The JBL Tune 310C are a budget pair of wired earbuds designed to bring "hi-res" audio directly to you, for less than $25 / £15 / AU$30. At this price, you’re unlikely to be expecting a whole lot – and you're not wrong; buds this cheap can often falter with tinny audio, a flat design and limited feature-set. But this isn't the case here.
I’ll be upfront: you’re not going to get stunning sound quality out of the JBL Tune 310C. Sure, they can decode hi-res-quality files thanks to their built-in digital to analogue converter (DAC), but I rarely felt that I was getting a massively detailed listen. Despite that, I wouldn’t say the JBL Tune 310C are an unpleasant-sounding pair of in-ears.
When tuning into Black Eye by Allie X, bass displayed solidity, but the swift kick of the drum machine sounded a touch lethargic, meaning the track didn’t quite have its distinctive "bounce" – something the best wired earbuds are able to replicate. Meanwhile, vocals were clear, neither muffled nor distorted, although when switching to I Want You by Moloko, the singer’s breathiness was fairly muted, resulting in a less detailed, natural-sounding listen.
However, given their price, I’d still argue that the JBL Tune 310C offer adequate audio. The resonant bass and clean vocals alone make for a decent all-round listen, even if subtle intricacies are missing. Treble is pretty bright, too, when listening to Electric Tooth Brush by Toronto; I was struck by the snappy high-pitched percussion. While such delivery might wear you down after some time, it's suited to songs with a more excitable sound signature. And even with that brightness, I'd argue that these buds rarely become grating, inflicting tinny audio onto your ears, such as the Belkin SoundForm Wired Earbuds with USB-C connector, for example.
Note that if you’re not loving the sound of the JBL Tune 310C, you’re able to tweak it to your liking. That’s because these buds come with three built-in EQ options – something that isn't an option even in high-calibre, pricier alternatives such as the Master & Dynamic ME05. The EQ preset options included are Default, which offers a more balanced sound; Bass, for ramped up low-end power; and Vocal, for focusing on voices in podcasts, news broadcasts, or similar.
And they do all sound unique, which is a big plus point in my view. Having said that, I did mostly find myself sticking with Default. Don’t get me wrong, I’m a lover of bass-heavy bangers, but the Bass mode can occasionally sound a little bloated in the low-end. For instance, the drum machine in Black Eye hit with more depth in this mode, but in turn, also sounded less agile and a touch muddy.
Meanwhile, Vocal mode works very nicely when watching dialogue-heavy content, whether that’s a documentary on one of the best streaming services or a podcast on Spotify. It isn't the best for listening to music, however, since it sometimes casts a tinny layer over your favorite tracks; I'd use it sparingly.
One feature that improves the overall user experience is the inclusion of multiple sizes of ear gels, ensuring a comfortable listen regardless of your ear shape. Unlike the loose-fitting JBL Tune 305C, this enables you to form a proper in-ear seal, opening you up to the world of passive noise isolation. Is this super effective? Not really. I could still hear the odd nugget of speech when listening at around 50% volume. Nevertheless, it did dull excess noise – the sound of colleagues typing, for example. And far more effectively than the Tune 305C can.
One final feature worth mentioning is the JBL Tune 310C’s built-in mic and controller. The controller allows you to adjust volume, toggle play/pause, take calls or adjust EQ (by holding the volume up and down buttons simultaneously). Pretty neat! And the built-in mic is surprisingly good, too. When making a call and taking a voice recording, my speech could sound a little on the quiet side, but my voice was clear and pretty uninterrupted by static – something even the more expensive buds can suffer from.
In terms of looks, these wired earbuds are pretty middle of the road. The flat wire, despite being conveniently tangle-resistant, is pretty prone to bending, which isn’t so pretty to look at. And similarly to the Tune 305C, there’s plastic casing on the outside of the buds that looks a little cheap, in my opinion. I'm a fan of the small-sized USB-C adapter and handy controller, though – neither of which suffered any connectivity issues. The buds also arrive in some neat color options, including black, blue, red and white.
In my view, there are only a couple of hold-ups in terms of design. First, I experienced quite a lot of cable noise when on-the-go. Sure, that’s an inherent issue with many buds that have eartips; but it could become quite distracting when I was moving around. Second, there’s a lack of waterproofing – something I always like to have for added peace of mind if using these buds in the rain, for example.
Otherwise, though, I was pleased with what the Tune 310C could provide. They’re pretty comfortable in-ear and aren’t too hefty, meaning they won’t slip out all too easily. Audio, although unremarkable, is certainly solid given the Tune 310C’s budget cost, especially when you consider the tuning available through their three EQ modes.
So, if you’re looking for some cheap, feature-rich earbuds, then these JBL buds are worth considering. The SoundMagic E80D are better still, if you have a little extra cash – simply for the upgrade in sound quality. Plus the Skullcandy Set USB-C are a decent alternative, if you want some waterproof buds.
(Image credit: Future)
JBL Tune 310C review: Price and release date
$24.95 / £14.99 / AU$29
Launched in 2024
The JBL Tune 310C released in 2024 around the same time as the JBL Tune 305C. The latter are a looser-fitting variant more akin to the Apple EarPods. They have a very modest list price of $24.95 / £14.99 / AU$29, which is pretty much inline with the 305C and competitors like the Apple EarPods, for instance. That price is typically the same regardless of the color option you pick. For reference, these are available in black, blue, red and white.
JBL Tune 310C review: Specs
(Image credit: Future)
Should I buy the JBL Tune 310C?
Buy them if...
You’re looking for some inexpensive buds EQ options, a built-in DAC and solid mic quality, all for less than $25 / £15? Oh, go on then. If you’re looking for a cheap wired option, you’ll struggle to find buds with so many features packed in. Sound quality –although not out of this world – isn’t bad either, making the 310C an excellent choice for those on a tight budget.
You’re into bass-heavy bangers Considering the cost, I found the JBL Tune 310C offered impressively impactful bass. If you enjoy tracks with imposing low-end power, you won't go far wrong with the Tune 310C. You can even activate Bass mode by holding the volume up and down buttons simultaneously for some real low-end weight.
Don't buy them if...
You want earbuds for runs and workouts If you want earbuds that are totally workout-ready then the JBL Tune 310C are to be avoided. They don’t have a waterproof rating to give you peace of mind for those sweaty moments, and you’ll experience quite a lot of cable noise when you’re moving about. If you want a better suited audio companion, I’d recommend checking out our guide to the best open ear headphones.
You’re an audiophile If you value excellent, top-tier audio quality, the JBL Tune 310C aren’t going to cut it. Bass output is powerful for the price, but can get a little muddy. Vocals aren’t beautifully natural, and finer sonic details sometimes remain under wraps. Sure, they sound solid for the price, but these certainly aren’t audiophile-grade.
JBL Tune 310C review: Also consider
SoundMagic E80D For me, the SoundMagic E80D are among the best cheap wired earbuds money can buy. Sure, they’re a little more pricey than the JBL 310C buds, but if you want a more controlled, detailed listen, they deliver with ease. They’re also comfortable in the ear and block out external noise fairly well. There really is a lot to love about the E80D, but don’t just take my word for it. Read our full SoundMagic E80D review.
Apple EarPods USB-C Want something a bit more loose fitting? Well, the Apple EarPods USB-C are among the best budget options for you. You get decent all-round sound, a relaxed in-ear fit, and classic Apple sleekness – all for less than $20 / £20 / AU$30. Note that the open-style fit does leave you more exposed to external noise, however, so bear that in mind if you want a more focused listening experience. Read our full Apple EarPods USB-C review.
JBL Tune 310C review: How I tested
(Image credit: Future)
Tested for one week
Used in the office and while on walks
Predominantly tested using Tidal
I put the JBL Tune 310C to the test over the course of one week. When trying out these buds, I predominantly spent my time listening to music, which I did in the main through Tidal on the Samsung Galaxy S24 FE. However, I also tried them out with YouTube and Spotify on my Windows laptop.
When listening, I played through all the tracks in our TechRadar testing playlist, which contains songs from a variety of genres – read our guide on how we test earbuds for more. In addition, I spent hours tuning into songs from my personal library, while also using them in a variety of environments, including busy streets and the office at Future Labs.
The FiiO FP3 wired earbuds are an entry-level answer to a luxury-bracket question: “what if in-ear monitors weren’t boomy, tinny little noise boxes?” In a market sadly defined by 10 a penny bass-boosted earbuds and wireless gym-friendly noise fodder, where’s the love for those who just want to listen to music well?
Great-sounding in-ears often come at a premium, particularly where cleverer and cleverer design is necessary to get the most out of something so small. At the extreme end of the price scale, you’ll find audiophile-grade in-ears that dwarf your current savings balance. Enter FiiO, whose in-house R&D has dramatically Aragorn-ed the doors wide open to inexpensive audio fidelity in the best-in-class wired earbud market.
At first glance, the FiiO FP3 wired earbuds are strikingly distinguished. A curvy plastic body (3D-printed, then polished and UV-coated) is adorned with a branded faceplate coin of rosewood or black walnut – it’s giving ‘executive saloon interior’, but not at all in a bad way.
This fun design, believe it or not, isn’t the star of the show here. Instead, it is FiiO’s internally developed 14.5mm planar drivers, which promise better precision, lower distortion and extended frequency response among other micro benefits befitting the drivers’ micro size. Planar drivers are a hit overall for their soundstage-y, highly responsive attributes, but FiiO’s done something especially remarkable in designing some highly capable drivers for IEMs that come in under $100. More on sound shortly, though; first, let’s try them on.
(Image credit: Future / James Grimshaw)
The FiiO FP3 earbuds are wired, with an around-the-ear design. The wire in question is a four-strand braided affair, which splits into two sets of twisted pairs connecting to the buds by way of a two-prong plug-in terminal. It is so, so cool that a pair of in-ears this cheap features removable wires as standard, not in the least for eliminating the biggest issue haunting less expensive wired earbuds – broken internal wires.
The FP3s’ wrap-over wear style is fun, functional and actually quite comfortable. Some clear heat shrink tubing covers the braided wires for the first few inches from the end connector, so there’s no unpleasant rub behind the ears. Once you get the buds themselves sitting correctly, you’ll start to feel like you’re wearing nothin’ at all (nothin’ at all, nothin’ at all, nothin’ at all…) – but not for altogether long, unfortunately.
A slight, but nonetheless aggravating, burn creeps in before long, even when switched down to the smallest size of ear tips supplied with the FP3s. While my undersized ear canals might not be in the 80th percentile, it’s still incumbent upon me to report this slight comfort-related misfortune. And misfortune is the word, because it’s a real shame that the FP3s don’t sit as well as they could do for long listening sessions. Why? Because they’re Actually Honestly Quite Good, Really.
The first thing that strikes me about the sound quality of the FP3 IEMs is their remarkable three-dimensionality. Where lesser earbuds unceremoniously cram you into an airing cupboard with your favorite band, the FP3s give you a wide hall; the playful guitarry arrangements of Maps & Atlas’ Beware and Be Grateful breathe freely, while Them Crooked Vultures’ roomy production sprawls out ahead.
That three-dimensionality presents not just with stereo image, but also dynamically. The toms in Sally Oldfield’s Blue Water (a secret 1980s groover your DJ friend would kill to know about) ping and bounce with delightful depth and sense of place.
(Image credit: Future / James Grimshaw)
The biggest bugbear I have with most less expensive earbuds is their approach to treble. Other reviews have reported an over-present sparkle, and even some harshness, with respect to the FP3s’ treble response, but I’m overjoyed to report that this couldn’t be further from my own experience. Instead, I found a remarkably well-tamed high-end, with a softness you’d normally expect to find in mid-sized speaker drivers.
Still, there’s a presence and robustness to the top end, which shines particularly brightly against the harsh noisy competition of the great urban outdoors. Big Americana arrangements such as those of Andrew Bird’s Armchair Apocrypha still carry clarity and weight, even as grumbling bus engines and caterwauling kids try to rob them of both. Listening to sparser heart tuggers, like Blood from Pile’s album All Fiction, you can hear the reedy, human quality that these drivers possess, and which works wider wonders for stand-out folky vocals and anything featuring strings.
The mid-range can occasionally be a little listless, but this does appear to be somewhat by design. Indeed, Queens of the Stone Age’s Lullabies to Paralyze is reproduced with a slightly incongruent cheerfulness, as some mid-scooping borrows urgency from ‘Little Sister’s guitars to feed the cymbals and kick instead. Bass, though, is supple and structured, supported by some nifty (and proprietary) acoustic design in the buds. Tasteful is absolutely the word – a world away from so many active earbuds' wubby flub.
As with practically any set of in-ear monitors, and even with the FP3s’ structured soundstage and carefully tweaked frequency response, you can figuratively hear the walls around your music. Despite this, the FP3s remain the broadest-sounding, least claustrophobic in-ears I’ve heard below $200.
These wired in-ear monitors are little more than they present themselves to be: excellently engineered budget IEMs, with phenomenal balance and dynamic tautness. There’s no on-device volume controls, nor a microphone to take hands-free calls with – but as someone who’s longed for a set of in-ears that do one thing well, I personally don’t miss these superfluous mod cons.
The FiiO FP3s in-ears, at $89.99 / £85.99 / AU$170 (approx.), are a fantastic value prospect for someone who wants a little more from their on-the-go listenings. For your money, you get the IEMs, six sets of silicone ear tips and a quite honestly bizarre little plastic drawer in which to store them. What you also get, though, is a listening experience at least five times more valuable.
(Image credit: Future / James Grimshaw)
FiiO FP3 review: Price and release date
$89.99 / £85.99 / AU$170 (approx.)
Launched December, 2024
The FiiO FP3 in-ears are a remarkable entrant in the best earbud space, marrying audiophilic impulses with budget-level price points. Sure, $89.99 / £85.99 / AU$170-ish might not sound ‘budget’ for a pair of wired(!), passive(!) earphones, but when you see the eye-watering prices of the in-ear monitors on which the FP3s were clearly modeled, the appellation will make absolute sense.
These in-ear monitors bring some smart driver design to a highly accessible price point, and fill what is honestly quite a large space in a market otherwise given to bulky, bass-heavy earbuds and weedy 10 a penny earphones. If you’ve ever felt let down by a gifted pair of Beats, or resented having to make space in your bag for a bulky pair of decent hi-fi headphones, the FiiO FP3s are the tonic you’ve been waiting for.
(Image credit: Future / James Grimshaw)
FiiO FP3 review: Specs
(Image credit: Future / James Grimshaw)
Should you buy the FiiO FP3?
Buy them if...
You’re a music anorak The FP3s’ planar drivers provide unbelievable sound at this price, with an extended frequency range, tight dynamics and a broad soundstage that un-cramps your favourite artists’ mixes. If you’re fed up of compromizing on sound quality in your portable earbuds, try these on for size.View Deal
You’re on a budget The sub-$100 price point puts these wired in-ears squarely in low-budget territory, despite their high-fidelity capabilities. Other, more expensive earbuds might have active noise-canceling and other built-in gubbins galore, but will they sound this good? Probably not.View Deal
Don't buy them if...
You’re a multi-tasker The lack of built-in microphone, on-unit controls and even active noise-canceling may be a big turn-off for many. After all, earbuds are now unavoidably multi-purpose devices! If you want a catch-all set of in-ears you can work to, work out to and call your mum with, you’ll want a different product altogether.View Deal
You only use your smartphone to listen to music Most smartphones today have, unfortunately, dispensed with analogue audio outputs altogether – making wireless headphones and earbuds de rigeur for out-and-about listening. The FiiO FP3s are wired, and so aren’t as convenient for some casual listeners (unless you have the right adapter, or a dedicated media player).View Deal
FiiO FP3 review: Also consider
Sennheiser IE 200
The Sennheiser IE 200s are meaty-sounding wired earphones, that bring robust volume alongside a robust build. The braided cable, around-the-ear wearing style and detachable cabling are all present and accounted for, as well as some nifty ear tip adjustability for slight on-the-fly sound designing.
Well-apportioned techy in-ears for their price, they cram some noise-canceling tech into their small earbuds alongside remote music and volume controls, and an in-built mic. The sound is clear and three-dimensional, even if it doesn’t quite reach the FiiO FP3s' dynamic tautness.
Tested at home, listening to high-quality audio files through a Focusrite Scarlett 2i2’s headphone out
Tested out and about, using an iPod Classic
The FiiO FP3 in-ear monitors lived in my coat pocket for a month, wrapped around a 160GB iPod Classic I’m still proud to be toting today. I used them frequently while traveling between engagements, and while gallivanting around town on errands.
I also tested the FP3s at home, using my trusty Focusrite Scarlett 2i2 audio interface for its clear and pristine headphone output. I listened to records with which I am intimately familiar, so as to build a real picture of the IEMs’ performance against other devices.
I'll be frank (you can still be whatever your name is): a lot has changed in the world of Bluetooth audio since May 2019. That's when the Powerbeats Pro 2's forefathers burst onto the relatively new true wireless earbuds scene and promptly cornered its fledgling athletic sub-genre.
The thing is, the wealth of reliable earbuds any of us can pick up now for as little as $20 were inconceivable six years ago, so the Powerbeats Pro 2 arrive as an interesting (quite large, cumbersome even) proposition. If their storied heritage did not exist, we might actually question what Beats was doing releasing a set of earbuds with a large curling tail on one end that does not facilitate open-ear listening, but instead includes a more traditional driver housing and neck for creating a closed seal betwixt its ear-tip and your ear canal.
One might argue that in the past few years engineers have collected substantial data and used it to create concha-fit and droplet-shaped ergonomic driver housings, which means we no longer need arms for our earbuds – even for sports. We might even think it odd for Beats to be pitching such a design at athletes – because other bright sparks have invented open-ear true wireless earbuds in the past four years, and these let us easily hear traffic or our trainer's voice as we work out.
But the Powerbeats Pro 2 get a hall pass for most of this, owing to the love we still have for the then-groundbreaking inaugural Powerbeats Pro. I remember the huge video ad I saw every day at London's Waterloo Station, featuring Serena Williams serving both looks and tennis aces while wearing an ice-white, Wimbledon-friendly set of Powerbeats Pro. Those earbuds – which arrived before the inaugural AirPods Pro and actually, before the 'Pro' suffix became a mainstay of the audio vernacular – soon seemed as iconic as the superstars who wore them.
So we need to be asking not only how the Powerbeats Pro 2 stand up against the best noise-cancelling earbuds aimed at regular users, but also how they compare to the best open-ear headphones that, until recently, were the preserve of athletes. Okay, as a set of 'regular' wireless earbuds, the case you'll be toting around is quite big – not quite coffee coaster big, but close. However, if you're an Apple Music subscriber the head-tracked spatial audio works very well, and the noise cancellation is quite good; neither is as good as what you get with the AirPods Pro 2, but the spatial audio in particular isn't far off.
Slipping them on isn't as quick a job as it is with other earbuds, but once they're on, if security is your main issue with Apple-styled buds you'll be pleased – these Beats ain't going anywhere. Also, at 10 hours from the buds and a further 3.5 charges in the case (for a whopping 45-hour total) the battery life is impressive, although if you're using ANC or spatial audio it's eight hours and a maximum playtime total of 36 hours. For clarity, you'll only get 5.5 to seven hours from your AirPods Pro 2 before they need charging. Not bad, eh?
See the sensor? (Image credit: Future)
However, for a set of sports-focused earbuds that sit inside the ear, a good transparency mode is important, and despite Beats' assurance that this is the most natural-sounding transparency mode in any set of Beats earbuds (with the adaptive algorithm powered by the H2 chip updating over 200 times per second) I've heard many more effective transparency profiles – and simply turning ANC off isn't something I'd advise, since this listening profile adds to the already-slightly tinny issues through the top end, making the soundstage a little too forward and sweet overall.
Price-wise, they're also a little hot and heavy-handed. Despite arriving at the same price as their older siblings, times have changed. You can buy similar designs for considerably less now; you couldn't then.
But stop everything! We need to talk matters of the heart. Because make no mistake, you should feel ready to place your heart in Powerbeats Pro 2's hands here, either via the Health app or your compatible, linked fitness app. Beats told me heart-rate monitoring had been on the company's mood boards for inclusion since 2014, and the feature's debut here is the result of well over four years on the bench with engineers (and subsequently in the ears of over 1,000 real-world athletes for testing).
What I can tell you is that the heart-rate monitor is here now, beautifully implemented in certain third-party apps when linked with Apple's Health app. And because of the pulse readings, the super-secure fit and the excellent battery life, you may be prepared to forgive the few shortcomings I've talked about so far, plus a couple of sonic shortfalls I've yet to get into.
Beats Powerbeats Pro 2 review: Price & release date
Unveiled on February 13, 2025
Priced$249.99 / £249.99 / AU$399.95
How often can a product come in at the same $249.99 / £249.99 / AU$399.95price as its 2019 counterpart and still not be considered great value? Simply put, competition has brought prices right down. These days, $100 / £100 is top-end for inclusion in our best budget wireless earbuds guide, and anything above that goes into mid-range and flagship territory.
For a brief comparison in the world of 'regular' buds, Bose's QuietComfort Ultra Earbuds come in at $299 / £299 / AU$449 and Technics' outstanding EAH-AZ100 are also in the same ballpark, at $299 / £259 / AU$499. Apple's AirPods Pro 2 currently cost around $199 / £199 / AU$349. Sports-focused options often come in a fair way under these kinds of figures (the Shokz OpenFit Air arrived in summer 2024 with a $149 / £119 price-tag for example) although the Bose Ultra Open buck the affordable trend – they can now be yours for a similar $249 / £249 / AU$349.95, having arrived at $50 more than that.
All of this is food for thought, but don't forget that none of the options I've listed above can monitor your heart rate…
(Image credit: Future)
Beats Powerbeats Pro 2 review: Specifications
(Image credit: Future)
Beats Powerbeats Pro 2 review: Features
Heart-rate monitoring is useful – unless you use an Apple Watch
Spatial audio with head-tracking enhances commutes
Disappointing IPX4 splash-proof rating
Let's start with the ticker-taker. It's not a new concept as I've already mentioned – Beats wanted to include it back in 2014 – but it's been a long time in development. The tiny sensor at the helm in Powerbeats Pro 2 (which is derived from the Apple Watch, but is actually 1/16th of the size of the sensor in the Apple Watch Series 10) contains a photodiode, an optical lens, an accelerometer and an LED sensor, but Beats admits that this component "wasn't that minuscule at first". And while the ear is actually a great place to access your pulse, developing a sensor small, light and accurate enough to wear comfortably in a headshell was a "long, arduous process".
Well, it's here now – and if you're not using anything else, it's good. You need to be wearing both earbuds to get a reading, because when you do, that green LED light sensor in each earpiece pulses over 100 times per second, then measures the light reflected back to calculate how many times your heart is beating per minute.
Accessing the feature might seem a little limited or even disappointing at first (there's no juicy 'Heart-rate' bubble in your iPhone Control Center when you click through, as I might have hoped), but this is because the Powerbeats Pro 2 are really meant to only start taking readings when you begin a workout, rather than constantly monitor your pulse throughout the day or whenever you choose to summon a reading. That said, you can dig into your iPhone's Health app, then either tap Browse at the bottom-right then Heart > Heart Rate to call up a live figure, or go to Summary at the bottom-left then Show All Health Data > Heart Rate, to see a graph of your live heart rate. But really, you're meant to be in training and with a third-party fitness app. The only currently supported one I use is Nike Run Club, but once you've linked the app and given the necessary permissions in Settings, it works a treat.
It's worth noting two things: if you wear an Apple Watch while using the Beats, the Watch readings are always prioritized, and secondly, the Powerbeats Pro 2 don't work with Apple Fitness Plus yet (which means no Strava support, i.e., the one I'd really like it to work with). At the time of writing, heart-rate monitoring through the Powerbeats Pro 2 is available in these iOS apps: Peloton, Slopes, Ladder, Open, Runna, YaoYao, and Nike Run Club, so plenty of activities are covered.
If you're on Android, it's different again (and arguably, better). Here, the feature will work with any fitness app that supports heart-rate monitoring; you just need to manually start each training session with a double tap and hold on either earbud.
On both iOS and Android you can turn the feature off in the settings if you don't want it taking readings.
Yes, I love the color so much, I did this… (Image credit: Future)
Now, on to Personalized Spatial Audio with Dolby Atmos and dynamic head-tracking. This is Apple's 360-degree sound tech that adjusts the audio based on the shape of your ears, head, and – if you toggle it on – using your Apple device as a source so the audio has a fixed point of origin (and this moves between each ear as you move your head towards said source device). I really rate this in Powerbeats Pro 2, thanks to the solid fit and seal the design promotes, particularly when listening to more acoustic tracks. Want to hear how good it is? Try listening to Sam Fender's Arm's Length and holding your device at arm's length. Good, no?
The Powerbeats Pro 2 only support lossless audio with ultra-low latency on the Apple Vision Pro, so while high resolution is possible on these earbuds, it's an expensive route – and I do not own a Vision Pro headset (but leave a comment if you've tested it – I'd love to know whether there's a notable uptick in audio quality).
Call quality? It's good: the Powerbeats Pro 2 have a total of six microphones (three per earpiece) and callers throughout my testing said I sounded very clear and, on one occasion, "particularly empathetic". Beats says there's machine learning-based noise isolation tech at play, so callers will hear your voice at its best, aided by a voice accelerometer to detect when you're speaking and thus enhance clarity. What I can tell you is that if you take calls often on your earbuds, you'll be pleased here.
Other notable features include the option to customize what a press-and-hold of the physical 'b' button does on each earpiece (between Siri and noise control functions), automatic ear detection, Find My to locate a lost earbud in iOS (you can select which earbud you'd like to emit a beeping noise if it's around the house, or see where they are on a map) and Find My Beats on Android via the companion app. But there's no U1 chip in the charging case – and no inbuilt speaker as there is in the AirPods Pro 2 and AirPods 4's charging nests, so the case itself is silent. There's also an ear tip fit test that's actually quite picky; I had to adjust to smaller ear tips to get the green light in both ears, even when I personally felt like I had the fit right.
As any AirPods owner will know, there's no multi-point connectivity in Apple earbuds – and that hasn't changed here. You can 'share' the audio you're hearing in your Powerbeats Pro 2 to other Beats or Apple earbuds in the vicinity using Apple's proprietary Share Audio option, but make no mistake, your Powerbeats Pro 2 can only be paired to one source device at a time. You also cannot tweak the EQ on a dedicated tab with the Powerbeats Pro 2 – although on iOS you can go into your iPhone's settings > Apps > Music > EQ to tweak things a little.
Finally (and I'm putting this under 'features' rather than 'design' since any sports-specific earbuds really ought to focus on durability) there's a somewhat disappointing IPX4 rating for the earpieces, and the case is neither water- nor sweat-resistant at all. What that means is that while wearing the buds for sweaty workouts should be fine (the Powerbeats Pro 2 will survive light rain, humid environments and splashes of water), they absolutely positively cannot be submerged in the drink, which seems at odds with their, er… athleticism. And it's not that it can't be done: the Samsung Galaxy Buds 3 Pro earpieces boast an IP57 rating, meaning they'll survive a 30-minute full submersion in water up to a depth of one meter.
Features score: 4/5
(Image credit: Future)
Beats Powerbeats Pro 2 review: Sound quality
Energetic and forward-sounding – almost to a fault
A little tinny in some profiles; beaten by the original Powerbeats Pro for bass weight
Turning off noise-canceling negatively affects the sound
This is not quite the glowing praise that long-term fans of Beats' Powerbeats Pro might have been hoping for. A 3.5-star rating for sound quality is not bad and make no mistake, the sound here is not without merit, but this is a huge and hotly-anticipated seventh-iteration Beats earbuds product and the heavily-leaked follow-up to the iconic Powerbeats Pro, nearly six years on. And I have to do my job: the sound isn't excellent – and not just because only the relatively lowly SBC and AAC codecs are supported (ie. no hi-res audio, unless you're using them with the Vision Pro).
Perhaps in part because the driver is smaller than in the original Powerbeats Pro (a 9.5mm dual-layer driver versus 12mm in the originals) the sound very different, and just a little more constricted. Deploying noise cancellation gives the Pro 2 the best chance to shine, and here, with dynamic head-tracked spatial audio also toggled on, there is separation and a healthy serving of detail in Tom Petty's textured vocal in Free Fallin', with guitar strings grazing each ear and a bridge as dynamically abrupt and agile as I remember. Nevertheless, cue up Gunna's One of Wun and the smouldering track is notably moodier, fuller and more resonant through the low end in both AirPods Pro 2 and my Technics EAH-AZ100. Listen with the Technics and I'm dropped into the mix; switch to the Beats and I'm just a little bit above it, wanting to get stuck into the bass a little more.
The lengthy acoustic guitar intro in Rod Stewart's Maggie May (known as 'Henry' and played by Martin Quittenton) has energy and pep – there's no faulting the Powerbeats Pro 2 for timing across the frequencies – but as the track continues, the forward-focused nature of the Powerbeats Pro 2 rather over-emphasises the keys and mandolin in the upper mids, even making Rod-the-Mod's voice sound a touch tinny. And sadly, things don't improve when you turn noise-canceling off, which appears to heat the soundstage up a notch, as if we're listening on cassette tape. Cue up the transparency mode and it helps quash the marginal sweetness, but during a run I simply didn't feel like enough ambient noise filtered in – and there's no way to tweak the levels of filtering in (or being nixed) here rather than 'Transparency', 'Off', or 'Noise cancellation'.
Sound quality score: 3.5/5
(Image credit: Future)
Beats Powerbeats Pro 2 review: Design
A triumph for security (and for on-ear volume tweaks)
Case is smaller, but still big by today's standards
They take a few seconds to fit – especially if you wear glasses
I've mentioned the slightly disappointing 'only splash-proof' IPX4 rating, so that's out of the way. I've also praised the up-to-45-hour stamina, which is a huge plus. Other than that, there's a lot to celebrate in the design department.
Said design (including the case, which can now charge wirelessly) is quite big by today's standards, but the Powerbeats Pro 2 are only as big as some of the best open-fit earbuds – the kind with the arm that slinks around your ear. In fact, you'd be forgiven for thinking this is an open-fit pair of earbuds given their size, but they're not – and for me, it's one of their biggest strengths.
In 2025, it's a very unusual proposition. Each earpiece also has a physical volume rocker on the bar above the 'b'-branded driver housing and because nothing works as consistently and reliably as physical buttons (maybe you're wearing gloves 'cause you're skiing; maybe your phone's in your kit bag) it's an excellent decision. It also means you're not fiddling with multiple presses of a main multi-function button to switch volume, which, as anyone used to this knows, can often mean unintended track skips or Siri piping up.
And the praise keeps coming! The colorways are excellent (see the 'electric orange' and 'hyper purple' colorways as well as your more standard black and 'quick sand' gray) and despite squeezing in that heart-rate monitor, Beats has made the Powerbeats Pro 2 light, very comfortable and unmovable. I tried to dislodge them during aerial hoop and silks training, spinning upside-down at speeds I've no business attempting these days, and they never even moved. Added to the extra pair of ear tips in the box, to equal five rather than four (the ear tip fit test won't let you off lightly either), they're honestly some of the most well-fitting earbuds I've ever tested.
The only downside to all this security? Fitting them requires a little bit of work and if you're someone who tends to leave the house in a rush, you might find yourself reaching for earbuds you can throw in and go. Unlike open-ear options, you do need to make sure the Powerbeats Pro 2's headshell is properly in your ear, then snake the arm around your ear, then twist everything back towards your crown, to lock it in. I often found myself accidentally pressing playback buttons while doing this or dropping one if I didn't sit calmly to perform these tasks, especially since I wear glasses to look at my screen (and the arms of your glasses sit in the same spot as the arms of the Powerbeats Pro 2, behind the ear). The thing is, if security is your main issue, it's worth it. Ultimately, the design here is still a hit with me.
Design score: 4.5/5
(Image credit: Future)
Beats Powerbeats Pro 2 review: Value
Excellent battery life
Heart-rate monitor is a current USP
Sonically they can be beaten for the money
At $249 / £249, the Beats Powerbeats Pro 2 are not cheap for a sports-focused set of earbuds – and indeed against Apple's AirPods lineup, considering Apple now makes its new AirPods 4 for just $129. But the Powerbeats Pro 2 do contain a ticker-taking sensor no other AirPods can currently boast, and stamina levels that far exceed anything most earbuds can boast.
For me, the design is one of this proposition's biggest strengths; to others, the case may be a little big for the class of 2025. They aren't winning any awards sonically either – but the audio performance is a step up on most of the cheaper, sub-$100 wireless buds on the market when you deploy noise cancellation and dynamic head-tracked spatial audio. As always, it's a matter of priorities.
Honestly, I never thought I'd recommend a product that can't boast top-tier sound. But these earbuds go on for hour after hour, take your heart-rate and feel super-secure in your ears, so here we are…
Value score: 4/5
(Image credit: Future)
Should I buy the Beats Powerbeats Pro 2 review:
(Image credit: Future)
Buy them if...
You need buds for gymnastics, athletics, dancing or training Niche? Maybe. But these earbuds offer the most secure fit I've ever tested in a true wireless design.
You want to track your heart rate (without a watch) The heart-rate monitor is currently an Apple- and Beats earbuds first, and it works very well.
You're willing to pay for better stamina A 45-hour maximum playtime is up there with the best battery life we've ever seen – and it leaves AirPods for dust
Don't buy them if...
Sound quality is king The sound here is a shade under excellent across the frequencies, feeling a little light in terms of bass weight, and a little heavy-handed through the treble
You want an in-app tweakable EQ tab No dice here, friend…
You want to keep your ear canals uncovered Given their larger, sports-focused design and ear 'hook', you'd be forgiven for assuming this is an open-ear design in 2025. But make no mistake, these are in-ear earbuds.
(Image credit: Future)
Beats Powerbeats Pro 2 review: Also consider
Bose QuietComfort Ultra Earbuds Prefer device-agnostic head-tracked spatial audio plus some of the best ANC in the business? These September 2023-issue earbuds from Bose are a great shout – and the in-ear security is nearly as good as the Powerbeats Pro 2. You'll have to forego multi-point connectivity, super-stamina (it's only 6 hours here) and a heart-rate monitor, but you'll get more detail from the sound quality. Read more in our Bose QuietComfort Ultra Earbuds review
Cambridge Audio Melomania M100 The ANC-off and transparency profiles are much more enjoyable here – as is the sound quality generally. You also get a similar battery life and the option of Matt Berry on voice prompts (his "Waiting to pair!" is a delight). The overall aesthetic isn't as striking though, and they aren't as secure in your ears – also you can forget about having your pulse read… Read our full Cambridge Audio Melomania M100 review
(Image credit: Future)
How I tested the Beats Powerbeats Pro 2
Tested for two weeks; listened against the AirPods 4, AirPods Pro 2, Cambridge Audio Melomania M100, Technics EAH_AZ100, JBL Live Beam 3, Bose QuietComfort Earbuds Ultra
Used at work, at home, during aerial training and on a beach in Florida
Listened to Tidal, Apple Music and Spotify on an iPhone 12 Pro, a Sony Xperia 1 V and a MacBook Pro
The Beats Powerbeats Pro 2 became my musical travel companions for two full weeks – after a thorough 48-hour run-in period. They accompanied me while running errands (fast walking; on the London Underground network), at home and throughout a surfing vacation in Florida – although they never joined me in the water (they're not waterproof, you see).
To better test the fit and security of the Powerbeats Pro 2, I wore them during a particularly upside-down aerial silks training session, a lyra (aerial hoop) class and a pole class, and they didn't budge once.
To test the audio quality across the frequencies, I consulted TechRadar's reference playlists (spanning everything from electro-pop to blues) on Apple Music, Qobuz and Tidal, but also to podcasts and albums on Spotify, and YouTube tutorials (mostly about how to bleed car brake pads, in case you were interested) on my MacBook Pro.
I’ve been testing audio products for just over six years now. As a dancer, aerialist and musical theater performer in a previous life, sound quality, the overall user experience and security have always been non-negotiable markers for me – and having heard how effective (and stress-relieving) ANC can be when the anti-phase tech is done well, I have grown to love it.
If you’re on the hunt for some new earbuds but you’ve not bought into the whole wireless thing, the JBL Tune 305C could be an enticing budget option. These wired earbuds promise punchy bass, a comfortable fit – not a bad package for £16.75 / AU$24 (about $21). So can the JBL Tune 305C live up to these bold promises, or do they instead fall flat?
Well, let’s start where it matters most – sound. Of course, the main attraction is meant to be JBL’s “Pure Bass” sound but despite providing enjoyable warmth, this won’t conjure up the low-end boom that bass heads may want. For instance, when I tuned into Black Eye by Allie X, there was a solid amount of depth to the thumping drum machine, but it lacked the impact and prominence in the mix to really have my head bopping. When listening to All Night Long by Chris Stussy, the bouncing bass never sounded lethargic or unresponsive, but again, it wasn’t as hard-hitting as I’d hoped.
You can be assured, however, that bass won’t sound nasty and distorted. Similarly, I didn’t experience much in terms of tinniness in the treble range or overly thin mids – something that all our picks of the best wired earbuds are capable of circumventing. But clean audio isn’t always a given with budget buds – the Belkin SoundForm Wired Earbuds with USB-C Connector, for instance, are very cheap… and they sound it. The JBL feel like good value in comparison.
Another positive is that the JBL Tune 305C can play hi-res music files thanks to the inclusion of a built-in digital to analog converter (DAC) – pretty impressive for some buds that come in at £16.75 / AU$24 (about $21). But although overall audio is certainly clear, it doesn’t really sound massively detailed.
For instance, I tuned into Clair de Lune by Kamasi Washington and piano notes soaring up and sinking down sounded slightly clumped – where they’d sound more individualized and defined using more premium buds such as the Sennheiser IE 200. Piano was also given a lot more breathing space with the IE 200, whereas it sounded more muddied with the Tune 305C – but not to a degree that it was totally lost in the mix.
One reason that I didn’t get a massively nuanced, informative listen from the Tune 305C was their in-ear fit. Like the Apple EarPods USB-C, they’re pretty loose-fitting, with an 'open-ear' design. They don’t include eartips, like the SoundMagic E11D, for example, meaning sound is less concentrated into the ear canal. Some may prefer the looser feel of these – I can’t deny that they were easy to keep in for longer listening sessions.
But still, they would occasionally feel as if they were falling out, especially when I was on the go. Not ideal if you’re on a run or working out. This design choice also limits noise isolation, so you may have to put up with the sound of that wailing baby on your four-hour flight… uh oh.
But again, some may prefer the more relaxed feel of the Tune 305C. On top of that, these are pretty lightweight and didn’t subject me to all too much cable noise – impressive for buds at this price-point.
(Image credit: Future)
And that’s not all – you also get a neat controller, which has volume, play/pause and mic controls built-in. Firstly, I have to say I was very impressed with mic quality. There was some very slight tinniness on a phone call, but my voice was nice and clear. Meanwhile, a voice recording came through with limited background static and well-defined vocals – rare for lots of wired earbuds.
You’re not going to believe me, but the fun doesn’t stop there either. If you hold down the volume up button for two seconds, you can even switch between Standard, Bass and Voice modes. EQ settings are pretty rare for cheap wired earbuds, so I was delighted to find this here. Really, the only downside practicality-wise is the lack of waterproofing, which would be ideal for listening in the rain or when exercising.
Another slightly disappointing aspect of these earbuds is their design. The buds each have a raised piece of plastic with the JBL logo on which looks a little clumsy, and the flat wire might not be to everyone’s taste either. Don’t get me wrong, my eyes didn’t burn just looking at the Tune 305C, but I was hardly swooning over them. The controller looks decent, however, and is positioned near your cheek for easy access, not to mention that the wire – despite not being too pretty – is tangle-resistant, which is useful if you need to slide these into your pocket.
All in all, the JBL Tune 305C are a solid pair of in-ear buds. They have typically clean audio with commendable bass and volume, EQ options and a surprisingly good mic. The loose fit does come with sacrifices in the audio and noise isolation departments and it's a shame not to see waterproofing too. But at £16.75 / AU$24 (about $21), there’s still plenty to like here.
If you want a step-up USB-C option, the SoundMagic E80D will outperform the Tune 305C in most departments, but there are some nice cheaper options too, such as the Skullcandy Set USB-C.
(Image credit: Future)
JBL Tune 305C review: Price and release date
£16.75 / AU$24 (about $21)
Launched in 2024
The JBL Tune 305C launched in 2024 – the same year that the audio specialists dropped the Tune 310C model, which uses ear tips for a more snug, noise-isolating listening experience.
These in-ears are typically priced at £16.75 / AU$24, making them a very budget-friendly option. They’re also available in a number of attractive color variants including: Black, Blue, Red and White – I tested the latter for this review.
JBL Tune 305C review: Specs
(Image credit: Future)
Should I buy the JBL Tune 305C?
Buy them if...
You’re on a tight budget If you want a cheaper wired option, these are worth considering. At £16.75 / AU$24 (about $21), you get audio that’s rarely tinny or grating, solid loudness and even EQ options – not bad at all.
You’re always on the phone If you love a phone call, you’ll likely be satisfied with the JBL Tune 305C’s built-in mic. You get decently clear, defined speech as well as call controls, making these ideal for those who enjoy a good natter.
Don't buy them if...
You want strong noise isolation Due to their loose-fitting design, these JBL Buds will offer very little in the way of noise isolation. If you’re looking for decent passive noise isolation at an ultra-low price, consider the Sony MDR-EX15AP. But if you want to take things up a notch and wouldn’t mind going wireless, then take a peek at our guide to the best noise cancelling earbuds – which includes a very cheap option.
You’re expecting top-tier audio quality If you’re expecting a top-drawer sonic performance from the JBL Tune 305C you’re likely to be disappointed. Sure, they have a built-in DAC for hi-res listening and pretty warm bass, but they can sometimes produce a fairly bloated sound, especially at high volumes.
JBL Tune 305C review: Also consider
Skullcandy Set USB-C If you’re looking for a stylish, moderately priced pair of wired earbuds, the Skullcandy Set USB-C could be the perfect fit. They boast a clean, curved design, attractive color options and solid sound quality. There are no built-in volume controls, which is slightly irritating, but IPX4 waterproofing does give it some points in the durability department. Read our full Skullcandy Set USB-C review.
SoundMagic E80D The SoundMagic E80D are some of the best budget-friendly wired earbuds around. Why? They offer excellent comfort, an inbuilt DAC for hi-res listening and impressive noise isolation. It’s a decent amount more than the JBL Tune 305C, sure, but if you have that extra cash, you’re in for a far superior sonic experience. Read our full SoundMagic E80D review.
JBL Tune 305C review: How I tested
(Image credit: Future)
Tested for one week
Used in the office and on public transport
Predominantly tested using Tidal
I tested the JBL Tune 305C over the course of one week. When I used these buds for music listening, I mainly used Tidal on the Samsung Galaxy S24 FE, but I also tried them out with YouTube and Spotify on my Windows Laptop.
Not only that, but I made sure to run through tracks in the TechRadar testing playlist, which contains songs from a variety of genres – read our guide on how we test earbuds for more. I did, however, also spend hours tuning into songs from my personal library. And I took the 305C with me everywhere for this review. I tested them at a busy London train station, on walks through my local town centre and in the office.
10 years after their original release, the Master & Dynamic ME05 are back. Remastered for the modern era, these wired buds now include a Hi-Res USB-C adapter, meaning they’re able to seamlessly slot into your modern smartphone’s charging port. This revamped model also aims to provide “more expansive acoustics” and fit options, while still harnessing the strengths of their original, high-caliber build materials. But do these re-released classics still hold up?
Well, if we’re talking audio quality, the answer is yes – very much so. The re-released Master & Dynamic ME05 have an incredibly satisfying sound signature: it’s elegantly balanced, but adds a dash of warmth to ensure you get an exciting, yet tightly controlled listen. When I tuned in to I Want You by Moloko – a densely layered, all-action track – the Master & Dynamic ME05 captured each element with ease. The multiple synths, dramatic strings and thumping bass all sounded neatly separated and clear.
The details in this track weren’t lost either. For instance, bold vocals in the introduction maintained their breathy tone and the resonance of the piano wasn’t lost. The sudden crash of cymbals roused excitement without sounding harsh too, something I always listen out for in my epic quest to discover the best wired earbuds.
As I touched on earlier, there’s a pleasing degree of warmth to these buds, meaning you’ll hear clean bass that never sounds lethargic or muddied with lower-mids. When listening to Black Eye by Allie X, the hard-hitting drum machine could get admirably deep and sounded rhythmic and energetic.
If you’re a massive fan of bass-heavy bangers these might not quite offer the big boom you’re looking for, though. For instance, I threw on Splash Mountain by Yung Gravy and sub-bass didn’t have the raw power that’s meant to command the track. If that’s something you’re looking for, you may be better served by some of the best over-ear headphones, which are more capable of thunderous low-end output and customizable EQ.
Regardless, you’re getting fantastic high-resolution audio from these buds, whether you’re using the standard 3.5mm connector or the included USB-C adapter. This adapter supports up to 32-bit / 384kHz resolution audio, meaning you can indulge in higher-than CD quality sound with one of the best Android phones or best iPhones since the iPhone 15 switch to USB-C.
As well as the USB-C connector, the ME05 now come with a large selection of additional ear tips, including both gel and foam variants. This was something we hoped for in our review of the review of the original model back in 2017 – so kudos to Master & Dynamic for delivering! There’s also a premium-feeling carry case to keep your buds safe, adding some points in the value category.
On top of their stellar sound quality and generous fit options, the re-released ME05 have commendable build quality. The 8mm drivers are enclosed in sturdy and stylish brass casing. The metallic controller also feels durable and has well-sized button controls. Maybe some will find its central position a little unorthodox, but I liked it – sometimes wired buds place their controller too close to my cheek, which can be irritating when adjusting volume. And although it’s not detachable, the cable is up-to-scratch too – it's tangle-resistant and slim, and it really checks all the boxes.
There’s also a mic that’s handily positioned higher up the cable. This includes wind reduction tech for clear calling, which I’m happy to report works well. To test mic quality, I made a voice recording and found that there was a bit of static in the background, though my speech was still extremely clear-cut and natural-sounding.
At this stage, you may think I have little to no complaints about these remastered classics – and you’d be right. But they’re not quite perfect. That’s mainly because these buds aren’t ideal for when you’re out and about. I did experience quite a lot of cable noise – something that’s admittedly common with most wired buds – but they couldn’t mute this as effectively as models like the Sennheiser IE 200.
And although they’re comfortable in-ear, they are fairly heavy-feeling – not to mention the lack a waterproof rating, meaning you may want to look elsewhere if you need some earbuds for workouts or runs.
One more small thing before I start gushing again – don’t expect particularly stand-out noise isolation from the re-released ME05. When listening to a bass-heavy track between 40% and 50% volume, the sound of typing in my office was dulled, but I could still hear it a decent amount. That’s in part down to the more relaxed fit of these buds, meaning you’re not getting an ultra-tight seal. But still, there’s a silver lining here – I was happy to listen with these for hours on end. So, even if a model like the Shure SE215 has superior passive noise isolation, they were nowhere near as pleasing to keep in for long listening sessions.
With that said, I’d still class the Master & Dynamic as a top-drawer pair of in-ears. With awesome audio quality, eye-catching design and dual connectivity options, there’s just so much to like. At $199 / £169 (about AU$320), they’re not cheap but they are good value. A lot of audiophile-friendly buds will cost double that amount… or even more. And for the level of detail on offer, I think these are well worth your consideration.
Sure, if you want top-tier noise cancelling and waterproofing, you may be better off with a pair of the best wireless earbuds instead, but for those of you looking for a wonderful wired option, I can recommend these with ease.
(Image credit: Future)
Master & Dynamic ME05 review: Price and release date
$199 / £169 (about AU$320)
Re-launched in December 2024
The Master & Dynamic ME05 re-released in December 2024, almost an entire decade after their original launch in 2014. They have a list price of $199 / £169 (about AU$320), which is by no means cheap, but nowhere near the price you’ll pay for more premium models like the Sennheiser IE 900 or the Campfire Audio Solaris Stellar Horizon. The re-released ME05 model is available in four classy colorways: Gold/Black; Gunmetal (Gray)/Black; Palladium (silver)/Black; and Palladium/White.
Master & Dynamic ME05 review: Specs
(Image credit: Future)
Should I buy the Master & Dynamic ME05?
Buy them if...
You’re an audiophile that doesn’t want to spend a fortune If you’re on the hunt for some high quality, yet still affordable wired earbuds, the Master & Dynamic ME05 are an awesome option. At less than $200 / £170, you’re not splashing out the kind of cash that some audiophile-grade buds demand. For instance, quality options like the Sennheiser IE 600 come in at around $500 / £500 / AU$1000… when on sale – yikes!
You want something with style These earbuds are a good-looking option thanks to their metallic casing, premium-feeling controller and tangle-proof cable. They’re also available in four shiny color options, all of which ooze class.
Don't buy them if...
You’re seeking workout-ready earbuds If you want some earbuds to accompany you on runs or through workout sessions, these aren’t going to be the best. They have no waterproof rating and aren’t the most snug fitting in-ears I’ve ever tried either. If you’re a fitness fanatic, I’d personally recommend checking out our guide to the best open ear headphones.
You want amazing noise blocking These earbuds assume a decently loose and gentle fit rather than forming an ultra-noise resistant seal. That was fine by me, but if cutting out external noise is a key priority, you could instead opt for some wired buds with top-tier passive noise isolation, like the Shure Aonic 3. If you’re open to nabbing some wireless buds, you could pick an option from our list of the best noise-cancelling earbuds and enter into the world of active noise cancellation.
Master & Dynamic ME05 review: Also consider
Sennheiser IE 200 If you want even more affordable audiophile-grade audio, the Sennheiser IE 200 could be the perfect fit for you. With fantastic all-round sound, brilliant build quality and a lightweight design, you’re getting an incredible package. There’s no in-line mic or controller included with these and they use a 3.5mm connector, but if that’s okay with you, then the IE 200 are easy to recommend. Read our full Sennheiser IE 200 review.
SoundMagic E80D And if you’re looking for an even cheaper option, look no further than the SoundMagic E80D. They have a USB-C connector with an onboard DAC, meaning you get a surprisingly detailed listen for some sub-$50 / £40 buds. The built-in controller isn’t as good as the ME05’s and audio won’t be quite so premium, but if great value is what you’re after, the E80D are well-worth considering. Read our full SoundMagic E80D review.
Master & Dynamic ME05 review: How I tested
(Image credit: Future)
Tested for one week
Used in the office and while on walks
Predominantly tested using Tidal
I tested the Master & Dynamic ME05 re-release over a one week period. During this time, I predominantly listened to music using Tidal on the Samsung Galaxy S24 FE via its USB-C port, but I also tried them out using Spotify via my Windows laptop’s headphone port. I tested these buds in the office and while out on walks in windy conditions, in order to test both noise isolation and wind noise-reduction capabilities
When I threw on some music, I bumped tracks from the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library. Where appropriate, I also used the Sennheiser IE 200 to compare aspects including audio presentation, style and build.
Meze Audio doesn’t just stick to the super-high end with its headphone designs – it just seems that way sometimes, because its super-high end headphones are so very good. Mind you, its idea of what constitutes ‘entry level’ won’t chime with everyone – these 105 AER open-backed, wired, over-ears are $399 / £369 / AU$799 a pair.
That money does buy a nicely designed, beautifully finished pair of headphones, though certainly they’re a notch or two up from the equivalent Grados, say, where perceived value is concerned. And while the lack of a balanced cable option is a bit stingy, there’s no arguing with the lengths Meze Audio has gone to where the dynamic drivers that do the audio business are concerned.
And in pretty much every respect, there’s no arguing with the way they sound either. In every meaningful respect, the 105 AER get the job done in fine style: they’re an easy listen in the most positive way. Detail levels are high, soundstaging is solid, dynamic headroom is considerable, low-end presence is impressive... you name it, the Meze Audio understand it. Some of the best wired headphones money can buy then? Oh certainly, if you'll accept their open-backed nature.
If you’re in the market for wired, open-backed headphones – with all of the caveats those descriptions imply – and you have this sort of money to spend, it would be grossly negligent not to check the 105 AER out.
(Image credit: Future)
Meze Audio 105 AER review: Price & release date
Released December 1, 2024
Priced: $399 / £369 / AU$799
Meze Audio isn't often seen in the sub $400 space – see the $1,999 / £1,799 / AU$3,399Meze Audio Liric for reference, (now into their second iteration), however, the company has dipped its toes into more consumer-accessible pools recently, perhaps most notably with its $159 Alba in-ears.
At this price, Meze knows it could turn some heads – most pertinently from music lovers used to seeing such fees from Bose (whose QuietComfort Ultra cans are just a bit pricier) and Sony's top-tier wireless designs. Will the bid win them over? It depends – wireless audio has, and will always have, its perks. But on audio quality alone, there really is no contest…
(Image credit: Future)
Meze Audio 105 AER review: Specs
(Image credit: Future)
Meze Audio 105 AER review: Features
50mm full-range dynamic drivers
5Hz - 30kHz frequency response
112bB sensitivity, 42 ohms impedance
Just like every other pair of wired over-ear headphones, the Meze Audio 105 AER are not exactly overburdened with features. But just like every other pair of Meze Audio headphones I’ve tested, the 105 AER features are very thoroughly implemented.
Let’s be honest, though; when I talk about ‘features’, really I’m talking about the drivers that deliver sound to your ears. Everything else about the 105 AER is more correctly found in the ‘design’ section – so let’s talk about the drivers, shall we?
The ‘feature’ here is a 50mm full-range dynamic driver – or, more correctly, two of them. It’s closely based on the driver Meze Audio fits to its considerably more expensive models, with some minor adjustments to the frame and driver membrane to keep weight (and costs) down.
The ‘W’-shaped dome is made of a carbon-fibre/cellulose composite. Meze Audio prizes it for its durability and light weight, and reckons it rejects resonances more effectively than any alternative material. The torus – the ring that surrounds the dome – is made of semicrystalline polymer. It too is light and responsive, and its impressive damping characteristics keep vibrations and resonances to a minimum. Finally, there’s a copper/zinc alloy stabiliser around the outside of the membrane to further reduce distortion.
This arrangement results in a frequency response of 5Hz - 30kHz, manageable impedance of 42 ohms, and helpful 112dB sensitivity. So while the 105 AER are light on features, they are demonstrably fit for purpose.
Features score: 5/5
(Image credit: Future)
Meze Audio 105 AER review: Sound quality
Impressive powers of resolution
Big, unified and poised sound
Great insight and variation
One of the major benefits of the open-backed arrangement, in theory at least, is a spacious and open presentation of music. The Meze Audio 105 AER are one open-backed model that validate this theory.
A 2.8MHz DSD file of Radiohead’s Reckoner delivered by the 3.5mm output of a FiiO M15S digital audio player proves the point in some style. This is a complex, element-heavy recording that modulates through a number of dynamic variations, but throughout it the 105 AER maintain a big, well-defined and properly organised soundstage on which every individual element gets plenty of space in which to express itself. The resolution of the stage is straightforwardly impressive, and even though the Meze Audio offer plenty of separation they nonetheless present the record as a singular, unified whole. There’s a coherence to the way the song is delivered that makes it seem of a whole, like a performance.
Detail levels are high across the board. The 105 AER load on the information at every point, but are especially adept at offering lots of variation at the bottom of the frequency range. The top end is substantial and detailed, sure, and the midrange is articulate too… but where bass is concerned, the Meze Audio are able to offer a great deal of textural and tonal variety while still maintaining straight-edged control and ample weight.
The whole frequency range hangs together nicely, and there’s a smooth transition from top to bottom – the 105 AER play no favourites and transitions from lowest to highest frequencies evenly. The tonal balance is quite carefully neutral, which allows recordings to reveal their balance without the headphones sticking their oar in too obviously. So a 16bit/44.1kHz file of Aretha Franklin’s How I Got Over is as warm as an 18 tog duvet, while similarly sized file of Kraftwerk’s Europe Endless has just the right sort of austerity.
The Meze Audio handle the dynamics of harmonic variation with just as much confidence and positivity as they do the dynamic shifts in volume or intensity. They offer convincing rhythmic expression and a naturalistic way with tempo management. In fact, they have the sort of direct, unequivocal overall personality that makes every listen an event and makes every recording sound like it deserves your attention.
Sound quality score: 5/5
(Image credit: Future)
Meze Audio 105 AER review: Design
1.8m detachable cable with 3.5mm termination
Self-adjusting headband
Detachable velour earpads
I’ve previously described the design of some of Meze Audio’s pricier over-ear headphones as ‘overwrought’ – and at the time I thought I was being quite kind. So it’s nice to be able to report that having to keep costs down has resulted in a design that makes the 105 AER look coherent, quite elegant, and definitely no more than ‘wrought’.
The detachable ear pads are of velour-covered memory foam. They feel nice, sit comfortably without warming your head too quickly, and can easily be cleaned. The almost-semicircular outer headband that connects the two earcups is of slender stamped magnesium and the inner headband that’s the actual contact point is self-adjusting and made of PU leather. The outer part of the earcups is an interestingly organic design and made from ABS-PC thermoplastic. The result is Meze Audio’s lightest over-ear headphone to date – a very manageable 336g.
Each earcup needs wiring, and the 105 AER are supplied with a 1.8m length of braided cable that has the necessary pair of 3.5mm connections at one end and a single 3.5mm connection at the other. There’s also a 6.3mm adapter included. It’s a pity there’s no option of a balanced cable, but perhaps if we all pester Meze Audio then something might be forthcoming.
The 105 AER are supplied with a hard, zip-fastening travel case that’s a cut or two above the alternatives supplied by rival brands with their $399-ish over-ear headphones. A little pouch inside keeps your cable tangle-free when the headphones are not in use – and there’s enough room in there for a second cable, no problem. Just saying…
Design score: 5/5
(Image credit: Future)
Meze Audio 105 AER review: Value
Accomplished audio performance
Convincing standard of build and finish
Comfortable fit, coherent looks
It’s not even a question of ‘value’, really – but about the only way the Meze Audio 105 AER don’t make a strong-going-on-compelling case for themselves concerns the way they fit. Or, more correctly, the number of people they will fit – because although that headband is self-adjusting, it has upper and lower limits, and the lower limit isn’t all that low. In every other respect, though, it’s hard to make a justifiable complaint about the value that’s on offer here.
Value score: 4.5/5
Should I buy the Meze Audio 105 AER?
(Image credit: Future)
Buy them if...
You value balanced, insightful and organised sound That description could conceivably be interpreted to mean the 105 AER are not much fun - but that’s not the case. It’s just that ‘fun’ isn’t all they are…
You do your listening alone Open-backed headphones are quite anti-social at the best of times, and the 105 AER leak sound in the manner of a sonic colander
Your source(s) have unbalanced headphone sockets A 3.5mm connection with a 6.3mm adapter is all well and good, but what about those of us whose source equipment has a balanced output too?
Don't buy them if...
You’re after outright low-frequency wallop The 105 AER are a balanced and nicely poised listen - which means low frequencies are given the correct sort of emphasis rather than being overstated
Your head is on the small side The headband is self-adjusting, sure - but only up to a point. The more petite-headed among us may find it tricky to get a satisfactory fit
Meze Audio 105 AER review: Also consider
Sennheiser HD-660S2 The Sennheiser HD 660S2 look pretty purposeful where the Meze Audio 105 AER look relatively dainty, but the sound they make is balanced, poised very carefully neutral – and they come with a 4.4mm cable. Read our Sennheiser HD-660S2 review for more
Grado Hemp Grado's Reference Series Hemp may cost a little more but they’re very accomplished performers, with a botanical point of difference – it doesn’t prevent them looking like something the rear gunner might have worn during a bombing raid in 1944, mind you… See our Grado Hemp review for the full story
How I tested the Meze Audio 105 AER
Connected to an Apple MacBook Pro, a Naim Uniti Star and a FiiO M15S
With a whole lot of different styles of music in a number of different formats
Alone, because I’m not a barbarian
Because they’re open-backed, the 105 AER aren’t really candidates for mobile use. So all my listening took place either at my desk, connected to my laptop or to a digital audio player (the 4.4mm balanced output of which went sadly unused), or in my listening space connected to a Naim Uniti Streamer. At the desk, listening consisted of digital audio files of various types and sizes, while the connection to the Naim allowed for vinyl and CD content as well as network-attached stuff. And this happened, on and off, for well over a week…
The Bose QuietComfort over-ear headphones landed in September 2023. Although there’s now a (slightly) newer and more premium model from the brand on the market, the standard QuietComfort cans are still well worth considering. That’s because they present buyers with all of the basics, like great comfort levels, sound and ANC, done incredibly well with the Bose seal of approval.
Let’s get any confusion out of the way first. Where do these headphones sit in the Bose line-up? Rewind back to 2021 and the Bose Quietcomfort 45 over-ear headphones were released. The newer over-ear headphones we’re reviewing here, officially named just Bose QuietComfort, came out in September 2023 to replace them. Bose released the QuietComfort Ultra just a month later, in October 2023, but it's best to think of them as a solid step up from the QuietComfort headphones we’re reviewing here, making our best noise-cancelling headphones andbest over-ear headphones guides.
But just because those top-tier cans have a bunch of upgrades, doesn’t mean the Ultras are for everyone, as we’ll get to soon. What we’ve got here is a high-end pair of headphones that perform well in every department, without overcomplicating things. These headphones feature Bose’s signature tech, and while it’s not especially groundbreaking in 2025, that’s part of the appeal. There’s nothing new to figure out or fuss over. Setup is a breeze, and the controls are refreshingly straightforward. Instead of fiddly touch panels, you get trusty manual buttons on the earcups. There’s also an app if you fancy more customization, but it’s optional, and the interface is clean with just a handful of modes to pick from – it just works (sorry Apple).
That’s why the Bose QuietComfort headphones might not be the absolute best on the market, but they strike a balance between quality audio, supreme comfort, and no-nonsense usability. For anyone looking for high-end Bose headphones in a sleek, slightly more affordable package, these could be the perfect fit.
Bose QuietComfort headphones: Price and release date
(Image credit: Future)
Released in late 2023
Priced at $349/£349.95/AU$549.95
Available in black, off-white, green, blue, lilac, sandstone
The Bose QuietComfort headphones were priced at $349/£349.95/AU$549.95 at launch. However, because they’re a little older you will find some discounts available now from both third-party retailers and even through Bose directly. For example, on the Bose Australia website, the headphones are currently discounted from AU$549.95 to AU$448.95.
How does that compare to the rest in the Bose lineup? It makes them almost the same price as the Bose QuietComfort 45 that came before them, which cost $329/£329/AU$499.95 at launch.
The Bose QuietComfort Ultra are currently $429/£449.95/AU$649, which is a big step up of nearly $100. Then again, if you’re splurging on headphones and want the most bang up to date features, you might want to consider the flagship version. But we’ll get into some of the key differences later.
How does this compare to similar noise-cancelling over-ears? Well, the Sony WH-1000XM4 headphones are still at the top of our best noise-cancelling headphones guide. At launch, they were $349/£349/AU$549, the exact same price. But now, you can find them for much cheaper, around $249/£199/AU$399. This makes sense, as they were released in 2020. But it does mean that if you’re hunting for older, still very capable headphones, the Sony might just be a better shout – especially if you’re a fan of Sony and its LDAC support.
When it comes to the broader market, there’s a lot of variation these days. If you wanted, for example, to prioritize good ANC, great specs, an energetic sound and excellent battery life, the Cambridge Melomania P100 over-ears would cost you considerably less, at $279/£229/AU$479. If you’re looking for similar features but don’t care so much about the Bose brand name or getting a high-end pair, you can easily get a decent pair of noise-cancelling over-ears for a mid-range price, like the excellent Sony WH-CH720N headphones, which cost $149/£99/AU$259.
Bose QuietComfort headphones: Specs
Bose QuietComfort headphones: Features
(Image credit: Future)
Up to 26 hours of battery
Excellent ANC
Simple buttons
The Bose QuietComfort headphones aren’t packed with the cutting-edge features that you’ll find from the latest over-ears, but that’s not the point here. They focus on doing the essentials really well. If you’re looking for reliability and ease of use, they’ll deliver without overcomplicating things.
Let’s start with the app. It’s slick, intuitive, and has that Apple-esque feel, by which I mean minimal, clean, and user-friendly. The best part? You don’t need the app to enjoy the headphones, but I’d recommend using it to explore customization options. For example, there’s an adjustable 3-band EQ. You can manually tweak bass, mids, and treble or select presets like Bass Boost or Treble Reduce. While the EQ options are more limited than some competitors, it gets the job done for those who want great audio without endless tinkering. Personally, I didn’t feel the need to touch the EQ at all.
You’ll also find different audio modes, like "Quiet" for noise cancellation and "Aware" for transparency. These can be toggled using the action button on the left earcup, and you can add two additional custom modes in the app for specific scenarios.
A standout feature is multipoint connectivity, which allows you to pair the headphones with two devices simultaneously. This is a standard on most high-end headphones these days, but it’s good to see it included in this pair – seamlessly switching between a laptop for work and a phone for music or calls is a must for me now.
The manual buttons on the earcups deserve praise, too. They’re tactile, easy to use, and customizable via the app. For those who prefer a wired option, Bose includes a 3.5mm to 2.5mm audio cable with an in-line mic – a nice touch for versatility.
Bluetooth 5.1 powers the connectivity (so no scope for Auracast, which requires the newer 5.2 and beyond), with support for AAC and SBC codecs. While it doesn’t include advanced features like Qualcomm’s Snapdragon Sound – the Ultras do have this, mind you – it’s solid enough for most users. Bose SimpleSync is also on board, letting you pair the headphones with compatible Bose soundbars and speakers to sync audio across devices, which is a great addition if you’re already in the Bose ecosystem.
Battery life is another area where these headphones hold their own but don’t lead the pack. Bose claims up to 24 hours of playback, and I managed to squeeze out closer to 26 hours during testing. They charge via USB-C, and a quick 15-minute boost gives you an additional 4 hours. While 24 hours isn’t bad, many competitors now exceed that. For instance, the Cambridge Melomania P100 headphones offer a huge 60 hours of playback with ANC on (and up to 100 hours without it). Even the QuietComfort Ultra headphones offer the same 24-hour battery life, so if longevity is a key priority, there’s little to separate them.
Features score: 3.5/5
Bose QuietComfort headphones: Sound quality
(Image credit: Future)
Great ANC
Sound is bassy, but brilliant
Could do with more EQ options
Let’s start with ANC. The Bose QuietComfort headphones offer excellent active noise cancellation, though they’re not class-leading. The QuietComfort Ultra definitely perform better in this department, providing more silence more consistently. But compared to most other over-ear headphones in their class, the ANC here is still fantastic.
One standout factor is the fit. As I’ll explain in more detail in the next section, the snug design creates a great seal, which enhances the ANC performance. This means minimal noise seeps in, and there’s virtually no sound leakage out at all. While it doesn’t deliver total silence, it’s impressively close. I couldn’t hear a kettle boiling a few feet away, the low rumble of transport, or even chatter at the table next to me while working in a café.
That said, certain louder or higher-pitched sounds can break through. A barking dog and a fire alarm, for example, were audible – but muffled. Overall, while the ANC isn’t eerily silent or perfect, it’s more than good enough for most users and handles everyday environments brilliantly.
(Image credit: Future)
The audio quality on the Bose QuietComfort headphones is crisp, rich, and strikes a pleasing balance across frequencies. Straight out of the box, without needing to adjust anything, the sound is warm and powerful, with bass that packs a punch and natural, clear mids and highs.
The overall sound profile leans towards a neutral presentation. Vocals and instruments feel natural and lifelike, while the bass has a satisfying depth without overpowering the other ranges. Highs are bright and detailed, and the lows are rich, but there’s a slight bias towards the low end. This means mids can occasionally feel a bit… squashed? somehow. Though it’s rarely noticeable, and the EQ options can easily smooth things out if needed.
Tracks like Childish Gambino’s Heartbeat really shine on these headphones. The powerful bass thumps beautifully while melodic vocals remain sharp and clear, demonstrating how well they handle dynamic tracks.
Sound quality: 4/5
Bose QuietComfort headphones: Design
(Image credit: Future)
Extremely comfortable
Light at 240g
Folding design
The Bose QuietComfort headphones are incredibly comfortable, with an understated design. The plush memory foam earcups, wrapped in soft vegan leather, feel like pillows on either side of my head. The headband is equally well-padded, striking the perfect balance between support and comfort. The clamping force is just right, too – secure but never too tight – making these some of the most comfortable over-ears I’ve ever worn.
I don’t always get along with over-ear headphones (thanks to a cartilage piercing that often causes issues), but I had no trouble here. Whether I wore them for hours at my desk, on a long walk, or even during an easy jog, they stayed comfortable and didn’t irritate me. That said, while they’re excellent for everyday use, they’re not recommended for sports or workouts. There’s no official IP rating for water or sweat resistance, so they’re best kept away from heavy gym sessions or outdoor walks if it looks like it might rain.
The QuietComfort headphones come in a range of colors, including black, off-white, green, blue, lilac, and sandstone. They maintain the classic Bose design aesthetic and look very similar to their predecessors, the QuietComfort 45. The QuietComfort Ultra headphones are similar too, but this newer version does have a sleeker and more refined vibe.
Despite their premium feel, these headphones are impressively lightweight at just 240g. Combined with the comfort-focused design, they’re perfect for long listening sessions. The carrying case is equally well thought out. It’s a sturdy, hard-shell case with a zip, designed to fold up the headphones neatly inside. Unlike some over-complicated cases (looking at you, Apple AirPods Max), this one gets it just right. It’s compact, practical, and includes internal pockets for the charging and audio cables.
Design score: 5/5
Bose QuietComfort headphones: value
(Image credit: Future)
Everything you need, but…
Competition at the level is fierce
Ultras might make more sense
At first glance, the Bose QuietComfort headphones might seem pricey, but when you consider the overall experience they offer, we’d argue they do deliver good value – especially if noise cancellation and a travel-friendly design are two priorities for you. They’re an amazing choice for anyone seeking comfort, reliable ANC, and simplicity.
That said, it’s important to view them in today’s context. For those willing to pay more, the QuietComfort Ultra headphones might be a better long-term investment, offering improved sound quality and support for higher-resolution audio codecs.
It's also worth mentioning they don't represent the best choice if you already own the QuietComfort 45. Yes, they're better. But not by enough to justify the upgrade.
You can also find great ANC headphones at a lower price point these days. Plenty of mid-range options provide good noise cancellation for much less. While they may not tick every box – comfort, battery life, or sound quality – in the same way, alternatives are worth considering if budget is your main concern. For example, the Cambridge Audio Melomania P100 headphones are cheaper, offering significantly better battery life but lacking the plush comfort (or let's face it, the iconic look) of the Bose.
If you’re someone who loves the latest tech, these probably won’t win you over. However, for those who appreciate simple, understated excellence and aren’t fussed about cutting-edge features, these headphones will make you very happy.
Value: 3.5/5
Should I buy the Bose QuietComfort headphones?
Buy them if…
You like simple things that work well You'll find flashy, more feature-filled headphones. But if the idea of keeping up with the latest tech gives you a headache, these are reliable and fuss-free.
Comfort is a top priority Incredibly light with some of the comfiest, memory foam earpads I've ever tested. If you have any sensory sensitivities or just really value comfort, you won't be disappointed here.
You travel a lot With top ANC and a very light, folding and portable design with a solid carrying case, they're going to be among the headphones I'll instantly recommend for regular travellers.
Don’t buy them if…
You can afford the Ultras I've mentioned them non-stop, but the Ultras are just a bit better. If you can afford them, they do make more sense for most people.
You prioritize longevity The battery life here isn't bad, but compared to rivals, it can certainly be bettered. Some other headphones boast nearly twice as much playback time these days.
You have a Sony phone In that case, we'd recommend the XM4s or XM5s from Sony instead, or even the mid-range Sony WH-CH720N headphones.
Bose QuietComfort headphones: Also consider
Bose QuietComfort Ultra headphones The alternative pick that makes the most sense, yes they're pricier, but they're a step up from the QC headphones we've reviewing here in almost every way (except for battery). Take a look at our full Bose QuietComfort Ultra headphones review.
Cambridge Audio Melomania P100 Because the battery life of the whole QC range is a bit disappointing, these over-ears from Cambridge Audio are a rival pick focused on all-day (and then some) wear. Read our full Cambridge Audio Melomania P100 review.
How I tested the Bose QuietComfort headphones
(Image credit: Future)
Tested for three weeks
Tested at home, walks along the beach, working in a café and a library and more
I used the Bose QuietComfort headphones for two weeks before writing this review, and that involved listening to music and watching streamed movies.
Throughout the testing period, I used the Bose QuietComfort headphones alongside my iPhone 14 Pro via Bluetooth and MacBook Pro. Streaming was done via Spotify and Mubi.
I listened at home whilst working, as well as in a café and a library. I took them on a bus and on several walks, along the beach and through the countryside.
I've been testing tech for more than 12 years now, including many pairs of headphones, as well as lifestyle and fitness products, like workout earbuds and fitness trackers.
The Earfun Air 2 NC endeavor to avoid the fate befalling far too many options in the budget audio tech space – being woefully disappointing in the sound department. Luckily, they manage to do just that, offering punchy bass, clean mids and controlled treble, as well as LDAC compatibility. Given their list price of $69 / £59 (about AU$110), that’s impressive.
Sure, the Earfun Air 2 NC won’t deliver audiophile-grade sound – I wasn’t wowed by supremely detailed, immersive audio or anything. But for what they are, the Earfun Air 2 NC perform very nicely, plating up well-weighted vocals and even solid sub-bass. You might get a bit of harshness at top volumes, but I personally never needed to listen quite so loudly.
Something that helps the Earfun Air 2 NC sound even better is an excellent EQ tab. Just hop into the Earfun Audio app and choose from a wide range of presets, including genre-specific ones. There’s also a custom option to use and an intriguing, yet perhaps unpolished personalized sound option, which is based on your own listening. Having tested many, I can confidently say that even some of the best wireless earbuds don’t offer quite as much scope for tailoring on this front.
Another area with impressive customization is active noise cancellation. You can switch between five noise cancelling modes, including ear-adaptive and wind resistance configurations. Given that you can also personalize touch controls here, you get plenty of ways to make these earbuds your own.
It’s not totally smooth sailing, however. There are a couple of small drawbacks to bear in mind, such as a disappointing spatial audio setting, called Theater Mode. Although this may expand the soundstage somewhat, overall audio quality takes quite the hit, making it a pretty redundant inclusion. They aren’t the prettiest on the market either and the stems may not be diminutive enough for anyone craving a more discreet look.
There are some neat design choices here, though, like IPX5 waterproofing, which will keep your buds protected against heavy rain or sweat for outdoor or intensive listening sessions. Battery-wise, they’re absolutely fine too. You get six hours with ANC on and nine with it turned off, but the charging case should give you enough juice to last a few days, even if you listen at fairly high volumes and with LDAC turned on.
So, given their low price, you get a lot out of the Earfun Air 2 NC. They’re not going to blow you away with next-level sound, battery life or looks, but they excel in all of the key areas. It’s pretty competitive in the budget wireless earbud department – there are some truly incredible alternatives out there, including the brilliant, albeit ANC-less, Sony WF-C510 or even the Earfun Air Pro 3 – regularly available at a discount. But, if you want a strong pair of wireless earbuds at an affordable price, I’d still happily recommend the Earfun Air 2 NC.
(Image credit: Future)
Earfun Air 2 NC review: price and release date
$69 / £59 (about AU$110)
Launched in 2024
The Earfun Air 2 NC were released in 2024 and initially had a slightly higher list price, which has since been reduced to $69 / £59 (about AU$110). However, you may be able to get these buds for even less. At the time of writing, I’ve spotted these going for just over the £40 mark on Amazon UK – that’s phenomenal value for money. If you’re not such a fan of the Black / Gray colorway shown in this review, you can alsograb the Earfun Air 2 NC in White.
Earfun Air 2 NC review: specs
(Image credit: Future)
Earfun Air 2 NC review: features
Effective, customizable ANC
Good EQ options
Solid battery life
The Earfun Air 2 NC boast a pretty impressive feature-set for a budget pair of earbuds. A lot of that comes courtesy of the Earfun Audio app, which opens you up to a whole host of options, including multi-point connectivity, EQ adjustment and much more.
Let’s start with EQ, which is a robust offering – something I’ve come to expect from testing other Earfun earbuds and speakers such as the Earfun UBoom X. There’s a custom option here, but you also get a lot of genre-specific EQ presets, such as Jazz and Hip Hop.
If you want, you can also use My Sound Profile, which allows you to create a personalized EQ calibration based on a series of listening tests. However, I found this didn’t work all too well and presented a fairly muted sound profile when in use. My Sound Profile is certainly a worthwhile feature in concept, with competitors like Anker nailing the similar HearID option on the Soundcore Space One Pro, for instance – I just wish the Air 2 NC delivered better results.
But there’s still a lot of juicy goodness to sink your teeth into with the Air 2 NC. For instance, the companion app allows you to customize noise cancellation for various settings. There are five different modes: Normal, Ambient Sound, Wind Noise Cancellation, Ear-Adaptive ANC and Noise Cancelling.
When testing each (both indoors and in outdoor environments as well as public transport), I found all of them to be effective, but I typically leaned towards using Ear-Adaptive ANC, which optimizes noise cancelling according to the shape of your ear canal. When using this mode, I couldn’t hear the sound of loud typing in the office and loud external noises, like the roar of a car’s engine, were aptly dulled. Are you going to get the stunning near-silence that the Bose QuietComfort Earbuds 2 can offer, for instance? No. But for what you pay, you’ll be impressed with how well the Air 2 NC quieten the outside world.
You also get pretty solid battery life here – nine hours with ANC off and six with it on. This will vary if you’re playing at higher volumes or using the LDAC audio codec, of course. The charging case should help you keep the buds juiced up for intermittent listening over a multi-day period too.
On top of that, the Air 2 NC have customizable touch controls. You can select from a range of commands, like volume up/down, play/pause, skip/replay, which can vary for the left and right bud – just choose whatever feels best for you.
There’s a lot more here too: a Find Headphones option, LDAC toggle (more on this later), Voice Prompt options (which lets you switch between English, Japanese or Mandarin cues) and a Game Mode, which is designed to reduce audio latency. All of this is welcome, although there was one option I found to be a bit sub-par: Theater Mode. Earfun claims that with Theater Mode on, you get a wider soundstage and more immersive sonic experience. Does it do that? Well, partially. But this comes at the expense of lower quality audio, which instantly renders it pointless in my view.
So, although Theater Mode and My Sound Profile are a little unrefined, you still get all the main features you’d want from budget ANC earbuds, plus a little more. Overall, you’re still getting a great user experience with the Earfun Audio app too, which is easy to use and well laid out. Positive stuff, all in all.
Features score: 4/5
(Image credit: Future)
Earfun Air 2 NC review: sound quality
Punchy bass
Clear and rarely harsh all-round audio
LDAC compatibility
OK, good news, the Earfun Air 2 NC perform impressively in the audio quality department for their humble asking fee. Yes, the caveat remains: they sound surprisingly zealous, detailed and musical given their modest price tag. No, you’re not going to get premium sound from these buds, but you can certainly expect a solid sonic experience for the money.
When listening to Too Young to Die - Extended by Jamiroquai, the track’s bass was smooth, rich and clean, with brass instruments and vocals in the mid-range coming through without harshness or distortion at around 60-70% volume. Higher-pitched percussion was never tinny either and background vocals sounded well-weighted, making for a satisfying, enjoyable listen.
The Air 2 NC also have LDAC compatibility, which can be activated via the Earfun app. This comes at the expense of multi-point – which has to be switched off manually (but that's the case with much pricier buds we've tested, including the triple-device multipoint in the Technics EAH-AZ100). LDAC is a nice addition for those who want a more detailed listen and I kept it switched on when listening to tracks on Tidal, which are a lot less compressed than those lossy Spotify streams.
Still, I wasn’t always struck by the Air 2 NC’s ability to unveil the finer details. For instance, I tuned into the densely layered I Want You by Moloko and although the Air 2 NC excelled in delivering the track’s low-end punch, the breathiness of vocals and discreet instrumental details throughout were perhaps a little lacking. That’s fine for some more budget earbuds of course, but it’s worth flagging that LDAC doesn’t always equal incredibly detailed audio.
Again, overall quality is strong here. When listening to Magic by Yung Gravy, booming bass was impactful and deep without drowning out main or background vocals. You even get up-to-scratch sub bass, which can often be a problem for cheaper wireless earbuds. I did notice a touch of sibilance from vocals when I cranked volume up to 100%, but I never really needed to listen quite that loudly.
Thanks to the extensive list of EQ presets here, you can easily tailor sound to your liking on the Earfun Air 2 NC. Will that mean you get that perfectly detailed listen audiophiles go mad for? No – but you’ll still get great audio quality for the price you pay.
Sound quality score: 4/5
(Image credit: Future)
Earfun Air 2 NC review: design
Long stems on earbuds not for everyone
Fairly plasticky build
IPX5 water resistant
Onto perhaps a more controversial aspect of the Earfun Air 2 NC: their design. The earbuds have a curved design with long stems. These stems are handy for swiftly removing the buds from your ear, but they’re not the most beautiful looking. If you’re someone who prefers a more discreet look, you may also find the Air 2 NC’s earpieces a little oversized.
You can get these buds in either a white or black colorway – I tested the latter. This looked fine enough, but part of each bud has a gray coating with the Earfun logo, which isn’t particularly easy on the eye. The case, meanwhile, comes in a neat Black color with a USB-C port and an LED light to display whether it's charging – no complaints here.
In terms of build quality, you’re not going to get the most premium pair of earbuds ever. The Air 2 NC do perhaps feel a little plasticky, but that’s to be expected at this price point. In the ear, however, they are comfortable and I didn’t feel the need to take them out, even after multiple hours of listening.
They may not have the most high-durability construction, then, but they are fairly well protected against the elements. That’s because the Air 2 NC are IPX5 waterproof rated, meaning they can withstand water projected by a nozzle. That means if you’re listening in the rain or working out, you won’t have to worry about moisture damaging your buds.
Design score: 3.5/5
(Image credit: Future)
Earfun Air 2 NC review: value
Great audio for the cost
Great customizable ANC and comfortable in-ear fit
Sometimes even cheaper thanks to sales
One of the big draws of the Earfun Air 2 NC is their excellent low price. They have a list price of $69 / £59 (about AU$110), but I’ve already spotted them on sale with some retailers. Considering that you get impressive audio and a decent suite of features, you’re looking at brilliant value.
As the years go by, its becoming more common to get ANC at a budget price, but still, you get very customizable noise cancelling here, including ear-adaptive and wind-resistant options. OK, battery life is by no means exceptional, but it's not too bad – the same goes for design and build quality. But these are subordinate to the crucial areas of sound quality and in-ear comfort.
Value score: 4.5/5
(Image credit: Future)
Should I buy the Earfun Air 2 NC?
Buy them if...
You want customizable ANC If you’re looking for active noise cancellation but don’t want to splash too much cash, the Earfun Air 2 NC are a worthy option. There are a ton of different noise cancelling modes to play around with here, including Wind noise reduction and ear-adaptive ANC – even some more expensive rivals don’t offer this level of customization.
You’re on a fairly tight budget If you’re looking for some highly competent wireless earbuds but don’t have a blank check, the Earfun Air 2 NC are worth keeping in mind. At $69 / £59, you’re getting solid audio quality and ANC as well as a comfortable fit and commendable feature-set – at this price, you can’t ask for a whole lot more.
Don't buy them if...
You want premium audio quality If you’re on the hunt for super-detailed, ultra-immersive and perfectly balanced audio, the Earfun Air 2 NC may not be for you. Quality here is by no means bad, but it’s not premium. If you have a bit more cash to play with, an excellent-sounding wireless option would be the Technics EAH-AZ100.
You’re looking for a discreet look Each earbud here has a long stem, which may be to your liking if you want a more ‘pinchable’ design. But if you’re on the hunt for a more low-key pair of earbuds, this might be a little overbearing. Some excellent, small earbuds that I loved in 2024 were the LG Tone Free T90S, if that’s more your style.
Earfun Air 2 NC: also consider
JLab Go Pop ANC If you’re looking for the ultimate, super-cheap pair of wireless earbuds, you’ll struggle to find better than the JLab Go Pop ANC. For less than $30 / £30, you get decent ANC, solid overall audio and companion app compatibility. If you’re looking for all the essentials at an incredible price point, this is an option well-worth considering. Read our full JLab Go Pop ANC review.
Sony WF-C700N We still consider the Sony WF-C700N to be some of the best cheaper noise-cancelling earbuds you can buy. They offer detailed, immersive audio, an incredibly comfortable fit and a fantastic companion app to boot. Don’t be put off by their list price too, they’re often available for less than $100 / £70. Read our full Sony WF-C700N review.
Earfun Air 2 NC review: how I tested
Tested for two weeks
Used in the office and while on walks
Predominantly tested using Tidal on the Samsung Galaxy S24 FE
I tested the Earfun Air 2 NC over the course of two weeks, listening with them for hours during each working day. I used them at the office, while at home and when on walks to assess the quality of ANC across multiple environments.
For the most part, I tested these wireless buds using Tidal on the Samsung Galaxy S24 FE, but I did also try using them with both Spotify and YouTube. When listening to music, I ran through the TechRadar testing playlist, which features tracks from a wide variety of genres but I also tuned in to hours worth of tunes from my personal library.
Where appropriate, I compared these to my Sony WF-C700N earbuds on metrics such as comfort, audio quality, ANC capabilities and features.
The Noble FoKus Rex5 true wireless in-ear is the latest model with which the company intends to disrupt a market that’s already full to bursting. From its base in Texas, North America, Noble has been turning out singular, and singularly expensive, headphones for a little over a decade now and the Rex5 are no exception.
There are notable points of difference here, mind you. The Rex5 are exhaustively specified, with five drivers per earbud, Bluetooth 5.4 with aptX Adaptive and LDAC codec compatibility, and a single option where finish is concerned that’s as green as a very green thing. Oh, and relatively speaking they cost an arm and a leg.
The Rex5 are a strong performer, though, no two ways about it. The sound they produce is open and unified, rigorously defined, rapid and detailed. Other earbuds offer a bit more low-end heft, it’s true, but very very few have the sort of powers of resolution and insight that are on offer here.
Whether that’s enough to justify either the asking price or a place in the best wireless earbuds, though, especially when you add in ANC and battery life that is really nothing remarkable, is a different question…
Noble FoKus Rex5 review: Price and release date
(Image credit: Future / Simon Lucas)
Released in November 2024
Costs $449 / £419 / AU$699
You have been able to buy the Noble FoKus Rex5 for $449 / £419 / AU$699 since November 2024, which puts them right at the top end of price point for true wireless earbuds.
For that price, you're looking for best-in-class performance almost across the board, something along the lines of the Technics EAH-AZ100 or Bowers & Wilkins Pi8, both of which are cheaper than the Rex5.
Noble FoKus Rex5 review: Specs
Noble FoKus Rex5 review: Features
(Image credit: Future / Simon Lucas)
10mm dynamic, 6mm planar magnetic, 3 x balanced armature per earbud
Bluetooth 5.4 with aptX Adaptive and LDAC compatibility
Multipoint connectivity
There is one minor exception, but in the broadest terms the Noble FoKus Rex5 have the sort of feature set that an asking price this lofty demands. There’s really no arguing with the lengths Noble has gone to here.
Take, for example, wireless connectivity. The Rex5 use top-of-the-shop Bluetooth 5.4 and are compatible with both aptX Adaptive and LDAC codecs – so lossy hi-res content is on the wireless menu. Multipoint connectivity is available, too, so the earbuds can connect to a couple of sources simultaneously and switch seamlessly between them.
And when the audio information is on board, it is served up by no fewer than five drivers per earbud. Three balanced armatures, a 6mm planar magnetic and a 10mm dynamic free-edge driver contribute to produce a claimed frequency response of 20Hz - 40kHz.
Control is available using responsive and accurate capacitive touch controls on the top surface of each earbud, and the feed-forward/feed-back twin mic array of each earbud allows interaction with your source player’s native voice assistant. The mics also take care of active noise-cancellation, of course, which is a three-position system (‘on’, ‘off’ and ‘ambient’).
(Image credit: Future / Simon Lucas)
You’ve also the option of the Noble FoKus control app that’s available for iOS and Android. There are only the most basic playback controls available (play/pause and skip forwards/backwards) but it lets you scroll through your ANC options, investigate some EQ presets as well as define some of your own, rearrange some of the functions of the touch controls, and check on battery life.
The app also includes a listening/hearing test courtesy of Audiodo, and thanks to the onboard QCC3091 chip, the earbuds can remember your hearing profile without needing the app to be open.
Battery life, then, is the only area in which the FoKus Rex5 looking anything less than profoundly impressive. With ANC switched off, the earbuds are good for seven hours or so of playback, which ain’t bad – switch ANC on and that number drops to more like five hours, which is so-so at best. There’s plenty of back-up in the charging case, though – as many as seven full charges are available, which is well above the market average.
Charging takes place using the case’s USB-C slot, and the Noble are compatible with Qi-certified charging pads, too. Some 15 minutes on the power via USB-C should be good for two hours or so of playback, should the worst happen.
Features score: 4.5/5
Noble FoKus Rex5 review: Design
(Image credit: Future / Simon Lucas)
Aluminium/acrylic construction
9.6g (earbud); 31.5g (charging case)
10 pairs of ear-tips
The earbuds, at 9.6g, are among the heavier around. The charging case is a bit of a biffer, and certainly not a candidate for the pocket of your favorite pair of skinny jeans. But the carefully ergonomic shape of the earbuds, along with a selection of 10 ear-tips of various sizes and materials, mean it’s not especially tricky to get a snug and secure fit that will stay comfortable for a good while. That’s always assuming your ears aren’t especially petite, though – these are relatively large earbuds and will prove an earful even for those of us with ‘ordinary’ ears.
‘Green’ is as good a word as any to describe the finish of the FoKus Rex5 – ‘emerald green’ if you’re after specifics. The earbuds are fashioned from aluminium and feature an acrylic top-plate with the company logo, which also appears at the end of the spout where the ear-tips fit, as well as on the lid of the charging case. The case is almost entirely of aluminium – there’s a little plastic patch on the bottom to facilitate wireless charging.
Build quality, it almost goes without saying, is basically impeccable – the Noble package feels expertly constructed and built to last. Whether or not you find the aesthetic appealing is entirely up to you. I can only assure you that no corners seem to have been cut where design, construction and finish are concerned.
Design score: 4.5/5
Noble FoKus Rex5 review: Sound quality
(Image credit: Future / Simon Lucas)
Rapid, maneuverable and luxuriously detailed sound
Seemingly limitless dynamic headroom
Lack of low-end body won’t suit every listener
Words like ‘accuracy’ and ‘precision’ get bandied around quite a lot when it comes to audio products. Generally I try to avoid them, because both things (which are similar but not the same) are bloody difficult for audio equipment to achieve no matter how expensive it might be. In the case of the Noble FoKus Rex5, though, I’ll be using both and will be doing so unapologetically.
A five-driver arrangement is, of course, tricky to implement and can sometimes end up constituting too much of a good thing. So right from the off, Noble is to be congratulated for the balanced and coherent way the Rex5 perform. They sound unified from the top of the frequency range to the bottom, and their tonality is consistent throughout too. When you consider the number of individual elements that are responsible for this, it’s by no means a given.
What’s almost as quickly striking is the amount of detail the Rex5 can identify, reveal and contextualize in a recording. This is true no matter if they’re playing a 247kbps MP3 of Eartheater’s How to Fight via SBC, a 24bit/192kHz file of The Velvet Underground’s Femme Fatale being compressed by the AAC codec or Desire by Talk Talk as a 2.8MHz DSD file delivered via LDAC. No matter how fleeting, how subtle, how deep in the mix it might be, if it’s there the Noble earbuds pounce on it with something approaching fanaticism. It follows that even the most compressed digital audio files sound complete, and the higher-resolution stuff enjoys the sort of accuracy that eludes the vast majority of alternative designs.
The Rex5 combine substance and attack at the top of the frequency range, giving treble sounds sufficient body to balance against their brilliance. The midrange is similarly accomplished, with the sort of positivity and directness when dealing with vocalists that leaves you in no doubt as to their attitude or intentions. And the size and definition of the soundstage the Noble create gives everyone involved in a recording all the space they need in which to properly express themselves. The stage is defined with real precision, and is easy to follow as a result, even if it’s packed to capacity with contributors.
(Image credit: Future / Simon Lucas)
Dynamic headroom where the broad ‘quiet/LOUD!’ elements of a recording are concerned is approaching ‘unlimited’, so the Rex5 can make the differences in volume and intensity many recordings like to indulge in absolutely obvious. And the bigger the dynamic shifts (Mogwai and Shostakovic, I’m looking at you in particular), the deeper the Noble breath and the greater the gap between them that they describe.
Ultimately, only the way the Rex5 handle the lower frequencies is likely to prove problematic for some listeners. Tonally, bass sounds are of a piece with everything that’s going on above them, and they’re given a similar sort of emphasis to the rest of the frequency range, too. But there’s not a lot of meat on these low-end bones – if true wireless earbuds were boxers, then the Noble FoKus Rex5 are flyweights in a world of heavyweights. The low frequencies they generate hit respectably hard, and are just as loaded with information regarding tone and texture as the rest of the frequency range. But the trade-off for the straight-edge precision of their control, and the maneuverability and rhythmic positivity that comes as a result, is a relative lack of heft that some listeners are going to confuse with a lack of bass. And sometimes, perception is everything.
Active noise-cancellation is in the ‘good’ rather than the ‘great’ camp but then that’s true of almost every pair of true wireless in-ears that isn’t designed and built by Bose. Wind-noise can be more of an issue than it really should be, too. But call-quality is well up to standard (as long as you’re not somewhere especially windy while you’re attempting to make or receive a call).
Sound quality: 4/5
Noble FoKus Rex5 review: Value
(Image credit: Future / Simon Lucas)
Thrillingly complete sound quality
Humdrum earbud battery life
Expensive and then some
Part of the value of the Noble FoKus Rex5 – or their perceived value, at least – lies in their rarity. Apple earbuds, Bose earbuds, Sony earbuds... they’re everywhere, aren’t they? If you want to tread the road less traveled, a pair of Rex5 will certainly help you stand out.
Of course, there are also solid and tangible areas in which the Noble represent great value. The quality of their construction and finish is, to all intents and purposes, impeccable. They use premium materials at every point. They’re lavishly specified, have a number of very well-implemented control options, and have so many plus-points to the way they sound that I don’t have space to revisit them here.
There’s an elephant in the room, though, and it’s wearing a $449 / £419 / AU$699 price tag. When audio editor Becky Scarrott reviewed the Bowers & Wilkins Pi8 for this website in September 2024, she loved them despite feeling compelled to observe “they’re not cheap”. Well, suddenly the $399 / £349 / AU$599 they cost at the time seems like a bit of a bargain, doesn’t it?
Value: 4/5
Should I buy the Noble FoKus Rex5?
(Image credit: Future / Simon Lucas)
Buy them if…
You like nice things Between the choice of materials, the quality of construction and the standard of finish, the Rex5 are a lovely thing to own.
You admire thorough specification These Noble earbuds walk it like they talk it – a total of 10 drivers along with premium wireless connectivity makes them a serious proposition.
You value speedy and insightful sound These are by no means the Rex5’s only talents, but when it comes to both ‘speed’ and ‘insight’ they’re among the very best true wireless in-ears around.
Don’t buy them if…
You don’t much like the colour green Look elsewhere – the Noble FoKus Rex5 are quite assertively green, and that’s your only option when it comes to finish.
Your ears are on the small side In absolute terms these are quite large earbuds and it’s likely they’ll be a bit much for any ear significantly smaller than ‘average’.
You want bass and plenty of it There’s a case to be made for the accuracy of the low-frequency activity the Rex5 produce, but that isn’t going to mollify the bass-heads among us.
Noble FoKus Rex5 review: Also consider
Bowers & Wilkins Pi8 I’ve invoked the Pi8 already in the course of this review, and here I go again. They’re made to look a little bit dowdy by the FoKus Rex5, but they most certainly have it where it counts. And now they’re just a touch more affordable than when they first launched, they’re even more compelling.
With an Apple iPhone 14 Pro, an Apple MacBook Pro and a FiiO M15S
With a variety of music stored in a variety of file types and resolutions
Using a number of different Bluetooth codecs
From 5644kbps DSD content via LDAC to 256kbps MP3 via SBC, I listened to as many different standards and types of digital audio content as possible during the course of the week or so I spent with the Rex5 in my ears.
I used a few different sources, too, and from the home office to the South Downs nearby I made sure to listen in a variety of environments. And of course I listened to as many different types of music as I can stomach – I have to draw the line somewhere, though, and so I naturally gave things like ‘barbershop’ the swerve…
The Sony MDR-EX15AP are an extremely cheap pair of wired earbuds – the type that you’d pick up at the airport after forgetting your pesky Bluetooth ones for your flight (or leaving them at home, on charge). They have a list price of just $19.99 / £10 / AU$29.95 – but are often available for even less. So, I think it’s fair to say you can’t expect phenomenal audio, noise isolation or build quality from the Sony MDR-EX15AP. But what you would hope for is clean sound, a comfortable fit and an attractive design – which for the most part, you get here.
Let’s start where it matters most, audio quality. A lot of ultra-cheap earbuds are guilty of supplying tinny, often grating or even muffled sound, but luckily the Sony MDR-EX15AP didn’t burden me with such issues. For the majority of the time, audio was fairly clean and didn’t come through sounding distorted or harsh. This wasn’t necessarily the case at top volumes, where things could admittedly get a little edgy, but I rarely felt the need to crank things up towards 100%.
Does that mean you get impressive audio, though? Not exactly. The soundstage can get a little cluttered when listening with the Sony MDR-EX15AP. For instance, I tuned in to Summer Soul by Cero and found that vocals lacked prominence and would sometimes have to wrestle with other sounds in the mid-range for my attention – an issue that you won’t encounter with some of the best wired earbuds.
Similarly when listening to Komm, Susser Todd by Arianne, sound could get bloated during climactic sections of the song, in part down to imperfect instrument separation. For example, the plodding bassline got a little muddied with main and backing vocals towards the end of the track and rhythmic claps didn’t have that crisp snap that more premium buds can supply.
So, again, the audiophiles among you may well find fault in the audio department here, but it’s very rare to get a nuanced listen out of earbuds this cheap. And in terms of the basics, these wired earbuds perform decently anyway. For example, when listening to Relentless by Grant Nelson, higher-pitched percussion elements were pretty well behaved – I didn’t get that grating, harsh effect until going towards the top end of the volume scale. In I Want You by Moloko, I also found the bass to be pleasingly warm and relatively impactful, even if the buds struggled to uncover the complexities of the layered synths, vocals, percussion (and more) to my ears.
So sound is pretty average overall and, for this price, that suits me just fine. But what of the noise isolation? Now I have to say, this actually surprised me a fair bit because the Sony MDR-EX15AP actually blockade external noise pretty effectively. Are these going to offer the isolation you’d get from some of the best wireless earbuds with ANC? No. But the gel eartips (there are small, medium, and large sizes included) create a pretty firm seal, which ensured that colleagues nattering, the sound of typing and the whirr of an air purifier were all considerably dulled.
Another department that impressed me was the EX15AP’s appearance. I’m a big fan of the glossy finish applied to the buds themselves and the multi-toned blue colorway that I tested out looked very elegant indeed. You can also get these buds in Black, Pink or White, so there’s an option for everyone. Build quality is perhaps not the strongest though; I found the wire to be fairly flimsy and a bit cheap looking, but that didn’t take away from the elegance of the buds all too much.
Something that I wasn’t massively keen on, however, was the EX15AP’s remote and mic. This is the only thing that separates this model from the slightly cheaper Sony MDR-EX15LP, but it’s not amazing. First of all, the controller only has a play/pause button, no volume controls. That means you’ll have to reach into your pocket to adjust volume on your source device, which is annoying if you’re out on a walk or run, for instance. The mic isn’t good either – when taking a voice recording there was an almost underwater sound to my voice, rendering the inbuilt controller pretty lackluster overall.
One more design issue is that these buds don’t have a waterproof rating. A lot of the more recent models to come to the market have an IPX4 or higher rating, meaning they’re resistant to sweat and rain – handy for outdoor listening. But you don’t get any pledges on resistance to elements here, so if you’re searching for some rough and ready buds for all environments, you’ll have to look further.
So, overall the Sony MDR-EX15AP are a decent pair of earbuds, that offer adequate, albeit unremarkable audio, a pleasing design and impressive noise isolation. There’s nothing particularly standout other than their exceptionally low price, but there doesn’t have to be. If you just need a backup pair of wired buds or need a quick solution for keeping the tunes flowing for your travels, you could certainly do worse.
If you have a little more cash to play with and a device with USB-C, I’d instead opt for the SoundMagic E80D, which are still, in my view, some of the best cheaper wired buds on the market. Apple device users might prefer the Apple Earpods USB-C, Lightning or 3.5mm variant too – but these popular Sony buds are still worth considering for those on a slightly tighter budget.
(Image credit: Future)
Sony MDR-EX15AP review: Price and release date
List price of $19.99 / £10 / AU$29.95
Often available for a fair bit less, though
Launched in 2014
Sony doesn’t always like to make it easy with product names and the Sony MDR-EX15AP as a moniker is no exception. This model is essentially the same as the Sony MDR-EX15LP; it just adds a microphone into the mix. For that privilege, you have to pay a bit more: the EX15AP carry a list price of $19.99 / £10 / AU$29.95.
Of course, they are still very much on the ultra-cheap side of the price spectrum, especially from a trusted name is audio. However, you can often find them for even less. They are often available for less than $10 / £8 on Amazon US and UK respectively, so they’re ideal for a small gift or if you need a cheap option after forgetting your wireless earbuds for a flight, for instance.
Sony MDR-EX15AP review: Specs
(Image credit: Future)
Should you buy the Sony MDR-EX15AP?
Buy them if...
You need a quick audio solution If you’re set to travel and need some budget buds for a flight or train journey, these will almost certainly get the job done. Audio quality isn’t amazing, but it’s not usually grating or anything, making these a solid solution if you’re on the go and want to listen to your favorite tracks or podcasts.
You want some incredibly cheap buds The big draw of the Sony MDR-EX15AP is their ultra-low price. If you’re not too fussed about mic quality issues and middling audio quality, you’ll likely be satisfied with these.
Don't buy them if...
You’re an audiophile If you’re more picky about audio, you will find these Sony buds underwhelming. Sure, for the price you pay, you’re not going to expect wonders from them. But if you spend a little more on the SoundMagic E11C (see ‘Also Consider’) you can seriously level-up your wired listening experiences.
You want buds for workouts These buds don’t have a waterproof rating, so if you’re going to be sweating away or running in the rain, they may accrue damage. There are plenty of cheap options on the market with an IPX4 rating or above, so make sure to shop around.
Sony MDR-EX15AP review: Also consider
SoundMagic E11C OK, so you might not quite get premium audio here, but the SoundMagic E11C will offer a strong step-up quality wise if that’s what you’re after. With an elegant design, good noise isolation and a temptingly low price, you can’t go wrong with these. Read our full SoundMagic E11C review.
Skullcandy Set USB-C Most modern handsets only have a USB-C port and although there are some exceptions – like the Motorola Moto G55 5G – that means you’ll have to use an adapter for these. So, why not opt for a budget pair of USB-C earbuds instead? The Skullcandy Set USB-C offer a beautiful, sleek design, attractive colour options and solid all-round audio, all at a budget price. They’re also water and sweat resistant thanks to their IPX4 rating. Read our full Skullcandy Set USB-C review.
Sony MDR-EX15AP review: How I tested
(Image credit: Future)
Tested for two weeks
Used in the office and while outdoors
Predominantly tested using Tidal on FiiO M11S
I put the Sony MDR-EX15AP to the test over the course of two weeks. I usually listened to music with them via Tidal on my Windows laptop, but I also tried them out using Spotify on the Samsung Galaxy S24 FE. I trialled the EX15AP in the office, at home and while walking near busy roads to judge noise-isolation capabilities.
After first plugging these buds in, I made sure to run through tracks in the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library.
