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I tested the Epson Pro Cinema LS9000 projector, and it has incredible performance and features for the price

1:19 am | November 15, 2025

Epson Pro Cinema LS9000: One minute review

The Epson Pro Cinema LS9000 is the latest, and least expensive, member of Epson's LS series of projectors. At $3,999 / £2,999 / AU$7,299, this entry-level dedicated home theater projector is notably cheaper than comparable options from JVC and Sony, yet still comes with a bevy of great features and performance to match.

Epson’s Pro Cinema LS9000 follows in the footsteps of the Epson LS12000 model that currently sits a the top of TechRadar’s Best Projectors list. The Epson Pro Cinema LS9000 aims to continue this excellence, employing the same 15-element glass VRX lens structure, laser light engine, and 3LCD technology as the LS12000.

Similar to the step-up LS12000, the Pro Cinema LS9000 supports 4K 120Hz signals, has relatively low input lag for gaming, and is compatible with the HDR10+ high dynamic range format. Its motorized lens shift, zoom, and focus make setup adjustments easy, and out of the box in Natural picture mode, it delivers accurate colors and a crisp image.

Even with all the great inclusions, some missing features reflect the LS9000’s entry-level status. The most glaring is a lack of dynamic tone mapping, which is also missing from the other LS series projectors that were originally released a few years ago, but is starting to show up in some less expensive home theater models. With a rated 2,200 lumens brightness (white and color), it’s also best suited for a home theater room with decent ambient light control, as opposed to a multi-purpose living space with light streaming in through windows.

Still, the Epson Pro Cinema LS9000 offers incredible performance for the price. It’s a solid projector that’s easy to set up, but still offers the ability to tweak and play with image settings that a new (or frugal) home projection enthusiast is sure to love.

Epson Pro Cinema LS9000 review: Price & release date

Epson Pro Cinema LS9000 on table at angle — The LS9000's 2,200 lumens brightness spec is comparable to many other home theater projectors (Image credit: Future)

Release date: July 2025
Price: $3,999 / £2,999 / AU$7,299

The Epson Pro Cinema LS9000 made its debut in July 2025 at the Audio Advice Live show in Raleigh, North Carolina. It’s the least expensive of Epson’s Pro Cinema laser projectors, coming in at $3,999 / £2,999 / AU$7,299. For comparison, the Home Cinema LS11000 retails for $4,499 (up from $3,999 when released) and the LS12000 now goes for $5,999 (up from $4,999 at release).

Epson Pro Cinema LS9000 review: Specs

Screen sizes supported:	50-300 inches
Brightness (specified):	2,200 Lumens
HDR support:	HDR10, HDR10+, HLG
Optical technology:	3LCD laser diode
Smart TV:	N/A
Connections:	2x HDMI 2.1 (one with eARC), 2x USB-A (one 300mA for optical HDMI power, one 5V/2A for power and firmware), Mini USB (service), RJ45 (control), RS-232c, 3.5mm (12V trigger)
Dimensions (H x W x D):	7.6 x 20.5 x 17.6 inches (193 x 520‎ x 447mm)
Weight:	28 pounds (12.7kg)

Epson Pro Cinema LS9000 review: Design & features

Epson Pro Cinema LS9000 rear panel ports and controls — The projector's connections include two HDMI 2.1 ports with 4K 120Hz support (Image credit: Future)

Motorized zoom, focus, and lens shift
4K 120Hz support
Motorized lens cover

The Epson Pro Cinema LS9000 shares the same look as its bigger siblings, the Pro Cinema LS12000 and Home Cinema LS11000, and the high-lumen Epson QB1000 released in late 2024. The chassis is large and a bit heavy (the Sony Bravia Projector 7 weighs less, but the JVC DLA-NZ5 weighs a little more), but I find the design and its black color to look sleeker than its heft lets on. All connections are on the back panel alongside touch controls if the remote is misplaced.

The look is not where the similarities to the LS11000 and LS12000 end. Inside, the LS9000 uses the same VRX lens with a 15-element glass structure and has Epson’s 4K 3LCD design architecture with three 0.74-inch LCD panels.

As is the case with all Epson projectors, the LS9000 uses pixel-shifting technology to achieve a 4K resolution from 1080p chips. Some enthusiasts complain about this not being “True 4K” and as lesser than the use of native 4K chips, but the 4K image from the LS9000 (and every other Epson that uses pixel-shifting technology) is detailed and crisp, especially from a normal viewing distance. The chip also allows for a maximum refresh rate of 120Hz.

The laser light source is specified for 2,200 lumens of both color (IDMS rated) and white (ISO rated) light output and has up to 20,000 hours of life in all modes. This is where the LS9000’s performance separates from the LS11000 and LS12000, which are rated at 2,500 and 2,700 lumens, respectively, and partially accounts for the difference in pricing. The blue laser diode array emits light through a fixed yellow phosphor (first released with the LS12000), as opposed to a phosphor wheel, to create white light, and the laser light source and fixed phosphor allow it to run silently.

The lower lumen output makes the LS9000 more suitable for a dark room – or at the very least, a light-controlled room — than the more expensive, higher light output projectors. But as I’ll discuss below, it still delivers enough brightness for daytime viewing.

There’s a generous +/- 24% horizontal and +/- 96% vertical powered lens shift on the LS9000, along with powered zoom (a ratio of 1-1.2) and focus that can be controlled from the remote to make setup adjustments easy. The projector’s throw ratio is 1.35-2.84:1. There’s also vertical and horizontal keystone correction (+/- 30 degrees), but with the amount of lens shift available, keystone correction likely won’t be necessary (and should always be avoided, if possible, as it can negatively affect the picture).

The LS9000 is compatible with an anamorphic lens kit (sold separately) and third-party options. A memory feature allows you to save image adjustments and lens positioning for different aspect ratio setups, and the lens is also protected by a motorized lens cover that opens and closes with the power cycle.

The LS9000 supports HDR10, HLG, and HDR10+ high dynamic range, and has two HDMI 2.1 inputs that support 4K 120Hz. While that’s great news for gamers, the projector doesn’t support ALLM, so you’ll need to manually switch the image processing from Fine to Fast for the lowest input lag. HDMI2 also supports eARC, so if you decide to connect a streaming stick directly to the projector, you can send out audio including Dolby Atmos, Dolby TrueHD, DTS Master Audio, and DTS:X formats.

One thing missing from the Epson Pro Cinema LS9000 is dynamic HDR tone mapping. Instead, there’s an HDR Dynamic Range slider that allows you to manually adjust the brightness of the HDR image.

The projector’s remote is a bit chunky, but the keypad is backlit and has all the necessary buttons to make easy adjustments while viewing. There are dedicated buttons to call up features like Fine/Fast (for gaming), different lens memory positions, signal information, lens adjustment, and color modes.

Design & features score: 4.5/5

Epson Pro Cinema LS9000 review: Picture quality

Epson Pro Cinema LS9000 remote control on wood surface — The LS900 has a sizeable, fully backlit remote control with numerous buttons to make adjustments directly, bypassing onscreen setup menus (Image credit: Future)

Accurate image in Natural picture mode
HDR10+ support
No dynamic tone mapping

The LS9000 has five different picture modes — Dynamic, Vivid, Bright Cinema, Cinema, and Natural — and they are the same for both standard and high dynamic range sources. Each mode produces a watchable image out of the box, although all of them have some degree of blue tint to the grayscale, with Natural being the most accurate choice for both SDR and HDR.

The default color temperature setting of 6500K is still slightly on the blue side, but switching it to 6000K causes the color temperature to be a little too red. If you choose to do a professional calibration, you can use two different picture modes – one for SDR and one for HDR – and save them with the Image Memory setting.

Out of the box SDR measurements in Natural picture mode had an average Delta E of 2.8, with some grayscale reaching above 4 because of the blue bias. A calibration can get all dE down below 2.1, with many under 1. UHDA-P3 color gamut coverage measured 90.25%, while BT.2020 came in at 66.86%.

Brightness in Dynamic mode with my unit was 2,062 lumens, but that’s still within the measurement tolerance of ISO lumens, and due to the positioning of my projector, the image was zoomed in a bit, which causes the brightness to come down. It’s enough brightness for a watchable image in a room with ambient light (even with Natural picture mode, which is visibly less bright than other modes), but there’s a loss of shadow detail due to the light reflecting on the screen.

Where the projector really excels is when the lights are off. Colors look accurate and inviting, detail in both SDR and HDR is sharp, and the projector exhibits great contrast and shadow detail with the Dynamic Contrast setting at High Speed. The contrast isn’t as impressive as on the LS12000, which I evaluated a few years ago, but for the price, the LS9000 does an excellent job.

Epson Pro Cinema LS9000 on table with laser light on and center channel speaker visible below — The LS9000 excels for dark room viewing (Image credit: Future)

The HDR image does require some tweaking at times. Occasionally, bright highlights can cause some clipping — such as when the shark cage is lowered into the water in The Meg, and we can see the bright sun refracting through the ocean water. In this instance, I adjusted the dynamic range slider from its default of 8 to 10 (which slightly backs off the scene brightness).

Through most of my viewing, I played around with the slider, not just to address high brightness clipping, but also to see its effect on image depth. Generally, I found myself setting it between 8 and 10, with the Battle of Pelennor Fields in Return of the King at 8 and day scenes during Mad Max: Fury Road at a 9 for a bit more depth. None of the adjustments were life-altering, and I wouldn’t suggest changing the dynamic range slider mid-movie, but you’ll learn your preferences. This is where dynamic tone mapping is missed.

Home theater projectors have historically struggled to provide input lag low enough for gaming, but with two HDMI 2.1 ports that are capable of 4K 120Hz, the LS9000 is screaming to be used as a gaming projector. The Image Processing menu allows you to select a setting of Fine or Fast (which provides a lower input lag). With the Fast setting and a 4K 60Hz signal, the lag measured at 20ms (it’s 44ms with the Fine setting). Unfortunately, there’s no ALLM (Auto Low Latency Mode), so you’ll need to manually switch the setting when you game or watch content.

Input lag is low enough on the LS9000 to satisfy a non-competitive gamer (my son still enjoyed his time playing Minecraft). During my second playthough of Clair Obscur: Expedition 33, which relies on dodge and parry reactions during combat, I was able to still make it through combat without issue. Someone who regularly plays first-person shooter games will likely feel a difference between the LS9000 and one of the best gaming TVs, but for the vast majority of us, the Epson will deliver a great gaming experience.

Picture quality score: 4.5/5

Epson Pro Cinema LS9000 review: Value

Epson Pro Cinema LS9000 mounted on ceiling — The LS9000's 1.35-2.84:1 throw ratio allows for installations at the rear of the viewing space (Image credit: Future)

Great performance for the price
Solid gaming projector
Missing an important home theater feature

The Epson Pro Cinema LS9000 is not only the least expensive model in the LS series, it’s one of the most affordable premium home theater projectors – the JVC DLA-NP5, which is a lamp-based model, retails for $6,000, as does the Sony VPL-XW5000ES, which came out three years ago.

Not only is the LS9000 brighter than both of those projectors, it also has a collection of features neither of them has, including a high-quality laser light engine, HDMI 2.1 ports with 4K/120Hz and eARC support, an excellent lens with motorized adjustments and lens cover, zoom and image memory, and 2,200 lumens of brightness.

There are still some compromises that must be made. Its biggest flaw is a lack of dynamic tone mapping, which we’re seeing in projectors half the price of the LS9000, like the Valerion VisionMaster Pro2. The LS9000 also doesn’t have 3D support, isn’t as bright as the step-up options from Epson, and is missing ALLM for gaming. But even so, the projector delivers a detailed picture with accurate color, which looks very engaging in a dark room. Also, the 20ms input lag time and 4K 120Hz support make gaming a joy on the big screen.

Value score: 4/5

Should I buy the Epson Pro Cinema LS9000?

Epson Pro Cinema LS9000 on table at angle with lens cover closed — (Image credit: Future)

Epson Pro Cinema LS9000
Attributes	Notes	Rating
Design and features	Motorized zoom, focus, and lens shift, along with 4K 120Hz and HDR10+ support	4.5/5
Picture quality	Accurate color in Natural mode, along with solid contrast, fine 4K picture detail, and low input lag for gaming	4.5/5
Value	A very good value compared to other 4K home theater projectors, most of which cost several thousands more	4/5

Buy it if...

You’re building your first serious home theater
If you’re making the jump from a basic projector to one truly designed for a 4K home theater, the LS9000 delivers an incredibly pleasing picture that rivals home theater offerings from JVC and Sony.View Deal

You also want a great gaming experience
It might not have ALLM, but the Pro Cinema LS9000 supports 4K 120Hz, and its input lag is low enough for all but the most competitive gamers.View Deal

You want HDR10+ support
Since the LS9000 doesn’t have dynamic tone mapping, watching HDR10+ content (with its dynamic metadata) will deliver the best dynamic content.View Deal

Don't buy it if...

You want dynamic HDR tone mapping
The LS9000, like its bigger siblings, doesn’t support dynamic tone mapping, instead relying on a manual dynamic range slider to adjust the HDR image.View Deal

You plan on watching with lots of ambient light
While 2,200 lumens is a good brightness spec, ambient light causes the image to look a bit washed out, which makes seeing shadow detail difficult.View Deal

Watching 3D movies is a priority
3D isn’t supported by the Epson Pro Cinema LS9000 (or by the LS11000 and LS12000), so you’ll need to look elsewhere for your 3D fix.View Deal

Also consider

Comparison: projectors
	Epson Pro Cinema LS9000	Epson Pro Cinema LS12000	JVC DLA-NZ700	Sony Bravia Projector 7
Price:	$3,999	$4,999	$8.999	$9,999
Screen sizes supported:	50-300 inches	50 to 130 inches	30 to 150 inches	90 to 130 inches
Brightness (specified):	2,200 lumens	2,500 lumens	2,300 lumens	2,200 lumens
HDR support	HDR10, HDR10+, HLG	HDR10, HDR10+, HLG	HDR10, HDR10+, HLG	HDR10, HLG
Optical technology:	Laser 3LCD	Laser 3LCD	Laser D-ILA	Laser SXRD
Smart TV:	n/a	n/a	n/a	n/a
Connections:	2x HDMI 2.1 (1 with eARC)	2x HDMI 2.1 (1 with eARC)	2x HDMI 2.0	2x HDMI 2.1

Epson LS12000

The LS12000 is the step-up model in Epson's Pro Cinema projector lineup. Rated for 2,700 lumens, it has a brighter picture than the LS9000 and also supports HDR10+ high dynamic range and a 4K 120Hz refresh rate for gaming. Other than brightness, the LS9000 and LS12000 are mostly similar when it comes to features and performance.

Read our Epson LS12000 review View Deal

JVC DLA-NZ700

The JVC DLA-N700 is a big jump up in price over the LS9000, and it lacks Epson's 4K 120Hz support. At a rated 2,300 lumens, brightness is about the same, but the JVC features a native 4K display chipset and sophisticated dynamic HDR tone mapping to augment its HDR10+ high dynamic range support.

Read our JVC DLA-NZ700 reviewView Deal

Sony Bravia Projector 7

Like the JVC DLA-N700, Sony's entry-level projector is a big step up in price over the Epson, costing around $10,000. Its brightness spec is the same 2.200 lumens and it lacks the Epson's HDR10+ support. What you are getting with the Sony is 4K 120Hz and ALLM support for gaming, along with a native 4K display. It also has dynamic HDR tone mapping and Sony’s XR Processor for projector, which improves detail and clarity of images blown up to a cinematic size.

Read our Sony Bravia Projector 7 reviewView Deal

How I tested the Epson Pro Cinema LS9000

Evaluated under various viewing conditions
Measured and calibrated with professional software and hardware
I am ISF-certified and have years of experience reviewing projectors

The Epson LS9000 laser projector was connected to my ceiling mount, approximately 11 feet from an Elite Screens CineTension 3 ISF-certified CineWhite screen. Using the Epson’s zoom and lens adjustment controls, the image was adjusted to fit the 100-inch diagonal screen.

I watched a wide range of content with both ambient light from the sun and ceiling lighting during the day and a dark, light-controlled environment at night. Movies and TV shows were streamed with an Apple TV 4K from the Disney+, HBO Max, and Hulu apps. I also used a Kaleidescape Strato V for high-quality movie playback, along with 4K Blu-ray discs played on an Oppo UDP-203 disc player. Games were played on an Xbox Series X.

For objective measurement testing, I used an X-rite i1 Pro 3 spectrophotometer, Murideo Seven-G 8K pattern generator, Konica Minolta LS-100 luminance meter, and Calman calibration software by Portrait Displays. Input lag tests were made with a Leo Bodnar 4K lag tester.

I’ve been testing projectors and other displays for a couple of decades, and am an ISF Level III certified calibrator.

First reviewed: November 2025
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I tested Epson’s top portable projector, and it’s got a fun design but average performance

12:00 am | October 16, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: MSRP | Comments: Off

Epson Lifestudio Flex Plus: One minute review

The Epson Lifestudio Flex Plus follows up on last year's Epson EpiqVision Mini EF22 portable projector, but this time, Epson is leaning far more into the lifestyle aspect of the design with a more extensive fabric wrap, colorful LED underlighting, and a funky monopod stand.

Under the hood, the Epson Lifestudio Flex Plus offers a sizable upgrade over the EF22 thanks to the 4K projection system, but otherwise still uses the same 3LCD tech and has the same 1,000 ISO lumens brightness spec.

It’s nice to see the 4K resolution since larger images really benefit from it. But picture quality with the Lifestudio Flex Plus otherwise isn’t terribly impressive, with weak contrast, minor ghosting and motion hiccups, and a brightness level that really requires a dark room.

As for the rest of the package, having only one HDMI port is a limiting factor and the built-in Sound by Bose speakers provide just average sound quality. And even though the stand allows for flexible aim, it doesn’t offer anything that other examples of the best projectors with built-in stands don’t.

While the $999 price tag puts the Epson Lifestudio Flex Plus on the affordable side for a 4K projector, it still has to square off against the oft-discounted price of the brighter, more colorful JMGO N1S Pro 4K and the slightly brighter, slightly more expensive, but more versatile Hisense M2 Pro.

Epson Lifestudio Flex Plus review: Price & release date

Epson Lifestudio Flex Plus tilted up on table showing colored lights — The Lifestudio Flex Plus has built-in lighting that can change colors and lets it do double-duty as a mood lamp (Image credit: Future)

Release date: September 2025
MSRP: $999.99 / £1,149.99 / around AU$1,536

The Epson Lifestudio Flex Plus has just launched, and it lands with a retail price of $999.99. Given its newness, it’s unlikely to see any considerable discounts in the near term. This puts it in a tough spot as it has to face off against pricier rivals like the JMGO N1S Pro 4K, which has a retail price of $1,999 but has seen discounts as low as $1,099 since its launch.

Epson Lifestudio Flex Plus review: Specs

Screen sizes supported:	30-150 inches
Brightness (specified):	1.000 Lumens
HDR support:	HDR10, HLG
Display technology:	RGB LED, 3LCD
Smart TV:	Google TV
Connections:	1x HDMI (with eARC), 3.5mm audio out, USB-A, USB-C (supports 100/140W PD input)
Dimensions (H x W x D):	7.5 x 7.5 x 9.7 inches (190 x 190 x 246mm)
Weight:	8.8 pounds (4kg)

Epson Lifestudio Flex Plus review: Design & features

Epson Lifestudio Flex Plus rear panel showing ports — Ports include HDMI with eARC and USB-C for powering the projector with a portable battery pack (Image credit: Future)

All-in-one system
Integrated stand with a unique lamp feature
Quick, automatic adjustments

Epson has attempted to make the Lifestudio Flex Plus a bit more than a simple piece of tech. While the main portion of the projector is a little box that’s pretty typical of lifestyle projectors, it sits on a unique pole stand that allows for flexible aim and raises it to showcase the bottom-mounted LED lamp.

With taps on the top of the projector, the lamp switches its lighting scheme, offering some fun and colorful light shows or settling into a basic white. It’s a kind of fun gimmick, though with ambient light being the enemy of dimmer projectors, it’s also an odd choice. Even more odd, there’s no controlling the LED lamp with the remote, so you’ll have to touch the projector if you want to turn it off while watching.

The projector has a stylish design with a fabric wrap on its lower half and a wood-grain top, leaning more into accent furniture than a typical piece of tech. Still, it looks a little awkward standing on its monopod leg.

The stand is functional with a sturdy base, easy rotation, and a 105-degree vertical tilt. This lets you aim the projector straight up to project on ceilings (though it requires moving a small plastic panel on the rear that doesn’t serve much purpose other than aesthetics). The stand can also tilt down slightly if you need to project from a high-up place.

While it’s nice to have an integrated stand, this one doesn’t prove as helpful as some of the others I’ve seen lately. The Hisense M2 Pro’s stand, for instance, provides similar vertical shifting but also allows the projector to flip upside-down, which is even more convenient for projecting from high places than having the ability to tilt down, as it can avoid keystone adjustment.

The Epson Lifestudio Flex Plus can make it easy to get up and running. It has automatic focus, keystone adjustment, and obstacle avoidance. This squares the image with the wall and crops it into the available space on your wall or screen. Cropping the image this way isn’t entirely ideal, as it sacrifices resolution and overall brightness in the process, but it’s quick and convenient if you move the projector around often.

Though the Lifestudio Flex Plus doesn’t have an internal battery, it does encourage portability with its small size and ability to run off a USB-C charger battery pack with 100-140W of USB PD output.

The projector features an eye-protection feature to avoid harming anyone’s eyes, pets included, if they walk in front of the projector’s path. While many projectors have similar features, on the Epson Lifestudio Flex Plus, they are quick to activate and conveniently pause video playback so you don’t miss a beat.

The Lifestudio Flex Plus integrates Google TV for easy streaming, and with Wi-Fi 6, it can get a consistent, high-speed connection. Google TV was generally responsive during my testing, though it had the occasional hitch when loading up video. The system includes its own stereo speakers as well for a complete all-in-one package.

If you don’t want to rely on the Lifestudio Flex Plus’s built-in streaming and speakers, the projector’s single HDMI port supports HDMI eARC to send out audio. There’s a 3.5mm audio port on the back as well, and a USB-A port to play back local media. If you plan to connect a game console to the projector, ALLM is supported, which automatically switches the projector to a low-latency Game picture mode.

The Lifestudio Flex Plus comes with a basic remote. It has the standard Google TV control wheel, which makes navigation pretty simple. Brightness and volume controls are on their own pill-shaped buttons that make them easier to locate. There are also a few app shortcut buttons and an input-selection shortcut, though that might as well just be a shortcut to HDMI. The remote doesn’t include any backlighting, which makes it harder to use in a dark home theater environment.

Design & features score: 4/5

Epson Lifestudio Flex Plus review: Picture quality

4K resolution
Limited brightness, color gamut, and contrast
Some motion handling issues

Image 1 of 2

Epson Lifestudio Flex Plus projected movie images — The projector's color balance is natural, but blacks can look elevated in dark movie scenes (Image credit: Future)

Image 2 of 2

The Epson Lifestudio Flex Plus is a fine projector, but it doesn’t offer a remarkable home theater experience. With a brightness level that hits just 1,000 lumens, it’s simply not up to the task of delivering a dazzling picture, and it especially struggles with ambient light. To make the most of the Epson Lifestudio Flex Plus, you’ll need to turn out the lights and get blackout curtains or use it at night.

Even in the right conditions, picture quality with the Epson Lifestudio Flex Plus is still just average, though its 4K picture has impressive detail. Color looks fairly natural, though the projector’s color gamut isn’t as wide as with some triple-laser models I’ve tested in recent years. The plus side is that, with Epson’s 3LCD tech, there are none of the rainbow artifacts you’ll find with DLP projectors.

Blacks on the Epson Lifestudio Flex Plus are rather elevated. When watching relatively dark movie scenes, it fails to reach very dark levels, even with active contrast enabled. This harms the overall experience as dark scenes simply lack richness, and letterboxing is all too visible.

The projector also suffers a bit from ghosting. This doesn’t rear its head much in brighter scenes, but it shows up in darker ones. Watching Warfare, it cropped up big time after the IED explosion during the team’s first evac attempt, with the soldiers moving through the explosion of dirt and sand, followed by ghosting trails that made the scene a blur.

Motion interpolation is enabled by default on the Lifestudio Flex Plus. This can be useful in some limited contexts, such as panning shots, but it makes for unnatural motion from people and inaccurate smoothing in animation. Though it’s generally better with the feature disabled, the projector can stutter from time to time during panning shots, even with just light motion.

The mixed projection experience is matched by the middling Sound by Bose speakers. They can put out enough volume to get by in a 150-square-foot room without distortion. But, they suffer from the typical TVwq speaker issue: if the volume gets loud enough to hear the dialogue, the action and music are too loud. Conversely, if the action and music are at the right volume, the dialogue becomes too quiet to hear clearly.

Picture quality score: 3/5

Epson Lifestudio Flex Plus review: Value

Epson Lifestudio Flex Plus with remote control on table — Epson's remote control is serviceable but lacks backlighting (Image credit: Future)

High price tag
Price is still competitive for category
Performance equivalent to competition

The Epson Lifestudio Flex Plus puts everything you need for a modest home theater into a single, $1,000 package. Its performance is generally good, and while that would have gone a long way a couple of years ago, the portable projector space has gotten incredibly competitive since then.

Rivals from JMGO, Xgimi, Hisense, and Dangbei provide a ton of new options, while older projectors have had discounts. Some of these offer similar features and higher brightness without costing much more, and that reality hurts the Epson Lifestudio Flex Plus’s value.

Value score: 3/5

Should I buy the Epson Lifestudio Flex Plus?

Epson Lifestudio Flex Plus on table pointing down — The monopod stand provides upward and downward tilt motion (Image credit: Future)

Epson Lifestudio Flex Plus
Attributes	Notes	Rating
Design and features	Fun design with a useful stand that makes it easy to aim at a wall or ceiling. It’s an all-in-one device as well, giving you speakers and a streaming platform. While it has its own DC power adapter, it can also run on USB-C power	4/5
Picture and sound quality	Natural-looking color and a 4K resolution. But the brightness and color gamut are underwhelming, an an elevated black level limits contrast. Sound quality too is just average	3/5
Value	While it’s nice to get an all-in-one package, the picture and sound quality isn’t impressive compared to some recent competitors that fall in the $1,000-$1500 price range	3/5

Buy it if...

You struggle with rainbow artifacts
If you look at projectors and see a frequent blend of rainbow colors, you’re experiencing a common issue with DLP projection technologies. Epson’s 3LCD tech avoids this issue entirely. View Deal

You like the style
The Epson Lifestudio Flex Plus puts its best foot forward with a kind of fun and funky look. It’s part projector, part party lamp. View Deal

You want a projector that can run off USB-C power
While USB-C ports are becoming widespread, very few projectors have used it. The Epson Lifestudio Flex Plus is one of the few to let you power it from USB-C, giving you a convenient option for pairing it with a portable battery pack, even if most won’t be able to run it for very long.View Deal

Don't buy it if...

You don’t have a dark viewing space
Limited brightness holds the Epson Lifestudio Flex Plus back. If you want a good viewing experience, you’ll need a very dark space, and even then the contrast on this model is weak. View Deal

You want vivid colors
Color on this projector looks natural, but triple laser projectors have a big edge when it comes to color gamut coverage, which especially benefits 4K HDR content. You can find similar models with triple laser tech at competitive prices. View Deal

Your projector placement is strict
This projector’s automatic software adjustments are useful for frequent repositioning, but it doesn’t have optical zoom or lens shift, so you’ll sacrifice resolution and brightness if you can’t set the projector in the ideal spot and have to instead rely on its software correction. View Deal

Also consider

Comparison: projectors
	Epson LifeStudio Flex Plus	Epson EpiqVision Mini EF22	Anker Nebula Mars 3	JMGO N1S Pro 4K
Price:	$999	$999	$1,049	$1,099
Screen sizes supported:	90 to 130 inches	30 to 100 inches	30 to 200 inches	85 to 180 inches
Brightness (specified):	1,000 ISO lumens	1,000 ISO lumens	1,000 lumens	2,400 ANSI lumens
HDR support	HDR10, HLG	HDR10, HLG	Dolby Vision, HDR10, HLG	HDR10, HLG
Optical technology:	3LCD, LED	3LCD, LED	LED DLP	RGB laser DLP
Smart TV:	Google TV	Google TV	Android TV	Google TV
Connections:	1x HDMI (with ARC), 1x 3.5mm	1x HDMI (with ARC), 1x 3.5mm	1x HDMI, 1x 3.5mm	HDMI x2 (1 w/ eARC), USB-A (powered), 3.5mm

JMGO N1S Pro 4K

With its far brighter and more colorful picture, the JGMO N1S Pro 4K is a serious threat to the Epson Lifestudio Flex Plus. It may have a list price double that of the Epson, but recent discounts bring it to a much more competitive $1,099.

Read our JMGO N1S Pro 4K reviewView Deal

Epson EpiqVision Mini EF22

A predecessor to the Epson Lifestudio Flex Plus, the EF22 is still flexible, equally as bright, and has mostly similar picture quality. It may not offer 4K resolution, but as an older model, it should be easy to find at a discount.

Read our Epson EpiqVision Mini EF22View Deal

Anker Nebula Mars 3

If the USB-C capabilities of the Epson Lifestudio Flex Plus catch your attention, then the Anker Nebula Mars 3 may be even further up your alley. Instead of convenient charging for on-the-go use, it has its own built-in battery. For home theater use, it falls a bit behind, though, with just 1080p resolution and a mono speaker.

Read our Anker Nebula Mars 3 reviewView Deal

How I tested the Epson Lifestudio Flex Plus

Epson Lifestudio Flex Plus projector on table pointing up — (Image credit: Future)

Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade

I tested the Epson Lifestudio Flex Plus at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both with a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, both HDR and non-HDR.

My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer.

First reviewed: October 2025
Read TechRadar's review guarantee

I tested the Sony Bravia Projector 7, and it has the deepest blacks I’ve seen on a 4K projector

2:00 pm | September 13, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: TV | Comments: Off

Sony Bravia Projector 7 : One minute review

The Sony Bravia Projector 7 (VPL-XW5100ES) joins Sony’s projector lineup following the Bravia Projector 9 and Bravia Projector 8. It’s the cheapest of the three but still comes in at a staggering $9,999 / £6,999 / AU$13,999. Compared to popular consumer projectors like the $2,999 Hisense C2 Ultra, that is a huge leap. But the Bravia Projector 7 is specialty hardware designed for die-hard cinema fans with plans for a robust home theater, and in that context, it’s fairly priced.

Like other higher-end examples of the best projectors, the Bravia Projector 7 is somewhat simple – it’s just a projector. There’s no Google TV or other streaming platform built in, and there’s no sound system or even audio output ports. The few ports the Bravia Projector 7 does have are a pair of 4K 120Hz-capable HDMI 2.1 inputs plus a smattering of ports used for custom installation.

Though it’s just a projector, it’s a truly excellent one. It has flexible optics with a wide zoom range as well as vertical and horizontal lens shift, making it easy to align the projection. The picture you’ll get on your screen is also stunning: bright, colorful, and with the deepest black levels I can recall seeing from a projector.

While I’d love to see a wider color gamut and support for more HDR formats, these never felt like more than minor shortcomings during my time with the Bravia Projector 7, which never failed to impress. If you’re considering a projector for a dedicated, high-end home theater, it should be on your list.

Sony Bravia Projector 7 review: Price & release date

Sony Bravia Projector 7 close up of lens and lens adjustment rings — The Bravia Projector 7 features manual focus and zoom adjustments on its lens (Image credit: Future)

Release date: June 2025
Price: $9,999 / £6,999 / AU$13,999

The Bravia Projector 7 launch trailed behind the Projector 8 and 9, and though its price also trails behind those models, it is decidedly a luxury home theater product. The Bravia Projector 7 comes in at $9,999 / £6,999 / AU$13,999.

Sony Bravia Projector 7 review: Specs

Screen sizes supported:	90-130 inches
Brightness (specified):	2,200 Lumens
HDR support:	HDR10, HLG
Optical technology:	Laser SXRD (Silicon Crystal Reflective Display)
Smart TV:	N/A
Connections:	2x HDMI 2.1, Ethernet, USB-A, RS-232C, D-Sub 9-pin, 3.5mm (12V trigger)
Dimensions (H x W x D):	18.3 x 18.59 x 7.88 inches
Weight:	15.4 pounds (7kg)

Sony Bravia Projector 7 lens shift adjustment dials — Dials on the projector's top provide 71% vertical and 25% horizontal lens shift adjustments (Image credit: Future)

Sony Bravia Projector 7 review: Design & features

Sony Bravia Projector 7 rear panel ports — The projector's connections include two HDMI 2.1 ports with 4K 120Hz and ALLM support (Image credit: Future)

Large footprint
No audio capabilities or smart TV
Flexible optics

The Bravia Projector 7 is a sizable home theater projector on the scale of the Epson LS12000 and BenQ W5800. This isn’t one of those compact lifestyle projectors, and it’s even larger than some of the ultra short throw projectors I’ve tested. The upside to this size is that the Bravia Projector 7 runs quietly, and it can still fit onto a (sizable) mantle or shelf at the back of a room, but it is better suited to ceiling mounting.

Thankfully, the Bravia Projector 7 is flexible about placement. The lens has a 1.6x zoom range, letting it shift from a modest throw ratio of 1.38 to a longer 2.21. It also has vertical and horizontal lens shift, offering 71% shifting vertically and 25% horizontally in either direction. You manually adjust focus and zoom using rings around the lens, and lens shift with a set of dials hidden under a small panel on the projector’s top.

In addition to these optical adjustments, the Bravia Projector 7 supports digital keystone, though for a projector of this caliber, it’s worth just ensuring proper alignment.

On one side, the Bravia Projector 7 includes several controls in case you misplace the remote control. There is also a series of ports, though most of these are for professional features, like networking and special triggers. Two HDMI 2.1 ports will accept a 4K 120Hz input, but these are for video input only. Neither offers eARC to pass on an audio signal. And with no other form of audio output, the projector doesn’t play well with streaming sticks or even some home theater PCs if they lack a quality audio output of their own.

The Bravia Projector 7 includes a large remote control with a fully backlit keypad. It includes buttons to access preset picture profiles, along with sharpness, brightness, and contrast. A large directional control is also built into the remote and includes a toggle to let the projector display a test pattern to help line up and focus the picture.

Design & features score: 4/5

Sony Bravia Projector 7 review: Picture quality

Image 1 of 3

Sony Bravia Projector 7 showing images from Avatar: The Way of Water

The Bravia Projector 7's picture is characterized by crisp 4K detail and deep blacks (Image credit: Future)

Image 2 of 3

Sony Bravia Projector 7 showing images from Avatar: The Way of Water

(Image credit: Future)

Image 3 of 3

Sony Bravia Projector 7 showing images from Avatar: The Way of Water

(Image credit: Future)

Bright and sharp picture
Deep blacks
Support for 4K 120Hz

Inside, the Bravia Projector 7 is built around a laser diode light source and features a native 4K SXRD optical system. While it’s still not quite on the level of triple-laser projectors for color gamut coverage, the picture is still simply stunning. As much as I’d love to see that extra bit of color, the quality is otherwise the best I've ever seen.

Blacks on the Bravia Projector 7 are simply exceptional. I can’t recall another projector I’ve seen that so thoroughly sank into darkness when displaying shadows. Letterbox bars presented by the Bravia Projector 7 looked so dim as to be indistinguishable from the surrounding walls, which were only illuminated by the light bouncing around the room from the projector itself during my evaluation. The Bravia Projector 7 has such good black levels that you will really want to invest in some light-absorbing materials or dark paint to reduce reflected room light’s impact on the picture.

The projector also gets bright enough for various uses in the daytime, even with daylight coming in through multiple windows. Cartoons, bright video games, and even web-browsing were all possible. You won’t want to watch darker content in this environment, though. But given this is a projector intended for a specialized viewing setup, I don’t think a few blackout curtains would be a tall order.

Sony Bravia Projector 7 on-projector controls — Basic adjustments and menu nav controls are located on the side (Image credit: Future)

The Projector 7 uses Sony’s XR Processor for projector, and the resulting image is fantastically crisp, with the optics making even fine text appear clear from edge to edge. And that includes objects in motion. Panning shots looked fluid, avoiding stuttering and judder but also artifacts such as the soap opera effect that plagues many systems trying to smooth motion. The Bravia Projector 7 was also happy to game at 4K 120Hz, with smooth visuals and only faint ghosting, and its ALLM feature ensured any input lag was negligible.

Even though the HDR support doesn’t go beyond HDR10, the Projector 7’s XR Dynamic Tone Mapping provides features to enhance the look of HDR content, including three selectable tone mapping modes. An XR Deep Black feature also contributes by ensuring blacks look deep and highlights get maximum brightness punch. For example, when the earth ships decelerate as they approach Pandora in Avatar: The Way of Water, the picture looked simply stunning with the deep black of space contrasted with brilliant flames.

Picture quality score: 4.5/5

Sony Bravia Projector 7 review: Value

Sony Bravia Projector 7 on table bathed in purple light — (Image credit: Future)

High price tag
Price is still competitive for category
Performance equivalent to competition

The Bravia Projector 7 is expensive, and you are only getting a display for the money with no speakers (or a way to output audio to speakers), and no smart platform for streaming. That may be a tough pill to swallow for some, but the Bravia Projector 7 isn’t meant for someone who wants anything less than a masterful home theater setup. And the display that you’re getting is a truly exceptional one.

There’s no getting past this being a big investment, both for the projector and for all the other elements you’ll need to make the most of the Sony Bravia Projector 7. And there are plenty of projectors that won’t look half bad next to the Bravia Projector 7 while being way less expensive.

So while it’s tough to say the Bravia Projector 7 is a great value, that still can’t undercut its greatness. And the truth is, the Bravia Projector 7 is still a bargain next to some, like the Epson QL7000, and it’s a comparably priced and worthy rival to the JVC DLA-NZ700.

Value score: 3.5/5

Should I buy the Sony Bravia Projector 7?

Sony Bravia Projector 7 on table with laser light turned on — (Image credit: Future)

Sony Bravia Projector 7
Attributes	Notes	Rating
Design and features	Fairly huge, but it's smartly designed, and the adjustable optics allow for positioning flexibility	4/5
Picture quality	The picture quality is absolutely brilliant, and I haven’t seen such a deep black from a projector before. Its ability to run at 4K 120Hz for gaming also adds to the experience	4.5/5
Value	It’s not cheap, but the picture is great and the price is comparable to some of the other dedicated home theater projector options out there	3.5/5

Buy it if...

You want a truly gorgeous picture
The Bravia Projector 7 can provide a sharp, clean image with powerful contrast, great color, and impressive motion handling. View Deal

You have the rest of your home theater sorted
This projector requires more elements to make a complete home theater. If you’ve already got the sound, the seating, the light mitigation, and video sources in place, this is a great drop-in solution, especially with its flexible optics.View Deal

You know you’re going big with the picture
The value of a projector really soars as you move to bigger and bigger pictures. And the Bravia Projector 7 is happy to go even bigger than 100 inches while still maintaining a brilliant image.View Deal

Don't buy it if...

You just want to plunk it down in your living room
Tapping this projector’s full capabilities takes some effort. Just about any stray light or reflective surface in the room is going to degrade picture quality, and then you won’t be getting all of what you’ve paid for.View Deal

You like a simple setup
The Bravia Projector 7 is meant for complete home theater setups with an A/V receiver routing video and audio signals, and cables and wires running all over the room. If that doesn’t sound appealing, you would probably be better suited by a different projector.View Deal

You don’t like watching in a dark room
This projector’s extremely deep black levels are probably its greatest aspect, but you won’t appreciate them unless you black out your room almost completely. If you prefer watching with some lights on, look instead for a brighter model designed to work in a range of lighting conditions. View Deal

Also consider

Comparison: projectors
	Sony Bravia Projector 7	Epson Pro Cinema LS12000	Hisense C2 Ultra	JVC DLA-NZ700
Price:	$9,999	$5,000	$2,999	$8.999
Screen sizes supported:	90 to 130 inches	50 to 130 inches	65-300 inches	30 to 150 inches
Brightness (specified):	2,400 lumens	2,500 lumens	3,000 lumens	2,300 lumens
HDR support	HDR10, HLG	HDR10, HDR10+, HLG	Dolby Vision, HDR10+, HLG	HDR10, HDR10+, HLG
Optical technology:	Laser SXRD	Laser 3LCD	RGB Laser DLP	Laser D-ILA
Smart TV:	n/a	n/a	Vidaa OS	n/a
Connections:	2x HDMI 2.1	2x HDMI 2.1 (1 with eARC)	2x HDMI 2.1 (1 with eARC)	2x HDMI 2.0

Epson LS12000

The Epson LS12000 falls into a similar category as the Bravia Projector 7. It’s similarly large, but it’s significantly less expensive. It also supports eARC, potentially simplifying setup for users who won’t opt for an A/V receiver. Its picture is also stunning, though less colorful. It also features similar optical adjustments, helping with setup simplicity.

Read our Epson LS12000 review View Deal

Hisense C2 Ultra

If you’re wondering what you can get for a fraction of the price, the Hisense C2 Ultra is the perfect example. It’s incredibly bright, almost obscenely colorful (even more so than the Bravia), thanks to its triple-laser light source, and quite versatile. It supports a beautiful 4K image, but can also switch over to 1080p/240Hz visuals for gaming. And it has built-in speakers and Google TV for all-in-one capabilities. It may not be as pixel-perfect a projector as the Bravia Projector 7, but it’s a stunning projector nonetheless.

Read our Hisense C2 Ultra reviewView Deal

JVC DLA-NZ700

For $1,000 less, this projector gives you a very similar machine with excellent imagery, deep blacks, potent HDR capabilities, and a competitive color gamut. You’ll miss out on 4K 120Hz capabilities, though, and getting this projector’s 97% DCI-P3 color gamut requires enabling a filter that reduces brightness.

Read our JVC DLA-NZ700 reviewView Deal

How I tested the Sony Bravia Projector 7

Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade

I tested the Sony Bravia Projector 7 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, and in-room lighting,. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, HDR and non-HDR, and PC gameplay.

My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer.

First reviewed: September 2025
Read TechRadar's review guarantee

I tested the Valerion VisionMaster Pro 2 projector, and it’s got a bright picture, but it’s pricey for an all-in-one

8:00 pm | August 3, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Comments: Off

Valerion VisionMaster Pro 2 : One minute review

The Valerion VisionMaster Pro 2 is a very capable projector. It comes in one of the more stylish designs I’ve seen for this class of projector, separating itself even from the latest group of more design-conscious models.

The Valerion VisionMaster Pro 2 features a powerful RGB laser projection system that beams a bright enough picture for use in different environments. Its color is excellent, and it benefits from an optical zoom for more flexible placement.

For gamers, the VisionMaster Pro 2 can switch to a low-latency mode or even drop down to 1080p resolution to run at 240Hz. Alas, its speakers don’t quite live up to the visual performance, but that’s typical even for the best projectors.

All that capability comes at a price, with the VisionMaster Pro 2 listed for $2,999. This places it on the high end for this type of compact enthusiast home projector, even surpassing the Hisense C2 Ultra, which is nearly as capable and features an integrated gimbal stand and an additional speaker. Because of that, I’d point most people to the Hisense instead, but the VisionMaster Pro 2 still has the edge in terms of connectivity and looks, and it doesn’t disappoint when it comes to picture quality.

Valerion VisionMaster Pro 2 review: Price & release date

Valerion VisionMaster Pro 2 with remote — Valerion's remote control is larger and more polished-looking than the ones you’ll typically find on Android and Google TV projectors (Image credit: Future)

Release date: December 2024
Price: $2,999

The Valerion VisionMaster Pro 2 was released at the end of 2024. It launched with a price of $2,999, but has seen some discounts since then, including the July Amazon Prime Day sales event, where it dropped to the $2,599 range. The VisionMaster Pro 2 is available directly from Valerion as well as from Amazon.

Valerion VisionMaster Pro 2 review: Specs

Screen sizes supported:	40-300 inches
Brightness (specified):	3,300 ISO lumens
HDR support:	Dolby Vision, HDR10+, HDR10, HLG
Optical technology:	Three-laser DLP
Smart TV:	Google TV
Connections:	2x HDMI 2.1, 1x HDMI 2.0 (with eARC), 1x USB-A 3.0, 1x USB-A 2.0, Ethernet, 3.5mm audio out, optical digital audio out
Dimensions (H x W x D):	7.30 x 10.20 x 9.20 inches
Weight:	15.4 pounds

Valerion VisionMaster Pro 2 top surface controls — A mute switch is provided on the projector's top surface for turning off the built-in mic used for Google voice commands (Image credit: Future)

Valerion VisionMaster Pro 2 review: Design & features

Valerion VisionMaster Pro 2 inputs — The projector's extensive connections include two HDMI 2.1 ports plus a third with HDMI eARC support (Image credit: Future)

Elegant design with a simple kickstand
Built-in speakers and Google TV
Optical zoom

The Valerion VisionMaster Pro 2 is gorgeously built. It has a metal chassis with ribs wrapping all around the sides and top of the device, giving it the appearance of a metal heat sink. The front and back are simpler, flat slabs of what feels like high-quality plastic (almost to the point that it could be glass).

Interestingly, Valerion includes a cover on the back to conceal its ports. This does give it a cleaner look, but only when it’s not in use, as you can’t even plug in the power if the cover is in place.

The VisionMaster Pro 2 includes a simple, heavy-duty foot underneath near the front that can prop it up to adjust the angle, and the back has two more little feet that can screw out to adjust the tilt. This isn’t quite as useful as the gimbal stands found on some competitors like the Hisense C2 Ultra, but Valerion does sell a quality metal unit of its own (a $139 option) that can attach to the VisionMaster Pro 2 and give it full-range tilting capabilities, and even the option to flip completely upside-down — helpful if you’re doing a mantel or bookshelf placement).

While the gimbal or foot can help adjust the projection somewhat, the projector’s optical zoom can be even more useful. This lets the VisionMaster Pro 2 shift from a 0.9:1 throw ratio up to 1.5:1. The projector can perform plenty of automated setup adjustments, like focus, keystone correction, and obstacle avoidance as well.

The VisionMaster Pro 2 supports the Dolby Vision and HDR10+ high dynamic range formats and is IMAX Enhanced. The projector offers Wi-Fi 6E connectivity for fast and stable wireless networking, though Ethernet is also available.

For this class of projector, the VisionMaster Pro 2 has a surprising selection of ports. Where many competitors would offer just two HDMI ports, the VisionMaster Pro 2 has three: two HDMI 2.1 and one HDMI 2.0 with eARC support. There’s also a 3.5mm audio jack, an optical digital audio output, and two USB-A ports for data or powering dongles.

Like other laser projectors, the VisionMaster Pro 2 has an eye protection feature that is meant to dim the laser if someone stands in its path. But this feature proved incredibly inconsistent in my use. Sometimes the system's eye protection feature activates for no reason, and other times it's not nearly sensitive enough about things obviously out in front of it. Even when it seems to be working as intended, it’s rather slow to kick in.

To get up and running quickly, the projector offers Google TV and has a pair of built-in speakers, giving you everything you need to start streaming. And since this is the kind of projector you might take on the go, Valerion has included a carrying case made out of rigid styrofoam.

Valerion has put a bit of extra effort into its remote control, which is larger and more polished-looking than you’ll typically find on Android and Google TV projectors. It offers the standard navigation controls, a Google Assistant button, volume buttons, shortcuts to a handful of streaming services, and a dedicated input source button. There’s even some backlighting, but it doesn’t cover all of the buttons. The volume buttons are also not differentiated from a handful of other buttons, so you can’t just feel them out without also memorizing where they are.

The projector can also listen for voice commands, responding to a quick “Hey, Google.” And if you don’t want the projector to listen, there’s a mute switch on the top.

Design & features score: 4/5

Valerion VisionMaster Pro 2 review: Picture & sound quality

Valerion VisionMaster Pro 2 showing image from Avatar

An RGB laser light engine gives the picture the potential for dazzling color (Image credit: Future)

Bright and colorful picture
Strong contrast
Smooth-running operating system

The Valerion VisionMaster Pro 2 beams an excellent-looking picture. It's plenty bright for even fairly well-lit rooms, though dark scenes don’t look as good. It also has strong contrast that can be further enhanced by changing some of the default picture settings.

The triple-laser light source has the same advantages I’ve seen from other projectors like the Hisense C2 Ultra and Hisense PX3-Pro, giving the picture the potential for truly dazzling color. The VisionMaster Pro 2 isn’t inclined to overdo the color in its main HDR and SDR picture presets, however, instead keeping it more balanced and natural.

Like many other projectors, the VisionMaster Pro 2 comes out of the box with some unfortunate motion smoothing enabled. This may serve to smooth out panning shots in movies, but it also introduces so many weird motion artifacts that it calls for disabling. The lowest motion setting, Film, avoids the most distracting artifacts while still looking smooth with camera movement. The projector also provides an option to customize the motion smoothing with two adjustable settings, letting you dial it in as you like.

Black levels are decently low, but not low enough that the letterbox bars in widescreen movies look truly black. But with a few tweaks to the settings, specifically enabling active contrast and dynamic laser luminance, the overall brightness can dim down for wonderfully deep black levels in dark scenes. This doesn’t play well with subtitles, however, as they’ll sometimes brighten the picture up.

The display is also up to snuff for gaming. It can deliver 4K 60Hz with reasonably low input lag in its game mode. And for those who want to really dial up the gaming performance, it can drop down to 1080p and run at up to 240Hz for ultra-smooth visuals.

Valerion VisionMaster Pro 2 support foot — Two adjustable feet can be used for tilt correction during setup (Image credit: Future)

The speakers inside the VisionMaster Pro 2 aren’t bad, putting out enough sound to fill a small room. They sound fairly full, too, but there’s little getting around the narrow soundstage they present. Even simple stereo sound isn’t presented well. And occasionally, deeper voices can sound a little resonant, giving them an unnatural quality.

One easy-to-overlook aspect of projector performance that the VisionMaster Pro 2 deserves credit for is its operating system. It runs Google TV like many other projectors, but appears to have a faster processor and more memory to help it run smoother than some of its competition. This makes it much easier to use the projector, whether you’re browsing Google TV or just want to quickly switch over to another input.

Picture and sound quality score: 4/5

Valerion VisionMaster Pro 2 review: Value

Valerion VisionMaster Pro 2 on table with case and plant — The projector's sturdy styrofoam case can be used for transport (Image credit: Future)

Highly integrated package
On the expensive end for projectors in this class
All-in-one design enhances value

The Valerion VisionMaster Pro 2 is expensive, but you get a lot for that money. It presents a more colorful and bigger image than most TVs, and compared to 100-inch TVs, it’s not so expensive. That said, it is on the expensive side for this category of projector. The Hisense C2 Ultra is just as pricey, though it has an integrated gimbal stand. It has also seen more discounts in the time since its launch than the VisionMaster Pro 2 has.

Still, the VisionMaster Pro 2 can do plenty. Its projection system is flexible, and it’s good for casual viewing in bright rooms, while delivering cinematic quality in dark rooms. You can opt for 4K with broad HDR support or zoom along at 1080p 240Hz for high-speed gaming. Also, having the Google TV smart TV system baked in never hurts, especially when it runs as smoothly as it does here.

It’s just a shame the VisionMaster Pro 2’s speakers aren’t better, and that it doesn’t come with a more adjustable stand.

Value score: 4/5

Should I buy the Valerion VisionMaster Pro 2?

Valerion VisionMaster Pro 2 on table — (Image credit: Future)

Valerion VisionMaster Pro 2 review
Attributes	Notes	Rating
Design and features	Simple but elegant design, and packs plenty of features for a fully-integrated system. The remote could be better, as could the eye protection	4/5
Picture and sound quality	An excellent picture with plenty of tools to adjust it to your liking. It even runs Google TV well, but the speakers don’t keep up	4/5
Value	Faces the diminishing returns of high-end products, but is still a good value thanks to its ability to beam a huge, bright, and colorful image from an all-in-one device.	4/5

Buy it if...

You want a powerful and flexible
The VisionMaster Pro 2 has an excellent projection system. It beams brightly and has rich color and strong contrast. Thanks to its zoom lens, you should have an easier time placing it without having to crop the imageView Deal

You want a gaming projector
While the VisionMaster Pro 2 is fantastic for home cinema, it’s also strong for gaming. If you want a projector that can do both quite well, it has you covered.View Deal

You like your tech to be pretty
One thing that sets the VisionMaster Pro 2 apart is how elegant it looks. The metal chassis is something to behold, and the remote looks pretty classy as well. View Deal

Don't buy it if...

You’re not too picky about visuals
The VisionMaster Pro 2 provides an excellent picture, but it comes at a high price. If you don’t need all the brightness and color this projector offers, there are much cheaper models that can otherwise tick a lot of the same boxes.View Deal

You don’t care for Google TV
For some, Google TV will be an advantage. But if you don’t need it, the Hisense C2 Ultra offers just about everything that the VisionMaster Pro 2 does, has a few extra features (like a “subwoofer” and gimbal stand), and tends to be cheaper.View Deal

You want one projector to handle everything
The VisionMaster Pro 2 is brilliant as far as visuals go, and it even has a good, smooth-running streaming platform. But its speakers don;t come close to matching the projection quality.View Deal

Also consider

Comparison: portable projectors
	Valerion VisionMaster Pro 2	BenQ GP520	Hisense C2 Ultra	JMGO N1S Pro 4K
Price:	$2,999	$1,499	$2,999	$1,999
Screen sizes supported:	40 to 300 inches	50 to 180 inches	65-300 inches	85 to 180 inches
Brightness (specified):	3,000 ISO lumens	2,600 lumens	3,000 lumens	2,400 lumens
HDR support	HDR10+, HLG, Dolby Vision	HDR10+, HLG	Dolby Vision, HDR10+, HLG	HDR10, HLG
Optical technology:	RGB Laser DLP	LED DLP	RGB Laser DLP	RGB Laser DLP
Smart TV:	Google TV	Google TV	Vidaa OS	Google TV
Connections:	2x HDMI 2.1, 1x HDMI 2.0 with eARC, 1x optical, 1x 3.5mm	2x HDMI 2.1 (1 with eARC), 1x USB-C (PD Out, DP In, 2x USB-A 1x 3.5mm	2x HDMI 2.1 (1 with eARC), 2x USB-A, 1x S/PDIF, Ethernet, 1x 3.5mm, Bluetooth	HDMI x2 (x1 eARC), USB-A (power), 3.5mm

BenQ GP520

At half the price, the BenQ GP520 naturally makes some trade-offs. It’s not as elegant, not as bright, not as colorful, and doesn’t have as extensive support for HDR formats. But if you just want to go big with 4K, it can do that job pretty well.

Read our BenQ GP520 review View Deal

JMGO N1S Pro

If you’re watching in a dark room anyway and don’t mind a little slower Google TV experience, the JMGO N1S Pro will let you save a good deal of money while still getting a gorgeous 4K picture from an RGB laser projection system. You’ll miss out on optical zoom and 1080p 240Hz capabilities, though.

Read our JMGO N1S Pro reviewView Deal

Hisense C2 Ultra

Almost the VisionMaster Pro 2’s equal in every way (including price), the Hisense C2 Ultra is a solid alternative. It runs its own VIDAA OS, but it’s a quick one. It also has a built-in gimbal stand and a bonus “subwoofer” speaker. And since the C2 Ultra is a little bit older (don’t worry, not by much), it has had an opportunity for discounts.

Read our Hisense C2 Ultra reviewView Deal

How I tested the Valerion VisionMaster Pro 2

Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade

I tested the Valerion VisionMaster Pro 2 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed nsd Blu-ray content, HDR and non-HDR, and PC gameplay.

My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer.

First reviewed: July, 2025
Read TechRadar's review guarantee

I tested the Valerion VisionMaster Pro 2 projector, and it’s got a bright picture, but it’s pricey for an all-in-one

8:00 pm |

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Comments: Off

Valerion VisionMaster Pro 2 : One minute review

Valerion VisionMaster Pro 2 review: Price & release date

Release date: December 2024
Price: $2,999

Valerion VisionMaster Pro 2 review: Specs

Screen sizes supported:	40-300 inches
Brightness (specified):	3,300 ISO lumens
HDR support:	Dolby Vision, HDR10+, HDR10, HLG
Optical technology:	Three-laser DLP
Smart TV:	Google TV
Connections:	2x HDMI 2.1, 1x HDMI 2.0 (with eARC), 1x USB-A 3.0, 1x USB-A 2.0, Ethernet, 3.5mm audio out, optical digital audio out
Dimensions (H x W x D):	7.30 x 10.20 x 9.20 inches
Weight:	15.4 pounds

Valerion VisionMaster Pro 2 review: Design & features

Elegant design with a simple kickstand
Built-in speakers and Google TV
Optical zoom

The projector can also listen for voice commands, responding to a quick “Hey, Google.” And if you don’t want the projector to listen, there’s a mute switch on the top.

Design & features score: 4/5

Valerion VisionMaster Pro 2 review: Picture & sound quality

Valerion VisionMaster Pro 2 showing image from Avatar

An RGB laser light engine gives the picture the potential for dazzling color (Image credit: Future)

Bright and colorful picture
Strong contrast
Smooth-running operating system

Picture and sound quality score: 4/5

Valerion VisionMaster Pro 2 review: Value

Highly integrated package
On the expensive end for projectors in this class
All-in-one design enhances value

It’s just a shame the VisionMaster Pro 2’s speakers aren’t better, and that it doesn’t come with a more adjustable stand.

Value score: 4/5

Should I buy the Valerion VisionMaster Pro 2?

Valerion VisionMaster Pro 2 review
Attributes	Notes	Rating
Design and features	Simple but elegant design, and packs plenty of features for a fully-integrated system. The remote could be better, as could the eye protection	4/5
Picture and sound quality	An excellent picture with plenty of tools to adjust it to your liking. It even runs Google TV well, but the speakers don’t keep up	4/5
Value	Faces the diminishing returns of high-end products, but is still a good value thanks to its ability to beam a huge, bright, and colorful image from an all-in-one device.	4/5

Buy it if...

Don't buy it if...

Also consider

Comparison: portable projectors
	Valerion VisionMaster Pro 2	BenQ GP520	Hisense C2 Ultra	JMGO N1S Pro 4K
Price:	$2,999	$1,499	$2,999	$1,999
Screen sizes supported:	40 to 300 inches	50 to 180 inches	65-300 inches	85 to 180 inches
Brightness (specified):	3,000 ISO lumens	2,600 lumens	3,000 lumens	2,400 lumens
HDR support	HDR10+, HLG, Dolby Vision	HDR10+, HLG	Dolby Vision, HDR10+, HLG	HDR10, HLG
Optical technology:	RGB Laser DLP	LED DLP	RGB Laser DLP	RGB Laser DLP
Smart TV:	Google TV	Google TV	Vidaa OS	Google TV
Connections:	2x HDMI 2.1, 1x HDMI 2.0 with eARC, 1x optical, 1x 3.5mm	2x HDMI 2.1 (1 with eARC), 1x USB-C (PD Out, DP In, 2x USB-A 1x 3.5mm	2x HDMI 2.1 (1 with eARC), 2x USB-A, 1x S/PDIF, Ethernet, 1x 3.5mm, Bluetooth	HDMI x2 (x1 eARC), USB-A (power), 3.5mm

BenQ GP520

Read our BenQ GP520 review View Deal

JMGO N1S Pro

Read our JMGO N1S Pro reviewView Deal

Hisense C2 Ultra

Read our Hisense C2 Ultra reviewView Deal

How I tested the Valerion VisionMaster Pro 2

Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade

My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer.

First reviewed: July, 2025
Read TechRadar's review guarantee

I tested the Nebula X1, and it’s one of the brightest and best portable projectors available

12:40 am | July 4, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: HDR, TV | Comments: Off

Nebula X1: two-minute review

The Nebula X1 is the latest projector from Anker, a company that built its projector reputation by releasing the Capsule and Mars series, some of the most consistent, well-performing 1080p portable projectors available. A few years ago, Anker dipped its toes into the best 4K projectors category with the Nebula Cosmos Max, an oval-shaped, pixel-shifting LED projector designed to live on a shelf or ceiling mount. Since then, Anker upgraded from an LED light source to a laser one, and leaned back into the portable idea with the 2,200-ANSI lumen Nebula Cosmos Laser 4K, which has a carrying handle and rectangular shape.

Now, Anker has stepped things up again. The new Nebula X1 is a 3,500-lumen triple laser 4K DLP projector with its 14-element all-glass lens on a unique motorized gimbal, which is designed to ease setup in virtually any situation while delivering a sharp, properly aligned image. Built-in liquid cooling keeps temps down without excessive fan noise. It also has Dolby Vision HDR support, is ISF certified, and uses the Google TV smart TV platform.

The X1 includes a retractable handle for portability and has four built-in speakers (a 15W full-range woofer and 5W tweeter on each side) with a front-firing passive radiator. For improved sonic performance, two wireless speakers can be paired with the projector, and wireless microphones can turn a movie night into a karaoke night.

All of this performance and flexibility comes with a price, though, as the X1 on its own is $2,999, with the optional external speakers and microphones adding to that base price (not to mention a projection screen). But for movie nights, both inside and outside, the Nebula X1 delivers an excellent experience with an effortless, consistent setup process that will have you watching movies within minutes.

Nebula X1 review: price and release date

First available: May 2025
Price: $2,999 / £2,999 / around AU$4,500

Anker Nebula X1 on table — At 3.500 ANSI lumens, the Nebula X1 is incredibly bright for a portable projector (Image credit: Future)

The Nebula X1 is available now for $2,999 / £2,999 / around AU$4,500 through the Nebula website or Amazon. The external speakers, sold in a pair, cost $699. An accessory pack is available that includes two speakers, two microphones, and a carrying case that holds all of it for $999.

There aren’t any projectors at the same price point that offer the same type of performance and portability. The triple laser Valerion VisionMaster Pro 2 is the most similar, although it is more suitable as a single-room home theater projector rather than a portable one. Other triple laser projectors around its price are of the ultra short throw (UST) type, while other, less expensive portable laser projectors use a single laser.

Nebula X1 review: Specs

Anker Nebula X1 rear ports — Connections include two HDMI ports (Image credit: Future)

Screen sizes supported:	up to a 200-inch diagonal
Brightness (specified):	3,500 ANSI lumens
HDR support:	Dolby Vision, HDR10, HLG
Optical technology:	Triple laser DLP
Smart TV:	Google TV
Connections:	2 x HDMI 2.1 (1 with eARC), USB-A, USB-C, optical audio out
Dimensions (W x H x D):	11.1 x 7.3 x 9.7 inches (H x W x D)
Weight:	13.7 pounds

Nebula X1 review: design and features

Anker Nebula X1 top panel — Basic controls are provided on the Nebula X1's top surface (Image credit: Future)

Incredibly easy and accurate setup
Quiet operation thanks to liquid cooling
Innovative motorized gimbal for optical engine

The shape of the Nebula X1 is similar to the Cosmos 4K and Cosmos 4K SE projectors in the Nebula line — a tall rectangular box with a handle. The X1, though, is larger than its cheaper cousins, and its handle can be hidden in its body, out of view, by pressing it down (it can be just as easily extended by pressing on it again). When powered on, the X1 illuminates a Cylon-esque red line on its top, and capacitive volume, auto adjustment, and back buttons appear around the tactile navigation toggle.

Some projectors, such as the Hisense C2 and JMGO N1S 4K, have a gimbal stand to manually position the projector image toward the screen from a lower vantage point. The Nebula X1 takes it to a whole new level by having the built-in gimbal motorized and attached to the optical engine itself, thereby angling just the optics and not the entire projector.

On startup, the X1 scans the wall for a projection screen or unobstructed space for the image by moving the gimbal up and down across its full 25-degree range. When a screen is detected, the Nebula’s Intelligent Environment Adaptation tools adjust the image to fit the screen size and aspect ratio. If, for some reason, the auto setup didn’t properly adjust the image, there’s a button at the top of the remote (and on the projector) that will run spatial adaptation again.

In my weeks with the projector, I only needed to do this a couple times, and all but one of those was because I didn’t have the projector situated far back enough for the scan to cover the entirety of my 100-inch Elite Screens CineTension 3, resulting in the screen space not being filled properly. Scooting the projector back a few inches and running the setup process again fixed the user-error issue. The image fit isn’t totally pristine and can extend into a screen’s masking or frame by a few centimeters, but that’s still mightily impressive for an automated system, and, quite honestly, about as good as you’ll get doing it on your own.

While the usable image is sized well to the screen, there is some dim light bleed to the borders of the unaltered projected image size (that is, the full size before taking any auto setup into account). It’s only noticeable when the adjusted picture goes to black, or if you’re specifically looking for it while watching content. And if you’re projecting onto a freestanding screen outside, it’s of no consequence, because that light bleed disappears into the space around the screen.

It’s important to note that if you simply short-press the power button to turn off the Nebula X1 when you’re done, the gimbal will not immediately return to its default position — a short press puts the projector in standby mode. In fact, it will take close to 30 minutes for it to return, and if you unplug the projector to put it away, the gimbal will stay in that position until you turn it back on. You need to long-press the power button and select Power Off, which will shut down the projector and cause the gimbal to move into its vertical, default position within six seconds. The projector is then ready to be unplugged and put away safely. The instructions point this out when discussing the power button on the projector, but not when using the remote, so it’s easy to miss.

Instead of relying solely on fans to keep the internals cool, the X1 has a liquid cooling system — touted as an industry first — to keep things running at an optimum temperature, with a large fan exhausting the heat out the back of the projector. The liquid cooling makes the X1 one of the quietest projectors I’ve come across. Be aware that if you plan to sit directly behind the projector, you’re in for a warm evening.

On either side of the projector, behind the built-in grilles, are two speakers — a 15W woofer and a 5W tweeter — with a single passive radiator at the front. When paired with the two optional wireless speakers, the projector acts as the subwoofer in the 4.1.2 configuration.

The IR remote control is small and light, with backlit buttons that glow when the remote is picked up. There’s a built-in mic for use with Google that can be activated with a microphone button. The most prominent button is the four-way nav with the select button in the middle. Below it is the home button flanked by volume (up and down), settings, and the back button. Just below those are four quick buttons for YouTube, Netflix, and Prime Video, and volume mute.

The up and down volume buttons are laid out horizontally (with down on the left side and up on the right), instead of being oriented vertically, as is the setup on most remotes I come across. It’s a minor gripe, but I found myself hitting the back button (which is located directly above the volume down button) on numerous occasions when I intended to raise the volume.

Design and features score: 4.5/5

Nebula X1 review: picture and sound quality

Anker Nebula X1 carrying handle — The Nebula X1 has a sturdy carrying handle for toting it outside (Image credit: Future)

Incredible detail from the 14-element, all-glass lens
Accurate colors in Movie mode
Gaming requires careful projector setup

The Nebula X1 has nine different picture modes – NebulaMaster, Standard, Vivid, Sport, Movie, Game (with two sub modes I’ll talk about below), Conference, ISF Day, and ISF Night.

As might be expected, Movie and the two ISF modes are the most accurate. I measured peak HDR brightness on a 10% white window pattern at 188 nits in both modes. The Nebula X1's native contrast ratio in the same was 1,656:1, and its dynamic contrast was 11,482:1.

What was not expected is that every mode, including the ISF modes, has some degree of MEMC (Motion Estimation, Motion Compensation), commonly referred to as motion smoothing or the ‘soap opera effect.’ With some content, the motion smoothing introduced artifacts when set at Middle or High. Low was more acceptable and could be beneficial when watching sports, but in general, I suggest you turn it off immediately.

NebulaMaster mode, according to information on the Nebula X1 site, dynamically adapts the image based on projection size and ambient lighting, while also using decontouring algorithms to reduce posterization artifacts (also known as banding). In my room, the image in this mode leaned heavily blue in both SDR and HDR, which was confirmed by my measurements. Some prefer an image with a cooler color balance, but for my taste, it was a bit too much. The mode also tended to slightly boost black levels in darker images.

Out of the box, Movie and the ISF picture modes were my preferred picture modes for all of my viewing. Colors, particularly skin tones, were far more accurate. Grayscale and colors could be dialed in even further in Movie mode with 11-point white balance correction, and a color management system for adjusting hue, saturation, and color brightness (luminance), plus offset and gain. (An ISF calibrator can unlock these options for the ISF picture modes, as well.)

The X1 performed admirably in dark scene torture tests from Dune and the opening scenes at Sapper Morton’s home in Blade Runner 2049, with some detail being visible in the dark shadows on the little home’s walls near the piano and in the kitchen. The X1 also delivers a good amount of brightness that allows the image to still have some pop while viewing in a backyard where there’s uncontrollable light pollution. Just wait until the sun goes down for the best experience.

But perhaps the most impressive performance aspect of the X1 was its detail. The 14-element, all-glass lens produces a gorgeously detailed 4K image, even with the picture adjustment processing to fit the image to the screen, which can introduce clarity issues towards the edge of the image. The X1’s picture looked crisp from corner to corner.

There was one issue I encountered during testing with the eARC port (HDMI2). I planned to watch a Blu-ray on my disc player connected to HDMI2, but the projector would only recognize the disc player as an audio source, and the video would default back to Google TV. When I contacted Anker about this, they said, “We are aware of this issue and will optimize this functionality in future software updates.”

When it comes to any gaming that requires a decent reaction time (which includes the vast majority of games), the projector needs to be in the Game picture mode with the Extreme setting active. This disables the keystone correction and delivers the best input lag, which I measured at 18.3 ms. But as you can imagine from that sentence, if you’ve been relying on the auto-adjust features to watch movies and TV shows, the moment you put it in this mode, the image becomes skewed and no longer fits your screen. If you use Game mode with the Standard setting, the keystone correction stays on, but the input lag shoots up to 142.1 ms with a 4K/60 signal, far too high for any serious gaming.

This scenario requires you to do a proper setup without the use of one of the best parts of the Nebula X1 – the auto adjustment. The lens needs to be level with the bottom of your screen, and it will take some time to play around with positioning to get the image to square up with your screen.

The built-in speakers can play impressively loud, although audible distortion can be heard from around 90 percent and above. But I wouldn’t recommend listening at that level anyway. As I listened in my living room, the maximum volume I set was between 50 and 60 percent, and usually lower. Dialogue was clear, and while it’s not the fullest and most robust sound I’ve heard (these are small woofers, after all), it was plenty to deliver a nice experience.

Adding the wireless speakers brings the sound performance to another level. The left speaker connected quickly, while I needed to turn the right speaker on and off several times before the connection happened. Naturally, having the ability to widely set a left and right channel with side-firing speakers increased the soundstage with a convincing phantom center, and the projector becomes the subwoofer. The upfiring Atmos speakers do a bit to add some height to the sound, but it’s not a convincing Atmos canopy with sounds flying overhead like you get from the best Dolby Atmos soundbars or discrete speakers with DSP. And if you use them outside, without a ceiling to bounce the sound off of, the effect is minimized.

Still, for a more immersive experience, I recommend getting the wireless speakers. Their relative ease of use, setup flexibility, and solid performance are a welcome addition to the Nebula X1. And if you purchase the accessory pack, they fit nicely in the carrying case along with the projector, remote, power supply, and (presumably) microphones. (I did not have the microphones on hand to test them.)

Picture quality score: 4.5/5

Nebula X1 review: value

Anker Nebula X1 remote control — The Nebula X1 remote control (Image credit: Future)

Top-of-the-line portable projector
More expensive than competitors
Best experience requires additional speakers

When compared to other portable projectors, or even those that aren’t as portable, the Nebula X1 delivers incredible performance and, more importantly, a great movie-watching experience no matter where you set it up. There’s no need to take 10 minutes getting its height or angle perfectly correct for a squared-up image. Just put it down, point it towards your screen, and in a few dozen seconds it’s set to go. With the addition of the wireless speakers, the sound performance greatly improves without needing to set up (and plug in) a separate sound bar.

The $2,999 price tag, though, puts it hundreds of dollars above the portable competition, and more in line with lifestyle home theater projectors such as the Valerion VisionMaster Pro 2 and UST projectors like Samsung’s The Premiere 7 and the Hisense PX2-PRO. And then the accessory pack adds another $999.

That said, the performance and versatility of the Nebula X1 make it a top choice for a movie enthusiast's backyard projector, and one with the flexibility to serve as an indoor everyday projector as well.

Value score: 3.5/5

Nebula X1 projector
	Notes	Rating
Features & Design	Automatic picture calibration and wireless speakers option; sturdy design with carrying handle	4.5/5
Picture quality	Exceptional brightness for a portable projector and crisp 4K picture	4.5/5
Value	Pricey, especially with wireless speaker option, but exceptional picture quality for a portable projector	3.5/5

Should I buy the Nebula X1?

Anker Nebula X1 in carrying case with speakers — The Nebula X1 with its optional wireless speakers (Image credit: Future)

Buy it if...

You want a top-end outdoor projector
The Nebula X1 is easily transportable thanks to its retractable handle and accessory pack that includes a padded carrying case, and it projects a beautifully crisp and accurate picture in the proper picture modes.

You want a projector that’s easy to set up
The automated setup process takes only a few seconds and is consistently very accurate in finding and filling your projection screen.

You want a bright projector with a great smart TV platform
For its price, the X1 has one of the brightest images currently available and runs on the Google TV OS, which supports all of the popular streaming apps and runs quickly and smoothly.

Don’t buy it if…

You’re looking for a “sometimes” projector
The Nebula X1 is expensive for the portable projector market. When spending $3,000 on anything, you want to be sure you’ll get as much use out of it as possible. If you only want a projector for an occasional summer movie night, this might not be the best one to get.

You plan to use it mostly for gaming
Can you game on the X1? Absolutely. But since all of the auto setup features add significantly to the input lag time, it requires a more careful and time-consuming setup to get the image framed correctly without the use of keystone correction and auto zoom.

You want the option to use eARC for video sources
As it stands at the time of review, the eARC port (HDMI2) only recognizes connected sources as audio playback devices. So if you have a Blu-ray player or console connected via HDMI2, the video currently defaults to Google TV instead of what’s playing from the source.

Also consider...

Comparison: 4K UST projectors
	Nebula X1	BenQ X3100i	Nebula Mars 3
Price:	$2,999 / £2,999 / around AU$4,500	$2,399 (around £1,900 / AU$3,690)	$1,099 (around £850 / AU$1,645)
Screen sizes supported:	up to 200 inches	60 to 200 inches	30-200 inches
Brightness (specified):	3,500 lumens	3,300 ANSI Lumens	1,000 lumens
HDR support	Dolby Vision, HDR10, HLG	HDR10, HLG	N/A
Optical technology:	Triple laser DLP	4LED, DLP	LED DLP
Smart TV:	Google TV	Android TV	Android TV
Connections:	2 x HDMI 2.1 (1 with eARC), USB-A, USB-C, optical audio out	3x HDMI 2.0 (1x eARC, 1x internal), optical digital audio out, USB-A 2.0, RS232, 12V trigger out, 3.5mm audio output, Ethernet	HDMI, USB-A, USB-C, 3.5mm audio out, DC power in

BenQ X3100i

Another portable 4K projector with high brightness capability, the X3100i is designed specifically for gaming and features solid built-in speakers. It costs a bit less than the Nebula X1, but is a better option for someone more focused on gaming than movies.

Read our full BenQ X3100i review

Nebula Mars 3
The Nebula Mars 3 is also made by Anker and is a portable model with a built-in rechargeable battery. At 1,000 lumens, its picture is not nearly as bright as the Nebula X1's, and its picture tops out at 1080p resolution, but at around $1,000, it's a much cheaper portable projector option.

Read our full Nebula Mars 3 review

How I tested the Nebula X1

Anker Nebula X1 on floor with speakers — (Image credit: Future)

Tested in multiple situations
Measured with Calman calibration software
Evaluated with SDR and HDR content

I primarily tested the Nebula X1 in my living room on a 100-inch Elite Screen CineTension 3 ISF-certified retractable screen with a 1.1 gain screen material. I also briefly brought it outside and projected it on my garage door to test brightness after the sun had set. To test grayscale and color accuracy, I used an X-rite i1 Pro 3 spectrophotometer, Murideo Seven-G 8K pattern generator, and Calman calibration software by Portrait Displays. Input lag testing was done with a Leo Bodnar 4K lag tester.

Subjective testing included watching hours of content through the Google TV streaming platform using the Disney+, Hulu, and Max apps, as well as 4K Blu-ray discs played on an Oppo UDP-203 disc player. Games were played with an Xbox One X console.

I’ve been testing and reviewing projectors, TVs, and other displays for a couple of decades, and am an ISF Level III certified calibrator.

First reviewed: July, 2025

Read TechRadar's review guarantee

I spent three weeks testing the Hisense C2 Ultra projector and was amazed at how consistently it served up scintillating visuals

8:43 am | June 2, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: TV | Comments: Off

Hisense C2 Ultra review: Two-minute review

The Hisense C2 Ultra is an impressive 4K projector that delivers sensational visuals, boasts impressive sound output and features a user-friendly operating system that provides access to the best streaming services. While it requires mains power, it’s small and light enough to be considered portable, which means not only can it be considered one of the best 4K projectors, but one of the best portable projectors too.

Key to the C2 Ultra’s success in projecting excellent images is its triple-laser projection system, which combines red, blue and green light sources. This system can not only go incredibly bright – Hisense says it’s rated for a peak brightness of 3000 ANSI lumens – but also covers a wide color spectrum, 110% of the BT.2020 color space, to be precise. Dolby Vision, HDR10+, HDR10 and HLG HDR formats are all supported, and it's IMAX Enhanced.

The results are outstanding, with content appearing vibrant and punchy, and contrast levels are good too, giving images great depth. It’s not only in bright, colorful scenes where the C2 Ultra excels though, as it also serves up deep blacks and is more than capable where shadow detail is concerned. If you were ever of the notion that a projector still isn’t a genuinely viable alternative to a TV, particularly outside of home movie nights, then the Hisense C2 Ultra bucks that trend in a big way.

What took me most by surprise upon my first use of the C2 Ultra was the audio performance from the built-in 2.1 channel speaker system tuned by JBL. I had the unit set up in my spare bedroom on a stand, just to the right of the bed and my viewing position. When I was watching movies, the sound appeared to be coming from the opposite wall and not blasting straight in my ears as I had expected, resulting in a much more immersive experience. The speaker system can go loud while still retaining a good amount of detail. Dialog comes through clearly, while the subwoofer can go low, which helps a lot during high-octane scenes such as explosions or rumbling car engines.

A close-up of JBL and IMAX branding on the Hisense C2 Ultra projector. — (Image credit: Future / Max Langridge)

I think it’s a good-looking unit too and one that’s impeccably built. The main projector housing can not only be moved around a full 360º to suit your specific viewing position, but it can also move upwards to a maximum of 135º to project images onto higher surfaces.

The C2 Ultra’s Vidaa OS is by far the most accomplished projector operating system I’ve personally come across. Not only is it intuitive to use right out of the box, but it also provides access to virtually all of the main streaming apps you’re likely to want. Android-based projector systems can often fall foul of not offering such wide support and often require workarounds to get some of the more popular apps. Hisense’s OS also offers a number of picture adjustment settings to help you achieve the best overall image.

Finally, it’s a great option for gamers. Not only is it ‘Designed for Xbox’ certified, but it features a 240Hz gaming mode to help with particularly fast-paced gaming action.

Its list price may initially make you think it’s expensive, but considering its capabilities rival most TVs and the fact it can project an image up to 300 inches in size, then it suddenly presents itself as a certified bargain.

Hisense C2 Ultra review: Price & availability

Release date: October 2024 (March 2025 in Australia)
Price: $2,999 / £2,499 / AU$4,499
Can already be found with discounts

The Hisense C2 Ultra was announced in October 2024 and went on sale in the US and UK at the same time, but didn’t arrive in Australia until March 2025. At launch, it was listed at $2,999.99 in the US, £2,499 in the UK and AU$4,499 in Australia.

However, it’s already received discounts worldwide, so you can now feasibly expect to pay around $2,499 / £2,299 / AU$3,999. I’ve also spotted select retailers offering the option of a free projector screen with the purchase of a shiny new C2 Ultra, should you wish to go down the ‘full’ home cinema route.

The C2 Ultra is more expensive than two of our favorite portable 4K projectors, the BenQ GP520 and Anker Nebula Cosmos Laser 4K. However, the Hisense machine is objectively brighter than either of its competitors, offers greater gaming and HDR support and is more forgiving in where it’s positioned thanks to its gimbal design.

Value score: 4.5/5

Hisense C2 Ultra review: Design & features

Semi-portable design
Excellent Vidaa OS software
Good selection of connections

The Hisense C2 Ultra is the replacement model to the C1, but you would only really know that based on the model number. Design-wise, the two projectors are worlds apart. Where the Hisense C1 was a boxy affair, the C2 Ultra is much sleeker with rounded corners and a circular base that plays home to the speaker system’s subwoofer.

The main projection unit is mounted onto a gimbal stand that allows you to move and tilt it in virtually any direction you wish. Hisense says it can tilt up to a 135º angle, but technically it can swing to a full 180º and still project an image. I can only assume the company doesn’t expect owners to want to look directly above them to view content, with the 135º angle being more comfortable.

The Hisense C2 Ultra angled at 180º and viewed from the side. — (Image credit: Future / Max Langridge)

It is a portable projector, although the term portable should be used loosely. Not only does the C2 Ultra rely solely on mains power to work (the cord integrates a power brick too), it is still quite a sizable unit. At least, it’s sizable when compared to truly portable lifestyle projectors such as the Xgimi MoGo 3 Pro and Samsung The Freestyle, which both adopt a much smaller, cylindrical design that allows them to be slipped into a bag.

The main projector housing measures 9.7 x 7.1 x 9.7 inches (24.7 x 18.3 x 24.7 cm), but with the stand included, the total height increases to 11.3 inches (28.6cm). And coming in at a relatively lightweight 6.3kg, I can’t see many people having too much issue moving it around.

The whole unit is finished in a gun-metal gray color that shines pleasantly in the light. It features a number of ventilation panels on the front, sides and underside, while a large grille dominates the rear of the unit to help ensure everything remains cool when the projector is in use. The ventilation system certainly works as I noticed barely a murmur from the fans during use.

Sitting above the rear ventilation grille is a series of connections, including two HDMI 2.1 ports, one of which supports an Auto Low Latency Mode (ALLM) and eARC for connecting to an external soundbar or home theater system. The other can be used to connect, say, a media streaming device. You’ll also find 2x USB-A 3.0 inputs, a 3.5mm audio out and a digital optical audio out, along with an Ethernet port for a more stable, wired internet connection. However, thanks to Wi-Fi 6E support, I never had any major issues streaming wirelessly.

A close-up image of the connections of the Hisense C2 Ultra. — (Image credit: Future / Max Langridge)

On the front is where the true magic happens. The projector lens is protected by a thin layer of what I presume to be glass, helping to prevent the lens itself getting covered in dust and debris. You will still, however, likely want to give this protective layer the occasional wipe to keep it clean – there’s no motorized cover as you’ll find on the likes of the Xgimi Aura 2.

There are also a few sensors to aid with autofocusing and to facilitate an eye-protection feature that will automatically switch the light off when it detects someone in front of it to prevent it shining into their eyes. It’s incredibly sensitive, which you may or may not think is a good thing. I ultimately left it turned off during my testing and made a conscious effort to not look into the light whenever I walked past it.

The Vidaa OS home screen of the Hisense C2 Ultra projected onto a wall. — (Image credit: Future / Max Langridge)

One of the standout features of the lens is its optical zoom capability, which promises to retain image quality if you zoom in or out – making the image smaller or larger – without needing to move the main unit. If you have the projector set up at a far distance opposite your projection surface, for example, which would naturally cause the image to be large, you can zoom in to decrease the size while not affecting the quality.

For the most part, I imagine the majority of owners will simply rely on the autofocus and auto-keystone adjustment settings (and potentially the manual adjustment settings) to get the best picture. I was projecting onto a white wall but, whenever I ran the auto keystone adjustment, the results were less than satisfactory. The image was totally skewed, meaning I had to go into the manual four-point adjustment settings to fix things up. I would like to believe that the same issue wouldn’t occur if you’re projecting onto a dedicated screen, but I didn’t have one to test this out.

Hisense’s Vidaa OS is used on the C2 Ultra, which I found to be exceptional. It was also a pleasant surprise, considering the company’s own, rather excellent PX3-Pro uses the Google TV OS instead. The home page is clearly laid out, albeit chock full of ads, and all the major streaming apps are supported, along with a plethora of others for those who wish to seek out less-mainstream content.

The built-in subwoofer of the Hisense C2 Ultra. — (Image credit: Future / Max Langridge)

The Hisense C2 Ultra has impressive high dynamic range support, including Dolby Vision, HDR10+, HDR10, HLG and IMAX Enhanced. It also supports 3D images and audio, but you’ll need optional 3D eyewear to take advantage.

Full control of the C2 Ultra is done via the remote control. The previous C1 did have onboard buttons, but they’ve seemingly been dropped this time around. The remote is a good one, boasting a satisfying weight and premium feel. Buttons are clearly laid out, although I would have preferred the settings button to feature the more widely used cog icon, as opposed to what could be mistaken for a shopping list. It supports voice control and features quick keys for Netflix, YouTube, Prime Video and Disney+.

The remote control for the Hisense C2 Ultra being held in a hand. — (Image credit: Future / Max Langridge)

Design & features score: 5/5

Hisense C2 Ultra review: Picture & sound quality

Excellent color and brightness
Comprehensive HDR support and 240Hz mode for gamers
Superb sound output

The Hisense C2 Ultra produces fantastic images from its tri-color laser projection system that will not only give you a true home cinema experience, but which can comfortably rival many of the best TVs to make it your sole media viewing device.

Despite it claiming a peak brightness of 3,000 lumens, it naturally performs at its absolute best when the room is as dark as possible, but I found that even with some ambient light coming into my test room, I was still able to watch unaffected.

I even turned the overhead lights on to see how it fared, and while color and contrast took an obvious knock, the image was still bright enough for me to be able to watch. I wouldn’t expect many people to use the C2 Ultra in such bright conditions, but it’s good to know it is truly capable of holding its own against pesky light.

A scene from The Angry Birds Movie 2 projected onto a wall. — (Image credit: Future / Max Langridge)

The C2 Ultra’s vast array of HDR support options makes recently released movies such as Godzilla x Kong: The New Empire and even older, remastered movies such as Blade look fantastic in Dolby Vision, as well as TV shows such as Fallout in HDR10+. It will even support IMAX Enhanced content from Disney+, but I wasn’t able to test this since I don’t have a subscription – the price increases became too much to justify!

I was especially impressed with animated movies – the triple-laser system in combination with the C2 Ultra’s wide color support meant they were presented with outstanding color. I should note that the images included with this review don’t quite do the picture quality justice – you have to see it in reality to be impressed. The images are plagued by a peculiar pink hue that’s definitely not present in the image projected onto the wall.

The C2 Ultra supports screen sizes from 65 to 300 inches and I managed approximately an 80-inch image for my testing. The larger the image gets, the higher the likelihood of a drop in picture quality. This is where the optical zoom can come into play, allowing you to make easy adjustments rather than having to physically move the whole unit closer to the screen or rely on digital zoom, which can often not yield good results.

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A scene from Kong Skull Island projected onto a wall. — (Image credit: Future / Max Langridge)

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A scene from Final Destination projected onto a wall — (Image credit: Future / Max Langridge)

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A scene from Spider-Man Across the Spiderverse projected onto a wall. — (Image credit: Future / Max Langridge)

Gamers also have reasons to get excited about the C2 Ultra as it features a dedicated game mode to help lower input lag, and it can enable a 2K/240Hz mode for super-smooth gameplay. It’s also ‘Designed for Xbox’ – the world’s first mini projector to lay claim to the title, says Hisense – meaning it will automatically apply optimum settings regardless of game genre when it detects a signal from an Xbox console.

I don’t own an Xbox, so I couldn't test this, but I was able to enjoy smooth gameplay from my PS5, with the fast movements of Spider-Man 2 being handled with expert authority.

Audio performance is another highlight in the C2 Ultra’s repertoire. Its 2.1 channel JBL system kicks out a surprising amount of bass, vocal clarity and immersion, aided by the fact it supports Dolby Atmos and DTS Virtual:X 3D sound formats. If the content you’re watching is encoded with Dolby Atmos, then you won’t get a true reproduction, owing to the lack of physical channels, but the performance is better than what I’ve heard from many TVs. Just note, while I was certainly impressed with the overall performance considering the projector’s size, it’s not the widest soundstage, nor is there a genuine sense of height – compared to other projectors I’ve tested, however, it comes out on top.

Of course, owners wanting a more authentic home cinema experience will want to add a fully-fledged theater system or one of the best soundbars, but casual users should find little to fault.

Spider-Man 2 PS5 game being projected onto a wall — (Image credit: Future / Max Langridge)

Picture & sound quality score: 4.5/5

Hisense C2 Ultra review: Value

Versatile with placement
Pricey, but packed with features

The Hisense C2 Ultra isn’t the most affordable projector at $2,999 / £2,499 / AU$4,499, but given the fact I’ve already seen it come down in price since launch, I think it makes for a compelling investment. It’s more affordable than Hisense’s own PX3-Pro, although that projector has the benefit of being an ultra-short throw model, potentially making it easier to place in your room.

However, given the C2 Ultra’s default, relatively short 0.9:1 throw ratio, you can get a decently large image from a short distance. Plus, the fact it has an optical zoom and a wealth of picture adjustment settings should make it easy for anyone to set up in their room.

Then factor in its comprehensive HDR support, truly stunning images, impressive audio delivery and an intuitive interface, and there’s no doubt that it’s not only a remarkable projector, but a worthy rival to TVs.

Value score: 4.5/5

Should you buy the Hisense C2 Ultra?

Attribute	Notes	Rating
Design & features:	A good-looking package that’s brimming with useful features, connections and a great OS.	5/5
Picture & sound quality:	Bright, colorful images make it usable in virtually any lighting condition, and the built-in sound system is better than most TV speakers.	4.5/5
Value:	Not quite impulse-buy price, but ticks all the boxes where picture quality, features and versatility are concerned.	4.5/5

Buy it if...

You want a moveable projector

OK, so truly portable is a bit of a stretch, but the C2 Ultra can be picked up and moved around wherever you want thanks to its compact build and wealth of automatic picture adjustment settings. It still needs mains power to work though.

You want an affordable alternative to a big-screen TV

TVs with screen sizes 80 inches and above can cost a significant chunk of change. The C2 Ultra can produce much bigger image sizes for about the same or even less money. View Deal

Don't buy it if...

You watch movies and TV shows in brightly lit rooms

The Hisense C2 Ultra does fare well against overhead lights, but the fact remains, as with virtually all projectors, that it performs to its best ability in dimly lit rooms. View Deal

You want a truly portable projector

Going against my earlier point, if you want a projector you can take away on holiday or outside, you’ll want to look for one that’s smaller and/or can run on battery power.View Deal

Also consider

	Hisense C2 Ultra	BenQ GP520	LG CineBeam Q
Price:	$2,999 / £2,499 / AU$4,499	$1,499 / £1299 / AU$ 2,199	$1,299 / £1,299 / AU$2,499
Screen sizes supported:	65-300 inches	50-180 inches	50-120 inches
Brightness (specified)	3,000 ANSI lumens	2,600 lumens	500 ANSI lumens
HDR support:	Dolby Vision, HDR10+, HDR10, HLG	HDR10+, HLG	HDR10, HLG
Display technology:	RGB laser DLP	LED DLP	RGB laser DLP
Resolution:	4K (3,840 x 2,160)	4K (3,840 x 2,160)	4K (3,840 x 2,160)
Connections	2x HDMI 2.1 (1 with eARC), 2x USB-A, 1x S/PDIF, Ethernet, 1x 3.5mm, Bluetooth 5.3	2x HDMI 2.1 (1 with eARC), 1x USB-C (DP Out, DP In, 2x USB-A 1x 3.5mm	HDMI, USB-C (display, power)

BenQ GP520

It’s a similar size to the C2 Ultra, offers similar connectivity and supports 4K content, but its HDR support isn’t as vast and it can’t go as bright. But it is cheaper.

Read our full BenQ GP520 reviewView Deal

LG CineBeam Q

If you’re on a tighter budget but still want a portable 4K projector, the LG CineBeam Q is a fine choice. It does still require mains power like the C2 Ultra, but its smaller size makes trips out of the house a more viable option.

Read our full LG CineBeam Q reviewView Deal

How I tested the Hisense C2 Ultra

The Hisense C2 Ultra projector viewed from the front. — (Image credit: Future / Max Langridge)

Tested at home in a variety of real-world viewing conditions
Watched a variety of content including streaming and 4K Blu-ray

I tested the Hisense C2 Ultra at home in a variety of real-world conditions, which saw it being faced with in-room lighting, natural light coming into the room and with no light at all. It was tested against a bare white wall for the duration of the review period, with an 80-inch image being achieved. I also tested the optical zoom function to see if and how it affected image quality.

I watched a range of 4K HDR and HD content from built-in streaming services, as well as using the 4K Blu-ray player in the PS5.

First reviewed May 2025

I tested the JVC DLA-NZ700, and its performance is nothing short of a revelation for a mid-range 4K projector

2:00 pm | May 17, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: HDR | Comments: Off

JVC DLA-NZ700 projector: two-minute review

The JVC DLA-NZ700 is a new mid-range projector from the brand, combining its existing BLU-Escent laser light source and redesigned D-ILA 4K chipset into a more compact and lighter body.

The result with the JVC DLA-NZ700 is a highly capable beamer that builds on JVC’s success with the previously released DLA-NZ800 and DLA-NZ900, while allowing its lineup to more effectively compete with the best projectors in terms of price.

The new lens may combine plastic with glass, but it still delivers a crisply detailed image, and the picture accuracy is superb with both SDR and HDR. The latter really impresses thanks to JVC's proprietary dynamic tone mapping, along with support for HDR10, HLG and HDR10+. The laser power setting also offers more precise control for dialling in brighter HDR without fan noise.

What is most remarkable about the NZ700 is that, despite its lower price, it delivers a brightness and contrast performance that matches the earlier, and more expensive, NZ8. It even includes a colour filter to cover the DCI-P3 colour space, along with the Deep Black function and Balanced dynamic laser mode. There’s also an effective remote, redesigned menus, and flexible installation.

Of course, JVC has dropped some features to shave off costs, although most probably won’t miss the lack of 8K or 3D support. On the other hand gamers will bemoan the lack of 4K 120Hz, along with a rather high input lag. Otherwise, this affordable and feature-packed native 4K HDR projector will give any other high-end beamer a run for its money.

JVC DLA-NZ700 projector review: price and release date

JVC DLA-NZ700 close up of lens — A new optical unit and 80mm hybrid lens in the NZ700 contribute to its compact size (Image credit: Future)

Price: £9,499 / $8,999 / AU$14,999
Release date: May 2024

The JVC DLA-NZ700 (DLA-RS2200) is the mid-range model in the brand’s revised line-up of 4K laser-powered projectors. It’s available now and retails for £9,499 / $8,999. The NZ700 replaces the outgoing DLA-NZ7 (DLA-RS2100), and sits between the equally new DLA-NZ500 (DLA-RS1200) at £6,499 / $5,999, and the higher range DLA-NZ800 (DLA-RS3200), which costs £15,999 / $15,999.

JVC DLA-NZ700 projector review: Specs

Screen sizes supported:	30-150 inches
Brightness (specified):	2,300 lumens
HDR support:	HDR10+, HDR10, HLG
Display technology:	Laser, D-ILA
Resolution:	Native 4K (4,096 x 2,160)
Connections:	2x HDMI 2.0
Dimensions:	450 x 180 x 479mm (18 x 7 x 19 inches)
Weight:	15.2kg (33.5lb)

JVC DLA-NZ700 projector review: design and features

JVC DLA-NZ700 on table — The NZ700 uses the same third-generation D-ILA 4K chipset found in JVC's step-up NZ800 and NZ900 projectors (Image credit: Future)

World's smallest native 4K projector
New 80mm hybrid lens
Gen2 Frame Adapt HDR

The JVC DLA-NZ700 sports a completely new design inside and out, resulting in a more compact chassis that, along with the NZ500, makes it the world’s smallest native 4K projector. The NZ700 is noticeably smaller and lighter than its predecessor, especially when they’re placed side by side.

The NZ700’s size and weight have been reduced by utilising a new optical unit and 80mm hybrid lens. However, the build quality remains excellent, and the NZ700 is still finished in matte black, making it ideal for dedicated home theatre installations. It measures 450 x 180 x 479mm (18 x 7 x 19 inches) and weighs in at 15.2kg (33.5lb).

At the rear are a pair of HDMI 2.0 inputs that support bandwidths up to 32Gbps and are limited to 4K 60Hz (which isn’t great news for console or PC gamers). The HDMI ports can also handle HDCP 2.3, and high dynamic range – specifically HDR10, hybrid log-gamma (HLG), and HDR10+.

The provided remote is the same slightly tweaked version included with the NZ800 and NZ900, with its more luminescent light button, and small bumps on the on/off and enter buttons – all of which make this well-designed controller very easy to use in a fully blacked-out home cinema.

The JVC DLA-NZ700 incorporates the same third-generation D-ILA 4K chipset introduced on the NZ800 and NZ900. The new design is more efficient, allowing for brighter images, deeper blacks, and improved uniformity. As a result, despite using the same laser light source as earlier models, the NZ700 has a claimed peak brightness of 2,300 lumens and a native contrast ratio of 80,000:1.

In addition to the improved black levels offered by the upgraded D-ILA chipset, the NZ700 has the new Deep Black function with its revised algorithm to further enhance contrast without crushing shadows. In addition, the dynamic laser control includes the new Balanced setting for pictures that appear punchier without introducing the brightness fluctuations seen on earlier models.

The NZ700 has the improved sliding scale control in the laser power sub-menu, allowing for more granular adjustments as you gradually boost brightness without a sudden increase in fan noise, thus enabling the creation of more useful settings for HDR. There’s also the new “Vivid” mode that JVC added previously for watching SDR sports or gaming in a room with some ambient light.

The NZ700 retains the BLU-Escent laser diode light source with its claimed minimum 20,000-hour lifespan and greater consistency. Other features include motorised focus, zoom and shift controls, which makes installation easier, plus there are lens memories for different aspect ratios on a 2.35:1 screen. There’s also a Filmmaker Mode, along with ISF-certified calibration controls.

JVC’s tone mapping remains state-of-the-art, with the latest proprietary Gen3 Frame Adapt HDR dynamically analysing HDR10 content on a frame-by-frame basis to optimise the image, while 18-bit gamma processing results in smoother and finer gradations. However, JVC has dropped the Theatre Optimiser, which enhances tone mapping based on your screen’s size, shape and gain.

In addition to the existing analysis of an incoming HDR signal, the NZ700 now reads the Display Mastering Luminance (DML) metadata that tells the tone mapping the peak brightness of the display on which the content was originally mastered. This is useful because the more metadata the tone mapping has to work with, the better the results in terms of the displayed HDR images.

The NZ700 has a revised menu system compared to the NZ800 and NZ900, with a new main Setting Menu Select page. Here you choose between Picture Settings, HDMI Settings and Installation Settings. Once you’ve selected the Settings you want to adjust, you’ll find all the related sub-menus for those particular settings available, and you can move between them.

Design and features score: 4.5/5

JVC DLA-NZ700 projector review: picture quality

JVC DLA-NZ700 rear panel ports — Rear-panel ports include two HDMI 2.0 connections (Image credit: Future)

Detailed and cinematic 4K delivery
Impressive HDR tone mapping
Wide colour gamut filter

The JVC DLA-NZ700 is nothing short of a revelation, and delivers a performance that I could immediately see was comparable to the NZ800 I reviewed previously. There are similar components, such as the D-ILA chipset and laser light source, but I hadn’t anticipated the new lens producing such a sharp image, nor did I expect the black levels to be quite so impressive.

My first impressions were confirmed during testing, with the NZ700 delivering a contrast ratio of nearly 50,000:1, which is better than the earlier and more expensive NZ8. The laser brightness approaches the claimed 2,300 lumens, although you only hit these peaks in the Vivid mode, and in the preferable Filmmaker or calibrated Natural mode, this is closer to around 1,700 lumens.

The out-of-the-box SDR accuracy is excellent with the white point close to the industry standard of D65, an even greyscale, and colours hitting their saturation targets for BT.709, but this can be improved through calibration. I was able to get reference accuracy using the built-in controls, and anyone spending nearly nine grand should really get their new NZ700 professionally calibrated.

This accuracy also extends to HDR, with the NZ700 covering 97% of DCI-P3 with its colour filter in place. What’s even better is the filter only reduces the brightness by about 15%, although if you’d rather not use the filter (and with HDR10+ you don’t have a choice), then the brightness increases, but the gamut coverage now drops to around 83% of DCI-P3 instead.

The NZ700 may be more affordable, but it still includes JVC’s class-leading HDR tone mapping with the beamer not only accurately tracking the PQ curve standard, but also using dynamic tone mapping to get the best out of content based on the available metadata and real-time analysis of the HDR signal. The ability to read the Display Mastering Luminance also helps in this regard.

The Deep Black feature remains a useful addition, bringing slightly more detail out of shadows while keeping the blacks suitably inky. The Balanced dynamic laser setting is also useful, adding greater depth at the low end while also boosting the brightness at the other end without any ‘pumping’ in the image itself. The superior tone mapping ensures the highlights are also free of clipping.

JVC DLA-NZ700 onscreen setup menu — The NZ700's dynamic tone mapping feature is very adept at optimising its performance (Image credit: Future)

This NZ700 is equally impressive with motion handling, producing smooth pictures that are free of blurring and unwanted artefacts. The projector may be limited to 60Hz, but the motion with games remains excellent, although the responsiveness suffers due to the lack of a low-latency mode. As a result, this projector’s input lag measures 51ms, which is probably too high for serious gamers.

When it comes to SDR content, the NZ700 is a fantastic performer, producing detailed and natural images that enjoy added depth thanks to the impressive contrast ratios. Watching Samsara on Blu-ray reveals a remarkably detailed image, and any concerns I had about the new 80mm lens using a combination of plastic and glass were dispelled by the finely rendered images on display.

Moving on to HDR, the NZ700 continues to dazzle with a spectacular delivery that retains all the fine details in the snowy landscapes of The Revenant. The colours of The Greatest Showman burst off the screen during the musical numbers, and the rain-soaked neon-lit streets of Gotham are bathed with beautifully rendered blacks, deep shadows and nuanced colours in The Batman.

The dynamic tone mapping is very adept at optimising the performance of the NZ700, and the resulting HDR is often comparable to high-end video processors that cost more than the projector itself. When able to use the dynamic metadata of HDR10+, the results are equally impressive, and the kinetic and colourful Motorball sequences in Alita: Battle Angel are brought vividly to life.

Picture quality score: 5/5

JVC DLA-NZ700 projector review: value

JVC DLA-NZ700 remote control — The JVC NZ700's fully backlit remote control (Image credit: Future)

Exceptional value for money
Has no direct competitor
The sweet spot in JVC's projector line-up

The JVC DLA-NZ700 represents remarkable value, especially when you consider it offers much of the same image quality and feature set as the more expensive DLA-NZ800. Yes, you lose support for 8K 60Hz, 4K 120Hz and 3D, plus there’s no low latency mode, but in terms of overall picture performance there isn’t a significant difference between the two, making the NZ700 a great choice for film fans looking to save a few bucks without compromising on contrast and HDR tone mapping.

The NZ800 has a direct competitor in the form of the Sony Projector 8 (VPL-XW6100ES), which is priced at £15,999 / $15,999, while the flagship DLA-NZ900 goes up against the Sony Projector 9 (VPL-XW8100ES), which costs £25,999 / $31,999. However, the NZ700 currently has no direct competitor, and while it’s more expensive than the NZ500, Sony VPL-XW5000ES and Epson EH-QB1000, when you consider its performance and features, it may well be the sweet spot in the JVC projector line-up.

Value score: 5/5

JVC DLA-NZ700 projector
Attributes	Notes	Rating
Design and features	Compact chassis, and backlit remote; motorised lens controls with memories, class-leading HDR tone mapping, and HDR10+ support, but no 4K 120Hz input or low-latency mode	4.5/5
Picture quality	Excellent black levels and accurate 4K images combine with a bright and cinematic delivery with SDR and HDR	5/5
Value	Remarkable value given the feature set and performance	5/5

Should I buy the JVC DLA-NZ700 projector?

Buy it if...

You want detailed 4K images with that all-important film-like quality: The new 4K chipset and hybrid 80mm lens deliver crystal-clear images, with superior black levels and excellent contrast that result in wonderfully cinematic images that elude the competition.

You want class-leading HDR tone mapping: JVC’s proprietary dynamic tone mapping reads the available metadata and analyses the incoming HDR signal to produce remarkable HDR images that rival ultra-high-end video processors.

You want HDR10+ support: The inclusion of HDR10+ allows the NZ700 to take advantage of the format’s dynamic metadata, ensuring tone mapping that’s optimised for the lower brightness of a projector compared to a TV.

Don’t buy it if…

You want support for 4K 120Hz high frame rate gaming: The NZ700 lacks HDMI 2.1 inputs, so it doesn’t accept 4K images with a frame rate higher than 60Hz, and that means those with the latest consoles or high-end PC rigs can’t game at 4K 120Hz.

You want a projector with a low input lag: There’s no low-latency mode, and as a result the input lag is 51ms. This is far too high for serious gamers, who should probably consider the cheaper Epson or Sony projectors.

You want support for 3D: JVC has dropped 3D support on both the NZ500 and NZ700, bringing them in line with Epson and Sony. Unfortunately for 3D fans, you’ll have to buy the more expensive NZ800.

Also consider...

Comparison: 4K projectors
	JVC DLA-NZ700	JVC DLA-NZ800	Epson Pro Cinema LS1200
Price:	£9,499 / $8,999 / AU$14,999	$15,999 / £15,999 / AU$24,999	$4,999 (£4,399 / about AU$7,090)
Screen sizes supported:	60 to 200 inches	60 to 200 inches	50 to 130 inches
Brightness (specified):	2,300 lumens	2,700 lumens	2,700 lumens
HDR support	HDR10, HDR10+,HLG	HDR10, HDR10+,HLG	HDR10, HLG
Display technology:	Laser, D-ILA	Laser, D-ILA	Laser, 3LCD
Resolution:	Native 4K (4,096 x 2,160)	Native 4K (4,096 x 2,160)	4K (3,840 x 2,160)
Connections:	2x HDMI 2.0	2x HDMI 2.1	2xHDMI 2.1

JVC DLA-NZ800
JVC's NZ800 costs quite a bit more than the NZ700, but adds 8K, 4K 120Hz, and 3D support. For most buyers, choosing the NZ800 over the NZ700 will come down to this projector's gaming features, since it has a low-latency mode plus 4K 120Hz support for console gaming.

Here's our full JVC DLA-NZ800 review

Epson Pro Cinema LS1200
The Epson LS1200 is our pick for the best projector for most people due to its powerful contrast, HDM1 2.1 ports, and reasonable price given the performance and features it delivers. It's a great alternative option if the JVC NZ700 exceeds your budget.

Here's our full Epson Pro Cinema LS1200 review.

How I tested the JVC DLA-NZ700 projector

JVC DLA-NZ700 in projector enclosure — (Image credit: Future)

Measured with Calman calibration software
Evaluated using SDR and HDR content
Reviewed in a dedicated home cinema

As with all my TV and projector reviews, I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.

The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. Any test scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.

For the objective testing, I measured the NZ700’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3. To do this, I used a pattern generator and colour meter combined with Portrait Display’s Calman calibration software. I measured the NZ700’s input lag in milliseconds using a specialised Leo Bodnar tester.

First reviewed: May 2025

I reviewed the Epson QL7000 projector, and 10,000 lumens brightness makes the difference between day and night

3:00 pm | May 3, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: HDR | Comments: Off

Epson QL7000: two-minute review

The Epson QL7000 is a projector designed for situations where you normally wouldn’t use a projector: well-lit rooms free of the dark furniture and gray walls typical of home theater environments.

What makes the Epson QL7000 uniquely qualified for such situations is its brightness, which goes far beyond what you get with the best projectors and even matches some of the best TVs. The QL7000 has a specified 10,000 lumens brightness, where a typical home theater projector tops out in the 2,500 to 3,000 range. That’s one of the reasons why the QL7000 costs $29,999 (around £22,400 / AU$47,000), though there are other good reasons as well.

The QL7000 is a 'body-only' projector that needs to be outfitted with a separate lens. Epson offers a range of special lens options, including long-throw ones that let you position it far from a screen, and ultra-short-thow ones that let you install it super-close. This level of installation flexibility is unique for a consumer-grade projector, especially one as small and lightweight as the QL7000. It also has an attractive case design that will let it fit in with your living room’s decor.

The QL7000 uses a laser 3LCD light engine, along with pixel-shifting, to display 4K images. Epson’s 32-bit QZX Picture Processor is used for upscaling and other types of processing, and it supports the HDR10 and HLG high dynamic range formats (but not HDR10+, a format we’re seeing increasing support for in projectors).

A pair of HDMI 2.1 ports on the QL7000 support 4K 120Hz and ALLM (Auto Low Latency Mode), making Epson’s projector, which also has a low 19.6ms input lag, a great option for gaming. But the real draw of the QL7000 is watching sports – its super-bright picture can easily hold up in rooms with the lights on, and games of all sorts have an incredibly immersive quality on a big screen (up to 300 inches max, in this case).

The QL7000 also looks great when you dim the lights for movie time, and with a variable laser light output adjustment, you can create a separate picture mode optimized for more traditional theater-style viewing. Epson’s high-lumen projector lacks the black level refinement seen in some of the top 4K projectors, but with such powerful brightness reserves aided by a dynamic contrast feature, movies watched on the QL7000 pack a strong visual punch.

Ultimately, the QL7000 is a specialized projector designed for multi-use environments, and it serves that purpose brilliantly. Between the projector itself and the separate lens, you’ll pay quite a bit to experience its stunning brightness in your home, but for some, it will be well worth the cost.

Epson QL7000 review: price and release date

First available: March 2025
Price: $29,999 (around £22,400 / AU$47,000)

Epson QL7000 on table — The QL7000 has a specified 10,000 lumens light output, and its laser light engine has a 20,000-hour lifespan (Image credit: Future)

The flagship model in Epson’s Q Series projector lineup, the QL7000 lists for $29,999 (around £22,400 / AU$47,000). Prices for Epson projectors generally remain consistent over time, though discounts are occasionally tied to sales events. This price is for the QL7000 projector body only, with four lens options available at extra cost.

Other Q series models include the Epson QL3000 (6,000 lumens, $14,999) and Epson QB1000 (3,300 lumens, $7,999).

Epson QL7000 review: Specs

Epson QL7000 rear panel ports — (Image credit: Future)

Epson QL7000 review: design and features

Epson QL7000 close up of corner — The QL7000 has a stylish case with angled corners, and it's available in black or white (Image credit: Future)

Compact and stylish for a high-lumen projector
Multiple lens option, including ultra-short-throw
Dual HDMI 2.1 ports with 4K 120Hz and ALLM support

The Epson QL7000 represents a departure from the massive, industrial look of typical high-lumen projectors. It’s not only smaller and lighter than such models, but it has a stylish, angled case that’s available in black or white. This sets it apart as a projector that can blend in with a living room setting rather than dominate.

The QL7000 is a “body-only” projector that requires a separate lens. Epson sells a range of lenses, which allow for everything from long-throw to ultra-short-throw installation options. For this review, the company sent me a middle-throw option with a 1-1.6 zoom, +56 to -56 vertical shift, and +16 to -16 horizontal shift.

A laser 3LCD light engine in the QL7000 uses separate red, green, and blue imaging chips and employs pixel shifting to display a 4K image. Light output is specified at 10,000 lumens (white and color), around four times as high as typical home theater projectors, and the QL7000 also supports Epson’s contrast-enhancing UltraBlack technology.

The QL7000 uses Epson’s proprietary 32-bit QZX Picture Processor for upscaling, frame interpolation, and dynamic HDR tone mapping. HDR support includes HDR10 and HLG, but not the HDR10+ format supported by some home theater projectors, including the Epson QB1000.

Gaming features on the QL7000 include two 40Gbps HDMI 2.1 ports with 4K 120Hz support and Auto Low Latency Mode (ALLM). A 3.5mm audio output is also provided (like other high-end projectors, the QL7000 lacks built-in speakers), along with dual USB-A, Ethernet, and RS-232C ports. There is also support for Crestron, Control4, and other home automation systems.

The QL7000’s setup features include horizontal and vertical lens shift, keystone correction, and point correction. Since I installed the projector on a table for my testing, the setup was simple, with the trickiest part being inserting the lens into the projector’s front. Four adjustable feet are provided for leveling the projector during setup, though most QL7000 installations will use a ceiling mount.

A full-size, fully backlit remote control comes with the QL7000. The buttons are large and well arranged, but the functions seem mainly aimed at installation, with no controls to make quick adjustments to basic picture settings like brightness and contrast.

Design and features score: 5/5

Epson QL7000 review: picture quality

Epson QL7000 showing football games on screen at CEDIA 20204 — The QL7000 demonstration I attended at CEDIA Expo 2024. Note how bright the picture looks on the 200-inch screen in bright lighting conditions (Image credit: Future)

Incredibly bright HDR images
Impressive HDR tone mapping
Very low input lag for gaming

First, let’s look at some measurements. With the QL7000 set to Natural mode (the most accurate picture preset) and a 100% laser light output setting, it measured 1,005 nits on a 10% white HDR pattern. It also measured 1,340 nits in Dynamic mode, which is the one I ended up using for most of my picture evaluation after calibrating the grayscale and color points. For the sake of comparison, the DCI (Digital Cinema Initiatives, a theater industry trade group) digital cinema specification calls for 300 nits brightness for projectors to properly display HDR.

Contrast ratio in Dynamic mode with Dynamic Contrast on and the laser light output set to 30% was 68,000:1. With laser light output set to 100%, that number was boosted to 253,600:1, an excellent result that many competing projectors, particularly DLP-based ones, would struggle to match.

The QL7000’s UHDA P3 color space coverage was 83.7% in Natural mode, and BT.2020 coverage was 61.8% in the same mode. Those numbers aren’t nearly as impressive as high-end home theater projectors like the JVC DLA-NZ800, which is capable of full P3 coverage, or certain triple-laser ultra-short-throw models like the Hisense PX3-Pro that can fully cover BT.2020. Even so, colors looked punchy on the QL7000.

Input latency tested with a Bodnar 4K Input Lag meter was 19.6ms with the QL7000’s Image Processing menu option set to Fast. That’s an excellent result for a projector, and combined with the QL7000’s ALLM feature, it sets the QL7000 apart as a great option for big-screen gaming.

The most exceptional aspect of the Epson QL7000’s picture is its stunning brightness. Even when watching in a bright room with light streaming in from windows, the crisp, clear 4K image beamed by the QL7000 had a true window-on-reality quality.

A main benefit to all that brightness is getting to watch sports on a very big screen. When I first saw a demo of the QL7000 at the 2024 CEDIA Expo, Epson had paired it with a 200-inch screen in a well-lit room, and the football games they were showing looked clear and bright. For my setup, I used a much more modest-sized 92-inch matte white, 1.1 gain Stewart Filmscreen Cima screen, with the projector’s lens surface situated at a 10-foot distance.

As luck would have it, both the NBA playoffs and the Stanley Cup playoffs were happening during my time with the QL7000. No shortage of sports to watch! Viewing in the daytime with room lights on, the QL7000’s exceptionally bright picture made a Pacers vs Bucks match look incredibly realistic, with the Pacers players' bright yellow uniforms retaining their rich yellow hue even in my brightly lit room. With a typical home theater projector, the same image would have had washed-out-looking colors, but that was not at all the case with the QL7000.

The same held for a Capitols vs Canadiens match, with the large, bright projected image giving me a rink-side seat. The red hue of the Montreal players’ uniforms popped against the rink’s icy, white surface, and the QL7000’s excellent motion handling made fast-action plays look completely solid.

With the lights in my room dimmed for movie viewing, the projector’s picture benefited from reducing its laser light output to 30%, which provided more balanced contrast. Watching a 4K Blu-ray of Dune, in a scene where Paul Atreides is tested by the Reverend Mother, her veil came across as a solid black, and there was good overall detail in the dark background.

The projector’s somewhat elevated black level – not unexpected in a model designed for high light output – caused some shadow details to be obscured. However, both lowering the gamma setting to -1 in the Advanced menu and setting black level to 0% in the Dynamic Contrast menu helped somewhat in this regard.

Watching a reference scene from the Bond film No Time to Die that I use to test motion handling, a panning shot across a craggy hillside cemetery showed only minimal judder and motion blur. With the QL7000’s Frame Interpolation mode set to Low, those artifacts completely disappeared, and there was only a slight motion smoothing penalty seen in the picture.

As a final test, I watched a few scenes from The Elephant Man on 4K Blu-ray. The QL7000 presented the film’s black-and-white image with excellent uniformity – there was no sign of tinting or variable brightness across various sections of the screen.

Picture quality score: 4.5/5

Epson QL7000 review: value

Epson QL7000 remote control held in hand — The QL7000's fullly backlit remote control makes it easy to adjust settings in a dark room (Image credit: Future)

Provides a larger picture than biggest-screen TVs
Picture brightness a match for some TVs
Unique option for bright-room viewing

At $29,999 (around £22,400 / AU$47,000), the Epson QL7000 crosses over into the money-no-object realm for projectors, making value almost a moot point. Its main benefit is in projecting a 4K image onto screens as large as 300 inches, and with a level of brightness that’s so powerful you can watch during daytime hours with room lights on.

You can now buy super-bright mini-LED TVs in the 100-inch range for substantially less, a reality that would put something of a dent into any consideration of the QL7000’s value. But 100 inches pales in comparison to 300 inches, and yes, people actually exist who want screens that big.

Value score: 4/5

Should I buy the Epson QL7000?

Buy it if...

You want to watch in a bright room
The QL7000 aces the task of beating daylight and overhead lights, making it a unique option for bright room viewing.

You want a great projector for sports
With a specified 10,000 lumens brightness, you’ll feel like you’re watching sports on a huge-screen TV and not a projector with the QL7000, and its excellent motion handling means fast-action plays look crisp.

You want a great projector for gaming
The QL7000’s dual HDMI 2.1 inputs support 4K 120Hz and ALLM. Input lag is also a low 19.6ms, which is excellent for a projector.

Don’t buy it if…

You want the best projector for movies
The QL7000’s exceptional brightness makes it ideally suited for sports. Movies look great on it as well, but there are other projector options that do a better job handling 4K movies with high dynamic range.

You don’t want to buy a separate lens
The QL7000 is a “body only” projector that requires a separate lens. The lenses are easy to install, but they add to the cost of an already pricey projector.

You don’t need ultra-large screen support
If you don’t need a projector that can support a 300-inch screen size, there are plenty of other good options available, though they won’t match the QL7000’s brightness.

Also consider...

JVC DLA-NZ800
JVC’s 8K projector is a top choice for home theater enthusiasts and features special processing to get the best from 4K movies with HDR. It’s not nearly as bright as the QL7000, and at around $19,000, it’s far from cheap, but if you want the best projector for dark room viewing, look no further.

Read our full JVC DLA-NZ800 review

Epson QB1000
The QB1000 is the current pick as best projector for sports in our best 4K projectors guide because its 3,300 lumens specified brightness is higher than most models. If you can provide some level of dimming in your viewing space, you’ll save a substantial amount of money by opting for the QB1000 over the QL7000.

Read our full Epson QB1000 review

Sony Bravia Projector 8
The Bravia Projector 8 is another high-end home theater option that costs less than the QL7000 but doesn’t come close to matching its brightness. It uses Sony’s new XR processor for projectors, a tech derived from the company’s TV lineup that makes images look crisp and clean on the big screen.

Read our full Sony Bravia Projector 8 review

Epson QL7000 mounted from ceiling — A ceiling-mount QL7000 installation (Image credit: Future)

How I tested the Epson QL7000

Tested at home, in a room with controlled lighting
Measurements were made using Calman color calibration software
A 1.1 gain Stewart Filmscreen Cima matte white projection screen was used for evaluation and measurements

When I test projectors, my first step is to use them for casual viewing to assess the out-of-box picture presets. The next step is to select the most accurate-looking preset (typically labeled Movie, Cinema, or, in the Epson QL7000's case, Natural) and measure the white balance (grayscale), gamma, and color point accuracy using Portrait Displays’ Calman color calibration software. The resulting measurements provide Delta-E values (the margin of error between the test pattern source and what’s shown on-screen) for each category, and allow for an assessment of the projector’s overall accuracy.

Along with those tests, I make measurements of peak light output (recorded in nits) for both standard high-definition and 4K high dynamic range using a 10% white window pattern. Coverage of DCI-P3 and BT.2020 color space is also measured, with the results providing a sense of how faithfully the projector can render the extended color range in ultra-high-definition sources. The final measurements are contrast ratio, which is the ratio of the brightest white to the darkest black that the projector can display, and input lag, which is measured using a Leo Bodnar 4K HDMI input lag tester.

First reviewed: May, 2025

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I tested the new BenQ GP520 budget 4K projector, and it has incredible brightness for the money

2:00 pm | April 26, 2025

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Comments: Off

BenQ GP520: One minute review

The BenQ GP520 is a promising projector for those on a tight budget. At $1,499, it provides a much cheaper alternative to the Hisense C2 Ultra and JGMO N1S Pro 4K. While there are plenty of other examples of the best projectors that can compete near its price, the BenQ GP520 has a solid edge where brightness is concerned. An LED light source lets it hit a high of 2,600 ANSI Lumens, and that’s plenty to provide a pleasing image even if you don’t completely black out your viewing space.

The GP520 beams a sharp and modestly colorful 4K picture and supports HDR10+ high dynamic range. In the right viewing conditions, it can look downright great for a projector at this price, and even has solid motion handling.

BenQ rounds out the GP520 with a potent pair of speakers that will do the job when you don’t have time to sort out a better sound system, and it has integrated Google TV for streaming. The projector is small and easy to move about, making it viable as a go-anywhere all-in-one theater system. While there are plenty of ways the GP520 could be better, it’s a great option for those on a budget.

BenQ GP520 review: Price & release date

BenQ GP520 close up of lens — There are no optical adjustments on the GP520, which uses automatic keystone and autofocus, and even framing and obstacle avoidance, to configure its picture for new setups (Image credit: Future)

Release date: October 2024
Price:$1,499 / £1299 / AU$ 2,199

The BenQ GP520 is a recent entry to the market and comes in at a modest price. At $1,499, it’s a small bargain next to the BenQ W2720i, and is cheaper than the BenQ X300G and BenQ X3100i in the company’s gaming projector lineup. It doesn’t have the gaming chops of those latter projectors, but it delivers a big, bright 4K picture for the money.

BenQ GP520 review: Design & features

BenQ GP520 with remote control — The GP520's included Google TV remote control (Image credit: Future)

Compact, all-in-one design
Multiple tripod holes for mounting
Google TV

Like many recent mainstream home projectors, the BenQ GP520 has a simple, boxy design. With a compact, gray case and a blue accent around the lens, it looks a lot less like office equipment than other BenQ projectors. Inside, it packs an LED DLP projection system, dual 12-watt speakers, and the Google TV streaming platform. It’s a compact projector that’s easy to move and set up in new positions.

While some competitors have started including gimbal stands for angling their projectors, the GP520 has simple rubber feet that can extend to make small angle and tilt corrections. That said, the GP520 is equipped with tripod holes on the top, bottom, and rear for adaptable setups. You’ll want a rather sturdy tripod to secure this projector, though.

The GP520 will automatically configure its picture for new setups, including keystone and autofocus adjustments, and even framing and obstacle avoidance. Aside from focus, these are all digital adjustments that reduce the resolution of the 4K picture.

The BenQ GP520 runs the Google TV smart TV system, and while this provides plenty of functionality for finding and streaming content, the hardware running it isn’t so capable. After making a selection or trying to access a menu, the OS will hang up for one or several seconds. For instance, trying to access the picture settings menu from the main menu, the delay was long enough for me to be convinced the system had glitched (it didn’t).

Around back, the GP520 offers up a pair of HDMI 2.1 ports (one with eARC), a 3.5mm audio output, two USB-A ports (one for service only), and a USB-C port. That last one is special, as it not only supports 20 watts of charging power for a connected device but also serves as a DisplayPort input.

The back of the projector also features a small vent for exhausting heat, and while plenty of heat comes out of the back, the fans are not very loud. On top, it has buttons for volume, Bluetooth pairing, and power. The sides of the projector are covered in large grills that allow air to flow in and sound to come out of the speakers. While the GP520 is compact, BenQ uses a large and heavy external power brick that could get in the way of a convenient and tidy setup.

The remote included with the GP520 is basic and feels a bit cheap, but it does the job. It has the typical Google TV layout with a circular navigation dial, a microphone button for voice controls, and quick buttons for home and back. Interestingly, it includes a zoom control to quickly shrink the image down and blow it back up, and also has a dedicated button to automatically adjust keystone and focus. Thankfully, the remote has a shortcut button to change inputs, making it much quicker to jump from the somewhat slow Google TV operating system to any other input without getting bogged down in unresponsive menus.

Design & features score: 3.5/5

BenQ GP520 review: Picture & sound quality

BenQ GP520 showing image from Dune — Black levels can look elevated on the GP520, but it manages to easily draw out detail from dark shadows in movies like *Dune* (Image credit: Future)

Crisp, bright 4K picture
Color is a bit lacking
No gaming features

The BenQ GP520 puts on a good show, beaming a picture with 2,600 lumens of brightness. In a well-lit room, you’ll want to stick with content like cartoons and TV, but if you can draw the curtains and dim your space, the GP520 is good for movies. Enemy of the State had great visuals and solid contrast on my 100-inch screen, even with light slipping through my blinds during the day. Black levels weren’t incredibly deep, but it still looked good.

Watched in these same conditions, a 4K Blu-ray of Dune looked excellent in the GP520’s HDR10 picture mode. The picture had sharp detail, and there was also detail in dark shadows, such as fabrics and the Harkonnen armor. Occasionally, the projector exhibited judder during panning and tilting shots, but it was very subtle. There’s also an Auto HDR picture mode, but this shifts to a cooler color temperature and introduces the soap opera effect along with other odd motion artifacts.

Elevated black levels seen on the GP520 can be a little distracting when it displays letterboxed movies or larger areas of black, but contrast is nonetheless quite good. The GP520 performed well in Paul’s duel with Jamis toward the end of Dune. I’ve seen other projectors struggle greatly with this fairly dark scene, but the GP520 presented it clearly and brought out plenty of detail, including in Jamis’ face.

BenQ GP520 showing Google TV interface — The GP520's Google TV smart interface (Image credit: Future)

The GP520 falls a bit short on color, though, with its LED light source only covering 81% of the DCI-P3 color space. That leaves plenty of room for improvement, but such improvement will generally come from more expensive triple laser projectors, like the JMGO N1S Pro or Hisense C2 Ultra. This won’t hold the GP520 back with some movies, such as the aforementioned Enemy of the State, but it loses a little punch with content that benefits from especially vibrant color, like Cyberpunk Edgerunners.

The speakers on the GP520 pack a punch for a system of this size. The balance is a little crisp, putting a lot into the mids and rolling off the bass. Sub-bass is absent, so you’ll miss some meat from movies, TV, and games.

While the projector can run games with a reasonably low latency, it can’t switch to 1080p display and bump up the frame rate like some of its competitors. Regardless of resolution, the refresh rate is capped at 60Hz.

Picture and sound quality score: 3.5/5

BenQ GP520 review: Value

BenQ GP520 rear panel ports — Connections include two HDMI 2.1 ports (one with eARC) and a USB-C port with DisplayPort support (Image credit: Future)

Brighter than similar options
Affordable price for a 4K projector
All-in-one design enhances value

The BenQ GP520 may not be the best projector around, but it’s offering an excellent value. For one thing, it’s a complete package with integrated speakers and a streaming software that lets you power it up and start watching without any extra gear. It’s also offering solid performance for the money, with a picture that’s plenty bright, crisp, and with HDR10+ support. It could use a bit more color richness, a deeper black floor, and the option to increase refresh rate at lower resolutions, but for straightforward movie and TV watching, it’s quite good.

At $1,499, the BenQ GP520 sits in a proper place, steering clear of some of its more colorful triple-laser competition but offering better brightness compared to similarly priced projectors.

Value score: 4.5/5

Should I buy the BenQ GP520?

BenQ GP520 on table — (Image credit: Future)

Buy it if...

You want a bright picture
The BenQ GP520 scores high marks for its brightness, which helps it perform better in rooms with some ambient light. View Deal

You want a solid all-in-one at a great value
The BenQ GP520 checks all the boxes. It’s a bright 4K beamer with robust stereo sound and integrated Google TV. You can find this combination in other systems, but BenQ drives a hard bargain at $1,499.View Deal

You want setup flexibility
The BenQ GP520 may not have any optical adjustments, but it does have some decent flexibility thanks to its support for multiple tripod mounting locations and its ability to flip upside down, stay upright, or even tilt vertically. View Deal

Don't buy it if...

You want a gaming projector
BenQ may be a big name in gaming, but the GP520 isn’t particularly well-suited for it. It caps out at 60Hz while some of its competitors can jump up to 120Hz or even 240Hz and deliver lower lag in the process.View Deal

You want the best picture for your money
Rivals from JGMO and Hisense may not be able to go as bright as the GP520 at the same price, but their triple-laser light sources make for absolutely stunning visuals. As long as you can control the ambient light in your viewing area, they’ll prove more impressive. View Deal

You like motion smoothing
Some devices do motion smoothing well, but the GP520 isn’t particularly adept at it. It can make panning shots and moving objects look smoother, but it introduces obvious visual artifacts into other sorts of motion. View Deal

Also consider

JMGO N1S Pro
This triple-laser projector won’t beam quite as bright, but that may not be obvious when you’re appreciating its absolutely stunning color.

Read our JMGO N1S Pro review View Deal

BenQ W2720i
At a considerable markup, the BenQ W2720i steps up the visuals with better color and more advanced optics. This also allows for better positioning control for the image without relying too much on digital adjustments. It’s a little dimmer and a lot bigger, though, so it won’t work for everyone.View Deal

Xgimi Horizon Ultra
This model combines LED and laser projection for a bright and colorful picture, plus it has a more elegant design to fit in with your decor. But it also won’t be as bright for the money.

Read our full Xgimi Horizon Ultra reviewView Deal

How I tested the BenQ GP520

BenQ GP520 showing scene from Dune — (Image credit: Future)

Tested at home in multiple, real-world viewing conditions
Presented the display with a variety of media and formats
I have tested numerous projectors and displays over the last half-decade

I tested the BenQ GP520 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, HDR and non-HDR, and PC gameplay.

My testing evaluates the projector’s performance with respect to its price and competition from other models I and colleagues at TechRadar have tested.

I have been testing projectors since 2021 and displays for even longer.

For a more detailed explanation of how we test TVs at TechRadar, check out the link.

First reviewed: April, 2025
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