Audio - Organizer

Nothing Ear (3) earbuds look fantastic next to my phone and the ANC is solid –but I’m not sure the audio quality is good enough for this money

11:35 am | September 26, 2025

Nothing Ear (3): Two-minute review

Okay, so it's still hard to stop oneself from playing a game of Spot the Difference concerning Nothing's earbuds offering – but what of it? Apple's AirPods lineup is much the same, no? The problem is that this time (unlike Nothing's last major earbuds release, which came in at $50 / £30 cheaper than their older siblings) there's a price hike involved; and simply put, I'm not quite sure the extra perks here do enough to justify the extra outlay.

Sure, I'd say the new Nothing Ear (3) are they still among the best earbuds of the year – but one option in the duo of buds they replace has dropped so low in price that they've actually jumped into our best budget earbuds buying guide. So you see, to build a case for paying quite a bit extra for the new Ear (3), they'd need to be quite a bit better – and that's where I'm struggling.

To put the pricing into context, their closest rivals now would no longer be Sony's class-leading WF-C710N, which sell for around $120 / £100. No, at $179 / £179 / AU$299, the Nothing Ear (3) aren't exactly rubbing shoulders with the likes of the $299 / £299 / AU$450 Bose QuietComfort Ultra Earbuds (2nd Gen), but they have moved up a level – and it's tough company to keep.

There's no head-tracked spatial audio support (the device- and service-agnostic spatial audio option is either 'Static' or 'off') in the Ear (3), and although the ANC is solid and a new 'Super Mic' is fun to play with in calls, it hasn't become the new must-have earbuds feature for me – and if it was going to appeal to anyone, someone who remembers a world of landline phones only was probably the Nothing Ear (3)'s best shot.

My biggest gripe is the battery life, which I'll explain fully later. That said, I experienced no small sense of pride when wearing and showing off the Ear (3), thanks to the new aluminum 'elevated' build quality and finish – along with the return of the fidget-spinner case detail.

Is all of this enough to make the Ear (3) a hit? Perhaps, when you consider that the splendid hearing tests remain, along with advanced EQ tabs and LDAC support – all of which make the sound engaging, if a shade off excellent for dynamic nuance and treble clarity. Oh, and it's worth noting that if you have a Nothing phone, that Super Mic becomes a quick transcription tool, which admittedly makes it much more useful (I don't have a Nothing handset, so I'm typing out this review, dear reader)…

Nothing Ear (3) being tested on a commuter train late at night — (Image credit: Future)

For anyone scratching their heads as to how many Nothing earbuds iterations we're into now (because it certainly isn't three), Nothing fully admits its earbuds naming strategy to date may not have been the smartest. So to explain, the Ear (3) is an update on the flagship Nothing Ear primarily, but also on the Nothing Ear (a), which both launched in April 2024 on the self-same day – with the cheaper pair still sitting happily at the tippy-top of our best budget earbuds guide.

And here's my problem with that: a quick scan of current prices reveals that the aforementioned five-star Nothing Ear (a) are currently available for $89 / £69, which means they're half the price of the new Ear (3). And honestly, that makes the newest set even harder to recommend…

Nothing Ear (3) review: Price & release date

Released on September 18, 2025
Priced $179 / £179 / AU$299

The Nothing Ear (3) come in black or white finishes (no yellow this time around), and at this pricier level – Nothing's previous flagship Nothing Ear arrived with a list price of $149 / £129 / AU$249 – their closest competition may even be Apple's AirPods Pro 3, which retail for $249 / £219 / AU$429.

Yes, there's still a $70 / £40 difference between Apple's new top-tier AirPods Pro and Nothing's best buds, but if your budget stretches a bit further it does bring Apple's flagship earbuds into the conversation. And given that those AirPods now offer heart-rate monitoring, live translation and better stamina, Nothing is squaring up against some stiff competition.

Nothing Ear (3) review: Specs

Drivers	12mm custom driver
Active noise cancellation	Yes
Battery life	Buds: 5.5hrs (with ANC; up to 10 hours without) Total with case: 22hrs (ANC on; up to 38 hours without)
Weight	5.2g per earbud
Connectivity	Bluetooth 5.4 with LDAC, USB-C
Frequency range	20Hz–40 kHz
Waterproofing	IP54 buds
Other features	New Super Mic case, 3 mics per earbud, Nothing X App support, Custom EQ with Advanced options, Static Spatial Audio, Personal Sound (Audiodo)

Nothing Ear (3) screen grab of three app images, showing the personal sound curation software — (Image credit: Nothing)

Nothing Ear (3) review: Features

'Static' spatial audio and Personal Sound curation
Total Radiated Power (TRP) up 15%; Total Isotropic Sensitivity (TIS) up 20%
'First of its kind Super Mic' in the charging case

Like many of tech's heavy-hitters (Samsung, Sony, Apple, I'm looking at you), Nothing would love to snag you and embroil you in its ecosystem with the promise of walled garden perks – and here, Nothing really does start to come into its own.

The ace up the collective sleeve of Nothing's earbuds prior to now has been that for owners of the Nothing Phone (3), the Phone (2), Phone (1) and Phone (2a) – because Nothing has been far more sensible concerning the naming of its handsets – Nothing has offered instant access to ChatGPT via a pinch-to-speak motion on the stems. Now, users of a Nothing smartphone can use the Super Mic on Nothing Ear (3)'s case to capture transcription of your voice notes, which will sync to your on-device 'Essential Space' for easy location.

Nothing calls Super Mic a "first of its kind" breakthrough, and although it initially struck me as very similar to the 'record' button on the Viaim RecDot earbuds, there are of course those aforementioned walled-garden perks.

Otherwise, Nothing's Super Mic is quite like those little clip-on wireless mics that content creators like to hold very close to their mouths (does this look a bit silly to anyone else?). Nothing calls Super Mic a "breakthrough dual-microphone system driven by ambient-filtering technology."

In a nutshell, the dual MEMS beamforming mics built into the case are designed to hone in on your voice, cutting through surrounding noise (up to 95dB is the claim) for clearer capture in calls or notes – and in my tests, it worked well. On a very blustery day on the cliffs and beaches of the UK's 'Jurassic coast' in Dorset, I found using the Super Mic over the three-mics-per-bud in the earpieces a welcome aid; "much better" was the general feedback from calls.

You're also getting Bluetooth v5.4 (the older set used 5.3), and LDAC support for hi-res audio (the Sony-developed codec that lets you stream high-resolution audio up to 32-bit/96kHz over Bluetooth at up to 990kbps), which is a valuable inclusion at any level, but will benefit Android users most since iPhones can't support LDAC natively.

There's now onboard spatial audio wizardry too, irrespective of your phone or the music service you're streaming from – but only the 'static' kind (so you don't get to use your phone as a fixed-point source device) and in my tests, it was a little clunky and not quite as immersive or convincing as similar offerings from Bose, LG or of course Apple.

However, you do get in-ear detection (to pause music when they're out and resume it when they're in), an Auto-Transparency mode to make transparency kick in whenever you're on a phone call, an ear tip Fit Test, Find My earbuds (which issues a trigger sound from whichever earbud you've lost), a Low Lag toggle for gaming, issue-free multipoint to two devices, a Bass Enhancement toggle, an 8-tab EQ graph that lets you adjust both gain and the actual frequency of certain registers (provided you're prepared to switch off the spatial audio augmentation), and Personal Sound.

This last perk is perhaps my favorite, because the tests only take around three minutes – they involve sounds at different frequencies being piped into each ear, getting gradually quieter until you tap the screen to say you hear nothing – but the result (a fully curated personal sound profile) is very good indeed.

Now, the noise cancellation: hit ANC (rather than 'Transparency' or 'Off') and you can pick from High, Mid, Low, and Adaptive profiles. High is not bad at all – and it shouldn't be when the claim is 45dB (effective to 5kHz). The Transparency option is still signified by a woman exhaling, and it's still one of the best prompts in the business (aside from Matt Berry in Cambridge's headphones and earbuds), and it too is perfectly acceptable. But here's the thing: I did not find any of the ANC profiles better than on the Nothing Ear (a), which makes sense because that 45dB claim is the same as the older model.

And when that older model is now half the price of these newer earbuds, you have to be asking yourself if a Super Mic in the case and spatial audio that doesn't offer dynamic head-tracking is worth the extra outlay.

Features score: 4.5 / 5

Nothing Ear (3) review: Sound quality

LDAC adds to the performance (but the spatial audio can be beaten)
Forward, full-bodied sound
A shade off excellent for dynamic nuance

Occasionally in hi-fi circles, you'll come across the 'integrated hi-fi listen versus fun and exciting' sonic debate concerning portable audio. It boils down to this: do you want a faithfully accurate, neutral representation of a recording with everything as intended, or an energetic, potentially more emotive version of the track?

In the second option, certain frequencies might be augmented just slightly, to give you the 'feels' of a live gig from small drivers fitted into your ear. And the odd thing is that what you may think you want may not actually be what your ear prefers (as mystical and strange as that may sound)…

Anyway, the Nothing Ear (3) sit firmly in the latter camp. What you'll get here is excitement, energy, bass clout and oomph. Those with a Sony smartphone (I'm still using the Sony Xperia 1 IV, because it isn't broken, so why would I fix it?) will find LDAC codec files are delivered with extra expanse and detail over more 'vanilla' Bluetooth streaming, but the tuning is the same regardless – very little has been held back.

Streaming Fontaines D.C.'s Starburster is a head-nodding celebration of the track, where drum fills and Grian Chatten's voice leap two-footed into each ear with all of the bite and impetus the group could possibly want, but there is a downside. Some lesser backing vocals and sloping string elements occasionally get lost just slightly; it's hard to compete when so much emphasis and energy is placed on sounds at the forefront.

Yes, there are plenty of ways to tweak things more to your liking in the Nothing X app and here, the eight-tab EQ graph is the place to go – it does help. What I personally would leave well alone is the Bass Booster. It isn't necessary – this is a meaty listen from the box. Also, I'd tone down the treble; I know my own ear is sensitive to these frequencies, but nevertheless, stream Kate Bush's Army Dreamers and if you're anything like me you'll hear occasional harshness through the treble that can become a little wearying.

Sound quality score: 4 / 5

Nothing Ear (3) three screen-grabs from the Nothing X app, showing how to use the new super mic — See how Ear (a) is just slightly bigger than Ear (2), across the board? (Image credit: Nothing)

Nothing Ear (3) review: Design

Solid, cool, pocketable case with 'TALK' button
IP54 earbuds are secure – but the comfort levels can now be beaten
Nothing's design language is even more striking now

After switching out to the smaller ear tips (you get four in total now: an XS, S and L options are supplied in addition to the pre-fitted M set), Nothing's ear tip fit test tells me I've nailed the fit.

I say that if you've got smaller ears I really would encourage you to try before you buy – and my guide to the best earbuds for small ears is worth consulting – because I found the driver housing just that little bit harder to accommodate this time around. It could be because of that larger 12mm driver (and "patterned diaphragm" which Nothing claims gives these buds "a 20% larger radiating area when compared to the previous generation"), or it could be because said earpiece is mounted at a slightly different angle to the stem now – see a close-up of Ear (3) next to the Ear (a) above – but they weren't as comfortable this time.

Nothing Ear (3) on the left, Nothing Ear (a) on the right, on a wooden table in close-up, to show marginal tweaks to the design — (Image credit: Future)

On this, readers might simply remark "Well, they're based on AirPods, can't really knock them for that – Apple did it first" but here's the thing: AirPods are different now! You might not have spotted it because it's all very new (and the heart-rate monitor and live translation perks have hogged headlines), but the AirPods Pro 3's fit has been completely reworked. I'm working on a full review of those too (they keep me chained up in TR HQ you know) but even at this early stage and during my testing, I can tell you that for me, the AirPods Pro 3 are much comfier than the Nothing Ear (3) now.

Nothing's pinch stems still work really well, but again (and at the risk of sounding like a broken record) it's only as good as the older, cheaper Nothing set. You can still customize what the morse code short- and long-press combinations do for each stem – including volume – and they also work with gloves on, unlike a lot of touch-capacitive solutions.

Now, the new case. If you've got a metallic-finish smartphone, the Nothing Ear (3) are going to look glorious beside it. Aesthetics really is one of Nothing's strong suits, and these earbuds are the ace in the pack. 'Elevated' is the word Nothing's team keep repeating on this; and it's true, they look more high-end now. There's a new custom Metal-Insulator-Metal (MIM) antenna, engineered to just 0.35 mm thick, that now runs along the still-see-through stems of the earbuds to keep connections stronger than ever. It's the same, but refined – it looks like a more expensive version of what was there before.

And if it's elevation we need to be focusing on, the charging nest is the thing that's, er, risen the most. It is now crafted from a block of 100% recycled aluminum and CNC machine finished through 27 processes. Nano injection moulding also "fuses the metal and transparent plastic without glue, achieving tight ±0.03mm tolerances for a seamless, compact body" according to Nothing, so there's no glue anywhere here. And the shiny 'TALK' button is placed directly under a nice snappy magnet where the case opens. Nothing assures me it has been positioned so that you won't cover it with your hand, and the green light-up LED to denote that you're recording is a strong touch.

Design score: 4.5 / 5

Nothing Ear (3) earbuds beside a phone with the advanced EQ filter showing — Rarely have I had so many colleagues strike up a conversation with me over a set of earbuds (Image credit: Future)

Nothing Ear (3) review: Value

Great-looking earbuds
LDAC adds sound-per-pound value
…but this is higher-end territory, and the Nothing Ear (a) still exist

The older Nothing earbuds were near-rivals for Sony's cheaper earbuds, but that's no longer the case: Sony's excellent affordable WF-C710N cost $119 / £100 / AU$189, so they're in a different category to the $179 / £179 Nothing Ear (3).

And although there's a lot to enjoy in the Ear (3), unless you have a Nothing handset for transcription features, the Super Mic really is just a better mic for calls and certain voice notes – it doesn't support WhatsApp voice notes (yet), which I explain in more depth in my early Ear (3) experiential.

The personalization is very very good, but the audio has suffered a little for me in this iteration, becoming a little harsher through the treble on occasion, probably due to the slightly bigger driver and tweaked acoustic architecture.

Value score: 3 / 5

Should I buy the Nothing Ear (3)?

Section	Notes	Score
Features	Solid spec sheet, but the Super Mic is really only a standout feature if you own a Nothing phone	4.5/5
Sound quality	Zeal and get up and go to a fault? Almost. They're vigorous and exciting, but there's occasional treble harshness	4/5
Design	Beautiful design language, but the earpieces are no longer among the comfiest around	4.5/5
Value	Given the price of older iterations, it's hard to see huge value for money here	3/5

Buy them if...

You're a content creator
The Super Mic could be just what you're looking for to glean better voice capture – and the general aesthetic of the Nothing Ear (3) is more than Instagram-worthy

You have a Sony or Android phone
Does your phone support LDAC? Hurrah! LDAC is also back in the Ear (3), and that means better-quality wireless audio from your device on the go

You prioritize style
Hey, there's nothing wrong with that! I loved wearing these (and using the case) during my testing. Make no mistake, these are good-looking earbuds.

Don't buy them if...

You have small ears
If your concha (aka ear-well) is particularly bijou, you may struggle here. I find them that bit harder to wear compared to the Ear (a), which were already on the slightly larger side. You have been warned!

You want head-tracked spatial audio wizardry
No dice here; you get a static profile it's true, but it's not as immersive or detailed as something like the LG Tone Free T90Q (head-tracked using Dolby Atmos), or Bose QuietComfort Ultra Earbuds (2nd Gen), an admittedly premium proprietary offering that combines adaptive sound profiles with head tracking.

You're on a tight budget
The thing is this: most of the things I loved in the cheaper Ear (a) are still here in the Ear (3), and when those still exist –and for big discounts – the smart money is arguably still on the 2024 product… View Deal

Nothing Ear (3) review: Also consider

	Nothing Ear (3)	Nothing Ear (a)	Sony WF-C710N
Price	$179 / £179 / AU$299	$99 / £99 / approx AU$192	$119 / £100 / AU$189
Drivers	12mm custom	11m custom	5mm
Active noise cancellation	Yes	Yes	Yes
Quoted battery life	Buds: 5.5hrs (with ANC; up to 10 hours without) Total with case: 22hrs (ANC on; up to 38 hours without)	Buds: 5.5 hrs (9.5 hours without ANC Total with case: 24.5 hrs (42.5 hrs without ANC)	8.5 hrs (ANC ON) / Max. 12 hrs (ANC off); up to 30 hours with the case
Weight	5.2g	4.8g	5.2g per earpiece
Connectivity	Bluetooth 5.4 with LDAC, USB-C	Bluetooth 5.3, LDAC, USB-C (no wireless charging)	Bluetooth 5.3, USB-C, Sony 360 Reality Audio, AAC, SBC
Frequency range	20kHz-40kHz	5000Hz range	20Hz-20kHz
Waterproofing	Yes, IP54	Yes, IP54 earbuds; IPX2 case	Yes, IPX4
Other features	Static spatial audio, Super Mic case feature, Personal sound profiles, advanced EQ		Sony 360 Reality Audio

Sony WF-C710N
If you want Sony's 360 reality Audio support as well as its LDAC hi-res codec, this money buys you that – and by "this money", I mean "cheaper than the Nothing Ear (3)". The build is plastic and doesn't feel anywhere near as premium as Nothing Ear (3), but then, they are cheaper…
Read whether it matters, in our full Sony WF-C700N review

Nothing Ear (a)
I'm putting these here because for the money, they're exceptional – and at half the price of Nothing's premium set, I'm struggling to see why you would pay double the price. Is wireless charging support, a Super Mic, static spatial audio and/or a more advanced EQ tab worth the extra outlay? That's up to you, of course, but to me the smart money may still be with the 2024 set – especially since I prefer the slightly more detailed, marginally less full-bodied audio in the Ear (a). View Deal

Bose QuietComfort Ultra Earbuds (2nd Gen)
You'll have to part with a bit more money to get it, but scale that food chain and you can get the QCUE (2nd Gen) and enjoy really, really good ANC and remarkable spatial audio that works in conjunction with those talented spatial sound profiles.
Learn more in our in-depth Bose QuietComfort Ultra Earbuds (2nd Gen) review

How I tested the Nothing Ear (3)

Nothing Ear (3) three screen-grabs from the Nothing X app, introducing the new super mic — (Image credit: Nothing)

Tested for two weeks, listened against AirPods Pro 3, Bose QCUE (2nd Gen) and Technics EAH-AZ100
Listened at work (in the office, walking on a beach, on a train) and at home
Listened to Tidal, Qobuz, Apple Music and Spotify on an iPhone 15 Pro Max, MacBook Pro and heard LDAC on Sony Xperia 1 IV

The Nothing Ear (3) became my primary musical companions for 13 days – after a thorough 48-hour run-in period.

They accompanied me to London (walking brusquely from St. Pancras Station to Waterloo owing to strike action on the London Underground and my need to get a train back to Dorset in 43 minutes!) and at home – where I actually missed delivery of a review sample owing to the efficacy of Nothing Ear (3)'s ANC.

It goes without saying that to better test the comfort levels (and battery life claims), I followed TechRadar's meticulous methodology testing. I also used TechRadar's reference playlist (spanning everything from hip-hop to folk music) on Apple Music and Tidal, and also my own musical selections and podcasts. I wore the Ear (3) to watch YouTube videos (mostly about the Austrian singer Falco, since you ask) from my MacBook Pro.

I’ve been testing audio products for well over five years. As a dancer, aerialist and musical theater performer in another life, sound quality, fit, and user experience have always been imperative for me personally, but having heard how wonderful ANC can be when done well, I know what I'm listening out for here also.

First reviewed: September 2025

I test audio kit for a living and these are among the best pound-for-pound powered stereo speakers I’ve heard

1:00 pm | September 25, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Tags: TV | Comments: Off

Ruark MR1 Mk3: Two minute review

From February 2017 to September 2025 is a fair while for an audio product to stay on the market – so it just goes to show how right Ruark got the predecessor to its new Ruark MR1 Mk3 and what a tough act it has to follow.

Happily, it’s more than up to the task. Slightly larger than the product it replaces and significantly better specified (the MR1 Mk3 can handle everything from aptX HD Bluetooth and vinyl records to 24bit/192kHz hi-res digital audio), this new Ruark is the perfect desktop system. It’s also got great credentials when it comes to TV audio (it’s so much better looking than your average soundbar and can connect via digital optical), and will happily support a fairly extensive system in a small- to medium-sized room.

The Ruark MR1 Mk3 sounds far larger than it looks, and has impressive low-frequency presence that’s complemented by great detail retrieval and an undeniable facility for entertainment. The Ruark can do ‘analysis’ for you as well as any desktop system around, but it doesn’t lose sight of the fact that music is to be enjoyed every bit as much as it is to be admired. Soundstaging is good, dynamic headroom is appreciable, and the frequency response from top to bottom is smoothly even. The MR1 Mk3 sounds admirably consistent no matter which of its inputs you’re using, too.

In short, the Ruark MR1 Mk3 has been worth the wait, and sits firmly in the best stereo speakers on the market. Which is not the same as saying I’d be happy to wait until 2033 or something for the Mk4…

Ruark MR1 Mk3 powered speaker on a white surface — (Image credit: Future / Simon Lucas)

Ruark MR1 Mk3 review: Price and release date

Released June 2025
$579 / £399 / AU$899

The Ruark MR1 Mk3 is on sale now, and in the United States it's yours for $579. It goes for £399 in the United Kingdom and AU$899 in Australia.

To be fair to Ruark, that compares quite favourably to the $499 / £349 / AU$749 the MR1 Mk2 launched at back in early 2107, and it means the MR1 Mk3 is, all things considered, even more competitively priced than the model it replaces.

Rear panel of the Ruark MR1 Mk3 powered stereo speakers — (Image credit: Future / Simon Lucas)

Ruark MR1 Mk3 review: Features

25 watts per channel of Class D power
Bluetooth 5.1 with aptX HD
Moving magnet phono stage

Ruark has ditched the Class A/B amplification of the MR1 Mk3's predecessor in favour of a Class D alternative derived from its very well-received R410 integrated music system. Power is up from 20 watts per channel to 25, and the driver array (a 20mm silk dome tweeter and 85mm ‘NS+’ treated natural fibre mid/bass driver in each speaker, bolstered by downward-facing bass reflex ports) is good for a claimed frequency response of 50Hz to 22khz.

Input options have undergone an upgrade, too. The MR1 Mk3 uses Bluetooth 5.1 for wireless connectivity, and is compatible with the aptX HD codec. There’s a 3.5mm socket that’s a hybrid optical/analogue input – in digital mode it’s capable of dealing with file resolutions of up to 24bit/192kHz. A USB-C input can handle anything up to 24bit/96kHz. And there’s a moving magnet phono stage behind a pair of stereo RCA sockets, so a record player can easily be integrated into the Ruark system. A pre-out for a subwoofer completes a very agreeable line-up.

Features score: 5/5

Ruark MR1 Mk3 powered speaker grille — (Image credit: Future / Simon Lucas)

Ruark MR1 Mk3 review: Sound quality

Impressive low-frequency presence
Detailed and dynamic
Great sonic consistency across every input

There’s a definite sensation of ‘the Ruark sound’ to the MR1 Mk3, which is great but hardly unexpected. What’s equally impressive, and perhaps less predictable, is just how consistent the Mk3 sounds no matter which of its inputs you’re using.

Obviously there’s an appreciable difference between the sound of Sad and Lonely by Secret Machines being streamed as a 320kbps file via Bluetooth to the same song delivered via the integrated phono stage. But the fundamental Ruark character never wavers: in every circumstance, the sound is bold and punchy, spacious and properly defined, and is loaded with detail both broad and fine. Everyone hopes their tunes will sound ‘musical’ and ‘entertaining’, but the MR1 Mk3 understands and delivers on this better than any price-comparable alternative.

There’s a touch of warmth to the system’s tonality, but this just allows the weighty and nicely varied low frequencies to swing even more naturalistically. Bass sounds are properly controlled, which means rhythmic expression is sure footed – the Ruark is capable of quite startling extension and low-end attack. The midrange is open and revealing, with plenty of detail concerning tone and timbre, especially of voices, revealed. At the top end, the Ruark gives substance to treble sounds just as readily as it gives shine – and here, just as with the rest of the frequency range, detail levels are impressively high.

There’s more than enough dynamic headroom available for the MR1 Mk3 to make the fluctuations in volume and intensity during a listen to Music Has the Right to Children by Boards of Canada obvious. And there’s just as much attention paid to the dynamic variations apparent in a voice or solo instrument, too.

Thanks to the downward-facing reflex ports, the Mk3 always has a fixed boundary the perfect distance away - so it’s not quite as uptight about positioning as some alternative designs. And when you get the positioning just right, stereo focus is enjoyable and the soundstage the system creates is large and confidently defined. There’s plenty of space between individual elements of a recording, but at the same time the Ruark is able to make sure they all relate to each other and all contribute to the singularity of ‘performance’.

Sound quality score: 5/5

Remote control for hte Ruark MR1 Mk3 powered stereo speakers — (Image credit: Future / Simon Lucas)

Ruark MR1 Mk3 review: Design

185 x 135 x 155mm (HxWxD)
Choice of two finishes
2.2kg

Ruark is no stranger to a tidy and attractive bit of cabinet work, and for the MR1 Mk3 it’s done that thing it does, just on a slightly larger scale.

Each Mk3 cabinet is 185 x 135 x 155mm (HxWxD), which is up from the Mk2’s 175 x 130 x 140mm in every direction. It also means internal volume is increased to a useful two liters while the system is still a realistic desktop proposition.

The standard of build and finish is impeccable. Each cabinet is handcrafted, and is almost as appealing on a tactile level as it is on a visual. My review sample is in a real walnut veneer, but a charcoal lacquer alternative is available – both are supplied with fixed slate-grey cloth grilles.

Design score: 5/5

Ruark MR1 Mk3 powered stereo speaker walnut finish — (Image credit: Future / Simon Lucas)

Ruark MR1 Mk3 review: Usability and setup

Operation via remote control or RotoDial
3m braided connecting cable
Independent gain control for some inputs

There’s not a lot to get your head around when it comes to setting up the MR1 Mk3. The primary speaker – the one with all the inputs and amplification on board – needs to be plugged into the mains. It then needs to be connected to the secondary speaker using the 3m length of braided cable supplied in the box. And that’s about your lot: make any physical connections you might require, and you’re in business.

Control is available via a small and unremarkable remote control – it covers power on/off, volume up/down, and input selection. These functions are duplicated by the classic Ruark RotoDial that’s integrated into the top of the primary speaker and is just as pleasant to use here as it is in any of the company’s other products. And it makes the primary speaker, in fact, 202mm high.

Usability and setup score: 5/5

Input knob of the Ruark MR1 Mk3 powered stereo speakers — (Image credit: Future / Simon Lucas)

Ruark MR1 Mk3 review: Value

It’s difficult in the extreme to suggest the Ruark MR1 Mk3 doesn’t represent very decent value for money.

It’s compact enough to be a desktop system, it’s got sufficient sonic scale and presence to work as an alternative to a soundbar via its digital optical or Bluetooth inputs, and it’s ideal as a system for a smaller room. The standard of build and finish is hard to criticize. It looks, as well as sounds, good.

What more, really, are you expecting?

Value score: 5/5

Ruark MR1 Mk3 review: Should you buy it?

Buy it if...

You want a system that looks discreet but doesn’t sound it
‘Bigger than before’ doesn’t mean ‘big’, but the MR1 Mk3 sounds it nevertheless.

You don’t believe in soundbars
Connected to a TV via Bluetooth or digital optical, the Ruark will wipe the floor with the sound your television makes.

You want a hi-res desktop
Got a computer with a top-tier music streaming app installed or hi-res digital audio files in its memory? A connection to the MR1 Mk3’s USB-C socket is all you need…

Don't buy it if...

You want Airplay, Chromecast and stuff like that
There’s no Wi-Fi here – Bluetooth is as much wireless connectivity as you get.

Ruark MR1 Mk3 review: Also consider

Some Bluetooth speakers can form stereo pairs, so something like a couple of JBL Charge 6 could do a job on your desktop, and you’d have a pair of portable speakers for when you’re out and about. The battery-only power scenario might not work for you, though, and there’s only USB-C as an input beyond Bluetooth.

Maybe the Q Acoustics M20 would be a better bet? It’s certainly a great-sounding system, and has sufficient physical, as well as wireless, inputs to be a complete system. It’s large when compared to the Ruark, though – certainly too big for anything but the very largest desktop – and is a little less impressive when it comes to the standard of finish too.

Ruark MR1 Mk3 review: How I tested

Connected to various devices
Using every available input
Lots of music and TV over a fair amount of time

I mostly listened to the MR1 Mk3 on my desktop, where I used an iPhone 14 Pro and a FiiO M15S as wireless sources along with an Apple MacBook Pro connected via USB-C.

I also used it on the end of my main system, where I was able to test out its phono stage using my Clearaudio Concept turntable. And I connected it to my Philips OLED using the TV’s optical output, where it functioned as a replacement for my Bose Smart Ultra soundbar.

I listened to plenty of music and quite a bit of TV content, and made sure to check out the Ruark’s hi-res audio credentials as well as its ability to amplify a turntable and handle a wireless stream.

First reviewed September 2025
Read more about how we test

Questyle’s tiny wireless DAC is the Bluetooth audio upgrade your phone so desperately needs

11:30 pm | September 22, 2025

Author: admin | Category: Audio Computers DACs Gadgets Hi-Fi | Tags: Apple Music, DAC, Google Pixel | Comments: Off

Questyle QCC Dongle Pro: Two-minute review

You may not realise it, but your phone and your wireless headphones don’t always agree on how good your music should sound. It’s a question of compatibility, and it can be a thorny issue.

Bluetooth audio codecs are the invisible lines of code that translate your music (whether streamed from a subscription service or stored locally on your phone) into something that can be transmitted wirelessly to your headphones, earbuds, or portable speakers.

All Bluetooth products support SBC, a codec that provides basic 'vanilla' audio quality, but when it comes to high-quality advanced codecs, like LDAC and aptX Adaptive (which preserve far more of your music’s detail), it’s the wild west out there. Some Android handsets support both. Some just support one. iPhones (in fact, all Apple devices) support neither. Support on the headphones/earbuds side of the equation can be equally messy – and it doesn't always follow that the more you pay, the more codecs your buds (or cans) will support.

So wouldn’t it be nice if there were a tiny, simple (yet powerful) gadget you could plug into any phone, tablet, computer, or game console that would assure you’ve always got support for these codecs? Behold – the Questyle QCC Dongle Pro.

Plug it in, open the app, and pair your headphones. Done. You’re now listening wirelessly at the highest possible quality (perhaps even losslessly) and you didn’t even have to mess around in Android’s Developer Options.

All of this makes the Questyle QCC Dongle Pro a very attractive little accessory for anyone who wants to maximize their listening experience.

One of the best portable DACs around – and more specifically, one of the best wireless Bluetooth DACs we've tested? Let's get to it.

The Questyle QCC Dongle Pro with a smartphone to denote size, on a light wooden table — Oh, it's red and no mistake (Image credit: Future)

Questyle QCC Dongle Pro review: Price and release date

Release date: August 29, 2025
Price: $99 (around £70; AU$150)

$99 may seem like a lot for what you get. After all, it is tiny – and this device doesn’t make music or even play music; it just makes the music you already have access to sound better, with no guesswork.

I’ve also tried the $50 FiiO BT11, a nearly identical-looking product that, on paper at least, does all the same things. But it’s so maddeningly difficult to use, I’d happily pay the difference for the QCC Dongle Pro.

Still, there is another option. If you don’t need LDAC (perhaps because your Android phone already supports it), you can get the aptX-family-only QCC Dongle for $69 and save yourself some cash.

Elsewhere (and if you've got hard-to-drive headphones and a little more to spend), we love the FiiO BTR17 for its amplification powers on top of its codec mastery, and TR's audio editor still uses the FiiO BTR7 – both around $200 / £175 / AU$279.

Questyle QCC Dongle Pro review: Specs

Questyle QCC Dongle Pro: specs
Dimensions	25mm x 10mm x 15mm
Weight	2.5 grams
Supported codecs	SBC, aptX, aptX HD, aptX Adaptive (including aptX Lossless), LDAC
Supported interfaces	USB-C, USB-A (UAC 1, UAC 2)
System compatibility	WinXP/Vista/Win7/Win8/Win10/Win11/Linux/Android/HarmonyOS/macOS/iOS/iPadOS
Bluetooth version	5.4
Power draw	37mA

Questyle QCC Dongle Pro review: Features

Excellent codec support
Easy, intuitive app
Works with almost all USB-equipped devices

A helpful app lets you control the dongle’s two main functions: getting it paired with your headphones and picking which codec and optional settings you want to use. An LED on the QCC Dongle Pro gives visual feedback on its pairing status as well as which family of codec is currently in use – a reassuring feature.

Better yet, as long as your headphones or earbuds support Bluetooth Multipoint, it’s possible to connect them to the dongle and your phone simultaneously. Doing so maintains your ability to adjust the headphones’ settings via their mobile app (if any).

Oh, and one more thing: the dongle also supports USB Audio Class 1 (UAC 1), which is a spec-speak way of saying you can use it as a wireless audio transmitter with gaming consoles like Nintendo Switch and PlayStation families – devices that don’t play nicely with run-of-the-mill USB Bluetooth dongles. Full disclosure: I didn’t test this feature.

You can use it as a transmitter for a PC or Mac, too, though with one caveat: there’s no Windows or macOS app, so you’ll need to initially pair your preferred headphones using the mobile app on a phone, then move the dongle over to your PC. It will automatically re-pair with your headphones and then you simply need to choose the Dongle Pro from your computer’s sound output menu.

Worried about the Dongle Pro sapping your phone’s battery life? Don’t be. With a 37mA draw, Questyle estimates that even if you used it intensively (e.g., with LDAC) for 10 hours straight, you’d only dent an iPhone 16’s full battery capacity by about 10%. Using aptX Adaptive would consume less juice. I didn’t notice any impact on my day-to-day use of my iPhone.

Questyle QCC Dongle Pro three screen-grabs of a smartphone running the QCC Dongle Pro, on blue background — The bulk of my testing was done with the Sennheiser IE900 or the Austrian Audio 'The Composer' (Image credit: Questyle)

The QCC Dongle Pro is so easy and effective that it’s hard to find flaws. But if I were to nitpick, I’d point to the fact that the Questyle app doesn’t give audio nerds as much control over codec behavior as, say, Android’s Developer Options, or the uber-handy Bluetooth Codec Changer app.

For instance, purists often want to avoid additional resampling between their source of digital music and the output that gets to their headphones. With the apps/settings I mentioned above, you can set LDAC’s bit-depth and sampling rate to match that of your source. The QCC Dongle Pro doesn’t provide this level of control. The same goes for LDAC’s bitrate; however, you can nonetheless choose to favour sound quality over connection stability, which should accomplish the same thing.

I might also note that the dongle can’t support simultaneous Bluetooth connections. So if you were hoping to connect a set of wireless earbuds using LDAC and a set of headphones using aptX HD so you can hear the difference, I’m afraid you’ll have to find another way of satisfying your inner scientist.

Features score: 4.5 / 5

Questyle QCC Dongle Pro review: Design

Tiny and featherweight
Fits most phone cases
Might block adjacent ports

The QCC Dongle Pro can plug directly into any device that can output audio over USB. At 2.5 grams, it weighs less than half as much as a single AirPods Pro earpiece. On its own, it will snap into USB-C ports, and a small ledge lets it protrude about two millimeters, making it compatible with many 3rd-party protective phone cases. It also comes with an adapter for gadgets that are still rocking USB-A ports. The only devices it can’t support are older iPhones/iPads with Lightning ports.

It’s a phone-friendly design, as long as you don’t mind using wireless charging while it’s plugged in. For laptops, especially those like the Apple MacBook Air with just two, closely spaced USB-C ports, the Dongle Pro forces the same choice, but without the fallback of wireless charging: You can have better Bluetooth audio or you can charge your computer, but not both.

Design score: 4.5 / 5

Questyle QCC Dongle Pro review: Sound quality

Perfect match for LDAC/aptX devices
Lets you choose which codec to use when more than one will work

How does it perform? Brilliantly. Which is to say, when I use it on an iPhone 16 in either LDAC or aptX Lossless mode, with a compatible set of headphones, and then compare it to a phone with these codecs built in (e.g., Motorola ThinkPhone), they sound the same to me. I’m not sure I could ask for anything more.

Sony’s WH-1000XM6 (LDAC) revealed the subtle details in Dire Straits’ You And Your Friend that tend to go missing when listening via AAC. Similarly, Sennheiser’s aptX Lossless compatible Momentum True Wireless 4 Earbuds were able to tame the blurry bass notes and crunchy highs that I typically hear when playing Bob Dylan’s Man in the Long Black Coat.

Given how convenient it is to pop the Dongle Pro into the bottom of my iPhone, I can easily see it becoming a permanent fixture in my daily listening life.

Sound quality score: 5 / 5

Questyle QCC Dongle Pro review: Value

Pricey compared to other transmitters
Unmatched codec support
Perfect size/shape for mobile use

Though a pricey little device, you need to look at the QCC Dongle Pro in the context of your other options.

Most companies that make USB-C Bluetooth transmitters that sell for between $25-$55 on Amazon come with one or more compromises. They’re primarily intended for PC use, so they’re often equipped with a USB-A interface. Even the ones with USB-C tend to stick out too far and could easily snap off during portable use. The Dongle Pro’s one direct competitor, the $50 FiiO BT11, is a bargain by comparison – but I found it much harder to use.

Value score: 4/5

Should you buy the Questyle QCC Dongle Pro?

Attribute	Notes	Rating
Features	Gives any phone or PC the most popular hi-res Bluetooth audio codecs.	4 / 5
Sound quality	Works as well as any phone with these codecs built in.	5 / 5
Design	Tiny, lightweight, and elegant. If only it were a tad narrower, it would be perfect.	4.5 / 5
Value	Pricey, but worth it.	4 / 5

Buy it if...

You’re the kind of person who wants to maximize sound quality
For now, wired connections are still better than Bluetooth, but with the Questyle QCC Dongle Pro (and compatible headphones), you may not hear the difference.

You own a recent iPhone
iPhones don't come with LDAC or aptX baked in, and this is arguably the easiest (and smallest) way to get those onboard. View Deal

Don't buy it if...

You don’t know (and don’t care) about codecs
If you're not bothered about lossless/hi-res audio, or compression – as long as your headphones just work –
the QCC Dongle Pro isn't for you. Its only reason to exist is to serve those who care deeply about sound. If that’s not you, great! You’ve got one less device in your life.

You’re an iPhone 14 (or older) owner
Without Lightning compatibility, the QCC Dongle Pro only works with USB-C-equipped iPhones (and iPads).

Questyle QCC Dongle Pro review: Also consider

Product	Questyle QCC Dongle Pro	FiiO BTR11
Dimensions	25mm x 10mm x 15mm	28mm x 9mm x 21mm
Weight	2.5 grams	3 grams
Supported codecs	SBC, aptX, aptX HD, aptX Adaptive (including aptX Lossless), LDAC	SBC, aptX, aptX HD, aptX Adaptive (including aptX Lossless), LDAC
Supported interfaces	USB-C, USB-A (UAC 1, UAC 2)	USB-C, USB-A (UAC 1, UAC 2)
System compatibility	WinXP/Vista/Win7/Win8/Win10/Win11/Linux/Android/HarmonyOS/macOS/iOS/iPadOS	WinXP/Vista/Win7/Win8/Win10/Win11/Linux/Android/HarmonyOS/macOS/iOS/iPadOS
Bluetooth version	5.4	5.4
Power draw	37mA (LDAC)	22mA (static)

FiiO BTR11
On paper, this very affordable ($50) dongle is a carbon copy of the QCC Dongle Pro, so why wouldn’t you just buy it instead? Well, if you’re only interested in using it with an Android phone, it’s definitely worth considering.

That’s because, unlike the QCC Dongle Pro, the BT11 isn’t Apple MFi certified. I’m not saying a product has to be MFi certified to work with iPhones, but in this case, it seems to make a big difference.

Whereas the QCC Dongle Pro just works when you plug it into an iPhone, I found the BT11 suffered from lag and, at times, couldn’t communicate with its companion app at all.

This is unfortunate since the BT11 has one skill the QCC Dongle Pro lacks: the ability to connect to two or more audio devices simultaneously.

Its construction and design aren’t as nice as the Dongle Pro, nor is it as sleek (it sticks out further from the USB-C port). Still, for half the price, maybe that doesn’t matter.
Read more about FiiO BTR11 and FiiO's other DACs

How I tested the Questyle QCC Dongle Pro

Tested for 2 weeks
Used it at home and while at the gym
Predominantly tested using Apple Music on an Apple iPhone 16, but also: Google Pixel 7 Pro, Apple MacBook Air M1

Testing the Questyle QCC Dongle Pro was primarily a case of comparisons. In other words, how easy was it to use, and how did the sound quality compare to a smartphone with the same Bluetooth Codecs built in?

To do this, I paired the Dongle Pro first with the Sony WH-1000XM6 (to test LDAC performance) and then with the Sennheiser Momentum True Wireless 4 Earbuds (to test aptX Adaptive/Lossless), with the Dongle Pro plugged into an iPhone 16.

Since both devices support Bluetooth Multipoint, I was able to pair them simultaneously with a Motorola ThinkPhone, which supports both codec families.

While using the same Apple Music Playlist on both the iPhone and the ThinkPhone, I swapped back and forth between these two sources, listening for any perceptible differences. I couldn’t detect any.

For additional testing, I swapped the dongle over to my MacBook Air and a Google Pixel 7 Pro. Both performed without issue.

Read more about how we test

First reviewed September 2025

After a year of searching, I’ve finally found a rival for my favorite earbuds

12:30 am | September 21, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: ANC | Comments: Off

Skullcandy Method 360: One minute review

As my editor at TechRadar well knows, I’ve spent the last year enamored with the Nothing Ear (a) as the best earbuds you can buy for a relatively affordable price, and nothing has come close to toppling these svelte and low-cost buds.

That’s all changed now though, because the Skullcandy Method 360 give their year-and-change older rivals a run for their money. And I see them being the new big buds that, going forward, I shall compare all contemporaries too.

These buds from American audio company Skullcandy are dead ringers for the brand’s cheap Dime Evo buds, coming in the same novel carry case, but I’ve already got to correct myself: these aren’t just from Skullcandy, but from another key player too.

In a big partnership, top audio dog Bose contributed to the sound of the Method 360, and it shows. These have the energy of Skullcandy buds but the audio precision of Bose ones, and the fantastic audio quality shows that the Method 360 benefits from the best of both worlds.

While Skullcandy boasts that the Method 360 have ‘Sound by Bose’, the design of the new buds also bears more than a passing resemblance to recent Bose earpieces too, especially with a gel fin around the buds to help them stick in your ear. Whether this was another case of the Bose helping hand or just a total coincidence, it’s welcome, with the Method 360 staying in the ear reliably even during workouts. They’re comfortable too, letting you listen for long bouts without your ears getting achy.

Design of the buds may be great, but the carry case itself provides problems: namely, that it’s absolutely huge. It’s a massive long tube which hides an inner shell that you slide out to retrieve the earbuds, and it’s far too big to easily fit in trouser pockets. According to promotional images Skullcandy sees you using the O-ring to strap the case to your bag, or perhaps your trousers, but the sheer size would make that about as unwieldy as walking about with a scabbard.

A few rough edges show their face in the feature set too: the app often failed to connect to the earbuds, even when they readily connected to my phone without issues, which was irritating when I wanted to change ANC mode. Plus, the voice announcer on the buds is both terrifyingly loud and surprisingly low-res, making me wonder if I’d accidentally been sent a pair of Method 360 which had been cursed by the Babadook.

Are these flaws enough to ruin the Skullcandy? Not by any means, they’re just minor gripes, and ones that give me something to write about to seem even-handed too. But they do little to counteract the real strengths of the Method 360: its reliable fit, its fantastic sound and its affordable nature.

Skullcandy Method 360 review: Specifications

Component	Value
Water resistant	IPX4
Battery life (quoted)	11 hours (earbuds), 29 hours (total)
Bluetooth type	Bluetooth 5.3
Weight	11g / Charging case: 77g
Driver	12mm

Skullcandy Method 360 review: Price and availability

The Skullcandy Method 360 on a shelf. — (Image credit: Future)

Announced in April '25
RRP $119 / £99 / AU$189
Priced against mid-range rivals

Skullcandy announced the Method 360 in April 2025 and put them on sale straight away afterwards.

The official price of the buds is $119 / £99 / AU$189, although they were cheaper for their first few weeks of existence thanks to introductory pricing. When considering their value, though, we’ll consider this official price.

At that price these can be considered mid-range buds, with the aforementioned Nothing Ear (a) costing more or less (depending on region) at $99 / £99 / AU$192. Their other big rival at that price is the WF-C710N which has an RRP exactly the same as the Skullcandy and we’ll get more into the differences in our comparison section below.

Skullcandy Method 360 review: Design

Huge case that's fiddly to insert buds into
Buds are comfortable and fit reliably
Range of color options

The worst part of the Skullcandy Method 360 is its case. It’s absolutely huge – you’ve got no chance of fitting this thing in your trouser pocket and it was even a squeeze fitting it into the folds of my jacket. It’s significantly bigger than the case of any other earbud I’ve tested recently, making it a pain for portability.

That’s a shame because it’s a bit more interesting-looking than your generic clamshell earbud case. It uses what Skullcandy calls ‘Clip It and Rip It’; this means that there’s an internal column holding the earbuds which you reveal by sliding it out of a protective tube. There’s an O-ring which lets you clip the case to a bag or, according to Skullcandy, trouser belt loop, which also makes it easy to do this sliding action.

It’s an interesting design which Skullcandy has used before, but two extra things beyond the size damn the case. Firstly, the charging port is on the bottom of the internal column so if you slide this column up, the charging port is hidden by the external case – it’s quite a procedure to keep charging while you remove the buds. Secondly, the buds only fit in their respective slots if you insert them at just the right angle, and it’s hard enough to tell which bud goes in which slot, let alone which angle to put them in at (there are a faint ‘L’ and ‘R’ to solve the first problem but it could be made more clear). These are the single most frustrating earbuds I’ve ever tested in terms of returning them to the case after use, and I constantly wasted time trying to rotate the buds to work out how to get them into their gap.

It’s not just me on this latter point: Skullcandy’s listing for the Method ANC has an FAQ question and one query is “How do I put my Method 360 ANC earbuds back in the case?” complete with a surprisingly in-depth 5-point answer. Skullcandy: if earbud users need to go through five steps to put an earbud in the case, perhaps there’s a better way of doing things. I also presented my much-smarter girlfriend with the buds and the case and she too found it akin to solving a Rubix cube.

At least Skullcandy has done something I love in earbuds: offered multiple color options. As well as the standards of black and white there’s bright red, a sandy hue which Skullcandy calls ‘Primer’ and your grandma’s favorite option: leopard print.

Now onto the buds themselves: they seem to work as a medley of the two core types of in-ear buds with large bodies which stay in your ears with a silicon ridge, but they also have a slight, dumpy stem. Whatever color of case you fit, affects the buds too, though in the case of leopard print it’s just on one surface.

The buds weigh 11g so they’re among the heaviest earbuds I’ve tested, but in the grand scheme of things a couple of grams doesn’t make much difference on the ears. And that tells – not once in my testing did the buds fall out of my ears, even though I went on runs with them and took them to the gym. I’m going to point towards their fin as the reason for this, with the material of the tip also making them stay in my ear snug. In the box you get an array of sizes for both too.

Both buds have touch controls, activated if you tap the right spot on the body of the bud (if you look at the picture, it’s just below the slight ridge, around where the LED light is). This worked fine in picking up fingertips but I found it quite hard to reliably tap the correct spot when I wanted to pause music.

The buds both have an IPX4 rating making them protected against splashes of water, which essentially means they’re safe against sweat or a light drizzle of rain but nothing stronger (or wetter).

Design score: 3.5/5

Skullcandy Method 360 review: Features

Good on-bud battery life
ANC is strong, but not competition-beating
Skull-IQ app for extra features

With a case of its size, you’d expect the Skullcandy Method 360 to have a battery life longer than creation. And it’s definitely good, though set your expectations a little lower than ‘forever’.

According to Skullcandy, the bud battery life reaches 11 hours with ANC off or 9 hours with it turned on, with the case providing an extra 23 or 29 respectively. From my testing I’d say Skullcandy’s figures are, if anything, a touch conservative – either way those are respectable figures

You’re offered the two standard noise cancellation modes we often see: standard ANC and ‘Stay-Aware’, both with a slider letting you change intensity mode (before you ask the same question I did: higher intensity affects the strength of ANC, not of background noise allowed through).

Regardless of which option you pick, the ANC is strong and capable, and you’ll struggle to find better at this price point. It’s so effective, however, that Stay-Aware often failed to let through the kinds of loud nearby sounds that these ambient modes are designed to do. In fact I didn’t notice a huge difference between ANC and Stay-Aware most of the time.

You can download the Skull-IQ app on your phone or tablet to get extra features for the earbuds. Some of these are ability to toggle ANC and change what tapping the buds does, but there are a few more.

One of these is nigh-on mandatory at this point: an equalizer. You get several presets here but there’s also a five-band custom option. While that’s not as complex as we normally see in equalizers, I honestly don’t mind, as it’s a lot more simple for the average earbud user to get their head around.

Beyond that we’ve got features for low latency audio (useful for gaming), multipoint pairing to connect to multiple devices at once, the ability to use your earbud as a remote trigger for your smartphone camera and Spotify Tap, which lets you press and hold an earbud to instantly play from a certain Spotify playlist.

A few features I like to see are absent like Find My Earbuds, listening tests or earbud fit tests, but the features you do get work well… unlike the way you control them.

One thing that I’d love to see Skullcandy fix with the app is its reliability. A fair few times I’d boot it up while listening to music only to be told that the earbuds weren’t in use – one time this incorrect message was ironically covered up by my phone system’s own notification telling me the buds’ battery life. I’d have to either refresh the app, or give up on plans to change the EQ or noise cancellation.

On the topic of annoying features: the voice announcer, which tells you when the buds are connected when you put them in as well as when you change ANC modes, is both incredibly low-res and incredibly loud. Calm down please, announcer!

Features score: 4/5

Skullcandy Method 360 review: Sound performance

12mm drivers
Bose tuning pays off
Energetic sound with meaty bass

As I said in the introduction, Bose helped with the tuning of the Skullcandy Method 360 (though possibly not in lending the 12mm drivers, which are actually bigger than the ones we normally see Bose use in its earbuds).

This helping hand shows because the Method 360 are some of the best-sounding earbuds I’ve ever tested for their price. And, more obviously, they faintly resemble the tone of the Bose QuietComfort Buds from last year, in that music sounds rich, meaty and full (which I doubled down on by activating the bass booster EQ repeatedly through testing, though it’s far from necessary).

That’s not to say that the buds are just for bass-heads, as mids were just as energetic and electric as lower-frequency sounds. I found the audio profile perfect for punchy and fast-paced rock music which fits well with the Skullcandy branding. Treble could have been a little more glistening though and, while not audibly falling behind in the mix, it did lack a little zest when other parts of a song were going full-force.

If you like listening to high-velocity music, you’ll be glad to know that the Method 360 gets very loud, and I didn’t even test it at its top volume.

The Skullcandy also has a fairly pronounced sound stage, perhaps not as dramatic as the aforementioned Bose buds, but still great compared to many same-priced rivals. Instruments aren’t just panned left or right but to varying degrees around you, and audio was clear enough that I could hear the sound of fingers on guitar glissando or the type of drumstick a drummer would use.

Here’s where I’d discuss audio codecs or connection types but neither Skullcandy’s website nor the Skull-IQ app make any mention of them, so I’ve got to presume that high-res music isn’t supported.

Sound performance score: 4/5

Skullcandy Method 360 review: Value

The Skullcandy Method 360 are great value for money because in two big ways, they rival alternatives which you'd be spending twice the price on.

Both the sound quality and precision-designed fit feel like features you'd normally have to pay way more for. Yet here you go, finding them at a mid-range price. Good job!

Value score: 4/5

Skullcandy Method 360 review: scorecard

Category	Comment	Score
Value	They hold a candle to some pricier rivals with aplomb.	4/5
Design	Some of the best-designed earbuds you can find, marred by one of the most annoying charging cases out there.	3.5/5
Features	The Method 360 has a range of features, and most of them work pretty well.	4/5
Sound	An energetic sound which stands apart from other similar-priced rivals.	4/5

Skullcandy Method 360: Should I buy?

Buy them if...

Ear fit is important

The Skullcandy fit the bill if you find that other earbuds keep falling out, or you need something reliable for running.

You like fast-paced rocking music

The Method 360's audio balance lends itself well to energetic music that gets the blood pumping (although it's great for other genres too).

You need to listen for long periods of time

It's not a headline feature but the Method 360 battery life is quite a step above average, for the buds at least, making them solid options for long-term listening.

Don't buy them if...

You need a svelte carry case

If you want a carry case you can easily slip in a trouser pocket, the Skullcandy will disappoint.

You want a detailed equalizer

If you like tinkering with the minutiae of your audio, the Skull-IQ 5-band equalizer might not give you enough control over how music sounds.

Also consider

Component	Skullcandy Method 360	Nothing Ear (a)	WF-C710N
Water resistant	IPX4	IP54	IP54
Battery life (ANC off)	11 hours (earbuds), 29 hours (total)	9.5 hours (earbuds), 42.5 hours (total)	12 hours (buds); 30 hours (case)
Bluetooth type	Bluetooth 5.3	Bluetooth 5.3	Bluetooth 5.3
Weight	11g (buds) 77g (case)	4.8g (buds) 39.6g (case)	5.2g (buds) 38g (case)
Driver	12mm	11mm	5mm

Nothing Ear (a)

These ever-so-slightly-cheaper alternatives to the Skullcandy have equally powerful bass and a lovely slender carry case. The fit isn't as solid as the Method 360's though, nor is the battery life as good.

Read our full Nothing Ear (a) review

Sony WF-C710N

These newer mid-rangers from Sony cost the exact same as the Skullcandy with a similar feature set too. The design is the main difference.

Read our full Sony WF-C710N review

How I tested

I used the Skullcandy Method 360 for about two weeks before writing this review.

For the most part of the review, the headphones were paired with my Android phone for Spotify streaming as well as the occasional gaming and Netflix. I listened to music at home and in quiet environments, but also took the buds for a spin at the gym and on runs.

I've been reviewing products for TechRadar since the beginning of 2019 and have tested countless headphones amongst other gadgets. I've also used past Skullcandy options not for review purposes, but simply through having bought them myself.

Read more about how we test

First reviewed: September 2025

One handy feature means these AKG headphones just became my go-to for gaming and movies, not just music

11:30 pm | September 17, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: AKG, IP | Comments: Off

AKG N9: Two minute review

As someone who tests headphones for an income, I've got a roster of "X headphones" for specific tasks. I've got my best headphones for music, my running headphones, a gaming headset, a pair of the best earbuds when it's too hot for headphones, and a set-up for movies and TV shows too.

The new AKG N9 from Samsung's sub-brand's sub-brand, AKG, didn't slot into this line-up as much as they replaced half of them, and it's largely down to one handy feature which we also saw in their contemporary earbuds equivalent, the AKG N5.

I'm not going to do that clickbait headline thing of alluding to a feature and then dancing around the topic, only specifying it 20 paragraphs in: this feature is a dongle which comes build into the AKG N9, and if you plug it into any USB-C slot, it overrides that device's audio output into the N9.

Borrowing a partner's laptop for a quick video call? Dongle it. Don't want to play games out loud for fear of annoying a flatmate? Dongle it. Really can't be bothered to set up Bluetooth on every device you own? Dongle it. That's not to mention that this dongle has a higher quality connection than Bluetooth, affording higher-quality music and entertainment.

Within days of me realising the potential of this dongle, I'd begun using the N9 for a range of tasks that I usually afford to bespoke speakers or headphones; I was watching movies from my iPad, playing video games on my PC and taking calls on my girlfriend's tablet. And now you can take a break from reading the word 'dongle' for a bit.

A handy way to instantly and temporarily connect to any device is a killer feature, but it's not the only one the AKG N9 offer. The AKG Headphones app is full of extras like dynamic EQ, spatial audio, L-R panning and a hearing test to create you a bespoke audio profile.

There's also a battery life that stretches up to a staggering 100 hours if you listen on Bluetooth with noise cancellation off, but lasts for over a day even if you turn on all its power-hungry features.

Of course, I wouldn't be commending headphones like these if they sounded bad; they don't, with AKG's staple neutral audio mix delivering detailed music and an expansive sound stage.

I'm not used to writing so many positives in an introduction, so it feels weird to keep going, but one more thing: the AKG N9 are some of the best-designed headphones I've ever tested. Not only do they look premium but lots of the features are smartly incorporated into the design, with the dongle nestled in a little nook in one cup and volume being controlled by easily twisting one side of the cans. AKG clearly treats design as an important part of the headphone-making process, instead of an afterthought to hold a few drivers and buttons together, and it's appreciated.

Unless you're Sir Mix-a-Lot, you probably don't like big "but..."s, and unfortunately the AKG N9 have a major one: the price. There's no two ways about it: these are premium headphones and many buyers' budgets won't come close to reaching them. That said, they're expensive, but they're not four-figure-cost expensive like many of the true best headphones are, so perhaps sales will bring them within reach if you're interested.

Since I have to list three 'cons': I also feel like the Active Noise Cancellation (ANC) could have been a little bit more robust, as it doesn't compare with top dogs on the market right now. Plus, you can't fold up the headphones for increased portability, which made transporting them in my bag a risky proposition.AK

AKG N9 review: Specifications

Component	Value
Water resistant	NA
Battery life (quoted)	100 hours (ANC off) 55 hours (ANC on)
Bluetooth type	Bluetooth 5.3
Weight	281g
Driver	40mm

AKG N9 review: Price and availability

The AKG N9 on a wooden floor. — (Image credit: Future)

Announced in October 2024
Priced at $399 / £299 / AU$499
Expensive... but competitive to rivals

After making their debut in October 2024, the AKG N9 went on sale that same month. They’ve been on sale for roughly a year, by the time of this review.

The AKG N9 don’t come cheap. They’ll set you back $399 / £299 / AU$499, which firmly cements them as premium cans that you need to consider carefully before you buy.

They cost more than some of our favorite rivals including the iconic Sony WH-1000XM4 and Cambridge Audio Melomania P100, but then again, they undercut (to a decent extent) the B&W Px8, Dali IO-8, the Sony WH-1000XM6 and Bose QuietComfort Ultra.

I should point out that a year on shelves seemingly hasn’t affected the headphones’ usual price (outside of sales)... except in Australia, where they were easy to find for as little as AU$309 which is an absolute steal.

AKG N9 review: Design

Premium-looking sleek cans
Features incorporated into design
Doesn't fold down and no IP rating

On the surface, the AKG N9 might look like any old pair of headphones, but there are a few refinements and polishes that go a long way in making these look both premium and feel ultra-functional.

I’m talking about the soft fabric of the headband (either leather or a close imitator), the comfortable earpads, the sparkling sheen of the speaker covers, svelte fashion of the headband connectors. It all comes together to make it obvious to onlookers just how much you paid for these cans. They come in either white or black.

The headphones weigh 281g so despite some option extras that we’ll get to, they’re on the lighter side of things, and I found them comfortable to wear for long music bouts and entire movies. There’s no IP rating, as far as I can tell, but they felt sturdy enough that I wasn’t worried wearing them out and about.

I also had no qualms in wearing them for long periods of time, as they're comfortable and lightweight.

The headband connectors are extendable by about two inches each, letting you change your headphones’ size. One thing to note is that the headband can’t be folded, so you can’t reduce the size of the N9 to fit in a bag. Instead they can be transported in a rather large carry case that comes included in the price.

As with all the best headphones, each cup provides some useful controls. On the right side we’ve got a slider which lets you turn on the headphones as well as put them into Bluetooth pairing mode, as well as a pause/play button and USB-C charging port – and, in one of my favorite implementations of a volume rocker, the entire headphone cover can be rotated clockwise or anticlockwise to change the volume. This was incredibly easy to use, to save me fiddling with small buttons on the headphone.

The left cup has a 3.5mm headphone jack and a toggle for Ambient Aware noise cancellation, and I thought that was it at the beginning of my testing… until I realized that you can partially slide the headphone cover off to reveal a USB-C dongle underneath. Some may be annoyed that they’re carrying the extra weight of this dongle on the head but it’s only a few grams, and these are still nice and lightweight headphones.

Design score: 4.5/5

AKG N9 review: Features

The AKG N9 on a man's head. — (Image credit: Future)

Hugely long battery life
App brings loads of features
Useful dongle connector

The dongle is one of my favorite features of the AKG N9; you can plug it into any device with a USB-C port to instantly (and, vitally, temporarily) connect to said device without having to go through the laborious pairing method.

I used this to connect to my iPad, my laptop and my PC at various times in order to quickly watch a video, take a call or do some work, and it’s incredibly convenient – in fact, for a while during testing the N9 became my go-to gaming headset. One thing to note is that once during testing the connected device still played music out of its speakers instead of using the N9, and I never really worked out why – like the N5, it worked 90% of the time, but there were a few teething problems.

Another thing I absolutely love is the battery life of the AKG N9, which if you play your cards right lasts for an entire 100 hours. ‘Playing your cards right’ involves listening via Bluetooth with ANC turned off and if you want ANC on, that figure drops by 45 hours; likewise using the dongle cuts about 15% of your listening time over Bluetooth.

However AKG’s lowest battery expectation, specifically talk time over the dongle, is still 30 hours, which beats quite a few competitors. So the battery life is great whatever you do, and it’s fantastic that people who need a lot of listening time on one charge have the option of dialling down the features to get that fantastic figure.

Let’s touch on that active noise cancellation, which so dramatically affects the battery life. AKG has given the N9 a range of ANC modes: Ambient Aware which cuts out ambient background sound but allows in important nearby ones, TalkThru which does the same but just for voices, and a standard ANC mode which has extra modes for Adaptive ANC which changes the noise cancellation strength depending on your surroundings and Auto Compensation which does the same based on how you’re wearing the N9.

It’s a pretty overwhelming array of options for non-audiophiles but it does let you get into the nitty-gritty of what you can and can’t hear. However even at its strongest tier the ANC is only good, never great, and quite a few rivals are better for removing background sound.

Those aren’t the only overwhelming options in the feature set, because the AKG Headphones App has an absolutely huge roster of perks, including the ability to balance your sound to the left or right, change how voices sound on calls and play with a 10-band equalizer.

As in the AKG N5, the app lets you choose between listening to high-res audio, or enabling a few other features including spatial audio, dynamic EQ for low volumes and Personi-Fi. This latter is a hearing test that provides you with a custom audio mix.

Features score: 5/5

AKG N9 review: Sound performance

40mm drivers
Balanced sound profile
Textured audio in high-res mode

The AKG N9 pack 40mm dynamic drivers with what the company calls “liquid crystal polymer diaphragms” which are designed to improve the detail and clarity across the board.

It works because the N9 have a beautifully balanced sound profile, which doesn’t dominate your mix with too much treble or overblown bass (though it also gives you a nice springboard to use the equalizer to change this if you like a wonky sound mix).

Instead you’re getting a detailed glimpse across the bow of an entire orchestra or band, full of texture and detail. You can hear the scoop of a bass guitar string, the strike of fingers on piano keys – I almost felt like I could tell which guitar strings were being strummed during chords.

There’s an audible sound spread too, and I noticed mids in several songs holding a distinct space that many rival cans lose. It’s an effect that makes these just as great for movies and gaming as for music, and I went so far as to use these headphones instead of my gaming headset during the testing period.

At times I did feel like songs lacked a an extra ounce of energy, with the bass in particular missing a touch of momentum, but these aren’t huge issues – I’m only nit-picking here to justify the score below not being a full 5 out of 5.

Sound performance score: 4/5

AKG N9: Value

If you’ve read the price section already, you’ll know that the AKG N9 have an uphill battle in proving themselves in the value department (and if you didn’t read that section, they cost $399 / £299 / AU$499).

Basically no headphones costing that much present a real value proposition, not when you can get great alternatives for a third of the price, but for what it’s worth the AKG N9s come closer than most.

The inclusion of the dongle, the useful cup controls, the range of features and high-quality audio all come together to make it clear that AKG is giving you some value for money… just not as much as if you’d paid a lot less money.

I will say, though, that these are primed for deals in Black Friday and Amazon Prime Days. So if you don't think you can afford them, it could be waiting to see how low the price goes.

Value score: 4/5

AKG N9 review: scorecard

Category	Comment	Score
Value	AKG goes some way in justifing the price of the N9, but they're easily beaten in this department.	4/5
Design	Not only do the cans look great, but the design neatly incorporates many of the headphone's features.	4.5/5
Features	From the Bluetooth dongle to the range of app features to the long-lasting battery, everything's working here.	5/5
Sound	The N9 has a nice balanced sound profile that will please most listeners, if not owners of the real top dogs.	4/5

AKG N9: Should I buy?

Buy them if...

You own mulitple smart devices

The AKG N9 are primed for people who want to connect their headphones to multiple devices like laptops, phones, computers (even games consoles or PCs).

You don't get to charge frequently

The 100-hour battery life is really impressive. Even though most users will turn on ANC or use the dongle and not see that figure, it's great to know that it's an option for travellers or forgetful chargers.

You need a carry case

Certainly not all headphones come with a carry case, but the AKG N9 does, which is great for transporting it. Not only that but the case has sections for various cables and an extra adaptor to connect the N9 to airline entertainment systems.

Don't buy them if...

You can't justify the price

There's no shame in admitting that these headphones are too expensive for everyone to consider buying. Even if you can reach for them, if you don't need the feature set, cheaper models are tempting rivals.

You want foldable or waterproof cans

No IP rating and no way of folding the AKG N9 down does hamper their portability and protection somewhat.

Also consider

Component	AKG N9	Cambridge Audio Melomania P100	Sony WH-1000XM6
Water resistant	NA	NA	NA
Battery life	100 hours (ANC off) 55 hours (ANC on)	100 hours (ANC off) 60 hours (ANC on)	40 hours (ANC off) 30 hours (ANC on)
Bluetooth type	Bluetooth 5.3	Bluetooth 5.3	Bluetooth 5.3
Weight	281g	330g	254g
Driver	40mm	40mm	30mm dynamic

Cambridge Audio Melomania P100

We gave the P100 five stars in our review due to just how amazing they sound and how premium they feel. They also have an N9-matching battery life and Matt Berry voice controls. What's more, they undercut the N9 in price.

Read our full Cambridge Audio Melomania P100 review

Sony WH-1000XM4

Sure, they're a little older in the tooth now, but if you like the iconic looks and slightly retro style of the AKGs, you'll love the look (and the audio chops) of the XM4 too. Add to this the fact that they're often available for quite a bit less than the AKG and as long as you're prepared to omit a few features (and Bluetooth 5.0, so no scope for Auracast), these might have you covered.

Read our full Sony WH-1000XM4 reviewView Deal

How I tested

I tested the AKG N9 for two weeks, doing so alongside their contemporary siblings the AKG N5 (which are earbuds).

As you'll know from reading this review I tested them on loads of devices: Bluetooth from my smartphone, 3.5mm on an iPod Classic and 2.4Ghz dongle on a Windows PC, Windows laptop, iPad and Android tablet.

This was done for a range of functions; mainly listening to music and streaming audio but also gaming, movies and video calls. I tested at home, in the office and around my neighborhood, including on a several-hour-long trip.

Read more about how we test

First reviewed: September 2025

I tested these affordable IEMs and they’re the ultimate entry-level option for audiophiles – here’s why

12:30 pm | September 14, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Meze Audio Alba review

In Romanian, the word ‘Alba’ translates to ‘first light’. Instantly, this makes me think of new beginnings; of fresh experiences. And so, in come the Meze Audio Alba – an affordable pair of in-ear monitors aiming to be the first light for entry-level audiophiles, everywhere.

And I’m not going to beat around the bush here, Meze Audio absolutely nailed it with this model. These IEMs have a list price of $159 / £139 / AU$239, meaning they’re easily on the budget side of things. But very little about these in-ears feels or sounds budget to me.

First of all, these deliver fantastic sound quality – the most important quality needed to compete with the best wired earbuds around. If you’re new to the world of audiophile sound, you’ll be wowed with awesome attention to detail right across the frequency range, as well as clear, surprisingly expansive audio output.

Meze itself describes the Alba as having “a neutral sound profile with an added touch of warmth” – and that’s a largely accurate description in my view. Mids never sound recessed, treble is expressive, and bass is impressively weighty given these IEMs' small size. I certainly sensed that slight preference towards low-frequency sounds when listening to Overflow by Kolter, where the meaty, spacey bass hit with serious impact.

When tuning into Where Do We Go From Here by Jamiroquai, lead vocals were pleasingly clear in the overall mix, while rhythm guitar was effortlessly separated and afforded plenty of room to breathe. Groovy bass and percussion was also excellently defined, helping the track’s funk-infused character to flow, without compromise.

You’ll get a dynamic, detailed listen from the Alba too. I tried playing Rains again by Solji, and every breath came through clearly, while delicate vocals remained controlled and emotive throughout.

In fact, my only slight issue with these IEMs sonically speaking, is that higher-pitched treble sounds can get a little harsh at higher volumes. For instance, I listened to Straight From The Underground by Riordan, and snappy percussion sounded a little edgy as I ventured into the upper echelons of loudness. Again, though, these offer a great listen overall.

Right bud of Meze Audio Alba — (Image credit: Future)

Beyond sound, these IEMs continue to plate up serious quality. They’re made up of zinc alloy and anodized aluminium parts, and the outer casing is intended to represent the appearance of a pearl. In hand, the Alba feel far more luxurious than their price would suggest. As much as I love the Sennheiser IE 200, their plastic casing doesn’t come close to the Alba’s more durable, flashy design.

In addition, the braided cable is elegant and even felt nice to run through my fingers. It is a little prone to tangling, especially after taking out of the satisfyingly compact carry case (included in the box). And if you want a volume controller for on-the-go use, you’re out of luck here – you’ll need to consider a third-party option.

Back to the good stuff: there are a couple of connectivity options here. You can either use the standard 3.5mm connector, or make use of the included custom-made USB-C adapter. This has a built-in DAC and AMP, ensuring you can access hi-res audio on the go, even with your smartphone. It also has an LED light that shines if you’re connected up properly – nice touch! It's worth noting, though, that there’s no 4.4mm adapter in the box.

I was also very pleased with the comfort and fit of the Meze Audio Alba. I typically use the Sony WH-1000XM6 to listen to my music, as I can often find in-ear options to feel a little tiresome after an hour or two. But not these. They fit snugly for me, and are lightweight enough to feel non-invasive. There are a range of different-sized eartips in the box, too, so you can find the perfect seal.

Of course, you don’t get the benefits of active noise cancellation with wired IEMs – something you’d expect from the best wireless earbuds. But that firm seal was all I needed to unearth the full benefits of the Alba’s passive noise isolation abilities. Even when listening at middling volumes, chatter around the office and passing by vehicles were dulled significantly, helping me to remain immersed in my music.

So, all in all, I think it’s clear. The Meze Audio Alba are a brilliant option for anyone looking to enter the audiophile world, with a low price, stunning looks, and detailed sound. They’ll help you see your favorite songs in a new light. And for that alone, they’re well deserving of my recommendation.

Meze Alba IEMs on a table against a pink background — (Image credit: Future)

Meze Audio Alba review: price and release date

$159 / £139 / AU$239
Launched in June 2024

The Meze Audio Alba are a highly affordable pair of IEMs, coming in with a list price of $159 / £139 / AU$239. Interestingly, they appear to be regularly priced a little higher than this in both the UK and Australia, but only by a small margin. They were released in June 2024, and are available in a single colorway.

Meze Audio Alba review: specs

Drivers	10.8mm dynamic
Weight	14g
Frequency range	15Hz-25kHz
Connectivity	3.5mm; USB-C

Meze Alba wire detached from buds against pink surface — (Image credit: Future)

Should I buy the Meze Audio Alba?

Attributes	Notes	Rating
Features	Brilliant USB-C adapter, great passive noise isolation, detachable cable, no in-line controller or mic.	4.5/5
Sound quality	Well separated, defined sound with impressive bass and attention to detail.	4.5/5
Design	Gorgeous outer casing, beautiful braided cable, a little prone to tangling.	4.5/5
Value	Phenomenally priced for the luxurious sound and looks on offer.	5/5

Buy them if...

You want audiophile-grade audio on a budget
The Meze Audio Alba plate up high-standard audio at a pretty low price, making them an incredible option for anyone looking for an entry point into the audiophile world.

You want to stand out from the crowd
One of the things I like most about these IEMs is their gorgeous looks. Their zinc alloy and anodized aluminium parts make for a premium look, while the neatly braided cable and silver details top off a gorgeous set of in-ears.

Don't buy them if...

You want in-line controls or a mic for casual listening
If you’re buying these purely for casual listening, the lack of an in-line controller could be frustrating, particularly when you’re on the go. Having said that, these do feature a detachable cable, so you may be able to identify a suitable third-party replacement if you want a controller and a mic.

You want the best tangle-resistant cable
I had a great time with the Alba, but I did find that its cable was a touch prone to tangling. The tangle resistant nature of the Sennheiser IE 200 cable may be preferable if you don’t want to spend time unfurling your buds on almost every use.

Meze Audio Alba: also consider

	Meze Audio Alba	Sennheiser IE 200	Activo Volcano
Price	$159 / £139 / AU$239	$149.95 / £129.99 / AU$239.95	$80 / £99 (about AU$120)
Drivers	10.8mm dynamic	7mm dynamic	1x 8mm, 2x 6mm dynamic triple-driver
Weight	14g	4g (per bud)	5g (per bud)
Frequency range	15Hz-25kHz	6Hz-20kHz	20Hz-20kHz
Connectivity	3.5mm; USB-C	3.5mm	3.5mm; 4.4mm; USB-C

Sennheiser IE 200
I love the Sennheiser IE 200 and they really do feel like the natural competitor to the Meze Alba. With an entry-level price-point, attractive braided cable, and small-sized outer casing, the likeness is there for all to see. The IE 200 offer pleasing low-end weight, fantastic instrument separation, and a beautifully lightweight feel. They aren’t as premium-looking as the Alba, but they’re still a top-tier pair of affordable IEMs. Read our full Sennheiser IE 200 review.

Activo Volcano
The Activo Volcano are an exceptionally low-priced set of IEMs for anyone interested in entering the audiophile world. They supply prominent bass, multiple connectivity options, a secure fit, and a detachable cable. They are a little large for my liking, and they won’t offer the most neutral sound on the market, but they’re still a solid budget option. Read our full Activo Volcano review.

How I tested the Meze Audio Alba

Meze Audio Alba's USB-C adapter on circular surface against a pink background — (Image credit: Future)

Tested for two weeks
Used in the office and while out and about
Predominantly tested using Tidal

I tested the Meze Audio Alba in-ear monitors across the course of two weeks, after a thorough run-in. I predominantly used their 3.5mm connectivity option, while hooked up to my laptop – but I also tried the USB-C dongle with my phone when listening on the go.

Most of the time, I used the Alba while playing tracks via Tidal, in order to access higher-res music files. On Tidal, I ran through the TechRadar testing playlist, which features tracks from a wide range of genres. However, I also played a number of tracks from my own personal library, including some go-to tunes I use for testing audio gear.

Where appropriate, I compared the Meze Audio Alba side-by-side with the Sennheiser IE 200 on aspects such as sound quality, design, and features.

More generally, I’ve tested tons of products here at TechRadar, where I largely focus on the audio-visual segment. I’ve reviewed everything from all-action party speakers, such as the LG xboom Stage 301, through to premium IEMs, like the Sennheiser IE 600. As a result, I have a strong understanding of what is required for audio gear to stand out in a highly competitive market, and what makes a product great, rather than good.

First reviewed: September 2025
Read more about how we test

I tested Sony’s latest open earbuds and they had plenty of bass – but still didn’t hit all the right notes

12:00 am | September 10, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Sony LinkBuds Open: two-minute review

The Sony LinkBuds Open are yet another contender in the trendy and ever-expanding world of open earbuds – but they still stand out from the crowd.

This model succeeds Sony’s first attempt at open earbuds, which launched three years ago now, and combines a slightly unorthodox design with a broad feature-set, tuneable audio, and modern controls. With a price of $199 / £149 / AU$249.95, though, there’s a lot of expectation on Sony’s latest open buds – so, can they hit all of the right notes?

Well, I’ll start by talking about my first impressions out of the box. As soon as I unboxed the Sony LinkBuds Open, I was struck by their unusual yet enticing looks. Unlike a lot of the best open earbuds, these adopt neither the clip-on nor the hooked designs that most of their competitors adopt. Instead, each bud has a ring-shaped driver, which lets ambient sound in easily. The batteries are housed in an orb-shaped casing, and wings are attached to these for a more secure in-ear fit.

I’m a fan of the ring-shaped in-ear components – these fit nicely and let in ambient noises without a hitch. Admittedly though, the spherical exterior looks a bit clunky, and although the wings ensure a pretty secure fit, they felt a little peculiar in my ear, which took comfort levels down a bit for me personally. Overall, these should still feel fine in-ear for a few hours, but there are comfier alternatives out there, like the Apple AirPods 4 with ANC, for instance.

Something I loved was the charging case. The white color variant has a glossy, marble-like appearance and I appreciate the attention to detail here. It’s worth noting that you can also grab these buds in Black or Violet – the latter being a special edition produced in collaboration with singer Olivia Rodrigo.

Another thing that really impresses me about these buds is their feature-set, which is bursting at the seams with user-friendly goodness. There’s multi-point connectivity, 360 Reality Audio support, voice assistant integration, and services such as Spotify Tap – all accessible via Sony’s Sound Connect app.

But there’s more! There’s customizable, and surprisingly effective touch controls, DSEE upscaling for lower-quality music files (still looking at you, Spotify), and depth-filled EQ options. There’s Find Your Equalizer – a gamified way to uncover the best tuning for you – as well as presets and a five-band custom option. Combine that with Scene-based listening, head gesture controls, and a wearing condition check-up, and you’re looking at a highly talented pair of buds.

Still, it’s worth flagging that some competitors offer features that have been omitted here. There’s no active noise cancellation – something you’ll spot on a model like the Edifier LolliClip or Honor Earbuds Open – though you probably want to hear your surroundings clearly if you’re buying open-style earbuds. There’s also no LDAC, Sony’s ‘hi-res’ Bluetooth audio codec, but again, the open design here does limit audio capabilities.

Finally, there aren’t any health monitoring options – think a heart rate or blood oxygen tracker (you'd need to look to the Beats Powerbeats Pro 2 for that). But still, you have plenty to play with on the LinkBuds Open, and the companion app is super easy to use.

Sony LinkBuds Open on circular surface — (Image credit: Future)

A quick note

When I started testing the Sony LinkBuds Open, I encountered some issues, such as a rattling noise in one bud and connectivity issues. Thankfully, we were swiftly presented with a fresh, fully functional unit, but for transparency's sake, I wanted to flag such quirks. These issues have not influenced my final scoring of the model.

By now, then, you must be wondering how the LinkBuds Open sound. Well, I have mixed feelings about this model. Firstly, it’s worth pre-empting this by emphasizing that an open design means a likely hit to audio fidelity, and typically weaker bass response than you’d expect from earbuds with a seal or over-ear headphones, for example.

Still, I was relatively impressed with the low-end performance of the LinkBuds Open. I tried listening to AAAAA by Kiefer with EQ set to ‘Off’ (flat), and found that the bass rippling through the track was meatier than what the impressive SoundCore AeroClip could offer with default tuning. Was it the cleanest low-end replication I’ve heard? Well no.

In Stepping Out (feat. $Ha Hef) by Jay Worthy and LNDN DRGS, the funky bassline clashed slightly with vocals, which didn’t have quite enough space to breathe. Meanwhile, the palpable sub-bass is pretty understated in The Boys Are Back In Town by Yung Gravy – though that’s almost to be expected from a pair of open-ears given their technical limitations.

Elsewhere, highs sounded pretty prominent out of the box – but perhaps a little too prominent at times. On occasion, sounds in the treble-frequency edged towards the harsh side of things – though this can be remedied with EQ adjustment in the Sound Connect app.

It’s in tracks more focused around vocal performances, then, where the LinkBuds Open truly shine. For instance, when tuning into Déchire la Toile by Lorien Testard and Alice Duport-Percier, gliding keys and emotive vocals sounded clear and controlled, with a pleasing openness to the sound creating a decently immersive listen. Even at higher volumes, there was a solid level of detail on display, though my colleague did note significant sound leakage – not ideal if you’re in the office or on public transport.

All in all, you won’t get that perfectly balanced, beautifully layered audio – and you might want to tinker with that out-of-the-box sound profile. But for a pair of open earbuds, the LinkBuds Open are certainly solid in the audio department, with generally clear, weighty sound.

A few final notes on this open-ear option from Sony. Firstly, you get a pretty standard serving of playtime. You should get around 8 hours from the buds alone, plus an additional 14 with the charging case. During my testing, I found this to be about right – putting them about on-par with modes like the aforementioned Soundcore AeroClip.

And one more thing: there are optional fittings that you can purchase to customize the LinkBuds Open to your liking. These include multi-colored covers for both the buds themselves and the charging case, if you really wanna jazz things up. This level of customizability is admirable, but you’ll have to spend extra to access it.

In the end, then, can we say that the LinkBuds open hit all of the right notes? Not quite – but they still put on a good show. I’m not totally sold on their design and sonically, they’re not as strong as some wireless buds in the same price-range. But still, commendable mid-range performance, fairly meaty bass given the design and lots of EQ options kept me satisfied overall.

Unfortunately, there's one area where these buds fall down for me: their cost. They're very pricey for open ears, which already come with some compromises in terms of audio. So, even though they have a deep feature-set and secure in-ear fit, this model's not quite a slam dunk. If you've got a good amount of cash to splash on some open earbuds, these may well be worth checking out, but otherwise, I'd suggest taking a peek at my other recommendations in the ‘Also consider’ section.

Sony LinkBuds Open review: specs

Waterproof rating	“IPX4 equivalent”
Battery life	8 hours (earbuds); 22 hours (with charging case)
Bluetooth type	Bluetooth 5.3
Weight	5.1g (per bud); 30g (charging case)
Frequency range	20Hz-20kHz

Sony LinkBuds Open review: price and release date

$199 / £149 / AU$249.95
Launched in October 2024

The Sony LinkBuds Open – or Sony LinkBuds Open WF-L910 as they’re sometimes listed – released at the end of 2024. They have a list price of $199 / £149 / AU$249, which is by no means cheap for a pair of open-ears, though nowhere near as steep as the Bose Ultra Open Earbuds, which launched at $299 / £299 / AU$449.95.

On top of that, I’ve already spotted these on sale in some territories. For instance, they’ve dropped to under £130 / AU$250 on Amazon at the time of writing. You can pick the LinkBuds Open up in a variety of colors, including Black, White, or Violet. The latter is a collaboration with singer Olivia Rodrigo, and includes custom EQ options which were tuned by the artist and her producer.

USB-C port on the reverse side of the Sony LinkBuds Open — (Image credit: Future)

Should you buy the Sony LinkBuds Open?

Attributes	Notes	Rating
Features	Wide suite of features and awesome in-app experience.	4.5/5
Sound quality	Generally solid for open ear sound, imperfect yet fairly meaty bass, clear mids.	3.5/5
Design	Not the most elegant looking, just OK comfort, but secure fit and appealing case.	3.5/5
Value	Despite good overall performance, these are expensive against similar quality rivals.	3/5

Buy them if...

You want access to excellent features
As is usually the case with Sony products, the LinkBuds Open are brimming with features. Bluetooth audio upscaling, EQ options, multi-point, and Scene-based listening are all here. And there’s a whole lot more too – just download the Sound Connect app to discover what’s on offer.

You want a secure open ear fit
Although I wasn't totally bowled over by their looks, I can’t deny that the LinkBuds offer a pleasingly secure fit. If you’re out on a run or at the gym, you won’t have to worry about them slipping out easily – and with their open design, you’ll be able to hear your surroundings easily too.

Don't buy them if...

You’re an audiophile
If you want a beautifully detailed, elegantly balanced, and effortlessly separated sound, the Sony LinkBuds Open probably aren’t for you. A lot of that is a result of their open design – aspects like bass response and detail levels won’t compare to that of the best wireless earbuds.

You’re on a budget
At $199 / £149 / AU$249.95, the Sony LinkBuds Open are hardly cheap. If you’re set on an open design, the Huawei FreeArc down below are our pick for the best budget option – more on those below.

Sony LinkBuds Open: also consider

	Sony LinkBuds Open	Anker Soundcore AeroClip	Huawei FreeArc
Price	$199 / £149 / AU$249.95	$129.99 / £129.99 (about AU$210)	£99.99 (about $130 / AU$210)
Waterproof rating	“IPX4 equivalent”	IPX4	IP57
Battery life	8 hours (earbuds); 22 hours (with charging case)	8 hours (earbuds); 24 hours (with charging case)	7 hours (earbuds); 23 hours (with charging case)
Bluetooth type	Bluetooth 5.3	Bluetooth 5.4	Bluetooth 5.2
Weight	5.1g (per bud); 30g (charging case)	6g (per bud); 42g (charging case)	8.9g (per bud); 67g (charging case)
Frequency range	20Hz-20kHz	20Hz-20kHz	20Hz-20kHz

Anker Soundcore AeroClip
I’m a big fan of the Anker Soundcore AeroClip, and they remain some of the best open earbuds I’ve tested. Out of the box, they’re not as bass-heavy as the LinkBuds Open, but a quick EQ tweak can give you a sound closer to your preference. With solid battery life, a comfortable clip-on design, and reasonable asking price, there’s a lot to like here. Read our full Anker Soundcore AeroClip review.

Huawei FreeArc
For a more "traditional" open-ear build, the Huawei FreeArc are a top-tier choice – and they’re pretty cheap too. With surprisingly good sound quality, excellent protection against the elements, and a comfortable fit, they’re well-worth checking out. Read our full Huawei FreeArc review.

How I tested the Sony LinkBuds Open

Sony LinkBuds Open inside charging case — (Image credit: Future)

Tested across the course of multiple weeks
Used in the office and while out and about
Predominantly tested using Tidal

I tested the Sony LinkBuds Open over the course of multiple weeks while in the office, at home, and out on walks.

For the most part, I listened to music with the buds via Tidal, though I occasionally dipped into a few tracks on Spotify. During testing, I made sure to run through the TechRadar testing playlist, which features tracks from a range of genres. I also listened to songs from my personal library.

Where appropriate, I compared the LinkBuds Open against rival models, such as the Anker Soundcore AeroClip, which helped me to assess aspects like audio performance and comfort.

First reviewed: September 2025
Read more about how we test

I tested this cheaper rival to Bose and Shokz’ cuff-style open earbuds and other brands could learn a lot from it

11:30 pm | September 8, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: EQ | Comments: Off

Baseus Inspire XC1: Two minute review

In every headphone niche there are going to be the big-name players, and there are going to be the little-known challengers offering a more affordable or even more novel take on the form factor, and it’s no different with clip-on, cuff-style sets, which still count among the best open earbuds we've tested.

Open earbuds are a type of headphone which intentionally doesn’t block out surrounding sound, letting you hear what’s going on when you’re working out, going on a run outdoors or are on your commute, and clip-ons are one style which clips onto your ear, in a kind of cuff style, rather than a hook style that snakes behind the curve of your ear.

While this form factor is dominated by names like the Bose Ultra Open Earbuds and, more recently, the Shokz OpenDots One, a few other brands offer something different, and Baseus is now one of them.

The Baseus Inspire XC1 are the third 'clipping' headphone from Baseus, so you’d hope the brand has some expertise it can bring. Their pitch is that they fix open-ears’ common sound quality problems by bringing Bose-tuned audio, support for Hi-Res Audio and LDAC availability, all for a relatively modest price.

To that end it was claimed at launch that the XC1 were the first open earbuds with two drivers per bud, an assertion which the aforementioned Shokz OpenDots One might take issue with, but that certainly shows a focus on sound quality.

It’s ironic, then, that the sound quality was a weaker point for these open earbuds. The sonic profile is warm yet ill-defined, so bass lacks punch and trebles and mids are missing something themselves. While some fitness users might enjoy this kind of indistinct wall of noise (something to tune out with, while focusing on your workout), audiophiles aren’t going to be impressed.

I also found that the buds’ bridge could pinch over long listening periods, which isn’t ideal, but I do mean long – I could listen for several hours before noticing the issue, so it won’t be a problem everyone faces. And the fit is reliable beyond that.

I’m starting this synopsis with two negatives, but there’s a lot to like about the Inspire XC1 beyond these pitfalls. The battery life is longer than on many rivals, for one thing, and the equalizer is advanced with several presets and plenty of customization. Also, the touch controls are easy-to-use and convenient.

That last point in particular is something I want to emphasize. The vast majority of headphones and earbuds do touch controls terribly but Baseus' solution was simple and easy – other brands could learn a thing or two here.

As mentioned above, the Baseus also undercuts both Bose's and Shokz’ alternatives, and offers good value for money when you compare their feature sets and audio qualities. If you don’t want to stretch your budget to reach for those pricier options, the Baseus Inspire XC1 option could be a good compromise.

Baseus Inspire XC1 review: Specifications

Component	Value
Water resistant	IP66
Battery life	8 hours (earbuds), 40 hours (total)
Bluetooth type	Bluetooth 5.4
Weight	5.5g / Charging case: 55g
Driver	1x 10.8mm, 1x tweeter

Baseus Inspire XC1 review: Price and availability

The Baseus Inspire XC1 above a green blanket. — (Image credit: Future)

Announced in September 2025
Priced at $129 (roughly £100, AU$200)
Undercuts many rivals

The Baseus Inspire XC1 were released at the annual tech conference IFA in September 2025, alongside the XH1 over-ear headphones and XP1 in-ear buds.

At retail price, the Inspire XC1 cost $129 (roughly £100 or AU$200 but TechRadar wasn’t provided international release information prior to launch).

That price is in the ballpark of rivals, confirming that the Baseus product undercuts lots of its competition to a greater or lesser degree; the Huawei FreeClip, Shokz OpenDots and Bose Ultra Open earbuds all cost increasingly more.

But there are some well-respected options for cheaper still, including the JLab Flex Open and Anker Soundcore C40i. And let's not forget, Baseus itself has two other alternatives that undercut this, in the MC1 and BC1.

Baseus Inspire XC1 review: Design

Bud and counterweight connected by small hook
Lightweight but can pinch after extended use
Easy-to-use touch controls

For those of you who skipped the intro, the Baseus Inspire XC1 is a clip-style (or cuff-style, if you prefer) open-ear earbud. The latter hyphenation indicates that these are earbuds which don’t block your ear, so you can hear your surroundings, and the former signifies that instead of using a sports loop to hover over your ear, they clip onto your auricle, using a small earbud which nestles into your ear and a counterweight behind the ear which are linked by a plastic bridge.

Clipping earbuds always look frightfully unreliable but that’s rarely the case, and it’s not true for the XC1 either: the buds’ hold is reliable and I went on many hours of runs without any slipping or falling. However, it does pinch a little which, although only noticeable after sustained use, means they can stop being comfortable if you’re listening for long amounts of time. I also found myself knocking the behind-the-ear counterweight with my shoulder on occasion when I was stretching or rolling my head, but those were rare cases.

Each bud weighs roughly 5.5g, so they tip the scales to a similar degree as rivals, and they have an IP66 rating which certifies them against any kind of solid particles like dust, as well as high-pressure water jets… I think. Elsewhere in the information Baseus provided to TechRadar, it referred to the buds as having an IPX7 rating, which offers no proofing against dust but increased water resistance.

The counterweight has a small physical button, and you can customize what this does using the app – but by default, it pauses music. I found it pretty easy to pinch this to control my music once I got used to the position, and I’m glad Baseus isn’t trying to do anything more complex with its controls like some other brands.

The case weighs 54g and it’s fairly small, although that’s not saying much given that most clip-on earbuds have tiny cases. It opens horizontally and accepts either earbud in either hole, saving a lot of faff when you want to put the buds away.

Design score: 4/5

Baseus Inspire XC1 review: Features

Not as many features as rivals
Battery life is 8 hours, 40 hours with case
EQ with lots of useful presets

The Baseus Inspire XC1 will offer you 8 hours of listening time in one go, according to the brand’s figures – my own testing didn’t raise any reasons to doubt this. That just a hair on the long side compared to lots of other rivals using this form factor.

Using the case, you can get an extra 32 hours of listening time, for 40 hours in total, and again lots of the Baseus’ rivals fall a little short.

Due to the form factor, there’s no noise cancellation – it’s not unheard of in open-ears, but it’s incredibly rare and so we don’t expect it.

Baseus offers an app with a few extra features including an equalizer, a low latency mode, the ability to customize touch controls, toggles to high-res audio and a feature I haven’t seen much of on headphones: a battery-saver mode. As someone who gets battery anxiety on long trips, this is certainly a welcome feature.

The equalizer comes with seven presets, including a Bose-designed one, but you can create your own sound mix using an eight-band EQ mode too.

I’ve never written this sentence about an earbud tie-in app before, but the Baseus app felt very slow to use on my powerful Android phone. This shouldn’t dictate your purchase decision but it’s just to say ‘no, your phone isn’t breaking down’.

Features score: 4/5

Baseus Inspire XC1 review: Sound performance

Two drivers per bud
Muddied sound profile
Support for several standards

Each bud of the Baseus Inspire XC1 gets two drivers: a 10.8mm woofer for low-end sounds and a balanced armature tweeter for high-end ones that we weren’t told the size of.

It’s rare to see a dual-driver open-ear, with most manufacturers opting not to kit out earbuds that will be competing with so many background sounds, but that’s not all. The buds also support higher-resolution audio and the LDAC codec if you switch them on in the app.

Listening to music, it’s clear that the sound is good quality, and that’s especially true if you do opt to make the most of the standards offered. And so you’re probably wondering why I criticized the audio before. Well, that comes down to the tuning.

The Inspire XC1 have a warm sound profile, with the woofer coming up clutch to support lots of bass. However it’s an ill-defined kind of bass, muddy and indistinct, a that’s an issue that plagues music as a whole: treble isn’t sharp, mids are mushy.

The result is that music seems to lack a lot of energy and spark. I don’t know about you, but lifeless tunes are the last thing I want with earbuds designed for exercise.

You’re probably wondering why I didn’t just jump into the equalizer to fix the problem; I tried, and it didn’t really work. Other presets beyond the default (the Bose-tuned one, I must add) maintain the issue to a lesser or greater degree. If you’ve got the buds, I’d recommend opting for the Jazz Rock preset, which was the most energetic to my ears.

Sound performance score: 3.5/5

Baseus Inspire XC1 review: Value

The Baseus XC1 undercut a decent amount of the competition, including options which don’t offer substantially more for your money, although you can get alternatives that are a lot cheaper if you shop around.

Bearing in mind the cost and what you’re actually getting for your money, they offer a reasonable value set, letting you get all of the features of pricier rivals with a few downgrades to justify the cost.

Value score: 4/5

Baseus Inspire XC1 review: scorecard

Category	Comment	Score
Value	While they don't match premium options in terms of feature set, they don't in price either.	4/5
Design	They're not the most comfortable open-ears I've ever used, but they're lightweight and don't fall out.	4/5
Features	The equalizer is handy but beyond that there aren't any unique features and the battery life is about average/	4/5
Sound	I wasn't wowed by the Inspire XC1's audio chops, despite the hardware, but non-fussy workers-out will find them fine.	3.5/5

Baseus Inspire XC1: Should I buy?

Buy them if...

You want something protected
I don't often see earbuds with an IP66 rating, with most opting for less protection against dust ingress and sometimes just sweat resistance, instead of the ability to survive jets of water.

You know your way around an equalizer
I appreciate how much customization Baseus offers over your music. You've got plenty of presets for people who don't want to fuss over their tuning, and a 10-band EQ for people who do.

You don't want to stretch for a name brand
Clip-on earbuds from well-known brands cost more, but Baseus offers most of those features for a lower price, even though it's not an out-and-out budget option.

Don't buy them if...

You're an audiophile
Despite the specs, I wasn't won over by the Baseus' sound quality, as it didn't offer energy in tunes. If you need perfectly-optimized music in order to enjoy your workout, you might not enjoy these buds.

You plan to wear for long periods
I could feel the Baseus on my ear after working out for an hour or longer, so if you're about to do an ultramarthon and want something comfortable, this isn't it.

Also consider

Component	Baseus Inspire XC1	Shokz OpenDots One	Huawei FreeClip
Water resistant	IP66	IP54	IP54
Battery life	8 hours (earbuds), 40 hours (total)	10 hours (earbuds), 40 hours (total)	8 hours (earbuds), 36 hours (total)
Bluetooth type	Bluetooth 5.4	Bluetooth 5.4	Bluetooth 5.3
Weight	5.5g / Charging case: 54g	5.6g / Charging case: 52g	5.6g / Charging case: 44.5g
Driver	10.8mm, tweeter	2x 11.8mm	10.8mm

Shokz OpenDots One

For a little bit more money you can get these Shokz options, which are more comfortable to wear, sound better and come with a longer-lasting battery.

Read our full Shokz OpenDots One review

Huawei FreeClip

For roughly the same price as the Baseus, this option from well-known Chinese brand Huawei comes with similar specs in most areas. However its age means that you might be able to find it greatly discounted.

How I tested

I wore the Baseus Inspire XC1 for two weeks in order to write this review, which is TechRadar's standard testing time for headphones.

The buds were connected to my Android smartphone through the test. I used them on runs, on cycle rides, at the gym, on public transport, at home and on walks around my neighborhoor, mostly for music streaming but for some spoken word too.

I've been testing products for TechRadar since 2019 and this has included plenty of other workout headphones, as well as loads of open earbuds.

Read more about how we test

First reviewed: September 2025

I tested this cheaper rival to Bose and Shokz’ cuff-style open earbuds and other brands could learn a lot from it

11:30 pm |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: EQ | Comments: Off

Baseus Inspire XC1: Two minute review

While this form factor is dominated by names like the Bose Ultra Open Earbuds and, more recently, the Shokz OpenDots One, a few other brands offer something different, and Baseus is now one of them.

Baseus Inspire XC1 review: Specifications

Component	Value
Water resistant	IP66
Battery life	8 hours (earbuds), 40 hours (total)
Bluetooth type	Bluetooth 5.4
Weight	5.5g / Charging case: 55g
Driver	1x 10.8mm, 1x tweeter

Baseus Inspire XC1 review: Price and availability

Announced in September 2025
Priced at $129 (roughly £100, AU$200)
Undercuts many rivals

The Baseus Inspire XC1 were released at the annual tech conference IFA in September 2025, alongside the XH1 over-ear headphones and XP1 in-ear buds.

At retail price, the Inspire XC1 cost $129 (roughly £100 or AU$200 but TechRadar wasn’t provided international release information prior to launch).

Baseus Inspire XC1 review: Design

Bud and counterweight connected by small hook
Lightweight but can pinch after extended use
Easy-to-use touch controls

Design score: 4/5

Baseus Inspire XC1 review: Features

Not as many features as rivals
Battery life is 8 hours, 40 hours with case
EQ with lots of useful presets

Using the case, you can get an extra 32 hours of listening time, for 40 hours in total, and again lots of the Baseus’ rivals fall a little short.

Due to the form factor, there’s no noise cancellation – it’s not unheard of in open-ears, but it’s incredibly rare and so we don’t expect it.

The equalizer comes with seven presets, including a Bose-designed one, but you can create your own sound mix using an eight-band EQ mode too.

Features score: 4/5

Baseus Inspire XC1 review: Sound performance

Two drivers per bud
Muddied sound profile
Support for several standards

Each bud of the Baseus Inspire XC1 gets two drivers: a 10.8mm woofer for low-end sounds and a balanced armature tweeter for high-end ones that we weren’t told the size of.

The result is that music seems to lack a lot of energy and spark. I don’t know about you, but lifeless tunes are the last thing I want with earbuds designed for exercise.

Sound performance score: 3.5/5

Baseus Inspire XC1 review: Value

Value score: 4/5

Baseus Inspire XC1 review: scorecard

Category	Comment	Score
Value	While they don't match premium options in terms of feature set, they don't in price either.	4/5
Design	They're not the most comfortable open-ears I've ever used, but they're lightweight and don't fall out.	4/5
Features	The equalizer is handy but beyond that there aren't any unique features and the battery life is about average/	4/5
Sound	I wasn't wowed by the Inspire XC1's audio chops, despite the hardware, but non-fussy workers-out will find them fine.	3.5/5

Baseus Inspire XC1: Should I buy?

Buy them if...

Don't buy them if...

Also consider

Component	Baseus Inspire XC1	Shokz OpenDots One	Huawei FreeClip
Water resistant	IP66	IP54	IP54
Battery life	8 hours (earbuds), 40 hours (total)	10 hours (earbuds), 40 hours (total)	8 hours (earbuds), 36 hours (total)
Bluetooth type	Bluetooth 5.4	Bluetooth 5.4	Bluetooth 5.3
Weight	5.5g / Charging case: 54g	5.6g / Charging case: 52g	5.6g / Charging case: 44.5g
Driver	10.8mm, tweeter	2x 11.8mm	10.8mm

Shokz OpenDots One

For a little bit more money you can get these Shokz options, which are more comfortable to wear, sound better and come with a longer-lasting battery.

Read our full Shokz OpenDots One review

Huawei FreeClip

How I tested

I wore the Baseus Inspire XC1 for two weeks in order to write this review, which is TechRadar's standard testing time for headphones.

I've been testing products for TechRadar since 2019 and this has included plenty of other workout headphones, as well as loads of open earbuds.

Read more about how we test

First reviewed: September 2025

I tested this digital audio player and its sound dominates almost any rival, but there’s a catch

11:00 am | September 6, 2025

Author: admin | Category: Audio Computers Gadgets Portable Media Players | Comments: Off

Astell & Kern A&ultima SP4000: Two-minute review

The Astell & Kern A&ultima SP4000 is the brand’s newest flagship digital audio player, and it is priced accordingly. If you measure the worth of a product by how relatively heavy and remarkably shiny it is, though, you won’t be able to argue with the $3,999 asking price.

The SP4000 goes a distance towards justifying its cost in the way it’s specified to perform, too. Numerous technological highlights abound, none of them in any way ‘affordable’, and between the sheer heft of the physical item and the lengthy list of technologies Astell & Kern has brought to bear, the SP4000 seems about as purposeful as these things ever get.

And in action, it is an uncomplicated pleasure to listen to, fully befitting a place in the best MP3 players around. In every meaningful way, the SP4000 is an extremely accomplished device, able to combine brute muscularity with deft insight, rhythmic positivity with outright scale. No matter what you choose to listen to, the Astell & Kern seems to enjoy it just as much as you do – and it’s not about to sit in judgement on your choice of headphones either.

Astell & Kern A&ultima SP4000 review: Price and release date

Astell & Kern A&ultima SP4000 portable music player on a white surface — (Image credit: Future / Simon Lucas)

Priced at $3,999 / £3,799 / AU$6,599

The Astell & Kern A&ultima SP4000 is on sale now, and in the United States it sells for $3,999. In the United Kingdom the asking price is £3,799, and in Australia you’ll have to part with AU$6,599.

Not cheap, is it? Anyone who takes an interest in this sort of thing will know Astell & Kern has no problem in pitching its products as uber-high-end propositions, but no matter how many times I see one of its products priced this way, it remains difficult not to do a double-take…

Astell & Kern A&ultima SP4000 review: Features

Top panel, showing 3.5mm and 4.4mm headphone ports, of the Astell & Kern A&ultima SP4000 portable music player on a white surface — (Image credit: Future / Simon Lucas)

4 x AKM4191 and 4 x AKM4499EX DACs in 1:1 architecture
4 x opamps per analogue output
Snapdragon 6125 octa-core processor

Something would seem amiss, wouldn’t it, if a digital audio player costing very nearly four thousand of your US dollars wasn’t groaning under the weight of its specification? Well, when you consider the extensive nature of the SP4000, it’s a wonder it’s not even bigger and even heavier than it actually is.

It follows that I should try to be reasonably brief, otherwise we’ll be here all day.

At its most fundamental, the SP4000 is built around ‘octa’ audio architecture. The digital-to-analogue signal processing is in a 1:1 structure, with one AKM4191 digital processor paired with one AKM4499EX DAC. This allows digital signals to be delivered to a single DAC, four times over – this is a true quad-DAC design, with the aim of allowing precise signal transfer with a vanishingly low signal-to-noise ratio. The ability to deal with PCM resolutions of up to 32bit/768kHz and DSD512 means any realistic digital audio file is catered for.

There are eight opamps deployed, four attending to the unbalanced 3.5mm analogue output and four dealing with the 4.4mm balanced equivalent. The intention is to increase dynamic range and enhance detail retrieval – Astell & Kern calls this arrangement ‘high driving mode’ and suggests it provides powerful and stable signal output.

A newly developed LDO (‘low drop-out’) regulator in the power supply stabilizes battery voltage in an effort to suppress noise. Proprietary ESA (‘enhanced signal alignment’) technology is designed to improve the alignment of frequency signals (sometimes opaquely referred to as ‘timing’) to minimize distortion and enhance clarity. The PCB is a high-end ‘Any Layer HDI’ design that allows for extremely complex circuitry to be laid out in a very small space, minimizing signal loss.

Astell & Kern A&ultima SP4000 digital media player, showing potential DAC filter options, on a white surface — (Image credit: Future / Simon Lucas)

What else? The audio block sits behind a 99.9% pure copper shielding can, offering significant shielding from electromagnetic interference. The audio block itself is Astell & Kern’s ‘Teraton X’ design, which incorporates HEXA-Audio circuitry along with power-efficient amplification and considerable power noise cancellation, to deliver what the company suggests is the ‘ultimate sound solution’.

The entire show is run by a Snapdragon 6125 Octa-core processor that features a high-performance CPU and 8GB of DDR4. CPU, memory and wireless comms circuitry are configured as a single module, and with the digital circuit components arranged in the same area it’s effectively a system on a chip.

I could go on. There are six digital filters available to allow the user to, in a small way, design their own sound. The ‘crossfeed’ feature allows a little of the left-channel mix into the right channel (and vice versa) and, in conjunction with some adjustment options, tries to replicate the effect of listening to speakers when listening to headphones. The second generation of Astell & Kern’s DAR (‘digital audio remaster’) technology, dubbed ‘Advanced DAR’, uses a ‘virtual sound extender’ as part of a two-stage upsampling process that can convert PCM signals of up to 48kHz to 385kHz or to DSD128, and signals of greater than 96kHz to DSD256, for playback.

Surely, though, the broad point is made by now. Astell & Kern didn’t leave space for the kitchen sink, but it has thrown pretty much everything else at the A&ultima SP4000.

Features score: 5 / 5

Astell & Kern A&ultima SP4000 review: Sound quality

Astell & Kern A&ultima SP4000 digital audio player, showing VU meters, on a white surface — (Image credit: Future / Simon Lucas)

Epic levels of insight and detail
Rhythmic and dynamic positivity
Sounds simultaneously open and unified

Yes, you can fiddle around the edges of the way the A&ultima SP4000 sounds – investigate filters, fool around with EQs, you name it – but what you can’t do is alter its overarching sonic character. Which is just as well, because this Astell & Kern digital audio player is a staggeringly direct, informative and, ultimately, complete listen. Few are the sources of audio information, of any type and at any price, that can match its powers of communication – and I have heard plenty.

No matter if you’re listening to a 16bit/44.1kHz FLAC file of Ride’s Leave Them All Behind, a 24bit/48kHz FLAC file of James Holden’s Common Land or a DSD64 file of The Band’s I Shall Be Released: it’s all the same to the SP4000. In every circumstance it’s a profoundly detailed, rhythmically positive, articulate and energetic listen. There really isn’t an aspect of music-making at which it doesn’t prove itself masterful.

And it’s not as if I can offer a “yes, but…” or two in the name of balance. The longer I listen to the SP4000, the more beguiled I become.

Tonal balance? It’s basically impeccable. Frequency response? Smooth and even from way down at the low frequencies to the vertiginous top end. The Astell & Kern sounds naturalistic and unforced, and it’s completely even-handed in the way it presents the frequency range. And at every point, it’s absolutely alive with detail both broad and fine. The minutiae of tone, timbre and texture are made absolutely apparent, and the player loads all of this information onto the listener without being in any way showy or uptight about it. This fanatical attention to detail is simply a way of ensuring you get as complete a rendition of your digital audio files as possible.

The presentation is spacious and well-defined at the same time, and no matter if it’s a large ensemble all packing the stage or just one voice with a single guitar as accompaniment, the SP4000 lays it all out in confident and coherent fashion.

It deals with rhythm and tempo with similar authority, keeping momentum levels high and observing the attack and decay of bass sounds (in particular) with obvious care. It can ease back if necessary, though - nothing gets hurried along, but rather is allowed to proceed at its own chosen speed. Dynamic headroom is, to all intents and purposes, limitless. From the smallest, quietest event in a recording to the last almighty crescendo, the SP4000 is on top of things - the distance between these two states is prodigious. And the smaller, but no less crucial, dynamics of harmonic variation, the attention to the over- and undertones that surround the fundamental when listening to a solo instrument, are given very judicious weighting. Context is everything, and the SP4000 seems to almost instinctively understand it.

And the Astell & Kern even has the decency not to be sniffy either about the music you listen to or the headphones via which you access it. Obviously it does better work (or, rather, its potential is best exploited) by hi-res files and high-end headphones - but if you want to connect your bog-standard true wireless in-ear via Bluetooth and listen to Spotify’s free tier the SP4000 won’t judge you. Not too badly, anyway.

Sound quality score: 5 / 5

Astell & Kern A&ultima SP4000 review: Design

Turn knob of the Astell & Kern A&ultima SP4000 digital audio player on a white surface — (Image credit: Future / Simon Lucas)

Polished 904L stainless steel and PVD-coated ceramic
150 x 85 x 20mm
615g

Ordinarily, a digital audio player is designed to be reasonably compact, and light enough to be slipped into a pocket. Of course, Astell & Kern sets out for its digital audio players to be anything but ordinary.

So the SP4000 is a fairly large (150 x 85 x 20mm) device that weighs a considerable 615g. Too big and heavy, in other words, to be comfortably carried in any pocket smaller and less robust than that of a military greatcoat. This is its naked weight, too. If you add one of the included screen protectors (which is, admittedly, going to make negligible difference to the weight) and slip the player into its supplied Perlinger leather* protective case, it becomes heavier still. At least that case prevents the player’s sharp, pointy corners from digging into hands or pocket linings, mind you.

(*I’m not a vegetarian. I know people who are, though, and some of them are just as interested in high-quality audio as I am. So once again I find myself wondering why companies like Astell & Kern imagine real leather – in this instance, leather made from "the soft, delicate hide of calves under one year old" – to be the untouchable height of luxury. Surely it’s possible to offer a protective case for the SP4000 that looks and feels upmarket but that isn’t going to alienate who knows how many prospective customers? Or is that just me?)

The four sides of the SP4000 are built of 904L stainless steel (the same stuff the likes of Rolex uses, on the basis that it will accept an extremely high polish), and feature some of the angularity and asymmetry that Astell & Kern established as part of its design vocabulary a good while ago. The front is of toughened glass, 152mm on the diagonal, and is almost entirely touchscreen. The rear panel, meanwhile, is finished in PVD-coated ceramic.

It really goes without saying that the standard of build and finish on display here is flawless. With the design of the SP4000, Astell & Kern has set out to deliver a product that blurs the line between ‘electrical hardware’ and ‘luxury accessory’. Or, as the company’s website rather feverishly has it, "a work of art where technology, design, intuition and performance converge". You may feel that Astell & Kern has done exactly what it set out to do, you may find the design rather self-consciously opulent. Taste is a very personal thing, after all.

It’s worth noting the grandeur of SP4000 ownership starts well before you peel the protective covering off the player itself. It arrives in a branded box that’s a similar size to that which contained a pair of size 10 Tricker’s boots I bought the other day. Inside there is another, branded, clasp-fastening box covered in what I strongly suspect is a further quantity of leather.

Inside that you’ll find the SP4000, along with compartments that contain that Perlinger leather cover, a case with a flap covering into which the player (in its cover) can be slipped (more leather, I presume), various guides and warranty documents, a congratulatory note from the company, and a reasonably heavyweight, branded USB-C to USB-C cable. I am pretty sure this all comes under the heading of ‘the experience’.

Design score: 4 / 5

Astell & Kern A&ultima SP4000 review: Usability and setup

Turning knob, glowing purple, of the Astell & Kern A&ultima SP4000 digital audio player — (Image credit: Future / Simon Lucas)

2160 x 1080 touchscreen
Supports Full Android OS
Qualcomm QC3.0 fast charging

The SP4000 represents the first time an Astell & Kern product has supported full Android OS. The convenience and all-around common sense of the operating system is intended to help the SP4000 be as flexible and convenient as possible, while some of the Snapdragon 6125 octa-core processor’s responsibilities center around rapidity of the OS response and the smooth, comfortable user interface motion.

Happily, it all works very well. The big 2K (2160 x 1080) touchscreen is responsive and swift, smooth-scrolling and consistent. The operating system will be mercifully familiar to anyone whose smartphone isn’t an iOS device, and it’s just as wide-ranging and usable here as it is in its most successful smartphone applications.

Setting up the SP4000 is no kind of hardship. It’s simply a question of connecting it to your local network (its dual-band Wi-Fi is tenacious when it comes to making and maintaining a connection to your router or tethering to your smartphone if you’re out and about), and from there it’s simple to load the apps you require. The ‘AK File Drop’ function makes transferring files from a PC, smartphone or FTP program on a common network faster and easier than before, too.

The Astell & Kern also supports Qualcomm QC 3.0 fast charging, which means it can be charged more rapidly (and more efficiently) than previous flagship A&ultima models. Mind you, ‘fast’ and ‘rapid’ are definitely relative terms in this instance. From ‘flat’ to ‘full’ takes around five hours, which is about half the time it takes for the SP4000 to flatten its battery if you’re listening to ordinary files at ordinary volume levels.

There are a few physical controls arranged around the edges of the SP4000. As you look at its touchscreen, there’s an elaborate volume control/power on/off on the top-right edge – it’s pleasantly shaped and knurled, and a light behind it glows in one of a variety of different colors to indicate the resolution of the audio file it’s currently playing.

On the opposite side there are three buttons that deal with skip backwards/rewind (accessible via ‘press’ or ‘press and hold’ respectively), skip forwards/fast-forward (same) and play/pause. There’s a ‘button lock’ switch on the top edge, to the right of the 3.5mm hybrid optical/unbalanced analogue and 4.4mm balanced analogue outputs, and on the bottom edge you’ll find a USB-C socket and a microSD card slot, which will accept cards of up to 1.5TB.

Usability and setup score: 4.5 / 5

Astell & Kern A&ultima SP4000 review: Value

Top panel of the Astell & Kern A&ultima SP4000 digital audio player on white surface — (Image credit: Future / Simon Lucas)

First things first: you don’t contemplate ownership of the Astell & Kern A&ultima SP4000 because you’re in any way concerned about value for money. Is it the best-sounding DAP out there? Sure. Is it twice as good as alternatives from the likes of FiiO or Astell & Kern itself that cost comfortably less than $2k? Not a chance.

No, the value in the SP4000 comes from its status as the shiny flagship of the Astell & Kern range. It comes from the knowledge that no one you bump into when in the First Class Lounge has a more expensive DAP than you. It comes from the ability to add ‘DAP’ to the list of ‘madly luxurious accessories I own’.

Should I buy the Astell & Kern A&ultima SP4000?

Astell & Kern A&ultima SP4000 digital audio player on a white surface — (Image credit: Future / Simon Lucas)

Buy it if...

You want more from your digital audio player than just digital audio
In the same way as there’s more to a Montblanc fountain pen than just the ability to function as a pen…

You admire extremely thorough specification
Astell & Kern has left no stone unturned here.

You take good care of your belongings
That super-shiny stainless steel is quite fingerprint-hungry…

Don't buy it if...

You pay the slightest attention to value for money
It’s it’s true value you’re after, virtually any other Astell & Kern DAP will suit you better than the SP4000.

You’re vegetarian or vegan
Astell & Kern considers leather to be shorthand for ‘sophisticated’.

You don’t own any expensive, high-performance headphones
You’d better be budgeting for some, that’s all I can say.

Astell & Kern A&ultima SP4000 review: Also consider

FiiO M23
The FiiO represents remarkable value at $699 for a DAP with such balanced, eloquent and entertaining sound. And think of what you could do with all the money you’ll have saved...
Read our full FiiO M23 review

Astell & Kern Kann Ultra
Don’t bother looking for like-for-like alternatives to the A&ultima SP4000 – there aren’t any. But there are some extremely capable digital audio players available for a fraction of SP4000 money, many of them well worth considering. The Astell & Kern Kann Ultra, for instance, is a great-sounding and well-specified device that’s yours for $1,759.

How I tested the Astell & Kern A&ultima SP4000

Tested for over a week
Tested with streamed and downloaded content
Tested with wired and wireless headphones

I slotted a microSD card filled with hi-res content (up to 24bit/192kHz and DSD64, anyway) into the SP4000, and I downloaded the Tidal and Presto music streaming apps while I was at it.

I used Sennheiser IE900 IEMs connected via the 4.4mm balanced output, Austrian Audio The Composer over-ears via the 3.5mm unbalanced alternative, and tried out the Technics EAH-AZ100 true wireless in-ears and Bowers & Wilkins Px8 wireless over-ears too.

I listened to lots of different types of music, via lots of different file types and sizes – and I did so indoors and (with some trepidation, I don’t mind telling you) outdoors too.

First reviewed in September 2025

Read TechRadar's reviews guarantee

« Previous Page — Next Page »