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After testing the stylish new Fujifilm Instax Wide Evo, I’ve been won over by the charm of hybrid instant cameras
4:48 pm | June 20, 2025

Author: admin | Category: Cameras Computers Gadgets Instant Cameras | Tags: , | Comments: Off

Fujifilm Instax Wide Evo: Two-minute review

The Fujifilm Instax Wide Evo is instantly striking with its retro design and ultra-wide body. If you're after the best instant camera for hybrid photography (i.e. the ability to print film images taken directly on the camera or sent from your smartphone) and prefer to shoot on wide format prints, then this really looks like it's the model for you.

Although it doesn't come cheap, the Instax Wide Evo is very much the step-up from Fujifilm's other Instax hybrid, the Mini Evo, that was launched in 2021, offering most of the same great features, including an LCD display screen, 10 lens and 10 film effects that make 100 different creative combinations, and a microSD card slot, along with a few more new additions that I'll break down below.

A hand holds up the Fujifilm Instax Wide Evo

(Image credit: Future)

A wider film print means this instant camera is a bit on the larger side, but it makes use of the extra real-estate by adding more physical buttons that let you quickly change settings. These include a dedicated wide angle button that lets you switch to a more standard field of view (FoV) if you don't want that cinematic look.

Speaking of, you can also switch between six different film styles, one of which puts black bars to give your pictures that IMAX feeling, using a button on top of the camera. There's also a dial on the left side of the camera to cycle through the 10 different lens effects, with another dial on the opposite right side to switch between the 10 different film effects. My favorite, though, is the crank that lets you manually print a picture by winding it, which is a nice design nod to the crank for winding back film on the best film cameras.

So it's a full five stars for all the creative photo editing options it offers, but what about the Instax Evo Wide's image quality? It's by no means as rich or dynamic as an analog instant camera can produce. Instead the picture quality of the physical print outs is more in line with what you'd expect from your phone's smartphone camera. Of course, the digital copies of these images when compared to those taken your phone can't compete.

The Instax Evo Wide will by no means replace your dedicated digital camera – and if you love the 'magic' of purely analog instant film cameras, then this might not be right for you either as your images will always be digital first – but it is a perfect piece of extra gear if you want to be creative with your photography and experiment with a larger field of view.

Fujifilm Instax Wide Evo: Price and availability

A hand holding the Fujifilm Instax Wide Evo

There's a dedicated button at the top of the camera for switching between six different film styles. (Image credit: Future)

The Fujifilm Instax Wide Evo was launched on January 21, 2025 with a price tag of $349.95 / £319.99 / AU$599.

That makes the Fujifilm Instax Wide Evo one of the the priciest instant cameras of its kind, says TechRadar's cameras editor, Timothy Coleman. Indeed, for comparison's sake, the only other Instax camera that takes wide-format instant film prints is the Instax Wide 400 and that sets you back $149.99 / £129.99 / AU$229.99.

The Wide Evo is also almost double the price of Fujifilm's other Instax hybrid too, the Fujifilm Instax Mini Evo, which retails for $199.99 / £174.99 / AU$299.99. Does the extra cost account for the more premium, larger features in the step-up model? As the brand's first wide format hybrid camera (and second hybrid camera overall), the Wide Evo does offer a premium package, which it's not great on value.

There's also optional accessories available for the Evo Wide, including a leather case that costs $49.95 in the US and £37.99 in the UK. Although optional, this might be a necessary additional cost to make sure to protect the LCD display screen (if this gets too scratched up, then you won't be able to take let alone see your photos).

Fujifilm Instax Wide Evo: Specs

Film Type:

Fujifilm Instax Wide film

Print size:

62mm x 99mm

Focus range:

f = 16 mm (35 mm equivalent)

Aperture:

f 2.4

Shutter Speed

Automatic switching, 1/4 to 1/8,000 seconds

Power:

Internal lithium ion rechargeable

Charging time:

2–3 hours

Dimensions:

138.7 mm x 125 mm x 62.8 mm (excluding protruding parts)

Weight:

490g

Fujifilm Instax Wide Evo: Design

A hand holding the Fujifilm Instax Wide Evo

The left dial on the Instax Wide Evo is for switching between the 10 different lens effects. (Image credit: Future)
  • A hybrid instant camera that can print directly or from your catalog of shots, stored on Micro SD
  • Plenty of dials and switches to select various film effects
  • Includes a mirror and switch to take selfies

When rumors started to circle about the Instax Wide Evo, there was talk that it would be "regarded as the best-looking Instax camera ever made" and that caught a lot of enthusiast's attention, including TechRadar's senior news editor Mark Wilson who said off the back of it that the "Instax Wide Evo sounded like my dream instant camera".

Now that the camera is out in the wild, we can officially say that it's a stunning piece of equipment. It has a relatively slim body to balance the camera's wide build, making the Instax Wide Evo one of the more sizable options on the market. This is offset by a stylish retro look that mimics those vintage cameras that had black textured bodies with silver lenses.

Considering that the only wide-format Instax camera alternative is the big and bulky Instax Wide 400, the Wide Evo's textured, minimal black design is definitely a lot more easy on the eye than the plasticky, dull green finish of its larger cousin. (Another alternative if you're set on a wide-format is 2024's Lomo’Instant Wide Glass – an attractive instant camera that we gave 4.5 stars in our in-depth review.) Indeed, I don't think many would be opposed to slinging the Wide Evo over their shoulder for the day.

A hand holds the Instax Wide Evo

This is how you would hold the Instax Wide Evo to take a selfie, with your thumb pulling down on the shutter switch button. (Image credit: Future)

The leather case that you can buy alongside the Wide Evo makes this very easy to do and might be a crucial accessory – not just for protecting it from nicks and scratches but – to make sure that it has a long life, as the LCD screen could easily get scuffed up over time. That's not great for a camera that doesn't have a viewfinder. Of course, I can't yet say that this will be an issue but it's worth considering.

It also helps that the Evo Wide is light – it weighs about half a kilo – making it very portable, but don't expect to be able to fit the Wide Evo in any pocket. As you would expect, because it takes wide-format instant prints, it's on the larger side.

Fujifilm Instax Wide Evo: Performance

The Fujifilm Instax Wide Evo being held by hand

This image was shot with the warm film effect and color shift lens effect settings turned on. (Image credit: Future)
  • Plenty of scope to try different looks, with 100 creative combinations
  • The widest-ever Instax lens and wide-format prints give extra breathing room for your subjects

The Fujifilm Instax Wide Evo's built-in film and lens effects make experimenting with different styles extremely easy. The fact that you can create 100 different creative combinations with these settings means there's plenty of room to play around.

Fujifilm has made the ability to customize all your images with various different effects a core part of the Instax Wide Evo. Indeed, if you're someone that likes to experiment with different effects such as lens flares, borders and color filters, then this camera is built for you.

The entire design of the camera is focused on making those photo editing tweaks simple, quick and easy. Both the lens and film effects each have dedicated dial buttons on the side of the camera. Even the top most prominent button on the camera (the placement of which is normally reserved for a shutter button) is for adding different film styles to your images.

The Wide Evo even has a dedicated button on the front of it that turns off the wide-angle, which is a nice feature that nods to its hybrid functionality. Another more less visible button is the lens of the camera itself, which can be twisted to adjust the intensity of the filter and film effects you're applying.

A hand holding Fujifilm Instax Wide Evo

The dial on the right side of the Instax Wide Evo is for switching between the 10 different film effects. (Image credit: Future)

I had a lot of fun playing around with all the different film effects and styles because of these dedicated buttons, but my favorite physical feature of the camera has to be the hand crank on the side for printing images. It's a nice nod to the analog nostalgia that the Wide Evo embodies.

The shutter button is a lot different to the Mini Evo, which has a standard push button on top of the camera. Instead of this, the Wide Evo has a rocker style switch (like the ones you would use to turn on a light) that's situated on the front of the camera, beside the lens. I found this placement and style initially cumbersome, especially when taking a selfie as I couldn't immediately engage the auto focus by half pressing it down.

To be clear, this might be just be because I didn't spend a lot of time using it and could become more easier, but I will say it's not initially intuitive. That's also not to say that all the buttons are like this. The spin dials and crank for printing photos, for instance, are extremely tactile and easy to use.

On top of all this, there's even an Instax Wide app for more standard editing options, such as being able to crop an image or increase the brightness and contrast, as well as a 'Discovery Feed' for sharing and seeing fellow Instax Wideo Evo owners' creations. One thing to note about the app is that only printed images are automatically saved. Any photos you take on the camera itself won't just appear in your personal library in the app, which means you'll have to still transfer them of a microSD card.

Fujifilm Instax Wide Evo: Image quality

  • Images are digital first, which loses the 'magic' of analog
  • Picture quality of printouts appear flat but look fine digitally
  • Not on par with pure analog instant cameras like the Instax Mini 99

There's a trade-off with every instant camera when it comes to picture quality that most of us are willing to accept. These cameras don't produce the same precision as newer dedicated digital cameras, but many people that purchase these type of cameras are more interested in the nostalgia that instantly printed photographs brings, so I appreciate that this isn't the most important component.

When it comes to the picture quality overall, I was most interested in testing out how the film prints compared to those taken on a non-hybrid instant camera as the images are digital first on the Evo Wide. This is a big deal for me because I'm split between analog and digital, and this in my opinion takes a bit of the magic away.

For context, I bought my first Instax in 2014 and of course quickly realized how expensive this style of photography is after discarding some duds, which made me even more selective with every picture I took. My boyfriend decided to buy me an Instax printer to solve this issue, but this for me took away what I loved about the style in the first place. I also found that picture quality from a printer wasn't on par, as the photographs appeared flatter and less dynamic than those printed on an analog instant camera.

With this in mind, if the image quality of the prints is really important to you then you're better off buying an analog Instax camera in my opinion, because the prints are much more rich in contrast due to the light passing directly though the sensor rather than being digitally scanned. They also don't tend to be as overexposed as those printed on a hybrid Instax.

In terms of the wide-angle prints themselves, the larger size makes them feel much more premium than the smaller rectangular formats that mimic your smartphone pictures and is much more akin to the classic square instant prints that were once more popular.

As for the digital images that are taken by the Instax Wide Evo, these by no means match up to the quality you'd find from one of the best cameraphones, which benefit from more advanced sensors and image processing algorithms. For this reason, outside of sharing the images you take on the Instax Wide Evo to social media, you most likely won't use these elsewhere.

How I tested the Fujifilm Instax Wide Evo

  • A one hour hands-on session at the UK launch event
  • Ad-hoc testing during the day and night over a week
  • I tried various filters, two lenses and selfie mode

My time with the Fujifilm Instax Wide Evo was brief: following attending the UK launch event in London, I was able to test out the camera for less than a week around the office and home.

However, during this time, I had decent chance to get a feel for the camera; how it handles for regular photos and selfies, plus the various filter and film effects possible through the physical controls on the camera.

I used two packets of the Fujifilm Instax Wide Evo at the event, each of which had 10 prints, and a couple more packets during the week-long product loan

Fujifilm’s affordable Instax Mini 41 impressed me with its elegant design and simple operation
3:00 pm | May 2, 2025

Author: admin | Category: Cameras Computers Gadgets Instant Cameras | Tags: , | Comments: Off

Fujifilm Instax Mini 41: One-minute review

The Instax Mini 41 is the latest affordable instant camera built for Fujifilm’s Instax Mini film, replacing the 2022-released Instax Mini 40 as the ‘mature’ alternative to the playful, colourful Mini 12.

While the Mini 40 has a straight-up retro aesthetic, the Mini 41 takes things in a more unique and modern direction. I’d call it retro-tinged rather than all-out vintage-inspired, and I think it’s all the better and more eye-catching for it.

Instax Mini cameras have always been simple to use and the Mini 41 thankfully continues this tradition. Loading it with a cartridge of film takes seconds and isn’t fiddly at all and, thanks to the automatic exposure settings, taking a photo really is just a matter of pointing and shooting. 90 seconds later, you’ll have a fully developed and likely great-looking credit card-sized print in your hands.

The viewfinder is big and bright, and thanks to the new parallax correction mode, you no longer need to compensate composition for close-up objects. As with the Mini 12, the Close-Up mode shifts the viewfinder angle slightly so that centering an object within 50cm will actually keep it in the center of the finished print.

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

The build quality is lightweight and plasticky, but thankfully doesn’t come across as cheap; I think it feels fine for a camera in this price range. I will concede that the use of standard AA batteries rather than a rechargeable built-in battery seems a little old-fashioned in 2025, but I suppose you can’t have it all.

In terms of image quality, it’s difficult to say the Mini 41 is any better than the 2023-released Mini 12 (which is a bit cheaper), because the lens and film being used is pretty much identical. But that’s no bad thing: Instax Mini photos are colorful, charming and so easy to pass around, pin up to a corkboard or stick on the fridge.

All in all, this is a fun, easy-to-use instant camera with a handsome design and a great price.

Fujifilm Instax Mini 41: Price and availability

  • Camera available now for $129.95 / £94.99 / AU$179
  • Instax Mini film costs around $20.99 / £14.99 / AU$29.95 for a 20 pack

The Instax Mini 41 is available now for around $129.95 / £94.99 / AU$179. That price, which is pretty reasonable in my opinion, includes the camera, two AA batteries and a wrist strap, but you don’t get any Instax Mini film packs included. US-based readers should note that the price in the States may go up as a result of the recent tariffs, so do keep an eye out for that.

Each film cartridge features 10 shots, and they’re usually sold in double packs (so 20 shots in total) for around $20.99 / £14.99 / AU$29.95. That can initially seem expensive compared to the near-free cost of digital photos, but as these prints are tangible, personalized objects I don’t think it’s fair to directly compare them to shots that sit on your phone or social media account. In my opinion, the film is priced quite fairly.

Fujifilm Instax Mini 41: specs

Fujifilm Instax Mini 41: design

  • Plastic body with retro-inspired but modern design
  • Simple controls and viewfinder
  • Selfie mirror built into lens barrel

When I pulled it out of the box, I was instantly impressed by the looks of the Instax Mini 41. It would have been easy for Fujifilm to retain the purely retro 1960s-esque styling of the Mini 40, but instead its designers have blended old and new into something quite singular, much like it did with the Instax Wide Evo.

From the grippy geometric texture on the front to the understated colors (with those all-important pops of the orange accent color here and there), this is just a stylish and elegant camera – and a lot less conspicuous and more grown-up than the Instax Mini 12.

It’s made almost entirely of plastic. That’s normal for something priced as low as this, and helps keep the weight down, but it will get marked and damaged quite easily if dropped or mistreated. My review sample already had a scrape across the back from a previous user, and I suspect a ten-year-old Mini 41 would look quite battered and bruised unless kept in a carry case most of the time.

Fujifilm Instax Mini 41 camera

Say cheese! The Mini 41 features a handy selfie mirror next to the lens. (Image credit: Future | Sam Kieldsen)

Operation is beautifully simple. Loading a cartridge Instax Mini film through the rear hatch is idiot-proof thanks to the yellow indicator lines, and once it’s in all you need to do is twist the lens barrel to turn the camera on. This power switch doubles as a mode dial too, flipping the camera between its Normal and Close-Up shooting modes: Normal is for shooting anything more than 50cm away, while Close-Up handles everything between 50cm and 30cm (the camera’s closest focusing distance).

When in Close-Up mode, the viewfinder shifts perspective slightly, making it easier to frame your shots. This is called parallax correction and I’ve seen it on the Mini 12 too, but it’s a great feature to have if you don’t want to end up wasting photos through poor composition.

To take a shot, you just look through the (big, bright) viewfinder to compose, then hit the shutter button. Everything else, including shutter speed and flash, is fully automatic. If you want to take a selfie, there’s a handy mirror on the lens to help composition (another feature, like parallax correction, carried over from older models).

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

Fujifilm Instax Mini 41: Performance

  • Postcard-sized prints delivered in 90 seconds
  • Strong color reproduction and sharp detail
  • Runs on 2 x AA battery delivering around 100 shots

This camera really is simplicity personified. From pressing the shutter button to looking at your fully developed print, the entire process takes just 90 or so seconds. The Mini 41 doesn’t do anything different to its Instax Mini predecessors in this regard, but then it doesn’t need to: the system works very well. The only thing it's missing, if I'm nit-picking, is a self-timer that'd allow you to set it up somewhere for a group shot.

The prints are credit card sized (62 x 46mm to be precise), nicely glossy, and packed with charm. I suppose you might be disappointed if you’re looking for the most detail, the punchiest contrast and the richest, most saturated colors – but, well, you didn’t truly expect to find them on a cheap instant camera, did you?

Image 1 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)
Image 2 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)
Image 3 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)
Image 4 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)

What these images have in spades is spirit and character. The colors are pleasant and appealing and there’s enough detail here, despite the small print size. And that analog film special sauce suits portraits and selfies well, imbuing them with a timeless quality that digital has always struggled to recreate.

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

Should I buy the Fujifilm Instax Mini 41?

Buy it if...

You want a simple, cheap instant camera
At this price it's hard to fault the Mini 41. It's a straightforward instant camera that just works!

You want something a little more grown-up
The cheaper Mini 12 is almost exactly the same camera, but its bubbly, colorful design is a bit kiddified. Not so the elegant Mini 41.

Don't buy it if...

You hate spending money on film
This isn't like a digital camera – you'll need to continually invest in film (and AA batteries) while using it.

You like being in control
Serious creative photographers might bounce off the Mini 41's lack of manual controls. It's designed to be simple and fun, not for professional photography.

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

Fujifilm Instax Mini 41: Also consider

How I tested the Fujifilm Instax Mini 41:

  • Used two packs of Instax Mini film (20 shots)
  • Took photos in and outdoors in different conditions
  • Experimented with portraits, self portraits, close-ups and landscapes

I was only given about a week to use the Mini 41 before my review sample had to go back to Fujifilm, but that was enough time to get through a couple of cartridges of film: 20 shots in total. I took these in and outdoors and in a variety of situations, from selfies to landscapes. I own an Instax Mini 12 too, so am quite familiar with the design and image quality of the Instax Mini range and film, which helped me form an opinion on the Mini 41 despite having limited hands-on time with it.

  • First reviewed May 2025

Fujifilm’s affordable Instax Mini 41 impressed me with its elegant design and simple operation
3:00 pm |

Author: admin | Category: Cameras Computers Gadgets Instant Cameras | Tags: , | Comments: Off

Fujifilm Instax Mini 41: One-minute review

The Instax Mini 41 is the latest affordable instant camera built for Fujifilm’s Instax Mini film, replacing the 2022-released Instax Mini 40 as the ‘mature’ alternative to the playful, colourful Mini 12.

While the Mini 40 has a straight-up retro aesthetic, the Mini 41 takes things in a more unique and modern direction. I’d call it retro-tinged rather than all-out vintage-inspired, and I think it’s all the better and more eye-catching for it.

Instax Mini cameras have always been simple to use and the Mini 41 thankfully continues this tradition. Loading it with a cartridge of film takes seconds and isn’t fiddly at all and, thanks to the automatic exposure settings, taking a photo really is just a matter of pointing and shooting. 90 seconds later, you’ll have a fully developed and likely great-looking credit card-sized print in your hands.

The viewfinder is big and bright, and thanks to the new parallax correction mode, you no longer need to compensate composition for close-up objects. As with the Mini 12, the Close-Up mode shifts the viewfinder angle slightly so that centering an object within 50cm will actually keep it in the center of the finished print.

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

The build quality is lightweight and plasticky, but thankfully doesn’t come across as cheap; I think it feels fine for a camera in this price range. I will concede that the use of standard AA batteries rather than a rechargeable built-in battery seems a little old-fashioned in 2025, but I suppose you can’t have it all.

In terms of image quality, it’s difficult to say the Mini 41 is any better than the 2023-released Mini 12 (which is a bit cheaper), because the lens and film being used is pretty much identical. But that’s no bad thing: Instax Mini photos are colorful, charming and so easy to pass around, pin up to a corkboard or stick on the fridge.

All in all, this is a fun, easy-to-use instant camera with a handsome design and a great price.

Fujifilm Instax Mini 41: Price and availability

  • Camera available now for $129.95 / £94.99 / AU$179
  • Instax Mini film costs around $20.99 / £14.99 / AU$29.95 for a 20 pack

The Instax Mini 41 is available now for around $129.95 / £94.99 / AU$179. That price, which is pretty reasonable in my opinion, includes the camera, two AA batteries and a wrist strap, but you don’t get any Instax Mini film packs included. US-based readers should note that the price in the States may go up as a result of the recent tariffs, so do keep an eye out for that.

Each film cartridge features 10 shots, and they’re usually sold in double packs (so 20 shots in total) for around $20.99 / £14.99 / AU$29.95. That can initially seem expensive compared to the near-free cost of digital photos, but as these prints are tangible, personalized objects I don’t think it’s fair to directly compare them to shots that sit on your phone or social media account. In my opinion, the film is priced quite fairly.

Fujifilm Instax Mini 41: specs

Fujifilm Instax Mini 41: design

  • Plastic body with retro-inspired but modern design
  • Simple controls and viewfinder
  • Selfie mirror built into lens barrel

When I pulled it out of the box, I was instantly impressed by the looks of the Instax Mini 41. It would have been easy for Fujifilm to retain the purely retro 1960s-esque styling of the Mini 40, but instead its designers have blended old and new into something quite singular, much like it did with the Instax Wide Evo.

From the grippy geometric texture on the front to the understated colors (with those all-important pops of the orange accent color here and there), this is just a stylish and elegant camera – and a lot less conspicuous and more grown-up than the Instax Mini 12.

It’s made almost entirely of plastic. That’s normal for something priced as low as this, and helps keep the weight down, but it will get marked and damaged quite easily if dropped or mistreated. My review sample already had a scrape across the back from a previous user, and I suspect a ten-year-old Mini 41 would look quite battered and bruised unless kept in a carry case most of the time.

Fujifilm Instax Mini 41 camera

Say cheese! The Mini 41 features a handy selfie mirror next to the lens. (Image credit: Future | Sam Kieldsen)

Operation is beautifully simple. Loading a cartridge Instax Mini film through the rear hatch is idiot-proof thanks to the yellow indicator lines, and once it’s in all you need to do is twist the lens barrel to turn the camera on. This power switch doubles as a mode dial too, flipping the camera between its Normal and Close-Up shooting modes: Normal is for shooting anything more than 50cm away, while Close-Up handles everything between 50cm and 30cm (the camera’s closest focusing distance).

When in Close-Up mode, the viewfinder shifts perspective slightly, making it easier to frame your shots. This is called parallax correction and I’ve seen it on the Mini 12 too, but it’s a great feature to have if you don’t want to end up wasting photos through poor composition.

To take a shot, you just look through the (big, bright) viewfinder to compose, then hit the shutter button. Everything else, including shutter speed and flash, is fully automatic. If you want to take a selfie, there’s a handy mirror on the lens to help composition (another feature, like parallax correction, carried over from older models).

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

Fujifilm Instax Mini 41: Performance

  • Postcard-sized prints delivered in 90 seconds
  • Strong color reproduction and sharp detail
  • Runs on 2 x AA battery delivering around 100 shots

This camera really is simplicity personified. From pressing the shutter button to looking at your fully developed print, the entire process takes just 90 or so seconds. The Mini 41 doesn’t do anything different to its Instax Mini predecessors in this regard, but then it doesn’t need to: the system works very well. The only thing it's missing, if I'm nit-picking, is a self-timer that'd allow you to set it up somewhere for a group shot.

The prints are credit card sized (62 x 46mm to be precise), nicely glossy, and packed with charm. I suppose you might be disappointed if you’re looking for the most detail, the punchiest contrast and the richest, most saturated colors – but, well, you didn’t truly expect to find them on a cheap instant camera, did you?

Image 1 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)
Image 2 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)
Image 3 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)
Image 4 of 4

Fujifilm Instax Mini 41 sample photos

(Image credit: Future | Sam Kieldsen)

What these images have in spades is spirit and character. The colors are pleasant and appealing and there’s enough detail here, despite the small print size. And that analog film special sauce suits portraits and selfies well, imbuing them with a timeless quality that digital has always struggled to recreate.

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

Should I buy the Fujifilm Instax Mini 41?

Buy it if...

You want a simple, cheap instant camera
At this price it's hard to fault the Mini 41. It's a straightforward instant camera that just works!

You want something a little more grown-up
The cheaper Mini 12 is almost exactly the same camera, but its bubbly, colorful design is a bit kiddified. Not so the elegant Mini 41.

Don't buy it if...

You hate spending money on film
This isn't like a digital camera – you'll need to continually invest in film (and AA batteries) while using it.

You like being in control
Serious creative photographers might bounce off the Mini 41's lack of manual controls. It's designed to be simple and fun, not for professional photography.

Fujifilm Instax Mini 41 camera

(Image credit: Future | Sam Kieldsen)

Fujifilm Instax Mini 41: Also consider

How I tested the Fujifilm Instax Mini 41:

  • Used two packs of Instax Mini film (20 shots)
  • Took photos in and outdoors in different conditions
  • Experimented with portraits, self portraits, close-ups and landscapes

I was only given about a week to use the Mini 41 before my review sample had to go back to Fujifilm, but that was enough time to get through a couple of cartridges of film: 20 shots in total. I took these in and outdoors and in a variety of situations, from selfies to landscapes. I own an Instax Mini 12 too, so am quite familiar with the design and image quality of the Instax Mini range and film, which helped me form an opinion on the Mini 41 despite having limited hands-on time with it.

  • First reviewed May 2025

Fujifilm Instax mini 99 review: Instant fun!
3:02 pm | May 7, 2024

Author: admin | Category: Cameras Computers Gadgets Instant Cameras | Tags: | Comments: Off

Fujifilm Instax mini 99: One-minute review

The Instax mini 99 is the latest addition to the ever-growing and evolving Fujifilm Instax family. It's a delightful addition to the range, too, and likely to seduce photographers beyond the ‘typical’ Instax crowd, along with anyone with a keen interest in instant photography. Its design, vibe and feature set feel inherently more ‘photographic’ and less ‘toy-like’ than some other Instax cameras. 

Not only does it look more serious than its brightly colored cousins, but its range of extra controls and funky effects add to the creative possibilities. You have the option to tweak exposure using the Brightness dial, along with a modest selection of shooting modes such as Sports Mode, Bulb Mode (for long exposures) and even Double Exposure, and the Instax mini 99 really comes into its own with a palette of cool color effects, adding funky hues to your prints by exposing the Fujifilm Instax mini Film to LED lights in the camera.

Fujifilm Instax mini 99 held up to the eye

(Image credit: Future | Ben Brain)

However, while initially seduced, I can't see a compelling reason why I wouldn't plump for a digital hybrid instant camera, such as the slightly more expensive Fujifilm Instax mini Evo, or even the comparatively priced Fujifilm Instax LiPlay. While the Instax 99 might tick the analog box for ‘purists, it’s the tangible-ness of the print that entices me to the Instax cameras, and not necessarily how I got there. The digital hybrids allow for a little less guesswork and, as such, are a more economical option in the long run.

Fujifilm Instax mini 99: design

  • Classic retro look
  • Lens with a macro mode but no selfie mirror
  • Rechargeable lithium-ion battery

The overall design, aesthetics and ergonomics of the Instax mini 99 are lovely. It feels slick and stylish, and it will appeal to ‘photography’ folk more than some of the youth-oriented lollipop color palettes of other instant cameras in the Instax family. It's solid but not too heavy, and it feels well made and balanced in the hand.

Fujifilm Instax Mini 99 price and release date

The Fujifilm Instax mini 99 is available now and costs $199.95 / £174.99 / AU$279.

You switch on the Instax mini 99 by twisting the lens, and the camera’s three shooting modes – Landscape, Standard, and Macro Focus – are also accessible by twisting the lens. Landscape Mode focuses on subjects positioned at a distance of 3.0m to infinity; Macro Mode is perfect for close-ups and selfies taken at between 0.3m to 0.6m, and Standard Mode covers everything in between. Once the camera was on, I repeatedly forgot to change the lens settings; fortunately, defaulting to Standard seemed to cover most subjects well enough.

The Fujifilm Instax mini 99 is powered by a 680mAh lithium-ion battery, unlike some other Instax models, which use AA batteries. Annoyingly, though, the battery can't be charged through the camera, and you’ll need to remember to take the small charger and USB-C cable with you. This isn't necessarily a hassle, but it is yet another charging accessory to potentially forget, and you’ll be in a real pickle without it.

Fujifilm Instax mini 99 on a marble pink surface

(Image credit: Future | Ben Brain)

While I’m no stranger to being aware of and dealing with parallax, it seemed harder to calibrate my eye/brain with the Instax mini 99. I guess with more time this would become less of an issue, but the difference of view between the lens and viewfinder seemed especially displaced. The viewfinder, too, felt strangely awkward to look through at first.

The Instax mini 99 is not aimed as directly at the ‘selfie’ audience as other members of Fujfilm Instax family, such as the brightly colored Instax Mini 12; that said, it wouldn’t have been a stretch for Fujifilm to have included a front-facing mirror to help users compose and pose for some more accurate naval-gazing. 

Fujifilm Instax mini 99: Performance

  • Manual control over brightness
  • Fun shooting modes including multiple exposure and color effects
  • Handy Instax UP! app to digitize your prints

Unlike other cameras in the Instax range, the Fujfilm Instax mini 99 gives you considerably more control over image brightness, which is great. The Brightness Control dial, which looks and feels like a typical exposure compensation dial (it’s even in the ‘right’ place on the top plate), offers five levels of dark and lightness: the Light (L+) setting selects the brightest exposure; the L, D, and N settings offer a normal range of brightness; and the Dark (D-) setting represents the darkest available brightness level. However, you’ve got to wait 90-odd seconds to see and to assess exposure, which can be frustrating. However, this is really just part of the slow, mindful, creative experience, which is fundamentally a good, albeit a relatively expensive, thing. Generally, in ‘normal’ conditions, I found ‘underexposing’ by one value to work best.

Fujifilm Instax mini 99: specs

Film type: Fujifilm Instax mini film
Print size: 62 x 46mm
Lens: Retractable lens, 2 components, 2 elements, f = 60mm, 1:12.7
Shooting range: Manual 3-point switching type (0.3m to 0.6m/0.6m to 3.0m/3.0m to ∞) Shooting range: 0.3m to ∞
Battery: NP-70S, charged through USB-C
Dimensions: 103.5 x 117.5 x 60.0mm
Weight: 340g

The Instax mini 99 comes into its own with some fun and funky shooting modes, with a wide variety of options to enhance the shooting experience. Indoor Mode is designed for low-light situations, Sports Mode increases the shutter speed for action shots, Double Exposure Mode lets the user combine two images into one, and Bulb Mode increases the amount of light let in when shooting a night view, for example. I gravitated to Multiple Exposure as the most potential fun, but I ran out of Instax mini color film before I’d nailed the technique.

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Fujifilm Instax UpI app screenshot illustrating how it crops and digitizes your instant print

(Image credit: Future | Ben Brain)
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Fujifilm Instax Mini 99 instant print of a tree silhouette on crest of a hill with creative color effect

(Image credit: Future | Ben Brain)
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Fujifilm Instax Mini 99 instant print of a building's roof

(Image credit: Future | Ben Brain)
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Fujifilm Instax Mini 99 instant print of a tree silhouette on crest of a hill with creative color effect

(Image credit: Future | Ben Brain)

When you want to really flex your creative muscles, the Instax mini 99 features a cool creative palette of fun and funky color effects, which are accessed via the Effects dial on the top plate. You can select from one of six snazzy looks: Faded Green, Warm Tone, Light Blue, Soft Magenta, Sepia, and Light Leak. Light Leak was my favorite. 

Unlike the Instax mini 99’s hybrid digital cousins, the effects are cleverly driven by LED lights inside the camera; the Colour Effect feature exposes the chosen color onto the Instax mini instant film, creating the desired effect on the print. It's pretty clever, and very cool. The effects are marginally cooler than similar ‘emulated’ effects on some of the Instax digital hybrid cameras; it's only a small margin, but you will bag more analogue kudos points.

The Vignette switch is an interesting new function. Located on the lens housing, it can darken the corners and edges of the frame for artistic purposes. It’s a nice touch.

A range of the same Fujifilm Instax Mini 99 instant print of a tree silhouette on crest of a hill with variety of creative color effects applied

(Image credit: Future | Ben Brain)

Making instant prints will always be more expensive, period. That said, Instax mini prints do offer the best value for money. A twin-pack of Instax mini color film, each containing 10 exposures, costs $20.99 / £14.99 / AU$28, and in this digital day and age it’s making an actual physical print that makes Instax such a delight. However, if you want to digitize your instant photo print, you can scan and share on social media platforms using (another) new app released by Fujifilm called INSTAX UP! The smartphone app most usefully allows you to scan your work, crop to the corners, and even remove reflections. It also has a bunch of album features, enabling users to organize, store, and share their digital Instax photos. I found the scanning feature the most useful.

Should I buy the Fujifilm Instax mini 99?

Fujifilm Instax Mini 99 camera

(Image credit: Future)

Buy it if...

Don't buy it if...

Fujifilm Instax Mini 99 camera

(Image credit: Future)

How I tested the Fujifilm Instax mini 99

  • I used two packs of Instax Mini film
  • I tried all the creative color effects
  • I experimented with the Shooting Modes

Using the Fujifilm Instax camera for a week with two packs (20 shots) of Instax mini film, I carried the camera with me on several walks in and around my local area - South-West UK. Unlike its digital hybrid cousins, such as the Instax Evo, I had to be more considerate, mindful, and measured in my shooting, as every click of the shutter cost money. This slightly discouraged the spirit of experimentation, and every action was tinged with economic anxiety. Just like life! That said, working on location and waiting 90 seconds to see results was also a refreshing and exhilarating way to work in the field. It encouraged a slow and considerate approach to photography, which I think is good.

First reviewed May 2024

Fujifilm Instax SQ40 review
10:30 am | June 19, 2023

Author: admin | Category: Computers Gadgets | Tags: | Comments: Off

Fujifilm Instax SQ40: Two-minute review

  • Retro-style
  • Retractable lens with closeup mode
  • Automatic exposure

Most Fujifilm Instax cameras follow a similar formula, and we’ve unpacked how to get started with an Instax like the SQ40 in our Fujifilm Instax Mini 12 review. In a nutshell: insert the two CR2 batteries, follow the visual cues to insert the film, open the lens, and away you go.  

Fujifilm does old-school design better than most, and the Instax SQ40 is a perfect example of that. Some may prefer the look of the bright and bubbly Instax Mini series, but my preference is for the classic black faux-leather finish of the SQ40. 

The silver-effect accents around the lens and shutter button are a nice touch, though I would have gone one step further and included a more pronounced silver top plate. I didn’t have the leather half case while reviewing the SQ40, but judging by the images I've seen it serves to enhance the retro styling even further. 

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Fujifilm Instax SQ40 camera in reviewer's hands

(Image credit: Future)
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Fujifilm Instax SQ40 camera in reviewer's hands

(Image credit: Future)
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Fujifilm Instax SQ40 camera in the hand taking a picture

(Image credit: Future)
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Fujifilm Instax SQ40 camera in reviewer's hands

(Image credit: Future)
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Fujifilm Instax SQ40 camera taking a selife

(Image credit: Future)

Again, like the Instax Mini 12, which is the best instant camera for most people, you have a retractable lens with three settings: off, on, and selfie. The difference between on (standard mode) and selife is the focus distance range – you’ll be able to get up close and personal for selfies and macro using the selfie mode, but it won’t focus sharply into the distance like the standard shooting mode does. 

There's a small contour on the rear of the camera that gives a bit of grip, and overall the SQ40 is much easier to hold than the Mini 12. 

The camera automatically determines the brightness in your pictures using a light meter on the front of the lens, and in general you can expect accurate brightness in your SQ40 prints, unless you’re in bright sunlight, in which the camera can overexpose a little.

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Fujifilm Instax SQ40 camera close up of lens and shooting modes

(Image credit: Future)
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Fujifilm Instax SQ40 camera on a multi-color fabric background close up of auto exposure meter

(Image credit: Future)
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Fujifilm Instax SQ40 camera on a multi-color fabric background close up of viewfinder

(Image credit: Future)
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Fujifilm Instax SQ40 camera on a multi-color fabric background design details

(Image credit: Future)
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Fujifilm Instax SQ40 camera on a multi-color fabric background

(Image credit: Future)
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Fujifilm Instax SQ40 camera on a multi-color fabric background with print

(Image credit: Future)

Next to the light meter is a Flash Light sensor for the always-on flash. I’d like a button to deactivate the flash for the times when I don’t want the foreground subjects brightly illuminated, and without that feature I often opt to physically cover the flash as a workaround. 

The fixed angle of view is slightly tighter than that of a phone’s main camera – around 35mm in photography terms – and in general you’ll want your subjects to be between 0.3m and 3m from the camera; any further away and they’ll be too small in your prints. 

There’s a viewfinder for composing pictures. This isn't physically aligned with the lens, but it has parallax correction, so what you see through the viewfinder is pretty much the composition you’re going to get.

To help compose your selfies, the SQ40 has a tiny mirror on the front of a lens as a visual guide, but given its size it’s only moderately helpful.

Fujifilm Instax SQ40: Performance

  • Better in bright light than the Instax Mini 12
  • Lovely washed-out vintage prints

The 62 x 62mm square prints that the SQ40 churns out are perfect in size – equal in height as Instax Mini film but in a wider square format, with the film itself measuring 86mm x 72mm.  

Auto exposure parameters are 1/2 sec with slow sync flash, which is ideal for flash portraits indoors, and up to 1/400 sec, which gives more headroom in bright sunlight than the Instax Mini, which tops out at 1/250 sec and washes out (overexposes) more often.

You don't buy an instant camera for technical quality, but for the best possible results you’ll want to keep subjects close to the camera, and make sure the camera is in the correct shooting mode for the focus distance, or else your subjects won’t be in sharp focus. For example, the selfie mode’s focus distance is between 0.3 to 0.5m, and anything beyond that will produce soft images. 

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Digitized instant photo taken with the Fujifilm Instax SQ40 of DJ indoors in darkly lit bar

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of a London bar with person in motion blur walking past

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of DJ indoors in darkly lit bar

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of highrise buildings reflected in water

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of DJ indoors in darkly lit bar

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of selfie with two people on colorful backdrop

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of old building along a canal on sunny day

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of DJ indoors in darkly lit bar

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of London streets on a sunny day

(Image credit: Future)
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Digitized instant photo taken with the Fujifilm Instax SQ40 of old building along a canal on sunny day

(Image credit: Future)

The sample gallery (above) shows the sort of aesthetic quality you can expect from any Instax camera – that's a lovely desaturated vintage look, and the SQ40 is no exception. 

Digitizing your prints is as simple as taking them, courtesy of the 'Instax Up!’ app. All the pictures in the sample gallery were digitized using the app, which includes guides for all film types, including the SQ40’s square format, and handy features like Remove Reflections. 

Fujifilm Instax SQ40: Price and release date

  • List price $149.99 / £134.99 / AU$229
  • 2 x 10-sheet pack of regular Instax Square film costs $24.99 / £16.99 / AU$34.95

The Fujifilm Instax Square SQ40 has a list price of $149.99 / £134.99 / AU$229, and is available from the end of June.

Instant photography doesn’t end with the cost of the camera of course, and there’s no such thing as cheap instant film. However, you won’t find better value than Instax. 

A regular twin pack (2 x 10 sheets) of Square color film costs $24.99 / £16.99 / AU$34.95, and it's also available with different colored borders, including Rainbow, plus a Monochrome version of the film (prices vary).

Alongside the launch of the SQ40, Fujifilm has added a Sunset variety of its Square film, featuring soft color gradients which the company says are “reminiscent of a serene sunset”. This costs $15.75 / £10.99 / AU$26.95 for a single pack of 10 sheets.  

  • Price score 3.5/5

Fujifilm Instax SQ40: Should I buy?

Buy it if...

Don't buy it if...

Fujifilm Instax SQ40: also consider

If our SQ40 review has you interested in instant cameras, here are a couple of other options to consider...

Fujifilm Instax SQ40: How I tested

  • A day in the city
  • A few packs of film

I haven’t needed much time with the Instax SQ40 to form my opinions about it. I’ve reviewed plenty of Instax cameras down the years, and the point-and-shoot models like the SQ40 are simple cameras that offer a fun and intuitive user experience. 

The only real choice you have to make when using the SQ40 is if you want to use the standard mode or the closeup shooting mode. You also quickly learn what are the types of pictures that work for instant photography at this print size, and those that don’t. You’ll want subjects to fill the frame, so moderate closeups, bold buildings for example. 

Read more about how we test

  • First reviewed June 2023