LG xBoom Bounce: Two-minute review

Go to the LG website and you’ll see this Bluetooth speaker billed as the "LG xBoom Bounce by will.i.am". Recent marketing materials are rife with mentions of the Black Eyed Peas performer who, depending on where you look on LG's site, “crafted” the sound from the ground up, “fine-tuned” the sound of the Bounce after the fact or simply acted as... whatever an “Experiential Architect” is.

It’s a very loosely-defined partnership and I’ve no idea if the musician’s work really did involve engineering the Bounce’s sound or simply becoming a marketing figure, although a colleague at TechRadar did speak to the rapper, writer, actor, record producer and entrepreneur earlier this year on the collaboration. Anyway, the general gist is this: the LG xBoom Bounce is a new party speaker here to (hopefully) make you wanna Shake Ya Boom Boom – and thus, make its way into our best Bluetooth speakers roundup.

Its relative beefiness should have been clear from the name; LG’s busy line of xBoom speakers are all designed for room-filling sound, complete with hardy designs, high volumes and usually plenty of LED lights. The bounce was announced alongside the slightly-cheaper cylinder of the LG xBoom Grab and bigger, more expensive LG xBoom Stage 301.

I must admit that I’ve not been blown away by other xBoom devices I’ve used, and sadly the Bounce didn’t manage to change that.

The last xBoom I used was the petite Go XG2T, which is remarkable for its portability, a trait which is important for most Bluetooth speakers. Not in the Bounce, though, as it’s too big and heavy to slip in your bag and take to a picnic. It has an elastic carry band which loses form quickly, two unstable legs and a pet peeve of mine: no skip track button.

I can’t mark down the design too much though, with high-grade protections ensuring that the xBoom Bounce is safe from the hard knocks that could befall it when used in your garden (or forgotten in your garden after a few beers).

When it comes to features, LG’s nailed the basics with the LG xBoom Bounce: its battery life is pleasingly long and I’m always a fan of LED lights on speakers. However there’s not much extra if you download LG’s smart-home app (no, there’s no bespoke app), with a few of its potential features squandered.

For example there’s an on-speaker button which should, in theory, be used to quickly open a chosen playlist – however this doesn’t actually work alongside any streaming service, only with native content on your phone or LG’s own ambient songs.

The biggest issue with the Bounce is that its sound quality just doesn’t match rivals on the market. With Sonos and JBL both offering similar-priced alternatives, the bass-heavy but empty-sounding audio of the Bounce doesn’t cut it, no matter how loud it can go to impress fields of guests.

As a mid-range speaker in terms of price, LG’s rugged build quality, battery life and volume here may be enough to win over some users, including those who want a device specifically for outdoor activities and parties (and already own one or more for their home). But if you’re more of a one-and-done kind of speaker buyer, the xBoom Bounce is a lot harder to recommend.

LG xBoom Bounce review: Price and release date

• Released in April 2025
• Officially priced at $179.99 / £139 / AU$249

The LG xBoom Bounce was released in April 2025 alongside another member of its family: the xBoom Grab.

You can buy the speaker for $169 / £169 (around AU$300, though it’s the only one of its family not to be on sale in Australia at the time of writing).

That cost puts the xBoom Bounce in the shark-infested waters of a highly competitive price range: the Sonos Roam 2 is only a touch pricier, while the JBL Flip 7 is a small amount more affordable, and you don’t have to pay that much more for a close rival in the Tribit Stormbox Blast 2.

These three options are all within the top five in our round-up of the best Bluetooth speakers, so LG is entering a tough crowd. More on these competitors below.

LG xBoom Bounce review: Specs

LG xBoom Bounce review: Features

• Some set-up woes
• 30-hour battery life
• Useful location calibration mode

The XBoom Bounce can be used alongside the LG ThinQ app. This is an everything-app for all LG products, and it’s quite a lengthy set-up process between creating an account, finding ‘speakers’ on the list and, in my case, repeatedly trying to get it to pair until it finally succeeded. I may have given up several attempts earlier if I wasn’t reviewing the Bounce (and you can use the device just fine without pairing it to the app anyway). Pairing to devices simply for listening was quick and painless, it’s just the app that’s the issue.

The ThinQ app may make sense if you have lots of other LG products (or if this speaker boasted wi-fi streaming support, which to be clear, it does not), but if you don’t it’s a bit of a faff. Honestly, it feels like a bloated set-up process and some of the features just don’t make sense – why am I being asked where the speaker is located when, by definition, it’s a portable one?

Using the app you can change the speaker’s volume, switch the lighting pattern on it, set up the MY button (more on this imminently) and set up a few other features like Auracast for daisy-chaining more speakers for multi-room audio, a turn-off timer and a small playlist of ambient background music called Healing Therapy. There’s also a calibration mode which works out the speaker’s location (after a brief test) and adjusts the sound quality, which is admittedly quite neat – until you move it.

Once you’ve set up the MY button, pressing it on the speaker auto-plays from a playlist you’ve selected. However you can only use this for audio files on your device, or the Healing Therapy playlist on the app – no Spotify, no Apple Music, no Tidal. In addition, it’s staggeringly hard to browse the Healing Therapy library to find sounds – go to the page in the app and you’ll be shown a single song, with the options to download it, as well as a list of your downloaded songs. The only way I figured out to see all Healing Therapy options is to literally download everything you’re presented with.

There are a few preset Sound Effects you can use to modify your sound: Standard, Bass Boost and Voice Enhance are all pretty obvious and there’s a custom option to bring up a six-band equalizer. The other option is AI Sound which balances audio based on your chosen genre.

I tested the speaker for about 10 hours before going through the set-up process and if I could turn back time, I probably wouldn’t bother with the app. The only thing I ended up needing it for is to turn on Bass Boost mode. I mentioned above that I had trouble connecting to the app; this was never an issue connecting the speaker to my phone via Bluetooth, which was flawless.

Let’s clear our minds with a really positive feature: the battery life. According to LG this can stretch to 30 hours and in my testing I saw no reason to doubt that figure (as long as you’re playing at 50% volume, which is a reasonable figure indoors). That figure trumps lots of the competition with many rivals hovering between the 10-15 hour mark. Charging is done via the USB-C port on the back and takes three hours.

• Features score: 3.5/5

LG xBoom Bounce review: Design

• IP67 and military-grade protection
• Heavy and long body
• Wobbly legs and elastic strap

The LG xBoom Bounce is a big and heavy speaker – while all Bluetooth speakers are ostensibly portable, the heft of the Bounce means you probably won’t want to bring this to the park for a picnic or barbeque given that you’ll have to jettison half your food to fit it in your bag. At home I left it on the same shelf for the bulk of my testing, right by a wall outlet, completely offsetting any need for it to be wireless in the first place. The issue is, I don't think the audio is good enough for a dedicated indoor 'main' speaker… but again, I'm getting ahead of myself.

To be precise, the xBoom Bounce is 316.5mm long, 142.5mm tall and 136mm wide, taking a rough oval shape. It weighs 1.32kg which is heavy for a Bluetooth speaker like this – some other party speakers are a whole kilo lighter.

On top of the speaker are its two tweeters as well as buttons: power, volume up, volume down, pay/pause, Bluetooth pairing, multipoint and MY (the latter we’ll describe in the Features section). So far, so standard. The back of the speaker has a USB-C port for charging but no 3.5mm jack, so you can’t plug-and-play with your old iPod here.

A large feature on the back of the xBoom is the stretchy fabric band you can see in pictures. This has a little ‘pull’ to it so you can get your hand behind it to carry it, but its size and positioning means you can’t really use it to attach the Bounce to anything (not least of all because 1.4kg means this thing is prone to pulling over things you attach it to). The elastic also deformed pretty quickly in my testing, having a noticeable upward arc after just a few days of testing, and so I wasn't keen to rely on it as a way to transport the thing in case it snapped.

The front of the speaker has an LED strip which flickers to music, and you can choose the color or pattern through the app. It’s not a huge feature, but if you like having flashing LEDs to accompany your music, it’s a nice touch.

On the bottom of the xBoom are two circular ‘legs’ that it stands on, elevating the main body a touch off the ground. There’s probably a good reason for them but they resulted in the device wobbling an undue amount when on flat surfaces.

You'll probably realise I have mixed feelings on the xBoom Bounce’s design, but one undeniable boon is its protection. Not only does the Bounce have an IP67 rating against dust ingress and limited immersion in water, but also the military-grade MIL-STD-810H certification. This ensures it can withstand vibrations, impacts, spray from salt water, high temperatures and a few other fairly-specific types of assault. This is perhaps the first truly rugged Bluetooth speaker I’ve ever tested, and I’m always a fan of gadgets that are designed for longevity.

• Design score: 3.5/5

LG xBoom Bounce review: Sound quality

• High max volume
• Low-end focus
• Songs often sound 'empty'

Let’s unpack what you’re getting with the Bounce: there are two tweeters and a woofer for 2.1 stereo audio.

The LG xBoom Bounce doesn’t lack for power, with a high maximum volume; I generally listened at volume 10 at home but it goes all the way up to 30, so this will be suitable for fairly large gatherings. But what LG offers in volume, it lacks in quality.

The focus of the sound is clearly in the low-end, with songs’ bass lines being the first thing you’ll notice when you put on any track. But then, as is the issue with most ‘bass overload’ cases, it means mid- and high-end instruments sound compressed. Here, these frequencies seem almost squeezed into an oddly dull ooze of ‘noise’, stripping counter harmonies and detail from songs in favor of the ever insatiable god: bass.

Even vocals were often muddied and nonspecific in songs I listened to, and there were times when I simply couldn’t make out the lyrics of lead or backing singers due to how low they were in the box.

Let’s take a listen: Phosphorescent’s New Birth in New England usually offers a rich mix of rhythmic instruments but listening on the Bounce, all I can hear is the bass, vocal and some assorted ‘soup’ of everything else. The next song on my playlist is Letter to Lady J by Dispatch which starts with acoustic guitar and vocals, but the latter sounds muted and the former quickly loses any form of strumming pattern and timbre. Changing playlists for some variety, Morgan Wallen’s Thought You Should Know was listened to – just the intro, three times, to try to list the instruments we’ve got here. Sadly, I simply couldn’t make them out and throughout the song, Wallen sounds like he’s frantically waving his hand to the mixing desk and pointing upwards to indicate ‘turn me up!’.

The effect of all of this is that music seems a lot less complex and nuanced, and therefore lacking a little bit of the ‘soul’ that comes from the interplay and cohesion of different instruments. It made rock and pop less enjoyable and classical almost impossible to appreciate; I most enjoyed using the speaker when it was for dance-focused tracks with instrumental simplicity. Which, of course, is what certain users will be looking for, so don't let me put you off if that's you.

A focus on the low-end and a high max volume make the LG xBoom Bounce suited as a party speaker, but it’s not for audiophiles, who’ll find a few things missing from their music.

• Sound quality: 3/5

LG xBoom Bounce review: Value

If you’re simply looking at the xBoom Bounce for a personal loudspeaker for your home, you can find other options at a similar (or cheaper) price that offer better sound quality.

For party speakers, the question is a bit different, as the Bounce matches most of its close rivals in terms of price. However you may be swayed by the various protections on offer, which could ensure that it keeps serving you for a lot longer than one of its alternatives.

In the grand scheme of things, you’re pretty much getting what you pay for though.

• Value score: 3.5/5

Should I buy the LG xBoom Bounce?

Buy it if…

Don’t buy it if…

LG xBoom Bounce review: Also consider

How I tested the LG XBoom Bounce

I used the LG xBoom Bounce for two weeks in order to write this review, which is the standard testing period.

I used the Bounce alongside two separate Android smartphones, one a Realme and another a Moto, and did most of the testing split between two different rooms in my house. Most of the playback was music from Spotify and the ThinQ app but I watched a few videos, listened to spoken-word content and played a game with the speaker attached.

I've been writing tech reviews for TechRadar for over six years now, including speakers as well as other LG products.

First tested: June 2025

Read more on how we test at TechRadar.

Bang & Olufsen Beosound A1 3rd Generation: two-minute review

The latest version of the Beosound A1 by Bang & Olufsen is the best yet – and when you consider how well-regarded the previous two versions were, it follows that this 3rd Gen is something special.

As you might expect from this brand (and as you’re likely to demand at this price), the A1 3rd Gen looks and feels like a high-end product. There's a heated debate among TechRadar's US and UK staff over whether the A1 Gen 3 looks more like a muffin, a crumpet or a bombolone, but whichever baked (or fried) breakfast (or teatime) treat works best for you also works for us. Yes, it looks like that, but in the most premium way. The materials used in its construction are relatively lavish, and build quality is unarguable. Its modular design means it can be repaired, and its battery can be replaced – both of which are good things and certainly help it all the way into our roundup of the the best Bluetooth speakers at its size and weight.

And between multipoint connectivity, aptX Adaptive compatibility, 60 watts of power, an IP67 rating (meaning it's up there with the best waterproof speakers too), plus a USB-C socket that can be used for data transfer as well as for charging, the A1 3rd Gen is pretty well-specified too. Only a lack of Auracast compatibility sounds a mildly false note.

Best of all, though, is the sound. The Beosound is a robust but deft listen, detailed and dynamic in equal measure, and able to present recordings with a nice open character at the same time as ensuring they sound unified and together. It’s short of ultimate scale, of course – a product of this sort of size is almost bound to be – but in every other respect it’s an engaging, revealing and thoroughly entertaining listen.

Bang & Olufsen Beosound A1 3rd Generation review: price and release date

• $349 / £299 / AU$639
• Launched on May 6, 2025

The Bang & Olufsen Beosound A1 3rd Gen is on sale from today (7th May 2025) and in the United Kingdom it’s priced at £299. It’s $249 in the United States, and in Australia it goes for AU$639. Which means that no matter the territory in which you’re shopping, it’s priced like a premium device – which, in turn, means it’s Bang & Olufsen business as usual.

Bang & Olufsen Beosound A1 3rd Generation review: specs

Bang & Olufsen Beosound A1 3rd Generation review: features

• Bluetooth 5.1 with aptX Adaptive compatibility
• 60 watts of Class D power
• USB-C can be used for data transfer

The Beosound A1 3rd Gen uses Bluetooth 5.1 for wireless connectivity, and it’s compatible with SBC, AAC and aptX Adaptive codecs. That Bluetooth standard means it won’t support Auracast, though multipoint connectivity means your speaker can be connected to two sources at the same time. Once your digital audio information is on board, it’s dealt with by a digital-to-analogue converter of unspecified type and resolution, and then served up by a two-driver array. A 15mm tweeter and 83mm mid/bass driver each receive 30 watts of Class D power, in an arrangement Bang & Olufsen claims is good for a frequency response of 54Hz - 20kHz.

The adoption of aptX Adaptive is a step forward for the A1, but this 3rd Gen model dispenses with Amazon Alexa voice control and wider smart-control integration you'll find in the 2020-issue Beosound A1 Gen 2. Whether or not you consider this to be a backward step depends almost entirely on how much you enjoy the sound of your own voice.

Battery life is a very creditable 24 hours from a single charge (provided you’re operating at reasonably modest volume), while from ‘flat’ to ‘full’ takes a rather leisurely three hours. Charging happens via the USB-C slot on the edge of the speaker, and for this 3rd generation this input can also be used for data transfer – so the Beosound can be hard-wired to a source of music. It can also form a stereo pair with another A1 3rd Gen or, happily, an A1 2nd Gen should you have one.

• Features score: 4.5/5

Bang & Olufsen Beosound A1 3rd Generation review: sound quality

• Impressive low-frequency extension and substance
• Consistent and balanced even at volume
• Great detail retrieval and midrange resolution

With one or two fairly minor caveats, there’s an awful lot to like about the way the Beosound A1 3rd Gen goes about things. So minor are these caveats, in fact, I may as well get them out of the way right now before piling into all the things the Bang & Olufsen excels at.

It’s probably an inevitability given the physical size of the speaker, but the A1 3rd Gen isn’t an especially large-scale listen. The soundstage it creates is properly organised and quite open – but where out-and-out scale is concerned, there’s no getting around the fact that this speaker doesn’t sound especially big.

Its tonal balance isn’t, strictly speaking, all that neutral either. There’s a hint of warmth and richness, a kind of sonic luxuriousness, about its presentation that’s not in any way unpleasant but that is most definitely a characteristic. This can be mitigated a little in the control app – but given that the best overall balance comes from leaving the EQ setting at ‘optimal’ (the clue’s in the name, really) it’s probably best to accept your Bang & Olufsen speaker sounds, as well as looks and feels, deluxe.

From here on out, the news is all positive. The A1 3rd Gen can summon frankly unlikely low-frequency presence and substance - it hits remarkably hard for a speaker of its size, and the claim for frequency response down to 54Hz seems perfectly plausible. The low end is properly controlled, too, which means rhythms during Thin Air by Floating Points are confidently expressed – and the Bang & Olufsen is a front-foot listen as a result. At the opposite end of the frequency range it attacks with polite determination, bringing a reasonable amount of bite and shine to treble sounds without ever threatening to become unruly. There’s a fair amount of substance to offset the brilliance, too, which helps the overall balance of the sound no end.

In between, the A1 3rd Gen communicates through the midrange in the most uninhibited manner. Voices as dissimilar as Joni Mitchell’s and Alex Turner’s emerge with all of their character intact, and the midrange is nudged forwards just a little to help with intelligibility. The crossover between the mid/bass driver and the tweeter is smooth to the point of imperceptibility, and though the tonal balance here has a very definite flavour, it is at least consistent from top to bottom. The Bang & Olufsen sounds unified and of a whole, no matter the sort of content you’re listening to.

What else? Well, detail levels are high across the board – and even when it comes to the most minor harmonic variations or transient events in a recording, the A1 3rd Gen does good work in identifying and contextualising them. And despite its relative lack of outright scale, it can put appreciable distance between the quietest and the loudest moments in a recording too. As long as you’re not expecting to fill a medium-sized room with sound, the A1 3rd Gen is a great option – and you can at least be assured that if you do wind up the volume to the point the Bang & Olufsen is giving you everything it’s got, it doesn’t alter its sonic character in the slightest. It simply gets louder.

• Sound quality score: 5/5

Bang & Olufsen Beosound A1 3rd Generation review: design

• 46 x 133 x 133mm, HxWxD
• 576g
• Built to a high standard from premium materials

As both the asking price and the manufacturer’s reputation demands, the Beosound A1 3rd Gen is little short of a masterclass where materials and their deployment are concerned. It’s tricky for a product of such modest dimensions (this speaker is just 46 x 133 x 133mm, HxWxD) to look overtly premium, but this Bang & Olufsen manages just fine.

The lower half of the spheroid is of hard-wearing polymer, and it’s seamlessly connected to an upper portion made of tactile, textured pearl-blasted anodised aluminium. A carry-strap made of waterproof leather is threaded through the polymer, and it’s here you’ll find the only visible bit of branding. The look is understated and sophisticated, no matter which of the three available finishes you choose – take your pick from ‘natural aluminium’ (which is ‘silver’), ‘honey tone’ (‘gold’) and ‘eucalyptus green’ (‘green’). And the 576g weight seems purposefully judged to strike a balance between ‘portability’ and ‘reassuring heft’. The overall standard of construction and finish is basically flawless, and the IP67 rating means it will be fine in any realistic environment.

This is, says the manufacturer, the first ever Bluetooth speaker with ‘Cradle-to-Cradle’ certification (at the bronze level). So it’s made with sustainable practices in mind, and is modular to the point that it has a replaceable battery and can, in certain circumstances, be repaired rather than scrapped. This is something Bang & Olufsen has long been known for; just see the company's modular Beosound Theater soundbar and reissued vertical CD player for starters…

• Design score: 5/5

Bang & Olufsen Beosound A1 3rd Generation review: setup and usability

• Some physical controls
• Excellent B&O control app
• Swift Pair and Fast Pair

It’s a very simple device to operate, the A1 3rd Gen – the options you have are very tidily realised indeed. Along with that USB-C socket, the polymer edge of the chassis features a few physical controls, all very positive in their action – you can take care of ‘power on/off’, Bluetooth pairing, ‘volume up/down’, ‘play/pause’ this way. There’s also a button to mute the mics that are used for telephony. Microsoft Swift Pair and Google Fast Pair are available, while a single LED on the top surface indicates what the speaker might be up to, and another next to the USB-C input lets you know about charging.

There’s also the B&O control app that’s free for iOS and Android – and it remains one of the best examples of its type. Here’s where you can check for software updates, form that stereo pair using another A1 3rd Gen or your A1 2nd Gen, integrate your favourite music streaming service (as long as it’s Deezer, Spotify or TIDAL) and access music on a HomeMedia server. It also gives internet radio access via the entirely admirable ‘B&O Radio’. It’s where you can access some EQ presets, or define your own using a graphic ‘target’ control that’s about as gratifying an EQ adjustment mechanism as I’ve ever seen.

• Setup and usability score: 5/5

Bang & Olufsen Beosound A1 3rd Generation review: value

This is far from the most affordable Bluetooth speaker around – although when judged by the standards Bang & Olufsen has long since established, it’s actually within touching distance of many credible alternatives.

The usual B&O selling points of premium materials, indulgent design and impeccable build quality are all present and correct, too – and the Beosound A1 3rd Gen is a match for any price-comparable rival where pure sound quality is concerned. So for once here’s a Bang & Olufsen product that doesn’t require all that “yes, but..” when it comes to value for money.

• Value score: 5/5

Should I buy the Bang & Olufsen Beosound A1 3rd Generation?

Buy it if...

Don't buy it if...

Bang & Olufsen Beosound A1 3rd Generation review: also consider

Bang & Olufsen Beosound A1 3rd Generation review: how I tested

I connected the A1 3rd Gen wirelessly to my Apple iPhone 14 Pro and my FiiO M15S digital audio player, and also made a hard connection via USB-C to my Apple MacBook Pro. So I was able to listen to lots of different content from lots of different platforms, of various file-types and sizes.

And having done so for well over a week, I realised the A1 3rd Gen is the best yet – which is saying something…

• First reviewed: May 2025
• Read more about how we test

House of Marley Roots Solar: Two-minute review

Competition is fierce among portable, beach-ready speakers. The best Bluetooth speakers offer all-day battery life, enjoyable audio and pool-proof durability, without draining your bank account. It’s in this crowded market that the House of Marley Roots Solar tries to stand out, as a beach-ready speaker with neat features and a unique sustainable design.

Physically, it achieves that goal. Fronted by a facade of renewable bamboo, the Roots Solar looks and feels distinctive. The fabric grille is nicely tactile, while the rubberized body – made from recycled plastics – is robust. There’s a reassuring weight to the whole package, which gives the impression that it’s solid enough to survive several summers.

Clever touches suggest that House of Marley’s design team has put a lot of thought into this speaker. The buttons are simple, well-sized and accessible. Little feet underneath cushion against vibrations. The carry strap is a handy addition. And then there’s the built-in bottle opener on the back: a party trick that bolsters its cookout credentials.

Unfortunately, other features are less impressive. At 14 hours, battery life does stack up well against rival speakers, lasting a full day on one charge. But the solar panel from which the Roots Solar gets its name is ineffective. House of Marley claims that it’s good for up to five hours of extra playing time. In my experience, even after several hours in direct sunlight, it did little or nothing to recharge the speaker. The strip is essentially decorative.

That’s a shame, because the promise of solar-powered listens is a key selling point, and one that ties in with House of Marley’s sustainable ethos. I had to charge the Roots Solar via USB-C like any other speaker, which somehow felt more galling than if the solar panel wasn’t there in the first place. Worse still, it means eco claims can’t save the Roots Solar from its biggest failing: sub-par audio.

Given the weight of its build and the bass radiator on the rear, you’d expect the Roots Solar to give a bold performance – especially as it’s marketed for outdoor use. Yet, in practice, the sound lacks richness, depth and dynamism. It doesn’t come close to the low-end punch of something like the Ultimate Ears Wonderboom 4, with a sonic signature that feels thin in comparison.

It can’t boast particularly good balance or clarity, either. The mids are easily muddied on layered tracks and I encountered some significant distortion when listening at higher volumes. Only when playing indoors at a medium level can the Roots Solar come close to a making a good account of itself, and only then with songs that aren’t too complex.

I really wanted the Roots Solar to be a good speaker. I like its design and I salute House of Marley for trying to do things differently, making audio kit that’s environmentally conscious. I’m all for nifty features like bottle openers and I’d love a speaker that can boost itself from the sun.

But with solar charging out of the equation, the House of Marley Roots Solar lets itself down where it matters. You can get a sturdy speaker with similar features and significantly better audio quality for the same money or less. And use the change to buy yourself a bottle opener.

House of Marley Roots Solar review: Price and release date

• Released in September 2024
• Official price: $99.99 / £79.99 / AU$149.95

House of Marley added the Roots Solar to its speaker line-up in September 2024. At launch, it was priced at $119.99 / £99.99 / AU$149.95. That put it at a slight premium compared to other portable Bluetooth speakers with similar specs.

Since then, its official price has been reduced in both the US and the UK, to $99.99 and £79.99 respectively. With that discount, the Roots Solar sits more competitively alongside some of the best Bluetooth speakers, including the splendid JBL Flip 7. OK, the JBL speaker is admittedly a little pricier, but worth it. As you’ll read below, the numbers only tell part of the story.

House of Marley Roots Solar review: Specs

House of Marley Roots Solar review: Design

• Made with bamboo and recycled materials
• IP67 water-resistant
• Built-in bottle opener

Sustainability has always been at the heart of House of Marley’s ethos. That comes through in spades with the Roots Solar. Available in black and cream color schemes, both versions feature a facade hewn from renewable bamboo. This wood grain veneer gives the speaker a uniquely natural look and feel among portable Bluetooth speakers.

The whole package is both consciously constructed and satisfyingly tactile. Up front, there’s a fabric grille that’s woven from recycled materials. The body itself is made from House of Marley's own REGRIND silicone, a composite that's a solid step up from virgin plastic. This material's speckled finish feels smooth yet suitably robust, standing out from the cheaper plastics used in some budget speakers.

There are flourishes around the entire speaker which illustrate the thought that’s gone into its design. There’s the solar panel neatly integrated into the top of the unit and the fabric carry strap attached to one end by knurled metal screws. Rubber feet beneath help to insulate the standing surface against vibrations, while a light ring around the grille subtly illuminates when the speaker is powered on or charging.

Three buttons live on the left side of the rubberized body, controlling power, volume and brightness. It might seem like a minor detail, but these are perfectly weighted with a responsive click. At the back, you’ll find a port cover neatly shielding the aux-in and USB-C ports, along with a bass radiator that’s seamlessly fused in place.

Then there’s the Roots Solar’s party trick: a built-in bottle opener. This consists of a sculpted indent and a metal bar. It certainly does the job of popping tops, although I can’t say how well it would hold up with repeated use. The novelty of opening bottles with a Bluetooth speaker is probably also one that would wear off after a few goes, but it doesn’t hurt to have it as a backup.

It’s all quite smart and tidy. It’s weighty too, in a good way. There’s a reassuring heft to the Roots Solar, which suggests that it’s robust enough to survive a run of seasons by the sea. That’s backed up by an IP67 water-resistance rating. In terms of its physical build, no corners have been cut in the design or assembly departments.

• Design score: 4.5/5

House of Marley Roots Solar review: Features

• Battery rated for 14 hours of playback
• Built-in solar panel for ‘gradual top-ups’
• Stereo and Party Mode pairing

On paper, the Roots Solar has a killer feature compared to its rivals: solar charging. House of Marley claims the built-in solar strip can deliver ‘gradual top-ups’ for up to 5 hours of extra listening time. That’s in addition to a solid 14 hours of battery life when recharged using USB-C.

The reality is different. The standard battery life certainly holds up, easily lasting a full day on a single charge. At 14 hours, that gives the Roots Solar the longevity go toe-to-toe with the Ultimate Ears Wonderboom 4 and go just shy of the Flip 7's 16-hour stamina – and those are two of our favorite Bluetooth speakers.

What it can’t do is eke things out any further. In testing, even when left in bright, direct sunlight for several hours, the House of Marley Roots Solar showed zero or minimal gains from the solar panel. The LED light, which pulses when the speaker is charging, only glowed when connected to mains power. It never once illuminated from exposure to sunlight.

As a result, I didn’t experience any of the top-ups promised by House of Marley. I had visions of the Roots Solar as a speaker that I could leave by the window for passive charging to boost its battery on brighter days. Or at least as one which would last longer away from the wall on beach and camping trips, which is how it’s been marketed.

Instead, I had to charge the Roots Solar using the USB-C cable just like any other Bluetooth speaker. Somehow, the presence of a non-functioning solar panel is somehow more frustrating than if it wasn’t there at all. It doesn’t add to the user experience or substantively enhance the speaker’s eco-friendly chops. The strip is basically redundant.

Without it, the Roots Solar has to rely on other features to compete with other Bluetooth speakers. In that arena, it does offer stereo and party pairing, allowing you to link up with one or more matching speakers for synchronized playback. It also benefits from an aux-in port, something of a rarity in 2025.

I will mention one other small but irksome trait: the Roots Solar is very quick to power off if nothing is playing. Pause your playlist for any reason and you’ll routinely find that, when you come back to the speaker, you’ll need to power it on again to continue listening.

• Features score: 3.5/5

House of Marley Roots Solar review: Sound quality

• Lacks low-end punch, especially outdoors
• Mids sound muddy on layered tracks
• Distortion at higher volumes

Given its solid construction and the presence of a bass radiator on the back, you’d be forgiven for expecting the Roots Solar to give a bold performance. While the radiator does its best, though, the speaker simply lacks oomph. Even indoors, playback feels thin and bland. Take it outdoors, as its waterproofing suggests you should, and this lack of low-end energy really becomes apparent.

Not every speaker needs to be bass-heavy, of course. But the Roots Solar can’t boast balance or clarity as a saving grace, either. The mids feel crowded even on stripped-back acoustic tracks. Challenge the Roots Solar with a busy composition and things quickly get muddy, with little room for the layers to breath.

Crank up the volume and the audio goes from mediocre to unpleasant. Treble distortion quickly becomes apparent, while the bass radiator’s fruitless attempts to give some weight to the lower frequencies only end up clouding the mid-range even more.

If it sounds like I’m describing a complete cacophony, perhaps I’m being unfair. Playing at a medium volume in a small room, the Roots Solar does a passable job. To the untrained ear, it’s fine for streaming digital radio in the kitchen or bathroom. But the inescapable truth is that you can get a much better listen from other speakers for the same price or less.

This isn’t a speaker that I’d choose to soundtrack a beach party. No portable Bluetooth number is going to satisfy an audiophile, especially not outdoors. But both the Wonderboom 4 and the Flip 7 offer better balance, depth and dynamism for the money. The Roots Solar simply can’t compete.

• Sound quality: 3/5

House of Marley Roots Solar review: Value

On paper, the House of Marley Roots Solar has a unique value proposition. It promises a sustainable construction and a robust, premium build, with the benefit of solar charging to keep summer singalongs going for longer. The built-in bottle opener is just the sweetener.

Because it fails to deliver on several of those promises, the Roots Solar is a hard speaker to recommend. Its eco-friendly approach is one to be applauded, and there’s an argument for supporting House of Marley’s efforts to use renewable materials. But those alone can’t justify the price tag.

When you consider the ineffective solar panel and the sub-par audio quality, the Roots Solar feels like an underwhelming speaker in premium packaging. Perhaps that’s why House of Marley has reduced the price of the Roots Solar in the UK and the US, in quiet recognition of its limitations.

Even at its new, reduced price, the Roots Solar sits in direct competition with the Ultimate Ears Wonderboom 4 and the JBL Flip 7. Those speakers both offer punchier, richer sound output for the roughly the same money, as well as IP67 water resistance and day-long battery life.

If you’re committed to buying greener gear, the House of Marley Roots Solar is still a contender. But sound is also important and if it's decent audio indoors and out you seek, there’s better value to be found elsewhere.

• Value score: 3.5/5

Should I buy the House of Marley Roots Solar?

Buy it if…

Don’t buy it if…

House of Marley Roots Solar review: also consider

How I tested the House of Marley Roots Solar

• Used it as my main Bluetooth speaker for a month
• Tested it in a number of rooms, as well as outdoors
• Played a variety of genres via Spotify and BBC Sounds

To put the House of Marley Roots Solar through its paces, I used it as my primary Bluetooth speaker for several weeks. I listened to it in a number of rooms around the house, to see how well it performed in spaces of different sizes. I also tested it at different volumes, to see how the dynamics held up at a range of output levels. When the neighbours were out, I cranked it right up.

I also tested it with a range of genres: podcasts while I painted the bathroom; pop hits on BBC sounds while cooking dinner; and the old faithful on a Friday night – Spotify’s Dinner with Friends playlist.

Because the House of Marley Roots Solar is pitched as a beach-ready speaker, I also made sure to test it outdoors. Besides using its built-in bottle opener for its intended purpose, I also tossed the speaker around in my backpack to give its rugged credentials a gentle test.

To see how effectively the solar panel could boost battery life, I used the Roots Solar in both sunny and overcast conditions. And to assess how well its sound carried alfresco, I used it to soundtrack several outdoor afternoons.

Read more about how we test

• First reviewed: May 2025

JBL Flip 7: Two-minute review

Meet the news boss, handily better than the old boss and even more of a class-leader than before. JBL has not rested on its laurels with the Flip 7, the latest version of its all-conquering portable Bluetooth speaker series, and the result is an obvious front-runner that will leave its nominal rivals gasping.

You get plenty of power (35 watts, in fact) to motor its two-driver speaker array. You get 14 hours of playback (16 if you’re happy to do without some low-frequency presence). You get Auracast compatibility and the chance to listen to genuinely hi-res content if you hard-wire the Flip 7 to an appropriate source via its USB-C socket. You get access to a good control app, the ability to form a stereo pair with another JBL Flip 7, and your choice of quite a few vibrant finishes.

What’s almost best is the sound the JBL makes. By the standards of small-ish portable speakers, it’s an open and detailed listen, punchy but controlled at the bottom end, has impressive dynamic headroom and the sort of clarity and positivity that eludes all but the very best Bluetooth speakers at anything like this price.

Best of all, though, is the fact that all of this talent, tactility and robustness is yours for $149 / £129 / AU$179. There isn’t as complete an alternative available for anything like as aggressive a price as this.

JBL Flip 7 review: Price and release date

• Released March, 2025
• Officially priced at $149 / £129 / AU$179

The JBL Flip 7 went on sale during March 2025, and in the United States it costs $149. That translates to £129 in the United Kingdom, and around AU$179 in Australia.

That the majority of its most obvious competitors have been directly inspired by previous Flip models is neither here nor there – class-leaders are there to be shot at, and this seventh generation of Flip has a lot to live up to as well as some good alternatives to deal with.

JBL Flip 7 review: Specs

JBL Flip 7 review: Features

• 45 x 80mm mid/bass driver, 16mm tweeter
• Bluetooth 5.4
• 60Hz - 20kHz frequency response

For wireless connectivity, the Flip 7 uses top-of-the-shop Bluetooth 5.4 – it’s compatible with SBC and AAC codecs, which is not anyone’s idea of ‘top-of-the-shop’ but in the context of the product is perfectly adequate.

For the first time, here’s a JBL Flip that can be hard-wired to a source of music. The USB-C socket is used for charging the speaker’s battery, of course, but it can also be used for data transfer and, when connected to an appropriate source, it’s able to churn out genuinely high-resolution (24bit/96kHz) stuff. Just hold down the big, bold ‘play’ button on the speaker as you plug in your USB-C cable and you’ll be ready to go.

No matter your method of getting content on board, it’s delivered to your ears by a 45 x 80mm ‘racetrack’ driver taking care of midrange and bass, and a 16mm tweeter for the higher frequencies. The big driver gets 25 watts of power in order to do its thing, and the tweeter another 10 - and there’s no denying that a 35 watt output in a product of this size is plenty. It’s an arrangement that JBL reckons is good for a frequency response of 60Hz - 20kHz.

Another Flip first is Auracast compatibility. So, as well as being able to form a stereo pair with a second Flip 7 (albeit none of the previous models), you can hook up as many Auracast-enabled products as you like into a single entity for simultaneous playback.

Meanwhile, JBL’s proprietary ‘AI Sound Boost’ technology analyzes the music that’s playing on the fly in an effort to minimize distortion and (according to the company) liberate greater scale and bigger bass. An opposing technology is ‘PlaytimeBoost’ – it reduces low-frequency activity in an effort to eke out additional battery life.

• Features score: 5/5

JBL Flip 7 review: Design

• Choice of seven finishes
• IP68 -rated
• Carry strap and carabiner

‘Rugged’ isn’t too strong a word to describe the Flip 7's design. Anyone familiar with previous Flips will recognize the almost-cylindrical shape, the eminently grabbable 70 x 183 x 72mm (HxWxD) dimensions and the rubber’n’fabric construction. By the standards of affordable portable Bluetooth speakers, the Flip 7 looks and feels built to last, especially if you choose the camouflage (or ‘squad’) finish. That said, the other six available colours are all nice enough in their own way and you’ll certainly find something to suit you.

‘Rugged’ is definitely the word to describe this speaker’s durability, though. An IP68 rating is class-leading, and means the Flip 7 is basically immune to dust or moisture unless you really go out of your way to try and disprove that idea. The beach, the pool, the festival… none of these environments should present any kind of problem to the JBL. And the company has enhanced the Flip 7’s portable go-anywhere credentials by fitting a little detachable fabric carry-strap and providing a carabiner in the packaging.

Build quality is great, the choice of materials is judicious, and the standard of finish is beyond reproach. I like to try and find a 'yes, but…' where the design and construction of a product like this is concerned, but frankly I’ve got nothing.

• Design score: 5/5

JBL Flip 7 review: Sound quality

• Detailed, direct and confident sound
• Plenty of punch and dynamic headroom
• Rhythmically adept

JBL has turned out plenty of very good portable Bluetooth speakers in its time, and its ‘Flip’ series has generally been very good indeed. So when I say the Flip 7 is the best so far, I don’t say it lightly.

In every area of sonic performance, the Flip 7 outperforms its asking price to an almost startling degree. Operating wirelessly and with a Qobuz-derived 16bit/44.1kHz file of Fugazi’s Waiting Room playing, the JBL is a confident and entertaining listen. It digs deep into the low frequencies, hits with real determination, and shapes bass sounds with such conviction that rhythms are given full expression. There’s plenty of variation at the bottom end, too, thanks to detail levels that are the equal of those higher up the frequency range.

The midrange is balanced and communicative, so a voice as idiosyncratic as Teddy Hill’s during I Just Dropped In (To See What Condition My Condition Was In) is loaded with character as well as the minutiae of his technique. It exists in a nice little pocket of space, thanks to an open and well-defined soundstage that seems to defy the physics of a small device with a couple of drivers facing dead ahead. The top of the frequency range is bright but not edgy, and just as detailed as everything going on beneath it. Overall tonality is nicely natural and consistent from top to bottom.The Fugazi tune is a good showcase for the JBL’s ability where big dynamic shifts are concerned, but Anxiety by Doechii is an even better demonstration of the speaker’s ability to deal with the more minor, but no less important, dynamics of tonal and harmonic variation. The Flip 7 is an attentive, eloquent performer with the sort of directness of sound that makes every tune seem somehow alert and alive.

Really, there’s no meaningful downside. It’s possible to interfere with the sonic balance JBL has hit upon by playing fast and loose with the seven-band EQ in the app, of course, but why would you? The Flip 7 sounds just right exactly as it comes out of the box.

• Sound quality: 5/5

JBL Flip 7 review: Usability and setup

To be fair it’s difficult to get ‘usability and setup’ wrong when it comes to affordable Bluetooth speakers, but that doesn’t mean some brands haven’t given it a good go. JBL, though, is not one of those brands and the Flip 7 can be set up and used by anyone of reading age.

Control is available using the big, rubberised buttons on the device itself – ‘play/pause’, ‘volume up/down’, ‘Bluetooth pairing’, ‘Auracast’ and ‘power on/off’ are available. The JBL ‘Portable’ app that’s free for iOS and Android is also available - and it’s as stable, as logical and as useful an app as we’ve all come to expect from the company. It offers an indication of battery life, the ability to create a stereo pair, allows you to switch ‘PlaytimeBoost’ on or off, and features a seven-band EQ as well as a selection of presets. You can check for firmware updates and wireless connect multiple speakers for what JBL is confident is “an instant party”.

Some 14 hours of battery life is not to be sniffed at, of course – it turns ‘usability’ into an all-day event. And with ‘PlaytimeBoost’ switched on, you can go for as many as 16 hours if you don’t mind a little shortfall in bass power.

• Usability and setup: 5/5

JBL Flip 7 review: Value

If you’ve read this far, I’d hope you understand the JBL Flip 7 is approaching ‘no-brainer’ status. It offers very decent value for money in every respect: it’s properly made and finished, is built to survive fairly major disasters, looks and feels good, and sounds better than any price-comparable alternative. It has some very useful extended functionality and will play for hours at a time before it needs charging.

What else do you want? Jam on it?

• Value score: 5/5

Should I buy the JBL Flip 7?

Buy it if…

Don’t buy it if…

JBL Flip 7 review: Also consider

How I tested the JBL Flip 7

• Tested for about a week, mainly indoors but also by the sea
• Played a variety of music types
• Listened to the Qobuz app on iPhone smartphone, FiiO M15S high-res audio player and via USB-C

I used the JBL Flip 7 on my desktop, of course, but it’s an ideal candidate for use on the pebbly and windswept beaches around the United Kingdom's south coast too, and so I took it with me whenever I was near the sea.

I wirelessly connected it to an Apple iPhone 14 Pro and a FiiO M15S, and used its new USB-C functionality to hard-wire it to an Apple MacBook Pro, too. It was nothing but a pleasure to listen to every time.

Read more about how we test

• First reviewed: April 2025