It’s just a more businesslike way to listen, even though the overall TT V2 sonic signature is much the same. When hard-wired, it’s just slightly snappier.

The internal amplification is indeed comparable to the Alva Duo phono stage on which it’s closely based, which is unequivocally a good thing. Unsurprisingly, though, it’s no match for the pricier Chord Huei phono stage – and while the Chord is disproportionately expensive in the context of the rest of this system, it does allow the Cambridge to fully demonstrate both what it’s capable of and what its limitations are.

The shaping of low frequencies steps up again when listening this way. Rhythmic expression becomes more certain, transient detail retrieval improves and the unity, the togetherness of the individual elements of a recording seems more natural and instinctive than before. Even an over-specified phono stage can’t help the Alva TT V2’s slight lack of dynamic potency, though, nor coax greater directness from its overall performance.

Cambridge Audio Alva TT V2 turntable: Should you buy it?

Buy it if…

Don't buy it if…

Also consider

First reviewed: June 2022

Editor's Note

• Original review date: May 2022
• Launch price: $259 / £219 (about AU$360)
• Target price: $230 / £200 (approx. AU$300)

Update: February 2024. The Lenco LS-410 is still one of the best turntables on the market owing to its particular mix of usefulness and wallet-friendly appeal. The ace up its sleeve is a surprisingly beefy four-driver speaker array (it's actually under the platter, but you knew that), which will also accept music sent over Bluetooth, making it a viable option for anyone dipping into vinyl without losing their beloved music streaming services. Although it was released in March 2022, this is the world of analog audio and the physical music product, so technological advancements are… incremental. That said, in January 2024 a Victrola record turntable with a repeat function made its debut, while the 2023 Victrola Stream Carbon will also work with your Sonos wireless speaker setup, so there is competition when it comes to marrying old with new in record players these days. Our advice? It's still a good gateway vinyl spinner, as long as top notch audio quality isn't top of your list. The rest of this review remains as previously published.

Lenco LS-410: two-minute review

The Lenco LS-410 combines the retro joys of vinyl with up-to-the-minute wireless streaming technology, adds a loudspeaker array and plenty of amplification, and packages it all in a box that looks and feels nicer than it really has any right to at the price.

It’s painless to set up, can be connected to an external system and has an input for yet another source of music. And it has a dust-cover too. Really what more could you ask for from a record player?

It would be churlish to ask for more where Bluetooth sound is concerned. The Lenco sounds quite expansive, muscular and detailed when streaming wirelessly - it’s not the most practical $260 / £220 Bluetooth speaker around, but it’s far from the least enjoyable.

But it all falls to pieces when playing vinyl. The tonearm and its associated controls feel insubstantial - and that’s the way the Lenco sounds when it’s playing records, too. And it’s further undermined by a slight, but undeniable, tendency to wander a little bit where rotational speed is concerned.

It’s a great pity, because in principle the Lenco LS-410 is a fine idea. We would have happily accepted a higher priced device if the engineering was more robust - that would make the LS-410 a genuine contender. Read on for our full Lenco LS-410 review.

Lenco LS-410 review: Price and release date

• Available now
• $259 / £219 (about AU$360)

The Lenco LS-410 is on sale now for $259 / £219 - while there’s no official Australian price just yet, that works out at about AU$360.

There’s an awful lot of tech packed into the LS-410 for that modest price - if you’ve got access to an outlet, a smartphone and a vinyl record, you’ve a multi-source all-in-one system ready to go. But, of course, offering features and functionality is only half the battle… 

Lenco LS-410 review: Design and features

• 33.3 and 45rpm for vinyl
• Bluetooth 5 for wireless streaming 
• 50 watts powering four speaker drivers 

The Lenco LS-410 is functional rather than luxurious where materials are concerned, but the combination of metal, plastic and wood is nicely constructed and properly finished. There’s really nothing to find fault with where build quality is concerned, certainly not as far as the cabinet goes.

Beneath the aluminum platter (which comes with a felt mat) there’s a fairly substantial box in which the record player keeps 50 watts of amplification, a four-strong speaker driver array (each firing out through the criss-cross metal grille at the front), a switchable phono stage and Bluetooth reception-related circuitry. It stands on four pliant feet that are designed to isolate the cabinet from vibration and ook a lot like the classic ‘half a squash ball’ isolation solution so beloved of hi-fi tweekers.

On top, there’s a sturdy plastic dust-cover. Lift it up and you’ve got access to the turntable itself. This is a belt-drive design, and there’s a straight tonearm pre-fitted with an Audio-Technica cartridge - all you need to do to set it up is fit and adjust the counter-weight. Beneath the tonearm, there’s a little control-panel: an on/off/input selection button, play/pause, a 33.3 or 45rpm speed control and a dial to regulate volume. 

As much as we like the way the cabinet is constructed and finished, we have to be a fair bit more qualified about some of the fixtures and fittings. The tonearm itself doesn’t feel all that substantial, the mechanical lift that raises or lowers it feels flimsier still, and the clip to keep it secure in its cradle feels flimsiest of all. 

The rubbery control buttons move around beneath your finger more than we’d like. The entire tonearm mechanism and drive motor are attached to a suspended plate that has a (perfectly acceptable) degree of movement in it, but there’s more movement in the tonearm assembly itself than is either expected or sensible. 

At the back of the cabinet there’s an input for mains power, a switch to turn the integrated phono stage on or off, and stereo RCA outputs - the LS-410 is a self-contained system, but if you want to run it into a bigger system or more powerful amplifier, the option is there. There’s also a 3.5mm analogue input for auxiliary equipment.

As we said, your $259 / £219 buys plenty. Good luck finding many other self-contained vinyl/Bluetooth system with speakers at this sort of money.

Lenco LS-410 review: audio performance

• Spirited, enjoyable Bluetooth sound 
• Vinyl sounds bland and uncertain by comparison
• Rotational speed isn’t consistent 

 You’re not short of choice for wireless speakers at this price, but the Lenco LS-410 is among the better ones. Admittedly the fact that it’s outlet-powered and fitted with a turntable make it a lot less portable than most other Bluetooth speakers at this sort of money, but the fact remains: give the LS-410 a half-decent digital audio stream to deal with and it does very decent work.

Bluetooth 5 proves more than capable of getting a nice big hi-res TIDAL Masters file of Robert Wyatt’s Old Rottenhat on board, and once it’s there the Lenco gives a full account of it. It has impressive low frequency presence, but doesn’t let bass sounds get carried away or overstay their welcome. Instead they’re properly controlled, reasonably detailed and give the midrange plenty of space to do its thing. 

‘Its thing’ in this instance turns out to be a communicative and detailed delivery of the characterful vocals. The voice is nicely isolated but nevertheless integrated into the rest of the performance, and the LS-410 creates a big enough soundstage for a singer to stretch out a little. At the top end things are played pretty safe, with treble sounding just slightly blunt when compared to the rest of the frequency range - which, while not ideal, is preferable to overt hardness or harshness.

This isn’t the most dynamic sound you ever heard, for sure, but neither is it the most inhibited. And when it’s put into proper context, the LS-410 is a perfectly likable and periodically quite impressive Bluetooth speaker. 

Unfortunately, that’s not quite the case when listening to vinyl. The solidity of its low-end presence is undermined when listening to a copy of Devo’s Are We Not Men? and is replaced by a less positive and less detailed version. The midrange is still quite spacious, but it sounds slightly phasey - and that’s the case at the top of the frequency range too. Much of the certainty the LS-410 exhibits as a Bluetooth speaker falls away, and the result is a sound that’s undemonstrative and rather pedestrian.

Most unhappily, though, is the relative lack of rotational stability the turntable exhibits. Even tiny discrepancies in what should be 33.3rpm are audible, and once you’ve heard them they’re impossible to un-hear. For whatever reason, the Lenco doesn’t maintain speed perfectly - and the sonic results are deeply off-putting. 

Lenco LS-410 review: should you buy it?

Buy it if...

Don't buy it if...

Lenco LS-410 review: Also consider

Not convinced by our Lenco Ls-410 review? Here are three more record players we think you should consider.

First reviewed: May 2022

• Read our guide on how to set up a turntable

Editor's Note

• Original review date: May 2022
• Launch price: $259 / £219 (about AU$360)
• Target price: $230 / £200 (approx. AU$300)

Update: February 2024. The Lenco LS-410 is still one of the best turntables on the market owing to its particular mix of usefulness and wallet-friendly appeal. The ace up its sleeve is a surprisingly beefy four-driver speaker array (it's actually under the platter, but you knew that), which will also accept music sent over Bluetooth, making it a viable option for anyone dipping into vinyl without losing their beloved music streaming services. Although it was released in March 2022, this is the world of analog audio and the physical music product, so technological advancements are… incremental. That said, in January 2024 a Victrola record turntable with a repeat function made its debut, while the 2023 Victrola Stream Carbon will also work with your Sonos wireless speaker setup, so there is competition when it comes to marrying old with new in record players these days. Our advice? It's still a good gateway vinyl spinner, as long as top notch audio quality isn't top of your list. The rest of this review remains as previously published.

Lenco LS-410: two-minute review

The Lenco LS-410 combines the retro joys of vinyl with up-to-the-minute wireless streaming technology, adds a loudspeaker array and plenty of amplification, and packages it all in a box that looks and feels nicer than it really has any right to at the price.

It’s painless to set up, can be connected to an external system and has an input for yet another source of music. And it has a dust-cover too. Really what more could you ask for from a record player?

It would be churlish to ask for more where Bluetooth sound is concerned. The Lenco sounds quite expansive, muscular and detailed when streaming wirelessly - it’s not the most practical $260 / £220 Bluetooth speaker around, but it’s far from the least enjoyable.

But it all falls to pieces when playing vinyl. The tonearm and its associated controls feel insubstantial - and that’s the way the Lenco sounds when it’s playing records, too. And it’s further undermined by a slight, but undeniable, tendency to wander a little bit where rotational speed is concerned.

It’s a great pity, because in principle the Lenco LS-410 is a fine idea. We would have happily accepted a higher priced device if the engineering was more robust - that would make the LS-410 a genuine contender. Read on for our full Lenco LS-410 review.

Lenco LS-410 review: Price and release date

• Available now
• $259 / £219 (about AU$360)

The Lenco LS-410 is on sale now for $259 / £219 - while there’s no official Australian price just yet, that works out at about AU$360.

There’s an awful lot of tech packed into the LS-410 for that modest price - if you’ve got access to an outlet, a smartphone and a vinyl record, you’ve a multi-source all-in-one system ready to go. But, of course, offering features and functionality is only half the battle… 

Lenco LS-410 review: Design and features

• 33.3 and 45rpm for vinyl
• Bluetooth 5 for wireless streaming 
• 50 watts powering four speaker drivers 

The Lenco LS-410 is functional rather than luxurious where materials are concerned, but the combination of metal, plastic and wood is nicely constructed and properly finished. There’s really nothing to find fault with where build quality is concerned, certainly not as far as the cabinet goes.

Beneath the aluminum platter (which comes with a felt mat) there’s a fairly substantial box in which the record player keeps 50 watts of amplification, a four-strong speaker driver array (each firing out through the criss-cross metal grille at the front), a switchable phono stage and Bluetooth reception-related circuitry. It stands on four pliant feet that are designed to isolate the cabinet from vibration and ook a lot like the classic ‘half a squash ball’ isolation solution so beloved of hi-fi tweekers.

On top, there’s a sturdy plastic dust-cover. Lift it up and you’ve got access to the turntable itself. This is a belt-drive design, and there’s a straight tonearm pre-fitted with an Audio-Technica cartridge - all you need to do to set it up is fit and adjust the counter-weight. Beneath the tonearm, there’s a little control-panel: an on/off/input selection button, play/pause, a 33.3 or 45rpm speed control and a dial to regulate volume. 

As much as we like the way the cabinet is constructed and finished, we have to be a fair bit more qualified about some of the fixtures and fittings. The tonearm itself doesn’t feel all that substantial, the mechanical lift that raises or lowers it feels flimsier still, and the clip to keep it secure in its cradle feels flimsiest of all. 

The rubbery control buttons move around beneath your finger more than we’d like. The entire tonearm mechanism and drive motor are attached to a suspended plate that has a (perfectly acceptable) degree of movement in it, but there’s more movement in the tonearm assembly itself than is either expected or sensible. 

At the back of the cabinet there’s an input for mains power, a switch to turn the integrated phono stage on or off, and stereo RCA outputs - the LS-410 is a self-contained system, but if you want to run it into a bigger system or more powerful amplifier, the option is there. There’s also a 3.5mm analogue input for auxiliary equipment.

As we said, your $259 / £219 buys plenty. Good luck finding many other self-contained vinyl/Bluetooth system with speakers at this sort of money.

Lenco LS-410 review: audio performance

• Spirited, enjoyable Bluetooth sound 
• Vinyl sounds bland and uncertain by comparison
• Rotational speed isn’t consistent 

 You’re not short of choice for wireless speakers at this price, but the Lenco LS-410 is among the better ones. Admittedly the fact that it’s outlet-powered and fitted with a turntable make it a lot less portable than most other Bluetooth speakers at this sort of money, but the fact remains: give the LS-410 a half-decent digital audio stream to deal with and it does very decent work.

Bluetooth 5 proves more than capable of getting a nice big hi-res TIDAL Masters file of Robert Wyatt’s Old Rottenhat on board, and once it’s there the Lenco gives a full account of it. It has impressive low frequency presence, but doesn’t let bass sounds get carried away or overstay their welcome. Instead they’re properly controlled, reasonably detailed and give the midrange plenty of space to do its thing. 

‘Its thing’ in this instance turns out to be a communicative and detailed delivery of the characterful vocals. The voice is nicely isolated but nevertheless integrated into the rest of the performance, and the LS-410 creates a big enough soundstage for a singer to stretch out a little. At the top end things are played pretty safe, with treble sounding just slightly blunt when compared to the rest of the frequency range - which, while not ideal, is preferable to overt hardness or harshness.

This isn’t the most dynamic sound you ever heard, for sure, but neither is it the most inhibited. And when it’s put into proper context, the LS-410 is a perfectly likable and periodically quite impressive Bluetooth speaker. 

Unfortunately, that’s not quite the case when listening to vinyl. The solidity of its low-end presence is undermined when listening to a copy of Devo’s Are We Not Men? and is replaced by a less positive and less detailed version. The midrange is still quite spacious, but it sounds slightly phasey - and that’s the case at the top of the frequency range too. Much of the certainty the LS-410 exhibits as a Bluetooth speaker falls away, and the result is a sound that’s undemonstrative and rather pedestrian.

Most unhappily, though, is the relative lack of rotational stability the turntable exhibits. Even tiny discrepancies in what should be 33.3rpm are audible, and once you’ve heard them they’re impossible to un-hear. For whatever reason, the Lenco doesn’t maintain speed perfectly - and the sonic results are deeply off-putting. 

Lenco LS-410 review: should you buy it?

Buy it if...

Don't buy it if...

Lenco LS-410 review: Also consider

Not convinced by our Lenco Ls-410 review? Here are three more record players we think you should consider.

First reviewed: May 2022

• Read our guide on how to set up a turntable