JLab JBuds Open Sport: one-minute review

The JLab JBuds Open Sport are affordable wireless earbuds that, as the name implies, offer an open-ears design. What this means in practice is that unlike in-ear buds, they don’t have tips that block your ear canal, instead leaving your ears free to hear the world around you. That makes them a great option if you prefer to be able to hear oncoming cars on your daily run, or if you hate having to stop your music simply to hear what someone’s saying.

For such affordable buds, the JLab JBuds Open Sport offer genuinely decent features. Not only does their app offer a couple of sound profiles to amp up treble and bass, but it also includes a 10-band EQ, something that even more premium products don’t offer. While not necessarily essential, hearing protection features and ambient sound generators for relaxation are definitely nice to have.

According to JLab, these buds should last you a full nine hours off a single charge, with the case bringing this up to a combined 26 hours. Wanting to put this to the test, I drained the buds from 100% to 0% by streaming music continuously until they died – I found JLab’s prediction was pretty much bang on. So the Open Sport should easily see you through a full-day's use before needing to be put back in the case.

The JLab JBuds Open Sport aren’t a huge departure from the template adopted by many of the best open-ear headphones – they’re made of smooth matt plastic with a flexible hook that holds them in place in front of your ear canal. But they certainly do the trick: they’re secure, even if they wobble a little during vigorous exercise, and their open-ear design meant I could hear oncoming traffic even when running along busy roads. In addition, their IP55 water-resistance means you don’t need to worry about a bit of sweat or the occasional shower.

Unfortunately, their sound does display some compromises. The Open Sport’s soundstage was genuinely impressive; listening to Grown by Kiasmos, the track’s shimmery trebly synths swayed noticeably from left to right, while the strings had a decent width. But I found their balance across the frequency range a bit uneven: treble occasionally gets a little brittle, while mids didn’t really have enough room to breathe, forcing some elements to compete for your attention. It isn't bad per se, but you are sacrificing some fidelity on the altar of situational awareness, so it’s worth being aware of this.

Ultimately, opting for cheap open-ear buds such as the JLab JBuds Open Sport will involve some tradeoffs. To get a pair of earbuds that not only leave your ears open but that also come in at a budget price, you’ll likely have to drop your expectations when it comes to sound. If you do, you’ll find these buds do a perfectly adequate job. But if you’d rather not scrimp on audio quality, paying more for a pair of open-ear buds such as the Bose Ultra Open Earbuds or opting for a closed-ear pair from the best wireless earbuds might suit you better instead.

JLab JBuds Open Sport review: specs

JLab JBuds Open Sport review: features

• Decent EQ settings and listening modes
• Good, if average, battery life
• Not a huge fan of the controls

Getting started with the JLab JBuds Open Sport is straightforward, even if the process is a little idiosyncratic. Triggering pairing mode is as simple as removing the buds from their case: their lights will immediately begin flashing, allowing you to connect them with your prime device. However, utilizing their multi-device connectivity is more unorthodox – to retrigger pairing mode, you’ll need to switch off Bluetooth on your prime device and then once the JBuds are paired with your second device, you can you reactivate the first. It’s an odd dance to have to sashay your way through, but it works and connectivity seems stable.

Once you’re set up, most of the features you’ll access will be through the JLab app, which offers a decent selection of settings, even if it isn't quite as comprehensive as you’d expect from a more premium pair of earbuds.

First off, the app offers access to the JBuds’ EQ settings. This comprises two preset profiles: Balance, which lightly boosts the bass and treble; and the more aggressively sculpted JLab signature, which ducks frequencies around 500Hz – 2,000Hz to significantly boost bass. You also get a single custom profile – while that doesn’t sound like much, it’s a full 10-band EQ, something even some pricier buds don’t offer. There’s also a couple of dedicated listening modes bundled in – Music mode and Movie mode – that further tweak the sound to suit your source.

There’s some more unusual features bundled in the app as well. Safe Hearing mode allows you to set limits on playback volume according to the World Health Organization’s recommendation of 85dB (for a max listening time of eight hours) or 95dB (max listening time of one hour). As someone who has already ruined his hearing attending many clubs and gigs, I appreciate the thought here. The app also offers an Ambient Sounds mode, where you can choose to play anything from bird song to fan noise. Admittedly, this isn't anything you can’t find on most streaming services these days, but I welcome not having to do all the legwork in finding decent quality soundscapes.

Each of the Open Sport buds has only a single-touch capacitive button on it, meaning that control is through tapping out those morse code rhythms to play / pause music, increase and decrease volume, skip tracks or adjust EQ. I’ve been upfront about this before: I'm not the biggest fan of these kinds of control systems, as I think it’s too easy to mis-tap and I hate skipping tracks when I just wanted to crank up the volume. However, the Open Sport soothe my ire somewhat by allowing you to customise which functions are programmed to a single-, double- and triple-tap or a long press, making it marginally easier to set them up in a way that suits me.

JLab estimates the JBuds Open Sport’s battery life to be nine hours in the buds and over 26 hours in total with the case. My battery tests seemed to bear this out – playing music continuously until the battery dropped from 100% to 0% took nine hours and four minutes, which is pretty spot on. It's notable that the right earbud actually died sooner, at around eight and a half hours, leaving lefty to struggle on alone; but I imagine this is more down to quirks related to the battery’s first few cycles rather than a persistent issue.

• Features score: 4 / 5

JLab JBuds Open Sport review: sound quality

• Provide great situational awareness
• Wide-open soundstage
• Relatively humdrum sound

Let’s start with the obvious. The JLab JBuds Open Sport don’t offer any sound isolation by design – their key feature is their ability to leave your ears clear of obstructions and let outside sounds in. So if you’re going to be using them in an office environment, you better be relaxed about hearing every tap of your co-workers' keyboards or their Severance fan theories. On the flip side, when I used the Open Sport while out on a run, the buds allowed me to hear the noise of oncoming cars and the hollered instructions of maintenance workers on the roadside. However, this awareness does come at a cost: the Open Sport can’t really compete with the volume of traffic, so running alongside roads I often found that tunes were drowned out by the thunder of vehicles.

A less predictable benefit of the JBuds open design is their soundstage. Playing Diamonds On the Soles of Her Shoes by Paul Simon, I was immediately struck by how open the buds’ stereo field is – in particular, Ladysmith Black Mambazo’s choral style vocals bounce from left to right with impressive accuracy.

However, where things start to come undone is the expression of individual instruments. During St. Thomas by Sonny Rollins, I found that the bass, piano and sax were constantly competing with each other for prominence. While they sounded clear enough during solos, when all three were playing at once, they all somehow amounted to less than the sum of their parts.

It’s only really by probing the sonic balance further that I came to understand what was going on. Listening to Nothing Left To Lose by Everything But the Girl, there’s definite crispness to that saw-edged bass, but unfortunately, the sub that gives it that cocoa-on-a-cold-day resonance was lacking. Conversely, treble is occasionally bright, and I mean that to a fault: Young Blood by The Naked and Famous actively hurt my ears, with the bouncy, distorted melody off its synth quickly grating and making for an unpleasant listening experience.

You’d think that anything that doesn’t sit toward one of these two extremes would fare better; but, if anything, the opposite is true. While I Want You by Moloko at least displayed enough bass and treble to give it some presence, the mids felt severely neglected. Elements such as the strings, rapid guitar strokes and vocals felt cluttered in a way that I'm not used to: like an hourglass, the Open Sport’s sound is pinched tightly in the middle, meaning every instrument is forced to compete for attention, harming overall cohesion.

Fortunately, the Open Sport’s EQ modes can mitigate some of the worst of this, but we're talking more about damage control rather than adding real polish. Listening to Otomo by Bonobo on the buds’ flat profile left me pretty disappointed – it came across as rather tinny, while the spectral profile of the tribal chorus was so strident it almost scintillates in an unpleasant manner. Enabling JLab Signature performed a quick nip-tuck to suture up some of the flabbiest areas of this sound, ducking the problem frequencies around 1kHz to 2kHz and boosting the bass to compensate. This is definitely a blunt tool, but it does the trick of compensating for some of the inevitable aural shortcomings of open-ear buds.

Given you’re likely to use these buds when out and about, you may well be wondering how their microphones fare in noisy settings. Well, when recording a voice note while streaming the sound of a Delhi traffic jam in the background, I was impressed with how well the mics filtered out the background noise – although they did lose some of the treble of my voice, making the final result a bit muddier than I’d expect. Conversely, when making some trial phone calls not far from a busy road, my long-suffering girlfriend reported my voice came across perfectly clear.

• Sound quality: 3.5 / 5

JLab JBuds Open Sport review: design

• Comfortable to wear
• Decent dust- and water-resistance
• Secure, but not always stable, fit

When it comes to looks, the JLab JBuds Open Sport are fairly conservative. Compared to the more outré designs adopted by some open-ear buds, these aren’t that distinguishable from many of the best workout headphones – you’re not getting the square-bracket shape of the Bose Ultra Open Earbuds, or earring-aping form factor of the Huawei FreeClip. Instead, they offer a traditional hooked design with a rectangular driver unit that’s positioned just in front of your ear canal. It’s practical yet entirely unexciting, like a pair of sweatpants for your ears.

If I’m being honest, I’m pretty hook agnostic when it comes to workout earbuds – I’ve never found that I struggle to keep in-ear buds wedged in place. But with buds that don’t enter your ear, some kind of hook or band is essential. And even though the Open Sport aren’t really my thing, I found the hooked design here to be pretty comfortable, allowing me to wear them for multiple hours without discomfort.

Ironically, though, given hooks are supposed to keep your earbuds secure, I did find they sometimes felt less stable than I was used to. Using them on runs, they wobbled more than I was prepared for – I couldn’t stop myself from periodically repositioning them just to make sure they were still on right. However, I don’t think they’d actually come loose and without being anchored in your ear, I guess it’s natural that open ear buds are going to shift around a little as you move.

On the plus side, they should be hardy enough to survive most workouts. Not only does their construction seem solid – the matt black plastic they’re constructed of is hard enough to resist marks and scratches yet the earhooks are flexible enough to make them easy to slip on – but their IP55 rating should see off dust, sweat and even a bit of rain. Of course, we don’t just take brands at their word at TechRadar, so I put these claims to the test, liberally flicking them with water from our testing tank until they’d had a thorough sprinkling. They shrugged off this spritzing like champs and, once dry, there was no impact on their performance or sound. So, while they won’t survive you dropping them in a puddle, neither perspiration nor precipitation should cause them too many problems.

• Design score: 3.5 / 5

JLab JBuds Open Sport review: value

• Affordable price
• Better sound will definitely cost you more

While I’ve made no bones about the fact the JLab JBuds Open Sport have some shortcomings, there's one factor that should probably recontextualize everything you’ve read above: their price. Premium open-ear buds massively outstrip their MRSP – for example, the Bose Ultra Open Earbuds go for a hefty $299 / £249.95 – and even mid-market brands such as Shokz can range from the $119.95 / £94 OpenFit Air to the $179.95 / £129 OpenFit 2. So at $49.99 / £79.99, these are firmly priced at the budget end of the market.

Viewed through this lens, some of the Open Sport’s weaknesses become more palatable. Making open-ear buds sound unimpeachable is a much bigger technical challenge compared to buds with either passive sound isolation or active noise cancelling – and, inevitably, you'll need to spend premium prices to get premium results. As such, if your biggest priorities are situational awareness and an affordable price, these buds are a wise investment. But if you value sound quality above all else, you may need to spend a fair bit more or go for a closed-ear design.

• Value score: 4.5 / 5

Should I buy the JLab JBuds Open Sport?

Buy them if…

Don’t buy them if…

JLab JBuds Open Sport review: also consider

How I tested the JLab JBuds Open Sport

• Tested them for two weeks
• Trialed them in a range of quiet and noisy settings
• Assessed their water resistance by spraying them with water

I tested the JLab JBuds Open Sport over a period of two weeks. I used them to listen to a wide array of music, not only listening to the TechRadar testing playlist multiple times, but also trialing them on some of my own go-to testing tracks. I also tested out their microphones by recording voice notes accompanied by background noise and making multiple calls outside in an urban environment.

I also tried them out in a range of settings, listening to them everywhere from a busy office environment to traveling alongside congested main roads. I made sure to test out their fit and comfort by using them during several runs, while I tested their water-resistance by lightly spraying them with water and monitoring whether this had any impact on their performance.

Having spent more than a decade writing about tech, I have a lot of experience when it comes to weighing up the efficacy of different gadgets. Additionally, as an audiophile and music producer, I have a lot of experience assessing the performance of speakers and headphones, while my regular workout regimen means I’ve used a lot of different earbuds for exercising over the years.

• First reviewed: March 2025
• Read more about how we test

FiiO FP3 review

The FiiO FP3 wired earbuds are an entry-level answer to a luxury-bracket question: “what if in-ear monitors weren’t boomy, tinny little noise boxes?” In a market sadly defined by 10 a penny bass-boosted earbuds and wireless gym-friendly noise fodder, where’s the love for those who just want to listen to music well?

Great-sounding in-ears often come at a premium, particularly where cleverer and cleverer design is necessary to get the most out of something so small. At the extreme end of the price scale, you’ll find audiophile-grade in-ears that dwarf your current savings balance. Enter FiiO, whose in-house R&D has dramatically Aragorn-ed the doors wide open to inexpensive audio fidelity in the best-in-class wired earbud market.

At first glance, the FiiO FP3 wired earbuds are strikingly distinguished. A curvy plastic body (3D-printed, then polished and UV-coated) is adorned with a branded faceplate coin of rosewood or black walnut – it’s giving ‘executive saloon interior’, but not at all in a bad way.

This fun design, believe it or not, isn’t the star of the show here. Instead, it is FiiO’s internally developed 14.5mm planar drivers, which promise better precision, lower distortion and extended frequency response among other micro benefits befitting the drivers’ micro size. Planar drivers are a hit overall for their soundstage-y, highly responsive attributes, but FiiO’s done something especially remarkable in designing some highly capable drivers for IEMs that come in under $100. More on sound shortly, though; first, let’s try them on.

The FiiO FP3 earbuds are wired, with an around-the-ear design. The wire in question is a four-strand braided affair, which splits into two sets of twisted pairs connecting to the buds by way of a two-prong plug-in terminal. It is so, so cool that a pair of in-ears this cheap features removable wires as standard, not in the least for eliminating the biggest issue haunting less expensive wired earbuds – broken internal wires.

The FP3s’ wrap-over wear style is fun, functional and actually quite comfortable. Some clear heat shrink tubing covers the braided wires for the first few inches from the end connector, so there’s no unpleasant rub behind the ears. Once you get the buds themselves sitting correctly, you’ll start to feel like you’re wearing nothin’ at all (nothin’ at all, nothin’ at all, nothin’ at all…) – but not for altogether long, unfortunately.

A slight, but nonetheless aggravating, burn creeps in before long, even when switched down to the smallest size of ear tips supplied with the FP3s. While my undersized ear canals might not be in the 80th percentile, it’s still incumbent upon me to report this slight comfort-related misfortune. And misfortune is the word, because it’s a real shame that the FP3s don’t sit as well as they could do for long listening sessions. Why? Because they’re Actually Honestly Quite Good, Really.

The first thing that strikes me about the sound quality of the FP3 IEMs is their remarkable three-dimensionality. Where lesser earbuds unceremoniously cram you into an airing cupboard with your favorite band, the FP3s give you a wide hall; the playful guitarry arrangements of Maps & Atlas’ Beware and Be Grateful breathe freely, while Them Crooked Vultures’ roomy production sprawls out ahead.

That three-dimensionality presents not just with stereo image, but also dynamically. The toms in Sally Oldfield’s Blue Water (a secret 1980s groover your DJ friend would kill to know about) ping and bounce with delightful depth and sense of place.

The biggest bugbear I have with most less expensive earbuds is their approach to treble. Other reviews have reported an over-present sparkle, and even some harshness, with respect to the FP3s’ treble response, but I’m overjoyed to report that this couldn’t be further from my own experience. Instead, I found a remarkably well-tamed high-end, with a softness you’d normally expect to find in mid-sized speaker drivers.

Still, there’s a presence and robustness to the top end, which shines particularly brightly against the harsh noisy competition of the great urban outdoors. Big Americana arrangements such as those of Andrew Bird’s Armchair Apocrypha still carry clarity and weight, even as grumbling bus engines and caterwauling kids try to rob them of both. Listening to sparser heart tuggers, like Blood from Pile’s album All Fiction, you can hear the reedy, human quality that these drivers possess, and which works wider wonders for stand-out folky vocals and anything featuring strings.

The mid-range can occasionally be a little listless, but this does appear to be somewhat by design. Indeed, Queens of the Stone Age’s Lullabies to Paralyze is reproduced with a slightly incongruent cheerfulness, as some mid-scooping borrows urgency from ‘Little Sister’s guitars to feed the cymbals and kick instead. Bass, though, is supple and structured, supported by some nifty (and proprietary) acoustic design in the buds. Tasteful is absolutely the word – a world away from so many active earbuds' wubby flub.

As with practically any set of in-ear monitors, and even with the FP3s’ structured soundstage and carefully tweaked frequency response, you can figuratively hear the walls around your music. Despite this, the FP3s remain the broadest-sounding, least claustrophobic in-ears I’ve heard below $200.

These wired in-ear monitors are little more than they present themselves to be: excellently engineered budget IEMs, with phenomenal balance and dynamic tautness. There’s no on-device volume controls, nor a microphone to take hands-free calls with – but as someone who’s longed for a set of in-ears that do one thing well, I personally don’t miss these superfluous mod cons.

The FiiO FP3s in-ears, at $89.99 / £85.99 / AU$170 (approx.), are a fantastic value prospect for someone who wants a little more from their on-the-go listenings. For your money, you get the IEMs, six sets of silicone ear tips and a quite honestly bizarre little plastic drawer in which to store them. What you also get, though, is a listening experience at least five times more valuable.

FiiO FP3 review: Price and release date

• $89.99 / £85.99 / AU$170 (approx.)
• Launched December, 2024

The FiiO FP3 in-ears are a remarkable entrant in the best earbud space, marrying audiophilic impulses with budget-level price points. Sure, $89.99 / £85.99 / AU$170-ish might not sound ‘budget’ for a pair of wired(!), passive(!) earphones, but when you see the eye-watering prices of the in-ear monitors on which the FP3s were clearly modeled, the appellation will make absolute sense.

These in-ear monitors bring some smart driver design to a highly accessible price point, and fill what is honestly quite a large space in a market otherwise given to bulky, bass-heavy earbuds and weedy 10 a penny earphones. If you’ve ever felt let down by a gifted pair of Beats, or resented having to make space in your bag for a bulky pair of decent hi-fi headphones, the FiiO FP3s are the tonic you’ve been waiting for.

FiiO FP3 review: Specs

Should you buy the FiiO FP3?

Buy them if...

Don't buy them if...

FiiO FP3 review: Also consider

FiiO FP3 review: How I tested

• Tested for six weeks
• Tested at home, listening to high-quality audio files through a Focusrite Scarlett 2i2’s headphone out
• Tested out and about, using an iPod Classic

The FiiO FP3 in-ear monitors lived in my coat pocket for a month, wrapped around a 160GB iPod Classic I’m still proud to be toting today. I used them frequently while traveling between engagements, and while gallivanting around town on errands.

I also tested the FP3s at home, using my trusty Focusrite Scarlett 2i2 audio interface for its clear and pristine headphone output. I listened to records with which I am intimately familiar, so as to build a real picture of the IEMs’ performance against other devices.

Read more about how we test.

• First reviewed: March 2025

JBL Tune 305C review

If you’re on the hunt for some new earbuds but you’ve not bought into the whole wireless thing, the JBL Tune 305C could be an enticing budget option. These wired earbuds promise punchy bass, a comfortable fit – not a bad package for £16.75 / AU$24 (about $21). So can the JBL Tune 305C live up to these bold promises, or do they instead fall flat?

Well, let’s start where it matters most – sound. Of course, the main attraction is meant to be JBL’s “Pure Bass” sound but despite providing enjoyable warmth, this won’t conjure up the low-end boom that bass heads may want. For instance, when I tuned into Black Eye by Allie X, there was a solid amount of depth to the thumping drum machine, but it lacked the impact and prominence in the mix to really have my head bopping. When listening to All Night Long by Chris Stussy, the bouncing bass never sounded lethargic or unresponsive, but again, it wasn’t as hard-hitting as I’d hoped.

You can be assured, however, that bass won’t sound nasty and distorted. Similarly, I didn’t experience much in terms of tinniness in the treble range or overly thin mids – something that all our picks of the best wired earbuds are capable of circumventing. But clean audio isn’t always a given with budget buds – the Belkin SoundForm Wired Earbuds with USB-C Connector, for instance, are very cheap… and they sound it. The JBL feel like good value in comparison.

Another positive is that the JBL Tune 305C can play hi-res music files thanks to the inclusion of a built-in digital to analog converter (DAC) – pretty impressive for some buds that come in at £16.75 / AU$24 (about $21). But although overall audio is certainly clear, it doesn’t really sound massively detailed.

For instance, I tuned into Clair de Lune by Kamasi Washington and piano notes soaring up and sinking down sounded slightly clumped – where they’d sound more individualized and defined using more premium buds such as the Sennheiser IE 200. Piano was also given a lot more breathing space with the IE 200, whereas it sounded more muddied with the Tune 305C – but not to a degree that it was totally lost in the mix.

One reason that I didn’t get a massively nuanced, informative listen from the Tune 305C was their in-ear fit. Like the Apple EarPods USB-C, they’re pretty loose-fitting, with an 'open-ear' design. They don’t include eartips, like the SoundMagic E11D, for example, meaning sound is less concentrated into the ear canal. Some may prefer the looser feel of these – I can’t deny that they were easy to keep in for longer listening sessions.

But still, they would occasionally feel as if they were falling out, especially when I was on the go. Not ideal if you’re on a run or working out. This design choice also limits noise isolation, so you may have to put up with the sound of that wailing baby on your four-hour flight… uh oh.

But again, some may prefer the more relaxed feel of the Tune 305C. On top of that, these are pretty lightweight and didn’t subject me to all too much cable noise – impressive for buds at this price-point.

And that’s not all – you also get a neat controller, which has volume, play/pause and mic controls built-in. Firstly, I have to say I was very impressed with mic quality. There was some very slight tinniness on a phone call, but my voice was nice and clear. Meanwhile, a voice recording came through with limited background static and well-defined vocals – rare for lots of wired earbuds.

You’re not going to believe me, but the fun doesn’t stop there either. If you hold down the volume up button for two seconds, you can even switch between Standard, Bass and Voice modes. EQ settings are pretty rare for cheap wired earbuds, so I was delighted to find this here. Really, the only downside practicality-wise is the lack of waterproofing, which would be ideal for listening in the rain or when exercising.

Another slightly disappointing aspect of these earbuds is their design. The buds each have a raised piece of plastic with the JBL logo on which looks a little clumsy, and the flat wire might not be to everyone’s taste either. Don’t get me wrong, my eyes didn’t burn just looking at the Tune 305C, but I was hardly swooning over them. The controller looks decent, however, and is positioned near your cheek for easy access, not to mention that the wire – despite not being too pretty – is tangle-resistant, which is useful if you need to slide these into your pocket.

All in all, the JBL Tune 305C are a solid pair of in-ear buds. They have typically clean audio with commendable bass and volume, EQ options and a surprisingly good mic. The loose fit does come with sacrifices in the audio and noise isolation departments and it's a shame not to see waterproofing too. But at £16.75 / AU$24 (about $21), there’s still plenty to like here.

If you want a step-up USB-C option, the SoundMagic E80D will outperform the Tune 305C in most departments, but there are some nice cheaper options too, such as the Skullcandy Set USB-C.

JBL Tune 305C review: Price and release date

• £16.75 / AU$24 (about $21)
• Launched in 2024

The JBL Tune 305C launched in 2024 – the same year that the audio specialists dropped the Tune 310C model, which uses ear tips for a more snug, noise-isolating listening experience.

These in-ears are typically priced at £16.75 / AU$24, making them a very budget-friendly option. They’re also available in a number of attractive color variants including: Black, Blue, Red and White – I tested the latter for this review.

JBL Tune 305C review: Specs

Should I buy the JBL Tune 305C?

Buy them if...

Don't buy them if...

JBL Tune 305C review: Also consider

JBL Tune 305C review: How I tested

• Tested for one week
• Used in the office and on public transport
• Predominantly tested using Tidal

I tested the JBL Tune 305C over the course of one week. When I used these buds for music listening, I mainly used Tidal on the Samsung Galaxy S24 FE, but I also tried them out with YouTube and Spotify on my Windows Laptop.

Not only that, but I made sure to run through tracks in the TechRadar testing playlist, which contains songs from a variety of genres – read our guide on how we test earbuds for more. I did, however, also spend hours tuning into songs from my personal library. And I took the 305C with me everywhere for this review. I tested them at a busy London train station, on walks through my local town centre and in the office.

• First reviewed: February 2025
• Read more about how we test

Master & Dynamic ME05: Review

10 years after their original release, the Master & Dynamic ME05 are back. Remastered for the modern era, these wired buds now include a Hi-Res USB-C adapter, meaning they’re able to seamlessly slot into your modern smartphone’s charging port. This revamped model also aims to provide “more expansive acoustics” and fit options, while still harnessing the strengths of their original, high-caliber build materials. But do these re-released classics still hold up?

Well, if we’re talking audio quality, the answer is yes – very much so. The re-released Master & Dynamic ME05 have an incredibly satisfying sound signature: it’s elegantly balanced, but adds a dash of warmth to ensure you get an exciting, yet tightly controlled listen. When I tuned in to I Want You by Moloko – a densely layered, all-action track – the Master & Dynamic ME05 captured each element with ease. The multiple synths, dramatic strings and thumping bass all sounded neatly separated and clear.

The details in this track weren’t lost either. For instance, bold vocals in the introduction maintained their breathy tone and the resonance of the piano wasn’t lost. The sudden crash of cymbals roused excitement without sounding harsh too, something I always listen out for in my epic quest to discover the best wired earbuds.

As I touched on earlier, there’s a pleasing degree of warmth to these buds, meaning you’ll hear clean bass that never sounds lethargic or muddied with lower-mids. When listening to Black Eye by Allie X, the hard-hitting drum machine could get admirably deep and sounded rhythmic and energetic.

If you’re a massive fan of bass-heavy bangers these might not quite offer the big boom you’re looking for, though. For instance, I threw on Splash Mountain by Yung Gravy and sub-bass didn’t have the raw power that’s meant to command the track. If that’s something you’re looking for, you may be better served by some of the best over-ear headphones, which are more capable of thunderous low-end output and customizable EQ.

Regardless, you’re getting fantastic high-resolution audio from these buds, whether you’re using the standard 3.5mm connector or the included USB-C adapter. This adapter supports up to 32-bit / 384kHz resolution audio, meaning you can indulge in higher-than CD quality sound with one of the best Android phones or best iPhones since the iPhone 15 switch to USB-C.

As well as the USB-C connector, the ME05 now come with a large selection of additional ear tips, including both gel and foam variants. This was something we hoped for in our review of the review of the original model back in 2017 – so kudos to Master & Dynamic for delivering! There’s also a premium-feeling carry case to keep your buds safe, adding some points in the value category.

On top of their stellar sound quality and generous fit options, the re-released ME05 have commendable build quality. The 8mm drivers are enclosed in sturdy and stylish brass casing. The metallic controller also feels durable and has well-sized button controls. Maybe some will find its central position a little unorthodox, but I liked it – sometimes wired buds place their controller too close to my cheek, which can be irritating when adjusting volume. And although it’s not detachable, the cable is up-to-scratch too – it's tangle-resistant and slim, and it really checks all the boxes.

There’s also a mic that’s handily positioned higher up the cable. This includes wind reduction tech for clear calling, which I’m happy to report works well. To test mic quality, I made a voice recording and found that there was a bit of static in the background, though my speech was still extremely clear-cut and natural-sounding.

At this stage, you may think I have little to no complaints about these remastered classics – and you’d be right. But they’re not quite perfect. That’s mainly because these buds aren’t ideal for when you’re out and about. I did experience quite a lot of cable noise – something that’s admittedly common with most wired buds – but they couldn’t mute this as effectively as models like the Sennheiser IE 200.

And although they’re comfortable in-ear, they are fairly heavy-feeling – not to mention the lack a waterproof rating, meaning you may want to look elsewhere if you need some earbuds for workouts or runs.

One more small thing before I start gushing again – don’t expect particularly stand-out noise isolation from the re-released ME05. When listening to a bass-heavy track between 40% and 50% volume, the sound of typing in my office was dulled, but I could still hear it a decent amount. That’s in part down to the more relaxed fit of these buds, meaning you’re not getting an ultra-tight seal. But still, there’s a silver lining here – I was happy to listen with these for hours on end. So, even if a model like the Shure SE215 has superior passive noise isolation, they were nowhere near as pleasing to keep in for long listening sessions.

With that said, I’d still class the Master & Dynamic as a top-drawer pair of in-ears. With awesome audio quality, eye-catching design and dual connectivity options, there’s just so much to like. At $199 / £169 (about AU$320), they’re not cheap but they are good value. A lot of audiophile-friendly buds will cost double that amount… or even more. And for the level of detail on offer, I think these are well worth your consideration.

Sure, if you want top-tier noise cancelling and waterproofing, you may be better off with a pair of the best wireless earbuds instead, but for those of you looking for a wonderful wired option, I can recommend these with ease.

Master & Dynamic ME05 review: Price and release date

• $199 / £169 (about AU$320)
• Re-launched in December 2024

The Master & Dynamic ME05 re-released in December 2024, almost an entire decade after their original launch in 2014. They have a list price of $199 / £169 (about AU$320), which is by no means cheap, but nowhere near the price you’ll pay for more premium models like the Sennheiser IE 900 or the Campfire Audio Solaris Stellar Horizon. The re-released ME05 model is available in four classy colorways: Gold/Black; Gunmetal (Gray)/Black; Palladium (silver)/Black; and Palladium/White.

Master & Dynamic ME05 review: Specs

Should I buy the Master & Dynamic ME05?

Buy them if...

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Master & Dynamic ME05 review: Also consider

Master & Dynamic ME05 review: How I tested

• Tested for one week
• Used in the office and while on walks
• Predominantly tested using Tidal

I tested the Master & Dynamic ME05 re-release over a one week period. During this time, I predominantly listened to music using Tidal on the Samsung Galaxy S24 FE via its USB-C port, but I also tried them out using Spotify via my Windows laptop’s headphone port. I tested these buds in the office and while out on walks in windy conditions, in order to test both noise isolation and wind noise-reduction capabilities

When I threw on some music, I bumped tracks from the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library. Where appropriate, I also used the Sennheiser IE 200 to compare aspects including audio presentation, style and build.

• First reviewed: February 2025
• Read more about how we test

Sony MDR-EX15AP review

The Sony MDR-EX15AP are an extremely cheap pair of wired earbuds – the type that you’d pick up at the airport after forgetting your pesky Bluetooth ones for your flight (or leaving them at home, on charge). They have a list price of just $19.99 / £10 / AU$29.95 – but are often available for even less. So, I think it’s fair to say you can’t expect phenomenal audio, noise isolation or build quality from the Sony MDR-EX15AP. But what you would hope for is clean sound, a comfortable fit and an attractive design – which for the most part, you get here.

Let’s start where it matters most, audio quality. A lot of ultra-cheap earbuds are guilty of supplying tinny, often grating or even muffled sound, but luckily the Sony MDR-EX15AP didn’t burden me with such issues. For the majority of the time, audio was fairly clean and didn’t come through sounding distorted or harsh. This wasn’t necessarily the case at top volumes, where things could admittedly get a little edgy, but I rarely felt the need to crank things up towards 100%.

Does that mean you get impressive audio, though? Not exactly. The soundstage can get a little cluttered when listening with the Sony MDR-EX15AP. For instance, I tuned in to Summer Soul by Cero and found that vocals lacked prominence and would sometimes have to wrestle with other sounds in the mid-range for my attention – an issue that you won’t encounter with some of the best wired earbuds.

Similarly when listening to Komm, Susser Todd by Arianne, sound could get bloated during climactic sections of the song, in part down to imperfect instrument separation. For example, the plodding bassline got a little muddied with main and backing vocals towards the end of the track and rhythmic claps didn’t have that crisp snap that more premium buds can supply.

So, again, the audiophiles among you may well find fault in the audio department here, but it’s very rare to get a nuanced listen out of earbuds this cheap. And in terms of the basics, these wired earbuds perform decently anyway. For example, when listening to Relentless by Grant Nelson, higher-pitched percussion elements were pretty well behaved – I didn’t get that grating, harsh effect until going towards the top end of the volume scale. In I Want You by Moloko, I also found the bass to be pleasingly warm and relatively impactful, even if the buds struggled to uncover the complexities of the layered synths, vocals, percussion (and more) to my ears.

So sound is pretty average overall and, for this price, that suits me just fine. But what of the noise isolation? Now I have to say, this actually surprised me a fair bit because the Sony MDR-EX15AP actually blockade external noise pretty effectively. Are these going to offer the isolation you’d get from some of the best wireless earbuds with ANC? No. But the gel eartips (there are small, medium, and large sizes included) create a pretty firm seal, which ensured that colleagues nattering, the sound of typing and the whirr of an air purifier were all considerably dulled.

Another department that impressed me was the EX15AP’s appearance. I’m a big fan of the glossy finish applied to the buds themselves and the multi-toned blue colorway that I tested out looked very elegant indeed. You can also get these buds in Black, Pink or White, so there’s an option for everyone. Build quality is perhaps not the strongest though; I found the wire to be fairly flimsy and a bit cheap looking, but that didn’t take away from the elegance of the buds all too much.

Something that I wasn’t massively keen on, however, was the EX15AP’s remote and mic. This is the only thing that separates this model from the slightly cheaper Sony MDR-EX15LP, but it’s not amazing. First of all, the controller only has a play/pause button, no volume controls. That means you’ll have to reach into your pocket to adjust volume on your source device, which is annoying if you’re out on a walk or run, for instance. The mic isn’t good either – when taking a voice recording there was an almost underwater sound to my voice, rendering the inbuilt controller pretty lackluster overall.

One more design issue is that these buds don’t have a waterproof rating. A lot of the more recent models to come to the market have an IPX4 or higher rating, meaning they’re resistant to sweat and rain – handy for outdoor listening. But you don’t get any pledges on resistance to elements here, so if you’re searching for some rough and ready buds for all environments, you’ll have to look further.

So, overall the Sony MDR-EX15AP are a decent pair of earbuds, that offer adequate, albeit unremarkable audio, a pleasing design and impressive noise isolation. There’s nothing particularly standout other than their exceptionally low price, but there doesn’t have to be. If you just need a backup pair of wired buds or need a quick solution for keeping the tunes flowing for your travels, you could certainly do worse.

If you have a little more cash to play with and a device with USB-C, I’d instead opt for the SoundMagic E80D, which are still, in my view, some of the best cheaper wired buds on the market. Apple device users might prefer the Apple Earpods USB-C, Lightning or 3.5mm variant too – but these popular Sony buds are still worth considering for those on a slightly tighter budget.

Sony MDR-EX15AP review: Price and release date

• List price of $19.99 / £10 / AU$29.95
• Often available for a fair bit less, though
• Launched in 2014

Sony doesn’t always like to make it easy with product names and the Sony MDR-EX15AP as a moniker is no exception. This model is essentially the same as the Sony MDR-EX15LP; it just adds a microphone into the mix. For that privilege, you have to pay a bit more: the EX15AP carry a list price of $19.99 / £10 / AU$29.95.

Of course, they are still very much on the ultra-cheap side of the price spectrum, especially from a trusted name is audio. However, you can often find them for even less. They are often available for less than $10 / £8 on Amazon US and UK respectively, so they’re ideal for a small gift or if you need a cheap option after forgetting your wireless earbuds for a flight, for instance.

Sony MDR-EX15AP review: Specs

Should you buy the Sony MDR-EX15AP?

Buy them if...

Don't buy them if...

Sony MDR-EX15AP review: Also consider

Sony MDR-EX15AP review: How I tested

• Tested for two weeks
• Used in the office and while outdoors
• Predominantly tested using Tidal on FiiO M11S

I put the Sony MDR-EX15AP to the test over the course of two weeks. I usually listened to music with them via Tidal on my Windows laptop, but I also tried them out using Spotify on the Samsung Galaxy S24 FE. I trialled the EX15AP in the office, at home and while walking near busy roads to judge noise-isolation capabilities.

After first plugging these buds in, I made sure to run through tracks in the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library.

• First reviewed: January 2025
• Read more about how we test